nntsuzu/KFTT huggingface dataset:
English: As the younger sister of Sowa married Mitsumasa KOIDE, the lord of Toki Domain in Izumi Province and a Sowa's disciple, Sowa-ryu school was practiced in Toki Domain as well as in Takayama Domain.
Japanese: また宗和の門人である和泉国陶器藩主小出三尹に宗和の妹が嫁いだことから、陶器藩および高山藩でも宗和流が行われた。
English: "Hanayorimo Hananogotoku" (More Flower-like Than Flowers) is a manga about Noh (traditional masked dance-drama) by Minako NARITA.
Japanese: 『花よりも花の如く』（はなよりもはなのごとく）は、能をテーマとした成田美名子による漫画作品。
English: This manga appeared serially in "Monthly Melody" in 2001, but the magazine changed into a bimonthly magazine called "MELODY" in 2006 while the manga was still being serialized.
Japanese: 2001年より『月刊メロディ』に連載されていたが、『月刊メロディ』は本作連載中の2006年に隔月刊誌『MELODY』にリニューアルした。
English: "Hanayorimo Hananogotoku" is a spin-off work featuring Norito SAKAKIBARA (his real name is 'Norito,' but he is usually referred to as 'Kento' in the work) as a main character who is a Nohgakushi (a Noh actor) and the older brother of Saimon SAKAKIBARA who appeared in the same author's previous manga "NATURAL."
Japanese: 作者の前作『NATURAL(漫画)』に登場した榊原西門の兄である能楽師・榊原憲人（正しくは「のりと」だが、概して作中では「けんと」と呼ばれている）を主人公としたスピンオフ作品。
English: After the completion of "NATURAL," "Hanayorimo Hananogotoku" and "Tenno Hibiki" (Hear in Heaven) were drawn as side stories, and then the "Hanayorimo Hananogotoku" series was officially started.
Japanese: 前作完結後に「外伝」として「花よりも花の如く」「天の響」の2編が描かれた後、正式に連載が始まった。
English: When Norito appeared in the side story for the first time, he was on the verge of becoming a private pupil, but in "Futen," published in an the second volume of an independent book, he had gone through the period of practicing to be a private pupil and had become independent as a kuroto (an expert) of Nohgakushi.
Japanese: 外伝登場時は主人公は内弟子になる直前であったが、単行本第2巻収録「風天」で内弟子修行期間を終え、玄人の能楽師として独立。
English: This manga depicts the daily lives of people living in Nohgaku (the art of Noh) circles and the changes of heart they have as young Nohgakushi belonging to the Sohu Association.
Japanese: 能楽界に生きる人々の日常、創風会所属の若手能楽師たちの心の動きなどを描いている。
English: He began practicing Noh as a ko-kata (a child's part in a Noh dance) when he was two years old, and when he was twenty-two years old, he became a private pupil of Sojuro AIBA.
Japanese: 2歳時より子方として修行し、22歳の時に相葉左右十郎の内弟子となる。
English: For some reason, all the people around him, including his family, always call him 'Kento,' the Chinese reading of the kanji for 'Noribito.'
Japanese: 何故か家族を含む周囲の人間からは音読みの「けんと」としか呼ばれない。
English: He is basically a gentle person, but when he tells silly and pointless jokes with a serious face, it indicates an aspect of his character that he is not just out-and-out serious.
Japanese: 基本的に穏やかな人物だが、真顔でボケてみせるなど、真面目一辺倒ではない側面もある。
English: He has a peculiarity about lying on his back and adopting a posture with his legs stretched straight upward to the ceiling when speculating about the character of a role.
Japanese: 役柄について思索する時に、仰向けに寝て足を天井方向に真っ直ぐ向ける姿勢をとる癖がある。
English: The features of his face are not so bad in appearance, but he is more simple and inconspicuous than his younger siblings, such as Saimon and Saiki.
