nntsuzu/KFTT huggingface dataset:
English: After the bankruptcy of Daiei, he worked at the Eizo Kyoto Film Company, and directed the film "Kesho" (Makeup) while working on numerous television dramas.
Japanese: 大映倒産後は、映像京都への参加を経てテレビドラマを数多く手がける傍ら、映画『化粧』を発表した。
English: He is currently a director (as well as screenwriter depending on the production) for Seiichi MORIMURA's Terminal Station Series that is broadcast on Doyo Wide Gekijo (Saturday Wide Theater).
Japanese: 現在は土曜ワイド劇場枠で放送されている森村誠一・終着駅シリーズの監督（作品によっては脚本も兼任）を担当。
English: Kozaburo YOSHIMURA (September 9, 1911 – November 7, 2000) was a movie director during the Showa period.
Japanese: 吉村公三郎（よしむらこうざぶろう、1911年9月9日-2000年11月7日）は、昭和期の映画監督。
English: He was born in Otsu City, Shiga Prefecture as the son of Heizo YOSHIMURA, a journalist who later became the Mayor of Hiroshima City.
Japanese: 滋賀県大津市に、新聞記者で後に広島市を務めた吉村平造の息子として生まれる。
English: He transferred to Kome Primary School in Tokyo Prefecture due to his father's relocation, then entered Gifu Prefectural Ogaki Junior High School in 1924, but transferred to the private Nihon Junior High School (currently Nihon Gakuen High School) in Tokyo Prefecture when he was in the fourth grade of junior high school and graduated the next year.
Japanese: 父の転勤により東京の小梅小学校に転校、1924年に岐阜県立大垣中学に入学、しかし、中学4年の時、東京の私立日本中学（現・日本学園高校）に転校し、翌年に卒業。
English: In 1932 he joined the army but was considered a suspicious person because he helped at the Tsukiji Sho-Gekijo (Tsukiji Small Theater) and participated in demonstrations.
Japanese: 1932年に軍隊に入隊、当時は築地小劇場の手伝いやデモに参加したことから要注意人物とマークされていた。
English: After one year, he dropped out of the army, then in 1934, he made his debut as a director with the short nonsense comedy, "Nukiashi Sashiashi Hijoji Shobai" (emergency business of a soft walker), starring the 10-year-old Hideko TAKAMINE, which was underestimated.
Japanese: 一年後に除隊し、1934年、当時10歳の高峰秀子が主役のナンセンス短編喜劇『ぬき足さし足・非常時商売』で監督デビューするが、評価は低かった。
English: Later, he worked as an assistant director with Shimazu, and Shimazu's students such as Heinosuke GOSHO, Shiro TOYODA and Mikio NARUSE and was finally promoted as director to make his actual debut as a director with "Onna koso iewo mamore" (It is women who guard the home)" in 1939, and the next film, "Danryu" (warm current), based on a novel with the same name by Kunio KISHIDA and originally scheduled to be directed by Yasujiro SHIMAZU, which was a popular and fabulous production that was way beyond what was expected from his youth and was selected as seventh place in the ten best films.
Japanese: 以降は島津をはじめ、同じく島津門下生の五所平之助、豊田四郎や成瀬巳喜男の助監督を務めて、ついに監督昇進の命が下り、1939年に『女こそ家を守れ』で本格的に監督デビュー、続いて東宝に移った島津保次郎が撮る予定だった岸田國士原作の『暖流(小説)』を撮り、新人離れした見事な演出でベスト・テン7位に選ばれるなど好評を博した。
English: Beginning with this film, he was called a "Master of Woman's Films" because he became noted for his talent in drawing out the appeal of star actresses starting with Mieko TAKAMINE of this film and others such as Setsuko HARA in "Anjoke no Butokai" (Ball of the Anjo family) and Machiko KYO in "Itsuwareru Seiso" (Clothes of Deception).
