Question: Did Robert Brustein attend the Yale School of Drama? Passage 1:The first inter-state numbering for the Roosevelt Highway was in New England, where the New England road marking system was established in 1922. Route 18 followed the auto trail from Portland northwest to Montpelier, where it continued to Burlington via Route 14. Many of the states along the route also assigned numbers to the highway; for instance, New York labeled their portion Route 3 in 1924. The Joint Board on Interstate Highways distributed its preliminary plan in 1925, in which a long section of the highway was labeled US 2, from St. Ignace, Michigan west to Bonners Ferry, Idaho. East of St. Ignace, instead of crossing to the Lower Peninsula like the Roosevelt Highway, the proposed Route 2 traveled north to the international border at Sault Ste. Marie. It reappeared at Rouses Point, New York, following Route 30 and then rejoining the auto trail between Burlington and Montpelier. US 2 and the Roosevelt Highway both connected Montpelier to St. Johnsbury, but the latter took a direct path along Route 18, while the former was assigned to Route 25 to Wells River, where it overlapped proposed US 5 north to St. Johnsbury. There, where the Roosevelt Highway turned southeast to Portland, Route 2 continued east along Route 15 to Bangor and Route 1 to Calais, then heading north on Route 24 to end in Houlton.
 Passage 2:In April 2005, Mill a h-Uile Rud embarked on a European tour with Oi Polloi which took in Scotland, Belgium, the Netherlands, Germany and Poland. Much of this tour was filmed by BBC Alba for a Gaelic television documentary on Mill a h-Uile Rud and Gaelic punk. They have also played in Stornoway, on the sparsely populated Isle of Lewis, the largest town in the Western Isles of Scotland. They also recorded a live session for the BBC Radio nan Gaidheal nighttime 'Rapal' program which is broadcast nationally in Scotland. In 2005, Tim moved to Scotland full-time to study sociolinguistics and language revival—he is a lecturer at Sabhal Mòr Ostaig—and as such, the band is less active, although they still play from time to time when Tim is back in the Seattle. Tim was also involved in the Gaelic techno/hip-hop act, Nad Aislingean, the Gaelic rock band, Na Gathan and in 2013 published Air Cuan Dubh Drilseach, the first Scottish Gaelic science fiction novel, published by CLÀR. The book was launched in Edinburgh with Mill a h-Uile Rud's contemporaries Oi_Polloi at an illegal street gig on Leith Walk outside Elvis Shakespeare, and later at The Cruz boat on The Shore with Comann Ceilteach Oilthigh Dhun Eideann and CLÀR. Sgrios remains quite active in the Seattle folk-punk scene and is involved in a number of bands in the city while Sìne now runs a goat cheese farm outside of Seattle and researches farming culture. Only their roadie, Erin, still lives on the remote punk commune in the mountains outside Seattle where the band was formed.
 Passage 3:Landesman was born and raised in St. Louis, Missouri, studied at Colby College and then the University of Wisconsin, Madison (BA English Literature 1969), and the Yale School of Drama (MFA Dramatic Literature and Criticism 1972, DFA 1976). At the Yale School of Drama he became a protégé and friend of Robert Brustein. At the completion of his course work he stayed at Yale for four years as an Assistant Professor. While at Yale, Landesman got to know novelist Jerzy Kosinski and he worked with Kosinski on two of his novels, Being There and The Devil Tree. Landesman was involved as an editor, helping Kosinski, not a native speaker of English, with his English syntax and writing. While at Yale Landesman was also involved in managing a private mutual fund and a racehorse he had bought. In 1977 he left to focus more time on his private investment fund, which he ran for many years. He also got involved in Broadway theater and he was heavily involved in the genesis and development of "Big River" (1985 Tony, Best Musical), a musical based on Huckleberry Finn. Landesman's involvement included persuading Roger Miller to write the music for the show. The show ultimately won seven Tonys and ran for over 1,000 performances on Broadway over two and a half years. This success attracted the attention of James H. Binger who shared two passions with Landesman: Broadway theater and horseracing. Binger owned the Jujamcyn Theatre group of five theatres, four of which were then dark. Binger and Landesman made a deal for Landesman to become President of Jujamcyn in 1987 with the inclusion of an option for Landesman to purchase Jujamcyn upon Binger's death. After taking the helm at Jujamcyn he shifted its business model away from the historical focus of renting of theatre facilities to shows and into a more active posture as a combination of a theater owner and a developer of new plays. Other theater owners have followed this pattern. After joining Jujamcyn Landesman has produced Broadway shows, the most notable of which include: "" (1993 and 1994 Tony, Best Play), and "The Producers" (2001 Tony, Best Musical). Landesman purchased Jujamcyn in 2005 and later sold a 50% interest to Jordan Roth.

Output: 3