niryuu/sni-each-converted huggingface dataset:
The Education is much more a record of Adams's introspection than of his deeds. It is an extended meditation on the social, technological, political, and intellectual changes that occurred over Adams's lifetime. Adams concluded that his traditional education failed to help him come to terms with these rapid changes, hence, his need for self-education. The organizing thread of the book is how the "proper" schooling and other aspects of his youth was time wasted, thus, his search for self-education through experiences, friendships, and reading.
Many aspects of the contemporary world emerged during the half-century between the Civil War and World War I, a half-century coinciding with Adams's adult life. An important theme of The Education is its author's bewilderment and concern at the rapid advance in science and technology over the course of his lifetime, sometimes now called Second Industrial Revolution, but incarnated in his term "dynamo". The Education mentions the recent discovery of X-rays and radioactivity, and shows a familiarity with radio waves in his citation of Marconi and Branly. Adams purchased an automobile as early as 1902, to make better use of a summer in France researching Mont Saint Michel and Chartres. He correctly predicted that the 20th century would have even more explosive changes. Adams repeatedly laments that his formal education, grounded in the classics, history, and literature, as was then the fashion, did not give him the scientific and mathematical knowledge needed to grasp the scientific breakthroughs of the 1890s and 1900s.
Two aspects set The Education apart from the common run of autobiographies. First, it is narrated in the third person; second, it is frequently sarcastic and humorously self-critical.
The Education repeatedly mentions two long-standing friends of Adams, the scientific explorer of the Far West, Clarence King, and the American diplomat, John Milton Hay.
The Education does not discuss Adams's marriage, and the illness and 1885 suicide of his wife, Clover; it skips 20 years from 1872 to 1892. Adams, splendidily reflective and self-critical in so many other ways, did not articulate what, if anything, he had learned from these sobering experiences. He did, though, reference his marriage in indirect ways. For example, he lamented how the memorial he had constructed for his wife had become something of a tourist attraction. More generally, his outlook clearly changed after her death.
Output: How did Adams think the 20th century would compare with the previous one?
The Education is much more a record of Adams's introspection than of his deeds. It is an extended meditation on the social, technological, political, and intellectual changes that occurred over Adams's lifetime. Adams concluded that his traditional education failed to help him come to terms with these rapid changes, hence, his need for self-education. The organizing thread of the book is how the "proper" schooling and other aspects of his youth was time wasted, thus, his search for self-education through experiences, friendships, and reading.
Many aspects of the contemporary world emerged during the half-century between the Civil War and World War I, a half-century coinciding with Adams's adult life. An important theme of The Education is its author's bewilderment and concern at the rapid advance in science and technology over the course of his lifetime, sometimes now called Second Industrial Revolution, but incarnated in his term "dynamo". The Education mentions the recent discovery of X-rays and radioactivity, and shows a familiarity with radio waves in his citation of Marconi and Branly. Adams purchased an automobile as early as 1902, to make better use of a summer in France researching Mont Saint Michel and Chartres. He correctly predicted that the 20th century would have even more explosive changes. Adams repeatedly laments that his formal education, grounded in the classics, history, and literature, as was then the fashion, did not give him the scientific and mathematical knowledge needed to grasp the scientific breakthroughs of the 1890s and 1900s.
Two aspects set The Education apart from the common run of autobiographies. First, it is narrated in the third person; second, it is frequently sarcastic and humorously self-critical.
The Education repeatedly mentions two long-standing friends of Adams, the scientific explorer of the Far West, Clarence King, and the American diplomat, John Milton Hay.
The Education does not discuss Adams's marriage, and the illness and 1885 suicide of his wife, Clover; it skips 20 years from 1872 to 1892. Adams, splendidily reflective and self-critical in so many other ways, did not articulate what, if anything, he had learned from these sobering experiences. He did, though, reference his marriage in indirect ways. For example, he lamented how the memorial he had constructed for his wife had become something of a tourist attraction. More generally, his outlook clearly changed after her death.
Output: Why did Adams feel unable to grasp the scientific breakthroughs of the 1890s and 1900s?
The Education is much more a record of Adams's introspection than of his deeds. It is an extended meditation on the social, technological, political, and intellectual changes that occurred over Adams's lifetime. Adams concluded that his traditional education failed to help him come to terms with these rapid changes, hence, his need for self-education. The organizing thread of the book is how the "proper" schooling and other aspects of his youth was time wasted, thus, his search for self-education through experiences, friendships, and reading.
