niryuu/sni-each-converted huggingface dataset:
disappointingly cliche and boring . Unfortunately, perhaps, I am a performing musician (voice, keyboards, flute, guitar, and a smathering of other instruments)as well as a composer, and also a fan of fresh, innovative treatments of familiar tunes. I search out and buy two or three new Christmas CD's each year and listen to them non-stop for the month of December. I had great hopes that this Liebert CD would be inspiring and was disappointed that it was the opposite. Each tune follows the formula of the rhythm section playing a straight-ahead version of whatever song with Liebert playing a totally traditional, single-note melody on top, often co-mingled with a couple of motifs from another Christmas song. The rhythm section plays the same traditional chord progressions again while Liebert &quot;jams,&quot; using the same trite, tired riffs. BORING
Output: NEG
Musically Flawless . So how about that? A Mahler second that actually moves! The result is one of the most exciting readings of all time. It's truly legend.    This is one of the two greatest Mahler seconds. Here Mehta, who can often be an oddly questionable interpreter, lightens the music at just the right level, making it brilliantly unique. Instead of allowing the music to sink into itself, like most imitations of Bernstein's classic reccording.    Music has to move, it has to speak, it has to breathe..    Never has Mahler been so logically accessible and tended for. The experience gained from this recording is greatly edifying, if not spiritual.    Technically however, its not perfect: one thing that makes it somewhat lacking. Sometimes the orchestra is not really synchronized. Precision is sometimes sacrificed for Mehta's ingenious creativity. However, to me these sort of flaws just make the piece more homely and natural.    The Vienna is of course fantastic in sound. Brilliant, but deep and always resonant.     This is some masterpiece material. A truly excellent CD
Output: POS
A CD I tried to sell and no one would buy . This cd is horrible. It starts of with a couple catchy pops songs that Carson Daily liked then all the sudden, they bust out some rap. Canadians can't rap, I DEMAND JUSTICE!!!
Output: NEG
Great re-issue with extra niceties... . I've been listening to PT for several years now, and have found their music most moving.  I really wouldn't care if they sound like Pink Floyd, or whomever.  I don't believe that Steven Wilson sits around trying to imitate one group or another.  I think it could be said that most artists have their influences from many sources, from many inspirations.  So, thank you Steven for re-issuing this CD, and adding such quality and care to the songs.  I believe you will influence many other future artists with your creativity.  You certainly influence me to listen and enjoy.  After all, my son and I travelled over 150 miles, one way, just to see PT in Michigan, and thoroughly enjoyed every minute of the concert
Output: POS
terrible . to try and re create NWA with the west coast best is a good idea but it cant be done. The sound of NWA was so raw loud and straight ghetto that this remake serves as a sorry re mak
Output: NEG
Another step forward for the mighty Sepultura! . Dante XXI    What a fantastic album! A huge achievement by a band that continues to produce excellent music despite a huge amount of criticism from fans of Cavalera-era Sepultura.    It's surprising that people can't get over the fact that Max Cavalera left a whole decade ago. Since then Sep have moved on and I doubt they would have made Dante XXI had Max still been at the helm. Frankly, bands should be applauded for pushing the boundaries of themselves and their fans. If you follow a band, it's sometimes worth having a little faith in them, I feel. I guess we fall in love with a band after hearing a couple of albums and that those albums become the band. But the band themselves have a totally different perspective! The music they produce is a product of the dynamics of the members of the band, their abilities, relative strengths, experience, musical preferences etcetera. All of these factors can change over time; indeed SHOULD change over time. Hence, aspects of Sep's music have changed also. How sad would it be to say that Sepultura had learnt nothing new in the last 10 years? That their music had been influenced by nothing that has happened to them? Why would anyone want them to keep copying the sound of their earlier work? Would you really want Sepultura to just regurgitate Arise and Chaos AD tracks? Wouldn't that just put them on a par with bands like Status Quo? How utterly tragic that would be.    When playing live, they play a huge number of older songs because they know we want to hear them too. So, if you want older stuff, don't expect it on a new album - go see them live. They're better live than on a disc any day!    Dante XXI is certainly more consistently thrashy than their other post-Cavalera output. (So, if you've been missing that aspect of Sepultura: here it is!) Green's vocals are awesome; there are terrific riffs and fantastic rhythm. It's hard to pick a favourite, but if pressed, I'd recommend you listen to 'Fighting On' - and turn it up VERY LOUD!    With Dante XXI, Sepultura continue to successfully broaden the musical boundaries of both themselves and their fans.    So, set aside your preconceptions and give this album a good listen - you'll love it.
