nntsuzu/KFTT huggingface dataset:
English: The grave of Yoriie is located at a hot spring resort near the Shuzen-ji Temple in the Izu City where the Yoriie Festival is held every July.
Japanese: 頼家の墓がある伊豆市の修善寺温泉街では、毎年7月に頼家公祭りが行われている。
English: Nagisa OSHIMA (March 31, 1932-) is a film director in Japan.
Japanese: 大島渚（おおしまなぎさ、1932年3月31日-）は、日本の映画監督。
English: When he was five years old, Oshima's father, who was a professor at (present day) Okayama University, passed away, and Oshima moved to Kyoto City where his mother's home was located.
Japanese: 5歳の時（現在の）岡山大学の教授だった父が死去し、母の実家のある京都市に移住。
English: Oshima's early works gathered attention in Japan and he was called a leader of Nouvelle Vague against his wishes.
Japanese: 国内では初期の作品から注目を集め、日本ヌーヴェルヴァーグの旗手とも呼ばれたが、自身はそのように呼ばれることを望んではいなかった。
English: His works were far more political than those of other film directors in his age and he showed a fighting spirit against authority.
Japanese: 彼の作品は同時代の映画作家たちよりはるかに政治的であったし、権力に対して戦闘的でもあった。
English: The point of motif in his early works was always a disdain for human power structures, and he presented himself with a sense of humiliation as a person who was despised in class conflicts.
Japanese: 初期のモチーフの核心にあるものは常に権力機構がもたらす人間の蔑視であり、階級対立において侮蔑される側にいる人間の屈辱感を描き出した。
English: Oshima received unshakable international fame by his work "In the Realm of the Senses" (L'Empire des sens) in 1976, which presented sexual obsession and the ultimate love of men and women in the lowest classes of society based on the incident of Sada ABE (1936).
Japanese: 国際的名声を不動にしたのは、阿部定事件(1936年)を題材に社会の底辺にすむ男女の性的執着と究極の愛を描いた1976年の『愛のコリーダ』（LEmpiredessens）であった。
English: Oshima's struggles inevitably moved towards researching the minds of people who clearly held a sense of humiliation and social alienation which led to the creation of works in which these phenomenon played a central role.
Japanese: 大島の闘いは必然的に、社会的な疎外感や屈辱感をもっとも鮮明に内包している人々の心理的探究へ移り、彼らを主要人物とした作品の制作へと向かうことになる。
English: In his enthusiasm for showing work that was unprecedented in the history of Japanese fillm, he inclined his works toward the humantarianism displayed by Akira KUROSAWA works and hard-core pornography that went up against the censorship system with severe criticism.
Japanese: 日本映画史上に前例のない作品を示そうという意気込みと、黒澤明流のヒューマニズムと、さらには検閲制度に対する激しい批判精神からハードコア・ポルノグラフィー表現へと傾斜した。
English: In order to avoid interference with official authorities, Oshima adopted a style of co-production with Japan and France and sent an exposed film directly to France to have it developed and edited.
Japanese: 大島は、公権力の干渉を避けるため日仏合作という形を取り、撮影済みのフィルムをフランスへ直送して現像と編集の作業を行なった。
English: When the film was released in Japan, it was so greatly modified by intervention from the Administration Commission of Motion Picture Code of Ethics that the story made no sense.
Japanese: 日本公開では、映倫管理委員会の介入によって作品が意味をなさないほどの大幅な修正を受けることになった。
English: This time the number of modifications was far less, but the content was candy-coated and the original work can not be seen in Japan even today.
Japanese: 修正個所は大幅に減ったものの、ボカシが入り現在でも日本ではオリジナルを観ることはできない。
English: The work "In the Realm of Passion" (Empire of Passion) holds the same theme in which an extramarital wife kills her husband with her lover.
Japanese: 『愛の亡霊』（EmpireofPassion）も同様のテーマを扱った作品で、不倫の妻が愛人と共謀して夫殺しに走るという内容である。
English: Oshima has talent in not only directing and producing films, but also in finding abilities within performers.
