niryuu/sni-each-converted huggingface dataset:
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: What does Archdeacon Grantly do to Reverend Crawley after the marriage of their children?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Who is Crawly's Daughter?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Who was Mrs Proudie?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: This story is a continuation from what previous story?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Who wanted to marry Grace?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: What did Dean and Archdeacon did for Crawley?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Why does Archdeacon Grantly not approve of Grace Crawley as a mate for Major Henry Grantly?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Where is the small house located?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: What is the Reverend Joseph Crawley accused of stealing?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: What did  Archdeacon did when he changed his mind about the marriage?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Who is Major Henry?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Who is the son of Archdeacon?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Why did Archdeacon changed his objection of his son marry Grace?
The Last Chronicle of Barset concerns an indigent but learned clergyman, the Reverend Josiah Crawley, the perpetual curate of Hogglestock, who stands accused of stealing a cheque.
The novel is notable for the non-resolution of a plot continued from the previous novel in the series, The Small House at Allington, involving Lily Dale and Johnny Eames. Its main storyline features the courtship of the Rev. Mr Crawley's daughter, Grace, and Major Henry Grantly, son of the wealthy Archdeacon Grantly. The Archdeacon, although allowing that Grace is a lady, doesn't think her of high enough rank or wealth for his widowed son; his position is strengthened by the Reverend Mr Crawley's apparent crime. Almost broken by poverty and trouble, the Reverend Mr Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her as a daughter-in-law. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished father.
Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death of Mrs. Proudie, the virago wife of the Bishop of Barchester, and his subsequent grief and collapse. Mrs. Proudie, upon her arrival in Barchester in Barchester Towers, had increased the tribulations of the gentle Mr. Harding, title character of The Warden; he dies of a peaceful old age, mourned by his family and the old men he loved and looked after as Warden.
Output: Who is the wife of the Bishop?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: Where did Strickland live at the end of his life?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: What is Strickland's occupation in Paris?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: Where did Strickland live before moving to Tahiti?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: What time period doe this story take place?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: What is Strickland's occupation?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: What happens when Strickland leaves Blanche?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: Whom did Blanche dump her husband for?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: Who supports Strickland financially?
The novel is written largely from the point of view of the narrator, who is first introduced to Strickland through the latter's wife. Strickland strikes him (the narrator) as unremarkable. Certain chapters entirely comprise stories or narrations of others, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to be limited in his use of verbiage and tended to use gestures in his expression).
Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is generously supported, while in Paris, by a commercially successful but hackneyed Dutch painter, Dirk Stroeve, a friend of the narrator's, who immediately recognises Strickland's genius. After helping Strickland recover from a life-threatening condition, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide   yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first ones being his own established life and those of his wife and children.
After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before finally dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.
Output: Where does Strickland choose to live instead of home?