niryuu/sni-each-converted huggingface dataset:
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion: The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What type of singing voice does Kitty have?
Dmitri Gurov is a Moscow bank worker, married with a daughter and two sons. Unhappy in his marriage, he is frequently unfaithful and considers women to be of "a lower race". While vacationing in Yalta, he sees a young lady walking along the seafront with her small dog, and endeavors to make her acquaintance. The lady, Anna Sergeyevna, is also vacationing, while her husband remains at home in an unnamed provincial town. They are soon engaged in an affair, and spend most of their time together walking and taking drives to nearby Oreanda. Though she is expecting her husband to come to Yalta, he eventually sends for her to come home, saying that something is wrong with his eyes. Gurov sees her off at the station. Returning to Moscow and his daily routine, working by day and clubbing by night, Gurov expects to soon forget young Anna but finds he is haunted by her memory. On the ruse of going to St. Petersburg to take care of some business, he sets off to her town to find her. Learning the location of the family's residence from a hotel porter, he finds the house, only to realize that it would be futile to intrude. In despair, he reasons that Anna has probably forgotten him and found someone else, and heads back to his hotel for a long nap. In the evening, he remembers having seen a sign earlier promoting a performance of The Geisha. Reasoning that Anna and her husband may attend the first performance, he goes to the theater. The couple enters and he watches intently. When the husband goes out for a smoke during the first interval, Gurov greets Anna, who is bewildered and runs from him. After following her through the theater, he confronts her and she confides that she has been thinking of him constantly. Frightened, she begs him to leave and promises to come to see him in Moscow. She makes excuses to come to Moscow, telling her husband that she is going there to see a doctor, which he "believes and does not believe". Gurov realizes that for the first time in his life he has actually fallen in love, and wonders how they can continue. While they talk of finding a plan, the story ends without a resolution.
Output: Where did Gurov and Anna meet?
The first book of the History, after a brief review of early Greek history and some programmatic historiographical commentary, seeks to explain why the Peloponnesian War broke out when it did and what its causes were. Except for a few short excursuses (notably 6.54-58 on the Tyrant Slayers), the remainder of the History (books 2 through 8) rigidly maintains its focus on the Peloponnesian War to the exclusion of other topics. While the History concentrates on the military aspects of the Peloponnesian War, it uses these events as a medium to suggest several other themes closely related to the war. It specifically discusses in several passages the socially and culturally degenerative effects of war on humanity itself. The History is especially concerned with the lawlessness and atrocities committed by Greek citizens to each other in the name of one side or another in the war. Some events depicted in the History, such as the Melian dialogue, describe early instances of realpolitik or power politics. The History is preoccupied with the interplay of justice and power in political and military decision-making. Thucydides' presentation is decidedly ambivalent on this theme. While the History seems to suggest that considerations of justice are artificial and necessarily capitulate to power, it sometimes also shows a significant degree of empathy with those who suffer from the exigencies of the war. For the most part, the History does not discuss topics such as the art and architecture of Greece.
Output: What is realpolitik?
The House of the Wolfings is a romantically reconstructed portrait of the lives of the Germanic Gothic tribes, written in an archaic style and incorporating a large amount of poetry. Morris combines his own idealistic views with what was actually known at the time of his subjects' folkways and language. He portrays them as simple and hardworking, galvanized into heroic action to defend their families and liberty by the attacks of imperial Rome. Morris's Goths inhabit an area called the Mark on a river in the forest of Mirkwood, divided into the Upper-mark, the Mid-mark and the Nether-mark. They worship their gods Odin and Tyr by sacrificing horses, and rely on seers who foretell the future and serve as psychic news-gatherers. The men of the Mark choose two War Dukes to lead them against their enemies, one each from the House of the Wolfings and the House of the Laxings. The Wolfing war leader is Thiodolf, a man of mysterious and perhaps divine antecedents, whose ability to lead is threatened by his possession of a magnificent dwarf-made mail-shirt which, unknown to him, is cursed. He is supported by his lover the Wood Sun and their daughter the Hall Sun, who are related to the gods.
Output: Who did the Goths rely on to foretell the future?
After having haughtily refused a number of suitors, under the pretext that they are not peers of France, Émilie de Fontaine falls in love with a mysterious young man who quietly appeared at the village dance at Sceaux. Despite his refined appearance and aristocratic bearing, the unknown (Maximilien Longueville) never tells his identity and seems interested in nobody but his sister, a sickly young girl. But he is not insensible to the attention Émilie gives him and he accepts the invitation of Émilie's father, the Comte de Fontaine. Émilie and Maximilien soon fall in love. The Comte de Fontaine, concerned for his daughter, decides to investigate this mysterious young man, and he discovers him on the Rue du Sentier, a simple cloth merchant, which horrifies Émilie. Piqued, she marries a 72-year-old uncle for his title of Vice Admiral, the Comte de Kergarouët. Several years after her marriage, Émilie discovers that Maximilien is not a clothier at all, but in fact a Vicomte de Longueville who has become a Peer of France. The young man finally explains why he secretly tended a store: he did it in order to support his family, sacrificing himself for his sick sister and for his brother, who had departed the country.
