nntsuzu/KFTT huggingface dataset:
English: A bamboo shoot was sent to Onna Sannomiya (the Third Princess) by Emperor Suzaku, who lamented a series of misfortunes happening to his daughters such as Onna Sannomiya's becoming a nun, the death of Ochiba no miya's husband.
Japanese: 女三宮の出家、落葉の宮の夫の死と、相次ぐ姫宮たちの不幸を嘆く朱雀帝から、女三宮のところに筍が贈られてきた。
English: Genji held Kaoru, who bit the bamboo shoot with his new baby teeth, looked back on his life so far, and paid attention to Kaoru's young, but noble countenance.
Japanese: それを生えかけた歯でかじる薫を抱きながら、源氏は今までの人生を思い、また薫の幼いながらも高貴な面差に注目するのであった。
English: Subsequently, Yugiri, who visited Genji, saw Kashiwagi's face in Kaoru, who was playing innocently with the children of young lady Akashi.
Japanese: 後日、源氏のもとを訪れた夕霧は、明石の姫君の御子たちと無心に遊ぶ薫に柏木の面影を見る。
English: Then he told Genji about Kashiwagi's last words and the dream, but Genji just said that he would take charge of the yokobue, and changed the subject.
Japanese: そして源氏に柏木の遺言と夢の話を伝えるが、源氏は話をそらし横笛を預かるとだけ言うのだった。
English: Kyuan Hyakushu is the Hundred-Poem sequences developed by the command of Sutokuin in 1150 during the late Heian period.
Japanese: 久安百首（きゅうあんひゃくしゅ）は、平安時代後期の1150年（久安6年）、崇徳院の命により作成した百首歌。
English: Between 1142 and 1144, Sutokuin set subjects for poems, and while there were 14 writers, including FUJIWARA no Kinyoshi, FUJIWARA no Norinaga, FUJIWARA no Akisuke and FUJIWARA no Toshinari in addition to Sutokuin himself, some of them died while it was being completed and were replaced by the other poets.
Japanese: 康治年間（1142年～1144年）に崇徳院から題が下され、作者は崇徳院のほか藤原公能、藤原教長、藤原顕輔、藤原俊成など14名であるが、途中で死去により入れ替わった作者もいる。
English: There are two different existing versions of Kyuan Hyakushu, including one that lists the hundred poems without sorting by the subject and the other which was broken down into ten volumes by FUJIWARA no Toshinari.
Japanese: 現存するものは、歌人の百首を題ごとに分類しないで載せているものと、藤原俊成によって10巻に分類されたものの2種類がある。
English: "Kyoun-shu" (Crazy Cloud Anthology) is a collection of Chinese poetry by Ikkyu Sojun which presents the insane and unconventional world.
Japanese: 『狂雲集』（きょううんしゅう）は、一休宗純による風狂破格の世界を呈する漢詩集。
English: Moreover, it also includes poems concerning his seeking after truth in Buddhism, and poems about his indulging in sensual pleasures, so the collection has a variety of unusual poems as the title suggests.
Japanese: 仏門の求道者の自分を詠んでいるかと思えば、女色に耽溺する自己を詠むといった具合で、この書名のように狂雲集の世界は尋常一様でない。
English: Ikkyu pretended to be a crazy person with a romantic turn of mind, and wandered about entertainment areas, but people saw him as a person rising above the vulgar herd in certain respects.
Japanese: 一休は、自らを風狂の狂客とし、歓楽街を徘徊したが、世人は常識を超然した姿を一種畏敬の念を持って観ていた。
English: He had an influence not on what is called kangaku (national university) of gosan (Zen temples highly ranked by the government), but on common people, experts in the tea ceremony, linked-verse poets and cultured people.
Japanese: 五山のいわゆる官学に対してではなく、庶民や茶人・連歌師・文化人に影響を与えている。
English: Kyoun-shu had already existed during the Onin era (1467 - 1468), but it was put on the stage again in 1642, 160 years after his death, when "Gunsho ruiju" (Collection of historical documents compiled by Hokiichi HANAWA) was published, then Ikkyu's preaching spread due to Ikkyu's witty stories.
