ヨーク・ヘラー

ヨーク・ヘラー はドイツの現代音楽の作曲家。1944年1月11日生まれ。

1. 受賞歴
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The Bernd Alois Zimmermann Prize of the City of Cologne
The Förderpreis of the State of North Rhine–Westphalia
The Prize of the International Composers’ Forum of UNESCO
The Rolf Liebermann Prize for Opera Composers
The Ordre des Arts et des Lettres in 1986 bestowed by the French Minister of Culture
The 2010 University of Louisville Grawemeyer Award for Music Composition for the orchestral work Sphären
2011 ドイツ音楽作家賞器楽作品作曲賞。

2. 主要作品
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Fünf Stücke, for piano 
Diaphonie, for two pianos 
Drei Stücke, for string quartet 
Herr, es ist Zeit , for soprano, flute, harp, harpsichord, celesta, and string quartet 
Topic, for large orchestra 
Sonate informelle, for piano 
Sonata, for solo cello 
Epitaph für Jan Palach, for violin and piano 
Piano Concerto no. 1, for piano and orchestra 
Horizont, electronic music 
Décollage, for two speaking choirs, electric guitar, electrically amplified cello, electronic organ, and tape 
Tangens, for cello, electric guitar, piano, electric organ, and two analog synthesizers 
Chroma, for large orchestra and live electronics 
Klanggitter, for cello, piano, synthesizer, and tape 
Antiphon , for string quartet and electronically transformed string quartet on tape 
Arcus, for 15 instruments, percussion, and tape 
Moments musicaux, for flute and piano 
Mythos, tone poem for 13 instruments, percussion, and electronic sounds 
Umbra, for large orchestra and tape 
Résonance, for orchestra and computer-generated sounds on tape 
Schwarze Halbinseln, for large orchestra, with vocal and electronic sounds on tape 
Pas de trois, for viola, cello, contrabass 
Traumspiel , for soprano, large orchestra, and electronics 
Magische Klanggestalt, for large orchestra 
Improvisation sur le nom de Pierre Boulez, for 16 instrumentalists 
Piano Sonata no. 2  
Der Meister und Margarita, opera in two acts after the novel by Mikhail Bulgakov 
Fanal, for trumpet and orchestra 
Aura, for large orchestra 
Pensées , for piano, orchestra, and electronics 
Pas de deux, for cello and piano 
Tagträume, for violin, cello, and piano 
Gegenklänge, for 18 instruments 
Double, for orchestra 
Partita, for two pianos 
String Quartet no. 2 
Initium, for piano 
Widerspiel, for two pianos and large orchestra 
Movement, for large orchestra 
Herbsttag 
Verzweigung, for piano 
Aufbruch, for orchestra 
Ex tempore, for flute, oboe, clarinet , percussion, violin, viola, cello, harp, and piano 
Trias, for alto saxophone, percussion, and piano 
Der ewige Tag, for chorus, orchestra, and electronics 
Monogramme, for piano 
Klangzeichen, for wind quintet and piano 
Scan, for solo flute 
Feuerwerk, for 17 instrumentalists 
Fluchtpunkte, for flute, English horn, clarinet, piano, and percussion 
Sphären, for orchestra 
Piano Quintet, Zweigestalt 
Doppelspiel for piano  
Mouvements for cello and piano , later expanded into the Cello Concerto
Cello Concerto 
Piano Sonata no. 3 
Aufschwung con tenuto, for clarinet, viola and piano 
Crossing, for ensemble and electronics 
Voyage for orchestra 

3. 著作
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1982. Gestaltkomposition oder Die Konstruktion des Organischen. In Neuland Jahrbuch II, 1981/82, edited by Herbert Henck, 140–43. Bergisch Gladbach: Neuland.
1989. "Composition of the Gestalt, or the Making of the Organism." Translated by Nigel Osborne. Contemporary Music Review 1, no. 1 : 35–40.
1989. "Resonance: Composition Today." Translated by Nigel Osborne. Contemporary Music Review 1, no. 1 : 67–76.
1994. Fortschritt oder Sackgasse? Kritische Betrachtungen zum frühen Serialismus. Saarbrücken: Pfau-Verlag.
2004. Klanggestalt—Zeitgestalt. Texte und Kommentare 1964–2003. Musik der Zeit 10, edited by Reinhold Dusella. Berlin: Boosey und Hawkes  ISBN 3-7931-1697-2, and Bote und Bock  ISMN M-2025-2231-8

4. 参考文献
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Blumröder, Christoph von. 1983. "York Höller: Schwarze Halbinseln." In Begleitheft der Schallplattenedition Zeitgenössische Musik in der Bundesrepublik Deutschland, vol. 10: 1970–1980, pp. 14–15 [German], 30–31 [English]. Bonn: Deutscher Musikrat.
Lichtenfeld, Monika. 2001. “Höller, York ”. The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
Morawska-Büngeler, Marietta. 1988. Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunk in Köln 1951–1986. Cologne-Rodenkirchen: P. J. Tonger Musikverlag.
O'Súilleabháin, Finbar. 1992. [Letter to the Editor]. Tempo new series, no. 181 : 68.
Stenzl, Jürg. 1991. "York Höller's The Master and Margarita: A German Opera", translated by Sue Rose. Tempo new series, no. 179 : 8–15.

5. 関連文献
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Benoliel, Bernard. 1982. "York Höller’s Mythos." Tempo new series no.141 : 39–40.
Conen, Hermann. 1985. "An Interview with York Höller", Tempo new series, no.152 : 2–6.
Ehlert, Ralf Gerhard. 1999. "Die Verwendung elektronischer Klänge in der Musik York Höllers." Master’s Thesis. Cologne: University of Cologne. A reworked extract published as "Horizont—York Höllers elektroakustischer Auftakt", in Kompositorische Stationen des 20. Jahrhunderts. Debussy, Webern, Messiaen, Boulez, Cage, Ligeti, Stockhausen, Höller, Bayle Signale aus Köln. Beiträge zur Musik der Zeit 7, edited by Christoph von Blumröder, 172–85. Münster: Lit-Verlag, 2004.
Haynes, Stanley. 1989. "Report on the Realization of York Höller’s Arcus." Contemporary Music Review 1, no. 1 : 41–66. Reprinted in German as "Bericht über die Realisierung von York Höllers Arcus". In York Höller: Klanggestalt—Zeitgestalt—Texte und Kommentare 1964–2003, edited by Reinhold Dusella, 45–69. Musik der Zeit 10. Berlin: Boosey & Hawkes, 2004. ISBN 978-3-7931-1697-4.
Rode-Breymann, Susanne. 1992. "Text- und Musikstruktur in York Höllers Oper Der Meister und Margarita: 'Beruhigt euch nicht, Margarita. Alles ist richtig. Darauf ruht die Welt'." In Welttheater, Mysterienspiel, rituelles Theater: "Vom Himmel durch die Welt zur Hölle"—Gesammelte Vorträge des Salzburger Symposions 1991, Wort und Musik: Salzburger Akademische Beiträge 15, edited by Jürgen Kühnel, Ulrich Müller, Oswald Panagl, Peter Csobádi, Gernot Gruber, and Franz Viktor Spechtler, 611–20. Anif, Austria: Müller-Speiser.
Whittall, Arnold. 1998. "Perspectives on York Höller: All Contradictions Reconciled?" Musical Times 139, no. 1864 : 11–19.

6. 脚注
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7. 外部リンク
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