Japanese: 監督・演出家としての才能だけではなく、演技者の素質を見抜く才にも希有なものがあった。
English: He selected Beat Takeshi, who had only been recognized as a comedian, for an important role in "Merry Christmas, Mr. Lawrence" because he 'could not imagine any other actor' in the the role.
Japanese: 当時お笑い芸人としてしか認知されていなかったビートたけしを「彼以外には考えられない」として『戦場のメリークリスマス』の重要な役に抜擢した。
English: He selected many of his characters from people who were not performers or new actors nearly equal to amateurs, such as Keiko SAKURAI ("Double Suicide: Japanese Summer," she had been been a job-hopper before the film experience), Ichiro ARAKI ("Sing a Song of Sex"(A Treatise on Japanese Bawdy Songs)), The Folk Crusaders ("Three Ressurected Drunkards"), Tadanori YOKOO ("Diary of a Shinjuku Thief"), Hiromi KURITA ("Dear Summer Sister," which was her film debut where she played a central role) and Ryuichi SAKAMOTO ("Merry Christmas, Mr. Lawrence"), making a great success in exploiting their abilities in the works.
Japanese: 桜井啓子(俳優)（『無理心中日本の夏』映画出演前はフーテン族だった）、荒木一郎（『日本春歌考』）、ザ・フォーク・クルセダーズ（『帰ってきたヨッパライ』）、横尾忠則（『新宿泥棒日記』）、栗田ひろみ（『夏の妹』本作が映画デビュー作で主演）、坂本龍一（『戦場のメリークリスマス』）など、俳優を本業としない人物や素人に近い新人俳優を多く抜擢し、作品においても彼らの生のままの素材を活かすことに成功している。
English: Oshima also advised Mari YOSHIMURA, who had been a popular fashion model since the late 1950's, to make a career as an actress.
Japanese: また、1950年代後半から人気ファッションモデルとして活躍していた芳村真理に女優への転向を促したのも大島であった。
English: Oshima was a regular panelist on "Asamade Namaterebi" (literally, "a live program until morning" broadcasted on All Nippon News Network) from the late 1980's and flourished as a television commentator.
Japanese: 1980年代後半から『朝まで生テレビ』（テレビ朝日系）のレギュラーパネラーとなり、テレビのコメンテーターとしても活躍した。
English: He has expressed that he appears on television not for the purpose of making money for a film, but for a purpose in life.
Japanese: 映画製作の資金捻出が目的ではなく、本人はテレビに出るのが生きがいだと述べている。
English: When a member of the Diet as a panelist of "Asamade Namaterebi" pointed out to Oshima, 'All you do is criticize,' he answered with, 'I think what I say on the program has social value,' but he was laughed at by the studio audience.
Japanese: 朝生の討論で、パネラーの国会議員に「批判しているだけ」と指摘され、「僕がテレビで話すことは社会的に価値のある活動だと思っている」と言い返したが、スタジオの観客からは笑われた。
English: Oshima has a hot temper, which was exposed when he got upset and hurled verbal abuse at a Korean man (he called him 'bakayaro' ('Eat me')).
Japanese: 激情型の性格で、韓国の文化人との対談において相手方に対し暴言（「ばかやろう」発言）を吐き問題を起こしたことがある。
English: When he held a party to celebrate his thirtieth wedding anniversary, he forgot to call the name of the author Akiyuki NOSAKA and planned to make a congratulatory speech on a platform but was beaten by Nosaka who was already drunk.
Japanese: 大島が結婚30周年パーティーを開いた際、壇上で祝辞を述べる予定だった作家の野坂昭如の名前を読み上げるのを忘れ、酩酊していた野坂に殴られた。
English: Oshima beat him back with the microphone in his hand (they later wrote essays repenting their misdeeds to each other).
Japanese: このときは、持っていたマイクで殴り返す奮迅ぶりを示した(のちに互いに反省文を書き送り合った)。
English: While Oshima experienced campus activism, showing objections against a security alliance and insists on the withdrawal of U.S. troops, he strongly continues to criticize authoritarian activities of the conventional left wing.
