nntsuzu/KFTT huggingface dataset:
English: He made the top ten of the "Kinema Junpo" (Cinema quarter) six times, and this number is unexpectedly small in comparison with his fame, because many of his films were too unique that they used to be ranked between 11th and 20th.
Japanese: 名声に比べキネマ旬報ベストテン入選は6回と意外に少ないが、11位～20位あたりで評価される異色作が多い。
English: In case of "Blood Type: Blue," which did not gain a good reputation at all, when it was released to the public for the first time, only a few mighty critics such as Shinichi HOSHI, Michio Tsuzuki, and Komimasa TANAKA expressed extremely good reactions.
Japanese: 公開当時評価の低かった『ブルークリスマス』の場合、当時絶賛したのは星新一、都筑道夫、田中小実昌といった一騎当千の顔ぶれであった。
English: Among writers, Yasutaka TSUTSUI has been well known as an enthusiast of Kihachi since his youth, and dedicated an homage to the director in his first full-length novel "Umanokubi Fuunroku" (Adventurous chronicle of 'Horse Neck'), etc.
Japanese: 作家では筒井康隆が青年時代からの熱心な喜八ファンとして有名であり、初期長編『馬の首風雲録』などでオマージュを捧げている。
English: Hideaki ANNO, an animated film director, is also known as a great admirer of Okamoto, and there is a famous anecdote that the letters 'BLOOD TYPE BLUE' displayed as a wavelength pattern of the "Shito" (Apostle) in his animated film "Neon Genesis EVANGELION" was derived from the English title "Blood Type: Blue."
Japanese: アニメーション監督の庵野秀明も岡本の大ファンとして知られ、アニメ『新世紀エヴァンゲリオン』で“使徒”の波長パターンとして表示される「BLOODTYPEBLUE」が、『ブルークリスマス』の英題からの引用であることは有名な話である。
English: In the animated film "Aim for the Top: GunBuster" created by the same director Anno, he copied several lines from Okamoto's film, "The Battle of Okinawa" (1971), such as, 'there are too many ships that I can't see the sea,' and '70% is occupied by ships and 30% by the sea,' and he imitated a subtitle giving the phrase 'XX thousand bombshell shots/ xx thousand rocket bombs,' as an homage, and when "The Battle of Okinawa" was released on Laserdisc (LD), Anno also wrote liner notes.
Japanese: 同じ庵野の監督作『トップをねらえ』では、岡本の『激動の昭和史沖縄決戦』（1971年）における「船が多すぎて海が見えない」、「船が七分に海が三分」などのセリフや、「砲弾○万○千発/ロケット弾○万○千発」のテロップをオマージュとして模倣しており、『沖縄決戦』がLD化された際には庵野がライナーノートを書いている。
English: Since then the line 'there are too many ships...' became very famous and it is parodied in an animation "Night Wizard, The Animation," and a game "Otaku Masshigura" (or re-parodied).
Japanese: なお、「船が－」のセリフは『トップ-』を介して著名になり、『ナイトウィザードテレビアニメ』やゲーム『おたく☆まっしぐら』などでもパロディ化（または再パロディ化）されている。
English: Among the students of the 'Kihachi family,' which used very limited, almost only two, fixed assistant directors, those who became film directors are limited to almost only two, Susumu TAKEBAYASHI and Michio YAMAMOTO, and they supported Okamoto in more than a dozen films, respectively.
Japanese: 「喜八一家」は助監督も固定されがちであったこともあり、門下生監督はそれぞれ十数本をサポートした竹林進、山本迪夫の二人にほぼ絞られる。
English: Among the students in his later stage, Kensho YAMASHITA served as a backup director in "Eireitachi no Oenka" (The Last Game) (International: English title), although he had already been promoted to director at that time, Go RIJU took charge of as a joint script writer, leading actor, and assistant director for "Chikagoro naze ka Charusuton" (At This Late Date, the Charleston) at the age of only 19, and Yusuke OKADA, actual President of Toho, worked as a producer and at the same time as the leading actor in "Battle Cry/ Go for Broke."
