niryuu/sni-each-converted huggingface dataset:
The self-loathing Charlie Kaufman is hired to write the screenplay for The Orchid Thief. Kaufman is going through depression and is not happy that his twin brother, Donald, has moved into his house and is taking advantage of him. Donald decides to become a screenwriter like Charlie and attends one of Robert McKee's famous seminars.Charlie, who rejects formulaic script writing, wants to ensure that his script is a faithful adaptation of The Orchid Thief. However, he comes to realize that the book does not have a usable narrative and that it is impossible to turn into a film, leaving him with a serious case of writer's block. Already well over his deadline with Columbia Pictures, and despairing at writing his script with self-reference, Charlie travels to New York to discuss the screenplay with Orlean directly. Unable to face her and with the surprising news that Donald's spec script for a clichÃ©d psychological thriller, called The 3, is selling for six or seven figures, Kaufman resorts to attending McKee's seminar in New York and asks him for advice. Charlie ends up asking Donald to join him in New York to assist with the story structure.Donald pretends to be Charlie and interviews Orlean, but is suspicious of her account of the events of her book because she acts as though she is lying. He and his brother Charlie follow Orlean to Florida where she meets Laroche, the orchid-stealing protagonist of Orlean's book and her secret lover. It is revealed that the Seminole wanted the ghost orchid in order to manufacture a drug that causes fascination; Laroche introduces this drug to Orlean. After Laroche and Orlean catch Charlie observing them taking the drug and having sex, she decides that Charlie must die.Orlean forces Charlie at gunpoint to drive to the swamp, where she intends to kill him. Charlie and Donald escape and hide in the swamp, where they resolve their differences and Charlie's problems with women. Laroche accidentally shoots Donald. Fleeing, Charlie and Donald drive off but crash into a ranger's truck; Donald dies in the accident. Charlie runs off into the swamp to hide but is spotted by Laroche. However, Laroche is killed by an alligator before being able to kill Charlie.Orlean is arrested. Charlie makes up with his mother, tells his former love interest Amelia that he is still in love with her, and finishes the script. It ends with Charlie in a voice-over announcing the script is finished and that he wants GÃ©rard Depardieu to portray him in the film.
Output: Question: Charlie's script is an adaptation of what book?, Answer: The Orchid Thief
The self-loathing Charlie Kaufman is hired to write the screenplay for The Orchid Thief. Kaufman is going through depression and is not happy that his twin brother, Donald, has moved into his house and is taking advantage of him. Donald decides to become a screenwriter like Charlie and attends one of Robert McKee's famous seminars.Charlie, who rejects formulaic script writing, wants to ensure that his script is a faithful adaptation of The Orchid Thief. However, he comes to realize that the book does not have a usable narrative and that it is impossible to turn into a film, leaving him with a serious case of writer's block. Already well over his deadline with Columbia Pictures, and despairing at writing his script with self-reference, Charlie travels to New York to discuss the screenplay with Orlean directly. Unable to face her and with the surprising news that Donald's spec script for a clichÃ©d psychological thriller, called The 3, is selling for six or seven figures, Kaufman resorts to attending McKee's seminar in New York and asks him for advice. Charlie ends up asking Donald to join him in New York to assist with the story structure.Donald pretends to be Charlie and interviews Orlean, but is suspicious of her account of the events of her book because she acts as though she is lying. He and his brother Charlie follow Orlean to Florida where she meets Laroche, the orchid-stealing protagonist of Orlean's book and her secret lover. It is revealed that the Seminole wanted the ghost orchid in order to manufacture a drug that causes fascination; Laroche introduces this drug to Orlean. After Laroche and Orlean catch Charlie observing them taking the drug and having sex, she decides that Charlie must die.Orlean forces Charlie at gunpoint to drive to the swamp, where she intends to kill him. Charlie and Donald escape and hide in the swamp, where they resolve their differences and Charlie's problems with women. Laroche accidentally shoots Donald. Fleeing, Charlie and Donald drive off but crash into a ranger's truck; Donald dies in the accident. Charlie runs off into the swamp to hide but is spotted by Laroche. However, Laroche is killed by an alligator before being able to kill Charlie.Orlean is arrested. Charlie makes up with his mother, tells his former love interest Amelia that he is still in love with her, and finishes the script. It ends with Charlie in a voice-over announcing the script is finished and that he wants GÃ©rard Depardieu to portray him in the film.
