Question: How many years after Nic Jones recorded the song did Mary Black also record it? Passage 1:In 1996, Toyota Motor Sports funded the development of an experimental Le Mans Prototype, which was officially known as the TOM'S Toyota LMP. As Toyota were primarily focusing on their Championship Auto Racing Teams (CART) engine, which first ran that year, the LMP project was run on a tight budget of approximately $500,000. Due to this tight budget, the car, christened the "Lumpy", reused Toyota's 3S-GT engine in the 88C Group C specification, which was a 2.1-litre turbocharged straight-four engine, producing ; this engine was coupled to an Xtrac gearbox from a Peugeot Group C car. The chassis tub was designed to be simple but strong, and the bodywork was also simple; the tight budget meant that the LMP never saw a wind tunnel. The bodywork was designed to minimize lift over the upper body of the car, and had much simpler brake cooling than on most Le Mans Prototypes; the radiator ducts were used, via a scoop, to cool the brakes. After the LMP was completed, Tom Kristensen tested it on at least one occasion, whilst project director Andy Thorby recalled it being tested a total of three times; he stated that the car was very reliable, had lower fuel consumption than the 88C Group C car had (with the same engine), and that it also appeared to be quick. Following the completion of the tests, the car was dispatched to Toyota Team Europe's Cologne workshop, stored under a tarpaulin and eventually destroyed. Toyota would return to sportscar racing in 1998, with the André de Cortanze-designed Toyota GT-One.
 Passage 2:Nic Jones recorded his version of the song as Annachie Gordon on his 1977 album The Noah's Ark Trap (1977). Mary Black included it using the same name on the album Mary Black. Loreena McKennitt recorded it on Parallel Dreams (1989). Other versions include June Tabor's on Always (2005), Sharon Shannon's on Libertango (2004), John Wesley Harding's on Trad Arr Jones (1999) and Oliver Schroer's instrumental version on Celtic Devotion (1999). Sinéad O'Connor also recorded a version on the Sharon Shannon Collection released in 2005, and Gabrielle Angelique recorded the song on her album Dance with the Stars (2006). The Unthanks 2009 album Here's the Tender Coming also contains a version. The earliest professional recording was by Berzilla Wallin on Old Love Songs and Ballads from the Big Laurel, North Carolina (1964).
 Passage 3:Fišer was born in Zagreb on June 13, 1905 to a Jewish family of well-known Croatian architect Ignjat Fischer and his wife Helena (née Egersrodfer). She attended elementary and music school in Zagreb. Fišer graduated from the Academy of Music, University of Zagreb under Fran Lhotka as the first female conductor in Croatia. Soon after she left for Salzburg where she was perfecting herself at the Mozarteum University of Salzburg. From 1931 to 1934, Fišer worked as violinist at the Croatian Music Institute orchestra. As a conductor, Fišer debuted in 1933 while directing the comic opera Bastien und Bastienne with Zagreb philharmonic orchestra. From 1939 to 1941, she led the Zagreb Red Cross orchestra. Until 1941, she also led the Osijek philharmonic orchestra. From 1947 to 1965, Fišer worked as a prompter at the Croatian National Theatre in Zagreb.

Output: 2