niryuu/sni-each-converted huggingface dataset:
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: How does Peck have all this influence?, Answer: he plays golf
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: What do the two agents do when they think their cover is blown?, Answer: Attempt suicide
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: Who acts as Peck's ear in the East?, Answer: Hoffy
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: Which war is the background for this film?, Answer: Cold War
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: Which actress plays Hoffy?, Answer: Anita Bjork
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: Who loved his son more than golf?, Answer: Broderick Crawford
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: Who went to jail?, Answer: A dissimulating female
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: In which directions is Berlin divided?, Answer: East and West
This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.
Output: Question: What kind of swap does Peck organize to reveal that Hoffy cannot be trusted?, Answer: prisoner swap
An older man, Andrew Marsh, is seen viewing a homemade pornographic tape. It is later revealed the man died from complications stemming from erotic asphyxiation. The main suspect is the woman having sex with Marsh in the film, Rebecca Carlson (Madonna), who after being charged with murder is represented by lawyer Frank Dulaney (Willem Dafoe).The trial begins in Portland, Oregon and it isn't long before Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife (Julianne Moore). Their rough sex goes so far that Rebecca drips hot candle wax onto Frank.Rebecca proclaims her innocence to Frank in private as well as in court, but the prosecutor and district attorney Robert Garrett (Joe Mantegna) is out to prove that Rebecca Carlson deliberately killed Marsh in bed with sex to receive the $8 million he left her in his will.The testimony of Marsh's private secretary, Joanne Braslow (Anne Archer), reveals that he also had a sexual relationship with her that could have contributed to his death, casting a reasonable doubt as to Rebecca's guilt.Frank can't resist Rebecca sexually but he doesn't trust her. His wife sees telltale marks on his flesh and realizes he's been having an affair. Rebecca is shown in court to have had previous sexual relationships with a number of older rich men, including Jeffery Roston (Frank Langella), in which her lovemaking was just as rough, indicating that what she did with Marsh was not unusual.Taking the witness stand, Rebecca's emotional testimony that she did not mean to cause her older husband's death convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank for getting a guilty client off. Frank finally becomes fully aware that Rebecca indeed killed March delibrately with sex and worse still, he cannot repeat what she said because of the attorney-client privilage law. Frank also knows that Rebecca cannot be tried again because of the so-called "double jeopardy" law which states that no one can be tried twice for the same crime, even if the accused confesses or new evidence surfaces afterwords.Frank goes that night to Carlson's home, where he finds her with Marsh's doctor, Alan Payley (Jürgen Prochnow), freely discussing the way they both conspired to kill Marsh for his money. She's free and clear, but taunts Payley by telling him to lie low (as he could be convicted of perjury) and to leave because "I've already forgotten you."Rebecca bluntly tells Frank that her sexual prowess is how she is able to make men do anything... including him. An enraged Payley lashes out at Rebecca physically and, after Dulaney pulls him off, Payley shoots her twice. She plunges from a window to her death in the water below.In the final scene, as the police take Payley away, Frank turns to Garrett as the dead Rebecca is taken away and says, "You should have won the case Rob." Garrett coldly replies, "I did."