Japanese: 後期としては監督昇進後も「英霊たちの応援歌」を応援監督した山下賢章、弱冠19歳で「近頃なぜかチャールストン」の共同脚本兼主演兼助監督をつとめた利重剛、プロデューサーでは「吶喊」で主演兼で初仕事を手がけた岡田裕介現東映社長が挙げられる。
English: Especially the latter two cases can be considered invaluable because they were given a chance to debut using the scarce resources of Kihachi Productions Co., Ltd.
Japanese: 特に後二者は喜八プロの零細資本をもってデビューの場を与えられた貴重な存在である。
English: As he was a person of well-rounded personality with common sense, he was popular among the actors and staff, and was endearingly called 'Kihacchan' by the senior associates and colleagues.
Japanese: 人格円満な常識家で、俳優やスタッフの人望も高く、先輩や同僚からは「キハっちゃん」と呼ばれて親しまれた。
English: Toshiro MIFUNE appeared in only one scene in Okamoto's first film "All About Marriage" for the role of a ballet instructor, and his "Un-due-trios" pronounced in a deep voice and with a funny costume of tights draw our belly laughs.
Japanese: 三船敏郎は、岡本のデビュー作『結婚のすべて』にバレエ教師役でワンシーン出演し、野太いアンドウトロワの掛け声とタイツ姿で爆笑を誘う。
English: It is said that Mifune participated in the film because he was living in the same apartment house where Okamoto had been living since he was an assistant director, and as they were getting on well with each other, Mifune took part in the film with good grace to celebrate Okamoto's promotion to director.
Japanese: 岡本が助監督時代から同じアパートに住み、仲がよかったため、岡本の監督昇進を祝って出演を快諾したからだという。
English: When Norihiko OBAYASHI made his debut in commercial films with the Toho movie, "House (movie)," Obayashi, who did not have any experience as an assistant director, was met by backlash from some of the persons working in the studio, and therefore, Okamoto walked around to persuade these persons, saying 'let's study what to study accepting a new wind.'
Japanese: また、大林宣彦が東宝映画『ハウス(映画)』で商業映画デビューすることになったとき、撮影所内部から助監督経験のない大林に対する反発が強まったが、それらの人々に「新しい風を迎えて学ぶべきは学ぼう」と説得して回ったのが岡本だったという。
English: After many years later, when Obayashi came to be informed of it from a third person, he expressed great gratitude for Okamoto's favor (that means, Okamoto never showed him a patronizing attitude).
Japanese: 大林はかなり後年になってこれを人から聞き（つまり岡本が恩人風をふかすようなことは一切しなかった）、大いに感謝している。
English: It is well known that when he had a conflict with the powerful camera operator, Kazuo MIYAGAWA, over the script of "Zatoichi Meets Yojinbo," finally he pushed through with his continuity, and art director Yoshinobu NISHIOKA recalled another anecdote occurred while a TV drama "Kinagashi Bugyo" was in shooting (Nishioka was involved in it as President of the production company at that time); in which Okamoto almost stepped down in anger for some reason in the middle of the production, and the producer team hastily visited him at home and kneeled down on the ground in front of the entrance to beg him to calm down (from Yoshioka's book on the back lot anecdotes in TV drama production "Monjiro mo Onihei mo Inugamike mo Koshite Dekita").
Japanese: 「座頭市と用心棒」で大カメラマンの宮川一夫と衝突し、結局は自分のコンテを通したことは有名だが、美術監督の西岡義信はTV映画「着流し奉行」（西岡はプロダクションの社長としてタッチ）で岡本が途中降板騒ぎとなり、プロデューサー陣が自宅玄関前で土下座してなだめたエピソードを語っている(「紋次郎も鬼平も犬神家もこうしてできた」より)。
English: He had many lodgers and dependents at his house, including actress Naoko OTANI, TV director Kan ISHIBASHI, and script writer Hiroshi NAGANO, and in the case of Ichiro NAKATANI, he lived with the Okamotos for several years.
