nntsuzu/KFTT huggingface dataset:
English: It is considered that Kanno-ji Temple at that time had many sacred buildings in the area wider than today and had a good view of Ikeda City, Toyonaka City and Amagasaki City and, according to "Kyodo no Shiro Monogatari" (literally, story of castles in home town), it is recorded that Kannoji-jo Castle and Jurinji-jo Castle were castles for signal fire and used to inform movements of troops of Nobunaga ODA with signal fire.
Japanese: 当時の神呪寺は現在より広範囲に寺院があったと思われ、池田市、豊中市、尼崎市まで眺望がきき、『郷土の城ものがたり』によると神呪寺城、鷲林寺城は烽火城で織田信長軍の動きを烽火で知らしていたとも記している。
English: It is not known whether it was for blocking the supply route or destroying castles for signal fire, but, according to "Shinchoko-ki," Nobunaga ODA got angry and said "It is an outrageous thing to do the act without permission" and sent troops to Rokko mountains, Kannoji-jo Castle and Jurinji-jo Castle.
Japanese: 補給路を断つためか、烽火城を潰すためかは不明だが、『信長公記』によると、「御断わりも申し上げず曲事」と織田信長は激怒し兵を六甲山中や神呪寺城、鷲林寺城に向けた。
English: Situations at that time are described in "Shinchoko-ki" as 'continuing without end to search in mountains and cut down people and rob provisions and so on at will.'
Japanese: この時の様子を、「山々をさがし、あるいは斬りすて、あるいは兵糧その外、思い思いに取り来ること、際限なし」と『信長公記』には記している。
English: They repeated robbery and temples in Rokko mountains which were used as bases for supply other than Kannoji-jo Castle and Jurinji-jo Castle were found and burnt.
Japanese: 略奪を繰り返し、神呪寺城、鷲林寺城以外の補給基地となっていた六甲山系の寺院も発見され焼かれていった。
English: The list of buildings and structures in Kyoto Prefecture which have been designated as important cultural properties lists those existing in Kyoto Prefecture from all the buildings and structures designated as important cultural property in Japan.
Japanese: 京都府にある建造物の重要文化財一覧（きょうとふにあるけんぞうぶつのじゅうようぶんかざいいちらん）は、重要文化財の建造物のうち、京都府にあるものの一覧である。
English: In the Law for the Protection of Cultural Properties, important cultural properties are broadly divided into "buildings and structures" and "works of arts and crafts," and this section highlights the buildings and structures only.
Japanese: 文化財保護法では重要文化財は大きく「建造物」と「美術工芸品」の2つの部に分かれているが、本記事では建造物のみを扱う。
English: Among important cultural properties, those which have especially important value have been designated as national treasure and, therefore, national treasures are included in important cultural properties.
Japanese: なお重要文化財のうち特に価値の高いものは国宝に指定されており、国宝も重要文化財の一種である。
English: Sanjunoto (three-storied pagoda) of Konkai Komyo-ji Temple [Kurodani-cho, Sakyo Ward, Kyoto City]
Japanese: 金戒光明寺三重塔（こんかいこうみょうじさんじゅうのとう）〔京都市左京区黒谷町〕
English: Hondo of Shinshogokuraku-ji Temple [Jodoji Shinnyo-cho, Sakyo Ward, Kyoto City]
Japanese: 真正極楽寺本堂（しんしょうごくらくじほんどう）〔京都市左京区浄土寺真如町〕
English: Sanjunoto of Raigoin Temple [Ohara Raikoin-cho, Sakyo Ward, Kyoto City]
Japanese: 来迎院三重塔（らいごういんさんじゅうのとう）〔京都市左京区大原来迎院町〕
