nntsuzu/KFTT huggingface dataset:
English: Especially, in February 1676, Danjuro ICHIKAWA (the first) premiered "Kotobuki Soga no Taimen" (The Tale of the Soga Brothers) and SOGA no Goro performed by him was became a big hit.
Japanese: 特に延宝四年正月（1676年2月）に市川團十郎(初代)が『寿曾我対面』を初演して、ここで演じた曽我五郎が大当りした。
English: It was situated at the northeast corner of kokyu, most remote from Seiryo-den Gozasho (living room for an Emperor).
Japanese: 天皇の日常の御座所となる清涼殿から（後宮の内では）最も遠く、北東の方角にある。
English: In a certain reign (whose can it have been?) someone of no very great rank, among all His Majesty's consorts and intimates, enjoyed exceptional favor.
Japanese: いづれの御時にか、女御・更衣(女官)数多さぶらひ給ひけるなかに、いとやむごとなき際にはあらぬが、すぐれて時めき給ふありけり。
English: In a certain reign, there was a lady (Kiritsubo no Koi) not of the first rank whom the Emperor (Emperor Kiritsubo) loved more than any of the others.
Japanese: どの帝の御代であったか、それほど高い身分ではないのに帝（桐壺帝）から大変な寵愛を受けた方（桐壺更衣）がいた。
English: But, his often-ailing mother died when the Prince was three years old because of jealousy and bullying from the other consorts and intimates.
Japanese: しかし、他の妃たちの嫉妬や嫌がらせが原因か病気がちだった更衣は、3歳の皇子を残して病死してしまう。
English: When he celebrated his attainment of manhood, the Emperor demoted him from nobility to subject and made him marry Aoi no ue (Lady Aoi), a daughter of the House of the Minister of the Left.
Japanese: 帝は元服した彼を臣籍降下させ源氏姓を与えて、左大臣家の娘・葵の上の婿とする。
English: In this first quire, depicted are the earliest episodes of Genji Monogatari, but this quire is not well connected to the following quire 'Hahakigi' (The Broom Tree).
Japanese: 本巻は源氏物語の首巻であり、源氏物語年立の上で最も早い時間軸の部分が描かれているが、続く巻である「帚木」とのつながりが悪い。
English: It is one of the reasons why the Theory of Later Insertion or Postscript has been advocated from ancient times by many people and books, including "Genji monogatari kikigaki" (commentaries in the Muromachi period), Akiko YOSANO, Kikan IKEDA, and others.
Japanese: こうしたことを理由として古くは室町時代の注釈書である『源氏物語聞書』、近代に入ってからは与謝野晶子により、さらには池田亀鑑らによってしばしば後挿入説・後記説が唱えられている。
English: There is a theory which tries to correct the inconsistency between this quire and 'Hahakigi' by presuming that a quire, 'Kagayakuhi no Miya' (The Shining Princess), exists between them.
Japanese: 本巻と帚木との間の不整合については両巻の間に輝く日の宮の巻の存在を想定して解決しようとする説もある。
English: It was originally compiled as poems attached to paintings on folding screen offered when FUJIWARA no Ishi, a daughter of FUJIWARA no Michinaga, entered into court, and was later presented as a wedding gift at the wedding of the daughter of Kinto and FUJIWARA no Norimichi.
Japanese: もともとは藤原道長の娘藤原威子入内の際に贈り物の屏風絵に添える歌として編纂され、のちに公任の娘と藤原教通の結婚の際に祝いの引き出物として贈られた。
English: At that time, Roei (recitation), which was to recite excellent poems and waka selecting ones most appropriate to various occasions public or private including tanka parties, was highly prized as it warm up the parties.
Japanese: 往時、朗詠は詩会のほかにも公私のさまざまの場で、その場所々でもっともふさわしい秀句や名歌を選んで朗誦し、その場を盛り上げるものとして尊重されていた。
English: As its name suggests, total 804 poems (216 waka poems and 588 Chinese-style poems (including those composed by Japanese)) are contained.