Japanese: 学生運動の経験もあり、安保反対・米軍撤退を主張しているが、既成の左翼の権力主義的な行動を激しく論難し続けた。
English: Oshima had originally planned for the title of his debut film "A Town of Love and Hope" to be "A Boy Who Sells Pigeons," but the title received objections by executives as too dark and simple.
Japanese: デビュー作の『愛と希望の街』は本人は当初『鳩を売る少年』という題名で企画を出したが、幹部から題名が暗くて地味だと抗議された。
English: As a compromise, he proposed the title, "A Town of Love and Sorrow," but it was changed to "A Town of Love and Hope" without his acknowledgment.
Japanese: 妥協案として落差を表した『愛と悲しみの街』という案を出したが、本人の知らないうちに『愛と希望の街』という題名に変えられてしまったという。
English: After graduating from Kyoto City Rakuyo High School (present day Kyoto Municipal Rakuyo Technical High School), Oshima entered the faculty of law in Kyoto University.
Japanese: 京都市立洛陽高等学校（現・京都市立洛陽工業高等学校）卒業後、京都大学法学部に進む。
English: He was in charge of the president of the student committee in Kyoto Prefecture and involved in campus activism, such as the Incident on the Emperor in Kyoto University in 1951 and the Incident of Kojin-bashi Bridge in 1953 when Rei MATSUURA mandated an expulsion for a student.
Japanese: 京都府学連委員長を務めて学生運動を行い、1951年の京大天皇事件や、1953年に松浦玲が放校処分になった荒神橋事件等に関わった。
English: Since he had relatively good grades, he decided to take an exam to be an assistant in the faculty of law but was rejected.
Japanese: 成績が比較的良かったため、法学部助手試験を受験するが、不合格となる。
English: Inoki allegedly advised Oshima, 'You are not suited to be a scholar' (Writings and monthly journal of Masamichi INOKI).
Japanese: 猪木は「君に学者は向きませんよ」と諭したという（猪木正道著作集・月報）。
English: He then became a leader of Shochiku Nouvelle Vague through big box-office draws, such as "A Cruel Story of Youth" and "The Sun's Burial."
Japanese: その後、『青春残酷物語』、『太陽の墓場』（1960年）などのヒット作で松竹ヌーベルバーグの旗手となる。
English: In 1961 Oshima fiercely objected against the decision made by Shochiku Co.,Ltd to stop the release of his film "Night and Fog in Japan" (1960), which was based on the student movement against the U.S.-Japan Security Treaty, and left the company.
Japanese: 1961年、日米安全保障条約に反対する安保闘争を舞台にした作品『日本の夜と霧』（1960年）を、松竹が大島に無断で自主的に上映中止したことに猛抗議し、同社を退社。
English: Afterwards, he founded the film making company 'Sozo-sha,' not only with his wife Koyama, Fumio WATANABE and Takeshi TAMURA (Oshima's assistant director, later known as a playwright) who left Shochiku CO., Ltd., at the same time, but also with Hosei KOMATSU and Rokko TOURA.
Japanese: その後、同時に松竹を退社した妻の小山や渡辺文雄、大島の助監督でその後脚本家として活動する田村孟らに加え、小松方正、戸浦六宏らと共に映画制作会社「創造社」を創設する。
English: After the box-office disaster of "AMAKUSA Shiro Tokisada"("The Rebel") in 1962, Oshima began to expand his work into the world of television.
Japanese: 1962年の『天草四郎時貞』の興行的失敗を契機として、テレビの世界にも活動範囲を広げる。
English: In 1963, the documentary "The Forgotten Imperial Army" (Nippon Television Network, produced by Junichi USHIYAMA) which dealt with 'The Korean-Japanese Disabled Veterans Association of Old Japanese Military' became a popular topic of conversation.
