Shadows of the Empire (soundtrack)

The Shadows of the Empire soundtrack is a musical score by Emmy Award-winning composer Joel McNeely which was inspired by author Steve Perry's 1996 novel of the same name. The score, much like classical program music of the past, is based on a piece of literature rather than a motion picture.
While McNeely set out to make an eclectic piece of his own style rather than try to imitate John Williams, three familiar themes from the movies can be heard in tracks one ("Main Title" and part of "Carbon Freeze"), eight ("The Imperial March" and "Force Theme"), and ten ("The Imperial March").
The 51-minute score, conducted by McNeely, was performed by the 90-piece Royal Scottish National Orchestra and a 150 voice chorus in Glasgow, Scotland in early 1996. The album was released by Varèse Sarabande Records on April 23, 1996. In addition to the score, the CD contained exclusive CD-ROM features with behind-the-scenes content.
==Origin==
In the early 1990s, Robert Townson of Varèse Sarabande Records worked with Lucasfilm to release four soundtrack albums of music composed for The Young Indiana Jones Chronicles. Around that time, he and Lucasfilm's Lucy Autrey Wilson discussed the idea of an orchestral soundtrack based on the Thrawn Trilogy by Timothy Zahn. The idea did not come to fruition at the time, but when the Shadows of the Empire project came along, the two decided that it would be the perfect opportunity for a Star Wars score based on a novel.The Secrets of Star Wars: Shadows of the Empire
Townson's first choice for a composer was Joel McNeely. Aside from previously conducting several score re-recordings for Varèse Sarabande, McNeely had scored the film Radioland Murders as well as numerous episodes of Young Indiana Jones for Lucasfilm. McNeely initially turned down the offer because he was working on two other films at the time, and so the project was temporarily shelved; however, when a two-week window opened up in his schedule, he signed on to write the score.ScoreNotes.com Interview with Joel McNeely
==Creation==
===Writing===
The idea for a score based on a work of literature was inspired by classical program music by composers like Beethoven and Strauss, of which Townson considers film scores to be the modern extension. He met with McNeely to discuss the project, the storyline's mood and grandeur, the dominant themes and what had to be composed. He provided him with Ralph McQuarrie's concept paintings of Coruscant for inspiration. McNeely cited Mussorgsky's Pictures at an Exhibition as a precedent, being a musical representation of painted pictures.
McNeely chose to use the existing music of Star Wars as thematic pillars rather than give a "poor man's imitation of John Williams." He set out to make an "eclectic" piece that would tell the story of the characters and events through music, much like a film score.Shadows of the Empire album liner notes However, since there was no film, McNeely was not having to work against a temp track, sound effects, film timings, etc. He enjoyed the ability to imagine different scenarios and react to them "without fear of fighting another element." Unrestricted by film timings, McNeely was able to focus on certain elements as long as he liked, noting that "Every passage [of the score] represents some person, place or event in this story."
====Dha Werda Verda====
Ben Burtt, who has developed numerous alien languages for Star Wars, wrote a poem called "Dha Werda Verda" to be sung by the chorus. McNeely asked that Burtt "make the language Germanic with hard syllables, very harsh and guttural." McNeely then used pieces of the poem out of context in his compositions.
The poem—the discovery of which Burtt ties into characters and events he developed for the Droids cartoon in the mid-1980s—details the ancient conflict between the Battalions of Zhell and Coruscant's primitive ancestors, the Taungs. According to the poem, the battle of the two peoples was interrupted by a volcanic eruption which wiped out the Zhell, and the site of the battle eventually became Imperial City millennia later.
While Burtt's original liner notes don't specify the name of the text's language, more recent Expanded Universe lore hints that the words may actually be an ancient form of Mando'a.The New Essential Chronology
===Recording===
The three recording sessions for Shadows of the Empire were held in Glasgow, Scotland on February 24 and 25, 1996. The score was conducted by McNeely and performed by the Royal Scottish National Orchestra and Chorus, made up of a 90-piece orchestra and a 150-piece choir. The score was then mastered at Abbey Road Studios in London, England, since there was no time to return to the United States for mastering.
==Release==
Before the Shadows album was released, selections from the score were performed in concert by the Royal Scottish National Orchestra at Scotland's Royal Concert Hall in Glasgow on March 3, 1996. The concert, conducted by McNeely, also featured selections from scores such as Vertigo, The Bride of Frankenstein, and Spartacus; after an encore, McNeely was reportedly beckoned back to the stage for five ovations.
