niryuu/sni-each-converted huggingface dataset:
In this very unusual comedy, the devil meets an angel at a certain heaven-hell mixer; both drunk, they have a rendez-vois that produces three kids who somehow end up living in hell with the devil. The movie starts with a picture of hell - a guy falls off a tree spying on a woman taking off her clothes in her own house, ends up in hell. The three kids - Adrian, Cassius, and Nicky - are each very different. Cassius and Adrian live up to their rep of being the devil's children, while Nicky isn't 'into evil,' and is shown as a 'papa's boy.' The movie starts with Cassius and Adrian conspiring to take over Earth by leaving hell and messing up the balance between good and evil, thus taking power over everyone in the process. Their departure 'freezes the fire' through which souls enter hell, however, and the devil begins to fall apart, since no new souls can enter. He sets his only son left, Nicky, on a quest to go to Earth, find his brothers, and trap them in a silver flask, since they have to return to hell at the same time.Nicky hesitantly takes his father's orders and, with the help of a talking dog his father asked to help, settles into an apartment with a wannabe actor. He's soon found by two devil-worshiping guys who help him retrieve his flask as it's stolen by a petty thief. The guys befriend him and stand by his side against his brothers. Nicky also meets a girl he gets infatuated with, though he doesn't tell her the truth about him yet. She helps get his flask back from the thief, and they... hit it off.He's able to track down one of his brothers - Cassius - as he possesses the referee at a Globetrotters game. Adrian turns out to be far more witty and doesn't fall for a trap Nicky and all his new friends set up for him at a subway station. Meanwhile, the city of New York becomes unbalanced after the work the two brothers do to destroy it. Adrian summons hundreds of 'followers' who gather to have him lead them on in the end. However, he tells them that at midnight the whole city will turn into hell and they'll all die. Right before that, though, Nicky's brought to heaven when he dies saving his girlfriend's life. He meets his mom, an angel, who tells him the whole story and gives him a bright light in shape of a ball; she says God gave it to her and Nicky would know when to use it. He then emerges at the scene where a crowd gathers for his brother Adrian. He fights him, but Adrian wins and turns into a bat. Nicky then takes out the glowing white ball. It turns into Ozzy Ozbourne, who bites Adrian's head off and spits it into the flask, where the other brother already sits. So, Nicky saves the day, and hell, and his father.At the end, he gets married to the girl, and their kid is, well, a quarter devil. The devil-worshipers take the money promised them by Adrian for giving out Nicky's location earlier, and by Lynyrd Skyynard's old airplane. They crash it and later take Nicky's place in hell.
Output: Question: Who gives Nicky the glowing white ball?, Answer: His mother
In this very unusual comedy, the devil meets an angel at a certain heaven-hell mixer; both drunk, they have a rendez-vois that produces three kids who somehow end up living in hell with the devil. The movie starts with a picture of hell - a guy falls off a tree spying on a woman taking off her clothes in her own house, ends up in hell. The three kids - Adrian, Cassius, and Nicky - are each very different. Cassius and Adrian live up to their rep of being the devil's children, while Nicky isn't 'into evil,' and is shown as a 'papa's boy.' The movie starts with Cassius and Adrian conspiring to take over Earth by leaving hell and messing up the balance between good and evil, thus taking power over everyone in the process. Their departure 'freezes the fire' through which souls enter hell, however, and the devil begins to fall apart, since no new souls can enter. He sets his only son left, Nicky, on a quest to go to Earth, find his brothers, and trap them in a silver flask, since they have to return to hell at the same time.Nicky hesitantly takes his father's orders and, with the help of a talking dog his father asked to help, settles into an apartment with a wannabe actor. He's soon found by two devil-worshiping guys who help him retrieve his flask as it's stolen by a petty thief. The guys befriend him and stand by his side against his brothers. Nicky also meets a girl he gets infatuated with, though he doesn't tell her the truth about him yet. She helps get his flask back from the thief, and they... hit it off.He's able to track down one of his brothers - Cassius - as he possesses the referee at a Globetrotters game. Adrian turns out to be far more witty and doesn't fall for a trap Nicky and all his new friends set up for him at a subway station. Meanwhile, the city of New York becomes unbalanced after the work the two brothers do to destroy it. Adrian summons hundreds of 'followers' who gather to have him lead them on in the end. However, he tells them that at midnight the whole city will turn into hell and they'll all die. Right before that, though, Nicky's brought to heaven when he dies saving his girlfriend's life. He meets his mom, an angel, who tells him the whole story and gives him a bright light in shape of a ball; she says God gave it to her and Nicky would know when to use it. He then emerges at the scene where a crowd gathers for his brother Adrian. He fights him, but Adrian wins and turns into a bat. Nicky then takes out the glowing white ball. It turns into Ozzy Ozbourne, who bites Adrian's head off and spits it into the flask, where the other brother already sits. So, Nicky saves the day, and hell, and his father.At the end, he gets married to the girl, and their kid is, well, a quarter devil. The devil-worshipers take the money promised them by Adrian for giving out Nicky's location earlier, and by Lynyrd Skyynard's old airplane. They crash it and later take Nicky's place in hell.