Japanese: 応仁年間に既に狂雲集は存在していたが、没後160年の1642年（寛永19年）、『群書類従』の発行でふたたび脚光を浴び、一休頓智ばなしなどで一休説話が後世に広まった。
English: Dan no Ura Yoru no Kassenki is the title of a Japanese classic pornographic novel.
Japanese: 壇ノ浦夜合戦記（だんのうらのよるかっせんき）は、日本の古典春本の一つである。
English: The story line revolves around a love affair between MINAMOTO no Yoshitsune and Kenreimonin, who threw herself into the sea and was rescued during the Battle of Dan no Ura.
Japanese: 壇ノ浦の合戦の際、入水するも救出された建礼門院と、源義経の情事を描いたもの。
English: After the banquet, Yoshitsune was alone with Tokuko and successfully began an affair with her using his charm.
Japanese: その後、義経は徳子と二人きりになると、あの手この手を駆使して、情事に持ち込むことに成功する。
English: The reason this story about an affair between Yoshitsune and Kenreimonin appeared is due to it being mentioned in 'Genpei Seisuiki' (The Rise and Decline of the Minamoto and Taira Clans).
Japanese: なお、義経と建礼門院が通じるという話自体は「源平盛衰記」以来見られた。
English: During the Edo period, the story became well known even among the general public and a number of kyoka (comic tanka (satire)) were written using the affair as a subject.
Japanese: 江戸時代には庶民の間にも膾炙しており、これに題材をとった狂歌なども読まれている。
English: FUJIWARA no Kiyotada (date of birth unknown - July, 958) was a court noble and a poet who lived during the mid-Heian period.
Japanese: 藤原清正（ふじわらのきよただ、生年未詳-天徳(日本)2年（958年）7月）は、平安時代中期の公家・歌人。
English: His highest court rank was Jugoinojo (Junior Fifth Rank, Upper Grade), while his final government post was Kii no kami (Governor of Kii Province) after he experienced Kurodo no to (Head Chamberlain), Saiin no kami (Secretary of the Office of the High Priestess of Kamo), Sakone no shosho (Minor Captain of the Left Division of Inner Palace Guards), and so on.
Japanese: 最高位は従五位上であったが、官は蔵人頭・斎院長官・左近衛少将などを経て、紀伊守に到る。
English: He was one of the Sanjurokkasen (Thirty-six Immortal Poets), and 31 poems in total were collected in "Gosen Wakashu" and other successive chokusen wakashu (anthology of Japanese poetry compiled by Imperial command).
Japanese: 歌人としては、三十六歌仙の一人に数えられており、『後撰和歌集』以降の勅撰和歌集に、計31首が入集。
English: Shinsen Roei Shu is a collection of singing poems that mainly consists of waka and Chinese poems composed by Bai Letian, MINAMOTO no Shitago, SUGAWARA no Michizane, OE no Mochitoki, 菅原文言 (reading unknown) and other poets.
Japanese: 和歌と漢詩の朗詠句を集め、白楽天・源順・菅原道真・大江以言・菅原文言その他の作が主である。
English: Kanpyono Ontoki Kisainomiya Uta-awase (Uta-awase held by the Empress during the Kanpyo period) was one of the poetry competitions, which consisted of one volume.
Japanese: 寛平御時后宮歌合（かんぴょうのおんとききさいのみやうたあわせ）は、歌合の一。1巻。
English: This poetry competition was held at around 889 at the residence of Imperial Princess Hanshi (the empress dowager Mitsuko), mother of Emperor Uda.
Japanese: 寛平初年（889年）ころ宇多天皇の母后（光子后）班子内親王の邸でもよおされた。
English: The Roei Hyakushu (a hundred medieval Japanese court songs) is a set of waka written while keeping with a theme set by using verses in various anthologies like the Wakan Roei Shu (Collection of Japanese and Chinese Court Songs).