Output: Question: What is not usable to turn the book into a film?, Answer: narrative
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Where is Frank trying to travel to to escape the police?, Answer: Mexico
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Who plays the part of Frank Webster?, Answer: John Ireland
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: What is the name of the undercover police officer?, Answer: Not named in the summary
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: What was Frank convicted for?, Answer: Frank wasn't convicted, he was charged with murder he did not commit.
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Where are the Race Wars held?, Answer: Cross Border, US and Mexico
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Who is Mia to Dom?, Answer: <No Answer>
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: What kind of car does Dom have?, Answer: <No Answer>
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: What kind of competition are Frank and Connie using as a cover to escape?, Answer: cross-border sports car race
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Who shoots Jesse in a drive-by?, Answer: <No Answer>
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: What is the name of Dom's girlfriend?, Answer: <No Answer>
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Who does Frank take hostage?, Answer: Connie
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: What crime was Frank convicted of?, Answer: murder
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Dorothy Malone plays the part of whom?, Answer: Connie
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Where is Connie driving her race car to?, Answer: <No Answer>
Frank Webster (John Ireland) has broken out of jail, charged with a murder he did not commit. While on the run, and the subject of radio news reports, he becomes cornered in a small coffee shop by a zealous citizen. He commits battery to escape, and kidnaps a young woman named Connie (Dorothy Malone) as he gets away. Frank drives off with Connie in her Jaguar. But she soon proves a difficult hostage, trying to escape a few times, which leads him to treat her more roughly than they both would prefer. This mutual struggle soon leads the two to fall in love with each other. Continuing to elude police, the couple slips into a cross-border sports car race, which Frank plans to take advantage of in order to escape into Mexico. Out of sympathy for Frank and a desire to be with him, Connie informs the police of the plan so he might face trial and be acquitted, and at the last moment he, too, decides it is better to turn himself in. The film ends with his capture by police imminent.
Output: Question: Where does Frank take Connie hostage?, Answer: Mexico
Ten years of turmoil have passed since the teenage Anastasia and her family (parents, sisters and brother) were presumed to have been killed by Bolshevik revolutionaries. Does the refugee Anna who has turned up in Paris have the bearing, speech, and intimate knowledge of the imperial family that the real grand duchess would have? Or is she merely a recovering amnesiac with a striking resemblance who has been cleverly groomed by the Ã©migrÃ© General Bounine (Brynner) to stake a claim to 10 million pounds left by the Tsar in an English bank? In a series of encounters with former familiars and members of the imperial court, Anna begins to display a confidence and style that astonish her skeptical interlocutors, yet retains our sympathy by seeming more interested in recovering her own identity than the imperial bank account. In a climactic meeting with the Empress in Copenhagen, Anna and the Empress take the measure of each other, alternately projecting imperial self-possession and the anguish of family longing. Meanwhile, Bounine has become increasingly jealous of the attentions the fortune-hunting Prince Paul pays to Anna. At a grand ball at which her engagement to Paul is to be announced, the Empress has a private word with Anna/Anastasia, who subsequently elopes with Bounine.
Output: Question: Who does the Empress elope with?, Answer: Bounine.
