niryuu/sni-each-converted huggingface dataset:
Jude Madigan (Curtis) suddenly leaves her husband, Robert (Gallagher) and three sons without any explanation. Three years later, when Robert finally files for divorce, Jude returns and tries to reclaim her former life. Robert refuses and insists on the divorce. Jude does not accept Robert's decision. She tries unsuccessfully to seduce him and harasses Robert's new girlfriend, Callie. Eventually, Jude manipulates and convinces her eldest son, Kes, that Callie is the only person standing in the way of their reunited family. Influenced by Jude, Kes details a plan to his two brothers to scare off Callis, convincing the younger boys that it is just a "game". As the boys debate the plan, Jude's mother, Lydia (Redgrave) overhears and confronts Kes and threatens to tell their father. Kes tries unsuccessfully to convince his grandmother that it was just a "game" and tries to stop her from calling his dad, a brief struggle ensues and Lydia accidentally falls down the stairs. While in the hospital, Lydia tells Jude she is not about to let her go through with her plans. In a fit of rage, Jude tries to murder her mother by asphyxiation but is interrupted by a nurse, Jude flees the hospital. Meanwhile, the boys, under the guise of playing the game, handcuffs Callie and puts her on "trial" for destroying their family. They tie her to a chair but when the youngest boy cuts himself on a broken glass, Callie convinces the middle child to free her before his brother dies. She runs with the boy in an attempt to find a hospital. The other boys get in Callie's car and chases them, but the brakes have been cut by Jude and they go over a cliff, leaving them perched precariously on a tree on the side of the cliff. Callie manages to rescue the middle son, but as she tries to rescue Kes, she slips and is left dangling from the car. Jude rushes to "help" by grabbing Callie's hand from Kes. Jude intentionally lets go of Callie's hand, who still manages to hang onto the car with her other hand. However, Jude loses her balance and falls to her death. The film ends with Robert's emotional embrace of Kes, who is very shaken after having a nightmare of Jude coming back from the dead. Callie is right by Robert's side, comforting them both.
Output: Question: What is Jude Madigan's eldest son name?, Answer: Kes
Jude Madigan (Curtis) suddenly leaves her husband, Robert (Gallagher) and three sons without any explanation. Three years later, when Robert finally files for divorce, Jude returns and tries to reclaim her former life. Robert refuses and insists on the divorce. Jude does not accept Robert's decision. She tries unsuccessfully to seduce him and harasses Robert's new girlfriend, Callie. Eventually, Jude manipulates and convinces her eldest son, Kes, that Callie is the only person standing in the way of their reunited family. Influenced by Jude, Kes details a plan to his two brothers to scare off Callis, convincing the younger boys that it is just a "game". As the boys debate the plan, Jude's mother, Lydia (Redgrave) overhears and confronts Kes and threatens to tell their father. Kes tries unsuccessfully to convince his grandmother that it was just a "game" and tries to stop her from calling his dad, a brief struggle ensues and Lydia accidentally falls down the stairs. While in the hospital, Lydia tells Jude she is not about to let her go through with her plans. In a fit of rage, Jude tries to murder her mother by asphyxiation but is interrupted by a nurse, Jude flees the hospital. Meanwhile, the boys, under the guise of playing the game, handcuffs Callie and puts her on "trial" for destroying their family. They tie her to a chair but when the youngest boy cuts himself on a broken glass, Callie convinces the middle child to free her before his brother dies. She runs with the boy in an attempt to find a hospital. The other boys get in Callie's car and chases them, but the brakes have been cut by Jude and they go over a cliff, leaving them perched precariously on a tree on the side of the cliff. Callie manages to rescue the middle son, but as she tries to rescue Kes, she slips and is left dangling from the car. Jude rushes to "help" by grabbing Callie's hand from Kes. Jude intentionally lets go of Callie's hand, who still manages to hang onto the car with her other hand. However, Jude loses her balance and falls to her death. The film ends with Robert's emotional embrace of Kes, who is very shaken after having a nightmare of Jude coming back from the dead. Callie is right by Robert's side, comforting them both.
