Question: How much time has passed between the release of V and the release of the hit single "Supergirl" from Hannah Montana 3?  Passage 1:The former church is constructed in brick with stone dressings and is roofed in Welsh slate. It has a rectangular plan of seven by three bays, and is externally expressed as two storeys. Its architectural style is Neoclassical. At the entrance front is a projecting stone portico consisting of a plain entablature carried on four Tuscan columns, above which is a Venetian window in a stone architrave. The portico leads to a pair of doors, each with a radial fanlight, and between them is a 16-pane sash window. At the summit of the entrance front is a gable. The bays at the front and sides of the church are separated by brick pilasters that curve at their tops to form arched recesses. In each recess is a round-headed window in the upper tier, and a flat-headed window in the lower tier, all of them being sash windows with 30 panes. At the rear is a second Venetian window with a plaque flanked by lunettes above it. Despite the interior having been converted into offices, the gallery has been retained. It is U-shaped, and carried on fluted iron piers.
 Passage 2:With his initial mainstream success James went on to produce and write "Promise", "Drive", and "Afriad" off Vanessa Hudgens album V. In 2009 he produced and co-wrote the hit single "Supergirl" for Miley Cyrus off the album Hannah Montana 3, which debuted at number five on Billboard's Bubbling Under Hot 100 Singles Chart. During this time period he also produced and wrote "Masquerade" for Ashley Tisdale off her album Guilty Pleasure. James later went on to produce and co-write 3 tracks off Demi Lovato's album Unbroken as well as "Hit the Lights" for Selena Gomez which is her next single off the album When the Sun Goes Down. From then he has worked with Grammy Award nominated artist Nicki Minaj, co-producing and co-writing the track "Marilyn Monroe". After his continued success, Dreamlab set up the imprint Layer Cake Records with their first signings of Neon Hymns and Hunter Parrish.
 Passage 3:The English King Henry VIII, angered by the Scots reneging on the initial agreement, made war on Scotland in 1544–1549, a period which the writer Sir Walter Scott later christened the "Rough Wooing". In May 1544 an English army landed at Granton and captured Leith to land heavy artillery for an assault on Edinburgh Castle, but withdrew after burning the town and the Palace of Holyrood over three days. Three years later, following another English invasion and victory at Pinkie Cleugh in 1547, the English attempted to establish a "pale" within Scotland. Leith was of prime strategic importance because of its vital role as Edinburgh's port, handling its foreign trade and essential supplies. The English arrived in Leith on 11 September 1547 and camped on Leith Links. The military engineer Richard Lee scouted around the town on 12 September looking to see if it could be made defensible. On 14 September the English began digging a trench on the south-east side of Leith near the Firth of Forth. William Patten wrote that the work was done as much for exercise as for defence, since the army only stayed for five days.

Output: 2