Context_1 : These lists show the audio and visual recordings of the opera "L'Orfeo" by Claudio Monteverdi. The opera was first performed in Mantua in 1607, at the court of Duke Vincenzo Gonzaga, and is one of the earliest of all operas. The first recording of "L'Orfeo" was issued in 1939, a freely adapted version of Monteverdi's music edited by Giacomo Benvenuti, given by the orchestra of La Scala Milan conducted by Ferrucio Calusio. In 1949 the Berlin Radio Orchestra under Helmut Koch recorded the complete opera, on long-playing records (LPs). The advent of LP recordings was, as Harold Schonberg later wrote, an important factor in the postwar revival of interest in Renaissance and Baroque music, and from the mid-1950s recordings of "L'Orfeo" have been issued on many labels. Koch's landmark version was reissued in 1962, when it was compared unfavourably with others that had by then been issued. The 1969 recording by Nicholas Harnoncourt and the Vienna Concentus Musicus, using Harnoncourt's edition based on period instruments, was praised for "making Monteverdi's music sound something like the way he imagined". In 1981 Siegfried Heinrich, with the Early Music Studio of the Hesse Chamber Orchestra, recorded a version which re-created the original Striggio libretto ending, adding music from Monteverdi's 1616 ballet "Tirsi e Clori" for the Bacchante scenes. Among more recent recordings, that of Emmanuelle Haïm has been praised for its dramatic effect. The 21st century has seen the issue of an increasing number of recordings on DVD. Context_2 : Emilio Venturini (1878 - 1952) was an Italian operatic lyric tenor known for his portrayal of character roles. He made his professional opera debut in 1900 in Italy where he remained for the next several years. In 1901 he sang the role of Brighella in Mascagni's "Le maschere" at the Teatro Regio in Turin. He made his La Scala debut in 1903 as Froh in Wagner's "Das Rheingold" and sang in the premiere of Umberto Giordano's "Siberia". In 1904, he originated the role of Prince Yamadori in Puccini's "Madama Butterfly" at La Scala. In 1905, Venturini joined the roster of the Opéra National de Paris. In 1907 he moved to London to sing with Royal Opera at Covent Garden. In 1910, Venturini became a member of the Chicago Opera Association where he performed roles until the summer of 1917. While in Chicago he sang mostly character parts but did sing some major roles like Turiddu in "Cavalleria rusticana", Edgardo in "Lucia di Lammermoor" and the Pinkerton in "Madama Butterfly". In 1911 he sang the roles of Cassio in Verdi's "Otello" and Spoletta in Puccini's "Tosca" at the Metropolitan Opera. Venturini also returned to Italy for brief periods in 1910, 1911, and 1916 to perform roles with the Teatro Massimo in Palermo. In 1921, Venturini joined the roster at La Scala and sang roles with that opera house until 1948. He notably originated the roles of Il Tempiere in Boito's "Nerone" in 1924 and Pang in Puccini's "Turandot" in 1926. and was the first to record the role of Nereo in Boito's "Mefistofele" in the 1931 La Scala recording. Context_3 : La scala di seta (The Silken Ladder or Die seidene Leiter) is an operatic "farsa comica" in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire. Context_4 : Giacomo Benvenuti (16 March 1885, Toscolano — 20 January 1943, Barbarano-Salò) was an Italian composer and musicologist. He was the son of organist Cristoforo Benvenuti and studied at the Liceo Musicale in Bologna under Luigi Torchi (musicology) and Marco Enrico Bossi (organ). In 1919 his collection of songs for voice and piano accompaniment, "Canti a una voce : con accompagnamento di pianoforte", was published in Bologna. In 1922 he published a collection of 17th-century art songs entitled "35 Arie di vari autori del secolo XVII". Composer Samuel Barber studied the works of Giulio Caccini, Andrea Falconieri, and other early Italian composers under his tutelage in Milan in 1933-1934. For the Teatro dell'Opera di Roma he adapted Claudio Monteverdi's "L'Orfeo" for a production which premiered on 27 December 1934. The adaptation was later used for the first recording of "L'Orfeo" in 1939, which included a performance by the orchestra of La Scala Milan under conductor Ferrucio Calusio. Context_5 : The La Scala Theatre Ballet (Italian: "Corpo di ballo del Teatro alla Scala" ) is the resident classical ballet company at La Scala in Milan, Italy. One of the oldest and most renowned ballet companies in the world, the company predates the theatre, but was officially founded at the inauguration of La Scala in 1778. Many leading dancers have performed with the company, including Mara Galeazzi, Alessandra