nntsuzu/KFTT huggingface dataset:
English: He attracted young people in their 20s who had once belonged to Taikatsu (Taisho Katsuei Film Studio) and people from Kokkatsu (Kokusai Katsuei Film Company), and made a then-actor, Teisnosuke KINUGASA, switch to a film director.
Japanese: 大活出身の20代の若者たちや国活の人材を得て、さらに俳優・衣笠貞之助を映画監督としてデビューさせた。
English: When the company matured to independently produce and distribute films going beyond the category of 'educational films,' he pushed through his longed-for reorganization of the company to transform it into 'Makino Film Productions.'
Japanese: 「教育映画」の枠も取り払った自主製作・自主配給の力をつけ、満を持してこの「マキノ映画製作所」に改組した。
English: The company kept the operation of 'Tojiin Studio' as its film studio, which Makino Educational Films had established in Kita Ward, Kyoto City in 1921, while continuing independent distribution of films to theaters such as 'Asakusa Daitokyo.'
Japanese: 撮影所は「牧野教育映画製作所」として1921年に京都市北区(京都市)・等持院境内に設立した、「等持院撮影所」をひきつづき稼動、配給は「浅草大東京」をトップにひきつづき自主配給を行った。
English: The first movies distributed after the reorganization were "Seikai MIYOSHI" starring Hataya ICHIKAWA, "Yaji to Kitahachi Daiiippen" (Stories about Yaji and Kita, Vol. 1) directed by Shozo MAKINO, and "Niwa no kotori" (Two Little Birds) directed by Teinosuke KINUGASA, which started to be shown as a triple feature program on June 1, 1923.
Japanese: 改組第1回配給作品は、市川幡谷主演の『三好清海』、牧野省三監督の『弥次と北八第一篇』、そして衣笠貞之助監督の現代劇『二羽の小鳥』の3本立て興行で同年6月1日に封切られた。
English: Although the company fully operated to supply two or three films per week for three months after the reorganization, the Great Kanto Earthquake occurred on September 1 of the same year totally destroyed the business lines, particularly Asakusa, resulting in halting of the film production and distribution.
Japanese: 3か月間フル稼働で毎週2-3本のプログラムを供給していたが、同年9月1日に起きた関東大震災で浅草を中心に興行ラインが壊滅、作品がストップした。
English: Only five movies were supplied throughout Japan in September of that year, which were produced by Shochiku Kamata Studio of Shochiku Co., Ltd. and Imperial Cinema Entertainment Co., Ltd. (Tei-kine), and then Shochiku started construction of a new film studio in Kyoto to replace its film studio in Kamata.
Japanese: 日本全国でも9月に作品を供給できたのは松竹蒲田撮影所と帝国キネマ（帝キネ）だけの5本きり、松竹は蒲田から松竹京都撮影所へと移転すべく建設を開始した。
English: Taking advantage of the chaotic situations, Yokota of Nikkatsu led a move to oust independent film productions such as Makino's, encouraging other major filmmakers to join the move.
Japanese: 混乱に乗じた日活の横田が、大手他社によびかけ、マキノを中心とした独立プロ排撃の動きに出た。
English: Makino hung on for the rest of the year by switching the main theater for first showing his films to Narukofuji-kan located in Narukozakashita, Tsunohazu, Yodobashi-cho, Toyotama-gun, Tokyo Prefecture (currently, Nishi-Shinjuku 8-chome, Shinjuku Ward, Tokyo) and he established a new company called "Makino Kinema Kabushiki Kaisha" in November of that year, together with its directly-managed theater "Makino Kinema" in Nishijin, Kyoto City, to start organizing his own business chain.
Japanese: マキノは東京府豊多摩郡淀橋町角筈成子坂下（現在の新宿区西新宿8丁目）の「成子不二館」をトップに公開するようコンバート、年内をしのぎ、さらに同年11月には「マキノキネマ株式会社」を設立、西陣に直営館マキノキネマをオープン、独自のチェーンを組み始めた。
English: As New Year's movies to be released on the New Year's Eve, the company distributed "Seishun no Hika"(Elegy of Adolescence) directed by Bansho KANAMORI to the Narukofuji-kan theater and also went as far as to distribute a double feature of "Gion Jowa Tsubomi no Mama"(Love story in Gion, a budding woman) also directed by Kanamori and "Otoko ga Tsuma wo Erabutoki" (When a man choose his wife) directed by Shusei GOTO to the 'Asakusa Opera-kan Theater' which had been built after reconstruction of Asakusa area.
