niryuu/sni-each-converted huggingface dataset:
The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]
Output: Question: What form do the six stories take the form of ?, Answer: Interweaving documentary segments.
The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]
Output: Question: What was wrong with the Arctic?, Answer: It was ice-free
The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]
Output: Question: What city is flooded?, Answer: London
The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]
Output: Question: What year does the film begin?, Answer: 2055
The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]
Output: Question: In what year does the film take place?, Answer: 2055
The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]
Output: Question: What does he alight on ?, Answer: The stories of six individuals.
The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]
Output: Question: What was the world ravaged by?, Answer: Climate change
The film begins in the year 2055, in a world ravaged by catastrophic climate change; London is flooded, Sydney is burning, Las Vegas has been swallowed up by desert, the Amazon rainforest has burnt up, snow has vanished from the Alps, and nuclear war has laid waste to India. An unnamed archivist (Pete Postlethwaite) is entrusted with the safekeeping of humanity's surviving store of art and knowledge. Alone in his vast repository off the coast of the largely ice-free Arctic, he reviews archival footage from back "when we could have saved ourselves", trying to discern where it all went wrong.Amid news reports of the gathering effects of climate change and global civilization teetering towards destruction, he alights on six stories of individuals whose lives in the early years of the 21st century seem to illustrate aspects of the impending catastrophe. These six stories take the form of interweaving documentary segments that report on the lives of real people around the year 2008 and switch the film's narrative form from fiction to fact. In addition to the framing narrative in 2055, the news clips and the documentary footage of the six personal stories, the films includes animated segments and brief interviews with Mark Lynas and George Monbiot, created for the film.[citation needed]
Output: Question: Why does the archivist watch footage of?, Answer: To decent where it all went wrong
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: What do Doug and Lois do after she say this?, Answer: They agree that she is not their daughter and return home.
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: When was their daughter Emily killed?, Answer: Eight years before.
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: Doug is always with his wife Lois?, Answer: Doug has been having an affair with a waitress named Vivian.
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: What is the name of Doug Riley's wife?, Answer: Her name is Lois
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: Who is mallory?, Answer: A 16 year old lap-dancer who invited Doug for extra services in a private room.
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: While in Las Vegas Mallory calls Doug and he states?, Answer: "We are here and you can always call us."
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: What does Mallory tell Doug and Louis after her arrest?, Answer: that she is "..not somebodys little girl. It's too late for that."
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: What is the name of the woman that Doug is having an affair with?, Answer: Vivian
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: Who does Doug move in with after Vivian' death?, Answer: Mallory
Doug Riley and his wife Lois have been living a half life since their daughter Emily was killed eight years ago. Doug has been having an affair with a waitress named Vivian. Lois has struggled for years, harboring a secret and devastating sense of guilt for her daughter's death. She's withdrawn herself and hidden away from the outside world, relying on hairdressers who make house calls, her sister Harriet and a local pastor.After Vivian dies, Doug is lost. On a business trip to New Orleans he finds himself standing at a crossroads. Later in a strip club, a 16 year old lap-dancer named Mallory invites Doug for extra services in a private room. He turns her offer of sex down but ends up driving her home to a run down apartment. Doug makes his own proposition to offer her $100 a day for staying at her place in order to get his head together. No sex. No strings. Mallory agrees.Doug calls Lois and tells her that he cannot come home. Then he and Mallory settle into a certain kind of domesticity even though Mallory is always wandering around naked and offering sex.Helpless on her own, Lois, who was previously unable to make it 20 yards to the mailbox, realizes that she must take action to save her marriage. For the first time in 8 years, she manages to reach her car and starts heading south, after a couple failed attempts.Back in Louisiana, Doug has tidied Mallory's apartment and begins trying to clean up her life.Lois, with a paper bag ready in hand in case of hyperventilation, finally arrives in New Orleans and is shocked to find her husband living with a foul-mouthed under-aged hooker. After notiing the similarity between her daughter and Mallory, Lois decides to stay in the apartment as well. The three of them form an unusual family relationship.Mallory balks when Lois tries to dissuade her from turning tricks and dancing, and they have a small row, whereupon Mallory runs off, presumably to work. She is subsequently arrested, and calls Doug. Doug and Lois pick Mallory up, but while driving back to the apartment, Mallory runs from the car. She explains when she turns back for a moment that she's "...not somebody's little girl. It's too late for that", and darts off into the darkness of the streets.Doug and Lois realize that she not only isn't their daughter, she can never be, and they return to Indianapolis.Several weeks later, Mallory calls Doug, and tells him she's on her way to Las Vegas. He tells her that he and Lois are there, and will be there, whenever she wants to call.
