Context_1 : Victoria Loren "Tori" Kelly (born December 14, 1992) is an American singer, songwriter, record producer and voice actress who slowly gained recognition after starting to post videos on YouTube at the age of 14. When she was 16, Kelly auditioned for the singing competition television series "American Idol". After being eliminated from the show, Kelly began to work on her own music. In 2012, she independently released her first EP that she produced, wrote, and mixed herself, titled "Handmade Songs By Tori Kelly". The following year, Scooter Braun became her manager after seeing her videos on YouTube and introduced her to Capitol Records, with whom she signed in September. Kelly's second EP "Foreword" came out in October 2013 as her first major label release. On June 23, 2015, Kelly's debut album, "Unbreakable Smile", was released. The lead single, "Nobody Love", was released in February 2015 and became her first US "Billboard" Hot 100 appearance. Kelly was nominated for Best New Artist at the 58th Grammy Awards. She voiced a shy teenage elephant named Meena in the 2016 animated film "Sing". Context_2 : "Should've Been Us" is a song recorded by American singer and songwriter Tori Kelly for her debut studio album "Unbreakable Smile" (2015). Written by Kelly with Ludvig Söderberg, Jakob Jerlström, Oscar Holter, Laleh Pourkarim, Alexander Kronlund and James Alan, and produced by The Struts and Holter, the song was sent to US mainstream radio as the second single from the album on June 2, 2015. A remix of the song featuring American singer Jeremih was released digitally in the United Kingdom on September 10, 2015, as Kelly's first single there. Context_3 : See All Her Faces is the seventh studio album by singer Dusty Springfield, originally released on the Philips Records label in 1972. It contains a mixture of tracks from different recording sessions; some tracks were recorded with Jeff Barry for an aborted third album for Atlantic Records, other tracks were recorded for Philips in the UK between April and July 1970 – these came to be Springfield's final recordings with longtime producer and arranger Johnny Franz. Some, such as "Willie and Laura Mae Jones", recorded with Jerry Wexler, Tom Dowd and Arif Mardin, had been previously released as singles in the US. "See All Her Faces" collects many of those tracks, recorded from 1969 to 1971, placing seven of the British recordings on Side A, while Side B comprises tracks recorded both in the UK and the US. As a result, the album has no cohesive sound, but offers many different styles of music. The album boasts eight producers, including Springfield herself. It has been suggested that "See All Her Faces" is best appreciated track by track, rather than as a whole stylistic statement, as her album "Dusty in Memphis" is often praised to be. Context_4 : The discography of English pop singer Dusty Springfield includes twenty one studio albums, one live album, thirty compilations, four extended plays and sixty-nine singles. Some of Springfield's albums and singles were planned for release but left unreleased in intended form to this day, most notably 1974's "Longing". Additionally, many of her early US album releases were released by the US arm of Philips Records, using material recorded in England and America with US and UK single releases included and re-ordered. Thus, these album releases were often collections of her recordings that were not intended by Springfield to have been released as proper albums at all. From 1969 on through 2015, her albums were released simultaneously in the US and the UK, though occasionally with different names and artwork, but the same track listings. Only 1968's "Dusty... Definitely" and 1972's "See All Her Faces" (both released only in the UK) and 1982's "White Heat" (released only the US) deviated from that format. Context_5 : That's the Way Love Is is the tenth studio album by soul musician Marvin Gaye, released on January 8, 1970, on the Tamla (Motown) label. Built on the success of the title track (#7 US Pop, #2 US R&B in late 1969) originally taken from "M.P.G.", and much like Gaye's "I Heard It Through The Grapevine" after its success, was released with intent to sell albums based on the success of one particular single (a Motown trademark). Gaye was showing signs of disillusionment from the label's powers-that-be mentality but it didn't affect the singer's performance as he gave a powerful vocal in the title track and was especially impressive with his version of The Beatles' "Yesterday". He achieved some success with a cover version of "How Can I Forget?" (originally recorded by The Temptations), which just missed out on the US Pop Top 40, making #41, and reached #18 on the R&B Charts. It's B-Side, a cover of Jimmy Ruffin's "Gonna Give Her All the Love I've Got", made a separate chart entry, and peaked at #67 and #27 on the Pop and Soul Charts respectively. Gaye also recorded a version of Ruffin's "Don't You Miss Me a Little Bit Baby" for the album. The LP also features Gaye's rendition of the socially conscious tune "Abraham, Martin & John", which became a hit in the UK, peaking