Japanese: この作品を機に、本作の高峰三枝子や『安城家の舞踏会』の原節子、『偽れる盛装』の京マチ子など主演女優の魅力を引き出す能力に定評がある「女性映画の巨匠」と呼ばれる。
English: The following year, he directed the military propaganda film "Nishizumi Senshacho den" (The Story of Lieutenant Nishizumi) starring Ken Uehara, and took second place in the ten best films.
Japanese: さらに翌年、上原謙主演の戦意高揚映画『西住戦車長伝』を監督、ベスト・テン2位に入る。
English: During the war, he created "Kancho Imada Shisezu" (The Spy Is Not Yet Deed) in 1942 and "Kaisen no Zenya" (On the Eve of War) in 1943 which, although both strongly nationalist, were popular because of the suspense in the style of American films.
Japanese: また戦時中は1942年に『間諜未だ死せず』、1943年に『開戦の前夜』といった国策色の強い映画ながら、アメリカ映画ばりのサスペンス調の演出で人気を呼ぶ。
English: While in the army, he served as a leader of a machine-gun unit and was dispatched to the southern front, later moving to the 18th Area Army Headquarters Intelligence Department stationed in Bangkok in the Kingdom of Thailand, and ending the war at the intelligence department headed by Masanobu TSUJI.
Japanese: 軍隊では機関銃隊の小隊長として南方戦線に派遣され、のちにタイ王国のバンコク駐屯の第18方面軍司令部情報部を経て終戦時は辻政信が部長の情報部にいた。
English: After being demobilized from the southern front, in 1947 he filmed "Anjoke no Butokai" (The Ball of the Anjo Family) which depicted the decline of a noble family and signified the arrival of a new society and was met with a good reaction; ranking number one in the Kinema Junpo magazine's top ten.
Japanese: 南方戦線より復員後の1947年、没落華族を描いて新しい社会の到来を印象付けた『安城家の舞踏会』を撮り、好評を博し、キネマ旬報ベストテン1位に輝く。
English: He later worked as a pair with Kaneto SHINDO who wrote the screenplay for this film and the two went on to create a number of masterpieces.
Japanese: 以後、この作品の脚本を書いた新藤兼人とのコンビで多くの名作を制作することとなる。
English: In 1950, he established the 'Kindai Eiga Kyokai' (Modern Film Association) production company together with Kaneto SHINDO, and its films were mainly distributed by the Daiei Motion Picture Company.
Japanese: また、1950年には、その新藤兼人と映画制作会社「近代映画協会」を設立し、作品は主に大映で配給された。
English: In 1951, he won the award for best director at the Mainichi Film Awards for "Itsuwareru Seiso" (Clothes of Deception).
Japanese: 1951年に『偽れる盛装』で毎日映画コンクール監督賞を受賞している。
English: In the same year, he discovered Keiko KISHI who had been visiting the Shochiku Ofuna Film Studio.
Japanese: なお、この年には松竹大船撮影所に見学に来ていた岸惠子をスカウトした。
English: In 1952, "Genji Monogatari" (The Tale of Genji) which he had directed, was taken to the Cannes Film Festival and Kohei SUGIYAMA won the award for best cinematographer.
Japanese: 以後、1952年には監督した『源氏物語』がカンヌ国際映画祭に出品され、杉山公平が撮影賞を受賞している。
English: In 1956, he left Kindai Eiga Kyokai, which was having financial problems (he left only his name because of the wishes of Kaneto SHINDO), and joined Daiei.
Japanese: 1956年、経営が行き詰った近代映画協会を離れ（新藤兼人の要望で名義だけは残した）、大映に入社。
English: It may have been that he reached the limit of his physical strength after suffering a cerebral hemorrhage in 1963 and having a full gastrectomy in 1972, but he left film industry after his final work, the 1974 film "Ranru no Hata" (Ragged Flags) depicting Shozo TANAKA, and made writing his main occupation.
Japanese: 1963年に脳出血、1972年に胃を全摘出するなどして体力の限界を感じたのか、田中正造を描いた1974年の『襤褸の旗』を最後に映画の製作から遠ざかり、以後は文筆業を主な仕事にする。
English: He served as the master of ceremonies at the funerals of Kiyohiko USHIHARA in 1985 and Nobuko OTOWA in 1994.
