niryuu/sni-each-converted huggingface dataset:
The novel is largely set in and near the town of Dillsborough, in the fictional Rufford County. The two principal subplots centre on the courtship behaviour of two young women.
The heroine, Mary Masters, is the daughter of an attorney, and has been raised as a gentlewoman. Her stepmother is from a lower social order; believing it best for Mary, she pressures her strongly to accept a proposal from Lawrence Twentyman, a prosperous young yeoman farmer with aspirations to gentility. While Mary respects Twentyman for his excellent qualities, she feels that she cannot love him as a wife should a husband. She admires Reginald Morton, whose cousin is the squire of Bragton and thus one of the two major landowners of Rufford County. Reginald admires Mary as well; but for most of the novel, each is ignorant of the other's feelings: Mary, as a gentlewoman, cannot take the initiative in such a matter; and Reginald, misinformed that Mary loves another, is unwilling to make an offer and have it rejected.
The anti-heroine of the novel is Arabella Trefoil. Her father is cousin to the Duke of Mayfair; her mother was a banker's daughter. Her parents are unofficially separated, and living in straitened circumstances. Arabella and her mother, Lady Augustus Trefoil, have no fixed abode; they wander from place to place, visiting people who cannot refuse them without creating social awkwardness. At Lady Augustus's direction, Arabella has spent many years struggling to secure a rich husband who will give her and her mother high social standing, an assured income, and a house of their own. She has lately become provisionally engaged to John Morton, the squire of Bragton and a rising figure in the Foreign Office. He would be an adequate but not outstanding husband by her standards; and when the opportunity presents itself, she attempts to entrap the wealthy and titled young Lord Rufford, concealing these attempts from Morton so that she can accept his proposal should they fail.
John Morton falls ill and dies. Arabella, who is not altogether wicked, visits him at his deathbed despite the fact that this will assist Lord Rufford in escaping her toils. After Morton's death, she accepts an offer of marriage from Mounser Green, a Foreign Office clerk who is taking Morton's place as ambassador-designate to Patagonia. Like Morton, Green is not a brilliant match for her, but an acceptable one. John Morton's death makes Reginald Morton the squire of Bragton; at this point, when Mary Masters fears that he has moved too far above her in status, he confesses his love to her. A proposal ensues and is eagerly accepted.
The American senator of the title is Elias Gotobed, who sits in the US Senate for the fictional state of Mikewa. The guest of John Morton, Senator Gotobed is trying to learn about England and the English. Through his often-tactless remarks in conversation, through his letters to a friend in America, and through a lecture in London titled "The Irrationality of Englishmen", he comments on British justice and government, the Church of England, the custom of primogeniture, and other aspects of English life.
Output: Who does Mary admire?
The novel is largely set in and near the town of Dillsborough, in the fictional Rufford County. The two principal subplots centre on the courtship behaviour of two young women.
The heroine, Mary Masters, is the daughter of an attorney, and has been raised as a gentlewoman. Her stepmother is from a lower social order; believing it best for Mary, she pressures her strongly to accept a proposal from Lawrence Twentyman, a prosperous young yeoman farmer with aspirations to gentility. While Mary respects Twentyman for his excellent qualities, she feels that she cannot love him as a wife should a husband. She admires Reginald Morton, whose cousin is the squire of Bragton and thus one of the two major landowners of Rufford County. Reginald admires Mary as well; but for most of the novel, each is ignorant of the other's feelings: Mary, as a gentlewoman, cannot take the initiative in such a matter; and Reginald, misinformed that Mary loves another, is unwilling to make an offer and have it rejected.
The anti-heroine of the novel is Arabella Trefoil. Her father is cousin to the Duke of Mayfair; her mother was a banker's daughter. Her parents are unofficially separated, and living in straitened circumstances. Arabella and her mother, Lady Augustus Trefoil, have no fixed abode; they wander from place to place, visiting people who cannot refuse them without creating social awkwardness. At Lady Augustus's direction, Arabella has spent many years struggling to secure a rich husband who will give her and her mother high social standing, an assured income, and a house of their own. She has lately become provisionally engaged to John Morton, the squire of Bragton and a rising figure in the Foreign Office. He would be an adequate but not outstanding husband by her standards; and when the opportunity presents itself, she attempts to entrap the wealthy and titled young Lord Rufford, concealing these attempts from Morton so that she can accept his proposal should they fail.
