niryuu/sni-each-converted huggingface dataset:
Jazz pianist Tom Stewart (Carlson), who lives on a Cape Cod island community, is preparing to marry his fiancee Meg. Shortly before the wedding, Tom's old girlfriend Vi (Juli Reding) visits and informs him that she will end Tom's relationship with Meg, using blackmail if necessary. While arguing on top of a lighthouse, the railing Vi is leaning against gives way. She manages to briefly hang on, but Tom refuses to help and watches her fall to her death.The next day, Tom sees Vi's body floating in the water. He retrieves her only to see the body turn into seaweed. Tom tries to forget what he's seen, but over the next several days, all manner of strange occurrences happen. Vi's watch washes up on the beach and mysterious footprints appear in the sand. Before long, Vi's ghost appears and tells Tom that she will haunt him for the rest of his life.One day, Meg's little sister Sandy shows up and asks Tom if she can see the engagement ring. As Tom shows it to Sandy, he's spooked by a disembodied hand that soon makes off with the ring.Soon afterward, a party is held for Tom and Meg. Vi's disembodied head makes a small appearance in a photo taken of Tom and Meg, and when he's alone, Vi taunts Tom that she'll now use her voice to tell the world how Tom Stewart killed her.To add to Tom's dilemma, a ferry-driving beatnik comes looking for Tom, intent on collecting the $5 Vi owes him for her trip to the island. Tom's haste to pay the fellow off causes the shifty man to stick around, where his attempts to blackmail Tom lead to the ferryman's death. However, unbeknownst to Tom, Sandy has inadvertently witnessed the murder.At the wedding, Sandy keeps quiet about what she's seen, but almost says something at the point in the ceremony where the clergy asks if anyone "can give reason why these two should not be joined in matrimony." Before she can speak, the church's front doors burst open and the flowers all begin to wilt as the candles die out, bringing the ceremony to an abrupt and unpleasant end.Later that night, Tom goes to the lighthouse, telling Vi that he's leaving the island. Soon after, Sandy listens in to what Tom says. When Tom finds her, he realizes that he's now trapped; Sandy knows too much and could possibly tell Meg and the others. A desperate Tom leads Sandy up to the broken lighthouse railing with the intent to push her over. But just then, Vi's ghost swoops down on Tom, causing him to go over the edge as Sandy watches.Soon afterward, the islanders go searching for Tom's body. However, the first one they find is Vi's. Shortly afterward, Tom's body is found and placed next to Vi's body, which somehow manages to turn and lay its arm across his body. On Vi's dead hand is the engagement ring that was supposed to be Meg's, signaling that Tom is now stuck forever with Vi.
Output: Question: In whose search a ferry-driving beatnik comes?, Answer: Tom
Jake, the only survivor from the second film, is under the care of Dr. Sullivan in an asylum. He is locked in his room following several escape attempts and is attacked by Kayako. The attack is seen on security cameras, although Kayako cannot be seen, and Jake is dead by the time Dr. Sullivan arrives with a security officer. News of the incident reaches a young woman in Tokyo, Naoko, who is the sister of Kayako. Believing that her sister is responsible, she travels to Chicago.The apartment building where Jake lived is under renovation. Of the few residents who remain, some glimpse Toshio. One is drowned by Takeo Saeki and is never again seen. Dr. Sullivan, while investigating Jake's death, speaks with residents and finds that others have seen the little boy of whom Jake spoke.Naoko moves in as attacks continue against the residents and anyone associated with them. She tells the landlord's family that the curse now resides in the apartment and tries to convince them to participate in an exorcism. The landlord's sister, Lisa, refuses to cooperate but reconsiders when she realizes that her brother, Max, is possessed by the spirit of Takeo Saeki, the evil husband of Kayako and the source of the curse. Naoko warns that the ceremony must not be interrupted and tells Rose that she must drink Kayako's blood. Lisa disallows this. Takeo, as Max, realizes what Naoko is attempting and attacks and kills her. Lisa is chased by Kayako until, just as Kayako is about to kill Lisa, Rose drinks Kayako's blood which causes her curse to disappear.Max returns to his senses and sobs over what he has done, but Naoko's murder has begun a new curse. Her ghost attacks and kills him. The film ends with Kayako shown to be in possession of Rose.
