Question: Which state where McJunkin worked as a foreman or buffalo hunter has a larger population? Passage 1:The broadnose sevengill shark (Notorynchus cepedianus) is known to prey on the crossback stingaree. When threatened, this ray raises its tail warningly above its body in a scorpion-like fashion. Parasites documented from this species include a tapeworm in the genus Acanthobothrium, and the monogenean Calicotyle urolophi. Like other stingrays, the crossback stingaree is aplacental viviparous: when the developing embryos exhaust their supply of yolk, their mother provisions them with nutrient-rich histotroph ("uterine milk") through specialized extensions of the uterine epithelium called "trophonemata". Females produce litters of 1–4 pups every other year. Embryonic development proceeds rapidly over a six-month period, though the total gestation period may be much longer if there is a period of dormancy for the eggs after fertilization, as has been reported in other stingarees. Off Tasmania, large estuaries such as at the mouth of the River Derwent serve as nursery areas.
 Passage 2:Born to slaves in Midway, Texas, McJunkin was approximately 9 years old when the Civil War ended. He worked as a cowboy for freighters. He reportedly learned how to read from fellow cow punchers. McJunkin taught himself to read, write, speak Spanish, play the fiddle and guitar, eventually becoming an amateur archaeologist and historian. In 1868, McJunkin arrived in New Mexico and became a foreman on the Thomas Owens Pitchfork Ranch. McJunkin became a buffalo hunter and worked for several ranches in Colorado, New Mexico and Texas. He was also reported to be an expert bronc rider and one of the best ropers in the United States. He became foreman of the Crowfoot ranch near Folsom, New Mexico. In 2019, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum.
 Passage 3:In April 1980, Hall returned to the US and from 1 to 24 May she appeared in the cast of Black Broadway (a retrospective musical revue) at the Town Hall in New York. Among other artists appearingd in the show were Elisabeth Welch, Gregory Hines, Bobby Short, Honi Coles, Edith Wilson, Nell Carter and John W. Bubbles of Buck and Bubbles fame. The show had originally been staged at the Newport Jazz Festival on 24 June 1979, before it was re-assembled in 1980 and staged at the Town Hall. Following Black Broadway, in June 1980, Hall took up temporary residence at Michael's Pub in New York and commenced a three-week engagement, performing three shows a night. Also in June 1980, she performed at the Playboy Jazz Festival held at the Hollywood Bowl in Los Angeles. Other artists on the bill included Dizzy Gillespie, Herbie Hancock, Stéphane Grappelli, Mel Tormé, Zoot Sims, Carmen McRae and Chick Corea. On 2 July 1980, writer Rosetta Reitz organised a tribute to the Women of Jazz at Avery Fisher Hall as part of the Newport Jazz Festival. Called The Blues is a Woman, the program, narrated by Carmen McRae, featured music by Adelaide Hall, Big Mama Thornton, Nell Carter and Koko Taylor. Back in the States, in February 1983, Hall appeared on the bill of the 100th birthday celebration for composer Eubie Blake held at the Shubert Theater, New York. Unfortunately, Blake was recovering from pneumonia at the time so could not attend the event but with the aid of a special telephone hook-up to his home in Brooklyn he was able to listen to the entire two-hour show. On 5 April 1983, Hall commenced a month-long engagement at the Cookery in New York. Her accompanists were Ronnie Whyte and Frank Tate.

Output: 2