Question: Who won the NBA MVP award the year that Paul finished second? Passage 1:Paul was a McDonald's All-American in high school. He attended Wake Forest University for two years of college basketball, where he helped the Demon Deacons achieve their first-ever number one ranking. He was selected fourth overall in the 2005 NBA draft by the New Orleans Hornets, where he developed into one of the league's premier players, finishing second in NBA Most Valuable Player Award voting in 2008. During the 2011 offseason, Paul was traded to the Los Angeles Lakers, only for the transaction to be controversially voided by the NBA. Later that summer, he was dealt to the Los Angeles Clippers instead. Behind Paul's playmaking, the Clippers developed a reputation for their fast-paced offense and spectacular alley-oop dunks, earning them the nickname "Lob City". In 2017, he was traded to the Houston Rockets, and helped the team win a franchise-record 65 games in his debut season. He was traded to the Oklahoma City Thunder for Russell Westbrook on July 16, 2019.
 Passage 2:Guardigli was born in Ravenna. At 18 he enrolled in and attended the School of Fine Arts of Ravenna. During World War II he was drafted and served from 1943 until 1946 in the Regia Marina (Italian Royal Navy) at La Spezia). After the war he returned to the School of Fine Arts, receiving his diploma in 1948. He enrolled in the School of Painting and Mosaics, also in Ravenna, graduating in 1951. From 1951 to 1955 he worked with the Gruppo mosaicisti of Ravenna and restored many mosaics. Also in 1951, at the end of November, he arrived in Paris to teach at the Ecole d'Art Italien (School of Italian Art) as an assistant to the painter Gino Severini, founder and director of the school. Together with another mosaicist, his fellow Ravennan Lino Melano, he executed mosaic works for artists including Fernand Léger, Georges Braque, Marc Chagall, Jean Bazaine, and Raoul Ubac. He collaborated also on the mosaic for the façade of the Musée national Fernand Léger in Biot (Alpes-Maritimes). In 1960 he executed, at the Colombe d'Or of Saint-Paul-de-Vence, a mosaic by the painter Georges Braque. From 1961 he had a studio in the artists' residence La Ruche at 2, passage de Dantzing in Paris, the place described by Lorenzo Viani in the book Parigi 1925 (Paris 1925), published by Fratelli Treves. In 1962, in another collaboration with Braque, he created the famous long fish tank of the Fondation Maeght in St Paul de Vence. His collaborations with many illustrious artists continued; the last was Jean-Michel Folon. Many of his personal works in painting and mosaics are in prominent private and public collections. The latter portion of his life was spent in an old people's rest home in Paris, where he died in 2008.
 Passage 3:The Stargate Command setting was transferred from the fictional military facility located in Creek Mountain, to the Cheyenne Mountain military complex. The unnamed planet from the film was named Abydos in the series and the distance from Earth changed from millions of light-years away (in an entirely different galaxy, "the Kalium galaxy") to becoming the closest planet to Earth with a Stargate, residing in the same galaxy as Earth. Also in SG-1, Stargate travel is limited to the Stargate network in the Milky Way galaxy (unless a tremendous amount of power is used to lengthen the subspace wormhole of a Stargate to another galaxy's Stargate). Ra was the last of an unnamed race in the film, being of a humanoid species with large black eyes and a lack of facial features. In SG-1, Ra is one of many "Goa'uld System Lords," who are a race of parasitic eel-like creatures. There were also changes to the Stargate. The unique set of 39 Stargate symbols in the film were replaced with the concept of 38 symbols that are the same for each Stargate (Earth's symbols based on Earth's constellations), plus a single point of origin symbol that is unique to that individual gate. While the kawoosh effect in the movie was created by filming the actual swirl of water in a glass tube, and looked like a vortex on the back of the Gate; on the TV series this effect was completely created in computer graphics by the Canadian visual effects company Rainmaker. At the beginning of season 9, the original movie wormhole sequence was substituted by a new sequence similar to the one already used on Stargate Atlantis, but being blue as it was in the movie and SG-1, whereas in Atlantis it is green and in Universe, it's white.

Output: 1