niryuu/sni-each-converted huggingface dataset:
The film starts with a real life manager of Budapest metro system explaining that the events shown in the film are purely fictional and have no bearing on the conduct and practices of the 'Kontrollers' of the Budapest metro system.Bulcsú (Sándor Csányi) is a ticket inspector on the Hungarian Metro. He spends his nights sleeping on the train platforms, and hasn't left the underground ever since he started working there. His ragtag team of inspectors - consisting of the veteran Professor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) - are routinely disrespected and assaulted by the commuters, who continue to evade paying fines in a variety of ways.One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó in the last second. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). In another occasion, Bulcsú unsuccessfully attempts to talk his collague Laci (László Nádasi) out of a hostage situation when Laci goes postal after he gets into an altercation with a passenger; Laci exclaims he can't take it anymore and slits the passenger's throat.After chasing a repeat offending prankster called Bootsie (Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were apparent suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he's brought to questioning, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates him being the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú wins again; the hooded figure never emerges from the tracks. Bulcsú meets Zsófi, who is now dressed as a butterfly, and the two finally emerge back to the surface.
Output: Question: Who is the repeat offending prankster?, Answer: Bootsie (Bence Mtyssy)
The film starts with a real life manager of Budapest metro system explaining that the events shown in the film are purely fictional and have no bearing on the conduct and practices of the 'Kontrollers' of the Budapest metro system.Bulcsú (Sándor Csányi) is a ticket inspector on the Hungarian Metro. He spends his nights sleeping on the train platforms, and hasn't left the underground ever since he started working there. His ragtag team of inspectors - consisting of the veteran Professor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) - are routinely disrespected and assaulted by the commuters, who continue to evade paying fines in a variety of ways.One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó in the last second. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). In another occasion, Bulcsú unsuccessfully attempts to talk his collague Laci (László Nádasi) out of a hostage situation when Laci goes postal after he gets into an altercation with a passenger; Laci exclaims he can't take it anymore and slits the passenger's throat.After chasing a repeat offending prankster called Bootsie (Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were apparent suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he's brought to questioning, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates him being the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú wins again; the hooded figure never emerges from the tracks. Bulcsú meets Zsófi, who is now dressed as a butterfly, and the two finally emerge back to the surface.
Output: Question: What is the name of the girl in the bear suit?, Answer: Zsfi (Eszter Balla)
The film starts with a real life manager of Budapest metro system explaining that the events shown in the film are purely fictional and have no bearing on the conduct and practices of the 'Kontrollers' of the Budapest metro system.Bulcsú (Sándor Csányi) is a ticket inspector on the Hungarian Metro. He spends his nights sleeping on the train platforms, and hasn't left the underground ever since he started working there. His ragtag team of inspectors - consisting of the veteran Professor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) - are routinely disrespected and assaulted by the commuters, who continue to evade paying fines in a variety of ways.One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó in the last second. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). In another occasion, Bulcsú unsuccessfully attempts to talk his collague Laci (László Nádasi) out of a hostage situation when Laci goes postal after he gets into an altercation with a passenger; Laci exclaims he can't take it anymore and slits the passenger's throat.After chasing a repeat offending prankster called Bootsie (Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were apparent suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he's brought to questioning, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates him being the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú wins again; the hooded figure never emerges from the tracks. Bulcsú meets Zsófi, who is now dressed as a butterfly, and the two finally emerge back to the surface.
Output: Question: What does Bulcs_ do when shown the video?, Answer: he resigns his job.
The film starts with a real life manager of Budapest metro system explaining that the events shown in the film are purely fictional and have no bearing on the conduct and practices of the 'Kontrollers' of the Budapest metro system.Bulcsú (Sándor Csányi) is a ticket inspector on the Hungarian Metro. He spends his nights sleeping on the train platforms, and hasn't left the underground ever since he started working there. His ragtag team of inspectors - consisting of the veteran Professor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) - are routinely disrespected and assaulted by the commuters, who continue to evade paying fines in a variety of ways.One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó in the last second. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). In another occasion, Bulcsú unsuccessfully attempts to talk his collague Laci (László Nádasi) out of a hostage situation when Laci goes postal after he gets into an altercation with a passenger; Laci exclaims he can't take it anymore and slits the passenger's throat.After chasing a repeat offending prankster called Bootsie (Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were apparent suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he's brought to questioning, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates him being the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú wins again; the hooded figure never emerges from the tracks. Bulcsú meets Zsófi, who is now dressed as a butterfly, and the two finally emerge back to the surface.
