nntsuzu/KFTT huggingface dataset:
English: With Joshin, the second tea master, serving as a sado (a person in charge of the tea ceremony) for Kaninnomiya (one of the Imperial families), the relationship with court nobles had deepened since then, but after the death of the third head, Yuri, the premature death of the following heir Reiza caused the extinction of the Omori family line.
Japanese: 2代杖信は閑院宮の茶頭を務め、以降公家との関わりが強かったが、3代有斐の亡きあと嗣子の礼座が早世したため断絶する。
English: After the absence of the head of the school for 30 years, Masayuki TACHIBANA revived the Omori family to become the fourth head, Soshin, under instructions of Imperial Prince Kaninnomiya Haruhito, who had been certified as full proficiency from the third head, Yuri.
Japanese: およそ30年の空白期間を経て、3代有斐より皆伝を受けた閑院宮美仁親王の意により橘正之が大森家を復興し4代宗震となった。
English: Ordained as Jugoinoge (Junior Fifth Rank, Lower Grade), Masayuki TACHIBANA, who was a keishi (household superintendent) of the Kazanin family, was instructed by Shuetsu NANBU, a vassal of Imperial Prince Haruhito.
Japanese: 橘正之は花山院家の家司で従五位下に叙せられていたが、美仁親王の家臣である南部主悦を通して伝を受けた。
English: At the edge of the earlier connections that Kodo KAIJOIN of Saisho-ji Temple who was a disciple of the second head, Joshin, spread tea ceremony in Akita, Soshin visited Akita four times to involve in the promotion and the school has known over the Tohoku region, especially in Akita since then.
Japanese: もともと2代杖信の弟子で西勝寺の皆乗院公道が秋田に茶道を普及していた縁があり、宗震は4回にわたって秋田を訪れ伝道に携わり、それ以来秋田を中心に東北地方に広まっている。
English: In 1886, Soryu called his way of tea ceremony as Tamagawa Enshu school and completed the Tamagawa Enshu school of sencha-ho (green tea method) based on the method handed from their ancestors.
Japanese: 宗龍は明治19年（1886年）に玉川遠州流と称し、伝来の法をもとにして玉川遠州流煎茶法を完成させた。
English: Mineo, the sixth head of the school, was a daughter of the fifth head, Soryu, and an English teacher of a girls' high school in Kyoto; however, she promoted the Tamagawa Enshu school of tea ceremony in her late years.
Japanese: 6代岑尾は5代宗龍の娘で、京都で高等女学校の英語教師をしていたが、晩年になって茶道の伝道に努めた。
English: Succeeding to the iemoto (the head family of a school) after Mineo, the sixth, the husband of Masako NAKANO (also known as Ryuan OMORI), a Mineo's disciple, became the seventh head, Somu.
Japanese: 6代岑尾のあとは、弟子の中野賢子（大森柳庵）の夫が家元を継ぎ7代宗夢となった。
English: The school was succeeded to by the three families of Furuichi, Kobori, and Kayano; therefore, they are called as the Furuichi-ryu school, the Kobori-ryu school, and the Kayano-ryu school respectively.
Japanese: 古市・小堀・萱野の三家で伝承したことからそれぞれ古市流(ふるいちりゅう)・小堀流(こぼりりゅう)・萱野流(かやのりゅう)とも呼ぶ。
English: Sansai HOSOKAWA, being such an excellent tea master that he was numbered among the Rikyu Shichitetsu (the seven disciples of SEN no Rikyu), transferred his family estate to Tadatoshi HOSOKAWA in the Kokura Domain, Buzen Province, and in 1625, Tadatoshi hired Soan FURUICHI, a son-in-law of Soin ENJOBO, as a sadoyaku (a tea-server sustaining Japanese tea ceremony) for the Hosokawa family.
Japanese: 細川三斎（細川忠興）は利休七哲に数えられるほどの達人であるが、豊前国小倉藩で細川忠利に家督を譲ると、忠利は寛永2年（1625年）に円乗坊宗圓の婿である古市宗庵を細川家の茶道役として召し抱えている。
English: Both Sansai and Tadatoshi ordered Soan FURUICHI to transmit 'old styles of tea ceremony' which had been passed on since Rikyu's time.