Japanese: 女優の大谷直子、テレビディレクターの石橋冠、脚本家の長野洋など、岡本家に下宿・居候していた人も多く、中谷一郎に至っては数年間、岡本家に住んでいた。
English: In a NHK documentary program broadcasted in 1994, Otani visited Okamoto's home and had an interview with Okamoto and his wife.
Japanese: 1994年放映のNHKドキュメンタリー番組では大谷が岡本家を訪問し夫妻にインタビュー。
English: Soon after this visit, Otani got a divorce from Koji SHIMIZU, although it is unknown whether she consulted over her divorce with Okamoto and his wife at that occasion or if it was a mere coincidence.
Japanese: なお、ここで何らかの相談があったか偶然かは不明だが、この直後に大谷は清水紘治と離婚している。
English: Tomoyuki TANAKA, who is a producer and worked together with Okamoto for a long time, is also famous for having fostered special effects movies at Toho, however, as Okamoto declared publicly that he disliked special effects (probably in his film he could not accept the production system containing a part which was out of his control), Tanaka never proposed him any plans of that type.
Japanese: 長年名コンビを組んだプロデューサーの田中友幸は、一方では東宝特撮映画の育ての親として有名だが、岡本が特撮嫌いを公言していた（自作に権限外のパートが混在するシステムが相容れなかったと思われる）こともあり、彼にその種の企画を振ることはなかった。
English: He was to direct only one film with special effects with a popular comic group, Crazy Cats, called 'Nihon Apacchizoku' (The Japanese apache) written by Sakyo KOMATSU, but the shooting was called off in the last minute.
Japanese: 唯一、小松左京の「日本アパッチ族」がクレージーキャッツ主演で撮影直前まで至ったことがある。
English: He never stayed still on the director's chair and worked diligently, walking around more actively than his assistant directors, and his manor of working brought about an anecdote; when a visitor to the studio asked him where was the director, he pretended to be ignorant by pointing out to the lighting director.
Japanese: ディレクターズチェアにほとんど座ることなく助監督以上にこまめに立ち働く演出ぶりは、見学者に「監督はどの人でしょう?」と尋ねられ、照明監督を指してとぼけたというエピソードにも表れている。
English: Through many years' combined efforts with the composer Masaru SATO, he left one of the greatest achievements in the Japanese film world in quality as well as in quantity.
Japanese: また、作曲家佐藤勝との長年のコンビは、その質と量において日本映画でも屈指の偉大な協業である。
English: In addition to several collections of essays and illustrated play scripts, he was the author of novels such as "Sweet Homes Detective" and "Independence Day of the Toppin Republic."
Japanese: エッセイ集や絵コンテ集のほか、小説として『スイートホームズ探偵』『トッピン共和国独立記念日』などの著書がある。
English: As the author of the original "Vengeance for Sale," he used the pen name Osaku IKUTA, which derived from the name of the ward (Ikuta Ward) in Kawasaki City, where he was living.
Japanese: 「助太刀屋助六」の原作等として生田大作(いくたおおさく)のペンネームをもつが、これは川崎市内の岡本の住所に由来している。
English: He did not like taking a bath, and it was quite often that he took a bath only once or twice a week.
Japanese: 風呂嫌いで、1週間に1、2度しか風呂に入らないことも珍しくはなかったという。
English: Then he was always clad entirely in black so that the cloths would not show the dirt.
Japanese: そのため、汚れが目立たないよう、常に全身黒尽くめの服装で通していた。
English: His hobbies were mountain climbing and skiing, and when he was working as an assistant director, he was often picked up for a movie that had a location shooting in the mountains.
