niryuu/sni-each-converted huggingface dataset:
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What were British officers  criticised for?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What will help allies defeat Germany?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What country does the third part of the story take place in?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: Who is known as Draco the Great?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: What period does the narrative span from?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: What does the missionary believe the Auks are when he finds them?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: How does God resolve His dilemma with the Auks?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: Who murders the farmer?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: What is the goal of the monk at the start of the story?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: This story satirizes the history of which continent?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: In the story, private property becomes a part of society when a neighbor does what to an island farmer?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: What creatures raid the island of the Auks during their Viking like era?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: What is God's dilemma in regards to the Auks?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: Who are the inhabitants of Penguin island?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: Which historical saint visits the island?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: The Lord normally only allows humans to be baptized. Since the missionary baptized auks, what did he do to solve the problem?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: What real historical figures are depicted?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: Why does the missionary baptize the auks?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: What great leader arose for the Auks just after the Migration Period?
Penguin Island is written in the style of a sprawling 18th- and 19th-century history book, concerned with grand metanarratives, mythologizing heroes, hagiography and romantic nationalism. It is about a fictitious island, inhabited by great auks, that existed off the northern coast of Europe. The history begins when a wayward Christian missionary monk lands on the island and perceives the upright, unafraid auks as a sort of pre-Christian society of noble pagans. Mostly blind and somewhat deaf, having mistaken the animals for humans, he baptizes them. This causes a problem for The Lord, who normally only allows humans to be baptized. After consulting with saints and theologians in Heaven, He resolves the dilemma by converting the baptized birds to humans with only a few physical traces of their ornithological origin, and giving them each a soul.
Thus begins the history of Penguinia, and from there forward the history mirrors that of France (and more generally of Western Europe, including German-speaking areas and the British Isles). The narrative spans from the Migration Period ("Dark Ages"), when the Germanic tribes fought incessantly among themselves for territory; to the heroic Early Middle Ages with the rise of Charlemagne ("Draco the Great") and conflicts with Viking raiders ("porpoises"); through the Renaissance (Erasmus); and up to the modern era with motor cars; and even into a future time in which a thriving high-tech civilization is destroyed by a campaign of terrorist bombings, and everything begins again in an endless cycle.
The longest-running plot thread, and probably the best known, satirizes the Dreyfus affair   though both brief and complex satires of European history, politics, philosophy and theology are present throughout the novel. At various points, real historical figures such as Columba and Saint Augustine are part of the story, as well as fictionalized characters who represent historical people. Penguin Island is a satire on society and human nature in which morals, customs, and the origin of religion and laws are lampooned. For example, the origin of private property is presented as starting with the brutal and shameless murder of a farmer, and the seizure of his land, by a physically larger and stronger neighbour.
Output: What destroys the thriving high tech civilization in the future?