Japanese: 1963年の「元日本軍在日韓国人傷痍軍人会」を扱ったドキュメンタリー『忘れられた皇軍』（日本テレビ、牛山純一プロデューサー）は話題となった。
English: In 1964 Oshima received the National Art Festival Award for the television drama he produced called "The Deep Abyss of Adolescence."
Japanese: 1964年には、演出したテレビドラマ『青春の深き淵より』で芸術祭賞を受賞。
English: (In addition, he was primarily in charge of the interpretation, script and composition of about twenty documentaries up until "One Hundred Years of Japanese Cinema" in 1995.)
Japanese: （その他にもテレビにおいて、1995年の『日本映画の百年』まで、約20本の主としてドキュメンタリー作品の演出、脚本、構成などを担当している。）
English: Oshima produced and released works with both strong political and journalistic aspects in rapid succession, such as "Violence at High Noon" (1966), "Tales of the Ninja" (1967 anime film), "Death by Hanging" (a film, 1968), and "Diary of a Shinjuku Thief" (1969), making him known both in Japan and abroad.
Japanese: 『白昼の通り魔』（1966年）、『忍者武芸帳』（1967年、アニメ）、『絞死刑(映画)』（1968年）、『新宿泥棒日記』（1969年）など、政治的な色合いを強く持つと共に、ジャーナリスティックな側面をも併せ持った作品を矢継ぎ早に制作、公開し国内外の認知度も高くなった。
English: The Sozo-sha dissolved after the release of "Dear Summer Sister" (1972), and he continued to appear on TV programs in order to get funds for film production until the release of "In the Realm of the Senses" (1976).
Japanese: 『夏の妹』（1972年）を最後に創造社は解散し、『愛のコリーダ』（1976年）の公開までは映画制作資金を稼ぐためのテレビ出演などの活動の日々が続く。
English: After establishing an international reputation with "In the Realm of the Senses," he mainly produced works with foreign funds or when he planned to have the films released abroad, such as "Empire of Passion" (1978), "Merry Christmas, Mr. Lawrence" (1983) and "Max Mon Amour" (1986).
Japanese: 『愛のコリーダ』により国際的な評価を確固たるものにしてからは、『愛の亡霊』（1978年）、『戦場のメリークリスマス』（1983年）、『マックス、モン・アムール』（1986年）など外国資本もしくは海外で公開されることを前提とされる作品が中心となっていった。
English: Those activities made him well known abroad, and many famous film directors and film critics admire Oshima, such as Aleksandr SOKUROV, Theo ANGELOPOULOS, Martin SCORSESE and Kaige CHEN.
Japanese: このような活動から海外における知名度は高く、アレクサンドル・ソクーロフ、テオ・アンゲロプロス、マーティン・スコセッシ、チェン・カイコーなど大島を敬愛する著名な映画監督・評論家は少なからずいる。
English: Japanese film directors introduced by Jean-Luc GODARD in "Japanese Movie History" were Kenji MIZOGUCHI, Yasujiro OZU, Hiroshi TESHIGAWARA and Nagisa OSHIMA.
Japanese: ジャン＝リュック・ゴダールが『映画史』において取り上げた日本人監督は溝口健二、小津安二郎、勅使河原宏と大島渚の四人だった。
English: In late Januray of 1996, Oshima announced that he would make a new film for the first time in about ten years, but in late February of the following year he suffered a brain hemorrhage during a visit to London.
Japanese: 1996年1月下旬に約10年ぶりの映画製作発表をしてまもなく、翌2月下旬渡航先のロンドンで脳出血に見舞われた。
English: After three years of rehabilitation, he came back with the release of "Taboo" (1999), but did not receive any awards in the Cannes International Film Festival.
Japanese: その後、三年にわたるリハビリが功を奏し復帰作『御法度(映画)』（1999年）の公開を果たすが、カンヌ映画祭では賞を得ることは出来なかった。
English: This was likely due to elements of the storyline involving the Shinsengumi (a group who guarded Kyoto during the end of the Tokugawa Shogunate), of which all Japanese are very well-acquainted as well as the Chushingura (Treasury of Loyal Retainers) and Mito Komon (the stories on Mitsukuni TOKUGAWA, a lord of Mito domain in the Edo period), so there were no issues even if the story presented these personalities and behaviors on the assumption that they were common knowledge.