Output: Question: Who was investigating Jake's death?, Answer: Dr. Sullivan.
Jake, the only survivor from the second film, is under the care of Dr. Sullivan in an asylum. He is locked in his room following several escape attempts and is attacked by Kayako. The attack is seen on security cameras, although Kayako cannot be seen, and Jake is dead by the time Dr. Sullivan arrives with a security officer. News of the incident reaches a young woman in Tokyo, Naoko, who is the sister of Kayako. Believing that her sister is responsible, she travels to Chicago.The apartment building where Jake lived is under renovation. Of the few residents who remain, some glimpse Toshio. One is drowned by Takeo Saeki and is never again seen. Dr. Sullivan, while investigating Jake's death, speaks with residents and finds that others have seen the little boy of whom Jake spoke.Naoko moves in as attacks continue against the residents and anyone associated with them. She tells the landlord's family that the curse now resides in the apartment and tries to convince them to participate in an exorcism. The landlord's sister, Lisa, refuses to cooperate but reconsiders when she realizes that her brother, Max, is possessed by the spirit of Takeo Saeki, the evil husband of Kayako and the source of the curse. Naoko warns that the ceremony must not be interrupted and tells Rose that she must drink Kayako's blood. Lisa disallows this. Takeo, as Max, realizes what Naoko is attempting and attacks and kills her. Lisa is chased by Kayako until, just as Kayako is about to kill Lisa, Rose drinks Kayako's blood which causes her curse to disappear.Max returns to his senses and sobs over what he has done, but Naoko's murder has begun a new curse. Her ghost attacks and kills him. The film ends with Kayako shown to be in possession of Rose.
Output: Question: What makes Lisa change her mind about the exorcism?, Answer: Her brother max, becomes possessed by the spirit of Takeo Saeki.
Jake, the only survivor from the second film, is under the care of Dr. Sullivan in an asylum. He is locked in his room following several escape attempts and is attacked by Kayako. The attack is seen on security cameras, although Kayako cannot be seen, and Jake is dead by the time Dr. Sullivan arrives with a security officer. News of the incident reaches a young woman in Tokyo, Naoko, who is the sister of Kayako. Believing that her sister is responsible, she travels to Chicago.The apartment building where Jake lived is under renovation. Of the few residents who remain, some glimpse Toshio. One is drowned by Takeo Saeki and is never again seen. Dr. Sullivan, while investigating Jake's death, speaks with residents and finds that others have seen the little boy of whom Jake spoke.Naoko moves in as attacks continue against the residents and anyone associated with them. She tells the landlord's family that the curse now resides in the apartment and tries to convince them to participate in an exorcism. The landlord's sister, Lisa, refuses to cooperate but reconsiders when she realizes that her brother, Max, is possessed by the spirit of Takeo Saeki, the evil husband of Kayako and the source of the curse. Naoko warns that the ceremony must not be interrupted and tells Rose that she must drink Kayako's blood. Lisa disallows this. Takeo, as Max, realizes what Naoko is attempting and attacks and kills her. Lisa is chased by Kayako until, just as Kayako is about to kill Lisa, Rose drinks Kayako's blood which causes her curse to disappear.Max returns to his senses and sobs over what he has done, but Naoko's murder has begun a new curse. Her ghost attacks and kills him. The film ends with Kayako shown to be in possession of Rose.
Output: Question: Who attacks Jake ?, Answer: Kayako.
Jake, the only survivor from the second film, is under the care of Dr. Sullivan in an asylum. He is locked in his room following several escape attempts and is attacked by Kayako. The attack is seen on security cameras, although Kayako cannot be seen, and Jake is dead by the time Dr. Sullivan arrives with a security officer. News of the incident reaches a young woman in Tokyo, Naoko, who is the sister of Kayako. Believing that her sister is responsible, she travels to Chicago.The apartment building where Jake lived is under renovation. Of the few residents who remain, some glimpse Toshio. One is drowned by Takeo Saeki and is never again seen. Dr. Sullivan, while investigating Jake's death, speaks with residents and finds that others have seen the little boy of whom Jake spoke.Naoko moves in as attacks continue against the residents and anyone associated with them. She tells the landlord's family that the curse now resides in the apartment and tries to convince them to participate in an exorcism. The landlord's sister, Lisa, refuses to cooperate but reconsiders when she realizes that her brother, Max, is possessed by the spirit of Takeo Saeki, the evil husband of Kayako and the source of the curse. Naoko warns that the ceremony must not be interrupted and tells Rose that she must drink Kayako's blood. Lisa disallows this. Takeo, as Max, realizes what Naoko is attempting and attacks and kills her. Lisa is chased by Kayako until, just as Kayako is about to kill Lisa, Rose drinks Kayako's blood which causes her curse to disappear.Max returns to his senses and sobs over what he has done, but Naoko's murder has begun a new curse. Her ghost attacks and kills him. The film ends with Kayako shown to be in possession of Rose.
