Question: How old was Itagaki Taisuke when he started The Freedom and People's Rights Movement? Passage 1:The Sex Pistols evolved from the Strand, a London band formed in 1972 with working-class teenagers Steve Jones on vocals, Paul Cook on drums and Wally Nightingale on guitar. According to a later account by Jones, both he and Cook played on instruments they had stolen. Early line-ups of the Strand—sometimes known as the Swankers—also included Jim Mackin on organ and Stephen Hayes (and later, briefly, Del Noones) on bass. The band members regularly hung out at two clothing shops on the King's Road in Chelsea, London: John Krivine and Steph Raynor's Acme Attractions (where Don Letts worked as manager) and Malcolm McLaren and Vivienne Westwood's Too Fast to Live, Too Young to Die. McLaren's and Westwood's shop had opened in 1971 as Let It Rock, with a 1950s revival Teddy Boy theme. It had been renamed in 1972 to focus on another revival trend, the rocker look associated with Marlon Brando. As John Lydon later observed, "Malcolm and Vivienne were really a pair of shysters: they would sell anything to any trend that they could grab onto." The shop became a focal point of the punk rock scene, bringing together participants such as the future Sid Vicious, Marco Pirroni, Gene October, and Mark Stewart, among many others. Jordan, the wildly styled shop assistant, is credited with "pretty well single-handedly paving the punk look".
 Passage 2:Carroll Nathaniel Jones III (July 2, 1944 - June 22, 2017) was an artist in the style of American realism. Carroll grew up in New Providence, New Jersey where his father, an illustrator for Life (magazine), was his first art teacher. He taught Carroll techniques of the Old Masters, who emphasized light, perspective, and composition. Carroll went to school in New York City (NYC) and enrolled in the Phoenix School of Design at age 17. He later attended Hartford Art School and became a commissioned portraitist for 10 years. His work, Church Window was recognized in the New York Times, and he moved away from portraits to recreate scenes that sparked memories of his childhood. He was most influenced by Andrew Wyeth and Edward Hopper. The Coe-Kerr Gallery of NYC and Whistler's Daughter Gallery of New Jersey represented him, as well as contemporaries Wyeth and Hopper. Malcolm Forbes, Frederick R. Koch, Stephen Sondheim, William Schuman, and Jean Shepherd held private collections of his work. He exhibited at Newark Museum and Trenton Art Museum in New Jersey, and in universities, galleries and museums in seven states by his mid-thirties. His work is part of the permanent collections of Seton Hall University and Newark Museum. Art critic Marion Filler considered his work Magic realism, a quiet movement made popular in America beginning in the 1920s by Hopper, and related to Surrealism.
 Passage 3:A major proponent of representative government was Itagaki Taisuke, a powerful leader of Tosa forces who had resigned from his Council of State position over the Korean affair in 1873. Itagaki sought peaceful rather than rebellious means to gain a voice in government. Such movements were called The Freedom and People's Rights Movement. He started a movement aimed at establishing a constitutional monarchy and a national assembly. Itagaki and others wrote the Tosa Memorial in 1874 criticizing the unbridled power of the oligarchy and calling for the immediate establishment of representative government. Dissatisfied with the pace of reform after having rejoined the Council of State in 1875, Itagaki organized his followers and other democratic proponents into the nationwide Aikokusha (Society of Patriots) to push for representative government in 1878. In 1881, in an action for which he is best known, Itagaki helped found the Jiyūtō (Liberal Party), which favored French political doctrines. In 1882 Ōkuma Shigenobu established the Rikken Kaishintō (Constitutional Progressive Party), which called for a British-style constitutional democracy. In response, government bureaucrats, local government officials, and other conservatives established the Rikken Teiseitō (Imperial Rule Party), a pro-government party, in 1882. Numerous political demonstrations followed, some of them violent, resulting in further government political restrictions. The restrictions hindered the political parties and led to divisiveness within and among them. The Jiyūtō, which had opposed the Kaishintō, was disbanded in 1884, and Ōkuma resigned as Kaishintō president.

Output: 3