niryuu/sni-each-converted huggingface dataset:
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Who is Walter hesitant to start a sexual relationship with?, Answer: Erika
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Whose hand was damaged in the movie?, Answer: Anna's.
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: who does walter pursue into the lavatory?, Answer: erika
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: What did Anna cut her hand on?, Answer: Shards of glass.
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Who is an insecure but talented girl?, Answer: Anna Schobar
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Who is Erika desperate to see?, Answer: Walter
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Who is jealous of Anna?, Answer: Erika
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: What does Erika take with her to the concert?, Answer: A kitchen knife
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: What is Walter Klemmer a gifted interpreter of?, Answer: Schumann and Schubert
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Who does Erika live with?, Answer: her mother
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: What kind of fantasies does Erika have?, Answer: Masochistic
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Who is unable to play at the jubilee concert?, Answer: Anna
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: What happens when Erika meets Walter Klemmer?, Answer: a mutual obsession develops
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Which hand was damaged?, Answer: The right hand.
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: Who asks Erika for advice on Anna's recuperation?, Answer: Anna's mother
Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum.The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert.Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter.Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies, which repulse him. The film climaxes, however, when he attacks her in her apartment in the fashion she let him know she desired, beating and then raping her, outside her mother's bedroom door. He then leaves.The next day, Erika takes a kitchen knife to the concert where she is scheduled to fill in for the injured Anna. She delays going to the stage because she is desperate to see Walter, but Walter enters cheerful and laughing with his family. Moments before the concert is due to start, Erika stabs herself superficially in the shoulder and exits the concert hall into the street.
Output: Question: What is the audience gradually shown truths about?, Answer: Erika's private life
Spoiled heiress Ellen "Ellie" Andrews has eloped with pilot and fortune-hunter "King" Westley against the wishes of her extremely wealthy father, Alexander, who wants to have the marriage annulled because he knows that Westley is really only interested in her money. Jumping ship in Florida, she runs away, boarding a bus to New York City to reunite with her new spouse, when she meets fellow bus passenger Peter Warne, a freshly out-of-work newspaper reporter. Soon Warne recognizes her and gives her a choice: If she will give him an exclusive on her story, he will help her reunite with Westley. If not, he will tell her father where she is. Ellie agrees to the first choice.As they go through several adventures together, Ellie loses her initial disdain for him and begins to fall in love. When they have to hitchhike, Peter fails to draw attention until Ellie displays a shapely leg to Danker, the next driver. When they stop en route, Danker tries to steal their luggage, but Peter seizes his car. Nearing the end of their journey, Ellie confesses her love to Peter. When the owners of the motel in which they are staying notice that Peter's car is gone, they expel Ellie. Believing Peter has deserted her, Ellie telephones her father, who agrees to let her marry Westley. Meanwhile, Peter has obtained money from his editor to marry Ellie, but misses her on the road. Although Ellie has no desire to be with Westley, she believes Peter has betrayed her for the reward money, and agrees to have a second, formal wedding to Westley.On her wedding day, she finally reveals the whole story. When Peter comes to Ellie's home, Mr. Andrews offers him the reward money, but Peter insists on being paid only his expenses: a paltry $39.60. When Ellie's father presses him for an explanation of his odd behavior, Peter admits he loves Ellie, and storms out. Westley arrives for his wedding via autogyro but at the wedding ceremony, Mr. Andrews reveals Peter's refusal of the reward money to Ellie, sends her to Peter, and pays Westley off.
Output: Question: How much did Peter want to be paid instead of what Mr. Andrews was going to give him?, Answer: $39.60
Spoiled heiress Ellen "Ellie" Andrews has eloped with pilot and fortune-hunter "King" Westley against the wishes of her extremely wealthy father, Alexander, who wants to have the marriage annulled because he knows that Westley is really only interested in her money. Jumping ship in Florida, she runs away, boarding a bus to New York City to reunite with her new spouse, when she meets fellow bus passenger Peter Warne, a freshly out-of-work newspaper reporter. Soon Warne recognizes her and gives her a choice: If she will give him an exclusive on her story, he will help her reunite with Westley. If not, he will tell her father where she is. Ellie agrees to the first choice.As they go through several adventures together, Ellie loses her initial disdain for him and begins to fall in love. When they have to hitchhike, Peter fails to draw attention until Ellie displays a shapely leg to Danker, the next driver. When they stop en route, Danker tries to steal their luggage, but Peter seizes his car. Nearing the end of their journey, Ellie confesses her love to Peter. When the owners of the motel in which they are staying notice that Peter's car is gone, they expel Ellie. Believing Peter has deserted her, Ellie telephones her father, who agrees to let her marry Westley. Meanwhile, Peter has obtained money from his editor to marry Ellie, but misses her on the road. Although Ellie has no desire to be with Westley, she believes Peter has betrayed her for the reward money, and agrees to have a second, formal wedding to Westley.On her wedding day, she finally reveals the whole story. When Peter comes to Ellie's home, Mr. Andrews offers him the reward money, but Peter insists on being paid only his expenses: a paltry $39.60. When Ellie's father presses him for an explanation of his odd behavior, Peter admits he loves Ellie, and storms out. Westley arrives for his wedding via autogyro but at the wedding ceremony, Mr. Andrews reveals Peter's refusal of the reward money to Ellie, sends her to Peter, and pays Westley off.
Output: Question: What does Danker try to steal from Ellie and Peter?, Answer: luggage