niryuu/sni-each-converted huggingface dataset:
The Jarretts are an upper-middle-class family in suburban Chicago trying to return to normal life after the death of one teenage son and the attempted suicide of their surviving son, Conrad (Timothy Hutton). Conrad has recently returned home from a four-month stay in a psychiatric hospital. He feels alienated from his friends and family and begins seeing a psychiatrist, Dr. Berger (Judd Hirsch). Berger learns that Conrad was involved in a sailing accident in which his older brother, Buck, whom everyone idolized, died. Conrad now deals with post-traumatic stress disorder and survivor's guilt.
Conrad's father, Calvin (Donald Sutherland), awkwardly tries to connect with his surviving son and understand his wife. Conrad's mother, Beth (Mary Tyler Moore), denies her loss, hoping to maintain her composure and restore her family to what it once was. She appears to have loved her older son more (though perhaps more what he represented), and because of the suicide attempt, has grown cold toward Conrad. She is determined to maintain the appearance of perfection and normality. Conrad works with Dr. Berger and learns to try to deal with, rather than control, his emotions. He starts dating a fellow student, Jeannine (Elizabeth McGovern), who helps him to begin to regain a sense of optimism. Conrad, however, still struggles to communicate and re-establish a normal relationship with his parents and schoolmates, including Stillman (Adam Baldwin), with whom he gets into a fist fight. He cannot seem to allow anyone, especially Beth, to get close. Beth makes several constrained attempts to appeal to Conrad for some semblance of normality, but she ends up being cold and unaffectionate towards him. She is consistently more interested in getting back to "normal" than in helping her son heal.
Mother and son often argue while Calvin tries to referee, generally taking Conrad's side for fear of pushing him over the edge again. Things come to a climax near Christmas, when Conrad becomes furious at Beth for not wanting to take a photo with him, swearing at her in front of his grandparents. Afterward, Beth discovers Conrad has been lying about his after-school whereabouts. This leads to a heated argument between Conrad and Beth in which Conrad points out that Beth never visited him in the hospital, saying, "You would have visited Buck if he was in the hospital." Beth replies, "Buck would have never been in the hospital!" Beth and Calvin take a trip to see Beth s brother in Houston, where Calvin confronts Beth, calling her out on her attitude.
Conrad suffers a setback when he learns that Karen (Dinah Manoff), a friend of his from the psychiatric hospital, has committed suicide. A cathartic breakthrough session with Dr. Berger allows Conrad to stop blaming himself for Buck's death and accept his mother's frailties. Calvin, however, emotionally confronts Beth one last time. He questions their love and asks whether she is capable of truly loving anyone. Stunned, Beth decides to flee her family rather than deal with her own, or their, emotions. Calvin and Conrad are left to come to terms with their new family situation.
Output: What is Conrad's father name?
The Jarretts are an upper-middle-class family in suburban Chicago trying to return to normal life after the death of one teenage son and the attempted suicide of their surviving son, Conrad (Timothy Hutton). Conrad has recently returned home from a four-month stay in a psychiatric hospital. He feels alienated from his friends and family and begins seeing a psychiatrist, Dr. Berger (Judd Hirsch). Berger learns that Conrad was involved in a sailing accident in which his older brother, Buck, whom everyone idolized, died. Conrad now deals with post-traumatic stress disorder and survivor's guilt.
Conrad's father, Calvin (Donald Sutherland), awkwardly tries to connect with his surviving son and understand his wife. Conrad's mother, Beth (Mary Tyler Moore), denies her loss, hoping to maintain her composure and restore her family to what it once was. She appears to have loved her older son more (though perhaps more what he represented), and because of the suicide attempt, has grown cold toward Conrad. She is determined to maintain the appearance of perfection and normality. Conrad works with Dr. Berger and learns to try to deal with, rather than control, his emotions. He starts dating a fellow student, Jeannine (Elizabeth McGovern), who helps him to begin to regain a sense of optimism. Conrad, however, still struggles to communicate and re-establish a normal relationship with his parents and schoolmates, including Stillman (Adam Baldwin), with whom he gets into a fist fight. He cannot seem to allow anyone, especially Beth, to get close. Beth makes several constrained attempts to appeal to Conrad for some semblance of normality, but she ends up being cold and unaffectionate towards him. She is consistently more interested in getting back to "normal" than in helping her son heal.