Japanese: 趣味は登山とスキーで、助監督時代は山岳ロケのある映画にはよく起用された。
English: In 1960, he directed a film "Daigaku no sanzokutachi" (University bandits), taking advantage of the ski boom at that time.
Japanese: 1960年には、当時のスキーブームに乗った作品『大学の山賊たち』を監督している。
English: The director's wife and a film producer, Mineko OKAMOTO, met Okamoto, for the first time in an interview, while he was still a freshman at Toho and she was a student of Waseda University, belonging to the university's movie society.
Japanese: 映画プロデューサーでもある監督夫人の岡本みね子は、早大映研在籍時に、まだ新人であった当時の岡本監督に取材したのがなれそめ。
English: Especially, she made an immense contribution to shooting the three movies produced by the Art Theatre Guild (ATG) and "Rainbow Kids."
Japanese: ことに3本の日本アート・シアター・ギルド映画や『大誘拐』における夫人の貢献計り知れない。
English: As Okamoto insisted that he would like to shoot the movies even though they would not be publicly released and only screened on his house's fusuma (sliding doors), she tried all she could to raise the fund for film shooting, by not only mortgaging the house, but also by temporarily keeping the fixed deposit certificates of her acquaintances to borrow the money on them.
Japanese: 岡本が「自宅の襖に写してでも撮りたい」という映画のために、自宅を抵当に入れることはもちろん、知り合いから定期預金を集めてこれを抵当に銀行から借入れる等、資金集めに奔走した。
English: In his final years, she was dedicated to the care of her husband, and their life was televised on May 18, 2007 in a NHK documentary program titled "The time given by God: Kihachi OKAMOTO and his wife's 300 days since the notification of cancer."
Japanese: 晩年の介護生活が、NHKのドキュメンタリー『神様がくれた時間～岡本喜八と妻がん告知からの300日』のタイトルで2007年5月18日に放映された。
English: A recreated drama was played by the actors who had intimate relations with him: Hirotaro HONDA (who made his debut as an actor in "The Last Game" was cast in the part of Okamoto, and Naoko OTANI (who made a debut in "The Human Bullet") in the part of Mineko (Mrs. Okamoto).
Japanese: 再現ドラマは、岡本役が本田博太郎（『英霊たちの応援歌』でデビュー）、みね子夫人役が大谷直子（『肉弾』でデビュー）と、岡本と関係の深い俳優たちによって演じられた。
English: In "Rainbow Kids," she played a country girl who made friends with one of the kidnappers, and in "Vengeance for Sale"(2001), she also appeared as a woman out for revenge.
Japanese: 『大誘拐』では誘拐団の一人と親しくなる農村の娘を演じ、『助太刀屋助六』（2001年）にも敵討ちの女役で出演している。
English: Masahiko Katori (January 15, 1899 - November 19, 1988) was a Japanese caster.
Japanese: 香取正彦（かとりまさひこ、1899年1月15日-1988年11月19日）は、日本の鋳金工芸作家。
English: He was admitted as a holder of Important Intangible Cultural Property (Living National Treasure) in 1977 in the field of bonsho (temple bell).
Japanese: 1977年(昭和52年)に梵鐘の分野で重要無形文化財保持者（「人間国宝」）に認定された。
English: He was born as the eldest son of Hotsuma KATORI and mother, Tama in Koishikawa, Tokyo in 1899.
Japanese: 1899年(明治32年)、香取秀真と母たまの長男として東京小石川に生まれる。
English: He moved to the place of origin of his parents, current Sakura City, Chiba Prefecture, and spent his childhood in Sakura City.
Japanese: まもなく両親の出身地、現在の千葉県佐倉市へ移り、幼少期を佐倉で過ごす。
English: He was admitted to the Department of Casting of the Tokyo School of Fine Arts (present Tokyo University of Arts), and studied under the chief professor, Shinobu TSUDA.
