niryuu/sni-each-converted huggingface dataset:
In 2273, a Starfleet monitoring station, Epsilon Nine, detects an alien force, hidden in a massive cloud of energy, moving through space towards Earth. The cloud destroys three of the Klingon Empire's new K't'inga-class warships and the monitoring station en route. On Earth, the starship Enterprise is undergoing a major refit; her former commanding officer, James T. Kirk, has been promoted to Admiral and works in San Francisco as Chief of Starfleet Operations. Starfleet dispatches Enterprise to investigate the cloud entity as the ship is the only one in intercept range, requiring her new systems to be tested in transit.
Kirk takes command of the ship citing his experience, angering Captain Willard Decker, who had been overseeing the refit as its new commanding officer. Testing of Enterprise's new systems goes poorly; two officers, including the science officer, are killed by a malfunctioning transporter, and improperly calibrated engines almost destroy the ship. Kirk's unfamiliarity with the new systems of the Enterprise increases the tension between him and first officer Decker. Commander Spock arrives as a replacement science officer, explaining that while on his home world undergoing a ritual to purge all emotion, he felt a consciousness that he believes emanates from the cloud.
Enterprise intercepts the energy cloud and is attacked by an alien vessel within. A probe appears on the bridge, attacks Spock and abducts the navigator, Ilia. She is replaced by a robotic replica, another probe sent by "V'Ger" to study the crew. Decker is distraught over the loss of Ilia, with whom he had a romantic history. He becomes troubled as he attempts to extract information from the doppelg nger, which has Ilia's memories and feelings buried within. Spock takes a spacewalk to the alien vessel's interior and attempts a telepathic mind meld with it. In doing so, he learns that the vessel is V'Ger itself, a living machine.
At the center of the massive ship, V'Ger is revealed to be Voyager 6, a 20th-century Earth space probe believed lost. The damaged probe was found by an alien race of living machines that interpreted its programming as instructions to learn all that can be learned, and return that information to its creator. The machines upgraded the probe to fulfill its mission, and on its journey the probe gathered so much knowledge that it achieved consciousness. Spock realizes that V'Ger lacks the ability to give itself a focus other than its original mission; having learned what it could on its journey home, it finds its existence empty and without purpose. Before transmitting all its information, V'Ger insists that the Creator come in person to finish the sequence. Realizing that the machine wants to merge with its creator, Decker offers himself to V'Ger; he merges with the Ilia probe and V'Ger, creating a new form of life that disappears into another dimension. With Earth saved, Kirk directs Enterprise out to space for future missions.
Output: The cloud destroys how many of the Kingdom Empire's warship?
In 2273, a Starfleet monitoring station, Epsilon Nine, detects an alien force, hidden in a massive cloud of energy, moving through space towards Earth. The cloud destroys three of the Klingon Empire's new K't'inga-class warships and the monitoring station en route. On Earth, the starship Enterprise is undergoing a major refit; her former commanding officer, James T. Kirk, has been promoted to Admiral and works in San Francisco as Chief of Starfleet Operations. Starfleet dispatches Enterprise to investigate the cloud entity as the ship is the only one in intercept range, requiring her new systems to be tested in transit.
Kirk takes command of the ship citing his experience, angering Captain Willard Decker, who had been overseeing the refit as its new commanding officer. Testing of Enterprise's new systems goes poorly; two officers, including the science officer, are killed by a malfunctioning transporter, and improperly calibrated engines almost destroy the ship. Kirk's unfamiliarity with the new systems of the Enterprise increases the tension between him and first officer Decker. Commander Spock arrives as a replacement science officer, explaining that while on his home world undergoing a ritual to purge all emotion, he felt a consciousness that he believes emanates from the cloud.
Enterprise intercepts the energy cloud and is attacked by an alien vessel within. A probe appears on the bridge, attacks Spock and abducts the navigator, Ilia. She is replaced by a robotic replica, another probe sent by "V'Ger" to study the crew. Decker is distraught over the loss of Ilia, with whom he had a romantic history. He becomes troubled as he attempts to extract information from the doppelg nger, which has Ilia's memories and feelings buried within. Spock takes a spacewalk to the alien vessel's interior and attempts a telepathic mind meld with it. In doing so, he learns that the vessel is V'Ger itself, a living machine.
