niryuu/sni-each-converted huggingface dataset:
Slicker Smith and Herbie Brown (Bud Abbott and Lou Costello) are sidewalk peddlers who hawk neckties out of a suitcase. They are chased by a cop and duck into a movie theater, not realizing that it is now being used as an Army Recruitment Center. Believing that they are signing up for theater prizes, they end up enlisting instead.Meanwhile, spoiled and wealthy playboy Randolph Parker (Lee Bowman) and his long-suffering valet, Bob Martin (Alan Curtis), are also enlisting together at the old theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate with the introduction of Judy Gray (Jane Frazee), a camp hostess and friend of Bob's upon whom Randolph sets his sights.At boot camp, Slicker and Herbie are mortified to discover that the policeman who chased them is now their drill sergeant (!). Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the U.S. Army will do Randolph some good. Life at camp is not so bad, since the Andrews Sisters appear at regular intervals to sing patriotic or sentimental tunes, and Herbie continues to screw up during training with little consequence.A few days later, Randolph decides to skip an army shooting match (that his company eventually loses) to meet with Judy, which causes the rest of his company to resent him. But during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the exercise for his company. He is finally accepted by his unit, and wins Bob's and Judy's admiration in the process. Randolph soon learns that he's been accepted to Officer Training School, but initially refuses thinking that his father's political influence was responsible. However, his commanding officer assures him that his training record (along with recommendations from others in his class) factored in the decision. Randolph later finds out that Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them as a hostess at the OTS training facility.
Output: Question: What is the movie theatre being used as?, Answer: An army recruitment center
Slicker Smith and Herbie Brown (Bud Abbott and Lou Costello) are sidewalk peddlers who hawk neckties out of a suitcase. They are chased by a cop and duck into a movie theater, not realizing that it is now being used as an Army Recruitment Center. Believing that they are signing up for theater prizes, they end up enlisting instead.Meanwhile, spoiled and wealthy playboy Randolph Parker (Lee Bowman) and his long-suffering valet, Bob Martin (Alan Curtis), are also enlisting together at the old theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate with the introduction of Judy Gray (Jane Frazee), a camp hostess and friend of Bob's upon whom Randolph sets his sights.At boot camp, Slicker and Herbie are mortified to discover that the policeman who chased them is now their drill sergeant (!). Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the U.S. Army will do Randolph some good. Life at camp is not so bad, since the Andrews Sisters appear at regular intervals to sing patriotic or sentimental tunes, and Herbie continues to screw up during training with little consequence.A few days later, Randolph decides to skip an army shooting match (that his company eventually loses) to meet with Judy, which causes the rest of his company to resent him. But during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the exercise for his company. He is finally accepted by his unit, and wins Bob's and Judy's admiration in the process. Randolph soon learns that he's been accepted to Officer Training School, but initially refuses thinking that his father's political influence was responsible. However, his commanding officer assures him that his training record (along with recommendations from others in his class) factored in the decision. Randolph later finds out that Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them as a hostess at the OTS training facility.
Output: Question: Where do Bob, Judy, and Randolph end up?, Answer: Officer Training School
Slicker Smith and Herbie Brown (Bud Abbott and Lou Costello) are sidewalk peddlers who hawk neckties out of a suitcase. They are chased by a cop and duck into a movie theater, not realizing that it is now being used as an Army Recruitment Center. Believing that they are signing up for theater prizes, they end up enlisting instead.Meanwhile, spoiled and wealthy playboy Randolph Parker (Lee Bowman) and his long-suffering valet, Bob Martin (Alan Curtis), are also enlisting together at the old theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate with the introduction of Judy Gray (Jane Frazee), a camp hostess and friend of Bob's upon whom Randolph sets his sights.At boot camp, Slicker and Herbie are mortified to discover that the policeman who chased them is now their drill sergeant (!). Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the U.S. Army will do Randolph some good. Life at camp is not so bad, since the Andrews Sisters appear at regular intervals to sing patriotic or sentimental tunes, and Herbie continues to screw up during training with little consequence.A few days later, Randolph decides to skip an army shooting match (that his company eventually loses) to meet with Judy, which causes the rest of his company to resent him. But during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the exercise for his company. He is finally accepted by his unit, and wins Bob's and Judy's admiration in the process. Randolph soon learns that he's been accepted to Officer Training School, but initially refuses thinking that his father's political influence was responsible. However, his commanding officer assures him that his training record (along with recommendations from others in his class) factored in the decision. Randolph later finds out that Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them as a hostess at the OTS training facility.
