nntsuzu/KFTT huggingface dataset:
English: His children included Kakucho (a priest at Ango-in Temple), Kiun, Masaharu ASUKAI, Suesuga (a priest at Saisho-in Temple), Gyoe, Sotei (a chief priest at Shuzen-ji Temple in Izu Province who took the name "Nito"), Toyama, Suegami (a priest at Hoon-in Temple who took the name "Mizumoto"), 雅厳 (a priest who took the name "Matsuhashi"), Omoe, a wife of Tsunenori (a priest at Bukko-ji Temple), Harutsuna KUTSUKI's wife, and Me no Naishi no suke (a court lady of the first rank who was Emperor Ogimachi's Naishi no suke).
Japanese: 子女は、覚澄（安居院僧正）、喜雲、飛鳥井雅春、某（最勝院）、尭慧、宗禎（伊豆国修善寺住持、二卜と号す）、遠山、某（報恩院、水本と号す）、雅厳（僧正、松橋）、重茂、仏光寺経範の妻、朽木晴綱室、目の典侍（正親町天皇典侍）のほかに女子あり。
English: Mikushige-dono (the date of birth unknown-July 21, 1002) was nyokan (a court lady) of Emperor Ichijo's kokyu (emperor's residence) and betto (superior) of Joganden Palace (also called 'Mikushige-dono') in the mid Heian Period.
Japanese: 御匣殿（みくしげどの、生年不詳-長保4年6月3日(旧暦)（1002年7月15日）は平安中期、一条天皇代の後宮の女官で、貞観殿（別名「御匣殿」）の別当。
English: She was betto of Mikushige-dono to serve for FUJIWARA no Teishi (Empress of Emperor Ichijo), her older sister with the same mother and often appeared in "Makura no soshi (the Pillow Book.)"
Japanese: 母を同じくする長姉藤原定子（一条天皇皇后）に御匣殿別当として仕え、『枕草子』にも幾たびか登場する。
English: According to 'Toribeno', a series of "Eiga Monogatari (the Tale of Glory)", Teishi who had a premonition that she would die asked her to raise her nephew, Imperial Prince Atsuyasu and upon death of Teishi in Jsanuary 1001, carried out judai (an Imperial Consort's bridal entry into court) to serve as a substitute mother for her three bereaved children.
Japanese: 『栄花物語』「鳥辺野」の巻によれば、死を予感した定子より甥の敦康親王の養育を託され、長保2年（1000年）12月に定子が亡くなったのち、3人の遺児の母代として入内した。
English: While taking care of the Prince and other children, her image which was similar to her older sister Teishi attracted Emperor Ichijo who was sad with a sense of loss of his beloved wife and afterward, she became pregnant with the Emperor's favor.
Japanese: 宮たちの世話をしているうちに、姉定子に似通う面影が愛妻を失った一条天皇の心を捉え、やがて寵を受け懐妊した。
English: Her older brothers, FUJIWARA no Korechika and FUJIWARA no Takaie with the same mother were looking forward to the birth of a prince, but she left the Emperor and died pregnant caring about the future of the young Prince and other children.
Japanese: 同母兄の藤原伊周・藤原隆家らは皇子誕生を願って喜んだが、里に退出した彼女は幼き宮たちの身の上を案じながら、身重のまま没した。
English: She seems to have been a charming and modest woman ("Okagami "(the Great Mirror)" and "Eiga Monogatari",) and the Emperor was greatly shocked and disappointed about her death in addition to the death of Teishi.
Japanese: 美しく控えめな性格の女性であったといい（『大鏡』『栄花物語』）、天皇は定子に続く彼女の死にいたく落胆したという。
English: FUJIWARA no Mototada (1056-December 18, 1098) was a court noble in the insei period (the period when the retired Emperor governed) of the Heian Period.
