nntsuzu/KFTT huggingface dataset:
English: In recent years, Takeo OGAWA, who is the researcher of Yoshimoto NIJO, the man who is strongly believed to be the author of the "Masukagami" advocated a new theory of the "Masukagami" being `edited by Yoshimoto and written by Tadamori,' given the fact that, although Yoshimoto NIJO contributed to the completion of the "Masukagami," Yoshimoto was a politician and eventually served Jimyoin-to (imperial lineage from Emperor Gofukakusa to Emperor Gokomatsu), which makes it difficult for him to write such literary work.
Japanese: 近年においては『増鏡』著者の有力説とされる二条良基の研究家である小川剛生の見解として、二条良基が『増鏡』成立に深く関わったとしつつも、現役の公家政治家でかつ最終的に持明院統に仕えた良基を直接の筆者とすることの困難を挙げて、「良基監修・忠守筆者」説を唱えている。
English: FUJIWARA no Edayoshi (845 - June 24, 917) was a retainer of the Imperial Court during the first half of the Heian period.
Japanese: 藤原枝良（ふじわらのえだよし、承和(日本)12年（845年）-延喜17年5月27日(旧暦)（917年6月19日））は平安時代前期の廷臣。
English: Thereafter, he successively held positions such as Nakatsukasa no Shoyu (Junior Assistant Minister of the Ministry of Central Affairs), Minbu taifu (Senior Assistant Minister of Popular Affairs), Taikotaigogu no suke (Assistant Secretary of the Grand Empress Dowager's office), Sashoben (third-ranking officer of the Left), and assumed the post of Sanuki no kuni no kami (Governor of the Sanuki Province) in 899.
Japanese: 以後、中務少輔や民部大輔、太皇太后亮、左少弁などの職を歴任し、昌泰2年（899年）に讃岐国守となる。
English: FUJIWARA no Akitsuna (1029 - August 8, 1103) was a retainer of Imperial Court and poet who lived in the latter half of the Heian period.
Japanese: 藤原顕綱（ふじわらのあきつな、長元2年（1029年）-康和5年6月27日(旧暦)（1103年8月1日））は平安時代後期の廷臣、歌人。
English: "Sanuki no Nyudo shu" ("Akitsuna ason shu") is a collection of his waka poems, and 25 of his waka poems are included in "Goshui Wakashu" (Later Collection of Gleanings of Japanese Poetry) and later Chokusen wakashu (anthologies of Japanese poetry compiled by Imperial command).
Japanese: 家集として『讃岐入道集』（『顕綱朝臣集』）があり、『後拾遺和歌集』以下の勅撰和歌集に25首が入選している。
English: He was also well versed in Japanese classics and contributed to handing them down from generation to generation; for example, by copying "Manyoshu" (Collection of Ten Thousand Leaves).
Japanese: また古典にも造詣が深く、『万葉集』の書写などを通じてその伝承に貢献した。
English: Therefore, he had a close relationship with Emperor Gosanjo, and it is said that his second son, FUJIWARA no Arisuke, was in fact an illegitimate child of Emperor Gosanjo.
Japanese: 関係から後三条天皇に近く、次男の藤原有佐は、実は後三条天皇の落胤であったと伝えられている。
English: Mototada HIRATA (1580-July 23, 1660) was a government official from a Jige-ke (courtiers who are not allowed into the Emperor's living quarters) family from the Azuchi-Momoyama period through the early Edo period.
Japanese: 平田職忠（ひらたもとただ、天正8年（1580年）－万治3年6月16日(旧暦)（1660年7月23日））は、安土桃山時代・江戸時代初期の地下家官人。
English: On November 7, 1586, he was appointed Sakone no shogen (Lieutenant of the Left Division of Inner Palace Guards) with the rank of Jugoinoge (Junior Fifth Rank, Lower Grade).
Japanese: 天正14年9月26日(旧暦)（1586年11月7日）に従五位下左近衛将監に叙任される。
English: He taught yusoku kojitsu to Retired Emperor Goyozei, and revised and, in 1608, published "Shokugensho" (History of Government Services).