Japanese: 東京美術学校(現在の東京芸術大学)の鋳金科に入学し、主任教授津田信夫の指導を受ける。
English: He submitted 'Ichigo Karakusamon kaki' (Flower vase with strawberries and scrolling arabesque design) to the Paris World Exposition (1925) ('Art Deco Expo') of the same year and won a bronze medal.
Japanese: 同年パリ万国博覧会(1925年)(「アールデコ万博」)に「苺唐草文花器」を出品し銅牌を受賞。
English: He was specially chosen for the crafts genre of the Exhibition of the Imperial Fine Arts Academy for three consecutive years and became exempted from future examinations required to display art in the exhibition of the Imperial Fine Arts Academy.
Japanese: 帝国美術院展覧会の工芸部門においては1930年(昭和5年)から3年続けて特選を受賞し帝展無鑑査となる。
English: He started the production of temple bells from 1949 and contributed to Enryaku-ji Temple on Mount Hiei, Shinsho-ji Temple of Narita Mountain, and the Hiroshima Peace Bell in 1967.
Japanese: 1949年(昭和24年)から梵鐘制作を始め、比叡山延暦寺、成田山新勝寺、広島平和の鐘（1967年）を手がける。
English: Japan Traditional Art Crafts Exhibition was exhibited from 1954, and he was assigned to be the judge from the third exhibition.
Japanese: 1954年(昭和29年)より日本伝統工芸展が開かれ，第3回展から審査委員を委嘱される。
English: He was designated as the holder of Important Intangible Cultural Property (Living National Treasure) on April 25, 1977.
Japanese: 1977年(昭和52年)4月25日には重要無形文化財保持者（人間国宝）に認定。
English: Sadao YAMANAKA (November 8, 1909 - September 17, 1938) was a Japanese film director and screenwriter.
Japanese: 山中貞雄（やまなかさだお、1909年11月8日-1938年9月17日）は、日本の映画監督、脚本家である。
English: He was born on November 8, 1909 as the youngest child of father, Kizaemon (喜三右衛門) and mother, Yoso at Gojo-sagaru, Honmachi-dori Street, Higashiyama Ward, Kyoto City.
Japanese: 1909年（明治42年）11月8日、京都市東山区本町通五条下ルに、父・喜三右衛門、母・よその末子として生まれる。
English: His classmate, Shigeji FUJII later became a playwright of Shochiku Kyoto Studios and a fellow of the 'Kajiwara Kinpachi Narutaki Group,' and in the grade above his was Masahiro MAKINO who was the eldest son of Shozo MAKINO, the 'Father of Japanese film.'
Japanese: 同級生にのちに松竹京都撮影所の脚本家となり「梶原金八鳴滝組」の仲間となる藤井滋司、1年先輩に「日本映画の父」こと牧野省三の長男・マキノ雅弘がいた。
English: In 1927, he entered Makino Productions through his connection to his senior of the school Masahiro MAKINO.
Japanese: 1927年（昭和2年）、一商の先輩であるマキノ正博を頼って、マキノ・プロダクションへ入社する。
English: In 1928, Makino transferred Yamanaka to First Arashi Kanjuro Productions (Kan-puro) as a screenwriter and assistant director so that he could play an active role, but the independent production company failed within the same year due to a Five company agreement.
Japanese: マキノは活躍できるようにと1928年（昭和3年）、山中を脚本家兼助監督として、嵐寛寿郎の第一次嵐寛寿郎プロダクション（寛プロ）に移籍させるが、五社協定によりその年に独立プロは失敗。
English: When Yamanaka returned home, all his relatives tried to force him to quit the film industry but he did not lose his enthusiasm.
Japanese: 実家に戻った山中を親戚一同は縛り付けるように足を洗えと説得したが、心中の灯は消えていなかった。
English: When Kanjuro ARASHI was invited to Toa Kinema in 1930, members of the former Kan-puro company, including Yamanaka, also went.
