nntsuzu/KFTT huggingface dataset:
English: For this reason, specialists who knew fully well various hairstyles and had skill to fix hairdo to suit a customer's appearance or preference were required, therefore, male 'Mawarikamiyui' visited yukaku and fixed yujo's hairdo.
Japanese: そのため、多彩な髪型を熟知し顧客の容姿や好みに合わせて結い上げる専門職が必要になり男性の「廻り髪結い」が遊郭を出入りして遊女の髪を結った。
English: However, the work to understand more and more complicated hairstyles and to meet customers' detailed demands was hard for men, so female Kamiyui appeared around the Anei era, which made 'Mawarikamiyui' in yukaku rapidly disappear.
Japanese: しかし、男性にはさらに複雑化してゆく髪型を熟知し顧客の細かな要望に応える作業は厳しく、安永ごろになると女性の髪結いが登場して遊郭の「廻り髪結い」は急速に衰退していった。
English: Female Kamiyui visited their customers with sujimekushi (comb for line) and sukigushi (fine-toothed comb) wrapped in furoshiki (wrapping cloth), and fixed their hairdo into the latest hairstyles based on their requests.
Japanese: 彼女たちは筋目櫛や梳き櫛などを風呂敷に包んで顧客を訪ね、客の要望を聞きながら最新の髪形を結っていった。
English: In the end of Edo period, style books were come out every year, and Kamiyui referred to them and added their own style while fixing hairdo.
Japanese: 江戸時代後期には毎年のようにスタイルブックが売り出され髪結いはそれを参考にアレンジを加えてゆっていた。
English: Female Kamiyui themselves were mostly solid and modest women, who wore outworn plain clothes with a maedare (apron) instead of the obi sash.
Japanese: 女髪結い自体は着古した地味な衣装に前垂れを帯代わりにするような堅実で質素な女性が多かった。
English: However, bakufu regarded the deed to have someone fix hairdo as luxury and often imposed the ban (still, little women listened).
Japanese: だが、幕府には他人に髪を結わせるという行為が贅沢だと目をつけられてたびたび禁止令を出されていた（とはいえ耳を貸すような女性は皆無に等しかったのだが）。
English: According to the document around the Anei era, the price of Kamiyui was about 200 mon each time, and it seems to have changed a little depending on fluctuations in price or the times.
Japanese: 髪結い料は安永ごろの資料を見ると一回で200文程度で、物価の上下や時代ごとに多少の変遷があったと思われる。
English: 'A husband of Kamiyui' was a synonym of a man who was well-off thanks to his well-paid wife.
Japanese: 「髪結いの亭主」といえば高給取りの女房のおかげで楽な暮らしをする男の代名詞であった。
English: "Sumida-gawa Gonichi no Omokage" is one of the kabuki kyogen play written by Shimesuke NAGAWA.
Japanese: 『隅田川続俤』（すみだがわごにちのおもかげ）は奈河七五三助（ながわしめすけ）作の歌舞伎狂言。
English: It is the play that consists of four acts, seven scenes, and was first played at Kado-no-shibai (latter-Day Dotonbori Kado-za theater) in June-July, 1784.
Japanese: 4幕7場からなる世話物で天明3年(1784年)5月(旧暦)、大坂角の芝居（藤川菊松座）で初演。
English: The part of the joruri version of the play "Futaomote mizuni terutsuki" were separated from the original play and known as "Futaomote" and "Shinobuuri."
Japanese: また浄瑠璃版の『双面水照月』（ふたおもてみずにてるつき）の一部が独立して、『双面』『葱売』」として知られている。
English: A depraved priest Hokaibo who lives in Asakusa Shodencho Town makes his living with the money that he earns by seeking alms for erecting hanging bell.
Japanese: 浅草聖天町に住む破戒僧の法界坊は、釣鐘建立の勧進をしながらその浄財で暮らしている。
English: Hokaibo is hated by all the people because he is involved in wrong doing as a tool of a cruel bailiff, wears dirty clothes and is lascivious.
