nntsuzu/KFTT huggingface dataset:
English: Minoru SHIBUYA (January 2, 1907 - December 20, 1980) was a Japanese movie director.
Japanese: 渋谷実（しぶやみのる、1907年1月2日-1980年12月20日）は、日本の映画監督である。
English: He entered the Keio University Faculty of Letters Department of English Literature but developed a chest disease and spent time recuperating.
Japanese: 慶應義塾大学文学部英語英文学科に入学するが、胸を病み療養生活を送る。
English: After recuperating, he often visited Shochiku Kamata Studio, and became an apprentice of the director Kiyohiko USHIHARA.
Japanese: 回復後、松竹蒲田撮影所に出入りし、牛原虚彦監督の見習い助手を務める。
English: In 1937, he worked as an assistant director of the film "What Did the Lady Forget?" directed by Yasujiro OZU, and debuted as a director with the film "Okusama ni Shirasu Bekarazu" (Madame Shall Not Know).
Japanese: 1937年、小津安二郎監督の『淑女は何を忘れたか』の助監督を務めた後、『奥様に知らすべからず』で監督デビュー。
English: He became a young hopeful, releasing successive Shochicu Kamata style films incorporating aspects of soap opera with a dry humor.
Japanese: 松竹蒲田らしいメロドラマに乾いた笑いを取り込んだ作品を次々と発表し、若手のホープとなった。
English: After the war, he supported the comedy revival with films including "Jiyu Gakko" (lit. "School of Freedom") and "Honjitsu Kyushin" (No Consultation Today) which were a comedic portrayal of post-war live.
Japanese: 戦後になって、『自由学校』、『本日休診』など戦後風俗をコミカルに描いた作品で喜劇映画の復活を支えた。
English: In works such as "Gendai-jin" (lit. "Modern People") and "Seido no Kirisuto" (Christ in Bronze), he incorporated sharp social satire and made his presence felt.
Japanese: また、『現代人』、『青銅の基督』などの作品では辛辣な社会風刺を盛り込み、存在感を示した。
English: As mentioned above, he excelled when it came to creating what could be called typical Shochiku Kamata films which were cynical comedies incorporating wit.
Japanese: 上述通り、正に松竹蒲田テイストと呼ぶべきエスプリの効いたドラマやシニカルな笑いの演出に優れていた。
English: The above can be said of almost all of his films and can also be found in works that he created outside of Shochiku such as "Kunsho" (Medal) (1954) and the comedy "Aogeba Totoshi"(respecting teachers) (1966).
Japanese: これはフィルモグラフィーのほぼ全般に亘って言えることで、『勲章』（1954年）や『喜劇仰げば尊し』（1966年）という松竹以外での作品にも見られる傾向である。
English: This style was incredibly popular with audiences at the time and during his life, his ability to attract audiences was comparable to Yasujiro OZU and Keisuke KINOSHITA.
Japanese: この作風は当時の観客には非常に好評を博し、存命中は小津安二郎、木下惠介に並び称される高い観客動員力を誇った。
English: He came to direct "Daikon to Ninjin" (Radishes and Carrots), which was originally planned by director Ozu as a project to follow "Sanma no Aji" (An Autumn Afternoon), due to an appreciation for his popularity and ability.
Japanese: 小津が『秋刀魚の味』の次回作として温めていた企画『大根と人参』を監督するに至ったのも、そうした人気と実力を評価された故である。
English: Meanwhile, he launched Chikage AWASHIMA into the film industry with "Tenya Wanya" (Crazy Uproar) and had Chishu RYU play a completely different character in the 1962 film "Yopparai Tengoku" (lit. "Heaven for the Drunk") from those characters in the works of Ozu and Kinoshita and the 'Otoko Wa Tsurai Yo' (It's Tough Being a Man) series, indicating his ability to bring out the latent abilities of actors.
