niryuu/sni-each-converted huggingface dataset:
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: How was Bernard related to the gang members?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: How fast is the courtship between Bernard and Edmee?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: How are Bernard and Edmee related?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Who helps Edmee escape?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Explain why you think Bernard was one a good man?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Why does Bernard help Edmee escape?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Why does Bernard threaten to rape Edmee?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: How does Bernard coerce Edmee into marriage?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: What does Bernard say he became after being raised by the gang?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Why do you think Bernard wants to marry Edmee?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Why did the gang raise Bernard?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Which fairy tale is the story inspired by?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: What happens after the death of Bernard's mother?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: How does the story end?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Is this a story about love?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: What major historical event occurs during the story?
The novel's plot has been called a plot of female socialization, in which the hero is taught by the heroine how to live peacefully in society. Mauprat resembles the fairy tale "Beauty and the Beast". As this would suggest, the novel is a romance. However, Sand resists the immediate happy ending of marriage between the two main characters in favor of a more gradual story of education, including a reappraisal of the passive female role in courtship and marriage. Sand also calls into question Rousseau's ideal version of the female education as described in his novel Emile, namely, training women for domesticity and the home.
The novel, set before the French Revolution, depicts the coming of age of a nobleman named Bernard Mauprat. The story is narrated by the old Bernard in his country home many years later, as told to a nameless young male visitor. Bernard recounts how, raised by a violent gang of his feudal kinsmen after the death of his mother, he becomes a brutalized "enfant sauvage". When his cousin Edm e is held captive by Bernard's "family", he helps her escape, but elicits a promise of marriage from her by threatening rape. Thus begins the long courtship of Bernard and Edm e. The novel ends with a dramatic trial scene, similar to that in Stendhal's The Red and the Black.
During the period Sand wrote the novel, she was gradually becoming more interested in the problem of political equality in society. She had read widely about the views of socialist thinkers such as Pierre Leroux, with whom she went on to form a journal, the Revue Ind pendante. In keeping with Sand's interest in equality, Mauprat depicts a new type of literary figure, the peasant visionary Patience. In addition, part of the novel takes place during the American Revolutionary War.
Output: Who holds Edmee captive?
The film begins with the disappearance of Pennsylvania executive Tom Gruneman (played by Robert Milli). The police reveal that an obscene letter was found in Gruneman's office, addressed to a prostitute in New York City named Bree Daniels (Fonda), who had received several similar letters from him. After six months of fruitless police work, Peter Cable (Cioffi), an executive at Gruneman's company, hires family friend and detective John Klute (Sutherland) to investigate Gruneman's disappearance.
Klute rents an apartment in the basement of Daniels' building, taps her phone, and follows her as she turns tricks. Daniels appears to be liberated by the freedom of freelancing as a call girl, but in a series of visits to her psychiatrist (Vivian Nathan), she reveals the emptiness of her life and that she wants to quit. Klute asks Daniels to answer some of his questions, but she refuses. He approaches her again, revealing that he has been watching her. She does not recall Gruneman. She reveals that she was beaten by one of her johns two years earlier, but after seeing a photo of Gruneman, she says she cannot say for sure.
Daniels takes Klute to meet her former pimp, Frank Ligourin (Scheider), who reveals that one of his prostitutes, Jane McKenna, passed the abusive client on to Bree and another prostitute named Arlyn Page (Dorothy Tristan). McKenna committed suicide and Page became a drug addict and disappeared. Klute and Daniels develop a romance, though she tells her psychiatrist that she fears these feelings and wishes she could go back to "just feeling numb." She admits to Klute a deep paranoia that she is being watched.
They find Page, who tells them the customer was not Gruneman but an older man. Page's body then turns up in the Kill Van Kull. Klute deduces a connection between the two "suicides" of the prostitutes, surmising that the client probably also killed Gruneman and may kill Daniels next. He revisits Gruneman's contacts to find connections with the case. By typographic comparison, the supposed obscene letters of Gruneman are traced to Cable, with whom Klute has been meeting to report on his investigation.