Output: Question: Which of Bulcsu's team of inspectors is a narcoleptic?, Answer: <No Answer>
The film starts with a real life manager of Budapest metro system explaining that the events shown in the film are purely fictional and have no bearing on the conduct and practices of the 'Kontrollers' of the Budapest metro system.Bulcsú (Sándor Csányi) is a ticket inspector on the Hungarian Metro. He spends his nights sleeping on the train platforms, and hasn't left the underground ever since he started working there. His ragtag team of inspectors - consisting of the veteran Professor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) - are routinely disrespected and assaulted by the commuters, who continue to evade paying fines in a variety of ways.One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó in the last second. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). In another occasion, Bulcsú unsuccessfully attempts to talk his collague Laci (László Nádasi) out of a hostage situation when Laci goes postal after he gets into an altercation with a passenger; Laci exclaims he can't take it anymore and slits the passenger's throat.After chasing a repeat offending prankster called Bootsie (Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were apparent suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he's brought to questioning, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates him being the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú wins again; the hooded figure never emerges from the tracks. Bulcsú meets Zsófi, who is now dressed as a butterfly, and the two finally emerge back to the surface.
Output: Question: Who does Bulcs_ almost push onto the tracks?, Answer: Bulcs almost pushes Muki on the tracks as well
The film starts with a real life manager of Budapest metro system explaining that the events shown in the film are purely fictional and have no bearing on the conduct and practices of the 'Kontrollers' of the Budapest metro system.Bulcsú (Sándor Csányi) is a ticket inspector on the Hungarian Metro. He spends his nights sleeping on the train platforms, and hasn't left the underground ever since he started working there. His ragtag team of inspectors - consisting of the veteran Professor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) - are routinely disrespected and assaulted by the commuters, who continue to evade paying fines in a variety of ways.One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó in the last second. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). In another occasion, Bulcsú unsuccessfully attempts to talk his collague Laci (László Nádasi) out of a hostage situation when Laci goes postal after he gets into an altercation with a passenger; Laci exclaims he can't take it anymore and slits the passenger's throat.After chasing a repeat offending prankster called Bootsie (Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were apparent suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he's brought to questioning, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates him being the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú wins again; the hooded figure never emerges from the tracks. Bulcsú meets Zsófi, who is now dressed as a butterfly, and the two finally emerge back to the surface.
Output: Question: Where does Bulcsu work as a ticket inspector?, Answer: <No Answer>
The film starts with a real life manager of Budapest metro system explaining that the events shown in the film are purely fictional and have no bearing on the conduct and practices of the 'Kontrollers' of the Budapest metro system.Bulcsú (Sándor Csányi) is a ticket inspector on the Hungarian Metro. He spends his nights sleeping on the train platforms, and hasn't left the underground ever since he started working there. His ragtag team of inspectors - consisting of the veteran Professor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) - are routinely disrespected and assaulted by the commuters, who continue to evade paying fines in a variety of ways.One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó in the last second. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). In another occasion, Bulcsú unsuccessfully attempts to talk his collague Laci (László Nádasi) out of a hostage situation when Laci goes postal after he gets into an altercation with a passenger; Laci exclaims he can't take it anymore and slits the passenger's throat.After chasing a repeat offending prankster called Bootsie (Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were apparent suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he's brought to questioning, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates him being the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú wins again; the hooded figure never emerges from the tracks. Bulcsú meets Zsófi, who is now dressed as a butterfly, and the two finally emerge back to the surface.
