niryuu/sni-each-converted huggingface dataset:
Clara Amedroz is the only surviving child of the elderly squire of Belton Castle in Somersetshire. At twenty-five, she is old for an unmarried woman. Her father's income and savings have been dissipated to pay for the extravagances of her brother, who subsequently committed suicide. Since her father has no living sons, his estate, which is entailed, will pass upon his death to a distant cousin, Will Belton.
Despite her poor prospects, she has two eligible suitors. Within four days of making her acquaintance, Will Belton proposes marriage to her. Belton is warm-hearted, kind, and generous, and these qualities make a strong impression on Clara. However, she believes herself in love with Captain Frederic Aylmer, although he has given no clear signs of feeling that way toward her. Aylmer is impeccable in his manners, smooth, urbane, well-read, and a member of Parliament; compared to him, Belton is awkward and unpolished.
Clara rejects Belton's offer, urging him to regard her as a sister. Not long thereafter, Aylmer proposes to her, and she eagerly accepts. However, her happiness is short-lived. Her new fianc  proves shallow and cold, more concerned with his own comfort than with her happiness. Moreover, he expects her to subject herself to his domineering mother.
Mr. Amedroz dies; and although Belton offers to allow Clara to remain at Belton Castle, she goes to live with the Aylmer family in Yorkshire. Lady Aylmer, who wants her son to marry money or a title, exerts herself to make Clara miserable there; and Captain Aylmer offers no support to his betrothed.
For Clara, the final straw comes when Lady Aylmer demands that she sever her ties with a friend. Mrs. Askerton, Lady Aylmer has learned, left an abusive drunken husband in India and lived with Colonel Askerton for several years before the death of her husband freed her to marry him. Clara is duly appalled by her friend's past immorality, but cannot bring herself to cast off someone who has come to depend on her friendship. Pressed relentlessly on the subject by Lady Aylmer, she declares an end to her engagement and returns to Somersetshire, where she accepts the hospitality of the Askertons.
Will Belton has never ceased to show his love for Clara, and she realises that he is worthy of her love. However, she believes that it would be wrong to transfer her affection from one man to another. Only after Mrs. Askerton and Will's sister Mary Belton persuade her that it would be unjust to withhold her affection from Will can she bring herself to put aside her scruples and accept him. Marital bliss ensues.
Output: What happened to Clara's brother?
Clara Amedroz is the only surviving child of the elderly squire of Belton Castle in Somersetshire. At twenty-five, she is old for an unmarried woman. Her father's income and savings have been dissipated to pay for the extravagances of her brother, who subsequently committed suicide. Since her father has no living sons, his estate, which is entailed, will pass upon his death to a distant cousin, Will Belton.
Despite her poor prospects, she has two eligible suitors. Within four days of making her acquaintance, Will Belton proposes marriage to her. Belton is warm-hearted, kind, and generous, and these qualities make a strong impression on Clara. However, she believes herself in love with Captain Frederic Aylmer, although he has given no clear signs of feeling that way toward her. Aylmer is impeccable in his manners, smooth, urbane, well-read, and a member of Parliament; compared to him, Belton is awkward and unpolished.
Clara rejects Belton's offer, urging him to regard her as a sister. Not long thereafter, Aylmer proposes to her, and she eagerly accepts. However, her happiness is short-lived. Her new fianc  proves shallow and cold, more concerned with his own comfort than with her happiness. Moreover, he expects her to subject herself to his domineering mother.
Mr. Amedroz dies; and although Belton offers to allow Clara to remain at Belton Castle, she goes to live with the Aylmer family in Yorkshire. Lady Aylmer, who wants her son to marry money or a title, exerts herself to make Clara miserable there; and Captain Aylmer offers no support to his betrothed.
For Clara, the final straw comes when Lady Aylmer demands that she sever her ties with a friend. Mrs. Askerton, Lady Aylmer has learned, left an abusive drunken husband in India and lived with Colonel Askerton for several years before the death of her husband freed her to marry him. Clara is duly appalled by her friend's past immorality, but cannot bring herself to cast off someone who has come to depend on her friendship. Pressed relentlessly on the subject by Lady Aylmer, she declares an end to her engagement and returns to Somersetshire, where she accepts the hospitality of the Askertons.
Will Belton has never ceased to show his love for Clara, and she realises that he is worthy of her love. However, she believes that it would be wrong to transfer her affection from one man to another. Only after Mrs. Askerton and Will's sister Mary Belton persuade her that it would be unjust to withhold her affection from Will can she bring herself to put aside her scruples and accept him. Marital bliss ensues.
Output: Who finally convinces Clara to follow her feelings and to be with Will?
