Question: What country is Zeesen a part of? Passage 1:Evan Weiss grew up in Cherry Hill, New Jersey. His first exposure to the genre of emo was hearing the band Sunny Day Real Estate in the seventh grade while browsing a record shop. He continued his interest in music through buying Jade Tree and Polyvinyl records and going to local shows in Philadelphia. In the "fourth or fifth grade", Weiss started, with school friends, the band J.A.R., which eventually became The Progress, garnering modest local success. He was unable to convince his bandmates to play in the band full-time, and after their breakup in 2008 he started a solo project under the moniker Into It Over It. He first released music through two unorthodox concept projects: 52 Weeks, entailing the writing, recording and release of one song each week for a year (later released as a compilation record); and Twelve Towns, a twelve song project initially released over six separate splits with several different bands and each song being named after a town. In May 2011, the band made an appearance at Bled Fest. A month later, Weiss released Into It Over It's first studio album, Proper on No Sleep Records, produced by Ed Rose. In the last two months of the year, Into It Over It supported The Swellers on their tour of the UK and Europe. In March and April the next year, Into It Over It supported The Wonder Years on the Glamour Kills Spring 2012 tour in the US. To promote the tour, a compilation showcasing the bands covering each others' songs with released. Into It Over It's contribution was a cover of The Wonder Years's track "Don't Let Me Cave In". This was followed up in 2013 with Intersections, released on Triple Crown Records and on Big Scary Monsters in UK/Europe.
 Passage 2:The name "Lord Haw-Haw of Zeesen" was coined in 1939 by the pseudonymous Daily Express radio critic Jonah Barrington, but this referred initially to Wolf Mittler (or possibly Norman Baillie-Stewart). When Joyce became the best-known propaganda broadcaster, the nickname was transferred to him. Joyce's broadcasts initially came from studios in Berlin, later transferring (because of heavy Allied bombing) to Luxembourg and finally to Apen near Hamburg, and were relayed over a network of German-controlled radio stations that included Hamburg, Bremen, Luxembourg, Hilversum, Calais, Oslo, and Zeesen. Joyce also broadcast on and wrote scripts for the German Büro Concordia organisation, which ran several black propaganda stations, many of which pretended to broadcast illegally from within Britain. His role in writing the scripts increased over time, and the German radio capitalized on his public persona. Initially an anonymous broadcaster, Joyce eventually revealed his real name to his listeners; and he would occasionally be announced as "William Joyce, otherwise known as Lord Haw-Haw". Urban legends soon circulated about Lord Haw-Haw, alleging that the broadcaster was well-informed about political and military events to the point of near-omniscience.
 Passage 3:In the 1980s, Fuisz was involved in a number of business ventures in the Soviet Union through Leopoldina Import-Export Inc., an international business consulting firm, and Folkon, Ltd., an oil exploration company. Working with a young Mikhail Khodorkovsky, then the head of the Young Communist League, Fuisz exported computers and other electronics to the Soviet Union through the Center for Scientific and Technical Creativity of the Youth, and he would later claim that his business helped to supply computers to the KGB. In 1988, Fuisz was approached by Yuri Dubinin, the Soviet ambassador to the United States, to set up a modeling agency that would prepare young Soviet models for American markets. The first model Fuisz was to oversee was Yulia Sukhanova, the first-ever Miss USSR, but hard-liners in the Moscow City Council obstructed Fuisz's efforts to secure Sukhanova's visa. With Khodorkovsky's assistance, he was able to smuggle Sukhanova out of the country, though upon reaching the U.S. she cut ties with Fuisz after a dispute over his commissions. In the first of two depositions regarding Fuisz's knowledge of the 1988 Lockerbie bombing, held in December 2000, Fuisz was prohibited from answering questions regarding the relationship between his Russian businesses and the Central Intelligence Agency – when asked if Folkon did any work for the CIA, whether it received any money from the CIA, or whether there were any links between the CIA and any of the companies operated by Fuisz, U.S. Attorney (DOJ) Anthony Coppolino raised objections precluding Fuisz's testimony on the grounds of state secrets privilege. In the second deposition, held in January 2001, when asked to describe his interactions with high-level Soviet officials, Fuisz claimed to have difficulty separating information gained in his capacity as director of the modeling agency from information gained in "his employment by the government", and that he was "prohibited by a contract with the government" from providing further clarification.

Output: 2