Output: Question: What is Jude's mothers name?, Answer: Lydia
Jude Madigan (Curtis) suddenly leaves her husband, Robert (Gallagher) and three sons without any explanation. Three years later, when Robert finally files for divorce, Jude returns and tries to reclaim her former life. Robert refuses and insists on the divorce. Jude does not accept Robert's decision. She tries unsuccessfully to seduce him and harasses Robert's new girlfriend, Callie. Eventually, Jude manipulates and convinces her eldest son, Kes, that Callie is the only person standing in the way of their reunited family. Influenced by Jude, Kes details a plan to his two brothers to scare off Callis, convincing the younger boys that it is just a "game". As the boys debate the plan, Jude's mother, Lydia (Redgrave) overhears and confronts Kes and threatens to tell their father. Kes tries unsuccessfully to convince his grandmother that it was just a "game" and tries to stop her from calling his dad, a brief struggle ensues and Lydia accidentally falls down the stairs. While in the hospital, Lydia tells Jude she is not about to let her go through with her plans. In a fit of rage, Jude tries to murder her mother by asphyxiation but is interrupted by a nurse, Jude flees the hospital. Meanwhile, the boys, under the guise of playing the game, handcuffs Callie and puts her on "trial" for destroying their family. They tie her to a chair but when the youngest boy cuts himself on a broken glass, Callie convinces the middle child to free her before his brother dies. She runs with the boy in an attempt to find a hospital. The other boys get in Callie's car and chases them, but the brakes have been cut by Jude and they go over a cliff, leaving them perched precariously on a tree on the side of the cliff. Callie manages to rescue the middle son, but as she tries to rescue Kes, she slips and is left dangling from the car. Jude rushes to "help" by grabbing Callie's hand from Kes. Jude intentionally lets go of Callie's hand, who still manages to hang onto the car with her other hand. However, Jude loses her balance and falls to her death. The film ends with Robert's emotional embrace of Kes, who is very shaken after having a nightmare of Jude coming back from the dead. Callie is right by Robert's side, comforting them both.
Output: Question: Which child frees Callie?, Answer: Middle
Jude Madigan (Curtis) suddenly leaves her husband, Robert (Gallagher) and three sons without any explanation. Three years later, when Robert finally files for divorce, Jude returns and tries to reclaim her former life. Robert refuses and insists on the divorce. Jude does not accept Robert's decision. She tries unsuccessfully to seduce him and harasses Robert's new girlfriend, Callie. Eventually, Jude manipulates and convinces her eldest son, Kes, that Callie is the only person standing in the way of their reunited family. Influenced by Jude, Kes details a plan to his two brothers to scare off Callis, convincing the younger boys that it is just a "game". As the boys debate the plan, Jude's mother, Lydia (Redgrave) overhears and confronts Kes and threatens to tell their father. Kes tries unsuccessfully to convince his grandmother that it was just a "game" and tries to stop her from calling his dad, a brief struggle ensues and Lydia accidentally falls down the stairs. While in the hospital, Lydia tells Jude she is not about to let her go through with her plans. In a fit of rage, Jude tries to murder her mother by asphyxiation but is interrupted by a nurse, Jude flees the hospital. Meanwhile, the boys, under the guise of playing the game, handcuffs Callie and puts her on "trial" for destroying their family. They tie her to a chair but when the youngest boy cuts himself on a broken glass, Callie convinces the middle child to free her before his brother dies. She runs with the boy in an attempt to find a hospital. The other boys get in Callie's car and chases them, but the brakes have been cut by Jude and they go over a cliff, leaving them perched precariously on a tree on the side of the cliff. Callie manages to rescue the middle son, but as she tries to rescue Kes, she slips and is left dangling from the car. Jude rushes to "help" by grabbing Callie's hand from Kes. Jude intentionally lets go of Callie's hand, who still manages to hang onto the car with her other hand. However, Jude loses her balance and falls to her death. The film ends with Robert's emotional embrace of Kes, who is very shaken after having a nightmare of Jude coming back from the dead. Callie is right by Robert's side, comforting them both.
Output: Question: Who is Jude Madigan's husband?, Answer: Robert
Jude Madigan (Curtis) suddenly leaves her husband, Robert (Gallagher) and three sons without any explanation. Three years later, when Robert finally files for divorce, Jude returns and tries to reclaim her former life. Robert refuses and insists on the divorce. Jude does not accept Robert's decision. She tries unsuccessfully to seduce him and harasses Robert's new girlfriend, Callie. Eventually, Jude manipulates and convinces her eldest son, Kes, that Callie is the only person standing in the way of their reunited family. Influenced by Jude, Kes details a plan to his two brothers to scare off Callis, convincing the younger boys that it is just a "game". As the boys debate the plan, Jude's mother, Lydia (Redgrave) overhears and confronts Kes and threatens to tell their father. Kes tries unsuccessfully to convince his grandmother that it was just a "game" and tries to stop her from calling his dad, a brief struggle ensues and Lydia accidentally falls down the stairs. While in the hospital, Lydia tells Jude she is not about to let her go through with her plans. In a fit of rage, Jude tries to murder her mother by asphyxiation but is interrupted by a nurse, Jude flees the hospital. Meanwhile, the boys, under the guise of playing the game, handcuffs Callie and puts her on "trial" for destroying their family. They tie her to a chair but when the youngest boy cuts himself on a broken glass, Callie convinces the middle child to free her before his brother dies. She runs with the boy in an attempt to find a hospital. The other boys get in Callie's car and chases them, but the brakes have been cut by Jude and they go over a cliff, leaving them perched precariously on a tree on the side of the cliff. Callie manages to rescue the middle son, but as she tries to rescue Kes, she slips and is left dangling from the car. Jude rushes to "help" by grabbing Callie's hand from Kes. Jude intentionally lets go of Callie's hand, who still manages to hang onto the car with her other hand. However, Jude loses her balance and falls to her death. The film ends with Robert's emotional embrace of Kes, who is very shaken after having a nightmare of Jude coming back from the dead. Callie is right by Robert's side, comforting them both.