Clara Amedroz is the only surviving child of the elderly squire of Belton Castle in Somersetshire. At twenty-five, she is old for an unmarried woman. Her father's income and savings have been dissipated to pay for the extravagances of her brother, who subsequently committed suicide. Since her father has no living sons, his estate, which is entailed, will pass upon his death to a distant cousin, Will Belton.
Despite her poor prospects, she has two eligible suitors. Within four days of making her acquaintance, Will Belton proposes marriage to her. Belton is warm-hearted, kind, and generous, and these qualities make a strong impression on Clara. However, she believes herself in love with Captain Frederic Aylmer, although he has given no clear signs of feeling that way toward her. Aylmer is impeccable in his manners, smooth, urbane, well-read, and a member of Parliament; compared to him, Belton is awkward and unpolished.
Clara rejects Belton's offer, urging him to regard her as a sister. Not long thereafter, Aylmer proposes to her, and she eagerly accepts. However, her happiness is short-lived. Her new fianc  proves shallow and cold, more concerned with his own comfort than with her happiness. Moreover, he expects her to subject herself to his domineering mother.
Mr. Amedroz dies; and although Belton offers to allow Clara to remain at Belton Castle, she goes to live with the Aylmer family in Yorkshire. Lady Aylmer, who wants her son to marry money or a title, exerts herself to make Clara miserable there; and Captain Aylmer offers no support to his betrothed.
For Clara, the final straw comes when Lady Aylmer demands that she sever her ties with a friend. Mrs. Askerton, Lady Aylmer has learned, left an abusive drunken husband in India and lived with Colonel Askerton for several years before the death of her husband freed her to marry him. Clara is duly appalled by her friend's past immorality, but cannot bring herself to cast off someone who has come to depend on her friendship. Pressed relentlessly on the subject by Lady Aylmer, she declares an end to her engagement and returns to Somersetshire, where she accepts the hospitality of the Askertons.
Will Belton has never ceased to show his love for Clara, and she realises that he is worthy of her love. However, she believes that it would be wrong to transfer her affection from one man to another. Only after Mrs. Askerton and Will's sister Mary Belton persuade her that it would be unjust to withhold her affection from Will can she bring herself to put aside her scruples and accept him. Marital bliss ensues.
Output: How many eligible suitors does Clara have?
Clara Amedroz is the only surviving child of the elderly squire of Belton Castle in Somersetshire. At twenty-five, she is old for an unmarried woman. Her father's income and savings have been dissipated to pay for the extravagances of her brother, who subsequently committed suicide. Since her father has no living sons, his estate, which is entailed, will pass upon his death to a distant cousin, Will Belton.
Despite her poor prospects, she has two eligible suitors. Within four days of making her acquaintance, Will Belton proposes marriage to her. Belton is warm-hearted, kind, and generous, and these qualities make a strong impression on Clara. However, she believes herself in love with Captain Frederic Aylmer, although he has given no clear signs of feeling that way toward her. Aylmer is impeccable in his manners, smooth, urbane, well-read, and a member of Parliament; compared to him, Belton is awkward and unpolished.
Clara rejects Belton's offer, urging him to regard her as a sister. Not long thereafter, Aylmer proposes to her, and she eagerly accepts. However, her happiness is short-lived. Her new fianc  proves shallow and cold, more concerned with his own comfort than with her happiness. Moreover, he expects her to subject herself to his domineering mother.
Mr. Amedroz dies; and although Belton offers to allow Clara to remain at Belton Castle, she goes to live with the Aylmer family in Yorkshire. Lady Aylmer, who wants her son to marry money or a title, exerts herself to make Clara miserable there; and Captain Aylmer offers no support to his betrothed.
For Clara, the final straw comes when Lady Aylmer demands that she sever her ties with a friend. Mrs. Askerton, Lady Aylmer has learned, left an abusive drunken husband in India and lived with Colonel Askerton for several years before the death of her husband freed her to marry him. Clara is duly appalled by her friend's past immorality, but cannot bring herself to cast off someone who has come to depend on her friendship. Pressed relentlessly on the subject by Lady Aylmer, she declares an end to her engagement and returns to Somersetshire, where she accepts the hospitality of the Askertons.
Will Belton has never ceased to show his love for Clara, and she realises that he is worthy of her love. However, she believes that it would be wrong to transfer her affection from one man to another. Only after Mrs. Askerton and Will's sister Mary Belton persuade her that it would be unjust to withhold her affection from Will can she bring herself to put aside her scruples and accept him. Marital bliss ensues.
Output: Where does Clara return to after leaving Yorkshire?
Clara Amedroz is the only surviving child of the elderly squire of Belton Castle in Somersetshire. At twenty-five, she is old for an unmarried woman. Her father's income and savings have been dissipated to pay for the extravagances of her brother, who subsequently committed suicide. Since her father has no living sons, his estate, which is entailed, will pass upon his death to a distant cousin, Will Belton.