English: Saijosho Daigengu of Yoshida-jinja Shrine [Yoshida Kaguraoka-cho, Sakyo Ward, Kyoto City]
Japanese: 吉田神社斎場所太元宮（よしだじんじゃさいじょうしょだいげんぐう）〔京都市左京区吉田神楽岡町〕
English: Chokushimon (Yanonemon) of Kennin-ji Temple [Komatsu-cho, Yamato Ojidori Shijo-sagaru 4-chome, Higashiyama Ward, Kyoto City]
Japanese: 建仁寺勅使門（矢の根門）〔京都市東山区大和大路通四条下る四丁目小松町〕
English: Kasa-tei (Ankankutsu) and Shigure-tei (both of them, chashitu [tea ceremony room]) of Kodai-ji Temple
Japanese: 高台寺傘亭（安閑窟）及び時雨亭（こうだいじかさてい（あんかんくつ）およびしぐれてい）
English: Kaizanto (tombstone for founder priest) and Kaizando of Sennyu-ji Temple
Japanese: 泉涌寺開山塔及び開山堂（せんにゅうじかいざんとうおよびかいざんどう）
English: Karamon of Toyokuni-jinja Shrine (Kyoto City)[Yamato Ojidori Shomen Higashi-iru, Higashiyama Ward, Kyoto City] - National treasure
Japanese: 豊国神社(京都市)唐門（とよくにじんじゃからもん）〔京都市東山区大和大路通正面東入〕-国宝
English: Tsuijibei (a mud wall with a roof) of Rengeoin Temple (Taikobei)[Myohoin Maekawa-cho, Higashiojidori Shibutani-sagaru, Higashiyama Ward, Kyoto City]
Japanese: 蓮華王院築地塀（太閣塀）〔京都市東山区東大路通渋谷下る妙法院前側町〕
English: Kyozo (rinzo [a storehouse to store Buddhist scriptures]) of Honkoku-ji Temple [Misasagi Oiwacho, Yamashina Ward, Kyoto City]
Japanese: 本圀寺経蔵（輪蔵）（ほんこくじきょうぞう（りんぞう））〔京都市山科区御陵大岩町〕
English: Front gate of Gokonomiya-jinja Shrine [Gokogu Monzen-cho, Fushimi Ward, Kyoto City]
Japanese: 御香宮神社表門（ごこうのみやじんじゃおもてもん）〔京都市伏見区御香宮門前町〕
English: Residential house of Ogawa family (Omiyadori Oike-sagaru, Nakagyo Ward, Kyoto City, Kyoto Prefecture) [Sanbo Daiku-cho, Omiyadori Oike-sagaru, Nakagyo Ward, Kyoto City]
Japanese: 小川家住宅（京都府京都市中京区大宮通御池下る）〔京都市中京区大宮通御池下る三坊大宮町〕
English: Dainenbutsudo hall (stage for Kyogen) of Mibu-dera Temple [Mibu Naginomiya-cho, Nakagyo Ward, Kyoto City]
Japanese: 壬生寺大念仏堂（狂言舞台）（みぶでらだいねんぶつどう）〔京都市中京区壬生梛ノ宮町〕
English: Toba of Injo-ji Temple [Honpojimae-cho, Senbondori Rozanji-agaru, Kamigyo Ward, Kyoto City]
Japanese: 引接寺塔婆（いんじょうじとうば）〔京都市上京区千本通盧山寺上る閻魔前町〕
English: Residential house of Urasenke family (Honpojimae-cho, Ogawadori Teranouchi-agaru, Kamigyo Ward, Kyoto City) [Honpojimae-cho, Honpojimae-cho, Ogawadori Teranouchi-agaru, Kamigyo Ward, Kyoto City]
Japanese: 裏千家住宅（京都府京都市上京区小川通寺之内上る本法寺前町）〔京都市上京区小川通寺之内上る本法寺前町〕
English: Office building of former Nishijin Branch of Kyoto Central Telephone Office [Kainokami-cho, Aburakoji-dori Nakadachiuri-sagaru, Kamigyo Ward, Kyoto City]
Japanese: 旧京都中央電話局西陣分局舎〔京都市上京区油小路通中立売下る甲斐守町〕
English: Hondo (Hatto) Tsuketari Genkanro of Shokoku-ji Temple [Sokokuji Monzen-cho, Imadegawadori Karasuma Higashi-iru, Kamigyo Ward, Kyoto City]
Japanese: 相国寺本堂（法堂）附玄関廊（しょうこくじほんどう（はっとう）つけたりげんかんろう）〔京都市上京区今出川通烏丸東入相国寺門前町〕
English: Doshisha (former English school, Seminary and Harris School of Science) [Genbu-cho, Imadegawadori Karasuma Higashi-iru, Kamigyo Ward, Kyoto City〕 - For more information, refer to section for the Doshisha.