Japanese: 藤原基忠（ふじわらのもとただ、天喜4年（1056年）-承徳2年11月17日(旧暦)（1098年12月12日））は、平安時代院政期の公卿。
English: There is a description recorded by OE no Masafusa that Mototada was dancing wildly at 'the big Dengaku festival in Eicho era' in 1095 raising 'kyushaku (2.7 meter long) no takaogi (to slowly wave a fan which is proudly held high)' though he was in position of Gonchunagon (provisional vice-councilor of state.)
Japanese: 嘉保2年（1095年）の「永長の大田楽」の際、権中納言だったが、「九尺の高扇」を掲げて踊り狂った、と大江匡房が記録している。
English: Kimio NAKANISHI (1843 - 1918) was a geisha girl in the Gion Kobu district.
Japanese: 中西君尾（なかにしきみお、1843年（天保14年）-1918年（大正7年））は祇園甲部の芸妓。
English: At that time, she met Kaoru INOUE at the "Uoshina" tea house located at Nawate-dori Street (which was later moved to kiritoshi, but does not remain now), and it is said that, when his life was being threatened, she gave him a mirror as her substitute.
Japanese: 当時、縄手通にあったお茶屋『魚品』（うおしな、後に切通しに移転し、現存せず）で井上馨と出会い、彼が命を狙われていたとき、自分の身代わりとして鏡を渡したといわれる。
English: She gave birth to a child of Shinagawa and died in 1918.
Japanese: 君尾は品川との間に子供をもうけ、大正7年（1918年）に亡くなった。
English: As a result of being appointed to the position as Governor of Totoumi Province (current day Shizuoka Prefecture), he is generally known by the name, Enshu KOBORI.
Japanese: 遠江国守に任じられた事から、一般には小堀遠州（こぼりえんしゅう）の名称で知られている。
English: His father, Masatsugu, came from a powerful local clan in Kobori-mura, Sakata-gori in Omi Province (present-day Nagahama City, Shiga Prefecture) and was a retainer and relative of Nagamasa ASAI.
Japanese: 父・正次はもともと近江国坂田郡小堀村（現・滋賀県長浜市）の土豪で、浅井長政の家臣であり縁戚でもあった。
English: However, Masakazu was born after the Asai clan had been annihilated by Nobunaga ODA and Masatsugu was serving Hideyoshi's younger brother, Hidenaga TOYOTOMI after being recognized by Hideyoshi TOYOTOMI, who was the lord of Nagahama-jo Castle (Omi Province).
Japanese: しかし政一が生まれたのは、浅井氏が織田信長により滅亡し、正次が長浜城(近江国)主豊臣秀吉に取り立てられ、秀吉の弟豊臣秀長に仕えていた頃である。
English: In 1585, when Hidenaga was transferred to Koriyama-jo Castle (Yamato Province, present-day Nara Prefecture), Masatsugu became Hidenaga's karo (chief retainer) and moved to Koriyama, taking Masakazu with him.
Japanese: 天正13年（1585年）、秀長は郡山城(大和国)に移封され、正次は秀長の家老となり、政一もともに郡山に移った。
English: Around this time, Hidenaga invited Soji YAMANOUE and also studied under SEN no Rikyu.As a result, chanoyu (Japanese tea ceremony) in Koriyama became as poplar as it was in Kyoto, Sakai and Nara.
Japanese: この頃秀長は山上宗二を招き千利休にも師事しており、郡山は京・堺・奈良と並んで茶の湯の盛んな土地となっていた。
English: Soon after Hidenaga's death, his heir Hideyasu TOYOTOMI also died and Masatsugu became a direct retainer of Hideyoshi in 1595 and moved to Fushimi.
Japanese: 秀長の死後を嗣いだ豊臣秀保もまもなく没したため、文禄4年（1595年）に秀吉直参となって伏見に移ることになった。
English: After Hideyoshi died in 1598, Masatsugu and Masakazu served Ieyasu TOKUGAWA.