Japanese: 1985年に牛原虚彦、1994年に乙羽信子が亡くなった際にはそれぞれ葬儀委員長を務めている。
English: Even after he was widowed in 1997, continued to write essays, contribute articles and conduct lectures as if in good health, but on November 27, 2000, he died from acute heart failure.
Japanese: 1997年に妻と死別した後も随筆・寄稿や講演会出演などで健在ぶりを示していたが2000年11月27日に急性心不全のため逝去。
English: Teinosuke KINUGASA (his real name was Teinosuke KOGAME) (January 1, 1896 - February 26, 1982) was an actor and film director in the Taisho and Showa periods.
Japanese: 衣笠貞之助（きぬがさていのすけ、本名・小亀貞之助、1896年1月1日-1982年2月26日）は大正・昭和期の俳優、映画監督。
English: He was scouted while playing a female role, and became an actor working exclusively for Nikkatsu Mukojima Studios.
Japanese: 女形をしていたところをスカウトされ、日活向島撮影所の専属俳優になる。
English: In 1918, he debuted in a film entitled "Nanairo Yubiwa" (Seven-colored Ring), and went on to appear in 130 productions over the next five years.
Japanese: 1918年『七色指輪』でデビューし、その後5年間で130本に出演する。
English: When the motion film industry began to use both actresses and actors, it became unnecessary to play female roles, so he turned to directing and made his directorial debut with "Imoto no Shi" (The Death of My Sister) in 1920.
Japanese: 映画界が女優を起用し始め、女形が不要になってきたこともあり、監督に転向し、1920年、『妹の死』でデビューする。
English: After Kazuo HASEGAWA's debut, Kinugasa continued to cast him and made him a star, making the 1932 talkie "Chushingura" (The Loyal 47 Ronin) a major hit.
Japanese: その後、長谷川一夫のデビュー以来、起用し続け、彼をスターにし、1932年のトーキー映画『忠臣蔵』を大ヒットに導く。
English: His 1926 film "Kurutta Ichipeiji" (A Page of Madness) was screened worldwide with sound in 1982, and achieved major success.
Japanese: 1926年の『狂った一頁』は1982年にサウンド版を全世界で公開し、大成功を収めた。
English: Kinugasa is known as the first Japanese director to have received worldwide recognition in Europe and in the United States with films including "Jujiro" (Crossroads).
Japanese: 『十字路』も含め、欧米で最も早く世界的評価を受けた日本人監督として知られている。
English: After World War II, he released successive entertainment period film masterpieces with Kazuo HASEGAWA and Isuzu YAMADA in lead roles.
Japanese: 終戦後も、長谷川一夫、山田五十鈴を主役に据えた娯楽時代劇の傑作を次々と発表した。
English: In 1953, "Jigokumon" (Gate of Hell), likened to a historic picture scroll brimming with flamboyant colors, won the Palme d'Or grand prize at the Cannes Film Festival, an Academy honorary award and costume design award, and the New York Film Critics Circle Award for "Best Foreign Language Film."
Japanese: 1953年、華麗な色彩美あふれた歴史絵巻『地獄門』がカンヌ国際映画祭グランプリ、米アカデミー賞の名誉賞と衣装デザイン賞の2部門、ニューヨーク映画批評家賞外国語映画賞を受賞した。
English: As a Daiei executive, he subsequently continued to cast Fujiko YAMAMOTO, who entered the film industry after being crowned Miss Japan, and made her a star.
Japanese: その後は、大映の重役として、ミス日本から映画界入りした山本富士子を起用し続け、彼女をスターに育て上げた。
English: In particular, "Shirasagi" (The Snowy Heron) won a special award at the Cannes Film Festival in 1958 and was highly regarded worldwide for its Japanese atmosphere.