Ferri, Viviana Durante, Roberto Bolle and Carla Fracci. The official associate school of the company is the La Scala Theatre Ballet School (Italian: "Scuola di Ballo del Teatro alla Scala" ), a constituent of the La Scala Theatre Academy (Italian: "Accademia Teatro alla Scala" ). Context_6 : L'Orfeo (SV 318) (] ), sometimes called La favola d'Orfeo ] , is a late Renaissance/early Baroque "favola in musica", or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's "Dafne" is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's "Euridice", "L'Orfeo" is the earliest that is still regularly performed. Context_7 : Carlo Maria Badini (2 June 1925, Bologna — 19 April 2007, Bologna) was a renowned Italian arts administrator. From 1964 to 1977 he was the Sovrintendente or General Manager of the Teatro Comunale di Bologna and from 1977 through 1990 he was the Sovrintendente of La Scala. Badini created controversy as a result of the unorthodox methods he used to revitalize La Scala's finances, which had reportedly reached a 2.8 million dollar (US) deficit, such as the introduction of television cameras to record performances and allowing advertisements on the programmes. These innovations allowed the opera house to emerge from the deficit within two years of their implementation. Upon his 1990 departure from La Scala, Badini continued work in the Italian artistic community, becoming chairman of the National Theatre Organization in Italy and co-founding the Mozart Orchestra in Bologna, which he formed alongside former La Scala music director Claudio Abbado. Context_8 : La morte d'Orfeo ("The Death of Orpheus") is an opera in five acts by the Italian composer Stefano Landi. It was first performed in Rome in 1619. The work is styled a "tragicomedia pastorale" (pastoral tragicomedy). The libretto, which may be by the composer himself, is inspired by "La favola d'Orfeo" (1484) by Angelo Poliziano. Unlike Monteverdi's "L'Orfeo", Landi's opera contains comic elements. Context_9 : Ferrucio Calusio (1889 or 1890 - 3 June 1983) was an Argentine conductor. He began his career in the 1920s at La Scala in Milan, Italy as an assistant conductor to Arturo Toscanini. In 1927 he returned to his native country to join the conducting staff of the Teatro Colón in Buenos Aires. He served as one of that house's main conductors in the Italian repertoire through 1960. He also worked as a guest conductor with several important opera houses during his career, including conducting several operas at La Scala in the 1930s and at the Metropolitan Opera ("Cavalleria rusticana", "Pagliacci", and "Il trovatore") in 1940-1941. In 1939 he conducted the orchestra of La Scala for the first recording of Claudio Monteverdi's "L'Orfeo". He died in Buenos Aires at the age of 93. Context_10 : Francesco Dominici (1885–1968) was an Italian operatic tenor particularly admired for his acting in comedic roles. He made his professional opera debut as Fernando in Donizetti's "La favorite" at the Teatro Donizetti in Bergamo in 1914. He created the role of Prunier in the original 1917 production of Puccini's "La rondine" at the Grand Théâtre de Monte Carlo, a role which he performed at many other opera houses including the Teatro Comunale di Bologna. Over the next several years he played mostly leading roles at the Teatro Costanzi in Rome including Rodolfo in Puccini's "La Bohème", Fenton in Verdi's "Falstaff", and the Ernesto in Donizetti's "Don Pasquale". In the early 1920s he joined the roster at La Scala where he began playing more buffo roles than leading roles. In 1921, he sang the role of doctor Cajus in Verdi's Falstaff at La Scala and in 1922 was Filipeto in the company's first production of Ermanno Wolf-Ferrari's "I quattro rusteghi". In 1926 he created the role of Emperor Altoum in the original production of Puccini's "Turandot" at La Scala. In 1929 he went on tour with La Scala to Germany. Other roles that Dominici performed at La Scala include David in Wagner's "Die Meistersinger von Nürnberg", Monostatos in Mozart's "The Magic Flute", and the Neipperg in Umberto Giordano's "Madame Sans-Gêne". In 1931 he moved to Cuba, where he taught music for many years. Dominici died in Havana in 1968. fact_1 : La scala di seta (The Silken Ladder or Die seidene Leiter) is an operatic "farsa comica" in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. fact_2 : L'Orfeo (SV 318) (] ), sometimes called La favola d'Orfeo ] , is a late Renaissance/early Baroque "favola in musica", or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. Answer: L'Orfeo
Output: Question: The opera sometimes called La favola dOrfeos original name is LOrfeo or La scala di seta?