Output: Question: Who tries to stop Jude from her plan?, Answer: Lydia
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: where krishna finally settled?, Answer: Bombay
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: What do Bombay's street children call their home?, Answer: The gutters of the filthy urban streets.
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: Who is the country bumpkin in the movie?, Answer: Krishna
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: what is education of Krishna?, Answer: Illitrate
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: What is the underlying theme of this movie?, Answer: The plight of India's urban street children.
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: Why does krishna need 500 rupees?, Answer: so that he can return home to his mother and the family whom he misses
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: for what salam bom bay film was nominated?, Answer: Academy award
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: young Krishna can read?, Answer: no he is an illiterate
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: how much amount was asked to bring by krishna's mother?, Answer: Five hundred rupees
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: Bombay is a calm place?, Answer: it is a modern day jungle
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: When does the circus pack up and leaves town?, Answer: While Krishna is on an errand
This is a superb film that gives the viewer a bird's eye view into the plight of India's urban street children. It is done through the experience of young Krishna, an illiterate, country bumpkin of a boy, who is abandoned by his mother at a circus and told not to come home until he has five hundred rupees for having broken something that belonged to his brother. While Krishna is on an errand, the circus packs up and leaves town, and he is left alone to fend for himself. Krishna uses his last few rupees to travel to a city, which by luck of the draw turns out to be Bombay. Thrust into the life of the street children of Bombay, living among the pimps, hustlers, drug addicts, prostitutes, and throw away children that proliferate in India's urban settlements, a modern day jungle, Krishna struggles to survive. His resourcefulness holds him in good stead. He quickly develops some street smarts and forms attachments. He struggles to earn and save money, so that he can return home to his mother and the family whom he misses, only to be duped in the end by one whom he had trusted. His story breaks one's heart, as he learns some hard lessons in life.This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. An Academy Award nominee for Best Foreign Language Film, this highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.
Output: Question: What holds Krishna in good stead in Bombay?, Answer: His resourcefulness.
This section needs expansion. You can help by adding to it. (October 2014)Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her "order me to go away" and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film's main focus is on her moral degradation. It is hinted that vampires become immortal in this film, but the price is an addiction to blood. Vampires are shown repeatedly resorting to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen's victims weeps incredulously over the damage, Kathleen coldly informs her: "My indifference is not the concern here - it's your astonishment that needs studying."Eventually Kathleen meets Peina (Walken), a vampire who claims to have almost conquered his addiction, and as a result is almost human. For a time he keeps her in his home trying to help her overcome hers, recommending that she read William S. Burroughs' Naked Lunch. At her graduation party, she says "I'd like to share a little bit of what I've learned" she and her victims (now vampires themselves) attack the party goers, participating in a bloody, chaotic vampire orgy.After the party, Kathleen appears to be wracked with regret and wanders the streets. She ends up in a hospital and asks the nurse to let her die. The nurse says no one will let her die. Kathleen then decides to commit suicide by asking the nurse to open the window shades.Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R.C. Sproul to her. Kathleen Conklin gives in to her new fate as an immortal vampire. In the final scene, she is shown walking away from a grave with her own name on it, in broad daylight, having apparently defeated her addiction. Coincidentally, her birthdate on the tombstone is Halloween, 1967. The date of her death is November 1, 1994. The movie ends with Kathleen quoting the line: "self revelation is annihilation of self."
Output: Question: What does Kathleen ask the nurse in the hospital.?, Answer: Kathleen ask the nurse to let her die.