Output: POS
another loser band . Hooba...stank...stinks and will always stink. I don't know about the rest of the CD, but listening to The Reason is about as pleasant as sticking your hand into a running garbage disposal.  I'm not a perfect perrrrsssonn. Egad
Output: NEG
YOU'RE BUYING THE WRONG CD! . Yes, this is the great PBBB's 3rd album, but it's not the CD you should be buying.    This domestic CD was released in 1989 and has never been remastered.      The import 2CD version of this title (backed with the PBBB's 4th "In My Own Dream") is the one to get.  It was remastered in 2004.    Ditto for "The Paul Butterfield Blues Band" & "East West"; the 2004 import 2CD is also remastered (and sounds incredible) and the domestic CD's are not.    Why WEA and Elektra have not made these four remasters available domestically is a mystery.    Don't waste your money on these inferior versions: Get the imports
Output: NEG
Another drop in the bucket . I saw this on a "best of 2005" list and I have to say I am disappointed. The musicality of this record is not too bad. It's not terribly creative, but it is enjoyable. What really turned me off was the incredibly vapid and thoughtless lyrics. Unfortunately this is just another pop record, of which there are way too many these days. The only track on here that I would give a second listen too is seagull. I wouldn't recommend the rest of the album
Output: NEG
This Thang Is A Superb Groove.... . But I never understood why they didn't catch on. They had a bona fide producer in Kay Gee (Naughty by Nature), incredible vocal chemistry, heavy-duty promotion, and catchy singles. This resulted in an impressive debut. So why the snub? I guess that will always be a mystery. Anywho, along with Blackstreet and Age Ain't Nuthin' But A Number, Pronounced Jah-Nay ranks as one of the top five BEST hip-hop/soul debuts of 1994. And here's why.    It was a very cohesive record, consisting of FIVE R&B entries, with "Hey Mr. D.J.", "Groove Thang", and "Sending My Love" making the top five. You think that's the story? NOT!. The story is how good the REST of the album is. In fact, I will say (like other VERY strong debuts) that the album tracks are BETTER than the singles. And that's saying a lot, given there are only a handful of hip-hop/swing albums worthy of such praise in the 1990's. Those tracks are: "Sweet Taste of Love", "Changes", "La La La", "For A Reason" and "Hey Mr. D.J. Remix". That's eight cuts that should get played everytime it's in the CD player. It doesn't get much better than that.    In sum, Zhane turned out an impressive debut amongst an incredible year of hip-hop soul records. However, their fame didn't last long. They would go on to suffer the dreaded sophomore slump three years later and never release another set. But their debut will never be forgotten. It's hip-hop/soul at its peak when it was still relatively fresh. And that's what makes it irresistibly catchy. A hip-hop fan definitely needs to obtain this one, but a casual listener should as well.    Grade: A
Output: POS
Hypnotic and fantastic . VH1's We are the 80's introduced me to this wonderful album. The  video for "Running up that it hill" captured my total attention.  I was very delighted to find that the extended version of this song is also included as an extra track. The rest of the CD has multiple and diversified musical surprises. Overall and keeping in mind that this is a recording from the late 80's it is worth the price.
Output: POS
not a fan, but at least they changed the name and i can respect that . if you knew me, you would probably know that i love punk music....old epitaph bands tickle my fancies greatly..they days when epitaph was THE punk label..you know, the label with all the re-mastered classics, plus phenomenal newer acts     anyways, until recently, this whole new emo/screamo thing was getting on my nerves...mainly for the reason that it was being labeled as "Punk." yes, this compilation still contains bad religion and pennywise..which is great..i mean i would never buy this for just 2 decent songs and i still pretty much hate new emo, but i can respect epitaph records now that they ditched "punk o rama" since they contain very little punk.     epitaph has a great extension in Hellcat Records to appease the punks/skins...i would surely recommend that someone pick up the "give em the boot" compilations if they want punk rock.    now, the only thing i really despise epitaph for these days is the fact that they have so many classics that are out of print and near impossible to find!     bottom line, if you want punk go to hellcat, if you want new emo and other oddity musicians come to this, the new phase of punk o rama. 2 stars because i dont really care for this, but it earns my respect
Output: NEG
The Verdict Is In . . . . YAAAAAAAAWWWWWWNNN! Don't even bother buying and listening to this CD. Every song on here lacks emotion, meaningful lyrics, and any type of memorable melody. Standards are set so low that any untalented fool can get a record deal, sample to their hearts content, and win a Grammy. Skip this and get Stevie Wonders greatest hits collection
Output: NEG
Harry can do no wrong . I've followed Harry for years and have always enjoyed his albums because each one has a slightly different sound from the rest.  This latest CD is light, has gentle compositions, and is also swingin' fun.  It puts me in the mood for dancing under the stars or curling up by the fire.  I think it's about time Harry did a CD like this
Output: POS
I agree with a previous reviewer. . What they said was that Katy can't rock just yet because she's a raw talent and not yet coherent in theme.  I saw her live on the Chicks with Attitude tour with Liz Phair and the Cardigans and Charlotte Martin and Rose was the worst performer of the night.  The first problem is that her voice just isn't that strong, secondly, her lyrics never come out as if they're honest and as if they are always a pretension that people feel a cool girl growing up should say.  Throughout her set, there was only one song that stuck out as an interesting and unique thing (passingly honest as well) and that was "Snowflake."  It's fitting that the song was preceded by an ironic intro about how she's lived in California for a long time, but she hates warm weather, sounds impossible, but she must be truthful because it's the only song that breaks out of the leaden grunge guitar mix and hits the audience over the head with songcraft.  I'm sure she has potential for the future, but I think on her next album she should take a hint from Beth Orton who's known previous to her most recent album for being a popular artist in the realm of trip hop.  Stripping down your sound brings the utmost fundamentals of your idea and sound out, and I think that could be helpful for her to put on record
Output: NEG
Back to the supermarket . A terrible, terrible waste of money. All this CD serves in doing is to illustrate what a knuckle-head Paul Godfrey is. Face it: no one gives a sh@t about Morcheeba anymore, we're not interested in who 'inspired' them, (poor Annette Peacock - has anyone told her?). The next time we see Paul Godfrey he'll probably be asking that age-old question: &quot;paper or plastic?&quot
Output: NEG
"What is this.....?" . O.K. When I heard that Dave was going to remaster/re-release the Megadeth back catalog I got real excited. I still believe that this album is a true masterpiece, but when I bought the 2004 remaster/remixed version I was MORTIFIED!!!! What was Dave thinking when he decided to remix it. All it needed was to be beefed up just a little, but he went to great extremes to ruin it. I know Megadeth fans were pretty pissed about this, but the one thing I did remember is that the first time I heard Countdown... when it was release in 1992 it gave me chills........period! I have regrets about buying all the remasters at once.......BIG MISTAKE!!! So in closing I went back and found the original versions of So Far...So Good...So What!, Rust in Peace, and of course Countdown to Extinction, and yes Capitol Punishment...The Megadeth Years. I'm glad that I was able to locate them
