Question: Has Max Blumental ever wrote for the New York Times? Passage 1:Kapler was a 57th-round draft pick (1,487th overall) by the Detroit Tigers in the 1995 MLB draft. In 1996 he led the Class A South Atlantic League in hits, doubles (2nd in the minor leagues), extra-base hits and total bases, and was named a South Atlantic League All-Star. In 1997 he led the Class A+ Florida State League in doubles, total bases and extra base hits, and was named a Florida State League mid-season and post-season All-Star. In 1998 he won the Class AA Southern League Most Valuable Player Award, after leading the league in hits (8th-most in the minors), runs (6th-most in the minors), doubles (3rd-most in the minor leagues), RBIs (most in the minors in 1998, and most ever in the Southern League), total bases and sacrifice flies, played in both the Double-A and Southern League All-Star Games, and was selected MVP of the Southern League All-Star Game. He was also named to the Southern League's post-season All-Star team, and named a Baseball America First Team Minor League All Star, Minor League Player of the Year by USA Today, Baseball Weekly, The Sporting News and USA Today, and was named Tiger Minor League Player of the Year and Detroit's No. 1 prospect by Baseball America.
 Passage 2:In February 2010, Breitbart received the Reed Irvine Accuracy in Media Award during the Conservative Political Action Conference in Washington, D.C. During his acceptance speech, he responded directly to accusations by The New York Times reporter Kate Zernike that Jason Mattera, a young conservative activist, had been using "racial tones" in his allusions to President Barack Obama, and had spoken in a "Chris Rock voice". From the podium, Breitbart called Zernike "a despicable human being" for having made such allegations about what, according to him, was just Mattera's Brooklyn accent. At the same conference, Breitbart was also filmed saying to journalist Max Blumenthal that he found him to be "a jerk" and "a despicable human being" over a blog entry in which Blumenthal accused Breitbart of employing a racist. Blumenthal was referring to James O'Keefe over his having attended a Georgetown Law Center discussion on race featuring Kevin Martin, John Derbyshire, and Jared Taylor, the last of whom founded American Renaissance, an online magazine widely considered white supremacist. Neither O'Keefe nor Breitbart endorsed Taylor's views.
 Passage 3:Reitherman was hired at Walt Disney Productions on May 21, 1933, and his first project was working as an animator on the Silly Symphonies cartoon, Funny Little Bunnies. Reitherman continued to work on a number of Disney shorts, including The Band Concert, Music Land, and Elmer Elephant. He animated the Slave in the Magic Mirror in Snow White and the Seven Dwarfs (1937). His next assignments was animating Monstro in Pinocchio (1940), the climactic dinosaur fight in Igor Stravinsky's The Rite of Spring in Fantasia (1940), and several scenes of Timothy Q. Mouse in Dumbo (1941). Starting in 1942, Reitherman had left Disney to serve in World War II for the United States Air Force, earning the Distinguished Flying Cross after serving in Africa, China, India and the South Pacific. He was discharged in February 1946 having earned the rank of Major. Reitherman rejoined Disney in April 1947, where he animated the Headless Horseman chase in "The Legend of Sleepy Hollow" section in The Adventures of Ichabod and Mr. Toad (1949). Around this same time, he had claimed he was instrumental in helping Walt Disney commit to producing Cinderella (1950). Reitherman recalled, "I just went in his office which I rarely did, and I said, 'Gee, that looks great. We ought to do do it.' It might have been a little nudge to say, 'Hey, let's get going again and let's do a feature'." On Cinderella, he was the directing animator of the sequence in which Jaq and Gus laboriously push and pull the key up the stairs to Cinderella. On Alice in Wonderland (1951), he animated the scene in which the White Rabbit's home is destroyed by an enlarged Alice. On Peter Pan (1953), he animated the scene of Captain Hook attempting to escape the crocodile. For Lady and the Tramp (1955), Reitherman animated the alley dog fight sequence and Tramp's fight with the rat in the nursery room. 

Output: 2