niryuu/sni-each-converted huggingface dataset:
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What was seen as the Barbarous product of the Dark Ages?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What inspires jean to go to London?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What kind of work does Jean show contempt for?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What takes a toll on Jean's health?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Why does Jean leave Paris?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Who is the last member of the Esseintes family?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What does Jean fill his house with?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: At the beginning of the story, where does Jean retreat to?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What does Jean compare his return to society as?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Where does he decide to visit after reading the works of Dickens?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What type of literature does Jean survey at first?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Most of Jean's art is reprints by whom?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What piece inspires Jean to live his life in intellectual and aesthetic contemplation?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What happens after the gemstones are placed on the tortoise's back?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: Of what age are the Latin bookwriters Jean rejects?
Jean des Esseintes is the last member of a powerful and once proud noble family. He has lived an extremely decadent life in Paris, which has left him disgusted with human society. Without telling anyone, he retreats to a house in the countryside.
He fills the house with his eclectic art collection (which notably consists of reprints of paintings of Gustave Moreau). Drawing from the theme of Gustave Flaubert's Bouvard et P cuchet, Des Esseintes decides to spend the rest of his life in intellectual and aesthetic contemplation. Throughout his intellectual experiments, he recalls various debauched events and love affairs of his past in Paris.
He conducts a survey of French and Latin literature, rejecting the works approved by the mainstream critics of his day. Among French authors, he shows nothing but contempt for the Romantics but adores the poetry of Baudelaire and that of the nascent Symbolist movement of Paul Verlaine, Tristan Corbi re and St phane Mallarm , as well as the decadent fiction of the unorthodox Catholic writers Auguste Villiers de l'Isle-Adam and Barbey d'Aurevilly. He rejects the academically respectable Latin authors of the "Golden Age" such as Virgil and Cicero, preferring later "Silver Age" writers such as Petronius and Apuleius as well as works of early Christian literature, whose style was usually dismissed as the "barbarous" product of the Dark Ages. Schopenhauer, he exclaims, has seen the truth, and he clearly expressed it in his philosophy. He studies Moreau's paintings, he tries his hand at inventing perfumes, and he creates a garden of poisonous flowers. In one of the book's most surrealistic episodes, he has gemstones set in the shell of a tortoise. The extra weight on the creature's back causes its death. In another episode, he decides to visit London after reading the novels of Dickens. He dines at an English restaurant in Paris while waiting for his train and is delighted by the resemblance of the people to his notions derived from literature. He then cancels his trip and returns home, convinced that only disillusion would await him if he were to follow through with his plans.
Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a non-believer trying to embrace religion.
Output: What requires Jean to return to Paris?
The narrative begins with the auction by the US Government of fictional Spencer Island, located 460 miles off the California coast (32 15 N 145 18 W). The island is uninhabited and there are only two bidders, William W. Kolderup, a very wealthy San Franciscan, and his arch-rival J. R. Taskinar, a resident of Stockton, California. Kolderup wins the auction, buying Spencer Island for four million dollars. J. R. Taskinar mutters, "I will be avenged!" before retiring to his hotel.
Godfrey, an idle twenty-two-year-old, lives with Kolderup, his uncle, and Kolderup's adopted goddaughter, Phina, whom Godfrey has grown to love. Prior to marrying Phina, Godfrey asks to undertake a world tour. Acceding to his desire, his uncle sends Godfrey on a sea voyage around the world on board one of his steamships, the Dream, commanded by Captain Turcott. Godfrey is accompanied by his mentor, teacher, and dance instructor, Professor T. Artelett aka "Tartlet".
After some time at sea, Godfrey is awakened one foggy night and told to abandon ship as the Dream is foundering. After jumping into the sea, Godfrey is washed ashore on a deserted island, where he soon finds Tartlet has also been marooned. Godfrey, with scant help from Tartlet, will have to learn to survive, to organize his life, face hostile intruders, and overcome other obstacles. Eventually, they are also joined by Carefinotu, whom Godfrey rescues from Polynesians visiting the island. By the end of the story the formerly jaded young man has discovered the value of independent effort, and he gains poise and courage. The marooned group are rescued and returned to San Francisco, where Godfrey is reunited with Phina. They agree to marry before continuing the world tour, this time together.
Output: Where does Godfrey see Phina after being rescued?
The narrative begins with the auction by the US Government of fictional Spencer Island, located 460 miles off the California coast (32 15 N 145 18 W). The island is uninhabited and there are only two bidders, William W. Kolderup, a very wealthy San Franciscan, and his arch-rival J. R. Taskinar, a resident of Stockton, California. Kolderup wins the auction, buying Spencer Island for four million dollars. J. R. Taskinar mutters, "I will be avenged!" before retiring to his hotel.
Godfrey, an idle twenty-two-year-old, lives with Kolderup, his uncle, and Kolderup's adopted goddaughter, Phina, whom Godfrey has grown to love. Prior to marrying Phina, Godfrey asks to undertake a world tour. Acceding to his desire, his uncle sends Godfrey on a sea voyage around the world on board one of his steamships, the Dream, commanded by Captain Turcott. Godfrey is accompanied by his mentor, teacher, and dance instructor, Professor T. Artelett aka "Tartlet".