Japanese: 外見的に顔の造作は悪くないらしいが西門・彩紀ら弟妹に比べ地味で目立たない。
English: Perhaps because he wears glasses, he has been called 'Nobita' (the name of a timid boy who appears in 'Doraemon' comics and is always aided by Doraemon) by Saimon.
Japanese: その上眼鏡をかけているせいか、西門に「のび太」呼ばわりされた事がある。
English: On page 122 of the second volume he performs in a Noh play titled "Yoro" (Longevity Springs) in the style of 'Suiha no Den,' which is a Kogaki (a variant performance, or special staging) of the Kanze-ryu school, inferring that he belongs to the Kanze-ryu school.
Japanese: 2巻122ページで能『養老(能)』を観世流の小書（特殊演出）である「水波之伝」で演じていることから、流派は観世流らしい。
English: Although everybody tries to stay away from him due to his extremely serious and sincere nature, he is respected for his attitude toward the arts.
Japanese: 謹厳実直な性格で、周囲からは煙たがられつつも、芸事に対する姿勢の厳しさで一目置かれる存在。
English: He goes to a university in Kyoto to get away from his strict father, not becoming interested in Noh until he watches 'Koi no Omoni' (The Burden of Love) performed by Sojuro as a shite and Norito as a tsure (a shite's companion) in New York, and then decides to be a Nohgakushi.
Japanese: 父の厳格さを敬遠して京都の大学に進学、能からも一時遠ざかるが、ニューヨークで左右十郎シテ、憲人ツレにより演じられた「恋重荷」を見て能楽師を志す。
English: Since he became a pupil of Sojuro AIBA after graduating from his university, he is a junior disciple to Gaku even though he is older.
Japanese: 大学卒業後に相葉左右十郎に弟子入りしたので楽より年上だが弟弟子に当たる。
English: He is also a rational thinker, as shown when he points out without hesitation that there is no standardized way to store kazariobi (sashes) among the disciples of Sojuro.
Japanese: また合理的な思考方法の持ち主であり、左右十郎門下で飾り帯の仕舞い方が統一されていない点を臆せずに指摘したこともある。
English: He appears to be as interested in Saiki as Gaku, implied by the manner in which he actively speaks to her whenever he gets a chance.
Japanese: 楽と同じように彩紀が気になるらしく、何かにつけ積極的に声をかけている様子。
English: He also shows his obedient side when he decides to start wearing contact lenses after Norito says to him, "You have cute eyes."
Japanese: 憲人に「目が可愛い」と言われてコンタクトにするといった素直な一面も。
English: After his days as a ko-kata, he moves to Nara and stays away from Noh, but after finishing senior high school he returns to Tokyo and becomes a private pupil.
Japanese: 子方時代の後に奈良に住んで能から遠ざかっていたが、高校卒業後に東京へ戻って内弟子となる。
English: He dyed his hair black to conceal his brown hair while he wa a ko-kata, but various circumstances made him decide to keep his natural hair color while he was in junior high school.
Japanese: 子方時代は黒く染めて隠していたものの、諸事情から中学を境に地毛で通すと決意。
English: Although it becomes a heavily debated topic when he tries to begin a career as a Nohgakushi, more and more people slowly begin to accept him.
Japanese: 能楽師の道に進む時にはそれが議論の種となったが、理解者を増やし、ゆっくりと受け入れられていった。
English: His small vocabulary combined with his natural dementia often leads him to saying things or answering questions off the point.
Japanese: 語彙数が少ないのと天然ボケとが相俟ってトンチンカンな受け答えをする事もしばしば。
English: He also has a mysterious ability which allows him to sense the 'thought' a person had while they were in a certain place.
Japanese: ある場所にいる時、その場所にかつて存在した人間の「思い」が感じられるという不思議な能力を持つ。
English: A mysterious boy with abilities such as using his sense of foreboding to paint pictures of things that occur later on in real life and hands that have the ability to cure baldness.
