niryuu/sni-each-converted huggingface dataset:
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: What are the brothers doing for the majority of the story?
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: How does the Lady become separated from her brothers?
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: Who ultimately saves the Lady?
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: How does Cormus restrain the Lady?
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: What form does the Spirit take?
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: Why can't the Lady leave?
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: How does the Attendant Spirit summon Sabrina, the water nymph?
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: How does Cormus justify giving into one's inner desires?
The plot concerns two brothers and their sister, simply called "the Lady", lost in a journey through the woods. The Lady becomes fatigued, and the brothers wander off in search of sustenance.
While alone, she encounters the debauched Comus, a character inspired by the god of revelry (Ancient Greek:  ), who is disguised as a villager and claims he will lead her to her brothers. Deceived by his amiable countenance, the Lady follows him, only to be captured, brought to his pleasure palace and victimised by his necromancy. Seated on an enchanted chair, with "gums of glutinous heat", she is immobilised, and Comus accosts her while with one hand he holds a necromancer's wand and with the other he offers a vessel with a drink that would overpower her. Comus urges the Lady to "be not coy" and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity. Within view at his palace is an array of cuisine intended to arouse the Lady's appetites and desires. Despite being restrained against her will, she continues to exercise right reason (recta ratio) in her disputation with Comus, thereby manifesting her freedom of mind. Whereas the would-be seducer argues appetites and desires issuing from one's nature are "natural" and therefore licit, the Lady contends that only rational self-control is enlightened and virtuous. To be self-indulgent and intemperate, she adds, is to forfeit one's higher nature and to yield to baser impulses. In this debate the Lady and Comus signify, respectively, soul and body, ratio and libido, sublimation and sensuality, virtue and vice, moral rectitude and immoral depravity. In line with the theme of the journey that distinguishes Comus, the Lady has been deceived by the guile of a treacherous character, temporarily waylaid, and besieged by sophistry that is disguised as wisdom.
Meanwhile, her brothers, searching for her, come across the Attendant Spirit, an angelic figure sent to aid them, who takes the form of a shepherd and tells them how to defeat Comus. As the Lady continues to assert her freedom of mind and to exercise her free will by resistance and even defiance, she is rescued by the Attendant Spirit along with her brothers, who chase off Comus. The Lady remains magically bound to her chair. With a song, the Spirit conjures the water nymph Sabrina who frees the Lady on account of her steadfast virtue. She and her brothers are reunited with their parents in a triumphal celebration, which signifies the heavenly bliss awaiting the wayfaring soul that prevails over trials and travails, whether these are the threats posed by overt evil or the blandishments of temptation.
Output: What does Comus urge The Lady to drink from?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: What does Tarzan do that enrages La?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: Where did Tarzan return to?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: Who returns to Opar in order to make good on some financial issues?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: What happens to Tarzan during an earthquake?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: What happened to Jane?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: What happened to Atlantis thousands of years ago?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: What happened to Tarzan in the treasure room?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: What does La try to do when Tarzan rejects her?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: What object did Tarzan and Werper escape Opar with?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: How long ago did Atlantis sank?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: Why did Albert follow Tarzan?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: Where was Tarzan located when he was struck by the rock in the head?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: What is La's interest in Tarzan?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: Who secretly follows Tarzan to Opar?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: Who knows of the secret location of Atlantis?
Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.
A greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.
In the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.
Output: Who does Tarzan escape Opar with?