Japanese: その理由として、新選組という設定は日本人には忠臣蔵や水戸黄門と同じく馴染み深いものであり、登場人物の性格や行動様式を周知の事実としてストーリーを展開しても違和感がなかった。
English: Europeans, however, did not have such basic knowledge, so they were unable to understand the story.
Japanese: しかし、ヨーロッパ人には舞台設定そのものに関する基礎知識がなく、そもそも理解の段階に至らなかったという点が考えられる。
English: Being that he lived in Japanese society, it is possible to say that this was a blind spot for Oshima.
Japanese: これは大島が日本社会に身をおいていたがゆえに気付かなかった盲点であると言える。
English: The two film directors, Beat Takeshi and Yoichi SAI, performed in "Taboo" and Oshima allegedly asked them to support him on the set.
Japanese: なお、『御法度』にはビートたけしと崔洋一、2人の映画監督が俳優として出演しており、二人に撮影現場でのサポート役を託していたとされる。
English: Afterwards, his medical condition worsened and he essentially quit a job as director in order to devote himself to rehabilitating.
Japanese: その後再び病状が悪化し、リハビリ生活に専念するため実質的に監督業から退いている。
English: In 2006, Oshima appeared in the film, "What is a film director?" that deals with film copyright problems and his strong presence is shown in the ending scene.
Japanese: 2006年に映画の著作権問題を問う映画『映画監督って何だ!』に登場し、エンディングシーンで強烈な存在感を示した。
English: On February 26 of the same year, he also appeared on the platform as a successive administrative director at the party celebrating the 70th anniversary of the Directors Guild of Japan where the film had been introduced for the first time.
Japanese: また同年2月26日この作品披露会見を兼ねた日本映画監督協会の創立70周年祝賀パーティーにも歴代理事長として壇上に上がる。
English: During the summer of 2008, Oshima's image of devotion in overcoming his speech impediment and paralysis on the right side of his body at St.Terese's Hospital (Kamakura City, Kanagawa Prefecture) was broadcasted on television programs, such as 'Telementary: A treasure found with Ba-chan, a tie between Nagisa Oshima and Akiko KOYAMA' (TV Asahi Corporation, broadcasted on July 28) and 'Documentary Special by Soichiro TAHARA "Stay together even if you forget me"' (TV Asahi Corporation, broadcasted on August 17).
Japanese: 2008年夏、「テレメンタリー　パーちゃんと見つけた宝もの～大島渚・小山明子の絆～」(テレビ朝日、7月28日放映)、「田原総一朗ドキュメンタリースペシャル『忘れても、いっしょ・・・』」(テレビ朝日、8月17日放映)にて、聖テレジア病院(神奈川県鎌倉市)で言語障害・右半身麻痺を克服すべくリハビリに励む姿がオンエアされた。
English: In December of 2007, his debut documentary film, "Theatrical: A record of Tojuro and Theater Company Karagumi" was released.
Japanese: 2007年12月にデビュー作のドキュメンタリー映画『シアトリカル～唐十郎と劇団唐組の記録』が公開。
English: (Reign: December 28, 1442 - August 25, 1443)
Japanese: （在位：嘉吉2年（1442年）11月17日－嘉吉3年（1443年）7月21日）
English: On March 28, 1434, he was born as the first son of Yoshinori AHIKAGA, who was the six Shogun.
Japanese: 永享6年（1434年）2月9日、第6代将軍・足利義教の長男として生まれる。
English: As the Kakitsu War occurred and his father, Yoshinori, was assassinated by the vassal Mitsusuke AKAMATSU in 1441, he succeeded to the shogunate at the age of nine supported by Mochiyuki HOSOKAWA and others and became the seventh Shogun.