Output: Question: What does Adrian turn into?, Answer: Bat
In this very unusual comedy, the devil meets an angel at a certain heaven-hell mixer; both drunk, they have a rendez-vois that produces three kids who somehow end up living in hell with the devil. The movie starts with a picture of hell - a guy falls off a tree spying on a woman taking off her clothes in her own house, ends up in hell. The three kids - Adrian, Cassius, and Nicky - are each very different. Cassius and Adrian live up to their rep of being the devil's children, while Nicky isn't 'into evil,' and is shown as a 'papa's boy.' The movie starts with Cassius and Adrian conspiring to take over Earth by leaving hell and messing up the balance between good and evil, thus taking power over everyone in the process. Their departure 'freezes the fire' through which souls enter hell, however, and the devil begins to fall apart, since no new souls can enter. He sets his only son left, Nicky, on a quest to go to Earth, find his brothers, and trap them in a silver flask, since they have to return to hell at the same time.Nicky hesitantly takes his father's orders and, with the help of a talking dog his father asked to help, settles into an apartment with a wannabe actor. He's soon found by two devil-worshiping guys who help him retrieve his flask as it's stolen by a petty thief. The guys befriend him and stand by his side against his brothers. Nicky also meets a girl he gets infatuated with, though he doesn't tell her the truth about him yet. She helps get his flask back from the thief, and they... hit it off.He's able to track down one of his brothers - Cassius - as he possesses the referee at a Globetrotters game. Adrian turns out to be far more witty and doesn't fall for a trap Nicky and all his new friends set up for him at a subway station. Meanwhile, the city of New York becomes unbalanced after the work the two brothers do to destroy it. Adrian summons hundreds of 'followers' who gather to have him lead them on in the end. However, he tells them that at midnight the whole city will turn into hell and they'll all die. Right before that, though, Nicky's brought to heaven when he dies saving his girlfriend's life. He meets his mom, an angel, who tells him the whole story and gives him a bright light in shape of a ball; she says God gave it to her and Nicky would know when to use it. He then emerges at the scene where a crowd gathers for his brother Adrian. He fights him, but Adrian wins and turns into a bat. Nicky then takes out the glowing white ball. It turns into Ozzy Ozbourne, who bites Adrian's head off and spits it into the flask, where the other brother already sits. So, Nicky saves the day, and hell, and his father.At the end, he gets married to the girl, and their kid is, well, a quarter devil. The devil-worshipers take the money promised them by Adrian for giving out Nicky's location earlier, and by Lynyrd Skyynard's old airplane. They crash it and later take Nicky's place in hell.
Output: Question: Who is soon found by two devil-worshiping guys?, Answer: Nicky
In this very unusual comedy, the devil meets an angel at a certain heaven-hell mixer; both drunk, they have a rendez-vois that produces three kids who somehow end up living in hell with the devil. The movie starts with a picture of hell - a guy falls off a tree spying on a woman taking off her clothes in her own house, ends up in hell. The three kids - Adrian, Cassius, and Nicky - are each very different. Cassius and Adrian live up to their rep of being the devil's children, while Nicky isn't 'into evil,' and is shown as a 'papa's boy.' The movie starts with Cassius and Adrian conspiring to take over Earth by leaving hell and messing up the balance between good and evil, thus taking power over everyone in the process. Their departure 'freezes the fire' through which souls enter hell, however, and the devil begins to fall apart, since no new souls can enter. He sets his only son left, Nicky, on a quest to go to Earth, find his brothers, and trap them in a silver flask, since they have to return to hell at the same time.Nicky hesitantly takes his father's orders and, with the help of a talking dog his father asked to help, settles into an apartment with a wannabe actor. He's soon found by two devil-worshiping guys who help him retrieve his flask as it's stolen by a petty thief. The guys befriend him and stand by his side against his brothers. Nicky also meets a girl he gets infatuated with, though he doesn't tell her the truth about him yet. She helps get his flask back from the thief, and they... hit it off.He's able to track down one of his brothers - Cassius - as he possesses the referee at a Globetrotters game. Adrian turns out to be far more witty and doesn't fall for a trap Nicky and all his new friends set up for him at a subway station. Meanwhile, the city of New York becomes unbalanced after the work the two brothers do to destroy it. Adrian summons hundreds of 'followers' who gather to have him lead them on in the end. However, he tells them that at midnight the whole city will turn into hell and they'll all die. Right before that, though, Nicky's brought to heaven when he dies saving his girlfriend's life. He meets his mom, an angel, who tells him the whole story and gives him a bright light in shape of a ball; she says God gave it to her and Nicky would know when to use it. He then emerges at the scene where a crowd gathers for his brother Adrian. He fights him, but Adrian wins and turns into a bat. Nicky then takes out the glowing white ball. It turns into Ozzy Ozbourne, who bites Adrian's head off and spits it into the flask, where the other brother already sits. So, Nicky saves the day, and hell, and his father.At the end, he gets married to the girl, and their kid is, well, a quarter devil. The devil-worshipers take the money promised them by Adrian for giving out Nicky's location earlier, and by Lynyrd Skyynard's old airplane. They crash it and later take Nicky's place in hell.