This section needs expansion. You can help by adding to it. (October 2014)Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her "order me to go away" and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film's main focus is on her moral degradation. It is hinted that vampires become immortal in this film, but the price is an addiction to blood. Vampires are shown repeatedly resorting to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen's victims weeps incredulously over the damage, Kathleen coldly informs her: "My indifference is not the concern here - it's your astonishment that needs studying."Eventually Kathleen meets Peina (Walken), a vampire who claims to have almost conquered his addiction, and as a result is almost human. For a time he keeps her in his home trying to help her overcome hers, recommending that she read William S. Burroughs' Naked Lunch. At her graduation party, she says "I'd like to share a little bit of what I've learned" she and her victims (now vampires themselves) attack the party goers, participating in a bloody, chaotic vampire orgy.After the party, Kathleen appears to be wracked with regret and wanders the streets. She ends up in a hospital and asks the nurse to let her die. The nurse says no one will let her die. Kathleen then decides to commit suicide by asking the nurse to open the window shades.Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R.C. Sproul to her. Kathleen Conklin gives in to her new fate as an immortal vampire. In the final scene, she is shown walking away from a grave with her own name on it, in broad daylight, having apparently defeated her addiction. Coincidentally, her birthdate on the tombstone is Halloween, 1967. The date of her death is November 1, 1994. The movie ends with Kathleen quoting the line: "self revelation is annihilation of self."
Output: Question: What is the birth date of Kathleen Conklin?, Answer: Halloween, 1967.
This section needs expansion. You can help by adding to it. (October 2014)Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her "order me to go away" and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film's main focus is on her moral degradation. It is hinted that vampires become immortal in this film, but the price is an addiction to blood. Vampires are shown repeatedly resorting to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen's victims weeps incredulously over the damage, Kathleen coldly informs her: "My indifference is not the concern here - it's your astonishment that needs studying."Eventually Kathleen meets Peina (Walken), a vampire who claims to have almost conquered his addiction, and as a result is almost human. For a time he keeps her in his home trying to help her overcome hers, recommending that she read William S. Burroughs' Naked Lunch. At her graduation party, she says "I'd like to share a little bit of what I've learned" she and her victims (now vampires themselves) attack the party goers, participating in a bloody, chaotic vampire orgy.After the party, Kathleen appears to be wracked with regret and wanders the streets. She ends up in a hospital and asks the nurse to let her die. The nurse says no one will let her die. Kathleen then decides to commit suicide by asking the nurse to open the window shades.Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R.C. Sproul to her. Kathleen Conklin gives in to her new fate as an immortal vampire. In the final scene, she is shown walking away from a grave with her own name on it, in broad daylight, having apparently defeated her addiction. Coincidentally, her birthdate on the tombstone is Halloween, 1967. The date of her death is November 1, 1994. The movie ends with Kathleen quoting the line: "self revelation is annihilation of self."
Output: Question: What is the title of William S burroughs' work ?, Answer: The name of the work is Naked Lunch.
This section needs expansion. You can help by adding to it. (October 2014)Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her "order me to go away" and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film's main focus is on her moral degradation. It is hinted that vampires become immortal in this film, but the price is an addiction to blood. Vampires are shown repeatedly resorting to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen's victims weeps incredulously over the damage, Kathleen coldly informs her: "My indifference is not the concern here - it's your astonishment that needs studying."Eventually Kathleen meets Peina (Walken), a vampire who claims to have almost conquered his addiction, and as a result is almost human. For a time he keeps her in his home trying to help her overcome hers, recommending that she read William S. Burroughs' Naked Lunch. At her graduation party, she says "I'd like to share a little bit of what I've learned" she and her victims (now vampires themselves) attack the party goers, participating in a bloody, chaotic vampire orgy.After the party, Kathleen appears to be wracked with regret and wanders the streets. She ends up in a hospital and asks the nurse to let her die. The nurse says no one will let her die. Kathleen then decides to commit suicide by asking the nurse to open the window shades.Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R.C. Sproul to her. Kathleen Conklin gives in to her new fate as an immortal vampire. In the final scene, she is shown walking away from a grave with her own name on it, in broad daylight, having apparently defeated her addiction. Coincidentally, her birthdate on the tombstone is Halloween, 1967. The date of her death is November 1, 1994. The movie ends with Kathleen quoting the line: "self revelation is annihilation of self."
Output: Question: What is the name of the vampire that Kathleen meets ?, Answer: Kathleen meets the vampire named Peina.