Japanese: 後陽成上皇にも有職故実を伝授して、慶長13年（1608年）には『職源鈔』の校訂・刊行を行った。
English: On May 4, 1615, as a member of the Hokumen no Bushi (the retired emperor's household guards), he was given clearance to be admitted to the retired emperor's palace.
Japanese: 慶長20年（元和(日本)元年）4月7日(旧暦)（1615年5月4日）には、北面武士の資格で院昇殿が許される。
English: Since Mototada's son, Kokai, together with his teacher, Tenkai, served Ieyasu TOKUGAWA, Mototada was held in high esteem by the.
Japanese: また、息子晃海が師の天海とともに徳川家康に仕えたことから江戸幕府の評価も高かった。
English: On January 1, 1621, he was appointed Okura no Taifu (Senior Assistant Minister of the Treasury) and was promoted to Jushiijo (Junior Fourth Rank, Upper Grade) the following New Year.
Japanese: 更に元和6年12月9日(旧暦)（1621年1月31日）には大蔵大輔に任ぜられ、翌年正月には従四位上に叙せられた。
English: He was promoted to Shoshiinoge (Senior Fourth Rank, Lower Grade) in 1624 and to Shoshiinojo (Senior Fourth Rank Upper Grade) on March 13, 1628.
Japanese: 更に寛永元年（1624年）には正四位下、寛永5年2月8日(旧暦)（1628年3月13日）には正四位上に叙される。
English: In 1634, he was sued by Takasuke MIBU, who claimed that the shutsuno was impinging the authority of the higher-ranked kanmu.
Japanese: 寛永11年（1634年）には出納が官務の権限を侵しているとして壬生孝亮から訴えられた。
English: Mototada successfully defended the charge by claiming that control by the shutsuno was approved by the Edo bakufu, and from then on management of Kurodogata government officials was carried out by the shutsuno.
Japanese: 職忠は江戸幕府の意向を得ていることを理由にこれをかわし、引き続き出納による蔵人方官人支配が認められた。
English: His produced many literary works, including "Gyorogusho" (different from Kinkata TOIN's work of the same name), "Kanshikibinran", "Dokunryakusho", and also created records ("Shogunsenge-ki") about the appointment to Shogun of three of Ieyasu TOKUGAWA's successors.
Japanese: 著作は多く、『魚魯愚鈔』（洞院公賢の著作とは別著）・『官職便覧』・『童訓略頌』などがある他、徳川家康以下3代の将軍宣下に関する記録（将軍宣下記）も作成している。
English: Zenpo KONPARU (1454 - 1532?) was a Nohgakushi (Noh actor) in the late Heian period.
Japanese: 金春禅鳳（こんぱるぜんぽう、1454年（享徳3年）-1532年（天文(日本)元年）？）は、室町時代後期の能楽師。
English: He was a representative Noh actor in that period and was also famous for writing Noh plays, as well as books of theories of Nohgaku (theories of Noh drama).
Japanese: 当時を代表する能役者であったとともに、能作者、能楽論の著者としても知られる。
English: He was a son of Soin KONPARU (also known as Shichiro Motouji), who served as Daibu (master) of Konparu-za troupe (also known as Enmai-za troupe), which was one of the Yamato-yoza (four sarugaku (form of theater popular in Japan during the 11th to 14th centuries) performance groups in the Yamato Province) that is the origin of the current Noh, who identified themselves as the descendants of HATA no Kawakatsu.
Japanese: 現在の能の源流である大和四座の一つ、秦河勝の子孫を称する金春座（円満井座）の大夫・金春宗筠（七郎元氏）の子として生を受ける。
English: His grandfather Zenchiku KONPARU was a Noh actor and also a well-known writer of Yokyoku (Noh songs) and books of the theories of Nohgaku, and his wife was a daughter of Zeami, who made a career of Nohgaku.
