nntsuzu/KFTT huggingface dataset:
English: This provision was contradictory to the provision for automatic participation in the war so that there was no expectation of its substantial effect, but it was added at the request of the US which was increasing its vigilance against the three countries: Japan, Britain and Russia.
Japanese: ただしこの条文は自動参戦規定との矛盾を抱えていたため、実質的な効力は期待できなかったが、これは日本、イギリス、ロシアの3国を強く警戒するアメリカの希望によるものであった。
English: Japan, based on the third Anglo-Japanese Alliance, participated in the World War I as a member of the Allies.
Japanese: また、日本は第三次日英同盟に基づき、連合国の一員として第一次世界大戦に参戦した。
English: In 1919 after the world war, the interests of both parties clashed in the Paris Peace Conference, creating a problem for the future especially by the rejection of Japan's proposal for abolition of racial discrimination in the drafting of the Covenant of the League of Nations.
Japanese: 大戦後の1919年、パリ講和会議で利害が対立し、とりわけ、国際連盟規約起草における日本の人種的差別撤廃提案が否決されたことは禍根として残った。
English: In 1921 the Washington Conference was convened against the background of the infringement on the Covenant of the League of Nations, opposition to the renewal of the Anglo-Japanese Alliance both in Japan and Britain, the US's desire for abrogation of the Anglo-Japanese Alliance due to its clash of interests with Japan, and the cooperative policy of the Japanese Government toward the US.
Japanese: 1921年、国際連盟規約への抵触、日英双方国内での日英同盟更新反対論、日本との利害の対立から日英同盟の廃止を望むアメリカの思惑、日本政府の対米協調路線を背景にワシントン会議が開催された。
English: In this conference the Four-Power Treaty was concluded between Japan, Britain, the US and France, and at the same time, it was decided that the alliance not be renewed, so that the Anglo-Japanese Alliance was dissolved and absorbed into the new treaty in 1923.
Japanese: ここで、日本、イギリス、アメリカ、フランスによる四カ国条約が締結されて同盟の更新は行わないことが決定され、1923年、日英同盟は拡大解消した。
English: 1914: Japan declared war against the German Empire on July 13 to participate in World War I.
Japanese: 1914年-7月13日、日本はドイツ帝国へ宣戦を布告、第一次世界大戦に参戦。
English: 1921: The abrogation of the Anglo-Japanese Alliance was decided by the Four-Power Treaty between Japan, the US, France and Britain.
Japanese: 1921年-日本・アメリカ合衆国・フランス・イギリスとの四カ国条約により日英同盟廃止を決定。
English: By declaring war against the German Empire, Japan, in no time after its entrance into war, captured and occupied the leased territory of Jiaozhou which Germany had gained from China in the Triple Intervention after the Sino-Japanese War, and the South Sea Islands which had been gained from Spain in the 19th century.
Japanese: ドイツ帝国に宣戦布告したことにより、日清戦争後の三国干渉によってドイツが中国から得た膠州湾租借地、19世紀にスペインから得た南洋諸島を、日本は参戦後瞬く間に攻略して占領した。
English: In the latter half of the war, the chances were against the Allies on the European front, so that the Allies, including Britain, requested the dispatch of Japanese army to Europe.
Japanese: 大戦後半欧州戦線で連合国側が劣勢になると、イギリスを含む連合国は、日本軍のヨーロッパへの派兵を要請してきた。
English: The Japanese Government refused the request for the dispatch of the army saying that it was difficult to maintain military depots in such distant places.
Japanese: これに対して日本政府は遠隔地での兵站確保は困難であるとして陸軍の派遣は断った。
English: However, as operations by the German and Austrian navy to destroy sea traffic with U-boats and armed merchantmen grew in intensity and Germany and Austria began unrestricted submarine warfare in January 1917, navy ships of the Allies were made to suffer serious damage, so that Britain requested Japan to dispatch a destroyer fleet to the Mediterranean and a cruiser fleet to the Cape of Good Hope.
Japanese: しかしながら、ドイツ・オーストリア海軍Uボート及び武装商船の海上交通破壊作戦が強化され、1917年1月からドイツおよびオーストリアが無制限潜水艦作戦を開始すると連合国側の艦船の被害が甚大なものになり、イギリスは日本へ、地中海へ駆逐艦隊、喜望峰へ巡洋艦隊の派遣を要請した。
English: At first, the Japanese Government was reluctant to dispatch fleets to Europe because it would not yield any immediate profit.