Japanese: 三斎も忠利も、古市宗庵に利休から変えることのない「古風の茶の湯」を伝えることを命じている。
English: Soen ENJOBO, being originally a priest of Honno-ji Temple, was secularized to become a son-in-law of Rikyu; he is said to have been only a person who was given gokushindaisu (a self putting tools of boiling tea for a tea ceremony) and bonten-ho (a style of temae, tea serving method of the tea ceremony) from Rikyu.
Japanese: 円乗坊宗円（圓乗坊宗圓）は元は本能寺の僧であったが還俗して利休の婿となり、利休から極真台子および盆点法を伝えられた唯一の人であると伝えられている。
English: That was because SEN no Doan, a biological child of Rikyu, was too dexterous and ingenious to pass on his own ways of tea ceremony before the death of Rikyu, while SEN no Shoan, an adopted child of Rikyu, was too awkward to pass on Rikyu's way of tea ceremony.
Japanese: それによれば、利休の実子である千道安はあまりにも器用で、独自の創意が多いため伝授されないまま利休が没してしまい、一方で養子の千少庵は不器用であったため伝授されなかったという。
English: Since Dotetsu, a child of Soen, was excellent at medicine which he devoted himself to, not to tea ceremony, it is believed that all the styles and techniques of the school were handed down to Soan FURUICHI who was a son-in-law of Soen.
Japanese: 宗圓には道鉄という子があったが、医業に秀でてこれに専念したため、婿の古市宗庵が一切を相伝されたと伝えられている。
English: The Furuichi family was primarily in possession of a fief yielding 200 koku (crop yield), and the second head, Soan had the fief increased to 300 koku, and the following heads till the eighth head, Soan, served as chadogashira (a director in charge of maintaining tea utensils and performing the tea ceremony for a shogunate and domains); however Soan's misconduct caused the family's enfeoffment to be confiscated in 1832.
Japanese: 古市家は初め200石、2世宗庵は加増されて300石、以後8世宗安まで茶道頭を勤めるが天保3年（1832年）に不行跡により知行召し上げとなる。
English: The founder of the Kobori family was Chozaemon KOBORI, who was hired as a kosho (a servant) in Buzen Province and the school originated that Chosai, a child of Chozaemon, became the sadoyaku in 1651.
Japanese: 小堀家は豊前において小姓に召し抱えられた小堀長左衛門を祖とし、その子長斎が慶安4年（1651年）に茶道役となったことに始まる。
English: The second head of the school, Shigetake (茂竹), was certified as full proficiency from Sosa, the fourth head of the Furuichi family, and transmitted the full proficiency to Sosa of the fifth head.
Japanese: 2世茂竹は古市家4世宗佐から皆伝を受け、これを5世宗佐に伝えている。
English: Chojun Tsuneharu, the third head of the school, was versatile and excellent in literature: He wrote many books including "Meirin Seiden" (authentic biography), and succeeded to the art of swimming created by his biological father, Idayu MURAOKA, to establish the Kobori school of treading water as a swimming instructor.
Japanese: 3世長順常春は多才な人で、文筆に長け『茗理正伝』など多くを著し、また実父村岡伊太夫の立てた水術を受け継いで水練師範として小堀流踏水術を創始した。
English: Shigefu (重府) FURUTA, a younger brother of Juzen FURUTA (a founder of the Oribe school), took refuge at Denzaemon KAYANO in the Kokura Domain, Buzen Province when the Oribe family was punished by being deprived of its fief.
Japanese: 古田重然の弟古田重府は、織部改易の折に難を逃れて豊前小倉の萱野伝左衛門に身を寄せた。
English: The first head of the Kayano family, Masateki (正的) KAYANO, a husband of Denzaemon's older sister, was recorded to 'be related with chaji, tea ceremony,' so that he was regarded as a child of Shigefu.