Output: NEG
Carmen Miranda!  Ay! Ay! Ay! . OK...there may be alot of songs on here that you don't know from her Hollywood films, but don't let that stop you.  She is marvelous and fun!  Another reviewer said they were disappointed with this...ignore them and buy it
Output: POS
King of the blues! . Excellent transaction, this CD was in perfect condition. I've spent hours of amazing fun listening to this amazing artist. thanks so much for such a great transaction
Output: POS
A solid album . Being a newer fan to Anti-Flag and only catching their albums (The Terror State and For Blood and Empire) I will admit my ignorance along the lines of their earlier work with what little I know of it.    Something that I have noticed with a large majority of the negative reviews about this album is how they view the political aspects of the album and of the band, as well.  Is this not a cd?  Does the cd not have MUSIC.  How about having a critic on just the music itself like how many of the songs have strong messages and I've been hearing some impressive bass parts along with very catchy songs.    I don't know who Crass is and I don't care.  It's all a matter of opinion and if you don't like the album, that's your deal.  I think it's pretty solid.    Though, I will say this.  Something that I have never liked about Anti-Flag is their music is so limited.  You can only write so many songs about the same topic before it gets old.  Something that I have always appreciated with bands is versatility with writing songs.  So far from what I've heard, it's just all politics... though that is the path that Anti-Flag has chosen to take and they have stuck with it ever since.  So kudos to them
Output: POS
What is this? . This is a compilation of many different styles;  look Yo-Yo can play bluegrass!  Not really &quot;Classic&quot; Yo-Yo
Output: NEG
Yer Brain on Spin Cycle . This is one of my top 10 CDs of all time. Check out my other reviews and you'll probably be surprised. But this CD left a lasting impression on me when i was like 16 or so. It has some of the most well-crafted SY songs in my opinion and some of the sweetest, sublime, fuzzed out guitar sounds ever.   Track 1 is the perfect song. Track 2 (Junkie's Promise) rocks harder than anything they've ever done. They played it on Conan Obrien and tore it up!!! Track 3 is beautfully hypnotic in a tripped out sort of way. This is the track that first reeled me in as I was under the influence of Wild Irish Rose watching my friends play Tekken 2. Track 4 (washing machine) is a very episodical and visual song which morphs from dischordant punk to a chill summery breeze of a jam that slowly winds down into practically nothing. Kim Gordon's snotty tuff girl attitude shines through more than ever on songs like 'Little Trouble Girl' and 'Panty Lies'. How can any true fan of alternative music hate this CD? Good experimentation with noise and distortion, yet structured songs... better than previous "Expermmental Jet Set" album. Give it a whir
Output: POS
Bring back Bushwick and get rid of Willie-D..... . Arrrrgggghhh! This was the worst Geto Boys offering I have heard to date! Obviously Scarface wasn't enough to save this &quot;album&quot;. Why wasn't Bushwick in on this one? Most of the songs were performed by Willie-D and  I'm sorry but Willie-D can't rap! There isn't one single song on  this album that I would refer to anyone! This GB product deserves to be put  in the trash. I'm a true Geto Boys fan and I say to other GB fans out  there: DON'T BUY THIS ALBUM!!!!!!!
Output: NEG
the best pink floyd album ever!!! . who needs dark side of the moon? wish you were here? the wall? animals?!?!?      just stick with post 83 floy
Output: NEG
Even for ALW, this is pretty bad . I'm going to start this off by saying that I am NOT the biggest Andrew Lloyd Webber fan.  Some of his works are amazing, like Joseph and various songs from each of his musicals, yet overall he tries to incorporate a very fake sounding pop opera into most of his shows.  Unfortunately, The Woman in White, his first try at gothic opera, is even worse.  Webber obviously tried to pretend that the score for the musical was quality, thought-provoking work by jam-packing it with dissonant chords and loud orchestrations, but they only show how little he truly knows about music.  Half of the show's score is little short of random notes that seem to have no connection (almost as if he tried to imitate the genius of Sondheim).  The tunes are bland, the book is boring and confusing, and many of the performances are sub-par.  For instance, the actrees portraying the Woman in White simply shrieks throughout the entire CD.  Even when she sings, her screaming din hurts one's ears.  It seems as if she decided to cover the underdevelopment of her character with noise.  The other actors are generally adequite, yet they have so little to work with that their portrayals seem dull.  Admittedly, there are some highlights to this CD, such as Crawford's amazing portrayal of Count Fosco (especially the live version of You Can Get Away With Anything...it is HILARIOUS!), but overall, the CD is hard to take in.  Some songs are quite beautiful, yet the track on which they resign are also full of shrieking, dull dialogue, and loud music.  I think it is a tell-tale sign of a flop when on a live-version CD of a musical, only one song is accompanied by reaction from the audience
Output: NEG
Putting Jewel On the Map . This album is the single reason Jewel is what she is today.  Without this album I feel that Jewel would never have been able to establish herself musically, at least not to the point of success she has today.  Raw, Untraditional, Brave, Naked, these can all descibe her first album.  Unlike most other hit records this album is a nice departure from the norm.  Worth a listen
Output: POS
Definitely Definitive but Where's "Josie"? . While Steely Dan has received the compilation treatment on more than one occassion, the latest "Definitive Collection" brings some of the band's best known work onto a single disc. Also, for completeness, one track each from their 'reunion' CDs are included here.  Steely classics such as "Do It Again", "Reelin' In The Years", "Rikki Don't Lose That Number", "Black Friday", "Deacon Blues", "Peg" and "Hey Nineteen" are all included here and sound just as fresh and unique as they did back in the day.  While this collection is an ideal place to start for the beginning Dan fan because of its songs and low price, it should be noted that there is one glaring omission to this Definitive Collection - the all-time classic "Josie". Granted, this CD is already packed to its limits with close to 78-minutes of music and is excellent from start to finish. However, including "Josie" and dropping a track like, say "Dirty Work" (writer's opinion) would have made this collection a lot stronger and cohesive overall. I guess this is how the band wanted it because they were indeed involved with the compilation of this collection.   Apart from this, Steely Dan's "Definitive Collection" is a great introduction to the band. For a more comprehensive overview, check out the double-disc compilation "Show Biz Kids" which includes all of the tracks included here (minus the two 'reunion' tracks) plus many many more.
