Context_1 : The View From Nowhere is a book by philosopher Thomas Nagel. Published by Oxford University Press in 1986, the book contrasts passive and active points of view in how humanity interacts with the world, relying either on a subjective perspective that reflects a point of view or an objective perspective that takes a more detached perspective. Nagel describes the objective perspective as the "view from nowhere," one where the only valuable ideas are ones derived independently. Context_2 : Children's poetry is poetry written for, or appropriate for children. This may include folk poetry (for example, Mother Goose rhymes); poetry written intentionally for young people (e.g. Shel Silverstein); poetry written originally for adults, but appropriate for young people (Ogden Nash); and poems taken from prose works (Lewis Carroll, Rudyard Kipling). Context_3 : New Journalism is a style of news writing and journalism, developed in the 1960s and 1970s, which uses literary techniques deemed unconventional at the time. It is characterized by a subjective perspective, a literary style reminiscent of long-form non-fiction and emphasizing "truth" over "facts," and intensive reportage in which reporters immersed themselves in the stories as they reported and wrote them. This was in contrast to traditional journalism where the journalist was typically "invisible" and facts are reported as objectively as possible. The phenomenon of New Journalism is generally considered to have ended by the early 1980s. Context_4 : Japanese poetry is poetry of or typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, and some poetry in Japan which was written in the Chinese language or "ryūka" from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, "Shijing", was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese "kanshi"); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this "kanshi" poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as "waka", "haikai", and other more Japanese poetic specialties. For example, in the "Tale of Genji" both "kanshi" and "waka" are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself (710 to 794), the Heian period (794 to 1185), the Kamakura period (1185 to 1333), and so on, up through the poetically important Edo period (1603 and 1867, also known as "Tokugawa") and modern times; however, the history of poetry often is different than socio-political history. Context_5 : Modern Chinese poetry, including New poetry (: "xīnshī" ), refers to post Qing Dynasty (1644 to 1912) Chinese poetry, including the modern vernacular ("baihua") style of poetry increasingly common with the New Culture and 4 May 1919 movements, with the development of experimental styles such as "free verse" (as opposed to the traditional Chinese poetry written in Classical Chinese language); but, also including twentieth and twenty-first century continuations or revivals of Classical Chinese poetry forms. Some modern Chinese poetry represents major new and modern developments in the poetry of one of the world's larger areas, as well as other important areas sharing this linguistic affinity. One of the first writers of poetry in the modern Chinese poetry mode was Hu Shih (1891–1962). Context_6 : This is a list of Chinese poems in the broad sense of referring to those poems which have been written in Chinese, translated from Chinese, authored by a Chinese poet, or which have a Chinese geographic origin. Chinese poems are poetry written, spoken, or chanted in the Chinese language. The various versions of Chinese include Classical Chinese, Standard Chinese and other historical and vernacular types. In other words, "Chinese poetry" refers to poetry written or spoken in the Chinese language. The various versions of Chinese poetry, as known historically and to the general knowledge of the modern world, include two primary types, "Classical Chinese poetry" and "modern Chinese poetry". Context_7 : Jack Henry Abbott (January 21, 1944 – February 10, 2002) was an American criminal and author. He was released from prison in 1981, while serving sentences for forgery, manslaughter and bank robbery, after gaining praise for his writing and being lauded by a number of high-profile literary critics, including author Norman Mailer. Six weeks after being released, he claims to have mistook the intentions of a person who displayed no threat objectively, fatally stabbed him, was convicted of manslaughter, and returned to prison, where he committed suicide in 2002. He self-described his life as being a "state raised convict", spending much of his life since age 12 in confinement in state facilities, including solitary confinement. He wrote that because of confinement with other violent offenders from whom he could not escape, he developed a subjective perspective that every encounter was potentially threatening. Context_8 : Ernst Stadler (11 August 1883 — 30 October 1914) was a German Expressionist poet. He was born in Colmar, Alsace-Lorraine and educated in Strasbourg and Oxford; in 1906 he was awarded a Rhodes Scholarship to study at Magdalen College, Oxford. Context_9 : Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists sought to express the meaning of emotional experience rather than physical reality. Context_10 : Pan African School of Theology (PAST) is an evangelical theological college located in Nyahururu, Kenya. PAST is a globally significant entity as the first academic institution in the world solely dedicated to engaging men and women of African descent in scholarly dialogue over Pan-African issues in theology and ethnic teleology from a Biblical perspective. fact_1 : Ernst Stadler (11 August 1883 — 30 October 1914) was a German Expressionist poet. fact_2 : Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. fact_3 :  Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Question: What kind of poetry written by Ernst Stadler presented the world solely from a subjective perspective?
Output: Expressionism