Klute asks Cable for an additional $500 to buy the "black book" of the first prostitute who apparently committed suicide, telling Cable he is certain the book will reveal the identity of the abusive client. Cable corners Bree and reveals that he sent her the letters, explaining that Gruneman had interrupted him when he was attacking a prostitute. Certain that Gruneman would use the incident as leverage against him within the company, Cable attempted to frame Gruneman by planting the letter in his office. He confesses to the killings. After playing an audiotape he made as he murdered Page, he attacks Daniels. Klute rushes in, and Cable jumps or is thrown out a window to his death (the film uses ambiguous editing).
Daniels moves out of her apartment with Klute's help, though her voiceover with her psychiatrist reveals her fear of domestic life and a likelihood that the doctor will "see me next week."
Output: What is the name of the prostitute who pased the abusive client onto Bree and Arlyn Page?
The film begins with the disappearance of Pennsylvania executive Tom Gruneman (played by Robert Milli). The police reveal that an obscene letter was found in Gruneman's office, addressed to a prostitute in New York City named Bree Daniels (Fonda), who had received several similar letters from him. After six months of fruitless police work, Peter Cable (Cioffi), an executive at Gruneman's company, hires family friend and detective John Klute (Sutherland) to investigate Gruneman's disappearance.
Klute rents an apartment in the basement of Daniels' building, taps her phone, and follows her as she turns tricks. Daniels appears to be liberated by the freedom of freelancing as a call girl, but in a series of visits to her psychiatrist (Vivian Nathan), she reveals the emptiness of her life and that she wants to quit. Klute asks Daniels to answer some of his questions, but she refuses. He approaches her again, revealing that he has been watching her. She does not recall Gruneman. She reveals that she was beaten by one of her johns two years earlier, but after seeing a photo of Gruneman, she says she cannot say for sure.
Daniels takes Klute to meet her former pimp, Frank Ligourin (Scheider), who reveals that one of his prostitutes, Jane McKenna, passed the abusive client on to Bree and another prostitute named Arlyn Page (Dorothy Tristan). McKenna committed suicide and Page became a drug addict and disappeared. Klute and Daniels develop a romance, though she tells her psychiatrist that she fears these feelings and wishes she could go back to "just feeling numb." She admits to Klute a deep paranoia that she is being watched.
They find Page, who tells them the customer was not Gruneman but an older man. Page's body then turns up in the Kill Van Kull. Klute deduces a connection between the two "suicides" of the prostitutes, surmising that the client probably also killed Gruneman and may kill Daniels next. He revisits Gruneman's contacts to find connections with the case. By typographic comparison, the supposed obscene letters of Gruneman are traced to Cable, with whom Klute has been meeting to report on his investigation.
Klute asks Cable for an additional $500 to buy the "black book" of the first prostitute who apparently committed suicide, telling Cable he is certain the book will reveal the identity of the abusive client. Cable corners Bree and reveals that he sent her the letters, explaining that Gruneman had interrupted him when he was attacking a prostitute. Certain that Gruneman would use the incident as leverage against him within the company, Cable attempted to frame Gruneman by planting the letter in his office. He confesses to the killings. After playing an audiotape he made as he murdered Page, he attacks Daniels. Klute rushes in, and Cable jumps or is thrown out a window to his death (the film uses ambiguous editing).
Daniels moves out of her apartment with Klute's help, though her voiceover with her psychiatrist reveals her fear of domestic life and a likelihood that the doctor will "see me next week."
Output: What are police investigating at the beginning of the story?
The film begins with the disappearance of Pennsylvania executive Tom Gruneman (played by Robert Milli). The police reveal that an obscene letter was found in Gruneman's office, addressed to a prostitute in New York City named Bree Daniels (Fonda), who had received several similar letters from him. After six months of fruitless police work, Peter Cable (Cioffi), an executive at Gruneman's company, hires family friend and detective John Klute (Sutherland) to investigate Gruneman's disappearance.