Japanese: 予知能力のようなものがあり絵に描いたことが現実に起こる、ハゲを治す力を秘めた手を持っているなど、不思議な少年。
English: He has a mischievous side as well, as shown by the jokes he plays on Norito with a straight face, such as phoning Norito from a hotel during his journey to South Korea and assuming the name of 'IGARASHI' (it is not known if he assumed the name of Ichisuke or Yoichi).
Japanese: 一方で茶目っ気があり、旅先（韓国）のホテルから憲人に「五十嵐（市祐か陽一かは不明）」の名を騙って電話するなど、真顔で憲人をからかうところがある。
English: He seems to be Hiroto AIBA's childhood friend, as evidenced by their relationship being close enough to call each other 'I-chan' and 'So-chan.'
Japanese: 相葉尋人の幼なじみらしく、「イっちゃん」「左右（そう）ちゃん」と呼び合う仲である。
English: During a wedding ceremony in which Saimon participated as one of he Shinto priests, the bride cancelled the ceremony that was already underway upon recognizing Saimon as her former lover, resulting in Saimon's father becoming so angry that he stopped sending him allowance money and Saimon moving in with his real parents.
Japanese: 西門が神職の一人として参加した結婚式で、西門の元彼女であった花嫁が西門を見て式の最中にドタキャンした事が養父の怒りを買い仕送りを止められた結果、現在も実家に転がり込んでいる。
English: In a conversation with her friends, Saiki says, "Today, I will go shopping with Grandma for shosei" (shosei are students who are given room and board in exchange for performing domestic duties; in this case equivalent to private pupils), to which her surprised friends respond, "When on earth did you start living as a young lady?"
Japanese: 友人との会話で「今日はおばあちゃまと書生（内弟子）さんたちの買い物」と言ったところ、「いつの時代のお嬢様？！」と驚かれたことがある。
English: In the generation prior to Hiroto, the family head of Sojuro was Mahito (born in 1899), and in the generation prior to that it was Nagomu (born in 1875).
Japanese: 先代左右十郎が真人(1899年生まれ)で先々代左右十郎が和（なごむ、1875年生まれ）。
English: While Nagomu was the family head, the Sojuro family moved its foothold from Akashi to Tokyo, and in 1928 organized the Sohu Association.
Japanese: 和の代に左右十郎家は明石から東京に拠点を移し、1928年に創風会を結成した。
English: They own a home and a Noh theater called 'Ranjaku Noh Butai' (Renjaku Noh Stage) in Kanda (Awajicho), Chiyoda Ward.
Japanese: 千代田区神田（淡路町）に「連雀能舞台」という自宅兼能楽堂を所有している。
English: When Renjaku Noh Butai was first built in 1930, Nagomu and Mahito performed the dance called 'Shakkyo' for the opening of the stage.
Japanese: 連雀能舞台を最初に造ったのは1930年で、舞台披きでは和と真人が「石橋(能)」を舞った。
English: An old Nohgakushi family that has been succeeded from the Edo period; to show how old it is, the author illustrates a scene with calligraphy works by a 'Sojuro' of each generation.
Japanese: 江戸時代から続く古い能楽師の家で、代々の「左右十郎」の書を虫干ししているシーンも描かれている。
English: As mentioned above, there are descriptions which imply the Kanze-ryu school, a family who takes private pupils, so it is possible to infer that it is one of the occupational branch families of the Kanze-ryu school.
Japanese: 前述のように観世流らしき描写があり、また内弟子を取っていることから、観世流の職分家の一つと思われる。
English: While the family head for the next generation is Hiroto's son Takuto, it is uncertain if Norito or Kaito will be the family head after Takuto.
Japanese: 次の代は尋人の息子の匠人であるが、その次は憲人になるのか海人になるのかははっきりしていない。
English: As Hiroto's lines on page 68 of the second volume predict in 'Okina-tsuki Yoro' (Longevity Springs with an Old Man), Norito will perform the shite 48 years later, meaning that it is possible that Norito will succeed the family name.
