Context_1 : Celsius 41.11 is a 2004 political documentary film inspired by, and partially in response to Michael Moore's film "Fahrenheit 9/11". The title was chosen because, according to the makers of the movie, 41.11 °C is "The Temperature at Which the Brain Begins to Die", which is the film's tag-line. Context_2 : The Marda Loop Justice Film Festival (MLJFF), a program of the Marda Loop Justice Film Festival Society, is a Canadian film festival that takes place annually in Calgary, Alberta. Held each November, the festival showcases justice-related documentaries. In addition to documentary screenings, the MLJFF hosts a ‘NGO Village’ – a gathering place where non-profit organizations can discuss with festival attendees how to advance positive change. Context_3 : Prospective memory is a form of memory that involves remembering to perform a planned action or recall a planned intention at some future point in time. Prospective memory tasks are common in daily life and range from the relatively simple to extreme life-or-death situations. Examples of simple tasks include remembering to put the toothpaste cap back on, remembering to reply to an email, or remembering to return a rented movie. Examples of highly important situations include a patient remembering to take medication or a pilot remembering to perform specific safety procedures during a flight. Context_4 : The Memory of Justice is a 1976 documentary film directed by Marcel Ophüls. It explores the subject of atrocities committed in wartime and features Joan Baez, Karl Dönitz, Hermann Göring, Hans-Joachim Kulenkampff, Yehudi Menuhin, Albert Speer and Telford Taylor. Context_5 : Linda Meyer Williams (born c. 1950) is an American sociologist and criminologist. She is currently Professor of Criminal Justice and Criminology at the University of Massachusetts Lowell, where she teaches graduate and undergraduate courses on child maltreatment, research methods, and gender, race and crime. Williams has researched in the field of psychology on topics including child abuse, family violence and violence against women, and trauma and memory (including recovered memory). Context_6 : Progressive counting (PC) is a psychotherapy technique developed by Ricky Greenwald designed for trauma resolution based on the counting method. It is used to reduce or eliminate symptoms such as anxiety, depression, guilt, anger, and post-traumatic reactions. It can also be used to enhance psychological resources such as confidence and self-esteem. The procedure involves having the client visualize a series of progressively longer "movies" of the trauma memory while the therapist counts out loud (first to a count of 10, then 20, then 30, etc.). By repeatedly imagining the movie of the memory, the memory gets "digested" or healed, via desensitization, emotional processing, gaining perspective, or other means. Context_7 : The Sony Ericsson W850i is the first 3G sliding form factor mobile phone for Sony Ericsson, introduced in 2006. It is a member of their Walkman line. The phone made its first public appearance in the 2006 movie, The Da Vinci Code, months before its release. It is similar mechanically to the Sony Ericsson K800i, but differs in its form factor, memory card support of the Memory Stick PRO Duo instead of Memory Stick Micro, and the camera (2.0 megapixels instead of 3.2 for the K800i, and with some additional features removed) Context_8 : Liz Marshall is an award-winning Canadian filmmaker based in Toronto. Since the 1990s, she has created a body of work including broadcast, theatrical, campaign and cross-platform documentaries shot around the world, largely focusing on social justice and environmental themes. She is known for her feature-length documentaries "Water on the Table" and "The Ghosts in Our Machine") for which she also produced impact and engagement campaigns, distributed community screenings, and attended many global events as a public speaker. "Water on the Table" features water rights activist, author and public figure Maude Barlow. "The Ghosts in Our Machine" features animal rights activist, photojournalist and author Jo-Anne McArthur. Context_9 : Jorge Luis Farjat (born 17 September 1950). Argentinian producer of audiovisual works and also literary works, mainly dedicated to the divulgation of his theory about the audiovisual art, which is understood to be the language aesthetics that combines fixed images (photography) with sound, specially music, in a whole organized by a montage and shown under the same conditions than the cinema (movie theater or darkroom camera). His audiovisual works comprise several periods and amount to twenty-six productions of mean and long duration, mostly documentaries. Meanwhile, his literary work includes seventeen books which belong to the Audiovisual Art and Memory Collection, and which are about his audiovisual theory development, the immigration history, and philosophy, such as "Migraciones y supervivencia (Migrations and survival. Main excerpts)" or, art in general, such as "La crisis y deshumanización del arte en el siglo XX. Su manifestación en la música" The crisis and dehumanization of art in the 20th century: its representation in music"." The books in this collection were declared of cultural interest by the Government of the Province of Buenos Aires. Context_10 : Cinema for Peace is a group based in the United States that aims to raise awareness for the social relevance of films, and to make active use of the influence of movies and documentaries on the perception and resolution of global social, political and humanitarian challenges. Since 2002, the group has been inviting film makers, humanitarian and human rights activists, and public figures to its annual awards ceremony in Berlin to honor a selection of cinematic works on humanitarian and environmental issues. The awards include: The Most Valuable Movie of the Year, The Most Valuable Documentary of the Year, The International Green Film Award, The Award for Justice, the International Human Rights Award and further Honorary Awards. The group also raises funds for the Cinema for Peace Foundation and other charities. fact_1 : Celsius 41.11 is a 2004 political documentary film inspired by, and partially in response to Michael Moore's film "Fahrenheit 9/11". fact_2 : The Memory of Justice is a 1976 documentary film directed by Marcel Ophüls. Answer: yes
Output: are both movie Celsius 41.11 and The Memory of Justice documentaries ?