nntsuzu/KFTT huggingface dataset:
English: In the Meiji period many old Buddha paintings were reproduced by painters of the Nihon Bijitsuin (The Japan Art Institute) under the direction of Tenshin OKAKURA and also new Buddhist paintings were made.
Japanese: 明治時代には岡倉天心の指導を受けた日本美術院系統の画家によって多くの古い仏画の模写が行われ、また新しい仏画が描かれた。
English: Originally it was a part of an act in "Wakamidori Ikioi Soga" (Verdant Green and the Energetic Soga), one of so-called Sogamono (programs based on The Tale of the Soga), that later became an independent program.
Japanese: いわゆる「曾我物」のひとつ『若緑勢曾我』（わかみどりいきおいそが）の一幕を一部を独立させたものである。
English: Today, in many cases, the term 'Uiro uri' refers to the medicine peddler's long speech in the play.
Japanese: 今日では「外郎売」と言えばその劇中に出てくる外郎売の長科白を指すことが多い。
English: My master is, I guess some of you already know, 78.54 km away from Edo in the direction of Kyoto, passing through Isshiki town, Odawara City, Sagami Province, then going further from Aomono town toward Kyoto, there he lives, Rankanbashi Toraya Toemon, now he is tonsured and calls himself Ensai.
Japanese: 拙者親方と申すは、御立会の内に御存知の御方も御座りましょうが、御江戸を発って二十里上方、相州小田原市一色町を御過ぎなされて、青物町を上りへ御出でなさるれば、欄干橋虎屋藤右衛門、只今では剃髪致して圓斎と名乗りまする。
English: This medicine, which is available from New Year's Day to New Year's Eve, dates back to the day when a foreigner from the country of Chin (珍), named Uiro, came to our country long ago.
Japanese: 元日より大晦日まで御手に入れまする此の薬は、昔、珍の国の唐人外郎(薬品)と云う人、我が朝へ来たり。
English: After he visited to the Imperial Palace he hid this medicine far away, and each time when he needed, he took one pill from the space of the court cap.
Japanese: 帝へ参内の折から此の薬を深く込め置き、用ゆる時は一粒ずつ冠の隙間より取り出だす。
English: These days, unexpectedly, this medicine has become widespread in the world; there are dishonest signs everywhere, saying it's made in Odawara, haidawara (straw bag of ash), sandawara (lid of komedawara, rice bag), sumidawara (straw bag for charcoal), etc., but it's only my master Ensai who gives 'uiro' in hiragana (Japanese syllabary characters).
Japanese: 只今では此の薬、殊の外、世上に広まり、方々に偽看板を出だし、イヤ小田原の、灰俵の、さん俵の、炭俵のと色々に申せども、平仮名を以って「ういろう」と記せしは親方圓斎ばかり。
English: If you have the opportunity to go to Atami City, Hakone hotspring, or Tonosawa hotspring for the baths, or visit to Ise Jingu Shrine, be sure not to go to the wrong place.
Japanese: もしや御立会の内に、熱海市か箱根温泉塔ノ沢温泉へ湯治に御出でなさるるか、又は伊勢神宮御参宮の折からは、必ず門違いなされまするな。
English: On the way to Kyoto it's on the right, on the way from Kyoto it's on the left, the store has eight ridges in eight direction and three beautiful ridges at the front; for the gables the crest of chrysanthemum and paulownia is permitted to use to prove this is the medicine of good lineage.
Japanese: 御上りなれば右の方、御下りなれば左側、八方が八つ棟、面が三つ棟、玉堂造、破風には菊花紋章を御赦免あって、系図正しき薬で御座る。
English: No matter how much I boast about the family name, for those who have no idea, it's like swallowing up real peppercorns or being asleep on a ship at night (they don't know what is going on), so I will try one pill to show you how it works.
Japanese: イヤ最前より家名の自慢ばかり申しても、御存知無い方には正真の胡椒の丸呑み、白河夜船、されば一粒食べ掛けて、その気味合いを御目に掛けましょう。
English: First, put one pill on the tongue like this, and down it to the stomach, then, oh, I don't know what to say, the stomach, heart, lungs and liver has become healthy, and fragrant breath comes out from the throat to cause the slight coolness in the mouth.