Japanese: その名の通り和歌216首と漢詩588詩（日本人の作ったものも含む）の合計804首が収められている。
English: KI no Tsurayuki has the most waka poems (26 poems) and Juyi BAI has the most Chinese-style poems (135 poems).
Japanese: 和歌の作者で最も多いのは紀貫之の26首、漢詩では白居易の135詩である。
English: It structure is after "Kokin Wakashu" (A Collection of Ancient and Modern Japanese Poetry), and Volume 1 contains poems of four seasons (spring, summer, autumn, and winter) and Volume 2 contains Zouka (other poetry).
Japanese: 『古今和歌集』にならった構成で、上巻に春夏秋冬の四季の歌、下巻に雑歌を入れている。
English: Because popular poems of that time are written in both kanji (Chinese characters) and kana characters, it was used as a textbook for reading and writing in Terakoya (temple elementary schools during the Edo period) etc. for a long time.
Japanese: 漢字と仮名文字の両方で当時の流行歌が書いてあることから、寺子屋などで長年読み書きの教科書としても用いられた。
English: Also, the Christian version of Volume 1 published by the Society of Jesus remains in Monastery of the Escurial in Spain.
Japanese: また、イエズス会によって出版されたキリシタン版の上巻が、スペインのエル・エスコリアル修道院に残っている。
English: It is now the overwhelmingly predominant view that the author was Rokujosaiin no senji (Baishi Naishinnoke senji), a daughter of MIANAMOTO no Yorikuni.
Japanese: 現在では六条斎院宣旨（禖子内親王家宣旨）源頼国女を作者とする説が圧倒的に有力。
English: It is said to have been written between the Kohei era (1058 - 1064) during the reign of the Emperor Goreizei and the Enkyu era (1069 - 1073) or Joho era (1074 - 1076) during the reigns of Emperor Gosanjo and Emperor Shirakawa.
Japanese: 成立時期は後冷泉天皇朝の康平頃とも、後三条天皇・白河天皇朝の延久・承保頃ともいう。
English: "Mumyo Zoshi" (Story Without a Name) praises the work by stating that 'Sagoromo Monogatari is second only to Genji Monogatari (The Tale of Genji).'
Japanese: 『無名草子』では「狭衣こそ、源氏に次ぎてはようおぼえ侍れ」（群書類従本）と賞賛されている。
English: "Sagoromo Monogatari" depicts the love affairs of a hero who closely resembles Kaoru from the 'Uji Jujo' (The Ten Quires of Uji) section of "Genji Monogatari," and the significant influence of "Genji Monogatari" can be seen in its themes and structure.
Japanese: 『源氏物語』宇治十帖の薫に酷似する主人公・狭衣の恋愛遍歴を描き、主題・構成には『源氏物語』の顕著な影響が見える。
English: However, unlike "Genji Monogatari" which begins 'in a certain era,' "Sagoromo Monogatari" begins with 'The springtime of youth does not stop, for it is already around the 20th day of the third month' (Yuhodo Bunko), which is based on a Chinese poem and a famous poem from "Kokin Wakashu" (A Collection of Ancient and Modern Japanese Poetry) and depicts Sagoromo's anguish caused by his unrequited love for his younger female cousin Genji no Miya while being true to reality.
Japanese: しかし、「いずれの御時にか」で始まる『源氏物語』と違い、「少年の春は惜しめども留まらぬものなりければ、弥生の二十日余になりぬ」（有朋堂文庫）と始まる書き出しは、白居易の漢詩や『古今和歌集』の名歌を踏まえ、従妹源氏の宮への遂げられぬ恋に起因する狭衣の煩悶を描き、現実を意識したものとなっている。
English: Fatalism and fantastic depictions stand out as can be seen in the story of Asukai no Onnagimi and Sagoromo's enthronement, while the hero's indecisiveness and the melancholic atmosphere that envelops the entire narrative are very different from "Genji."
