niryuu/sni-each-converted huggingface dataset:
Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.
Output: Where does Una faint after fasting?
Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.
Output: What are the names of the Blythe children?
Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.
Output: What club do the Meredith children form to help them behave?
Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.
Output: Where do the children play?
Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.
Output: What is the hollow where the children play called?
Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.
Output: What do the Blythes know about the Meredith children?
Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.
Output: What is the name of the children's club?
Anne Shirley has now been married to Gilbert Blythe for 15 years, and the couple have six children: Jem, Walter, Nan, Di, Shirley, and Rilla.
After a trip to London, Anne returns to the news that a new minister has arrived in Glen St. Mary. John Meredith is a widower with four young children: Gerald (Jerry), Faith, Una, and Thomas Carlyle (Carl). The children have not been properly brought up since the death of their mother, with only their father (who is easily absorbed by matters of theology) to parent them. The children are considered wild and mischievous by many of the families in the village (who tend only to hear about the Meredith children when they have gotten into some kind of scrape), causing them to question Mr. Meredith's parenting skills and his suitability as a minister.
For most of the book, only the Blythes know of the Meredith children's loyalty and kindness. They rescue an orphaned girl, Mary Vance, from starvation, and Una finds a home for her with Mrs. Marshall Elliott. When the children get into trouble, Faith sometimes tries to explain their behavior to the townsfolk, which generally causes an even bigger scandal.
The Merediths, Blythes, and Mary Vance often play in a hollow called Rainbow Valley, which becomes a gathering place for the children in the book. Jem Blythe tries to help the Merediths behave better by forming the "Good-Conduct Club," in which the Merediths punish themselves for misdeeds. Their self-imposed punishments lead to Carl becoming very ill with pneumonia after spending hours in a graveyard on a wet night, and to Una fainting in church after fasting all day. When this happens, John Meredith is wracked with guilt over his failings as a father.
Mr. Meredith realizes that he should marry again and give the children a mother, though he has always thought he will never love anyone again as he did his late wife. He is surprised to find that he has fallen in love with Rosemary West, a woman in her late thirties who lives with her sister Ellen, who is ten years older. John proposes marriage to Rosemary, but Ellen forbids Rosemary from accepting, as years earlier they had promised each other never to leave the other following the deaths of their parents. However, Ellen eventually reunites with her childhood beau, Norman Douglas, and asks Rosemary to release her from her promise so she can marry Norman. Rosemary agrees, but now thinks that John Meredith hates her.
Una overhears her father expressing feelings for Rosemary and goes to ask Rosemary to marry her father despite her misgivings about stepmothers, who Mary Vance has told her are always mean. Rosemary sets her mind at ease and agrees to speak to John Meredith again. They become engaged, and Rosemary and Ellen plan a double wedding in the fall.
Output: Who is Ellen to Rosemary?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: Section 102 attempts to define what type of creative works?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: What is the title of this story?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: What kind of change came from rewording section 102 in the US?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: Which Act helped to widen the protection for fixed works?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: What section of the code is Baker Vs. Selden referenced?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: What section of the Act defines copyright protection?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: According to the Copyright Act of 1909 to what domain did unpublished works belong to?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: What form of creative works were protected under the Act of 1976 that were not protected under the revisions of 1909?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: Which section of the Copyright act of 1976 is deemed most pertinent to the history of Federal Copyright law?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: Which act solely protected original works?
Under section 102 of the Act, copyright protection extends to "original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device." The Act defines "works of authorship" as any of the following:
literary works,
musical works, including any accompanying words,
dramatic works, including any accompanying music,
pantomimes and choreographic works,
pictorial, graphic, and sculptural works,
motion pictures and other audiovisual works, and
sound recordings.
An eighth category, architectural works, was added in 1990.
The wording of section 102 is significant mainly because it effectuated a major change in the mode of United States copyright protection. Under the last major statutory revision to U.S. copyright law, the Copyright Act of 1909, federal statutory copyright protection attached to original works only when those works were 1) published and 2) had a notice of copyright affixed. State copyright law governed protection for unpublished works before the adoption of the 1976 Act, but published works, whether containing a notice of copyright or not, were governed exclusively by federal law. If no notice of copyright was affixed to a work and the work was, in fact, "published" in a legal sense, the 1909 Act provided no copyright protection and the work became part of the public domain. Under the 1976 Act, however, section 102 says that copyright protection extends to original works that are fixed in a tangible medium of expression. Thus, the 1976 Act broadened the scope of federal statutory copyright protection from "published" works to works that are "fixed".
Section 102(b) excludes several categories from copyright protection, partly codifying Baker v. Selden. It requires that "in no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work."
Output: How many different kinds of works of authorship are protected by copyright law?