Question: How well did the film Cantor cameo'd in 1935 do in sales? Passage 1:Schneemann began her art career as a painter in the late 1950s. Her painting work began to adopt some of the characteristics of Neo-Dada art, as she used box structures coupled with expressionist brushwork. These constructs share the heavily textural characteristics found in the work of artists such as Robert Rauschenberg. She described the atmosphere in the art community at this time as misogynistic and that female artists of the time were not aware of their bodies. These works integrated influence by artists such as post-impressionist painter Paul Cézanne and the issues in painting brought up by the abstract expressionists. Schneemann chose to focus on expressiveness in her art rather than accessibility or stylishness. She still described herself as a formalist however, unlike other feminist artists who wanted to distance themselves from male-oriented art history. She is considered a "first-generation feminist artist", a group that also includes Mary Beth Edelson, Rachel Rosenthal, and Judy Chicago. They were part of the feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art. Schneemann became involved with the art movement of happenings when she organized A Journey through a Disrupted Landscape, inviting people to "crawl, climb, negotiate rocks, climb, walk, go through mud". Soon thereafter she met Allan Kaprow, the primary figure of happenings in addition to artists Red Grooms and Jim Dine. Influenced by figures such as Simone de Beauvoir, Antonin Artaud, Maya Deren, Wilhelm Reich, and Kaprow, Schneemann found herself drawn away from painting.
 Passage 2:Cantor appears in caricature form in numerous Looney Tunes cartoons produced for Warner Bros., although he was often voiced by an imitator. Beginning with I Like Mountain Music (1933), other animated Cantor cameos include Shuffle Off to Buffalo (Harman-Ising, 1933) and Billboard Frolics (Friz Freleng, 1935). Eddie Cantor is one of the four "down on their luck" stars (along with Bing Crosby, Al Jolson, and Jack Benny) snubbed by Elmer Fudd in What’s Up, Doc? (Bob McKimson, 1950). In Farm Frolics (Bob Clampett, 1941), a horse, asked by the narrator to "do a canter", promptly launches into a singing, dancing, eye-rolling impression. The Cantor gag that got the most mileage, however, was his oft-repeated wish for a son after five famous daughters. Slap-Happy Pappy (Clampett, 1940) features an "Eddie Cackler" rooster that wants a boy, to little avail. Other references can be found in Baby Bottleneck (Clampett, 1946) and Circus Today (Tex Avery, 1940). In Merrie Melodies, The Coo-Coo Nut Grove Cantor's many daughters are referenced by a group of singing quintuplet girls. In Porky’s Naughty Nephew (Clampett, 1938) a swimming Cantor gleefully adopts a "buoy". An animated Cantor also appears prominently in Walt Disney's "Mother Goose Goes Hollywood" (Wilfred Jackson, 1938) as Little Jack Horner, who sings "Sing a Song of Sixpence".
 Passage 3:His credential and reputation eventually led him secure nomination for the presidency by Prime Minister Benazir Bhutto and elected as President in 1993. However, he began receiving criticism over the controversial appointments of Senior Justices of the Supreme Court of Pakistan and was implicated in Mehran Bank scandal. Differences began to emerge with Prime Minister Benazir Bhutto on policy issues in 1995 and he surprisingly dismissed his leader's government in 1996. His political ambitions later clashed with Prime Minister Nawaz Sharif and his intervention to retain Justice Sajjad Ali Shah as Chief Justice finally led to his resignation in 1997. He remained active in politics and joined the PML(Q) in 2004. Leghari died from a long heart illness at the Combined Military Hospital in Rawalpindi on 20 October 2010.

Output: 2