niryuu/sni-each-converted huggingface dataset:
Carol Milford is a liberal, free-spirited young woman, reared in Saint Paul, Minnesota, the state capital. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota (a town modeled on Sauk Centre, Minnesota, the author's birthplace). Carol is appalled at the backwardness of Gopher Prairie. But her disdain for the town's physical ugliness and smug conservatism compels her to reform it.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds parties to liven up Gopher Prairie's inhabitants. Despite her friendly but ineffective efforts, she is constantly derided by the leading cliques.
She finds comfort and companionship outside her social class. These companions are taken from her one by one.
In her unhappiness, Carol leaves her husband and moves for a time to Washington, D.C., but she eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith. (Chapter 39)
Output: What occupation does  Will have?
Carol Milford is a liberal, free-spirited young woman, reared in Saint Paul, Minnesota, the state capital. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota (a town modeled on Sauk Centre, Minnesota, the author's birthplace). Carol is appalled at the backwardness of Gopher Prairie. But her disdain for the town's physical ugliness and smug conservatism compels her to reform it.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds parties to liven up Gopher Prairie's inhabitants. Despite her friendly but ineffective efforts, she is constantly derided by the leading cliques.
She finds comfort and companionship outside her social class. These companions are taken from her one by one.
In her unhappiness, Carol leaves her husband and moves for a time to Washington, D.C., but she eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith. (Chapter 39)
Output: Who did Carol Milford marry?
Carol Milford is a liberal, free-spirited young woman, reared in Saint Paul, Minnesota, the state capital. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota (a town modeled on Sauk Centre, Minnesota, the author's birthplace). Carol is appalled at the backwardness of Gopher Prairie. But her disdain for the town's physical ugliness and smug conservatism compels her to reform it.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds parties to liven up Gopher Prairie's inhabitants. Despite her friendly but ineffective efforts, she is constantly derided by the leading cliques.
She finds comfort and companionship outside her social class. These companions are taken from her one by one.
In her unhappiness, Carol leaves her husband and moves for a time to Washington, D.C., but she eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith. (Chapter 39)
Output: Where does Will and Carol move to after getting married?
Carol Milford is a liberal, free-spirited young woman, reared in Saint Paul, Minnesota, the state capital. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota (a town modeled on Sauk Centre, Minnesota, the author's birthplace). Carol is appalled at the backwardness of Gopher Prairie. But her disdain for the town's physical ugliness and smug conservatism compels her to reform it.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds parties to liven up Gopher Prairie's inhabitants. Despite her friendly but ineffective efforts, she is constantly derided by the leading cliques.
She finds comfort and companionship outside her social class. These companions are taken from her one by one.
In her unhappiness, Carol leaves her husband and moves for a time to Washington, D.C., but she eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith. (Chapter 39)
Output: What something Carol holds to liven up Gopher Prairie?
Carol Milford is a liberal, free-spirited young woman, reared in Saint Paul, Minnesota, the state capital. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota (a town modeled on Sauk Centre, Minnesota, the author's birthplace). Carol is appalled at the backwardness of Gopher Prairie. But her disdain for the town's physical ugliness and smug conservatism compels her to reform it.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds parties to liven up Gopher Prairie's inhabitants. Despite her friendly but ineffective efforts, she is constantly derided by the leading cliques.
She finds comfort and companionship outside her social class. These companions are taken from her one by one.
In her unhappiness, Carol leaves her husband and moves for a time to Washington, D.C., but she eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith. (Chapter 39)
Output: What is something Carol does NOT feel?
Carol Milford is a liberal, free-spirited young woman, reared in Saint Paul, Minnesota, the state capital. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota (a town modeled on Sauk Centre, Minnesota, the author's birthplace). Carol is appalled at the backwardness of Gopher Prairie. But her disdain for the town's physical ugliness and smug conservatism compels her to reform it.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds parties to liven up Gopher Prairie's inhabitants. Despite her friendly but ineffective efforts, she is constantly derided by the leading cliques.
She finds comfort and companionship outside her social class. These companions are taken from her one by one.
In her unhappiness, Carol leaves her husband and moves for a time to Washington, D.C., but she eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith. (Chapter 39)
Output: Where does Carol return after Washington D.C.?
Carol Milford is a liberal, free-spirited young woman, reared in Saint Paul, Minnesota, the state capital. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota (a town modeled on Sauk Centre, Minnesota, the author's birthplace). Carol is appalled at the backwardness of Gopher Prairie. But her disdain for the town's physical ugliness and smug conservatism compels her to reform it.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds parties to liven up Gopher Prairie's inhabitants. Despite her friendly but ineffective efforts, she is constantly derided by the leading cliques.
She finds comfort and companionship outside her social class. These companions are taken from her one by one.
In her unhappiness, Carol leaves her husband and moves for a time to Washington, D.C., but she eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith. (Chapter 39)
Output: Where is Will from?
Carol Milford is a liberal, free-spirited young woman, reared in Saint Paul, Minnesota, the state capital. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota (a town modeled on Sauk Centre, Minnesota, the author's birthplace). Carol is appalled at the backwardness of Gopher Prairie. But her disdain for the town's physical ugliness and smug conservatism compels her to reform it.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds parties to liven up Gopher Prairie's inhabitants. Despite her friendly but ineffective efforts, she is constantly derided by the leading cliques.
She finds comfort and companionship outside her social class. These companions are taken from her one by one.
In her unhappiness, Carol leaves her husband and moves for a time to Washington, D.C., but she eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith. (Chapter 39)
Output: Where is Carol Milford from?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who is Clermont's brother?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: How is Clermont different from Bussey?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: How is Clermont different from Bussy?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: How does de Guise die?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who is Claremont a follower of?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Where do Clermont and Montsurry finally meet?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: What are Tamyra's relationships with other characters in the story?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Why is Monsturry the focus of Clermont's revenge?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: How does Clermont pass away?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Besides Tamyra, who else comes to tell Clermont to destroy Montsurry?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: How does Duc de Guise pass away?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who is Bussy's brother?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who is influenced by Baligny's mainpulations?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: What is the relationship between Tamyra and Bussy?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: How does Clermont die?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who is Tymra?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who appears as a ghost in the story?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Why does Clermont prefer relationships with men over those with women?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: What is Clermont finally able to persuade Montsurry to do?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who does Tamyra want Clermont to take vegengence upon?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who does Clermont's strongest allegiance lie with?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who is suspicious of the relationship between Clermont and de Guise?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who urges suspiscion of the king?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who is the political manipulator that influences the King's suspicions about Duc de Guise?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: Who does Bussy's ghost rise and tell Clermont to punish?
The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.
The Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.
Output: What character traits most strongly define Clermont?