Ten years of turmoil have passed since the teenage Anastasia and her family (parents, sisters and brother) were presumed to have been killed by Bolshevik revolutionaries. Does the refugee Anna who has turned up in Paris have the bearing, speech, and intimate knowledge of the imperial family that the real grand duchess would have? Or is she merely a recovering amnesiac with a striking resemblance who has been cleverly groomed by the Ã©migrÃ© General Bounine (Brynner) to stake a claim to 10 million pounds left by the Tsar in an English bank? In a series of encounters with former familiars and members of the imperial court, Anna begins to display a confidence and style that astonish her skeptical interlocutors, yet retains our sympathy by seeming more interested in recovering her own identity than the imperial bank account. In a climactic meeting with the Empress in Copenhagen, Anna and the Empress take the measure of each other, alternately projecting imperial self-possession and the anguish of family longing. Meanwhile, Bounine has become increasingly jealous of the attentions the fortune-hunting Prince Paul pays to Anna. At a grand ball at which her engagement to Paul is to be announced, the Empress has a private word with Anna/Anastasia, who subsequently elopes with Bounine.
Output: Question: Who does Anna meet in Copenhagen?, Answer: The Empress.
Ten years of turmoil have passed since the teenage Anastasia and her family (parents, sisters and brother) were presumed to have been killed by Bolshevik revolutionaries. Does the refugee Anna who has turned up in Paris have the bearing, speech, and intimate knowledge of the imperial family that the real grand duchess would have? Or is she merely a recovering amnesiac with a striking resemblance who has been cleverly groomed by the Ã©migrÃ© General Bounine (Brynner) to stake a claim to 10 million pounds left by the Tsar in an English bank? In a series of encounters with former familiars and members of the imperial court, Anna begins to display a confidence and style that astonish her skeptical interlocutors, yet retains our sympathy by seeming more interested in recovering her own identity than the imperial bank account. In a climactic meeting with the Empress in Copenhagen, Anna and the Empress take the measure of each other, alternately projecting imperial self-possession and the anguish of family longing. Meanwhile, Bounine has become increasingly jealous of the attentions the fortune-hunting Prince Paul pays to Anna. At a grand ball at which her engagement to Paul is to be announced, the Empress has a private word with Anna/Anastasia, who subsequently elopes with Bounine.
Output: Question: Who killed Anastasia's family?, Answer: Bolshevik revolutionaries.
Always in search of uncharted exploitation territory, Lewis turns his attention this time to the then-controversial topic of birth control. Given the nature of the film, it is surprising that it contains practically no overt sexual situations beyond a couple suggestive dissolves. One of Lewis's more multifaceted productions, The Girl, the Body, and the Pill follows the subject through multiple perspectives. We see a liberal high school teacher (Pamela Rhea) advocating for sex education as a means of promoting proper hygiene among her rapidly developing adolescent students. Her efforts to promote planned parenthood meet with fierce opposition from the schoolboard as well as the parents of several of the students. Actually, one parent in particular, the hyperprotective puritanical father (Bill Rogers) of a virginal daughter whose boyfriend wants to go all the way, is the loudest voice to oppose such education. The film additionally follows the exploits of the school's most promiscuous student, Randy (Nancy Lee Noble), and that of her considerably more promiscuous single mother (Valedia Hill).As part of her co-ed hygiene curriculum, Pamela has begun recently to encroach the subject of sex, despite lack of official backing from the schoolboard. Soon, the school principal expresses disapproval of this curriculum, forcing Pamela to continue to conduct the classes in her own home. The daughter of the chief opponent to this hygienic education meanwhile struggles with balancing her love of her boyfriend with maintaining her prudence. A lustful group of teenage boys, one of whom is currently engaging in relations with Randy, discuss their collective attraction to Pamela. Upon further investigation, Pamela becomes outraged that the local pharmacies refuse to dispense birth control to teenage girls out of principle. Randy, meanwhile, is in danger of running out of her contraceptive pills, prompting her to steal them from her mother and replace them with saccharine tablets. Lucky for her, as Randy's "boyfriend" decides to share his good fortune among his group of oversexed teenage male friends one night in the back seat of his car, in spite of Randy's resistance.While all this goes on, Rogers, who clearly states his dissatisfaction in his own marriage and frustration over the fact that their daughter was an unplanned pregnancy, sets out to gather support for his cause from some of the other parents. Of course, who does he contact first but Randy's mom. It doesn't take long before he hypocritically succumbs to the temptation of the truck-stop vixen, and carries on an affair. Confident in the effectiveness of her birth control, Valenia thinks nothing of protection during this triste until, lo and behold, she becomes pregnant. Meanwhile, Rogers' daughter stands her ground and maintains her virtue, prompting her boyfriend to hook up with Randy to satisfy his burgeoning needs. An attempt to rape Pamela, an abortion, and a series of redemption-seeking sequences closes out the film.