Japanese: 先ず此の薬を斯様に一粒舌の上に乗せまして、腹内へ納めますると、イヤどうも言えぬわ、胃・心・肺・肝臓が健やかに成りて、薫風喉より来たり、口中微涼を生ずるが如し。
English: Hitotsu hegi hegi, hegihoshi hajikami, bonmame bongome bongobo, tsumitade tsumimame tsumizansho (together with cracker and ginger, beans, rice, burdock roots for Bon festival; and picked knotweeds, beans and pepper grains are put on a tray).
Japanese: 一つへぎへぎ、かき餅・生姜、お盆豆・盆米・盆ゴボウ、摘タデ・摘豆・摘山椒。
English: Kuru wa kuru wa nani ga kuru (it's coming, it's coming, what's coming), Koya no yama no (of Mt. Koya) okokera (shavings) kozo (a trainee priest), tanuki hyappiki, hashi hyaku zen, tenmoku hyappai, bo happyappon (100 raccoon dogs, 100 pair of chopsticks, 100 teabowls and 100 sticks).
Japanese: 来るは来るは何が来る、高野山の御柿小僧、狸百匹、箸百膳、天目茶碗百杯、棒八百本。
English: Ta-a-pu-po-po, ta-a-pu-po-po, chiri kara chiri kara, tsuttappo, tappo tappo iccho dako (octopus).
Japanese: たぁぷぽぽ、たぁぷぽぽ、ちりからちりから、つったっぽ、たっぽたっぽ一丁タコ。
English: Ochitara nite kuo (if it's dropped, boil and eat it), nitemo yaitemo kuwarenu monowa (things inedible even if they are boiled or grilled are), gotoku (trivet) tekkyu (grill), Kanakumadoji (a character in Demon Legend of Mt.Oe) ni (and), Ishikuma (a character in Demon Legend of Mt.Oe) ishimochi (drum) Torakuma (a character in Demon Legend of Mt.Oe) toragisu (rosy sandperch).
Japanese: 落ちたら煮て食お、煮ても焼いても食われぬ物は、五徳・鉄灸、金熊童子に、石熊童子･イシモチ･虎熊童子･キス(魚)。
English: Nakademo Toji no Rashomon niwa, Ibaragidoji ga udekuri gongo tsukande omusharu, kano Raiko no hizamoto sarazu (among all, at Rajomon Gate of Toji Temple, Ibaraki Doji [a character in Demon Legend of Mt.Oe] is holding 902 ml of boiled chestnuts; never leaving Raiko's [a character in Demon Legend of Mt.Oe] side).
Japanese: 中でも東寺の羅城門には、茨木童子が腕栗五合掴んでおむしゃる、彼の源頼光の膝元去らず。
English: Kodana no koshita no koke ni komiso ga koaru zo, koshakushi komotte kosukutte koyokose (there is a little bean paste in a little tub a little under a little shelf, hold a little of a little dipper to dip a little of it and give me a little).
Japanese: 小棚の小下の小桶に小味噌が小有るぞ、小杓子小持って小掬って小寄こせ。
English: Otto gatten da, kokoroetanbo no Kawasaki Kanagawa Hodogaya Totsuka wa hashitte yukeba, yaito wo surimuku (oh, all right, I understand; running through Kawasaki, Kanagawa, Hodogaya and Totsuka station, you'll graze the part on which moxa is burned).
Japanese: おっと合点だ、心得田圃の川崎宿･神奈川宿･程ヶ谷宿･戸塚宿は走って行けば、灸を擦り剥く。
English: Sanri bakari ka, Fujisawa Hiratsuka Oisogashiya, koiso no shuku wo nanatsuoki shite, soten soso, Soshu, Odawara, Tochinko (it's not just 11.78 km to go through the stations: Fujisawa, Hiratsuka and Oiso, how busy; I got up around four o'clock at the Koiso station to bring Tochinko from Odawara City, Sagami Province).