Output: Why did Comte de Fontaine investigate Maximilien?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location. A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time. In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: How did La react to Tarzan's rejection to La's love?
The novel begins with an overview of the main character's background. Louis Lambert, the only child of a tanner and his wife, is born in 1797 and begins reading at an early age. In 1811 he meets the real-life Swiss author Madame de Staël (1766–1817), who – struck by his intellect – pays for him to enroll in the Collège de Vendôme. There he meets the narrator, a classmate named "the Poet" who later identifies himself in the text as Balzac; they quickly become friends. Shunned by the other students and berated by teachers for not paying attention, the boys bond through discussions of philosophy and mysticism. After completing an essay entitled Traité de la Volonté ("Treatise on the Will"), Lambert is horrified when a teacher confiscates it, calls it "rubbish", and – the narrator speculates – sells it to a local grocer. Soon afterwards, a serious illness forces the narrator to leave the school. In 1815, Lambert graduates at the age of eighteen and lives for three years in Paris. After returning to his uncle's home in Blois, he meets a woman named Pauline de Villenoix and falls passionately in love with her. On the day before their wedding, however, he suffers a mental breakdown and attempts to castrate himself. Declared "incurable" by doctors, Lambert is ordered into solitude and rest. Pauline takes him to her family's château, where he lives in a near coma. The narrator, ignorant of these events, meets Lambert's uncle by chance, and is given a series of letters. Written by Lambert while in Paris and Blois, they continue his philosophical musings and describe his love for Pauline. The narrator visits his old friend at the Villenoix château, where the decrepit Lambert says only: "The angels are white." Pauline shares a series of statements her lover had dictated, and Lambert dies on 25 September 1824 at the age of twenty-eight.
Output: How did the other students treat Lambert and his friend Balzac during college?
Mayre Griffiths, nicknamed Trot, or sometimes Tiny Trot, is a little girl who lives on the coast of southern California. Her father is the captain of a sailing schooner, and her constant companion is Cap'n Bill Weedles, a retired sailor with a wooden leg. (Cap'n Bill had been Trot's father's skipper, and Charlie Griffiths had been his mate, before the accident that took the older man's leg.) Trot and Cap'n Bill spend many of their days roaming the beaches near home, or rowing and sailing along the coast. One day, Trot wishes that she could see a mermaid; her wish is overheard, and granted the next day. The mermaids explain to Trot, and the distressed Cap'n Bill, that they are benevolent fairies; when they offer Trot a chance to pay a visit to their land in mermaid form, Trot is enthusiastic, and Bill is too loyal to let her go off without him. So begins their sojourn among the sea fairies. They see amazing sights in the land of Queen Aquarine and King Anko (including an octopus who is mortified to learn that he's the symbol of the Standard Oil Company). They also encounter a villain called Zog the Magician, a monstrous hybrid of man, animal, and fish. Zog and his sea devils capture them and hold them prisoner. The two protagonists discover that many sailors thought to have been drowned have actually been captured and enslaved by Zog. Trot and Cap'n Bill survive Zog's challenges, and the villain is eventually defeated by the forces of good. Trot and Cap'n Bill are returned to human form, safe and dry after their undersea adventure. As many readers and critics have observed, Baum's Oz in particular and his fantasy novels in general are dominated by puissant and virtuous female figures; the archetype of the father-figure plays little role in Baum's fantasy world. The Sea Fairies is a lonely exception to this overall trend: "The sea serpent King Anko...is the closest approximation to a powerful, benevolent father figure in Baum's fantasies."
Output: What defeats Zog?
After the assassination of Domitian in AD96, and amid the predictable turmoil of the regime change, Tacitus used his new-found freedom to publish this, his first historical work. During the reign of Domitian, Agricola, a faithful imperial general, had been the most important general involved in the conquest of a great part of Britain. The proud tone of the Agricola recalls the style of the laudationes funebres (funeral speeches). A quick résumé of the career of Agricola prior to his mission in Britain is followed by a narration of the conquest of the island. There is a geographical and ethnological digression, taken not only from notes and memories of Agricola but also from the De Bello Gallico of Julius Caesar. The content is so varied as to go beyond the limits of a simple biography, but the narration, whatever its form, serves to exalt the subject of the biography. Tacitus exalts the character of his father-in-law, by showing how — as governor of Roman Britain and commander of the army — he attends to matters of state with fidelity, honesty, and competence, even under the government of the hated Emperor Domitian. Critiques of Domitian and of his regime of spying and repression come to the fore at the work's conclusion. Agricola remained uncorrupted; in disgrace under Domitian, he died without seeking the glory of an ostentatious martyrdom. Tacitus condemns the suicide of the Stoics as of no benefit to the state. Tacitus makes no clear statement as to whether the death of Agricola was from natural causes or ordered by Domitian, although he does say that rumors were voiced in Rome that Agricola was poisoned on the Emperor's orders.
