Question: Were both of the singers that were also mentioned as individuals following the fad of releasing disco records born in the United States? Passage 1:The area around present-day Atsugi city has been inhabited for thousands of years. Archaeologists have found ceramic shards from the Jōmon period at numerous locations in the area. By the Kamakura period, this area part of the Mōri shōen, part of the holdings of Ōe no Hiromoto. His descendants, the Mōri clan later ruled Chōshū domain. During the Kamakura period, the area was also known for its foundry industry for the production of bells for Buddhist temples. The area came under the control of the Ashikaga clan in the early Muromachi period and was later part of the territories of the Later Hōjō clan from Odawara. With the start of the Edo period, the area was tenryō territory controlled directly by the Tokugawa shogunate, but administered through various hatamoto, as well as exclaves under the control of Odawara Domain, Sakura Domain, Mutsuura Domain, Ogino-Yamanaka Domain and Karasuyama Domain. After the Meiji Restoration, the area was consolidated into Aikō District of Kanagawa Prefecture by 1876. Atsugi town was created on April 1, 1889 through merger of several small hamlets. Atsugi was elevated to city status on February 1, 1955 through merger with neighboring Mutsuai Village, Koaiyu Village, Tamagawa Village and Minamimori Village. The city expanded on July 8, 1958 through merger with neighboring Echi Village, and with Aikawa Village from Naka District. On September 30, 1956, Ogino Village joined with Atsugi. In April 2000, Atsugi exceeded 200,000 in population and was proclaimed a special city with increased autonomy from the central government.
 Passage 2:Owusu played in all 13 games with nine starts, contributing 30 tackles to rank second among the team's defensive linemen behind Trevor Guyton. He also second on the team with 4.5 sacks (-25 yards) and fourth with 7.5 tackles for loss (-30). Owusu added a forced fumble, two pass breakups and a quarterback hurry. He had his biggest game of the season at Oregon with a career-high seven tackles, a season-high-tying 2.0 tackles for loss for a season-high 12 yards, a sack for a season-high 10 yards, a forced fumble and a pass breakup. Owusu had four tackles each at Colorado, vs. Utah and vs. Oregon State. He added a sack against both the Beavers (-9 yards) and Utes (-2 yards), as well as a total of 2.0 tackles for loss (-4 yards) against the Utes and 1.0 tackle for loss (-1 yard) against the Buffaloes. He had three tackles in the Holiday Bowl vs. Texas. Owusu had 1.5 sacks (-4 yards) against Presbyterian. His other pass breakup came in season-opener vs. Fresno State, while quarterback hurry came against USC. Owusu posted two tackles at Stanford. He had single tackles vs. Fresno State, at UCLA, vs. Washington State, and at Arizona State. Owusu picked up first-team ESPN All-District® 8 for the second consecutive year and first-team Pac-12 All-Academic honors for the first time. He earned the team's Dink Artal Award on the defensive side of the ball for the player best exemplifying Cal spirit. Owusu earned a spot on Phil Steele's midseason third-team All-Pac-12 squad.
 Passage 3:"My Father's Song" was released as the album's lead single in August 1975. The 7" record was released in the United States and Spain where the song was retitled "La Canción de Mi Padre". The song was paired with B-side "By the Way", although in Spain the track was titled "Da Paso". The single enjoyed success on the United States Adult Contemporary chart, where it peaked at numbers 11. It also entered the similar chart in Canada, where it reached number 15. Nicky Siano, a disc jockey, began playing Streisand's version of "Shake Me, Wake Me (When It's Over)" at The Gallery nightclub in New York City in the fall of 1975; in a handwritten letter by Streisand for Siano, she wrote that the hype generated from playing her cover at the club prompted Columbia Records to release it as another single from Lazy Afternoon. It was distributed in 7" and 12" vinyl formats on November 12, 1975 featuring the B-side and album track "Widescreen". A British version of the single was also created and features the longer cut of the single instead of the album version. Streisand's cover was noted by writers for Billboard as an attempt for pop singers to begin "releasing disco records"; other singers like Andy Williams and Ethel Merman were also mentioned as individuals following the fad. Due to heavy airplay in dance clubs, it entered two of the dance charts compiled by Billboard; it peaked at number 14 on the Dance Club Songs chart and number 10 on the Disco Singles chart.

Output: 3