Question: How long was the reign of the monarch that forgave Cormac Teige McCarthy after he took refuge in Carrigaphooca Castle in 1601? Passage 1:Carrigaphooca Castle is a ruined five storey rectangular tower house situated on a steep-sided rock overlooking the River Sullane. It is located 6 km west of Macroom, in an area once known as Gleann na n-Dearg (Valley of the Reds). The tower dominates the landscape of Lissacresig (Fairyland) in Clondrohid, and Lower Shanballyshane, in Kilnamartyra. Carrigaphooca is made of sandstone and limestone and was built as a defensive tower by MacCarthy clan member Donal MacCarthy of Drishane c. 1336-51. Cormac Teige McCarthy, the Lord of Blarney took refuge in the tower after he had sided with the Irish during the Siege of Kinsale in 1601. He stayed there until he was forgiven by Elizabeth I after he had written a personal letter of apology to her. In 1602, the castle was attacked and taken by Donal Cam O'Sullivan Beare and another member of the extended McCarthy family. After a protracted siege, their forces broke through the outer wall and burned the timber door at the north face entrance. The defenders surrendered and were allowed to go free.
 Passage 2:Bahlul Ibn Marzuq (died 802) was born in the current term of La Puebla de Castro (Huesca), was a Vascon-Muslim, the son of a local lord named Marzuq ibn Uskara ("son of the Basque"). He rebelled in Zaragoza against the Arab-Muslim government of Al-Andalus in 798, and in 800 conquered Huesca from the Banu Salama. His rebellion carried popular support, especially after public backing by theologian Ibn al-Mughallis. The emir sent the Huesca native, general Amrus ibn Yusuf, and Zaragoza and Huesca were retaken (c. 801). Bahlul fled to Pallars where he was killed by his lieutenant Jalaf Ibn Rashid (802), who at the time held Barbitanya (Barbastro). The adventures of Bhalul were collected by the Muslim historian and geographer Ahmad ibn Umar al-Udri (1003-1085) in the popular epic poem written in Arabic known as "the archuza de Bahlul".
 Passage 3:The album has received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 81, based on 13 reviews, which indicates "generally favorable reviews". MusicOMH's Max Raymond has praised the album as being "engrossing" due to the emotional depth of the lyrics as well as the warm and relaxed sound of the studio recording. Will Hermes of Rolling Stone gave the album a mixed review, praising the vocal harmonies. The diversity in sound was highlighted by AbsolutePunk's Gregory Robson, Jason Schneider of Exclaim! and The A.V. Club's Chris Martins, ranging from electric blues to psychedelia as well as the atypical lyrics from Guthrie—focusing on the city of Los Angeles rather than his communist-leaning politics and Dustbowl tragedy narratives. American Songwriters Evan Schlansky noted the same apolitical tone of the lyrics, but qualified that with Yames' delivery on "My Revolutionary Mind". He praised the album's diversity as a strength, allowing each vocalist an opportunity to display his unique talents. Writing for Los Angeles Times, Randy Lewis agrees that the songwriting diversity is a strength, comparing individual tracks with R.E.M., The Velvet Underground, Richard Thompson, and John Mellencamp. Graham Reid of The New Zealand Herald also notes similarities to R.E.M., fellow Guthrie admirer Bob Dylan, The Byrds, and Eagles. The PopMatters review by Jeff Strowe points out the blues influences in the album, adding to its emotional depth. About.com's Kim Ruehl has criticized the diversity and complexity of the album as contrary to the simplicity of Guthrie's actual recordings, concluding that "If this weren't presented so staunchly as being at least part 'Woody Guthrie album,' it might be a little easier to swallow." Doug Collette of All About Jazz also reviewed the deluxe edition bonus disc, comparing it favorably to the proper album as well as the previous Farrar–Parker collaboration Gob Iron. The album topped American publication Billboard's Heatseekers.

Output: 1