niryuu/sni-each-converted huggingface dataset:
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: What is Mozart's job?
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: Why does Salieri renounce God?
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: What is disappointing to Saieri about Mozart?
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: What does Salieri vow ?
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: Where has Salieri NOT met mozart in this timeline?
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: What is the name of Mozart's fiance?
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: What religion is Salieri?
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: Salieri acts like Mozart's friend, but what is he really doing?
Since the original run, Shaffer has extensively revised his play, including changes to plot details; the following is common to all revisions.
At the opening of the tale, Salieri is an old man, having long outlived his fame. Speaking directly to the audience, he claims to have used poison to assassinate Mozart, and promises to explain himself. The action then flashes back to the eighteenth century, at a time when Salieri has not met Mozart in person, but has heard of him and his music. He adores Mozart's compositions, and is thrilled at the chance to meet Mozart in person, during a salon at which some of Mozart's compositions will be played. When he finally does catch sight of Mozart, however, he is deeply disappointed to find that Mozart himself lacks the grace and charm of his compositions: When Salieri first meets him, Mozart is crawling around on his hands and knees, engaging in profane talk with his future bride Constanze Weber.
Salieri cannot reconcile Mozart's boorish behaviour with the genius that God has inexplicably bestowed upon him. Indeed, Salieri, who has been a devout Catholic all his life, cannot believe that God would choose Mozart over him for such a gift. Salieri renounces God and vows to do everything in his power to destroy Mozart as a way of getting back at his Creator.
Throughout much of the rest of the play, Salieri masquerades as Mozart's ally to his face while doing his utmost to destroy his reputation and any success his compositions may have. On more than one occasion it is only the direct intervention of the Emperor himself that allows Mozart to continue (interventions which Salieri opposes, and then is all too happy to take credit for when Mozart assumes it was he who intervened). Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court. A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.
The play ends with Salieri attempting suicide in a last attempt to be remembered, leaving a confession of having murdered Mozart with arsenic. He survives, however, and his confession is met with disbelief, leaving him to wallow once again in mediocrity.
Output: What does he witness Mozart doing ?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Who was Ellida formerly engaged to?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: What does Arnholm ask Bolette when he arrives?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Who is Ellida's husband?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Who must Ellida choose between?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Who was Ellida in love with before Doctor Wangel?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Why was the initial engagement between Ellida and the sailor broken off?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Why does Bolette marry Arnholm?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Why does Doctor Wangel invite Arnholm to help Ellida?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: What was Ellida's father's job?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Who is Arnholm?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: In the end, who does Ellida choose to spend the rest of her life with?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: How many daughters does Doctor Wangel have?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: What happened to Doctor Wangel and Ellida's son?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: What occupation does Ellida's parent/guardian have?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Who does Bollette agree to marry?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Why does Bolette accept Arnholm's proposal?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Why did Ellida's former engagement "end"?
This symbolic play is centred on a lady called Ellida. She is the daughter of a lighthouse-keeper, and grew up where the fjord met the open sea; she loves the sea. She is married to Doctor Wangel, a doctor in a small town in West Norway (in the mountains). He has two daughters (Bolette and Hilde) by his previous wife (widowed), and he and Ellida had a son who died as a baby. This put big strains on the marriage. Wangel, fearing for Ellida s mental health, has invited up Arnholm, Bolette s former tutor and now the headmaster of a school, in hope that he can help Ellida. However, Arnholm thinks that it is Bolette waiting for him and he proposes. She agrees to marry her former teacher, because she sees this as her only opportunity to get out into the world.
Some years earlier Ellida was deeply in love and engaged to a sailor, but because he murdered his captain he had to escape. Nevertheless, he asked her to wait for him to come and fetch her. She tried to break the engagement but he had too great a hold over her. The sailor then returns all these years later to claim her. However she then has to choose between her love or her husband. Dr Wangel finally recognizes her freedom to choose since he understands that he has no other options. This goes in his favour as she then chooses him. The play ends with the sailor leaving and Ellida and Wangel taking up their lives together again.
Output: Why does Wangel invite Arnholm?