Context_1 : Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. This dance, together with the Jota, became popular among the "illustrados" or the upper class and later adapted among the local communities. In the early 18th century, any dance that is considered jovial and lively was called Pandanggo. Context_2 : Clogging is a type of folk dance in which the dancer's footwear is used percussively by striking the heel, the toe, or both against a floor or each other to create audible rhythms, usually to the downbeat with the heel keeping the rhythm. The dance style has recently fused with others including African-American rhythms, and the Peruvian dance "zapateo" (which may in itself be derived from early European clog dances), resulting in the birth of newer street dances, such as tap, locking, jump, hakken, stomping, Gangsta Walking, and the Candy Walk dance. The use of wooden-soled clogs is rarer in the more modern dances since clog shoes are not commonly worn in urban society, and other types of footwear have replaced them in their evolved dance forms. Clogging is often considered the first form of street dance because it evolved in urban environments during the industrial revolution. Context_3 : Kerala Natanam ( കേരള നടനം ) (Kerala Dance) is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama. The Indian dancer Guru Gopinath ( ഗുരു ഗോപിനാഥ്‌ ) a well-trained Kathakali artist and his wife Thankamani Gopinath who was the first student of Mohiniyattam in Kerala Kalamandalam developed a unique structure for teaching and performing classical dance forms of India whose origins are from Kathakali. Solo, duets, dance dramas and traditional folk dances were the material they chose. Context_4 : Acolouthia (Greek: ἀκολουθία, "a following"; Slavonic: "posledovanie") in the Eastern Orthodox and Eastern Catholic churches, signifies the arrangement of the Divine Services (Canonical Hours or Divine Office), perhaps because the parts are closely connected and follow in order. In a more restricted sense, the term "acolouth" refers to the "fixed" portion of the Office (which does not change daily). The portions of the Office that are "variable" are called the Sequences. While the structure and history of the various forms of the Divine Office in the numerous ancient Christian rites is exceedingly rich, the following article will restrict itself to the practice as it evolved in the Eastern Roman (Byzantine) Empire. Context_5 : The unidentified infrared emission (UIR or UIE) bands are infrared discrete emissions from circumstellar regions, interstellar media, star-forming regions and extragalactic objects for which the identity of the emitting materials is unknown. The main infrared features occur around 3.3, 6.2, 7.7, 8.6, 11.2, and 12.7 μm, although there are many other weak emission features within the ~ 5–18 μm spectral range. In the 1980s, astronomers discovered that the origin of the UIR emission bands is inherent in compounds made of aromatic C–H and C=C chemical bonds, and hypothesized that the materials responsible should be polycyclic aromatic hydrocarbon (PAH) molecules. Nevertheless, data recorded with the ESA's Infrared Space Observatory and NASA's Spitzer Space Telescope have suggested that the UIR emission bands arise from compounds that are far more complex in composition and structure than PAH molecules. Moreover, the UIR bands follow a clear evolutionary spectral trend that is linked to the lifespan of the astronomical source; from the time the UIR bands first appear around evolved stars in the protoplanetary nebula stage to evolved stages such as the planetary nebula phase. Context_6 : Ronda de Salsa, also known as Ronda Manila or simply "Ronda," is a group dance inspired by Rueda de Casino. The dance was invented at the Asian Social Institute in an attempt to energize a disintegrating Filipino-Hispanic culture through a fusion of a local Hispanic dance called Pandanggo and a popular modern dance, Salsa, which for decades has been making waves in other Hispanic countries. Context_7 : Viral eukaryogenesis is the hypothesis that the cell nucleus of eukaryotic life forms evolved from a large DNA virus in a form of endosymbiosis within a methanogenic archaeon. The virus later evolved into the eukaryotic nucleus by acquiring genes from the host genome and eventually usurping its role. The hypothesis was proposed by Philip Bell in 2001 and gained support as large, complex DNA viruses (such as Mimivirus) capable of protein biosynthesis were discovered. Most recently, it was revealed that upon the infection of a bacterial cell, the giant bacteriophage 201Phi2-1 assembles a nucleus-like structure that segregates proteins according to function . This nucleus-like structure and its key properties have been found conserved in the related phages. This also strengthens the hypothesis of Viral eukaryogenesis. Context_8 : Hip-hop dance refers to street dance styles primarily performed to hip-hop music or that have evolved as part of hip-hop culture. It includes a wide range of styles primarily breaking which was created in the 1970s and made popular by dance crews in the United States. The television show "Soul Train" and the 1980s films "Breakin'", "Beat Street", and "Wild Style" showcased these crews and dance styles in their early stages; therefore, giving hip-hop mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to choreograph from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces. Context_9 : Fandango is a lively couples dance from Spain, usually in triple metre, traditionally accompanied by guitars, castanets, or hand-clapping ("palmas" in Spanish). Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. Context_10 : In some types of partner dance, lead and follow are designations for the two dancers comprising a dance couple. In the case of mixed-sex couples, the male is traditionally the Lead and the female is the Follow. The Lead is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The Lead communicates choices to the Follow and directs the Follow by means of subtle physical and visual signals, thereby allowing the couple to be smoothly coordinated. fact_1 :  The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. fact_2 :  Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Question: What structure does the dance that evolved into Pandanggo follow?
Output: cante