Question: Who is the oldest member of the 1966 Baltimore Orioles who pitched for the Royal in their inaugural game? Passage 1:The Royals began operations with General Manager Cedric Tallis, who soon developed a reputation as the best trader in the league. The first big trade was with fellow expansion team Seattle, which brought in 1969 Rookie of the Year Lou Piniella. In their inaugural game, on April 8, 1969, the Royals defeated the Minnesota Twins 4-3 in 12 innings. Two pitching stars from the Baltimore Orioles team that won the 1966 World Series pitched for the Royals in the inaugural game: Wally Bunker threw the franchise's very first pitch, and Moe Drabowsky won the game in relief. After finishing the season in 5th place, the Royals' next trade cemented a reputation as a speedy team. Third baseman Joe Foy was traded to the New York Mets for speedy outfielder Amos Otis, who would become the Royals' first star. Further one-sided trades brought to the Royals second baseman Cookie Rojas, bullpen ace Ted Abernathy, shortstop Fred Patek, first baseman John Mayberry and left fielder Hal McRae. The Royals also invested in a strong farm system and in the early years developed such future stars as pitchers Paul Splittorff and Steve Busby, infielders George Brett and Frank White, and outfielder Al Cowens.
 Passage 2:Rimington was born Stella Whitehouse in South London, England; her family moved from South Norwood to Essex in 1939, due to the danger of living in London during World War II. Her father got a job as chief draughtsman at a steel works in Barrow-in-Furness in Cumbria, and the family moved there and she was educated at Crosslands Convent School after spending some time in Wallasey. When her father got a job in Ilkeston, Derbyshire, the family moved to the Midlands, where Stella attended Nottingham High School for Girls. She spent her last summer of secondary school working as an au pair in Paris, before enrolling at the University of Edinburgh in 1954 to study English. By chance, she met her future husband, John Rimington, whom she had known from Nottingham.
 Passage 3:The Joshua Tree has been acclaimed by writers and music critics as one of the greatest albums of all time; according to Acclaimed Music, it is the 40th-highest-ranked record on critics' lists. In 1997, The Guardian collated worldwide data from a range of renowned critics, artists, and radio DJs, who placed the record at number 57 on the list of the "100 Best Albums Ever". It was ranked 25th in Colin Larkin's 2000 book All Time Top 1000 Albums. In 2006, Time named it as one of the magazine's 100 best albums, while Hot Press ranked it 11th on a similar list. Q named it the best record of the 1980s, while Entertainment Weekly included the album on its list of the 100 best records released between 1983 and 2008. In 2010, the album appeared at number 62 on Spins list of the 125 most influential albums in the 25 years since the magazine launched. The publication said, "The band's fifth album spit out hits like crazy, and they were unusually searching hits, each with a pointed political edge." Rolling Stone magazine ranked the album at number 27 on their 2012 list of "The 500 Greatest Albums of All Time", calling it "an album that turns spiritual quests and political struggles into uplifting stadium singalongs". It was U2's best position on the list. That year, in Slant Magazine's list of the "Best Albums of the 1980s", the publication said that The Joshua Trees opening trio of songs helped "the band became lords and emperors of anthemic '80s rock" and that "U2 no longer belonged to Dublin, but the world." In 2018, Pitchfork ranked the record 47th on its list of "The 200 Best Albums of the 1980s", writing that the album's "brilliant tension" and continued resonance was the result of Eno and Lanois "steer[ing] U2 toward a moody impressionism where slide guitars and three chord progressions sound cavernous, even ominous". The Buffalo News said the record "made [U2] the first mainstream band since the Beatles to capture the spirit of the age in a manner that was both populist and artistically, politically and socially incisive". In 2014, The Joshua Tree was inducted into the Grammy Hall of Fame for becoming "part of our musical, social, and cultural history". That same year, the album was selected for preservation in the National Recording Registry by the US Library of Congress for being deemed "culturally, historically, or aesthetically significant". It is the only Irish work to be so honoured.

Output: 1