Mother and son often argue while Calvin tries to referee, generally taking Conrad's side for fear of pushing him over the edge again. Things come to a climax near Christmas, when Conrad becomes furious at Beth for not wanting to take a photo with him, swearing at her in front of his grandparents. Afterward, Beth discovers Conrad has been lying about his after-school whereabouts. This leads to a heated argument between Conrad and Beth in which Conrad points out that Beth never visited him in the hospital, saying, "You would have visited Buck if he was in the hospital." Beth replies, "Buck would have never been in the hospital!" Beth and Calvin take a trip to see Beth s brother in Houston, where Calvin confronts Beth, calling her out on her attitude.
Conrad suffers a setback when he learns that Karen (Dinah Manoff), a friend of his from the psychiatric hospital, has committed suicide. A cathartic breakthrough session with Dr. Berger allows Conrad to stop blaming himself for Buck's death and accept his mother's frailties. Calvin, however, emotionally confronts Beth one last time. He questions their love and asks whether she is capable of truly loving anyone. Stunned, Beth decides to flee her family rather than deal with her own, or their, emotions. Calvin and Conrad are left to come to terms with their new family situation.
Output: What is Karen's relationship to Conrad?
The Jarretts are an upper-middle-class family in suburban Chicago trying to return to normal life after the death of one teenage son and the attempted suicide of their surviving son, Conrad (Timothy Hutton). Conrad has recently returned home from a four-month stay in a psychiatric hospital. He feels alienated from his friends and family and begins seeing a psychiatrist, Dr. Berger (Judd Hirsch). Berger learns that Conrad was involved in a sailing accident in which his older brother, Buck, whom everyone idolized, died. Conrad now deals with post-traumatic stress disorder and survivor's guilt.
Conrad's father, Calvin (Donald Sutherland), awkwardly tries to connect with his surviving son and understand his wife. Conrad's mother, Beth (Mary Tyler Moore), denies her loss, hoping to maintain her composure and restore her family to what it once was. She appears to have loved her older son more (though perhaps more what he represented), and because of the suicide attempt, has grown cold toward Conrad. She is determined to maintain the appearance of perfection and normality. Conrad works with Dr. Berger and learns to try to deal with, rather than control, his emotions. He starts dating a fellow student, Jeannine (Elizabeth McGovern), who helps him to begin to regain a sense of optimism. Conrad, however, still struggles to communicate and re-establish a normal relationship with his parents and schoolmates, including Stillman (Adam Baldwin), with whom he gets into a fist fight. He cannot seem to allow anyone, especially Beth, to get close. Beth makes several constrained attempts to appeal to Conrad for some semblance of normality, but she ends up being cold and unaffectionate towards him. She is consistently more interested in getting back to "normal" than in helping her son heal.
Mother and son often argue while Calvin tries to referee, generally taking Conrad's side for fear of pushing him over the edge again. Things come to a climax near Christmas, when Conrad becomes furious at Beth for not wanting to take a photo with him, swearing at her in front of his grandparents. Afterward, Beth discovers Conrad has been lying about his after-school whereabouts. This leads to a heated argument between Conrad and Beth in which Conrad points out that Beth never visited him in the hospital, saying, "You would have visited Buck if he was in the hospital." Beth replies, "Buck would have never been in the hospital!" Beth and Calvin take a trip to see Beth s brother in Houston, where Calvin confronts Beth, calling her out on her attitude.