Japanese: 祖父の金春禅竹はやはり謡曲の作者・能楽論の著者として知られた能楽師で、その妻は能楽の大成者・世阿弥の娘である。
English: In 1460, when Zenpo was seven years old, he visited Jinson Daijoin Monzeki Temple accompanied by Zenchiku.
Japanese: 長禄4年（1460年）、7歳の禅鳳は禅竹に付き添われ、大乗院門跡尋尊の元に参上した。
English: Zenchiku died when Zenpo was 15 years old, and it is easily assumed that Zenchiku had a tangible and intangible effect on Zenpo.
Japanese: 禅竹は禅鳳15歳の年まで健在であり、禅鳳がこの祖父から有形無形の影響を受けたことは想像に難くない。
English: He achieved stable growth and took over Konparu-za, such as acting as a substitute for his father in a festival in Furuichi, Nara in September 1472 when he was 19 years old.
Japanese: 19歳の文明(日本)4年（1472年）8月には、奈良古市の祭礼で父の代演を務めるなど、金春座の後継者として順調に成長を遂げる。
English: His father Soin suddenly died at the age of 49 in November 1480, after which Zenpo took the place of Daibu (master) of Konparu-za at the age of 27.
Japanese: 文明12年（1480年）11月、父・宗筠が49歳で急逝し、27歳で禅鳳は大夫に就く。
English: At that time, Kanze-za was the Nohgaku group that was enjoying great success, having produced Kanami, Zeami and Onami.
Japanese: 当時能楽界で隆盛を誇っていたのは、観阿弥・世阿弥・音阿弥と傑才を輩出した観世座であった。
English: After the death of Onami, Kanze-za was supported by his seventh son, Kojiro Nobumitsu KANZE, and maintained its solid and stable position.
Japanese: 音阿弥の死後もその第七子・観世小次郎信光が座を支えており、その地位は磐石であった。
English: Luckily, Shogun Yoshimasa ASHIKAGA had been a Kanze fan since Onami took over the group, and Konparu-za lagged behind.
Japanese: 加えて時の将軍・足利義政は音阿弥以来観世贔屓であり、金春座は遅れを取っていた。
English: In 1483, Konparu-za lost Genshiro HIYOSHI, who was the Dayu's cousin and a competent supporting performer, to Kanze-za at Yoshimasa's direction.
Japanese: 文明15年（1483年）、義政の意向で、従兄弟で大夫を支える有能な脇師の日吉源四郎を、観世座に奪われてしまう。
English: In the past, Shichiro (or Yashichiro) MORIGIKU, a supporting performer, had also been headhunted, and both Zenpo as the brand-new Daibu and Konparu-za were deeply shocked and damaged.
Japanese: それ以前にもやはりワキ方の守菊（弥）七郎を引き抜かれており、大夫を継いだばかりの禅鳳と金春座は大きな打撃を受ける。
English: However, Zenpo managed to overcome the crisis with the support of Choin FURUICHI, a priest of Kofuku-ji Temple, the Hatakeyama clan in Kawachi, and others.
Japanese: しかし禅鳳は興福寺衆徒の古市澄胤、河内の畠山氏などの後援を受けて何とかこの危機を乗り越える。
English: In July 1493, when he was 40 years old, Zenpo performed the first demonstration of a Noh play in Muromachi Imperial palace and after that, he was recognized as a well-qualified actor in the center.
Japanese: 明応2年（1493年）6月、40歳で禅鳳は初となる室町御所での演能を果たし、以後中央でもその実力を認められることとなった。
English: As a result, he often had a chance to perform Kanjin-noh plays (performances held to raise subscriptions for the construction of shrines or temples) in Nara where they were based and furthermore in Kyo (capital), with the sponsorship of Masamoto HOSOKAWA and Yoshioki OUCHI, who were influential persons at that time.
Japanese: 結果、当時の有力者であった細川政元、大内義興を彼の後援者として、根拠地であった奈良、さらに京でもしばしば勧進能を催すようになる。
English: The principal Kanjin noh plays performed were those held in the Imakumano region, Kyoto in 1501 and in Awataguchi in 1505.