Output: Question: where party was held?, Answer: underground
The film starts with a real life manager of Budapest metro system explaining that the events shown in the film are purely fictional and have no bearing on the conduct and practices of the 'Kontrollers' of the Budapest metro system.Bulcsú (Sándor Csányi) is a ticket inspector on the Hungarian Metro. He spends his nights sleeping on the train platforms, and hasn't left the underground ever since he started working there. His ragtag team of inspectors - consisting of the veteran Professor (Zoltán Mucsi), the disheveled Lecsó (Sándor Badár), neurotic narcoleptic Muki (Csaba Pindroch) and dimwitted greenhorn Tibi (Zsolt Nagy) - are routinely disrespected and assaulted by the commuters, who continue to evade paying fines in a variety of ways.One of Bulcsú's company rivals, model employee Gonzó (Balázs Mihályfi) challenges him to a "rail run": after the last metro leaves a station, the two get on the tracks and try to make it to the next station on foot before the midnight maintenance carriage runs them over. Bulcsú wins the contest, barely saving Gonzó in the last second. During a routine inspection, he is enamored by a girl dressed in a bear suit called Zsófi (Eszter Balla), the daughter of one of the veteran metro drivers, Béla (Lajos Kovács). In another occasion, Bulcsú unsuccessfully attempts to talk his collague Laci (László Nádasi) out of a hostage situation when Laci goes postal after he gets into an altercation with a passenger; Laci exclaims he can't take it anymore and slits the passenger's throat.After chasing a repeat offending prankster called Bootsie (Bence Mátyássy), Bulcsú witnesses him being pushed on the tracks by a hooded figure, dressed in exactly the same attire as him; another incident in a long line of what people thought were apparent suicides. Because of his recurring nightmare of this figure, Bulcsú fails to apprehend the murderer, and when he's brought to questioning, he refuses to disclose details of the incident to the lead executive (György Cserhalmi) of the company. When the executive threatens to disclose the video footage of the incident, which only shows Bulcsú, he resigns his job. Muki later insinuates him being the murderer, citing his continual nightly absence and accusing him of having the same mental issues as Laci did; an infuriated Bulcsú almost pushes him on the tracks as well.During an underground costume party, Bulcsú spots and follows the hooded figure and they get into an altercation, after which they start rail running similarly to the contest with Gonzó earlier. Bulcsú wins again; the hooded figure never emerges from the tracks. Bulcsú meets Zsófi, who is now dressed as a butterfly, and the two finally emerge back to the surface.
Output: Question: Who does Bulcsu almost push onto the tracks?, Answer: <No Answer>
In Haiti in 1932 as Madeline Short (Madge Bellamy) with her fiancé Neil Parker (John Harron) travel to the home of Charles Beaumont (Robert W. Frazer) to be married they are stopped on the road by an unusual funeral. When the driver stops a suspicious figure by the name of Murder Legendre (Bela Lugosi) who is accompanied by a league of his personal zombies grabs Madeline's scarf. Beaumont has promised Parker a job running his sugar cane plant. When they meet local priest Dr. Bruner (Joseph Cawthorn) he entreats them to leave the island and not return as there are weird things taking place. When Beaumont meets Madeline he is obsessed by her beauty and goes to Legendre for an elixir that will allow Beaumont to have her under his control as a zombie. After Beaumont has Madeline under his power he becomes dissatisfied by her lack of emotion and asks Legendre to change her back but Legendre has plans of his own and drugs Beaumont. When Parker appeals to Dr. Bruner for help they discover that they may be in for the fight of their lives.
Output: Question: WHAT DOES THE PREIST ENTREAT TO NIEL AND MADELINE ?, Answer: TO LEAVE THE ISLAND .