Japanese: 三里ばかりか、藤沢宿･平塚宿･大磯宿がしや、小磯の宿を七つ起きして、早天早々、相州小田原、透頂香。
English: Are ano hana wo mite, okokoro wo oyawaragi ya to iu (they say you should relieve the tension watching that flower), ubuko hauko ni itaru made, kono uiro no gohyoban, gozonji nai towa mosare maimaitsuburi (even newborn babies or crawlers will never say that they have never heard Uiro's reputation, snail), tsuno dase bo dase (stick out your horns or tentacles) bobo mayu ni (shaggy eyebrows, then), usu kine suribachi bachi bachi guwara guwara guwara to (a mill-stone, pounder and earthenware mortar are making a noise), hame wo hazushi te konnichi oide no izure mo sama ni, agene ba nara nu, urane ba nara nu to, iki seihippari (being eager to sell this medicine to you all here today, on a spree), tohosekai no kusuri no motojime, Yakushinyorai mo shoran are to, ho-ho uyamatte, uiro wa irassharimasenu ka (asking Yakushi Nyorai [the Healing Buddha], the manager of medicine in the Pure Land, to see this; with respect, would you like Uiro)?
Japanese: アレあの花を見て、御心を御和らぎやと言う、産子・這子に至るまで、此の外郎の御評判、御存じ無いとは申されまいまいつぶり、角出せ棒出せぼうぼう眉に、臼杵擂鉢ばちばちぐわらぐわらぐわらと、羽目を外して今日御出での何れも様に、上げねばならぬ、売らねばならぬと、息せい引っ張り、浄土の薬の元締、薬師如来も照覧あれと、ホホ敬って外郎はいらっしゃいませぬか。
English: Jidaimono refers to the Kabuki and Kyogen (farce played during a Noh play cycle) by Ningyo joruri (traditional Japanese puppet theater), which depict the world before the Sengoku period (period of warring states).
Japanese: 歌舞伎や人形浄瑠璃の狂言で、戦国時代(日本)以前の世界を描いた作品。
English: If the settings of the mode of life and characters described in the work are obviously ancient, and are not Edo style, they are also classified as Jidaimono, regardless of the time set in the work.
Japanese: なお作品の時間設定とはかかわりなく、その場の風俗や登場人物の設定がいかにも古色蒼然として江戸時代的ではない場合は、それを時代物として扱う。
English: Derived from this, the parts showing exaggerated and stylistic performance and lines, and the parts where such performances are required are called "Jidai".
Japanese: またここから転じて、大仰で様式的な演技やせりふ廻し、またそうした演出が型として求められる部分を「時代」という。
English: The works in novels, movies or TV shows that describe the time of the Edo period or before.
Japanese: 小説・映画・テレビドラマなどで、江戸時代またはそれ以前を扱った作品。
English: This includes the works like historical novels in a broad sense, but generally this is used only for the stories that take place in the Edo or former period.
Japanese: 広義には歴史小説的なもの全般を含むが、一般には主に江戸時代を舞台とする作品についてのみ用いられることが多い。
English: In addition, this mainly covers the stories reflecting the social conditions at that time, therefore it is also called "Magemono".
Japanese: それも内容的には世態人情を扱った時代小説的なものが中心で、｢髷物（まげもの）｣などともいう。
English: An aesthetic area is an 'Area Designated for Conservation of Scenic Beauty of Cities' (City Planning Act Article 9).
Japanese: 美観地区（びかんちく）は、「市街地の美観を維持するために定める地区」である（都市計画法第9条）。
English: It is one of local areas which can be designated by local governments and is an area where building restrictions can be imposed on the layouts and structures, etc. of buildings in order to conserve the beauty in the places maintaining harmonious, well-balanced architectural beauty.
Japanese: 地方自治体が指定できる地域地区のひとつで、調和均整のとれた建築美を保っている地区において、その美観を守るために、建築物の配置、構造などが、建築制限などを行える地区。
English: Specifically, it can be an area where the colors of buildings, and outdoor advertisements are restricted.
