Question: What was the population of the Principality of Samtskhe while Sargis II Jaqeli was the ruler? Passage 1:Sargis II Jaqeli () (1271 – 1334) was a Georgian prince (mtavari) and ruler of Principality of Samtskhe from 1306 to 1334. He was a son of Prince Beka I Jaqeli. During his father's reign Sargis participated in many campaigns. In 1290s Azat Mousa, leader of the Anatolian Turkoman tribes, attacked Samtskhe. Beka Jaqeli appointed Sargis as a commander of army and ordered him to stop Turks near village Vashlovani. Around 1303, Sargis defeated Turkoman tribes and expelled them from Meskhetian lands. In 1306, after his father's death, Sargis ascended the Atabeg's throne. He was made Amirspasalar by his nephew, King George V "the Brilliant". After Sargis II's death, his son Qvarqvare became a new Prince of Meskheti, also the vassal of Georgian kingdom.
 Passage 2:Ito was born in Osaka Prefecture on May 28, 1978. After graduating from high school, he joined Regional Leagues club Nagoya SC in 1997. In 1999, he moved to newly was promoted to J2 League club, Ventforet Kofu. Although he could not play at all in the match behind Takehisa Sakamoto, he became a regular goalkeeper from late 1999. However the club finished at bottom place for 2 years in a row (1999-2000). In 2001, he moved to J2 club Shonan Bellmare. However he could hardly play in the match behind Yuji Ito and Masahito Suzuki. In 2003, he moved to J1 club Cerezo Osaka. However he could not play at all in the match behind Seigo Shimokawa and Daisuke Tada in 2003. In 2004, he played many matches as regular goalkeeper. However he could hardly play in the match behind new member Motohiro Yoshida in 2005. In 2006, he moved to J2 club Shonan Bellmare for the first time in 4 years. Although he played many matches as regular goalkeeper in 2006, he could not play at all in the match behind newcomer Kim Yeong-gi from 2007 and retired end of 2009 season. However he came back as player in 2010 because many goalkeeper got hurt. However he did not play the match and retired end of 2010 season.
 Passage 3:Among intellectuals, critiques of Japanese cinema grew in the 1910s and eventually developed into a movement that transformed Japanese film. Film criticism began with early film magazines such as Katsudō shashinkai (begun in 1909) and a full-length book written by Yasunosuke Gonda in 1914, but many early film critics often focused on chastising the work of studios like Nikkatsu and Tenkatsu for being too theatrical (using, for instance, elements from kabuki and shinpa such as onnagata) and for not utilizing what were considered more cinematic techniques to tell stories, instead relying on benshi. In what was later named the Pure Film Movement, writers in magazines such as Kinema Record called for a broader use of such cinematic techniques. Some of these critics, such as Norimasa Kaeriyama, went on to put their ideas into practice by directing such films as The Glow of Life (1918), which was one of the first films to use actresses (in this case, Harumi Hanayagi). There were parallel efforts elsewhere in the film industry. In his 1917 film The Captain's Daughter, Masao Inoue started using techniques new to the silent film era, such as the close-up and cut back. The Pure Film Movement was central in the development of the gendaigeki and scriptwriting.

Output: 1