Output: Question: Who play Slicker Smith and Herbie Brown?, Answer: Bud Abbott and Lou Costello
Slicker Smith and Herbie Brown (Bud Abbott and Lou Costello) are sidewalk peddlers who hawk neckties out of a suitcase. They are chased by a cop and duck into a movie theater, not realizing that it is now being used as an Army Recruitment Center. Believing that they are signing up for theater prizes, they end up enlisting instead.Meanwhile, spoiled and wealthy playboy Randolph Parker (Lee Bowman) and his long-suffering valet, Bob Martin (Alan Curtis), are also enlisting together at the old theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate with the introduction of Judy Gray (Jane Frazee), a camp hostess and friend of Bob's upon whom Randolph sets his sights.At boot camp, Slicker and Herbie are mortified to discover that the policeman who chased them is now their drill sergeant (!). Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the U.S. Army will do Randolph some good. Life at camp is not so bad, since the Andrews Sisters appear at regular intervals to sing patriotic or sentimental tunes, and Herbie continues to screw up during training with little consequence.A few days later, Randolph decides to skip an army shooting match (that his company eventually loses) to meet with Judy, which causes the rest of his company to resent him. But during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the exercise for his company. He is finally accepted by his unit, and wins Bob's and Judy's admiration in the process. Randolph soon learns that he's been accepted to Officer Training School, but initially refuses thinking that his father's political influence was responsible. However, his commanding officer assures him that his training record (along with recommendations from others in his class) factored in the decision. Randolph later finds out that Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them as a hostess at the OTS training facility.
Output: Question: What group sings at camp?, Answer: The Andrews Sisters
Slicker Smith and Herbie Brown (Bud Abbott and Lou Costello) are sidewalk peddlers who hawk neckties out of a suitcase. They are chased by a cop and duck into a movie theater, not realizing that it is now being used as an Army Recruitment Center. Believing that they are signing up for theater prizes, they end up enlisting instead.Meanwhile, spoiled and wealthy playboy Randolph Parker (Lee Bowman) and his long-suffering valet, Bob Martin (Alan Curtis), are also enlisting together at the old theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate with the introduction of Judy Gray (Jane Frazee), a camp hostess and friend of Bob's upon whom Randolph sets his sights.At boot camp, Slicker and Herbie are mortified to discover that the policeman who chased them is now their drill sergeant (!). Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the U.S. Army will do Randolph some good. Life at camp is not so bad, since the Andrews Sisters appear at regular intervals to sing patriotic or sentimental tunes, and Herbie continues to screw up during training with little consequence.A few days later, Randolph decides to skip an army shooting match (that his company eventually loses) to meet with Judy, which causes the rest of his company to resent him. But during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the exercise for his company. He is finally accepted by his unit, and wins Bob's and Judy's admiration in the process. Randolph soon learns that he's been accepted to Officer Training School, but initially refuses thinking that his father's political influence was responsible. However, his commanding officer assures him that his training record (along with recommendations from others in his class) factored in the decision. Randolph later finds out that Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them as a hostess at the OTS training facility.
Output: Question: Who does Randolph think will help him to avoid being enlisted?, Answer: His dad
Slicker Smith and Herbie Brown (Bud Abbott and Lou Costello) are sidewalk peddlers who hawk neckties out of a suitcase. They are chased by a cop and duck into a movie theater, not realizing that it is now being used as an Army Recruitment Center. Believing that they are signing up for theater prizes, they end up enlisting instead.Meanwhile, spoiled and wealthy playboy Randolph Parker (Lee Bowman) and his long-suffering valet, Bob Martin (Alan Curtis), are also enlisting together at the old theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate with the introduction of Judy Gray (Jane Frazee), a camp hostess and friend of Bob's upon whom Randolph sets his sights.At boot camp, Slicker and Herbie are mortified to discover that the policeman who chased them is now their drill sergeant (!). Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the U.S. Army will do Randolph some good. Life at camp is not so bad, since the Andrews Sisters appear at regular intervals to sing patriotic or sentimental tunes, and Herbie continues to screw up during training with little consequence.A few days later, Randolph decides to skip an army shooting match (that his company eventually loses) to meet with Judy, which causes the rest of his company to resent him. But during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the exercise for his company. He is finally accepted by his unit, and wins Bob's and Judy's admiration in the process. Randolph soon learns that he's been accepted to Officer Training School, but initially refuses thinking that his father's political influence was responsible. However, his commanding officer assures him that his training record (along with recommendations from others in his class) factored in the decision. Randolph later finds out that Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them as a hostess at the OTS training facility.