Japanese: 萱野家の初代萱野正的は伝左衛門の姉の婿であり、「茶事に因縁ある」と記されていることから重府の子と見られている。
English: Masateki studied under the first head of the Furuichi family, Soan to become a sadoyaku and received a fief yielding 200 koku crop yield as a chadogashira.
Japanese: 古市家1世宗庵に師事して茶道役となり、茶道頭として200石を受けている。
English: After the Meiji Restoration, Masafusa, the seventh head of the school, restored the family name to the original Furuta, and taught students of the school, but now the Furuta family doesn't teach the school.
Japanese: 7世正房は維新の後に姓を古田に復して、以後門下の指導に当たっていたが、現在、古田家は指導を離れている。
English: Because Iori ICHIO, who was a disciple of Sansai, started the school upon receiving the permission from his master, it is also referred to as Ichio-ryu school or Ichio-ha group of the Sansai-ryu school.
Japanese: 三斎の門人である一尾伊織が許しを得て興したので一尾流（いちおりゅう）、三斎流一尾派などとも言われる。
English: The iemoto (the head of a school) is now based in Izumo City, Shimane Prefecture; the name of the house is Kansuian, and the organization of fellow students called Kuyokai.
Japanese: 現在家元は島根県出雲市にあり庵号を観翠庵、同門組織として九曜会がある。
English: While Oie-ryu school of the Ando family (tea ceremony) is of the school, there is also a school called Hosokawa Sansai-ryu school (a school of Sansai HOSOKAWA).
Japanese: 安藤家御家流(茶道)も一尾流の流れを汲む他、細川三斎流と称する流派がある。
English: Sansai HOSOKAWA was a master of tea ceremony and listed one of the seven disciples of Rikyu, and he had many disciples in his school.
Japanese: 細川三斎は利休七哲に数えられるほどの達人であり、家中には門人が多くいた。
English: Although Iori ICHIO was goshoinban (a shogun's body guard or the castle guard) of the bakufu (Japanese feudal government headed by a shogun) and a hatamoto (direct retainers of the bakufu) in 1,000 koku (approximately 180,000 liters of crop yield; 1 koku was about 180 liter; an old unit showing volume), little is known about the details of his relationship to Sansai.
Japanese: 一尾伊織は幕府御書院番を務めた1000石の旗本で、三斎との経緯はよくわかっていない。
English: It is said that he at first learned the tea ceremony from Shogen SATO, a vassal of Sansai, and then he became the disciple of Sansai himself, and eventually started his own school upon receiving the permission from his master.
Japanese: しかし始めは三斎の家臣の佐藤将監に茶を学び、のちに三斎についたとされ、許しを得て一派を興したという。
English: The disciples of Iori ICHIO included Masataka INABA, Tadakata (also known as Takata or Michikata) YONEKITSU, Masanobu TAKAGI and Kiken FUNABASHI (舟橋希賢).
Japanese: 一尾伊織の門人には稲葉正喬、米津田賢、高木正陳、舟橋希賢などがある。
English: Within this lineage, Issho ARAI had a close relationship with Fumai MATSUDAIRA, and as a result of this friendship, Sansai-ryu school was introduced to Matsue.
Japanese: この系譜では荒井一掌が松平不昧と親交が深く、それにより松江に三斎流がもたらされた。
English: While Fumai MATSUDAIRA encouraged his vassals to study Sansai-ryu school, Fumai himself further learned Sekishu-ryu school to hand down a school called Fumai-ryu school in the Matsue Domain today.
Japanese: 松平不昧は家臣にも三斎流を学ばせたが、不昧自身はさらに石州流を学んで松江藩では現在不昧流と呼ばれる系譜が伝えられることになる。
English: Tadakata YONEKITSU was a younger brother of Masatake YONEKITSU, the lord of the Kuki Domain, but he removed himself from the family and set up a new branch family, and became a hatamoto in 4,000 koku.
Japanese: 米津田賢は久喜藩主米津政武の弟にあたり、分家して4000石の旗本である。
English: Kiken FUNABASHI was a shogun's retainer; his family carried on Ichio-ryu school for generations until Meiji period, which was then inherited by Hosokawa Sansai-ryu school (a school of Sansai HOSOKAWA).
