Context_1 : The Fortified Sector of Maubeuge ("Secteur Fortifié de Maubeuge") was the French military organization that in 1940 controlled the section of the Maginot Line between the French border with Belgium and Maubeuge, a distance of about 70 km . The sector was not as strongly defended as other sections of the Maginot Line Large portions of the Maubeuge sector were defended by blockhouses or casemates. The sector includes only four "ouvrages" of the type found in stronger sections of the Line, arranged in an arc to the north and east of the fortified city of Maubeuge, incorporating defenses from the First World War. The Maubeuge sector and the Fortified Sector of the Escaut were the final sections of the Maginot line to be authorized, and were termed the "New Fronts." In the Battle of France the large fortifications of Maubeuge successfully resisted determined German bombardments and infantry attacks, despite their failure to protect Maubeuge against the Germans, who had outflanked the defensive line and who assaulted the fortification lines from the rear. Surrender or evacuation came only after the positions were surrounded and cut off from any hope of reinforcement. One "ouvrage" and one pre-Maginot fortification have been preserved. Context_2 : Alexie Glass-Kantor (née Glass, born in Sydney) is an Australian curator and writer. She is currently the executive director of Artspace Sydney and curator for the Encounters sector of Art Basel Hong Kong. Context_3 : Jane Livingston is an American art curator. She is known for organizing a major museum exhibition of Chicano art, and, together with Marcia Tucker, the first major museum exhibition of Bruce Nauman. Other exhibitions include her show of National Geographic, "illustrative" photography; she and curator John Beardsley, also curated an exhibition of black outsider artists in 1982. This show "marked an explosion of interest in the work of African American artists." Livingston curated a show of John Alexander's works at the Smithsonian in 2008. Context_4 : Nancy Mowll Mathews (born 1947 in Baltimore) is a Czech-American art historian, curator, and author. She was the Eugénie Prendergast Senior Curator of 19th and 20th Century Art at the Williams College Museum of Art, from 1988 to 2010. She is currently an independent scholar, curator, professor, and host of the television show, "Art World with Nancy Mathews." Context_5 : Art Basel is an international art fair with three shows staged annually in Basel, Switzerland; Miami Beach, Florida; and Hong Kong. Each show is organized into sectors which showcase contemporary artworks by established and newly emerging artists. In addition to the artworks shown by participating galleries, the shows offer parallel programming produced in collaboration with the host city’s local institutions. While Art Basel provides a platform for galleries to show and sell their work to collectors, museum directors, and curators, it also attracts a large international audience of art spectators and students. Context_6 : The Fortified Sector of Montmédy ("Secteur Fortifié de Montmédy") was the French military organization that in 1940 controlled the section of the Maginot Line between Sedan and Longuyon, a distance of about 60 km . The sector was not as strongly defended as other sections of the Maginot Line, facing the southern Ardennes region of Belgium. Large portions of the Montmédy sector were defended by fortified houses, blockhouses, or casemates. The sector includes only four "ouvrages" of the type found in stronger sections of the Line. The weakly defended area in front of Sedan was the scene of a major breakthrough by German forces in the opening of the Battle of France. This was followed by a German assault on the Maginot Ouvrage La Ferté, which killed the entire garrison, the only such event on the Maginot Line. Context_7 : John B. Ravenal (born August 1, 1959 in Providence, Rhode Island) is an art historian, writer, and museum curator. Before 1998, he was the Associate Curator of 20th-Century Art at the Philadelphia Museum of Art. From 1998 to 2015 he was curator of contemporary art at the Virginia Museum of Fine Arts in Richmond, Virginia, where he organized exhibitions of Ryan McGinness: "Studio Visit" (2014); Xu Bing: "Tobacco Project"(2011), and Sally Mann: "The Flesh and The Spirit" (2010). He was curator of the VMFA's Jasper Johns and Edvard Munch exhibition, "Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life". His lecture about the exhibition took place in the Leslie Cheek Theater in the Virginia Museum of Fine Arts. The show opened in November 2016 in partnership with the Munch Museum in Oslo. He is the author of the exhibition catalogue "Jasper Johns and Edvard Munch: Inspiration and Transformation." Context_8 : A Volume Boot Record (VBR) (also known as a volume boot sector, a partition boot record or a partition boot sector) is a type of boot sector introduced by the IBM Personal Computer. It may be found on a partitioned data storage device such as a hard disk, or an unpartitioned device such as a floppy disk, and contains machine code for bootstrapping programs (usually, but not necessarily, operating systems) stored in other parts of the device. On non-partitioned storage devices, it is the first sector of the device. On partitioned devices, it is the first sector of an individual partition on the device, with the first sector of the entire device being a Master Boot Record (MBR) containing the partition table. Context_9 : Water privatization is used here as a shorthand for private sector participation in the provision of water services and sanitation. Private sector participation in water supply and sanitation is controversial. Proponents of private sector participation argue that it has led to improvements in the efficiency and service quality of utilities. It is argued that it has increased investment and has contributed to expanded access. They cite Manila, Guayaquil in Ecuador, Bucharest, several cities in Colombia and Morocco, as well as Côte d'Ivoire and Senegal as success stories. Critics however, contend that private sector participation led to tariff increases and has turned a public good into a private good. Many believe that the privatization of water is incompatible with ensuring the international human right to water. Aborted privatizations in Cochabamba, Bolivia, and Dar es-Salaam, Tanzania, as well as privately managed water systems in Jakarta and Berlin are highlighted as failures. Water privatization in Buenos Aires, Argentina and in England is cited by both supporters and opponents, each emphasizing different aspects of these cases. Statistical studies comparing public and private utilities show little difference in performance between them. Context_10 : Marketing exposure is the amount of funds invested in a particular type of security and/or market sector or industry and usually expressed as a percentage of total portfolio holdings. It is also simply known as "exposure." Exposure is the product of a marketing strategy, and once the strategy is implemented it is only a matter of time before exposure is put into action. Consumers recognize "marketing exposure" when the company creates and promotes a campaign. There are three types of marketing exposure: intensive, selective, and exclusive. Marketing exposure carries a risk total to the amount invested in said market; if a particular business invests 25% in a sector for housing then the market exposure for this sector is 25%. Investors are warned not to invest vast amounts in one particular sector due to the exposure results may vary between gains and losses depending on outcome of specific market strategies, being diverse in sectors are advised for lowering the risk factor. fact_1 :  She is currently the executive director of Artspace Sydney and curator for the Encounters sector of Art Basel Hong Kong. fact_2 : Art Basel is an international art fair with three shows staged annually in Basel, Switzerland; Miami Beach, Florida; and Hong Kong. Answer: international art fair
Output: Alexie GlassKantor is the curator for the Encounters sector of what type of show?