Question: In which city did the English won another victory three years after they invaded Edinburgh? Passage 1:The English King Henry VIII, angered by the Scots reneging on the initial agreement, made war on Scotland in 1544–1549, a period which the writer Sir Walter Scott later christened the "Rough Wooing". In May 1544 an English army landed at Granton and captured Leith to land heavy artillery for an assault on Edinburgh Castle, but withdrew after burning the town and the Palace of Holyrood over three days. Three years later, following another English invasion and victory at Pinkie Cleugh in 1547, the English attempted to establish a "pale" within Scotland. Leith was of prime strategic importance because of its vital role as Edinburgh's port, handling its foreign trade and essential supplies. The English arrived in Leith on 11 September 1547 and camped on Leith Links. The military engineer Richard Lee scouted around the town on 12 September looking to see if it could be made defensible. On 14 September the English began digging a trench on the south-east side of Leith near the Firth of Forth. William Patten wrote that the work was done as much for exercise as for defence, since the army only stayed for five days.
 Passage 2:After completing his secondary education at Highgate School, he attended King's College, Cambridge, earning his PhD in theoretical (high-energy) particle physics in 1971. After brief post-doc positions at SLAC and Caltech, he went to CERN and has held an indefinite contract there since 1978. He was awarded the Maxwell Medal and the Paul Dirac Prize by the Institute of Physics in 1982 and 2005 respectively, and is an Elected Fellow of the Royal Society of London since 1985 and of the Institute of Physics since 1991. He was awarded an Honorary Doctorate from the University of Southampton, and twice won the First Award in the Gravity Research Foundation essay competition (in 1999 and 2005). He is also Honorary Doctor at Uppsala University.
 Passage 3:Pieter van Laer (1599 – c. 1642) was a Dutch Golden Age painter of genre scenes, active for over a decade in Rome, where his nickname was Il Bamboccio. Artists working in his style, who often painted just such scenes of everyday life as Pliny lists, became known as the Bamboccianti, painters in Bamboccio's manner. Peiraikos is often mentioned in the controversies over the Bamboccianti, for example by Salvator Rosa in his Satires, and later by the Dutch biographer of artists, Samuel Dirksz van Hoogstraten in his Inleyding tot de Hooge Schoole der Schilderkonst (Introduction to the Academy of Painting), Rotterdam 1678. As genre painting became an important element of Dutch Golden Age painting, Peiraikos was used to provide classical precedent for such work, in the relatively few discussions of the appropriateness of such art by Karel van Mander in his Schilder-boeck (1604) and Arnold Houbraken in his The Great Theatre of Dutch Painters (1718–1719). Having originally been often rather cheap, by the late 17th century the best Dutch genre scenes became sought after by collectors across Europe at very high prices, a development following Pliny's account of Peiraikos that was bemoaned by Lessing in his Laocoon (1763), mentioning Dutch painting specifically. 

Output: 1