Output: What did critics of Domitian accuse his regime of?
In 1910, the last year of Leo Tolstoy's life, his disciples, led by Vladimir Chertkov, manoeuvre against his wife, Sofya, for control over Tolstoy's works after his death. The main setting is the Tolstoy country estate of Yasnaya Polyana. Tolstoy and Sofya have had a long, passionate marriage, but his spiritual ideals and asceticism (he is opposed, for example, to private property) are at odds with her more aristocratic and conventionally religious views. Contention focuses on a new will that the "Tolstoians" are attempting to persuade him to sign. It would place all of his copyrights into the public domain, supposedly leaving his family without adequate support. The maneuvering is seen through the eyes of Tolstoy's new secretary, Valentin Bulgakov, who finds himself mediating between the two sides. He also has a love affair with one of the Tolstoians, Masha. Ultimately, Tolstoy signs the new will and travels to an undisclosed location where he can continue his work undisturbed. After his departure, Sofya unsuccessfully attempts suicide. During the journey, Tolstoy falls ill. The film ends with his death near the Astapovo train station where Sofya is allowed by their daughter to see him just moments before his death. The closing credits state that five years after his death the Russian senate reverted the copyrights of Tolstoy's work to Sofya.
Output: In what way did Tolstoy's followers capitalize on his beliefs regarding private property in order to convince him to change his will?
Benjamin Bathurst, a British diplomat, disappears whilst staying at an inn in Prussia. Piper describes Bathurst in the story as "a rather stout gentleman, of past middle age." However, the real Bathurst was born in 1784, and thus 25 years old at the time of his disappearance. This story posits that Bathurst slipped into a parallel universe. This event was referenced in the Paratime story "Police Operation", also written by Piper. The point of divergence from our history is the Battle of Quebec on December 31, 1775 in which Benedict Arnold is killed instead of merely wounded, leading to the victory of British General John Burgoyne over his American counterpart Horatio Gates at the Battles of Saratoga on September 19 and October 7, 1777. Consequently, the American Revolution and the French Revolution were both failures and there were no Napoleonic Wars. The alternate Bathurst served as the lieutenant governor of the Crown Colony of Georgia. Napoleon Bonaparte is a colonel in the French Army who is considered a brilliant tactician. Charles Maurice de Talleyrand-PĂŠrigord has remained in ecclesiastical orders and risen to become a Catholic Cardinal as well as Louis XVI's Chief Minister. George Washington was killed in battle at Doylestown, Pennsylvania during the short-lived rebellion of the colonies in British North America. Moreover, Thomas Jefferson - the author of the American rebels' Declaration of Philadelphia - fled to Havana and eventually died in the Principality of Liechtenstein several years prior to 1809, while James Madison is in exile in Switzerland. The Bathurst from our timeline is judged to be either insane, or a spy, and imprisoned. He attempts to escape and is fatally shot. There was also a theory that he was his counterpart's half-brother. However, it is noted that there is no evidence to support this. Bathurst's diplomatic documents are read by a high ranking British officer. He is amused by Talleyrand's role as Bonaparte's advisor and ĂŠminence grise, a role that he finds plausible. However, he is especially puzzled by references to a British general named "Wellington." In the final line of the story, the British officer is revealed to be Sir Arthur Wellesley - known in our reality as the Duke of Wellington. He attained the title by way of his victories in the Napoleonic Wars, which never took place in this universe.
Output: Who is the main character of the story?
