A Boy Named Charlie Brown/Production

== Development ==
The film was partly based on a series of Peanuts comic strips originally published in newspapers in February 1966. That story had a much different ending: Charlie Brown was eliminated in his class spelling bee right away for misspelling the word maze ("M–A–Y–S" while thinking of baseball legend Willie Mays), thus confirming Violet's prediction that he would make a fool of himself. Charlie Brown then screams at his teacher in frustration, causing him to be sent to the principal's office (A few gags from that storyline, however, were also used in You're in Love, Charlie Brown).
== Music ==
A Boy Named Charlie Brown also included several original songs, some of which boasted vocals for the first time: "Failure Face", "I Before E" and "Champion Charlie Brown" (Before this film, musical pieces in Peanuts specials were primarily instrumental, except for a few traditional songs in A Charlie Brown Christmas.) Rod McKuen wrote and sang the title song. He also wrote "Failure Face" and "Champion Charlie Brown".
The instrumental tracks interspersed throughout the movie were composed by Vince Guaraldi and arranged by John Scott Trotter (who also wrote "I Before E"). The music consisted mostly of uptempo jazz tunes that had been heard since some of the earliest Peanuts television specials aired back in 1965; however, for A Boy Named Charlie Brown, they were given a more "theatrical" treatment, with lusher horn-filled arrangements. Instrumental tracks used in the film included "Skating" (first heard in A Charlie Brown Christmas) and "Baseball Theme" (first heard in Charlie Brown's All-Stars). When discussing the augmentation of Guaraldi's established jazz scores with additional musicians, Lee Mendelson commented, "It wasn’t that we thought Vince's jazz couldn't carry the movie, but we wanted to supplement it with some 'big screen music.' We focused on Vince for the smaller, more intimate Charlie Brown scenes; for the larger moments, we turned to Trotter's richer, full-score sound."Bang, Derrick. Liner notes for A Boy Named Charlie Brown: Original Motion Picture Soundtrack (2017); Kritzerland, Inc. Retrieved 7 May 2020 Guaraldi's services were passed over entirely for the second Peanuts feature film, Snoopy Come Home, with Mendelson turning to longtime Disney composers, the Sherman Brothers, to compose the music score.
The segment during the "Skating" sequence was choreographed by American figure skater Skippy Baxter. A segment during the middle of the film, in which Schroeder plays the entire 2nd Movement of Beethoven’s Sonata Pathétique was performed by Ingolf Dahl. Dahl also performs the excerpts of the 1st and 3rd movements which appear in the movie and are also played by Schroeder. Only the 3rd Movement (Rondo: Allegro) can be found on A Boy Named Charlie Brown: Original Motion Picture Soundtrack and only as a shortened bonus track.
The film also features a Jew's harp, which Snoopy plays to help Charlie with his spelling.
The French-language version replaces Rod McKuen's vocals with a French version sung by Serge Gainsbourg, "".
A soundtrack album with dialogue from the film was released on the Columbia Masterworks label in 1970 titled A Boy Named Charlie Brown: Selections from the Film Soundtrack. The first all-music version of the soundtrack was released on CD by Kritzerland Records as a limited issue of 1,000 copies in 2017, titled A Boy Named Charlie Brown: Original Motion Picture Soundtrack.A Boy Named Charlie Brown: Original Motion Picture Soundtrack at kritzerland.com
== Art design ==
A Boy Named Charlie Brown, while directed and produced by the same team of Bill Melendez and Lee Mendelson, who were responsible for all the Peanuts television specials (Phil Roman directed later TV specials starting around the mid-1970s), has many different aspects that most of the specials did not explore in a visual sense. The film itself has moments where there is rotoscoping prevalent, as in the sequence when Snoopy skates, and bleached-out silhouettes of real hockey players are visible behind him. Some backgrounds have a pop art feel, similar to much animation of the late 1960s, as in "The Star-Spangled Banner" sequence, where the images are purposely chaotically edited, or the sequence where Schroeder plays Beethoven on his piano, which effects a surrealistic quality similar to Disney's Fantasia.
There also seems to be a strong Andy Warhol influence, wherein actual photographs appear to have been painted over in semi day-glo psychedelic colors (this is particularly evident during the film's closing credits). Melendez, who had previously worked with Bob Clampett on cartoons back in the 1940s, also uses garish colors in some sequences, which takes its cues from many Clampett backgrounds, particularly a Warner Bros. cartoon called The Big Snooze which was directed by Clampett and which Melendez had also worked on. Many backgrounds are also rendered in watercolor, or simple pen strokes, or fine lines, or sometimes all three at once. There are scenes where colors will change solidly and erratically, as witnessed by the Snoopy "Red Baron" sequence in the film. Perspective and horizon points are showcased in the "I Before E" scene. Split screen is also used to much effect in A Boy Named Charlie Brown, as well. But even with all these theatrical enhancements, at its core, the film still has the look and feel of many of the Peanuts television specials.
== References ==
Category:Production