niryuu/sni-each-converted huggingface dataset:
On July 2, 1937, Amelia Earhart (Hilary Swank) and her navigator, Fred Noonan (Christopher Eccleston), are on the last leg of an around-the-world flight. Moving in vignettes from her early years when Earhart was captivated by the sight of an aircraft flying overhead on the Kansas prairie where she grew up, her life over the preceding decade gradually unfolds. As a young woman, she is recruited by publishing tycoon and eventual husband, George Putnam (Richard Gere) to become the first woman to cross the Atlantic Ocean, albeit as a passenger. Taking command of the flight results in a success and she is thrust into the limelight as the most famous woman pilot of her time. Putnam helps Earhart write a book chronicling the flight, much like his earlier triumph with Charles Lindbergh's We. Earhart gradually falls in love with Putnam and they eventually marry, although she enacts a "cruel" pledge as her wedding contract.
Embarrassed that her fame was not earned, Earhart commences to set myriad aviation records, and in 1932, recreates her earlier transatlantic flight, becoming the first female pilot to fly solo across the Atlantic. Throughout a decade of notoriety, Earhart falls into an awkward love affair with pilot and future Federal Aviation administrator Gene Vidal (Ewan McGregor). In a display of romantic jealousy, Putnam quietly tells Amelia that he does not want Vidal in his house. Earhart is annoyed by the seemingly endless agenda of celebrity appearances and endorsements but Putnam reminds his wife that it funds her flying. Earhart returns to her husband on the eve of her last momentous flight. Earhart's last flight was her biggest and most dangerous adventure to date. Her plan was to fly around the world. Earhart's first attempt ends in a runway crash in Hawaii, due to a collapsed landing gear, and her aircraft requires extensive repairs before the flight can be attempted again. Eventually, she takes the repaired Lockheed Model 10 Electra, sponsored by Purdue University, in a reverse direction, leaving the lengthy trans-Pacific crossing at the end of her flight.
Setting out to refuel at tiny Howland Island, radio transmissions between USCGC Itasca, a Coast Guard picket ship, and Earhart's aircraft reveal a rising crisis. Earhart radios to Itasca that the sky has become cloudy and overcast. When Itasca attempts to radio her back, however, all Earhart gets is static. For the rest of the approach, Earhart cannot hear Itasca's transmissions, although they can hear hers. The Coast Guard radio operators realize that they do not have sufficient length to provide a "fix". Itasca has a directional finder with a dead battery, and weak radio communications prevent Earhart and USCG Itasca from making contact. Running low on fuel, Earhart and Noonan continue to fly on over empty ocean, as Earhart informs the Itasca that she is on position line 157-337, running north and south. She is not heard from again. A massive search effort is unsuccessful, but solidifies Earhart as an aviation icon.
Output: How did Earhart's first around-the-world flight attempt end?
On July 2, 1937, Amelia Earhart (Hilary Swank) and her navigator, Fred Noonan (Christopher Eccleston), are on the last leg of an around-the-world flight. Moving in vignettes from her early years when Earhart was captivated by the sight of an aircraft flying overhead on the Kansas prairie where she grew up, her life over the preceding decade gradually unfolds. As a young woman, she is recruited by publishing tycoon and eventual husband, George Putnam (Richard Gere) to become the first woman to cross the Atlantic Ocean, albeit as a passenger. Taking command of the flight results in a success and she is thrust into the limelight as the most famous woman pilot of her time. Putnam helps Earhart write a book chronicling the flight, much like his earlier triumph with Charles Lindbergh's We. Earhart gradually falls in love with Putnam and they eventually marry, although she enacts a "cruel" pledge as her wedding contract.
Embarrassed that her fame was not earned, Earhart commences to set myriad aviation records, and in 1932, recreates her earlier transatlantic flight, becoming the first female pilot to fly solo across the Atlantic. Throughout a decade of notoriety, Earhart falls into an awkward love affair with pilot and future Federal Aviation administrator Gene Vidal (Ewan McGregor). In a display of romantic jealousy, Putnam quietly tells Amelia that he does not want Vidal in his house. Earhart is annoyed by the seemingly endless agenda of celebrity appearances and endorsements but Putnam reminds his wife that it funds her flying. Earhart returns to her husband on the eve of her last momentous flight. Earhart's last flight was her biggest and most dangerous adventure to date. Her plan was to fly around the world. Earhart's first attempt ends in a runway crash in Hawaii, due to a collapsed landing gear, and her aircraft requires extensive repairs before the flight can be attempted again. Eventually, she takes the repaired Lockheed Model 10 Electra, sponsored by Purdue University, in a reverse direction, leaving the lengthy trans-Pacific crossing at the end of her flight.