Japanese: また一方では『てんやわんや』で淡島千景を映画界に送り出したり、笠智衆を1962年の『酔っぱらい天国』などで小津、木下作品や「男はつらいよ」シリーズとは一線を画す役柄を演じさせたり、と俳優の潜在的な能力を引き出す手腕にも長けていた。
English: Ryo IKEBE said that his eyes were opened to acting by the film "Gendai-jin" (Postwar Japanese) (1952).
Japanese: 池部良も、『現代人』（1952年）を通じて演技に開眼したと語っている。
English: The film "Kichigai Buraku" (The Unbalanced Wheel) (1957) was banned from release mainly due to its title (however, it is shown at theaters for retrospective screenings).
Japanese: なお、『気違い部落』（1957年）はそのタイトルが主な原因となって、所謂封印作品となっている（ただしレトロスペクティヴなどで劇場上映される事はある）。
English: Yasujiro SHIMAZU (June 3, 1897 - September 18, 1945) is a film director from the Taisho to the Showa era.
Japanese: 島津保次郎（しまずやすじろう、1897年6月3日-1945年9月18日）は、大正・昭和期の映画監督。
English: He was born as the son of an established marine product trader in Surugadai, Kanda Ward (today's Surugadai, Kanda, Chiyoda Ward), Tokyo.
Japanese: 東京神田(千代田区)区駿河台（現・千代田区神田駿河台）に老舗海産物商の息子として生まれる。
English: After graduating from Seisoku English School (today's Seisokugakuen High School), he helped his family business and engaged in logging of paulownia used for geta (wooden clogs) in Fukushima Prefecture.
Japanese: 正則英語学校（現・正則学園高等学校）卒業後、実家の手伝いで、福島で下駄用桐材の切り出しに携わる。
English: However, when he learned about Shochiku Co., Ltd. entering the film industry, he joined the company as an apprentice to Kaoru OSANAI via the introduction of a friend of his father.
Japanese: しかし、松竹が映画事業に乗り出すことを知り、父の友人の紹介で小山内薫の門下生として、松竹に入社する。
English: He moved to the Shochiku Kinema Kenkyu-jo production company with Osanai and served as assistant director on the company's first film "Rojo no Reikon" (Souls on the Road) in 1921.
Japanese: 小山内に従い、松竹キネマ研究所に移り、1921年製作の、研究所第1回作品『路上の霊魂』の助監督を務める。
English: Shimazu achieved recognition with "Yama no Senroban" (The Mountain Railroad Tracks) (1923) which Daisuke ITO (director) adapted from the Gerhart Hauptmann original.
Japanese: ゲアハルト・ハウプトマンの原作を伊藤大輔(映画監督)が脚色した『山の線路番』（1923年）で認められる。
English: As a master of melodrama, Shimazu later came to be considered one of the directors with an ability to attract audiences.
Japanese: その後も「メロドラマ」の名手として観客の呼べる監督の一人に数えられるようになる。
English: He was selected to direct "Otosan" (lit. Father) which was planned as a picture to mark the reconstruction following the Great Kanto Earthquake and starred popular shinpa-geki (new school theater) actress Yaeko MIZUTANI (I).
Japanese: 関東大震災後の復興作品として企画された、新派劇の人気俳優、水谷八重子主演の『お父さん』の監督を任された。
English: Shimazu's characteristic realism further blossomed with the age of talking pictures.
Japanese: 「写実派」とよばれるその特性は、トーキーになってさらに大きく開花する。
English: The youthful, refreshing sensation of "Arashi no Naka no Shojo" (Maiden in the Storm) and "Tonari no Yaechan" (Our Neighbor, Miss Yae) was unrivalled.
Japanese: 『嵐の中の処女』や『となりの八重ちゃん』の若々しく爽やかな感覚は他の追随を許さなかった。
English: Shimazu embarked on creating film adaptations of major literary works such as "Okoto to Sasuke" (Okoto and Sasuke) which was adapted from Junichiro TANIZAKI's "Shunkinsho" (A Portrait of Shunkin), and in this field he also created works which brought to the fore a vivid feeling of realism.