Japanese: 年末12月31日公開の正月映画として、金森万象監督の『青春の悲歌』を「成子不二館」に、おなじく金森監督の『祇園情話蕾のまゝ』と後藤秋声監督の『男が妻を選ぶ時』の2本立て番組を復興後の浅草に建った「浅草オペラ館」にきっちり供給した。
English: Moreover, on January 2, 1924, the company reinstated its film distribution to the reconstructed theater, 'Asakusa Daitokyo,' resuming with "Kyofu no Yasha" (The Dreaded Yasha) co-directed by Shozo MAKINO and Koroku NUMATA.
Japanese: さらには明けて1924年（大正13年）の正月、1月2日、牧野省三・沼田紅緑監督の『恐怖の夜叉』で復興した「浅草大東京」に復帰した。
English: In January of the same year, the 'Japan Film Makers Association' was established by the four companies of Nikkatsu, Shochiku, Tei-kine and Makino for the purposes of unification of censorship, establishment of film distribution system, prevention of headhunting and so forth.
Japanese: 同月、日活・松竹・帝キネ・マキノの4社で、検閲の統一や配給制度の確立、引き抜き防止等を目的に「日本映画製作者協会」を設立した。
English: At the age of 22, Rokuhei SUSUKITA, after seeing "Jitsuroku Chushingura" (True Record of the Forty-seven Ronin), a movie directed by Makino, at a preview which he could attend through his personal connection with Eizo YAMAUCHI (later became a film director) working for Daikatsu in Yokohama at that time, suddenly came to Kyoto and joined the script department of Makino Educational Films in the spring of 1922.
Japanese: 1922年（大正11年）春、横浜の大活にいた知人山内英三（のちの映画監督）のツテで牧野監督の『実録忠臣蔵』の試写を観た22歳の寿々喜多呂九平は、いきなり京都入りして「牧野教育映画製作所」の文芸部に入社した。
English: Susukita lived in the same boarding house with actors such as Tsumasaburo BANDO, Buntaro FUTAGAWA and Kintaro INOUE, used to discuss films with them, and recommended Bando, a then-uncredited actor, to Makino.
Japanese: 同じ下宿にいた阪東妻三郎、二川文太郎、井上金太郎ら俳優と映画論を戦わせ、まだ無名だった阪東を牧野に推薦する。
English: In the month following the establishment of Makino Film Productions in 1923, Makino made Susukita debut as a scriptwriter in "Murasaki Zukin Ukiyoe-shi" (The Purple Hood: Woodblock Artist) starring Hataya ICHIKAWA and co-directed by Makino and Kanamori..
Japanese: 翌年の「マキノ映画製作所」設立の翌月には、牧野・金森共同監督による市川幡谷主演作品『紫頭巾浮世絵師』で、牧野は寿々喜多を脚本家としてデビューさせた。
English: In the company, Susukita rolled out twenty-four scripts and the nihilistic world in his scripts contributed to Bando's breakthrough to become a star.
Japanese: 同社で24作の脚本を量産、寿々喜多のニヒリスティックな脚本は、阪東を一躍スターにした。
English: The company made Buntaro FUTAGAWA and Kintaro INOUE, the actors who had belonged to Daikatsu in Yokohama before joining Makino's company at its start, come out as film directors.
Japanese: 同社は「牧野教育映画製作所」開業と同時に入社した横浜・大活出身の俳優二川文太郎、井上金太郎をそれぞれ監督としてデビューさせた。
English: The film program released on April 4, 1924 at Asakusa Daitokyo was a spree of short films directed by Futagawa, Inoue and Goto and scripted by Rokuhei SUSUKITA.