Japanese: 特に、1958年、『白鷺』でカンヌ国際映画祭特別表彰を受け、その日本的情緒は世界的評価も高い。
English: In his twilight years, Kinugasa retired from film direction after his final 1970 film titled "Chiisai Tobosha" (The Little Runaway), and worked on stage direction for Toho Kabuki (traditional drama performed by male actors).
Japanese: 晩年は、1970年の『小さい逃亡者』を最後に映画監督を引退し、東宝歌舞伎の演出を手がけた。
English: In 1971, the pre-war film "Kurutta Ichipeiji" which was thought to have been lost was found in a store room at his home, and screened in the UK and in France.
Japanese: また、1971年に自宅の蔵から消失したと思われていた戦前の作品『狂った一頁』のフィルムが発見され、イギリスやフランスなどで上映された。
English: The film was reappraised to be Japan's first avant-garde film influenced by the neo-perceptionist writers of the time such as Riichi YOKOMITSU and Yasunari KAWABATA.
Japanese: 当時の新感覚派作家、横光利一、川端康成らの影響を受けた日本最初のアバンギャルド映画として再評価された。
English: Kazuo MORI (January 15, 1911-June 29, 1989) was a film director in the Showa period.
Japanese: 森一生（もりかずお、1911年1月15日-1989年6月29日）は、昭和期の映画監督。
English: He was born in Matsuyama City, Ehime Prefecture, and entered Nikkatsu Uzumasa movie studio in 1933 after graduation from Faculty of Letters, Kyoto Imperial University.
Japanese: 愛媛県松山市に生まれ、京都帝国大学文学部を卒業後、1933年日活太秦撮影所に入社する。
English: After that, he transferred to Shinko Cinema and debuted as a director with "Adauchi hizakurige" in 1936 after serving as an assistant director of Daisuke ITO (a film director).
Japanese: その後、新興キネマに移り、伊藤大輔(映画監督)の助監督を経て、1936年、『仇討膝栗毛』で監督デビューする。
English: Then, he transferred to Daiei, which absorbed Shinko Cinema and made "Osaka shonin" (Osaka merchant) and others, but was soon called up for military service.
Japanese: その後新興キネマを吸収した大映に移籍し、『大阪商人』などを制作するが、程なく応召される。
English: In 1959, "Hakuoki" starring Shintaro KATSU and Raizo ICHIKAWA (the eighth) was well received.
Japanese: 1959年には勝新太郎と市川雷蔵(8代目)を主役にした『薄桜記』が好評を博した。
English: In addition, "Aru koroshiya" (Some assassin) got attention in 1967 with a new type of hero played by Raizo ICHIKAWA.
Japanese: また、1967年の『ある殺し屋』も新しいタイプのヒーローを市川雷蔵が演じて注目された。
English: He loved children and said, 'Children are gods and goddesses' recalling "Daimajin gyakushu" (Majin Strikes Again) in which child actors were active.
Japanese: 子供好きで、子役の活躍する『大魔神逆襲』を振り返って、「子供というのは神さまだね」と語っている。
English: After the bankruptcy of Daiei in 1971, he produced many TV dramas including "Monjiro KOGARASHI," "Zatoichi monogatari" (Zatoichi Story) and "Seishi YOKOMIZO series."
Japanese: 1971年の大映倒産後は、テレビドラマの演出を手がけ、『木枯し紋次郎』、『座頭市物語』、『横溝正史シリーズ』など多くの作品を手がけた。
English: He rendered distinguished service in the golden age of Daiei period dramas and had many fans thanks to his unique way of speaking.
Japanese: 大映時代劇の黄金期を支えた功労者であり、その独特の語り口はファンも多い。
English: Kinuyo TANAKA (December 29, 1909 - March 21, 1977) was a Japanese actress and film director in the Taisho and Showa periods.
Japanese: 田中絹代（たなかきぬよ、1909年12月29日-1977年3月21日）は、大正・昭和期の日本の俳優・映画監督。
English: She was a superstar who bolstered the Japanese cinema world from its dawning age as well as one of the greatest actresses represented in the history of Japanese movies.