Japanese: 朗詠百首（ろうえいひゃくしゅ）は、和漢朗詠集等の詩句を題とし、和歌に翻案した定数歌。
English: Although the manuscript notes at the end of the book state that the author of Roei Hyakushu is allegedly FUJIWARA no Ietaka (Junii [Junior Second Rank]), studies on the subject have progressed in recent years, and it is virtually certain that the author was FUJIWARA no Takafusa (1148 – 1209).
Japanese: 作者は、その巻末識語から、藤原家隆_(従二位)と考えられていたが、近年、研究がすすみ、藤原隆房（久安4年（1148年）-承元3年（1209年））を作者とすることにほぼ間違いはないと考えられている。
English: As for when the Roei Hyakushu was completed, there are various opinions, including that it was an etude made by the young Takafusa (opinion offered by Tokuo SUZUKI), that it was finished after 1177 and before 1200 (opinion offered by Tsuneo SATO) and that it was completed between 1185 and 1198, or before 1199 at the latest (opinion offered by Junko UENO), but the real date remains inconclusive.
Japanese: 成立は、隆房の若い時期の習作と考える説（鈴木徳男）や、治承元年（1177年）以降、正治2年（1200年）以前とする説（佐藤恒雄）、文治建久期、遅くとも正治以前とする説（上野順子）などがあり、はっきりしない。
English: "Nise Murasaki Inaka Genji" (The Tale of Genji during the Muromachi period) is an unfinished long gokan (bound-together volumes of illustrated books) written by Tanehiko RYUTEI.
Japanese: 『偐紫田舎源氏』（にせむらさきいなかげんじ）は、柳亭種彦の、未完の、長編合巻。
English: The books were tremendously successful, but the series were finished with the 38th book due to official sanctions arising from the publication of the work and the author's death.
Japanese: 大当たりしたが、作者の筆禍、および死去により、第38編までに終わった。
English: However, the unpublished manuscripts of the 39th and the 40th books were put published in 1928.
Japanese: ただし、第39編、第40編は、遺した稿本により、昭和3年（1928年）に活字化された。
English: It is based on Murasaki Shikibu's "The Tale of Genji," and the setting changed from the Heian period to the Muromachi period.
Japanese: 紫式部の『源氏物語』を下敷きにして、時代を、平安時代から室町時代へ移している。
English: In order to stifle Sozen YAMANA, who was trying to attain the position of Shogun, Mitsuuji, an illegitimate child of Shogun Yoshimasa ASHIKAGA, gradually got back the treasures of Ashikaga clan that Sozen stole and hid, pretending to be a man with a rich love life like Hikaru Genji.
Japanese: 将軍足利義正の妾腹の子、光氏が、将軍位をねらう山名宗全を抑えるため、光源氏的な好色遍歴をよそおいながら、宗全が盗み隠していた足利氏の重宝類をしだいに取り戻す。
English: Meanwhile, he lived a roaming life at Suma Akashi, containing the Yamana's army of Saigoku (western part of Japan [esp. Kyushu, but ranging as far east as Kinki]), and destroying Sozen and his followers by stratagem, then returned to Kyoto to become Shogun's guardian, being at the height of his prosperity.
Japanese: その一方で、須磨明石に流寓して西国の山名勢を牽制し、宗全一味をはかりごとで滅ぼした後、京都に戻り、将軍後見役となり、栄華を極める。
English: Writing the gokan series such as "Shohon-jitate" (Stories in a Promptbook Form), Tanehiko RYUTEI had already been a popular writer, while his senior, Bakin KYOKUTEI was popular for writing long gokan such as "Konpira-bune risho no tomozuna" (Life Lines of Grace from Konpira's Boat), "Keisei Suikoden" (A Courtesans' Shui hu chuan), and so on.
