Question: Which film won the Palme d'or the year that Dzieje grzechu was nominated? Passage 1:Beechey began racing at the age of 22 in a Ford Customline V8. He came to prominence only a year later when he won the Olympic Touring Car Race at Albert Park, a support event at the Australian Grand Prix meeting which was held in conjunction with the 1956 Melbourne Olympic Games. As the expense of running this and two subsequent Customline V8s proved too prohibitive he reverted to a Holden 48-215 in 1959. After becoming part of David McKay’s Scuderia Veloce team he again returned to V8s, developing a Chevrolet Impala with which he won the New South Wales Touring Car Championship at Catalina Park. He progressed to a Ford Galaxie owned by Len Lukey and was then instrumental in forming the Neptune Racing Team in 1964. He raced a Holden EH S4 as part of that team alongside Jim McKeown’s Lotus Cortina and Peter Manton’s Morris Cooper S. He subsequently developed and raced a series of V8 powered Touring Cars with which he contested the Australian Touring Car Championship and other events. The first Ford Mustang to race in Australia was followed by a Chevrolet Chevy II Nova, a Chevrolet Camaro, a Holden Monaro GTS 327 and a Holden Monaro GTS 350.
 Passage 2:Borowczyk moved into live-action feature film with Goto, l'île d'amour (Goto, Isle of Love) (1968) and Blanche (1971), both tales of illicit love thwarted by jealous husbands, and both starring his own wife, Ligia Branice. One of his most appreciated films of this period, Dzieje grzechu (A Story of Sin) (1975), which was nominated for Palme d'or, is an adaptation of a Polish literary classic by Stefan Żeromski. Like his 1966 short film Rosalie (a Guy de Maupassant adaptation and a Silver Bear winner), Dzieje grzechu had successfully rendered the themes of seduction and infanticide. Contes immoraux (Immoral Tales) (1973) and his later work, including Interno di un convento (Behind Convent Walls) (1977) (inspired by Promenades dans Rome of Stendhal) and Cérémonie d'amour (Rites of Love) (1988) have been controversial, lauded by some for their unique surrealist vision and derided by others as contentless pornography. Especially, La Bête (The Beast, 1975) (based on the novel Lokis by Prosper Mérimée and originally conceived in 1972 as a film on its own, but then in 1973 as the fifth story in Contes immoraux) was seen by many as a decline in the director's career after Dzieje grzechu, except in France, where it was hailed by prominent critics such as Ado Kyrou. His 1980 film Lulu was based on the eponymous character created by Frank Wedekind.
 Passage 3:Appearing at the Gasteig in 2005, she performed Chopin's Piano Concerto in E minor with the Münchener Kammerorchester, conducted by Christoph Poppen. In 2008, Babor appeared in a recital at the Ushuaia festival playing works by Beethoven, Prokofieff, Schubert and Ginastera, and Mozart's Piano Concerto in C major, K. 482. In 2009, as part of the project Musik Werkstatt Jugend (youth music workshop), she played Rachmaninoff's Piano Concerto in C minor with the ensemble interculturel in concerts in Munich's Herkulessaal and in Rouen. In 2011, she was the pianist in a concert at the Gasteig concluding a festival to honour the 200th birthday of Franz Liszt on October 22. The program Hommage à Liszt juxtaposed chamber music by Liszt with that by Graham Waterhouse. The music was scored for piano solo up to piano and string quartet, including the premiere of Rhapsodie Macabre.

Output: 2