Japanese: 1924年4月4日封切の浅草大東京の番組は、二川・井上そして後藤監督、寿々喜多呂九平脚本による短篇大会となった。
English: Makino hired Kiyoshi MASUMOTO, who had quit the job of head of Tsunohazu Junisou Film Studio of Kokkatsu, to make him direct one film, and also made 23 year-old Seika SHIBA, who had belonged to the script department of Kokkatsu, accumulate experience as a scriptwriter and an assistant film director through several films in his company and then launched him as a film director.
Japanese: また国活の角筈十二社撮影所長を辞めた桝本清に1本監督させ、国活脚本部にいた23歳の志波西果に数本の脚本・助監督を経験させたあと監督としてデビューさせている。
English: Moreover, Makino used Taketoshi MURATA who had been an assistant director of Nagao, and Reizo INOUE, who was an actor and film director at Katsudo Shashin Shiryo Kenkyukai established by Toyojiro TAKAMATSU, each to direct one film.
Japanese: 長尾の助監督村田武俊、高松豊次郎の「活動写真資料研究会」の俳優兼監督井上麗三にも1本監督させている。
English: In April of 1924, Makino, after reading "Shinju Kirarazaka," a novel written by a then-budding writer, Sanjugo NAOKI (then called himself "Sanjusan NAOKI") and published in a magazine called "Kuraku" issued by a publishing house Platon Osaka, happened to meet Naoki accompanying Kaoru OSANAI and Matsutaro KAWAGUCHI of Platon whom he had invited to his film studio, and then asked permission of Naoki about making the novel into a movie.
Japanese: また1924年4月、新進作家直木三十五（当時「直木三十三」）が書いた小説『心中きらゝ坂』が、大阪プラトン社の雑誌『苦楽』に掲載されているのを読んだ牧野は、たまたま同月撮影所に招待したプラトン社の小山内薫と川口松太郎に同伴した直木に映画化を要望した。
English: Makino himself authored the film script under the pen name of 'Seiji MAKINO' and the film titled "Kirara Zaka" starring Tsumasaburo BANDO was completed two months later and released on June 20.
Japanese: 「マキノ青司」名で自ら脚本執筆、『雲母阪』のタイトル、阪東の主演で映画化、2か月後の6月20日には完成、公開された。
English: Since then, Naoki grew seriously involved in film making and in March of the following year, he went as far as to start a film production company 'Rengo Eiga Geijutsuka Kyokai' (United Film Artists Association) in Nara Prefecture.
Japanese: 以降、直木は映画に傾倒し、翌年3月には奈良で映画製作プロダクション「連合映画芸術家協会」を旗揚げすることになる。
English: In July of 1924, Makino accepted merger with Toa Kinema, but in June of the following year 1925, he set up a film business completely on his own by establishing Makino Production (established in 1925 - dissolved in July 1932).
Japanese: 1924年（大正13年）7月、牧野は東亜キネマとの合併を呑むが、その後の1925年6月、マキノ・プロダクション（1925年設立-1932年7月解散）を設立、完全に独立する。
English: The Mikado Company (- Shokai, established on July 10, 1919 - Acquired on January 1920) is a Japanese film studio that once existed.
Japanese: ミカド商会（-しょうかい、1919年7月10日設立-1920年1月吸収）は、かつて存在した日本の映画会社である。
English: It was the first company that Shozo MAKINO, the 'father of Japanese cinema,' established after he became a movie director.
Japanese: 映画監督となったのちの「日本映画の父」牧野省三が初めて起こした会社である。
English: It was short-lived and was absorbed by Nikkatsu, but in two years later, Makino began to run his own business seriously.
Japanese: 短命に終わり、日活に吸収されるが、牧野の独立はその2年後に本格化する。
English: Shozo MAKINO worked actively as a movie director, first at Einosuke YOKOTA's Yokota Shokai from 1908, and then at Nikkatsu after the 4 company merger in 1912.
Japanese: 1908年（明治41年）来、横田永之助の横田商会、1912年（大正元年）の4社合併後の日活で牧野省三は映画監督として活躍していた。
English: With promise that he would limit his movies to 'just educational movies,' he established this company on July 10, 1919, while still working for Nikkatsu.