Output: Question: Who gets enraged and lashes out at Rebecca physically?, Answer: Payley
An older man, Andrew Marsh, is seen viewing a homemade pornographic tape. It is later revealed the man died from complications stemming from erotic asphyxiation. The main suspect is the woman having sex with Marsh in the film, Rebecca Carlson (Madonna), who after being charged with murder is represented by lawyer Frank Dulaney (Willem Dafoe).The trial begins in Portland, Oregon and it isn't long before Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife (Julianne Moore). Their rough sex goes so far that Rebecca drips hot candle wax onto Frank.Rebecca proclaims her innocence to Frank in private as well as in court, but the prosecutor and district attorney Robert Garrett (Joe Mantegna) is out to prove that Rebecca Carlson deliberately killed Marsh in bed with sex to receive the $8 million he left her in his will.The testimony of Marsh's private secretary, Joanne Braslow (Anne Archer), reveals that he also had a sexual relationship with her that could have contributed to his death, casting a reasonable doubt as to Rebecca's guilt.Frank can't resist Rebecca sexually but he doesn't trust her. His wife sees telltale marks on his flesh and realizes he's been having an affair. Rebecca is shown in court to have had previous sexual relationships with a number of older rich men, including Jeffery Roston (Frank Langella), in which her lovemaking was just as rough, indicating that what she did with Marsh was not unusual.Taking the witness stand, Rebecca's emotional testimony that she did not mean to cause her older husband's death convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank for getting a guilty client off. Frank finally becomes fully aware that Rebecca indeed killed March delibrately with sex and worse still, he cannot repeat what she said because of the attorney-client privilage law. Frank also knows that Rebecca cannot be tried again because of the so-called "double jeopardy" law which states that no one can be tried twice for the same crime, even if the accused confesses or new evidence surfaces afterwords.Frank goes that night to Carlson's home, where he finds her with Marsh's doctor, Alan Payley (Jürgen Prochnow), freely discussing the way they both conspired to kill Marsh for his money. She's free and clear, but taunts Payley by telling him to lie low (as he could be convicted of perjury) and to leave because "I've already forgotten you."Rebecca bluntly tells Frank that her sexual prowess is how she is able to make men do anything... including him. An enraged Payley lashes out at Rebecca physically and, after Dulaney pulls him off, Payley shoots her twice. She plunges from a window to her death in the water below.In the final scene, as the police take Payley away, Frank turns to Garrett as the dead Rebecca is taken away and says, "You should have won the case Rob." Garrett coldly replies, "I did."
Output: Question: Who is Marsh's private secretary?, Answer: Joanne Braslow
An older man, Andrew Marsh, is seen viewing a homemade pornographic tape. It is later revealed the man died from complications stemming from erotic asphyxiation. The main suspect is the woman having sex with Marsh in the film, Rebecca Carlson (Madonna), who after being charged with murder is represented by lawyer Frank Dulaney (Willem Dafoe).The trial begins in Portland, Oregon and it isn't long before Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife (Julianne Moore). Their rough sex goes so far that Rebecca drips hot candle wax onto Frank.Rebecca proclaims her innocence to Frank in private as well as in court, but the prosecutor and district attorney Robert Garrett (Joe Mantegna) is out to prove that Rebecca Carlson deliberately killed Marsh in bed with sex to receive the $8 million he left her in his will.The testimony of Marsh's private secretary, Joanne Braslow (Anne Archer), reveals that he also had a sexual relationship with her that could have contributed to his death, casting a reasonable doubt as to Rebecca's guilt.Frank can't resist Rebecca sexually but he doesn't trust her. His wife sees telltale marks on his flesh and realizes he's been having an affair. Rebecca is shown in court to have had previous sexual relationships with a number of older rich men, including Jeffery Roston (Frank Langella), in which her lovemaking was just as rough, indicating that what she did with Marsh was not unusual.Taking the witness stand, Rebecca's emotional testimony that she did not mean to cause her older husband's death convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank for getting a guilty client off. Frank finally becomes fully aware that Rebecca indeed killed March delibrately with sex and worse still, he cannot repeat what she said because of the attorney-client privilage law. Frank also knows that Rebecca cannot be tried again because of the so-called "double jeopardy" law which states that no one can be tried twice for the same crime, even if the accused confesses or new evidence surfaces afterwords.Frank goes that night to Carlson's home, where he finds her with Marsh's doctor, Alan Payley (Jürgen Prochnow), freely discussing the way they both conspired to kill Marsh for his money. She's free and clear, but taunts Payley by telling him to lie low (as he could be convicted of perjury) and to leave because "I've already forgotten you."Rebecca bluntly tells Frank that her sexual prowess is how she is able to make men do anything... including him. An enraged Payley lashes out at Rebecca physically and, after Dulaney pulls him off, Payley shoots her twice. She plunges from a window to her death in the water below.In the final scene, as the police take Payley away, Frank turns to Garrett as the dead Rebecca is taken away and says, "You should have won the case Rob." Garrett coldly replies, "I did."
