Question: Lesley was rewarded by King James II after fighting a battle in what country? Passage 1:Lesley was said to have served as a private trooper in the Tangier Cavalry, but by 1664 he held a commission as cornet in one of three troops of Horse at Tangier. On 15 December 1674 he was promoted captain in the Tangier Regiment, with which he served with reputation and had opportunities of distinguishing himself against the Moors. By 1680 he had been knighted, and King Charles II promoted him to the majority of his regiment on 10 November that year; in 1681 he was sent as ambassador to the Court of Morocco. He served against the rebels under the Duke of Monmouth in the summer of 1685, was at the Battle of Sedgemoor, and was rewarded by King James II with the lieutenant-colonelcy of the Queen Dowager's Regiment on 19 September 1687. Joining the interests of the Prince of Orange at the Revolution, he was nominated colonel of the 15th Regiment of Foot on 31 December 1688, with which corps he served against the insurgent clans in Scotland, and also under King William III in Flanders. He commanded a brigade at the attack of Fort Kenoque in 1695, and was afterwards engaged in the defence of Dixmude. He yielded to the suggestions of the governor and voted in a council of war for the surrender of the town, for which he was cashiered by sentence of a general court-martial. The governor, the Dutch general Ellemberg, was beheaded at Ghent.
 Passage 2:It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"—a song that discusses about self-confidence—the single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.
 Passage 3:In late August and September 1972, Joseph was presented at the Edinburgh International Festival by the Young Vic Theatre Company, directed by Frank Dunlop. It starred Gary Bond in the title role, Peter Reeves as the narrator, and Gordon Waller as Pharaoh; Alan Doggett was the music director. In October the production played at London's Young Vic Theatre, and in November at the Roundhouse. The production was part of a double bill called Bible One: Two Looks at the Book of Genesis. Part I was Dunlop's reworking of the first six of the medieval Wakefield Mystery Plays, with music by Alan Doggett. Part II was Joseph and the Amazing Technicolor Dreamcoat. The Young Vic Joseph was recorded for an LP released on the RSO label in 1972. This production of Joseph, still a 35-minute musical, was also broadcast in the UK by Granada Television in 1972.

Output: 1