Japanese: 同志社（旧英学校、神学校及び波理須理科学校）〔京都市上京区今出川通烏丸東入玄武町〕-詳細は学校法人同志社参照
English: Residential house of Reizei family (Imadegawadori Karasuma Higashi-iru, Kamigyo Ward, Kyoto City) [Genbu-cho, Imadegawadori Karasuma Higashi-iru, Kamigyo Ward, Kyoto City]
Japanese: 冷泉家住宅（京都府京都市上京区今出川通烏丸東入）（れいぜいけじゅうたく）〔京都市上京区今出川通烏丸東入玄武町〕
English: Obaiin Temple [Murasakino Daitokuji-cho, Kita Ward, Kyoto City]
Japanese: 黄梅院(京都市)（おうばいいん）〔京都市北区(京都市)紫野大徳寺町〕
English: Nanmeian and chashitsu (saan, kasumidokoseki) tsuketari saan roji of Gyokurinin Temple [Murasakino Daitokuji-cho, Kita Ward, Kyoto City]
Japanese: 玉林院南明庵及び茶室（蓑庵、霞床席）附蓑庵露地（ぎょくりんいんなんめいあんおよびちゃしつ（さあん、かすみどこせき）つけたりさあんろじ）〔京都市北区紫野大徳寺町〕
English: Hondo of Otagi Nenbutsu-ji Temple [Saga Torii Motofukatani-cho, Ukyo Ward, Kyoto City]
Japanese: 愛宕念仏寺本堂（おたぎねんぶつじほんどう）〔京都市右京区嵯峨鳥居本深谷町〕
English: Honden of Kasuga-jinja Shrine, sessha (auxiliary shrine dedicated to a deity close-related to that of a main shrine) of Ujigami-jinja Shrine [Uji City]
Japanese: 宇治上神社摂社春日神社本殿（うじがみじんじゃせっしゃかすがじんじゃほんでん）〔宇治市〕
English: Mikoshiko (repository of portable shrine) of Tamateyori Matsurikitaru Sakatoke-jinja Shrine [Oyamazaki-cho, Otokuni County]
Japanese: 自玉手祭来酒解神社神輿庫（たまてよりまつりきたるさかとけじんじゃみこしぐら）〔乙訓郡大山崎町〕
English: Ryakumyo dodai (also called rekimei-dodai) was the record book of Ikai-Bunin (directory of Court ranks) of Shii (Fourth Rank) and Goi (Fifth Rank) in medieval Japan.
Japanese: 歴名土代（りゃくみょうどだい/れきめいどだい）とは、中世日本の四位・五位の位階補任（叙位）の記録簿である。
English: It is believed that the existing book was compiled by YAMASHINA Tokitsugu in 1537 and touched up later by his son, Tokitsune YAMASHINA.
Japanese: 現存本は天文(元号)6年（1537年）に山科言継が編纂し、後に息子の山科言経が加筆を行ったものとされている。
English: However, in fact, Tokitsugu himself noted in the original books that he transcribed it from "Ryakumyo dodai" possessed by the Kiyohara clan or Kanehide HIROHASHI.
Japanese: ただし、実際には言継自身が清原氏や広橋兼秀所蔵の『歴名土代』から書写したことを原本の識語に記している。
English: Originally, similar books were edited and possessed by the Imperial Palace or each clan of court nobles to consult for political operations and ceremonies of the Imperial Court such as appointment ceremonies, and it is believed that the Yamashina family's detailed version was generally used and books in other families had been no longer in use in the course of borrowing and lending, or collating of those books of each clan.
Japanese: 元々は禁裏や公家の諸家に除目などの公事の参考とするために同様の本が編纂・所蔵されており、それぞれの家にあった本が互いに貸借・校合されていく過程で詳細な山科家のそれが通行して他家の本が行われなくなったと考えられている。
English: It is recorded that a revision of the record called "Bunin" (directory of the succession) or "Ryakumyo" (record list) by an Imperial order was conducted in "Yasutomi ki" (Diaries of NAKAHARA Yasutomi – entry for February 3, 1444) and other descriptions of revision of "Bureki" (directory or record list) was also conducted on behalf of Geki (Secretary of the Grand Council of State), in "Chikanaga kyo ki" (diary of Chikanaga KANROJI – entry for March 17, 1475).