Output: Question: Who promises the devil-whorshipers money?, Answer: Adrian
In this very unusual comedy, the devil meets an angel at a certain heaven-hell mixer; both drunk, they have a rendez-vois that produces three kids who somehow end up living in hell with the devil. The movie starts with a picture of hell - a guy falls off a tree spying on a woman taking off her clothes in her own house, ends up in hell. The three kids - Adrian, Cassius, and Nicky - are each very different. Cassius and Adrian live up to their rep of being the devil's children, while Nicky isn't 'into evil,' and is shown as a 'papa's boy.' The movie starts with Cassius and Adrian conspiring to take over Earth by leaving hell and messing up the balance between good and evil, thus taking power over everyone in the process. Their departure 'freezes the fire' through which souls enter hell, however, and the devil begins to fall apart, since no new souls can enter. He sets his only son left, Nicky, on a quest to go to Earth, find his brothers, and trap them in a silver flask, since they have to return to hell at the same time.Nicky hesitantly takes his father's orders and, with the help of a talking dog his father asked to help, settles into an apartment with a wannabe actor. He's soon found by two devil-worshiping guys who help him retrieve his flask as it's stolen by a petty thief. The guys befriend him and stand by his side against his brothers. Nicky also meets a girl he gets infatuated with, though he doesn't tell her the truth about him yet. She helps get his flask back from the thief, and they... hit it off.He's able to track down one of his brothers - Cassius - as he possesses the referee at a Globetrotters game. Adrian turns out to be far more witty and doesn't fall for a trap Nicky and all his new friends set up for him at a subway station. Meanwhile, the city of New York becomes unbalanced after the work the two brothers do to destroy it. Adrian summons hundreds of 'followers' who gather to have him lead them on in the end. However, he tells them that at midnight the whole city will turn into hell and they'll all die. Right before that, though, Nicky's brought to heaven when he dies saving his girlfriend's life. He meets his mom, an angel, who tells him the whole story and gives him a bright light in shape of a ball; she says God gave it to her and Nicky would know when to use it. He then emerges at the scene where a crowd gathers for his brother Adrian. He fights him, but Adrian wins and turns into a bat. Nicky then takes out the glowing white ball. It turns into Ozzy Ozbourne, who bites Adrian's head off and spits it into the flask, where the other brother already sits. So, Nicky saves the day, and hell, and his father.At the end, he gets married to the girl, and their kid is, well, a quarter devil. The devil-worshipers take the money promised them by Adrian for giving out Nicky's location earlier, and by Lynyrd Skyynard's old airplane. They crash it and later take Nicky's place in hell.
Output: Question: Where does Nicky have to go on his quest?, Answer: Earth
In this very unusual comedy, the devil meets an angel at a certain heaven-hell mixer; both drunk, they have a rendez-vois that produces three kids who somehow end up living in hell with the devil. The movie starts with a picture of hell - a guy falls off a tree spying on a woman taking off her clothes in her own house, ends up in hell. The three kids - Adrian, Cassius, and Nicky - are each very different. Cassius and Adrian live up to their rep of being the devil's children, while Nicky isn't 'into evil,' and is shown as a 'papa's boy.' The movie starts with Cassius and Adrian conspiring to take over Earth by leaving hell and messing up the balance between good and evil, thus taking power over everyone in the process. Their departure 'freezes the fire' through which souls enter hell, however, and the devil begins to fall apart, since no new souls can enter. He sets his only son left, Nicky, on a quest to go to Earth, find his brothers, and trap them in a silver flask, since they have to return to hell at the same time.Nicky hesitantly takes his father's orders and, with the help of a talking dog his father asked to help, settles into an apartment with a wannabe actor. He's soon found by two devil-worshiping guys who help him retrieve his flask as it's stolen by a petty thief. The guys befriend him and stand by his side against his brothers. Nicky also meets a girl he gets infatuated with, though he doesn't tell her the truth about him yet. She helps get his flask back from the thief, and they... hit it off.He's able to track down one of his brothers - Cassius - as he possesses the referee at a Globetrotters game. Adrian turns out to be far more witty and doesn't fall for a trap Nicky and all his new friends set up for him at a subway station. Meanwhile, the city of New York becomes unbalanced after the work the two brothers do to destroy it. Adrian summons hundreds of 'followers' who gather to have him lead them on in the end. However, he tells them that at midnight the whole city will turn into hell and they'll all die. Right before that, though, Nicky's brought to heaven when he dies saving his girlfriend's life. He meets his mom, an angel, who tells him the whole story and gives him a bright light in shape of a ball; she says God gave it to her and Nicky would know when to use it. He then emerges at the scene where a crowd gathers for his brother Adrian. He fights him, but Adrian wins and turns into a bat. Nicky then takes out the glowing white ball. It turns into Ozzy Ozbourne, who bites Adrian's head off and spits it into the flask, where the other brother already sits. So, Nicky saves the day, and hell, and his father.At the end, he gets married to the girl, and their kid is, well, a quarter devil. The devil-worshipers take the money promised them by Adrian for giving out Nicky's location earlier, and by Lynyrd Skyynard's old airplane. They crash it and later take Nicky's place in hell.
