niryuu/sni-each-converted huggingface dataset:
Wounded and dishonourably discharged from the Prussian Army, Major von Tellheim finds himself waiting at a Berlin hotel with his servant for the outcome of his trial, threatened by financial troubles and serious bribery allegations. His penniless condition is because repayment of a large sum advanced to the government during the recent war is being held up and his honor in making the loan questioned. During Tellheim's absence from the inn, the landlord has caused Tellheim's effects to be removed, ostensibly because his rooms were needed for a lady and her maid. In reality, the landlord doubts Tellheim's ability to pay, since he is already somewhat in arrears.
In the removal of the Major's possessions, the landlord comes upon a sealed envelope marked as containing five hundred thalers. This discovery makes him anxious to placate Tellheim. What he does not know is that the money has been left with the Major by Paul Werner, his former sergeant. Werner knowing Tellheim's predicament is in hope that he will use the money as his own. Tellheim is too honorable to borrow when he has no assurance of repaying. Instead, he bids his servant, Just, take his last possession of value, an expensive ring, and pawn it to satisfy the landlord's bill and his own back wages.
Just pledges the ring with the landlord but refuses to accept either wages or dismissal on the plea that he is in Tellheim's debt and will have to work it out. The garrulous landlord shows the ring to his newly arrived guests, revealing considerable concerning the owner's circumstances. The lady, Minna von Barnhelm, recognizes the ring as one of the betrothal rings which she and Tellheim had exchanged, and is overjoyed that her search for her missing lover is ended.
When Tellheim appears, however, he refuses to accept her hand or to continue the engagement on account of his precarious circumstances. When no argument can move him, Minna with the help of her maid, Franziska, pretends that she, too, is penniless and in dire straits. Under these circumstances Tellheim immediately claims the privilege of marrying and protecting her.
At this point a delayed letter from the King is delivered. It announces the restoration of Tellheim's fortune and the vindication of his honor. To punish him for making her suffer, Minna now pretends that she cannot marry Tellheim because of the inequality of their circumstances. In answer to his pleas, she uses his own recent arguments to confound him. Only when Tellheim is reduced to the verge of despair and the belated arrival of Minna's uncle and guardian threatens to give the whole thing away does Minna relent and reveal the truth. In a final scene of celebration, matters are settled to the satisfaction of everyone including Franziska and Paul Werner who have discovered a lively interest in each other.
Output: How much money does the marked sealed envelope the landlord finds claim to have?
Wounded and dishonourably discharged from the Prussian Army, Major von Tellheim finds himself waiting at a Berlin hotel with his servant for the outcome of his trial, threatened by financial troubles and serious bribery allegations. His penniless condition is because repayment of a large sum advanced to the government during the recent war is being held up and his honor in making the loan questioned. During Tellheim's absence from the inn, the landlord has caused Tellheim's effects to be removed, ostensibly because his rooms were needed for a lady and her maid. In reality, the landlord doubts Tellheim's ability to pay, since he is already somewhat in arrears.
In the removal of the Major's possessions, the landlord comes upon a sealed envelope marked as containing five hundred thalers. This discovery makes him anxious to placate Tellheim. What he does not know is that the money has been left with the Major by Paul Werner, his former sergeant. Werner knowing Tellheim's predicament is in hope that he will use the money as his own. Tellheim is too honorable to borrow when he has no assurance of repaying. Instead, he bids his servant, Just, take his last possession of value, an expensive ring, and pawn it to satisfy the landlord's bill and his own back wages.
Just pledges the ring with the landlord but refuses to accept either wages or dismissal on the plea that he is in Tellheim's debt and will have to work it out. The garrulous landlord shows the ring to his newly arrived guests, revealing considerable concerning the owner's circumstances. The lady, Minna von Barnhelm, recognizes the ring as one of the betrothal rings which she and Tellheim had exchanged, and is overjoyed that her search for her missing lover is ended.