Japanese: 黎明期から日本映画界を支えた大スターであり、日本映画史を代表する大女優の一人。
English: She was a triple crown winner, with her films winning prizes from three major world film festivals (Cannes, Venice and Berlin) (see below).
Japanese: 出演映画が世界三大映画祭（カンヌ・ヴェネチア・ベルリン）の全てで受賞しており、三冠を達成している（下記参照）。
English: She was born in Maruyama-cho, Shimonoseki City, Yamaguchi Prefecture, to father Kumekichi TANAKA and mother Yasu as the youngest of the four sons and four daughters.
Japanese: 山口県下関市丸山町に父・田中久米吉、母・ヤスの四男四女の末娘として生まれる。
English: Her mother Yasu was from the Kobayashi family, a merchant family of hereditary large landowners in Shimonoseki, and the Kumekichi served as head clerk.
Japanese: 母ヤスの実家小林家は下関で代々続く大地主の商家で、久米吉はそこの大番頭であった。
English: Kumekichi and Yasu married and went independent to deal in dry-goods and other materials and also had about 20 properties that they leased.
Japanese: 二人は結婚して独立し、呉服商などを営む傍ら20軒ほども貸し家を持っていた。
English: Despite their affluence, Kumekichi died in January 1912 soon after Kinuyo turned three years old.
Japanese: 裕福な家であったが、絹代が3歳になって間もない1912年（明治45）1月、久米吉が病死。
English: Following his death, Kinuyo's mother ran a business manufacturing to-omote (tatami (Japanese straw mat) facings made of rattan), but their life gradually went into decline after they suffered misfortunes including the theft of money by servants.
Japanese: その後母は藤表（とうおもて）製造業を営んでいたが、使用人に有り金を持ち逃げされるなどの災難に遭い、一家の生活は徐々に暗転していった。
English: In 1916, Kinuyo entered Shimonoseki Municipal Oe Jinjo Elementary School, but was unable to go to school every day due to economic difficulties.
Japanese: 1916年（大正5）絹代は下関市立王江尋常小学校に入学するが、経済的困窮のため充分な通学ができない状況だったという。
English: This made the Tanaka family an object of contempt and their economic conditions deteriorated further.
Japanese: このため、田中一家は後ろ指を指されることになり、そのことが一家の経済事情を更に悪くした。
English: In the following year of 1917, her family finally became unable to continue by themselves so they moved to Tennoji, Osaka with the assistance of her mother, Yasu's older brother.
Japanese: 翌1917年、一家の生活はついに行き詰まり、母ヤスの実兄を頼って大阪天王寺に移る。
English: From a young age, Kinuyo took lessons in playing the biwa (Japanese lute) and appeared on stage with the girls' opera in Osaka's Rakutenchi in 1919.
Japanese: 幼少時より、琵琶を習い、1919年に、大阪楽天地(大阪)の少女歌劇の舞台に立つ。
English: Through the connection of her older brother who was working as a steward at the Osaka Branch of Shochiku Co. Ltd., Kinuyo joined the Shochiku Shimogamo Studio in 1924 and debuted in the film "Genroku Onna" (literally, "A Woman from the Genroku Period") directed by director Hotei NOMURA.
Japanese: 兄が松竹大阪支社で給仕として働いていた関係で、1924年に松竹下加茂撮影所に入所し、野村芳亭監督の『元禄女』でデビューする。
English: Before long, she was selected by then budding film director, Hiroshi SHIMIZU, for the lead role in "Mura no Bokujo" (literally, "a ranch in a village").
Japanese: まもなく、当時新進監督だった清水宏(映画監督)に『村の牧場』の主役に抜擢される。
English: After being transferred to the Shochiku Kamata Studio in 1927, "Hazukashii Yume" (Shameful Dream) directed by Heinosuke GOSHO was very well received.
Japanese: 松竹蒲田撮影所に移った後の1927年、五所平之助監督の『恥しい夢』が好評を博する。
English: She subsequently paired with the then popular star Denmei SUZUKI, becoming a cash cow for Shochiku and being promoted to a company executive.