Setting out to refuel at tiny Howland Island, radio transmissions between USCGC Itasca, a Coast Guard picket ship, and Earhart's aircraft reveal a rising crisis. Earhart radios to Itasca that the sky has become cloudy and overcast. When Itasca attempts to radio her back, however, all Earhart gets is static. For the rest of the approach, Earhart cannot hear Itasca's transmissions, although they can hear hers. The Coast Guard radio operators realize that they do not have sufficient length to provide a "fix". Itasca has a directional finder with a dead battery, and weak radio communications prevent Earhart and USCG Itasca from making contact. Running low on fuel, Earhart and Noonan continue to fly on over empty ocean, as Earhart informs the Itasca that she is on position line 157-337, running north and south. She is not heard from again. A massive search effort is unsuccessful, but solidifies Earhart as an aviation icon.
Output: George Putnam married what woman?
On July 2, 1937, Amelia Earhart (Hilary Swank) and her navigator, Fred Noonan (Christopher Eccleston), are on the last leg of an around-the-world flight. Moving in vignettes from her early years when Earhart was captivated by the sight of an aircraft flying overhead on the Kansas prairie where she grew up, her life over the preceding decade gradually unfolds. As a young woman, she is recruited by publishing tycoon and eventual husband, George Putnam (Richard Gere) to become the first woman to cross the Atlantic Ocean, albeit as a passenger. Taking command of the flight results in a success and she is thrust into the limelight as the most famous woman pilot of her time. Putnam helps Earhart write a book chronicling the flight, much like his earlier triumph with Charles Lindbergh's We. Earhart gradually falls in love with Putnam and they eventually marry, although she enacts a "cruel" pledge as her wedding contract.
Embarrassed that her fame was not earned, Earhart commences to set myriad aviation records, and in 1932, recreates her earlier transatlantic flight, becoming the first female pilot to fly solo across the Atlantic. Throughout a decade of notoriety, Earhart falls into an awkward love affair with pilot and future Federal Aviation administrator Gene Vidal (Ewan McGregor). In a display of romantic jealousy, Putnam quietly tells Amelia that he does not want Vidal in his house. Earhart is annoyed by the seemingly endless agenda of celebrity appearances and endorsements but Putnam reminds his wife that it funds her flying. Earhart returns to her husband on the eve of her last momentous flight. Earhart's last flight was her biggest and most dangerous adventure to date. Her plan was to fly around the world. Earhart's first attempt ends in a runway crash in Hawaii, due to a collapsed landing gear, and her aircraft requires extensive repairs before the flight can be attempted again. Eventually, she takes the repaired Lockheed Model 10 Electra, sponsored by Purdue University, in a reverse direction, leaving the lengthy trans-Pacific crossing at the end of her flight.
Setting out to refuel at tiny Howland Island, radio transmissions between USCGC Itasca, a Coast Guard picket ship, and Earhart's aircraft reveal a rising crisis. Earhart radios to Itasca that the sky has become cloudy and overcast. When Itasca attempts to radio her back, however, all Earhart gets is static. For the rest of the approach, Earhart cannot hear Itasca's transmissions, although they can hear hers. The Coast Guard radio operators realize that they do not have sufficient length to provide a "fix". Itasca has a directional finder with a dead battery, and weak radio communications prevent Earhart and USCG Itasca from making contact. Running low on fuel, Earhart and Noonan continue to fly on over empty ocean, as Earhart informs the Itasca that she is on position line 157-337, running north and south. She is not heard from again. A massive search effort is unsuccessful, but solidifies Earhart as an aviation icon.
Output: What does George Putnam help Earhart with?
