Question: How many people attended the event that Raiford covered on a live radio broadcast and is considered his best known work? Passage 1:'Robert D. Raiford (December 27, 1927 – November 17, 2017) was an American radio broadcaster and actor, best known for his political/social commentaries delivered during The John Boy and Billy Big Show, a morning radio program heard on stations throughout the American South. He was from Concord, North Carolina and majored in communication at the University of South Carolina. Raiford got his start in broadcasting in 1944 by calling play by play at baseball games. His first real radio job was at WEGO (AM) in Concord, North Carolina. Raiford has appeared in 28 movies, often portraying judge characters. He frequently closed his commentaries with the line "Who says that? I say that!", which also served as the title of a book containing excerpts from these segments. Early in his career, Raiford worked for WTOP radio and WTOP-TV, both CBS News affiliates in Washington, D.C.. His best-known work was a live radio broadcast on WTOP, a CBS Radio affiliate, covering the state funeral of President John F. Kennedy. He also worked at Charlotte radio station WBT. Raiford also hosted a show on WIST, which aired Charlotte's first telephone talk radio format. He later taught Communications at the University of North Carolina at Charlotte. From 1978 to 1986, Raiford was a news anchor and talk show host for Charlotte's NBC television affiliate. It was known as WRET-TV and then WPCQ-TV during his tenure there; it is now WCNC-TV. On the June 9, 2016, episode of The John Boy and Billy Big Show, John Isley ("John Boy") announced that Raiford had retired from the show, due to suffering a stroke the previous August that greatly affected his speech and mobility. Raiford had not delivered any commentaries during the intervening months, choosing to focus on his recovery instead.
 Passage 2:Grandage was born in Yorkshire, England, and raised in Penzance, Cornwall, where his parents ran a family business. He was educated at the Humphry Davy Grammar School before training as an actor at the Royal Central School of Speech & Drama through 1984. He spent twelve years working as an actor for companies such as the Royal Exchange and the Royal Shakespeare Company and was also a member of National Youth Theatre before turning to directing. He made his directorial debut in 1996 with a production of Arthur Miller's The Last Yankee at the Mercury Theatre, Colchester. In 1998 he was invited by Sheffield Theatres to direct Twelfth Night, his first Shakespeare production. In the same year he made his London directorial debut at the Almeida Theatre with a production of Shaw's The Doctor's Dilemma.
 Passage 3:The cinema of Pakistan or Pakistani cinema (), refers to the filmmaking industry in Pakistan. Pakistan is home to several film studios centres, primarily located in its two largest cities - Karachi and Lahore. Pakistani cinema has played an important part in Pakistani culture and in recent years has begun flourishing again after years of decline, delivering entertainment to audiences in Pakistan and expatriates abroad. Several film industries are based in Pakistan, which tend to be regional and niche in nature. Over 10,000 Urdu feature films have been produced in Pakistan since 1948, as well as over 8000 Punjabi, 6000 Pashto and 2000 Sindhi feature-length films. The first film ever produced was Husn Ka Daku in 1930, directed by Abdur Rashid Kardar in Lahore. The first Pakistani-film produced was Teri Yaad, directed by Daud Chand in 1948. Between 1947 and 2007, Pakistani cinema was based in Lahore, home to the nation's largest film industry (nicknamed Lollywood). Pakistani films during this period attracted large audiences and had a strong cult following, was part of the cultural mainstream, widely available and imitated by the masses. During the early 1970s, Pakistan was the world's fourth largest producer of feature films. However, between 1977 and 2007, the film industry of Pakistan went into decline due to Islamization, strengthening of censorship laws and an overall lack of quality. Throughout the 1980s and 1990s, the film industry went through several periods of ups and downs, a reflection of its dependency on state funding and incentives. By 2000, the film industry in Lahore had collapsed and saw a gradual shift of Pakistani actors, actresses, producers and filmmakers from Lahore to Karachi. By 2007, the wounds of Pakistan's collapsed film industry began to heal and Karachi had cemented itself as the center of Pakistani cinema. This was the time new generation producers stepped into the industry with short films with Quality story line and new technology led to an explosion of alternative form of Pakistani cinema. The shift has been seen by many as the leading cause for the "resurgence of Pakistani cinema". Despite the industry crisis starting in the mid-1980s, Pakistani films have retained much of their distinctive identity. Since the shift to Karachi, Pakistani films have once again began attracting a strong cult following.

Output: 1