Japanese: 悪代官の手先として悪事を働きしかも薄汚い恰好をして好色でみんなから嫌われている。
English: Hokaibo falls in illicit love with Okumi of Eirakuya, but Okumi is in love with Yosuke who is tedai (assistant manger) of the shop.
Japanese: 法界坊は永楽屋のお組に横恋慕するが、お組は手代の要助に恋をしている。
English: Hokaibo is the name of the depraved priest that appears in many preceding kabuki plays including "Futago Sumidagawa" by Monzaemon CHIKAMTSU.
Japanese: 法界坊の名は近松門左衛門の『雙生隅田川』をはじめとして多くの先行作に登場する破戒僧である。
English: The role of Hokaibo is also the reconstruction of Dainichibo played by Nakazo NAKAMURA in "Iromoyo aoyagisoga."
Japanese: 本作も初代中村仲蔵が『色模様青柳曽我』で演じた大日坊を再構成した作品である。
English: The play is a comedy, which is unusual in kabuki, and the acting the role of Hokaibo who is evil but somehow lovable is the most important point in the play.
Japanese: 歌舞伎では珍しい喜劇で、極悪人だがどこか憎めない法界坊の演技が眼目である。
English: He cut the story as long as 40 minutes short on Senshuraku (the last day of performance), which made him deplore, "No other role is more difficult than this."
Japanese: 千秋楽には上演時間が40分も短くなるほど端折ってしまい、「これほどむつかしい役はない」と嘆かさせ\た。
English: Recently Kanzaburo NAKAMURA, the 17th performed the role well, revealing Hokaibo's darkness of the evil and melancholiness behind the lavableness.
Japanese: 最近では十七代目勘三郎が愛嬌の後ろに悪の暗さと哀愁がにじみ出て優れた舞台だった。
English: The funny choreography like ballet, the acting of jumping rope and jokes were the patterns devised by him.
Japanese: 今日でも最も観客受けするバレエのような珍妙な振り付けや縄跳びの所作や洒落は、彼によって工夫された型である。
English: Shosagoto (dance in kabuki) "Futaomote mizuni terutsuki" in the final scene was written by Shinshichi KAWATAKE exclusively for this play because "Musume Dojoji (The maiden at Dojo Temple) that tachiyaku (a leading male-actor) Nakazo NAKAMURA wanted play was allowed to only onnagata (actor of female role).
Japanese: 大詰の所作事『双面水照月』は、立役の中村仲蔵(初代)が踊りたかった『娘道成寺』が女形しか踊ることが許されなかったため、初代河竹新七によって書き下ろされたものである。
English: As the integrated vengeful ghost of Hokaibo and Nowaki hime just looks like Okumi in appearance, to play the role the actor is required to have the skillfulness to dance differentiating the ghastly depraved priest and lovely female.
Japanese: 法界坊と野分姫が合体した怨霊は外見はお組そっくりで、醜悪な破戒僧と可憐な女性を踊り分ける巧さが求められる。
English: As for the accompaniment, the grave gidayu (a style of dramatic narratives) takes the part of Hokaibo and the graceful tokiwazu the part of the princess in order that each accompaniment can express each role.
Japanese: 伴奏も重々しい義太夫が法界坊を、優美な常磐津が姫をそれぞれ表現するように巧く分けられている。
English: Ennosuke ICHIKAWA, the third and Kanzaburo NAKAMURA, the 18th came up with their own acting of the vengeful ghost's chunori (a midair stunt) and atojite ("shite" performer that appears after nakairi) disguised as ogre with oshimodoshi (push-back, one of kabuki juhachiban [eighteen best plays of the ichikawa family of kabuki actors]).
Japanese: 市川猿之助(3代目)や中村勘三郎(18代目)は、怨霊の宙乗りと鬼の扮装をした後ジテに押し戻しがからむ独自の演出を取っている。
English: It is one of the groups of ningyo joruri (traditional Japanese puppet theater) works originated in Noh Sumida-gawa River.