Output: Question: Who do the residents glimpse?, Answer: Toshio.
Jake, the only survivor from the second film, is under the care of Dr. Sullivan in an asylum. He is locked in his room following several escape attempts and is attacked by Kayako. The attack is seen on security cameras, although Kayako cannot be seen, and Jake is dead by the time Dr. Sullivan arrives with a security officer. News of the incident reaches a young woman in Tokyo, Naoko, who is the sister of Kayako. Believing that her sister is responsible, she travels to Chicago.The apartment building where Jake lived is under renovation. Of the few residents who remain, some glimpse Toshio. One is drowned by Takeo Saeki and is never again seen. Dr. Sullivan, while investigating Jake's death, speaks with residents and finds that others have seen the little boy of whom Jake spoke.Naoko moves in as attacks continue against the residents and anyone associated with them. She tells the landlord's family that the curse now resides in the apartment and tries to convince them to participate in an exorcism. The landlord's sister, Lisa, refuses to cooperate but reconsiders when she realizes that her brother, Max, is possessed by the spirit of Takeo Saeki, the evil husband of Kayako and the source of the curse. Naoko warns that the ceremony must not be interrupted and tells Rose that she must drink Kayako's blood. Lisa disallows this. Takeo, as Max, realizes what Naoko is attempting and attacks and kills her. Lisa is chased by Kayako until, just as Kayako is about to kill Lisa, Rose drinks Kayako's blood which causes her curse to disappear.Max returns to his senses and sobs over what he has done, but Naoko's murder has begun a new curse. Her ghost attacks and kills him. The film ends with Kayako shown to be in possession of Rose.
Output: Question: Who is Takeo Saeki?, Answer: The husband of Kayako.
Jake, the only survivor from the second film, is under the care of Dr. Sullivan in an asylum. He is locked in his room following several escape attempts and is attacked by Kayako. The attack is seen on security cameras, although Kayako cannot be seen, and Jake is dead by the time Dr. Sullivan arrives with a security officer. News of the incident reaches a young woman in Tokyo, Naoko, who is the sister of Kayako. Believing that her sister is responsible, she travels to Chicago.The apartment building where Jake lived is under renovation. Of the few residents who remain, some glimpse Toshio. One is drowned by Takeo Saeki and is never again seen. Dr. Sullivan, while investigating Jake's death, speaks with residents and finds that others have seen the little boy of whom Jake spoke.Naoko moves in as attacks continue against the residents and anyone associated with them. She tells the landlord's family that the curse now resides in the apartment and tries to convince them to participate in an exorcism. The landlord's sister, Lisa, refuses to cooperate but reconsiders when she realizes that her brother, Max, is possessed by the spirit of Takeo Saeki, the evil husband of Kayako and the source of the curse. Naoko warns that the ceremony must not be interrupted and tells Rose that she must drink Kayako's blood. Lisa disallows this. Takeo, as Max, realizes what Naoko is attempting and attacks and kills her. Lisa is chased by Kayako until, just as Kayako is about to kill Lisa, Rose drinks Kayako's blood which causes her curse to disappear.Max returns to his senses and sobs over what he has done, but Naoko's murder has begun a new curse. Her ghost attacks and kills him. The film ends with Kayako shown to be in possession of Rose.