Japanese: 慶長3年（1598年）秀吉が没すると、正次・政一は徳川家康に仕えた。
English: Masatsugu was recognized for his exploits in the Battle of Sekigahara and given Matsuyama-jo Castle (Bicchu Province), after which he moved to Matsuyama (present-day Takahari City, Okayama Prefecture) as the local governor of Bicchu Province.
Japanese: 正次は関ヶ原の戦いでの功により松山城(備中国)を賜り、備中国代官として松山（現・岡山県高梁市）に赴く。
English: Upon his father's death in 1604, Masakazu inherited his father's territory of 12,460 koku.
Japanese: 慶長9年（1604年）の父の死後、政一はその遺領1万2,460石を継いだ。
English: In 1608, he assumed the position of Fushinbugyo (shogunate administrator for civil engineering and construction) for Sunpu-jo Castle (present-day Shizuoka).When he successfully completed the work, he was promoted to the position of Jugoi (Junior Fifth Rank) and appointed as governor of Totoumi Province.
Japanese: 慶長13年（1608年）には駿府城普請奉行となり、修築の功により従五位遠江国に叙任される。
English: The Kobori family had a residence in Fushimi Rokujizo from the time of Masatsugu and also had one in Rokkaku Echigomachi (Sanjo) that was gifted from Takatora TODO when an imperial residence was built for Emperor Goyozei.
Japanese: 居所としては、正次の頃から伏見六地蔵の屋敷があったが、六角越後町（三条）にも後陽成天皇御所造営に際して藤堂高虎から譲られた屋敷があった。
English: In 1617, Masakazu also assumed the position of Bugyo (magistrate) of Kawachi Province (present-day Osaka Prefecture) and was given an official residence in Temma Minamikobata-machi in Osaka.
Japanese: また元和(日本)3年（1617年）に河内国奉行を兼任となり、大坂天満南木幡町に役宅を与えられた。
English: In September 1619, he transferred to Komuro Domain in Omi Province (present-day Shiga Prefecture) and was appointed as Bugyo of Omi Province in August 1622.
Japanese: 元和5年（1619年）9月、近江小室藩に移封され、さらに元和8年（1622年）8月に近江国奉行に任ぜられる。
English: In Komuro, he fitted out a Jinya (regional government office) and built a tea house, but it is considered that he rarely used them.
Japanese: ここに陣屋を整備し茶室も設けたが、政一はほとんど使わなかったと考えられている。
English: This is because he was further appointed as Ongoku-bugyo (name for magistrates placed in important areas directly controlled by the government in the Edo period) in 1623 and subsequently spent most of his time at the new official residence he established in Bungo-bashi bridge (present-day Kangetsukyo) Kitazume (north side).
Japanese: 元和9年（1623年）12月にさらに遠国奉行に任ぜられ、豊後橋（現：観月橋）北詰にあたる新たに奉行屋敷を設け、その後ほとんどここを役宅として暮らしたからである。
English: Although not confirmed whether true or not, Masakazu came under suspicion of misusing ten thousand ryo of public funds in his later years, but the matter was dropped after the helpful intervention of Tadakatsu SAKAI (lord of Obama Domain in Wakasa Province), Naotaka II and Tadaoki HOSOKAWA.
Japanese: 晩年になり、真偽は不明であるが、公金一万両を流用したとする嫌疑がかかったが、酒井忠勝(若狭国小浜藩主)・井伊直孝・細川忠興らの口添えにより不問とされた。
English: Thereafter, he continued to work as in the role of Bugyo, devoting himself to sado before dying at the Fushimi residence on February 6, 1647 at the age of sixty-nine.
Japanese: その後も伏見奉行を務めながら茶道三昧に過ごし、正保4年（1647年）2月6日、伏見奉行屋敷で69歳の生涯を閉じた。
English: Masakazu's descendant suffered in the reforms of 1788 by Sadanobu MATSUDAIRA, but the family name continued to exist as a Hatamoto (direct vassals of the shogun).