Japanese: 「教育映画に限る」という約束で日活在籍のまま、1919年（大正8年）7月10日に設立したのが、同社である。
English: This Hoshino is the same Tatsuo HOSHINO that first translated Maurice LEBLANC's "Arsene Lupin, Gentleman Cambrioleur" the year before while still working for the Ministry of Education.
Japanese: 星野とは、文部省勤務ながら、この前年モーリス・ルブランの『怪盗紳士ルパン』を初めて邦訳した保篠龍緒である。
English: Makino recruited Bansho KANAMORI, his former assistant director, as well as Taneta HANABUSA and Yukio HAMADA, his former assistant cameramen.
Japanese: 日活時代に牧野の助監督であった金森万象、撮影助手の花房種太、浜田行雄を抜擢した。
English: He had KANAMORI script and direct 4 volumes of narrative film titled "Yearning for the City," and 2 volumes of short narrative film titled "Tadataka no Kikan Shonanko."
Japanese: 4巻ものの劇映画『都に憧れて』、2巻ものの短篇劇映画『忠孝の亀鑑小楠公』の脚本を金森に書かせて監督させた。
English: To film a one-volume documentary movie titled "Shojokai Hyosho Kinenkaishiki (Numakuma County, Hiroshima Prefecture Shojokai)," he sent Kanamori and Hanabusa to 'Shojokai' in Numakuma County, Hiroshima Prefecture (current Fukuyama City of the same prefecture).
Japanese: 1巻もののドキュメンタリー映画『処女会表彰記念会式(広島県沼隈郡処女会)』を撮影するため、金森と花房を広島県沼隈郡（現在の同県福山市）の「処女会」に派遣して撮ってこさせた。
English: His actors division, except for Rihaku ARASHI, consisted of MAKINO's relatives: his daughter Tomie, his sons Masahiro MAKINO and Mitsuo MAKINO, his younger maternal half sister Kyoko, and her husband Ichitaro KATAOKA.
Japanese: 俳優部は嵐璃珀を除いて、娘の富栄、息子のマキノ雅弘、マキノ満男、異父妹の京子、その夫の片岡市太郎といった牧野の親族であった。
English: These three films were shown at Tokyo Educational Museum (current National Museum of Nature and Science) located within Yushima Seido (Sacred Hall at Yushima) on November 30 of the same year.
Japanese: この3本は、同年11月30日、湯島聖堂構内の東京教育博物館（現在の国立科学博物館）で公開された。
English: Feeling the threat, Yokota of Nikkatsu absorbed the said company in January 1920, just one month after the release, and named it 'Nikkatsu Educational Film Department.'
Japanese: 脅威を感じた日活の横田は、そのわずか１か月後1920年（大正9年）1月に同社を吸収、「日活教育映画部」とした。
English: Director Kanamori returned to being an assistant director to Makino, and cameraman Hamada returned to Nikkatsu as an assistant cameraman.
Japanese: 監督の金森は牧野の助監督に戻り、カメラマンの浜田は撮影助手として日活に戻った。
English: Hanabusa went to Tokyo and worked as a cameraman for a film under the sponsorship of Ministry of Railways called "Tetsudo to Kotoku" (railroads and public virtue), produced by 'Katsudo Shashin Shiryo Kenkyukai' established by Toyojiro TAKAMATSU around the same time as 'Mikado Shokai.'
Japanese: 花房は東京へ行き、高松豊次郎が「ミカド商会」と同時期に設立した「活動写真資料研究会」製作の鉄道省肝いりの映画『鉄道と公徳』の撮影技師をつとめた。
English: Makino sought independence again and established 'Makino Educational Films' in June of the following year.
Japanese: 牧野は、ふたたび立ち上がり、翌年6月に「牧野教育映画製作所」を設立する。
English: Until then, he indifferently continued as a director for a film starring Matsunosuke ONOE at Nikkatsu Studio.
Japanese: それまでは、たんたんと尾上松之助主演の映画を日活撮影所で監督し続けた。
English: Makino Educational Films (established in June 1921, reorganized in 1924) is a Japanese movie company that once existed.