Japanese: 柳亭種彦は、合巻の『正本製』（しょうほんじたて）シリーズなどで、すでに流行作家になっていたが、年長の曲亭馬琴も、『金毘羅船利生纜』『傾城水滸伝』などの長編合巻で人気を集めていた。
English: The publisher was Kiemon TSURUYA of the Senkakudo Publishing House at Tori Abura-cho (the present Odenma-cho, Nihonbashi, Chuo Ward (Tokyo)).
Japanese: 版元は通油町（現在の中央区(東京都)日本橋大伝馬町）の、仙鶴堂鶴屋喜右衛門。
English: Each page was printed on the right and left of a half sheet of Japanese paper, and the printed paper was folded in half, bound ten sheets to one book which consisted of 20 pages.
Japanese: 半裁した半紙の右左に1ページずつを刷り、二つに折り、十枚重ねて綴じて、1冊20ページ。
English: At first the author and the publishing house did not intend to make an adaptation of all the 54 chapters of "Genji" and publish it, but the success of the series encouraged them and they published a few books every year as the following items suggest.
Japanese: 著者と版元に、『源氏』の全54帖を翻案・出版するつもりは、はじめはなかったが、大好評を得てその気になり、つぎの箇条書きに見るように、毎年数編が刊行された。
English: However, Tadakuni MIZUNO carried out Tenpo Reforms and he accused them falsely, saying 'these books revealed the real situation of O-oku (the inner halls of Edo-jo Castle where the wife of the Shogun and her servants reside) in the Shogun family,' so the publishing ended with the 38th book.
Japanese: そして、水野忠邦の天保の改革で、「将軍家の大奥の内情を書いた」と言いがかりをつけられ、38編までで終わった。
English: Then the 39th and the 40th books were posthumously published as a part of "Inaka Genji" in 1928.
Japanese: そして、遺された稿本から、39編40編が、昭和3年版の『田舎源氏』中に翻刻された。
English: In 1882, some woodblock books were published, but it is not clear whether all the books were published.
Japanese: 明治15年（1882年）に、外部リンクがあらためて出たが、全編が刊行されたかは明らかでない。
English: "Sonoyukari Hina no Omokage" (its fate the likeness of rustic youth), imitation of "Inaka Genji" was written by Tanehiko's disciples, Senka RYUTEI (books 1-6) and Tanekazu RYUKATEI (books 7-23) from 1847 to 1864.
Japanese: 『田舎源氏』を模倣した『其由縁鄙俤』（そのゆかりひなのおもかげ）が、種彦門弟の笠亭仙果（1-6編）と柳下亭種員（7-23編）により、弘化4年（1847年）から元治元年（1864年）にわたって、書き継がれた。
English: Kabuki (traditional drama performed by male actors) performances adapted from "Inaka Genji" were "Goshomoyo Genji no Edozome" performed at Ichimura-za Theater in March 1838, "Genjimoyo Furisode Hinagata" (Dress Patterns in Genji Style) performed at Ichimura-za Theater in September 1851, and "忠暮時雨袖旧寺" performed at Morita-za Theater in October 1867.
Japanese: 『田舎源氏』を脚色した歌舞伎には、天保9年（1838）3月市村座上演の『内裡模様源氏染』（ごしょもようげんじのえどぞめ）、嘉永4年（1851年）9月市村座上演の『源氏模様娘雛形』（げんじもようふりそでひながた）、慶応3年10月（1867）守田座上演の『忠暮時雨袖旧寺』がある。
English: A part of "Genjimoyo Furisode Hinagata" survives to this day under the name of "Inaka Genji Tsuyu no Shinonome" (Rustic Genji Daybreak Dew).
Japanese: 『源氏模様娘雛形』の一部が『田舎源氏露東雲』の名で、今日に残っている。
English: By the way, "Nise Murasaki Naniwa no Genji" (1837), a work which has a similar title and was written by Tanehiko, is a concealed pornographic book.
