Question: How long had 20th Centuy Fox been established when they signed Holm to a movie contract? Passage 1:He was spun off into his own title, the 1968–74 series Sub-Mariner. The super-villain Tiger Shark was introduced in issue #5 by writer Roy Thomas and artist John Buscema and the super-hero Stingray in issue #19 by Thomas and Bill Everett. Some of the later issues of this Sub-Mariner series are notable for having been written and drawn by the character's creator, Bill Everett, shortly before his death; as well, they reintroduced a now-older Namora, and introduced her daughter, Namorita Prentiss. By now more of a reluctant superhero "the Sub-Mariner was perfect for the Marvel Age of angst-ridden protagonists. Noble yet misunderstood, powerful yet thwarted ... [he was] portrayed as a regal monarch – a king without a country." The final issue, #72 (Sept. 1974), was written by Steve Skeates and featured an unofficial intercompany crossover with the last issue of DC Comics' Aquaman series. A five- to six-page backup feature, "Tales of Atlantis", chronicling the undersea kingdom from its ancient origins, appeared in issues #62–66 (June–Oct. 1973), written by Gerber, with penciling by Howard Chaykin and later Jim Mooney. After the cancellation of Sub-Mariner, Namor co-starred with Doctor Doom in the Super-Villain Team-Up series. The series suffered from mediocre sales due to its lack of a stable creative team, and following issue #13 Namor was dropped from the co-star spot.
 Passage 2:After she starred in the Broadway production of Bloomer Girl, 20th Century Fox signed Holm to a movie contract in 1946. She made her film debut that same year in Three Little Girls in Blue, making a startling entrance in a "Technicolor red" dress singing "Always a Lady," a belting Ado Annie-type song, although the character was different—a lady. In 1947 she won an Oscar and Golden Globe for Best Supporting Actress in Gentleman's Agreement. However, after another supporting role in All About Eve, Holm realized she preferred live theater to movie work, and only accepted a few select film roles over the next decade. The most successful of these were the comedy The Tender Trap (1955) and the musical High Society (1956), both of which co-starred Frank Sinatra. She starred as a professor-turned-reporter in New York City in the CBS television series Honestly, Celeste! (fall 1954) and was thereafter a panelist on Who Pays? (1959). She also appeared several times on ABC's The Pat Boone Chevy Showroom. 
 Passage 3:The main feud heading into One Night Stand on the Raw brand was between Triple H and Randy Orton over the WWE Championship. At Backlash, a Fatal-Four Way Elimination match took place for the WWE Championship. The contestants were Orton, Triple H, John Cena and John "Bradshaw" Layfield (JBL). Triple H won the match after last eliminating Orton to win the WWE title. At Judgment Day, Triple H defended the WWE Championship against Orton in a Steel cage match. Triple H won the match after a Pedigree to retain the title. On the May 19 episode of Raw, General Manager William Regal booked a tag team match between Orton and JBL against Cena and Triple H. If Orton and JBL won, they would have received re-matches against Triple H and Cena, respectively, at One Night Stand in an extreme match of their choosing. If Cena and Triple H had won, however, then the pair would have faced each other for the WWE Championship, with Regal choosing the match type. After Orton and JBL won the tag team match, Orton announced that he and Triple H would compete in a Last Man Standing match for the WWE Championship at One Night Stand. JBL announced that he and Cena would compete in a First Blood match at One Night Stand.

Output: 2