Japanese: 舟橋希賢は幕臣で、代々一尾流を伝えて明治に至り、この流れが細川三斎流を称している。
English: From the 15th head, Hashimotoan Umeya, the school has been inherited by the lay believers, and from the 18th head, Kansuian Shozan, it is inherited by the members of the Moriyama Family.
Japanese: 15代橋本庵梅屋からは在家による継承で、18代観翠庵祥山から森山家で世襲。
English: Oie-ryu school is a school of tea ceremony which had been traditionally practiced by Shigenobu group of Mikawa-Ando clan, which was a family of fudai daimyo (a daimyo in hereditary vassal to the Tokugawa family).
Japanese: 御家流（おいえりゅう）は、譜代大名の三河安藤氏重信系で伝承された茶道の流派。
English: The school has been passed down for generations by being further combined with the traditions of Oribe-ryu school of tea ceremony, Yonekawa-ryu school of kodo (incense-smelling ceremony), and Ise-ryu school of reiho (manners and etiquettes).
Japanese: 織部流を合わせて、米川流の香道、伊勢流の礼法と合わせ伝えられている。
English: Although the school had been prohibited to be taught and practiced outside Ando family as a tomeryu (protected school), it began to be taught to the public after 1970.
Japanese: 留流として安藤家中以外へは秘されてきたが、1970年より一般へ教授されるようになった。
English: In the Ando family, Oribe-ryu school had been practiced since the time of Shigenobu ANDO, the first head of the family, when he served as roju (member of shogun's council of elders) for Hidetada TOKUGAWA, the second Shogun of Edo bakufu (Japanese feudal government headed by a shogun).
Japanese: 安藤家では初代安藤重信が江戸幕府2代将軍徳川秀忠の老中として近侍した折から織部流を習いとしていた。
English: Nobutomo ANDO, the fourth head of the family, however, enjoyed various arts including waka (a traditional Japanese poem of 31 syllables), renga (linked verse), hokku (the first line of a waka poem), tea ceremony, kodo (incense-smelling ceremony), and Noh theater.
Japanese: しかし4代安藤信友は、和歌、連歌、発句、茶道、香道、能楽など数々の文芸を嗜んだ。
English: For tea ceremony, he learned under Tadakata (also known as Takata or Michikata) YONEKITSU, who was a disciple of Iori ICHIO, and was taught from him the esoteric and specialist techniques.
Japanese: 特に茶道については一尾伊織の門人の米津田賢に入門して奥伝を受けている。
English: But because Nobumasa, the 10th head of the family, joined Ouetsu-reppan domei (alliance among three provinces; Mutsu, Dewa, and Echigo) at the time of Meiji Restoration, the Ando family went through a confusing time as they lost a part of their territory and were deprived of their social status during Meiji period.
Japanese: 10代信正が明治維新に際して奥羽越列藩同盟に加わったことから、明治期の安藤家は減封されたり礼遇停止となったりと混乱していた。
English: During this time, the family's documents and tea ceremony tools were handed down by Sokichi MIO (三尾宗吉) and Junsuke Mio (三尾順助), who served the family as sadoyaku (a tea-server for tea ceremony of bakufu and domains) for generations, which were eventually passed onto Yuriko, the biological mother of Ayanobu, and have been preserved to this day.
Japanese: この間は代々茶道役を務めていた三尾宗吉、三尾順助によって伝書や道具の類が伝えられ、綾信の実母百合子に伝えられて現在に至っている。
English: It is the name of Nobukazu ANDO, the 16th head of the family, who is formally registered on the list of nobles at Kasumi kaikan Hall, the former Kazoku kaikan (literally, a hall for the peerage).
Japanese: 旧華族会館である現霞会館に正式に登録されているのは16代安藤信和である。
English: Hakuo MATSUMOTO (July 7, 1910 - January 11, 1982) was a Japanese theater, film and kabuki actor.