John Morton falls ill and dies. Arabella, who is not altogether wicked, visits him at his deathbed despite the fact that this will assist Lord Rufford in escaping her toils. After Morton's death, she accepts an offer of marriage from Mounser Green, a Foreign Office clerk who is taking Morton's place as ambassador-designate to Patagonia. Like Morton, Green is not a brilliant match for her, but an acceptable one. John Morton's death makes Reginald Morton the squire of Bragton; at this point, when Mary Masters fears that he has moved too far above her in status, he confesses his love to her. A proposal ensues and is eagerly accepted.
The American senator of the title is Elias Gotobed, who sits in the US Senate for the fictional state of Mikewa. The guest of John Morton, Senator Gotobed is trying to learn about England and the English. Through his often-tactless remarks in conversation, through his letters to a friend in America, and through a lecture in London titled "The Irrationality of Englishmen", he comments on British justice and government, the Church of England, the custom of primogeniture, and other aspects of English life.
Output: Where do Arabella Trefoil and her mother live?
The novel is largely set in and near the town of Dillsborough, in the fictional Rufford County. The two principal subplots centre on the courtship behaviour of two young women.
The heroine, Mary Masters, is the daughter of an attorney, and has been raised as a gentlewoman. Her stepmother is from a lower social order; believing it best for Mary, she pressures her strongly to accept a proposal from Lawrence Twentyman, a prosperous young yeoman farmer with aspirations to gentility. While Mary respects Twentyman for his excellent qualities, she feels that she cannot love him as a wife should a husband. She admires Reginald Morton, whose cousin is the squire of Bragton and thus one of the two major landowners of Rufford County. Reginald admires Mary as well; but for most of the novel, each is ignorant of the other's feelings: Mary, as a gentlewoman, cannot take the initiative in such a matter; and Reginald, misinformed that Mary loves another, is unwilling to make an offer and have it rejected.
The anti-heroine of the novel is Arabella Trefoil. Her father is cousin to the Duke of Mayfair; her mother was a banker's daughter. Her parents are unofficially separated, and living in straitened circumstances. Arabella and her mother, Lady Augustus Trefoil, have no fixed abode; they wander from place to place, visiting people who cannot refuse them without creating social awkwardness. At Lady Augustus's direction, Arabella has spent many years struggling to secure a rich husband who will give her and her mother high social standing, an assured income, and a house of their own. She has lately become provisionally engaged to John Morton, the squire of Bragton and a rising figure in the Foreign Office. He would be an adequate but not outstanding husband by her standards; and when the opportunity presents itself, she attempts to entrap the wealthy and titled young Lord Rufford, concealing these attempts from Morton so that she can accept his proposal should they fail.
John Morton falls ill and dies. Arabella, who is not altogether wicked, visits him at his deathbed despite the fact that this will assist Lord Rufford in escaping her toils. After Morton's death, she accepts an offer of marriage from Mounser Green, a Foreign Office clerk who is taking Morton's place as ambassador-designate to Patagonia. Like Morton, Green is not a brilliant match for her, but an acceptable one. John Morton's death makes Reginald Morton the squire of Bragton; at this point, when Mary Masters fears that he has moved too far above her in status, he confesses his love to her. A proposal ensues and is eagerly accepted.
The American senator of the title is Elias Gotobed, who sits in the US Senate for the fictional state of Mikewa. The guest of John Morton, Senator Gotobed is trying to learn about England and the English. Through his often-tactless remarks in conversation, through his letters to a friend in America, and through a lecture in London titled "The Irrationality of Englishmen", he comments on British justice and government, the Church of England, the custom of primogeniture, and other aspects of English life.
Output: How do things resolve between Reginald and Mary?
The novel is largely set in and near the town of Dillsborough, in the fictional Rufford County. The two principal subplots centre on the courtship behaviour of two young women.