Japanese: 具体的には、建築物の色彩や、屋外広告を規制する地区であると言ってよい。
English: Once an aesthetic area is designated, the structures and facilities of buildings in the area can be restricted by regulations of the local government.
Japanese: 美観地区が定められると、この美観地区内では、地方自治体の条例によって、建築物の構造や設備を規制することが可能となる。
English: However, there are many cases where an aesthetic area is designated, but regulations have not been established yet.
Japanese: ただし美観地区が定められていても、その美観地区内での条例はまだ制定されていないというケースが多い。
English: In Kyoto City where an aesthetic area is best maintained, a total of approximately 1800 hectares is designated as an aesthetic area, and architectural structures are regulated by an ordinance on urban area landscape improvement.
Japanese: 美観地区が最もよく整備されているのは京都市で、約1800haが美観地区に指定されており、市街地景観整備条例によって建築物の規制がされている。
English: Other than this, Kurashiki Bikan Chiku (Kurashiki beautiful sight area) is famous, and in many cases 'aesthetic area' means Kurashiki Bikan Chiku.
Japanese: ほかにも倉敷美観地区などが有名で、単に「美観地区」というとこの倉敷美観地区を指す事が多い。
English: The first designated aesthetic area consists of the nearby spots surrounding the Imperial Palace located in the center of Chiyoda Ward, Tokyo, and the designation was received in 1933.
Japanese: なお美観地区に指定された初例は東京都千代田区の中心にある皇居周辺一帯であり、昭和8年（1933年）に指定されている。
English: Called as otento-sama generally, the sun is enshrined as a god.
Japanese: 一般的にお天道様（おてんとさま）とも言うように太陽を神として祀られる。
English: Furthermore, in tendo belief, there is a word, tendo, which means a child of hi no kami (the sun goddess i.e. Amaterasu Omikami) too.
Japanese: また天童信仰においては日の神の子として天童（てんどう）という言葉もある。
English: For place names, there are Tendo, Tenpaku Ward, Nagoya City; Tendo, Iizuka City, Fukuoka Prefecture; and Mt. Tendo in Nagashima-cho, Izumi County, Kagoshima Prefecture, etc.
Japanese: 地名では、名古屋市天白区天道、福岡県飯塚市天道、鹿児島県出水郡長島町の天道山などがある。
English: "Yohanasake Ukinano Yokogushi" is one of the Sewamono (play dealing with the lives of ordinary people) masterpieces of Kabuki.
Japanese: 『与話情浮名横櫛』（よわなさけうきなのよこぐし、旧字体：與話……）とは歌舞伎世話物の名作のひとつである。
English: This has some common names, such as "Genjidana Kirare Yosa" and "Otomi Yosaburo."
Japanese: 通称に『源氏店切られ与三』（げんじだなきられよさ）、『お富与三郎』（おとみよさぶろう）など。
English: This story is created based on the actual event of Isaburo YOSHIMURA the fourth, a master of Nagauta (long epic song with shamisen accompaniment), which happened in Kisarazu City.
Japanese: 木更津市で起きた長唄の師匠・4代目芳村伊三郎の実際の事件を元にしたものである。
English: Joko SEGAWA (the third) made this story into Kabuki, which was performed for the first time at Edo Nakamura-za Theater on February 21, 1853.
Japanese: 瀬川如皐(3代目)が歌舞伎に仕立て嘉永6年1月14日(旧暦)（1853年2月21日）に江戸・中村座で初演となった。
English: Originally this story is made up of nine acts, however only the first half, "Misome" (falling in love) and "Genjidana" are often played nowadays.
Japanese: 元来は9幕の長編だが、現在では前半部の「見染め」「源氏店」が演じられる事が多い。
English: Danjuro perfectly matched such complicated character, which exactly fit the intention of the author Joko.
Japanese: そんな複雑な役に團十郎はぴったりで、作者･如皐の仕掛けが見事に当たった。
English: In the end of the Meiji period, 'Genjidana' was performed repeatedly by Uzaemon ICHIMURA (the fifteenth) playing Yosaburo, Baiko ONOE (the sixth) playing Otomi and Matsusuke ONOE (the fourth) playing Komori Yasu, and they gained much popularity.
