Question: How many features did Brecht and Dudow work on together? Passage 1:Boulding maintained his links with football and trained with Doncaster Rovers, and in 1998 he joined non-league Hallam near his home in Sheffield. His form at Hallam attracted the interest of a number of league clubs, and Boulding was offered a trial by Mansfield Town. He was given a contract by the Division Three side and turned professional in 1999, which brought an end to his tennis career. He made his debut with Mansfield in a League Cup game against Nottingham Forest on 11 August 1999 as a late substitute for Gary Tallon, before his first league game came three days later against Cheltenham Town. He had to wait until his 12th game as a professional to register his first goal when he scored in a 2–1 victory over Shrewsbury Town on 23 October. He eventually finished his first season with six goals with Mansfield coming 17th but 17 points above Carlisle United, the only side to be relegated out of The Football League.
 Passage 2:Jones was selected by the Dallas Cowboys in the first round (24th overall) of the 1992 NFL Draft, becoming the first player from East Carolina University to be drafted that high. The team moved Ken Norton Jr. to outside linebacker, allowing him to become the second rookie (Eugene Lockhart) in Cowboys history to start at middle linebacker, and the second rookie (Lee Roy Jordan) linebacker in franchise history to start in a season-opener. He helped the Cowboys establish the top defense in the league in 1992, was named NFC rookie of the year and was selected to the NFL All-rookie team. He started 13 out of 15 games, posting 108 tackles (second on the team), one sack, 2 tackles for loss, 4 quarterback pressures, one pass defensed and one fumble recovery. He had 16 tackles against both the Philadelphia Eagles and Kansas City Chiefs.
 Passage 3:Dudow was born in Zaribrod, Bulgaria (today Dimitrovgrad, Serbia). In 1922, he emigrated to Berlin with the intention of becoming an architect. He gave up this plan and began studying theatre in 1923, first under Emmanuel Reicher, and then, from 1925 to 1926, as a theatre studies student under Max Herrmann at the university. He worked with Leopold Jessner and Jürgen Fehling, served as a chorus member under Erwin Piscator, and was a director's assistant to Fritz Lang on the production of Metropolis. During this time, Dudow also ran a bookstore with his wife and worked as a foreign correspondent for a Bulgarian newspaper. In 1929, he visited the Soviet Union, where he met Vladimir Mayakovsky and Sergei Eisenstein in Moscow and eventually, Bertolt Brecht. After his return from the USSR, Dudow directed Brecht's theatrical piece, The Decision (Die Massnahme), and began his film directing career. He was commissioned by the left-wing, Soviet-German production company Prometheus-Film to direct a short film, Wie der Berliner Arbeiter wohnt (1929), as part of the documentary series Wie lebt der Berliner Arbeiter? Dudow's first feature, Kuhle Wampe (To Whom Does the World Belong?, 1932) was a collaboration with Brecht (who provided the script and helped finance the project), Hanns Eisler, and Ernst Ottwalt. It was banned because it was perceived as being politically subversive. 

Output: 3