Question: In what city did the group of artists painting in Bamboccio's  manner operate? Passage 1:Yachting has a long and prolific history in the area. New Silver Anchorage was dredged from Wild Harbor in the 1920s to shelter Beetle Cat boats which had become popular among the Cape Cod elite. Prior to the Second World War organized sailing flourished out of Wild Harbor, however U-Boat hysteria during the war led to dwindling popularity. On August 30, 1953, the Wild Harbor Yacht Club was formed on Wickertree Road to primarily serve New Silver and its constituent communities. The Club was incorporated by the United States Sailing Association the following year. A Widgeon fleet was organized in 1979 which brought the sport of sailing back into regional popularity. The club clinched the Southern Massachusetts Beetle Cat championship in 1981, 1982, 1984, 1985, 1986, 1987, and 1989. In 1990 the club focused its junior sailing on the new 420 class racing vessels which were already popular in Europe and Australia. Wild Harbor is a regional powerhouse and dominates the north shore of Buzzards Bay and competes competitively in the Southern Massachusetts Sailing Grand Prix. Wild Harbor has produced three collegiate all-Americans and a member of the 2000 US International 470 team.
 Passage 2:Pieter van Laer (1599 – c. 1642) was a Dutch Golden Age painter of genre scenes, active for over a decade in Rome, where his nickname was Il Bamboccio. Artists working in his style, who often painted just such scenes of everyday life as Pliny lists, became known as the Bamboccianti, painters in Bamboccio's manner. Peiraikos is often mentioned in the controversies over the Bamboccianti, for example by Salvator Rosa in his Satires, and later by the Dutch biographer of artists, Samuel Dirksz van Hoogstraten in his Inleyding tot de Hooge Schoole der Schilderkonst (Introduction to the Academy of Painting), Rotterdam 1678. As genre painting became an important element of Dutch Golden Age painting, Peiraikos was used to provide classical precedent for such work, in the relatively few discussions of the appropriateness of such art by Karel van Mander in his Schilder-boeck (1604) and Arnold Houbraken in his The Great Theatre of Dutch Painters (1718–1719). Having originally been often rather cheap, by the late 17th century the best Dutch genre scenes became sought after by collectors across Europe at very high prices, a development following Pliny's account of Peiraikos that was bemoaned by Lessing in his Laocoon (1763), mentioning Dutch painting specifically. 
 Passage 3:Born in Croydon, London, Clohessy began his career with Arsenal, where he progressed through the club's academy system. He competed with Kerrea Gilbert for the right-back position in the youth and reserve team. Clohessy moved to Gillingham in 2005 to continue his development, as he went on to make his professional debut in a Football League Trophy tie with Wycombe Wanderers on 22 November 2005. He played for 104 minutes in the match which ended 3–1 to Wycombe following a penalty shoot-out. The score after normal time was 2–2. He made his Football League debut four days later as Gillingham fell to a 5–0 defeat to Colchester United. He didn't feature for the club for one month until he came on as a half-time substitute for Jon Wallis on 26 December in a 1–1 draw with Bristol City. He scored his first professional goal on 31 December, netting the second goal in a 3–0 win over Milton Keynes Dons at Priestfield.

Output: 2