The heroine, Mary Masters, is the daughter of an attorney, and has been raised as a gentlewoman. Her stepmother is from a lower social order; believing it best for Mary, she pressures her strongly to accept a proposal from Lawrence Twentyman, a prosperous young yeoman farmer with aspirations to gentility. While Mary respects Twentyman for his excellent qualities, she feels that she cannot love him as a wife should a husband. She admires Reginald Morton, whose cousin is the squire of Bragton and thus one of the two major landowners of Rufford County. Reginald admires Mary as well; but for most of the novel, each is ignorant of the other's feelings: Mary, as a gentlewoman, cannot take the initiative in such a matter; and Reginald, misinformed that Mary loves another, is unwilling to make an offer and have it rejected.
The anti-heroine of the novel is Arabella Trefoil. Her father is cousin to the Duke of Mayfair; her mother was a banker's daughter. Her parents are unofficially separated, and living in straitened circumstances. Arabella and her mother, Lady Augustus Trefoil, have no fixed abode; they wander from place to place, visiting people who cannot refuse them without creating social awkwardness. At Lady Augustus's direction, Arabella has spent many years struggling to secure a rich husband who will give her and her mother high social standing, an assured income, and a house of their own. She has lately become provisionally engaged to John Morton, the squire of Bragton and a rising figure in the Foreign Office. He would be an adequate but not outstanding husband by her standards; and when the opportunity presents itself, she attempts to entrap the wealthy and titled young Lord Rufford, concealing these attempts from Morton so that she can accept his proposal should they fail.
John Morton falls ill and dies. Arabella, who is not altogether wicked, visits him at his deathbed despite the fact that this will assist Lord Rufford in escaping her toils. After Morton's death, she accepts an offer of marriage from Mounser Green, a Foreign Office clerk who is taking Morton's place as ambassador-designate to Patagonia. Like Morton, Green is not a brilliant match for her, but an acceptable one. John Morton's death makes Reginald Morton the squire of Bragton; at this point, when Mary Masters fears that he has moved too far above her in status, he confesses his love to her. A proposal ensues and is eagerly accepted.
The American senator of the title is Elias Gotobed, who sits in the US Senate for the fictional state of Mikewa. The guest of John Morton, Senator Gotobed is trying to learn about England and the English. Through his often-tactless remarks in conversation, through his letters to a friend in America, and through a lecture in London titled "The Irrationality of Englishmen", he comments on British justice and government, the Church of England, the custom of primogeniture, and other aspects of English life.
Output: What does Mounser Green offer Arabella?
During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the (fictional) hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed, however, by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, giving him the nickname "Cinderella Man".
Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. He had been in love with her, and is left heartbroken. In disgust, he decides to return to Mandrake Falls.
Before he leaves, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre farms free to thousands of homeless families if they will work the land for three years.
Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative (and the man's grasping, domineering wife) in seeking to have Deeds declared mentally incompetent. Along with Babe's betrayal, this finally breaks Deeds' spirit and he sinks into a deep depression. A sanity hearing is scheduled to determine who should control the Deeds' fortune.
During the hearing. Cedar calls an expert who diagnoses manic depression based on Babe's articles and Deeds' current behavior; he gets Deeds' Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated". Deeds is too depressed to defend himself and the situation looks bleak when Babe finally speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case when he asks the Faulkners who else is pixilated, they reply, "Why everyone, but us" before actually punching Cedar in the face. In the end the judge declares him to be "the sanest man who ever walked into this courtroom."
Output: Who helps Deeds win his fortune back?
During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the (fictional) hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed, however, by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, giving him the nickname "Cinderella Man".
Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. He had been in love with her, and is left heartbroken. In disgust, he decides to return to Mandrake Falls.
Before he leaves, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre farms free to thousands of homeless families if they will work the land for three years.
Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative (and the man's grasping, domineering wife) in seeking to have Deeds declared mentally incompetent. Along with Babe's betrayal, this finally breaks Deeds' spirit and he sinks into a deep depression. A sanity hearing is scheduled to determine who should control the Deeds' fortune.