Output: Question: Where did they enlist?, Answer: movie theater
Slicker Smith and Herbie Brown (Bud Abbott and Lou Costello) are sidewalk peddlers who hawk neckties out of a suitcase. They are chased by a cop and duck into a movie theater, not realizing that it is now being used as an Army Recruitment Center. Believing that they are signing up for theater prizes, they end up enlisting instead.Meanwhile, spoiled and wealthy playboy Randolph Parker (Lee Bowman) and his long-suffering valet, Bob Martin (Alan Curtis), are also enlisting together at the old theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate with the introduction of Judy Gray (Jane Frazee), a camp hostess and friend of Bob's upon whom Randolph sets his sights.At boot camp, Slicker and Herbie are mortified to discover that the policeman who chased them is now their drill sergeant (!). Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the U.S. Army will do Randolph some good. Life at camp is not so bad, since the Andrews Sisters appear at regular intervals to sing patriotic or sentimental tunes, and Herbie continues to screw up during training with little consequence.A few days later, Randolph decides to skip an army shooting match (that his company eventually loses) to meet with Judy, which causes the rest of his company to resent him. But during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the exercise for his company. He is finally accepted by his unit, and wins Bob's and Judy's admiration in the process. Randolph soon learns that he's been accepted to Officer Training School, but initially refuses thinking that his father's political influence was responsible. However, his commanding officer assures him that his training record (along with recommendations from others in his class) factored in the decision. Randolph later finds out that Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them as a hostess at the OTS training facility.
Output: Question: Who is the camp hostess?, Answer: Judy
Slicker Smith and Herbie Brown (Bud Abbott and Lou Costello) are sidewalk peddlers who hawk neckties out of a suitcase. They are chased by a cop and duck into a movie theater, not realizing that it is now being used as an Army Recruitment Center. Believing that they are signing up for theater prizes, they end up enlisting instead.Meanwhile, spoiled and wealthy playboy Randolph Parker (Lee Bowman) and his long-suffering valet, Bob Martin (Alan Curtis), are also enlisting together at the old theater. Randolph expects his influential father to pull some strings so he can avoid military service. Bob, on the other hand, takes his military obligations in stride. Tensions between the two men escalate with the introduction of Judy Gray (Jane Frazee), a camp hostess and friend of Bob's upon whom Randolph sets his sights.At boot camp, Slicker and Herbie are mortified to discover that the policeman who chased them is now their drill sergeant (!). Randolph, meanwhile, learns that his father will not use his influence on his behalf, believing that a year in the U.S. Army will do Randolph some good. Life at camp is not so bad, since the Andrews Sisters appear at regular intervals to sing patriotic or sentimental tunes, and Herbie continues to screw up during training with little consequence.A few days later, Randolph decides to skip an army shooting match (that his company eventually loses) to meet with Judy, which causes the rest of his company to resent him. But during a war game exercise, Randolph redeems himself by saving Bob and coming up with a ruse to win the exercise for his company. He is finally accepted by his unit, and wins Bob's and Judy's admiration in the process. Randolph soon learns that he's been accepted to Officer Training School, but initially refuses thinking that his father's political influence was responsible. However, his commanding officer assures him that his training record (along with recommendations from others in his class) factored in the decision. Randolph later finds out that Bob has also been offered an appointment to OTS, and Judy announces that she will be joining them as a hostess at the OTS training facility.
Output: Question: Who gets accepted to Officer Training School?, Answer: Randolph
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: What kind of medal was Eddie awarded?, Answer: Silver Star
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: What is wrong with Eddie that he does not know who he is?, Answer: Amnesia
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: Who is eddie confronted by?, Answer: Police Lieutenant Joe Williams
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: Where has Eddie been all this time?, Answer: War
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: Who makes Eddie want to clear his name?, Answer: Old flame, Nina Martin
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: What did Eddie make his partner take the rap for?, Answer: Heist
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: What was he awarded?, Answer: Silver-star
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: Where does Eddie go to find out about his past?, Answer: previous address in Los Angeles
After his release from the war amnesiac and Silver-star awarded Eddie Rice (John Payne) returns to his last address Los Angeles to find out more about his past. No sooner does he hit town he is confronted by Police Lieutenant Joe Williams (Rhys Williams) who tells Eddie he is none other than Eddie Riccardi, a local gangster who disappeared for several years after leaving his old partner Vince Alexander (Sonny Tufts) to take the rap for a big heist. This is news to Eddie who seems anything but a ruthless gangster, and when old flame Nina Martin (Ellen Drew) enters the scene to reconnect with Eddie he is determined to remember all his past history and clear his name if possible. Vince has other ideas and takes steps to implicate Eddie in a killing, and in a final fatal climax the truth is uncovered and Eddie realizes his destiny.