Japanese: 直接的に何の利益も生まない欧州派遣を、最初は渋っていた日本政府であった。
English: However, encouraged by the aggressive attitude of Imperial Japanese Navy and in order to secure rights and interests in the territories under Japanese occupation: the leased territory of Jiaozhou and the South Sea Islands, it dispatched successively, since February 7, 1917, the first special duty fleet of Imperial Japanese Navy to the area around Indian Ocean and the Cape of Good Hope, the second special duty fleet to the Mediterranean, and the third special duty fleet to the area around the South Pacific Ocean and the east coast of Australia.
Japanese: しかし、日本海軍の積極的な姿勢と占領した膠州湾租借地と南洋諸島の利権確保のため、1917年2月7日から順次日本海軍第一特務艦隊をインド洋、喜望峰方面、第二特務艦隊を地中海、第三特務艦隊を南太平洋、オーストラリア東岸方面へ派遣した。
English: The fleet, based on Malta, served in the Mediterranean as escorts for navy ships of the Allies until the end of the world war, escorting a total of 788 vessels including 21 British warships, and about 700 thousand navy personnel.
Japanese: 大戦終結までの間、マルタ島を基地に地中海での連合国側艦船の護衛に当たり、イギリス軍艦21隻を含む延べ船舶数計788隻、兵員約70万人の護衛に当たった。
English: The massive transporting operation,' in which Imperial Japanese Navy served as escorts, enabled the Allies to send the troops in Africa from Alexandria (Egypt) to Marseille (France) successfully to recover from inferiority in the Western Front.
Japanese: 日本海軍が護衛に当たった「大輸送作戦」により、連合国側はアフリカにいた兵員をアレクサンドリア（エジプト）からマルセイユ（フランス）に送り込むことに成功し、西部戦線での劣勢を挽回している。
English: Above all, in less than a month after the operation began in the Mediterranean on April 9, 1917, the destroyers Matsu and Sakaki engaged in rescue work on May 3 for a British transport ship, the Transylvania, which had been attacked by a German submarine U-boat.
Japanese: 特に、地中海での作戦を開始した1917年4月9日から1か月と経たない5月3日、駆逐艦松と榊はドイツUボート潜水艦の攻撃を受けたイギリス輸送船トランシルヴァニア号の救助活動に当たった。
English: Deflecting U-boats' attack with torpedoes still going on, it saved 1,800 out of 3,266 British military officers, soldiers and nurses.
Japanese: さらに続くUボートの魚雷攻撃をかわしながら、3,266名中約1,800人のイギリス陸軍将兵と看護婦の救助に成功した。
English: Before then, British navy ships engaging in rescue work met with a disaster in the secondary attack, in which 6,000 people died, so that they made it a rule not to rescue ships attacked and damaged by U-boats even if they were close.
Japanese: これ以前、救助活動にあたったイギリス艦船が二次攻撃で遭難して6,000名の死者を出したことにより、たとえUボートにより被害を出した船が近くにいたとしても、救助しないということになっていた。
English: It was a death-defying rescue work in such circumstances, and, since then, Imperial Japanese Navy had a rush of requests for escorts.
Japanese: そのような状況での決死の救助活動であり、以来、日本海軍への護衛依頼が殺到した。
English: The officers of the both destroyers were later decorated by George V, King of Britain.
Japanese: 後に、両駆逐艦の士官は、イギリス国王ジョージ5世から叙勲されている。
English: However, a month later, on June 11, the destroyer Sakaki was attacked by a U-boat of Austrian navy.
Japanese: ところが、それからまた1か月後の6月11日、駆逐艦榊はオーストリア海軍のUボートの攻撃を受けた。
English: Because the torpedo hit the powder magazine, Sakaki instantly exploded and was blown off, leaving only a third of the ship: the machinery room at the rear.
Japanese: 魚雷が火薬庫に当たったため後ろ3分の1の機関室を残して一瞬のうちに爆発し、吹き飛んでしまった。
English: A year after Sakaki's disaster, the memorial monument for the fallen soldiers was built in the then British navy cemetery in Malta.
Japanese: これら戦没者の慰霊碑が、マルタの当時のイギリス海軍墓地に榊遭難から1年後に建立された。
English: The fact that the best place, the back part of the British navy cemetery, was offered to the memorial monument shows how much British Navy was thankful for the remarkable service of Imperial Japanese Navy in those days.
