niryuu/sni-each-converted huggingface dataset:
Protagonist Jack Holloway lives a solitary life in a wilderness of planet Zarathustra, itself "owned" by the Chartered Zarathustra Corporation (under Victor Grego), which installed basic services and colonial outposts initially, and now reaps the benefits of new discoveries, such as the valuable 'sunstones' mined by Holloway until he befriends a tiny, feline-like humanoid, nicknamed 'Little Fuzzy', and its traveling-companions. Upon discovery that the 'Fuzzies' intelligence may qualify them as a sapient species, the Company intervenes against them, on grounds that such a discovery would declare the planet a protected aboriginal zone, and deprive the Chartered Zarathustra Company of rights to the resources there. Leonard Kellogg, one of Grego's staff, kills a Fuzzy and thus provokes a court case to decide whether the Fuzzies are sapient. In the midst of the proceedings, the Terran Navy commander reveals that his people have been studying Fuzzies, and prove that Fuzzies have at least the mental capacity of a ten-year-old human child. At once, the Charter of the Zarathustra Company is invalidated, and Kellogg commits suicide in his cell.
The second book, Fuzzy Sapiens, deals with the newly 'Charterless Zarathustra Company' and its gradual cooperation with the planet's new governor to ensure control over the planet, while the Fuzzies attach themselves to individual human guardians including the Company's staff. It becomes clear that criminals are using the irregular status of the government and of the company to attack it and steal sunstones.
The third book, Fuzzy Bones by William Tuning, suggests that the remarkable demand by all Fuzzies for the ration-pack 'Extraterrestrial Type Three' (aka 'Extee 3' or 'estefee') does not coincide with the composition of Zarathustran soil. A third significant Fuzzy character is developed called Starwatcher. Little Fuzzy, Diamond, and Starwatcher become the clear leaders in working with humans.
Golden Dream fits with these three books in terms of the general plot and relationships.
After these two official sequels, the original third book by Piper himself offers an alternative future, wherein Little Fuzzy himself is separated from Jack Holloway and introduces a band of wild Fuzzies to the combined society.
Output: What do the fuzzies attach themselves to?
Protagonist Jack Holloway lives a solitary life in a wilderness of planet Zarathustra, itself "owned" by the Chartered Zarathustra Corporation (under Victor Grego), which installed basic services and colonial outposts initially, and now reaps the benefits of new discoveries, such as the valuable 'sunstones' mined by Holloway until he befriends a tiny, feline-like humanoid, nicknamed 'Little Fuzzy', and its traveling-companions. Upon discovery that the 'Fuzzies' intelligence may qualify them as a sapient species, the Company intervenes against them, on grounds that such a discovery would declare the planet a protected aboriginal zone, and deprive the Chartered Zarathustra Company of rights to the resources there. Leonard Kellogg, one of Grego's staff, kills a Fuzzy and thus provokes a court case to decide whether the Fuzzies are sapient. In the midst of the proceedings, the Terran Navy commander reveals that his people have been studying Fuzzies, and prove that Fuzzies have at least the mental capacity of a ten-year-old human child. At once, the Charter of the Zarathustra Company is invalidated, and Kellogg commits suicide in his cell.
The second book, Fuzzy Sapiens, deals with the newly 'Charterless Zarathustra Company' and its gradual cooperation with the planet's new governor to ensure control over the planet, while the Fuzzies attach themselves to individual human guardians including the Company's staff. It becomes clear that criminals are using the irregular status of the government and of the company to attack it and steal sunstones.
The third book, Fuzzy Bones by William Tuning, suggests that the remarkable demand by all Fuzzies for the ration-pack 'Extraterrestrial Type Three' (aka 'Extee 3' or 'estefee') does not coincide with the composition of Zarathustran soil. A third significant Fuzzy character is developed called Starwatcher. Little Fuzzy, Diamond, and Starwatcher become the clear leaders in working with humans.
Golden Dream fits with these three books in terms of the general plot and relationships.
After these two official sequels, the original third book by Piper himself offers an alternative future, wherein Little Fuzzy himself is separated from Jack Holloway and introduces a band of wild Fuzzies to the combined society.
Output: Who are the three notable Fuzzy leaders in Fuzzy Bones?