Japanese: 子孫は松平定信により、天明8年（1788年）改易の憂き目に逢っているが、旗本としては家名は存続された。
English: His achievements in the field of construction for the shogunate include the reconstruction of Matsuyama-jo Castle (Bicchu Province), repairs to Sunpu-jo Castle, construction of the Tenshu (main keep or tower) of Nagoya-jo Castle, construction of an imperial residence for Emperor Goyozei and other construction work for the imperial court and the shogunate.
Japanese: 公儀作事に関する主な業績としては、松山城(備中国)の再建、駿府城修築、名古屋城天守、後陽成天皇御所造営等の作業奉行をはじめ、宮中や幕府関係の作事奉行があげられる。
English: Other than the work for the Imperial Court, he is known to have worked on the interior of Edo-jo Castle and the construction of Tokai-ji Temple in Shinagawa (a family temple and villa for the Tokugawa family in Shinagawa Ward), Minakuchi-jo Castle to accommodate the seii taishogun (literally, "great general who subdues the barbarians") on his way to Kyoto (Minakuchimachi, Koga City, Shiga Prefecture), Iba Ochaya (rest house) (Notogawa-cho, Higashiomi City, Shiga Prefecture), and the ochaya within Osaka-jo Castle grounds.
Japanese: 宮中造営の業績のほかに、江戸城内や品川東海寺(品川区)（徳川氏の菩提寺兼別荘）、征夷大将軍上洛の際の休泊所である水口城（滋賀県甲賀市水口町）、伊庭御茶屋（滋賀県東近江市能登川町）、大坂城内御茶屋などが知られている。
English: Among the temples in Kyoto, he participated in semi-official construction work such as Toshogu, located at Konchi-in of the Nanzen-ji Temple, which was a lodge for Suden Choro, a priest who was a close advisor of the shogun.He also worked on the Hall of Huki (rich and noble), located on the hojo (abbot's chamber side) of the Gokito-den (Hall for Prayer), the tea house and garden and the Hojo garden of the honbo (priests' main living quarters) of this temple.
Japanese: また京都の寺では、将軍の側近者崇伝長老の住坊である南禅寺金地院内東照宮や御祈祷殿（方丈）側の富貴の間、茶室および庭園、同寺本坊の方丈庭園など、準公儀の作事に参画している。
English: As we can surmise from his letters, he was nervous about his patronage from the shogunate in Edo, and went to great lengths to avoid getting involved with noble families in any capacity other than in his role in shoguate construction.
Japanese: 彼の書状の文面から推察できる様に、彼は江戸にある幕府からの愛顧を気にしていた関係から、公儀の作事（幕府の対皇室政策）以外は公家への出入りは極力避けていた。
English: His seniors had high hopes based on the flashes of genius he showed as a youth and together with his efforts to improve himself, he was to show even greater brilliance in later life.
Japanese: 幼年期から時折のぞかせた天才的素質を先輩たちは嘱望し、自らも精進することにより、その晩年にいたってますます冴えを見せた。
English: In his gardens, Enshu carried on and developed the style of his teacher, Oribe FURUTA, but Enshu's significant contribution to gardening is the introduction of straight lines.
Japanese: 庭園の作風については、遠州は師である古田織部の作風を受け継ぎ発展させたとされるが、遠州の著しい特徴は庭園に直線を導入したことである。
English: Tsukiji no niwa (garden with a roofed mud-wall) in Gosho (Imperial Palace) (altered later) that can be still seen in an existing folding screen painting and the 'Shin no tobiishi (stepping-stones)' of the Koshiyose (palanquin porch) at Katsura Imperial Villa are said to be favorites of Kobori.
Japanese: 屏風画に残る御所で実施した築地の庭（後には改修される）や桂離宮の輿寄の「真の飛石」が小堀好みと伝えられた所以とされる。
English: Spatial arrangement of combining different-shaped stones of large paving stones and square-hewn stones had never been seen before.