Japanese: 飛鳥井姫君の物語や狭衣の即位など、宿命観や幻想的描写が目立ち、主人公の優柔不断さや物語全体を覆う憂愁な雰囲気も『源氏』とだいぶ相違するものである。
English: There remain six incomplete sections of the "Sagoromo Monogatari Emaki" (Illustrated handscroll of the Tale of Sagoromo) which are thought to have been painted by Mitsuaki TOSA in the 14th century.
Japanese: また、14世紀に制作された伝土佐光顕筆『狭衣物語絵巻』も残欠6段が現存する。
English: Sagoromo, who is the only son of Emperor Saga's younger brother Chancellor (kanpaku) Horikawa, is secretly deeply in love with his younger female cousin, Genji no Miya, with whom he was raised like a brother.
Japanese: 帝（嵯峨帝）の弟・堀川関白の一人息子である狭衣は、兄妹同様に育てられた従妹源氏の宮に密かに恋焦がれている。
English: Knowing of the hope that Genji no Miya would become Imperial Crown Princess, Sagoromo panics and declares his feelings for her but she rejects him.
Japanese: 源氏の宮が東宮妃に望まれていると知って焦った狭衣は、ある時源氏の宮に想いを告白するが拒絶される。
English: Sagoromo is heartbroken after being rejected by Genji no Miya but his heart is healed after a chance sexual encounter with Asukai no Onnagimi.
Japanese: 源氏の宮に拒まれて傷心を抱える狭衣は、偶然出会った飛鳥井女君と契って心を癒される。
English: Asukai no Onnagimi is unable to have faith in the love of Sagoromo and, while pregnant with his child, is cheated by her wet nurse and taken away to Tsukushi but attempts to commit suicide on the way by drowning herself.
Japanese: 狭衣の愛を信じられない飛鳥井女君は、狭衣の子を妊娠したまま乳母にだまされて筑紫へ連れ去られ、その途中で入水自殺を図る。
English: Sagoromo is shocked by the disappearance of Asukai Onnagimi and obstinately refuses to marry Onna Ninomiya but falls in love with her at first sight, breaks into her bedroom and forces himself upon her.
Japanese: 飛鳥井女君の失踪に衝撃を受けた狭衣は、頑なに女二宮との結婚を拒絶していたが、ある時彼女を見初めて寝室に押し入り強引に契る。
English: Onna Ninomiya, driven to despair by Sagoromo's indecisive and dishonest attitude, becomes a nun after giving birth to Sagoromo's son, Wakamiya (announced as the second son of Emperor Saga and Omiya).
Japanese: 狭衣の優柔不断で不誠実な態度に絶望した女二宮は、狭衣の男児・若宮（表向きは大宮の産んだ嵯峨帝の第二皇子とされた）を出産した後出家する。
English: Emperor Saga abdicates the throne and the Crown Prince is crowned (Emperor Goichijo) but Genji no Miya, who was expected to become the consort of the new emperor is appointed a Sai-in (Imperial Princess appointed to serve the deities of the Kamo-jinja Shrines) by an oracle.
Japanese: 一方、嵯峨帝が譲位して東宮が即位するが（後一条帝）、新帝への入内を予定されていた源氏の宮は神託により斎院になる。
English: Sagoromo grows sick and tired of the world, and on his way to Kokawa-dera Temple receives news of Asukai Onnagimi and the existence of his daughter (Asukai Himegimi) to whom she gave birth.
Japanese: 世の中が嫌になった狭衣は粉河寺に参詣したが、その途上で飛鳥井女君の消息と彼女の生んだ自分の娘（飛鳥井姫君）の存在を知った。
English: With the sole desire to meet his daughter, Himegimi, born to the dead Asukai Onnagimi, he sneaks into the residence of Ippon no Miya who took in Himegimi but the ensuing chaos results in a situation in which he is obliged to marry Ippon no Miya who is 12 years his senior.