Japanese: 能の隅田川(能)を原点とする人形浄瑠璃の世界(曖昧さ回避)のひとつ。
English: The kabuki kyogen works performed often currently are "Futago Sumidagawa" written by Monzaemon CHIKAMATSU, "Sakurahime azuma bunsho" and "Sumidagawa hanano goshozome" by Nanboku TSURUYA and "Miyakodori nagareno shiranami" by Mokuami KAWATAKE.
Japanese: 近松門左衛門の『雙生隅田川』、鶴屋南北(4代目)の『桜姫東文章』や『隅田川花御所染』、河竹黙阿弥の『都鳥廓白浪』（忍の惣太）などの歌舞伎狂言が今日よく上演される。
English: Ukontaku (also called Ukintaku) refers to a engraved print which is as black as a crow feather.
Japanese: 烏金拓（うこんたく、うきんたく）は烏の羽根のように真っ黒にとった拓本のこと。
English: On the contrary, 'Senyokutaku' refers to a light one as a cicada wing.
Japanese: 対して「蝉翼拓」（せんよくたく）は蝉の羽根のように薄くとったものをいう。
English: Since an engraved print was originally born in China to copy down an inscription on a stone monument, basically print was relatively-dark.
Japanese: もともと中国で拓本が生まれたのは、碑文を写し取るためだったので比較的濃く採るのを基本としていた。
English: Later, famous monuments, especially ones whose text or writer was famous, were used as copybooks of calligraphy for good examples.
Japanese: その後書道のテキスト（碑帖）として有名な碑、特に文が有名であったり、書家が有名なものが手本として使われるようになる。
English: In that case, it was more useful when the contrast was high, so most engraved prints in China became almost jet black.
Japanese: すると、黒白がはっきりしている方が役に立つため、中国の拓本はほとんどが真っ黒に近いものになった。
English: In the time of the Qing dynasty, when white paper was invented, the engraved print, rubbed by ink stick made from lamp soot until it became shiny, was born.
Japanese: 清朝になって白い紙（桃花紙）が出てくると、油煙墨を使ってピカピカになるほど上墨した拓本が生まれた。
English: This engraved print, rubbed until it becomes jet black, inevitably stains the object with a little ink through the paper.
Japanese: この真っ黒にとる拓本はどうしても紙を抜けて対象物に墨を少し移してしまう。
English: Repeated prints make the object jet black, and most of the monuments in China are stained for this reason.
Japanese: 度重なれば対象物は真っ黒になってしまい、中国の多くの碑はこのため汚れている。
English: Senyokutaku refers to a light-colored engraved print like a cicada wing, or a technique of such rubbing.
Japanese: 蝉翼拓（せんよくたく）はセミの羽根のように薄くとられた拓本、もしくは拓本をとる技法。
English: An engraved print originally tended to be rubbed darkly in China due to the origin of engraved prints.
Japanese: もともと中国では拓本の成り立ちからいって、拓本は濃く採られる傾向があった。
English: On the contrary, Senyokutaku was a unique engraved print at the time, which people discovered beauty in the engraved print itself.
Japanese: それに対して蝉翼拓は、拓本そのものに美しさを見いだした、当時としては異色な拓本である。
English: It originates in February of 673, when SAKAMOTO no Takara who was a meritorious retainer of the Jinshin War passed away and was given shoshi no kurai, for he held a ministerial rank.
Japanese: 天武天皇2年（673年）2月、壬申の乱の功臣であった坂本財が薨じ、大臣級の冠位であったことから小紫位を贈られたのにはじまる。
English: Then, Jomyo SATAKKU from Baekje was given tono shoshi no kurai, and zoi was frequently carried out to meritorious retainers of the Jinshin War and toraijin (people from overseas, especially from China and Korea, who settled in early Japan and introduced Continental culture to Japan).