Output: Question: Who does the policeman say Eddie is really?, Answer: Gangster
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: Who desires to kill Nicola?, Answer: A mysterious drifter
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: What is the name of the samurai?, Answer: Yoshi
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: Who is Nicola's right hand man?, Answer: Killer #2
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: What does Yoshi want to retrieve from Nicola's clan?, Answer: His talisman
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: What does Yoshi wants from Nicola?, Answer: A Talisman
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: Who enters the bar?, Answer: A samurai named Yoshi
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: Who is the most powerful man east of the Atlantic?, Answer: Nicola
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: Who is the crime boss?, Answer: Nicola
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: What weapons are banned?, Answer: Guns
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.
Output: Question: What is the name of the bar where the samurai and drifter meet?, Answer: Horseless Horseman Saloon
A comedy centering the lies and their following consequences of the duo (Ajmal Amir & Rupa Manjari) in shooting an ad for a baby product. Ajmal plays the role of an erratic, lazy and carefree lad working with Rupa Manjari, who has the exactly contrasting attributes, in an ad film making company run by Mouli. Mouli plays the role of a forgetful boss, who looks upon his employees with kindness and affection. When Mouli, at a stage, is forced to keep his house on mortgage for the further progress of the firm, Ajmal comes to his aid and promises to do his best for his boss. But, prone to carelessness, Ajmal messes up during the presentation in front of the delegates of the baby product company. Mouli still manages to keep the deal in hand and hands over the project to Ajmal and Rupa Manjari. The plot rolls over with the kidnap of the baby playing the lead role in the ad, and the duo playing the detective to save the baby and the name of their boss. The duo are haled to fill in the gaps with lies before they revive the baby to complete the film, not only for their sake, but also for the honor of their beloved boss.
Output: Question: Who messes up the presentation in front of the delegates of the baby product company?, Answer: Ajmal
A comedy centering the lies and their following consequences of the duo (Ajmal Amir & Rupa Manjari) in shooting an ad for a baby product. Ajmal plays the role of an erratic, lazy and carefree lad working with Rupa Manjari, who has the exactly contrasting attributes, in an ad film making company run by Mouli. Mouli plays the role of a forgetful boss, who looks upon his employees with kindness and affection. When Mouli, at a stage, is forced to keep his house on mortgage for the further progress of the firm, Ajmal comes to his aid and promises to do his best for his boss. But, prone to carelessness, Ajmal messes up during the presentation in front of the delegates of the baby product company. Mouli still manages to keep the deal in hand and hands over the project to Ajmal and Rupa Manjari. The plot rolls over with the kidnap of the baby playing the lead role in the ad, and the duo playing the detective to save the baby and the name of their boss. The duo are haled to fill in the gaps with lies before they revive the baby to complete the film, not only for their sake, but also for the honor of their beloved boss.
Output: Question: What type of ad are they shooting?, Answer: A baby product
A comedy centering the lies and their following consequences of the duo (Ajmal Amir & Rupa Manjari) in shooting an ad for a baby product. Ajmal plays the role of an erratic, lazy and carefree lad working with Rupa Manjari, who has the exactly contrasting attributes, in an ad film making company run by Mouli. Mouli plays the role of a forgetful boss, who looks upon his employees with kindness and affection. When Mouli, at a stage, is forced to keep his house on mortgage for the further progress of the firm, Ajmal comes to his aid and promises to do his best for his boss. But, prone to carelessness, Ajmal messes up during the presentation in front of the delegates of the baby product company. Mouli still manages to keep the deal in hand and hands over the project to Ajmal and Rupa Manjari. The plot rolls over with the kidnap of the baby playing the lead role in the ad, and the duo playing the detective to save the baby and the name of their boss. The duo are haled to fill in the gaps with lies before they revive the baby to complete the film, not only for their sake, but also for the honor of their beloved boss.
Output: Question: Who is the boss?, Answer: Mouli