Output: Question: With whom does Irene have an affair?, Answer: Bill Rogers
Always in search of uncharted exploitation territory, Lewis turns his attention this time to the then-controversial topic of birth control. Given the nature of the film, it is surprising that it contains practically no overt sexual situations beyond a couple suggestive dissolves. One of Lewis's more multifaceted productions, The Girl, the Body, and the Pill follows the subject through multiple perspectives. We see a liberal high school teacher (Pamela Rhea) advocating for sex education as a means of promoting proper hygiene among her rapidly developing adolescent students. Her efforts to promote planned parenthood meet with fierce opposition from the schoolboard as well as the parents of several of the students. Actually, one parent in particular, the hyperprotective puritanical father (Bill Rogers) of a virginal daughter whose boyfriend wants to go all the way, is the loudest voice to oppose such education. The film additionally follows the exploits of the school's most promiscuous student, Randy (Nancy Lee Noble), and that of her considerably more promiscuous single mother (Valedia Hill).As part of her co-ed hygiene curriculum, Pamela has begun recently to encroach the subject of sex, despite lack of official backing from the schoolboard. Soon, the school principal expresses disapproval of this curriculum, forcing Pamela to continue to conduct the classes in her own home. The daughter of the chief opponent to this hygienic education meanwhile struggles with balancing her love of her boyfriend with maintaining her prudence. A lustful group of teenage boys, one of whom is currently engaging in relations with Randy, discuss their collective attraction to Pamela. Upon further investigation, Pamela becomes outraged that the local pharmacies refuse to dispense birth control to teenage girls out of principle. Randy, meanwhile, is in danger of running out of her contraceptive pills, prompting her to steal them from her mother and replace them with saccharine tablets. Lucky for her, as Randy's "boyfriend" decides to share his good fortune among his group of oversexed teenage male friends one night in the back seat of his car, in spite of Randy's resistance.While all this goes on, Rogers, who clearly states his dissatisfaction in his own marriage and frustration over the fact that their daughter was an unplanned pregnancy, sets out to gather support for his cause from some of the other parents. Of course, who does he contact first but Randy's mom. It doesn't take long before he hypocritically succumbs to the temptation of the truck-stop vixen, and carries on an affair. Confident in the effectiveness of her birth control, Valenia thinks nothing of protection during this triste until, lo and behold, she becomes pregnant. Meanwhile, Rogers' daughter stands her ground and maintains her virtue, prompting her boyfriend to hook up with Randy to satisfy his burgeoning needs. An attempt to rape Pamela, an abortion, and a series of redemption-seeking sequences closes out the film.
Output: Question: What did Randy steal from her mother, Irene?, Answer: Birth control tablets.
