Question: What was the age of Charles X at the start of the July Revolution? Passage 1:In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history up to that time, collecting nearly 400,000 signatures in support of the abolition of slavery. In 1866, they initiated the American Equal Rights Association, which campaigned for equal rights for both women and African Americans. In 1868, they began publishing a women's rights newspaper called The Revolution. In 1869, they founded the National Woman Suffrage Association as part of a split in the women's movement. In 1890, the split was formally healed when their organization merged with the rival American Woman Suffrage Association to form the National American Woman Suffrage Association, with Anthony as its key force. In 1876, Anthony and Stanton began working with Matilda Joslyn Gage on what eventually grew into the six-volume History of Woman Suffrage. The interests of Anthony and Stanton diverged somewhat in later years, but the two remained close friends.
 Passage 2:On 26 July 1830, the revolution of the so-called Three Glorious Day (or July Revolution) erupted due to the authoritarian and anti-Gallican tendencies showed by Charles X and his Prime Minister Jules de Polignac, expressed by the recently approved Saint-Cloud Ordinances. Despite the abdication of Charles X and the Dauphin Louis in favor to Charles X's grandson Henri, Duke of Bordeaux, on 2 August 1830, only seven days later Louis Philippe I, still Duke of Orléans, was elected by the Chamber of Deputies as new "King of the French". The enthronement of Louis Philippe was strongly wanted by Doctrinaires, the liberal opposition to Charles X's ministries, under the concept "nationalize the monarchy and royalize France". On 14 August 1830, the Chamber approved a new Constitution, who became the de facto political manifesto for the Orléanists, containing the basis for a constitutional monarchy with a central Parliament. The Orléanism, became the dominant tendency within political life, easily divided inside the Chamber of Deputies between the centre-left of Adolphe Thiers and the centre-right of François Guizot. Louis Philippe showed himself more aligned with Guizot, entrusted to the higher offices of government, and rapidly became associated with the rising "new men" of the banks, industries and finance, gaining the epithet of "Roi bourgeois". In the early 1840s, Louis Philippe's popularity decreased, due to his strong connection to upper classes and repression against workers' strikes, and showed few concerns for his weakened position, leading the writer Victor Hugo to describe him as "a men with many little qualities". The Orléanist regime finally fell in 1848, when a revolution erupted and on 24 February Louis Philippe abdicated in favor to his grandson Philippe, Count of Paris, under regency of his mother Helene, Duchess of Orléans, who was quickly ousted out from the Chamber of Deputies during the regency's formalization, who was interrupted by republican deputies who instead proclaimed the Second Republic.
 Passage 3:In 1944, she returned to Switzerland, singing as the leading dramatic contralto at the Opernhaus Zürich. She appeared as Brangäne in Wagner's Tristan und Isolde, as Fricka in his Die Walküre, as Ortrud in his Lohengrin, and in the title role (Octavian) of Der Rosenkavalier by Richard Strauss, among others. In 1949, she took part in the premiere of Willy Burkhard's Die schwarze Spinne. The same year, she performed in Monteverdi's L'incoronazione di Poppea, both at Vicenza's Teatro Olimpico and at La Fenice in Venice. She performed as a guest at La Scala in Milan several times, including Octavian, Brangäne, Venus in Wagner's Tannhäuser, and the title role of Honegger's Judith. She appeared as a guest at the Vienna State Opera, in Belgium, France, United Kingdom, in Argentina, and the US.

Output: 2