This section needs expansion. You can help by adding to it. (October 2014)Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her "order me to go away" and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film's main focus is on her moral degradation. It is hinted that vampires become immortal in this film, but the price is an addiction to blood. Vampires are shown repeatedly resorting to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen's victims weeps incredulously over the damage, Kathleen coldly informs her: "My indifference is not the concern here - it's your astonishment that needs studying."Eventually Kathleen meets Peina (Walken), a vampire who claims to have almost conquered his addiction, and as a result is almost human. For a time he keeps her in his home trying to help her overcome hers, recommending that she read William S. Burroughs' Naked Lunch. At her graduation party, she says "I'd like to share a little bit of what I've learned" she and her victims (now vampires themselves) attack the party goers, participating in a bloody, chaotic vampire orgy.After the party, Kathleen appears to be wracked with regret and wanders the streets. She ends up in a hospital and asks the nurse to let her die. The nurse says no one will let her die. Kathleen then decides to commit suicide by asking the nurse to open the window shades.Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R.C. Sproul to her. Kathleen Conklin gives in to her new fate as an immortal vampire. In the final scene, she is shown walking away from a grave with her own name on it, in broad daylight, having apparently defeated her addiction. Coincidentally, her birthdate on the tombstone is Halloween, 1967. The date of her death is November 1, 1994. The movie ends with Kathleen quoting the line: "self revelation is annihilation of self."
Output: Question: Where is Kathleen a student?, Answer: New York University
This section needs expansion. You can help by adding to it. (October 2014)Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her "order me to go away" and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film's main focus is on her moral degradation. It is hinted that vampires become immortal in this film, but the price is an addiction to blood. Vampires are shown repeatedly resorting to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen's victims weeps incredulously over the damage, Kathleen coldly informs her: "My indifference is not the concern here - it's your astonishment that needs studying."Eventually Kathleen meets Peina (Walken), a vampire who claims to have almost conquered his addiction, and as a result is almost human. For a time he keeps her in his home trying to help her overcome hers, recommending that she read William S. Burroughs' Naked Lunch. At her graduation party, she says "I'd like to share a little bit of what I've learned" she and her victims (now vampires themselves) attack the party goers, participating in a bloody, chaotic vampire orgy.After the party, Kathleen appears to be wracked with regret and wanders the streets. She ends up in a hospital and asks the nurse to let her die. The nurse says no one will let her die. Kathleen then decides to commit suicide by asking the nurse to open the window shades.Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R.C. Sproul to her. Kathleen Conklin gives in to her new fate as an immortal vampire. In the final scene, she is shown walking away from a grave with her own name on it, in broad daylight, having apparently defeated her addiction. Coincidentally, her birthdate on the tombstone is Halloween, 1967. The date of her death is November 1, 1994. The movie ends with Kathleen quoting the line: "self revelation is annihilation of self."
Output: Question: What do the vampires in the film do to justify their actions and addiction?, Answer: Blame the victim for not being strong enough to resist them
This section needs expansion. You can help by adding to it. (October 2014)Kathleen Conklin (Taylor), a young philosophy student at New York University, is attacked by a woman (Annabella Sciorra), who tells her "order me to go away" and, when the frightened Kathleen is unable to do so, bites her neck and drinks her blood. Kathleen develops several of the traditional symptoms of vampirism, including aversion to daylight, but the film's main focus is on her moral degradation. It is hinted that vampires become immortal in this film, but the price is an addiction to blood. Vampires are shown repeatedly resorting to the strategy of blaming their victims for not being strong enough to resist them. As one of Kathleen's victims weeps incredulously over the damage, Kathleen coldly informs her: "My indifference is not the concern here - it's your astonishment that needs studying."Eventually Kathleen meets Peina (Walken), a vampire who claims to have almost conquered his addiction, and as a result is almost human. For a time he keeps her in his home trying to help her overcome hers, recommending that she read William S. Burroughs' Naked Lunch. At her graduation party, she says "I'd like to share a little bit of what I've learned" she and her victims (now vampires themselves) attack the party goers, participating in a bloody, chaotic vampire orgy.After the party, Kathleen appears to be wracked with regret and wanders the streets. She ends up in a hospital and asks the nurse to let her die. The nurse says no one will let her die. Kathleen then decides to commit suicide by asking the nurse to open the window shades.Kathleen is again confronted with the woman who first bit her, who stops her suicide attempt and quotes R.C. Sproul to her. Kathleen Conklin gives in to her new fate as an immortal vampire. In the final scene, she is shown walking away from a grave with her own name on it, in broad daylight, having apparently defeated her addiction. Coincidentally, her birthdate on the tombstone is Halloween, 1967. The date of her death is November 1, 1994. The movie ends with Kathleen quoting the line: "self revelation is annihilation of self."
Output: Question: Who is the immortal vampire?, Answer: Kathleen Conklin.