Japanese: 種々な形の切石を組み合わせた大きな畳石と正方形の切石を配置した空間構成は、以前には見られないものである。
English: Long paving stones arranged in straight lines can be seen in various places in Katsura Imperial Villa, but the archless stone bridge in front of Shokintei (building for tea ceremony) is especially magnificient.
Japanese: 直線に使った長い畳石は桂離宮内の諸所にも見られるが、特に松琴亭前の反りのない石橋は圧巻である。
English: Moreover, techniques such as adventurous pruning of the trees, frequent use of flowerbeds and creation of grass lawns point to a western influence.
Japanese: また、樹木を大胆に刈り込み、花壇を多く用い、芝生の庭園を作るなどの工夫は、西洋の影響が指摘される。
English: Enshu's style of tea ceremony is currently now called Kirei sabi [定訳不明] and continues to be passed down as the Enshu/Kobori Enshu school.
Japanese: 遠州の茶の湯は現在ではきれいさびと称され、遠州流・小堀遠州流として続いている。
English: Enshu studied the waka poems and handwriting of FUJIWARA no Sadaie and introduced the aesthetics of the Heian period into the tea ceremony.
Japanese: 遠州は和歌や藤原定家の書を学び、王朝文化の美意識を茶の湯に取り入れた。
English: Tea utensils he selected were given names from waka poems and later became known as chuko meibutsu [定訳不明].
Japanese: 彼の選定した茶道具は和歌から取った銘がつけられ、後世中興名物と呼ばれる。
English: A style of flower arrangement that reflected the aesthetics introduced to the field by Enshu was especially popular during the late Edo period.
Japanese: 遠州がもたらした美意識を華道世界に反映させた流儀として江戸後期に特に栄えた。
English: Shunjuken Ichiyo, who was affiliated with the Enshu style of the tea ceremony, established the idea of the three powers of heaven, earth and human in flower arrangement and developed an independent style from cha no hana (flower arrangement for tea ceremony).
Japanese: 遠州の茶の流れを汲む春秋軒一葉が挿花として天地人の三才を確立し、茶の花から独自の花形へと展開していった。
English: From the end of the Edo Period to early Showa Period, many iemoto (head of a school) and soke (head of a house) gained independence from existing schools and the number of schools having Enshu in their name increased, reaching a peak during the Meiji era.
Japanese: やがて江戸末期から昭和初期にかけて、既存の流派から独立する家元・宗家が多数生まれ、遠州の名がつく流派が明治期をピークにかなり増える。
English: Enshu is known to have had friendships with some of the most cultured men of his generation, including the Imperial Prince Hachijonomiya Toshihito, Nobuhiro KONOE and Katsutoshi KINOSHITA.
Japanese: 八条宮智仁親王、近衛信尋、木下勝俊など当代一流の文化人たちとの交際が知られる。
English: His interest in literature is clearly shown in his diary which contains poems written during his trips from Edo to Kyoto in 1621 and 1642.
Japanese: 元和7年（1621年）と寛永19年（1642年）の江戸から上洛途次の歌入日記にもその文学趣味がよく現れている。
English: A tosei-gusoku (a type of armor) said to have been worn by Enshu is owned by the Tokyo National Museum.
Japanese: 遠州が着用したと伝えられる当世具足が東京国立博物館に所蔵されている。
English: Yasujiro OZU (December 12, 1903 – December 12, 1963) was a Japanese movie director.
Japanese: 小津安二郎（おづやすじろう、1903年12月12日-1963年12月12日）は日本の映画監督。
English: Ozu was born in downtown Fukagawa (Koto Ward), Tokyo as the second son of Toranosuke, a mercantile clerk at the top merchants Yuasa-gumi, and mother, Asae.
Japanese: 小津は東京都深川(江東区)の下町に、豪商湯浅屋の番頭だった父虎之助と母あさゑの次男として生まれた。
English: He later entered Mie Prefectural Uji Yamada Junior High School under the former educational system (now Mie Prefectural Uji Yamada High School).