On July 2, 1937, Amelia Earhart (Hilary Swank) and her navigator, Fred Noonan (Christopher Eccleston), are on the last leg of an around-the-world flight. Moving in vignettes from her early years when Earhart was captivated by the sight of an aircraft flying overhead on the Kansas prairie where she grew up, her life over the preceding decade gradually unfolds. As a young woman, she is recruited by publishing tycoon and eventual husband, George Putnam (Richard Gere) to become the first woman to cross the Atlantic Ocean, albeit as a passenger. Taking command of the flight results in a success and she is thrust into the limelight as the most famous woman pilot of her time. Putnam helps Earhart write a book chronicling the flight, much like his earlier triumph with Charles Lindbergh's We. Earhart gradually falls in love with Putnam and they eventually marry, although she enacts a "cruel" pledge as her wedding contract.
Embarrassed that her fame was not earned, Earhart commences to set myriad aviation records, and in 1932, recreates her earlier transatlantic flight, becoming the first female pilot to fly solo across the Atlantic. Throughout a decade of notoriety, Earhart falls into an awkward love affair with pilot and future Federal Aviation administrator Gene Vidal (Ewan McGregor). In a display of romantic jealousy, Putnam quietly tells Amelia that he does not want Vidal in his house. Earhart is annoyed by the seemingly endless agenda of celebrity appearances and endorsements but Putnam reminds his wife that it funds her flying. Earhart returns to her husband on the eve of her last momentous flight. Earhart's last flight was her biggest and most dangerous adventure to date. Her plan was to fly around the world. Earhart's first attempt ends in a runway crash in Hawaii, due to a collapsed landing gear, and her aircraft requires extensive repairs before the flight can be attempted again. Eventually, she takes the repaired Lockheed Model 10 Electra, sponsored by Purdue University, in a reverse direction, leaving the lengthy trans-Pacific crossing at the end of her flight.
Setting out to refuel at tiny Howland Island, radio transmissions between USCGC Itasca, a Coast Guard picket ship, and Earhart's aircraft reveal a rising crisis. Earhart radios to Itasca that the sky has become cloudy and overcast. When Itasca attempts to radio her back, however, all Earhart gets is static. For the rest of the approach, Earhart cannot hear Itasca's transmissions, although they can hear hers. The Coast Guard radio operators realize that they do not have sufficient length to provide a "fix". Itasca has a directional finder with a dead battery, and weak radio communications prevent Earhart and USCG Itasca from making contact. Running low on fuel, Earhart and Noonan continue to fly on over empty ocean, as Earhart informs the Itasca that she is on position line 157-337, running north and south. She is not heard from again. A massive search effort is unsuccessful, but solidifies Earhart as an aviation icon.
Output: Who does Earhart fall in love with?
On July 2, 1937, Amelia Earhart (Hilary Swank) and her navigator, Fred Noonan (Christopher Eccleston), are on the last leg of an around-the-world flight. Moving in vignettes from her early years when Earhart was captivated by the sight of an aircraft flying overhead on the Kansas prairie where she grew up, her life over the preceding decade gradually unfolds. As a young woman, she is recruited by publishing tycoon and eventual husband, George Putnam (Richard Gere) to become the first woman to cross the Atlantic Ocean, albeit as a passenger. Taking command of the flight results in a success and she is thrust into the limelight as the most famous woman pilot of her time. Putnam helps Earhart write a book chronicling the flight, much like his earlier triumph with Charles Lindbergh's We. Earhart gradually falls in love with Putnam and they eventually marry, although she enacts a "cruel" pledge as her wedding contract.
Embarrassed that her fame was not earned, Earhart commences to set myriad aviation records, and in 1932, recreates her earlier transatlantic flight, becoming the first female pilot to fly solo across the Atlantic. Throughout a decade of notoriety, Earhart falls into an awkward love affair with pilot and future Federal Aviation administrator Gene Vidal (Ewan McGregor). In a display of romantic jealousy, Putnam quietly tells Amelia that he does not want Vidal in his house. Earhart is annoyed by the seemingly endless agenda of celebrity appearances and endorsements but Putnam reminds his wife that it funds her flying. Earhart returns to her husband on the eve of her last momentous flight. Earhart's last flight was her biggest and most dangerous adventure to date. Her plan was to fly around the world. Earhart's first attempt ends in a runway crash in Hawaii, due to a collapsed landing gear, and her aircraft requires extensive repairs before the flight can be attempted again. Eventually, she takes the repaired Lockheed Model 10 Electra, sponsored by Purdue University, in a reverse direction, leaving the lengthy trans-Pacific crossing at the end of her flight.