Japanese: 慰霊碑はイギリス海軍墓地の奥の一番良い場所を提供され、当時、日本海軍の活躍をいかにイギリス海軍が感謝していたかがわかる。
English: The memorial monument was damaged by the bombing in German army's encircling operation of Malta during World War II, losing a forth of it in the upper part.
Japanese: 慰霊碑は、第二次世界大戦時のドイツ軍によるマルタ包囲作戦で爆撃を受け、上4分の1が欠けてしまった。
English: The monument had been left in the state of ruin for a long time, but it was rebuilt in 1974 to be restored to the original state.
Japanese: 長らくその状態で荒れていたが、1974年新しく慰霊碑を作り直して復元した。
English: Daiei Motion Picture Company refers to a film company that operated from 1942 to 2002.
Japanese: 大映株式会社（だいえいかぶしきがいしゃ）は、1942年から2002年まで存在した映画会社。
English: Although a late starter among the leading motion picture companies in Japan, Daiei was regarded a respected, longstanding company because it mainly inherited Nikkatsu Corporation's prewar film-making organization including the production division of Shinko Cinema (formerly known as the Teikoku Cinema) which was merged at the time of establishment and was split in the postwar period to become a parent organization of Toei Company, Ltd.
Japanese: 会社自体は大手の中では後発だが、戦前の日活の製作機構を主に引き継いでいる（発足時に合併で得た新興＝帝キネの製作部門は戦後に分離し東映の母体となる）ため伝統ある老舗として語られることが多い。
English: In 1942, under the wartime government program to rationalize and consolidate small business enterprises, business integration took place in all industries.
Japanese: 1942年、戦時統制により、小規模な会社を整理・統合する戦時企業統合が、あらゆる産業分野で進められた。
English: The motion picture industry was no exception, with film production at Shinko Cinema, Daito Eiga and Nikkatsu being merged into 'Dainippon Eiga Seisaku Kaisha.'
Japanese: 映画業界でも新興キネマ、大都映画、日活の製作部門が合併して「大日本映画製作株式会社」となる。
English: The merger plan was initially for the consolidation of Shochiku and Toho only.
Japanese: 当初の案では、映画会社は松竹と東宝の2社のみとすることになっていた。
English: However, Masaichi NAGATA, the president of Shinko Cinema's Kyoto studio, lobbied successfully to revise the consolidation plan into one involving three companies.
Japanese: 新興キネマ京都撮影所長だった永田雅一の尽力で、統合案は3社に変更された
English: Rumors persist to this day, more than sixty years later, that the head of Section 2, Department No. 5, of the Intelligence Bureau that had been responsible for the plan was bribed for the efforts.
Japanese: この尽力について、立案をした情報局第五部第二課長に、贈賄をしたという黒い噂は、60年以上たった現在でも消えていない。
English: However, it can also be interpreted as a result of Nagata's decision to promote Daiei to the Intelligence Bureau in order for it to become a government-consolidated company.
Japanese: ただし、情報局へ、政府の「統制会社」としての大映の立場をアピールした点は、永田の勘が的中した結果でもある。
English: The company began with the taking over of Nikkatsu's Uzumasa Movie Studio in Kyoto, Tamagawa Movie Studio (presently Kadokawa Daiei Film Studio) in Chofu, Shinko Cinema's Kyoto Uzumasa Movie Studio (presently Toei Kyoto Movie Studios), Oizumi Movie Studio (closed shortly afterwards, currently Toei Tokyo Movie Studio) and Daito Eiga Studio in Sugamo (closed shortly afterwards), along with the production staff and actors of the three companies.
Japanese: 日活の京都にあった太秦撮影所、調布にあった多摩川撮影所（現・角川大映撮影所）と新興キネマの京都太秦撮影所（現・東映京都撮影所）、大泉撮影所（間もなく閉鎖。現・東映東京撮影所）、巣鴨の大都映画撮影所（間もなく閉鎖）、ならびに3社のスタッフ・俳優を引き継ぎ、映画制作を開始。
English: Initially the company name shown in the opening credits had the names of the former companies listed vertically and overlapping the Daiei logo.
Japanese: 当初の社名クレジット表記は大映マークにかぶさるように旧社名が縦表記でズームしながらクレジットされた。
English: From this point in time Daiei operated as a purely private company, a rare case among the 'government-integrated companies' that were dissolved after Japan's defeat.
