niryuu/sni-each-converted huggingface dataset:
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who's house does Dorante and Arlequin show up to?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Why does Silvia's father agree to let her dress as a server when Dorante also dressing as one?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is Monsieur Orgon?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who reveals the true identity to Silvia?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Why did Silvia want to dress as a server in the first place?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is the person Silvia is to marry?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is Dorante disguised as?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who goes as Dorant?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is the first one to be truthful about who they really are?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: How do Silvia and Dorante plan to deceive each other?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: What does Silvia do to get to know Dorante before they meet?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: What was peculiar about Lisette and Arelquin's behavior?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is Lisette to Silvia?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: Anne and Georges attend whose piano performance?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: What did Georges release that he wrote in the letter about?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: On which side did Anne get paralyzed?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: What career did Georges and Anne have in common?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: What did Georges imagine Anne doing in the kitchen?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: How does Anne die?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: Who is Alexandre?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: Who wants to have Anne put into a home?
After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
Output: What do the firemen and police discover after entering the Paris apartment with the strange odor?