Japanese: なお、似た題名の『似世紫浪華源氏』（天保8年）は、種彦作の、世をはばかる艶本である。
English: Kaido-ki (Travel Diary) is a traveler's journal that is thought to have been written in 1223.
Japanese: 海道記（かいどうき）は、貞応2年（1223年）成立と考えられる紀行文。
English: It describes the travels of a person named SHIRAKAWA no Wabishi from his departure from Kyoto for Kamakura on May 12, 1223; his arrival in Kamakura on May 25; the cancellation of his plan to visit Zenko-ji Temple; as well his return to Kyoto.
Japanese: 内容は貞応2年（1223年）4月4日、白河の侘士なる者が京都から鎌倉に下り、17日鎌倉に着き、善光寺参りの予定をやめて、さらに帰京するまでを描いている。
English: In the early modern period, this book was published in 1664 as "Kamo no Chomei Kaidoki" with an epilogue written by Yusai HOSOKAWA dating from 1597, and it has therefore long been thought that the author was KAMO no Chomei.
Japanese: 作者は、近世、寛文4年に本書が『鴨長明海道記』として、慶長2年の細川幽斎の跋を加えて上梓されていることから、古くから鴨長明と考えられてきた。
English: The theory that the author was KAMO no Chomei is negated by the fact that there is a discrepancy between the year of his death and the writing of this book.
Japanese: 鴨長明の没年と本書の成立に齟齬をきたすため、鴨長明説は否定されている。
English: Because the author must have been a person well versed in Chinese classics and waka poetry, there is a theory that the author was MINAMOTO no Mitsuyuki, the majority of opinion is doubtful of this view due to a discrepancy with his career.
Japanese: 作者は漢籍や和歌の道に通じた人物であることから、源光行を作者とする説もあるが、その経歴と齟齬することから、懐疑的な見方が大勢を占めている。
English: However, if it is assumed that part of this book is fictitious, it is not unreasonable that it could have been written by MINAMOTO no Mitsuyuki.
Japanese: ただし、本書の一部に虚構を想定するならば、源光行であってもおかしくはない。
English: In recent years, a theory has emerged that the author was Yukinaga; who was Shimotsuke no Kami (governor of Shimotsuke Province), Jugoinoge (Junior Fifth Rank, Lower Grade) and a brother of Muneyuki; based on descriptions that are particularly mournful of Muneyuki HAMURO, who was a victim of the Jokyu War, and express disappointment at the conflict.
Japanese: 近年では、承久の乱で犠牲になった葉室宗行を特に悼み、さらに承久の乱により落魄したかのような記述から、宗行の兄弟である下野守従五位下行長を作者とする説もでている。
English: Yukinaga, Shimotsuke no Kami with the rank of Jugoinoge, is thought to be Shinano no Zenji Yukinaga who is considered to be the author of "Heike Monogatari" (The Tale of the Heike), so it is possible that he also wrote this book.
Japanese: 下野守従五位下行長は、『平家物語』作者とされる信濃前司行長に比定されている人物で、本書の作者であってもおかしくはない。
English: Since none of the theories are able to decisively identify the author, there is no alternative but to state that the author is unknown and await the findings of future research.
Japanese: いずれの説にせよ、作者を特定するには決め手に欠けるため、とりあえずは作者未詳とする他なく、今後の研究が待たれる。
English: Content from "Wakan Roeishu" (lit. Collection of Chinese and Japanese Poems for Singing) and "Honcho Monzui" (anthology of waka poems and prose written in classical Chinese) as well as Buddhist terms are frequently used, and it contains ideological think that transcends the boundaries of other travel journals.
Japanese: 『和漢朗詠集』や『本朝文粋』さらには仏教語などが頻出しており、紀行文の枠を越えた思想性を含んでいる。
English: In particular, it describes visits to places connected to "Ise Monogatari" (The Tales of Ise) and recollections of the ruins of Narihira.