Output: POS
Enjoyable addition to MI series  Captures the spirit of the movies & show . Michael Giacchino's score for Mission: Impossible 3 is an excellent blend of action music and a grat adaption of Schiffen's classic music.  As he did with the Incredibles, Giacchino shows the ability to write a classic score that fits perfectly with the film and stands up well on its own.  Probably the best of the three Mission scores.  Elfman's matched his own style, Zimmer's matched his, but Giacchino's matched Mission:Impossibles
Output: POS
poppers folly . This CD had the makings of a great recording. The problem was telling Popper where they were performing!Butch,please record another one but leave Popper at home.He's full of a lot of things,but TALENT isn't one of them
Output: NEG
Hell yeah!!! . This is the best R&B female album out this year. I listen to this CD all day. Although it has 10 songs like the other chick... Monica has something to say and relates to many women out there. I love this CD. My favorite is Hell No. If you have not done so go and get this immediatley especially if you wasted your money on BDay like I did
Output: POS
THIS CD IS HHHOOOTTTT . I DONT KNOW WHAT SOME OF THESE PEOPLE ARE TALKING ABOUT UP HERE DISSING MR BOBBY V'S CD'S..THIS CD IS NOTHING BUT THE TRUTH FOR THIS TO BE HIS FIRST SOLO PROJECT AND TO ONLY HAVE ONE GUEST APPERANCE HE HELD THIS CD DOWN VERY WELL AND I GIVE HIM ALL THE PROPS IN THE WORLD HIS AND A FEW OTHER R&B CDS ARE THE ONLY ONES THAT I CAN ACTUALLY LISTEN TO FROM START TO FINISH WITHOUT WANTING TO SKIP ANY TRACKS..AND AS FAR AS THE GIRL BUYING THIS CD OVER HER BOOK FOR SCHOOL YOUR A DUMMY FOR THAT ONE YOU NEED TO GET YOUR PRIORITIES STR8 THEN ....YOU SHOULD HAVE BEEN WORRIED ABOUT YOUR DARN EDUCATION MORE SO THAN A DARN CD..YOU MAY HAVE HATED THIS CD..BUT BOBBY HAS ALREADY MADE IT..HAVE YOU
Output: POS
A Well Fed Feast From Alanis . Audio Disc Breakdown:    1. FEAR OF BLISS - Some trippy rock from Alanis! This track doesn't follow Alanis' standard songwriting formula and is a bit scattered. Nonetheless, a great song. 4/5    2. BENT FOR YOU - Excellent alt/rock effort. This is the song that opens the DVD portion of "Feast On Scraps". Excellent. 5/5    3. SORRY TO MYSELF - This is a spine tingling ballad. Perhaps, dare I say, Alanis' best ballad. This song definitely should have been released as a single. 5/5    4. SISTER BLISTER - This one's a monster rocker! As well as the previous track, this would have been so successful as a single. Not since "You Oughta Know" has Alanis produced such a great rock track. Would have been a huge hit on the Modern Rock Charts. 5/5    5. OFFER - Another ballad here, however, this one falls incredibly short. While Alanis' voice is good, nothing seems to come together and the lyrics and music are to say the least, boring. 2/5    6. UNPRODIGAL DAUGHTER - Another great rock track. It's about Alanis leaving home for L.A. to start her new life. We see a hint of the "angry" Alanis we say on "Jagged Little Pill", maybe because this song is referring back to that time. 5/5    7. SIMPLE TOGETHER - I believe this song was the song sent to radio stations to promote "Feast On Scraps". It most definitely was a poor choice. While it is an ok ballad, it's somewhat dull. 3/5    8. PURGATORYING - This song is magical! It's a very enjoyable and definitely interesting song. There's almost an otherworldly feel to this. From watching this song being performed on the DVD of "Feast On Scraps", it's easy to see the magic of this track comes from the live performance. Nonetheless, great! 4/5    9. HANDS CLEAN(ACOUSTIC) - It's really nice to hear this 2002 hit stripped down to the core. Sounds great. 4/5    DVD Overview:    The full concert on this DVD follows Alanis though her 2002 "Toward Our Union Mended Tour" Most of the footage is from her Rotterdam show. It's loaded with hits, precious rarities and brand new tracks! Alanis has such raw, pure energy in her shows. Most notibly on tracks such as "Purgatorying", "You Oughta Know", "Flinch", "Sympathetic Character" and "Uninvited". This DVD shows us at times the rewarding and struggling process of songwriting in and out of the studio. Contains superb behind the scenes footage showing us Alanis' humorous and wacky side. It's also an excellent facet to understand her and her philosophy to a much greatest extent. 5/5    Overall:     I actually rate this album 4.2 out of 5 stars. "Feast On Scraps" is a great experience for any lover of live music! A great buy!