Japanese: 主なものに文亀元年（1501年）京今熊野、永正2年（1505年）粟田口での勧進能がある。
English: The Kanjin noh play in 1501 had a large audience of Kugyo (top court officials) and court ladies, and the one in 1505 is well known as representing the peak of Zenpo's activities at the age of 52.
Japanese: 文亀元年の際には公卿・女官がこぞって見物に訪れ、また永正2年の勧進能は当時52歳の禅鳳の活動の頂点を示すものとして、よく知られている。
English: By March 1528 he had entered the priesthood and identified himself as Zenpo, and seemed to let his legitimate son Ujiaki KONPARU take over the position of Daibu.
Japanese: 大永8年（1528年）3月までに出家して禅鳳を名乗り、この頃嫡男の金春氏昭に大夫職を譲ったらしい。
English: It is thought that he left for Bingo for his retired life, and his year of death is not certain.
Japanese: 隠居後は豊後などに下ったというが、その没年についてははっきりとは分からない。
English: Others believe that far from wars and chaos in Kyo, he spent the last years of his life in Saigoku (western part of Japan (esp. Kyushu, but ranging as far east as Kinki) with the support of the Ouchi clan as one of his sponsors.
Japanese: 京の戦乱を避けて、後援者でもあった大内氏を頼り西国で晩年を過ごしたとも考えられている。
English: In addition, it is confirmed that 'Kurokawa' (also known as Kurokawa Ennen (singing and dancing performed by priests and pages after Buddhist services in temples, which started from the middle of the Heian era)), which is not performed nowadays, was written by Zenpo, and there seem to be many music pieces made until his late middle age, which were removed, disposed of, or scattered.
Japanese: 他にもまた現在演じられない「黒川（黒川延年）」が禅鳳作と判明しており、廃絶・散逸してしまった壮年期までの曲もまだ複数あると見られている。
English: According to "Jika Densho" (Noh books handed down from Konparu lineage compiled in 16th century), 18 works, which are completely different from the five above, were also made by Zenpo, but this idea has not been paid much attention, because of the discrepancy with the former selection.
Japanese: 『自家伝抄』では上の5曲とは全く異なる18番を禅鳳作とするが、従来の説との差から顧みられていない。
English: However, some believe that, based on the characteristics, 'Takebun' (HADA no Takebun) (discontinued) was a work of Zenpo.
Japanese: ただしその中の「武文（秦武文）」（廃曲）を、その特徴から禅鳳作とする見解もある。
English: Zenpo's Noh works are appreciated to 'be ambitious works with new features about subject matter, concept, and performance style' and 'exceptional Noh.'
Japanese: 禅鳳の能は「素材・構想・演出形態などに新しい趣向を持った意欲作」であり、「異色の能」とも評される。
English: Unlike the subtle and profound beauty pursued by his great-grandfather Zeami and his grandfather Zenchiku, most of Zenpo's works are more elegant Noh plays focused on gorgeous actions and spectacles such as a pageant, 'Arashiyama,' 'Ikkaku sennin.'
Japanese: その作品には「嵐山」「一角仙人」など、曽祖父・世阿弥や祖父・禅竹が追求した幽玄な味わいよりも、ショー的な動きの華やかさやスペクタクル性を追求した風流能が多い。
English: A person who is often compared to Zenpo in terms of works is Kojiro Nobumitsu KANZE, who was four years older than him.
Japanese: 禅鳳の作品としばしば比較されるのが、4歳年上の観世小次郎信光の作品である。
English: Their works have some features in common, such as visual gorgeousness and the nature of entertainment.
Japanese: 両者の作品には、上に挙げたようなビジュアル的な絢爛さ、エンターテイメント性などの共通点が見られる。
English: Zenpo wanted to become more competitive than Kanze-za ahead of their group and seemed to feel extremely conscious about Nobumitsu's works; for example, 'Ikkaku sennin' is found to have been influenced from 'Momijigari' (viewing autumnal leaves) (Noh) of Nobumitsu and there is a view that rivalries toward 'Funa Benkei' (Benkei in the Boat) also exist in 'Takebun.'