The Shadows of the Empire album was released by Varèse Sarabande Records on April 23, 1996 on both audio cassette and compact disc. In addition to the score, the CD contained exclusive CD-ROM features. The album featured the same Drew Struzan cover artwork as the novel. It also included liner notes with brief plot summaries and commentary for each track by Townson and McNeely, as well as the text of Dha Werda Verda and notes from Ben Burtt.
Selections from the Shadows score were later used in the Shadows of the Empire video game, as well as the audiobook, along with Williams' music from the original trilogy.
==Reception==
A decade removed from the project, Joel McNeely said that he doesn't listen to the piece much, but that when he does, he hears "the fact that it was written in two weeks," claiming that it is not his "shining hour."
===Appearances===
==Tracks==
===Main Theme from Star Wars and Leia's Nightmare===
This track begins with John Williams' classic "Main Title." After a short piece by McNeely which recurs later in the score, another Williams piece is used—"Carbon Freeze" from The Empire Strikes Back—representing Leia Organa's nightmare flashing back to the time when her lover, Han Solo, was encased in carbonite. After the usage of "The Imperial March," the cue ends with a short coda by McNeely as Organa wakens from the nightmare.
===The Battle of Gall===
Dash Rendar gives Lando Calrissian the location of Boba Fett's Slave I (and, thereby, the frozen Han Solo): Gall, a moon in the Outer Rim Territories. At the Battle of Gall, Luke Skywalker and Rogue Squadron face off against the Empire while Calrissian, Organa, Chewbacca, and Dash Rendar go after Fett. This eight-minute battle cue starts off slowly and builds as the action unfolds. Halfway through, the piece slows down to introduce the "Alliance Battle Hymn," a theme that reappears near the end of the score. After this, the action music continues.
===Imperial City===
This piece begins with a representation of the approach to Imperial Center from space, musically expressing the "spectacular sight" of the planet. Chords rise to represent the seemingly endless height of the skyscrapers. After the brass play a welcoming fanfare, a "reflective" theme explores Monument Plaza. After the main theme for Imperial City appears, the track closes with a reprise of the rising chords from earlier in the piece.
===Beggar's Canyon Chase===
On Tatooine, a swoop gang attacks Luke Skywalker at Ben Kenobi's hut. Skywalker commandeers one of the swoops and heads to Beggar's Canyon. As Skywalker's chase with the gang comes to a close, the piece ends with a brief statement of Dash Rendar's Theme as Rendar rescues Skywalker.
===The Southern Underground===
This piece is a reflection of the "quirky environment" Organa and Chewbacca find themselves in as they travel through Coruscant's Southern Underground. Deep below the planet's surface, this area of Coruscant never sees sunlight. It is a smelly, moldy locale full of beggars and other unsavory characters. Organa and Chewbacca must pass through the area to meet up with Spero, a Ho'Din who will provide them with information about Black Sun.Shadows of the Empire (novel)
===Xizor's Theme===
Prince Xizor, the Falleen leader of the criminal organization Black Sun, is a formidable foe for both the Rebel Alliance and the Empire. As with the "Imperial City" piece, this track was intended to take a journey through Xizor's Palace, starting deep below with echoes from Xizor's prisons. Representing both the horrors of his crimes and his fine taste, the piece contrasts "ugly motifs" with classical segments.
In the last two minutes of the track, the actual theme for Xizor begins. According to the composer: "When I first read the book, my initial impression of Xizor was—ethnic. Something Middle Eastern, slightly primitive in style, but with a real seductive side, a lot of drums." McNeely uses the main melody for the reptilian Xizor, then includes a section led by strings to represent Xizor's romantic side, but finally finishes the piece with the "angry" ethnic melody, claiming that "the primal ultimately wins out."
"Xizor's Theme" was later included on Varèse's In Session: A Film Music Celebration and Varèse Sarabande: A 25th Anniversary Celebration compilation albums.