During a train ride, Pozdnyshev overhears a conversation concerning marriage, divorce and love. When a woman argues that marriage should not be arranged but based on true love, he asks "what is love?" and points out that, if understood as an exclusive preference for one person, it often passes quickly. Convention dictates that two married people stay together, and initial love can quickly turn into hatred. He then relates how he used to visit prostitutes when he was young, and complains that women's dresses are designed to arouse men's desires. He further states that women will never enjoy equal rights to men as long as men view them as objects of desire, yet describes their situation as a form of power over men, mentioning how much of society is geared towards their pleasure and well-being and how much sway they have over men's actions. After he meets and marries his wife, periods of passionate love and vicious fights alternate. She bears five children, and then receives contraceptives: "The last excuse for our swinish life -- children -- was then taken away, and life became viler than ever." His wife takes a liking to a violinist, Troukhatchevsky, and the two perform Beethoven's Kreutzer Sonata (Sonata No. 9 in A Major for piano and violin, Op. 47) together. Pozdnyshev complains that some music is powerful enough to change one's internal state to a foreign one. He hides his raging jealousy and goes on a trip, returns early, finds Troukhatchevsky and his wife together and kills his wife with a dagger. The violinist escapes: "I wanted to run after him, but remembered that it is ridiculous to run after one's wife's lover in one's socks; and I did not wish to be ridiculous but terrible." Later acquitted of murder in light of his wife's apparent adultery, Pozdnyshev rides the trains seeking forgiveness from fellow passengers.
Output: Why does Pozdnyshev not approve of marriage?
Bobby has ties to the local mafia boss, Max, but works as an honest mason for Max's construction projects. He fights in amateur boxing matches on the side, but his career is lackluster (five wins, five losses, one draw). Struggling to support his stripper girlfriend Jessica and her daughter Chloe, Bobby decides to do a mafia job for Max. Against his better judgment, he brings along his ne'er-do-well friend Ricky. Bobby and Ricky go to New York to act as Max's representatives for a money laundering deal with his East Coast partner, Ruiz. They meet Jimmy, who will be their driver, and Horrace, who is connected to both Max and Ruiz. Ricky and Bobby squabble throughout their trip as Ricky tries to live large while Bobby wants to stay cautious and stick to the letter of Max's instructions. Ruiz has a low opinion of the pair, but sends them off to show his criminal contact, the Welshman, a good time. Gaffing several times along the way, the pair eventually manage to arrange a deal between Ruiz and the Welshman's Westie contacts. Ricky grows suspicious of Ruiz, and insists that they bring a gun to their meeting with the Westies. Bobby adamantly refuses. On the day of the meet, Ricky has disappeared, but Jimmy insists that Bobby carry on with the meeting. As Bobby begins to grow suspicious of Jimmy, he meets with the Welshman and the Westies. The Westies double-cross Bobby and the Welshman, but Ricky arrives from a side entrance with a gun. A Westie recognizes Ricky's weapon as a starter pistol and a fight breaks out. Jimmy arrives with a real pistol and sends the boys away while he deals with the Westies. Back in Los Angeles, Bobby severs all business ties with Max. Arriving home, he discovers Jessica in bed with a client and snorting cocaine. Bobby tries to convince Jessica to clean up her act for Chloe's sake, but Jessica refuses. Instead, she asks that Bobby take custody of Chloe and leave. In an epilogue set at Chuck E. Cheese's, we learn that Bobby and Ricky are now raising Chloe together, although the two friends still bicker constantly.
Output: Who is Horace?
In Condition, Engels argues that the Industrial Revolution made workers worse off. He shows, for example, that in large industrial cities such as Manchester and Liverpool, mortality from disease (such as smallpox, measles, scarlet fever and whooping cough) was four times that in the surrounding countryside, and mortality from convulsions was ten times as high. The overall death-rate in Manchester and Liverpool was significantly higher than the national average (1 in 32.72, 1 in 31.90 and even 1 in 29.90, compared with 1 in 45 or 46). An interesting example shows the increase in the overall death-rates in the industrial town of Carlisle where before the introduction of mills (1779-87), 4,408 out of 10,000 children died before reaching the age of five, and after their introduction the figure rose to 4,738. Before the introduction of mills, 1,006 out of 10,000 adults died before reaching 39 years old, and after their introduction the death rate rose to 1,261 out of 10,000. Engels' interpretation proved to be extremely influential with British historians of the Industrial Revolution. He focused on both the workers' wages and their living conditions. He argued that the industrial workers had lower incomes than their pre-industrial peers and they lived in more unhealthy and unpleasant environments. This proved to be a very wide-ranging critique of industrialisation and one that was echoed by many of the Marxist historians who studied the industrial revolution in the 20th century. Originally addressed to a German audience, the book is considered by many to be a classic account of the universal condition of the industrial working class during its time. The eldest son of a successful German textile industrialist, Engels became involved in radical journalism in his youth. Sent to England, what he saw there made him even more radical. About this time he formed his lifelong intellectual partnership with Karl Marx.
Output: How many adults died on average after the introduction of mills?