Japanese: その後旧制三重県立宇治山田中学校（現・三重県立宇治山田高等学校）に入学。
English: In 1921, he took the entrance exams for Kobe Commercial University (now Kobe University) under the previous education system, but failed the exams.
Japanese: 1921年（大正10年）神戸商業大学(旧制)（現在の神戸大学）を受験して失敗。
English: In 1922, he also failed the exams for Mie Teacher's School (currently Mie University Faculty of Education) and went to work at Miyamae Standard Elementary School, a small school located in a mountainous region in current day Iitaka-cho, Matsusaka City, as a substitute teacher for a year.
Japanese: 1922年（大正11年）、三重師範学校（現三重大学教育学部）受験も失敗し、現在の松阪市飯高町にある山村の宮前尋常小学校に1年間の代用教員として赴任。
English: He always dressed differently from the other teachers, wearing haori, hakama and sandals, and was loved by the students for telling them stories about movies and playing the mandolin.
Japanese: いつも羽織と袴、そして、下駄履きと他の教師とは違った異彩を放った風貌で、児童たちに映画の話をしたり、マンドリンを弾いたりして慕われる。
English: These students are often interviewed as important sources of information about Ozu before he became a movie director.
Japanese: この教え子たちは監督以前の小津を語れる重要な人物としてよくインタビューを受けている。
English: In March 1923, he arrived in Tokyo and began work at Shochiku Kamata Studios on the recommendation of a relative.
Japanese: 1923年（大正12年）3月に上京し、親類のつてで松竹蒲田撮影所に入社。
English: Before the war, he was known as a director with a humorous style and made movies such as "Daigaku wa detakeredo" (I graduated, but..) and "Otona no miru ehon umaretewa mita keredo" (I was born, but...).
Japanese: 戦前は、『大学は出たけれど』、『大人の見る繪本生れてはみたけれど』などユーモア溢れる作風の監督として知られる。
English: Here he spent time watching many Hollywood movies such as "Gone with the Wind" which had been confiscated.
Japanese: ここで、『風と共に去りぬ(映画)』など、接収された大量のハリウッド映画を観て過ごす。
English: Later, he made classics such as "Banshun" (Late Spring), "Bakushu" (Early Summer), "Tokyo Monogatari" (Tokyo Story) and became a heavy hitter in the Japanese movie scene.
Japanese: 以降は『晩春(映画)』『麦秋(1951年の映画)』『東京物語』などの名作を立て続けに発表し、日本映画界の重鎮となる。
English: His work in this period has a distinct style that can almost be considered avant-garde and difficult to approach for some, but in general, he was known as 'a movie director with humor and pathos' and a major Shochiku movie director.
Japanese: この時期の作品は、ほとんど前衛的とすら言える一貫した独自のスタイルに貫かれ、近づきがたい印象さえ一部の人間に与えているが、一般には松竹映画を代表する「ユーモアとペーソスの映画監督」として知られた。
English: He was awarded the Arts Festival (Culture Agency) Education Minister's Award for "Bakushu" in 1951 and the same award and the UK Sutherland Award for "Tokyo Monogatari" in 1958.
Japanese: 1951年『麦秋』で芸術祭(文化庁)文部大臣賞、1958年『東京物語』で同賞および英国サザランド賞受賞。
English: In 1958, he collaborated with Satomi to simultaneously write an original novel and movie script, "Higanbana" (Equinox Flower), and finished "Akibiyori" (Late Autumn) in the same format in 1960.
Japanese: 1958年里見と相談して同時並行で原作小説とシナリオを書き進め『彼岸花』を完成、1960年には同じ方式で『秋日和』を完成した。
English: In 1959 he won the Japan Art Academy Award, and in 1960, he won the Art Encouragement Education Minister's Award together with Noda.