Japanese: 牧野教育映画製作所（まきのきょういくえいがせいさくしょ、1921年6月設立-1924年改組）は、かつて存在した日本の映画会社である。
English: It is known for Makino seriously embarking on the road to independent-style film, for being bustled with young people like Tomu UCHIDA from Taikatsu (Taisho Katsuei film studio) in Yokohama, and for having Teinosuke KINUGASA debut as a director.
Japanese: 牧野が本格的にインディペンデントに足を踏み出し、内田吐夢ら横浜の大活出身の若者たちで賑わい、衣笠貞之助を監督としてデビューさせたことで知られる。
English: After 'Mikado Shokai' was absorbed by Nikkatsu in January 1920, Makino returned to Nikkatsu and continued shooting a film starring Matsunosuke ONOE once again.
Japanese: 1920年（大正9年）1月の日活による「ミカド商会」吸収後、牧野省三は日活に戻り、ふたたび尾上松之助主演の映画を撮り続けた。
English: It is this company that he established within the grounds of Tojiin Temple at the foot of Mt. Kinugasa (Kyoto Prefecture), Kita Ward, Kyoto City, in June 1921.
Japanese: 1921年6月、京都市北区(京都市)・衣笠山(京都府)の麓の等持院境内に設立したのが同社である。
English: Bansho KANAMORI who was MAKINO's former assistant director and Koroku NUMATA who was a director of Nikkatsu Kyoto also joined.
Japanese: 牧野の助監督の金森万象、日活京都の監督だった沼田紅緑もこれに参加する。
English: Continuing from Mikado days, Tatsuo HOSHINO of Ministry of Education and Yasunosuke GONDA gave their assistance.
Japanese: ミカド時代から引き続き、文部省の星野辰男（保篠龍緒）と権田保之助が協力した。
English: Just in the same month, 'Taisho Katsudo Eiga' (Daikatsu), located in Yamashita-cho, Yokohama City (Yokohama City) and where Thomas KURIHARA and Junichiro TANIZAKI were producing their films, closed its studio temporarily.
Japanese: ちょうど同月、トーマス・栗原と谷崎潤一郎が横浜市山下町(横浜市)で映画を製作していた「大正活動映画」（大活）が撮影所を一時閉鎖する。
English: Kintaro INOUE and Tomu UCHIDA, Buntaro FUTAGAWA, Atsushi WATANABE (actor), Ureo EGAWA, Tokihiko OKADA, and Sumiko SUZUKI who belonged to the actors division entered Kyoto lead by Yotahei BAKU (later known as Takuji FURUMI), who wandered various theatrical companies of 'Asakusa Opera', quit 'Negishi Dai-Kagekidan' (Negishi great opera company) and became actor and director at Daikatsu, and his wife Yoko BENISAWA.
Japanese: 俳優部にいた井上金太郎と内田吐夢、二川文太郎、渡辺篤(俳優)、江川宇礼雄、岡田時彦、鈴木すみ子は、「浅草オペラ」の劇団を渡り歩き「根岸大歌劇団」を飛び出て大活で俳優・監督となった獏与太平（のちの古海卓二）とその妻紅沢葉子に率いられて京都入った。
English: Makihara welcomed Kurihara's Hollywood style and Tanizaki's then cutting edge literature, as well as these young people in their 20's from Yokohama who carried about themselves in the artistic freedom of Baku's Asakusa rokku.
Japanese: 牧野は、栗原のハリウッド・スタイルと谷崎の当時の最先端文学、獏の浅草六区の芸術的自由を全身にまとった、この20代の横浜から来た若者たちを歓迎した。
English: He put them in leading roles, had his sons who were around 10 years old take parts, and began to produce and release 'educational films.'
Japanese: 彼らを主役に、そしてまだ10歳そこそこの息子たちを出演させて、「教育映画」を製作、発表し始めた。
English: In the following year 1922, Makino gathered obscure kabuki actors who have never yet appeared in a film, and shot a feature film titled "Jitsuroku Chushingura" (True Record of the Forty-seven Ronin).