The novel takes place in a world where online "tribes" form, where all members set their circadian rhythms to the same time zone even though members may be physically located throughout the world. The protagonist, Art Berry, has been sent to an insane asylum as a result of a complex conspiracy. Told mostly in flashbacks, Art explains that he works in London as a consultant for the Greenwich 0 tribe. In reality, though, both he and his associate Fede are in fact double-agents for the Eastern Standard Tribe. Despite his talents as a human experience engineer, Art delivers subtly flawed proposals to the GMT tribe in order to undermine them and enable his own tribe to get a coveted contract. He meets a girl, Linda, after he hits her with his car at 3am. Art has an idea for peer-to-peer music sharing between automobiles, and plans to give it to the EST (taking a cut to himself.) However, his girlfriend meets his coworker, Fede, and they plan to double cross the EST and sell the idea to another tribe. Knowing Art won't approve of the plan, they do it behind his back. Fede later claims he would have cut Art in on the deal afterwards. However, Art figures out what is going on, and as a result they have him committed to an insane asylum to protect their plot. The book alternates between two points of view: Art meeting Linda in London, and Art in the asylum. The London plot culminates in his attack on Fede when he discovers his betrayal. The asylum plot takes place after his attack on Fede, and culminates in his escape from the asylum and founding of a new company to market health care products using his inside knowledge of psychiatric institutions.
Output: Why is Art committed to the insane asylum?
The book is broken up into four parts. The first section, "Mrs Baines" details the adolescence of both Sophia and Constance, and their life in their father's shop and house (a combined property). The father is ill and bedridden, and the main adult in their life is Mrs Baines, their mother. By the end of the first book, Sophia (whose name reflects her sophistication, as opposed to the constant Constance) has eloped with a travelling salesman. Constance meanwhile marries Mr Povey, who works in the shop. The second part, "Constance", details the life of Constance from that point forward up until the time she is reunited with her sister in old age. Her life, although outwardly prosaic, is nevertheless filled with personal incident, including the death of her husband, Mr Povey, and her concerns about the character and behaviour of her son. The third part, "Sophia", carries forward the story of what happened to Sophia after her elopement. Abandoned by her husband in Paris, Sophia eventually becomes the owner of a successful pensione. The final part, "What Life Is", details how the two sisters are eventually reunited. Sophia returns to England and the house of her childhood, where Constance still lives.
Output: Who is the main adult in Sophia and Constances life?
A synopsis of the book published in 1910 states: This is a romance of the Virginia tobacco fields and has for its central figure Christopher Blake. He is the descendant of a rich and aristocratic family, and through reduced fortunes is obligated to work as a laborer on the estate which for generations has been owned by his forbears. Upon the death of his father, when he is only ten years old, he suddenly finds home and fortune snatched from him, and with a blind mother and two sisters to support he begins a life of toil. He foregoes education and drudges unceasingly that his mother may be kept in ignorance of her change of fortune and that his twin sister may not have to work. After fifteen years of this existence his nature becomes hardened and his heart is filled with hatred for Mr. Fletcher, the past manager of the estate, who is now its possessor. Fletcher, who is a vulgar and ugly tempered man, has gained his possessions by cheating and dishonesty, and Christopher's one though from childhood has been a desire for revenge. He finds his opportunity in leading to ruin Fletcher's grandson, Will, a weak young fellow, who is idolized by his grandfather. Christopher leads him into dissipation and teaches him to despise his grandfather till finally in a moment of drunken frenzy he kills him. Then Christopher realizes the enormity of his sin, aids Will to escape, and takes the punishment. He goes to prison to serve out a five years' sentence, but after three years have passed is pardoned out through the efforts of Maria Wyndham, Fletcher's granddaughter, whom he has loved for years. Maria, who has returned his affection and is now the heir to the estate, is only too glad to restore it to its rightful owner, and the lovers, and their many years of unhappiness, are at least united.
Output: Why is Christopher forced to work as a laborer?
John LeTour, a 40-year-old New Yorker, is one of two delivery men for Ann, who supplies an exclusive clientele in the banking and financing sector with drugs. While Ann contemplates switching to the cosmetics business, LeTour, who suffers from insomnia, has lost his perspective in life. One night LeTour meets his former girlfriend Marianne, who both once shared an intense but destructive relationship due to drug abuse. Although they stopped taking drugs, Marianne refuses his offer for a new start. After spending one night together, she tells him that this was her way of saying good-bye. Unbeknown to her, her mother died at the hospital while she was with LeTour. The next time he meets Marianne, she attacks him, demanding that he gets out of her life once and for all. Meanwhile, the police start observing LeTour because one of his clients, Tis, is connected to the drug induced death of a young woman. On his next delivery, LeTour witnesses a heavily drugged Marianne in Tis' apartment. Only minutes after his departure, she falls several stories to her death. LeTour gives the police a lead to Marianne's last whereabouts. At the wake, Marianne's sister Randi tells him not to feel guilty for what happened. When Tis orders a new supply and insists that LeTour delivers it, he senses that Tis wants to dispose of him. Ann accompanies him, but Tis' guards force her to leave the room. In the subsequent shoot-out, LeTour kills Tis and both of his henchmen, but is left critically wounded. He lies down on the hotel bed, showing no anger or pain, only a profound weariness, as police sirens can be heard in the distance. Ann visits LeTour in jail, who expresses his relief and hopes for a better future. The film hints at the possibility that Ann will wait for him.