Japanese: その後、百済の沙宅昭明が没して外小紫位を贈られ、壬申の乱の功臣や渡来人に対して盛んに贈位が行われるようになった。
English: It is stipulated in "Yoro-ryo" (Yoro Code) and "Taiho-ryo" (Taiho Code) that in the case of zoi due to death at war, Oni (the automatic promotion of the persons at the age of 21, whose parents are from Imperial Prince to the fifth rank, or whose grandparents are upper than third rank) to his children and grandchildren would be equal to the rank he held while he was alive, and in other cases, Oni was usually with a rank, one lower to the rank which would normally be bestowed upon.
Japanese: 『養老令』『大宝令』では、戦死による贈位の場合、その子・孫への蔭位は、生前の帯位と同等とし、それ以外の贈位の場合、蔭位は通常の位階より一階降して授けることとされた。
English: From then on, zoi became a special dispensation for high ranked nobles that have passed away; moreover, it began to be carried out for the purposes of comforting the spirit and restoring impaired reputations of those who died on false charges, or for the Kento-shi (Japanese envoy to Tang Dynasty China) who died in their journey.
Japanese: 以後、贈位は亡くなった高位の貴族への恩典として、さらには無実の罪で亡くなった者、或いは派遣途上でなくなった遣唐使の慰霊や名誉回復を目的で行われるようになった。
English: It was frequently carried out especially for those who died while rendering great achievements during Sonno Joi (19th century slogan advocating reverence for the Emperor and the expulsion of foreigners) that took place at the end of Edo period and the Meiji Restoration, or to those court nobles and warlords of the Southern court during the period of the Northern and Southern Courts.
Japanese: 特に幕末の尊皇攘夷や明治維新で功績を挙げながら亡くなった者、または南北朝時代の南朝方の公卿や武将への贈位も盛んに行われた。
English: As a general rule, ranks for zoi was Jugoinojo (Junior Fifth Rank) or higher, but from the reformation of official rank system in 1869, ranks Jushii (Junior Fourth Rank) or higher were applied.
Japanese: 贈位は原則として従五位以上とされたが、明治2年（1869年）の官位制度改革以後は従四位以上の適用となった。
English: Since 'Senshisha zoi narabi joi no ken' (Matter for conferring and investiture of court ranks to those who died in the war) was enacted in 1895, when a military man with distinguished performance died in a war, Jugoi or higher was bestowed irrespective of the rank before his death, and those pursuant would receive an accelerated promotion by one or two ranks higher to the rank held before death.
Japanese: 明治28年（1895年）、「戦死者贈位並叙位ノ件」が制定されたのに伴い、功績抜群なる軍人が戦死した場合は生前の位階に関わらず従五位以上を贈るものとし、準ずるものは生前の位階を一級ないし二級特進させることとした。
English: In the 'Senshisha zoi narabi joi shinkai naisoku' (Rules for conferring of court ranks to those who died in the war and investiture of promotion) that was enacted in 1897, it was stipulated that Shoshii (Senior Fourth Rank) or higher was given to generals, ranks between Jugoi (Junior Fifth Rank) and Shoshii was given to field officers, ranks between Jugoi and Shogoi (Senior Fifth Rank) were given to officers below the rank of major, and Jugoi was given to under-officers, noncommissioned officers, and soldiers.
Japanese: 明治30年（1897年）戦死者贈位並叙位進階内則」では、将官は正四位以上、佐官は従五位から正四位の間、尉官は従五位から正五位の間、准士官、下士官、兵卒は従五位を贈るとされた。
English: During the Meiji period, the prerogatives of honoring belonged to the Emperor, and Decoration Bureau of the cabinet was in charge of zoi, but as joi for the survivors was suspended after the Pacific War, zoi also stopped at one point.