Japanese: 特に『伊勢物語』ゆかりの故地を尋ね、業平の跡を偲んだ感銘を記している。
English: It also vividly describes the details of various picturesque places such as Mt. Fuji, the most sacred mountain in Tokaido, and the Tenchu-gawa River (Tenryu-gawa River).
Japanese: また東海一の霊峰富士山や、天中川(天竜川)等各地の景勝の様子を活写している。
English: In July, 1356, Emperor Gokogon gave an order to make the anthology due to Takauji ASHIKAGA's suggestion, and it was completed and dedicated to the Emperor in 1359.
Japanese: 足利尊氏の執奏により、延文元年（1356年）6月、後光厳天皇から綸旨がくだり、1359年撰進。
English: The poems were classified into the following categories: Spring (two volumes), Summer, Autumn (two volumes), Winter, Separation, Journey, Gods of Heaven and Earth, Love (five volumes), Miscellaneous (three volumes), Elegy, and Congratulations.
Japanese: 部立は、春上下、夏、秋上下、冬、離別、羇旅、神祇、恋一二三四五、雑上中下、哀傷、慶賀。
English: Jimyoin-to (imperial lineage from Emperor Gofukakusa to Emperor Gokomatsu) had considered the poetical style of the Kyogoku school, which can be seen in the process of compiling "Gyokuyo Wakashu" (Jeweled Leaves Collection) and "Fuga Wakashu" (Collection of Japanese Poetry of Elegance).
Japanese: 持明院統は『玉葉和歌集』、『風雅和歌集』の編纂を行った経緯からもわかるように京極派の歌風を重んじてきた。
English: On the other hand, it is said that Emperor Gokogon decided to adopt the poetical style of the Nijo school, so "Shinsenzai Wakashu" contain many plain-style poems by the Nijo family.
Japanese: しかし、後光厳天皇は二条派の歌風を取り入れていくことを決めたとされ、『新千載和歌集』は二条家の人々の歌が多く、平明な歌風である。
English: In 1363, a samurai family suggested to Emperor Gokogon to make the anthology, and he gave the order.
Japanese: 貞治2年（1363年）、武家の執奏により後光厳天皇より綸旨が下った。
English: The poems were classified into the following categories: Spring (two volumes), Summer, Autumn (two volumes), Winter, Celebration, Separation, Journey, Elegy, Love (five volumes), Gods of Heaven and Earth, Buddha's teachings, Miscellaneous (three volumes).
Japanese: 部立は、春上下、夏、秋上下、冬、賀、離別、羇旅、哀傷、恋一二三四五、神祇、釈教、雑上中下。
English: On August 5, 1375, during the reign of Goenyuin, Tameto NIJO received a command from the Emperor, and in 1381, after the death of the selectors, Tameshige NIJO was ordered to take over the work by the Emperor, and on December 1, 1383, it was completed.
Japanese: 後円融院の永和(日本)元年（1375年）6月29日、二条為遠が勅を奉じ、永徳元年（1381年）撰者死後、二条為重がおおせによりついで、同3年（1383年）10月28日成る。
English: This collection is estimated to have been compiled during the Kohei era when Akihira was appointed to a number of important posts, such as Monjo hakase (professor of literature) and Togu hakase (professor for the crown prince) in his later years.
Japanese: 成立した年代については、明衡が文章博士や東宮博士の要職に就いた晩年期の康平年間ではないかと推定されている。
English: More specifically, Akihira seems to have used many descriptions from various official documents to compile this collection.
Japanese: すなわち本書編纂の為に多くの公文書の記述使用が覗い知れるからである。
English: Although the style followed the Chinese work "Monzen" (Wen-hsuan, ancient Chinese poems), it also includes ganmon (written prayers related to Buddhism) that were unique to Japan, prose and waka poetry.
Japanese: 文体は中国の『文選(書物)』に倣ったものであるが、日本独自の仏教関連の願文や、文章・和歌等もある。
English: It was the first compilation in Japan to use these writings, and it was used as a reference to ancient rites and authoritative precedents since it incorporated many official documents.