Japanese: 禅鳳は先行する観世座への対抗上、信光の作品を強く意識していたらしく、例えば「一角仙人」には信光の「紅葉狩」からの影響が指摘され、前述の「武文」にも「船弁慶」への対抗意識を見る説がある。
English: Zenpo's works focus only on amusement, pleasantness, and fun, rather than horrific or fierce aspects, which are occasionally seen in Nobumitsu's works.
Japanese: しかし禅鳳の作品には、信光作品に時に見られる凄絶さなどがなく、あくまで楽しさ、愉快さを重視している。
English: In addition, his works are thought to be full of 'fantastic and exotic taste,' because of characteristic subject matters included in many relatively short stories and proactive use of Kokata (child performers).
Japanese: また特色ある素材を生かした比較的短い作品が多いこと、子方の積極的な使用なども相まって、「空想的な異国趣味」に満ちているとされる。
English: After Zeami's death, his son-in-law Zenchiku authored unique books, and Zenpo also left many theories of Nohgaku, succeeding the achievements of these two seniors.
Japanese: 世阿弥の死後は娘婿・禅竹が特色ある著作を残し、禅鳳もまた、この二人の先達を引き継ぐ形で多くの能楽論を残した。
English: In modern times, while Zeami's Nohgaku theories have been extensively studied and read by many people, Zenchiku's theories have tended to be thought of less for the reason of being 'ideological' and 'difficult' and drew little attention after Zenpo appeared.
Japanese: しかし近代以降世阿弥の研究が多岐に渡って行われ、多くの人々に広く読まれているのに対し、禅竹は「観念的」「難解」と一段低く見られる傾向が強く、禅鳳以降にもなるとほとんど顧みられていない。
English: In fact, after Zenpo, Nodensho books (secret treatises for Noh theater) written between the late Muromachi period and the early Edo period had the clear features of a textbook or technical guidance book of fleeting and practical nature and were very different from Zeami's and other people's theories of art seeking 'What Noh is.'
Japanese: 事実禅鳳以後、室町後期から江戸初期にかけての能伝書は即物的・実用的な教科書・技術指導書としての色彩が強く、「能とは何か」を問う世阿弥などの芸術論的著作とはかけ離れたものとなっていく。
English: Many of Zenpo's books are classified as those types of books, but he also authored books of grave character, such as "Motoyasubon Goon no shidai" (a Noh book handed down from Konparu lineage compiled by Zenpo).
Japanese: 禅鳳の著作にもそうした種類のものが多い一方で、『元安本五音之次第』などの重厚な著作もある。
English: Noh' had been completed and established by the period when Zenpo wrote great works, so all what Zenpo could do was refine and polish Noh technically.
Japanese: 禅鳳の活躍した時代には「能」というものは既にほぼ確立されており、禅鳳に出来たのは、それをより技術的に洗練することだけであった。
English: In other words, Zenpo can be evaluated to be a transitional author who served as a bridge between Zeami's and Zenchiku's theories and the modern theories.
Japanese: いわば禅鳳は、世阿弥・禅竹の芸論と、近世の芸論を繋ぐ過渡期の著述家であったと評価することが出来る。
English: Given the above, his books are the best and primary materials to know how Noh was continued and was changed in the era of Zeami and Zenchiku and also had significant influence on Nodensho of later years.
Japanese: それ故に、世阿弥・禅竹期の能がいかに継承されいかに変わっていったかを知るかには、まさにその著作は第一級の資料であるし、また逆に後世の能伝書に与えた影響は極めて大きい。
English: In "Zenpo Zatsudan," special aspects of Zenpo's theory of Nohgaku include references to the words or statements made by masters in other categories of art, including Juko MURATA in Japanese tea ceremony, Sozei in Renga (linked verse), Senjun IKENOBO in flower arrangement, and Monami (聞阿弥) as a musician of Shakuhachi bamboo flute.
