niryuu/sni-each-converted huggingface dataset:
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: What happens to the Princess once the Duke's love fades?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: Who does Mademoiselle de Chartres truly fall in love with?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: Who does the Prince de Cleves blame for his illness and coming death?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: Why do the best marriage prospects withdraw their interest from Mademoiselle de Chartres?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: Who  did Prince Cleve blamed for his illness?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: How does the prince de Cleves find out that the Princess is in love with another man?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: What does the Princes de Cleves do instead of marrying the Duke de Nemours?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: Who was the letter that was found in the dressing room of the estate written for?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: When given the chance to follow her dreams and her heart, after the Prince dies, what does the Princess choose to do?
Mademoiselle de Chartres is a sheltered heiress, sixteen years old, whose mother has brought her to the court of Henri II to seek a husband with good financial and social prospects. When old jealousies against a kinsman spark intrigues against the young ing nue, the best marriage prospects withdraw. The young woman follows her mother's recommendation and accepts the overtures of a middling suitor, the Prince de Cl ves. After the wedding, she meets the dashing Duke de Nemours. The two fall in love, yet do nothing to pursue their affections, limiting their contact to an occasional visit in the now-Princess of Cl ves's salon. The duke becomes enmeshed in a scandal at court that leads the Princess to believe he has been unfaithful in his affections. A letter from a spurned mistress to her paramour is discovered in the dressing room at one of the estates a letter actually written to the Princess' uncle, the Vidame de Chartres, who has also become entangled in a relationship with the Queen. He begs the Duke de Nemours to claim ownership of the letter, which ends up in the Princess' possession. The duke has to produce documents from the Vidame to convince the Princess that his heart has been true. Eventually, the Prince de Cl ves discerns that his wife is in love with another man. She confesses as much. He relentlessly quizzes her indeed tricks her until she reveals the man's identity. After he sends a servant to spy on the Duke de Nemours, the Prince de Cl ves believes that his wife has been unfaithful in more than just her emotions. He becomes ill and dies (either of his illness or of a broken heart). On his deathbed, he blames the Duke de Nemours for his suffering and begs the Princess not to marry him. Now free to pursue her passions, the Princess is torn between her duty and her love. The duke pursues her more openly, but she rejects him, choosing instead to enter a convent for part of each year. After several years, the duke's love for her does finally fade, and she, still relatively young, passes away in obscurity.
Output: What did Princess do every part of each year?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: Who is Claude going to live with?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: Who plays the character Margot?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: Who is pregnant?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: Who are Margot and Claude visiting?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: Whom does Malcom admit to kissing?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: Where is the wedding taking place?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: Who gets the brunt of the tension between Margot and Pauline?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: What does Dick do to Malcom?
Margot (Nicole Kidman) is a successful but neurotic writer who brings her 11-year-old son Claude (Zane Pais) to spend a weekend visiting her free-spirited sister Pauline (Jennifer Jason Leigh) on the eve of her wedding to Malcolm (Jack Black) at Pauline & Malcolm's home on Long Island. Margot disapproves of Pauline's choice of fianc , which will become one of several sources of tension between the two sisters. Malcolm is also free-spirited, but also unsuccessful, unmotivated, socially inappropriate and "completely unattractive". Because much of Malcolm's time is spent dabbling in painting, playing music and writing letters to magazines, Margot feels that Pauline could do better. While in town, Margot will also be interviewed in a local bookstore by Dick Koosman (Ciar n Hinds), a successful author with whom Margot is collaborating on a screenplay. Dick's teenage daughter Maisie (Halley Feiffer) also visits the house.
Although Pauline is happy that Margot showed up, the two share a wellspring of tension. Margot disapproves of Pauline's life-choices - besides marrying Malcolm, Pauline is pregnant, a fact that she hasn't shared with Malcolm or her pre-teenage daughter Ingrid. Pauline resents how her life experiences have been used in Margot's writing. She is also incensed when Margot shares secrets told to her in confidence - including her pregnancy. Each of the sisters feels unfairly picked on by the other. Rather than take their frustrations out on each other, the sisters target those around them. Pauline twits her fianc 's sense of inadequacy. Margot skewers her son's physical and emotional awkwardness. As he grows up, Claude becomes more of a target of her merciless powers of observation.
Tensions come to a head twice. Margot's interview goes disastrously wrong when Dick's questions become personal. While Pauline interrogates him about emails he received from one of her 20-year-old students, Malcolm admits he kissed Maisie. Returning to the house, Pauline finds Maisie inside. Though Pauline says nothing, it's obvious to Maisie that Pauline knows the truth. Learning of Malcolm's inappropriate behavior with Maisie, Dick angrily beats Malcolm. After that Pauline and Ingrid escape Malcolm and the house with Margot and Claude.
Fleeing to a motel, Pauline angrily confronts Margot about how her life has been used in Margot's writing. The next day, as Margot advises her to finish her relationship with Malcolm, Pauline calls him. His misery keeps her from rejecting him outright, though it's not clear that she will abandon him.
Margot decides to stay with her sister, even as she sends Claude by bus to Vermont, to live with his father. As the bus pulls away with Claude, Margot has a change of heart and chases after it. Taking a seat next to a surprised Claude, Margot catches her breath.
Output: What did Margot do to cause Pauline to resent her?