Question: Which mid-major school men's basketball program that advanced to the Final Four in 1979 won more NCAA championships? Passage 1:The 2011 NCAA Men's Division I Basketball Tournament was the first time since the tournament expanded to 64 teams in 1985 that two mid-majors met in the Final Four. The Butler University Bulldogs returned for their second consecutive appearance after winning the Southeast Regional in New Orleans as a #8 seed. The Virginia Commonwealth University Rams of the Colonial Athletic Association advanced to their first Final Four appearance after winning the Southwest Regional in San Antonio as a #11 seed. VCU became the first team in history to win five games to reach the Final Four, winning the First Four round in its inaugural year. VCU tied LSU in 1986 and fellow CAA team, George Mason, in 2006 as the highest seed to reach the Final Four (#11). The previous time two mid-majors advanced to the same Final Four was the 1979 NCAA Men's Division I Basketball Tournament, when Indiana State of the Missouri Valley and Penn of the Ivy League qualified. Butler is no longer a mid-major due to its membership in the Big East since 2013. VCU has since joined the Atlantic 10, where it has consistently been among the top teams, even following the departure of coach Shaka Smart for Texas in 2015, and his successor, Will Wade, for LSU in 2017. 
 Passage 2:The Soviet composer Dmitri Shostakovich set six of Tsvetaeva's poems to music. Later the Russian-Tatar composer Sofia Gubaidulina wrote an Hommage à Marina Tsvetayeva featuring her poems. Her poem "Mne Nravitsya..." ("I like that..."), was performed by Alla Pugacheva in the film The Irony of Fate. In 2003, the opera Marina: A Captive Spirit, based on Tsvetaeva's life and work, premiered from American Opera Projects in New York with music by Deborah Drattell and libretto by poet Annie Finch. The production was directed by Anne Bogart and the part of Tsvetaeva was sung by Lauren Flanigan. The poetry by Tsvetaeva was set to music and frequently performed as songs by Elena Frolova, Larisa Novoseltseva, Zlata Razdolina and other Russian bards.
 Passage 3:By October 1757 Rowley had been given the task of commissioning the 60-gun fourth-rate . Once launched she joined Admiral Henry Osborn’s fleet of 14 ships of the line in the Mediterranean. Osborn was at the time blockading the French under Admiral La Clue in the Spanish city of Cartagena preventing them from joining the fleet off Louisburg in Nova Scotia. French command had ordered the Marquis Duquesne to break through the British blockade and reinforce La Clue and then with superiority of numbers break out of Cartagena and make their way to America. Osborn intercepted Duquesne and his three ships of the line and one frigate. The subsequent action became known as the Battle of Cartagena and took place on 28 February 1758. Osborn's squadron captured two of the French line of battle ships and, under the guns of the Spanish castle the 60-gun French Oriflamme was driven on shore by the Montagu and the . Whilst the battle was not particularly grand the annihilation of the forces under Duquesne had two distinct effects. Firstly, the battle restored much of the pride that had been sapped from the navy after several defeats including those at Toulon and Minorca. Secondly, the siege of Louisburg and its surrender led to the French being marginalised as a significant power in North America. The battle can therefore be considered by the British as one of the defining achievements of the Seven Years' War. Had La Clue managed to break out from Osborn's close blockade the modern map of North America might appear quite different.

Output: 1