Japanese: 嘉吉元年（1441年）、嘉吉の乱が起こり、父の義教が家臣の赤松満祐により暗殺されたため、嘉吉2年（1442年）に細川持之らに擁されて9歳で将軍職を継ぎ、第7代将軍となった。
English: As he was infant and had no political capability, the real power was held by Mochiyuki HOSOKAWA, who was the kanrei (shogunal deputy), and after Mochiyuki's death, Mochitoyo YAMANA or Shigeko HINO, who was Yoshikatsu's real mother, seized the real power and they subjugated Mitsusuke AKAMATSU, who caused the Kakitsu War, and suppressed the tokusei ikki (an uprising demanding debt cancellations) of Kakitsu.
Japanese: 幼年のために政治能力が無いため、管領の細川持之が実権を掌握し、持之の死後は山名持豊や生母の日野重子らが実権を握って、嘉吉の乱を起こした赤松満祐の討伐、嘉吉の徳政一揆などを平定した。
English: As an infant shogun had continued for two generations, Yoshikatsu and Yoshimasa, the Imperial Court and influential Shugo daimyos (Japanese territorial lord as provincial constable) had involved in shogunate administration and the dignity of the shogun had started to waver remarkably.
Japanese: 義勝・義政と幼少の将軍が2代続いたことから、朝廷や有力守護大名の幕政への関与が続き、将軍の権威が大きく揺らぎ始めることになった。
English: Although it is told that his grave existed in Ankoku-ji Temple Rishoto Keiunin, it doesn't exist now because Keiunin was lost by fire.
Japanese: 墓所は安国寺利生塔慶雲院にあったとされるが、その慶雲院が焼失したため、現存しない。
English: Doken HONEKAWA (date of birth unknown; date of death: April 22, 1468) was the head of a gang who lived during the Muromachi period.
Japanese: 骨皮道賢（ほねかわどうけん、?-応仁2年3月21日(旧暦)（?-1468年4月13日））は、室町時代の盗賊集団の首領である。
English: Yoshikazu ASHIKAGA was the 5th Seii Taishogun (literally, "great general who subdues the barbarians": period of office tenure: May 7, 1423 to March 23, 1425; Japanese lunar calendar dates) of the Muromachi government.
Japanese: 足利義量（あしかがよしかず）は、室町幕府第5代征夷大将軍（在職：応永30年（1423年）3月18日－応永32年（1425年）2月24日）。
English: Yoshikazu ASHIKAGA was born on September 5, 1407 as the legitimate heir of Yoshimochi ASHIKAGA, the 4th shogun of the Muromachi government.
Japanese: 応永14年（1407年）7月24日、第4代将軍・足利義持の嫡男として生まれる。
English: On May 7, 1423, he was given the position of shogun from his father and was appointed as the fifth shogun of the Muromachi government at the age of 16.
Japanese: 応永30年（1423年）3月18日、16歳で父から将軍職を譲られて第5代将軍に就任する。
English: It is also reported that his retainers were forced to take an oath not to serve him any alcohol.
Japanese: 近臣は義量に酒を勧めないよう起請文をとられたという話なども伝えられている。
English: Since Yoshikazu's political power was narrowly restricted by the existence of his father, Yoshimochi, and powerful deputies, he had nothing to do but hold drinking parties every day.
Japanese: また、政治においても隠居していた父の義持や有力管領らの存在もあって実権は無いに等しく、それ以外にやることが無く酒宴を開くだけだったとされている。
English: These conditions ruined his health, eventually leading to his premature death on March 23, 1425.
Japanese: このため、さらに体調を崩して応永32年（1425年）2月24日に父に先立って早世した。
English: Yoshikazu had no heir, so after his death, his father, Yoshimochi, acted as the deputy shogun until he died in 1428.
Japanese: 義量には嗣子が無かったため、父の義持が将軍代行として正長元年（1428年）に死去するまで政務を執ることになった。
English: Yoshihide ASHIKAGA was the fourteenth Seii Taishogun (literally, "great general who subdues the barbarians") in the Muromachi bakufu (Japanese feudal government headed by a shogun) (reign in 1568).