Japanese: 翌1922年（大正11年）、牧野は映画にまだ出演したことのない無名の歌舞伎役者を集め、長篇劇映画『実録忠臣蔵』を撮った。
English: The film was distributed and release by Daikatsu, which had become an entertainment company, on May 27 of the same year and became a major hit.
Japanese: 興行会社になっていた大活がこれを配給して同年5月27日に公開、大ヒットした。
English: Moreover, Tanizaki lauded the film as more 'film like' in comparison to the Matsunosuke ONOE films during the Nikkatsu days.
Japanese: なにより谷崎が、日活時代の尾上松之助映画との比較で格段に「映画的」だと絶賛した。
English: It became a big step for Makino to escape from the fetters of Nikkatsu's Einosuke YOKOTA and gain complete independence.
Japanese: 日活・横田永之助の桎梏から脱出、完全独立するための大きなステップとなった。
English: In the same year, though he quit Nikkatsu Studio and moved to Kokusai Katsuei (Kokkatsu), he quit Kokkatsu due to slumping business and took to the road for rensa geki (combined performance of film and theatrical staging).
Japanese: また同年、日活撮影所を退社して国際活映（国活）に移ったものの、経営不振のため、国活を出て連鎖劇の巡業を始めた。
English: While Teinosuke KINUGASA, then an actor, was touring in Nagoya, a movie theater owner in the region complained to Nikkatsu's head office.
Japanese: 当時俳優の衣笠貞之助が、名古屋で巡業中に同地の映画館主から日活本社に苦情が入った。
English: To stop this, the head office asked Makino, who was once the head of Nikkatsu Mukojima Studios, to reason with Kinugasa group.
Japanese: 本社はこれをやめさせるべく、かつて日活向島撮影所長だった牧野に、衣笠一派の説得を頼んだ。
English: Makino flew to Nagoya, reasoned with Kinugasa, and at the same time, decided to take them in at 'Tojiin Studio.'
Japanese: 牧野は名古屋に飛び、衣笠を説得、それと同時に彼らを「等持院撮影所」で引き受けることにした。
English: In the same year, Kinugasa, as a co-director to Uchida, made his directorial debut with "Aa, Konishi junsa" (Officer Konishi).
Japanese: 同年衣笠は、内田との共同監督として『噫小西巡査』で監督としてデビューした。
English: On the other hand, Baku was directing "Hibana" (Spark), but due to conflicts with Makino, he abandoned the shooting unfinished and left the company with his wife Benisawa.
Japanese: いっぽう獏は『火華』を監督していたが、牧野との対立から撮影途中で放り出して、妻の紅沢とともに同社を去る。
English: Regardless, Nikkatsu was already greatly indebted to Makino, and shaking off the condition of 'would not produce entertainment movies,' he began the production of "Chuji KUNISADA," an original work by Rifu YUKITOMO, which was a killer title of shinkoku-geki (realistic period-drama).
Japanese: いずれにしても、すでに牧野は日活に大きな貸しをつくり、「興行映画の製作をしない」という条件も振り払い、新国劇のキラータイトルである行友李風原作の『国定忠治』の製作に入った。
English: This work was grandly released as a 'New Year's movie' under Kokkatsu's distribution on December 31 of the same year.
Japanese: 同作は同年12月31日、国活配給の「お正月映画」として華々しく公開された。
English: In 1923, Makino repeatedly produced films that centered on standard figures filled with narrative quality such as Yoshio OISHI, Jiraiya, Nezumi Kozo Jirokichi, Choshichiro MATSUDAIRA, Hikozaemon OKUBO, and SHIMIZU no Jirocho.
Japanese: 1923年（大正12年）になり、牧野は、大石良雄、自来也、鼠小僧次郎吉、松平長七郎、大久保彦左衛門、清水次郎長といった定番の物語性あふれる人物を主題にした映画を連打した。
English: The company reorganized as 'Makino Film Productions' and at the same time, Makino changed his name to 'Shozo MAKINO'.
Japanese: 同社は「マキノ映画製作所」へと改組、それと同時に牧野は「マキノ省三」へと改名する。
English: It is conger eel, eel, or beef wrapped around boiled burdock root and then grilled with sauce, or cooked.