Always in search of uncharted exploitation territory, Lewis turns his attention this time to the then-controversial topic of birth control. Given the nature of the film, it is surprising that it contains practically no overt sexual situations beyond a couple suggestive dissolves. One of Lewis's more multifaceted productions, The Girl, the Body, and the Pill follows the subject through multiple perspectives. We see a liberal high school teacher (Pamela Rhea) advocating for sex education as a means of promoting proper hygiene among her rapidly developing adolescent students. Her efforts to promote planned parenthood meet with fierce opposition from the schoolboard as well as the parents of several of the students. Actually, one parent in particular, the hyperprotective puritanical father (Bill Rogers) of a virginal daughter whose boyfriend wants to go all the way, is the loudest voice to oppose such education. The film additionally follows the exploits of the school's most promiscuous student, Randy (Nancy Lee Noble), and that of her considerably more promiscuous single mother (Valedia Hill).As part of her co-ed hygiene curriculum, Pamela has begun recently to encroach the subject of sex, despite lack of official backing from the schoolboard. Soon, the school principal expresses disapproval of this curriculum, forcing Pamela to continue to conduct the classes in her own home. The daughter of the chief opponent to this hygienic education meanwhile struggles with balancing her love of her boyfriend with maintaining her prudence. A lustful group of teenage boys, one of whom is currently engaging in relations with Randy, discuss their collective attraction to Pamela. Upon further investigation, Pamela becomes outraged that the local pharmacies refuse to dispense birth control to teenage girls out of principle. Randy, meanwhile, is in danger of running out of her contraceptive pills, prompting her to steal them from her mother and replace them with saccharine tablets. Lucky for her, as Randy's "boyfriend" decides to share his good fortune among his group of oversexed teenage male friends one night in the back seat of his car, in spite of Randy's resistance.While all this goes on, Rogers, who clearly states his dissatisfaction in his own marriage and frustration over the fact that their daughter was an unplanned pregnancy, sets out to gather support for his cause from some of the other parents. Of course, who does he contact first but Randy's mom. It doesn't take long before he hypocritically succumbs to the temptation of the truck-stop vixen, and carries on an affair. Confident in the effectiveness of her birth control, Valenia thinks nothing of protection during this triste until, lo and behold, she becomes pregnant. Meanwhile, Rogers' daughter stands her ground and maintains her virtue, prompting her boyfriend to hook up with Randy to satisfy his burgeoning needs. An attempt to rape Pamela, an abortion, and a series of redemption-seeking sequences closes out the film.
Output: Question: How does Irene become pregnant?, Answer: <No Answer>
Always in search of uncharted exploitation territory, Lewis turns his attention this time to the then-controversial topic of birth control. Given the nature of the film, it is surprising that it contains practically no overt sexual situations beyond a couple suggestive dissolves. One of Lewis's more multifaceted productions, The Girl, the Body, and the Pill follows the subject through multiple perspectives. We see a liberal high school teacher (Pamela Rhea) advocating for sex education as a means of promoting proper hygiene among her rapidly developing adolescent students. Her efforts to promote planned parenthood meet with fierce opposition from the schoolboard as well as the parents of several of the students. Actually, one parent in particular, the hyperprotective puritanical father (Bill Rogers) of a virginal daughter whose boyfriend wants to go all the way, is the loudest voice to oppose such education. The film additionally follows the exploits of the school's most promiscuous student, Randy (Nancy Lee Noble), and that of her considerably more promiscuous single mother (Valedia Hill).As part of her co-ed hygiene curriculum, Pamela has begun recently to encroach the subject of sex, despite lack of official backing from the schoolboard. Soon, the school principal expresses disapproval of this curriculum, forcing Pamela to continue to conduct the classes in her own home. The daughter of the chief opponent to this hygienic education meanwhile struggles with balancing her love of her boyfriend with maintaining her prudence. A lustful group of teenage boys, one of whom is currently engaging in relations with Randy, discuss their collective attraction to Pamela. Upon further investigation, Pamela becomes outraged that the local pharmacies refuse to dispense birth control to teenage girls out of principle. Randy, meanwhile, is in danger of running out of her contraceptive pills, prompting her to steal them from her mother and replace them with saccharine tablets. Lucky for her, as Randy's "boyfriend" decides to share his good fortune among his group of oversexed teenage male friends one night in the back seat of his car, in spite of Randy's resistance.While all this goes on, Rogers, who clearly states his dissatisfaction in his own marriage and frustration over the fact that their daughter was an unplanned pregnancy, sets out to gather support for his cause from some of the other parents. Of course, who does he contact first but Randy's mom. It doesn't take long before he hypocritically succumbs to the temptation of the truck-stop vixen, and carries on an affair. Confident in the effectiveness of her birth control, Valenia thinks nothing of protection during this triste until, lo and behold, she becomes pregnant. Meanwhile, Rogers' daughter stands her ground and maintains her virtue, prompting her boyfriend to hook up with Randy to satisfy his burgeoning needs. An attempt to rape Pamela, an abortion, and a series of redemption-seeking sequences closes out the film.