In Haiti in 1932 as Madeline Short (Madge Bellamy) with her fiancé Neil Parker (John Harron) travel to the home of Charles Beaumont (Robert W. Frazer) to be married they are stopped on the road by an unusual funeral. When the driver stops a suspicious figure by the name of Murder Legendre (Bela Lugosi) who is accompanied by a league of his personal zombies grabs Madeline's scarf. Beaumont has promised Parker a job running his sugar cane plant. When they meet local priest Dr. Bruner (Joseph Cawthorn) he entreats them to leave the island and not return as there are weird things taking place. When Beaumont meets Madeline he is obsessed by her beauty and goes to Legendre for an elixir that will allow Beaumont to have her under his control as a zombie. After Beaumont has Madeline under his power he becomes dissatisfied by her lack of emotion and asks Legendre to change her back but Legendre has plans of his own and drugs Beaumont. When Parker appeals to Dr. Bruner for help they discover that they may be in for the fight of their lives.
Output: Question: WHO IS MADELINE'S FIANCEE ?, Answer: NEIL PARKER.
In Haiti in 1932 as Madeline Short (Madge Bellamy) with her fiancé Neil Parker (John Harron) travel to the home of Charles Beaumont (Robert W. Frazer) to be married they are stopped on the road by an unusual funeral. When the driver stops a suspicious figure by the name of Murder Legendre (Bela Lugosi) who is accompanied by a league of his personal zombies grabs Madeline's scarf. Beaumont has promised Parker a job running his sugar cane plant. When they meet local priest Dr. Bruner (Joseph Cawthorn) he entreats them to leave the island and not return as there are weird things taking place. When Beaumont meets Madeline he is obsessed by her beauty and goes to Legendre for an elixir that will allow Beaumont to have her under his control as a zombie. After Beaumont has Madeline under his power he becomes dissatisfied by her lack of emotion and asks Legendre to change her back but Legendre has plans of his own and drugs Beaumont. When Parker appeals to Dr. Bruner for help they discover that they may be in for the fight of their lives.
Output: Question: WHAT HAD BEAUMONT PROMISED PARKER ?, Answer: A JOB AT HIS SUGAR CANE PLANT.
Soraya is a young trainee nurse who is starting to feel disaffected by her life. A chance introduction to the world of glamour piques her earlier ambition to be a star. She does not succeed at first, but she is told that the forbidden practice of susuk can help. She has to make a choice whether to stay the way she is, or cross the line. At first, susuk seems to give her confidence in her performance, and even to stand up to her abusive brother-in-law.Meanwhile, Suzana is a prominent diva with an air of mystery. She has long been a practitioner of the black arts due to her use of the extreme susuk keramat. Every time she violates a taboo, a human life is required - first in the form of accidental deaths of her loved ones, then by outright murder and cannibalism. She develops inhuman, supernatural abilities. At the same time, she yearns for her more innocent days and hires a young assistant who reminds her of "happier times".A mysterious and powerful dukun guides the two women down their paths to corruption. The viewers follow the lives of these two women until their stories converge in the true secret of this dreaded charm.
Output: Question: What does Suzan's require for her exploits in the black arts?, Answer: Human life
Soraya is a young trainee nurse who is starting to feel disaffected by her life. A chance introduction to the world of glamour piques her earlier ambition to be a star. She does not succeed at first, but she is told that the forbidden practice of susuk can help. She has to make a choice whether to stay the way she is, or cross the line. At first, susuk seems to give her confidence in her performance, and even to stand up to her abusive brother-in-law.Meanwhile, Suzana is a prominent diva with an air of mystery. She has long been a practitioner of the black arts due to her use of the extreme susuk keramat. Every time she violates a taboo, a human life is required - first in the form of accidental deaths of her loved ones, then by outright murder and cannibalism. She develops inhuman, supernatural abilities. At the same time, she yearns for her more innocent days and hires a young assistant who reminds her of "happier times".A mysterious and powerful dukun guides the two women down their paths to corruption. The viewers follow the lives of these two women until their stories converge in the true secret of this dreaded charm.
