niryuu/sni-each-converted huggingface dataset:
Mrs. Tittlemouse is a tale in which no humans play a part and one in which events are treated as though they have occurred since time immemorial and far from human observance. It is a simple story, and one likely to appeal to young children.
Mrs. Tittlemouse is a "most terribly tidy little mouse always sweeping and dusting the soft sandy floors" in the "yards and yards" of passages and storerooms, nut-cellars, and seed-cellars in her "funny house" amongst the roots of a hedge. She has a kitchen, a parlour, a pantry, a larder, and a bedroom where she keeps her dust-pan and brush next to her little box bed. She tries to keep her house tidy, but insect intruders leave dirty footprints on the floors and all sorts of messes about the place.
A beetle is shooed away, a ladybird is exorcised with "Fly away home! Your house is on fire!", and a spider inquiring after Miss Muffet is turned away with little ceremony. In a distant passage, Mrs. Tittlemouse meets Babbitty Bumble, a bumble bee who has taken up residence with three or four other bees in one of the empty storerooms. Mrs. Tittlemouse tries to pull out their nest but they buzz fiercely at her, and she retreats to deal with the matter after dinner.
In her parlour, she finds her toad neighbour Mr. Jackson sitting before the fire in her rocking chair. Mr. Jackson lives in "a drain below the hedge, in a very dirty wet ditch". His coat tails drip with water and he leaves wet footmarks on Mrs. Tittlemouse's parlour floor. She follows him about with a mop and dish-cloth.
Mrs. Tittlemouse allows Mr. Jackson to stay for dinner, but the food is not to his liking, and he rummages about the cupboard searching for the honey he can smell. He discovers a butterfly in the sugar bowl, but when he finds the bees, he makes a big mess pulling out their nest. Mrs. Tittlemouse fears she "shall go distracted" as a result of the turmoil and takes refuge in the nut-cellar. When she finally ventures forth, she discovers everybody has left but her house is a mess. She takes some moss, beeswax, and twigs to partly close up her front door to keep Mr. Jackson out. Exhausted, she goes to bed wondering if her house will ever be tidy again.
The fastidious little mouse spends a fortnight spring cleaning. She rubs the furniture with beeswax and polishes her little tin spoons, then holds a party for five other little wood-mice wearing their Regency finery. Mr. Jackson attends but is forced to sit outside because Mrs. Tittlemouse has narrowed her door. He takes no offence at being excluded from the parlour. Acorn-cupfuls of honeydew are passed through the window to him and he toasts Mrs. Tittlemouse's good health.
Output: Where have the bees taken up residence?
Mrs. Tittlemouse is a tale in which no humans play a part and one in which events are treated as though they have occurred since time immemorial and far from human observance. It is a simple story, and one likely to appeal to young children.
Mrs. Tittlemouse is a "most terribly tidy little mouse always sweeping and dusting the soft sandy floors" in the "yards and yards" of passages and storerooms, nut-cellars, and seed-cellars in her "funny house" amongst the roots of a hedge. She has a kitchen, a parlour, a pantry, a larder, and a bedroom where she keeps her dust-pan and brush next to her little box bed. She tries to keep her house tidy, but insect intruders leave dirty footprints on the floors and all sorts of messes about the place.
A beetle is shooed away, a ladybird is exorcised with "Fly away home! Your house is on fire!", and a spider inquiring after Miss Muffet is turned away with little ceremony. In a distant passage, Mrs. Tittlemouse meets Babbitty Bumble, a bumble bee who has taken up residence with three or four other bees in one of the empty storerooms. Mrs. Tittlemouse tries to pull out their nest but they buzz fiercely at her, and she retreats to deal with the matter after dinner.
In her parlour, she finds her toad neighbour Mr. Jackson sitting before the fire in her rocking chair. Mr. Jackson lives in "a drain below the hedge, in a very dirty wet ditch". His coat tails drip with water and he leaves wet footmarks on Mrs. Tittlemouse's parlour floor. She follows him about with a mop and dish-cloth.
Mrs. Tittlemouse allows Mr. Jackson to stay for dinner, but the food is not to his liking, and he rummages about the cupboard searching for the honey he can smell. He discovers a butterfly in the sugar bowl, but when he finds the bees, he makes a big mess pulling out their nest. Mrs. Tittlemouse fears she "shall go distracted" as a result of the turmoil and takes refuge in the nut-cellar. When she finally ventures forth, she discovers everybody has left but her house is a mess. She takes some moss, beeswax, and twigs to partly close up her front door to keep Mr. Jackson out. Exhausted, she goes to bed wondering if her house will ever be tidy again.
The fastidious little mouse spends a fortnight spring cleaning. She rubs the furniture with beeswax and polishes her little tin spoons, then holds a party for five other little wood-mice wearing their Regency finery. Mr. Jackson attends but is forced to sit outside because Mrs. Tittlemouse has narrowed her door. He takes no offence at being excluded from the parlour. Acorn-cupfuls of honeydew are passed through the window to him and he toasts Mrs. Tittlemouse's good health.
Output: For whom is the spider that visits Mrs. Tittlemouse looking?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who are some of the artists whose work Grassou has forged?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who does Magus introduce Grassou to as a grand master?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: What is the fatal thought that Grassou is believed unable to remove from his heart?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: How does the art-dealer describe Grassou's skill level to Virginie's father?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Why is Grassou still resentful, despite his potentially advantageous marriage?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: When invited to Vervelle's home, what does Grassou discover?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who buys what Grassou creates?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who hired Grassou before he met Monsieur Vervelle?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who does Vervelle want his daughter to marry?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: What is Grassous biggest disappointment?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who is the main artist of the story?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who does Monsieur  Vervelle want his child to wed?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who does Grassou paint the forgeries for?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: What was Grassou's wife's name?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: What does Grassou do for a living?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: How does Grassou rate his paintings?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: What do the other painters think of Grassou work?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Where are many of Pierres forgeries displayed?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Where is Grassou trying to enter?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Who doe the Vervelle couple believe Grassou is the perfect match for?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: What kind of paintings does Pierre paint?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Where are several of Grassou's pieces displayed?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: How does Vervelle react to finding out that a number of the paintings that he bought were Grassou's forgeries?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Where do Mr. and Mrs. Vervelle live?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: What is Grassou's biggest goal?
Pierre Grassou de Foug res is a mediocre painter who lives off painting forgeries commissioned by an old swindler and art-dealer named Elias Magus. Grassou paints forgeries of works by Titian, Raphael, and other famous artists. Magus resells these forgeries for a large profit to members of the Petite bourgeoisie who are incapable of appreciating good art.
Monsieur Vervelle, a prosperous bottle-dealer obsessed with art, is introduced to Grassou by Magus, who introduces the painter as a grand master. Vervelle and his wife are enchanted with Grassou and believe he would make a good match for their daughter Virginie.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou s work, including the forgery of a Titian. Grassou recognizes his own mediocrity, but when it is discovered by the Vervelles that the forgeries in their home were painted by Grassou,  far from denting his reputation, multiples Grassou s value as an artist  and as a son-in-law, since Vervelle believes Grassou to possess all the combined talent of Rubens, Rembrandt, Terburg, and Titian.
Despite his advantageous marriage, Grassou remains bitter that he is not a true artist.  This painter, a good father and a good husband, is unable to eradicate from his heart a fatal thought, namely, that artists laugh at his work; that his name is a term of contempt in the studios; and that the feuilletons take no notice of his pictures. But he still works on; he aims for the Academy, where, undoubtedly, he will enter."
Output: Why does Magus make so much money selling forgeries?