Japanese: 松本白鸚（まつもとはくおう、1910年（明治43年）7月7日-1982年（昭和57年）1月11日）は日本の俳優、歌舞伎役者。
English: His acting house name was Koraiya, an alias was Kinsho, his family crest was the yotsuhana bishi (four flowers arranged in a diamond shape) and his alternate crest was the fusencho (raised stripe butterfly).
Japanese: 屋号は高麗屋、俳名は錦升（きんしょう）、家紋は四つ花菱、替紋は浮線蝶。
English: The name 'Hakuo' is a name that he adopted in retirement and was rarely used on stage with the exception of his son and grandson's name in a succession ceremony, while during his lifetime he was also known as Koshiro MATSUMOTO VIII.
Japanese: 「白鸚」の名跡は襲名披露興行の舞台以外にほとんど実績のない事実上の隠居名で、存命中は八代目松本幸四郎（はちだいめまつもとこうしろう）として知られた。
English: He attended Gyosei Senior High School under his father's influence and began appearing on stage during those years, so he had no experience as a child actor.
Japanese: 父の方針で暁星高等学校に通学し、舞台に立ったのは学生時代からだったため、子役の経験がない。
English: He himself said that if he had not become a kabuki actor, he would have liked to have been a painter.
Japanese: 彼自身は後年、もし歌舞伎役者にならなかったら画家を目指していただろうと語っている。
English: In March of 1930, he played the role Umeomaru in the Kurumabiki (Act III, first scene) scene of "Sugawara Denju Tenarai Kagami" at the Meiji-za Theater under the name Somegoro ICHIKAWA V.
Japanese: 1930年（昭和5年）3月明治座の『菅原伝授手習鑑・車引』の梅王丸で、五代目市川染五郎を襲名。
English: After the World War II, he made a name for himself as the successor of the great performers Kikugoro ONOE VI and Kichiemon NAKAMURA I.
Japanese: 戦後は尾上菊五郎(6代目)・中村吉右衛門(初代)の二大俳優の後継者として頭角を顕わす。
English: In August of the following year, he played the role of Musashibo Benkei in "Kanjincho" at Tokyo-gekijo Theatre as well as the role Kanemitsu HIGUCHI in the Sakaro scene of "Hirakana Seisuiki," and inherited the name Koshiro MATSUMOTO VIII.
Japanese: 翌年（昭和24年）8月東京劇場『勧進帳』の武蔵坊弁慶と『ひらかな盛衰記・逆櫓』の樋口兼光で、八代目松本幸四郎を襲名。
English: He also appeared alongside Tsunatayu TAKEMOTO VIII and Yashichi TAKEZAWA in "Musume Kagekiyo Yashima Nikki" in 1959 in a performance combining the previously incompatible media of kabuki and bunraku puppet theater, for which he was awarded the Theatron Prize and the Mainichi Arts Prize.
Japanese: また1959年（昭和34年）『娘景清八嶋日記』では八代目竹本綱太夫や竹澤弥七と共演、それまで相容れなかった文楽との共演を実現し、テアトロン賞と毎日芸術大賞を受賞した。
English: In addition, he gained attention when he performed in Shakespeare's "Othello" in 1960.
Japanese: さらに1960年（昭和35年）にはシェイクスピアの『オセロ(シェイクスピア)』に挑んで話題となった。
English: He later left Shochiku for Toho under the invitation of the playwright Kazuo KIKUTA in a move that had a major impact on the kabuki community.
Japanese: この後松竹を離れ、劇作家菊田一夫の招きで一門こぞって東宝に移籍、歌舞伎界に大きな衝撃を与えた。
English: With Toho, he went on to appear on stage alongside actresses such as Fujiko YAMAMOTO, and Isuzu YAMADA, but dissatisfaction with Toho policies as well as continued disparities between his own artistic outlook and Kikuta's scripts meant that this move cannot be considered to have been a complete success.