Japanese: 室町時代の『康富記』（嘉吉4年正月6日条）に勅命によって“補任”“歴名”と呼ばれる記録の校訂を行った記述が見られ、『親長卿記』（文明7年2月1日条）にも外記に代わって「補歴」の改訂を行ったとする記述が見られる。
English: In "Sanetaka koki" (Sanetaka's Diary – April 3, 1501), there is another description that Sanetaka SANJONISHI ordered 'Ryakumyo dodai' by borrowing 'Ryakumyo' of kinri (the oldest record of "Ryakumyo dodai").
Japanese: 『実隆公記』（文亀元年3月6日条）には三条西実隆が禁裏の「歴名」を借りて「歴名土代」を沙汰したとする記述が見られる（最古の『歴名土代』の記録）。
English: In the various records (including "Tokitsugu Kyoki", the Dairy of Tokitsugu YAMASHINA) in the same period, the term 'Bunin-Ryakumyo' or its shortened form 'Ryakumyo' was found.
Japanese: 同時代の諸記録（言継の『言継卿記』を含め）に「補任歴名」あるいはこれを略した「補歴」という言葉が見られる。
English: It is considered that this was the formal record that became the base of "Kugyobunin" (directory of court nobles) and "Ryakumyo dodai."
Japanese: これが『公卿補任』及び『歴名土代』の元になった公的記録であったと考えられている。
English: The Historiographical Institute of The University of Tokyo possesses "Ryakumyo" and National Museum of Japanese History has books called "Horyaku" cited from 'Bunin' and according to their contents, it is considered that 'Bunin' recorded court nobles in the order of official court rank and 'Ryakumyo' recorded Imperial princes, court nobles, Shoo (princes who didn't receive any proclamation to be an Imperial Prince), or tenjobito (a high-ranking courtier allowed into the Imperial Palace) in the order of official court rank.
Japanese: 東京大学史料編纂所には『歴名』、国立歴史民俗博物館には「補任」の引用と見られる『補略』と呼ばれる書物が所蔵されており、その内容より「補任」は公卿を官位順に記したもの、「歴名」は親王・公卿・諸王・殿上人を官位順に記したものであったと考えられている。
English: In addition, originally, 'Dodai' (土代) was a synonym of 'Dodai' (土台: base), which meant the draft of documents.
Japanese: また、「土代」とは元は「土台」と同義語であり、文書などの下書きを指した言葉である。
English: Therefore, "Ryakumyo dodai" is considered to have originally listed the names of persons who were scheduled to be conferred a court rank of Shii and Goi and added dates etc. with the help of 'Ryakumyo' after the conferment of actual court rank and also organized parts of them in the process of collating, except for the descriptions of court nobles which overlapped other records such as 'Bunin' (or Kugyobunin based on this) among 'Ryakumyo.'
Japanese: このため、『歴名土代』とは元々は「歴名」のうち「補任」（あるいはこれを元にした『公卿補任』）などの他の記録と重複する公卿などの記述を省いて、予め四位・五位の叙位が予定されている人名を列記し、実際の叙位が行われた後に「歴名」を参考にして日付などが追記され、更に校合の過程で一部の整理がなされたと考えられている。
English: The oldest "Ryakumyo dodai" was found in the period of the Northern and Southern Courts (Japan), Northern Court of Japan in 1367, but it was in 1399 when both Shii and Goi were set.
Japanese: 南北朝時代(日本)北朝(日本)の貞和6年（1367年）を最古とするが、四位・五位が揃うのは応永6年（1399年）である。
English: However, the record in this period was an extract version and full-blown descriptions was started after the Kakitsu Era (1141-1144).
Japanese: ただし、この時期の記述は抄出であり、本格的な記述は嘉吉年間以後である。
English: It recorded not only government officials of Shii and Goi, and governmental officials responsible for practical works of the Imperial court, but also court ranks of central and local samurai family and Shinto priests.