Japanese: また『禅鳳雑談』で見られる、茶道の村田珠光、連歌の宗砌、華道の池坊専順、尺八の聞阿弥など当時の他の諸芸の名人たちの言葉への言及も、禅鳳能楽論の特徴である。
English: "Motanshichinsho" (The Motan Collection) and "Hogoura no sho" (Notes on the Back of Used Papers) were included in "Zenchikushu" (Collection of Zenchiku works) which was published in 1915 and revised and annotated by Togo YOSHIDA, and Zenpo's authored books were published relatively early.
Japanese: 禅鳳の著作は、1915年刊行の吉田東伍校注『禅竹集』に『毛端私珍抄』『反故裏の書』が収録されるなど、比較的早くから出版されている。
English: Speaking of "Zenchikushu," however, particularly "Hogoura no sho" (third volume), is not available for research purposes at present because of lots of corruptions.
Japanese: しかし『禅竹集』では特に『反故裏の書』（三）に関して改変が多く、現在研究には用いられない。
English: Except for "Zenpo Shomotsu Utsushi" (copy of Zenpo's books), Zenpo's authored books were included in "Konparu Kodensho shusei" (Collection of the Ancient Treatises of Konparu) by Akira OMOTE and Masayoshi ITO (published by Wanya Shoten in 1969) and also "Zenpo Zodan" (Miscellaneous conversations with Zenpo) was included in "Collection of theories of art in the ancient and the medieval period," a collection of philosophical thoughts in Japan (Iwanami Shoten, publishers) (revised by Tadahiko KITAGAWA).
Japanese: 以下、『禅鳳書物写し』を除き表章・伊藤正義『金春古伝書集成』（わんや書店、1969年）に収録されるほか、『禅鳳雑談』が日本思想大系『古代中世芸術論集』（岩波書店）に収録されている（北川忠彦校訂）。
English: The "Hogoura no sho" trilogy was a memorandum for his writing, and the existing 'Motanshichinsho' is not a complete version and is thought to be the transcript of the first draft.
Japanese: 『反故裏の書』三部がその執筆用メモであるが、現存する「毛端私珍抄」自体はその完成稿ではなく、あくまで第一稿を書き写したものらしい。
English: The first half of the book presents his idea, which is almost the same as the theories described in Zeami's "Goongyokujojo" (Various Matters Concerning the Five Modes of Musical Expression) and Zenchiku's "Goon no shidai," "Goon Jittei" (Five sounds and ten styles), and "Goon sankyoku shu" (An account on the five modes and the three styles) and the latter half of the book shows Zenpo's unique theories related to "Motanshichinsho," and so on.
Japanese: 前半は世阿弥『五音曲条々』、禅竹『五音之次第』『五音十体』『五音三曲集』の所説とほぼ同内容、後半は『毛端私珍抄』などと関連する禅鳳独自の説。
English: This book contains the transcripts of two Densho, and the first half of the book was Okugaki dated January 1517 and the latter half was Okugaki dated March 1528.
Japanese: 二種の伝書を合写したもので、前半は永正13年（1516年）12月奥書、後半は大永8年（1528年）3月奥書。
English: Both were addressed to Saemon Goro ARAYA (新屋左衛門五郎), who was probably an amateur pupil in Nara.
Japanese: ともに奈良在住の素人弟子であったらしい新屋左衛門五郎という人物に当てて書かれたものである。
English: In 1505, it was handed down to Yazaemon MIYAMASU, who was a Tsuzumi (hand drum) master and later moved to Kanze-za.
Japanese: 永正2年（1505年）、後に観世座に移籍する鼓の名人・宮増弥左衛門に相伝。
English: The author was Touemon, who was probably Zenpo's pupil and is believed to have died at the age of 76 in 1553.
Japanese: 著者は禅鳳の弟子と思われる藤右衛門という人物で、天文22年（1553年）76歳で没したらしい。
English: It might have been handed down to his daughter's husband Kanze-dayu (the chairman of Kanze) Doken (道見) and transcribed by Zenpo's grandchild Sosetsu KANZE.