Japanese: また、谷崎潤一郎の『春琴抄』を脚色した『お琴と佐助』をはじめ、文芸大作を映像化していくが、ここでもリアリティーあふれた駆れらしさを前面に押し出したものに仕上がっている。
English: After shooting what is said to be his representative work "Ani to Sono Imoto" (A Brother And His Younger Sister) in 1939, he moved to Toho and directed major works such as "Shirasagi" (Snowy Heron).
Japanese: 1939年に代表作とされる『兄とその妹』を撮った後、東宝に移り、『白鷺』などの大作を残す。
English: Shimazu had an enormous impact on Japanese film, with his pupils including Heinosuke GOSHO, Shiro TOYODA, Kozaburo YOSHIMURA, Keisuke KINOSHITA, Noboru NAKAMURA, Kiyoshi SAEKI and Senkichi TANIGUCHI.
Japanese: 彼の門下からは、五所平之助、豊田四郎、吉村公三郎、木下惠介、中村登、佐伯清、谷口千吉らがおり、日本映画に与えた影響の大きさは計り知れない。
English: FUJIWARA no Motonaga (藤原 元命, date of birth and death unknown) was a middle-ranking government official during the mid Heian period.
Japanese: 藤原元命（ふじわらのもとなが、生没年不詳）は平安時代中期の中級官人。
English: At that time, a zuryo (provincial governor), who was a Kokushi hittokan (the head of the provincial governors), had too much power in Japan's local administration, causing frequent appeals and armed conflicts against zuryo by farmers, which was called "Kokushi kasei joso."
Japanese: 当時、日本の地方行政は国司の筆頭官である受領に権力が集中し、百姓による受領に対する訴えや武力闘争（国司苛政上訴）が頻発していた。
English: In 988, an appeal was made in Owari Province as well, and its petition submitted to Daijokan (Grand Council of State) called 'Owari no kuni (Owari Province) Gunji (a local government official) Hyakusho (farmers) ra no Gebumi (letter)' or 'Owari no kuni moshibumi' (Petition for Owari Province) became a famous historical document representing the detail of the Kokushi kasei joso.
Japanese: 尾張国でも永延2年（988年）に訴えが起こされたが、このとき太政官に提出された「尾張国郡司百姓等解文」（尾張国申文）は国司苛政上訴の詳細を示す史料として有名である。
English: FUJIWARA no Motonaga, who was then the Governor of Owari Province and was accused of his illegality by the petition, was dismissed as the Provincial Governor at the Jimoku (ceremony for appointing officials) in 989.
Japanese: 藤原元命はこの時の尾張守で、解文において非法を訴えられ、永祚(日本)元年（989年）の除目で守を停止された。
English: Nonetheless, he remained in the bureaucratic circle such as serving as a substitute for Shokeiben (Top leader) at the Yoshida Festival in 995, and his son Yorikata became Jugoinoge (Junior Fifth Rank, Lower Grade), Governor of Iwami Province and Yorikata's son Yorinari became Jugoinojo (Junior Fifth Rank, Upper Grade), Governor of Echizen Province, continuing a family of zuryo.
Japanese: しかしその後も長徳元年（995年）の吉田祭での上卿弁代役をつとめるなど官界に身を置き、また子の頼方は従五位下石見守、その子頼成は従五位上越前守と受領の家として続いている。
English: Owari no kuni Gunji Hyakusho ra no Gebumi' bolstered Motonaga's image as emblematic of a zuryo severely extorting farmers based upon their own greed.
Japanese: 「尾張国郡司百姓等解文」により、元命は私欲に基づき貧しい農民から苛烈な収奪を行う受領の代名詞とされた。
English: In a book named 'Jizo Reigenki,' it was written that he 'became a beggar at the gate of To-ji Temple as he ran out of a means of livelihood, ending up dying from hunger.'