Japanese: 以降、大映は純然たる民間映画会社として存続する（他の「統制会社」が敗戦で解散した中では、珍しいケースである）。
English: After the change in company name, the opening credits of its films showed the Daiei logo against a starry night sky, zooming into the phrase 'produced by Daiei Motion Pictures' in Japanese (written in the old-style right-to-left direction) to overlap the logo, stopping in position and then descending.
Japanese: 社名変更後のクレジット表記は星空の後に動く雲をバックに大映マークが映り、それにかぶさるように「作製社會式株映大」の文字がズーム→停止→落下するという演出であった。
English: In 1948, the professional baseball team Kinboshi Stars was purchased to create 'Daiei Unions,' which was so renamed following a merger with Takahashi Unions, later becoming Daimai Orions with the merger with Chiba Lotte Marines.
Japanese: 1948年、プロ野球団金星スターズを買収して「大映ユニオンズ」(高橋ユニオンズとの合併により大映ユニオンズにチーム名を変更した後千葉ロッテマリーンズと合併し大毎オリオンズとなる）を結成。
English: The 'mother series' with Aiko MIMASU as leading actress became a very popular series lasting for ten years.
Japanese: 三益愛子主演の「母物シリーズ」が始まり10年続く大人気シリーズとなる。
English: In 1951, the film "Rashomon" (directed by Akira KUROSAWA) won the Grand Prix at the Venice International Film Festival.
Japanese: 1951年、『羅生門(映画)』（監督・黒澤明）がヴェネチア国際映画祭グランプリ受賞。
English: In 1953, the film "Ugetsu monogatari" (Tale of Rainy Moon; directed by Kenji MIZOGUCHI) won the Silver Lion Award at the Venice International Film Festival.
Japanese: 1953年、『雨月物語』（監督・溝口健二）がヴェネチア国際映画祭銀獅子賞受賞。
English: Also, in 1954 the film "Jigokumon" (Gates of Hell; directed by Teinosuke KINUGASA) won the Grand Prix at the Cannes International Film Festival.
Japanese: 1954年、『地獄門』（監督・衣笠貞之助）がカンヌ国際映画祭グランプリ受賞。
English: Soon after, the film "Sansho-dayu" (directed by Kenji MIZOGUCHI) won the Silver Lion Award at the Venice International Film Festival.
Japanese: たてつづけに『山椒太夫』（監督・溝口健二）ヴェネチア国際映画祭銀獅子賞受賞。
English: In the 1950s and the first half of the 1960s, Daiei produced a large number of films led by Kazuo HASEGAWA and the three leading actresses Machiko KYO, Fujiko YAMAMOTO and Ayako WAKAO, as well as Raizo ICHIKAWA VIII.
Japanese: 1950年代から1960年代前半にかけて長谷川一夫を筆頭に三大女優の京マチ子・山本富士子・若尾文子、そして市川雷蔵(8代目)、名作を多数送り出す。
English: Daiei held top starts in Japanese motion picture history, and also produced films in which actors and actresses who were either freelance or under contract with other film companies, such as Hideko TAKAMINE, Koji TSURUTA and Keiko KISHI, appeared.
Japanese: 日本映画史に残る大スター達を擁し、さらに他社専属やフリーの高峰秀子、鶴田浩二、岸惠子らも出演する。
English: At the same time, Daiei devoted itself to large-scale productions, such as joint productions with companies in Taiwan and other countries and 70mm film productions such as 'Shaka' (Shakyamuni) and 'Shin no Shikoutei' (Shi Hunagdi), both of which became box office hits.
Japanese: 一方で台湾など海外との合作による大作や70ミリ映画「釈迦」「秦・始皇帝」（2作ともヒット）を制作するなど超大作路線を歩む。
English: In 1958, Daiei created a television production office inside the company in order to begin TV movie production.
Japanese: 1958年、社内に大映テレビ製作室を設けて、テレビ映画の製作に乗り出す。
English: With the introduction of 'Daiei Scope' the opening credits were changed back to the familiar footage of sunlight shining through the clouds.
Japanese: 「大映スコープ」の導入によりクレジット表記が雲の果てから太陽の光が差し込むというお馴染みのものになる。
English: In 1959, the Fuji Television Network was founded jointly by Daiei along with Toho, Shochiku, Nippon Cultural Broadcasting, and Nippon Broadcasting System.
