Context_1 : Fernand David (18 October 1869, Annemasse, Haute-Savoie – 17 January 1935) was the French Minister of Agriculture from 21 January 1913 to 22 March 1913. Context_2 : L'Étudiant noir, Journal Mensuel de l’Association des Étudiants Martiniquais en France (translated roughly as "The Black Student: Monthly Journal of the Martinican Student Association in France") is a journal created by Aimé Césaire in 1935 in Paris. It contains the first poems written by Léon Damas and some of Leopold Sedar Senghor's first articles, both of whom were student association members at the time. Only two issues of the journal were ever published, March 1935 and May–June 1935. The most notable article was written by Aimé Césaire, titled "Conscience raciale et révolution sociale" ("Racial Consciousness and social revolution") in the May–June 1935 issue, which was the first work to explore the concept of négritude. Context_3 : Ariel is a spirit who appears in William Shakespeare's play "The Tempest". Ariel is bound to serve the magician Prospero, who rescued him from the tree in which he was imprisoned by Sycorax, the witch who previously inhabited the island. Prospero greets disobedience with a reminder that he saved Ariel from Sycorax's spell, and with promises to grant Ariel his freedom. Ariel is Prospero's eyes and ears throughout the play, using his magical abilities to cause the tempest in Act One which gives the play its name, and to foil other characters' plots to bring down his master. Context_4 : Une saison au Congo is a 1966 theatre play by Aimé Césaire. Context_5 : The Tempest, also known as The Tempest (Prospero and Miranda), or simply Prospero and Miranda, is an outdoor bronze sculpture depicting Prospero from William Shakespeare's "The Tempest" by Milton Hebald, installed outside Delacorte Theater in Manhattan's Central Park, in the U.S. state of New York. The work, which was gifted by George T. Delacorte, Jr. and unveiled in 1966, is a companion piece to "Romeo and Juliet" (1977). Context_6 : Stephano ( ) is a boisterous and often drunk butler of King Alonso in William Shakespeare's play, "The Tempest". He, Trinculo and Caliban plot against Prospero, the ruler of the island on which the play is set and the former Duke of Milan in Shakespeare's fictional universe. In the play, he wants to take over the island and marry Prospero's daughter, Miranda. Caliban believes Stephano to be a god because he gave him wine to drink which Caliban believes healed him. Context_7 : Ariel was the in-house magazine/newspaper of the BBC, published weekly on Tuesdays, and named after the statue of Shakespeare's Prospero and Ariel by Eric Gill on the facade of the BBC's Broadcasting House, London. Context_8 : Une Tempête ("A tempest") is a 1969 play by Aimé Césaire. It is an adaptation of Shakespeare's "The Tempest" from a postcolonial perspective. The play was first performed at the Festival d'Hammamet in Tunisia under the direction of Jean-Marie Serreau. It later played in Avignon and Paris. Césaire uses all of the characters from Shakespeare's version, but he specifies that Prospero is a white master, while Ariel is a mulatto and Caliban is a black slave. These characters are the focus of the play as Césaire foregrounds issues of race, power, and decolonization. Context_9 : The Piano Sonata No. 17 in D minor, Op. 31, No. 2, was composed in 1801/02 by Ludwig van Beethoven. It is usually referred to as "The Tempest" (or "Der Sturm" in his native German), but the sonata was not given this title by Beethoven, or indeed referred to as such during his lifetime. The name comes from a claim by his associate Anton Schindler that the sonata was inspired by the Shakespeare play. However, much of Schindler's information is distrusted by classical music scholars. The British music scholar Donald Francis Tovey says in "A Companion to Beethoven's Pianoforte Sonatas": With all the tragic power of its first movement the D minor Sonata is, like Prospero, almost as far beyond tragedy as it is beyond mere foul weather. It will do you no harm to think of Miranda at bars 31–38 of the slow movement... but people who want to identify Ariel and Caliban and the castaways, good and villainous, may as well confine their attention to the exploits of Scarlet Pimpernel when the "Eroica" or the C minor Symphony is being played (pg. 121). Context_10 : Aimé Fernand David Césaire (26 June 1913 – 17 April 2008) was a Francophone and French poet, author and politician from Martinique. He was "one of the founders of the négritude movement in Francophone literature". He wrote such works as "Une Tempête", a response to Shakespeare's play "The Tempest", and "Discours sur le colonialisme" ("Discourse on Colonialism"), an essay describing the strife between the colonizers and the colonized. His works have been translated into many languages. fact_1 :  He wrote such works as "Une Tempête", a response to Shakespeare's play "The Tempest", and "Discours sur le colonialisme" ("Discourse on Colonialism"), an essay describing the strife between the colonizers and the colonized. fact_2 : Une Tempête ("A tempest") is a 1969 play by Aimé Césaire. fact_3 :  It is an adaptation of Shakespeare's "The Tempest" from a postcolonial perspective. fact_4 :  Césaire uses all of the characters from Shakespeare's version, but he specifies that Prospero is a white master, while Ariel is a mulatto and Caliban is a black slave. Answer: The Tempest
Output: The work by Aimé Fernand David Césaire, with chacters such as Prospero and Ariel, is a response to which Shakespeare play?