Japanese: 「地蔵霊験記」と言う書物には「術つきて東寺門にて乞食しけるが、終いには餓死したりけり」などと書かれる。
English: Also, in the origin of Nyoi-ji Temple on Mt. Zugo in Owari Province, it was written that Motonaga was unable to cross a creek called Jigokusawa (the hell creek) due to the ice over it, so he used a nearby sotaba (a tall, narrow wooden tablet set up behind a grave for the repose of the dead) as a bridge.
Japanese: また尾張国の頭護山如意寺の由来の中でも、元命は地獄沢という小川に氷が張って渡れなかったので近くに有った卒塔婆を橋にして渡った。
English: Although Jizo Bosatsu (the guardian deity mainly for children) was carved at the surface of the sotoba, Motonaga and his retainers ignored it and tread over it.
Japanese: その卒塔婆には地蔵菩薩が彫ってあって元命と郎党達はそれを踏みつけて渡った。
English: Afterwards Motonaga and his retainers were about to die from severe diseases, but Jizo Bosatsu saved their lives.
Japanese: その後元命と従者は大病に煩い死ぬが地蔵菩薩が助けてくれて生き返った。
English: However, folklore goes on to say, 'Motonaga Ason (second highest of the eight hereditary titles) was detested by the local people because he would not stop his wrongdoings until his death, thus (his retainer) Tameie felt horrendous about Motonaga's sins and constructed a hexagonal, two-story Buddhist temple...'
Japanese: しかし「元命朝臣は猶悪事止まずして国人に憎まれ、終わりをよくせざりしとぞ、（その郎党の）為家は罪業恐ろしくおもいて、六角二階の伽藍を営み・・・」と。
English: In those days, actually, there were many similar Kokushi kasei joso, but 'Owari no kuni Gunji Hyakusho ra no Gebumi' accused Motonaga as becoming one of the most famous, since it was the only one to record the whole content of the petition.
Japanese: 当時は同じような国司苛政上訴が沢山有ったが、訴状の全文が伝わっているのは元命を訴える「尾張国郡司百姓等解文」だけであることから有名になった。
English: Also, the petition provides precious material to show how provincial governors controlled their assigned provinces, and the situations of those provinces at that time.
Japanese: またその訴状は当時の国守の任国支配、国の状況を読み取る事の出来る貴重な資料となっている。
English: For example, in article 19 'Because there were no boats to transport at Umatsu (馬津)..' and in article 25 'Motonaga collects 12,000 bundles of rice and more for clothing of kodokushi (購読師) and for an annual offering to monks and nuns' exactly describe the works kokushi should do as la ocal administrator..
Japanese: 例えば19条の「馬津の渡りの船無きに依り・・」、25条の「購読師の衣料並びに僧尼等の毎年の布施の稲万２千余束の事」などはまさに地方行政として国司が果たすべきであった仕事が書かれている。
English: Furthermore, he was also accused of failing to provide social welfare services such as distributing food to save struggling people suffering from starvation or fire disasters, all of which were the responsibilities of kokuga (provincial government offices), and part of which had to be compensated by gunji and others using their personal assets.
Japanese: その他、飢餓や火災などの際に窮民を救う為の食料の出庫のような社会福祉も国衙の仕事なのにそれをしなかったので、それらの一部は郡司らが私財をもって補わざるを得なかったと訴えている。
English: However, the petition is the only one left today, and there is no other evidence to show how Motonaga refuted those appeals, thus the actual situation at that time remains unknown.
Japanese: しかし、伝わるのはその訴状だけであり元命がどう反論したのかは残っていないので実情がどうであったのかは解らない。
English: According to a diary of a Court noble, only one article among 31 articles of the petition was judged to be illegal.
Japanese: 当時の公家の日記でも、訴えられた31条の内、不法とされたのは１ヶ条だけと言われる。
English: It was a turning point in 'the early period of the dynastic polity,' when the local administration did not function anymore in the traditional framework of the Ritsuryo system (a system of centralized government based upon the ritsuryo code).