Japanese: 狭衣は飛鳥井女君の忘れ形見の姫君に会いたい一心で、姫君を引き取った一品宮の屋敷に忍び込んで騒がれたため、心ならずも一回り年上の一品宮と結婚する羽目になる。
English: Ippon no Miya discovers Sagoromo's real intention but maintains her obstinate resolve, resulting in a marriage that is cold from the outset.
Japanese: 狭衣の真意を知った一品宮も頑なな態度を貫いて打ち解けず、結婚生活は最初から冷え切っていた。
English: Sagoromo grows weary of the world from the bottom of his heart and resolves to enter the priesthood but his parents and an oracle of Kamo Myojin Shrine prevent him from doing so.
Japanese: 心底から俗世が嫌になった狭衣は出家を決意するが、賀茂明神の神託と両親によって出家を阻止される。
English: Sagoromo later becomes involved with Shikibukyo no Miya no Himegimi, who is beautiful and exactly like Genji no Miya, and his heart is healed.
Japanese: その後狭衣は源氏の宮に瓜二つの美しい式部卿宮の姫君と結ばれ、心を癒された。
English: Sagoromo is eventually declared emperor by an oracle, and it is promised that his real son, Wakamiya, will succeed the imperial throne.
Japanese: やがて神託によって狭衣は帝位につき、彼の実の息子・若宮の皇位継承が約束される。
English: Shikibukyo no Miya no Himegimi (Fujitsubo Nyogo (consort)) gives birth to an Imperial Prince and becomes chugu (the second consort of an emperor), while his daughter Asukai Himegimi becomes Ippon Naishinno (Imperial Princess Ippon).
Japanese: 式部卿宮の姫君（藤壺女御）は皇子をもうけて中宮に立ち、娘の飛鳥井姫君も一品内親王になった。
English: However, even at the peak of his glory, Sagoromo's heart remains trapped in the melancholy of thoughts of Genji no Miya and Onna Ninomiya.
Japanese: しかし栄光の極みにあっても、狭衣の心は源氏の宮や女二宮を想って憂愁に閉ざされたままである。
English: "Yowa no Nezame" is a story of the ocho monogatari (tales of the Heian and Kamakura periods) written in the latter half of the Heian period (supposedly around the latter half of 11th century).
Japanese: 『夜半の寝覚』（よわのねざめ）は平安時代後期（11世紀後半ごろか）に成立した王朝物語の一。
English: However, it is very likely that it was written by SUGAWARA no Takasue's daughter, who also authored "Sarashina Nikki" (Sarashina Diary) and "Hamamatsu Chunagon Monogatari" (The Tale of Hamamatsu Chunagon).
Japanese: しかし、『更級日記』や『浜松中納言物語』の菅原孝標女であるとする説が有力である。
English: It was not seen as important in the past because a large portion of the story is missing from the main text.
Japanese: 途中に本文の大きな欠落があるなどの理由から、従来はあまり重視されてこなかった。
English: However, it began to receive much attention after the war because of research advancements in this area, as well as re-evaluation of ocho monogatari by people such as Shinichiro NAKAMURA.
Japanese: しかし、戦後、研究の進展や中村真一郎などによる王朝物語の再評価の機運にのって、広く注目を集めるようになった。
English: The story is characteristic in the sense that it uses a unique technique of establishing the characters by precise observation and exquisite depiction of their mentalities.
Japanese: 登場人物たちの心理を克明に観察し、精緻な描写によって定着させてゆく独特な手法が特徴的である。
English: The theory that says that it was a work by SUGAWARA no Takasue's daughter originates from a comment found in the postscript of Sarashina Nikki, a book of Imperial collection written by FUJIWARA no Sadaie, 'The diary of the daughter of SUGAWARA no Takasue, Governor of Hitachi Province, her mother was a daughter of Tomoyasu Ason (a high-ranking hereditary title), she was a daughter of Crown Prince's tutor's mother, Yowa no Nezame and Mitsu no Hamamatsu みつからくゆる あさくら なとは were written by the author of this diary.'