Output: Question: Who has been murdered?, Answer: Naoko
Jake, the only survivor from the second film, is under the care of Dr. Sullivan in an asylum. He is locked in his room following several escape attempts and is attacked by Kayako. The attack is seen on security cameras, although Kayako cannot be seen, and Jake is dead by the time Dr. Sullivan arrives with a security officer. News of the incident reaches a young woman in Tokyo, Naoko, who is the sister of Kayako. Believing that her sister is responsible, she travels to Chicago.The apartment building where Jake lived is under renovation. Of the few residents who remain, some glimpse Toshio. One is drowned by Takeo Saeki and is never again seen. Dr. Sullivan, while investigating Jake's death, speaks with residents and finds that others have seen the little boy of whom Jake spoke.Naoko moves in as attacks continue against the residents and anyone associated with them. She tells the landlord's family that the curse now resides in the apartment and tries to convince them to participate in an exorcism. The landlord's sister, Lisa, refuses to cooperate but reconsiders when she realizes that her brother, Max, is possessed by the spirit of Takeo Saeki, the evil husband of Kayako and the source of the curse. Naoko warns that the ceremony must not be interrupted and tells Rose that she must drink Kayako's blood. Lisa disallows this. Takeo, as Max, realizes what Naoko is attempting and attacks and kills her. Lisa is chased by Kayako until, just as Kayako is about to kill Lisa, Rose drinks Kayako's blood which causes her curse to disappear.Max returns to his senses and sobs over what he has done, but Naoko's murder has begun a new curse. Her ghost attacks and kills him. The film ends with Kayako shown to be in possession of Rose.
Output: Question: Who is Jake under the care of ?, Answer: Dr. Sullivan.
Jake, the only survivor from the second film, is under the care of Dr. Sullivan in an asylum. He is locked in his room following several escape attempts and is attacked by Kayako. The attack is seen on security cameras, although Kayako cannot be seen, and Jake is dead by the time Dr. Sullivan arrives with a security officer. News of the incident reaches a young woman in Tokyo, Naoko, who is the sister of Kayako. Believing that her sister is responsible, she travels to Chicago.The apartment building where Jake lived is under renovation. Of the few residents who remain, some glimpse Toshio. One is drowned by Takeo Saeki and is never again seen. Dr. Sullivan, while investigating Jake's death, speaks with residents and finds that others have seen the little boy of whom Jake spoke.Naoko moves in as attacks continue against the residents and anyone associated with them. She tells the landlord's family that the curse now resides in the apartment and tries to convince them to participate in an exorcism. The landlord's sister, Lisa, refuses to cooperate but reconsiders when she realizes that her brother, Max, is possessed by the spirit of Takeo Saeki, the evil husband of Kayako and the source of the curse. Naoko warns that the ceremony must not be interrupted and tells Rose that she must drink Kayako's blood. Lisa disallows this. Takeo, as Max, realizes what Naoko is attempting and attacks and kills her. Lisa is chased by Kayako until, just as Kayako is about to kill Lisa, Rose drinks Kayako's blood which causes her curse to disappear.Max returns to his senses and sobs over what he has done, but Naoko's murder has begun a new curse. Her ghost attacks and kills him. The film ends with Kayako shown to be in possession of Rose.
Output: Question: Who drinks Kayako's blood?, Answer: Rose.
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: How old is Will Hunting in the movie ?, Answer: Twenty years
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: What does the protagonist reach for in the driveway before being taken?, Answer: A car's door handle.
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: Does the main character have a name?, Answer: No.
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: What is living?, Answer: Living is a negation to God's invitation
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: When is the protagonist last seen?, Answer: Entering a driveway
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: What is revealed in the last conversation?, Answer: Reality may be only a single instant that the individual interprets falsely as time.
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: Is the protagonist living in the real world or a dream world?, Answer: dream world
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: What was Matt Damon's profession in the movie ?, Answer: janitor
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: How are Morgan and Hunting related in the movie?, Answer: friends
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: What is a dream?, Answer: Something that offers a glimpse into the infinite nature of reality.
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: What is Will Hunting's profession?, Answer: janitor
Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream.The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's invitation.The protagonist is last seen walking into a driveway when he suddenly begins to levitate, paralleling a scene at the start of the film of a floating child in the same driveway. The protagonist uncertainly reaches toward the car's handle but is too swiftly lifted above the vehicle and over the trees. He rises into the endless blue expanse of the sky until he disappears from view
Output: Question: When the man starts to float away, what does he reach for to keep himself from floating away?, Answer: Car door handle.