Japanese: 当時は旧来の律令制の枠組みのままでは地方行政が成り立たなくなっていた「前期王朝国家」への転換点に当たる時期であった。
English: Hyakusho' (peasants) at that time were not actual 'farmers,' but were gunji and Tato fumyo (cultivator/tax manager) who undertook cultivation of 'myo' (rice field lots in charge of a nominal holder) to conduct large-scale management of several industries including agriculture, to accumulate their profits.
Japanese: ここでの「百姓」はいわゆる「農民」ではなく「名（みょう）」の耕作を請け負い、農業などの諸産業の大規模経営を展開し富を蓄積していた郡司・田堵負名層であった。
English: Or, they could be called 'operators' or 'taxpayers,' who were not limited to the field of agriculture.
Japanese: あるいは農業に限らず「事業者」「納税者」と読んだ方が良いかもしれない。
English: Meanwhile, the Imperial Court granted greater discretionary power to kokushu (or 'zuryo', the head of the provincial governors) beyond the bounds of the traditional Ritsuryo system, aiming to invigorate provincial agriculture and industries, and also to increase tax revenues.
Japanese: 一方で、朝廷は旧来の律令制の枠を越えて国守（受領）に大幅な裁量権を与えて地方の農業・産業の振興を図り、かつ税収の向上も目指した。
English: In the era of Emperor Kazan when Motonaga became the Governor of Owari Province, FUJIWARA no Koreshige, Motonaga's nephew (or uncle, according to one theory), and FUJIWARA no Yoshichika also advanced those policies.
Japanese: 元命が尾張国の国守となった花山天皇の時代も、元命の甥（一説に叔父）の藤原惟成や、藤原義懐もそのような政策を進めていた。
English: Owari Province at the time of Motonaga was also exposed to those conflicts of interest, and Motonaga was not the only one who confronted that situation.
Japanese: 元命当時の尾張国もまさにそのような利害の対立のまっただ中であり、この状況は一人元命だけが直面したのではない。
English: 14 years earlier, in 974, indigenous people of Owari Province also denounced their kokushi (kokushu) resulting in his resignation, and 20 years later, in 1008, and also in 1016, they again appealed, although the results remain unknown.
Japanese: その14年前の天延2年（974年）にも尾張国の国人は国司（守）を訴えて解任させており、20年後の寛弘5年（1008年）にも、長和5年（1016年）結果は不明ながら尾張国の国人は上訴を行っている。
English: In the case of Kokushi kasei joso in Kaga Province happened in 1012, although the governor tried to confront the appeal preparing evidence and witnesses for rebutment, the trial was set aside because the witnesses, the indigenous persons of Kaga Province, did not appear in court.
Japanese: また長和1年（1012年）の加賀国の国司苛政上訴では守は反論の証拠と証人を揃えて臨んだが、その裁判に訴訟人の加賀国人が現れず不問となった。
English: The word "kokushi kasei" might present an image of one-sided deprivation by kokushi tormenting weak farmers, but in fact, not only farmers sometimes appealed to the court, but also there was even a case where more than a dozen mounted horsemen of the Tanba indigenous people attacked and burned the residence of Governor of Tanba Province FUJIWARA no Sukenari at Nakagomon, Kyoto in December 1023 (Shoyuki (The Diary of FUJIWARA no Sanesuke)).
Japanese: 国司苛政と言うと国司側の一方的収奪で、弱い農民が苦しめられたとのイメージが抱かれやすいが、ときには上訴のどころか、治安3年（1023年）12月には丹波国守藤原資業（すけなり）の京都中御門の屋敷を丹波国人騎兵十数人が焼討ち（小右記）にしたことまである。
English: While Motonaga got off without litigation because Owari Province was near the capital Kyoto that provided an easier access to law specialists, if a similar conflict had happened in the Kanto region between kokushi and people in his province (fumyo - tiller of public rice fields) managers, gunji, and zaichokanjin - the local officials), it would have amounted to a war.