Japanese: 菅原孝標女の作であるとする説は、藤原定家筆御物本更級日記の奥書に「ひたちのかみすかはらのたかすゑ／のむすめの日記也　母倫寧朝臣女／傅のとののははうへのめひ也／よはのねさめ　みつのはままつ／みつからくゆる　あさくら　なとは／この日記の人のつくられたるとそ」という記述が見られるところから起ったものである。
English: However, similar elements were pointed out between "Sarashina Nikki" and "Hamamatsu Chunagon Monogatari' in the research of nezame after the war.
Japanese: 戦後の寝覚研究のなかで『更級日記』と『浜松中納言物語』の関係に近似的要素が指摘された。
English: On the other hand, it became clear that there are many elements in "Nezame" that are not similar to either one.
Japanese: その一方、『寝覚』はそのどちらとも似ない要素が多いことが明らかとなった。
English: However, there is an opposing theory based on the view that the originality of "Nezame" is the author's style.
Japanese: ただし『寝覚』の独自性は作者の趣向であるという考えかたに基づく反論もある。
English: Therefore, it cannot be denied that there is certain credibility to the theory that places Takasue's daughter as the author.
Japanese: いまだに孝標女作者説に一定の信憑性が認められることは事実であるといっていい。
English: The wife of Dajodaijin (Grand Minister of State) passed away, and he was taking care of all of his four children, who had different mothers.
Japanese: 太政大臣は妻を亡くし、母親の違う四人の子供たちをすべて引取って養育している。
English: Among them, Naka no Kimi (later called 'Nezame no Ue') was talented in music, and so (a long Japanese zither with thirteen strings) was her specialty.
Japanese: そのなかでも中の君（後に「寝覚の上」）は音楽の才能にすぐれ、箏を得意にしていた。
English: Furthermore, he descended again on the night of the full moon in the following year, and he foretold her unhappy fate, then left.
Japanese: さらに翌年の十五夜にも彼女を訪れて、その数奇な運命を予言して去るのであった。
English: Naka no Kimi's older sister, Okimi, was engaged to Chunagon (Middle Councilor), the eldest son of the Minister of the Left (later called 'Kanpaku', or Chancellor).
Japanese: 一方、中の君の姉大君は左大臣の長男中納言（後に「関白」）と婚約をしていた。
English: When Chunagon visited his wet nurse he unexpectedly had a relationship with Naka no Kimi, who happened to be there in order to avoid directional misfortune.
Japanese: 中納言は乳母の見舞いに訪れた先で、ふとしたことから方違をしていた中の君と契ってしまう。
English: He secretly took the girl to whom Naka no Kimi gave birth, and he raised her under Minister of the Left.
Japanese: 中の君が生んだ姫君を人知れず引取って、左大臣のもとで養育するのであった。
English: Okimi found out his relationship with Naka no Kimi, and his marriage finally failed.
Japanese: 中の君との関係を大君の知るところとなり、ついにその結婚生活は破綻するのであった。
English: However, it is considered that the story mainly depicts what happened to the man, the woman, and the elderly Kanpaku who became the woman's husband.
Japanese: しかし、主として男君と女君、そして女君の夫となる老関白との出来事が描かれていたと思われる。
English: Chapter three portrays the woman at the age of 26, deepening her thoughts through hardships she underwent, such as the Emperor's advance on her.
Japanese: 第三部は、26歳になった女君が帝に迫られるなどの苦難に遭いながら思索を深めていく様子が描かれる。
English: Also, although it does not exist now, chapter 4 is thought to describe the woman living her life as a mother, based on a review by the author of Mumyozoshi (Story without a Name, critique of tales) from the time period where all chapters did exist.
Japanese: そしてこれも現存していないのだが第四部は、全巻が揃っていた時代の無名草子の作者の書評などから、母として生きる女君が書かれていたものと推量される。
English: As a text, it is the oldest, and it is presumed to be from the latter half of Chapter 5 which is not in existence now.