During the hearing. Cedar calls an expert who diagnoses manic depression based on Babe's articles and Deeds' current behavior; he gets Deeds' Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated". Deeds is too depressed to defend himself and the situation looks bleak when Babe finally speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case when he asks the Faulkners who else is pixilated, they reply, "Why everyone, but us" before actually punching Cedar in the face. In the end the judge declares him to be "the sanest man who ever walked into this courtroom."
Output: Why does Deeds return to Mandrake Falls?
During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the (fictional) hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed, however, by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, giving him the nickname "Cinderella Man".
Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. He had been in love with her, and is left heartbroken. In disgust, he decides to return to Mandrake Falls.
Before he leaves, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre farms free to thousands of homeless families if they will work the land for three years.
Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative (and the man's grasping, domineering wife) in seeking to have Deeds declared mentally incompetent. Along with Babe's betrayal, this finally breaks Deeds' spirit and he sinks into a deep depression. A sanity hearing is scheduled to determine who should control the Deeds' fortune.
During the hearing. Cedar calls an expert who diagnoses manic depression based on Babe's articles and Deeds' current behavior; he gets Deeds' Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated". Deeds is too depressed to defend himself and the situation looks bleak when Babe finally speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case when he asks the Faulkners who else is pixilated, they reply, "Why everyone, but us" before actually punching Cedar in the face. In the end the judge declares him to be "the sanest man who ever walked into this courtroom."
Output: Who reveals Babe's true identity to deeds?
During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the (fictional) hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed, however, by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, giving him the nickname "Cinderella Man".
Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. He had been in love with her, and is left heartbroken. In disgust, he decides to return to Mandrake Falls.
Before he leaves, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre farms free to thousands of homeless families if they will work the land for three years.
Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative (and the man's grasping, domineering wife) in seeking to have Deeds declared mentally incompetent. Along with Babe's betrayal, this finally breaks Deeds' spirit and he sinks into a deep depression. A sanity hearing is scheduled to determine who should control the Deeds' fortune.
During the hearing. Cedar calls an expert who diagnoses manic depression based on Babe's articles and Deeds' current behavior; he gets Deeds' Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated". Deeds is too depressed to defend himself and the situation looks bleak when Babe finally speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case when he asks the Faulkners who else is pixilated, they reply, "Why everyone, but us" before actually punching Cedar in the face. In the end the judge declares him to be "the sanest man who ever walked into this courtroom."
Output: What is the tone of this story?
During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the (fictional) hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed, however, by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, giving him the nickname "Cinderella Man".
Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. He had been in love with her, and is left heartbroken. In disgust, he decides to return to Mandrake Falls.
Before he leaves, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre farms free to thousands of homeless families if they will work the land for three years.
Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative (and the man's grasping, domineering wife) in seeking to have Deeds declared mentally incompetent. Along with Babe's betrayal, this finally breaks Deeds' spirit and he sinks into a deep depression. A sanity hearing is scheduled to determine who should control the Deeds' fortune.
During the hearing. Cedar calls an expert who diagnoses manic depression based on Babe's articles and Deeds' current behavior; he gets Deeds' Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated". Deeds is too depressed to defend himself and the situation looks bleak when Babe finally speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case when he asks the Faulkners who else is pixilated, they reply, "Why everyone, but us" before actually punching Cedar in the face. In the end the judge declares him to be "the sanest man who ever walked into this courtroom."
Output: Who is the protagonist in this story?
During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the (fictional) hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed, however, by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, giving him the nickname "Cinderella Man".
Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. He had been in love with her, and is left heartbroken. In disgust, he decides to return to Mandrake Falls.
Before he leaves, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre farms free to thousands of homeless families if they will work the land for three years.
Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative (and the man's grasping, domineering wife) in seeking to have Deeds declared mentally incompetent. Along with Babe's betrayal, this finally breaks Deeds' spirit and he sinks into a deep depression. A sanity hearing is scheduled to determine who should control the Deeds' fortune.
