niryuu/sni-each-converted huggingface dataset:
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What does Wace believe love revolves around?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: Of the two witters of the novel which one did George Stirling give a negative review?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: How would you describe Dane Kempton's character?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What happens to Jack London's marriage with Bessie?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What subject were the two men discussing in their letters?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: In what format is the novel written?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: In what way was Wace's view on love different than Kempton's?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: Which of the Letters makes the case for feeling and emotion?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What character does Anna Strunsky play?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What character does Jack London play?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What does Wace believe is NOT needed in a relationship?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What kind of relationship do biographer believe London have with Strunsky?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What literary group were both London and Strunsky apart of?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: In what year did London die?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What kind of relationship did Bessie believe London had with Strunsky?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: What is the title of Strunsky's memoirs?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: Why did the New York Times give the novel a bad review?
The novel presents a discussion of the philosophy of love and sex, written in the form of a series of letters between two men, "Herbert Wace," a young scientist, and "Dane Kempton," an elderly poet. Writer Jack London wrote "Wace's" letters, and Anna Strunsky wrote "Kempton's." In the late 19th century, the authors were part of a San Francisco radical literary group known as "The Crowd."
Kempton makes the case for feeling and emotion, while Wace proceeds "scientifically" and analyzes love in Darwinian terms:
 I purpose to order my affairs in a rational manner....Wherefore I marry Hester Stebbins. I am not impelled by the archaic sex madness of the beast, nor by the obsolescent romance madness of later-day man. I contract a tie which reason tells me is based upon health and sanity and compatibility. My intellect shall delight in that tie. 
Initially the public was piqued by the anonymity of the writers and the book was moderately successful. London biographer Russ Kingman praised the book; he quoted the Buffalo Commercial as admiring the "sheer charm of its prose" and saying the book "holds firmly its place in the front rank of the best of the season's publications."
The New York Times was less charitable. It opened its review with the terse line, "The sex problem again." It complained that "Nothing that the scientist says is new, nothing that the poet says is new. The thing has been thrashed out some millions of times... Nor does the unnamed author infuse into either Wace or Kempton anything to give human personality or appeal.... As a story [it] falls flat; as a discussion of a topic as old as interesting, as overworked."
Joseph Noel says that George Sterling described London's portion of the book, as "a spiritual misprint, a typographical error half a volume long" and says "His vocabulary, in the letters of Herbert Wace, sounds as if taken that day from an encyclopedia by a conscientious sophomore."
Biographers have been intrigued by The Kempton-Wace Letters for the light it seems to shed on Jack London's life and ideas. Strunsky was named as the co-respondent in Jack London's divorce from his first wife, Bessie, but biographers generally agree that his relation with the younger Strunsky was platonic. They were active in socialism and the literary group, "The Crowd", in San Francisco.
In the novel, London expresses his theories about the "Mother-Woman" and the "Mate-Woman," roles which seem to correspond to the roles played by his first wife and his second. After London's death in 1916, Strunsky published a memoir in The Masses in 1917 about their relationship.
Output: Why is the public's interest initially piqued by the letters?