Question: What year did the magazine that Jones father worked for begin publication? Passage 1:Harrison Ellenshaw (born Peter Ellenshaw, July 20, 1945 in Harrisburg, Pennsylvania) is an American matte painter, following his British-born father Peter Ellenshaw. He started his career at Walt Disney Studios. He later joined George Lucas's effects studio Industrial Light and Magic (ILM), where he produced many of the matte visual effects backgrounds for the films Star Wars (1977) and The Empire Strikes Back (1980). He then returned to Disney to work on the film Dick Tracy (1990), and eventually headed Disney Studio's effects department, Buena Vista Visual Effects (BVVE). He was also visual effects supervisor for Tron (1982), where he had the distinction of being the first person to have that credit in a film.
 Passage 2:After finishing schooling, Carroll worked as a student lawyer for the law office of Brown and Brune in Baltimore. He was admitted to the bar in 1851. Carroll practiced law in Maryland from 1854 until 1858. He ran as a Howard County Democratic candidate for the state General Assembly in 1854, (shortly after the separation of the former Howard or Western District of Anne Arundel County and the "erection"/establishment of Howard as the 22nd of the state's 23 counties), however losing to his opponent from the newly-dominant "Know Nothing" Party (also known as the American Party) during the political crises of the 1850s. Carroll then moved to New York City and while there, accepted a position as deputy clerk and United States Commissioner in the office of the clerk of the United States District Court. He stayed there until 1861, at the outbreak of the Civil War, when he returned to Maryland, where he then remained the rest of his life. When he returned to Maryland, Carroll purchased the "Doughoregan Manor", historic family estate in Howard County, near Ellicott City from his older brother Charles Carroll.
 Passage 3:Carroll Nathaniel Jones III (July 2, 1944 - June 22, 2017) was an artist in the style of American realism. Carroll grew up in New Providence, New Jersey where his father, an illustrator for Life (magazine), was his first art teacher. He taught Carroll techniques of the Old Masters, who emphasized light, perspective, and composition. Carroll went to school in New York City (NYC) and enrolled in the Phoenix School of Design at age 17. He later attended Hartford Art School and became a commissioned portraitist for 10 years. His work, Church Window was recognized in the New York Times, and he moved away from portraits to recreate scenes that sparked memories of his childhood. He was most influenced by Andrew Wyeth and Edward Hopper. The Coe-Kerr Gallery of NYC and Whistler's Daughter Gallery of New Jersey represented him, as well as contemporaries Wyeth and Hopper. Malcolm Forbes, Frederick R. Koch, Stephen Sondheim, William Schuman, and Jean Shepherd held private collections of his work. He exhibited at Newark Museum and Trenton Art Museum in New Jersey, and in universities, galleries and museums in seven states by his mid-thirties. His work is part of the permanent collections of Seton Hall University and Newark Museum. Art critic Marion Filler considered his work Magic realism, a quiet movement made popular in America beginning in the 1920s by Hopper, and related to Surrealism.

Output: 3