Output: What illness does LeTour suffer from?
Ex-fighter pilot and taxi driver Ted Striker (Robert Hays) became traumatized during an unnamed war, leading to a pathological fear of flying. As a result, he is unable to hold a responsible job. His wartime girlfriend, Elaine Dickinson (Julie Hagerty), now a flight attendant, leaves him. Striker nervously boards a Boeing 707 (Trans American Flight 209) from Los Angeles to Chicago on which she is serving, hoping to win her back, but she rebuffs him. After dinner is served, many of the passengers fall ill, and fellow passenger Dr. Rumack (Leslie Nielsen) deduces that the passengers have contracted food poisoning from the fish. The cockpit crew, including pilot Clarence Oveur (Peter Graves) and co-pilot Roger Murdock (Kareem Abdul-Jabbar), have also been affected, leaving no one to fly the plane. Elaine contacts the Chicago control tower for help, and is instructed by tower supervisor Steve McCroskey (Lloyd Bridges) to activate the plane's autopilot, a large inflatable pilot doll (listed as "Otto" in the end credits), which will get them to Chicago, but will not be able to land the plane. Rumack convinces Striker to fly the plane, though Striker feels unable to handle the pressure and the unfamiliar aircraft. McCroskey knows that he must get someone else to help take the plane down and calls Rex Kramer (Robert Stack), Striker's commanding officer in the war. Despite their hostile relationship, he is the best choice to instruct Striker. As the plane nears Chicago, Striker is overcome by stress and manages to land the plane only after a pep talk from Dr. Rumack. With Kramer's advice, Striker is able to land the plane safely with only minor injuries to some passengers. Striker's courage rekindles Elaine's love for him, and the two share a kiss. "Otto" takes off in the evacuated plane after inflating a female companion.
Output: Why does Ted decide to fight his fear of flying?
The Maid of Sker is set at the end of the 18th century, and the story is told by Davy Llewellyn, an old fisherman. The story concerns a two-year-old girl who drifts in a boat onto a beach in Glamorganshire in the calm before a storm. The little girl calls herself Bardie. Llewellyn is tempted to keep the girl, but decides to give her up and keeps the boat for himself. He quarters the pretty child in a simple, but well-to-do, household in his neighbourhood. As she grows up he dotes upon her so far as he can. He watches anxiously over her fortunes, partly or principally because he thinks his own may be bound up with them. It is clear from the refinement of the girl's manners, and from the fineness of her clothes she was washed ashore in, that she is no common child. Davy joins the crew of a ketch trading between Barnstaple and Porthcawl. Whilst in Devon, he encounters several characters who hold the key to solving the mystery of the maid of Sker. These include Sir Philip Bampfylde who spends most of his time looking for his two grandchildren who have mysteriously disappeared; Parson Chowne, a parson of demoniac wickedness and craft who works his will for many years in the north of Devon, defying God, man, and the law; and Captain Drake Bamfylde who is under suspicion of having made away with the children of his elder brother, and heirs to the family property. Old Davy gradually unravels the mystery and sets matters right, although many distractions delay him including an extended period at sea in which Blackmore gives a graphic account of the Battle of the Nile.
Output: How does Davy know Bardie is not a common child?
Brandon Lang (McConaughey) is a former college football star who, after sustaining a career-ending injury, takes a job handicapping football games. His success at choosing winners catches the eye of Walter Abrams (Pacino), the slick head of one of the biggest sports consulting operations in the United States. Walter takes Brandon under his wing, and soon they are making tremendous amounts of money. Lang's in-depth knowledge of the game, leagues and players brings in big winnings and bigger clients. Abrams' cable television show, The Sports Advisors, skyrockets in popularity when he adds Lang's slick "John Anthony" persona to the desk, infuriating Jerry Sykes (Jeremy Piven), who up to now has been Walter's in-house expert. Lang's total image is remade - new car, new wardrobe and a new look with the assistance of Walter's wife, Toni (Russo), a hair stylist. Things suddenly go south, however, when Lang begins playing his hunches instead of doing his homework. He loses his touch and is even physically assaulted by the thugs of a gambler (Armand Assante) who lost a great deal of money following Lang's advice. Lang and Abrams' once-solid relationship sours. Lang's new high-rolling lifestyle depends entirely on his ability to predict the outcomes of the games. Millions are at stake by the time he places his last bet, and Abrams grows increasingly unstable. (Abrams is a recovering gambling addict and alcoholic, among other things. Toni tells Lang early on that Walter's life is "held together by meetings; if there's an 'anonymous' at the end of it, he goes. He has to."). He secretly begins gambling all of his own money on Lang's picks and becomes suspicious that Lang is having an affair with his wife. The film concludes with Lang's predictions coming true for the last game, both of which he allegedly determines by flipping coins in a bathroom, as he leaves New York and takes a job as coach of a junior league football team.