Japanese: 1959年日本芸術院賞受賞、1960年芸術選奨文部大臣賞を野田とともに受賞。
English: In 1963, he collaborated with Satomi on a TV script "Seishun Hokago," but fell ill and had to have an operation at the Cancer Center in April, and after being discharged he was readmitted to the Tokyo Medical and Dental University Hospital in October.
Japanese: 63年里見とともにテレビドラマシナリオ『青春放課後』を書くがその後体調に異変あり、4月がんセンターで手術、いったん退院するが10月に東京医科歯科大学病院に再入院。
English: He was known as a movie director favoring a low position with distinct low camera angles filmed just above the ground and stern frontal fixed shots.
Japanese: 地面ぎりぎりから撮影する独特の低いカメラアングルと厳格なまでの正面からの切り返しのフィクスショットを特徴とし、ローポジションの映画監督としても知られている。
English: Scenes taken from a low position, such as 'the family gathering around the table' or 'father worried about his unmarried daughter losing her chance of marrying' and 'father thinking about his daughter' were typical scenes from domestic life dramas on Japanese TV that were perfected by Ozu.
Japanese: このローポジションで撮った「ちゃぶ台を囲む家族たち」のシーン、あるいは「婚期を逃しかけている娘を心配する父親」「父を思いやる娘」など、日本のテレビにおける「ホームドラマ」の型を完成させた監督でもある。
English: Yasujiro OZU's transition shots did not follow ordinary movie conventions such as the rule that the transition shot should not pass an imaginary line.
Japanese: なお、小津安二郎の「切り返しショット」は通常の映画の「文法」に沿っていない、すなわち切り返しのショットにおいてイマジナリーラインを超えてはならないとされる「原則」に反していると指摘されている。
English: Many had pointed this out during Ozu's lifetime and since he used this technique with confidence, all his work from the mid-period onwards follow this characteristic of transition shots crossing an imaginary line and finally taking direct shots of objects.
Japanese: この指摘は小津の生前から数多くなされていたが、小津は確信を持ってこの手法を取り入れていたため、少なくとも中期以降の作品においては、切り返しショットがイマジナリーラインを超えて真正面から捉える手法の大原則が破られることはなかった。
English: Such intentional breaking of movie technique rules give his work a distinct sense of timing and positive uneasiness, which is especially valued by movie critics outside Japan.
Japanese: こうした映画文法の意図的な違反が、独特の時間感覚とともに作品にポジティヴな違和感を生じさせており、特に海外の映画評論家から評価を得ている。
English: Masahiro SHINODA, his younger colleague at Shochiku, made the unique comment that 'things disappeared in his movies.'
Japanese: 松竹の後輩である篠田正浩が「物がなくなっていく映画」とユニークに評している。
English: The critic Saburo KAWAMOTO commented that he was influenced by the Shirakaba movement and Kafu NAGAI.
Japanese: また評論家の川本三郎によると彼は白樺派及び永井荷風の影響を受けたと評されている。
English: The posthumously produced documentary, "I was Born, But...a Yasujiro Ozu biography" contains important recollections from three people, Keisuke KINOSHITA, who brought success for Shochiku together with Ozu, Kaneto SHINDO, who became an independent when he was virtually kicked out of Shochiku, and Shohei IMAMURA, who parted ways with Ozu when he questioned his way of doing things.
Japanese: 死後製作されたドキュメンタリー『生きてはみたけれど小津安二郎伝』は、小津と共に松竹を支えた木下惠介、松竹を追い出されるようにして独立した新藤兼人、疑問を抱いて道を分けた今村昌平という3人の貴重な回想である。
English: The documentary was directed by Kazuo INOUE, who was looked after by Ozu and called by the nickname "Ban-san".
Japanese: このドキュメンタリーは、やはり「蛮さん」のニックネームで小津に可愛がられた井上和男が監督している。
English: Ozu's post-war works after "Banshun" were highly evaluated in Japan and were successful, but he became increasingly known as a 'director of old-fashioned domestic-life dramas' after his death.