Japanese: 2巻68ページの尋人の台詞では、48年後の「翁付き養老」は憲人がシテを演じるのではないかと言われているので、憲人が名跡を継ぐ可能性もある。
English: On page 26 of the fifth volume, on the other hand, Kaito says, "If I give up Noh, there will be nobody but Norito to succeed to Sojuro," meaning that it is also possible that Kaito will become the family head after Takuto.
Japanese: 一方、5巻26ページでは海人が「自分が能を辞めたら憲人が左右十郎を継ぐしかない」と発言しているので、匠人から海人に継承される可能性もある。
English: The editorial supervisor of this work is Tetsunojo KANZE (the ninth), who is also the model of Takuto AIBA appearing in the manga, and Tetsunojo KANZE's wife named Yachiyo INOUE (the fifth), appears as the master of the main character under her real name in "Kuro Tsubaki" by Masumi KAWASO, which is serialized in the same magazine "MELODY."
Japanese: 本作品の監修者は九世観世銕之丞(9世)で作中に登場する相葉匠人のモデルでもあるが、九世観世銕之亟の妻である五世井上八千代は、同じ「MELODY」誌に連載されている河惣益巳の「玄椿」に、主人公の師匠として実名で度々登場している。
English: This manga was taken up by the program called "Manga no Genba," broadcasted on November 6, 2007 (NHK Satellite 2nd Television), where the author's obsessiveness about drawing was introduced, such as making the screentones on her own by using the patterns of kimono (Japanese traditional clothing).
Japanese: 2007年11月6日放送のマンガノゲンバ（NHK衛星第2テレビジョン）で取り上げられ、着物の柄などのスクリーントーンを自作しているなど、作画に対するこだわりが紹介された。
English: Hannya no Men, also known as Hannyamen or simply Hannya, is a mask of a female demon representing 'the face of a woman harboring jealousy and resentment' used in Noh theater.
Japanese: 般若の面（はんにゃのめん）、般若面、あるいは単に般若は、「嫉妬や恨みのこもる女の顔」としての鬼女の能面。
English: It is a word synonymous to its Chinese translation 'chie' (to appoint, determine, and establish; the meaning is a little different form the 'chie' [wisdom, innovation, creativity] used in everyday language).
Japanese: その漢訳語「智慧」（日常用語の「知恵」とは意味が少し違う）の同義語である。
English: According to one theory, it is said that the mask was named so because it was made by a Buddhist monk named Hannyabo.
Japanese: 一説には、般若坊という僧侶が作ったところから名がついたといわれている。
English: Alternatively, it is also said that Hannya became the mask's name because when Aoi no ue (Lady Aoi) in "The Tale of Genji" was agonized by Rokujo no Miyasudokoro's jealousy and became possessed by her vengeful spirit, she read the Hannya-kyo Sutra (Perfection of Wisdom Sutra) to perform a mizuho (an esoteric rite) and conquered the vengeful spirit.
Japanese: あるいは、『源氏物語』の葵の上が六条御息所の嫉妬心に悩まされ、その生怨霊にとりつかれた時、般若経を読んで御修法（みずほう）を行い怨霊を退治したから、般若が面の名になったともいわれる。
English: In modern Japan, where Hannya as a Buddhist term is no longer commonly used, 'Hannya' may be used to mean 'Hannya no Men,' and furthermore, as 'a woman harboring jealousy and resentment.'
Japanese: 仏教用語としての般若が一般的でなくなった現代日本では、「般若」を「般若の面」の意味で、さらには、「嫉妬や恨みのこもる女性」という意味で用いることもある。
English: The fourth lord of the domain, Shigenobu MATSURA (also known as Tensho), founded the school after he studied under Sadamasa KATAGIRI, and after also learning various schools.