Japanese: 明治時代は栄典大権は天皇に属するものであり、贈位は内閣賞勲局が担当したが、太平洋戦争後、生存者に対する叙位が停止したのに伴い、贈位も一時停止状態となった。
English: Investiture of Court ranks and bestowal of orders to those who had died in a war' was approved during the Hayato IKEDA's cabinet in 1963, and the bestowing a rank and conferment of a decoration to those who died while serving in World War II resumed.
Japanese: 昭和39年（1963年）、池田勇人内閣において「戦没者に対する叙位叙勲について」が閣議決定され、第二次世界大戦の戦死者に対する叙位叙勲が復活する。
English: Thereafter, court ranks were bestowed only to the deceased, and since the court ranks were no longer conferred to the survivors, standard form of joi served as a means of zoi before the Meiji period (however, unlike zoi, the letter '贈' is not used in joi).
Japanese: 以後、位階は死没者にのみ贈られるものとなり、生存者に対し叙位が適用されなくなったため、通常の叙位が明治以前の贈位の機能を果たしている（但し、贈位とは異なり、叙位では「贈」の字は用いられない）。
English: In the field of Shogi, zoijo means a document that shows conferment of titles to the winners which have gained the titles including ryuo (promoted rook), osho (king), and so on.
Japanese: 将棋の分野では、竜王、王将などのタイトルを取得した勝者に与えられるタイトルの授与を記した文書を贈位状という。
English: The title in kabuki is "Narukamifudo Kitayamazakura," and it was first played in 1742.
Japanese: 歌舞伎外題は『雷神不動北山桜』（なるかみふどうきたやまざくら）、初演は寛保二年。
English: At first Narukami was played with 'Kenuki (tweezers)' and 'Fudo' as a part of "Narukamifudo Kitayamazakura," which is a long story.
Japanese: 『雷神不動北山桜』において、鳴神は当初、「毛抜」・「不動」と共に長編の中の一部として演じられていた。
English: To be more specific, 'Kenuki kabuki juhachiban 'Kenuki' is Act 3, 'Narukami' Act 4 and 'Fudo' Act 5.
Japanese: ちなみに、「毛抜き歌舞伎十八番「毛抜」」が三段目、「鳴神」は四段目、「不動」は五段目である。
English: It was not played during Meiji Era, but in 1910 Sadanji ICHIKAWA revived the play based on the book written by Onitaro OKA.
Japanese: 明治以降上演が途絶えていたが、1910(明治43)年、二代目市川左團次が岡鬼太郎の脚本をもとに復活上演。
English: Saint Narukami prayed for the birth of a prince in exchange for making then emperor build a temple, and succeeds.
Japanese: 鳴神上人は、寺院建立を約束に皇子誕生の祈祷を行い、これを成功させる。
English: However, as the emperor broke the promise, Narukami locks up the dragon god of rainmaking in the waterfall basin using jujutsu (an occult act).
Japanese: しかし、時の天皇が約束を破ったために呪術を用いて、雨降らしの竜神を滝つぼに封印させてしまう。
English: Then, the emperor sends Kumonotaema hime (princess), the most beautiful lady in the court to Narukami, trying to break the spell with woman's charms.
Japanese: すると、天皇は女色で上人の呪術を破ろうと、内裏一の美人・雲の絶間姫を上人の元に送り込む。
English: Judging the right time, Kumonotaema hime releases the dragon god from the waterfall basin, and the god provides heavy rain.
Japanese: その時を見計らった絶間姫により、滝つぼより放たれた竜神により、大雨が降る。
English: Knowing that he was deceived, Narukami flies into a fury with his hair standing on end and the patterns of his clothes becoming fire.
Japanese: だまされたと悟った上人は烈火のごとく怒り出し、髪は逆立ち衣装は炎の模様になる。
English: Yamato-cha green tea is a kind of Japanese tea produced in an area centering Yamato Plateau in Nara Prefecture.
Japanese: 大和茶（やまとちゃ）は、奈良県大和高原を中心とする地域で生産される日本茶のひとつ。
English: It is said that cool climate is suitable for growing high quality tea trees and Yamato Plateau satisfies that condition and growing tea trees are encouraged there.