Despite her poor prospects, she has two eligible suitors. Within four days of making her acquaintance, Will Belton proposes marriage to her. Belton is warm-hearted, kind, and generous, and these qualities make a strong impression on Clara. However, she believes herself in love with Captain Frederic Aylmer, although he has given no clear signs of feeling that way toward her. Aylmer is impeccable in his manners, smooth, urbane, well-read, and a member of Parliament; compared to him, Belton is awkward and unpolished.
Clara rejects Belton's offer, urging him to regard her as a sister. Not long thereafter, Aylmer proposes to her, and she eagerly accepts. However, her happiness is short-lived. Her new fianc  proves shallow and cold, more concerned with his own comfort than with her happiness. Moreover, he expects her to subject herself to his domineering mother.
Mr. Amedroz dies; and although Belton offers to allow Clara to remain at Belton Castle, she goes to live with the Aylmer family in Yorkshire. Lady Aylmer, who wants her son to marry money or a title, exerts herself to make Clara miserable there; and Captain Aylmer offers no support to his betrothed.
For Clara, the final straw comes when Lady Aylmer demands that she sever her ties with a friend. Mrs. Askerton, Lady Aylmer has learned, left an abusive drunken husband in India and lived with Colonel Askerton for several years before the death of her husband freed her to marry him. Clara is duly appalled by her friend's past immorality, but cannot bring herself to cast off someone who has come to depend on her friendship. Pressed relentlessly on the subject by Lady Aylmer, she declares an end to her engagement and returns to Somersetshire, where she accepts the hospitality of the Askertons.
Will Belton has never ceased to show his love for Clara, and she realises that he is worthy of her love. However, she believes that it would be wrong to transfer her affection from one man to another. Only after Mrs. Askerton and Will's sister Mary Belton persuade her that it would be unjust to withhold her affection from Will can she bring herself to put aside her scruples and accept him. Marital bliss ensues.
Output: Who tries to make Clara's life miserable in Yorkshire?
Clara Amedroz is the only surviving child of the elderly squire of Belton Castle in Somersetshire. At twenty-five, she is old for an unmarried woman. Her father's income and savings have been dissipated to pay for the extravagances of her brother, who subsequently committed suicide. Since her father has no living sons, his estate, which is entailed, will pass upon his death to a distant cousin, Will Belton.
Despite her poor prospects, she has two eligible suitors. Within four days of making her acquaintance, Will Belton proposes marriage to her. Belton is warm-hearted, kind, and generous, and these qualities make a strong impression on Clara. However, she believes herself in love with Captain Frederic Aylmer, although he has given no clear signs of feeling that way toward her. Aylmer is impeccable in his manners, smooth, urbane, well-read, and a member of Parliament; compared to him, Belton is awkward and unpolished.
Clara rejects Belton's offer, urging him to regard her as a sister. Not long thereafter, Aylmer proposes to her, and she eagerly accepts. However, her happiness is short-lived. Her new fianc  proves shallow and cold, more concerned with his own comfort than with her happiness. Moreover, he expects her to subject herself to his domineering mother.
Mr. Amedroz dies; and although Belton offers to allow Clara to remain at Belton Castle, she goes to live with the Aylmer family in Yorkshire. Lady Aylmer, who wants her son to marry money or a title, exerts herself to make Clara miserable there; and Captain Aylmer offers no support to his betrothed.
For Clara, the final straw comes when Lady Aylmer demands that she sever her ties with a friend. Mrs. Askerton, Lady Aylmer has learned, left an abusive drunken husband in India and lived with Colonel Askerton for several years before the death of her husband freed her to marry him. Clara is duly appalled by her friend's past immorality, but cannot bring herself to cast off someone who has come to depend on her friendship. Pressed relentlessly on the subject by Lady Aylmer, she declares an end to her engagement and returns to Somersetshire, where she accepts the hospitality of the Askertons.
Will Belton has never ceased to show his love for Clara, and she realises that he is worthy of her love. However, she believes that it would be wrong to transfer her affection from one man to another. Only after Mrs. Askerton and Will's sister Mary Belton persuade her that it would be unjust to withhold her affection from Will can she bring herself to put aside her scruples and accept him. Marital bliss ensues.
Output: Clara spent all of her father's money and savings to help what family member?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What unorthodox Catholic work does Jean enjoy?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Which novelists of the Golden Age does he reject?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: How does Esseintes decide to spend the rest of his life?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Who does Jean show contempt for ?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What kind literature does Jean review?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: When does Jean decide to visit london?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What does Jean compare his return to society to be like?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Why is Jean des Esseintes disgusted with society?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Who does Jean exclaim has seen the truth?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Where does he put gemstones?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What covers the tortoises shell in the story?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Because of his declining health, where does Jean go in the end?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What does Jean fill the house with?