Context_1 : Quentin Jerome Tarantino ( ; born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. Context_2 : Earl McGraw and his son Edgar McGraw are two fictional characters played by Michael Parks and James Parks. They appear in several feature films by Robert Rodriguez and Quentin Tarantino, including the "From Dusk till Dawn" franchise, "", and in various works from the "Grindhouse" project. Despite being killed off in his first appearance in "From Dusk till Dawn", various characters named Earl and Edgar have returned in several other films from Rodriguez and Tarantino. Talking with a heavy Texas accent and delivering profanity laden dialogue, the Earl character often serves as comic relief. He and Edgar are consistently portrayed as Texas Rangers. Edgar is portrayed by James Parks, the real-life son of Michael Parks. Earl has a daughter who is introduced in the "Grindhouse" films, named Dakota, played by Marley Shelton, who plays a large role in "Planet Terror". Dakota also appears in the portrayed by Nicky Whelan. Context_3 : Music from the Motion Picture Pulp Fiction is the soundtrack to Quentin Tarantino's 1994 film "Pulp Fiction". No traditional film score was commissioned for "Pulp Fiction". The film contains a mix of American rock and roll, surf music, pop and soul. The soundtrack is equally untraditional, consisting of nine songs from the movie, four tracks of dialogue snippets followed by a song, and three tracks of dialogue alone. Seven songs featured in the movie were not included in the original 41-minute soundtrack. Context_4 : A Band Apart Films was a production company created by Quentin Tarantino and Lawrence Bender, which was active from 1991 to 2006. Its name is a play on the French New Wave classic, "Bande à part" ("Band of Outsiders") by filmmaker Jean-Luc Godard, whose work was highly influential on the work of the company's members. Thanks in part to the popularity of Quentin Tarantino's and Robert Rodriguez's films, the company quickly gained cult-like status within Hollywood. Context_5 : Lou Lombardo (February 15, 1932 – May 8, 2002) was an American filmmaker whose editing of the 1969 film "The Wild Bunch" has been called "seminal". In all, Lombardo is credited on more than twenty-five feature films. Noted mainly for his work as a film and television editor, he also worked as a cameraman, director, and producer. In his obituary, Stephen Prince wrote, "Lou Lombardo's seminal contribution to the history of editing is his work on "The Wild Bunch" (1969), directed by Sam Peckinpah. The complex montages of violence that Lombardo created for that film influenced generations of filmmakers and established the modern cinematic textbook for editing violent gun battles." Several critics have remarked on the "strange, elastic quality" of time in the film, and have discerned the film's influence in the work of directors John Woo, Quentin Tarantino, Kathryn Bigelow, and the Wachowskis, among others. While Lombardo's collaboration with Peckinpah lasted just a few years, his career was intertwined with that of director Robert Altman for more than thirty years. Lombardo edited Altman's 1971 film "McCabe & Mrs. Miller" (1971), which had "a radical approach to the use of dialogue and indeed other sound, both in and beyond the frame." Towards the end of his career Lombardo edited "Moonstruck" (1987) and two other films directed by Norman Jewison. While his editing is now considered "revolutionary" and "brilliant", Lombardo was never nominated for editing awards during his career. Context_6 : Seth Holt (1923, Palestine – 14 February 1971, London) was a British film director, producer and editor. His films are characterized by their tense atmosphere and suspense, as well as their striking visual style. In the 1960s, "Movie" magazine championed Holt as one of the finest talents working in the British film industry, although his output was notably sparse. Context_7 : Pulp Fiction is a 1994 American black comedy neo-noir crime film written and directed by Quentin Tarantino, from a story by Tarantino and Roger Avary. Directed in a highly stylized manner, "Pulp Fiction" connects the intersecting storylines of Los Angeles mobsters, fringe players, small-time criminals, and a mysterious briefcase. The film's title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Context_8 : The Quentin Tarantino Film Festival, or QT-Fest, is a semi-annual film and multimedia event held by the Austin Film Society in Austin, Texas and attended by film director Quentin Tarantino. Most recently, the Alamo Drafthouse theater in downtown Austin, Texas has been the selected venue. The event usually takes place for a few days, and Tarantino screens a selection of his favorite films using prints he owns. Context_9 : Quentin Tarantino's Inglourious Basterds: Motion Picture Soundtrack is the soundtrack to Quentin Tarantino's motion picture "Inglourious Basterds". It was originally released on August 18, 2009. The soundtrack uses a variety of music genres, including spaghetti western soundtrack excerpts, R&B and a David Bowie song from the 1982 remake of "Cat People." "The Man with the Big Sombrero", a song from the 1943 screwball comedy "Hi Diddle Diddle", was rerecorded in French for the movie. This is the first soundtrack for a Quentin Tarantino film not to feature dialogue excerpts. The album was nominated for a Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media, but lost to the "Slumdog Millionaire" soundtrack. Context_10 : Pamela Suzette Grier (born May 26, 1949) is an American actress. She became known in the early 1970s for starring in a string of women in prison and blaxploitation films like "The Big Bird Cage" (1972), "Coffy" (1973), "Foxy Brown" (1974) and "Sheba Baby" (1975). She starred in Quentin Tarantino's film "Jackie Brown", for which she received a Golden Globe nomination for Best Actress. She has also been nominated for a SAG Award as well as a Satellite Award for her performance in "Jackie Brown". Grier is also known for her work on television; for 6 seasons she portrayed Kate 'Kit' Porter on the television series "The L Word". She received an Emmy Award nomination for her work in the animated program "". Rotten Tomatoes has ranked her as the second greatest female action heroine in film history. Director Quentin Tarantino remarked that she may have been cinema's first female action star. fact_1 : Quentin Jerome Tarantino ( ; born March 27, 1963) is an American director, writer, and actor. fact_2 :  His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. fact_3 : Seth Holt (1923, Palestine – 14 February 1971, London) was a British film director, producer and editor. Answer: Quentin Jerome Tarantino
Output: Which director is known for long dialogue and violence, Quentin Tarantino or Seth Holt?