At the center of the massive ship, V'Ger is revealed to be Voyager 6, a 20th-century Earth space probe believed lost. The damaged probe was found by an alien race of living machines that interpreted its programming as instructions to learn all that can be learned, and return that information to its creator. The machines upgraded the probe to fulfill its mission, and on its journey the probe gathered so much knowledge that it achieved consciousness. Spock realizes that V'Ger lacks the ability to give itself a focus other than its original mission; having learned what it could on its journey home, it finds its existence empty and without purpose. Before transmitting all its information, V'Ger insists that the Creator come in person to finish the sequence. Realizing that the machine wants to merge with its creator, Decker offers himself to V'Ger; he merges with the Ilia probe and V'Ger, creating a new form of life that disappears into another dimension. With Earth saved, Kirk directs Enterprise out to space for future missions.
Output: Who is replaced by a robotic replica?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: What was found in the hole?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: The protagonist's Uncle transformed into what?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: What happens to the house at the end?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: What is so mysterious about the house?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: Who was the protagonist's uncle?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: What happened to the house after the monster dies?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: What does his uncle transform into?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: How far back do Dr. Elihu Whipple records go?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: How did the protagonist know there was a monster in the hole that was dug in the cellar?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: What language does Whipple's nephew start babbling in?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: What is ordered to the cellar according to the plan?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: What is discovered in the basement?
For many years, the protagonist and his uncle, Dr. Elihu Whipple, have nurtured a fascination with an old abandoned house on Benefit Street. Dr. Whipple has made extensive records tracking the mysterious, yet apparently, coincidental sickness and death of many who have lived in the house for over one hundred years. They are also puzzled by the strange weeds growing in the yard, as well as the unexplained foul smell, and whitish phosphorescent fungi growing in the cellar.
After the protagonist discovers a strange, yellowish vapour in the basement, which seems to be coupled with a moldy outline of a huddled human form on the floor, he and his uncle decide to spend the night in the house, investigating the possibility of some supernatural force. They set up both cots and chairs in the cellar, arm themselves with military flamethrowers, and outfit a modified Crookes tube in the hopes of destroying any supernatural presence they might find.
When Dr. Whipple naps, while his nephew keeps watch, he begins tossing and turning, and finally starts babbling in French, until he suddenly awakes. He tells the protagonist he had strange visions of lying in an open pit, inside a house with constantly shifting features, while faces stared down at him. Many of the faces were those of the Harris family, whose members died in the house.
When the protagonist sleeps, he is awakened by a horrific scream. He sees a revolting yellowish "corpse-light" bubbling up from the floor, which stares at him with many eyes before vanishing in a wisp through the chimney. He finds his uncle transformed into a monster with "blackened, decaying features" and dripping claws. He turns on the Crookes tube, but seeing that it has no effect, escapes the house through the cellar door as his uncle's body dissolves, transforming into a multitude of faces of those who died in the house as it melts. The protagonist returns the next day to find his equipment intact, but no body.
The protagonist hatches a plan. He orders a military gas mask, digging tools, and six carboys of sulfuric acid to be delivered to the cellar door of the shunned house. He digs into the earthen floor of the cellar, turning up fungous yellow ooze, and arranges the barrels of acid around the hole in the belief that he will happen upon some kind of monstrous creature. Eventually, he uncovers a soft, blue-white, translucent tube, bent in half and two feet in diameter at its widest point. He frantically climbs out of the neck-deep hole, and dumps in four barrels of acid, realizing that he had found the elbow of a gigantic monster. The protagonist faints after emptying the fourth barrel.
When he awakens, the protagonist empties the two remaining barrels, to no effect, replaces the dirt, and finds that the strange fungus has turned to harmless ash. He mourns his uncle, but is relieved to be sure that the horrible creature is finally dead. The protagonist records that the house has subsequently been rented to another family, and that the house now appears completely normal.
Output: Tossing and turning as he naps what else does Dr. Elihu Whipple start doing?