Japanese: 4代藩主松浦鎮信(天祥)が片桐貞昌に学び、また様々な流儀を研究して打ち立てた。
English: He had his vassal receive instructions from Shigechika KANAMORI and studied the styles of the schools of Enshu-ryu, Sansai-ryu, Furuichi-ryu and Uraku-ryu.
Japanese: 家臣に金森重近から伝授を受けさせ、遠州流、三斎流、古市流、有楽流なども研究していた。
English: He then established a school based on the Sekishu-ryu school, adding positive attributes from various schools.
Japanese: そこで石州流を基本としてそこに各流儀の長所を加えて一派を打ち立てた。
English: As the tradition of the daimyo (feudal lord) families, the instructions in tea ceremony were passed down by the sado and not by the lord himself.
Japanese: 大名家の常として当主自らが茶道を伝承することはなく、茶堂より伝授を受けるのであった。
English: However, the eighth lord of the domain, Sanenobu MATSURA, was so talented that his proficiency was certified at the age of 17.
Japanese: しかし、特に8代藩主松浦誠信は17歳で皆伝を受けるほどの達人であった。
English: In addition, he took turns hosting chakai (tea party) as a member of Wakeikai (also known as Juroku Rakan Circle [literally, a circle of 16 disciples]).
Japanese: また和敬会（十六羅漢会）のメンバーとして持ち回り茶会を催すなどした。
English: Meisho Edo Hyakkei is a series of ukiyoe (Japanese woodblock prints) created by Hiroshige UTAGAWA, an ukiyoe artist, from 1856 to 1858.
Japanese: 名所江戸百景（めいしょえどひゃっけい）とは、浮世絵師の歌川広重が安政3年（1856年）から同5年（1858年）にかけて制作した連作浮世絵である。
English: It was published as 'Ichiryusai Hiroshige Issei Ichidai Edo Hyakkei' (100 Scenes of Edo, Hiroshige ICHIRYUSAI's work of a lifetime) after the second Hiroshige added his contribution to the prints.
Japanese: 二代目広重の補筆が加わって、「一立斎広重　一世一代　江戸百景」として刊行された。
English: It can be said that it is a compilation of illustrations of famous views from the end of the Edo period, and it consists of 118 sheets of illustrations and an index.
Japanese: 江戸末期の名所図絵の集大成ともいえる内容で、目録と118枚の図絵から成る。
English: However, there are many innovative compositions that use a wide range of perspectives, such as exaggerated ways of placing close-range and distant views, crow's nest view and bird's eye view, and close-ups views.
Japanese: しかし、近景と遠景の極端な切り取り方や、俯瞰、鳥瞰などを駆使した視点、またズームアップを多岐にわたって取り入れるなど斬新な構図が多い。
English: Not only is it visually interesting, it also makes use of creative method of multiple printing, and it is said that as ukiyoe of sceneries the degree of perfection is unmatched.
Japanese: 視覚的な面白さもさることながら、多版刷りの技術も工夫を重ねて風景浮世絵としての完成度は随一ともいわれている。
English: As a practical matter, as a representative work of very Japanese 'Japonism,' it is a series that cast a large influence on western painters such as Vincent van Gogh, who replicated 'Great Bridge, Sudden Shower at Atake' and 'The Plum Orchard at Kameido.'
Japanese: 実際に「大はしあたけの夕立」や「亀戸梅屋舗」を模写したフィンセント・ファン・ゴッホをはじめ、日本的な「ジャポニズム」の代表作として西洋の画家に多大な影響を与えたシリーズでもある。
English: It can be read by making appropriate additions such as 'no' (of), 'yori' (from), 'to' (and) and 'wo nozomu' (upon viewing of).
Japanese: これらは適宜、「の」「より」「と」「を望む」などを補って読むとよい。
English: Takadanosugataminohashi Omokagenohashi Jariba: Looking at Jariba (gravel pit) from Sugatami-bashi Bridge and Omokage-bashi Bridge at Takada.
