Question: How many tracks other than Kitty Kat were included on the album that it was on? Passage 1:During a vocal tracking session in which Manson was singing over music already written for "Push It", the band felt that one of the lines in "Push It" would benefit from having a vocal chorus answering the words back to her. Inspired by Manson's spontaneous ad-lib of the phrase "don't worry baby" over the music, guitarist Steve Marker sampled the Beach Boys song "Don't Worry Baby" and used it as a backing vocal. The sample didn't work with what the band had already recorded so Manson re-sang the lines to fit the key and tempo of the song. Aware of the potential for incurring copyright legalities, the band debated whether or not to keep the line. Garbage and Brian Wilson coincidentally shared the same publishing company (Irving Music), and figuring that they had nothing to lose, contacted him through their company representative, sent him a copy of "Push It", and asked him for permission to use the interpolation. Wilson gave his blessing, and reportedly kept the tape. Both Wilson and Roger Christian, the deceased co-writer of "Don't Worry Baby", received a writing credit. A simpler interpolation credit was given to Herbie Azor, as the band's lawyers felt that there was a possible similarity of the line "Push it!" to his own "Push It", which had been a hit single for New York hip hop trio Salt-N-Pepa.
 Passage 2:On June 6, 1861, he was promoted major of the 6th US Infantry, and on Aug. 22 of that year he received the colonelcy of the 8th Kansas Infantry. After serving on the Missouri border he resumed his commission in the regular army Feb. 15, 1862, and in March was transferred to the Army of the Potomac. He was made a brigadier-general of volunteers April 25 and served in the Peninsula, receiving the regular army brevet of lieutenant- colonel for gallantry at the Battle of Fair Oaks, where he was wounded. In Gen. George B. McClellan's change of base he commanded the rear-guard, and then engaged in the defense of Suffolk, Va., afterward serving in North Carolina. After serving at Kinston, Goldsboro, and New Berne, he was placed over the sub-district of the Albemarle, taking command May 3, 1863. On April 17, 1864, he was attacked at Plymouth, North Carolina, where he had a garrison of about 3,000 men, by Gen. Robert F. Hoke with about 15,000 Confederate troops and the iron-clad CSS Albemarle After a gallant defense which lasted three days Gen. Wessells surrendered the town. He was taken to Libby Prison, whence he was transferred successively to Danville, Macon and Charleston. At the last-named place he was one of the officers that were placed under the fire of the Union batteries on Morris island. On Aug. 3, 1864, he was exchanged, and on Nov. 11 he became commissary of prisoners, which post he held until the close of the war. He was also placed in charge of a conscription center in New York. He was promoted lieutenant-colonel Feb. 16, 1865, and brevetted colonel to date from April 20, 1864, "for gallant and meritorious services during the rebel attack on Plymouth, N. C." On March 13 he was given the regular army brevet of brigadier general.
 Passage 3:"Kitty Kat" received generally favorable reviews from critics. Eb Haynes of AllHipHop described "Kitty Kat" as a seductive track. Norman Mayers of Prefix Magazine wrote that B'Day is packed with standouts such as "the Rich Harrison-produced 'Freakum Dress' and the Neptunes-helmed 'Kitty Kat'." Picking out "Kitty Kat" as one of the four top tracks of the album, Spence D of IGN Music added that the song slows things down, allowing for Knowles' "crystal clear vocals to take some down time and relinquish up a dreamy, creamy sound that is playfully sensuous." Andy Kellman of Allmusic described "Kitty Kat" as "a deceptively sweet, rainbow-colored track" where purrs - that are sound made by all species of felids and are a part of cat communication - are more like "claws-out dismissals." Jon Pareles of The New York Times called the song a "cooing [and] sighing" one. Sal Cinquemani of Slant Magazine noted that "Kitty Kat" was "the only mid-tempo break" until the very end of the album. Darryl Sterdan, writing for the Canadian website Jam!, said that the song is just about what you think. Thomas Inskeep of Stylus Magazine commented that "Kitty Kat" seems to be an obvious tracks produced by The Neptunes. He went on complimenting "the squishy R&B keyboard which works well with the song’s 'I’m not feelin[g] it' vibe." A writer of the Seattle Post-Intelligencer commented, "Beyoncé is better at being sexy than sarcastic, and 'Kitty Kat' doesn't make any bones about what her absentee lover is missing." Michael Roberts of New Times Broward-Palm Beach commented that Knowles "purrs at lower speed" in the song.

Output: 3