Japanese: 良質な茶の栽培には冷涼な気候が適しているとされ、大和高原はその条件に合っているので茶の栽培が奨励されてきた。
English: The indication criteria for green tea are publicly announced and, in addition to indication of 'Yamato cha', indication is also used describing 'Tsukigase cha', 'Fukuju cha', 'Yagyu cha', and 'Yamazoe cha' as tea names originated from the names of places the tea leaves are produced.
Japanese: 緑茶の表示基準というものが公表されており、「大和茶」として表示される以外に、生産地名からの呼称として「月ヶ瀬茶」や「福住茶」、「柳生茶」、「山添茶」という表示も行われている。
English: A variety obtained by cross-breeding from seedlings based on the local varieties in Nara Prefecture is 'Yamato-midori'.
Japanese: 奈良県の在来種をもとに実生から品種改良したものとして、「やまとみどり」がある。
English: This variety is a late variety and the tree thereof stands upright and, in the tree vigor, a leaf has an oblong shape and is deep green and, the tree is especially resistant to cold climate, has dense buds, and provides intermediate production.
Japanese: 晩生種で樹姿直立、樹勢中、葉は長だ円形で濃緑色、耐寒性特に強く、着芽密で収量は中である。
English: A Buddhism priest, Kobo-daishi transmitted the production method of Yamato-cha green tea when he returned from Tang in China in 806 with seeds of tea and sowed them in an area which is currently Akahani in Harihara Town in Uda County, and the tea mortar which was also brought by him is preserved until today in Butsuryu-ji temple in Akahani, and the tea seeds are also preserved in the precincts of this temple as 'garden of moss' and, this is also said to be the origin of 'Yamato-cha'.'
Japanese: 「大和茶は大同元年（806年）に弘法大師が唐より帰朝の際茶の種子を持ちかえり、これを現在の宇陀郡榛原町赤埴に播種して、その製法を伝えられました。またその際持ち帰った茶臼は赤埴の仏隆寺に現在も保存されております。茶の実もまた同境内に「苔の園」として保存されており、これが「大和茶」の初めとも言われております。」
English: In contrast, it is also said that Tarobe YOSHIDA, a person living in Hatano Village purchased seeds of cha from xin-le in Jiang-zhou Province in China and sowed them in a land of about 70 [a].
Japanese: もっとも、波多野村の住人、吉田太郎兵衛が江州の信楽からチャの実を買い入れ、約70aに蒔いたともいわれている。
English: It is said that Nara has many historical spots concerning Buddhism and Buddhism temples and tea became popular there because of the relation with Buddhism and, on the other hand, yama-cha (wild tea) was seen in many places in Nara and was used to some extent.
Japanese: 奈良は仏教史跡、寺院も多く、仏教との関係で茶も広まり、一方ではヤマチャも諸所にあり、それなりに利用されたとされる。
English: The half of the sake breweries throughout the country were forced to go out of business by Sake Producing Equipment Instructions in 1943 as a national policy during the war time.
Japanese: 1943年の清酒清酒製造業整備要項により全国の半数の酒造所が戦時下の国策として強制的に廃業させられた。
English: Furthermore, from that time, sake breweries were placed under the strict control of the National Tax Agency, and the tax on sake brewing had a system that more water added in the finished sake, the cheaper the tax became.
Japanese: さらに当時より酒造所は国税庁の厳しい管轄下にあり、造石税は出来上がった酒に加水すればするほど税金が安くなる仕組みであった。
English: The decrease of production volume of sake due to the deficit of rice, its material, and closing of sake breweries caused water-adding happened in sequence during the course of distribution; sake breweries, wholesalers, retailers, and consumers.
Japanese: 原料となる米不足、酒造所の廃業による清酒の生産量低下、そのため造り酒屋>問屋>小売店>消費者と流通過程で次々と加水された。
English: Kyakushiki refers to laws and ordinances which were passed in complement to the Ritsuryo codes, or law codes which were the collections of those codes.