Output: Question: What is Soraya training to become?, Answer: Nurse
Soraya is a young trainee nurse who is starting to feel disaffected by her life. A chance introduction to the world of glamour piques her earlier ambition to be a star. She does not succeed at first, but she is told that the forbidden practice of susuk can help. She has to make a choice whether to stay the way she is, or cross the line. At first, susuk seems to give her confidence in her performance, and even to stand up to her abusive brother-in-law.Meanwhile, Suzana is a prominent diva with an air of mystery. She has long been a practitioner of the black arts due to her use of the extreme susuk keramat. Every time she violates a taboo, a human life is required - first in the form of accidental deaths of her loved ones, then by outright murder and cannibalism. She develops inhuman, supernatural abilities. At the same time, she yearns for her more innocent days and hires a young assistant who reminds her of "happier times".A mysterious and powerful dukun guides the two women down their paths to corruption. The viewers follow the lives of these two women until their stories converge in the true secret of this dreaded charm.
Output: Question: What was Soraya's earlier ambition?, Answer: To be a star
Set in late 1930s Arezzo, Italy, Jewish man and poet, Guido Orefice (Roberto Benigni) uses cunning wit to win over an Italian schoolteacher, Dora (Nicoletta Braschi) who's set to marry another man. Charming her with "Buongiorno Principessa", getting the timing perfect every time and whisking her away on a green horse (don't ask!) ensures they soon live together happily in Guido's uncle, Eliseo Orefice's (Giustino Durano) house. Bringing up their 5 year old boy, Giosué (Giorgio Cantarini), the war continues without them noticing until one fateful day when the Germans arrest Guido and his son at the uncle's house during preparation for Giosué's birthday party, and transfer them to a concentraction camp. Dora demands to be taken too, thus Guido is devastated to see his non-Jewish wife board the train.Protecting his son from the vile truth, Guido tells Giosué that they are just on a big hoilday, and he turns the camp into a big game for Giosué, claiming that they must win 1000 points to win a real tank and leave. His elderly uncle, however, is on a different "team" and is lead towards the showers first. Guido must complete "tasks" for the camp "moderators" (ie. the Nazi SS), while avoiding the impending fate with everything he can offer. His quick thinking saves Giosué from the truth when a German officer requires a translator. Despite not speaking a word of German, Guido steps forward and makes up the "Regole del Campo" from the German's body language, claiming that tanks, scoreboards and games of Hide and Seek litter the camp, while cleverly stating that Giosué cannot cry, ask for his mother or declared he's hungry, resulting in the loss of the "game", in other words, death.Giosué later refuses to take a shower, and unknowingly escapes being gased, so Guido hides him with the help of other Italian prisoners, since there are no other children. Playing messages over the tannoy for Dora, kept prisoner on the other side of the camp, the family build up hope, only to be diminuished by the SS. With the help of Guido's former German friend, Herr Lessing, Guido can hide Giosué amongst the German children, while waiting the German Officer's meals. With the days becoming steadily worse, Guido realises that time is short and that he must make certain sacrifices if his son is ever to see the tanks roll over the hills, and be reunited with his mother. Giosué is pessimistic, and doesn't believe that there are any real tanks or games.Hiding Giosué in a junction box for the last time, telling him that everyone is looking for him, Guido jeapordises his own survival to prevent the Germans discovering Giosué, while he attempts to free Dora, giving his own life away at the same time. The Americans break into the seemingly deserted camp the following morning. Giosué immerges just as a tank pulls around the corner. Hitching a lift out, Giosué soon spots his mother and the film closes.
