niryuu/sni-each-converted huggingface dataset:
Dalgard Nordis, with his knife brother Sssuri, has gone on his man-journey. Three generations after his people came to Astra he has set out to explore the ruins of a city that once belonged to Those Others, thereby extending the Colony's map of this world and in the process demonstrating his suitability to sit on the Council of Free Men. In telepathic contact with the local fauna, Sssuri senses danger and the sight of a flaming object crossing the sky from east to west, toward where Those Others are rumored to live, underscores that judgement.
Roughly five centuries after a group of renegade scientists took a desperate plunge into interstellar space and two centuries after Pax collapsed and Humanity rediscovered the value of science, the starship RS 10 lands on Astra. Driven by rumors of that ancient expedition and enabled by the discovery of hyperdrive, the Federation of Free Men has sent nine ships into hyperspace; none has returned. On this tenth attempt at interstellar flight Raf Kurbi has the task of assembling and flying the flitter that will be used to explore the part of Astra around RS 10's landing point. One goal is what appears on the landing photos to be a city.
Dalgard and Sssuri come to a ruined seaport on a great bay and follow a road inland to a city. There they find evidence that Those Others have visited recently. They also find the trail of a snake-devil, a vicious dragon-like creatures that humans and merfolk always hunt down and kill. They follow the trail and kill a family of snake-devils only to find the creatures wearing metal bands that indicate the recent presence of the unknown enemy. They resolve to send a message by telepathic relay south to Homeport.
Raf and three other men ride the RS 10's flitter south over an abandoned landscape and arrive at a ruined city. Near the center of the city they meet the remnant of a devastated population. The aliens are preparing a final expedition to a faraway city to retrieve knowledge that may help them regain their civilization and the captain of the Terrans accepts their invitation to join it. The expedition takes the aliens, in their globe-ship, and the Terrans, in their flitter, to an abandoned city, where the aliens loot a storehouse.
With Sssuri heading south to warn his people and the humans at Homeport, Dalgard returns to the forbidden city to spy. As Raf watches from hiding, the aliens capture Dalgard and take him to their globe-ship. Returning to their city across the sea, the aliens put Dalgard into an arena with a merman and a snake-devil. Raf rescues Dalgard and the merman and the three go into the sewers under the city, where they meet a merman war party. Re-entering the city with the war party, Raf uses two grenades to destroy the globe-ship and its cargo, but is burned in the process. With the aid of the mermen, Dalgard takes Raf to a point on the coast where he and the mermen can send a telepathic call to one of the RS 10's crew. With Raf safely returned to his ship, Dalgard faces the daunting prospect of returning to Homeport by himself.
Output: What daunting task must Dalgard face, after Raf is returned to his ship?
Dalgard Nordis, with his knife brother Sssuri, has gone on his man-journey. Three generations after his people came to Astra he has set out to explore the ruins of a city that once belonged to Those Others, thereby extending the Colony's map of this world and in the process demonstrating his suitability to sit on the Council of Free Men. In telepathic contact with the local fauna, Sssuri senses danger and the sight of a flaming object crossing the sky from east to west, toward where Those Others are rumored to live, underscores that judgement.
Roughly five centuries after a group of renegade scientists took a desperate plunge into interstellar space and two centuries after Pax collapsed and Humanity rediscovered the value of science, the starship RS 10 lands on Astra. Driven by rumors of that ancient expedition and enabled by the discovery of hyperdrive, the Federation of Free Men has sent nine ships into hyperspace; none has returned. On this tenth attempt at interstellar flight Raf Kurbi has the task of assembling and flying the flitter that will be used to explore the part of Astra around RS 10's landing point. One goal is what appears on the landing photos to be a city.
Dalgard and Sssuri come to a ruined seaport on a great bay and follow a road inland to a city. There they find evidence that Those Others have visited recently. They also find the trail of a snake-devil, a vicious dragon-like creatures that humans and merfolk always hunt down and kill. They follow the trail and kill a family of snake-devils only to find the creatures wearing metal bands that indicate the recent presence of the unknown enemy. They resolve to send a message by telepathic relay south to Homeport.
