Context_1 : The Devil and Daniel Johnston is a 2005 documentary film about the noted American musician Daniel Johnston. It chronicles Johnston's life from childhood up to the present, with an emphasis on his experiences with bipolar disorder, and how it manifested itself in demonic self-obsession. The film was directed by Jeff Feuerzeig and produced by Henry S. Rosenthal. Context_2 : Man with a Movie Camera (Russian: Человек с кино-аппаратом ("Chelovek s kinoapparatom"), Ukrainian: Людина з кіноапаратом ("Liudyna z Kinoaparatom") – sometimes called "A Man with a Movie Camera", "The Man with the Movie Camera", "The Man with a Camera", "The Man with the Kinocamera", or "Living Russia") – is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov and edited by his wife Elizaveta Svilova. Context_3 : Rod Webber is an American musician, filmmaker and actor. Though, in his early music career he shared the stage with anti-folk acts Daniel Johnston ("The Devil and Daniel Johnston") and Kimya Dawson, (former Moldy Peaches) Webber is probably best known for his improvisational films and documentaries, many of which were created using Webber's personal manifesto which is sited in various publications about the filmmaker. Context_4 : The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. It is currently considered to be the most popular 35 mm movie camera in usage, due to its wide range of production adoption, intuitive design, high reliability, and retail availability. Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999. Context_5 : The A-Minima is a Super 16 movie camera that was introduced by Aaton in 1999. Touted as the smallest reflex viewfinder movie camera at the time, the camera is distinguished by its low-profile form-factor. It has a size comparable to a small prosumer video camera, and weights 4.4 lb including film and battery. In order to accommodate the camera design, Aaton worked with Eastman Kodak to create a specially designed flexible flange 200 ft daylight spool. Because of the spool's particular design and the fact that the camera requires A-wind 16 mm film, the A-Minima can only use Kodak film stock, manufactured specifically for use with the A-Minima. The 200 foot length (approximately 5.5 minutes at 24 frame/s) and slightly noisy sound rating of 29 dB make it convenient as a B-camera or second unit camera; however, the small size and ease of use, along with an integrated AatonCode timecode unit, allow for less conspicuous and cumbersome shooting on Super 16. Context_6 : The movie camera, film camera or cine-camera is a type of photographic camera which takes a rapid sequence of photographs on an image sensor or on a film. In contrast to a still camera, which captures a single snapshot at a time, the movie camera takes a series of images; each image constitutes a "frame". This is accomplished through an intermittent mechanism. The frames are later played back in a movie projector at a specific speed, called the frame rate (number of frames per second). While viewing at a particular frame rate, a person's eyes and brain merge the separate pictures together to create the illusion of motion. Context_7 : Gabriel Sunday (born October 18, 1985) is an American actor and director, best known for portraying Archibald Holden Buster Williams in the teen comedy-drama film Archie's Final Project, and for directing and starring in the Daniel Johnston short film 'Hi How Are You Daniel Johnston', as '1983 Daniel Johnston' alongside his modern day, real life counterpart. Context_8 : Jeff Feuerzeig (born 1964) is an American film director and screenwriter best known for "The Devil and Daniel Johnston", his profile of cult musician and outsider artist Daniel Johnston, for which he was awarded the Directing prize for Documentary at the 2005 Sundance Film Festival and which was released theatrically in March 2006 by Sony Pictures Classics. Context_9 : Man with a Movie Camera is an ambient soundtrack by Biosphere for Dziga Vertov's 1929 film "Man with a Movie Camera", commissioned by the Tromsø International Film Festival in 1996. This soundtrack was released later in 2001 as a bonus disc of "Substrata 2" with two bonus tracks ("The Eye of the Cyclone" and "Endurium") from the Japanese version of "Substrata". Context_10 : It's Spooky is a collaboration album by musicians Daniel Johnston and Jad Fair, of the band Half Japanese. It was first released in 1989 on 50 Skidillion Watts Records, under the title Jad Fair and Daniel Johnston. It was re-issued on CD in 1993 on Paperhouse (PAPCD 019). The album originally featured 25 songs (in its cassette version--fewer songs on the simultaneous LP), and a further six tracks were added for a re-release in 2001. The 2001 re-issue also features, as an enhanced CD bonus, video footage of Daniel Johnston performing a version of his song "Don't Play Cards with Satan". fact_1 : Man with a Movie Camera (Russian: Человек с кино-аппаратом ("Chelovek s kinoapparatom"), Ukrainian: Людина з кіноапаратом ("Liudyna z Kinoaparatom") – sometimes called "A Man with a Movie Camera", "The Man with the Movie Camera", "The Man with a Camera", "The Man with the Kinocamera", or "Living Russia") – is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov and edited by his wife Elizaveta Svilova. fact_2 : The Devil and Daniel Johnston is a 2005 documentary film about the noted American musician Daniel Johnston. Answer: Man with a Movie Camera
Output: Which documentary film was released first, Man with a Movie Camera or The Devil and Daniel Johnston?