Question: What else of importance happened the year someone broke King's record? Passage 1:In April 1914 he joined Arsenal for a £1,000 fee, returning to League football. Arsenal had just missed out on promotion on goal average to the First Division, and in 1914–15 King spearheaded their attack, scoring 26 goals in the League and another three in the FA Cup. These included the first hat trick scored at their new Highbury stadium (against Grimsby Town on 14 November 1914), and two four-goal hauls against Wolverhampton Wanderers and Nottingham Forest. King's 29 goals that season were an all-time club record at the time, remaining so until Jimmy Brain broke it in 1925–26. However, Arsenal's defence let them down and they only finished fifth, outside of the promotion places; eventually, they were re-elected back to the First Division when football resumed after the end of the First World War.
 Passage 2:Vincent Canby of The New York Times wrote, "As an attempt to elevate pornography ... into art, it is often witty and funny but it fails for several reasons, including Ginsberg's self-imposed limitations on form (to which he's not completely faithful)." He elaborated that "the screenplay, like the film, eventually drifts in a horizontal direction into a kind of foggy confusion." Variety stated, "The problem with 'Coming Apart' is that while it suggests some interesting ideas, it can't deliver any of them in cogent form. If Torn is supposed to be some form of saint in the 20th Century religion of psychiatry, prepared to accept the truth of his perceptions with detached irony, this only adds to the deadness of the film as public entertainment." Gene Siskel of the Chicago Tribune gave the film 3.5 stars out of 4 and praised Rip Torn for "a brilliantly controlled performance. He never appears to be acting." Kevin Thomas of the Los Angeles Times wrote, "In this dreary study of the disintegration of a New York psychologist (Rip Torn), Ginsberg made the mistake of placing professional actors in improvised Warhol-like situations ... What we're left with, consequently, is scarcely more than some mild but mainly tedious pornography for intellectuals." Gary Arnold of The Washington Post wrote, "Compared to the erotic satire, the film's serious pretensions seem so uninspired and derivative that it's only natural to find that your interest dwindles once the characters start sorting out their souls ... the breakdowns turn morbidly sentimental and theatrically pat." Life reviewer Richard Schickel praised Torn's performance, Ginsberg's inventive use of camera and sound, and the "illuminating" portrayal of a schizophrenic breakdown. Andrew Sarris of The Village Voice gave it a less favorable review, however, and the film was a commercial failure.
 Passage 3:Jenny Morris was born in Tokoroa, New Zealand and grew up in Hamilton with three brothers (Alistair, Rhys and Tam) and four sisters (Maxine, Bronte, Joanne and Shanley). Morris wrote a poem on the Vietnam War when she was 12 and used her sister's guitar to put it to music. Morris has stated that her influences include Aretha Franklin and Dusty Springfield. Her first professional performance was at age fifteen, at Andersons Theatre Restaurant, in Hamilton. In 1976 she became a singer with How's Your Father, who were finalists in the 'National Battle of the Bands'. She began working as a Home Economics teacher for two years at a high school near Wellington. Late in 1978 Morris joined an all-girl group, Wide Mouthed Frogs in Wellington, performing lead vocals. Fellow members were Kate Brockie on lead vocals, Andrea Gilkison on guitar, Tina Matthews on bass guitar, Bronwyn Murray on keyboards and Sally Zwartz on drums. In 1979 they released the track, "Some Day" for the compilation album, Home Grown Volume One; "Some Day" was cowritten with Tony Backhouse, guitarist of fellow Wellington band, The Spats, which also had a track, "Young Ladies in Hot Cars", on the compilation.

Output: 1