Japanese: 高田姿見のはし俤の橋砂利場→高田の姿見の橋・俤の橋から砂利場方面を望む
English: It has deodorizing effects on fish-smell, and it also works to stimulate appetite by making the dish appear beautiful to the eye.
Japanese: 生臭い匂いを消す作用や、見た目を美しくすることによって食欲をそそる働きがある。
English: Furthermore, those with anti-microbial effects such as wasabi, serve to prevent sashimi from spoiling.
Japanese: また、ワサビ等のように抗菌作用のあるものは刺身のいたむのを防ぐ役割があるものもある。
English: Although they are not at all used in the present-day, peels of natsumikan (summer tangerine) and egg threads were used for tsuma.
Japanese: 現在では全く用いられていないが、夏ミカンの剥いたものや鶏卵素麺なども用いられる事があった。
English: In the present-day, there are no distinction between 'ken' such as fine strips of raw daikon radish, 'tsuma' such as seaweeds, and 'karami' such wasabi, and all of them are often referred to as 'tsuma.'
Japanese: 現在では白髪大根などの「ケン」と海藻などの「ツマ」、ワサビなどの「辛み」の区別が無くなりつつあり、全て「つま」と呼ぶことが多い。
English: There are occasions when tsuma is used in such a way as 'not even tsuma for sashimi' (it is below garnish) to describe 'worthless', 'small-scale', 'casual treatment' and so on.
Japanese: 「くだらない」「スケールが小さい」「取り扱われかたが軽い」ものなどに対して「刺身のつまにもならない（つけあわせ以下だ）」といった使い方をする事もある。
English: On the Choyo day, the flower of chrysanthemum is covered with yellow floss silk, dyed with plant-dyes, and on the following early morning, yellow floss silk that absorbed morning dew is taken off the chrysanthemum.
Japanese: 重陽の日に菊の花に植物染料で染めた黄色の真綿を被せ、明くる早朝に朝露を含んだ綿を菊より外す。
English: There is a Chinese Legend that a person who drank water from a waterfall, of which there was a chrysanthemum garden at upstream where petals of chrysanthemum were soaked, had gained a long life.
Japanese: 中国の伝説に、上流に菊の花園がある滝の菊の花びらが漬かった水を飲んだ人が長寿を得たというものがある。
English: Also a boy who became immortal by drinking chrysanthemum dew appears in 'Makurajido' (Jido and Pillow, Noh play) as a Chinese historical event.
Japanese: また能の「枕慈童」に中国の故事として菊の露を飲んで不老不死になった少年が登場する。
English: Gaining the medicinal effect of chrysanthemum by taking it, and so on, is believed originally as a custom in China.
Japanese: 菊を服用するなどして薬効を得るのはもとは中国の習慣であったと思われる。
English: Also people started drinking kikuzake (Japanese sake liquor with chrysanthemum blooms) in Muromachi period.
Japanese: また、室町時代には菊酒という菊を浸した酒を飲むことも行われるようになった。
English: In earlier times, those were the customs remained in part of Kamigata region in Kyoto, but not practiced recently.
Japanese: いずれも古くは京都・上方地域の一部に残った風習であったが、昨今ではみられなくなった。
English: Three pieces of incense are always put in Kogo, and two pieces out of them are dropped near charcoal and smoked.
Japanese: 香合の中には必ず3個入れておき、その内2個を炭の近くに落し入れ、薫じさせる。
English: Kidomaru is an oni (or ogre, a creature from Japanese folklore) that appears in Kamakura period texts such as the collection of stories entitled "Kokon Chomonshu" (A collection of Tales Heard, Past and Present).
Japanese: 鬼童丸、鬼同丸（きどうまる）は、鎌倉時代の説話集『古今著聞集』などに登場する鬼。
English: When the military commander MINAMOTO no Yorimitsu known for the subjugation of Shuten Doji went to the home of his younger brother, MINAMOTO no Yorinobu, Kidomaru was caught in the toilet.