Japanese: その後も東宝で山本富士子や山田五十鈴らの女優と舞台で共演するなどしたが、東宝の興行方針に対する不満や自己の芸術観と菊田の脚本との相違・ずれなど問題が絶えず、この移籍は必ずしも成功とはいえないものだった。
English: After his transfer, he returned to kabuki in the Kawatake Mokuami play entitled "Tsutamomiji Utsunoya Toge" ("Bunya-goroshi") in June of 1969 at the National Theatre of Japan, and in November of the same year he gave a spirited performance in the premiere of the new Yukio MISHIMA kabuki play, "Chinsetsu Yumiharizuki."
Japanese: 移籍後も国立劇場で、1969年（昭和44年）6月には河竹黙阿弥作の歌舞伎『蔦紅葉宇都谷峠』（文弥殺し）を復活上演、同年11月には三島由紀夫作の新歌舞伎『椿説弓張月』を初演するなど精力的に舞台に立った。
English: He received numerous honors including the Japan Art Academy Award in 1974, designation as an Important Intangible Cultural Property (Living National Treasure) in 1975, being made a member of the Japan Art Academy in 1976, designation as a Person of Cultural Merit in 1978, and the NHK Broadcasting Culture Award in 1980.
Japanese: 1974年（昭和49年）日本芸術院賞、1975年（昭和50年）重要無形文化財（人間国宝）、1976年（昭和51年）日本芸術院会員、1978年（昭和53年）文化功労者、1980年（昭和55年）NHK放送文化賞、などを授与された。
English: In October of 1981, he passed name 'Koshiro MATSUMOTO' to his eldest son who became 'Koshiro MATSUMOTO IX' and changed his own name to 'Hakuo MATSUMOTO.'
Japanese: 1981年（昭和56年）10月、「松本幸四郎」の名跡を長男の松本幸四郎(9代目)に譲り、自らは「松本白鸚」を襲名。
English: During this name succession ceremony, his grandson, Kintaro MATSUMOTO III (kabuki actor), also succeeded the stage-name Somegoro ICHIKAWA VII and became Koraiya III.
Japanese: この襲名披露では孫の三代目松本金太郎(歌舞伎)も市川染五郎(7代目)を襲名し、高麗屋三代の襲名となった。
English: The Behcet's disease that he developed in his last years progressed and systemic pain left him unable to move freely, meaning that he had to endure great pain while performing prostration at the name succession ceremony.
Japanese: 晩年に発症したベーチェット病が進行して、この頃には全身に痛みがはしって思うように動けず、襲名披露の平伏の挨拶も苦痛に堪えながらのものであった。
English: At the beginning of the following month, he was awarded the Order of Culture and made an effort to attend the award ceremony at the imperial palace.
Japanese: 翌月初めには文化勲章を受賞、体に鞭打って皇居での親授式に臨んでいる。
English: Two months later on January 11, 1982, his Behçet's disease worsened and he died of heart failure.
Japanese: その2か月後の1982年1月11日、ベーチェット病悪化に伴う心不全のため死去。
English: Hakuo MATSUMOTO had masculine style of acting that perfectly combined the bold presence of his father, Koshiro MATSUMOTO VII, and the maruhonmono (kabuki dramas adapted from the Japanese puppet theater) training of his father-in-law, Kichiemon NAKAMURA I.
Japanese: 男らしい風格のある芸風で、父・七代目幸四郎の豪快さと岳父・初代吉右衛門の丸本物の素養とが見事に融合したものであった。
English: Maruhonmono roles included Kuranosuke OISHI and Heiemon TERAOKA in "Kanadehon Chushingura," Mitsuhide AKECHI in "Ehon Taikoki," Matsuomaru in the Terakoya scene of "Sugawara Denju Tenarai Kagami," Jiro HIGUCHI in "Hirakana Seisuiki," and Kagetoki KAJIWARA in "Kajiwara Heizo Homare no Ishikiri" ("Ishikiri Kajiwara").
