Question: How many years had the Taj Mahal been standing for when Stanko recorded solo work there? Passage 1:Everett Station is served by six daily Amtrak trains: four Cascades runs between Seattle and Vancouver, British Columbia, and two Empire Builder runs between Seattle and Chicago. The station is also served by the North Line of Sound Transit's Sounder commuter rail service, running four trains in peak direction towards King Street Station in Seattle during the morning commute and four trains from Seattle during the evening commute, only on weekdays and during special events. Train service to Everett is most often disrupted and canceled during the autumn and winter seasons because of landslides along the shoreline of the Puget Sound, where the BNSF mainline tracks run. During the 2012–2013 winter season, a record-high of 206 passenger trains between Everett and Seattle were canceled, prompting the Washington State Department of Transportation to begin a three-year landslide mitigation project in 2013 that will stabilize slopes above the railroad between Seattle and Everett.
 Passage 2:During the 1980s, he traveled to India and recorded solo work in the Taj Mahal, and also worked with Vesala in groups led by Chico Freeman and Howard Johnson. In the mid-1980s, he began doing extensive work with Cecil Taylor, performing in his big bands and also led various groups of his own, including COCX (with Vitold Rek and Apostolis Anthimos). Then, before returning to ECM Records, Stańko also worked in a trio that included himself, Arild Andersen and Jon Christensen. In 1993, Stańko formed a new quartet composed of the then 16-year-old drummer Michał Miśkiewicz, along with Miśkiewicz's two friends, pianist Marcin Wasilewski and bassist Sławomir Kurkiewicz. That same year he also formed an international quartet that included Bobo Stenson, Tony Oxley and Anders Jormin. in 1994 the quartet released their first ECM recording titled Matka Joanna. In 1997, Stańko formed a group which performed the songs of pianist Krzysztof Komeda, touring London, Copenhagen, Stockholm and appearing at jazz festivals like those in Nancy and Berlin. The idea for the project came from ECM president Manfred Eicher.
 Passage 3:Richmond Sound Design (RSD) created both show control (a.k.a. MSC or "MIDI Show Control") and theatre sound design software which was used extensively in the theatre, theme park, display, exhibit, stage managing, show and themed entertainment industries in the 1980s and 1990s and at one point in the mid 90s, there were many high-profile shows at major theme parks around the world being controlled by Amigas through software simply called Stage Manager which then evolved into its Microsoft Windows version called ShowMan. There were dozens at Walt Disney World alone and more at all other Disney, Universal Studios, Six Flags and Madame Tussauds properties as well as in many venues in Las Vegas including The Mirage hotel Volcano and Siegfried and Roy show, the MGM Grand EFX show, Broadway theatre, London's West End, the Royal Shakespeare Company's many venues, most of Branson, Missouri's theatres, and scores of theatres on cruise ships, amongst hundreds of others. RSD purchased used Amigas on the web and reconditioned them to provide enough systems for all the shows that specified them and only stopped providing new Amiga installations in 2000. There are still an unknown number of shows on cruise ships and in themed venues being run by Amigas.

Output: 2