Japanese: その後、当時の人気スター鈴木傳明とのコンビで売り出し、松竹のドル箱スターとなり、会社の幹部に昇進する。
English: Kinuyo also starred in Japan's first ever talkie entitled "Madamu to Nyobo" (Madame and the Courtesan) directed by Gosho, and was thus received as a star even in the era of talking pictures.
Japanese: また、五所監督による日本初のトーキー、『マダムと女房』に主演し、トーキー時代になっても、スターとして迎えられる。
English: In particular, the 1938 film "Aizen Katsura" (The Love-Troth Tree) in which she starred alongside Ken UEHARA became a record-breaking hit and was made into a season.
Japanese: 特に、上原謙とのコンビで1938年に公開された『愛染かつら』は空前の大ヒットとなり、シリーズ化された。
English: In 1940, she appeared in the film "Naniwa Onna" (literally, "a woman in Naniwa") directed by Kenji MIZOGUCHI, in which she bolstered her self-confidence by meeting the Director's severe demands.
Japanese: 1940年には、溝口健二監督の『浪花女』に出演し、溝口監督の厳しい注文に応え、自信を深める。
English: Even in the post-war period, Kinuyo gave well received performances in "Joyu Sumako no Koi" (The Love of Sumako the Actress) directed by Mizoguchi and "Kaze No Naka No Mendori" (A Hen in the Wind) directed by Director Yasujiro OZU.
Japanese: 終戦後も、溝口監督の『女優須磨子の恋』や小津安二郎監督の『風の中の牝鶏』などに出演し、高い評価を得た。
English: She was successively awarded the best actress award at the 1947 and 1948 Mainichi Film Awards.
Japanese: 1947年、1948年と連続して毎日映画コンクール女優演技賞を連続受賞する。
English: Thus it looked like she was doing everything well as an actress but in 1950, when she returned to Japan from her trip to the United States as part of the Japan-US goodwill envoy, she blew a kiss while wearing a gaudy dress and sunglasses on, an action that resulted in a heavy backlash from the public.
Japanese: 順調に見えた女優生活だったが、1950年、日米親善使節として滞在していたアメリカ合衆国から帰国した際、サングラスに派手な服装で投げキッスを行い、激しい世論の反発を受けてしまう。
English: In 1952, Kinuyo starred in the "Saikaku Ichidai Onna" (The Life of Oharu) which Director Mizoguchi had reserved as a vehicle for her.
Japanese: 1952年に溝口監督が彼女のために温めてきた企画である『西鶴一代女』に主演する。
English: This film received the International Award at the Venice Film Festival, and Kinuyo made a full comeback.
Japanese: この作品はヴェネチア国際映画祭で国際賞を受賞し、彼女も完全復活を果たす。
English: In the following year of 1953, Kinuyo and the director Yokomizo created "Ugetsu Monogatari" (Tales of Moon and Rain) which won the Silver Lion Award at the Venice Film Festival.
Japanese: 翌1953年には同じコンビで『雨月物語』を製作、ヴェネチア国際映画祭で銀獅子賞を受賞する。
English: She was Japan's second female director but this is said to have alienated Kinuyo from Mizoguchi.
Japanese: 日本で二人目の女性監督の誕生であったが、このことが溝口監督との仲を疎遠なものにしたといわれる。
English: Subsequently, she constantly continued to actively lead the film industry; producing films including "Narayama Bushiko" (The Ballad of Narayama) directed by Keisuke KINOSHITA, "Higanbana" (Equinox Flower) directed by Ozu, and "Ruten no Ohi" (The Wandering Empress) starring Machiko KYO.
Japanese: その後も、木下惠介監督の『楢山節考』、小津監督の『彼岸花』への出演、京マチ子主演の『流転の王妃』の演出など、常に映画界をリードする活躍を続けた。
English: Since her appearance in the NHK historical drama "Mominoki wa Nokotta" in 1970, she expanded her activities into television dramas, and became popular in roles such as the mother of the leading character in "Zenryaku Ofukurosama" (literally, "My Dear Mother") and the narrator for the soap opera "Kumono Jutan" (literally, "Cloud Carpet").