===The Seduction of Princess Leia===
This waltz is inspired by the scene in which Princess Leia Organa goes to Prince Xizor's Palace to seek the aid of Black Sun. The piece begins with a motif representing the emitting of Xizor's Falleen pheromones which begin to seduce Organa. As their passion intensifies, so do the speed and energy of the waltz. After the pheromone motif repeats, the piece takes a lusher, more romantic turn as Organa ceases to resist. A final appearance of the pheromone motif is broken up with a musical representation of Chewbacca interrupting by pounding on the door.
===Night Skies===
In this piece, both Xizor's Theme and Darth Vader's Theme (The Imperial March) are played more softly than usual as the respective characters experience reflective moments. Xizor first ponders on Organa's rejection of him and finds himself only more attracted to her. Then, Vader tries to contact his son Skywalker through the Force, and McNeely uses the choir "as a very quiet, reflective element about a man having a moment of introspection at a pivotal point in his life." After a bold statement of Williams' "Force Theme," the Imperial March returns as Vader learns the history of Xizor's family.
===Into the Sewers===
In this scene, Skywalker, Chewbacca, Rendar, Calrissian, and Benedict Vidkun must travel through sewage tunnels to break into Xizor's Palace to rescue Organa. McNeely calls this composition the "musical equivalent of walking through sludge of unimaginable olfactory repugnance."
===The Destruction of Xizor's Palace===
In what Robert Townson called the "big finale cue," McNeely uses the choir "as a power element for the climactic destruction of Xizor's palace as the orchestra plays with great fury and bombast." This ten-plus minute long finale piece begins with a choral presentation of Dha Werda Verda as Skywalker, Calrissian, Rendar, and Chewbacca break into Xizor's palace to find Organa. Once she is discovered, the music begins building until they run into Xizor, and then Calrissian sets a thermal detonator. The group then escapes the doomed palace and engages in a battle against Xizor's forces and the Imperials, eventually prevailing to fight the Empire another day.
In addition the use of Xizor's Theme, this track features multiple instances of the Imperial March, acknowledgment of which is curiously absent on the rear cover of the album case. After nine minutes in, the Alliance Battle Hymn makes another appearance, followed by a "triumphant passage signaling the end of another great adventure."
==Album details==
===Track listing===
#Main Theme from Star Wars and Leia's Nightmare (3:41)
#The Battle of Gall (7:59)
#Imperial City (8:02)
#Beggar's Canyon Chase (2:56)
#The Southern Underground (1:48)
#Xizor's Theme (4:35)
#The Seduction of Princess Leia (3:38)
#Night Skies (4:17)
#Into the Sewers (2:55)
#The Destruction of Xizor's Palace (10:44)
*Total runtime: 51:27
===Enhanced CD features===
The enhanced CD contains several features including an introduction with an overview of the Shadows of the Empire multimedia project, biographies on Steve Perry, Jon Knoles, Doug Chiang, John Wagner, and Michael Butkus, galleries and biographies from artists Ralph McQuarrie, Drew Struzan, Hugh Fleming, and Kilian Plunkett, information about Joel McNeely, Ben Burtt, the Royal Scottish National Orchestra and Chorus, Robert Townson, Matthew Joseph Peak, and Varèse Sarabande Records, and information about the book, the game, the comic series, and the toys based on the characters. The music section also features the entire "Music of the Shadows" chapter from The Secrets of Star Wars: Shadows of the Empire, recording session photographs by Matthew Joseph Peak, and other text also printed in the album's liner notes. The liner notes of the booklet give brief plot summaries for each track of the corresponding sections from the novel. McNeely wrote, "Unlike with film music, I have been allowed to let my imagination run free with the images, characters and events from this story. I have also had the luxury to loiter as long as I like with a character or scene. Every passage represents some person, place or event in this story."
===Editions===
*ASIN B0000014YD; April 23, 1996, Varèse Sarabande, Enhanced CD
*ASIN B0000014YE; April 23, 1996, Varèse Sarabande, Audio cassette
*PC Video Game; 1997, soundtrack from the game by John Williams included on the CD when put in computer.
==Credits==
The Enhanced CD features include a full credit listing for the Royal Scottish National Orchestra and Chorus:
==Sources==
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*The Secrets of Star Wars: Shadows of the Empire
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*Star Wars: Shadows of the Empire Limited Collector's Edition
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==Notes and references==
==External links==
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*Official Star Wars music site
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*CD Liner with additional Information
Category:Soundtracks
Category:Star Wars: Shadows of the Empire