Output: Question: What ends up happening with Alice and Ray?, Answer: <No Answer>
Always in search of uncharted exploitation territory, Lewis turns his attention this time to the then-controversial topic of birth control. Given the nature of the film, it is surprising that it contains practically no overt sexual situations beyond a couple suggestive dissolves. One of Lewis's more multifaceted productions, The Girl, the Body, and the Pill follows the subject through multiple perspectives. We see a liberal high school teacher (Pamela Rhea) advocating for sex education as a means of promoting proper hygiene among her rapidly developing adolescent students. Her efforts to promote planned parenthood meet with fierce opposition from the schoolboard as well as the parents of several of the students. Actually, one parent in particular, the hyperprotective puritanical father (Bill Rogers) of a virginal daughter whose boyfriend wants to go all the way, is the loudest voice to oppose such education. The film additionally follows the exploits of the school's most promiscuous student, Randy (Nancy Lee Noble), and that of her considerably more promiscuous single mother (Valedia Hill).As part of her co-ed hygiene curriculum, Pamela has begun recently to encroach the subject of sex, despite lack of official backing from the schoolboard. Soon, the school principal expresses disapproval of this curriculum, forcing Pamela to continue to conduct the classes in her own home. The daughter of the chief opponent to this hygienic education meanwhile struggles with balancing her love of her boyfriend with maintaining her prudence. A lustful group of teenage boys, one of whom is currently engaging in relations with Randy, discuss their collective attraction to Pamela. Upon further investigation, Pamela becomes outraged that the local pharmacies refuse to dispense birth control to teenage girls out of principle. Randy, meanwhile, is in danger of running out of her contraceptive pills, prompting her to steal them from her mother and replace them with saccharine tablets. Lucky for her, as Randy's "boyfriend" decides to share his good fortune among his group of oversexed teenage male friends one night in the back seat of his car, in spite of Randy's resistance.While all this goes on, Rogers, who clearly states his dissatisfaction in his own marriage and frustration over the fact that their daughter was an unplanned pregnancy, sets out to gather support for his cause from some of the other parents. Of course, who does he contact first but Randy's mom. It doesn't take long before he hypocritically succumbs to the temptation of the truck-stop vixen, and carries on an affair. Confident in the effectiveness of her birth control, Valenia thinks nothing of protection during this triste until, lo and behold, she becomes pregnant. Meanwhile, Rogers' daughter stands her ground and maintains her virtue, prompting her boyfriend to hook up with Randy to satisfy his burgeoning needs. An attempt to rape Pamela, an abortion, and a series of redemption-seeking sequences closes out the film.
Output: Question: What class is Marcia forced to abandon teaching at school, and instead begins teaching out of her home?, Answer: Sex education
Always in search of uncharted exploitation territory, Lewis turns his attention this time to the then-controversial topic of birth control. Given the nature of the film, it is surprising that it contains practically no overt sexual situations beyond a couple suggestive dissolves. One of Lewis's more multifaceted productions, The Girl, the Body, and the Pill follows the subject through multiple perspectives. We see a liberal high school teacher (Pamela Rhea) advocating for sex education as a means of promoting proper hygiene among her rapidly developing adolescent students. Her efforts to promote planned parenthood meet with fierce opposition from the schoolboard as well as the parents of several of the students. Actually, one parent in particular, the hyperprotective puritanical father (Bill Rogers) of a virginal daughter whose boyfriend wants to go all the way, is the loudest voice to oppose such education. The film additionally follows the exploits of the school's most promiscuous student, Randy (Nancy Lee Noble), and that of her considerably more promiscuous single mother (Valedia Hill).As part of her co-ed hygiene curriculum, Pamela has begun recently to encroach the subject of sex, despite lack of official backing from the schoolboard. Soon, the school principal expresses disapproval of this curriculum, forcing Pamela to continue to conduct the classes in her own home. The daughter of the chief opponent to this hygienic education meanwhile struggles