niryuu/sni-each-converted huggingface dataset:
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What was the name of the short story in which Wells says he described a tank?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: Who did wells think should undertake the responsibility of a peace settlement?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: Where does the second part of the story take place at?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What is the name of the third part?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What is the first part of the story called?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What was Genaral  Joffre quality?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What soldiers does Wells praise?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What did Wells say had transformed war in a way that war professional were too slow to grasp?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: Who gave the tour in the third part that Wells describes?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: Who does Wells say developed tactics to defeat Germany?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What transform the art of war?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: Who does wells say is the first King he ever met?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: Andre Citroen gave a tour of what kind of factory?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What was king of Italy lack of?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What are military professionals are too slow to get?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What does Wells claim changes the art of war?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: What responsibility should  American should undertake?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: How many parts is War and the Future divided into?
War and the Future is divided into four parts.
In the first part, entitled "The Passing of the Effigy", Wells argues that "the great man of this war is the common man", and sketches a portrait of General Joffre as "a single figure to stand for the finest quality of the Allies' war", on account of his "leadership without vulgar ambition...He is as it were the ordinary commonsense of men, incarnate." In an account of a visit with the King of Italy, "the first king I had ever met", Wells is struck by the monarch's lack of pomp and, indeed, regality.
The second part, titled "The War in Italy" (August 1916), describes the city of Udine and the mountain warfare of the Isonzo front as well as visits to Verona, Venice, and Milan.
The third part, "The Western War" (September 1916), describes visits to the Western Front near Arras and Soissons in France. Wells expresses confidence that methods of aerial dominance, combined with photography, have permitted the Allies to develop tactics that are sure ultimately to defeat Germany. Wells praises British soldiers but criticises the officer corps for its mental rigidity. He emphasises that new technologies have transformed the art of war in ways that military professionals are all too slow to grasp. In particular, fighting in disciplined formations and cavalry are no longer of any military importance, while "[a]rtillery is now the most essential instrument of the war." Wells describes a tour of a munitions factory given by Andr  Citro n. He devotes a chapter to tanks as "a beginning in a new phase of warfare" noting that in 1903 he had described a tank in a short story ("The Land Ironclads").
War and the Future's final part is entitled "How People Think about the War" and addresses a miscellany of subjects: (1) the failure of contemporaries to grasp the nature and causes of the war; (2) the psychology of what he calls "the Yielding Pacifist" (willing to accept any sort of peace), whose origins he finds in "the Resentful Employ ," and of "the Conscientious Objector," pages he later deeply regretted; (3) the effect of the war on religious thought; (4) French and Italian doubts about the British; (5) the effect of the war on future labour relations; (6) the prospects for ending the war. On the last subject, Wells saw a possibility of victory in 1917, but allowed that "the war, universally detested, may go on into 1918 or 1919." Wells said that "America should ultimately undertake the responsibility of a world peace settlement."
Output: Who was the great man of  the passing of the Effigy war?