Raf and three other men ride the RS 10's flitter south over an abandoned landscape and arrive at a ruined city. Near the center of the city they meet the remnant of a devastated population. The aliens are preparing a final expedition to a faraway city to retrieve knowledge that may help them regain their civilization and the captain of the Terrans accepts their invitation to join it. The expedition takes the aliens, in their globe-ship, and the Terrans, in their flitter, to an abandoned city, where the aliens loot a storehouse.
With Sssuri heading south to warn his people and the humans at Homeport, Dalgard returns to the forbidden city to spy. As Raf watches from hiding, the aliens capture Dalgard and take him to their globe-ship. Returning to their city across the sea, the aliens put Dalgard into an arena with a merman and a snake-devil. Raf rescues Dalgard and the merman and the three go into the sewers under the city, where they meet a merman war party. Re-entering the city with the war party, Raf uses two grenades to destroy the globe-ship and its cargo, but is burned in the process. With the aid of the mermen, Dalgard takes Raf to a point on the coast where he and the mermen can send a telepathic call to one of the RS 10's crew. With Raf safely returned to his ship, Dalgard faces the daunting prospect of returning to Homeport by himself.
Output: What will the knowledge the aliens gain from the expedition allow them to do?
Dalgard Nordis, with his knife brother Sssuri, has gone on his man-journey. Three generations after his people came to Astra he has set out to explore the ruins of a city that once belonged to Those Others, thereby extending the Colony's map of this world and in the process demonstrating his suitability to sit on the Council of Free Men. In telepathic contact with the local fauna, Sssuri senses danger and the sight of a flaming object crossing the sky from east to west, toward where Those Others are rumored to live, underscores that judgement.
Roughly five centuries after a group of renegade scientists took a desperate plunge into interstellar space and two centuries after Pax collapsed and Humanity rediscovered the value of science, the starship RS 10 lands on Astra. Driven by rumors of that ancient expedition and enabled by the discovery of hyperdrive, the Federation of Free Men has sent nine ships into hyperspace; none has returned. On this tenth attempt at interstellar flight Raf Kurbi has the task of assembling and flying the flitter that will be used to explore the part of Astra around RS 10's landing point. One goal is what appears on the landing photos to be a city.
Dalgard and Sssuri come to a ruined seaport on a great bay and follow a road inland to a city. There they find evidence that Those Others have visited recently. They also find the trail of a snake-devil, a vicious dragon-like creatures that humans and merfolk always hunt down and kill. They follow the trail and kill a family of snake-devils only to find the creatures wearing metal bands that indicate the recent presence of the unknown enemy. They resolve to send a message by telepathic relay south to Homeport.
Raf and three other men ride the RS 10's flitter south over an abandoned landscape and arrive at a ruined city. Near the center of the city they meet the remnant of a devastated population. The aliens are preparing a final expedition to a faraway city to retrieve knowledge that may help them regain their civilization and the captain of the Terrans accepts their invitation to join it. The expedition takes the aliens, in their globe-ship, and the Terrans, in their flitter, to an abandoned city, where the aliens loot a storehouse.
With Sssuri heading south to warn his people and the humans at Homeport, Dalgard returns to the forbidden city to spy. As Raf watches from hiding, the aliens capture Dalgard and take him to their globe-ship. Returning to their city across the sea, the aliens put Dalgard into an arena with a merman and a snake-devil. Raf rescues Dalgard and the merman and the three go into the sewers under the city, where they meet a merman war party. Re-entering the city with the war party, Raf uses two grenades to destroy the globe-ship and its cargo, but is burned in the process. With the aid of the mermen, Dalgard takes Raf to a point on the coast where he and the mermen can send a telepathic call to one of the RS 10's crew. With Raf safely returned to his ship, Dalgard faces the daunting prospect of returning to Homeport by himself.
Output: What alerted Dalagard and Sssuri to the presence of and unknown enemy?
Dalgard Nordis, with his knife brother Sssuri, has gone on his man-journey. Three generations after his people came to Astra he has set out to explore the ruins of a city that once belonged to Those Others, thereby extending the Colony's map of this world and in the process demonstrating his suitability to sit on the Council of Free Men. In telepathic contact with the local fauna, Sssuri senses danger and the sight of a flaming object crossing the sky from east to west, toward where Those Others are rumored to live, underscores that judgement.