Japanese: 本邦初の文使用編纂書であり、公文書が多数含まれている事から故実典例として参考にされた。
English: During the Edo period, however, nobody paid attention to it after the benreibun came to be rejected.
Japanese: だが、江戸時代に至り駢儷文が否定されるようになると省みられなくなった。
English: Nonetheless, it is a valuable historical source to learn about the zeitgeist of Japan and the sense of beauty during the Heian period.
Japanese: しかしながら平安期の時代思潮や美意識を知る上で貴重な史料であることには変わらない。
English: Roei Gochu, written by OE no Masafusa, is a commentary on the Wakan Roei Shu (Japanese and Chinese singing poems).
Japanese: 朗詠江注（ろうえいごうちゅう）は、大江匡房によって著された和漢朗詠集の注釈書である。
English: Although the period in which it was written is unknown, it is thought to have been written no later than 1111 when OE no Masafusa passed away.
Japanese: 成立は不明であるが、大江匡房没年の天永2年（1111年）が成立の下限と考えられる。
English: The commentary was believed to have been lost, indicated by quotations from the Roei Gochu being seen in other works such as the Fukurozoshi (Notes in a Folder, the collection of poetic lore).
Japanese: 袋草子などに朗詠江注からの引用がみられることから、従来より逸書と考えられていた。
English: Scholars such as Shoji HORIBE and Jiro OTA expressed doubts as to whether or not the Roei Gochu had been lost.
Japanese: 朗詠江注は逸書なのか、という点については、堀部正二や太田次郎らにより疑義が提出されている。
English: According to their evidence, the Roei Gochu was written not as a book, but as a brief glossary written between the spaces or lines or on the back of the text of the Waka Roei Shu.
Japanese: それによれば、朗詠江注は、和漢朗詠集本文の行間の書き入れや裏書に書き入れられていた簡単な注記類であり、書物として成立していたのではないというものである。
English: What is read today as the 'Roei Gochu' is what was written inside the margins and on the back of the text of the Wakan Roei Shu.
Japanese: 現在、我々が「朗詠江注」として触れ得るものは、和漢朗詠集本文の余白への書き入れや裏書などによってである。
English: For this reason, it should probably be concluded that the Roei Gochu was not written as book, but composed of mainly notes written into the text of the Wakan Roei Shu.
Japanese: このことから、朗詠江注は、和漢朗詠集本文への書き入れなどが主であり、一書ではなかったと考えるべきであろう。
English: The Roei Gochu also influenced later commentaries on the Wakan Roei Shu, such as the Wakan Roei Shu Shichu (Personal glossary on the Wakan Roei Shu).
Japanese: また後の和漢朗詠集私注などの和漢朗詠集の注釈書にも影響を与えている。
English: It follows the chapter of 'Kiritsubo' (The Paulownia Court), but some people consider that once there was a chapter called 'Kagayaku Hinomiya' (The Shining Princess) between them for various reasons.
Japanese: 「桐壺」に続く巻であるが、さまざまな理由からこの間に「輝く日の宮」なる巻があったとされることがある。
English: The title of this chapter came from the waka poems exchanged between Hikaru Genji and Utsusemi: 'I did not know the deceptive ways of the broom tree, so I wander aimlessly in the Sonohara moorlands.' and 'Born in a humble home and crushed by a name, I might like the broom tree vanishing away'
Japanese: 巻名は作中で光源氏と空蝉(源氏物語)が交わした和歌「帚木の心をしらでその原の道にあやなくまどひぬるかな」及び「数ならぬ伏屋に生ふる名のうさにあるにもあらず消ゆる帚木」に因む。
English: This chapter and the following two chapters of Utsusemi (The Cicada Shell) and Yugao (Evening Face) were called together the 'Three Chapters of Hahakigi.'