Output: Question: What was Doug and Lois' daughters name?, Answer: Emily
Two robots, Hero #1 (Peter Hurteau) and Hero #2 (Michael Reich) drive through a small mid-American town populated by similar robots. Hero #1 and Hero #2 arrive at a laboratory and are given latex human-like faces with prosthetic features.Hero #1 and Hero #2 return to the town, but are chased out by the robotic locals, and their faces melt off in the intense heat. Hero #1 and Hero #2 escape on foot across the desert.After a long period of travelling Hero #1 reveals a panel on his back and asks Hero #2 to activate it. Hero #1 explodes, leaving Hero #2 alone in the desert. After more travelling, Hero #2 takes his helmet off to reveal a circuit board face. Hero #2 then smashes his helmet, and uses a shard of glass to focus the light from the sun onto his hand, which combusts, the fire eventually engulfing him.
Output: Question: What happens to Hero 1 ?, Answer: He explodes.
Two robots, Hero #1 (Peter Hurteau) and Hero #2 (Michael Reich) drive through a small mid-American town populated by similar robots. Hero #1 and Hero #2 arrive at a laboratory and are given latex human-like faces with prosthetic features.Hero #1 and Hero #2 return to the town, but are chased out by the robotic locals, and their faces melt off in the intense heat. Hero #1 and Hero #2 escape on foot across the desert.After a long period of travelling Hero #1 reveals a panel on his back and asks Hero #2 to activate it. Hero #1 explodes, leaving Hero #2 alone in the desert. After more travelling, Hero #2 takes his helmet off to reveal a circuit board face. Hero #2 then smashes his helmet, and uses a shard of glass to focus the light from the sun onto his hand, which combusts, the fire eventually engulfing him.
Output: Question: Who chased Hero #1 and #2 out of town?, Answer: robotic locals
Two robots, Hero #1 (Peter Hurteau) and Hero #2 (Michael Reich) drive through a small mid-American town populated by similar robots. Hero #1 and Hero #2 arrive at a laboratory and are given latex human-like faces with prosthetic features.Hero #1 and Hero #2 return to the town, but are chased out by the robotic locals, and their faces melt off in the intense heat. Hero #1 and Hero #2 escape on foot across the desert.After a long period of travelling Hero #1 reveals a panel on his back and asks Hero #2 to activate it. Hero #1 explodes, leaving Hero #2 alone in the desert. After more travelling, Hero #2 takes his helmet off to reveal a circuit board face. Hero #2 then smashes his helmet, and uses a shard of glass to focus the light from the sun onto his hand, which combusts, the fire eventually engulfing him.
Output: Question: How any robots are there?, Answer: Two
Two robots, Hero #1 (Peter Hurteau) and Hero #2 (Michael Reich) drive through a small mid-American town populated by similar robots. Hero #1 and Hero #2 arrive at a laboratory and are given latex human-like faces with prosthetic features.Hero #1 and Hero #2 return to the town, but are chased out by the robotic locals, and their faces melt off in the intense heat. Hero #1 and Hero #2 escape on foot across the desert.After a long period of travelling Hero #1 reveals a panel on his back and asks Hero #2 to activate it. Hero #1 explodes, leaving Hero #2 alone in the desert. After more travelling, Hero #2 takes his helmet off to reveal a circuit board face. Hero #2 then smashes his helmet, and uses a shard of glass to focus the light from the sun onto his hand, which combusts, the fire eventually engulfing him.
Output: Question: Where is Hero one's panel ?, Answer: On his back.
Seven friends from Sacramento California all decide to go on a documented trip to Las Vegas. All seems fun until they hit a detour/road block. A couple hours of lost driving later, both of the back tires on the truck are blown out! After some moments of confusion and arguing, the gang comes up with the plan that all the girls will stay inside the truck while all the guys walk down the road to find HELP. A couple miles down the road, the guys find a little gas station Diner/Motel, run by the most friendly, polite and "helpful" people. The guys think they're in luck when they're offered HELP by the super friendly gas station attendant, who just happens to be great with cars. It appears that their problems are solved, but boy are they wrong! When convinced by "The Helpers" to stay overnight, the friends all wake up in their rooms to a new kind of gruesome and bloody terror!