Roughly five centuries after a group of renegade scientists took a desperate plunge into interstellar space and two centuries after Pax collapsed and Humanity rediscovered the value of science, the starship RS 10 lands on Astra. Driven by rumors of that ancient expedition and enabled by the discovery of hyperdrive, the Federation of Free Men has sent nine ships into hyperspace; none has returned. On this tenth attempt at interstellar flight Raf Kurbi has the task of assembling and flying the flitter that will be used to explore the part of Astra around RS 10's landing point. One goal is what appears on the landing photos to be a city.
Dalgard and Sssuri come to a ruined seaport on a great bay and follow a road inland to a city. There they find evidence that Those Others have visited recently. They also find the trail of a snake-devil, a vicious dragon-like creatures that humans and merfolk always hunt down and kill. They follow the trail and kill a family of snake-devils only to find the creatures wearing metal bands that indicate the recent presence of the unknown enemy. They resolve to send a message by telepathic relay south to Homeport.
Raf and three other men ride the RS 10's flitter south over an abandoned landscape and arrive at a ruined city. Near the center of the city they meet the remnant of a devastated population. The aliens are preparing a final expedition to a faraway city to retrieve knowledge that may help them regain their civilization and the captain of the Terrans accepts their invitation to join it. The expedition takes the aliens, in their globe-ship, and the Terrans, in their flitter, to an abandoned city, where the aliens loot a storehouse.
With Sssuri heading south to warn his people and the humans at Homeport, Dalgard returns to the forbidden city to spy. As Raf watches from hiding, the aliens capture Dalgard and take him to their globe-ship. Returning to their city across the sea, the aliens put Dalgard into an arena with a merman and a snake-devil. Raf rescues Dalgard and the merman and the three go into the sewers under the city, where they meet a merman war party. Re-entering the city with the war party, Raf uses two grenades to destroy the globe-ship and its cargo, but is burned in the process. With the aid of the mermen, Dalgard takes Raf to a point on the coast where he and the mermen can send a telepathic call to one of the RS 10's crew. With Raf safely returned to his ship, Dalgard faces the daunting prospect of returning to Homeport by himself.
Output: How does Raf destroy the globe ship and its cargo?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Where is the count staying?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What kind of work does Gambara do?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: How does Marianna sacrifice herself for her husband?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: When is the only time Gambara's music beautiful?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Who was Marianna married to?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: When is the only time the composer's music beautiful?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What is the count's name in this story?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Who does Count Marcosini abandon Marianna for?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: When is Gambara's music considered beautiful?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Who pays the bills in Gambara's household before Mariana meets Count Marcosini?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Who is Marianna left for at the end?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Who does Marianna leave her husband for?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What happened to Marianna when the count left her?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What was the name of the fiery-eyed woman the count Spotted?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Where did Andrea Marcosini take a stroll?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Where does the count chase the woman?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What does Marianna do after she is left behind?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What is the count's name?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Besides money what else did the count give Gambara?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What does the woman's husband do?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Why does Count Marcosini support Gambara and his sordid lifestyle?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What is the woman's name?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What does he find out about Marianna?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: How did Marianna feel when she went back to her husband?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What did the count decide to do when his money didn't help?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: Who does he see in the crowd?
The Milanese nobleman count Andrea Marcosini strolls to the Palais-Royal in Paris, where he spots in the crowd the extraordinary face of a woman with fiery eyes. She tries to escape him, but he chases her as far as a sordid alley behind the Palais-Royal where she disappears. If he is "attached to the step of a woman whose costume announced a deep, radical, ancient, inveterate misery, who was no fairer than so many others he saw each night at the Op ra", it was his eye that was literally spellbound. As soon as he inquires after her he discovers that her name is Marianna and she is married to a composer, performer, instrument-maker and expert on music theory called Gambara   though his music is only beautiful when he is drunk. Marianna sacrifices herself for him, working in humble jobs to pay for their household's upkeep, for she strongly believes in her husband's misunderstood genius. After having tried to save the couple from their miserable existence, to support Gambara from his own means by giving him money (or even worse, by giving him drink), the count finally takes the beautiful Marianna from her husband but then abandons her for a dancer. Marianna then goes back to her husband, more miserable than ever.
Output: What is the count's nationality?