Output: Question: Who is the prosecutor and district attorney?, Answer: Robert Garrett
An older man, Andrew Marsh, is seen viewing a homemade pornographic tape. It is later revealed the man died from complications stemming from erotic asphyxiation. The main suspect is the woman having sex with Marsh in the film, Rebecca Carlson (Madonna), who after being charged with murder is represented by lawyer Frank Dulaney (Willem Dafoe).The trial begins in Portland, Oregon and it isn't long before Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife (Julianne Moore). Their rough sex goes so far that Rebecca drips hot candle wax onto Frank.Rebecca proclaims her innocence to Frank in private as well as in court, but the prosecutor and district attorney Robert Garrett (Joe Mantegna) is out to prove that Rebecca Carlson deliberately killed Marsh in bed with sex to receive the $8 million he left her in his will.The testimony of Marsh's private secretary, Joanne Braslow (Anne Archer), reveals that he also had a sexual relationship with her that could have contributed to his death, casting a reasonable doubt as to Rebecca's guilt.Frank can't resist Rebecca sexually but he doesn't trust her. His wife sees telltale marks on his flesh and realizes he's been having an affair. Rebecca is shown in court to have had previous sexual relationships with a number of older rich men, including Jeffery Roston (Frank Langella), in which her lovemaking was just as rough, indicating that what she did with Marsh was not unusual.Taking the witness stand, Rebecca's emotional testimony that she did not mean to cause her older husband's death convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank for getting a guilty client off. Frank finally becomes fully aware that Rebecca indeed killed March delibrately with sex and worse still, he cannot repeat what she said because of the attorney-client privilage law. Frank also knows that Rebecca cannot be tried again because of the so-called "double jeopardy" law which states that no one can be tried twice for the same crime, even if the accused confesses or new evidence surfaces afterwords.Frank goes that night to Carlson's home, where he finds her with Marsh's doctor, Alan Payley (Jürgen Prochnow), freely discussing the way they both conspired to kill Marsh for his money. She's free and clear, but taunts Payley by telling him to lie low (as he could be convicted of perjury) and to leave because "I've already forgotten you."Rebecca bluntly tells Frank that her sexual prowess is how she is able to make men do anything... including him. An enraged Payley lashes out at Rebecca physically and, after Dulaney pulls him off, Payley shoots her twice. She plunges from a window to her death in the water below.In the final scene, as the police take Payley away, Frank turns to Garrett as the dead Rebecca is taken away and says, "You should have won the case Rob." Garrett coldly replies, "I did."
Output: Question: Why can't Rebecca be tried again in court?, Answer: The "double jeopardy" law
An older man, Andrew Marsh, is seen viewing a homemade pornographic tape. It is later revealed the man died from complications stemming from erotic asphyxiation. The main suspect is the woman having sex with Marsh in the film, Rebecca Carlson (Madonna), who after being charged with murder is represented by lawyer Frank Dulaney (Willem Dafoe).The trial begins in Portland, Oregon and it isn't long before Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife (Julianne Moore). Their rough sex goes so far that Rebecca drips hot candle wax onto Frank.Rebecca proclaims her innocence to Frank in private as well as in court, but the prosecutor and district attorney Robert Garrett (Joe Mantegna) is out to prove that Rebecca Carlson deliberately killed Marsh in bed with sex to receive the $8 million he left her in his will.The testimony of Marsh's private secretary, Joanne Braslow (Anne Archer), reveals that he also had a sexual relationship with her that could have contributed to his death, casting a reasonable doubt as to Rebecca's guilt.Frank can't resist Rebecca sexually but he doesn't trust her. His wife sees telltale marks on his flesh and realizes he's been having an affair. Rebecca is shown in court to have had previous sexual relationships with a number of older rich men, including Jeffery Roston (Frank Langella), in which her lovemaking was just as rough, indicating that what she did with Marsh was not unusual.Taking the witness stand, Rebecca's emotional testimony that she did not mean to cause her older husband's death convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank for getting a guilty client off. Frank finally becomes fully aware that Rebecca indeed killed March delibrately with sex and worse still, he cannot repeat what she said because of the attorney-client privilage law. Frank also knows that Rebecca cannot be tried again because of the so-called "double jeopardy" law which states that no one can be tried twice for the same crime, even if the accused confesses or new evidence surfaces afterwords.Frank goes that night to Carlson's home, where he finds her with Marsh's doctor, Alan Payley (Jürgen Prochnow), freely discussing the way they both conspired to kill Marsh for his money. She's free and clear, but taunts Payley by telling him to lie low (as he could be convicted of perjury) and to leave because "I've already forgotten you."Rebecca bluntly tells Frank that her sexual prowess is how she is able to make men do anything... including him. An enraged Payley lashes out at Rebecca physically and, after Dulaney pulls him off, Payley shoots her twice. She plunges from a window to her death in the water below.In the final scene, as the police take Payley away, Frank turns to Garrett as the dead Rebecca is taken away and says, "You should have won the case Rob." Garrett coldly replies, "I did."
