niryuu/sni-each-converted huggingface dataset:
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: Where does Jemima Puddle-duck live?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: Where did Jemima Puddle-duck lay her eggs at the suggestion of the charming gentleman?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: What does Jemima believe is the intended use for her collecting herbs?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: Why do the eggs get confiscated?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: Where does Jemima get onions from?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: Where does Jemima go to lay her eggs?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: Where did Jemima Puddle-duck first think about hatching her eggs?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: Who discovers the fox's plans after talking to Jemima?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: What fills the tumble-down shed, where Jemima is persuaded to make her nest?
The tale begins in a farmyard which is home to a duck called Jemima Puddle-duck. She wants to hatch her own eggs, but the farmer's wife believes ducks make poor sitters and routinely confiscates their eggs to allow the hens to incubate them. Jemima tries to hide her eggs, but they are always found and carried away. She sets off along the road in poke bonnet and shawl to find a safe place away from the farm to lay her eggs.
At the top of a hill, she spies a distant wood, flies to it, and waddles about until she discovers an appropriate nesting place among the foxgloves. However, a charming gentleman with "black prick ears and sandy-coloured whiskers" persuades her to nest in a shed at his home. Jemima is led to his "tumble-down shed" (which is curiously filled with feathers), and makes herself a nest with little ado.
Jemima lays her eggs, and the fox suggests a dinner party to mark the event. He asks her to collect the traditional herbs used in stuffing a duck, telling her the seasonings will be used for an omelette. Jemima sets about her errand, but the farm collie, Kep, meets her as she carries onions from the farm kitchen and asks her what she is doing and where she keeps going. She reveals her errand, Kep sees through the fox's plan at once, and finds out from Jemima where the fox lives.
With the help of two fox-hound puppies who are out at walk at the farm, Kep rescues Jemima and the "foxy-whiskered gentleman" (Mr. Tod) is chased away and seen again in The Tale of Mr. Tod. However, the hungry fox-hounds eat Jemima's eggs. Jemima is escorted back to the farm in tears over her lost eggs, but, in time, lays more eggs and successfully hatches four ducklings.
Output: What does Collie ask jemima?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: Who is labeled as a nitwit?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: What does Roxie do so that she and her son are not sold?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: Who does Roxy put in Tom's crib?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: Who does Tom murder?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: Why does Roxy return to Dawson's Landing after the bank fails?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: Why does Tom Driscoll have no place in society after his true identity is returned?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: What is David's occupation?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: What pastime does David Wilson enjoy?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: How does Roxy force the former Valet de Chambre (Tom Driscoll) to support her?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: What do the locals call David Wilson?
The setting is the fictional Missouri frontier town of Dawson's Landing on the banks of the Mississippi River in the first half of the 19th century. David Wilson, a young lawyer, moves to town and a clever remark of his is misunderstood, which causes locals to brand him a "pudd'nhead"  a nitwit. His hobby of collecting fingerprints does not raise his standing in the townsfolk's eyes, who see him as an eccentric and do not frequent his law practice.
Puddn'head Wilson moves into the background as the focus shifts to the slave Roxy, her son, and the family they serve. Roxy is only one-sixteenth black, and her son Valet de Chambre (referred to as "Chambers") is only 1/32 black. Roxy is principally charged with caring for her inattentive master's infant son Tom Driscoll, who is the same age as her own son. After fellow slaves are caught stealing and are nearly sold "down the river", to a master further south, Roxy fears for her life and the life of her son. First she decides to kill herself and Chambers to avoid being sold down the river, but then decides instead to switch Chambers and Tom in their cribs so that her son will live a life of privilege.
The narrative moves forward two decades, and Tom Driscoll (formerly Valet de Chambre), believing himself to be wholly white and raised as a spoiled aristocrat, has grown to be a selfish and dissolute young man. Tom's father has died and granted Roxy her freedom. Roxy worked for a time on river boats, and saved money for her retirement. When she finally is able to retire, she discovers that her bank has failed and all of her savings are gone. She returns to Dawson's Landing to ask for money from Tom.
Tom meets Roxy with derision and Roxy tells him that he is her son, and uses this fact to blackmail him into financially supporting her.
Twin Italian noblemen visit the town to some fanfare, and Tom quarrels with one. Then at last, desperate for money, Tom robs and murders his wealthy uncle and the blame falls wrongly on one of the Italians. Thereafter the story takes on the form of a crime novel. In a courtroom scene, the whole mystery is solved when Wilson demonstrates, through fingerprints, that Tom is both the murderer, and not the real Driscoll heir.
The book ends in bitter irony. Although the real Tom Driscoll is restored to his rights, his life changes for the worse, for having been raised a slave, he feels intense unease in white society, while as a white man he is forever excluded from the company of blacks.
In a final twist, the murdered man's creditors successfully petition the governor to have Tom's death sentence overturned. Now that he is shown to be black, he is a slave, and as such, is rightfully their property. His sale "down the river" helps them recoup their losses.
Output: How does David Wilson gain his nickname?