Question: Is the organization where Stourzh had a desk at while working for the Austrian Federal ministry for European and International Affairs part of the European Union? Passage 1:Haschka was born and died in Vienna. In his youth, he was a member of the Society of Jesus. On the suppression of the Society (1773) he devoted himself, in secular life, to poetry, this was now to become his vocation and his means of livehood. His pupil, the wealthy Johann Baptist von Alxinger, an imitator of Christoph Martin Wieland, came to his assistance. Haschka also found aid in the home of poet Karoline Pichler. Having left the Jesuits, under the influence of Josephinism, he became a freemason and wrote odes against the papacy during the presence of Pius VI in Vienna, as well as against the religious orders. He returned to Catholicism after the death of Joseph II, Holy Roman Emperor, and was selected to compose a national anthem, which was first sung on 12 February 1797, at the celebration of Francis II's birthday. Haschka was given a position as assistant in the library of the University of Vienna and was made instructor in aesthetics in the newly founded Theresianum. He retired in 1824.
 Passage 2:After rejecting an invitation for a one-year guest professorship by the University of California, Berkeley, Stourzh returned to Vienna in 1958 to organize the newly created Austrian Association for Foreign Policy and International Relations; he was its general secretary until 1962. In 1962, Stourzh passed his habilitation and became Docent for Modern History at the University of Vienna. In the same year, upon a suggestion by Bruno Kreisky, he entered Austria's Federal Ministry for European and International Affairs, where he had the desk of the Council of Europe. In 1963, he received a call from the Free University of Berlin to become a professor of Modern History, especially American history, and to head, at the same time, the section for American history at the newly founded John F. Kennedy-Institute for North American Studies of that University. He accepted the call and remained at the Free University until 1969, with an interruption due to a research stay at the Institute for Advanced Studies in Princeton. In 1969, he became professor for Modern History at the University of Vienna, succeeding Friedrich Engel-Janosi. He has remained in that position until becoming professor emeritus in 1997.
 Passage 3:She proceeded to sing a great gallery of roles at the City Opera, including Siébel in Faust, Angelina in La Cenerentola, Rosina in Il barbiere di Siviglia, Sesto in Giulio Cesare, Cherubino in Le nozze di Figaro (opposite Michael Devlin), Nicklausse in Les contes d'Hoffmann (with Sills and Norman Treigle), Dorabella in Così fan tutte (with Patricia Brooks), Octavian in Der Rosenkavalier (with Johanna Meier), Maddalena in Rigoletto (opposite José Carreras), Giovanna Seymour in Anna Bolena, the Composer in Ariadne auf Naxos (with Carol Neblett), Maffio Orsini in Lucrezia Borgia (with Sills), the title role of La belle Hélène, Zaida in Il turco in Italia, Estella Drummle in the world premiere of Miss Havisham's Fire (with Rita Shane), Doña Manuela in La loca, Mariana in the world premiere of The Student from Salamanca, Sesto in La clemenza di Tito, Néris in the Italian version of Médée (with Marisa Galvany), the name part in Carmen (in Frank Corsaro's production), the title role of La Grande-Duchesse de Gérolstein, Prince Charmant in Cendrillon, Mallika in Lakmé, Bellino in Casanova's Homecoming, Adalgisa in Norma, Dulcinée in Don Quichotte, Charlotte in Werther (with Jon Garrison), Valencienne in Die lustige Witwe, Marcellina in Le nozze di Figaro (with Herbert Perry as Figaro), Suzuki in Madama Butterfly, La chatte in L'enfant et les sortilèges, Berta in Il barbiere di Siviglia, Rose in the world premiere of Marilyn, and Marta in Mefistofele, as well as musical comedy.

Output: 2