Japanese: 娘婿の観世大夫道見に相伝し、禅鳳の孫である観世宗節が書写したものか。
English: Seventh Sosetsu KANZE was his daughter's son; his younger brother Shigekatsu HOSHO (宝生重勝) was adopted to take over the Hosho school, and his three grandchildren each served as Dayu of three groups of Yamato-yoza (four Sarugaku performance groups in the Yamato Province).
Japanese: 七世観世宗節は娘の子で、さらにその弟宝生重勝が養子として宝生流を継ぎ、三人の孫が大和四座の内三座までの大夫を務めた。
English: FUJIWARA no Toshinori (1122-1167) was a scholar and retainer of the Imperial Court in the late Heian period.
Japanese: 藤原俊憲（ふじわらのとしのり、保安(元号)3年（1122年）-仁安(日本)2年（1167年））は平安時代後期の廷臣、学者。
English: Due to the talent and intelligence that he had inherited from his father, Shinzei, he was given government positions while still young, serving as Daigaku no Gon no Suke (Provisional Assistant Director of the Bureau of Education) and Togu Gakushi (Teacher of the Classics to the Crown Prince) amongst others and, following the Hogen War in 1156, he was appointed Ushoben (Minor Controller of the Right).
Japanese: 若年より実父信西譲りの才智をもって登用され、大学権助、東宮学士などを経て、保元元年（1156年）の保元の乱の後の除目で右少弁に任官。
English: Afterward, backed by his father's power, he successively held various important posts and when he concurrently held the posts of Sashoben (Minor Controller of the Left), Kurodo (Chamberlain), Saemon no Gon no Suke (Provivsional Assistant Captain of the Left Division of the Outer Palace Guards) and Togu Gakushi, TAIRA no Nobunori wrote in the December 3, 1157 entry of his diary "Heihanki," that Toshinori was 'one of a kind.'
Japanese: 以後、父の権勢をも背景として要職を歴任し、左少弁蔵人、左衛門権佐、東宮学士を兼帯した際には「希代」のことと評された（『兵範記』・保元2年（1157年）10月23日条）。
English: His father, Shinzei, was killed and then after the war, Shinzei's sons were made to take responsibility and banished.
Japanese: 父信西は殺害され、さらに戦後、戦乱を招いた責任によりその子息は悉く流罪に処せられる。
English: Toshinori was relieved of his positions and exiled to Echigo Province (and later to Awa Province), and taking that opportunity, he became a priest and took the name Shinjaku.
Japanese: 俊憲も解官の上越後国（後に阿波国に変更）に配流となり、これを契機に出家して法名を真寂と称した。
English: He was recalled the following year, 1160, but he never again held any prominent posts and died in 1167.
Japanese: 翌永暦(日本)元年（1160年）には召還されるが、その後は表舞台に立つことなく、仁安2年に死去した。
English: "Gukansho" (Jottings of a Fool), "Kojidan" (Talks of the Past) and "Zoku Kojidan" (Talks of the Past, continued) contained anecdotes about his talent for writing and the August 23, 1184 entry in FUJIWARA no Kanezane's diary "Gyokuyo" refers to Toshinori's prediction that 'war will not cease as long as the Retired Emperor Goshirakawa holds power' as a 'proverb of a wise man.'
Japanese: 『愚管抄』や『古事談』『続古事談』にその文才を物語る逸話があり、また『玉葉』元暦元年（1184年）7月9日条にも、かつて俊憲が「後白河院のもとでは戦乱が止まないであろう」と予言していたことが「聖人格言」として紹介されている。
English: His literary works include "Shinnin Benkan-sho" and "Kanjuhisho," and his waka (a traditional Japanese poem of thirty-one syllables) were selected for "Senzai Wakashu" (Collection of a Thousand Years) and "Shin Chokusen Wakashu" (New Imperial Anthology of Japanese Poetry).