Japanese: 明治の末に「源氏店」が市村羽左衛門(15代目)の与三郎、尾上梅幸(6代目)のお富、尾上松助(4代目)の蝙蝠安によってくり返し演じられて人気を呼んだ。
English: It is typical after the war that good-looking pairs, such as Danjuro ICHIKAWA (the eleventh) playing Yosaburo and Baiko ONOE (the seventh) playing Otomi in the past, and Nizaemon KATAOKA (the fifteenth) for Yosaburo and Tamasaburo BANDO (the fifth) for Otomi today.
Japanese: 戦後は市川團十郎(11代目)の与三郎・尾上梅幸(7代目)のお富、現在は片岡仁左衛門(15代目)の与三郎・坂東玉三郎(5代目)のお富というように歴代の美男美女の組み合わせて上演されるのが特徴。
English: An expressive 'scene at the store of Izuya,' which describes that Yosaburo meets his renounced biological parents thanks to the arrangement of his houseboy Tadasuke, after escaping from the island.
Japanese: 島を抜けた与三郎が下男の忠助のはからいで縁を切った生みの親に出会う情感豊かな「伊豆屋店先の場」。
English: After Sewa Danmari, where Yosaburo meets Akama on a bank in Hirazuka again, 'a scene in the final stage Kyuji KANNON' follows, at which a scar on the Yosaburo's face disappears thanks to the self-sacrifice of his old friend Kyuji KANNON.
Japanese: 平塚の土手で与三郎が赤間と再会する世話だんまりのあと大詰は旧知の観音久次の自己犠牲で与三郎の傷跡が消える「観音久次内の場」となる。
English: However, the scenes other than 'a scene at the store of Izuya' are not good, so rarely performed nowadays.
Japanese: しかし「伊豆屋店先」以外はあまりよい出来でなく今日ではほとんど上演されない。
English: Yosaburo, a son of a mercantile house in Edo, met Otomi in Kisarazu and fell in love with her at first sight ('Kisarazu Kaigan Misome' (falling in love at the coast of Kisarazu)).
Japanese: 江戸の大店の若旦那であった与三郎は木更津でお富に出会い、一目惚れする（「木更津海岸見染」）。
English: Because their love affair was found out, Yosaburo was barbarously killed by the followers of Genzaemon and his body was thrown away in the sea.
Japanese: 情事は露見し与三郎は源左衛門の手下にめった斬りにされ海に投げ捨てられた。
English: Surprisingly, both of them survived, and Otomi was taken in at the mistress' home by Tazaemon (Genjidana in Kamakura) who served as the head clerk of Izumiya.
Japanese: ところがなんと2人とも命をとりとめ、お富は和泉屋の大番頭・多左衛門の妾宅（鎌倉の源氏店）に引き取られる。
English: Yosaburo was disinherited by his family and became a highbinder, who gained public notoriety as "Kirare Yosa" (Scarface Yosa) with his 34 sword cuts.
Japanese: 与三郎は実家を勘当され無頼漢となり34箇所の刃傷の痕を売りものにした「切られ与三」として悪名を馳せることとなる。
English: Because Yosaburo was unable to forget Otomi even for a moment, he was surprised to see Otomi, and also got angry to know that she became a mistress of someone.
Japanese: 片時もお富を忘れることのできなかった与三郎はお富を見て驚くと同時に、またしても誰かの妾になったかと思うとなんとも肚が収まらない。
English: Famous lines telling his bitterness and love follow, and then the two of them got money and left thanks to the intervention of Tazaemon ("Genjidana").
Japanese: 恨みと恋路を並べ立てる名台詞があり、やがて多左衛門のとりなしで二人は金をもらって引き上げる（「源氏店」）。
English: Otomi insisted that Yosaburo is her older brother in order to get through the situation, however Tazaemon is her brother in reality.
