Question: In what year was the team founded drafted Wiley? Passage 1:Lesley was said to have served as a private trooper in the Tangier Cavalry, but by 1664 he held a commission as cornet in one of three troops of Horse at Tangier. On 15 December 1674 he was promoted captain in the Tangier Regiment, with which he served with reputation and had opportunities of distinguishing himself against the Moors. By 1680 he had been knighted, and King Charles II promoted him to the majority of his regiment on 10 November that year; in 1681 he was sent as ambassador to the Court of Morocco. He served against the rebels under the Duke of Monmouth in the summer of 1685, was at the Battle of Sedgemoor, and was rewarded by King James II with the lieutenant-colonelcy of the Queen Dowager's Regiment on 19 September 1687. Joining the interests of the Prince of Orange at the Revolution, he was nominated colonel of the 15th Regiment of Foot on 31 December 1688, with which corps he served against the insurgent clans in Scotland, and also under King William III in Flanders. He commanded a brigade at the attack of Fort Kenoque in 1695, and was afterwards engaged in the defence of Dixmude. He yielded to the suggestions of the governor and voted in a council of war for the surrender of the town, for which he was cashiered by sentence of a general court-martial. The governor, the Dutch general Ellemberg, was beheaded at Ghent.
 Passage 2:It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"—a song that discusses about self-confidence—the single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.
 Passage 3:Wiley was drafted in the second round, 46th overall, by the Dallas Mavericks in the 1988 NBA Draft. He played a season for the Mavericks, playing in 51 games during the 1988-89 season. In the 1989 NBA Expansion Draft on June 15, Wiley became one of the 12 players chosen by the Orlando Magic to be placed on their first roster. On June 29, Wiley was signed to a two-year contract. In his first season with the Magic, he started a couple games, playing in 40, and averaged 5.7 points and 2.9 assists per game. The following season, he only played 34, and he was waived shortly into the 1991-92 season, having only played 9 games that season for Orlando. He signed onto the San Antonio Spurs, but only played 3 games for them. Wiley then became a member of the Atlanta Hawks for the rest of the season. After playing for parts of the 1991-92 and 1992-93 season, Wiley joined the Mavericks for the rest of the season, in his second stint. After not playing for most of the 1993-94 season, Wiley was signed to a 10-day contract by the Miami Heat on March 9, 1994. He then had a third sting with the Mavericks, playing for them for 12 games at the end of the season. After playing part of the 1994-95 season for the Mavericks in Wiley's third stint, he was traded to the Houston Rockets with a second-round pick for Scott Brooks, in the only trade deadline deal in 1995. Wiley never played for the Rockets, instead ending his career with a 10-day contract with the Hawks.

Output: 3