Japanese: 朝廷の実務官僚である四位・五位の官人のみならず中央・地方の武家や神官などの叙位について記録されている。
English: The names were recorded in "Gunsho Ruiju" Zatsubu ("Classified Collection of Books," Miscellaneous Section), but there was a problem such that the records of 120 persons were lost during compiling "Shinko Gunshoruiju (library)" from 1503 to 1531.
Japanese: 『群書類従』雑部に採録されていたが、『新校群書類従』編纂時に文亀3年（1503年）から享禄4年（1531年）分の120名分が欠落するなどの問題があった。
English: Later, Toshiharu YUKAWA (Society for Research on the Medieval Court Nobles' Diaries) who worked at a telephone company tried to make a database of "Ryakumyo dodai" and in 1996 the revised version based on this database was published from the "Classified Documents, continued" completion committee.
Japanese: 後に電話会社に勤務していた湯川敏治（中世公家日記研究会）によって『歴名土代』のデータベース化の試みがなされ、平成8年（1996年）にそれを元にした翻刻版が続群書類従完成会より刊行された。
English: Amazuka-kofun Tumulus is a kofun (tumulus) at Uzumasa Matsumoto-cho, Ukyo Ward, Kyoto City, Kyoto Prefecture.
Japanese: 天塚古墳（あまづかこふん）は、京都府京都市右京区太秦松本町にある古墳。
English: This kofun was excavated in 1887, and more than four hundred funerary goods such as pieces of iron bits and iron harnesses, bronze mirrors, and magadama comma-shaped bead were discovered.
Japanese: 1887年に発掘され、鉄轡や鉄製馬具の破片、銅鏡、勾玉など、400点余りの副葬品が発見された。
English: "Buson Yokai Emaki" is a Japanese picture scroll of specters drawn by YOSA no Buson, a Haiku poet and painter during the middle of the Edo period.
Japanese: 『蕪村妖怪絵巻』（ぶそんようかいえまき）は、江戸時代中期の俳人・画家である与謝蕪村による日本の妖怪絵巻。
English: Buson Yokai Emaki was said to be hung on a ranma (transom) of the Kensho-ji Temple in Miyazu City, Kyoto Prefecture where Buson resided.
Japanese: 蕪村が寄寓していた京都府宮津市の見性寺の欄間に張られていたものと伝えられている。
English: Based on that story, it is estimated that the Buson Yokai Emaki was painted during the period from 1754 to 1757, when Buson had been training as a painter in Miyazu, Tango Province (present Miyazu City, Kyoto Prefecture).
Japanese: そのことから、宝暦4年から7年（1754年-1757年）にかけて蕪村が丹後国宮津（現・京都府宮津市）で絵を修行していた間に描かれたものと推察されている。
English: A total of eight works were created, some of which simply introduce the specters, while others describe their tales, giving an impression that Buson presumably drew specters that he had heard about while traveling across Japan.
Japanese: 全8点の妖怪が描かれているが、単に妖怪を紹介しているのみのものから、妖怪の物語を綴ったものまであり、蕪村が日本各地を旅していた時期に、あちこちで伝え聞いた妖怪譚を描いたものと考えられている。
English: Phantom images depicted by Buson, who was an excellent Haiga (simple paintings which accompany and interact with the 17-syllable poetic verse called haiku) artist, were characterized by their unique, cartoon-like painting style, rather than realistic depiction of grotesque specters.
Japanese: 俳画に長ける蕪村の妖怪画は、妖怪として真に迫ったものというよりはむしろ、漫画に近いユニークな画風が特徴である。
English: Most of the ghost pictures drawn during Medieval Japan were intended to be symbols representing terror and disasters.
Japanese: 日本の中世日本における妖怪画は、恐怖と災厄の象徴としての妖怪を描いたものがほとんどだ。
English: However, ghost pictures in the Edo Period, including these works of Buson's, were intended in many cases to be comical and familiar, showing an entertaining tendency and trying to enjoy specters as a fiction; something that can be similarly seen in modern specter comics.