with balancing her love of her boyfriend with maintaining her prudence. A lustful group of teenage boys, one of whom is currently engaging in relations with Randy, discuss their collective attraction to Pamela. Upon further investigation, Pamela becomes outraged that the local pharmacies refuse to dispense birth control to teenage girls out of principle. Randy, meanwhile, is in danger of running out of her contraceptive pills, prompting her to steal them from her mother and replace them with saccharine tablets. Lucky for her, as Randy's "boyfriend" decides to share his good fortune among his group of oversexed teenage male friends one night in the back seat of his car, in spite of Randy's resistance.While all this goes on, Rogers, who clearly states his dissatisfaction in his own marriage and frustration over the fact that their daughter was an unplanned pregnancy, sets out to gather support for his cause from some of the other parents. Of course, who does he contact first but Randy's mom. It doesn't take long before he hypocritically succumbs to the temptation of the truck-stop vixen, and carries on an affair. Confident in the effectiveness of her birth control, Valenia thinks nothing of protection during this triste until, lo and behold, she becomes pregnant. Meanwhile, Rogers' daughter stands her ground and maintains her virtue, prompting her boyfriend to hook up with Randy to satisfy his burgeoning needs. An attempt to rape Pamela, an abortion, and a series of redemption-seeking sequences closes out the film.
Output: Question: Why was Marcia fired from her job?, Answer: <No Answer>
Always in search of uncharted exploitation territory, Lewis turns his attention this time to the then-controversial topic of birth control. Given the nature of the film, it is surprising that it contains practically no overt sexual situations beyond a couple suggestive dissolves. One of Lewis's more multifaceted productions, The Girl, the Body, and the Pill follows the subject through multiple perspectives. We see a liberal high school teacher (Pamela Rhea) advocating for sex education as a means of promoting proper hygiene among her rapidly developing adolescent students. Her efforts to promote planned parenthood meet with fierce opposition from the schoolboard as well as the parents of several of the students. Actually, one parent in particular, the hyperprotective puritanical father (Bill Rogers) of a virginal daughter whose boyfriend wants to go all the way, is the loudest voice to oppose such education. The film additionally follows the exploits of the school's most promiscuous student, Randy (Nancy Lee Noble), and that of her considerably more promiscuous single mother (Valedia Hill).As part of her co-ed hygiene curriculum, Pamela has begun recently to encroach the subject of sex, despite lack of official backing from the schoolboard. Soon, the school principal expresses disapproval of this curriculum, forcing Pamela to continue to conduct the classes in her own home. The daughter of the chief opponent to this hygienic education meanwhile struggles with balancing her love of her boyfriend with maintaining her prudence. A lustful group of teenage boys, one of whom is currently engaging in relations with Randy, discuss their collective attraction to Pamela. Upon further investigation, Pamela becomes outraged that the local pharmacies refuse to dispense birth control to teenage girls out of principle. Randy, meanwhile, is in danger of running out of her contraceptive pills, prompting her to steal them from her mother and replace them with saccharine tablets. Lucky for her, as Randy's "boyfriend" decides to share his good fortune among his group of oversexed teenage male friends one night in the back seat of his car, in spite of Randy's resistance.While all this goes on, Rogers, who clearly states his dissatisfaction in his own marriage and frustration over the fact that their daughter was an unplanned pregnancy, sets out to gather support for his cause from some of the other parents. Of course, who does he contact first but Randy's mom. It doesn't take long before he hypocritically succumbs to the temptation of the truck-stop vixen, and carries on an affair. Confident in the effectiveness of her birth control, Valenia thinks nothing of protection during this triste until, lo and behold, she becomes pregnant. Meanwhile, Rogers' daughter stands her ground and maintains her virtue, prompting her boyfriend to hook up with Randy to satisfy his burgeoning needs. An attempt to rape Pamela, an abortion, and a series of redemption-seeking sequences closes out the film.
Output: Question: Which girl does Ray end up with at the movie's end?, Answer: Randy