Japanese: 煮て下調理した牛蒡を芯に、マアナゴ、ウナギ、牛肉などで巻き、付け焼きや、煮てつくる料理。
English: Yamauchi school (also read Yamanouchi school) is a style of Japanese Martial Arts Swimming maintained in Usuki City, Oita Prefecture.
Japanese: 山内流（やまうちりゅう、やまのうちりゅう）は、大分県臼杵市に伝わる日本泳法の流派のひとつ。
English: It is one of the twelve styles that participate in Japanese Martial Arts Swimming Championship sponsored by Japan Swimming Federation.
Japanese: 日本水泳連盟主催の日本泳法大会に参加する12流派のうちのひとつである。
English: Swimming practice has been popular since old days in the Usuki Domain, facing Bungo Suido (the channel between Kyushu and Shikoku Islands), and it is believed that swimming practice has already started during the reign of Yoshiaki OTOMO.
Japanese: 豊後水道に面する臼杵藩では、既に大友義鑑の治世に水練が始められたと伝えられ、古くから水練術が盛んであった。
English: However in 1822 (the late Edo period) Seiki INAGAWA, a feudal retainer of the Usuki clan, was instructed in the new style of swimming from Kyuma Katsushige YAMAUCHI, a feudal retainer of the Iyo-Matsuyama clan, Iyo Province, who studied Shinden school.
Japanese: しかし、江戸時代後期の文政5年（1822年）に神伝流を修めた伊予国伊予松山藩士の山内久馬勝重から臼杵藩士稲川清記が新たな泳法を伝授される。
English: Treading water swims with tsugi aoriashi, and is famous with exquisite skills such as waving large flag, drawing a bow and performing calligraphy while treading water only with leg.
Japanese: 立泳は継扇足で、足だけで立ち泳ぎをしながら、大きな旗を振ったり、弓矢を引いたり、書道をするといった妙技は有名である。
English: Presently, swimming spot is opened annually on Nakatsuura Keireigahama for 20 days from July 21.
Japanese: 現在では、毎年7月21日から20日間にわたって中津浦鯉来ヶ浜に游泳所が開かれている。
English: Techniques are taught to children in local neighborhood and there is a display of swimming on August 10, the last day of the event.
Japanese: 地元の児童などに術が伝授され、その最終日の8月10日には泳法披露が行われる。
English: Usa-jingu Goshin Noh is a Noh play dedicated at Usa-jingu Shrine (Usa City, Oita Prefecture) on the second day of fujo hosai festival (a festival of giving thanks to a shrine for grain of the field having been protected from storm and flood damage or from disease and harmful insects), held on October 20 and 21 every year.
Japanese: 宇佐神宮御神能（うさじんぐうごしんのう）は、大分県宇佐市の宇佐神宮で、毎年10月20日、21日に行われる風除報賽祭（ふうじょほうさいさい）の2日目に奉納される能である。
English: It is a festival of giving thanks to god for the productiveness of grain and grain of the field having been protected from storm and flood damage.
Japanese: 作物が風水害等から護られ、五穀豊穣となったことを神に感謝する祭事である。
English: Goshin Noh (Noh play) is dedicated at Noh Theatre in precincts of Usa-jingu Shrine on October 21, the second day of the festival.
Japanese: 御神能はこのうち第2日目の21日に宇佐神宮境内にある能楽堂で奉納される。
English: In addition, Sato maigaku uchi is dedicated at funeral hall in front of Usa-jingu Shrine Chokushi-mon gate (the gate for the Imperial Envoys) on October 20, the first day of the festival.
Japanese: なお、第1日目の20日には俚舞楽打（さとまいがくうち）が宇佐神宮勅使門前の斎庭で奉納される。
English: It is believed that Goshin Noh of Usa jingu started around 1175-1177, as a sarugaku (comical mimicry and speech performance in Heian period).
