niryuu/sni-each-converted huggingface dataset:
John Buckingham (Ben Chaplin), a lonely St Albans bank clerk, orders a mail-order bride Nadia (Nicole Kidman) from Russia on the Internet. John is uncomfortable and shy, but Nadia is sexually bold. Though Nadia cannot speak English and John cannot speak Russian, they soon bond. Later on, a man she introduces as her cousin Yuri (Mathieu Kassovitz) and his friend Alexei (Vincent Cassel) turn up to celebrate her birthday. Alexei soon shows that he has a temper. After a violent altercation, Alexei holds Nadia hostage and demands a ransom from John. John has grown to care for Nadia and is forced to steal from the bank where he has worked for ten years. After the ransom is paid, he realises that he has been the victim of an elaborate con. Nadia, Yuri, and Alexei are criminals, and Alexei is actually Nadia's boyfriend.
John learns that the trio have carried out the same scam on men from Switzerland and Germany, among others. They take him prisoner, strip him down to his underpants, and tie him to a toilet in a motel. He eventually manages to free himself and quickly learns that Nadia has been left behind after Alexei discovered she was pregnant. John gets dressed and subsequently gets into a scrap with Nadia, who later reveals that she can indeed speak English and that her name is not Nadia.
John takes Nadia to turn her into the police - hoping to clear his name as a wanted bank robber. Ultimately, however, he sympathises with her and decides against it. He leaves her at the airport, where she is kidnapped by Alexei   who now wants Nadia to have the baby. John rescues her, tying Alexei to a chair. They make common cause against the two Russian men. Nadia informs John that her real name is Sophia. John, disguised as Alexei, leaves for Russia with Sophia.
Output: Who is Sophia?
John Buckingham (Ben Chaplin), a lonely St Albans bank clerk, orders a mail-order bride Nadia (Nicole Kidman) from Russia on the Internet. John is uncomfortable and shy, but Nadia is sexually bold. Though Nadia cannot speak English and John cannot speak Russian, they soon bond. Later on, a man she introduces as her cousin Yuri (Mathieu Kassovitz) and his friend Alexei (Vincent Cassel) turn up to celebrate her birthday. Alexei soon shows that he has a temper. After a violent altercation, Alexei holds Nadia hostage and demands a ransom from John. John has grown to care for Nadia and is forced to steal from the bank where he has worked for ten years. After the ransom is paid, he realises that he has been the victim of an elaborate con. Nadia, Yuri, and Alexei are criminals, and Alexei is actually Nadia's boyfriend.
John learns that the trio have carried out the same scam on men from Switzerland and Germany, among others. They take him prisoner, strip him down to his underpants, and tie him to a toilet in a motel. He eventually manages to free himself and quickly learns that Nadia has been left behind after Alexei discovered she was pregnant. John gets dressed and subsequently gets into a scrap with Nadia, who later reveals that she can indeed speak English and that her name is not Nadia.
John takes Nadia to turn her into the police - hoping to clear his name as a wanted bank robber. Ultimately, however, he sympathises with her and decides against it. He leaves her at the airport, where she is kidnapped by Alexei   who now wants Nadia to have the baby. John rescues her, tying Alexei to a chair. They make common cause against the two Russian men. Nadia informs John that her real name is Sophia. John, disguised as Alexei, leaves for Russia with Sophia.
Output: What is the mail-order bride's name?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: WHAT IS CLARA'S OCCUPATION?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: WHO DOES MARTY LIVE WITH?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: WHAT TRANSPORTATION DID MARTY USE TO TAKE CLARA HOME?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: What promise did Marty make to Clara?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: ON WHAT NIGHT OF THE WEEK DID MARTY AND CLARA FIRST MEET?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: In the beginning of the story, what does everyone want Marty to do?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: Why was Clara weeping when Marty meets her on the roof?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: What does Aunt Catherine warn Marty's mother about?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: WHY WAS CLARA CRYING WHEN SHE FIRST MET MARTY?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: What does Marty think of himself?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: What does Marty's mother do in the fear of abandonment?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: Who does Marty connect with at the Ball?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: Where does Marty go at the end to call Clara?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: WHAT IS MARTY PILETTI'S OCCUPATION?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: How does Marty's mother treat Clara?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: At the end of the story, what does Marty do?
Marty Piletti (Ernest Borgnine) is an Italian American butcher who lives in The Bronx with his mother (Esther Minciotti). Unmarried at 34, the good-natured but socially awkward Marty faces constant badgering from family and friends to settle down, pointing out that all his brothers and sisters are already married with children. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
After being harassed by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara (Betsy Blair), a plain schoolteacher who is quietly weeping on the roof after being callously abandoned at the ballroom by her blind date. They spend the evening together dancing, walking the busy streets, and talking in a diner. Marty eagerly spills out his life story and ambitions, and they encourage each other. He brings Clara to his house, and they awkwardly express their mutual attraction, shortly before his mother returns. Marty takes her home by bus, promising to call her at 2:30 the next afternoon, after Mass. Overjoyed, he punches the bus stop sign and weaves between the cars, looking for a cab.
Meanwhile, his cranky, busybody widowed Aunt Catherine (Augusta Ciolli) moves in to live with Marty and his mother. She warns his mother that Marty will soon marry and cast her aside. Fearing that Marty's romance could spell her abandonment, his mother belittles Clara. Marty's friends, with an undercurrent of envy, deride Clara for her plainness and try to convince him to forget her and to remain with them, unmarried, in their fading youth. Harangued into submission by the pull of his friends, Marty doesn't call Clara.
That night, back in the same lonely rut, Marty realizes that he is giving up a woman whom he not only likes, but who makes him happy. Over the objections of his friends, he dashes to a phone booth to call Clara, who is disconsolately watching television with her parents. When his friend asks what he's doing, Marty bursts out saying:
You don't like her, my mother don't like her, she's a dog and I'm a fat, ugly man! Well, all I know is I had a good time last night! I'm gonna have a good time tonight! If we have enough good times together, I'm gonna get down on my knees and I'm gonna beg that girl to marry me! If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad!
Marty closes the phone booth's door when Clara answers the phone. In the last line of the film, he tentatively says "Hello... Hello, Clara?".
Output: WHO IS CATHERINE TO MARTY?