Japanese: 酒呑童子討伐で知られる武将・源頼光が弟・源頼信の家へ行ったとき、厠に鬼童丸が捕えられていた。
English: Yorimitsu told Yorinobu to put it into chains tightly for sure and spent the night at Yorinobu's residence.
Japanese: 頼光は、無用心だから鎖でしっかり縛っておくようにと頼信に言い、その晩は頼信の家に泊まった。
English: Kidomaru escaped from the chain with ease, cursed Yorimitsu and spied on him in his bed.
Japanese: 鬼童丸は縛めの鎖をたやすく引きちぎり、頼光を怨んで彼の寝床を覗いて様子を窺った。
English: Kidomaru then went on ahead to Kurama and killed a free-range ox at Ichiharano and hid inside the body where he awaited Yorimitsu.
Japanese: そこで鬼童丸は鞍馬に先回りし、市原野で放し飼いの1頭の牛を殺して体内に隠れ、頼光を待ち受けた。
English: However, Yorimitsu discovered Kidomaru's plan and he ordered WATANABE no Tsuna to shoot an arrow into the ox.
Japanese: しかし頼光はこれをも見抜き、頼光の命を受けた渡辺綱が弓矢で牛を射抜いた。
English: Kidomaru emerged from the ox's carcass and attempted to attack Yorimitsu but it is said that Yorimitsu cut him down with a single blow.
Japanese: 牛の中から鬼童丸が現れて頼光に斬りかかってきたが、頼光が一刀のもとに鬼童丸を斬り捨てたという。
English: Sekien TORIYAMA's book of images of ghosts and demons, "Konjaku Hyakki Shui" (Supplement to The Hundred Demons from the Present and the Past), refers to Kidomaru as 'Kido' and depicts him in the snow wearing an ox hide awaiting Yorimitsu at Ichiharano.
Japanese: 鳥山石燕の妖怪画集『今昔百鬼拾遺』には「鬼童」と題し、鬼童丸が雪の中で牛の皮をかぶり、市原野で頼光を待ち受ける姿が描かれている。
English: This "Kokon Chomonshu" story of Kidomaru is well known but other tales appear in musha-e (prints depicting battle scenes and heroic armored warriors.) books and legends.
Japanese: 鬼童丸の話はこの『古今著聞集』がよく知られているものの、ほかにも武者絵本類や伝承などで様々に伝えられている。
English: The following legend about Kidomaru being the child of Shuten Doji is told in the folklore of Kumohara, Fukuchiyama City, Kyoto Prefecture.
Japanese: 京都府福知山市雲原の口碑では、鬼童丸は酒呑童子の子として以下のように伝承されている。
English: After MINAMOTO no Yorimitsu killed Shuten Doji, the young women who had been held captive by Shuten Doji were returned home but one of them developed a mental abnormality, becoming unable to return to her home and later giving birth to Shuten Doji's child in Kumohara.
Japanese: 源頼光が酒呑童子を討ち取った後、酒呑童子に捕われていた女子供たちは故郷へと帰されたが、その中の1人の女は精神に異常を来たしており、故郷へ帰ることができず、雲原で酒呑童子の子供を産んだ。
English: This baby grew teeth while being born and at around the ages of seven and eight he would kill deer and wild boar by throwing stones to eat them.
Japanese: その子供は産まれながらにして歯が生えそろっており、7、8歳の頃には石を投げてシカやイノシシを仕留めて食べていた。
English: This child eventually grew up to become Kidomaru and it is said that he targeted Yorimitsu in revenge for his father.
Japanese: やがてこの子供が成長して鬼童丸となり、父の仇として頼光たちを狙うようになったのだという。
English: Similar to other stories claiming that Kidomaru was a child abandoned by Shuten Doji, other accounts of Kidomaru according to texts such as the military tale "Zen Taiheiki" state that he was originally a chigo (a boy kept by a pederast) on Mt. Hiei but that his wrongdoings caused him to be expelled from the mountain after which he dwelled in a cave in the mountains and became a thief.