Output: What job does Lang take at the end of the story?
During the early 1970s, FBI agent Ray Levoi is assigned to aid in the investigation of a political murder, that of tribal council member Leo Fast Elk (Allan R.J. Joseph), on a Native American reservation in South Dakota. Agent William Dawes, Ray's superior, has chosen him for the task due to his mixed Sioux heritage, which might assist in the inquiry as they interview local townspeople. Ray is partnered with agent Frank "Cooch" Coutelle, who has diligently worked on the probe looking to apprehend a prime suspect: Aboriginal Rights Movement radical Jimmy Looks Twice. While helping Cooch track down the suspect, Ray gradually becomes sensitized to Indian issues, partially from his attraction to Maggie Eagle Bear, a Native American political activist and schoolteacher. Mocked and ridiculed by the locals (being called a "Washington Redskin"), including tribal police officer Walter Crow Horse, Ray finds that he has an unaccountable standing with some of the tribal elders such as Grandpa Sam Reaches. The natives recognize Ray as "Thunderheart", a Native American hero slain at the Wounded Knee Massacre in the past, and now reincarnated to deliver them from their current troubles. Much to Cooch's anger, Ray comes to suspect there is a conspiracy and cover-up involving the small town. He and Crow Horse later discover that a local government-sponsored plan to strip mine uranium on the reservation is at the root of the killings. The mining is polluting the water supply and fueling a bloody conflict between the reservation's anti-government ruling council and the pro-government natives who, led by tribal council president Jack Milton, are not above using violence to further their aims. Milton does not own the land where the mining occurs, but gets kickbacks from the leases. Cooch is later revealed to be part of the scandal to silence the opposition and help broker the land deal. Soon after finding Maggie Eagle Bear and former convict Richard Yellow Hawk murdered, a showdown ensues between Cooch and pro-government collaborators against Ray, Crow Horse and the anti-government activists. Cooch becomes outnumbered by the armed resistance and is later investigated on charges of corruption.
Output: Who does Frank consider to be the prime suspect?
The Woggle-Bug Book features the broad ethnic humor that was accepted and popular in its era, and which Baum employed in various works. The Woggle-Bug, who favors flashy clothes with bright colors (he dresses in "gorgeous reds and yellows and blues and greens" and carries a pink handkerchief), falls in love with a gaudy "Wagnerian plaid" dress that he sees on a mannequin in a department store window. Being a woggle bug, he has trouble differentiating between the dress and its wearers, wax or human. The dress is on sale for $7.93 ("GREATLY REDUCED" reads the tag). The Bug works for two days as a ditchdigger (he earns double pay since he digs with four hands) for money to buy the dress. He arrives too late, though; the dress has been sold, and makes its way through the second-hand market. The Bug pursues his love through the town, ineptly courting the women (Irish, Swedish, and African-American, plus one Chinese man) who have the dress in turn. His pursuit eventually leads to an accidental balloon flight to Africa. There, menacing Arabs want to kill the Woggle-Bug, but he convinces them that his death would bring bad luck. In the jungle he falls in with the talking animals that are the hallmark of Baum's imaginative world. In the end, the Bug makes his way back to the city, with a necktie made from the dress's loud fabric. He wisely reconciles himself to his fate: "After all, this necktie is my love - and my love is now mine forevermore! Why should I not be happy and content?" The plot exploits elements that occur in other Baum works. An accidental balloon flight took the Wizard to Oz in Baum's most famous book; hostile Arabs are a feature of John Dough and the Cherub (1906).
Output: Who does the Woggle-Bug meet to talk to?