Output: Question: Who plays the role of district attorney?, Answer: Robert Garrett
An older man, Andrew Marsh, is seen viewing a homemade pornographic tape. It is later revealed the man died from complications stemming from erotic asphyxiation. The main suspect is the woman having sex with Marsh in the film, Rebecca Carlson (Madonna), who after being charged with murder is represented by lawyer Frank Dulaney (Willem Dafoe).The trial begins in Portland, Oregon and it isn't long before Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife (Julianne Moore). Their rough sex goes so far that Rebecca drips hot candle wax onto Frank.Rebecca proclaims her innocence to Frank in private as well as in court, but the prosecutor and district attorney Robert Garrett (Joe Mantegna) is out to prove that Rebecca Carlson deliberately killed Marsh in bed with sex to receive the $8 million he left her in his will.The testimony of Marsh's private secretary, Joanne Braslow (Anne Archer), reveals that he also had a sexual relationship with her that could have contributed to his death, casting a reasonable doubt as to Rebecca's guilt.Frank can't resist Rebecca sexually but he doesn't trust her. His wife sees telltale marks on his flesh and realizes he's been having an affair. Rebecca is shown in court to have had previous sexual relationships with a number of older rich men, including Jeffery Roston (Frank Langella), in which her lovemaking was just as rough, indicating that what she did with Marsh was not unusual.Taking the witness stand, Rebecca's emotional testimony that she did not mean to cause her older husband's death convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank for getting a guilty client off. Frank finally becomes fully aware that Rebecca indeed killed March delibrately with sex and worse still, he cannot repeat what she said because of the attorney-client privilage law. Frank also knows that Rebecca cannot be tried again because of the so-called "double jeopardy" law which states that no one can be tried twice for the same crime, even if the accused confesses or new evidence surfaces afterwords.Frank goes that night to Carlson's home, where he finds her with Marsh's doctor, Alan Payley (Jürgen Prochnow), freely discussing the way they both conspired to kill Marsh for his money. She's free and clear, but taunts Payley by telling him to lie low (as he could be convicted of perjury) and to leave because "I've already forgotten you."Rebecca bluntly tells Frank that her sexual prowess is how she is able to make men do anything... including him. An enraged Payley lashes out at Rebecca physically and, after Dulaney pulls him off, Payley shoots her twice. She plunges from a window to her death in the water below.In the final scene, as the police take Payley away, Frank turns to Garrett as the dead Rebecca is taken away and says, "You should have won the case Rob." Garrett coldly replies, "I did."