When Tellheim appears, however, he refuses to accept her hand or to continue the engagement on account of his precarious circumstances. When no argument can move him, Minna with the help of her maid, Franziska, pretends that she, too, is penniless and in dire straits. Under these circumstances Tellheim immediately claims the privilege of marrying and protecting her.
At this point a delayed letter from the King is delivered. It announces the restoration of Tellheim's fortune and the vindication of his honor. To punish him for making her suffer, Minna now pretends that she cannot marry Tellheim because of the inequality of their circumstances. In answer to his pleas, she uses his own recent arguments to confound him. Only when Tellheim is reduced to the verge of despair and the belated arrival of Minna's uncle and guardian threatens to give the whole thing away does Minna relent and reveal the truth. In a final scene of celebration, matters are settled to the satisfaction of everyone including Franziska and Paul Werner who have discovered a lively interest in each other.
Output: What does the sealed envelope the landlord finds among Tellheim's possessions contain?
Wounded and dishonourably discharged from the Prussian Army, Major von Tellheim finds himself waiting at a Berlin hotel with his servant for the outcome of his trial, threatened by financial troubles and serious bribery allegations. His penniless condition is because repayment of a large sum advanced to the government during the recent war is being held up and his honor in making the loan questioned. During Tellheim's absence from the inn, the landlord has caused Tellheim's effects to be removed, ostensibly because his rooms were needed for a lady and her maid. In reality, the landlord doubts Tellheim's ability to pay, since he is already somewhat in arrears.
In the removal of the Major's possessions, the landlord comes upon a sealed envelope marked as containing five hundred thalers. This discovery makes him anxious to placate Tellheim. What he does not know is that the money has been left with the Major by Paul Werner, his former sergeant. Werner knowing Tellheim's predicament is in hope that he will use the money as his own. Tellheim is too honorable to borrow when he has no assurance of repaying. Instead, he bids his servant, Just, take his last possession of value, an expensive ring, and pawn it to satisfy the landlord's bill and his own back wages.
Just pledges the ring with the landlord but refuses to accept either wages or dismissal on the plea that he is in Tellheim's debt and will have to work it out. The garrulous landlord shows the ring to his newly arrived guests, revealing considerable concerning the owner's circumstances. The lady, Minna von Barnhelm, recognizes the ring as one of the betrothal rings which she and Tellheim had exchanged, and is overjoyed that her search for her missing lover is ended.
When Tellheim appears, however, he refuses to accept her hand or to continue the engagement on account of his precarious circumstances. When no argument can move him, Minna with the help of her maid, Franziska, pretends that she, too, is penniless and in dire straits. Under these circumstances Tellheim immediately claims the privilege of marrying and protecting her.
At this point a delayed letter from the King is delivered. It announces the restoration of Tellheim's fortune and the vindication of his honor. To punish him for making her suffer, Minna now pretends that she cannot marry Tellheim because of the inequality of their circumstances. In answer to his pleas, she uses his own recent arguments to confound him. Only when Tellheim is reduced to the verge of despair and the belated arrival of Minna's uncle and guardian threatens to give the whole thing away does Minna relent and reveal the truth. In a final scene of celebration, matters are settled to the satisfaction of everyone including Franziska and Paul Werner who have discovered a lively interest in each other.
Output: What arrived that informed Tellheim of his reinstated fortune?
Wounded and dishonourably discharged from the Prussian Army, Major von Tellheim finds himself waiting at a Berlin hotel with his servant for the outcome of his trial, threatened by financial troubles and serious bribery allegations. His penniless condition is because repayment of a large sum advanced to the government during the recent war is being held up and his honor in making the loan questioned. During Tellheim's absence from the inn, the landlord has caused Tellheim's effects to be removed, ostensibly because his rooms were needed for a lady and her maid. In reality, the landlord doubts Tellheim's ability to pay, since he is already somewhat in arrears.