Output: Question: Who do the Germans arrest?, Answer: Guido and son
Set in late 1930s Arezzo, Italy, Jewish man and poet, Guido Orefice (Roberto Benigni) uses cunning wit to win over an Italian schoolteacher, Dora (Nicoletta Braschi) who's set to marry another man. Charming her with "Buongiorno Principessa", getting the timing perfect every time and whisking her away on a green horse (don't ask!) ensures they soon live together happily in Guido's uncle, Eliseo Orefice's (Giustino Durano) house. Bringing up their 5 year old boy, Giosué (Giorgio Cantarini), the war continues without them noticing until one fateful day when the Germans arrest Guido and his son at the uncle's house during preparation for Giosué's birthday party, and transfer them to a concentraction camp. Dora demands to be taken too, thus Guido is devastated to see his non-Jewish wife board the train.Protecting his son from the vile truth, Guido tells Giosué that they are just on a big hoilday, and he turns the camp into a big game for Giosué, claiming that they must win 1000 points to win a real tank and leave. His elderly uncle, however, is on a different "team" and is lead towards the showers first. Guido must complete "tasks" for the camp "moderators" (ie. the Nazi SS), while avoiding the impending fate with everything he can offer. His quick thinking saves Giosué from the truth when a German officer requires a translator. Despite not speaking a word of German, Guido steps forward and makes up the "Regole del Campo" from the German's body language, claiming that tanks, scoreboards and games of Hide and Seek litter the camp, while cleverly stating that Giosué cannot cry, ask for his mother or declared he's hungry, resulting in the loss of the "game", in other words, death.Giosué later refuses to take a shower, and unknowingly escapes being gased, so Guido hides him with the help of other Italian prisoners, since there are no other children. Playing messages over the tannoy for Dora, kept prisoner on the other side of the camp, the family build up hope, only to be diminuished by the SS. With the help of Guido's former German friend, Herr Lessing, Guido can hide Giosué amongst the German children, while waiting the German Officer's meals. With the days becoming steadily worse, Guido realises that time is short and that he must make certain sacrifices if his son is ever to see the tanks roll over the hills, and be reunited with his mother. Giosué is pessimistic, and doesn't believe that there are any real tanks or games.Hiding Giosué in a junction box for the last time, telling him that everyone is looking for him, Guido jeapordises his own survival to prevent the Germans discovering Giosué, while he attempts to free Dora, giving his own life away at the same time. The Americans break into the seemingly deserted camp the following morning. Giosué immerges just as a tank pulls around the corner. Hitching a lift out, Giosué soon spots his mother and the film closes.
Output: Question: Who does Guido tell Giosu he cannot ask for?, Answer: Mother
Set in late 1930s Arezzo, Italy, Jewish man and poet, Guido Orefice (Roberto Benigni) uses cunning wit to win over an Italian schoolteacher, Dora (Nicoletta Braschi) who's set to marry another man. Charming her with "Buongiorno Principessa", getting the timing perfect every time and whisking her away on a green horse (don't ask!) ensures they soon live together happily in Guido's uncle, Eliseo Orefice's (Giustino Durano) house. Bringing up their 5 year old boy, Giosué (Giorgio Cantarini), the war continues without them noticing until one fateful day when the Germans arrest Guido and his son at the uncle's house during preparation for Giosué's birthday party, and transfer them to a concentraction camp. Dora demands to be taken too, thus Guido is devastated to see his non-Jewish wife board the train.Protecting his son from the vile truth, Guido tells Giosué that they are just on a big hoilday, and he turns the camp into a big game for Giosué, claiming that they must win 1000 points to win a real tank and leave. His elderly uncle, however, is on a different "team" and is lead towards the showers first. Guido must complete "tasks" for the camp "moderators" (ie. the Nazi SS), while avoiding the impending fate with everything he can offer. His quick thinking saves Giosué from the truth when a German officer requires a translator. Despite not speaking a word of German, Guido steps forward and makes up the "Regole del Campo" from the German's body language, claiming that tanks, scoreboards and games of Hide and Seek litter the camp, while cleverly stating that Giosué cannot cry, ask for his mother or declared he's hungry, resulting in the loss of the "game", in other words, death.Giosué later refuses to take a shower, and unknowingly escapes being gased, so Guido hides him with the help of other Italian prisoners, since there are no other children. Playing messages over the tannoy for Dora, kept prisoner on the other side of the camp, the family build up hope, only to be diminuished by the SS. With the help of Guido's former German friend, Herr Lessing, Guido can hide Giosué amongst the German children, while waiting the German Officer's meals. With the days becoming steadily worse, Guido realises that time is short and that he must make certain sacrifices if his son is ever to see the tanks roll over the hills, and be reunited with his mother. Giosué is pessimistic, and doesn't believe that there are any real tanks or games.Hiding Giosué in a junction box for the last time, telling him that everyone is looking for him, Guido jeapordises his own survival to prevent the Germans discovering Giosué, while he attempts to free Dora, giving his own life away at the same time. The Americans break into the seemingly deserted camp the following morning. Giosué immerges just as a tank pulls around the corner. Hitching a lift out, Giosué soon spots his mother and the film closes.