Japanese: テキストとしても最古であるが、伝本にはない部分で第五巻の後半と推定されている。
English: Heichu monogatari (The Tale of Heichu) (written 平中物語 or 平仲物語) is a story told through poems that was completed during the Heian period.
Japanese: 平中物語（へいちゅうものがたり）は、平安時代に成立した歌物語（平仲物語とも書く）。
English: The only existing copy is a reprint made by Tamesuke REIZEI, a grandson of FUJIWARA no Teika.
Japanese: 現代に伝えられる伝本は、藤原定家の孫である冷泉為相による古写本1冊しかないという。
English: The main character, 'Heichu,' is a mid-Heian period poet named TAIRA no Sadabumi (or Sadabun).
Japanese: 主人公の「平中」は、平安時代中期の歌人、平貞文（たいらのさだふみ又はさだぶん）。
English: The story was greatly influenced by "Ise monogatari" (The Tales of Ise), but has a comparatively longer main text.
Japanese: 『伊勢物語』の影響が大きい作品であるが伊勢物語に比べ地文が多いという。
English: Hyakushuuta (The Set of One Hundred Poems, 百首歌) consists of one hundred poems as a unit, which are a type of waka composed with a predetermined number.
Japanese: 百首歌（ひゃくしゅうた）は、数を定めて詠う和歌（定数和歌）のひとつで、100首を単位として詠まれるもの。
English: The Set of One Hundred Poems can be broken down into two types, including a set of poems composed by an individual poet and a set which is a collection of poems by a number of poets.
Japanese: 1人で100首を詠んだものと、複数の人が詠んだものを100首集めたものに分けることができる。
English: It is believed that the first set of one hundred poems by an individual poet was "Hyakuchi no Uta" (百ちの歌) composed in 960 as part of the 'Sotanshu,' the personal poetry collection of SONE no Yoshitada.
Japanese: 1人で詠んだ百首歌は960年（天徳4年）曾禰好忠の家集「曾丹集」のなかの『百ちの歌』に始まるとされる。
English: The first set of one hundred poems written by a number of poets is presumed to be the 'One Hundred Waka of the Horikawa-in Era,' which was submitted to Emperor Horikawa at around 1105 to 1106.
Japanese: 複数の歌人による百首歌は、1105年（長治2年）～1106年（長治3年）頃堀河天皇に奏覧された「堀河院御時百首和歌」が最初とされる。
English: This collection of one hundred poems consisted of waka written by 16 poets, including FUJIWARA no Kinzane, and became the model for subsequent collections with set topics.
Japanese: 藤原公実ら16人によって進詠されたもので以後の組題による百首歌の手本となった。
English: Following medieval times, it became a practice for leading poets to submit one hundred poems as baseline material when selecting waka for the Chokusen Wakashu (Imperial Anthology of Japanese Poetry compiled by Imperial command).
Japanese: 中世以後は、勅撰和歌集を撰出する際の基礎資料として主要な歌人に百首を詠進させるようになった。
English: One hundred poem sequences written by an individual poet, on the other hand, were composed for other purposes, such as training and dedicating them to shrines and temples.
Japanese: 一方、個人による百首は作歌の練習や社寺への奉納などの目的で詠まれた。
English: Korai Futeisho is a textbook on poetry that was completed during the early Kamakura period.
Japanese: 古来風体抄（こらいふうていしょう）は、鎌倉時代初期に成立した歌学書。
English: The initial edition is said to have been written by the courtier and poet, FUJIWARA no Toshinari (1114 - 1204) at the request of Imperial Princess Shikishi (1149 - 1201) who was a princess of Cloistered Emperor Goshirakawa.
Japanese: 初撰本は後白河院の皇女である式子内親王（1149年－1201年）が、公卿で歌人の藤原俊成（1114年－1204年）に依頼して執筆されたものとされる。
English: Between the initial and revised editions, there is another edition that seems to have been a modification of the initial edition.