Japanese: 1959年、東宝、松竹、文化放送、ニッポン放送と共にフジテレビジョンを開局。
English: In 1962, Tokyo Stadium was built in Minamisenju, Arakawa Ward, Tokyo, as a professional baseball stadium.
Japanese: 1962年、東京都荒川区南千住にプロ野球専用球場・東京スタジアム(野球場)（東京球場）を建設。
English: Popular young actor Hiroshi KAWAGUCHI (the first son of Matsutaro KAWAGUCHI), who appeared in Daiei's period drama films, left the company.
Japanese: 現代劇で活躍していた人気若手スター・川口浩（川口松太郎の長男）が退社。
English: In 1963, Kazuo HASEGAWA, Japan's foremost actor of the prewar period known for his outstanding good looks and being the top Daiei star of the postwar period, retired from the motion picture industry.
Japanese: 1963年、戦前から日本を代表する二枚目であり、戦後の大映映画の大黒柱だった長谷川一夫が映画界から引退。
English: In addition, Fujiko YAMAMOTO, a top actress who was known as the most beautiful woman in Japan, requested permission to appear in films produced by other companies and to reduce the number of films required under contract, angering Daiei president Nagata and resulting in her dismissal and a ban on appearing in any film or theatrical production under the five-party agreement among the top film companies regarding management of film cast and crew.
Japanese: そして、日本一の美女と言われ、美人の代名詞であった看板女優・山本富士子が他社出演の許可と出演本数を少なくするという約束を守ってほしいと頼んだところ永田社長の怒りを買い、一方的に解雇され、五社協定にかけられ他社の映画や舞台にも出演できなくなる。
English: Later, Fujiko YAMAMOTO gained popularity on television with drama series such as the 'Yamamoto Fujiko Hour' and later appeared at the theater, but she has not appeared in motion pictures even though the agreement among the film companies has expired.
Japanese: 以降、山本富士子は「山本富士子アワー」などのテレビドラマに主演して好評を得た後、舞台に進出し、五社協定が自然消滅した現在まで映画出演はしていない。
English: With top stars leaving the company in rapid succession, Daiei began to lose its movie-going fan base.
Japanese: こうして看板スターを相次いで失った大映の映画館は空席が目立つようになる。
English: In 1965, Daiei's Tokyo Movie Studio produced "Daikaiju Gamera" (Gamera) to compete against Toho's special effect-laden productions, and it became a big hit.
Japanese: 1965年、東宝の特撮企画に対抗して、東京撮影所で『大怪獣ガメラ』を製作、大ヒットとなる。
English: This series demonstrated the company's ability to use special effects and was a profit-making series right up until the company finally filed for bankruptcy.
Japanese: 大映の特撮技術を内外に知らしめ、倒産までドル箱の人気シリーズとなった。
English: Its fan base, consisting chiefly of children, provided a measure of stability in the number of moviegoers and proved a major source of earnings in its final years.
Japanese: 子供を中心とした観客層は倒産まで安定した動員数を稼ぎ、末期の大映を支える柱のひとつとなった。
English: In 1967, Shintaro KATSU, motivated by other top stars setting up their own movie production companies, set up Katsu Productions.
Japanese: 1967年、勝新太郎が石原プロ・三船プロなどのスターによる製作プロダクションブームに刺激され勝プロを設立。
English: In 1968, top star Jiro TAMIYA submitted a protest to Daiei for his name being listed fourth in the credits for the film "Fushin no Toki" (When in Doubt; written by Sawako ARIYOSHI) in spite of leading actor and was summarily fired by Daiei's president Nagata, unable to make appearances in motion pictures or TV dramas under the five-party agreement among the film companies.
Japanese: 1968年、看板俳優の田宮二郎が映画『不信のとき』（原作：有吉佐和子）に主演したが、クレジットが4番目であることを抗議すると激怒した永田社長により一方的に解雇され、五社協定にもかけられ他社の映画・テレビドラマにも出演できなくなる。
English: However, Tamiya became the host of a TV program entitled 'Quiz Time Shock' (aired by NET, presently the TV Asahi network) in 1969, successfully making the program a long-running show and only returning to movies in the 1970s after Daiei went under.
Japanese: しかしその後、田宮も1969年スタートのテレビ番組「クイズタイムショック」（NET、現・テレビ朝日系列）の司会で成功を収め長寿番組とし、大映倒産後の1970年代には映画界にも復帰。
English: This marked the eventual collapse of the movie star system that built the golden age of the Japanese film industry and exposed the obstacles created by the film industry agreement.