Japanese: 1970年の『樅ノ木は残った(NHK大河ドラマ)』に出演以降、テレビドラマにも活躍の場を広げ、『前略おふくろ様』の主人公の母親役や連続テレビ小説『雲のじゅうたん』のナレーションなどで親しまれた。
English: Her accomplished performance in the film "Sandakan Hachiban Shokan: Bokyo" (Brothel 8) directed by Kei KUMAI in 1974 was so highly appreciated worldwide that she received the Silver Bear (best actress) at the Berlin International Film Festival and Geijutsu Sensho (Fine Arts Prizes) of the Ministry of Education.
Japanese: 1974年に主演した熊井啓監督の映画『サンダカン八番娼館望郷』の円熟した演技は世界的に高く評価され、ベルリン国際映画祭銀熊賞(女優賞)、芸術選奨文部大臣賞を受賞した。
English: It is said that in her final years, she would ask those who visited her in her sick bed 'Even if I go blind, will there still be roles that I can perform?'
Japanese: 最晩年、病床についた彼女は「目が見えなくなっても、やれる役があるだろうか」と見舞いに来た者に尋ねたという。
English: Her residence in Zushi City, Kanagawa Prefecture was such a stately building that it was called 'Kinuyo Goten' (lit. "Kinuyo Palace") (it was originally the second home of a politician).
Japanese: 神奈川県逗子市にあった自宅敷地は「絹代御殿」と呼ばれるほどの風格ある建築物だった（元は政治家の別宅）。
English: After her death, the building was preserved as a Japanese restaurant but after it closed, it was purchased by Monta MINO and demolished.
Japanese: 田中の没後も料亭として建物を保存していたが、店舗閉店後にみのもんたが買収し、解体された。
English: In 1985, her cousin Masaki KOBAYASHI, a film director, created the "Tanaka Kinuyo Award" at the Mainichi Film Awards to be given to such actresses that have contributed to the development of the film industry.
Japanese: 1985年には、従弟の小林正樹監督により、毎日映画コンクールに「田中絹代賞」が創設され、映画界の発展に貢献した女優に贈られることとなった。
English: She was also well known as 'a woman with many loves,' with relationships including her cohabitation with and spilt from director Hiroshi SHIMIZU as well as her romance with Keio University Baseball Club headliner Shigeru MIZUHARA.
Japanese: 「恋多き女性」としても有名で、清水宏監督との同棲生活と破局、慶應義塾大学野球部の花形スターだった水原茂とのロマンスなどは大きな話題となった。
English: Her eventful life was made into a movie titled "Eiga Joyu" (literally, "A Film Actress") starring Sayuri YOSHINAGA, directed by Director Kon ICHIKAWA in 1987.
Japanese: その波乱に富んだ一生は、1987年に市川崑監督、吉永小百合主演で『映画女優』というタイトルで映画化された。
English: Koreyoshi KURAHARA (May 31, 1927-December 28, 2002) was a Japanese film director.
Japanese: 蔵原惟繕（くらはらこれよし、1927年5月31日-2002年12月28日）は、日本の映画監督。
English: He was born in Kuching City, Kingdom Sarawak, Borneo Island (now, Kuching, Sarawak Province, Malaysia).
Japanese: ボルネオ島のサラワク王国クチン市（現・マレーシアのサラワク州クチン）に生まれる。
English: He lived in the residence of Kajiro YAMAMOTO as a shosei (a student who is given room and board in exchange for performing domestic duties), by introduction of Ishiro HONDA, when he was a student of Nihon University, College of Art Department of Cinema.
Japanese: 日本大学芸術学部映画学科在学中に本多猪四郎の紹介で、山本嘉次郎の家に書生として住み込む。
English: Upon graduating university in 1952, he entered Shochiku Kyoto Studios and served as an assistant director.
