Question: How old was Norimasa kaeriyama when he directed The Glow of Life? Passage 1:Among intellectuals, critiques of Japanese cinema grew in the 1910s and eventually developed into a movement that transformed Japanese film. Film criticism began with early film magazines such as Katsudō shashinkai (begun in 1909) and a full-length book written by Yasunosuke Gonda in 1914, but many early film critics often focused on chastising the work of studios like Nikkatsu and Tenkatsu for being too theatrical (using, for instance, elements from kabuki and shinpa such as onnagata) and for not utilizing what were considered more cinematic techniques to tell stories, instead relying on benshi. In what was later named the Pure Film Movement, writers in magazines such as Kinema Record called for a broader use of such cinematic techniques. Some of these critics, such as Norimasa Kaeriyama, went on to put their ideas into practice by directing such films as The Glow of Life (1918), which was one of the first films to use actresses (in this case, Harumi Hanayagi). There were parallel efforts elsewhere in the film industry. In his 1917 film The Captain's Daughter, Masao Inoue started using techniques new to the silent film era, such as the close-up and cut back. The Pure Film Movement was central in the development of the gendaigeki and scriptwriting.
 Passage 2:Spanky and Our Gang were the first to cover this song in the same year and even released it as their first single, which failed to chart. The Flamin' Groovies recorded it as a demo for their never-finished fourth Sire LP, eventually released on "The Gold Star Tapes" (1984). R. Stevie Moore recorded both instrumental and later vocal versions of the song, each cover self-released. The Jam covered the song as a B-side. The Georgia-based band Guadalcanal Diary also covered the song, released as a CD bonus track on their 1987 album 2X4. The folk-rock band Pimentos For Gus also covered it on their 1996 album East of Sweden. Jack Black used its opening riff for inspiration in a fight against Satan at each show of the Tenacious D 2006–2007 Tour. Les Fradkin has a snappy instrumental version on his 2005 CD "While My Guitar Only Plays". Matthew Sweet and Susanna Hoffs covered the song for their 2006 collaboration Under the Covers, Vol. 1. In 2009, Chicago-based Chiptune / NES-Rock band I Fight Dragons released a cover as an MP3 download to subscribers of their mailing list. Helmet released their version of the track on their 2010 album Seeing Eye Dog. Swedish rock group Gyllene Tider recorded a Swedish version titled Och jorden den är rund (And the Earth is round) on an EP which was included with their album Moderna Tider from 1981.
 Passage 3:Hope Amelia Solo (born July 30, 1981) is an American former soccer goalkeeper. She was a goalkeeper for the United States women's national soccer team from 2000 to 2016, and is a World Cup champion and two-time Olympic gold medalist. After playing at the collegiate level for the University of Washington, she played professionally for the Philadelphia Charge in the Women's United Soccer Association (WUSA). When the WUSA folded after her first season, she traveled to Europe to play for the top division leagues in Sweden and France. From 2009 to 2011, she played in the Women's Professional Soccer (WPS) for Saint Louis Athletica, Atlanta Beat and magicJack. After the WPS ceased operations in early 2012, she played for the Seattle Sounders in the W-League. She most recently played for Seattle Reign FC in the National Women's Soccer League, the top division of women's soccer in the United States.

Output: 1