Output: Question: Who plays Rebecca Carlson?, Answer: Madonna
An older man, Andrew Marsh, is seen viewing a homemade pornographic tape. It is later revealed the man died from complications stemming from erotic asphyxiation. The main suspect is the woman having sex with Marsh in the film, Rebecca Carlson (Madonna), who after being charged with murder is represented by lawyer Frank Dulaney (Willem Dafoe).The trial begins in Portland, Oregon and it isn't long before Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife (Julianne Moore). Their rough sex goes so far that Rebecca drips hot candle wax onto Frank.Rebecca proclaims her innocence to Frank in private as well as in court, but the prosecutor and district attorney Robert Garrett (Joe Mantegna) is out to prove that Rebecca Carlson deliberately killed Marsh in bed with sex to receive the $8 million he left her in his will.The testimony of Marsh's private secretary, Joanne Braslow (Anne Archer), reveals that he also had a sexual relationship with her that could have contributed to his death, casting a reasonable doubt as to Rebecca's guilt.Frank can't resist Rebecca sexually but he doesn't trust her. His wife sees telltale marks on his flesh and realizes he's been having an affair. Rebecca is shown in court to have had previous sexual relationships with a number of older rich men, including Jeffery Roston (Frank Langella), in which her lovemaking was just as rough, indicating that what she did with Marsh was not unusual.Taking the witness stand, Rebecca's emotional testimony that she did not mean to cause her older husband's death convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank for getting a guilty client off. Frank finally becomes fully aware that Rebecca indeed killed March delibrately with sex and worse still, he cannot repeat what she said because of the attorney-client privilage law. Frank also knows that Rebecca cannot be tried again because of the so-called "double jeopardy" law which states that no one can be tried twice for the same crime, even if the accused confesses or new evidence surfaces afterwords.Frank goes that night to Carlson's home, where he finds her with Marsh's doctor, Alan Payley (Jürgen Prochnow), freely discussing the way they both conspired to kill Marsh for his money. She's free and clear, but taunts Payley by telling him to lie low (as he could be convicted of perjury) and to leave because "I've already forgotten you."Rebecca bluntly tells Frank that her sexual prowess is how she is able to make men do anything... including him. An enraged Payley lashes out at Rebecca physically and, after Dulaney pulls him off, Payley shoots her twice. She plunges from a window to her death in the water below.In the final scene, as the police take Payley away, Frank turns to Garrett as the dead Rebecca is taken away and says, "You should have won the case Rob." Garrett coldly replies, "I did."
Output: Question: Who plays Robert Garrett?, Answer: Joe Mantegna
An older man, Andrew Marsh, is seen viewing a homemade pornographic tape. It is later revealed the man died from complications stemming from erotic asphyxiation. The main suspect is the woman having sex with Marsh in the film, Rebecca Carlson (Madonna), who after being charged with murder is represented by lawyer Frank Dulaney (Willem Dafoe).The trial begins in Portland, Oregon and it isn't long before Rebecca and Frank enter a sadomasochistic sexual relationship behind the back of Dulaney's unsuspecting wife (Julianne Moore). Their rough sex goes so far that Rebecca drips hot candle wax onto Frank.Rebecca proclaims her innocence to Frank in private as well as in court, but the prosecutor and district attorney Robert Garrett (Joe Mantegna) is out to prove that Rebecca Carlson deliberately killed Marsh in bed with sex to receive the $8 million he left her in his will.The testimony of Marsh's private secretary, Joanne Braslow (Anne Archer), reveals that he also had a sexual relationship with her that could have contributed to his death, casting a reasonable doubt as to Rebecca's guilt.Frank can't resist Rebecca sexually but he doesn't trust her. His wife sees telltale marks on his flesh and realizes he's been having an affair. Rebecca is shown in court to have had previous sexual relationships with a number of older rich men, including Jeffery Roston (Frank Langella), in which her lovemaking was just as rough, indicating that what she did with Marsh was not unusual.Taking the witness stand, Rebecca's emotional testimony that she did not mean to cause her older husband's death convinces the jury, which acquits her. Before leaving court, she mockingly thanks Frank for getting a guilty client off. Frank finally becomes fully aware that Rebecca indeed killed March delibrately with sex and worse still, he cannot repeat what she said because of the attorney-client privilage law. Frank also knows that Rebecca cannot be tried again because of the so-called "double jeopardy" law which states that no one can be tried twice for the same crime, even if the accused confesses or new evidence surfaces afterwords.Frank goes that night to Carlson's home, where he finds her with Marsh's doctor, Alan Payley (Jürgen Prochnow), freely discussing the way they both conspired to kill Marsh for his money. She's free and clear, but taunts Payley by telling him to lie low (as he could be convicted of perjury) and to leave because "I've already forgotten you."Rebecca bluntly tells Frank that her sexual prowess is how she is able to make men do anything... including him. An enraged Payley lashes out at Rebecca physically and, after Dulaney pulls him off, Payley shoots her twice. She plunges from a window to her death in the water below.In the final scene, as the police take Payley away, Frank turns to Garrett as the dead Rebecca is taken away and says, "You should have won the case Rob." Garrett coldly replies, "I did."
Output: Question: Who gets charged with murder?, Answer: Rebecca Carlson