Japanese: 足利義栄（あしかがよしひで）は室町幕府の第14代征夷大将軍（在職：永禄11年（1568年））。
English: Yoshihide was born in 1538 as the first son of Yoshitsuna ASHIKAGA (Sakaikubo (head of the Sakai-based municipal government)) who was Sama no kami (Captain of Samaryo, Left Division Bureau of Horses) at the Hirajima-sho manor in Awa Province (in another theory, Yoshihide was born in 1540).
Japanese: 天文7年（1538年）、左馬頭である足利義維（堺公方）の長男として阿波国平島荘で生まれる（生年には天文9年（1540年）説もある）。
English: After the thirteenth Shogun Yoshiteru ASHIKAGA was killed by Hisahide MATSUNAGA, one of the Miyoshi sanninshu (three chief retainers of the Miyoshi clan), in the Eiroku Incident in 1565, Yoshihide was supported as a candidate to be the fourteenth Shogun by the Miyoshi sanninshu and Hisahide MATSUNAGA, among others.
Japanese: 永禄8年（1565年）、永禄の変で第13代将軍・足利義輝が三好三人衆・松永久秀に殺害されると、三好三人衆や松永久秀らによって第14代将軍候補として擁立された。
English: However, when the Miyoshi sanninshu and Hisahide MATSUNAGA began having a power struggle during December of the same year, the Miyoshi sanninshu forced Yoshichika to order the death of Hisahide in the following month.
Japanese: しかし同年11月から三好三人衆と松永久秀が権力抗争を開始すると、義親は12月に三好三人衆に強要されて久秀討伐令を出すことを余儀なくされた。
English: In June of 1566, Yoshihide sailed to the Awaji Province supported by Nagafusa SHINOHARA and Yasunaga MIYOSHI who were part of the Miyoshi political party.
Japanese: 永禄9年（1566年）6月、三好党の篠原長房、三好康長らに擁されて淡路国に渡海する。
English: During the winter he entered the Fumon-ji Temple in Settsu-Tonda (present day Takatsuki City, Osaka Prefecture).
Japanese: そして冬には摂津富田(高槻市)（現在の大阪府高槻市）の普門寺(高槻市)に入った。
English: Then on February 17, 1567, when Yoshihide was ordained as Sama no kami with a rank of Jugoinoge (Junior Fifth Rank, Lower Grade) he changed his name from Yoshichika to Yoshihide.
Japanese: さらに12月28日には従五位下左馬頭に叙任されて同時に名を義親から義栄と改名した。
English: On December 1567, Yoshihide applied to be assigned as Shogun to the Imperial Court, but was rejected because he was unable to contribute the amount of money requested by the Imperial Court.
Japanese: 永禄10年（1567年）11月、朝廷に対して将軍就任を申請したが、朝廷の要求した献金に応じられなかったために拒絶された。
English: On March 16, 1568, he was appointed as the fourteenth Shogun by the Imperial Court through a recommendation by the Miyoshi sanninshu.
Japanese: 永禄11年（1568年）2月8日、三好三人衆の推挙により、朝廷から第14代将軍として将軍宣下が下され、将軍に就任した。
English: This was due to both the Miyoshi sanninshu and Hisahide MATSUNAGA having a conflict and because Yoshihide was suffering from skin boils on his back.
Japanese: 三好三人衆と松永久秀が抗争していたためと、義栄自身が背中に腫物を患っていたためである。
English: On October 1568, Yoshihide escaped to Awa Province when Yoshiaki ASHIKAGA (younger brother of Yoshiteru) came up to Kyoto with the support of Nobunaga ODA.
Japanese: 永禄11年（1568年）9月、足利義昭（義輝の次弟）を織田信長が擁立して上洛してきたため、阿波に逃れた。
English: There are various theories on the date of his death, such as October 1, October 30, October 31, November 7, and November 19.