Japanese: その場を切り抜けるためお富は与三郎を兄だと言い繕ったのだったが実は多左衛門こそお富の兄であった。
English: In the original plot, however, Yosaburo who returned to Otomi found out the crime of the Akama group because the clerk of Izumiya is the older brother of Mirukui, and he swore revenge.
Japanese: なお、原作ではお富のもとに引き返した与三郎が和泉屋の番頭が海松杭の兄であることから赤間一味の悪事を嗅ぎつけて復讐を誓う。
English: The play comes to an end with the scene in which Yosaburo hugs Otomi saying "we can talk if we stay alive" after the event that Yosaburo came to know the miracle medicine that cures sword scars.
Japanese: また刀傷を治す妙薬を知るなどの件の後、与三郎が「命がありゃあ話せるなあ」とお富を抱くところで幕となる。
English: Yosaburo: Hi, Goshinzo (a wife of a rich merchant), Ma'am, Ms Otomi, or Otomi, it has been a long time.
Japanese: 与三郎：え、御新造（ごしんぞ）さんぇ、おかみさんぇ、お富さんぇ、　いやさ、これ、お富、久しぶりだなぁ。
English: I do not know why I have survived, and it has been more than three years since the time in Kisarazu.
Japanese: 命の綱の切れたのを　どう取り留めてか　木更津から　めぐる月日も三年（みとせ）越し。
English: My parents in Edo disinherited me, thus I became penniless in Yatsushichigo.
Japanese: 江戸の親にやぁ勘当うけ　よんどころなく鎌倉の　谷七郷（やつしちごう）は喰い詰めても。
English: However, thanks to the scars on my face, I gained public notoriety as "Kirare Yosa."
Japanese: 面（つら）に受けたる看板の　疵（きず）がもっけの幸いに　切られ与三と異名をとり
English: Around the time when I got accustomed to extortion, I entered Genjidana.
Japanese: 押借（おしが）り強請（ねだり）やぁ習おうより　慣れた時代（じでえ）の源氏店
English: I saw Otomi, who I thought is dead, in the house surrounded by the white and black latticed walls.
Japanese: そのしらばけか黒塀（くろべえ）の　格子造りの囲いもの　死んだと思ったお富たぁ
English: I can not leave with such a small amount of money as the Ichibu gin silver coin.
Japanese: 安やいこれじゃぁ一分（いちぶ）じゃぁ　帰（けぇ）られめぇじゃねぇか。
English: As the sequel, Mokuami KAWATAKE wrote this for Kodanji ICHIKAWA (the fourth).
Japanese: 本作の後日談として、河竹黙阿弥が市川小團次(4代目)のために書いた。
English: The plot is that because Genzaemon, who came to Edo, had illicit love with a Geisha (Japanese professional female entertainer at drinking party) Oriyo who is resembling Otomi, an Echigo merchant Shinsuke got involved in a tragedy.
Japanese: 江戸に出てきた源左衛門がお富に瓜ふたつの芸者・おりよに横恋慕したことから、越後の商人・新助が悲劇に巻きこまれる筋。
English: Both Kichiemon NAKAMURA (the first), who played Shinsuke and Utaemon NAKAMURA (the sixth), who played Omiyo, gained a good reputation.
Japanese: 中村吉右衛門(初代)の新助、中村歌右衛門(6代目)のおみよが当たり役。
English: Not Yosaburo but Otomi got slashed, and then she did extortion for Genzaemon for the sake of her lover Yosaburo who she met again.
Japanese: 与三郎ではなくお富が切られ、再会した愛人・与三郎のため源左衛門に強請りを働く。
English: Third play is full of decadent atmosphere of the end of the Edo period, and this outperforms the original one in terms of contents and structure, although this is a rewritten Kyogen.
Japanese: 幕末の頽廃味が漂い、書替え狂言にもかかわらず内容、構成ともに原作をしのぐ名作。
English: This was a role for which actors, not only Tanosuke SAWAMURA the third, but also Gennosuke SAWAMURA (the fourth) and Kunitaro KAWARASAKI (the fifth) from Zenshinza (the Zenshinza Company) gained a reputation.
