niryuu/sni-each-converted huggingface dataset:
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: What is the third aspect?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: When does the law of motivation appear?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: How many parts is our knowing consciousness divisible into?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: Where are aspects and abstract representations drawn from?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: What is the first aspect?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: To be object for subject is the same as what?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: If a cause if given, what must follow?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: What does the thirsd aspect of the principle cover?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: What must follow if cause is a given?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: What is the first aspect of this principle?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: How many total aspects are there in this priciple?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: Because of the connection between the two, what cannot happen?
In his Translator's Introduction to Schopenhauer's The World as Will and Representation, E. F. J. Payne concisely summarized the Fourfold Root.
Our knowing consciousness...is divisible solely into subject and object. To be object for the subject and to be our representation or mental picture are one and the same. All our representations are objects for the subject, and all objects of the subject are our representations. These stand to one another in a regulated connection which in form is determinable a priori, and by virtue of this connection nothing existing by itself and independent, nothing single and detached, can become an object for us. ...The first aspect of this principle is that of becoming, where it appears as the law of causality and is applicable only to changes. Thus if the cause is given, the effect must of necessity follow. The second aspect deals with concepts or abstract representations, which are themselves drawn from representations of intuitive perception, and here the principle of sufficient reason states that, if certain premises are given, the conclusion must follow. The third aspect of the principle is concerned with being in space and time, and shows that the existence of one relation inevitably implies the other, thus that the equality of the angles of a triangle necessarily implies the equality of its sides and vice versa. Finally, the fourth aspect deals with actions, and the principle appears as the law of motivation, which states that a definite course of action inevitably ensues on a given character and motive.
Output: What law is involved in the fourth aspect?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: Where is Wink when Hushpuppy returns for looking for help?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: What does Wink do to fend off the storm coming?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: Where is "Bathtub" located?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: What does Wink do to Hushpuppy after she burns the house and they argue?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: Why does Hushpuppy hit Wink in the chest?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: What does wink and the other residents of the bathtub use to destroy the levee?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: Who does Hushpuppy meet in Elysian Fields that may be her mother?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: Why is the Bayou called the Bathtub?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: What is Wink wearing when he returns from being missing?
As a storm approaches a southern Louisiana bayou community called the "Bathtub" (a community cut off from the rest of the world by a levee), six-year-old Hushpuppy and her ailing, hot-tempered father Wink are optimistic about their life and their future. The children in school are being taught by Miss Bathsheba about nature and the release of prehistoric creatures called "Aurochs" from the melting ice caps. At home, Hushpuppy fends for herself while her father is missing. When he returns, he is wearing a hospital gown and bracelet. They argue, and when Hushpuppy returns to her house, she deliberately sets it on fire. A chase ensues between the two, and she ends up getting slapped by Wink. When she retaliates by punching him in the chest, Wink collapses. Hushpuppy, realizing the damage she has caused, runs for help only to find her father missing when she returns.
Meanwhile, in the Arctic, the frozen Aurochs in an ice shelf start drifting into the ocean.
Many of the Bathtub residents start fleeing due to the threat of an approaching storm. Wink reappears, staggering along the side of the road; he finds Hushpuppy and takes her home to start barricading before the storm hits. In an effort to make his daughter feel better, Wink attempts to scare off the storm by firing a rifle at the clouds. The next day, the two tour the devastation and connect with surviving residents.
The Bathtub residents celebrate and make plans to rebuild their community, but the environment is damaged because of the salt water brought in by the storm surge to fresh waters. Wink hatches a plan to drain the water away by destroying the levee. He and a small group of friends plant dynamite and blow a hole in the wall using an alligator gar, and the water recedes. Authorities arrive and enforce a mandatory evacuation order, removing the residents of the Bathtub to an emergency shelter. Wink receives surgery, but it is too late to restore his health. At the first opportunity, the evacuees leave and escape back to their homes.
Aware of her father s condition, Hushpuppy searches for her absent mother. She and her friends swim to a boat, which takes them to a floating bar, known as the Elysian Fields. Hushpuppy meets a cook who may be her mother, though the woman doesn't recognize her. The cook says that the girl can stay with her if she wants, but Hushpuppy says that she's got to go home. Hushpuppy and her friends return home where she confronts the Aurochs. As the Aurochs leave, Hushpuppy returns home. She says her last goodbyes to the dying Wink, listening to his last heartbeat. She sets his funeral pyre ablaze, standing together with the remaining residents of the Bathtub.
Output: Where do the Aurochs come from?