Output: Question: Who breaks into the seemingly deserted camp?, Answer: Americans
Set in late 1930s Arezzo, Italy, Jewish man and poet, Guido Orefice (Roberto Benigni) uses cunning wit to win over an Italian schoolteacher, Dora (Nicoletta Braschi) who's set to marry another man. Charming her with "Buongiorno Principessa", getting the timing perfect every time and whisking her away on a green horse (don't ask!) ensures they soon live together happily in Guido's uncle, Eliseo Orefice's (Giustino Durano) house. Bringing up their 5 year old boy, Giosué (Giorgio Cantarini), the war continues without them noticing until one fateful day when the Germans arrest Guido and his son at the uncle's house during preparation for Giosué's birthday party, and transfer them to a concentraction camp. Dora demands to be taken too, thus Guido is devastated to see his non-Jewish wife board the train.Protecting his son from the vile truth, Guido tells Giosué that they are just on a big hoilday, and he turns the camp into a big game for Giosué, claiming that they must win 1000 points to win a real tank and leave. His elderly uncle, however, is on a different "team" and is lead towards the showers first. Guido must complete "tasks" for the camp "moderators" (ie. the Nazi SS), while avoiding the impending fate with everything he can offer. His quick thinking saves Giosué from the truth when a German officer requires a translator. Despite not speaking a word of German, Guido steps forward and makes up the "Regole del Campo" from the German's body language, claiming that tanks, scoreboards and games of Hide and Seek litter the camp, while cleverly stating that Giosué cannot cry, ask for his mother or declared he's hungry, resulting in the loss of the "game", in other words, death.Giosué later refuses to take a shower, and unknowingly escapes being gased, so Guido hides him with the help of other Italian prisoners, since there are no other children. Playing messages over the tannoy for Dora, kept prisoner on the other side of the camp, the family build up hope, only to be diminuished by the SS. With the help of Guido's former German friend, Herr Lessing, Guido can hide Giosué amongst the German children, while waiting the German Officer's meals. With the days becoming steadily worse, Guido realises that time is short and that he must make certain sacrifices if his son is ever to see the tanks roll over the hills, and be reunited with his mother. Giosué is pessimistic, and doesn't believe that there are any real tanks or games.Hiding Giosué in a junction box for the last time, telling him that everyone is looking for him, Guido jeapordises his own survival to prevent the Germans discovering Giosué, while he attempts to free Dora, giving his own life away at the same time. The Americans break into the seemingly deserted camp the following morning. Giosué immerges just as a tank pulls around the corner. Hitching a lift out, Giosué soon spots his mother and the film closes.