Japanese: 三代目澤村田之助をはじめ、澤村源之助(4代目)、前進座の河原崎國太郎(5代目)の当たり役でもあった。
English: Goshu-no-nikki is the first technical book on sake brewing in existence in Japan that was handed down in the Satake clan.
Japanese: 御酒之日記（ごしゅのにっき）とは、佐竹氏に伝えられた現存する日本最初の民間の酒造技術書。
English: It is one of the records of the time when the Satake clan that would be the lord of Akita Domain later in the Edo period, was Shugo (provincial constable) of Hitachi Province in the Muromachi period, collecting the techniques of sake brewing since the clan was a local ruling family in Satakego of the Province.
Japanese: のち江戸時代に秋田藩主となる佐竹氏が、室町時代に常陸国の守護であった時代の記録の一つで、同国佐竹郷の豪族であったころからの酒造技術を纏めたものである。
English: There are two theories of 1355 and 1489 regarding the time of completion of the work, but today the latter is accepted more dominantly.
Japanese: 成立には文和4年（1355年）と長享3年（1489年）の二説があるが、現在では後者が有力。
English: Existing copy is a transcription in 1566 owned by Historiographical Institute The University of Tokyo.
Japanese: 現存する写本は永禄8年（1566年）の筆写で東京大学東京大学史料編纂所所蔵。
English: This old record is essential to study medieval sake brewed in major temples and the only historical material to know the medieval sake brewing techniques concretely.
Japanese: 中世僧坊酒の研究には欠かせない古記録であり、中世の具体的な酒造技術を知ることの出来る唯一の史料と言ってよい。
English: A variety of recipes are described including superior sake brands of old times such as "Bodaisen" brewed by Bodai-san Shoryaku-ji Temple in Nara as well as "Amano" brewed by Amano-san Kongo-ji Temple in Kawachi Province; and kikuzake (Japanese sake with chrysanthemum blooms) which was used for the Chrysanthemum Festival; and "Nerinuki," a nerizake (antique term for shirozake, or white sake) in Hakata, Chikuzen.
Japanese: 奈良菩提山正暦寺製『菩提泉』や河内国天野山金剛寺製『あまの』など往時の銘酒、重陽の節句に用いられた菊酒、筑前博多の練酒『ねりぬき』などの製法も記されている。
English: It is interesting to read at the beginning 'Teach orally in confidence' to draw attentions of his successors to keep secrets of the author's techniques.
Japanese: 「能々口伝（よくよくくでん）、可秘（ひすべし）、可秘」と冒頭に書かれ、筆者が門外不出の技術を書物にあらわすのに、これを読む後継者たちにかなりの守秘を喚起しているのが興味深い。
English: It shows the high-quality brewing techniques of the time describing a lot of techniques that are used for sake brewing today such as dan-jikomi (the three-stage preparation), morohaku-zukuri (sake made from 100% white rice), pasteurization and lactic acid fermentation.
Japanese: 段仕込み、諸白造り、火入れ、乳酸菌発酵など、現代の日本酒造りでも使われている技法が多く記述され、当時の酒造技術の高さがうかがえる。
English: For example, the topic about pasteurization verifies that the technique was already performed in Japan nearly 500 years before when Louis PASTEUR, founder of bacteriology in the West, 'found' heat sterilization.
Japanese: たとえば火入れに関する記事は、西洋における細菌学の祖、ルイ・パスツールが加熱殺菌を「発見」するより500年近くも前に、日本ではそれが行なわれていたことを実証する記録である。
English: Licensed brewer is someone who passed the written and practical tests about sake brewing which is a kind of skill assessment system of nationally-accredited qualification conducted by prefectural governors (the questions are made up by Japan Vocational Ability Development Association and the administrator is Prefectural Vocational Ability Development Association).
Japanese: 酒造技能士（しゅぞうぎのうし）とは、国家資格である技能検定制度の一種で、都道府県知事（問題作成等は中央職業能力開発協会、試験の実施等は都道府県職業能力開発協会）が実施する、酒造に関する学科及び実技試験に合格した者をいう。
English: By Human Resources Development Promotion Act, it is prohibited that anyone except licensed brewers calls oneself a licensed brewer.