Output: Question: At what hour will the whole city turn to hell?, Answer: Midnight
In this very unusual comedy, the devil meets an angel at a certain heaven-hell mixer; both drunk, they have a rendez-vois that produces three kids who somehow end up living in hell with the devil. The movie starts with a picture of hell - a guy falls off a tree spying on a woman taking off her clothes in her own house, ends up in hell. The three kids - Adrian, Cassius, and Nicky - are each very different. Cassius and Adrian live up to their rep of being the devil's children, while Nicky isn't 'into evil,' and is shown as a 'papa's boy.' The movie starts with Cassius and Adrian conspiring to take over Earth by leaving hell and messing up the balance between good and evil, thus taking power over everyone in the process. Their departure 'freezes the fire' through which souls enter hell, however, and the devil begins to fall apart, since no new souls can enter. He sets his only son left, Nicky, on a quest to go to Earth, find his brothers, and trap them in a silver flask, since they have to return to hell at the same time.Nicky hesitantly takes his father's orders and, with the help of a talking dog his father asked to help, settles into an apartment with a wannabe actor. He's soon found by two devil-worshiping guys who help him retrieve his flask as it's stolen by a petty thief. The guys befriend him and stand by his side against his brothers. Nicky also meets a girl he gets infatuated with, though he doesn't tell her the truth about him yet. She helps get his flask back from the thief, and they... hit it off.He's able to track down one of his brothers - Cassius - as he possesses the referee at a Globetrotters game. Adrian turns out to be far more witty and doesn't fall for a trap Nicky and all his new friends set up for him at a subway station. Meanwhile, the city of New York becomes unbalanced after the work the two brothers do to destroy it. Adrian summons hundreds of 'followers' who gather to have him lead them on in the end. However, he tells them that at midnight the whole city will turn into hell and they'll all die. Right before that, though, Nicky's brought to heaven when he dies saving his girlfriend's life. He meets his mom, an angel, who tells him the whole story and gives him a bright light in shape of a ball; she says God gave it to her and Nicky would know when to use it. He then emerges at the scene where a crowd gathers for his brother Adrian. He fights him, but Adrian wins and turns into a bat. Nicky then takes out the glowing white ball. It turns into Ozzy Ozbourne, who bites Adrian's head off and spits it into the flask, where the other brother already sits. So, Nicky saves the day, and hell, and his father.At the end, he gets married to the girl, and their kid is, well, a quarter devil. The devil-worshipers take the money promised them by Adrian for giving out Nicky's location earlier, and by Lynyrd Skyynard's old airplane. They crash it and later take Nicky's place in hell.
Output: Question: What does Nicky have to trap his brothers in?, Answer: Flask
In this very unusual comedy, the devil meets an angel at a certain heaven-hell mixer; both drunk, they have a rendez-vois that produces three kids who somehow end up living in hell with the devil. The movie starts with a picture of hell - a guy falls off a tree spying on a woman taking off her clothes in her own house, ends up in hell. The three kids - Adrian, Cassius, and Nicky - are each very different. Cassius and Adrian live up to their rep of being the devil's children, while Nicky isn't 'into evil,' and is shown as a 'papa's boy.' The movie starts with Cassius and Adrian conspiring to take over Earth by leaving hell and messing up the balance between good and evil, thus taking power over everyone in the process. Their departure 'freezes the fire' through which souls enter hell, however, and the devil begins to fall apart, since no new souls can enter. He sets his only son left, Nicky, on a quest to go to Earth, find his brothers, and trap them in a silver flask, since they have to return to hell at the same time.Nicky hesitantly takes his father's orders and, with the help of a talking dog his father asked to help, settles into an apartment with a wannabe actor. He's soon found by two devil-worshiping guys who help him retrieve his flask as it's stolen by a petty thief. The guys befriend him and stand by his side against his brothers. Nicky also meets a girl he gets infatuated with, though he doesn't tell her the truth about him yet. She helps get his flask back from the thief, and they... hit it off.He's able to track down one of his brothers - Cassius - as he possesses the referee at a Globetrotters game. Adrian turns out to be far more witty and doesn't fall for a trap Nicky and all his new friends set up for him at a subway station. Meanwhile, the city of New York becomes unbalanced after the work the two brothers do to destroy it. Adrian summons hundreds of 'followers' who gather to have him lead them on in the end. However, he tells them that at midnight the whole city will turn into hell and they'll all die. Right before that, though, Nicky's brought to heaven when he dies saving his girlfriend's life. He meets his mom, an angel, who tells him the whole story and gives him a bright light in shape of a ball; she says God gave it to her and Nicky would know when to use it. He then emerges at the scene where a crowd gathers for his brother Adrian. He fights him, but Adrian wins and turns into a bat. Nicky then takes out the glowing white ball. It turns into Ozzy Ozbourne, who bites Adrian's head off and spits it into the flask, where the other brother already sits. So, Nicky saves the day, and hell, and his father.At the end, he gets married to the girl, and their kid is, well, a quarter devil. The devil-worshipers take the money promised them by Adrian for giving out Nicky's location earlier, and by Lynyrd Skyynard's old airplane. They crash it and later take Nicky's place in hell.