Output: POS
More than just an excitable boy... . Zevon become famous with "Werewolves of London," a satirical critique of the world's womanizers (past and present), but as true Zevon fans know, there was much more to this man than "aaaaaoooo, werewolves of London" and a three-chord progression that is as infectious as it is cutesy.  The true Warren Zevon was a poet of sorts, a man who tackled difficult subjects ("Excitable Boy," for example, with a final verse that still gives me shivers), but still remained a sensitive man at heart ("Accidentally Like a Martyr," for example; don't deny, it moves you).    From the you-know-what hitting the fan in "Lawyers Guns and Money," to the purely delightful recitation of "I Need a Truck," to the heart-wrenching "Tule's Blues," to the rockin' romp of "Nighttime in the Switching Yard," to the world's most famous undead Thompson-gun toting anti-hero in "Roland the Headless Thompson Gunner," EXCITABLE BOY remains a rock 'n roll classic.  In fact, I'd go so far as to say it's a staple rock album.  It is by far wittier and more creative than most rock albums ever produced; sure, there aren't too many screaming electric guitars (oh my God, is that guy playing a PIANO???), but EXCITABLE BOY is quite simply one of the best rock albums ever made.  Warren Zevon was a folk/rock artist like none before him...and, it's safe to say, like none we will ever see again
Output: POS
T-Bone's Spiritual Sons . If you've ever liked the T-Bone Walker style, or drooled over the pure T-Bone licks that both Ronnie and Duke have graced us with over the years, "Two Bones and a Pick" is eight minutes of pure jump-blues-guitar-heaven.  I can, and do listen to this for hours on end.  If any two white guys have got that jump-blues-guitar-thang down, it's these two.  T-Bone is grinning like a Cheshire cat
Output: POS
Customer Service . The Item you sent me was not the right item. I think?  Then you sent me the same item back to me.? Did ask for knowledge on what the difference was on REISSUE and REMASTER. I could have already purchased this item, REISSUE, at the store down the street for less the amount that I spent at Amazon.  Sorry not a satisfied customer
Output: NEG
The King's New Suit . I would call this the musical equivalent of the worst of abstract art.  There are those that "appreciate" unintelligable works for fear of being thought stupid if they don't . . . just as the emporer's subjects "Ooh"ed and "Ah"ed in admiration of his clothing as he paraded naked in front of them
Output: NEG
Madea's Family Reunion Soundtrack . I was upset to not be able to find any information on Philipa Williams. I love the song "Look in the mirror" and was sorry that it was not on the soundtrack. Although the soundtrack was nice I was left hanging looking for more. Where can I find this song?????????????????
Output: POS
Ultimate Dolly Parton CD . I am very pleased with this CD and I received it quickly. Recommend this seller highly.
Output: POS
From Start to Finish. . . a Killer Album! . Bob is the King!  The KING!  Get this disc, you will dig it.  You can really sense the urgency in this CD.  Go to Bob's site, check out some of his notes on the Album.  If you can make to Austin, TX, spend about 2 weeks going to Bob's shows and you will understand.  From Joe Rockhead to Texas Bluegrass Masacre, Bob's the real deal, always pushing boundries, coming up with new sounds, un-corporate, straight ahead Rock and Roll
Output: POS
Supurb and Deserving Tribute . I'm also 33 years old but my parents actually had the LP of this great album.  (What's a CD?)  However it's been collecting dust for 25 years since it's too worn out to listen to.  Plus, where is that darned old record player anyway!  After recently acquiring this LP on CD, trust me, you'll be glad to hear this fine &quot;tribute to the best&quot; in true 21st century hi-fi sound (CD quality).  Oh yeah, the songs are all good to, but I've loved this album since the '70s. Ahh Haa
Output: POS
Poseur . Kid "Rock" is to rock-and-roll what Twinkies are to gourmet cooking.  He's a poseur and a pretender, who tries to mimick the attitude and style of those who went before him -- Bob Seeger, Rolling Stones -- while hoping that no one will notice that he has none of their talent.  Why listen to a pale imitation when the music of the true greats is still available?
Output: NEG
Bad beyond imagination . The mere fact that this album is popular is enough of an argument for letting terrorists bomb this country into oblivion.  The Black Eyed Peas have re-defined what awful music can sound like.  These guys have zero talent and zero class
Output: NEG
38 Special stomps! . the guys in this band have a sound with size-12 shoes. if you like this band, I suggest you try the Allman Bros., Lynyrd Skynyrd, and Creedence Clearwater Revival. standout tracks are  Rockin Into the Night, Hold On Loosely, Wild-eyed Southern Boys,  Fantasy Girl, Caught Up In You, If I'd Been The One, Back Where You Belong, and Like No Other Night. the question is: where is this band? it's awesome. they need to make a comeback.
