Context_1 : Death and Life (Italian: Morte e Vita) is an oil on canvas painting by Austrian symbolist painter, Gustav Klimt whose primary subject was the female body. His paintings, murals, and sketches are marked by a sensual eroticism, which is especially apparent in his pencil drawings. The painting was started in 1908 and completed in 1915. It is created in an Art Nouveau (Modern) style by use of allegorical painting genre during Golden phase. The painting measures 178 by 198 centimeters and is now housed at the Leopold Museum in Vienna. Context_2 : Judith and the Head of Holofernes (also known as Judith I) is an oil painting by Gustav Klimt created in 1901. It depicts the biblical character of Judith holding the severed head of Holofernes. Context_3 : Danaë is an oil painting by Gustav Klimt, created in 1907. An example of Symbolism, the canvas measures 77 x 83 cm, and is in the Galerie Würthle in Vienna. Danaë was a popular subject in the early 1900s for many artists; she was used as the quintessential symbol of divine love, and transcendence. Context_4 : Egon Schiele (] ; 12 June 1890 – 31 October 1918) was an Austrian painter. A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century. His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including naked self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism. Context_5 : Gustav Klimt (July 14, 1862 – February 6, 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. In addition to his figurative works, which include allegories and portraits, he painted landscapes. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods. Context_6 : Anne-Marie O'Connor is an American journalist and writer who authored The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer, the bestselling story of the battle by Vienna emigre Maria Altmann to reclaim five Gustav Klimt paintings from her native Austria in an eight-year legal battle by Los Angeles attorney E. Randol Schoenberg; a saga that also inspired a Harvey Weinstein movie, Woman in Gold, in which Helen Mirren played Maria Altmann. Context_7 : Hope I is an oil painting created by Gustav Klimt in 1903. It is 189 cm x 67 cm and currently located in the National Gallery of Canada, Ottawa. The main subject of this work is a pregnant, nude female. She is holding her hands together above her stomach and close to her chest. She gazes directly at the viewer and has a great mass of hair with a crown of forget-me-not flowers placed on her head. The scene is beautiful upon first glance but once the viewer’s eyes move to the background, deathlike figures become noticeably present. Context_8 : Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, , a Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. In 2006, following eight years of effort by the Bloch-Bauer heirs, the painting was returned to the family; it was sold the same year for $135 million, at the time a record price for a painting. Context_9 : Portrait of Wally is a 1912 oil painting by Austrian painter Egon Schiele of Walburga "Wally" Neuzil, a woman whom he met in 1911 when he was 21 and she was 17. She became his lover and model for several years, depicted in a number of Schiele's most striking paintings. The painting was obtained by Rudolf Leopold in 1954 and became part of the collection of the Leopold Museum when it was established by the Austrian government, purchasing 5,000 pieces that Leopold had owned. Near the end of a 1997–1998 exhibit of Schiele's work at the Museum of Modern Art in New York, the painting's ownership history was revealed in an article published in "The New York Times". After the publication, the heirs of Lea Bondi Jaray, to whom the work had belonged before World War II, contacted the New York County District Attorney who issued a subpoena forbidding its return to Austria. The work was tied up in litigation for years by Bondi's heirs, who claimed that the painting was Nazi plunder and should have been returned to them. Context_10 : Portrait of a Lady is an 1916-17 oil on canvas painting by Gustav Klimt. The painting measures 60 x . It depicts a portrait of a female figure, composed in an unusually lively expressionistic style. It was acquired by the Galleria Ricci-Oddi in Piacenza in 1925. fact_1 : Portrait of Wally is a 1912 oil painting by Austrian painter Egon Schiele of Walburga "Wally" Neuzil, a woman whom he met in 1911 when he was 21 and she was 17. fact_2 : Egon Schiele (] ; 12 June 1890 – 31 October 1918) was an Austrian painter. fact_3 :  A protégé of Gustav Klimt, Schiele was a major figurative painter of the early 20th century. fact_4 :  His work is noted for its intensity and its raw sexuality, and the many self-portraits the artist produced, including naked self-portraits. Question:  Portrait of Wally is a 1912 oil painting by a protégé of Gustav Klimt whose work is noted for its intensity and what?
Output: raw sexuality