Output: Question: Who hesitantly takes his father's orders?, Answer: Nicky
At the end of the worst day in his life, Arun Prajapati (Salman Khan) angrily rages against God for making his life miserable. To his astonishment, God (Amitabh Bachchan) appears before him in human form and endowing Arun with all of his divine powers, challenges Arun to take on the big job and see if he can do it any better.Arun responds to his newfound powers with childlike zeal and sets off making one hysterical yet disastrous decision one after another. The love of his life Alia (Priyanka Chopra) is astonished at the 'new' decisive and confident Arun. He thinks he can make the world a happy place by granting everybody their wishes. But to his horror, this results in unprecedented mayhem. Ultimately, Arun realises that he is only human, and being God is tougher than he thought!
Output: Question: What does God give to Arun?, Answer: his divine powers
At the end of the worst day in his life, Arun Prajapati (Salman Khan) angrily rages against God for making his life miserable. To his astonishment, God (Amitabh Bachchan) appears before him in human form and endowing Arun with all of his divine powers, challenges Arun to take on the big job and see if he can do it any better.Arun responds to his newfound powers with childlike zeal and sets off making one hysterical yet disastrous decision one after another. The love of his life Alia (Priyanka Chopra) is astonished at the 'new' decisive and confident Arun. He thinks he can make the world a happy place by granting everybody their wishes. But to his horror, this results in unprecedented mayhem. Ultimately, Arun realises that he is only human, and being God is tougher than he thought!
Output: Question: Who is the love of Arun's life?, Answer: Alia
At the end of the worst day in his life, Arun Prajapati (Salman Khan) angrily rages against God for making his life miserable. To his astonishment, God (Amitabh Bachchan) appears before him in human form and endowing Arun with all of his divine powers, challenges Arun to take on the big job and see if he can do it any better.Arun responds to his newfound powers with childlike zeal and sets off making one hysterical yet disastrous decision one after another. The love of his life Alia (Priyanka Chopra) is astonished at the 'new' decisive and confident Arun. He thinks he can make the world a happy place by granting everybody their wishes. But to his horror, this results in unprecedented mayhem. Ultimately, Arun realises that he is only human, and being God is tougher than he thought!
Output: Question: God visits Arun in what form?, Answer: human form
There have been so many variations on D.H. Lawrences Lady Chatterleys Lover over the past eighty years that it has become almost a genre of its own. Few, however, have been as successful in elucidating Lawrences theme of the psychic need to integrate mind and body into a single life force as Catherine Corsinis Leaving.Suzanne (Kristin Scott-Thomas) is an English woman who tries to leave her French husband Samuel (Yvan Attal) after becoming sexually involved with Spaniard Ivan (Sergi Lopez) an ex-convict who had been hired to build an office for her physiotherapy business in the back yard of their bourgeois estate. Samuel uses every means at his disposal , from cutting off her finances to threatening prison for her lover, to keep her in the house, until she finds but one means of exit.It is to both Corsini and Scott-Thomas credit that such a stale premise has resulted in a movie that succeeds so well as both a celebration of erotic self-discovery and denunciation of patriarchal power structures. Corsini is lean and precise in both her script and direction. The first kiss between the lovers is seen in long shot from an obscure angle that makes the viewer question if anything really happened. Then Corsini cuts to a shot of them in a car, and we expect but do not receive a dialogue concerning the kiss, after which Suzanne is shown in bed with her husband, reading because of an apparent inability to sleep.Scott-Thomas gives a performance of exacting physicality. In the beginning, she is all limbs and no center, observing her own body with curious amusement. Her first tryst with Ivan is accomplished through an almost paralytic clinging, as if she is a dead battery charging itself. Before attaining the perfect harmony of body and mind, there is an interim transformation during which her husband accurately if disparagingly describes her as a bitch in heat.Samuels fury at his wifes defection explodes with the incredulous rage of a factory owner whose workers have gone on strike. You are my wife! he insists, reducing her to a possession without a personal identity. All the rules of civility between human beings are forgotten in the ensuing battle between the former partners in a now ruptured marriage.In transgressing the boundaries of class as well as the limits of sexual fidelity, Suzanne loses her bourgeois privileges and becomes subject to the economic harassment of the those controlling the chains of finance, from the banks to the justice system. In the end, the lovers are outlaws, frolicking in the lusciousness of the natural world, while the distant sound of police sirens echo Raymond Chandlers aphorism that you can say goodbye to just about anything except the cops
Output: Question: Who robbed paintings and valuables from Samuel's house?, Answer: <No Answer>