Klute rents an apartment in the basement of Daniels' building, taps her phone, and follows her as she turns tricks. Daniels appears to be liberated by the freedom of freelancing as a call girl, but in a series of visits to her psychiatrist (Vivian Nathan), she reveals the emptiness of her life and that she wants to quit. Klute asks Daniels to answer some of his questions, but she refuses. He approaches her again, revealing that he has been watching her. She does not recall Gruneman. She reveals that she was beaten by one of her johns two years earlier, but after seeing a photo of Gruneman, she says she cannot say for sure.
Daniels takes Klute to meet her former pimp, Frank Ligourin (Scheider), who reveals that one of his prostitutes, Jane McKenna, passed the abusive client on to Bree and another prostitute named Arlyn Page (Dorothy Tristan). McKenna committed suicide and Page became a drug addict and disappeared. Klute and Daniels develop a romance, though she tells her psychiatrist that she fears these feelings and wishes she could go back to "just feeling numb." She admits to Klute a deep paranoia that she is being watched.
They find Page, who tells them the customer was not Gruneman but an older man. Page's body then turns up in the Kill Van Kull. Klute deduces a connection between the two "suicides" of the prostitutes, surmising that the client probably also killed Gruneman and may kill Daniels next. He revisits Gruneman's contacts to find connections with the case. By typographic comparison, the supposed obscene letters of Gruneman are traced to Cable, with whom Klute has been meeting to report on his investigation.
Klute asks Cable for an additional $500 to buy the "black book" of the first prostitute who apparently committed suicide, telling Cable he is certain the book will reveal the identity of the abusive client. Cable corners Bree and reveals that he sent her the letters, explaining that Gruneman had interrupted him when he was attacking a prostitute. Certain that Gruneman would use the incident as leverage against him within the company, Cable attempted to frame Gruneman by planting the letter in his office. He confesses to the killings. After playing an audiotape he made as he murdered Page, he attacks Daniels. Klute rushes in, and Cable jumps or is thrown out a window to his death (the film uses ambiguous editing).
Daniels moves out of her apartment with Klute's help, though her voiceover with her psychiatrist reveals her fear of domestic life and a likelihood that the doctor will "see me next week."
Output: Bree Daniels see what sort of doctor?
The film begins with the disappearance of Pennsylvania executive Tom Gruneman (played by Robert Milli). The police reveal that an obscene letter was found in Gruneman's office, addressed to a prostitute in New York City named Bree Daniels (Fonda), who had received several similar letters from him. After six months of fruitless police work, Peter Cable (Cioffi), an executive at Gruneman's company, hires family friend and detective John Klute (Sutherland) to investigate Gruneman's disappearance.
Klute rents an apartment in the basement of Daniels' building, taps her phone, and follows her as she turns tricks. Daniels appears to be liberated by the freedom of freelancing as a call girl, but in a series of visits to her psychiatrist (Vivian Nathan), she reveals the emptiness of her life and that she wants to quit. Klute asks Daniels to answer some of his questions, but she refuses. He approaches her again, revealing that he has been watching her. She does not recall Gruneman. She reveals that she was beaten by one of her johns two years earlier, but after seeing a photo of Gruneman, she says she cannot say for sure.
Daniels takes Klute to meet her former pimp, Frank Ligourin (Scheider), who reveals that one of his prostitutes, Jane McKenna, passed the abusive client on to Bree and another prostitute named Arlyn Page (Dorothy Tristan). McKenna committed suicide and Page became a drug addict and disappeared. Klute and Daniels develop a romance, though she tells her psychiatrist that she fears these feelings and wishes she could go back to "just feeling numb." She admits to Klute a deep paranoia that she is being watched.