Output: Question: How many friends decide to go on a documented trip to Las Vegas?, Answer: Seven
Seven friends from Sacramento California all decide to go on a documented trip to Las Vegas. All seems fun until they hit a detour/road block. A couple hours of lost driving later, both of the back tires on the truck are blown out! After some moments of confusion and arguing, the gang comes up with the plan that all the girls will stay inside the truck while all the guys walk down the road to find HELP. A couple miles down the road, the guys find a little gas station Diner/Motel, run by the most friendly, polite and "helpful" people. The guys think they're in luck when they're offered HELP by the super friendly gas station attendant, who just happens to be great with cars. It appears that their problems are solved, but boy are they wrong! When convinced by "The Helpers" to stay overnight, the friends all wake up in their rooms to a new kind of gruesome and bloody terror!
Output: Question: What happens to the truck?, Answer: back tires are blown out
Seven friends from Sacramento California all decide to go on a documented trip to Las Vegas. All seems fun until they hit a detour/road block. A couple hours of lost driving later, both of the back tires on the truck are blown out! After some moments of confusion and arguing, the gang comes up with the plan that all the girls will stay inside the truck while all the guys walk down the road to find HELP. A couple miles down the road, the guys find a little gas station Diner/Motel, run by the most friendly, polite and "helpful" people. The guys think they're in luck when they're offered HELP by the super friendly gas station attendant, who just happens to be great with cars. It appears that their problems are solved, but boy are they wrong! When convinced by "The Helpers" to stay overnight, the friends all wake up in their rooms to a new kind of gruesome and bloody terror!
Output: Question: What is the gas station attendant great with?, Answer: Cars
The plot concerns Maurice (Peter O'Toole), an elderly actor who finds himself increasingly attracted to his friend Ian's great-niece Jessie (Jodie Whittaker) while simultaneously finding himself in deteriorating health due to prostate cancer. Maurice's friend describes the great-niece as a trouble maker and a nuisance, but Maurice discovers that Jessie warms up to him when he starts interacting with her. He takes her to the National Gallery in London, England to view his favourite painting, the Rokeby Venus, by the Spanish artist Diego Velázquez.Jessie had expressed interest in modelling (Maurice initially mis-hears this as "yodelling") and Maurice arranges for Jessie to model nude for an art class. As a result of Jessie posing for the art class, and inspired by his favourite painting, Maurice decides to give Jessie the nickname "Venus". Maurice and Jessie develop a passive/aggressive relationship over the course of the film. Maurice is forward in terms of his attraction towards Jessie while Jessie occasionally indulges his whims to a limited extent, such as touching her hand and smelling her neck, but also retracts the indulgences when she feels that he has gone too far. The plot of the film revolves around the evolving friendship or relationship between the two characters. For Maurice, this appears to be the last attempt at something approaching a love life, as his prostate operation has left him impotent. For Jessie, it is less clear what she sees in Maurice. During the course of the film we see her do everything from exploiting him (trying to get him to buy her presents, trying to use his flat to have sex with a boy), taking care of him, flirting with him, and rejecting him sexually to engaging with him as a friend. During the course of the film we learn that she has been rejected by her mother and great-uncle for her promiscuous life style; it is implied that she is drawn to Maurice because he does not judge her as harshly as her family members have.The plot comes to a head when Jessie becomes involved with a boy. The two young lovers convince Maurice to take a walk so that they can have sex. Maurice initially obliges the request, but returns to kick them out of his flat. A scuffle ensues and Jessie knocks down Maurice, injuring him. Jessie leaves with the boy and apparently spends the night out partying with him at clubs, later returning to check on Maurice. When the paramedics arrive, Maurice claims he cannot remember who attacked him, much to Jessie's surprise. Then Maurice calls for "Venus" to take care of him. Jessie, remorseful, agrees to look after Maurice. Some time later, after Maurice has at least partly recovered, he takes Jessie to the seaside at Whitstable in Kent. As they sit down by the water Maurice says to Jessie "Now, we can really talk", and dies, leaning on her.
Output: Question: Does Jessie's family consider her a whore?, Answer: Yes