Japanese: なお、初撰本と再撰本との間には初撰本を改稿したとみられる撰本が残されている。
English: The book has a selection of 191 poems from the Manyoshu (Collection of Ten Thousand Leaves), and 395 poems (398 poems in the revised edition) from Imperial waka poem anthologies up to the Senzai Wakashu (Collection of Japanese Poems of a Thousand Years), with a history of waka poems.
Japanese: 万葉集から191首、千載和歌集までの勅撰和歌集から395首（再撰本では398種）を抄出している。
English: The textbook teaches that waka poems reveal the true characteristics of the target of the poem.
Japanese: 和歌の歴史を述べるとともに、和歌を詠むことは題材の対象の本性を明らかにするということであるとしている。
English: Gonki was written when FUJIWARA no Michinaga was at the height of his prosperity and is an important historical document that describes the conditions of the Imperial Court of the time.
Japanese: 執筆時期は藤原道長の全盛期で、当時の宮廷状況を知ることができる貴重な史料である。
English: The diary, which is missing a number of writings, reveals events running from 991 to 1017.
Japanese: 正暦2年（991年）から寛仁元年（1017年）分が一部逸文を含むが伝えられている。
English: Other diaries written during the same period are "Shoyuki" (FUJIWARA no Sanesuke) and "Midokanpakuki" (FUJIWARA no Michinaga).
Japanese: 同時期の日記に『小右記』（藤原実資）、『御堂関白記』（藤原道長）がある。
English: Through parts of the diary being cited by other sources, it has been confirmed that the diary ran from 1075 to 1108.
Japanese: その逸文から承保2年（1075年）から嘉承3年（1108年）にかけて書かれていたことが確認される。
English: Partial copies of the diary still exist, such as entries from August of 1097 and from January to April of 1099 at the Archives and Mausolea Department of the Imperial Household Agency, as well as an entry for July 1096 at the National Museum of Japanese History.
Japanese: 宮内庁書陵部に永長2年（1097年）七月条と承徳3年（1099年）正月から三月条、国立歴史民俗博物館に永長元年三七月条など一部写本が伝存する。
English: The portion held by the Archives and Mausolea Department of the Imperial Household Agency has been reprinted in the 'Journal of the Archives and Mausolea Department,' No. 14, 17 and 32, by Shohachi HAYAKAWA and Yasumasa MIYAZAKI.
Japanese: 宮内庁書陵部所蔵分は、早川庄八と宮崎康充によって「書陵部紀要」14・17・32号に翻刻されている。
English: Uji jujo (The Ten Quires of Uji) is the latter half of the third, last part of Genji Monogatari (the Tale of Genji.)
Japanese: 宇治十帖（うじじゅうじょう）とは、源氏物語の最末尾にあたる第3部の後半である。
English: It is often thought that these quires are separated from the other quires, because there are a lot of differences like this.
Japanese: 源氏物語の他の部分と異なる点が多いことから他の部分とは分けて考えられる事が多い。
English: In old books such as "Hakuzoshi," "Shimeisho," and "Kachoyojo," the ten quires are separated and respectively called 'Uji, Part 1,' 'Uji, Part 2,' and so on.
Japanese: 『白造紙』、『紫明抄』あるいは『花鳥余情』といった古い時代の文献にもこの部分の巻数だけを「宇治一」、「宇治二」というようにそれ以外の巻とは別立てで数えているものがある。
English: Therefore, it appears that this method of classification has existed from ancient times.
Japanese: こうしたことから、この部分を分けるやり方は古くから存在したと見られる。
English: According to the old genealogical tree in Shoka bon (book written in the Shoka period), 17 quires of Narabi no Kan (Resemblance chapters) are counted out from 54 quires of Genji Monogatari, and Uji jujo is counted as 1 quire of 'Uji, ' and thus the total number of quires comes down to 28.