In the removal of the Major's possessions, the landlord comes upon a sealed envelope marked as containing five hundred thalers. This discovery makes him anxious to placate Tellheim. What he does not know is that the money has been left with the Major by Paul Werner, his former sergeant. Werner knowing Tellheim's predicament is in hope that he will use the money as his own. Tellheim is too honorable to borrow when he has no assurance of repaying. Instead, he bids his servant, Just, take his last possession of value, an expensive ring, and pawn it to satisfy the landlord's bill and his own back wages.
Just pledges the ring with the landlord but refuses to accept either wages or dismissal on the plea that he is in Tellheim's debt and will have to work it out. The garrulous landlord shows the ring to his newly arrived guests, revealing considerable concerning the owner's circumstances. The lady, Minna von Barnhelm, recognizes the ring as one of the betrothal rings which she and Tellheim had exchanged, and is overjoyed that her search for her missing lover is ended.
When Tellheim appears, however, he refuses to accept her hand or to continue the engagement on account of his precarious circumstances. When no argument can move him, Minna with the help of her maid, Franziska, pretends that she, too, is penniless and in dire straits. Under these circumstances Tellheim immediately claims the privilege of marrying and protecting her.
At this point a delayed letter from the King is delivered. It announces the restoration of Tellheim's fortune and the vindication of his honor. To punish him for making her suffer, Minna now pretends that she cannot marry Tellheim because of the inequality of their circumstances. In answer to his pleas, she uses his own recent arguments to confound him. Only when Tellheim is reduced to the verge of despair and the belated arrival of Minna's uncle and guardian threatens to give the whole thing away does Minna relent and reveal the truth. In a final scene of celebration, matters are settled to the satisfaction of everyone including Franziska and Paul Werner who have discovered a lively interest in each other.
Output: Why did Major von Tellheim leave the Prussian Army?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: What does the US Government want to turn Channel Island into?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Filmore is accompanied by what kind of siblin in his journey?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: What does the government want to turn into a national park?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: How were the children to create new lives for themselves?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Why were Zeus' kids forced to move?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Who is Zeus' illegitimate son?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Why do the 12 Gods go to LA?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Why doesn't Hera like Filmore and Marie-Noel?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Who expects them to correctly identify the play modeled around their lives?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Who will kill the children if they rebel ?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Where were they forced to move from?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Who wrote the play that Filmore and Marie-Noel were commanded to act out?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: What would happen to Zeus' illegitimate children in Los Angeles if their performance of the play was not convincing?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: How long have Zeus' modern day illegitimate children looked the same age?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: What does the US government want to turn their land into?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Why did Filmore and Marie's neighbors grow suspicious?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Where do the 12 Greek Gods go for relaxation?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: If they rebel what will occur to them?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: How many Greek Gods vacation in Los Angeles?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Why do Filmore and Marie-Noel move from their ranch?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Who were they entertaining?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Which Greek God is Hera's husband?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Who was noticing that they were not aging?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: Who is Zeus's illegitimate daughter?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: This tells the modern story of what character?
The film is a postmodern spoof that tells the story of Zeus' modern day illegitimate children, Filmore (Tony Griffin) and his half-sister Marie-Noel (Alison Elliott), who are forced to move from their Channel Island ranch because their neighbors have grown suspicious of the fact they haven't aged for decades. Meanwhile, the U.S. government wants to turn their land into a national park. When the twelve Greek Gods return to Los Angeles for relaxation Zeus expects them to correctly identify the play fated and modeled around their current lives Oscar Wilde's The Importance of Being Earnest and perform the work flawlessly, in its entirety, for the Gods' entertainment. By such means, as the play's plot unfolds, the children are guaranteed new, credible lives. "Act or die," he commands. But if they fail to perform the play to its conclusion, or if they rebel, they will be killed by jealous Hera. The mere existence of these illegitimate children are an outrage to her, representing Zeus' countless infidelities.
12 whose title is often mistakenly derived from the number of years it took to create the film (10 actually) is described by Variety as "equal parts L.A. love story, The Importance of Being Earnest, spoof on Greek gods and personal diary of actual events from 1988 to 1998." The director used more than 500,000 feet (150,000 m) of film.
Output: What is the government's future plan for Channel Island?