Many aspects of the contemporary world emerged during the half-century between the Civil War and World War I, a half-century coinciding with Adams's adult life. An important theme of The Education is its author's bewilderment and concern at the rapid advance in science and technology over the course of his lifetime, sometimes now called Second Industrial Revolution, but incarnated in his term "dynamo". The Education mentions the recent discovery of X-rays and radioactivity, and shows a familiarity with radio waves in his citation of Marconi and Branly. Adams purchased an automobile as early as 1902, to make better use of a summer in France researching Mont Saint Michel and Chartres. He correctly predicted that the 20th century would have even more explosive changes. Adams repeatedly laments that his formal education, grounded in the classics, history, and literature, as was then the fashion, did not give him the scientific and mathematical knowledge needed to grasp the scientific breakthroughs of the 1890s and 1900s.
Two aspects set The Education apart from the common run of autobiographies. First, it is narrated in the third person; second, it is frequently sarcastic and humorously self-critical.
The Education repeatedly mentions two long-standing friends of Adams, the scientific explorer of the Far West, Clarence King, and the American diplomat, John Milton Hay.
The Education does not discuss Adams's marriage, and the illness and 1885 suicide of his wife, Clover; it skips 20 years from 1872 to 1892. Adams, splendidily reflective and self-critical in so many other ways, did not articulate what, if anything, he had learned from these sobering experiences. He did, though, reference his marriage in indirect ways. For example, he lamented how the memorial he had constructed for his wife had become something of a tourist attraction. More generally, his outlook clearly changed after her death.
Output: Who is Adam's wife?
The Education is much more a record of Adams's introspection than of his deeds. It is an extended meditation on the social, technological, political, and intellectual changes that occurred over Adams's lifetime. Adams concluded that his traditional education failed to help him come to terms with these rapid changes, hence, his need for self-education. The organizing thread of the book is how the "proper" schooling and other aspects of his youth was time wasted, thus, his search for self-education through experiences, friendships, and reading.
Many aspects of the contemporary world emerged during the half-century between the Civil War and World War I, a half-century coinciding with Adams's adult life. An important theme of The Education is its author's bewilderment and concern at the rapid advance in science and technology over the course of his lifetime, sometimes now called Second Industrial Revolution, but incarnated in his term "dynamo". The Education mentions the recent discovery of X-rays and radioactivity, and shows a familiarity with radio waves in his citation of Marconi and Branly. Adams purchased an automobile as early as 1902, to make better use of a summer in France researching Mont Saint Michel and Chartres. He correctly predicted that the 20th century would have even more explosive changes. Adams repeatedly laments that his formal education, grounded in the classics, history, and literature, as was then the fashion, did not give him the scientific and mathematical knowledge needed to grasp the scientific breakthroughs of the 1890s and 1900s.
Two aspects set The Education apart from the common run of autobiographies. First, it is narrated in the third person; second, it is frequently sarcastic and humorously self-critical.
The Education repeatedly mentions two long-standing friends of Adams, the scientific explorer of the Far West, Clarence King, and the American diplomat, John Milton Hay.
The Education does not discuss Adams's marriage, and the illness and 1885 suicide of his wife, Clover; it skips 20 years from 1872 to 1892. Adams, splendidily reflective and self-critical in so many other ways, did not articulate what, if anything, he had learned from these sobering experiences. He did, though, reference his marriage in indirect ways. For example, he lamented how the memorial he had constructed for his wife had become something of a tourist attraction. More generally, his outlook clearly changed after her death.
Output: What was Clarence King?
The Education is much more a record of Adams's introspection than of his deeds. It is an extended meditation on the social, technological, political, and intellectual changes that occurred over Adams's lifetime. Adams concluded that his traditional education failed to help him come to terms with these rapid changes, hence, his need for self-education. The organizing thread of the book is how the "proper" schooling and other aspects of his youth was time wasted, thus, his search for self-education through experiences, friendships, and reading.
Many aspects of the contemporary world emerged during the half-century between the Civil War and World War I, a half-century coinciding with Adams's adult life. An important theme of The Education is its author's bewilderment and concern at the rapid advance in science and technology over the course of his lifetime, sometimes now called Second Industrial Revolution, but incarnated in his term "dynamo". The Education mentions the recent discovery of X-rays and radioactivity, and shows a familiarity with radio waves in his citation of Marconi and Branly. Adams purchased an automobile as early as 1902, to make better use of a summer in France researching Mont Saint Michel and Chartres. He correctly predicted that the 20th century would have even more explosive changes. Adams repeatedly laments that his formal education, grounded in the classics, history, and literature, as was then the fashion, did not give him the scientific and mathematical knowledge needed to grasp the scientific breakthroughs of the 1890s and 1900s.