Japanese: 1952年、大学卒業と同時に松竹京都撮影所に入社し、助監督を務める。
English: After that, he made big pieces and popular works one after another, including "The Fox In The Quest of The Northern Sun," "Seishun no mon" (Gate of Youth), "See you to the Ocean" and "5000 kilometers for the glory" for Ishihara Promotion.
Japanese: 以降、石原プロモーションの『栄光への5000キロ』をはじめ、『キタキツネ物語』、『青春の門』、『海へSeeYou』などの大作、話題作を次々と送り出す。
English: "Antarctica" released in 1983 became an especially big hit with a distribution of 5,900 million yen, and was the record-setting biggest hit in Japanese films until "Princess Mononoke" exceeded it in 1997.
Japanese: 特に、1983年に公開された『南極物語』は、配給59億円の大ヒットを記録し、1997年に『もののけ姫』に抜かれるまで日本映画史上最高のヒット作だった。
English: Daisuke ITO (October 12, 1898-July 19, 1981) was a film director and playwright in the Taisho and Showa periods.
Japanese: 伊藤大輔（いとうだいすけ、1898年10月12日-1981年7月19日）は、大正・昭和期の映画監督、脚本家。
English: He was one of the wonderful directors who established the base of period films and was called 'a father of period film.'
Japanese: 時代劇映画の基礎を作った名監督の一人であり、「時代劇の父」とも呼ばれる。
English: In 1898, he was born as a son of a junior high school teacher in Uwajima City, Ehime Prefecture.
Japanese: 1898年（明治31年）、愛媛県宇和島市に中学校教師の息子として生まれる。
English: He lived with Mansaku ITAMI and entered Shochiku Cinema School of Acting (OSANAI's presidency), which was founded in February.
Japanese: 伊丹万作と同居し、2月に創立された松竹キネマ付属の俳優学校（小山内が主宰）に入る。
English: Supported by Kaoru OSANAI this year, he wrote the scenario of "Shinsei" (Newborn) which was the first work for Henry KOTANI, a director.
Japanese: 同年、小山内薫の推薦を受けて、ヘンリー・小谷監督の製作第1作『新生』のシナリオを執筆する。
English: He directed "Kyoko and Shizuko" and "Nichirin" (the sun) trilogy, but his independent work ended in failure.
Japanese: 『京子と倭文子』、『日輪』三部作を監督するが独立自体は失敗に終わる。
English: After transferring to Nikkatsu Studio this year, he worked with Denjiro OKOCHI, who was still new to directing period dramas such as "Chokon" (long resentment) and "Ruten" (continual change), and attracted attention with furious brawl scenes and bold camera work influenced by foreign films from the U.S., Germany, Soviet Union and so on.
Japanese: 同年、日活撮影所に移り、まだ新人だった大河内傳次郎とコンビを組み、『長恨』、『流転』などの時代劇作品を監督、激しい乱闘シーンやアメリカ・ドイツ・ソ連など外国映画の影響を受けた大胆なカメラワークで注目を浴びる。
English: The 'Golden trio' composed of Daisuke ITO as a director, Denjiro OKOCHI as leading actor and Hiromitsu KARASAWA as cinematographer, in this period of Nikkatsu Studio became leaders in the twilight of Japanese silent film.
Japanese: この日活撮影所時代に「監督：伊藤大輔」、「主演：大河内傳次郎」、「撮影：唐沢弘光」の「ゴールデントリオ」が生まれ、サイレント末期の日本映画界をリードする旗手となった。
English: He gave Okochi a role of 'Sazen TANGE', a mysterious swordsman with Sekiwan sekigan (A single arm and a single eye) in "Shinpan Ooka Seidan" (New Ooka Cases, a film by Nikkatsu in 1928).
Japanese: 『新版大岡政談(1928年の日活の映画)』では、大河内に隻腕隻眼の怪剣士「丹下左膳」を演じさせた。
English: Its story with a sense of speed gained so much popularity that 'Sazen TANGE played by Denjiro OKOCHI' became a regular favorite.
Japanese: スピード感溢れる展開が大人気となり「大河内伝次郎の丹下左膳」の人気を不動のものとする。