Output: Question: What does Guido whisk Dora away on?, Answer: green horse
Set in late 1930s Arezzo, Italy, Jewish man and poet, Guido Orefice (Roberto Benigni) uses cunning wit to win over an Italian schoolteacher, Dora (Nicoletta Braschi) who's set to marry another man. Charming her with "Buongiorno Principessa", getting the timing perfect every time and whisking her away on a green horse (don't ask!) ensures they soon live together happily in Guido's uncle, Eliseo Orefice's (Giustino Durano) house. Bringing up their 5 year old boy, Giosué (Giorgio Cantarini), the war continues without them noticing until one fateful day when the Germans arrest Guido and his son at the uncle's house during preparation for Giosué's birthday party, and transfer them to a concentraction camp. Dora demands to be taken too, thus Guido is devastated to see his non-Jewish wife board the train.Protecting his son from the vile truth, Guido tells Giosué that they are just on a big hoilday, and he turns the camp into a big game for Giosué, claiming that they must win 1000 points to win a real tank and leave. His elderly uncle, however, is on a different "team" and is lead towards the showers first. Guido must complete "tasks" for the camp "moderators" (ie. the Nazi SS), while avoiding the impending fate with everything he can offer. His quick thinking saves Giosué from the truth when a German officer requires a translator. Despite not speaking a word of German, Guido steps forward and makes up the "Regole del Campo" from the German's body language, claiming that tanks, scoreboards and games of Hide and Seek litter the camp, while cleverly stating that Giosué cannot cry, ask for his mother or declared he's hungry, resulting in the loss of the "game", in other words, death.Giosué later refuses to take a shower, and unknowingly escapes being gased, so Guido hides him with the help of other Italian prisoners, since there are no other children. Playing messages over the tannoy for Dora, kept prisoner on the other side of the camp, the family build up hope, only to be diminuished by the SS. With the help of Guido's former German friend, Herr Lessing, Guido can hide Giosué amongst the German children, while waiting the German Officer's meals. With the days becoming steadily worse, Guido realises that time is short and that he must make certain sacrifices if his son is ever to see the tanks roll over the hills, and be reunited with his mother. Giosué is pessimistic, and doesn't believe that there are any real tanks or games.Hiding Giosué in a junction box for the last time, telling him that everyone is looking for him, Guido jeapordises his own survival to prevent the Germans discovering Giosué, while he attempts to free Dora, giving his own life away at the same time. The Americans break into the seemingly deserted camp the following morning. Giosué immerges just as a tank pulls around the corner. Hitching a lift out, Giosué soon spots his mother and the film closes.
Output: Question: Who does Guido win over?, Answer: Dora
Set in late 1930s Arezzo, Italy, Jewish man and poet, Guido Orefice (Roberto Benigni) uses cunning wit to win over an Italian schoolteacher, Dora (Nicoletta Braschi) who's set to marry another man. Charming her with "Buongiorno Principessa", getting the timing perfect every time and whisking her away on a green horse (don't ask!) ensures they soon live together happily in Guido's uncle, Eliseo Orefice's (Giustino Durano) house. Bringing up their 5 year old boy, Giosué (Giorgio Cantarini), the war continues without them noticing until one fateful day when the Germans arrest Guido and his son at the uncle's house during preparation for Giosué's birthday party, and transfer them to a concentraction camp. Dora demands to be taken too, thus Guido is devastated to see his non-Jewish wife board the train.Protecting his son from the vile truth, Guido tells Giosué that they are just on a big hoilday, and he turns the camp into a big game for Giosué, claiming that they must win 1000 points to win a real tank and leave. His elderly uncle, however, is on a different "team" and is lead towards the showers first. Guido must complete "tasks" for the camp "moderators" (ie. the Nazi SS), while avoiding the impending fate with everything he can offer. His quick thinking saves Giosué from the truth when a German officer requires a translator. Despite not speaking a word of German, Guido steps forward and makes up the "Regole del Campo" from the German's body language, claiming that tanks, scoreboards and games of Hide and Seek litter the camp, while cleverly stating that Giosué cannot cry, ask for his mother or declared he's hungry, resulting in the loss of the "game", in other words, death.Giosué later refuses to take a shower, and unknowingly escapes being gased, so Guido hides him with the help of other Italian prisoners, since there are no other children. Playing messages over the tannoy for Dora, kept prisoner on the other side of the camp, the family build up hope, only to be diminuished by the SS. With the help of Guido's former German friend, Herr Lessing, Guido can hide Giosué amongst the German children, while waiting the German Officer's meals. With the days becoming steadily worse, Guido realises that time is short and that he must make certain sacrifices if his son is ever to see the tanks roll over the hills, and be reunited with his mother. Giosué is pessimistic, and doesn't believe that there are any real tanks or games.Hiding Giosué in a junction box for the last time, telling him that everyone is looking for him, Guido jeapordises his own survival to prevent the Germans discovering Giosué, while he attempts to free Dora, giving his own life away at the same time. The Americans break into the seemingly deserted camp the following morning. Giosué immerges just as a tank pulls around the corner. Hitching a lift out, Giosué soon spots his mother and the film closes.
Output: Question: Where is the movie set?, Answer: Arezzo, Italy