Japanese: 丸本物では『仮名手本忠臣蔵』の大石内蔵助や寺岡平右衛門、『絵本太功記』の明智光秀、『菅原伝授手習鑑・寺子屋』の松王丸、『ひらかな盛衰記』の樋口次郎、『梶原平三誉石切』（石切梶原いしきりかじわら）の梶原景時。
English: Sewamono (domestic dramas dealing with the lives of commoners) roles included Iemon TAMIYA in "Yotsuya Kaidan," Onihei in "Osome Hisamatsu Ukina no Yomiuri" ("Osome no Nanayaku"), Tojuro FUJIOKA in "Shisenryo Koban no Umenoha" ("Shisenryo"), Yatagoro Genshichi in "Tsuyu Kosode Mukashi Hachijo" ("Kamiyui Shinza"), Banzuiin Chobei in "Kiwametsuki Banzuichobei," and Sogo KIUCHI in "Higashiyama Sakura Soshi" ("Sakura Giminden").
Japanese: 世話物では『四谷怪談』の民谷伊右衛門、『於染久松色読販』（お染の七役）の鬼兵衛、『四千両小判梅葉』（四千両しせんりょう）の藤岡藤十郎、『梅雨小袖昔八丈』（髪結新三かみゆいしんざ）の弥太五郎源七、『極付幡随長兵衛』の幡随院長兵衛、『東山桜荘子』（佐倉義民伝さくらぎみんでん）の木内宗吾。
English: New kabuki roles include Kuranosuke OISHI in "Genroku Chushingura" and Naosuke II in "Ii Tairo."
Japanese: 新歌舞伎では『元禄忠臣蔵』の大石内蔵助、『井伊大老』の井伊直弼などが当り役。
English: He also played the part of Kuranosuke OISHI in the film adaptations of "Chushingura" by Shochiku (1954) and Toho (1962).
Japanese: 大石内蔵助は松竹（『忠臣蔵』、1954年）と東宝（『忠臣蔵』、1962年）の映画でも演じている。
English: Heizo HASEGAWA who appeared in Shotaro IKENAMI's television period drama "Onihei Hankacho" only assumed the role as it was said that Ikenami took inspiration from Koshiro MATSUMOTO VIII while writing (the role of Onihei was succeeded by Hakuo MATSUMOTO I's eldest son, Kichiemon NAKAMURA II).
Japanese: また池波正太郎のテレビ時代劇『鬼平犯科帳』で演じた長谷川平蔵は、池波が八代目幸四郎をイメージして書いたといわれるだけに当たり役となった（『鬼平』は次男の中村吉右衛門(2代目)によって継承されている）。
English: Michio CHIYA's "Koshiro Sangokushi: Kikuta Kazuo to no Yonsen Nichi" (Bunshun Bunko) is a critical biography of Hakuo MATSUMOTO I.
Japanese: 評伝に、千谷道雄『幸四郎三国志　菊田一夫との四〇〇〇日』（文藝春秋）がある。
English: Tanosuke SAWAMURA VI (August 4, 1932 -) is a kabuki actor.
Japanese: 六代目澤村田之助（ろくだいめさわむらたのすけ、1932年（昭和7年）8月4日-）は歌舞伎役者。
English: Other than being active as an actor playing female roles that succeeds the art of Sojuro SAWAMURA VII, he is among the members of Yokozuna Promotion [Deliberation] Council.
Japanese: 澤村宗十郎(7代目)の芸を受け継ぐ女形として活躍するほか、横綱審議委員会の委員の一人としても名を連ねている。
English: He was born in Tokyo on August 4, 1932 as the eldest son of Tanosuke SAWAMURA V.
Japanese: 1932年（昭和7年）8月4日、澤村田之助(5代目)の長男として東京に生まれる。
English: He made his first appearance on stage at Kabukiza theater in April of 1941, performing as Tsuruchiyo in "Meibokusendaihagi" (The Trouble in the Date Clan) and as Yasumatsu of "Takatoki" by the name, Yujiro SAWAMURA IV.
Japanese: 1941年（昭和16年）4月歌舞伎座で『伽羅先代萩』の鶴千代、『高時』泰松で四代目澤村由次郎を名乗り初舞台。
English: He received Engekikai (world of the theater) award in April 1954 for the female role as Motome TERAZUKA in "Kosode Soga Azami no Ironui" (The Love of Izayoi and Seishin).