There have been so many variations on D.H. Lawrences Lady Chatterleys Lover over the past eighty years that it has become almost a genre of its own. Few, however, have been as successful in elucidating Lawrences theme of the psychic need to integrate mind and body into a single life force as Catherine Corsinis Leaving.Suzanne (Kristin Scott-Thomas) is an English woman who tries to leave her French husband Samuel (Yvan Attal) after becoming sexually involved with Spaniard Ivan (Sergi Lopez) an ex-convict who had been hired to build an office for her physiotherapy business in the back yard of their bourgeois estate. Samuel uses every means at his disposal , from cutting off her finances to threatening prison for her lover, to keep her in the house, until she finds but one means of exit.It is to both Corsini and Scott-Thomas credit that such a stale premise has resulted in a movie that succeeds so well as both a celebration of erotic self-discovery and denunciation of patriarchal power structures. Corsini is lean and precise in both her script and direction. The first kiss between the lovers is seen in long shot from an obscure angle that makes the viewer question if anything really happened. Then Corsini cuts to a shot of them in a car, and we expect but do not receive a dialogue concerning the kiss, after which Suzanne is shown in bed with her husband, reading because of an apparent inability to sleep.Scott-Thomas gives a performance of exacting physicality. In the beginning, she is all limbs and no center, observing her own body with curious amusement. Her first tryst with Ivan is accomplished through an almost paralytic clinging, as if she is a dead battery charging itself. Before attaining the perfect harmony of body and mind, there is an interim transformation during which her husband accurately if disparagingly describes her as a bitch in heat.Samuels fury at his wifes defection explodes with the incredulous rage of a factory owner whose workers have gone on strike. You are my wife! he insists, reducing her to a possession without a personal identity. All the rules of civility between human beings are forgotten in the ensuing battle between the former partners in a now ruptured marriage.In transgressing the boundaries of class as well as the limits of sexual fidelity, Suzanne loses her bourgeois privileges and becomes subject to the economic harassment of the those controlling the chains of finance, from the banks to the justice system. In the end, the lovers are outlaws, frolicking in the lusciousness of the natural world, while the distant sound of police sirens echo Raymond Chandlers aphorism that you can say goodbye to just about anything except the cops
Output: Question: Who did Suzanne's husband hire to build her an office?, Answer: Spaniard Ivan
There have been so many variations on D.H. Lawrences Lady Chatterleys Lover over the past eighty years that it has become almost a genre of its own. Few, however, have been as successful in elucidating Lawrences theme of the psychic need to integrate mind and body into a single life force as Catherine Corsinis Leaving.Suzanne (Kristin Scott-Thomas) is an English woman who tries to leave her French husband Samuel (Yvan Attal) after becoming sexually involved with Spaniard Ivan (Sergi Lopez) an ex-convict who had been hired to build an office for her physiotherapy business in the back yard of their bourgeois estate. Samuel uses every means at his disposal , from cutting off her finances to threatening prison for her lover, to keep her in the house, until she finds but one means of exit.It is to both Corsini and Scott-Thomas credit that such a stale premise has resulted in a movie that succeeds so well as both a celebration of erotic self-discovery and denunciation of patriarchal power structures. Corsini is lean and precise in both her script and direction. The first kiss between the lovers is seen in long shot from an obscure angle that makes the viewer question if anything really happened. Then Corsini cuts to a shot of them in a car, and we expect but do not receive a dialogue concerning the kiss, after which Suzanne is shown in bed with her husband, reading because of an apparent inability to sleep.Scott-Thomas gives a performance of exacting physicality. In the beginning, she is all limbs and no center, observing her own body with curious amusement. Her first tryst with Ivan is accomplished through an almost paralytic clinging, as if she is a dead battery charging itself. Before attaining the perfect harmony of body and mind, there is an interim transformation during which her husband accurately if disparagingly describes her as a bitch in heat.Samuels fury at his wifes defection explodes with the incredulous rage of a factory owner whose workers have gone on strike. You are my wife! he insists, reducing her to a possession without a personal identity. All the rules of civility between human beings are forgotten in the ensuing battle between the former partners in a now ruptured marriage.In transgressing the boundaries of class as well as the limits of sexual fidelity, Suzanne loses her bourgeois privileges and becomes subject to the economic harassment of the those controlling the chains of finance, from the banks to the justice system. In the end, the lovers are outlaws, frolicking in the lusciousness of the natural world, while the distant sound of police sirens echo Raymond Chandlers aphorism that you can say goodbye to just about anything except the cops
Output: Question: Who does Suzanne reunite with after killing Samuel?, Answer: <No Answer>
There have been so many variations on D.H. Lawrences Lady Chatterleys Lover over the past eighty years that it has become almost a genre of its own. Few, however, have been as successful in elucidating Lawrences theme of the psychic need to integrate mind and body into a single life force as Catherine Corsinis Leaving.Suzanne (Kristin Scott-Thomas) is an English woman who tries to leave her French husband Samuel (Yvan Attal) after becoming sexually involved with Spaniard Ivan (Sergi Lopez) an ex-convict who had been hired to build an office for her physiotherapy business in the back yard of their bourgeois estate. Samuel uses every means at his disposal , from cutting off her finances to threatening prison for her lover, to keep her in the house, until she finds but one means of exit.It is to both Corsini and Scott-Thomas credit that such a stale premise has resulted in a movie that succeeds so well as both a celebration of erotic self-discovery and denunciation of patriarchal power structures. Corsini is lean and precise in both her script and direction. The first kiss