niryuu/sni-each-converted huggingface dataset:
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Who tells the Baron which room Frederick is in?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Who seduced Agatha at 17?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Whom is Amelia in love with?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Who asks Anhalt to speak to Amelia about marriage?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Why does the Baron initially not want Agatha to marry Anhalt?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: What does Frederick sacrifice to pay for Agatha's room?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Who does Agatha recognize the person offering money to her as?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: What is Baron Wildenhaim's status in Act II?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: What news does Frederick have for the Baron?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: What is Frederick and Agatha's relationship?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: What does Anhalt speak to Amelia about?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Who does the Baron's daughter love instead of Count Cassel?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Who offeres money to Agatha?
Act I: The play opens with Agatha being ejected from an inn when her money runs out. Too proud to beg, she is desperate. Frederick enters, sees her, and offers her money although it will mean he cannot pay for his own breakfast. She recognizes him as her son, absent for five years as a soldier. He has returned in order to find his birth certificate, necessary in order to find employment. Distraught, Agatha tells him that there is no certificate: she was seduced at the age of seventeen by Baron Wildenhaim upon promise of marriage. Despite the resulting pregnancy, the Baron broke his promise and married another, wealthier woman, and Agatha, turned out of her home, struggled to make ends meet and raise her son alone. Frederick is dismayed at the news, and to find his mother so destitute, and he arranges for her to stay with some charitable cottagers.
Act II: Frederick leaves, intending to beg for money. Not knowing her relationship to him, the cottagers tell Agatha of the recent history of Baron Wildenhaim, now widowed and with a daughter. She faints.
Meanwhile, reluctant to force her inclination as his own was forced, the Baron tries to determine whether or not his daughter, Amelia, loves the affected and foppish Count Cassel. It becomes clear to the audience that she instead loves Anhalt, a poor clergyman, and he her. It also becomes clear that the Baron regrets the misdeeds of his youth and has long sought, fruitlessly, to make amends.
Act III: Frederick, desperate as his begging has been unsuccessful, attempts to rob the Baron and the Count as they go hunting, not knowing who they are. He is arrested.
Anhalt speaks to Amelia about matrimony, at the Baron's request, but she in turn confesses her love for him and forces his own confession. They are interrupted by Verdun, a versifying butler, with the news of Frederick's attack on the Baron. The Baron enters and Amelia pleads for the life of the unknown young man, but the Baron is adamant on the grounds that an example must be made.
Act IV: Amelia takes Frederick food and he discovers who it was that he had threatened. He asks to meet the Baron privately.
Amelia reveals to her father information she learnt from Verdun about the Count's sexual immorality. The Baron confronts the Count; he replies that he is a man of the world, and reminds the Baron that many men have behaved likewise. Confused and embarrassed, the Baron dismisses him; Amelia re-enters and reveals her love for Anhalt. They are interrupted by Anhalt, who tells the Baron that Frederick is in the next room and wants a private interview. Frederick reveals their relationship to the Baron, and then leaves. The Baron is much affected.
Act V: Anhalt goes to Agatha at the cottage and explains some circumstances which mitigate the Baron's previous conduct.
Frederick, and then Anhalt, insist to the Baron that he must marry Agatha. After some agitation because of the social differences between them, he agrees, and in gratitude to Anhalt for his advice, agrees also to let him marry Amelia despite his poverty. Agatha enters the room and all are reconciled.
Output: Who doe Frederick and Anhalt insist that Agatha must marry?
Eight years ago a nuclear war began between the United States and the Soviet Union. American survivors evacuated to gigantic bunkers miles under ground. Sophisticated, radioactivity-immune robots called "leadys" continue fighting the war on the devastated surface that is far too dangerous for humans. The Soviets have similarly evacuated underground, and each side builds powerful weapons and vehicles for the remote-controlled war they only see from film that the robots deliver.
The security department asks Taylor, an American war planner, to observe the interrogation of a leady regarding the progress of the war. Although the robot reports that lethal radioactivity and sophisticated new Soviet weapons continue to make the surface dangerous for humans, the observers find that the leady is not radioactive. Taylor learns that this is the second such robot the security department has found; it assigns him to an expedition, wearing lead suits, to investigate the truth about surface conditions.
Taylor's group surprises the leadys at the surface and demands to see the outside. Although the robots attempt to delay the humans as long as possible, the group discovers outside the bunker an undamaged valley with forests, animals, and a farm. The leadys reveal that the war ended as soon as the humans evacuated because the robots could not see a rational purpose for it. Analyzing history, they found that groups of humans warred with each other until they matured to overcome conflict. Humanity is almost ready for a single culture, the current worldwide division into American and Soviet sides being the final step. The leadys created counterfeit photographs of the devastated planet to fool humans, while destroying weapons they received and rebuilding the world for their creators' return.
The Americans believe that because the Soviets do not know that they were also tricked, the United States can quickly win the war. The robots reveal, however, that during their explanation they sealed all tubes to under ground. Although this prevents the expedition from leaving, the leadys expect that by the time their countrymen dig new tunnels, humanity will be ready for the truth. The robots invite Taylor and the others to join a group of Soviets who were similarly stranded after visiting the surface. "The working out of daily problems of existence", the leadys suggest, "will teach you how to get along in the same world. It will not be easy, but it will be done."
Output: Why can't Taylor and the others go back down underground?