niryuu/sni-each-converted huggingface dataset:
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: What is Phoebe's answer when Captain Brown finally proposes marriage to her?
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: Who is Patty?
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: Who helps to encourage a melencholoy Pheobe?
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: What is the name of the fictional character that Pheobe creates?
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: What does Brown discover at the ball?
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: Who does Valentine Brown go to war to fight against?
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: At the beginning of the story Miss Phoebe is in a relationship with whom?
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: Why do the local gossipss frequently visity the sisters home?
The play is set in Napoleonic times.
Act 1
There is heightened anticipation as the local gossips of the town discuss the developing relationship between Miss Phoebe Throssel and Valentine Brown. Phoebe then confesses to her sister, Susan, that Brown intends to drop by later that day, and both are certain he means to propose. When he finally does appear, it is not to ask for Phoebe's hand in marriage but to announce his intention to join the fight in Europe against Napoleon. This leaves the girls devastated.
Act 2
Ten years after the departure of Brown, we find the girls have set up a school in order to pay the rent. Phoebe has not accepted any other suitor and has allowed herself to become an "Old Maid" and school mistress. Phoebe, however, longs for her youth, and the return of Captain Brown only deepens her melancholy. "I am tired of being lady-like," she declares. With some encouragement from her maid, Patty, she creates the fictional character of Miss Livvy, a more energetic, flirtatious and naughty version of her younger self, and begins to tease Captain Brown who, captivated by her, persuades her and Susan to accompany him to the ball.
Act 3
At the ball, and Phoebe is still playing the part of Miss Livvy. In this guise, she has captured the eyes of many of the young men and the scorn of ladies. However, Phoebe is now annoyed that Brown seems to prefer this unsubstantial 'young' flirt that she has created to her true personality and qualities. Her actions cause events to come to a head as her act is almost brought to light by the local gossiping girls Fanny Willoughby and Henrietta Turnbull. In a final confrontation with Captain Brown, we discover that he has found his love for Miss Phoebe and not for Miss Livvy, as he insists that "I have discovered for myself that the schoolmistress in her old maid's cap is the noblest Miss Phoebe of them all."
Act 4
Miss Livvy still hangs heavy over the sisters: having been created, she is now difficult to dispose of. The local gossips watch for any sign of Miss Livvy and frequently visit the sisters' home. Brown comes to ask for Phoebe s hand and is turned down without explanation. As a result, he becomes aware of the disguise and the sisters' plight and sets out to right all wrongs, even his own.
Output: What does Valentine Brown tell Phoebe when he comes to visit before he leaves for the war?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What literary genre flourished at the beginning of the 20th century?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: Who is the leader of the Armies in london?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: Where is the story set?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What house does Kaiser Wilhelm II come from?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: From which House did Kaiser Wilhilm descend?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What does the story generally argue?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: Why is the hero fined?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What foreign country is occupying England?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What story is another example of invasion literature?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What kind of nations were tensions risen between?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What does the hostess tell the hero she must do?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: Who is the hero found fraternizing with?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: Which war is predicted?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What war is predicted ?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: Which war does the story predict?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: In what army are the un-military British excused from serving in?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What type of literary genre is being focused on?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: Which foreign country's army invaded London?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: Who invaded london?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What does the Imperial Rescript announce?
The "William" of the book's title is Kaiser Wilhelm II, who came from the House of Hohenzollern, hence the subtitle. The book chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. Like Robert Erskine Childers's novel The Riddle of the Sands (1903), it predicts the Great War (in which Saki would be killed) and is an example of invasion literature, a literary genre which flourished at the beginning of the 20th century as tensions between the European great powers increased.
Much of the book is an argument for compulsory military service, about which there was then a major controversy. The scene in which an Imperial Rescript is announced in a subjugated London, excusing the unmilitary British from serving in the Kaiser's armies, is particularly bitter. There are also several vignettes exemplifying the differences between the English and continental systems of law: for example, the moment when the hero's hostess informs him that she must register his presence under her roof with the police, and the incident in which he is fined on the spot for walking on the grass in Hyde Park. In another episode, he finds himself unintentionally but unavoidably fraternising with one of the invaders.
Output: What the primary argument being emphasized?