Japanese: 宇佐神宮の御神能は、安元年間（1175年-1177年）に猿楽として始まったものであると伝えられている。
English: Through some vicissitudes in later days, such as a restoration in 1415 by Yoshihiro OUCHI, Tadaoki HOSOKAWA who entered in the Nakatsu Domain after the Battle of Sekigahara retorted it in 1619.
Japanese: 以後、応永22年（1415年）の大内義弘による中興等の盛衰を経て、関ヶ原の戦の後に中津藩に入封した細川忠興のもとで元和(日本)5年（1619年）に再興された。
English: Presently, different program is played by Usa-jingu Shrine shin Noh kai (Usa-jingu Shrine shin noh society) that main body is Usa-jingu Shrine's ujiko (shrine parishioner).
Japanese: 現在では、宇佐神宮の氏子が主体の宇佐神宮神能会によって毎年違う演目が演じられる。
English: It is a leading Goshin Noh (Nogaku play dedicated to before the gods) along with Tokasai (a festival of offering peach blossoms to the enshrined deity) Goshin Noh of Itsukushima-jinja Shrine.
Japanese: 神前で奉納する能楽（御神能）としては、厳島神社の桃花祭御神能と並んで日本を代表するものである。
English: Toa Kinema (Toa, established in 1923- purchased in November 1932) is a Japanese film company that once existed.
Japanese: 東亞キネマ株式會社（とうあ-、1923年設立-1932年11月買収）は、かつて存在した日本の映画会社である。
English: It had studios in Nishinomiya City, Hyogo Prefecture and Kyoto City, Kyoto Prefecture, and produced and distributed silent films from late Taisho to the first year of Showa periods.
Japanese: 兵庫県西宮市と京都府京都市に撮影所を持ち、大正末期から昭和初年にかけて、サイレント映画を製作・配給した。
English: The company produced a lot of movie people who represent the earliest days of Japanese film, including Shozo MAKINO who was called the "father of Japanese film."
Japanese: 「日本映画の父」とよばれた牧野省三をはじめ、日本映画黎明期を代表する映画人を多く輩出した。
English: Toa Kinema' was established in December 1923 by Yachiyo Life Insurance Company, one of so-called 'Taisho bubble' companies, when it embarked on the movie business and purchased 'Koyo Kinema' located in Koyoen, Nishinomiya City, Hyogo Prefecture.
Japanese: 1923年（大正12年）12月、いわゆる「大正バブル」的企業のひとつ、八千代生命が映画事業に乗り出し、兵庫県西宮市甲陽園にあった「甲陽キネマ」を買収して設立したのが、この「東亜キネマ」である。
English: After Tokyo was devastated by the Kanto Great Earthquake occurred on September 1 of the same year, studios of Shochiku and Nikkatsu located in Tokyo were relocated to Kyoto.
Japanese: おりしも、同年9月1日に起きた関東大震災で首都が壊滅し、松竹や日活の在京撮影所が京都に避難・機能移転した。
English: Similarly, players of 'Asakusa Opera' located in Asakusakoen Rokku as well as players and staff of the Sugamo studio of Kokusai Katsuei Daito Eiga rolled in this new studio.
Japanese: 同様に、浅草公園六区の「浅草オペラ」の役者たちや国際活映大都映画巣鴨撮影所のスタッフや俳優たちが、この新撮影所になだれ込んだ。
English: Mikito YAMANE, who was the head and director of 'Azuma Studio, Takamatsu Azuma Production' of 'Katsudo Shashin Shiryo Kenkyukai,' a small production presided by Toyojiro TAKAMATSU in Tokyo, joined the company when it was established and became a director of 'Toa Kinema Koyo Studio.'
Japanese: 東京の高松豊次郎の主宰した小プロダクション「活動写真資料研究会」の「タカマツ・アズマプロダクション吾嬬撮影所」の所長兼監督だった山根幹人は、この設立と同時に入社し、「東亜キネマ甲陽撮影所」の監督となった。
English: Also, Tatsumi IWAOKA, a camera operator who led Iwaoka Shokai, became the head of 'Koyo Studio.'
Japanese: また同社で活躍した、岩岡商会を率いる撮影技師の岩岡巽が「甲陽撮影所」の所長に就任した。