Japanese: 戦後の『晩春』以降の作品は国内でも評価が高くヒットしたが、死後は「古臭いホームドラマ映画監督」として忘れ去られようとしていた。
English: This is in part due to the rebellion against directors of the former generation by the then newly established directors such as Nagisa OSHIMA, Masahiro SHINODA and Yoshishige YOSHIDA who were part of the 'Japanese New Wave.'
Japanese: これには「日本ヌーヴェルヴァーグ」を担った大島渚や篠田正浩や吉田喜重など当時の新進監督たちによる古参監督たちへの反発も関与している。
English: A little while after his death, the international repuation of his work, especially in France, improved and his distinct movie style was considered novel, with many famous people from the movie industry starting to talk about their admiration of Ozu's work.
Japanese: 死後、しばらくしてからフランスを中心に国際的評価が高まり、その独特の映画スタイルが斬新なものとされ、著名な映画人たちが小津映画への敬愛を口にするようになった。
English: Many commemorative projects were started and commemorative events such as movie showings were held around the country.
Japanese: 記念プロジェクトが立ち上がり、各地で上映会などの記念イベントが催された。
English: Alongside Kenji MIZOGUCHI, Mikio NARUSE and Akira KUROSAWA, Ozu is highly regarded and his work, "Tokyo Monogatari" is particularly popular in Europe.
Japanese: 溝口健二、成瀬巳喜男、黒澤明と並んで小津も評価が高く、作品『東京物語』はヨーロッパで人気が高い。
English: Many writers who admire or clearly state that they have been influenced by Ozu can be found throughout the world.
Japanese: 小津を敬愛し、あるいは小津からの影響を明言している作家は世界的にひろがる。
English: The copyright protection (50 years after release and 38 years after the death of the director) for works up to 1953 is considered to have now completely ended.
Japanese: 1953年までの作品は著作権の保護期間が完全に終了した（公開後50年と監督死後38年の両方を満たす）と考えられている。
English: Therefore, several of the works are now released as public domain DVDs.
Japanese: このためいつかの作品が現在パブリックドメインDVDで発売されている。
English: Although according to records the original recordings were produced with sound, the copies on sale today are silent versions.
Japanese: 1記録上では音響版として製作されているが、現存するプリントはサイレント版のみである。
English: This is a mountain resort villa in Tateshina Kogen where Ozu and Kogo NODA worked together on scripts after 1954.
Japanese: -1954年以来、小津と野田高梧の共同脚本作業の場となった蓼科高原の山荘。
English: The running of the building was taken over by the people in and around Chino City, Nagano Prefecture and it was moved to Pool-daira for preservation and public viewing in 2003.
Japanese: 2003年、長野県茅野市と地元で建物を引き取り、プール平に移築して保存・公開している。
English: This villa hosts the Yasujiro OZU Commemorative Tateshina Kogen Movie Festival each year.
Japanese: この山荘にちなんで、小津安二郎記念蓼科高原映画祭が毎年開催されている。
English: Kinji FUKASAKU (July 3, 1930 – January 12, 2003) was a Japanese movie director.
Japanese: 深作欣二（ふかさくきんじ、1930年7月3日-2003年1月12日）は日本の映画監督。
English: In 1961, Fukasaku debuts as a director with the movie "Furaibo Tantei - Akaitani no Sangeki" ("Wandering Detective - Tragedy in Red Valley") (Starring JJ Sonny CHIBA).
Japanese: 1961年、『風来坊探偵・赤い谷の惨劇』（JJサニー千葉主演）で監督デビュー。
English: When Akira KUROSAWA as the Japanese-side director of the US-Japan joint movie "Tora! Tora! Tora!" decided to drop out in 1970, Toshio MATSUDA as the successor of Kurosawa strongly appeals to Kinji to a accept joint directorship.
Japanese: 1970年、日米合作の大作『トラ・トラ・トラ!』の日本側監督を黒澤明が降板したため、後任となった舛田利雄から懇願され共同監督を引き受ける。