Japanese: 1930年（昭和5年）、嵐寛寿郎が東亜キネマに招かれると、山中を含む旧寛プロのメンバーも参集した。
English: Arashi was convinced of Yamanaka's worth by the screenplay for 'Muttsuri Umon' and gave him his first directing job in 1932 with "Iso no Genta: Dakine no Nagawakizashi" (Genta of rocky shore sleeping with a long sword) adapted from a play by Shin HASEGAWA.
Japanese: 「むっつり右門」の脚本でその真価を確信した嵐は1932年（昭和7年）、長谷川伸の戯曲を脚色した『磯の源太抱寝の長脇差』を監督第1作として発表させる。
English: The film caught the attention of the film critic Matsuo KISHI, and the high praised that he gave the production led to it receiving widespread attention, resulting in the picture being ranked among the top ten directorial debuts of the year and Yamanaka taking his place among the masters of Japanese Cinema at the young age of 22.
Japanese: この作品が映画評論家岸松雄の目にとまり大絶賛されたことで注目が集まり、その結果、処女作にしてその年のベストテンに名を連ねるなど、山中は22歳の若さで日本映画界の巨匠の仲間入りをした。
English: He went on to revel in the title of young genius director and released "Bangaku no Issho" (Bangaku's Life) and "Machi no Irezumimono" (The Village Tattooed Man).
Japanese: 以降、若き天才監督の名前をほしいままに、『盤嶽の一生』『街の入墨者』を発表。
English: From 1934, Yamanaka formed the 'Narutaki-gumi' screenwriting group with the highly talented Hiroshi INAGAKI, Eisuke TAKIZAWA, and screenwriters Fuji YAHIRO and Shintaro MIMURA who all transcended the framework of film companies, and released 22 films under the collaborative pseudonym of 'Kinpachi KAJIWARA.'
Japanese: 1934年（昭和9年）からは、それぞれが所属する会社の枠組をこえ、稲垣浩、滝沢英輔や脚本家の八尋不二、三村伸太郎ら俊才とシナリオ集団「鳴滝組」を結成、「梶原金八」の共同ペンネームで22作を発表した。
English: They brought major innovation to the Jidaigeki-eiga (period film) genre, and a lot of support from both critics and audiences.
Japanese: 時代劇映画に大きな革新を生み、批評家以上に観衆からも大きな支持を得ていた。
English: He associated with a broad range film industry professionals other than those of the 'Narutaki-gumi' including Daisuke ITO (film director) and Mansaku ITAMI of Kyoto as well as Yasujiro OZU and Hiroshi SHIMIZU (film director) from Tokyo, with whom he went drinking on many occasions.
Japanese: 交友関係も広く、「鳴滝組」の面々のほか、伊藤大輔(映画監督)や伊丹万作ら京都の映画人はもとより、小津安二郎、清水宏(映画監督)など東京在住の映画人とも、幾度となく盃を交えた。
English: In 1937, he moved to Tokyo and with P.C.L Film Studios he released his final masterpiece "Ninjo Kamifusen" (Humanity and Paper Balloons) featuring the Zenshinza kabuki theater troupe before he joined the army.
Japanese: 1937年（昭和12年）、東京に移り、P.C.L.映画製作所（現在の東宝スタジオ）で発表した前進座がユニット出演した名作『人情紙風船』を最後に従軍する。
English: On September 17 of the following year of 1938, he died from disease contracted at the front at a hospital in Kaifeng, Henan Province, China.
Japanese: 翌1938年（昭和13年）9月17日、中国河南省開封の病院で戦病死した。
English: In his short life, he released 26 films (including two films on which he served as assistant director) in just five years as a director.
