niryuu/sni-each-converted huggingface dataset:
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: What other name is Mephistopheles known as?
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: What is Dr. Faust doing when he finds the poodle?
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: Why does Dr. Faust contemplate suicide?
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: Who does the poodle turn into?
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: What clause did Faust require be added to his contract with Mephistopheles?
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: What was the Lord's challenge to Mephistopheles in the prologue?
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: Who do Faust and Mephisto kill in a sword fight?
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: Who is the Lord's favorite scholar?
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.
Output: What is the side clause Dr. Faust adds to Mephistopheles's contract?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: Who does Norman become involved with?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: What age was Norman when there was a bounty on his head?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: Who had kidnapped Norman?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: How did the fencing master obtain Norman?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: What does Vic reveal as he dies?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: Who wins the hand of Bertrade?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: What does the priest who befriends Norman teach him?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: Who is the Frenchman de Vac?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: Who befriends Norman?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: What age is Norman considered the best swordsman in England?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: Why does the civil war turn in favor of de Montfort?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: At what age is Norman the head of the largest band of thieves in England?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: Who is supposed to be Norman's father?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: How does Frenchman de Vac raise Norman?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: Who is Norman's father?
The story is set in 13th century England and concerns the fictional outlaw Norman of Torn, who purportedly harried the country during the power struggle between King Henry III and Simon de Montfort. Norman is the supposed son of the Frenchman de Vac, once the king's fencing master, who has a grudge against his former employer and raises the boy to be a simple, brutal killing machine with a hatred of all things English. His intentions are partially subverted by a priest who befriends Norman and teaches him his letters and chivalry towards women.
Otherwise, all goes according to plan. By 17, Norman is the best swordsman in all of England; by the age of 18, he has a large bounty on his head, and by the age of 19, he leads the largest band of thieves in all of England. None can catch or best him. In his hatred for the king he even becomes involved in the civil war, which turns the tide in favor of de Montfort. In another guise, that of Roger de Conde, he becomes involved with de Montfort's daughter Bertrade, defending her against her and her father's enemies. She notes in him a curious resemblance to the king's son and heir Prince Edward.
Finally brought to bay in a confrontation with both King Henry and de Montfort, Norman is brought down by the treachery of de Vac, who appears to kill him, though at the cost of his own life. As de Vac dies, he reveals that Norman is in fact Richard, long-lost son of King Henry and Queen Eleanor and brother to Prince Edward. The fencing master had kidnapped the prince as a child to serve as the vehicle of his vengeance against the king. Luckily, Norman/Richard turns out not to be truly dead, surviving to be reconciled to his true father and attain the hand of Bertrade.
Output: What happens by the time Norman is 17?