between the lovers is seen in long shot from an obscure angle that makes the viewer question if anything really happened. Then Corsini cuts to a shot of them in a car, and we expect but do not receive a dialogue concerning the kiss, after which Suzanne is shown in bed with her husband, reading because of an apparent inability to sleep.Scott-Thomas gives a performance of exacting physicality. In the beginning, she is all limbs and no center, observing her own body with curious amusement. Her first tryst with Ivan is accomplished through an almost paralytic clinging, as if she is a dead battery charging itself. Before attaining the perfect harmony of body and mind, there is an interim transformation during which her husband accurately if disparagingly describes her as a bitch in heat.Samuels fury at his wifes defection explodes with the incredulous rage of a factory owner whose workers have gone on strike. You are my wife! he insists, reducing her to a possession without a personal identity. All the rules of civility between human beings are forgotten in the ensuing battle between the former partners in a now ruptured marriage.In transgressing the boundaries of class as well as the limits of sexual fidelity, Suzanne loses her bourgeois privileges and becomes subject to the economic harassment of the those controlling the chains of finance, from the banks to the justice system. In the end, the lovers are outlaws, frolicking in the lusciousness of the natural world, while the distant sound of police sirens echo Raymond Chandlers aphorism that you can say goodbye to just about anything except the cops
Output: Question: What did Suzanne sold at gas station?, Answer: <No Answer>
There have been so many variations on D.H. Lawrences Lady Chatterleys Lover over the past eighty years that it has become almost a genre of its own. Few, however, have been as successful in elucidating Lawrences theme of the psychic need to integrate mind and body into a single life force as Catherine Corsinis Leaving.Suzanne (Kristin Scott-Thomas) is an English woman who tries to leave her French husband Samuel (Yvan Attal) after becoming sexually involved with Spaniard Ivan (Sergi Lopez) an ex-convict who had been hired to build an office for her physiotherapy business in the back yard of their bourgeois estate. Samuel uses every means at his disposal , from cutting off her finances to threatening prison for her lover, to keep her in the house, until she finds but one means of exit.It is to both Corsini and Scott-Thomas credit that such a stale premise has resulted in a movie that succeeds so well as both a celebration of erotic self-discovery and denunciation of patriarchal power structures. Corsini is lean and precise in both her script and direction. The first kiss between the lovers is seen in long shot from an obscure angle that makes the viewer question if anything really happened. Then Corsini cuts to a shot of them in a car, and we expect but do not receive a dialogue concerning the kiss, after which Suzanne is shown in bed with her husband, reading because of an apparent inability to sleep.Scott-Thomas gives a performance of exacting physicality. In the beginning, she is all limbs and no center, observing her own body with curious amusement. Her first tryst with Ivan is accomplished through an almost paralytic clinging, as if she is a dead battery charging itself. Before attaining the perfect harmony of body and mind, there is an interim transformation during which her husband accurately if disparagingly describes her as a bitch in heat.Samuels fury at his wifes defection explodes with the incredulous rage of a factory owner whose workers have gone on strike. You are my wife! he insists, reducing her to a possession without a personal identity. All the rules of civility between human beings are forgotten in the ensuing battle between the former partners in a now ruptured marriage.In transgressing the boundaries of class as well as the limits of sexual fidelity, Suzanne loses her bourgeois privileges and becomes subject to the economic harassment of the those controlling the chains of finance, from the banks to the justice system. In the end, the lovers are outlaws, frolicking in the lusciousness of the natural world, while the distant sound of police sirens echo Raymond Chandlers aphorism that you can say goodbye to just about anything except the cops
Output: Question: What does Suzanne do for a living?, Answer: sexually involved with Spaniard Ivan
There have been so many variations on D.H. Lawrences Lady Chatterleys Lover over the past eighty years that it has become almost a genre of its own. Few, however, have been as successful in elucidating Lawrences theme of the psychic need to integrate mind and body into a single life force as Catherine Corsinis Leaving.Suzanne (Kristin Scott-Thomas) is an English woman who tries to leave her French husband Samuel (Yvan Attal) after becoming sexually involved with Spaniard Ivan (Sergi Lopez) an ex-convict who had been hired to build an office for her physiotherapy business in the back yard of their bourgeois estate. Samuel uses every means at his disposal , from cutting off her finances to threatening prison for her lover, to keep her in the house, until she finds but one means of exit.It is to both Corsini and Scott-Thomas credit that such a stale premise has resulted in a movie that succeeds so well as both a celebration of erotic self-discovery and denunciation of patriarchal power structures. Corsini is lean and precise in both her script and direction. The first kiss between the lovers is seen in long shot from an obscure angle that makes the viewer question if anything really happened. Then Corsini cuts to a shot of them in a car, and we expect but do not receive a dialogue concerning the kiss, after which Suzanne is shown in bed with her husband, reading because of an apparent inability to sleep.Scott-Thomas gives a performance of exacting physicality. In the beginning, she is all limbs and no center, observing her own body with curious