Japanese: 著書として『新任弁官抄』『貫首秘抄』があり、また歌人としても『千載和歌集』『新勅撰和歌集』にもその作が入選している。
English: FUJIWARA no Otsu (792-November 6, 854) was a government official in the early Heian period.
Japanese: 藤原大津（ふじわらのおおつ、延暦11年（792年）-仁寿4年10月9日(旧暦)（854年11月2日））は、平安時代前期の官人。
English: He was appointed Ootoneri no Taijo (Senior Secretary of the Bureau of Royal Attendants) at the age of 18 and then served as Daijo (Senior Commissioner) of Hitachi Province and Ukon no Jo (Lieutenant of the Right Division of Inner Palace Guards), before being promoted to Kami (Governor) of Bingo Province with the rank of Jugoinoge (Junior Fifth Rank, Lower Grade) in 826.
Japanese: 18歳で大舎人大允となり、常陸大掾・右近将監を経て、天長3年（826年）従五位下備後守になる。
English: During the Jowa Incident in August 842, he defended Uji-bashi Bridge in Yamashiro Province.
Japanese: 承和(日本)9年（842年）7月の承和の変では、山城国の宇治橋を守った。
English: He served with distinction as a local government official behind and is said to have been respected by local people during his time as the Governor of Bingo and Iyo Provinces.
Japanese: また地方官としての優れた業績を残し、備後守・伊予守時代では民に慕われたという。
English: MINAMOTO no Tsunesuke (year of birth unknown-November 1, 1039) was a government official in the mid-Heian period.
Japanese: 源経相（みなもとのつねすけ、生年不詳-長暦3年10月7日(旧暦)（1039年10月26日））は、平安時代中期の官人。
English: He was a nephew of MINAMOTO no Rinshi (FUJIWARA no Michinaga's wife) and he himself maintained close links with Michinaga's family.
Japanese: 源倫子（藤原道長室）の甥にあたり、彼自身も道長一族と深い関係にあった。
English: He served as a local government official and died in 1039 with the rank of Jushiinoge (Junior Fourth Rank, Lower Grade) and the post of Governor of Mikawa Province.
Japanese: 地方官を歴任したが、長暦3年（1039年）に従四位下三河国守で卒去した。
English: Sadahide GAMO (1444? - 1513) was a busho (military commander) and a waka poet of the Muromachi period.
Japanese: 蒲生貞秀（がもうさだひで、文安元年（1444年）?-永正10年（1513年））は室町時代の武将、歌人。
English: He established Otowa-jo castle and became the castellan from 1467 to 1486.
Japanese: 応仁・文明(日本)年間（1467年-1486年）には音羽城を築城し、城主となっている。
English: He is also known as a waka poet; five of his poems were selected to be included in "Shinsen Tsukubashu" (New Selection of Renga Poetry of Tsukuba).
Japanese: また、歌人としても知られており、『新撰菟玖波集』に5首が選ばれている。
English: "Kojidan" (Talks of the Past) contains an anecdote about the head of the family serving as a Hochonin (chef), cutting and trimming a fish at a feast in front of Emperor Toba.
Japanese: 家長も鳥羽天皇の御前の酒宴において包丁人を勤め、魚をさばいた際の逸話が『古事談』に見える。
English: He served FUJIWARA no Tadazane and his son, FUJIWARA no Yorinaga, and often rode at the head ｗhen they went out.
Japanese: 藤原忠実・藤原頼長父子に近侍し、その外出の際にはしばしば前駆を勤めている。
English: Due probably to that relationship, he is said to have participated on the Retired Emperor Sutoku's side in the Hogen War in 1156 and his name is included in "Hogen Monogatari" (The Tale of the Hogen War) among the Court nobles who became priests or surrendered after the War.
Japanese: その関係からか保元元年（1156年）の保元の乱においては崇徳上皇方に参じたと言われ、『保元物語』においては乱の後に出家・降伏した公家の中にその名が見える。
English: His specific movements after that, including any punishment he received, is unknown.
Japanese: ただし、その際の処罰を含め、その後の具体的な動静については不明である。