niryuu/sni-each-converted huggingface dataset:
David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his "sleeping father" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is "just David."
David is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and "playing" the world around him, such as playing "the sunset" and "the flowers," and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.
During the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.
Output: What is special about David's violins?
David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his "sleeping father" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is "just David."
David is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and "playing" the world around him, such as playing "the sunset" and "the flowers," and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.
During the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.
Output: What happens when John discovers David's last name?
David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his "sleeping father" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is "just David."
David is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and "playing" the world around him, such as playing "the sunset" and "the flowers," and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.
During the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.
Output: Why do the letters from the dead father not reveal his identity at first?
David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his "sleeping father" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is "just David."
David is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and "playing" the world around him, such as playing "the sunset" and "the flowers," and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.
During the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.
Output: What does John discover while visiting his father?
David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his "sleeping father" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is "just David."
David is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and "playing" the world around him, such as playing "the sunset" and "the flowers," and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.
During the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.
Output: Who was David's father?
David is a ten-year-old boy who plays the violin and does not know his last name. He leads an idyllic life in the mountains with his father, until his father becomes gravely ill, forcing them to go down into the valley. With his father's health worsening, they spend the night in a barn. Just before he dies, the father gives David a large number of gold coins, telling him to hide them until they are needed. David plays the violin to soothe his "sleeping father" and is found by Simeon Holly and his wife. Realizing the man is dead, they try to figure out who David is, but all he can tell them is that he is "just David."
David is unable to tell them his last name, his father's name, or if he has any relatives. They find some letters on the dead man, but the signature on it is illegible. The couple reluctantly let him stay with them as he reminds them of their own son, John, whom they no longer speak with. David learns to adjust to live in the village, taking one of his two violins with him wherever he goes and "playing" the world around him, such as playing "the sunset" and "the flowers," and using his music to express his feelings. His innocence and musical skills charm the villagers and change several of their lives, uniting in marriage two childhood sweethearts who had grown apart. He also changes the Hollys, healing Simeon's heart enough that he reconnects with his son and allows him to come visit with his new wife and child.
During the visit, they learn that David's violins are quite valuable. His own is an Amati and his father's, which he had loaned to a blind friend, a Stradivarius. Reading the old letter from David's father, John recognizes the signature and realizes that David's father was a world-famous violinist who had disappeared with his son after his wife's death. David is sent to be reunited with his relatives and to study the violin. He becomes famous and wealthy, but continues to visit the Hollys every year to play for them.
Output: Why does David play his violin?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: What does the poem warn you against?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: Who does Tam flirt with at the pub?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: What does Nannie pull off the horse?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: In what state of mind should you be in to have an easier ride through Ayrshire countryside?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: Whats wrong with Nannie's shirt?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: Who is Meg?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: What is Kate's and Tam's relationship?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: What stopped the devil and witches from following Tam?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: What is the prophecy of Tam's wife?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: Who followed Tam but was thwarted by water?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: Who is Nannie?
The poem begins:
When chapman billies leave the street,

And drouthy neibors, neibors, meet;

As market days are wearing late,

And folk begin to tak the gate,

While we sit bousing at the nappy,

An' getting fou and unco happy,

We think na on the lang Scots miles,

The mosses, waters, slaps and stiles,

That lie between us and our hame,

Where sits our sulky, sullen dame,

Gathering her brows like gathering storm,

Nursing her wrath to keep it warm.
After Burns has located us geographically:
(Auld Ayr, wham ne'er a town surpasses,

For honest men and bonnie lasses).
(a quote that gave Ayr United F.C. their nickname "the honest men"), Tam sits and drinks with his friends, and the reader is regaled with a dark prophecy of Tam's wife Kate:
She prophesied that late or soon,

Thou wad be found, deep drown'd in Doon,

Or catch'd wi' warlocks in the mirk,

By Alloway's auld, haunted kirk.
Tam's wife, Kate, is portrayed as an authority to be feared. Then:
Ah, gentle dames! it gars me greet,

To think how mony counsels sweet,

How mony lengthen'd, sage advices,

The husband frae the wife despises!
Tam continues to drink and even flirts with the landlady of the pub. Eventually he mounts up and rides off on his grey mare Meg, for his long, dark, lonely ride home. Burns emphasises the spooky character of the Ayrshire countryside Tam has to ride through but of course it is much easier as he is drunk:
Inspiring bold John Barleycorn!

What dangers thou canst make us scorn!

Wi' tippenny, we fear nae evil;

Wi' usquabae, we'll face the devil!
With the scene set, suddenly: "wow! Tam saw an unco sight!"
The sight he sees is Alloway Kirk, ablaze with light, where a weird hallucinatory dance involving witches and warlocks, open coffins and even the Devil himself is in full swing. The scene is told with grimly enthusiastic gothic attention to detail. Tam manages to watch silently until, the dancing witches having cast off most of their clothes, he is beguiled by one particularly comely female witch, Nannie, whose shirt (cutty-sark) is too small for her. He cannot help shouting out in passion:
Weel done, Cutty-sark!
And in an instant all was dark:
The devil decides to follow Tam, but the evident pride in the ability of his horse is justified as she is able to help him to "win the key-stone o' the brig". (The Devil, witches and warlocks cannot cross running water.)
They only just make it though, as Nannie, first among the "hellish legion" chasing, grabs the horse's tail, which comes off. In fine, tongue-in-cheek moralistic mode, the poem concludes:
Now, wha this tale o' truth shall read,

Ilk man and mother's son, take heed:

Whene'er to Drink you are inclin'd,

Or Cutty-sarks rin in your mind,

Think ye may buy the joys o'er dear;

Remember Tam o' Shanter's mare
Output: How is Kate portrayed?