Conrad suffers a setback when he learns that Karen (Dinah Manoff), a friend of his from the psychiatric hospital, has committed suicide. A cathartic breakthrough session with Dr. Berger allows Conrad to stop blaming himself for Buck's death and accept his mother's frailties. Calvin, however, emotionally confronts Beth one last time. He questions their love and asks whether she is capable of truly loving anyone. Stunned, Beth decides to flee her family rather than deal with her own, or their, emotions. Calvin and Conrad are left to come to terms with their new family situation.
Output: How did Buck die?
The Jarretts are an upper-middle-class family in suburban Chicago trying to return to normal life after the death of one teenage son and the attempted suicide of their surviving son, Conrad (Timothy Hutton). Conrad has recently returned home from a four-month stay in a psychiatric hospital. He feels alienated from his friends and family and begins seeing a psychiatrist, Dr. Berger (Judd Hirsch). Berger learns that Conrad was involved in a sailing accident in which his older brother, Buck, whom everyone idolized, died. Conrad now deals with post-traumatic stress disorder and survivor's guilt.
Conrad's father, Calvin (Donald Sutherland), awkwardly tries to connect with his surviving son and understand his wife. Conrad's mother, Beth (Mary Tyler Moore), denies her loss, hoping to maintain her composure and restore her family to what it once was. She appears to have loved her older son more (though perhaps more what he represented), and because of the suicide attempt, has grown cold toward Conrad. She is determined to maintain the appearance of perfection and normality. Conrad works with Dr. Berger and learns to try to deal with, rather than control, his emotions. He starts dating a fellow student, Jeannine (Elizabeth McGovern), who helps him to begin to regain a sense of optimism. Conrad, however, still struggles to communicate and re-establish a normal relationship with his parents and schoolmates, including Stillman (Adam Baldwin), with whom he gets into a fist fight. He cannot seem to allow anyone, especially Beth, to get close. Beth makes several constrained attempts to appeal to Conrad for some semblance of normality, but she ends up being cold and unaffectionate towards him. She is consistently more interested in getting back to "normal" than in helping her son heal.
Mother and son often argue while Calvin tries to referee, generally taking Conrad's side for fear of pushing him over the edge again. Things come to a climax near Christmas, when Conrad becomes furious at Beth for not wanting to take a photo with him, swearing at her in front of his grandparents. Afterward, Beth discovers Conrad has been lying about his after-school whereabouts. This leads to a heated argument between Conrad and Beth in which Conrad points out that Beth never visited him in the hospital, saying, "You would have visited Buck if he was in the hospital." Beth replies, "Buck would have never been in the hospital!" Beth and Calvin take a trip to see Beth s brother in Houston, where Calvin confronts Beth, calling her out on her attitude.
Conrad suffers a setback when he learns that Karen (Dinah Manoff), a friend of his from the psychiatric hospital, has committed suicide. A cathartic breakthrough session with Dr. Berger allows Conrad to stop blaming himself for Buck's death and accept his mother's frailties. Calvin, however, emotionally confronts Beth one last time. He questions their love and asks whether she is capable of truly loving anyone. Stunned, Beth decides to flee her family rather than deal with her own, or their, emotions. Calvin and Conrad are left to come to terms with their new family situation.
Output: What kind of a setback does Conrad suffer?
The Jarretts are an upper-middle-class family in suburban Chicago trying to return to normal life after the death of one teenage son and the attempted suicide of their surviving son, Conrad (Timothy Hutton). Conrad has recently returned home from a four-month stay in a psychiatric hospital. He feels alienated from his friends and family and begins seeing a psychiatrist, Dr. Berger (Judd Hirsch). Berger learns that Conrad was involved in a sailing accident in which his older brother, Buck, whom everyone idolized, died. Conrad now deals with post-traumatic stress disorder and survivor's guilt.