During the hearing. Cedar calls an expert who diagnoses manic depression based on Babe's articles and Deeds' current behavior; he gets Deeds' Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated". Deeds is too depressed to defend himself and the situation looks bleak when Babe finally speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case when he asks the Faulkners who else is pixilated, they reply, "Why everyone, but us" before actually punching Cedar in the face. In the end the judge declares him to be "the sanest man who ever walked into this courtroom."
Output: What is the theme of this story?
During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the (fictional) hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed, however, by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, giving him the nickname "Cinderella Man".
Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. He had been in love with her, and is left heartbroken. In disgust, he decides to return to Mandrake Falls.
Before he leaves, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre farms free to thousands of homeless families if they will work the land for three years.
Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative (and the man's grasping, domineering wife) in seeking to have Deeds declared mentally incompetent. Along with Babe's betrayal, this finally breaks Deeds' spirit and he sinks into a deep depression. A sanity hearing is scheduled to determine who should control the Deeds' fortune.
During the hearing. Cedar calls an expert who diagnoses manic depression based on Babe's articles and Deeds' current behavior; he gets Deeds' Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated". Deeds is too depressed to defend himself and the situation looks bleak when Babe finally speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case when he asks the Faulkners who else is pixilated, they reply, "Why everyone, but us" before actually punching Cedar in the face. In the end the judge declares him to be "the sanest man who ever walked into this courtroom."
Output: How does Deeds decide to help the poor?
During the Great Depression, Longfellow Deeds (Gary Cooper), the co-owner of a tallow works, part-time greeting card poet, and tuba-playing inhabitant of the (fictional) hamlet of Mandrake Falls, Vermont, inherits 20 million dollars from his late uncle, Martin Semple. Semple's scheming attorney, John Cedar (Douglass Dumbrille), locates Deeds and takes him to New York City. Cedar gives his cynical troubleshooter, ex-newspaperman Cornelius Cobb (Lionel Stander), the task of keeping reporters away from Deeds. Cobb is outfoxed, however, by star reporter Louise "Babe" Bennett (Jean Arthur), who appeals to Deeds' romantic fantasy of rescuing a damsel in distress by masquerading as a poor worker named Mary Dawson. She pretends to faint from exhaustion after "walking all day to find a job" and worms her way into his confidence. Bennett proceeds to write a series of enormously popular articles mocking Longfellow's hick ways and odd behavior, giving him the nickname "Cinderella Man".
Cedar tries to get Deeds' power of attorney in order to keep his own financial misdeeds secret. Deeds, however, proves to be a shrewd judge of character, easily fending off Cedar and other greedy opportunists. He wins Cobb's wholehearted respect and eventually Babe's love. She quits her job in shame, but before she can tell Deeds the truth about herself, Cobb finds it out and tells Deeds. He had been in love with her, and is left heartbroken. In disgust, he decides to return to Mandrake Falls.
Before he leaves, a dispossessed farmer (John Wray) stomps into his mansion and threatens him with a gun. He expresses his scorn for the seemingly heartless, ultra-rich man, who will not lift a finger to help the multitudes of desperate poor. After the intruder comes to his senses, Deeds realizes what he can do with his troublesome fortune. He decides to provide fully equipped 10-acre farms free to thousands of homeless families if they will work the land for three years.
Alarmed at the prospect of losing control of the fortune, Cedar joins forces with Deeds' only other relative (and the man's grasping, domineering wife) in seeking to have Deeds declared mentally incompetent. Along with Babe's betrayal, this finally breaks Deeds' spirit and he sinks into a deep depression. A sanity hearing is scheduled to determine who should control the Deeds' fortune.
During the hearing. Cedar calls an expert who diagnoses manic depression based on Babe's articles and Deeds' current behavior; he gets Deeds' Mandrake Falls tenants, eccentric elderly sisters Jane and Amy Faulkner (Margaret Seddon and Margaret McWade), to testify that Deeds is "pixilated". Deeds is too depressed to defend himself and the situation looks bleak when Babe finally speaks up passionately on his behalf, castigating herself for what she did to him. When he realizes that she truly loves him, he begins speaking, systematically punching holes in Cedar's case when he asks the Faulkners who else is pixilated, they reply, "Why everyone, but us" before actually punching Cedar in the face. In the end the judge declares him to be "the sanest man who ever walked into this courtroom."