Setting out to refuel at tiny Howland Island, radio transmissions between USCGC Itasca, a Coast Guard picket ship, and Earhart's aircraft reveal a rising crisis. Earhart radios to Itasca that the sky has become cloudy and overcast. When Itasca attempts to radio her back, however, all Earhart gets is static. For the rest of the approach, Earhart cannot hear Itasca's transmissions, although they can hear hers. The Coast Guard radio operators realize that they do not have sufficient length to provide a "fix". Itasca has a directional finder with a dead battery, and weak radio communications prevent Earhart and USCG Itasca from making contact. Running low on fuel, Earhart and Noonan continue to fly on over empty ocean, as Earhart informs the Itasca that she is on position line 157-337, running north and south. She is not heard from again. A massive search effort is unsuccessful, but solidifies Earhart as an aviation icon.
Output: Amelia Earhart grew up in what state?
On July 2, 1937, Amelia Earhart (Hilary Swank) and her navigator, Fred Noonan (Christopher Eccleston), are on the last leg of an around-the-world flight. Moving in vignettes from her early years when Earhart was captivated by the sight of an aircraft flying overhead on the Kansas prairie where she grew up, her life over the preceding decade gradually unfolds. As a young woman, she is recruited by publishing tycoon and eventual husband, George Putnam (Richard Gere) to become the first woman to cross the Atlantic Ocean, albeit as a passenger. Taking command of the flight results in a success and she is thrust into the limelight as the most famous woman pilot of her time. Putnam helps Earhart write a book chronicling the flight, much like his earlier triumph with Charles Lindbergh's We. Earhart gradually falls in love with Putnam and they eventually marry, although she enacts a "cruel" pledge as her wedding contract.
Embarrassed that her fame was not earned, Earhart commences to set myriad aviation records, and in 1932, recreates her earlier transatlantic flight, becoming the first female pilot to fly solo across the Atlantic. Throughout a decade of notoriety, Earhart falls into an awkward love affair with pilot and future Federal Aviation administrator Gene Vidal (Ewan McGregor). In a display of romantic jealousy, Putnam quietly tells Amelia that he does not want Vidal in his house. Earhart is annoyed by the seemingly endless agenda of celebrity appearances and endorsements but Putnam reminds his wife that it funds her flying. Earhart returns to her husband on the eve of her last momentous flight. Earhart's last flight was her biggest and most dangerous adventure to date. Her plan was to fly around the world. Earhart's first attempt ends in a runway crash in Hawaii, due to a collapsed landing gear, and her aircraft requires extensive repairs before the flight can be attempted again. Eventually, she takes the repaired Lockheed Model 10 Electra, sponsored by Purdue University, in a reverse direction, leaving the lengthy trans-Pacific crossing at the end of her flight.
Setting out to refuel at tiny Howland Island, radio transmissions between USCGC Itasca, a Coast Guard picket ship, and Earhart's aircraft reveal a rising crisis. Earhart radios to Itasca that the sky has become cloudy and overcast. When Itasca attempts to radio her back, however, all Earhart gets is static. For the rest of the approach, Earhart cannot hear Itasca's transmissions, although they can hear hers. The Coast Guard radio operators realize that they do not have sufficient length to provide a "fix". Itasca has a directional finder with a dead battery, and weak radio communications prevent Earhart and USCG Itasca from making contact. Running low on fuel, Earhart and Noonan continue to fly on over empty ocean, as Earhart informs the Itasca that she is on position line 157-337, running north and south. She is not heard from again. A massive search effort is unsuccessful, but solidifies Earhart as an aviation icon.
Output: How did Earhart change her flight plan for her second attempt around the world?
On July 2, 1937, Amelia Earhart (Hilary Swank) and her navigator, Fred Noonan (Christopher Eccleston), are on the last leg of an around-the-world flight. Moving in vignettes from her early years when Earhart was captivated by the sight of an aircraft flying overhead on the Kansas prairie where she grew up, her life over the preceding decade gradually unfolds. As a young woman, she is recruited by publishing tycoon and eventual husband, George Putnam (Richard Gere) to become the first woman to cross the Atlantic Ocean, albeit as a passenger. Taking command of the flight results in a success and she is thrust into the limelight as the most famous woman pilot of her time. Putnam helps Earhart write a book chronicling the flight, much like his earlier triumph with Charles Lindbergh's We. Earhart gradually falls in love with Putnam and they eventually marry, although she enacts a "cruel" pledge as her wedding contract.
