niryuu/sni-each-converted huggingface dataset:
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: What is Maurice's profession?, Answer: Actor
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: What nickname does Maurice give to Jessie?, Answer: Venus
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: What sickness does Maurice have?, Answer: Prostate Cancer
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: Who is Ian's great niece?, Answer: Jessie
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: What is the relationship between Ian and Jessie?, Answer: Ian's great -niece
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: What was the Spanish artist name?, Answer: Diego Velzquez
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: What kind of cancer does Maurice have?, Answer: Prostate
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: What was Jessie's nickname?, Answer: Venus
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: In what country is Maurice favorite painting found?, Answer: London, England
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: Johnny is planning one last what?, Answer: Heist
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: Where is Johnny headed when he sees George in the street?, Answer: His apartment.
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: Does Johnny get to spend the money?, Answer: No.
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: What happens to the money after the case breaks open?, Answer: It blows away in the airplane's backdraft.
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: WHOM DOES JHONNY SEE ON THE WAY TO APARTMENT?, Answer: GEORGE.
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: Who are the two officers approaching to arrest?, Answer: Johnny
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: Who does George shoot before dying?, Answer: Sherry
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: Why must johnny and Fay check the luggage instead of carrying it on the plane?, Answer: Because of its size.
Johnny Clay (Sterling Hayden) is a veteran criminal planning one last heist before settling down and marrying Fay (Coleen Gray). He plans to steal $2 million from the money-counting room of a racetrack during a featured race. He assembles a team consisting of a corrupt cop (Ted de Corsia), a betting window teller (Elisha Cook Jr.) to gain access to the backroom, a sharpshooter (Timothy Carey) to shoot the favorite horse during the race to distract the crowd, a wrestler (Kola Kwariani) to provide another distraction by provoking a fight at the track bar, and a track bartender (Joe Sawyer).George Peatty, the teller, tells his wife Sherry (Marie Windsor) about the impending robbery. Sherry is bitter at George for not delivering on the promises of wealth he once made her, so George hopes telling her about the robbery will placate and impress her. Sherry does not believe him at first but, after learning that the robbery is real, enlists her lover Val Cannon (Vince Edwards) to steal the money from George and his associates.The heist is successful, although the sharpshooter is shot and killed by the police. The conspirators gather at the apartment where they are to meet Johnny and divide the money. Before Johnny arrives, Val appears and holds them up. A shootout ensues and a badly wounded George is the sole survivor. He goes home and shoots Sherry before dying.Johnny, on his way to the apartment, sees George staggering in the street and knows that something is wrong. He buys the biggest suitcase he can find to put the money in (and struggles to lock it properly). At the airport Johnny and Fay aren't allowed to take the suitcase along as hand luggage because of its size, and instead must check it in as regular luggage. Johnny reluctantly complies. While waiting to board their plane they watch as the suitcase falls off a cart onto the runway, breaks open, and the loose banknotes are swept away by the backdraft from the plane's propellers.Fay and Johnny leave the airport but are unable to hail a cab before officers are alerted to them. Fay urges Johnny to flee but he refuses, calmly accepting the futility of trying to escape, and utters the tagline for the movie: "What's the difference?". The film ends with two officers approaching to arrest him.
Output: Question: Who is the actor for the character, Fay?, Answer: Coleen Gray