amusement. Her first tryst with Ivan is accomplished through an almost paralytic clinging, as if she is a dead battery charging itself. Before attaining the perfect harmony of body and mind, there is an interim transformation during which her husband accurately if disparagingly describes her as a bitch in heat.Samuels fury at his wifes defection explodes with the incredulous rage of a factory owner whose workers have gone on strike. You are my wife! he insists, reducing her to a possession without a personal identity. All the rules of civility between human beings are forgotten in the ensuing battle between the former partners in a now ruptured marriage.In transgressing the boundaries of class as well as the limits of sexual fidelity, Suzanne loses her bourgeois privileges and becomes subject to the economic harassment of the those controlling the chains of finance, from the banks to the justice system. In the end, the lovers are outlaws, frolicking in the lusciousness of the natural world, while the distant sound of police sirens echo Raymond Chandlers aphorism that you can say goodbye to just about anything except the cops
Output: Question: With whom was Suzanne in affair with?, Answer: Ivan
There have been so many variations on D.H. Lawrences Lady Chatterleys Lover over the past eighty years that it has become almost a genre of its own. Few, however, have been as successful in elucidating Lawrences theme of the psychic need to integrate mind and body into a single life force as Catherine Corsinis Leaving.Suzanne (Kristin Scott-Thomas) is an English woman who tries to leave her French husband Samuel (Yvan Attal) after becoming sexually involved with Spaniard Ivan (Sergi Lopez) an ex-convict who had been hired to build an office for her physiotherapy business in the back yard of their bourgeois estate. Samuel uses every means at his disposal , from cutting off her finances to threatening prison for her lover, to keep her in the house, until she finds but one means of exit.It is to both Corsini and Scott-Thomas credit that such a stale premise has resulted in a movie that succeeds so well as both a celebration of erotic self-discovery and denunciation of patriarchal power structures. Corsini is lean and precise in both her script and direction. The first kiss between the lovers is seen in long shot from an obscure angle that makes the viewer question if anything really happened. Then Corsini cuts to a shot of them in a car, and we expect but do not receive a dialogue concerning the kiss, after which Suzanne is shown in bed with her husband, reading because of an apparent inability to sleep.Scott-Thomas gives a performance of exacting physicality. In the beginning, she is all limbs and no center, observing her own body with curious amusement. Her first tryst with Ivan is accomplished through an almost paralytic clinging, as if she is a dead battery charging itself. Before attaining the perfect harmony of body and mind, there is an interim transformation during which her husband accurately if disparagingly describes her as a bitch in heat.Samuels fury at his wifes defection explodes with the incredulous rage of a factory owner whose workers have gone on strike. You are my wife! he insists, reducing her to a possession without a personal identity. All the rules of civility between human beings are forgotten in the ensuing battle between the former partners in a now ruptured marriage.In transgressing the boundaries of class as well as the limits of sexual fidelity, Suzanne loses her bourgeois privileges and becomes subject to the economic harassment of the those controlling the chains of finance, from the banks to the justice system. In the end, the lovers are outlaws, frolicking in the lusciousness of the natural world, while the distant sound of police sirens echo Raymond Chandlers aphorism that you can say goodbye to just about anything except the cops
Output: Question: What does Suzanne use to kill Samuel?, Answer: <No Answer>
Following the Gill-man's escape from Ocean Harbor, Florida, a team of scientists led by the deranged and cold-hearted Dr. William Barton (Jeff Morrow) board the Vagabondia III to capture the creature in the Everglades. Barton is mentally unstable and apparently an abusive husband to his wife Marcia (Leigh Snowden), as he becomes very jealous and paranoid when Marcia is with other men. Their guide Jed Grant (Gregg Palmer) makes numerous passes on Marcia, with Barton becoming paranoid about the two.Marcia accompanies Jed and Dr. Tom Morgan (Rex Reason) on their initial dive to look for the Gill-man, despite her husband's fierce objections. During the dive, Marcia swims too deep and is overcome with the "raptures of the deep," temporarily losing her mind, removing all her scuba gear. This forces Jed and Tom to abandon their hunt for the Gill Man to swim back and save her.During the capture, the creature is badly burned in a fire leading to a surgical transformation performed by Barton, Tom and their colleagues Dr. Borg (Maurice Manson) and Dr. Johnson (James Rawley). While bandaging the Gill-man, the doctors notice that he is shedding his gills and even breathing using a kind of lung system. Now that the creature has more human-like skin, he is given clothing. The doctors attempt to get the Gill-man used to living among humans. Although his life is saved, he is apparently unhappy, staring despondently at the ocean.Barton ruins the plans when, in a murderous rage, he kills Jed, jealous that he had made romantic advances towards his wife. Realizing what he has done, Barton then tries to put the blame on the Gill-man. The Gill-man, witnessing the killing, and apparently realizing that he is being blamed for the murder, goes on a rampage. After ripping down the confining electric fence, he kills Barton and then slowly walks back to the sea. He is last seen on a beach, advancing towards the ocean, but with his human-like lungs, the Gill-man's return to the ocean will lead him to death from drowning.
Output: Question: Who does Barton murder?, Answer: Jed