Japanese: 格式（きゃくしき）とは、律令の補完の為に出された法令あるいはそれらを纏めた法令集の事を指す。
English: Kyaku refers to laws and ordinances (auxiliary law) which were for the amendment and supplement of the Ritsuryo, and shiki (nori) were detailed enforcement regulations of the Ritsuryo.
Japanese: 格（きゃく）は律令の修正･補足のための法令（副法）を指し、式（しき/のり）は律令の施行細則を指した。
English: In contrast to China, where revision and enforcement were made to cover for the insufficiency of the Ritsuryo codes that were compiled simultaneously, Japan took the style of revising on a later day, all the laws and ordinances that were added in the forms of imperial edicts and Daijokanpu (official documents issued by Daijokan, Grand Council of State) after the compilation of the Ritsuryo codes.
Japanese: 中国では律令編纂と同時にその不足を補う意味で編纂・施行が行われたのに対して、日本では律令編纂後に詔勅・太政官符の形式で追加された法令を後日纏めて編纂する形が取られた。
English: As for Kyaku, too, as opposed to China, where after the fall of the Tung dynasty, it had diminished into restrictive law which stated the qualifications for government officials, the share of Kyaku became high since not one new Ritsuryo code were made at all from the Yoro Ritsuryo code in Japan, and even laws and ordinances (for example, "konden einen shizai ho", the Law Permitting Permanent Ownership of Newly Cultivated Land) which denied the rules by the Ritsuryo codes were passed in the form of Kyaku.
Japanese: また、格に関しても中国では唐の滅亡後は官人資格などを定めた限定的な法律に縮小されていくのに対して、日本では養老律令以後新規の律令が全く作られなくなったために格の占める比率が高くなり、律令による規定そのものを否定する法令（例墾田永年私財法）さえも格の形式によって出されるようになった。
English: As a result, there were cases where shiki made detailed enforcement regulations of kyaku, and from the middle of the Heian period, although on surface, it was politics based on the Ritsuryo codes, it was actually 'kyaku shiki seiji' (politics based on amendments and enforcement regulations of the Ritsuryo).
Japanese: このため、式が格の施行細則を規定する場合も見られるようになり、平安時代中期以後は律令法に基づいた律令政治という体裁を取りながらも実態は「格式政治」であったと言われている。
English: Also, in Korea, while accepting the Ritsuryo codes of the Tung dynasty, amendments were made by kyakushiki according to the conditions of the country.
Japanese: また、朝鮮では律令そのものは唐の律令を受容しつつも格式によって国情に合わせた法体系に修正していった。
English: Kyaku in the form of legal codes, was by and large written as the original text including sentences and dates of proclamation, and were arranged according to the government officials concerned.
Japanese: 格の法典としての体裁は、個々の単行法令を事書きや発令日などを含めてほぼ原文のまま記載して関係官司ごとに配列している。
English: In addition, Shiki was used not only as the detailed enforcement regulations of the ryo which was the administrative law, but also as legal basis (including such as 'kebiishi shiki' that enacted the placement of kebiishi (officials with judicial and police powers)) which were placed after the enforcement of ryo to complete the formation of officials outside of the ryo codes.
Japanese: また、式は行政法である令の施行細則のみならず後にこれを補うために設置された令外官設置の根拠法規（検非違使設置を定めた「検非違使式」など）としても用いられた。
English: Genroku chushingura is a program of Kabuki, and is a Shin-kabuki (new Kabuki) written by Seika MAYAMA.
Japanese: 元禄忠臣蔵（げんろくちゅうしんぐら）は歌舞伎の演目で、真山青果作の新歌舞伎。
English: After part of the program, 'Oishi's last day', was first performed at the Kabuki Theater in February, 1934, a total of ten acts were produced.
