Question: What country was Ito born in? Passage 1:Ito was born in Osaka Prefecture on May 28, 1978. After graduating from high school, he joined Regional Leagues club Nagoya SC in 1997. In 1999, he moved to newly was promoted to J2 League club, Ventforet Kofu. Although he could not play at all in the match behind Takehisa Sakamoto, he became a regular goalkeeper from late 1999. However the club finished at bottom place for 2 years in a row (1999-2000). In 2001, he moved to J2 club Shonan Bellmare. However he could hardly play in the match behind Yuji Ito and Masahito Suzuki. In 2003, he moved to J1 club Cerezo Osaka. However he could not play at all in the match behind Seigo Shimokawa and Daisuke Tada in 2003. In 2004, he played many matches as regular goalkeeper. However he could hardly play in the match behind new member Motohiro Yoshida in 2005. In 2006, he moved to J2 club Shonan Bellmare for the first time in 4 years. Although he played many matches as regular goalkeeper in 2006, he could not play at all in the match behind newcomer Kim Yeong-gi from 2007 and retired end of 2009 season. However he came back as player in 2010 because many goalkeeper got hurt. However he did not play the match and retired end of 2010 season.
 Passage 2:Among intellectuals, critiques of Japanese cinema grew in the 1910s and eventually developed into a movement that transformed Japanese film. Film criticism began with early film magazines such as Katsudō shashinkai (begun in 1909) and a full-length book written by Yasunosuke Gonda in 1914, but many early film critics often focused on chastising the work of studios like Nikkatsu and Tenkatsu for being too theatrical (using, for instance, elements from kabuki and shinpa such as onnagata) and for not utilizing what were considered more cinematic techniques to tell stories, instead relying on benshi. In what was later named the Pure Film Movement, writers in magazines such as Kinema Record called for a broader use of such cinematic techniques. Some of these critics, such as Norimasa Kaeriyama, went on to put their ideas into practice by directing such films as The Glow of Life (1918), which was one of the first films to use actresses (in this case, Harumi Hanayagi). There were parallel efforts elsewhere in the film industry. In his 1917 film The Captain's Daughter, Masao Inoue started using techniques new to the silent film era, such as the close-up and cut back. The Pure Film Movement was central in the development of the gendaigeki and scriptwriting.
 Passage 3:Spanky and Our Gang were the first to cover this song in the same year and even released it as their first single, which failed to chart. The Flamin' Groovies recorded it as a demo for their never-finished fourth Sire LP, eventually released on "The Gold Star Tapes" (1984). R. Stevie Moore recorded both instrumental and later vocal versions of the song, each cover self-released. The Jam covered the song as a B-side. The Georgia-based band Guadalcanal Diary also covered the song, released as a CD bonus track on their 1987 album 2X4. The folk-rock band Pimentos For Gus also covered it on their 1996 album East of Sweden. Jack Black used its opening riff for inspiration in a fight against Satan at each show of the Tenacious D 2006–2007 Tour. Les Fradkin has a snappy instrumental version on his 2005 CD "While My Guitar Only Plays". Matthew Sweet and Susanna Hoffs covered the song for their 2006 collaboration Under the Covers, Vol. 1. In 2009, Chicago-based Chiptune / NES-Rock band I Fight Dragons released a cover as an MP3 download to subscribers of their mailing list. Helmet released their version of the track on their 2010 album Seeing Eye Dog. Swedish rock group Gyllene Tider recorded a Swedish version titled Och jorden den är rund (And the Earth is round) on an EP which was included with their album Moderna Tider from 1981.

Output: 1