Question: How much money did Sony Music Entertainment make the year Retropolis Entertainment was founded? Passage 1:Retropolis Entertainment was founded in April 2002 by Bob Emmer, Garson Foos, and Richard Foos, three principals from Rhino Records, as the company was negotiating with the five majors for distribution. After selling Rhino to Warner Bros., the three set out to launch a new retro pop culture label. The company's first product was Red, White & Rock, a joint release with PBS station WQED that was produced with Warner Strategic Marketing. In August 2002, Retropolis acquired Biograph Records. Other early releases included blues and jazz CDs from the Biograph label, a Fats Domino CD and DVD, and several documentaries (Superstar: The Life And Times of Andy Warhol, What Happened To Kerouac?). Retroplis was renamed Shout! Factory in April 2003. At that time, Shout had signed a press and distribution agreement with Sony Music Entertainment. With the release of Freaks & Geeks in 2004, Shout! hit its stride and shifted towards a reputable and celebrated television on DVD company. That same year, they released a brand-new CD Has Been with actor William Shatner (produced by Ben Folds) and started releasing classic SCTV box sets.
 Passage 2:Henri first appeared on stage in 1879 at the age of 15 with Florence St. John's Opera Company, performing in Jacques Offenbach's Madame Favart at the Strand Theatre and Edmond Audran's Olivette at the Avenue Theatre, both in 1880, in the latter of which she played a small role. She appeared in other operettas with St. John but left in 1881 to help Lytton begin his acting career. They joined the company at Philharmonic Theatre, Islington in several plays, including The Obstinate Bretons and The Shaughraun by Dion Boucicault, and then, with Kate Santley, played at the Royalty Theatre. There they appeared in Ixion, or the Man at the Wheel by F. C. Burnand, but the theatre closed soon afterwards. Henri rejoined St. John's company, playing in Bucalossi's Les Manteaux Noirs at the Avenue Theatre in 1882. She then rejoined Santley's company at the Royalty in 1883 in The Merry Duchess, but Lytton was out of acting work all this time and was forced to take a variety of odd jobs. Henri then played in the lavish 1883 Christmas pantomime of Cinderella at the Theatre Royal, Drury Lane. Henri and Lytton married in early 1884, both aged 19, at St. Mary Abbot's Church, Kensington. Neither family attended the ceremony.
 Passage 3:Born in 1941, Belanger attended public schools in Bristol, Connecticut. He has degrees from Haverford College (A.B., 1963) and from Columbia University (M.A., 1964; Ph.D., 1970), where he studied under James L. Clifford, Allen T. Hazen, and John H. Middendorf. Between 1966 and 1971, while working on his dissertation on aspects of the 18th-century London book trade, he taught advanced prose composition courses at the Columbia University School of General Studies, an activity leading to the 1972 publication of The Art of Persuasion, a writing manual co-authored with J. Steward LaCasce. While in England on a Columbia traveling fellowship in 1968–69, he revised the book production sections of the 18th-century volume of the New Cambridge Bibliography of English Literature (NCBEL), working with Graham Pollard, who had compiled the original sections for the first edition of CBEL, published in 1940. With Jane Marla Robbins, he co-authored and co-directed a one-character play starring Robbins called Dear Nobody, based on the life of the 18th-century diarist and novelist, Fanny Burney. The play ran Off-Off-Broadway in 1968; it later had a five-months' Off-Broadway run at the Cherry Lane Theatre in 1974.

Output: 1