Output: POS
fluid musicainship, great catchy tunes, a gem of a disc . Jeff Golub and his crew have got a relaxed and polished style- in the light jazz vein of say Bob James or the &quot;Crusaders&quot; They move from funky tunes, thru  soulful ballads and on to rousing infectious  uptempo grooves. This is really enjoyable instrumental work, familar but  never hackneyed. The musicianship is exemplary, tight and inspired  throughout. I'd put this disc in my top ten of the past three years- highly  reccomended
Output: POS
Hate Hate Hate . I think they put the wrong cd in the case because most of sublimes good stuff is missing.  Weird.  Buy 40oz to freedom or anything other than this cd if you do not already have them.  It's has some good songs but false advertisement comes to mind.  Hardcore sublimers may want it, but you never really have to open it.
Output: NEG
One of Linda Ronstadt's best releases . I've been a Linda Ronstadt fan for years, and must say this cd pretty well covers her bigger hits.  It doesn't quite cover all my favourites, but there's only so many songs they can fit on one cd.  Cheers, Hazel
Output: POS
Finally! . After the last few albums I was losing hope but DAMN this one rocks! Highlights are definitely Die Dead Enough, The Scorpion, Kick The Chair, Back In The Day, Of Mice and Men, and Tears In A Vial. The rest are mediocre but ho wmany albums do you buy anymore with so many great songs
Output: POS
Surprised . I wanted to give this CD as a gift to my 7 year old niece who loves the movie.  I listened to it first to make sure the quality was good. I was so surprised when all I heard was music and no words.  Although the music is nice, I know she would not be too impressed. We had seen the movie together and we loved Mr. Ray's song and wanted to know the words.  It's too bad that I'll have to return or sell it
Output: NEG
destinctively colored cd . excellent recording, very destictively colored music....I was impressed and am listening to it quite frequently.
Output: POS
Thanks, but no thanks. . Most people considered this the Cheap Trick &quot;comeback&quot; album.  Sixteen years after the fact I'm forced to admit that it ranks as more of a &quot;go-back&quot; album instead.  While Cheap Trick didn't set the music world on fire with most of their 80's releases, it wasn't until the rot set in on the unbelievably sub-par release &quot;The Doctor&quot; that I actively had to search for something good to say about one of their albums.  On &quot;The Doctor&quot; I searched but came up empty.  &quot;Lap Of Luxury&quot; isn't quite that bad, but it set a bad tone for the releases to follow.  I've made dozens of Cheap Trick compilations over the years and &quot;Let Go&quot; was the only song that I included off of LOL.  The thing that consistently irritated me with each subsequent release in the 80's and early 90's was the press release that was issued saying how this was the album that took the Trick back to their rockin' roots.  Well let me tell ya, this is far from it.  I know.  I remember
Output: NEG
Gregg Allman Laid Back . Greggs first Solo Album. Cut in Capricorn Studios with a 19 year old Chuck Leavell on Keys is a superb LP.  Re workings of "Midnight Rider" and "Please Call Home" are instant classics as is "Multi Coloured Lady" and Greggs gospel arrangement of "Will the Circle be Unbroken". If you love your music Heartfelt and Blues/Roots soaked then this is a must have..
Output: POS
In my humble opinion - . Guys...it's not that GOOD. I have the album on my computer, and I gave it a few listens, but...it has no substance. It's not interesting or anything new. It's catchy. And irritating, after more than a song or two. That's all ("Bandages" is enjoyable once in a while, I will concede).     If you're looking for catchy and poppy (and there's nothing wrong with that), then buy it. If you want something new and original - don't.  And if you want good indie dance/electronica-type music go for something like The Faint, The Bravery, or Le Tigre.
Output: NEG
The Entire collection of Fleetwood Mac's best . Fleetwood Mac in the 70's and early 80's were the biggest band on the planet.  With a new line-up that included Stevie Nicks and Lindsay Buckingham they owned the music world.  Rumors is still on the top 5 best sellers of all-time.  This compilation includes all their hits and some rare gems as well.  Silver Springs was recorded during the Rumors sessions. Stevie Nicks asked if she could use the song for a solo album.  Mick Fleetwood did not allow her to use the song.  It was later recorded for the Dance and became a major hit for them in the 90's  The version you hear on this compilation is the one recorded for Rumors in the 70's  Its almost frightening that a song this good was not included on Rumors.  Fleetwood Mac continues to tour and record and still makes great music.  This is for the serious Fleetwood Mac fan who wants to hear rare gems, and cant not get enough of their classic songs
Output: POS
shut up . Frank Zappa had a title that is apt for this Norman Brown cd;  SHUT UP & play your GUITAR !  Pop arrangements, lots of vocals, and drum machine. No Jazz here.    He is an awesome guitar player, and I really like his earlier cd's. Do yourself a favor and skip this cd
Output: NEG
Awful mastering muddies up a truly great album . You'll see other postings here that discuss the details of what Capitol's engineer did on this 1998 release to reduce hiss, etc.  Believe it.  Compared to the 1991 version of the disc or the better Mobile Fidelity gold disc (1990) this version is awful. It's like a bucket of mud was dumped over his vocals. There  are a bunch of threads on this topic on the forums of Steve Hoffman, one of the best sound engineers in the business. But the bottom line is most people who care about this music would like to see Capitol go back to the original master tapes and treat Frank right. The mastering issues apply to a lot of the 1998 Sinatra discs labeled "Entertainer of the Century" on the side
Output: NEG
