niryuu/sni-each-converted huggingface dataset:
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: WHAT DOES A DRINK FROM NARCISSUS'S SPRING CAUSE THE DRINKER TO DO?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: What challenge does Asotus propose to all comers?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Who is the 2nd Earl of Essex?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: From where does this play originate?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Which two societies are aligned in this play?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Where is Narcissus's spring?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: What are people arguing about as the story begins?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: WHO DRANK FROM THE SPRING AT CYNTHIA'S REVELS?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: WHAT SENTENCE DID CYNTHIA GIVE TO THE SYMBOLIC VICES?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: HOW MANY PHASES DID THE COURT COMPLIMENT COMPETITION HAVE?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: What effect does the spring of Narcissus have on those who drink from it?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: IN WHAT VALLEY DID THE SOLEMN REVELS OF CYNTHIA TAKE PLACE?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: WHO DOES ECHO WEEP FOR?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Where do the dancers purify themselves?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: What does Diana tell the courtiers to do after the dance?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Who does Diana represent?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Why does Asotus become emboldened by vanity and self -love?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: What does Diana order to take place  in the valley of Gargaphie?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Who awakens Echo?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Who announces the events that are to come to the dismay of the others on stage?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: WHAT NAME WAS CYNTHIA MORE FAMOUSLY KNOWN BY?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: How many phases does the competition have?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Who enters with Mercury?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Who is sleeping at the beginning of the play?
The play begins with three pages disputing over the black cloak usually worn by the actor who delivers the prologue. They draw lots for the cloak, and one of the losers, Anaides, starts telling the audience what happens in the play to come; the others try to suppress him, interrupting him and putting their hands over his mouth. Soon they are fighting over the cloak and criticizing the author and the spectators as well.
In the play proper, the goddess Diana, also called Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." The courtiers and ladies assembled for the Cynthia's revels all drink from the spring.
Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten. Two symbolic masques are performed within the play for the assembled revelers. At their conclusion, Cynthia (representing Queen Elizabeth) has the dancers unmask and shows that vices have masqueraded as virtues. She sentences them to make reparation and to purify themselves by bathing in the spring at Mount Helicon.
The figure of Actaeon in the play may represent Robert Devereux, 2nd Earl of Essex, while Cynthia's lady in waiting Arete may be Lucy, Countess of Bedford, one of Elizabeth's ladies in waiting as well as Jonson's patroness.
The play is notably rich in music, as is typical for the theatre of the boys' companies, which originated as church choirs.
Output: Which page performs the dialogue?
The story follows its title heroine, from childhood to confirmation. After her mother's death, Lisbeth (given the nickname Longskirt, or Sids rk in the original Norwegian, because of her much too-long skirt, a Christmas present given her by her brother) as she moves from her original home at New Ridge farm (called "Peerout Castle" for its fine view of the valley), to Hoel farm, one of the central farms of the area. Her brother, Jacob, also goes to Nordrum farm to become a herdsman there. At Hoel, Lisbeth is cared for by Kjersti Hoel, the farm's owner, who has made a promise to Lisbeth's mother before she died. Lisbeth works with livestock both at the farm, and at the seter (s ter in the book's transliteration), a mountain pasture used during the summertime. At the seter, Lisbeth meets two other herdsmen from neighboring farms, and spends the summer with them, getting to know them as she grows up.
The content of the book concerns the difficult conditions of the work of the country children who had to eke out a poor existence far away from their parents. In spite of this account of their hard lot an optimistic kind of portrayal is predominant.
Output: What is Lisbeth's home called?