Japanese: が、この蕪村を含む江戸時代の妖怪画は、滑稽なものや親しみのあるものとして描かれるものが多く、妖怪をフィクションとして楽しもうとする娯楽性が見て取れ、現代の妖怪漫画にも通じているとの見方もある。
English: Although the ownership of the original work is unknown, there is a reprinted edition published by Kitada Shisui Collection in 1928 that shows its contents.
Japanese: 原典の所属先は不明だが、昭和3年（1928年）に北田紫水文庫から刊行された復刻版によって内容を知ることができる。
English: A sakushazuke is a book which lists the writers of noh plays.
Japanese: 作者付（さくしゃづけ）とは、能の曲目に関して、各作品の作者が誰であるかを列記した書物である。
English: The oldest known sakushazuke is the description included within a book by Zeami.
Japanese: 現在知られている中で最も古い作者付は、世阿弥の著作中にある記事である。
English: Hachiman, Takasago, Yoro, Oimatsu, Shiogama, Aridoshi, Hakozaki, Unoha, Mekurauchi, Matsukaze, Hyakuman, Higaki no Onna, Satsuma no Kami, Sanemori, Yorimasa, Kiyotsune, Atsumori, Takano, Osaka, Koi no Omoni, Sano no Funabashi and Taizanfukun by Zeami.
Japanese: 八幡高砂(能)養老老松塩釜蟻通箱崎鵜の羽盲打松風(能)百万檜垣の女薩摩の守実盛頼政清経(能)敦盛(能)高野逢坂恋の重荷佐野の船橋泰山府君是、以上、世阿弥作。
English: Documents including "Nohon Sakusha Chumon" and "Jika Densho" were written during the latter part of the Muromachi period, and in the Edo period, sakushazuke containing the traditions of each playwright were submitted to the shogunate.
Japanese: 室町時代後期には『能本作者註文』・『自家伝抄』などが成立し、江戸時代に入ると各家の所伝からなる作者付が幕府に提出された。
English: During the mid-Edo period, Motoakira KANZE authored "Nihyakujuban Utai Mokuroku" (Catalog of 210 noh plays) based on these previous sakushazuke.
Japanese: また江戸時代中期の観世元章は、これら先行する作者付を元に『二百十番謡目録』を執筆している。
English: The fact that authors of many noh scripts were detailed in sakushazuke all together means that they are important resources for the clarification of noh writers.
Japanese: 作者付には多数の能本の作者がひとまとめに明記されており、能作者の考定においては大変重要な資料となる。
English: However, there is a large difference between the reliability of the various sakusha-zuke, therefore, they shouild be used with caution by considering the circumstances surrounding the creation of such publications.
Japanese: しかしながら、各作者付ごとにその信頼度はまちまちであり、その成立背景などを考慮に入れつつ、慎重に取り扱わねばならない。
English: The songs that served as a base as the noh plays listed by Zeami in his 'Three Elements in Composing a Noh Play' are arranged for each playwright.
Japanese: 世阿弥が『三道』で挙げた能作の模範となる曲について、作者別に並べている。
English: Zeami, Kanami, Iami, Motohisa YOKOGOSHI and Goro ENAMIZAEMON are listed as authors.
Japanese: 作者としてあげられているのは、世阿弥・観阿弥・井阿弥・横越元久・榎並左衛門五郎。
English: This book covers the art of noh music and was not originally written as a sakushazuke.
Japanese: 本著は謡の方法について述べた音曲伝書で、元々作者付として書かれたものではない。
English: However, it is used as a sakushazuke, since the approximately 70 noh songs cited are listed in the format of 'written by XX' and 'composed by XX.'
Japanese: しかしその具体例として引用される約70番の能の謡について、「○○作」「××曲」という形で作曲者が明記されており、研究においては作者付に準じて用いられている。
English: Like "Sarugaku Dangi," this is an extremely important resource, as it contains the words of Zeami himself; but it should be used with caution because the opinion is divided regarding the definition of 'written by XX' and 'composed by XX' notation.
Japanese: 『申楽談儀』同様に世阿弥自身の発言であり極めて重要な資料だが、「○○作」「××曲」の定義については議論が分かれており、注意が必要である。
English: Kiami, Kanami, Kanze Motomasa, Gon no Kami KONGO, Gon no Kami KONPARU, Fukurai, Naami, Rinami and Kure YAMAMOTO are listed as authors.