Two aspects set The Education apart from the common run of autobiographies. First, it is narrated in the third person; second, it is frequently sarcastic and humorously self-critical.
The Education repeatedly mentions two long-standing friends of Adams, the scientific explorer of the Far West, Clarence King, and the American diplomat, John Milton Hay.
The Education does not discuss Adams's marriage, and the illness and 1885 suicide of his wife, Clover; it skips 20 years from 1872 to 1892. Adams, splendidily reflective and self-critical in so many other ways, did not articulate what, if anything, he had learned from these sobering experiences. He did, though, reference his marriage in indirect ways. For example, he lamented how the memorial he had constructed for his wife had become something of a tourist attraction. More generally, his outlook clearly changed after her death.
Output: Why did Adams buy a car in 1902?
The Education is much more a record of Adams's introspection than of his deeds. It is an extended meditation on the social, technological, political, and intellectual changes that occurred over Adams's lifetime. Adams concluded that his traditional education failed to help him come to terms with these rapid changes, hence, his need for self-education. The organizing thread of the book is how the "proper" schooling and other aspects of his youth was time wasted, thus, his search for self-education through experiences, friendships, and reading.
Many aspects of the contemporary world emerged during the half-century between the Civil War and World War I, a half-century coinciding with Adams's adult life. An important theme of The Education is its author's bewilderment and concern at the rapid advance in science and technology over the course of his lifetime, sometimes now called Second Industrial Revolution, but incarnated in his term "dynamo". The Education mentions the recent discovery of X-rays and radioactivity, and shows a familiarity with radio waves in his citation of Marconi and Branly. Adams purchased an automobile as early as 1902, to make better use of a summer in France researching Mont Saint Michel and Chartres. He correctly predicted that the 20th century would have even more explosive changes. Adams repeatedly laments that his formal education, grounded in the classics, history, and literature, as was then the fashion, did not give him the scientific and mathematical knowledge needed to grasp the scientific breakthroughs of the 1890s and 1900s.
Two aspects set The Education apart from the common run of autobiographies. First, it is narrated in the third person; second, it is frequently sarcastic and humorously self-critical.
The Education repeatedly mentions two long-standing friends of Adams, the scientific explorer of the Far West, Clarence King, and the American diplomat, John Milton Hay.
The Education does not discuss Adams's marriage, and the illness and 1885 suicide of his wife, Clover; it skips 20 years from 1872 to 1892. Adams, splendidily reflective and self-critical in so many other ways, did not articulate what, if anything, he had learned from these sobering experiences. He did, though, reference his marriage in indirect ways. For example, he lamented how the memorial he had constructed for his wife had become something of a tourist attraction. More generally, his outlook clearly changed after her death.
Output: Which two major historical events happened during Henry's adult life?
The Education is much more a record of Adams's introspection than of his deeds. It is an extended meditation on the social, technological, political, and intellectual changes that occurred over Adams's lifetime. Adams concluded that his traditional education failed to help him come to terms with these rapid changes, hence, his need for self-education. The organizing thread of the book is how the "proper" schooling and other aspects of his youth was time wasted, thus, his search for self-education through experiences, friendships, and reading.
Many aspects of the contemporary world emerged during the half-century between the Civil War and World War I, a half-century coinciding with Adams's adult life. An important theme of The Education is its author's bewilderment and concern at the rapid advance in science and technology over the course of his lifetime, sometimes now called Second Industrial Revolution, but incarnated in his term "dynamo". The Education mentions the recent discovery of X-rays and radioactivity, and shows a familiarity with radio waves in his citation of Marconi and Branly. Adams purchased an automobile as early as 1902, to make better use of a summer in France researching Mont Saint Michel and Chartres. He correctly predicted that the 20th century would have even more explosive changes. Adams repeatedly laments that his formal education, grounded in the classics, history, and literature, as was then the fashion, did not give him the scientific and mathematical knowledge needed to grasp the scientific breakthroughs of the 1890s and 1900s.
Two aspects set The Education apart from the common run of autobiographies. First, it is narrated in the third person; second, it is frequently sarcastic and humorously self-critical.
The Education repeatedly mentions two long-standing friends of Adams, the scientific explorer of the Far West, Clarence King, and the American diplomat, John Milton Hay.