Japanese: 1934年（昭和9年）2月に歌舞伎座で「大石最後の一日」が初演された後、全10編が制作された。
English: It is a film that replaces "Macbeth," a William Shakespeare's play into the Sengoku period (period of warring states) in Japan.
Japanese: ウィリアム・シェイクスピアの戯曲『マクベス(シェイクスピア)』を日本の戦国時代_(日本)に置き換えた作品。
English: Although it is an adaptation, it is widely known as a film that reproduces the atmosphere of the original work most precisely.
Japanese: 翻案物にも関わらず、原作の雰囲気を最も忠実に再現した作品として広く知られている。
English: Kuniharu TSUZUKI, the lord of Kumonosu-jo Castle (Spider web Castle) was betrayed by Fujimaki, the lord of Kita no Tachi (North Castle), which made him decide to confine himself to the castle.
Japanese: 蜘蛛巣城城主・都築国春は北の館城主・藤巻の謀反に遭い、篭城を決意する。
English: Meanwhile, he was reported that the situation reversed due to the good work of Taketoki WASHIZU and Yoshiaki MIKI.
Japanese: そんな中、鷲津武時と三木義明の活躍によって形勢が逆転したとの報せが入る。
English: Taketoki and Yoshiaki got lost in 'Kumode no Mori' (Spider hand Forest), when they hurried themselves in a storm, called by Kuniharu.
Japanese: 国春に召されて嵐の中を急ぐ武時と義明は、途中の「蜘蛛手の森」で迷ってしまう。
English: There they met a strange old woman, who told them that Taketoki would become the lord of Kita no Tachi and later that of Kumonosu-jo Castle, and that Yoshiaki would become the general of the First Fort, and his son would be later the lord of Kumonosu-jo Castle.
Japanese: そこで二人は奇妙な老婆と出会い、武時は北の館の主、そして蜘蛛巣城の城主になることを、義明は一の砦の大将となり、やがて子が蜘蛛巣城の城主になることを告げられる。
English: As she predicted, Taketoki was assigned as the lord of Kita no Tachi, and Yoshiaki as the general of the First Fort by Kuniharu.
Japanese: 老婆の予言通り、国春によって武時は北の館の主に、義明は一の砦の大将に任ぜられる。
English: When Taketoki's wife Asaji heard everything from him, she told Taketoki that Kuniharu would definitely kill him threatening the position of the lord if Kuniharu was to know the prediction of the old woman, and she encouraged Taketoki to kill Kuniharu before being killed, which made his heart waver.
Japanese: 武時から一部始終を聞いた妻・浅茅は、老婆の予言を国春が知れば、城主の地位を脅かすものとして武時を殺すに違いない、そうなる前に彼を殺せとそそのかし、武時の心は揺れ動く。
English: Just then, Kuniharu came to Kita no Tachi to attack Inui in a neighboring country with an army.
Japanese: 折りしも、兵を引き連れた国春が隣国の乾を攻めるために北の館へやって来る。
English: A vassal Noriyasu ODAGURA, who was suspected, fled to a mountain together with Kunimaru, Kuniharu's heir.
Japanese: 嫌疑をかけられた臣下・小田倉則安は国春の嫡男・国丸を擁し、二人で山に逃れる。
English: Taketoki became the lord of Kumonosu-jo Castle formally, and he tried to adopt Yoshiteru, Yoshiaki's heir because he had no child.
Japanese: 晴れて蜘蛛巣城の城主となった武時だったが、子がないために義明の嫡男・義照を養子に迎えようとする。
English: However, Asaji complained, 'we did not kill the lord for Miki's son.'
Japanese: だが浅茅は「三木殿の御子のために主君を殺したわけではない」と不満を述べる。
English: After the party was spoiled and all the guests left, the assassin came back to Taketoki and told him that he killed Yoshiaki but let Yoshiteru get away.
Japanese: すっかり座もしらけて客が皆引き上げた後、武時の元に刺客が現れ、義明は討ち取ったものの、義照は取り逃がしてしまったと報告する。