Japanese: 1954年（昭和29年）4月『小袖曽我薊色縫』の寺塚求女役で演劇界賞受賞。
English: With his father's (Tanosuke V) retirement in 1964, he succeeded his name as Tanosuke SAWAMURA VI when he performed Konami of "Kudanme of Kanadehon Chushingura" (9th Act of The Treasury of Loyal Retainers), Ofune of "Shinrei Yaguchi no Watashi" (The Yaguchi Ferry and the Magic Arrows), and Kosuo of "Yoritomo no shi" (The Death of Yoritomo) at the Kabuki-za Theater on April of the same year.
Japanese: 1964年（昭和39年）父・五代目田之助の引退に伴い、同年4月に歌舞伎座『仮名手本忠臣蔵・九段目』小浪、『神霊矢口渡』のお舟、『頼朝の死』の小周防で六代目澤村田之助を襲名。
English: He was designated as the individual holder of Important Intangible Cultural Property (Living National Treasure).
Japanese: 2002年（平成14年）重要無形文化財各個保有者（人間国宝）に認定。
English: When the Yokozuna Akinori ASASHORYU raised his fists in triumph on the sumo ring where his victory had been decided, he commented 'I have long had the honor of seeing sumo, but I have never seen such a Yokozuna.'
Japanese: 2009年初場所で横綱朝青龍明徳が優勝の決まった土俵上で見せたガッツポーズについて、「長く相撲を拝見しているが、こんな横綱はいなかった」と発言。
English: Sowa KANAMORI's grandfather, Nagachika KANAMORI, was a military commander who served Nobunaga ODA, Hideyoshi TOYOTOMI, and Ieyasu TOKUGAWA, and learned tea ceremony from SEN no Rikyu.
Japanese: 金森宗和の祖父金森長近は織田信長・豊臣秀吉・徳川家康に仕えた武将で、千利休に茶を学んだ。
English: Sowa KANAMORI (the first head) was at the beginning in the care of Takayama Domain as a legitimate son of Arishige, but later disinherited the family lineage and moved to Uji in Kyoto in order to dedicate himself to learning the art of tea ceremony.
Japanese: 初代金森宗和ははじめは可重の嫡子として高山藩にあったが、廃嫡となり宇治・京都に移って茶の湯に専念する。
English: Although it is thought that he was at first influenced by the tea ceremony of Doan as his father was, he gradually perfected his own elegant style, called 'Hime Sowa,' which was created as a result of his friendships with the court nobles such as Emperor Gomizunoo, as well as having had the influence of tea ceremony masters such as Shigenari FURUTA and Enshu KOBORI.
Japanese: 最初は父譲りの道安の流れを汲んでいたと思われるが、古田重然や小堀遠州の影響を受けながら後水尾天皇をはじめ公家との交流のなかで「姫宗和」と呼ばれる優美な茶風を築きあげた。
English: When there was an offer for Sowa to serve Toshitsune MAEDA, the third lord of Kaga Domain, as a tea ceremony master of the house, Sowa declined it and instead had Shichinosuke (七之助) Masauji, the second head of the family, serve the lord.
Japanese: 加賀藩3代藩主前田利常より召し抱えの意があったが、宗和はこれを辞して2代七之助方氏が出仕した。
English: Kanamori family came to its end of the line at the time of the seventh head of the family Tomonao, and the lineage of the head family was inherited by Naomasa TAGA (多賀直昌), who became a new head on recommendation.
Japanese: 7代知直の時に金森家は一時断絶となり、推挙により多賀直昌が宗家を継承することになった。
English: Despite the fact that Naomasa TAGA, the eighth head of the family, received the territory worth 5,000 koku (approximately 900,000 liters of crop yields), he retired in order to concentrate on tea ceremony when he became the head.
Japanese: 8代多賀直昌は5000石を賜っていたが、宗家継承に際し隠居して茶道に専念した。
English: Although the lineage of Kanamori family was later continued by Nobuyuki KANAMORI, the biological son of Tomonao, it is unknown what happened to the family after Meiji period.
Japanese: 金森家は後に知直の実子である金森信之によって再興されたが、明治以降のことは不明である。