Japanese: 京の近国で、おそらくは京の法律の専門家とも連携しやすい尾張国だから訴訟で済んだものの、その前後の関東ではおそらく同様の国司と国人（負名経営者と郡司、在庁官人）との軋轢は戦乱にまでなっている。
English: Incidents such as the War of Tengyo by TAIRA no Masakado, an episode in "Konjaku Monogatari Shu" (The Tale of Times Now Past) Volume 25 Section 9 'a story of MINAMOTO no Yorinobu no Asomi attacking TAIRA no Tadatsune,' and TAIRA no Tadatsune War, which exhausted the Kanto region for years, all represented conflicts between kokushi and the indigenous people, indicating that 'peasants' were not just mere farmers.
Japanese: 平将門の天慶の乱、『今昔物語集』巻第二五第九「源頼信の朝臣、平忠恒を責めたる話」、そしてその後長く関東を疲弊させた平忠常の乱も国司と国人の抗争であり「百姓」がただの農民ではないことが見て取れる。
English: Today's established theory appreciates 'Owari no kuni Gunji Hyakusho ra no Gebumi' against Motonaga during that historical context.
Japanese: そのような時代の流れの中でこの元命に対する「尾張国郡司百姓等解文」をとらえるのが現在の定説となっている。
English: Meanwhile, one theory holds that FUJIWARA no Koreshige, Motonaga's nephew (or uncle, according to one theory) performed well as a close associate to Emperor Kazan who ascended the throne in 984, and was deeply involved in developing many policies the emperor vigorously issued.
Japanese: 尚、元命の甥（一説に叔父）の藤原惟成は、永観2年（984年）に即位した花山天皇の側近として活躍し、花山天皇が精力的に発布した諸政策の立案に深く参与していたこと。
English: The policies issued by Emperor Kazan established a new system 'Kazan shinsei' (new laws issued by Emperor Kazan) with 'innovative contents' including manor regulation acts, a ban on armaments, a price control ordinance, reform of the local administration, and so on.
Japanese: 花山天皇の諸政策は荘園整理令や武装禁止令、物価統制令、地方行政改革などから構成される「斬新な内容」を持った花山新制とした。
English: This system conflicted with gunji and Tato fumyo at that time, who had links with Sekkan-ke (the families which produced the Regent and the Chief Adviser to the Emperor) and influential temples and shrines ("Engu oshinke," a general term for imperial families and nobles who gathered strength by approaching the Emperor's power).
Japanese: その花山新制は摂関家や有力寺社（院宮王臣家）と結びついていた当時の郡司・田堵負名層と対立したこと。
English: Emperor Kazan was trapped in a ruse by the Sekkan-ke to abdicate the throne in 986, and the Sekkan-ke subsequently came into power again.
Japanese: その花山天皇が摂関家の計略によって寛和2年（986年）に退位し、摂関家が再び政権を握る。
English: In the aftermath of this change, Motonaga, who also carried out public administration in line with Kazan shinsei, was said to be dismissed under the pretext of his tyranny in Owari Province.
Japanese: その余波を受けて、花山新制の方針に沿って行政を遂行した元命も尾張苛政を名目に罷免されたとする見方もある。
English: Kiyohiko USHIHARA (March 22, 1897 - May 20, 1985) was a movie director from the Taisho to the Showa era.
Japanese: 牛原虚彦（うしはらきよひこ、本名・清彦、1897年3月22日-1985年5月20日）は、大正・昭和期の映画監督。
English: He was born in Kumamoto City, Kumamoto Prefecture, and graduated from the Tokyo Imperial University (now University of Tokyo) Faculty of Letters Department of English Literature in 1920.
Japanese: 熊本県熊本市に生まれ、1920年、東京帝国大学（現・東京大学）文学部英文学科を卒業。
English: After working as an assistant to director Zanmu KAKO who came from shinpa-geki (New-School Play), he moved to the Shochiku Kinema Kenkyu-jo production company after it was established by Osanai in 1920.