Conrad's father, Calvin (Donald Sutherland), awkwardly tries to connect with his surviving son and understand his wife. Conrad's mother, Beth (Mary Tyler Moore), denies her loss, hoping to maintain her composure and restore her family to what it once was. She appears to have loved her older son more (though perhaps more what he represented), and because of the suicide attempt, has grown cold toward Conrad. She is determined to maintain the appearance of perfection and normality. Conrad works with Dr. Berger and learns to try to deal with, rather than control, his emotions. He starts dating a fellow student, Jeannine (Elizabeth McGovern), who helps him to begin to regain a sense of optimism. Conrad, however, still struggles to communicate and re-establish a normal relationship with his parents and schoolmates, including Stillman (Adam Baldwin), with whom he gets into a fist fight. He cannot seem to allow anyone, especially Beth, to get close. Beth makes several constrained attempts to appeal to Conrad for some semblance of normality, but she ends up being cold and unaffectionate towards him. She is consistently more interested in getting back to "normal" than in helping her son heal.
Mother and son often argue while Calvin tries to referee, generally taking Conrad's side for fear of pushing him over the edge again. Things come to a climax near Christmas, when Conrad becomes furious at Beth for not wanting to take a photo with him, swearing at her in front of his grandparents. Afterward, Beth discovers Conrad has been lying about his after-school whereabouts. This leads to a heated argument between Conrad and Beth in which Conrad points out that Beth never visited him in the hospital, saying, "You would have visited Buck if he was in the hospital." Beth replies, "Buck would have never been in the hospital!" Beth and Calvin take a trip to see Beth s brother in Houston, where Calvin confronts Beth, calling her out on her attitude.
Conrad suffers a setback when he learns that Karen (Dinah Manoff), a friend of his from the psychiatric hospital, has committed suicide. A cathartic breakthrough session with Dr. Berger allows Conrad to stop blaming himself for Buck's death and accept his mother's frailties. Calvin, however, emotionally confronts Beth one last time. He questions their love and asks whether she is capable of truly loving anyone. Stunned, Beth decides to flee her family rather than deal with her own, or their, emotions. Calvin and Conrad are left to come to terms with their new family situation.
Output: Who was with Buck when Buck died?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: It is hypothesised that Server is providing what to Long?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: What are Mrs. Briss' thoughts on the narrators theories?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Why did Mrs Briss become angry in the story?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: What mode of transportation is the narrator using?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Is Mrs Brissenden really younger than her husband as she appears to be?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Why would the party's story teller feel so dismayed and overwhelmed?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: What may be the first reason for Gilbert Long's percieved exuberance?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: What is Mrs. Briss' age compared to her husband?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: What is Ford Obert profession?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: May server is described as what during the party?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Where is the narrator going?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Where is the party?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: How did the story conclude?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Where does the narrator think that Long's newfound assurance comes from?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: How many years older is Mrs. Briss than her husband?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Giilbert Long is described as much more what than before?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: When did the party take place?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: What does Mrs. Briss' age appear to be in comparison to her husband?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Who is May Server?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Where is he waiting for a train to take him?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Server and Long are hypothesised to be what in relation to each other?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: What feelings do the narrator feel after the conversation with Mrs. Briss?
As he waits for the train to take him to a weekend party in the country, the narrator notices that Gilbert Long seems much more assured and lively than before. He also sees that Mrs. Brissenden (nicknamed "Mrs. Briss") is much younger-looking than her husband, though she's actually ten years older. The narrator begins to theorize that Long and Mrs. Briss are getting their vitality, vampire-like, from the "sacred fount" of their sexual partners' energy. At first, the narrator theorizes that the source of Long's newfound assurance and intelligence is a certain Lady John.
Later he changes his mind, as he constantly discusses his ideas with others at the party, particularly an artist, Ford Obert. The narrator notices that another woman at the party, May Server, seems listless, and he starts to wonder if she may be the lover providing vitality to Long. Eventually, the narrator begins to construct enormously elaborate theories of who is taking vitality from whom, and whether some people are acting as screens for the real lovers. In a long midnight confrontation with Mrs. Briss which concludes the novel, she says the narrator's theories are ridiculous, and he has completely misread the actual relationships of their fellow guests. She finishes by telling him he's crazy, and that last word leaves the narrator dismayed and overwhelmed.
Output: Where was the party held?