Question: Of the two newspapers that Paul Lendvai was a correspondent for, which had the higher circulation? Passage 1:After arriving in Vienna, Lendvai soon started looking for work, at first limited by lack of sufficient language skills. In this period he helped foreign correspondents with matters relating to Hungary and wrote smaller articles under aliases such as "György Holló", "Árpád Bécs" or "Paul Landy". Lendvai soon overcame early difficulties and was naturalized in Austria in 1959, and became a journalist and commentator on Eastern Europe. He was the correspondent for Eastern Europe of the daily Die Presse and the Financial Times for twenty-two years. He also contributed to The Economist and wrote columns for Austrian, German and Swiss newspapers and radio stations. In 1982 Lendvai became editor-in-chief at the Eastern Europe department of the ORF public broadcasting company and director-general of Radio Österreich International in 1987. His weekly columns were published by the newspaper Der Standard. In 1985, a Cultural Forum dubbed the East-West summit was organized by the Hungarian communist leadership, to which 900 politicians, writers and other notable people were invited. At the same time a "counter cultural forum" was planned with expected participation of "dissidents and opposition groups". György Konrád was one of the intended speakers. In 2010, a Hungarian pro-government newspaper accused Paul Lendvai of collaboration with the communist regime by having provided information about the counter-forum to the Hungarian authorities. Socialist ex-prime minister Ferenc Gyurcsány came to Paul Lendvai's defence, saying "As for me, I support him in his struggle to make a case for his decisions of yesteryear. ... And we've got to stop digging up the past." György Konrád, one of the intended speakers of the opposition event, said: "If this was how things were, then it is very sad" about Lendvai providing the information. Lendvai rejected the accusations and said that the campaign against him was due to his criticism of the present government in his latest book. Former conservative MP Debreczeni, noted philosopher Sandor Radnoti, Austrian conservative leader Erhard Busek defended his integrity. János Nagy, the ambassador whom Lendvai talked to at the time, was interviewed about the matter on Klubrádió and insisted that his reports always faithfully rendered what was said. An article printed in left-wing Népszabadság agrees with Lendvai's defense that he was not an agent, although it goes on to stress that he was nonetheless a willing and active collaborator to the Communist regime.
 Passage 2:The strains between Southampton's religion and the Elizabethan regime first became apparent when in February 1569 Southampton's brother-in-law, Sussex, wrote to Sir William Cecil urging that Southampton be 'rather charitably won than severely corrected'. That summer Queen Elizabeth was Southampton's guest at Titchfield Abbey, but in November both Southampton and his father-in-law, Viscount Montague, were implicated in the Northern Rebellion. In a letter dated 1 December 1569 the Spanish ambassador, Guerau de Spes, wrote to the Duke of Alba that both Montague and Southampton 'have sent to me for advice as to whether they should take up arms or go over to your Excellency'. According to Akrigg, Montague and Southampton set sail for Flanders, but were driven back by contrary winds. Although they were ordered to come immediately to court to explain their actions, to all appearances things were smoothed over, and neither Southampton nor his father-in-law was punished for his involvement. However matters came to a head in May 1570 when Pope Pius V excommunicated the Queen, and English Catholics were required to choose between loyalty to religion and loyalty to the sovereign. Southampton sought counsel from John Lesley, Bishop of Ross, at a secret meeting in the marshes of Lambeth, where they were intercepted by the watch, and in consequence, on 18 June 1570 the Privy Council ordered Southampton's arrest and confined him to the house of Henry Becher, Sheriff of London. On 15 July he was placed in the custody of Sir William More at Loseley, where More was under instructions to induce Southampton to take part in Protestant devotions in the household. After doing so, Southampton was released in November.
 Passage 3:Throughout the tour, Minaj has incorporated multiple outfits into the show that correlate with the major themes of The Pinkprint. The show usually consists of four major outfits, each of which stylistically represent different segments of the show. For the first section of the show, Minaj is dressed in black lingerie covered with a black polka dot mesh catsuit, and is supported by an all female group of dancers who are also dressed in solid black mesh catsuits. The second section of the show sees Minaj performing in a gold-dipped skirt with matching thigh-high boots, and a gold bra, while her dancers, now both male and female, are dressed in gold attire as well. The designers of the second segment outfit were later revealed to be The Blonds, who created the costume especially for Minaj to perform in while on tour. The third and fourth portions of the show have seen multiple changes in wardrobe throughout the extent of the tour. For the third segment, Minaj has either worn a frilly black dress or a solid pink dress depending on the date of the show. And for the fourth and final segment for the tour, Minaj's ensemble either consists of a jumpsuit that can be described as looking like "a broken pink disco ball" on the front with an all mesh back, or a frilly pink bra with a shiny tutu and pink lace tights. Marissa G. Muller from MTV described the latter of the two outfits as "50% Barbie, 50% Ballerina", while also adding that Minaj looked like "the prettiest ballerina Barbie of them all" alongside her female dancers who were almost identically dressed. Muller also noted that the outfit was reminiscent of Minaj's look around the time she released her debut album, Pink Friday (2010). Overall, Nadeska Alexis, also from MTV, greatly praised Minaj's wardrobe choice for the tour stating that the outfits were "sexy", "elegant", and "sweet".

Output: 1