Japanese: 本帖とそれに続く空蝉・夕顔の三帖をまとめて「帚木三帖」と呼ぶことがある。
English: This chapter deals with the incidents which probably did not happen soon after the incidents in Kiritsubo, and there seems to be an interval of several years between these chapters, but Hikaru Genji's age was not mentioned in this chapter.
Japanese: 本帖は第1帖である桐壺の後の話を描いているが、すぐ後に続く話ではなくおそらく数年間の時間が経過しているにもかかわらず、本帖の本文中では光源氏の年齢は明記されてはいない。
English: The age of Hikaru Genji in this chapter has become clear by counting backwards from his age, 39, which was suggested by the description that 'he will celebrate his 40th birthday ceremony next year' in the later chapter of Fuji no Uraba (Wisteria Leaves), and picking up various descriptions of time going by between them.
Japanese: 本帖での光源氏の年齢は、古くからずっと後の藤裏葉帖で「翌年40の賀を迎える」とする記述からこの時点の光源氏の年齢を39とし、そこからそこまでにあるさまざまな時間の経過を表す記述を拾い上げて逆算していくことにより明らかにされてきた。
English: Such result of the study is called Genji Monogatari Toshidate (chronologies of The Tale of Genji), and the age of Hikaru Genji is generally considered 17 now, which Norinaga MOTOORI concluded in his new chronologies.
Japanese: そのような研究の成果が源氏物語年立と呼ばれるものであり、本帖での光源氏の年齢は現在一般に使用されている本居宣長がまとめた新年立では17歳とされている。
English: However, according to the old chronologies which was constructed by Kanera ICHIJO and frequently referred to before, he was 16, and moreover there were theories that he was 15 or 19 other than this.
Japanese: 但し以前よく使われていた一条兼良がまとめた旧年立では16歳となり、この他にも15歳説や19歳説も存在した。
English: Moreover, Sama no kami (Captain of Samaryo, Left Division of Bureau of Horses) and To Shikibu no Jo (Functionary from the Ministry of Rites) joined them, and four people had a chat about ladies (it is commonly known as "rating woman on a rainy night").
Japanese: さらに左馬頭（さまのかみ）と藤式部丞（とうしきぶのじょう）も交えて、4人で女性談義（俗に『雨夜の品定め』と呼ばれる）をすることになる。
English: To no Chujo told about his common-law wife who bored him a child with the preliminary that it is the best to associate with middle-class women.
Japanese: 頭中将は、女性と付き合うなら中流の女性が一番よいと前置きし、子までもうけた内縁の妻の話をする。
English: He said that his legal wife (younger sister of Kokiden no nyogo - Empress Kokiden) tried to annoy her, so she was missing even at that moment (later it is revealed that the common-law wife was Yugao [The Tale of Genji], and her child was Tamakazura [The Tale of Genji]).
Japanese: 彼女は頭中将の正妻（弘徽殿女御の妹）の嫌がらせにあい、現在も行方がわからないと語る（後に内縁の妻が夕顔(源氏物語)、子供が玉鬘(源氏物語)だということがわかる）。
English: The next day, Genji, who visited the residence of Ki no kuni no kami (Governor of Ki Province) in order to avoid traveling in an unlucky direction, got interested in Utsusemi (The Tale of Genji) (later known as the second wife of Iyo no kuni no suke - Assistant Governor of Iyo Province), the middle-class woman whom they were talking about, and slept with her by force on that night.
Japanese: 翌日、紀伊国守の屋敷に方違えのために訪れた源氏は、前日話題となった中流階級の女性である空蝉(源氏物語)（伊予国介の後妻）に興味を持ち、強引に一夜を共にする。
English: Genji monogatari taisei (Comprehensive Study of The Tale of Genji) is a study of The Tale of Genji written and compiled by Kikan IKEDA, and it mainly dealt with the differences among the various versions of text.
Japanese: 源氏物語大成（げんじものがたりたいせい）とは、池田亀鑑編著による源氏物語の校異を中心にした研究書である。