Embarrassed that her fame was not earned, Earhart commences to set myriad aviation records, and in 1932, recreates her earlier transatlantic flight, becoming the first female pilot to fly solo across the Atlantic. Throughout a decade of notoriety, Earhart falls into an awkward love affair with pilot and future Federal Aviation administrator Gene Vidal (Ewan McGregor). In a display of romantic jealousy, Putnam quietly tells Amelia that he does not want Vidal in his house. Earhart is annoyed by the seemingly endless agenda of celebrity appearances and endorsements but Putnam reminds his wife that it funds her flying. Earhart returns to her husband on the eve of her last momentous flight. Earhart's last flight was her biggest and most dangerous adventure to date. Her plan was to fly around the world. Earhart's first attempt ends in a runway crash in Hawaii, due to a collapsed landing gear, and her aircraft requires extensive repairs before the flight can be attempted again. Eventually, she takes the repaired Lockheed Model 10 Electra, sponsored by Purdue University, in a reverse direction, leaving the lengthy trans-Pacific crossing at the end of her flight.
Setting out to refuel at tiny Howland Island, radio transmissions between USCGC Itasca, a Coast Guard picket ship, and Earhart's aircraft reveal a rising crisis. Earhart radios to Itasca that the sky has become cloudy and overcast. When Itasca attempts to radio her back, however, all Earhart gets is static. For the rest of the approach, Earhart cannot hear Itasca's transmissions, although they can hear hers. The Coast Guard radio operators realize that they do not have sufficient length to provide a "fix". Itasca has a directional finder with a dead battery, and weak radio communications prevent Earhart and USCG Itasca from making contact. Running low on fuel, Earhart and Noonan continue to fly on over empty ocean, as Earhart informs the Itasca that she is on position line 157-337, running north and south. She is not heard from again. A massive search effort is unsuccessful, but solidifies Earhart as an aviation icon.
Output: On Earhart's first attempt to fly around the world where does she end up crashing?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: Where does Kitty Killigrew work?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: Who becomes the opera's prima donna?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: Where does the climax of the story occur?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What does Hillard hear through his window?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What kind of things happen in Monte Carlo?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What does Mr. Hillard hear from his window?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: Where does the climax of the story take place?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: Where is the American Comic Opera Company stranded?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What location in the story is referred to as "the loveliest"?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What happens when Hillard hurries to find the singer?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What city is Mr. Hillard from?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What type of singing voice does Kitty have?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: In what city does the story end?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: Where is the opera company stranded?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: Who is Kitty Killigrew?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: How does Mr. Hillard feel about the singer?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What city does the climax take place in?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: In what city do we learn the woman's name?
A 1908 review of the book summarizes the light plot of the story in overenthusiastic fashion:
The story opens with a jump--literally. A young New Yorker, rich, of course, hears from his window on a night of fog and mist a woman's voice singing divinely. He falls in love with it head over heels and he falls downstairs in about the same way, he is such a hurry to see the singer. But by the time her reaches the street, lo! she has vanished, and only a policeman remains. Late on, this young, adventurous Mr. Hillard again meets the young, adventurous singer under most mystifying circumstances. They dine together, but she comes in mask. What the voice has begun, the masks puts the finishing touches to. From then on Hillard is full forty fathoms deep in love and curiosity. Then the scene shifts to Italy, with the shifting fortunes of an American comic opera company, stranded at Venice. The beautiful singer becomes the prima donna of this company. The soubrette is one Kitty Killigrew, and around her flourishes a most enticing, exciting and enlivening subplot. She dances her way straight into your heart. Amusing things happen at Venice. Thrilling things happen at Monte Carlo. At Florence the climax is reached, and it makes you fairly gasp with its intense interest. At Bellaggio, the loveliest of lovely spots in the land of love, the curtain goes down on happy lovers.
Output: What does Mr. Hillard hear when he opens the window?