Japanese: その短い生涯のうちのたった5年間の監督生活で発表した監督作品は、全26本（応援監督2本含む）である。
English: However, we can only see 3 movies; "Tange Sazen Yowa Hyakuman-ryo no Tsubo (Extra Story of Tange Sazen, the Vase of One Million-Ryo)," "Soshun KOCHIYAMA" and "Ninjo Kamifusen."
Japanese: しかし、現在、『丹下左膳余話百萬両の壺』『河内山宗俊』『人情紙風船』の三作品しか、見ることができない。
English: Only fragments of "Iso no Genta: Dakine no Nagawakizashi" (Genta: The Long Sword), "Kaito Shirozukin" (The White Hood) and "Uminari Kaido" (Seacoast Highway) are remain.
Japanese: 『磯の源太抱寝の長脇差』『怪盗白頭巾』『海鳴り街道』はフィルム断片のみ残存。
English: Furthermore, as the above 3 films are versions that were released after the war, it is not certain whether or not they are the same length and cut as the originals.
Japanese: また前記の3作品も戦後公開版のため、オリジナルの尺・編集であるかどうかは定かではない。
English: It appears that at least some sword fighting scenes in "Tange Sazen" (the One-Eyed Swordsman) were cut under censorship by occupation forces.
Japanese: 少なくとも『丹下左膳』は占領軍下の検閲によってチャンバラ場面が削除されたようである。
English: It is for this reason that not everything is known about the director Sadao YAMANAKA.
Japanese: このため、現代に生きる私たちは映画監督、山中貞雄の全容を知るには至っていない。
English: Fellow 'Narutaki-gumi' assistant director Ryo HAGIWARA was one year younger than Yamanaka and greatly influenced by him, going on to become a film director.
Japanese: 山中にもっとも深い影響を受けた1歳下の助監督、「鳴滝組」の仲間であり、のちの映画監督に萩原遼(映画監督)がいる。
English: Harumochi OUCHI (born in 1524, date of birth unknown - June 19, 1543) was the adopted heir of Yoshitaka OUCHI who was Sengoku daimyo (Japanese territorial lord in the Sengoku period (period of warring states)) who lived in Yamaguchi, Suo Province (Yamaguchi Prefecture).
Japanese: 大内晴持（おおうちはるもち、大永4年（1524年）-天文(元号)12年5月7日(旧暦)（1543年6月9日））は周防国山口(山口県)の戦国大名である大内義隆の養嗣子。
English: After celebrating his coming of age, he called himself Tsunemochi ICHIJO, started to call himself Harumochi OUCHI, after being granted and using one of the Chinese characters used in the name of Yoshiharu ASHIKAGA, when he was adopted by the Ouchi family.
Japanese: 元服して一条恒持と称し、大内家の養子となると同時に足利義晴から一字を賜って大内晴持を名乗った。
English: After death, his name became Yoshifusa OUCHI, after being granted and therefore using a particular Chinese character from the shogun family, because of his father-in-law's achievement in government-related affairs.
Japanese: 没後、養父の幕府への働きかけで将軍家から一字が追贈され大内義房となった。
English: He was good at literature as well as military arts and was also known to have extensive knowledge about waka (traditional Japanese poems of thirty-one syllables) and Kangen (gagaku musical piece without dance), and possibly because of his noble Ichijo family line, Yoshitaka was fond of him very much.
Japanese: 文武に秀で和歌や管弦などの雅な教養にも明るく、公家の名門一条家の血筋もあってなのか義隆に可愛がられた。
English: In particular, how Yoshitaka treated Haruhide OTOMO (Yoshinaga OUCHI) who later became his adopted son was greatly different from how he treated Harumochi (note, however, this was mostly due to the fact that a legitimate son Yoshitaka OUCHI (written with a different set of Chinese characters) was born to Yoshitaka after Haruhide was adopted).
