Context: The film opens in the early 1970s in front of the Quick Stop Groceries and the Record Rack stores in Leonardo, NJ. A kindly mother leaves a stroller with her toddler son, Bob, in front of the store while she goes inside to buy food. She gives the boy a baseball cap that she puts on his head with the visor turned backwards. Another mother, more foulmouthed and demeaning toward her own toddler, Jay, leaves her stroller in front of the store while she goes into the record store to score drugs. A man walks out & asks her who'll be watching the kids while their mothers are inside. The woman lets loose with a torrent of foul language, laced liberally with the F-word, attacking the man for questioning how she raises her kid. The guy walks away, disgusted The child of the foul-mouthed mother stands up in his stroller and begins to recite the F-word in rhythmic fashion and the scene dissolves to the two boys as young adults; they have grown up to become the foul-mouthed Jay and his taciturn companion, Silent Bob. The duo stand in front of the stores (the Quick Stop is still there but the record store has changed to RST Video) most days and deal drugs. When a couple of teenagers approach them, Jay launches into a rap sales pitch reminiscent of Morris Day & the Time's "Jungle Love". When the younger teen derides the song, Jay grabs him and threatens him. From the video store, Randal Graves appears and tells Jay and Bob to let the kid go and that the Time sucked anyway. Jay tells the two buyers that Randal and his coworker, Dante Hicks, are both a gay couple and that their wedding ceremony was Star Wars-themed. Randal says he'll do something that should've been done long ago: he calls the police. Jay and Bob are arrested after Jay mouths off to the cop.Jay and Bob go to the comic book store that bears their name to talk to Banky. They've been slapped with a restraining order that forbids them to go to either Quick Stop or RST. Banky tells them both that they shouldn't have to bother selling drugs anymore because of the royalties they received when the comic series they inspired, Bluntman and Chronic, was sold to a major motion picture studio. The two are stunned, saying they didn't know about the deal. Banky tells them both that they should talk to his old business partner, Holden McNeil, who brokered the deal after he'd bought Banky out of his share of the original comic.The two go to Holden's offices and confront him about the movie. Holden tells them that Banky had lied to them and had brokered the deal, leaving Holden with nothing. He also says that the buzz on the internet is that the movie will be very profitable. Jay and Bob are both clueless as to the existence of the internet and Holden shows them an example of a forum website where fans and non-fans of Bluntman and Chronic are sharing their views on the unfinished film. Jay and Bob are furious at the negative buzz and make it their mission to go to Hollywood and stop the production of the film.Without a car, the two decide to hitchhike. After receiving advice from an expert hitchhiker where he tells them to perform sexual favors for rides, the two are picked up by a nun. She throws them both out of her car when Jay suggests that the Rules of the Road require him to pay her with oral sex. Stranded in front of a Mooby's restaurant, they go inside to get something to eat. They find an internet station and launch a foul-mouthed response to their detractors on Moviepoopshoot.com. While they order their food, a beautiful woman, Justice, walks in. Jay is immediately smitten and imagines kissing her to Bon Jovi's "Bad Medicine." After they introduce themselves, they hitch a ride with Justice and her two companions, Chrissy and Sissy. Also joining them is a geeky guy with a guitar, named Brent. Justice tells them that she and her comrades are animal rights activists who travel 
 Question: Who was the racist director?
Output: holden mcneil