at #9 in June 1970. The single (and that of his duet single with Tammi Terrell titled "The Onion Song") is widely regarded as a hint of what would follow a year later with his "What's Going On". He also covered The Temptations' hits "I Wish It Would Rain" and "Cloud Nine". Context_6 : "Ego" is a song recorded by American singer Beyoncé for the deluxe edition of her third studio album, "I Am... Sasha Fierce" (2008). The song was composed by Elvis Williams, Harold Lilly, and Beyoncé. "Ego" was officially remixed with additional vocals from hip hop artist, Kanye West. Initially planned to be released in January 2009 as the second urban single in the US along with the fourth US and third international single "Halo", the release of "Ego" was canceled and replaced by "Diva". "Ego" was later serviced as the third urban single, and fifth overall single in the US on May 19, 2009 alongside the sixth US and fourth international single "Sweet Dreams". Context_7 : The Look of Love is the fifth album by singer Dusty Springfield to be released in the US, issued on the Philips Records label in late 1967. It gathered seven tracks from Springfield's British 1967 album "Where Am I Going?" with both the A- and B-sides of the singles "Give Me Time"/"The Look of Love" and "What's It Gonna Be"/"Small Town Girl" and became Springfield's final release on the Philips label in the US. In early 1968 she signed with Atlantic Records in America and as a consequence her 1968 album "Dusty... Definitely", recorded for Philips in the UK, was never issued in the US at the time and her next LP to be released on the North American market instead became her keynote work "Dusty in Memphis". The tracks from the entire "Dusty...Definitely" album, the British recordings on the 1972 release "See All Her Faces" as well as a series of A- and B-side singles recorded in the UK between the years 1968 and 1972 were all first issued in the US in 1999 on the Rhino/Atlantic Records compilation "Dusty in London". Context_8 : Paul Begaud is an Australian born songwriter, record producer and singer. He has written and/or produced songs for artists including Delta Goodrem, Tina Arena, Human Nature, Terri Clark, Honeyz, R&B Singer Selwyn (singer), Donny Osmond and country hall of fame star Wynonna Judd. Begaud’s most notable songs include the US Country #1 “Now That I Found You” recorded by Terri Clark and the UK R&B #1 “End of the Line” (Top 5 UK Pop Charts) recorded by UK girl group Honeyz. Begaud also composed the song “Dare to Dream” for the Sydney Olympic Games Opening Ceremony performed by Olivia Newton-John and John Farnham before a global audience of 4.5 billion. Begaud is a 3 x ARIA Producer Of The Year nominee. Context_9 : Moving Along (self-titled in the US) is the fourth studio album by Australian soul/R&B singer Renée Geyer, and her first to be recorded in the US and released internationally. It was produced by famed Motown musician Frank Wilson who assembled the cream of US session players to back Geyer. Some notables were members of Stevie Wonder's band including Nathan Watts, Ray Parker Jr., Motown's most famous bass guitarist and Funk Brother James Jamerson, on backing vocals, Venetta Fields, and Mal and Barry from The Renée Geyer Band at Geyer's insistence. For this album, she re-recorded her Australian hit "Heading in the Right Direction" for the US market. Context_10 : American singer Cassie Ventura, known mononymously as Cassie, has released one studio album, one mixtape, twelve singles (including three as a featured artist) and eleven music videos. She recorded her first song, "Kiss Me", with Ryan Leslie for her mother's birthday in February 2005. Leslie then signed Ventura to his NextSelection imprint, writing and producing her first single "Me & U" that same year. The song soon went viral after made available on her MySpace page and became a club hit in Germany. In the meantime, Diddy partnered with Leslie to release Ventura's self-titled debut album "Cassie" in August 2006, through Bad Boy and Atlantic Records. The album debuted at number four on the US "Billboard" 200 and charted within the top forty in the UK Albums Chart, where it later received a Silver certification by the British Phonographic Industry. "Me & U" peaked in the top ten of several countries, including number three on the US "Billboard" Hot 100 and spent seven weeks atop the US Airplay chart, being certified Platinum by the Recording Industry Association of America selling over one million digital downloads. The follow-up "Long Way 2 Go" was the final single of the album and despite less successful in the US, it went on to peak within the top forty of various other countries. fact_1 : "Should've Been Us" is a song recorded by American singer and songwriter Tori Kelly for her debut studio album "Unbreakable Smile" (2015). fact_2 : Victoria Loren "Tori" Kelly (born December 14, 1992) is an American singer, songwriter, record producer and voice actress who slowly gained recognition after starting to post videos on YouTube at the age of 14. Question: When was the singer that recorded "Should've Been Us" born?
Output: December 14, 1992