They find Page, who tells them the customer was not Gruneman but an older man. Page's body then turns up in the Kill Van Kull. Klute deduces a connection between the two "suicides" of the prostitutes, surmising that the client probably also killed Gruneman and may kill Daniels next. He revisits Gruneman's contacts to find connections with the case. By typographic comparison, the supposed obscene letters of Gruneman are traced to Cable, with whom Klute has been meeting to report on his investigation.
Klute asks Cable for an additional $500 to buy the "black book" of the first prostitute who apparently committed suicide, telling Cable he is certain the book will reveal the identity of the abusive client. Cable corners Bree and reveals that he sent her the letters, explaining that Gruneman had interrupted him when he was attacking a prostitute. Certain that Gruneman would use the incident as leverage against him within the company, Cable attempted to frame Gruneman by planting the letter in his office. He confesses to the killings. After playing an audiotape he made as he murdered Page, he attacks Daniels. Klute rushes in, and Cable jumps or is thrown out a window to his death (the film uses ambiguous editing).
Daniels moves out of her apartment with Klute's help, though her voiceover with her psychiatrist reveals her fear of domestic life and a likelihood that the doctor will "see me next week."
Output: Who does Peter Cable hire to investigate Gruneman's disappearance?
The film begins with the disappearance of Pennsylvania executive Tom Gruneman (played by Robert Milli). The police reveal that an obscene letter was found in Gruneman's office, addressed to a prostitute in New York City named Bree Daniels (Fonda), who had received several similar letters from him. After six months of fruitless police work, Peter Cable (Cioffi), an executive at Gruneman's company, hires family friend and detective John Klute (Sutherland) to investigate Gruneman's disappearance.
Klute rents an apartment in the basement of Daniels' building, taps her phone, and follows her as she turns tricks. Daniels appears to be liberated by the freedom of freelancing as a call girl, but in a series of visits to her psychiatrist (Vivian Nathan), she reveals the emptiness of her life and that she wants to quit. Klute asks Daniels to answer some of his questions, but she refuses. He approaches her again, revealing that he has been watching her. She does not recall Gruneman. She reveals that she was beaten by one of her johns two years earlier, but after seeing a photo of Gruneman, she says she cannot say for sure.
Daniels takes Klute to meet her former pimp, Frank Ligourin (Scheider), who reveals that one of his prostitutes, Jane McKenna, passed the abusive client on to Bree and another prostitute named Arlyn Page (Dorothy Tristan). McKenna committed suicide and Page became a drug addict and disappeared. Klute and Daniels develop a romance, though she tells her psychiatrist that she fears these feelings and wishes she could go back to "just feeling numb." She admits to Klute a deep paranoia that she is being watched.
They find Page, who tells them the customer was not Gruneman but an older man. Page's body then turns up in the Kill Van Kull. Klute deduces a connection between the two "suicides" of the prostitutes, surmising that the client probably also killed Gruneman and may kill Daniels next. He revisits Gruneman's contacts to find connections with the case. By typographic comparison, the supposed obscene letters of Gruneman are traced to Cable, with whom Klute has been meeting to report on his investigation.
Klute asks Cable for an additional $500 to buy the "black book" of the first prostitute who apparently committed suicide, telling Cable he is certain the book will reveal the identity of the abusive client. Cable corners Bree and reveals that he sent her the letters, explaining that Gruneman had interrupted him when he was attacking a prostitute. Certain that Gruneman would use the incident as leverage against him within the company, Cable attempted to frame Gruneman by planting the letter in his office. He confesses to the killings. After playing an audiotape he made as he murdered Page, he attacks Daniels. Klute rushes in, and Cable jumps or is thrown out a window to his death (the film uses ambiguous editing).
Daniels moves out of her apartment with Klute's help, though her voiceover with her psychiatrist reveals her fear of domestic life and a likelihood that the doctor will "see me next week."
Output: What does Klute do after linking the "suicide" cases of the prostitutes?