Protagonist Jack Holloway lives a solitary life in a wilderness of planet Zarathustra, itself "owned" by the Chartered Zarathustra Corporation (under Victor Grego), which installed basic services and colonial outposts initially, and now reaps the benefits of new discoveries, such as the valuable 'sunstones' mined by Holloway until he befriends a tiny, feline-like humanoid, nicknamed 'Little Fuzzy', and its traveling-companions. Upon discovery that the 'Fuzzies' intelligence may qualify them as a sapient species, the Company intervenes against them, on grounds that such a discovery would declare the planet a protected aboriginal zone, and deprive the Chartered Zarathustra Company of rights to the resources there. Leonard Kellogg, one of Grego's staff, kills a Fuzzy and thus provokes a court case to decide whether the Fuzzies are sapient. In the midst of the proceedings, the Terran Navy commander reveals that his people have been studying Fuzzies, and prove that Fuzzies have at least the mental capacity of a ten-year-old human child. At once, the Charter of the Zarathustra Company is invalidated, and Kellogg commits suicide in his cell.
The second book, Fuzzy Sapiens, deals with the newly 'Charterless Zarathustra Company' and its gradual cooperation with the planet's new governor to ensure control over the planet, while the Fuzzies attach themselves to individual human guardians including the Company's staff. It becomes clear that criminals are using the irregular status of the government and of the company to attack it and steal sunstones.
The third book, Fuzzy Bones by William Tuning, suggests that the remarkable demand by all Fuzzies for the ration-pack 'Extraterrestrial Type Three' (aka 'Extee 3' or 'estefee') does not coincide with the composition of Zarathustran soil. A third significant Fuzzy character is developed called Starwatcher. Little Fuzzy, Diamond, and Starwatcher become the clear leaders in working with humans.
Golden Dream fits with these three books in terms of the general plot and relationships.
After these two official sequels, the original third book by Piper himself offers an alternative future, wherein Little Fuzzy himself is separated from Jack Holloway and introduces a band of wild Fuzzies to the combined society.
Output: What does Holloway befriend?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: Who is Kroll to Rosmer?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What do Rosmer and Rebecca do together at the end of the story?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: How did Beata die?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What is Kroll's job?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What does Kroll plan to do since he is unsupportive of Rosmer's support of the newly elected government?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What happens when Rosmer encourages Rebecca to commit suicide the same way Beata did?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: Who drove Ms. Rosmer to despair and enabled her suicide?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What does Kroll do to Rosmer?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What does Kroll learn about Rebecca when he confronts her?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: Who does the housekeeper blame for Rosmer and Rebecca's death?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What is Kroll's relationship to Rosmer?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: Why does Rebecca refuse to marry Rosmer?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What is Rebecca's relationship to Rosmer?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What is Beata's relationship to Rosmer?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: What does Kroll put in the local newspaper?
The play opens one year after the suicide of Rosmer's wife, Beata. Rebecca had previously moved into the family home, Rosmersholm, as a friend of Beata, and she lives there still. It becomes plain that she and Rosmer are in love, but he insists throughout the play that their relationship is completely platonic.
A highly respected member of his community, Rosmer intends to support the newly elected government and its reformist, if not revolutionary, agenda. However, when he announces this to his friend and brother-in-law Kroll, the local schoolmaster, the latter becomes enraged at what he sees as his friend's betrayal of his ruling-class roots. Kroll begins to sabotage Rosmer's plans, confronting him about his relationship with Rebecca and denouncing the pair, initially in guarded terms, in the local newspaper. Rosmer becomes consumed by his guilt, now believing he, rather than mental illness, caused his wife's suicide. He attempts to escape the guilt by erasing the memory of his wife and proposing marriage to Rebecca. But she rejects him outright. Kroll accuses her of using Rosmer as a tool to work her own political agenda. She admits that it was she who drove Mrs. Rosmer to deeper depths of despair and in a way even encouraged her suicide initially to increase her power over Rosmer, but later because she actually fell in love with him. Because of her guilty past she cannot accept Rosmer's marriage proposal.
This leads to the ultimate breakdown in the play where neither Rosmer nor Rebecca can cast off moral guilt: she has acknowledged her part in the destruction of Beata but she has also committed incest with her supposedly adoptive father while suspecting that he was in truth her natural parent. Her suspicion is harshly confirmed by Kroll when he attempts to come between her and Rosmer; they can now no longer trust each other, or even themselves. Rosmer then asks Rebecca to prove her devotion to him by committing suicide the same way his former wife did by jumping into the mill-race. As Rebecca calmly seems to agree, issuing instructions about the recovery of her body from the water, Rosmer says he will join her. He is still in love with her and, since he cannot conceive of a way in which they can live together, they will die together. The play concludes with both characters jumping into the mill-race and the housekeeper, Mrs. Helseth, screaming in terror: "The dead woman has taken them".
Output: Who does Rosmer propose to?