Japanese: 後に養子となった大友晴英（大内義長）の扱いに比べると雲泥の差である（養子になった後、義隆に嫡男・大内義尊が生まれたことが大きいが）。
English: After Tsunehisa AMAGO of Izumo Province died in 1541, Yoshitaka led Harumochi and others to invade Izumo in January, 1542; however, the Ouchi force was devastated due to the betrayal of Hisasuke MITOYA and Tsunemitsu HONJO, and as a result, Yoshitaka and Harumochi decided to retreat to Suo by different ships.
Japanese: 1541年に出雲国の尼子経久が没すと、義隆は1542年1月に晴持らを率いて出雲に出陣したが、三刀屋久扶、本城常光らの寝返りで大内軍は総崩れとなり、義隆と晴持は別々の船で周防に退却することになった。
English: After Harumochi's death, through his father's influence with the government, Yoshitaka was granted the Chinese character 'Yoshi' which was used in the name of the shogun family, he was given the posthumous name Yoshifusa OUCHI, and a memorial service was held for him.
Japanese: 晴持の死後、義隆は幕府に工作して将軍家の「義」の字を賜り、大内義房として弔った。
English: Also, those who were saddened by Harumochi's death enshrined him at what is later known as Ouchi Gongen (Ouchi-jinja Shrine).
Japanese: また、その死を哀れんだ人が晴持を社に祀り、大内権現（大内神社）として残っている。
English: Tomomasa HIRAGA was a gokenin (an immediate vassal of the Shogunate) of the Kamakura bakufu (Japanese feudal government headed by a shogun) and was active from the late Heian period to the early Kamakura period.
Japanese: 平賀朝雅（ひらがともまさ）は、平安時代末期から鎌倉時代前期にかけての鎌倉幕府の御家人。
English: He was appointed to Kokushi (an officer of local government) of Musashi Province, after his father Yoshinobu (1184 - 1195) and his older brother Koreyoshi (1195 - ?), although his term of office is unknown.
Japanese: 任命時期は不明ながら父義信（1184-1195）・兄惟義（1195-?）の後を継いで武蔵国国司に任じられている。
English: In 1203, soon after the second Shogun MINAMOTO no Yoriie was expelled owing to the Conspiracy of Yoshikazu HIKI and the third Shogun MINAMOTO no Sanetomo was backed up, Tomomasa was dispatched to Kyoto as Kyoto Shugo (Kyoto provincial constable) to prevent the possible insurrections that might be provoked taking advantage of the agitated situation of the Kamakura bakufu.
Japanese: 建仁3年（1203年）の比企能員の変によって2代将軍源頼家が追放され、3代将軍源実朝が擁立された直後、政変による鎌倉幕府の動揺に乗した謀反を防ぐべく京都守護として都に派遣された。
English: In January 1204, seizing the opportunity of the political unrest in the bakufu, the rebellion by the survivors of the Taira family broke out in Ise and Iga Provinces, and as the shugo Tsunetoshi YAMAUCHISUDO ran away, Tomomasa was ordered to suppress the rebellion.
Japanese: 同年12月、幕府の政変に乗じて伊勢国と伊賀国で平家残党の反乱が起こると、守護の山内首藤経俊が逃走し朝雅に鎮圧が命じられる。
English: In May 1204, Tomomasa suppressed the rebellion, and was appointed to the shugo of Iga and Ise Provinces for his achievement (Three Days War of the Taira Clan: Kamakura period).
Japanese: 翌元久元年（1204年）4月、朝雅はその鎮圧に成功し、その功績により伊賀・伊勢の守護職に任じられる（三日平氏の乱(鎌倉時代)）。
English: According to "Meigetsuki" (Chronicle of the Bright Moon), to facilitate the suppression of the rebellion, he was appointed to chigyo-kokushu (provincial proprietor) of Iga Province by Emperor Gotoba, and received an unexceptional treatment for a gokenin.
Japanese: また『明月記』によると鎮圧の便宜を図るため、後鳥羽天皇から伊賀国の知行国主に任じられており、御家人としては破格の扱いを受けていた。