Japanese: また正嘉本源氏物語古系図のように源氏物語54帖のうち並びの巻を除いた37帖のうち宇治十帖全体を「宇治」1帖として数え、源氏物語全体を28帖であるとしているものもある。
English: In "Kachoyojo" by Kanera ICHIJO, "Segenmondo" by Fuyuyoshi ICHIJO, etc., Uji jujo is thought to have been written by Daini no Sanmi, a daughter of Murasaki Shikibu.
Japanese: この部分については一条兼良の『花鳥余情』、一条冬良の『世諺問答』などが紫式部の娘である大弐三位が作者であるとしている。
English: There is a lot of research on this, including Biten YASUMOTO's paper on quantitative analysis which concludes that Murasaki Shikibu is not likely to have written Uji jujo.
Japanese: 計量分析においてもの安本美典による論文で紫式部が作者である可能性が低いとされたのをはじめ研究がなされている。
English: Uji jujo is often divided roughly into two parts: the first part is 'the Tale of Oigimi and Naka no Kimi' (the Tale of the Oldest and Second-oldest Sisters) which is from Hashihime to Sawarabi (Early Ferns), and the second part is 'the Tale of Ukifune' (the Tale of a Boat upon the Waters) which is from Yadorigi (the Ivy) to Yume no Ukihashi.
Japanese: 大きく橋姫から早蕨までの「大君・中の君物語」と宿木から夢浮橋までの「浮舟物語」とに分けられることがある。
English: Kakekotoba is a figure of speech in which a pivot word that has homophonous or analogous-sounding words is expressed in such a way that it has two or more meanings.
Japanese: 同じ音、あるいは類似した音を有するものに、2つ以上の意味を込めて表現する方法。
English: Within the poem, "Hana no iro ha utsurinikerina itazurani wagami 'yonifuru nagame' seshi mani," the "yonifuru nagame" is interpreted twice. One interpretation is "the long spell of rain in the evening" and the other is "pass the time in the world (while) watching," which lets the poem carry both meanings as: "The color of the cherry blossoms has faded, and I have vainly passed the time in the world while watching the rain falling."
Japanese: 花の色は移りにけりないたずらに我が身「よにふるながめ」せし間に…「夜に降る長雨」/「世に経る眺め」
English: Sometimes more than one kakekotoba is employed in a poem, such as, "Oeyama 'ikunonomichi' no tookereba mada 'fumimomizu' ama no hashidate,' where "ikunonomichi" and "fumimomizu" both have double meanings. In this case, "ikunonomichi" can mean "the road that goes through a field" or "the road leading to Ikuno" (Ikuno is a place name for the current Asago City). Additionally, "fumimomizu" can mean "have seen no letter" or "have not traveled by foot." Putting them all together, the poem can be interpreted as: "Mt. Oe and the road that leads to Ikuno through the field are far away, so I have neither seen a letter, nor traveled there to Amanohashidate."
Japanese: 大江山「いくののみち」の遠ければまだ「ふみもみず」天の橋立…「行く野の道」/「朝来市（地名）の道」、「文（手紙）も見ず」/「踏みもみず（踏破もせず）」
English: The rhetorical device with the Japanese kakekotoba is rarely found in English.
Japanese: 日本語における掛詞と同じ手法を用いた修辞は、英語においてはほとんど見られない。
English: As is shown below, however, figures of speech that use homophones or similar sounds are sometimes employed in English.
Japanese: 但し、英語においても、以下のような同音もしくは類似音を利用した技巧が使われることがある。
English: In adjusting a clock for daylight saving time, time is put forward in the spring and backward in the fall, so one "springs forward" and "falls backward."
Japanese: 夏時間の調整、春には時計の針を進める、秋には戻す/前に飛び出す、後ろに倒れる。
English: Two is the oddest prime number, since it is the only even one:
Japanese: Twoistheoddestprimenumber,sinceitistheonlyevenone.