Japanese: 新派劇出身の賀古残夢監督の助手を務めた後、1920年、小山内が松竹キネマ研究所を創立すると、そこへ移った。
English: After the dissolution of the company he became a director at Shochiku Kamata Studios and shot pictures including "Aa Mujo" (Les Miserables) starring Masao INOUE.
Japanese: 研究所解散後は、蒲田撮影所の監督となり、井上正夫主演の『噫無情』などを撮る。
English: In 1926, he went to Hollywood and worked as an assistant to the film unit on Charlie Chaplin's "The Circus."
Japanese: 1926年、ハリウッドへ渡り、チャーリー・チャップリンの『サーカス(映画)』の撮影隊の助手として研鑽を積む。
English: Between 1928 and 1929, he released films portraying cheerful young people starring Denmei SUZUKI and created the forerunner of the teen movie.
Japanese: 1928年から1929年には鈴木傳明を主役に明朗快活な青年像を描いた作品を発表し、青春映画の原型を形作った。
English: After returning to Japan, he moved to Nikkatsu Uzumasa Studios in 1933 before moving to Shinkyo Kinema Kyoto Studio in 1934.
Japanese: 帰国後、1933年日活太秦撮影所に移り、さらに1934年、新興キネマ京都撮影所に移る。
English: He released a number of films including "Nanpu Satsuma Uta" (literally, South Satsuma Songs, 1937) but these did not have the freshness of the pictures he made during the silent era.
Japanese: 『南風薩摩歌』（1937年）などを発表するが、サイレント時代のような清新さは見られなくなった。
English: In 1949, he released his last film "Nijiotoko" (literally, Rainbow man) which can be said to be a pioneer in special effects movies and quit Kadokawa Pictures Inc. where he moved from New cinema when New cinema was unified.
Japanese: 1949年、特撮映画の先駆けともいえる作品『虹男』を最後に、新興キネマの統合によって移っていた角川映画を退社する。
English: In 1950, he became a visiting professor at the Nihon University, College of Art Department of Cinema, and served as head of the same department from 1956.
Japanese: 1950年、日本大学芸術学部映画学科客員教授になり、1956年から同学科主任教授。
English: He worked tirelessly to guide his successors, serving as head of the Nikkatsu Visual Arts Academy from 1975.
Japanese: 1975年からは日活芸術学院院長を務めるなど一貫して後進の指導にあたった。
English: Zanmu KAKO (real name; Yasugoro, January 13, 1869 – March 21, 1938) was a movie director during the Taisho period and early Showa period.
Japanese: 賀古残夢（かこざんむ、本名・保五郎、1869年1月13日-1938年3月21日）は、大正・昭和初期の映画監督。
English: After graduating from Nicholai Seminary, he participated in the magazine "Bungakukai" (Literature World) with Toson SHIMAZAKI and made a new-style poetry.
Japanese: ニコライ神学校卒業後、島崎藤村らと雑誌『文学界』に参加し、新体詩を発表する。
English: He was a scriptwriter exclusively for the theater group 'Taisho-za' at Shochiku's Kyoto Kyogoku No.2, but after a fire, the theater lost its popularity and he entered the Shochiku Kamata Studios.
Japanese: 松竹の京都第二京極にある芝居小屋「大正座」の座付作者だったが、火事のため人気が低下し、松竹蒲田撮影所に入社。
English: At the same time, Yukichi IWATA and Tsuzuya MOROGUCHI who participated from Shinpa-geki were lead actors and he worked as a director from the establishment of the studio to form the foundation of Shochiku.
Japanese: 同じく、新派劇から参加した岩田祐吉や諸口十九などを主役に撮影所創立当初から監督を務め、松竹の基礎を作った。
English: Later, he mover to Toa Kinema, Makino Productions and retired around 1930.
Japanese: 後に、東亜キネマ、マキノプロダクションと移り、1930年前後に一線を退く。
English: He let his disciples lodge at his home and mentored Kyohiko USHIHARA, Yasujiro SHIMAZU, Yoshinobu IKEDA and Hotei NOMURA.
