Question: Of the two playwrights whose plays Rossum appeared in between 2006 and 2009, which is credited with writing the most number of plays? Passage 1:Born into a poor family in Linlithgowshire in Scotland, Bartholomew joined the Merchant Navy at a young age and became a highly experienced sailor, travelling to the Baltic Sea and the West Indies, working on hired merchant ships during campaigns against French islands there at the outbreak of the French Revolutionary Wars. He later served on Greenland whalers, but in 1795 was seized by a press gang at Wapping and forcibly recruited into the Royal Navy. Due a superior education (although where he obtained this education is unknown), Bartholomew was rapidly promoted to midshipman, serving in numerous theatres and becoming a favourite of Admiral Sir Home Riggs Popham. Bartholomew was present at the surrender of the Dutch fleet in 1799, on HMS Romney in the East Indies and in 1802 was in charge of the ship's chronometers during a voyage to the Red Sea. The Peace of Amiens in the same year saw a reduction in the Navy and Bartholomew was placed in reserve.
 Passage 2:In 2006, Rossum appeared in Poseidon, Wolfgang Petersen's remake of the disaster film The Poseidon Adventure. She played Jennifer Ramsey, the daughter of Kurt Russell's character. Rossum described the character as being proactive and strong in all situations, rather than a damsel in distress. Rossum also appeared as Juliet Capulet in a 2006 Williamstown Theatre Festival production of William Shakespeare's Romeo and Juliet. In early 2009, Rossum appeared in Dragonball Evolution. Her next big screen venture was the indie Dare which was an official selection of the 2009 Sundance Film Festival. In November 2009, Rossum appeared in Broadway's 24 Hour Plays in which actors, writers, and directors collaborate to produce, and perform six one-act plays within 24 hours to benefit the Urban Arts Partnership. Rossum appeared in Warren Leight's "Daily Bread", directed by Lucie Tiberghien.
 Passage 3:The idea of a national cathedral first emerged following the Romanian War of Independence (1877–1878), which was mainly fought between the Russian and Ottoman Empires. The church was to symbolise the victory of Orthodox Christians over the Ottoman Muslims. The idea was shelved for lack of consensus on design, location and funding. The Unification of the Romanian Principalities in 1859, entailed a unitary organization of church structures in Moldavia and Wallachia within the Holy Synod (1872), thus the assembly of hierarchs increased to 12 members, including: the Primate Metropolitan (chairman), the Metropolitan of Moldavia and their suffragan bishops of Râmnic, Buzău, Argeș, Roman, Huși and Lower Danube (Galați) and one auxiliary vicar-bishop for every diocese. The old Metropolitan Cathedral had proved overcrowded, especially during the national holidays, such as the Proclamation of the Kingdom of Romania and the crowning of the First King Carol I (10 May 1881), when none of the over one hundred churches in Bucharest were able to receive those who would have wanted to participate in the official service. Therefore, at King Carol I's desire, Romania's Assembly of Deputies and the Senate voted in favour of the Law no.1750 on the construction of the Cathedral Church in Bucharest, promulgated by King Carol I on 5 June 1884.

Output: 2