There are worse albums than this one... . ...but I listen to them even less!  I bought this album at random a few years ago.  My first impression after I bought it was &quot;mediocre British band&quot;.  I've listened to it a couple times since then, the most recent today, and my impression hasn't changed.  If it weren't for the fact that Brian Eno contributed to this album I'd probably give it one star
Output: NEG
Average at Best . The Corrs are good at what they do..Trad-orientated pop, but on this album, I feel that they have lost their way a little. Always difficult to follow a 'Talk On Corners', but this album is just average,at best. There are some nice tracks here like 'All the Love in the World', 'Radio' and 'Breathless' but apart from these, nothing else really rises to the challenge. Lyrical content is amatuerish with this collection and it sounds like an album that was not as lovingly nourished as the others
Output: NEG
Waist of time... . When I first heard the song inside it got stuck in my head for a long time, and everytime i heard it after that it would get stuck in my head even longer... so i decided to go buy the album.. which was one big mistake.. the vocals are horrid and theres not one good song to get into.. It doesnt even deserve 1 star but i give them one for some how making it to tv..So dont waist your time or money on this band, go for bands like From Zero, Pillar, or Thousand Foot Krutch
Output: NEG
Great album, well worth $15.00 or more . Ok, well I have to admit that I am as much a fan of the guitar sounds as I am Adam Duritz's voice. I would have rated this as a five star album, yet every once in a while (on maybe two or the songs total) Adam will get caught up in some moment singing and the dud gets kind of whiny. This guy is one of the best singers on the planet, though and this cd is still one of the best that the Counting Crows have ever produced.  Okay, well, the guitar sounds are much more raw, very retro and vintage sounding, I wouldn't be suprised if every guitar, amp, and effects pedal are 30+ years old.  My favorite songs are definitely Raining in Baltimore (amazing quiet version), Long December, Have You Seen me Lately?, Recovering the Satelites, and Round Here. If you like retro music with strong raw vocals you should love this stuff. I've heard Adam's voice coompared with Rob Thomas of Matchbox 20. Although I would say that they are very unique I admit that for comparison they are simalar in style (Adam's better though). I hope you like the album. Enjoy
Output: POS
Incredible Mix . Andy C is the best DNB Dj in the land, and this mix confirms it. This mix is insane. The best tracks on the cd are Bandwagon Blues and my all-time favorite track HOTNESS. Andy C mixes so smoothly and vividly. And for most of you who have yet to hear Andy C's next Drum and Bass Arena CD; you're in for a treat. It far surpasses Nightlife. So, if you loved Nightlife, you'll be blown away by his next Drum and Bass Arena mix...Keep Ya Heads Rocki
Output: POS
Plush is real comfort . So you wanna have music on that provides some real audio comfort, music that has some very cool rhythms, music that is well-orchestrated and textured, well search no more for Plush delivers on all levels, it is a lovely mix of music in the so-called "downtempo" vein but it is really above and beyond just the latest kind of thing, instead it is a combination of some very sexy music that exemplifies the best in current trends in music! I found it to be wonderful for playtime and my lover agreed with some stunning sonic cues to me as the disc unwound the first time we had it on as we got it on! It is certainly a great disc for the romantically inclined although it is good enough to be just darn good without having to occupy anything specific by way of description since it rolls easily all the way from the very cool to the beautifully hot. I could wax on about my fave tracks but I actually love them all, it is a well put together set and has that magical sort of flow from track to track. You should try it on for love, don't even say a word to your sweetie, just put forward your best kiss and let the disc play, Plush indeed
Output: POS
My Favorite &quot;Nearly Unknown&quot; Show . A great show makes a great CD. I will never understand why this show didn't become a hit! I saw this show at a local amateur theater and have loved it ever since. Maltby and Shire are the best composer and lyricists to never have a successful B'way show. This score is great- Fatherhood Blues, I Want It All, The Story Goes On, The Ladies Singing Their Song- These are unforgetable and deserved to be heard. Get this gem
Output: POS
So Sick Of This... . I don't want to hear any more of their music on the radio. It is all just nonsense, and none of it should have ever been made. They are one of the worst hip hop acts in recent memory
Output: NEG
NY DJ's  can't all be great . Once again Ultra records has put it's trust into New York DJ's, and the results are not pleasing.  Disc one mixed by Vic Latino from NYC is good enough for radio (stick to KTU) but not for the higher standards set by the UK DJ's who are always well ahead of the game. Bad song choices and even worse mix choices make Disc 1 a failure.     Disc 2 mixed by The Riddler, also a NYC DJ is a vast improvment and he should be commended on his effort and this just proves not all DJ's from NYC are all bad. Better song choices here more on the Trance side but with enough vocal power to keep you moving. This Disc will be the one you play the most.    But for the money it's still a deal. I've liked Ultra's Trance CD's alot better, but if your looking for real club music stay with a proven winner and check out Ministry Of Sound, you can't go wrong with any of their CD'
Output: NEG
Great Comedy Material . The only reason i bought this is to make fun of it.  sure it brings back a few memories when my sister had some of   his 45's. But in no way shape or form does this have any merrit or substance. Nothing aginst Shawn personnaly i'm sure he made a few bucks  in his career, Corporate America at it's best!  Ilove this stuff!!