Japanese: 門下生を家に住まわせ、牛原虚彦、島津保次郎、池田義信、野村芳亭などを育てた。
English: In 2004, at the Russian National Movie Archives, a film "Bushido" jointly directed with the German director Heinz Carl HEILAND was discovered and attracted attention when it was aired in 2005.
Japanese: 2004年、ロシア国立映画保管所で、ドイツのハインツ・カール・ハイラントと共同で監督した『武士道』のフィルムが発見され、2005年に上映され、話題となった。
English: Yoichi USHIHARA (March 25, 1924 – February 7,1977) was a movie director in the Showa period.
Japanese: 牛原陽一（うしはらよういち、1924年3月25日-1977年2月7日）は昭和期の映画監督。
English: After graduating from the Faculty of Economics, Keio University, he entered Kadokawa Movies Tokyo Studios, Assistant Director Section in 1947.
Japanese: 慶應義塾大学経済学部卒業後、1947年角川映画東京撮影所助監督部へ入社する。
English: After being an assistant for director Tomotaka TASAKA and others, he made his debut as a director in "Yaro and Ogon" (Guys and Gold) in 1958.
Japanese: 田坂具隆監督らについた後、1958年、『野郎と黄金』で監督デビューする。
English: After that, he was one of the directors supporting the golden age of Nikkatsu action movies, with movies starring Yujiro ISHIHARA and Akira KOBAYASHI.
Japanese: 以後、日活アクション映画黄金時代を支える監督の一人として石原裕次郎、小林旭主演作などを発表する。
English: After retiring from Nikkatsu in 1966, he produced overseas PR movies for JETRO and won the silver prize at the New York International Short Film Festival with "Great Buddha" in 1968.
Japanese: 1966年に日活を退社し、ジェトロなどの海外版ＰＲ映画の製作に携わり、1968年の『GreatBuddha』は「ニューヨーク国際短編映画祭」で銀賞を受賞した。
English: Chikamoto NINAGAWA (1433 - July 13, 1488) was an agent in the administrative office of the Yoshimasa ASHIKAGA and Yoshihisa ASHIKAGA shogunate.
Japanese: 蜷川親元（にながわちかもと、永享5年（1433年）-長享2年5月25日(旧暦)（1488年7月4日））は、足利義政、足利義尚将軍期の政所執事代。
English: The head of the Ninagawa household in each generation was called 'Shinemon no jo.'
Japanese: 蜷川家当主は、代々、「新右衛門尉（しんえもんのじょう）」を名乗っている。
English: Uemon no jo' was the third in command at headquarters, with the ranks being 'kami', 'suke', 'jo' and 'sakan.'
Japanese: 「右衛門尉」は、「かみ、すけ、じょう、さかん」で知られる官職の3番目の役職。
English: The character Shinemon NINAGAWA, samurai under Yoshimitsu ASHIKAGA in the cartoon Ikkyusan, is believed to be modeled on Chikamoto's father Chikamasa NINAGAWA.
Japanese: アニメ・一休さんで登場する足利義満の側近侍である「蜷川新右衛門」さんは、父親の蜷川親当をモデルにしたものと考えられる。
English: Kuroemon KATAYAMA IX (August 26, 1930 -) is a Noh actor of the shite-kata (lead role) Kanze-ryu School.
Japanese: 九世片山九郎右衛門（きゅうせい・かたやま・くろうえもん。1930年8月26日-）は能シテ方観世流能楽師。
English: Katayama was born in 1930 as the eldest son of Kuroemon KATAYAMA VIII (Hiromichi KATAYAMA) and Yachiyo INOUE IV (Aiko) of the Kamigatamai dance Inoue-ryu School.
Japanese: 1930年、八世片山九郎右衛門（片山博通）と上方舞井上流の井上八千代四世井上八千代（愛子）の長男として生れる。