The middle-class Baxter family enjoys a comfortable and placid life until the summer when their neighbors, the Parcher family, play host to an out-of-town visitor, Lola Pratt. An aspiring actress, Lola is a "howling belle of eighteen" who talks baby-talk "even at breakfast" and holds the center of attention wherever she goes. She instantly captivates William with her beauty, her flirtatious manner, and her ever-present prop, a tiny white lap dog, Flopit. William is sure he has found True Love at Last. Like the other youths of his circle, he spends the summer pursuing Lola at picnics, dances and evening parties, inadvertently making himself obnoxious to his family and friends. They, in turn, constantly embarrass and humiliate him as they do not share his exalted opinion of his "babytalk lady". William steals his father's dress-suit and wears it to court Lola in the evenings at the home of the soon-regretful Parcher family. As his lovestruck condition progresses, he writes a bad love poem to "Milady", hoards dead flowers Lola has touched, and develops, his family feels, a peculiar interest in beards and child marriages among the 'Hindoos'. To William's constant irritation, his ten-year-old sister Jane and the Baxters' Negro handyman, Genesis, persist in treating him as an equal instead of the serious-minded grown-up he now believes himself to be. His parents mostly smile tolerantly at William's lovelorn condition, and hope he will survive it to become a responsible, mature adult. After a summer that William is sure has changed his life forever, Lola leaves town on the train. The book concludes with a Maeterlinck-inspired flash-forward, showing that William has indeed survived the trials of adolescence.
Output: Why is Lola Pratt in town?
The film revolves around three characters who work in television news. Jane Craig (Hunter) is a talented, neurotic producer whose life revolves around her work. Jane's best friend and frequent collaborator, Aaron Altman (Brooks), is a gifted writer and reporter ambitious for on-camera exposure who is secretly in love with Jane. Tom Grunick (Hurt), a local news anchorman who until recently was a sports anchorman, is likeable and telegenic, but lacks news experience and knows that he was only hired for his good looks and charm. He is attracted to Jane, although he is also intimidated by her skills and intensity. All three work out of the Washington D.C. office of a national television network. Craig is drawn to Grunick, but resents his lack of qualifications for his new position as news anchor. Altman also is appalled by Grunick's lack of experience and knowledge, but accepts his advice when finally getting an opportunity to anchor a newscast himself. Unfortunately, he lacks Grunick's poise and composure in that seat, and his debut as an anchor is a resounding failure. Altman acknowledges to Craig that he is in love with her while trying to dissuade her from pursuing a romantic relationship with Grunick. As a massive layoff hits the network, resulting in many colleagues losing their jobs, Altman tenders his resignation, and tells her he plans to take a job in Portland, Oregon. However, before he leaves, he tips off Craig to a breach of ethics on Grunick's part. She decides she cannot in good conscience get personally involved with Grunick, who the network is transferring to London. She no longer has either man in her personal or professional life, at least until the three of them reunite several years later.
Output: What does Aaron do for a living?
Dr. Goodwin is on a botanical expedition in the Himalayas. There he meets Dick Drake, the son of one of his old science acquaintances. They are witnesses of a strange aurora-like effect, but seemingly a deliberate one. As they go out to investigate, they meet Goodwin's old friends Martin and Ruth Ventnor, brother and sister scientists. The two are besieged by Persians as Darius III led when Alexander of Macedon conquered them more than two thousand years ago. The group is saved by a magnificent woman they get to know as Norhala. She commands the power of lightning and controls strange metal animate Things, living, metallic, geometric forms; an entire city of sentient cubes, globes and tetrahedrons, capable of joining together and forming colossal shapes, and wielding death rays and other armaments of destruction. They are led to a hidden valley occupied by what they name "The Metal Monster", a strange metal city occupied by the metal animate Things Norhala commands. This city is governed by what they call the Metal Emperor, assisted by the Keeper of the Cones. Ruth is slowly being converted by Norhala to become like her; her little sister. Martin, her brother, tries shooting the Metal Emperor, who retaliates with a ray blast, putting Martin in a comatose state. Closed in between the Metal Monster and the Persians, it falls to Goodwin and Drake to find a way to escape their predicament.
Output: What do Drake and Goodwin notice about the aurora like effect?
The book is written in three parts. "Book One: The Romantic Egotist"—The novel centers on Amory Blaine, a young Midwesterner who, convinced that he has an exceptionally promising future, attends boarding school and later Princeton University. He leaves behind his eccentric mother Beatrice and befriends a close friend of hers, Monsignor Darcy. While at Princeton he goes back to Minneapolis, where he re-encounters Isabelle Borgé, a young lady whom he had met as a little boy, and starts a romantic relationship with her. At Princeton he repeatedly writes ever more flowery poems, but Amory and Isabelle become disenchanted with each after meeting again at his prom. "Interlude"—Following their break-up, Amory is shipped overseas, to serve in the army in World War I. (Fitzgerald had been in the army himself, but the war ended while he was still stationed on Long Island.) Amory's experiences in the war are not described, other than to say later in the book that he was a bayonet instructor. "Book Two: The Education of a Personage"—After the war, Amory falls in love with a New York debutante named Rosalind Connage. Because he is poor, however, this relationship collapses as well; Rosalind decides to marry a wealthy man, instead. A devastated Amory is further crushed to learn that his mentor Monsignor Darcy has died. The book ends with Amory's iconic lament, "I know myself, but that is all".
Output: What war was taking place?