Japanese: なお職業能力開発促進法により、酒造技能士資格を持っていないものが酒造技能士と称することは禁じられている。
English: Originally it was conducted by a fortune-teller standing at a tsuji (intersection) in the evening based on what passers-by talked.
Japanese: 元々の辻占は、夕方に辻（交叉点）に立って、通りすがりの人々が話す言葉の内容を元に占うものであった。
English: They thought that the tsuji was where not only humans but also gods passed by and that the bridge was a border to the different world.
Japanese: 辻は人だけでなく神も通る場所であり、橋は異界との境をなすと考えられていた。
English: The tsujiura still practiced at Hyotanyama-Inari Shrine, Higashi Osaka City, Osaka Prefecture judges fortunes not based on the words of passers-by, but on his or her sex, dress, belongings, whether accompanied or not, and the direction which he or she took.
Japanese: 大阪府東大阪市の瓢箪山稲荷神社で今も行われる辻占は、通りすがりの人の言葉ではなく、その人の性別・服装・持物、同行の人の有無、その人が向かった方角などから吉凶を判断する。
English: The person who wants to receive this service first draws Omikuji (sacred lots) to pick up a number from one to three, then stands in front of Torii (an archway to a shrine), where, for example, if the number is two, then he or she records the appearance and other things of the second passer-by.
Japanese: まず御籤で1～3の数字を出し、鳥居の前に立って、例えば御籤で2が出れば2番目に通った人の姿などを記録する。
English: In the Edo period, children began to sell omikuji (sacred lots)(which is also a kind of fortune-telling) standing at a tsuji, and that was also called tsujiura.
Japanese: 江戸時代には、辻に子供が立っておみくじ（これも一種の占いである）を売るようになり、これも辻占と呼んだ。
English: Furthermore, they started to make tsujiura-senbei rice cracker (from which fortune cookies were derived) in which they put omikuji similar to those sold for tsujiura, which was also called tsujiura.
Japanese: さらに、辻占で売られるような御籤を煎餅に入れた辻占煎餅（フォーチュン・クッキーはここから派生したもの）が作られ、これのことも辻占と呼んだ。
English: In Kanazawa City, Ishikawa Prefecture, there is a custom that the whole family enjoy colorful tsujiura-senbei as good lucky charms, and even now the scene of tsujiura production in Japanese sweets shops is a special feature at the year end.
Japanese: 石川県の金沢市には正月に色とりどりの辻占煎餅を、縁起物として家族で楽しむ風習があり、現在も和菓子店における辻占の製作風景は、年末恒例の風物詩となっている。
English: Genroku no Daikoshu is sake which is believed to be prepared in the Genroku era and took off a seal in Mochizuki-machi, Kitasaku County, Nagano Prefecture in 1968.
Japanese: 元禄の大古酒（げんろくのだいこしゅ）は1968年に長野県北佐久郡望月（もちづき）町で開封された、元禄時代に仕込まれたとされる日本酒。
English: It was brewed around 1689 and its Nihonshu moromi-zukuri was stored including solid contents without filtration.
Japanese: 醸造されたのは元禄2年（1689年）前後で、固形分の混ざった日本酒醪造りをそのまま貯蔵したものであった。
English: When it was opened, the contents decreased by evaporation and the alcohol degree rose to 24%.
Japanese: 開封されたとき、内容物である酒は蒸発により量的に減少し、アルコール度数は24%にまで高まっていたという。
English: It is assumed that it was because the difference of molecular size between water and ethyl alcohol made the difference of penetrating power.
Japanese: これは水とエチルアルコールの分子の大きさの違いから、透過力が異なったためと思われる。
English: The container was a white porcelain pot and the cap was lacquered paulownia sealed by giving a final coat of lacquer.
Japanese: 容器は白磁の壺、栓は漆塗りの桐であり、さらに漆を上塗りして封印してあった。