Japanese: 作者として挙げられているのは、喜阿弥・観阿弥・観世元雅・金剛権守・金春権守・福来・南阿弥・琳阿弥・山本某。
English: Songs, for which the playwrights are not given, are thought to have been written by Zeami himself.
Japanese: 作者名が空白となっている曲については、世阿弥自身の作曲であると考えられる。
English: Nagatoshi KANZE was a famous master performer who supported the leading part at the Kanze-za Theater, and also wrote several of his plays.
Japanese: 観世長俊は観世座の「脇の仕手」として棟梁である大夫を補佐した名人であり、また自身も作者としていくつかの能を残した人物である。
English: As such, this is a particularly reliable resource for the works of Nagatoshi himself as well as his father, Nobumitsu KANZEKOJIRO, and Zenpo KONPARU, who was also active during this period.
Japanese: そのため、長俊自身の作品、また長俊の父である観世小次郎信光、そして同時代に活動した金春禅鳳については、特に信頼度の高い資料である。
English: Its content is objective even when compared to the contemporary document "Jika Densho," making it a particularly valuable source.
Japanese: 同時代の『自家伝抄』と比べても客観性のある内容で、その資料的価値は高い。
English: On the other hand, although outstanding songs whose playwrights are unknown are almost all attributed to Zeami, the major writers Kanami and Motomasa are not included; as such, there are many incorrect descriptions relating to the songs other than those from the same period.
Japanese: 反面、優れた曲で作者不明のものについてはほとんど全てを世阿弥の作とする一方、観阿弥・元雅といった重要な作者が掲載されていないなど、同時代以外の曲については不正確な記述も少なくない。
English: In addition, the book includes many works by Zenchiku KONPARU and Miyamasu but there is very little information regarding these two individuals, so it is important to exercise caution when using this resource.
Japanese: また金春禅竹、宮増の作として多くの曲を挙げているが、この2人については資料が少ないため、慎重に検討する必要がある。
English: Of the surviving copies, the oldest is that appended to the end of Bansai KATO's "Utaizosho" published in 1661, which contains the same content as Yoshinari YAMAZAKI's "Kakyokuko" published in 1820.
Japanese: 伝本については、寛文元年（1661年）加藤磐斎『謡増抄』の巻末に附載されて刊行されたものが最も古く、山崎美成『歌曲考』（文政3年、1820年）にも同じ内容が載る。
English: In addition to also being appended to the end of Utai RYOHO's "Takasago Zozosho" published in 1736, there are the copies owned by institutions such as Shokokan.
Japanese: 元文元年（1736年）漁甫迂臺『高砂増々抄』巻末にも同じく附載される他、彰考館所蔵の写本などがある。
English: The book was originally untitled or may have been entitled "No Sakusha" or "Utai Sakusha" but the name "Nohon Sakusha Chumon" took hold since it was recorded under this title when it was reprinted in "Zenchiku Shu" by Togo YOSHIDA in 1915.
Japanese: 書名については本来無題、あるいは『能作者』、『謡作者』であったと見られるが、1915年『禅竹集』に吉田東伍が翻刻した際、『能本作者註文』の題で収録して以来、この名が定着している。
English: Zeami, Nobumitsu KANZE, Nagatoshi KANZE, Zenchiku KONPARU, Zenpo KONPARU, Miyamasu, No Omi, Sanetaka SANJONISHI, Sadamori Hoin TAKEDA, Hosokawa Kogenji, Onami, Tadatoki OTAGAKI, Yoshinori KONPARU, Tozaemon NAITO and Kawakami Kannushi are listed as writers, with 'the noh plays the writhers of which are unknown', which might be attributed to the Konparu family.
Japanese: 作者として挙げられているのは、世阿弥・観世信光・観世長俊・金春禅竹・金春禅鳳・宮増・近江能・三条西実隆・竹田法印定盛・細川弘源寺・音阿弥・太田垣忠説・金春善徳・内藤藤左衛門・河上神主・「作者不分明能ただし大略金春能か」。
English: "Iroha Sakusha Chumon" is sakushazuke that lists the names of noh songs according to the ordering of Japanese phonetic kana with annotations of the names of the writers.
