Question: Of the two filmakers whose works are compared with Perestroika, who began their career at a younger age? Passage 1:Perhaps the reason for the appeal of Turner’s work outside the art world is that it pushes the boundaries of both film and politics. Perestroika has been noted by academics and critical thinkers for both its artistic form and commentary on environmental and social issues, most notably featuring in the essay volumes Performing Authorship: Self inscription and corporeality in the cinema and Screening Nature: Cinema Beyond the Human. For Cecilia Sayad, the film’s importance lies in its structures: its function in highlighting the act of authorship as performance, and how the film’s structural devices serve to emphasise the fictionality of narration, how the retelling, even of truth or fact, always and necessarily involves an element of creation and thus fiction. Sayad comments that whilst Perestroika ostensibly interweaves footage of a 2007–08 reconstruction of a train journey across Siberia that Turner took in 1987–88 with that from the original journey in what was then the USSR, it is as much about the workings of memory and filmmaking itself. But Sophie Mayer has commented on how the work uses the idea of pollution as a function of retention, and weaves it through both the social/cultural and natural worlds. Mayer goes further in exploring the contextual importance of the work, comparing Perestroika with works of the filmmakers Lucrecia Martel and Apichatpong Weerasethakul, commenting that each offers a ‘utopian possibility of a post-capitalist, post-industrial, postcolonial moment’. In a booklet of essays written to accompany the publication of Perestroika and perestroika:reconstructed in 2014, another academic, Paul Newland writes ‘the artist explores the nature of representation and its problematical relationship to our experience of reality. By doing this the film travels the branch lines between cinematography, photography, and everyday life.’ 
 Passage 2:Yonatan "Yoni" Jesner was a 19-year-old Scottish Jew who was killed by a Palestinian suicide bomber on September 19, 2002, in Tel Aviv. Yoni was one of 220 victims of the bombing attacks in 2002. He was killed in the Allenby Street bus bombing. Hamas took responsibility for the attack. Yoni, born in Glasgow, was named after Yoni Netanyahu, who was killed while leading Operation Entebbe to release hostages from Air France flight, hijacked by Palestinian terrorists. Jesner was planning to attend medical school at UCL in London. He was passionate about his Jewish heritage and came to Israel to study in a Jewish yeshiva for a year after finishing high school, where he would eventually decide to stay for a second year. Jesner was a senior counselor in the Bnei Akiva youth movement in Glasgow. After his death, Bnei Akiva raised money to buy an ambulance for Magen David Adom in his memory. Each year, on the eve of the Jewish festival of Sukkot, his Yahrzeit is commemorated by his family. Also, he is remembered at a learning programme run by Bnei Akiva on the Jewish festival of Hoshana Raba.
 Passage 3:Following the bankruptcy of Dreamwave Productions in 2005, IDW picked up the Transformers comic book license and hired veteran writer Simon Furman to craft a rebooted continuity based on the toy line, similar to what Marvel Comics did through Ultimate Marvel. In May 2008, IDW obtained the G.I. Joe comic book license from Devil's Due Publishing. Over the years, both comics participated in several crossover events, like Infestation and Infestation 2. In 2016, IDW gained the rights of Rom, Micronauts, Action Man and M.A.S.K. from other publishers. That same year, IDW announced the Hasbro Reconstruction campaign, in order to converge those brands in the same continuity, starting with the crossover event Revolution. In 2017, IDW gained the rights of , with most of its characters debuting after the crossover event First Strike. In April 2018, IDW announced the HCBU would conclude with the limited series  in November 2018.

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