Output: Who is John Cedar?
Mr. Vane, the protagonist of Lilith, owns a library that seems to be haunted by the former librarian, who looks much like a raven from the brief glimpses he catches of the wraith. After finally encountering the supposed ghost, the mysterious Mr. Raven, Vane learns that Raven had known his father; indeed, Vane's father had visited the strange parallel universe from which Raven comes and goes and now resides therein. Vane follows Raven into the world through a mirror (this symbolistic realm is described as "the region of the seven dimensions", a term taken from Jacob Boehme).
Inside the world, Vane learns of a house of beds where the dreamers sleep until the end of the world in death: a good death, in which life is found. Vane's grandfather refused to sleep there and is, instead, forced to do battle with skeletons in a haunted wood. After a treacherous journey through a valley (where the moon is the only thing to keep him safe), Mr. Vane meets the Little Ones, children who never grow up, remaining pure children or becoming selfish and getting bigger and dumber, turning into "bags" or bad giants. After conversing with Lona, the eldest of the children, Mr. Vane decides to help them, and sets off to gather more information, although the Raven (who is also Adam) has warned Mr. Vane that he needs to sleep along with the dreamers before he can really help them.
While on his journey, he meets Lilith, Adam's first wife and the princess of Bulika. Vane, although nearly blinded by Lilith's beauty and charms, eventually leads the Little Ones in a battle against Bulika. Lona, Vane's love, turns out to be Lilith's daughter, and is killed by her own mother. Lilith, however, is captured and brought to Adam and Eve at the house of death, where they struggle to make her open her hand, fused shut, in which she holds the water the Little Ones need to grow. Only when she gives it up can Lilith join the sleepers in blissful dreams, free of sin. After a long struggle, Lilith bids Adam cut her hand from her body; it is done, Lilith sleeps, and Vane is sent to bury the hand; water flows from the hole and washes the land over. Vane is then allowed to join the Little Ones, already asleep, in their dreaming. He takes his bed, next to Lona's, and finds true life in death.
Output: Who kills lona?
Mr. Vane, the protagonist of Lilith, owns a library that seems to be haunted by the former librarian, who looks much like a raven from the brief glimpses he catches of the wraith. After finally encountering the supposed ghost, the mysterious Mr. Raven, Vane learns that Raven had known his father; indeed, Vane's father had visited the strange parallel universe from which Raven comes and goes and now resides therein. Vane follows Raven into the world through a mirror (this symbolistic realm is described as "the region of the seven dimensions", a term taken from Jacob Boehme).
Inside the world, Vane learns of a house of beds where the dreamers sleep until the end of the world in death: a good death, in which life is found. Vane's grandfather refused to sleep there and is, instead, forced to do battle with skeletons in a haunted wood. After a treacherous journey through a valley (where the moon is the only thing to keep him safe), Mr. Vane meets the Little Ones, children who never grow up, remaining pure children or becoming selfish and getting bigger and dumber, turning into "bags" or bad giants. After conversing with Lona, the eldest of the children, Mr. Vane decides to help them, and sets off to gather more information, although the Raven (who is also Adam) has warned Mr. Vane that he needs to sleep along with the dreamers before he can really help them.
While on his journey, he meets Lilith, Adam's first wife and the princess of Bulika. Vane, although nearly blinded by Lilith's beauty and charms, eventually leads the Little Ones in a battle against Bulika. Lona, Vane's love, turns out to be Lilith's daughter, and is killed by her own mother. Lilith, however, is captured and brought to Adam and Eve at the house of death, where they struggle to make her open her hand, fused shut, in which she holds the water the Little Ones need to grow. Only when she gives it up can Lilith join the sleepers in blissful dreams, free of sin. After a long struggle, Lilith bids Adam cut her hand from her body; it is done, Lilith sleeps, and Vane is sent to bury the hand; water flows from the hole and washes the land over. Vane is then allowed to join the Little Ones, already asleep, in their dreaming. He takes his bed, next to Lona's, and finds true life in death.