Japanese: 『いろは作者註文』は、いろは順に能の曲名を並べた一覧（名寄）に、作者名を注記した作者付。
English: The original list, on which this book was based, included many ancient songs that had not been seen since the early modern period, which appear to date from the latter part of the Muromachi period.
Japanese: 元になった名寄は、近世以降には見られない古曲を多く含んでおり、室町後期のものと見られている。
English: The additions made between 1578 and 1594 resulted in its current form.
Japanese: その後、天正6年（1578年）から文禄3年（1594年）の期間に行われた増補を経て、現在の形になったらしい。
English: This book has the writer names annotated based on the same original sources as those of "Nohon Sakusha Chumon", but as for the content, it is an alternative version.
Japanese: 『能本作者註文』と同じ原資料などに基づいて作者名の注記が行われており、内容的にはその異本に当たる。
English: The complete set dating from the early modern period (owned by Kozan Bunko Library) was untitled and only given the current name when it was recorded in "Yokyoku Kyogen" by Makoto TANAKA.
Japanese: 完本は近世中期の写本（鴻山文庫蔵）があるが無題で、田中允が『謡曲狂言』収録の際現在の書名を付けた。
English: This book is thought to have gained its title, literally means 'Personal Excerpts,' due to the fact that it is a collection of excerpts of noh related texts of the author of which, as the first half of this is a sakushazuke and the second half is composed of miscellaneous excerpts of noh texts.
Japanese: その内容は前半が作者付、後半が雑多な伝書の抄録となっており、「自家の伝書の抄」であることからこの題が付けられたと思われる。
English: The facts that Zeami served as a compiler and that the first half was signed by him in 1442 and the second half in 1414 means that he is sometimes credited as being the author; however, this cannot be believed.
Japanese: 編者として、前半部には嘉吉2年（1442年）、後半部には応永21年（1414年）の世阿弥による署名があり、世阿弥の著書として紹介されたこともあるが、信じることは出来ない。
English: The content of this publication is included in a book entitled "Kazekuchi," which also features the signature of Zenpo KONPARU at the end, but this is believed to be false due to the discrepancy in the book's content.
Japanese: また『風口』という伝書中に本著の内容が含まれ、その末尾には金春禅鳳の署名があるが、こちらも記述内容の相違から、仮託と考えられる。
English: This book also includes the signature of Magojiro Yoshitsugu TSUNEKADO who succeeded Zenpo in 1516, and it is highly likely that he served as editor.
Japanese: 同書には続けて、禅鳳から相伝したとして永正13年（1516年）常門孫四郎吉次の署名があり、この人物が実際の編者である可能性が高い。
English: Little is known of Yoshitsugu TSUNEKADO's career but it appears that he was an amateur or semi-professional writer of the Konparu-ryu school.
Japanese: 常門吉次の来歴は不明だが、金春流の素人、ないし半玄人であったと見られる。
English: As sakushazuke, its content widely differs from those of the previously described "Nohon Sakusha Chumon" related books.
Japanese: 作者付としては前述の『能本作者註文』系の諸本とは大きく食い違う説を掲載している。
English: Therefore, its content cannot necessarily be trusted and it should be used with caution.
Japanese: しかしその所説は必ずしも信用出来るとは限らず、取り扱いには警戒が必要である。
English: However, it includes writers such as Sotoyama, Saami, Junijiro, Kanze Motomasa and Ochi Kanze who do not appear in other sakushazuke and it can be thought that details regarding these individuals is based on credible ancient texts, so although it is important to remain skeptical, this book will become a valuable resource if its content can be corroborated.
Japanese: しかし外山・佐阿弥・十二次郎・観世元雅越智観世など他の作者付には見られない作者が挙げられ、これらの人物については信用のおける古書を参照しているとも考えることも出来、信頼には検討を要するとは言え、傍証が得られれば重要な資料となり得る。
English: "Nihyakujuban Utai Mokuroku" is a sakushazuke that was written in June 1765 by Kanze Motoakira, 15th head of the Kanze School.
Japanese: 『二百十番謡目録』は、明和2年（1765年）6月、十五世観世大夫・観世元章が著した作者付。