After some time at sea, Godfrey is awakened one foggy night and told to abandon ship as the Dream is foundering. After jumping into the sea, Godfrey is washed ashore on a deserted island, where he soon finds Tartlet has also been marooned. Godfrey, with scant help from Tartlet, will have to learn to survive, to organize his life, face hostile intruders, and overcome other obstacles. Eventually, they are also joined by Carefinotu, whom Godfrey rescues from Polynesians visiting the island. By the end of the story the formerly jaded young man has discovered the value of independent effort, and he gains poise and courage. The marooned group are rescued and returned to San Francisco, where Godfrey is reunited with Phina. They agree to marry before continuing the world tour, this time together.
Output: Where is Spencer Island located?
The narrative begins with the auction by the US Government of fictional Spencer Island, located 460 miles off the California coast (32 15 N 145 18 W). The island is uninhabited and there are only two bidders, William W. Kolderup, a very wealthy San Franciscan, and his arch-rival J. R. Taskinar, a resident of Stockton, California. Kolderup wins the auction, buying Spencer Island for four million dollars. J. R. Taskinar mutters, "I will be avenged!" before retiring to his hotel.
Godfrey, an idle twenty-two-year-old, lives with Kolderup, his uncle, and Kolderup's adopted goddaughter, Phina, whom Godfrey has grown to love. Prior to marrying Phina, Godfrey asks to undertake a world tour. Acceding to his desire, his uncle sends Godfrey on a sea voyage around the world on board one of his steamships, the Dream, commanded by Captain Turcott. Godfrey is accompanied by his mentor, teacher, and dance instructor, Professor T. Artelett aka "Tartlet".
After some time at sea, Godfrey is awakened one foggy night and told to abandon ship as the Dream is foundering. After jumping into the sea, Godfrey is washed ashore on a deserted island, where he soon finds Tartlet has also been marooned. Godfrey, with scant help from Tartlet, will have to learn to survive, to organize his life, face hostile intruders, and overcome other obstacles. Eventually, they are also joined by Carefinotu, whom Godfrey rescues from Polynesians visiting the island. By the end of the story the formerly jaded young man has discovered the value of independent effort, and he gains poise and courage. The marooned group are rescued and returned to San Francisco, where Godfrey is reunited with Phina. They agree to marry before continuing the world tour, this time together.
Output: What is Professor T. Artlett's nickname?
The narrative begins with the auction by the US Government of fictional Spencer Island, located 460 miles off the California coast (32 15 N 145 18 W). The island is uninhabited and there are only two bidders, William W. Kolderup, a very wealthy San Franciscan, and his arch-rival J. R. Taskinar, a resident of Stockton, California. Kolderup wins the auction, buying Spencer Island for four million dollars. J. R. Taskinar mutters, "I will be avenged!" before retiring to his hotel.
Godfrey, an idle twenty-two-year-old, lives with Kolderup, his uncle, and Kolderup's adopted goddaughter, Phina, whom Godfrey has grown to love. Prior to marrying Phina, Godfrey asks to undertake a world tour. Acceding to his desire, his uncle sends Godfrey on a sea voyage around the world on board one of his steamships, the Dream, commanded by Captain Turcott. Godfrey is accompanied by his mentor, teacher, and dance instructor, Professor T. Artelett aka "Tartlet".
After some time at sea, Godfrey is awakened one foggy night and told to abandon ship as the Dream is foundering. After jumping into the sea, Godfrey is washed ashore on a deserted island, where he soon finds Tartlet has also been marooned. Godfrey, with scant help from Tartlet, will have to learn to survive, to organize his life, face hostile intruders, and overcome other obstacles. Eventually, they are also joined by Carefinotu, whom Godfrey rescues from Polynesians visiting the island. By the end of the story the formerly jaded young man has discovered the value of independent effort, and he gains poise and courage. The marooned group are rescued and returned to San Francisco, where Godfrey is reunited with Phina. They agree to marry before continuing the world tour, this time together.
Output: Whose steamship does Godfrey go in for the sea voyage?
The narrative begins with the auction by the US Government of fictional Spencer Island, located 460 miles off the California coast (32 15 N 145 18 W). The island is uninhabited and there are only two bidders, William W. Kolderup, a very wealthy San Franciscan, and his arch-rival J. R. Taskinar, a resident of Stockton, California. Kolderup wins the auction, buying Spencer Island for four million dollars. J. R. Taskinar mutters, "I will be avenged!" before retiring to his hotel.
Godfrey, an idle twenty-two-year-old, lives with Kolderup, his uncle, and Kolderup's adopted goddaughter, Phina, whom Godfrey has grown to love. Prior to marrying Phina, Godfrey asks to undertake a world tour. Acceding to his desire, his uncle sends Godfrey on a sea voyage around the world on board one of his steamships, the Dream, commanded by Captain Turcott. Godfrey is accompanied by his mentor, teacher, and dance instructor, Professor T. Artelett aka "Tartlet".
After some time at sea, Godfrey is awakened one foggy night and told to abandon ship as the Dream is foundering. After jumping into the sea, Godfrey is washed ashore on a deserted island, where he soon finds Tartlet has also been marooned. Godfrey, with scant help from Tartlet, will have to learn to survive, to organize his life, face hostile intruders, and overcome other obstacles. Eventually, they are also joined by Carefinotu, whom Godfrey rescues from Polynesians visiting the island. By the end of the story the formerly jaded young man has discovered the value of independent effort, and he gains poise and courage. The marooned group are rescued and returned to San Francisco, where Godfrey is reunited with Phina. They agree to marry before continuing the world tour, this time together.
Output: Whom does Godfrey rescue Carefinotu from?