Output: Who must Vane's grandfather battle?
Mr. Vane, the protagonist of Lilith, owns a library that seems to be haunted by the former librarian, who looks much like a raven from the brief glimpses he catches of the wraith. After finally encountering the supposed ghost, the mysterious Mr. Raven, Vane learns that Raven had known his father; indeed, Vane's father had visited the strange parallel universe from which Raven comes and goes and now resides therein. Vane follows Raven into the world through a mirror (this symbolistic realm is described as "the region of the seven dimensions", a term taken from Jacob Boehme).
Inside the world, Vane learns of a house of beds where the dreamers sleep until the end of the world in death: a good death, in which life is found. Vane's grandfather refused to sleep there and is, instead, forced to do battle with skeletons in a haunted wood. After a treacherous journey through a valley (where the moon is the only thing to keep him safe), Mr. Vane meets the Little Ones, children who never grow up, remaining pure children or becoming selfish and getting bigger and dumber, turning into "bags" or bad giants. After conversing with Lona, the eldest of the children, Mr. Vane decides to help them, and sets off to gather more information, although the Raven (who is also Adam) has warned Mr. Vane that he needs to sleep along with the dreamers before he can really help them.
While on his journey, he meets Lilith, Adam's first wife and the princess of Bulika. Vane, although nearly blinded by Lilith's beauty and charms, eventually leads the Little Ones in a battle against Bulika. Lona, Vane's love, turns out to be Lilith's daughter, and is killed by her own mother. Lilith, however, is captured and brought to Adam and Eve at the house of death, where they struggle to make her open her hand, fused shut, in which she holds the water the Little Ones need to grow. Only when she gives it up can Lilith join the sleepers in blissful dreams, free of sin. After a long struggle, Lilith bids Adam cut her hand from her body; it is done, Lilith sleeps, and Vane is sent to bury the hand; water flows from the hole and washes the land over. Vane is then allowed to join the Little Ones, already asleep, in their dreaming. He takes his bed, next to Lona's, and finds true life in death.
Output: What is Lilith's relationship to Raven?
Mr. Vane, the protagonist of Lilith, owns a library that seems to be haunted by the former librarian, who looks much like a raven from the brief glimpses he catches of the wraith. After finally encountering the supposed ghost, the mysterious Mr. Raven, Vane learns that Raven had known his father; indeed, Vane's father had visited the strange parallel universe from which Raven comes and goes and now resides therein. Vane follows Raven into the world through a mirror (this symbolistic realm is described as "the region of the seven dimensions", a term taken from Jacob Boehme).
Inside the world, Vane learns of a house of beds where the dreamers sleep until the end of the world in death: a good death, in which life is found. Vane's grandfather refused to sleep there and is, instead, forced to do battle with skeletons in a haunted wood. After a treacherous journey through a valley (where the moon is the only thing to keep him safe), Mr. Vane meets the Little Ones, children who never grow up, remaining pure children or becoming selfish and getting bigger and dumber, turning into "bags" or bad giants. After conversing with Lona, the eldest of the children, Mr. Vane decides to help them, and sets off to gather more information, although the Raven (who is also Adam) has warned Mr. Vane that he needs to sleep along with the dreamers before he can really help them.
While on his journey, he meets Lilith, Adam's first wife and the princess of Bulika. Vane, although nearly blinded by Lilith's beauty and charms, eventually leads the Little Ones in a battle against Bulika. Lona, Vane's love, turns out to be Lilith's daughter, and is killed by her own mother. Lilith, however, is captured and brought to Adam and Eve at the house of death, where they struggle to make her open her hand, fused shut, in which she holds the water the Little Ones need to grow. Only when she gives it up can Lilith join the sleepers in blissful dreams, free of sin. After a long struggle, Lilith bids Adam cut her hand from her body; it is done, Lilith sleeps, and Vane is sent to bury the hand; water flows from the hole and washes the land over. Vane is then allowed to join the Little Ones, already asleep, in their dreaming. He takes his bed, next to Lona's, and finds true life in death.
Output: Who is forced to do battles with skeletons?