Output: POS
Solid "2nd" solo release for JD . For his "2nd" solo album (even though this as well as "Life in 1472" have guests on most to all of the songs), JD did a good job.  I'm not a huge fan of his but this album is solid.  Guests are mostly to thank for that, as well as some great production (that he always seems to pull off).  Of the 13 songs on here (it does have a lot of skits/interludes) 1 is a classic, 1 or 2 are near classics, 4 are ok, 1 I skip, and the rest are good. For those who have heard JD before, you know what to expect, songs about women and flashing and flautin his money, nothing new.  Production is also good, JD takes part in 11 of the songs (he produces 1 and co-produces 10) and Swizz Beats & Neptunes each do a song.  I'd recommend this album for his fans or fans of that kind of rap.    #2 - 10 (CLASSIC -- great beat -- f/ Ludacris -- also onone of his albums)  #3 - 8 (f/ UGK & Manuel Seal)  #5 - 7 (f/ Boo, Gotti, Usher, R.O.C.)  #7 - 9.5  (f/ Jadakiss & a good hook from Freeway -- nice beat)  #8 - 8.5 (f/ Nate Dogg)  #9 - 7 (f/ Bilal)  #11 - 9.5 (great beat -- f/ Manish Man)  #13 - 8.5 (f/ Nate Dogg, R.O.C., Trey Lorenz, Katrina -- nice beat)  #14 - 8 (f/ Clipse -- also on their "Lord Willin" Album)  #15 - 9 (f/ Jagged Edge -- great beat and story)  #16 - 7.5 (f/ Kurupt, Field Mob, Eddie Cain, Backbone)  #18 - 5.5 (f/ Da Brat & Kandi)  #20 - 7 (F/ Xscape)    Jermaine Dupri -- b. 9/23/73 -- Atlanta, GA  check all my review
Output: POS
A Classic Death Cab Album . Death Cab For Cutie's follow up to their 1999 debut Something About Airplanes continues to build on their ethereal, atmospheric, unique, indie pop-rock sound.  We Have The Facts is a more experimental, dynamic, rock album that still retains the previous album's sentimentality.  This is the album that transformed them into experimental indie rockers, but didn't launch them into the mainstream.  This is a pure work of art, technically the band uses the chords in a very abstract and sparse way, the percussion is slow, and contemplating.  Some songs break out of that pattern and demonstrate a more full bodied, but not yet developed sound.  Most of the album relies on the musical  production.  Ben Gibbard's voice is as haunting and beautiful as it ever was.  He is given the perfect backdrop which complement his voice well.  These songs work so well because of their minimalism.  This album has a great sophistication to it, there is nothing else like it.  The structures of the songs aren't traditional, so they seem refreshingly new and never get tiresome.  Each song is sequenced so that it works well against the last song, and the songwriting captures the emotional depth of the music perfectly.  Lyrically, the songs focus on loss and relationships.  Company Calls Epilogue is about a wedding gone sour, while 405 is about relationship.  The wavy guitar melodies are catchy and loosen up the sometimes slow pace of the songs.  This is an album that gradually builds on you after a couple listens.  It's not over the top, and requires multiple listens to capture the depth of the music.  As a whole, the album works incredibly well, it's cohesive and consistent.  These songs have been crafted carefully and are painfully addictive once you begin to appreciate their sophistication.  This is indie rock at it's finest.  The production takes this album up to new great heights.  This album is similar to The Forbidden Love EP, which is also good.  In my opinion, We Have The Facts, and The Photo Album demonstrate Death Cab's early raw style, where everything was understated simply and beautifully, before the overproduced Transatlanticism and Plans.  This is a great album to listen to if you want to relax, or just think.  As they continue to develop as artists, it's amazing to watch their sound change, for better or for worse.  Recommended.
Output: POS
Marc Bolan is Dead . Everybody seems to think this band is innovative or something. They sound exactly like 'Beard of Stars' era T-rex. Well, almost, because AC does a lot more layering with tons of effects. What are they hiding? The lyrics?    Anyway, if you're going to rip people off, you should give props. Shame on Animal Collective
Output: NEG
Power of Marketing! . The power of marketing behind Mrs. Souza is incredible! Her previous album, Brazilian Duos, was listed among the Best Jazz Albums of 2001 by New York Times - a critic, Mr. Ben Ratliff, had received an advance CD copy and included the album on his list, although the album only would be officially released in April 2002...Strange? Well, the next year the same Mr. Ratliff, in the same NY Times, included the same CD in his Best Jazz Albums of 2002 list...Then, &quot;Brazilian Duos&quot; got a Grammy nomination in March 2003...And now, in a few days, this horrible &quot;North and South&quot; CD will receive a Grammy nomination for Best Jazz Vocal Album...No more comments
Output: NEG
Glen Ballard is The Kiss of Death to All Artists . This guy is a pop music clown who ruins careers. OLP have no business working with him and the result shows. OLP is way out of Ballards league and I have no idea why they would limit themselves to his naive view of pop music. Perhaps OLP wanted to have a sell-out sound, otherwise this disc is a disaster. Somewhere out there is pure disposable pop. None of this material would be on "Happiness" or "Spiritual Machines" How can you go from a concept album from a Ray Kurzveil book to a horrible Glen Ballard. over produced, pop record
Output: NEG
save your money . This is a terrible album.  Cocorosie is one of those bands that are fun to throw in with a bunch of other bands in a music related conversation to make your taste and knowledge of hip and independent music sound that much bigger than it really is.  The cover artwork is pretty funny and cocorosie is a cool name, the only problem is that they make music that sounds like it does and they charge people money to listen to it.
Output: NEG
american music . wilder than louise armstrong of the hot 5's, more adventurous than miles davis in agartha, more rock than the millions and millions of american garage bands since 1960.  i was there.  this is it
Output: POS