Question: What is the singer that Hank mocks most famous song? Passage 1:Publicist Jolene (Denise Richards) has a tense relationship with rock musician Hank (James Stevenson), who is planning to marry journalist Rose (Lauren German). As the lead singer of the band Modern Apes, Hank performs "mocking [and] self-congratulatory" versions of Barry Manilow's music. According to Tatiana Morales of CBS News, people compared Jolene to Amanda Woodward from Melrose Place. Muir characterized Jolene as a maneater, and Phil Gallo of Variety viewed her as "a devilish character with a dark soul". On the other hand, Shandy Casteel of PopMatters described Rose as the girl next door. David Bianculli of the New York Daily News cited her as the show's lead character. In the pilot episode, Rose receives the ashes of her ex-boyfriend Billy (Dylan Bruno), but it is revealed he is alive when he re-enters the characters' lives. Jolene believes that Rose had ruined her relationship with Billy, and responds by plotting to take Hank as "a means to nasty retaliation". As part of the show's comedy, Rose imagines people singing pop music to her.
 Passage 2:For many people, disco is the genre of music most readily associated with the 1970s. First appearing in dance clubs by the middle of the decade, (with such hits as "The Hustle" by Van McCoy), artist like Donna Summer, Gloria Gaynor popularized the genre and were described in subsequent decades as the "disco divas." The movie Saturday Night Fever was released in December 1977, starring John Travolta and featuring the music of the Bee Gees and several other artists. It had the effect of setting off disco mania in the United States. the Bee Gees' soundtrack to Saturday Night Fever became the one best selling album of all time. The Bee Gees and Donna Summer became the genres mega stars. The Bee Gees had 9 number 1 singles, and 12 top 10 hits on the Billboard Hot 100 Chart. Donna Summer had 4 number 1 singles, and 8 top 5 hits, 9 top 10s during the second half of the decade. Summer would be the first female artist of the modern era, to have the number one single and number album, simultaneously on the pop charts. She would accomplish this 3 times in 8 months. She was the first female artist to have 3 number one singles, and 5 top 10, and or; 5 top 5 singles in a calendar year (1979). The other prominent acts of the genre were KC and the Sunshine Band who scored 4 number one singles, The Village People, and Chic. KC and the Sunshine Band would enter the first week of the new decade (80s) with their fifth number one single, and Donna Summer would enter the new decade with her third number one double album.
 Passage 3:In 1938 Rudenko was signed up to the Ballet Russe de Monte Carlo, where, at 17, she was their youngest soloist. Her stage name was Lubov Roudenko, and she was also popularly known as "Spitfire Lu-Lu." She had a can-can sequence in the 1938 ballet Gaîté Parisienne choreographed specially for her by Léonide Massine. She would later reprise this role in the 1941 Oscar-nominated short film The Gay Parisian. Whilst with the Ballet Russes, Rudenko was the subject of several drawings by Henri Matisse in 1939. Four of his portrait sketches of her are now in the Fogg Museum. Matisse also made a drawing of Rudenko in the ballet  Rouge et Noir. While on tour with the Ballet Russe, Rudenko performed the role of the Cowgirl in the 1942 ballet Rodeo until the tour reached New York and Agnes de Mille, the original choreographer, reclaimed the role for herself. Disappointed by this, Rudenko quit the Ballet Russes, and took a better-paid job performing in a Broadway production of The Merry Widow. This production launched at the Majestic Theatre on 4 August 1943, with Rudenko and James Starbuck leading the character dances, including a comic polka and a can-can number. After this, Rudenko played Grisette in Nellie Bly, a short-lived 1946 musical based on the life of Nellie Bly, and then became lead dancer for the 1946-49 Broadway production of Annie Get Your Gun, but following a knee injury, decided to pursue a career in fashion design. She continued performing until 1951, appearing in the 1950-51 Olsen and Johnson revue Pardon our French.

Output: 1