Question: Was the man who was assigned to the post of official British resident in New Zealand born in the country to which he was assigned? Passage 1:From 1832 James Busby was assigned the post of official British resident in New Zealand. He played a role in drafting the Treaty of Waitangi, which established British colonial rule over New Zealand. Captain William Hobson was first appointed Lieutenant-Governor of New Zealand by letters patent on 24 November 1840 (having previously been the British Consul to New Zealand), when New Zealand was part of the colony of New South Wales. While Hobson is usually considered the first Governor of New Zealand, Sir George Gipps was the first governor over New Zealand, albeit only in his capacity as Governor of New South Wales, until New Zealand was established as a separate colony on 3 May 1841. Hobson continued in office until his death on 10 September 1842. In Hobson's place the Colonial Office appointed Captain Robert FitzRoy. FitzRoy struggled to keep order between Māori and settlers keen to buy their land, with very limited financial and military resources at his disposal. Outbreak of the first armed conflicts of the New Zealand Wars and FitzRoy's siding with Māori claims against the New Zealand Company and its settlers over land deals lead to his recall by the Colonial Office in 1845. 
 Passage 2:According to the sheet music published at Musicnotes.com by BMG Rights Management, "Goodbye" is set in common time with a key of E major. The girls' vocals range between G to C. The song has a slow tempo of 68 beats per minute. The song is a ballad which has the girls singing what Sarah Davis at Dotmusic called a "sugar-coated" farewell to friend Geri Halliwell, who left the group months prior. Coming to a similar conclusion, Kristie Rohwedder (with Bustle) noted that in the chorus of the song, the Spice Girls sing "Goodbye my friend/I know you're gone, you said you're gone, but I can still feel you here" and "It's not the end/You gotta keep it strong before the pain turns into fear". 
 Passage 3:Dodds gained a reputation as a top young drummer in New Orleans. In 1918, Dodds left Sonny Celestin's outfit to play in Fate Marable's riverboat band. A young Louis Armstrong also joined the band, and the two of them were on the boats for three years (from 1918 to 1921). The band played on four different boats, and usually left New Orleans in May and travel to St. Louis, though they also sometimes traveled further north. They played jazz, popular, and classical music while on the boats. Dodds and Armstrong left Fate Marable's band in 1921 due to a disagreement about musical style, and Dodds soon joined King Oliver's Creole Jazz Band. At this time, the personnel in Oliver's band were Joe "King" Oliver on cornet, Baby Dodds' brother Johnny Dodds on clarinet, Davey Jones on alto saxophone, Honoré Dutrey on trombone, Lil Hardin on piano, Jimmy Palao on violin, and Eddie Garland on bass fiddle. They moved to California in 1921 to work with Oliver there, and they played together for about fifteen months. In 1922, the band, excepting Garland, Palao, and Jones, followed Oliver to Chicago, which would be his base of operations for several years. They began playing at the Lincoln Gardens, and Louis Armstrong also joined this outfit. Dodds describes playing with this band as "a beautiful experience". Dodds recorded with Louis Armstrong, Jelly Roll Morton, Art Hodes, and his brother Johnny Dodds. Dodds played in Louis Armstrong's Hot Five and Hot Seven groups. In May 1927 Armstrong recorded with the Hot Seven, which consisted of Johnny Dodds, Johnny St. Cyr, Lil Hardin Armstrong, John Thomas, Pete Briggs, and Baby Dodds. From September to December 1927 the Hot Five Armstrong assembled consisted of Johnny Dodds, Kid Ory, Johnny St. Cyr, Lonnie Johnson, and Baby Dodds.

Output: 1