The Education does not discuss Adams's marriage, and the illness and 1885 suicide of his wife, Clover; it skips 20 years from 1872 to 1892. Adams, splendidily reflective and self-critical in so many other ways, did not articulate what, if anything, he had learned from these sobering experiences. He did, though, reference his marriage in indirect ways. For example, he lamented how the memorial he had constructed for his wife had become something of a tourist attraction. More generally, his outlook clearly changed after her death.
Output: How does Adam expect to educate himself?
The Education is much more a record of Adams's introspection than of his deeds. It is an extended meditation on the social, technological, political, and intellectual changes that occurred over Adams's lifetime. Adams concluded that his traditional education failed to help him come to terms with these rapid changes, hence, his need for self-education. The organizing thread of the book is how the "proper" schooling and other aspects of his youth was time wasted, thus, his search for self-education through experiences, friendships, and reading.
Many aspects of the contemporary world emerged during the half-century between the Civil War and World War I, a half-century coinciding with Adams's adult life. An important theme of The Education is its author's bewilderment and concern at the rapid advance in science and technology over the course of his lifetime, sometimes now called Second Industrial Revolution, but incarnated in his term "dynamo". The Education mentions the recent discovery of X-rays and radioactivity, and shows a familiarity with radio waves in his citation of Marconi and Branly. Adams purchased an automobile as early as 1902, to make better use of a summer in France researching Mont Saint Michel and Chartres. He correctly predicted that the 20th century would have even more explosive changes. Adams repeatedly laments that his formal education, grounded in the classics, history, and literature, as was then the fashion, did not give him the scientific and mathematical knowledge needed to grasp the scientific breakthroughs of the 1890s and 1900s.
Two aspects set The Education apart from the common run of autobiographies. First, it is narrated in the third person; second, it is frequently sarcastic and humorously self-critical.
The Education repeatedly mentions two long-standing friends of Adams, the scientific explorer of the Far West, Clarence King, and the American diplomat, John Milton Hay.
The Education does not discuss Adams's marriage, and the illness and 1885 suicide of his wife, Clover; it skips 20 years from 1872 to 1892. Adams, splendidily reflective and self-critical in so many other ways, did not articulate what, if anything, he had learned from these sobering experiences. He did, though, reference his marriage in indirect ways. For example, he lamented how the memorial he had constructed for his wife had become something of a tourist attraction. More generally, his outlook clearly changed after her death.
Output: How many of Henry's long-standing friendships are mentioned in the story?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Why is she afraid to marry him?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Why does Silvia continue to pose as a servant after Dorante confesses he is not one?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is Silvia engaged to?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: What is Dorante's plan to get to know Silvia before the formally meet?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is Arlequin?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: What is the social dilemma?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who dresses as Silvia and Dorante?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who does Lisette fall in love with?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who does Dorante fall in love with?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who gets married at the end?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who sent a letter to Monsieur Orgon about Dorante's plan to dress up as a servant?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: What does Silvia do as Dorante's identity is revealed?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is Monsieur Orgon's to Silvia?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who is Silvia's servant?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: What does Silvia do after Dorante confesses who he really is?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: Who does Silvia exchanges clothes with?
Silvia is engaged to marry Dorante, a man she has never met. She is afraid to marry him without knowing what type of man he is, and he is planning to visit her very soon to formalize the engagement. In order to observe Dorante's true personality during his visit, she asks her father if she can change clothes with her servant, Lisette, so that she can watch him without his knowing her identity. Monsieur Orgon immediately agrees, having coincidentally received a letter from Dorante's father explaining how Dorante planned to disguise himself as his servant in order to achieve the same goal as Silvia. Monsieur Orgon sees this as an opportunity to play the game of love and chance, allowing the two to fall in love in spite of themselves.
Dorante arrives at Monsieur Orgon's house disguised as a servant named Bourguignon, while Arlequin comes dressed as Dorante. However, Silvia and Dorante's refined behavior is evident, in spite of their servant's attire; and Arlequin and Lisette are unable to recognize the difference between true manners and the gross exaggerations they exact while playing their roles as master.
Dorante and Silvia fall in love, but as neither knows the other's true status, they find themselves in a social dilemma, each believing to be a noble in love with a servant. Finally, Dorante relents and reveals his identity to Silvia. Relieved, Silvia nonetheless decides to continue to play the game, hoping that Dorante will go so far as to renounce his fortune in order to marry her (thinking she is a servant).
The play ends with the union of the two couples: Silvia and Dorante, and Lisette and Arlequin.
Output: What's the name of the servant Dorante is disguised as?