Japanese: 没した月日は9月13日(旧暦)、9月30日(旧暦)、10月1日(旧暦)、10月8日(旧暦)、10月20日(旧暦)など諸説ある。
English: Yoshihide was the only one among successive Shogun within the Muromachi bakufu whose reign ended without ever setting foot in Kyoto as the base of the bakufu.
Japanese: 室町幕府歴代将軍の中で、唯一本拠地のある京都に1度も足を踏み入れずに終わっている。
English: The only Shoguns in Japanese history to see the end of their rule without ever entering the base of the bakufu were Yoshihide and Yoshinobu TOKUGAWA (Yoshinobu had been assigned to Shogun at Osaka-jo Castle and went to Edo-jo Castle after leaving the post of Shogun due to Taisei Hokan (transfer of power back to the Emperor)).
Japanese: 日本史上本拠地に入ること無く終わった将軍は彼と徳川慶喜（大坂城で将軍に就任し、大政奉還で職を解かれた後に江戸城に入った）のみである。
English: One of the reasons for the conflict between the Miyoshi sanninshu and Hisahide MATSUNAGA is said to be due to the unanswered question as to who really supported Yoshihide.
Japanese: 三好三人衆と松永久秀が抗争した一因には、この義栄を誰が擁立するかという理由もあったとされている。
English: Keisuke KINOSHITA (Keisuke in Kanji characters "惠介"is expressed as "恵介" in the new Kanji character code) (December 5, 1912 - December 30, 1998) was a Japanese movie director and scriptwriter.
Japanese: 木下惠介（きのしたけいすけ、新字体：恵介、本名：木下正吉、1912年（大正元年）12月5日-1998年（平成10年）12月30日）は、日本の映画監督、脚本家。
English: He was born as the fourth son of eight siblings of his father, Shukichi KINOSHITA, who managed a grocery shop in Tenmacho, Hamamatsu City, Shizuoka Prefecture and his mother, Tama.
Japanese: 静岡県浜松市伝馬町で食料品店を営む父・周吉、母・たまの8人兄弟の4男として生まれる。
English: He joined Shochiku Kamata Studios in 1933 and became an assistant cameraman under director Yasujiro SHIMAZU.He transferred to the newly established Shochiku Ofuna Studios and worked as a lower assistant director of the director SHIMAZU the following year in 1934
Japanese: 1933年（昭和8年）松竹蒲田撮影所に入って島津保次郎監督の撮影助手となり、翌1934年（昭和9年）には新たに作られた松竹大船撮影所に移り、島津監督の下助監督となる。
English: He was drafted in 1940 and fought in China, but was sent back to Japan the next year when he was injured in battle.
Japanese: 1940年（昭和15年）に徴兵され、中国を転戦したが、翌年に戦傷のため内地送還され帰国した。
English: He became a film director in 1943 and successfully debuted with the film "Hana Saku Minato" (literally, Blooming Harbor) for which he received Sadao Yamanaka Award.
Japanese: 1943年（昭和18年）に監督となり、『花咲く港』で山中貞雄賞を受賞し、華々しくデビューした。
English: Director Akira KUROSAWA also debuted the same year and they became lifetime competitors enlivening the Japanese film industry.
Japanese: 同年、黒澤明も監督デビューし、終生のライバルとして日本映画界を支えてゆくこととなる。
English: The so-called 'Kinoshita-gumi' (KINOSHITA group) sent out many filmmakers such as Masaki KOBAYASHI, Yoshiro KAWAZU, Zenzo MATSUYAMA, Hiroshi TESHIGAWARA, Yoshishige YOSHIDA and Taichi YAMADA (scriptwriter).
Japanese: またいわゆる「木下組」からは小林正樹、川頭義郎、松山善三、勅使河原宏、吉田喜重、山田太一(脚本家)など、多数の映画人が巣立っていった。
English: He released the first feature-length color movie after the war, "Karumen Kokyo-ni Kaeru" (Carmen Comes Home) in 1951.
Japanese: 1951年（昭和26年）に『カルメン故郷に帰る』で戦後初の長編カラー映画を発表する。