Japanese: また軍記物語『前太平記』などによる別説では、酒呑童子が捨て童子であったという説と同様、もとは鬼童丸も比叡山の稚児であり、悪行が災いして比叡山を追われたため、山中の洞穴に移り住んで盗賊となったともいう。
English: According to Bakin KYOKUTEI's "Shitenno Shoto Iroku" (picaresque novel of the life of Yasusuke HAKAMADARE, a robber), Kidomaru met the thief Hakamadare described in "Konjaku Monogatarishu" (Anthology of Tales from the Past) at his mountain cave and competed in a magic competition.
Japanese: 曲亭馬琴による『四天王剿盗異録』では鬼童丸が山中の洞窟で、『今昔物語集』などにある盗賊・袴垂に会って術比べをする場面がある。
English: Images depicting this scene include the ukiyo-e "Kidomaru" by Kuniyoshi UTAGAWA and "Hakamadare Yasusuke Kidomaru Jutsukurabe no Zu" (battle picture of Yasusuke HAKAMADARE and Kidomaru) by Yoshitoshi TSUKIOKA.
Japanese: これを描いた作品に、歌川国芳による『鬼童丸』や月岡芳年の『袴垂保輔鬼童丸術競図』などの浮世絵がある。
English: Koka-Isshin school is a school handed down within the Hanamoto family which was a merchant family in Bitchu.
Japanese: 覚花一心流（こうかいっしんりゅう）は、備中商家の花本家家内で伝承される流派。
English: Although he was born in the merchant family, he seemed to practice Zen meditation in many temples because he was primarily attracted to a priest.
Japanese: 商家に生まれるが元来より僧に興味があり幾多の寺に参禅に行ったようだ。
English: However, it is said that he started thinking about Zen, wabi (taste for the simple and quiet) and sabi (quiet simplicity) around this time.
Japanese: しかし、どうやらこの頃から禅・侘び・寂びについて考え出すようになった。
English: Normally, he was supposed to be oppressed, but he earned the trust of many surroundings of low grade because he supported Terakoya (temple elementary school during the Edo period) based on his economic resources.
Japanese: 本来弾圧されるだろうはずだが、その経済力を基盤に寺子屋などを支援していたため周囲下級層から多くの信頼を勝ち得た。
English: The two most distinctive features of the school are as follows; 1) this school is handed down within the merchant family, and 2) it is not sure that its substance belonged to which school.
Japanese: ①商家において伝承されていること　②その内容がどこの流派のものなのかわからないことがこの流派の最大の特徴である。
English: The point that this school has been handed down within the merchant family (which means this was not controlled by a statesman, and was handed down within the family) shows that this school had no sponsors, and is not interfered in by a third party, and is a cause for keeping a unique and distinctive view of wabicha (view of tea taste for the simple and quiet).
Japanese: 商家においての伝承（＝為政者の傘下に入らなかった・家内において伝承）という点は、この流派にとってスポンサーがいないことと第三者の干渉がなかったことを示し、独自独特の侘び茶観念を保つ要因となった。
English: The original word is referred to the Sukiya style (style of tea-ceremony arbor), and its variety is a little departed from currently and generally called tea ceremony (which indicates representative school such as the Senke school).
Japanese: オリジナリティーの言葉は数奇屋道を指し、現在一般で言われる茶道(千家流など代表流派）からは少し趣向が離れる。
English: Munehiro TENSO, the first head of the school, had doubts about then matsurichaho (tea ceremony in the style of festival) losing the true meaning, and seemed to seek for 'real tea ceremony' mentioned by him, neither tea ceremony as a traditional culture nor tea ceremony as business.
Japanese: 初代巓崢宗弘は当時の本義を見失った祭り茶法に疑問を抱き、伝統文化としての茶道ではなく、渡世としての茶道でもなく、巓崢宗弘の言う「真の茶の湯」を追求したようだ。