Japanese: 日本映画黄金期を支えてきたスター・システムの崩壊と五社協定の弊害が明らかに。
English: In 1969, Daiei's top actor and its last hope Raizo ICHIKAWA died young at the age of 37.
Japanese: 1969年、最後の頼みの綱だった看板俳優・市川雷蔵が37歳の若さで急逝。
English: With its top box office earners leaving in rapid succession, no big stars emerging to take their place, and the motion picture industry itself losing its luster in the face of the dynamic growth of the TV industry, the decline in its moviegoing audience was further exacerbated.
Japanese: 大黒柱の看板スター達を相次いで失い、大型の新人スターも輩出できず、映画産業全体の斜陽やテレビ界の発展にも圧され、大映映画の観客数の落ち込みがさらに深刻になる。
English: In April 1970, Daiei agreed to merge its film distribution network with Nikkatsu, also suffering from financial problems, and established Dainichi Eihai K.K.
Japanese: 1970年4月、同じく経営不振に喘いでいた日活と配給網を統合し、ダイニチ映配を設立。
English: With the old-style movie production system losing its power, production plans began to center around violence, eroticism and the grotesque.
Japanese: 旧来の撮影所システムの映画作りが無効になる中、暴力・エロ・グロを中心に企画を打ち出す。
English: Nikkatsu created series such as "Noraneko Rock" (Stray Cat Rock), "Neon Keisatsu" (Neon Police) and "Senso to Ningen" (War and Man), while Daiei focused on a younger audience with series with a sexual theme such as "Denki Kurage" (Electric Jellyfish), "Judai no Ninshin" (Teen Pregnancy) and "Osana-zuma" (Child Wife), as well as the "Kokosei Bancho" (High School Gang Leader) series and smaller films produced by Katsu Productions.
Japanese: 日活側は『野良猫ロック』『ネオン警察』『戦争と人間』シリーズなどを送り、大映側は「でんきくらげ」「十代の妊娠」「おさな妻」などの『ジュニア・セックス・シリーズ』、『高校生番長』シリーズなど若者を狙った映画のほか、勝プロなどによる佳作も配給した
English: In 1972, the actors and production crew at the defunct Daiei Kyoto Movie Studio who had collaborated in the production of the TV period drama "Kogarashi Monjiro" set up Eizo Kyoto Film Company.
Japanese: 1972年、テレビ時代劇『木枯し紋次郎』を制作協力していた大映京都撮影所所属の俳優とスタッフが中心となり、映像京都を設立。
English: Daiei Kyoto Movie Studio also managed to slash its debts by turning into a rental studio, selling real estate it owned and streamlining its work force.
Japanese: 大映京都撮影所は大映映画撮影所（貸しスタジオ）となるなど、土地資産の売却や人材のリストラで負債を減らしていった。
English: This also marked the start of film production based on books published by Tokuma Shoten (such as "Kimi yo Funnu no Kawa wo Watare" and "Ogon no Inu" by Juko NISHIMURA).
Japanese: また徳間書店の出版する小説の映画化（西村寿行の『君よ噴怒の河を渉れ』『黄金の犬』など）も始まる。
English: Following the science-fiction film "Shuto Soshitsu" in 1987, the Sino-Japanese mega-production "Tonko" was released in 1988.
Japanese: 1988年、前年のSF大作『首都消失』に続き、日中合作の超大作映画『敦煌(映画)』公開。
English: In 1992, the film entitled "Oroshia Kokusui Mutan" was shot in Russia amid the turmoil of the dissolution of the Soviet Union, at the cost of 2.5 billion yen.
Japanese: 1992年、25億円を投じソビエト連邦解体の激動のロシアで撮影した『おろしや国酔夢譚』公開。
English: Debts from these mega-productions combined with the collapse of Japan's economic bubble resulted in cumulative losses not only for Daiei but for the entire Tokuma Shoten Group as well.
Japanese: これら超大作路線による借入金の増大とバブル崩壊などにより、大映のみならず徳間書店グループ自体の累積赤字が膨らんだ。
English: Despite successes in smaller quality films such as "Shall We Dance?" and the "Gamera" series, Tokuma Shoten fell under the management of Sumitomo Bank, and rumors rose of Daiei's sale.
