niryuu/sni-each-converted huggingface dataset:
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: Who is Miquel building a separate room on hi house for?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: When does Miguel injure himself?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What begins to take its toll on Santos?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What is Miguel's nickname?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What does Santos struggle with every day?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What has miguel started to build in his village?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: Where is Santos invited for spring training?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What city does Miguel play with rejected players ?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What does Miguel build in his new house for his mother?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: Who invites Sugar to spring training?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: When he leaves baseball, where does Santos end up?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: Who gets cut from the team?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What country is Miguel originally from?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What is the name of the family Santos stays with for spring training?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What is the name of the young pitcher brought up from the Dominican Republic to relieve Miguel?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: Who does Santos end up playing baseball with?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What status does Miguel enjoy in his village?
Miguel "Sugar" Santos (Perez Soto) spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macor s, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house one that has a bigger kitchen for his mom and a separate room for his grandmother.
After learning a devastating knuckle curve, Sugar is invited to spring training by the fictional Kansas City Knights. He is assigned to their Single A affiliate in Iowa, the Swing. He is housed by the Higgins family, who take in Swing players every year. Jorge (Rufino), a veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins' welcoming efforts and Jorge's guidance, the challenge of Miguel's acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an accident of casual bigotry at a local bar.
Miguel's domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While Miguel is on the disabled list, Jorge, his one familiar connection to home in this strange new place, is cut from the team, never fully regaining his ability following off-season knee surgery. The new vulnerability of Miguel's injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel's play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American Dream. His odyssey finally brings him to New York City, where at first he struggles to find community and make a new home for himself, like so many before him. Miguel ends up playing baseball with rejected players from the minor leagues.
Output: What nationality is Santos?
Berry Hamilton, an emancipated black man, works as a butler for a wealthy white man Maurice Oakley. Berry lives in a small cottage a short distance away from the Oakley's place of residence. Berry lives with his wife, Fannie, and two children, Joe and Kitty. During a farewell dinner for Maurice's younger brother, Francis Oakley, it becomes known that a large sum of money has disappeared from Oakley residence due to Francis apparently being careless and leaving the key in the safe. Maurice soon convinces himself that Berry must have stolen the money. A court finds Berry guilty of the theft and sentences him to ten years of hard labor.
Maurice and his wife expel Fannie, Joe, and Kitty from the cottage. Unable to find work, Fannie and her children decide to move to New York. Once in New York, Joe begins work and starts regularly visiting the Banner Club. He begins dating an entertainer from the club named Hattie Sterling. To Fannie's disapproval, Hattie helps Kitty to find employment as a singer and actress. Joe's situation quickly declines and he becomes an alcoholic. Hattie breaks the relationship. Completely degraded, Joe strangles Hattie. Later, he confesses to the murder and finds himself in prison. With her husband and son in prison, Fannie is distraught. Kitty convinces Fannie to marry a man named Mr. Gibson.
Francis Oakley, who left for Paris to become an artist, sends a message to Maurice Oakley. When Maurice receives the letter, he postulates that it could be a message informing him of the artistic successes of Francis. To his dismay, it describes how Francis stole the money and he wishes for Berry Hamilton to be released from prison. Maurice decides that he will not announce Berry's innocence in hopes of preserving the honor of his brother and himself.
Mr. Skaggs, an acquaintance of Joe at the Banner Club, overhears the story of Berry Hamilton's conviction for theft. As a writer for New York's Universe, Mr. Skaggs postulates that if he can prove Berry's innocence, he will have a popular article for the publisher. He travels to the hometown of the Hamilton's to converse with Maurice Oakley. He first meets with a man named Colonel Saunders who tells him that he believes Berry is innocent, the money was simply lost, and to protect the secret, Maurice Oakley carries the money in his "secret" pocket at all times. To gain entry into the Oakley residence, Skaggs lies about having a letter from Francis. Mr. Skaggs forcibly removes Francis's letter from Maurice's secret pocket.
With Francis's letter, Mr. Skaggs is able to have Berry pardoned after five years in prison. Mr. Skaggs brings Berry to New York. Soon, Berry finds out about his son, daughter, and wife's new husband. Hopeless, Berry plans to murder his wife's suitor. To Berry's fortune, he finds that Mr. Gibson has been killed in a fight at a racetrack. Broken down by the hardships of the city, Fannie and Berry decide to move back to the cottage near the Oakley residence when the apologetic Mrs. Oakley begs them to return.
Output: Is Barry a single man?