Japanese: 『ガメラ』シリーズ、『Shallweダンス?』など佳作にも果敢に投資しヒットさせたが、徳間書店は住友銀行の管理下におかれることとなり、大映の売却も話題に上る。
English: In July 2002, Kadokawa Shoten concluded an agreement with Tokuma Shoten to take over Daiei's entire business operations, including motion picture and video production, distribution, and management of the Daiei Studio (Tamagawa Movie Studio) in Chofu.
Japanese: 2002年7月、角川書店は徳間書店から、大映が保有する映画、ビデオ製作、配給、調布市の大映スタジオ（多摩川撮影所）の運営などの全事業を取得することで合意。
English: In November 2002, 'Kadokawa Daiei Motion Pictures' was established, with all business rights and the workforce at Daiei transferred to the new company, and marked the end of Daiei's 60-year history in filmmaking.
Japanese: 11月、角川の映像子会社「株式会社角川大映映画」が設立され、大映は営業権のすべてと従業員を譲渡して60年の歴史に幕を下ろした。
English: During this period, Daiei had been involved in the distribution of Chinese and Korean films in conjunction with Toko Tokuma (the Toko Tokuma business division of Tokuma Shoten).
Japanese: なお、この時代に大映は、東光徳間（徳間書店東光徳間事業本部）と共同で中国映画・韓国映画の配給・提供なども手掛けた。
English: It was renamed Kadokawa Pictures following the change, and the Daiei Studio (Tamagawa Movie Studio) was renamed Kadokawa Daiei Movie Studio.
Japanese: 角川映画株式会社となり、大映スタジオ（多摩川撮影所）も、角川大映撮影所に改称した。
English: With the merger of the company with Kadokawa Herald Pictures in March 2006, the company became Kadokawa Herald Eiga.
Japanese: 2006年3月、角川ヘラルド・ピクチャーズと合併して、角川ヘラルド映画となった。
English: Toei Company Limited is a Japanese film production and distribution company.
Japanese: 東映株式会社（とうえい、TOEICOMPANY,LIMITED）は、日本の映画の製作配給会社。
English: As of 2005, it has thirty-four directly-managed movie theaters and two film studios located in Tokyo and Kyoto.
Japanese: 2005年現在、直営映画劇場34館、東京と京都の二つの撮影所を保有する。
English: It is also famous for being a major shareholder of TV Asahi Corporation (it was the largest shareholder but is currently the second largest with a 16% share) while TV Asahi is Toei's top shareholder with an 11% share.
Japanese: テレビ朝日の大株主（かつては筆頭株主、現在は第2位。テレ朝株の16%を保有している）としても有名であり、同時に（テレビ朝日が）同社の筆頭株主にもなっている（東映株の11%を保有）。
English: Tokyo Eiga Haikyu (Tokyo Film Distribution Company), founded on October 1, 1949, bought the former Shinko Cinema Tokyo studios in Oizumi, Tokyo and launched a studio-for-rent business in 1951.
Japanese: 1949年10月1日設立の東京映画配給（とうきょうえいがはいきゅう）が1951年、太泉映画（おおいずみえいが）（東京・大泉の旧新興キネマ東京撮影所を買収して貸スタジオを経営。
English: Later it merged with Oizumi Films, which had achieved success in the film production industry, and Toyoko Film Company (founded in 1938) which had run movie theaters in Shibuya, Tokyo and Yokohama City in order to develop the areas along the Tokyu Toyoko line, but after World War Two it rented the former Shinko Cinema Kyoto Studio from Daiei Motion Picture Company to start film production and changed its name to Toei.
Japanese: やがて映画製作に進出した太泉映画（おおいずみえいが）と1938年設立の東横映画（とうよこえいが）（東急東横線の沿線開発を目的に、東京の渋谷や横浜市で映画館を経営していたが、戦後大映(映画)より京都第2撮影所（旧新興キネマ京都撮影所）を賃借して映画製作に進出。）を吸収合併、社名を東映と改めて出発した。
English: Tokyo Kyuko Dentetsu was involved in the establishment of Toei, as indicated by the absorption of Toyoko Film Company.
Japanese: 東横映画を吸収したことからも判る様に設立には東京急行電鉄が関わっている。
English: Within Toyoko Film Company there were some former members of the production staff of the Manchukuo Film Association who had returned from mainland China such as Mitsuo MAKINO and Kanichi NEGISHI.
Japanese: 東横映画には、マキノ光雄と根岸寛一を中心に、大陸から引き上げた満州映画協会OBが製作スタッフとして参加していた。