Context_1 : The Umbrellas of Cherbourg (French: Les Parapluies de Cherbourg ) is a 1964 French-German romantic musical film directed by Jacques Demy, starring Catherine Deneuve and Nino Castelnuovo. The music was written by Michel Legrand. The film dialogue is all sung as recitative, including casual conversation (similar in style to an opera). Context_2 : Roger David Edward Nichols (born 6 April 1939) is an English music scholar, critic, translator and author. After an early career as a university lecturer he became a full-time freelance writer in 1980. He is particularly known for his works on French music, including books about Claude Debussy, Maurice Ravel and the Parisian musical scene of the years after the First World War. Among his translations is the English version of the standard biography of Gabriel Fauré by Jean-Michel Nectoux. Nichols was decorated by the French authorities in 2006 for his contribution to French musical studies. Context_3 : Nazim Khaled born in Marseille, France is a French songwriter and composer. He grew up in Saint-Étienne and studied at Conservatoire de Saint-Étienne before moving to Paris. He composed a great number of hits, particularly on the French SNEP charts through his cooperation with Amir Haddad, Chimene Badi, Kendji Girac, Yannick Noah and Sindy amongst others. He co-wrote and co-produced "J'ai cherché", the French entry to Eurovision Song Contest 2016 performed by Amir, and "Requiem", the French entry to the Eurovision Song Contest 2017 performed by Alma. He also composed for the French musical "La Légende du roi Arthur" (full title "La Légende du roi Arthur: Quand l'amour change le cours de l'histoire") in 2015. Context_4 : Belles belles belles is a French musical based on songs of Claude François, with music by Claude François, Jean-Pierre Bourtayre and Carolin Petit and lyrics by Claude François and Daniel Moyne. It premiered at Olympia in Paris on November 21, 2003. The production was directed and choreographed by Redha, with costumes by Vanessa Coquet and Cécilia Sebaoun and settings by Dominique Lebourges. The producers were Gérard Louvin, GLEM productions and Claude François junior. It's the first French jukebox musical. Context_5 : Étienne-Joseph Floquet (23 November 174810 May 1785) was a French composer, mainly of operas. He was born in Aix-en-Provence and began his career by writing church music, before moving to Paris in 1767. There, Floquet made a name for himself with the requiem he wrote for the funeral of the composer Jean-Joseph de Mondonville in 1772. Floquet's first work for the Paris Opéra, the "ballet héroïque" "L'union de l'amour et les arts," was a triumph, enjoying 60 performances between its premiere in September 1773 and January 1774. The audience at the premiere was so enthusiastic that the performance had to be stopped several times because of the applause and, at the final curtain, Floquet was presented on stage, the first composer in the history of the Paris Opéra to enjoy such an honour. However, the arrival of the German composer Christoph Willibald Gluck in Paris later that year changed French musical taste and Floquet's style became unfashionable. After the failure of his next opera, "Azolan", Floquet decided to travel to Italy to perfect his musical education. There he studied composition under Nicola Sala in Naples and counterpoint under Padre Martini in Bologna, where he turned momentarily back to church music composing a "Te deum". Context_6 : "I Will Wait for You" is the English version of "Je ne pourrai jamais vivre sans toi", a song from the French musical "The Umbrellas of Cherbourg" ("Les Parapluies de Cherbourg", 1964). Its music was composed by Michel Legrand and the original lyrics written by Jacques Demy. It was performed in the film by Catherine Deneuve, whose voice was dubbed by Danielle Licari. The English lyrics of the song were written by Norman Gimbel. This version was nominated for the Academy Award for Best Song at the 38th Academy Awards held in 1966. Context_7 : Pierre Estève (born February 11, 1961 in Cahors, in the French Pyrenees, is an eclectic singer-songwriter and composer with a wide range of styles, a musician, a contemporary artist acclaimed for his digital installations and sound sculptures, as well as a researcher and a journalist writing for the French musical press. After benefiting from a classical music and orchestra conducting training within the French Conservatoire de Musique institution), he is a specialist of virtual symphonic orchestras and world instruments. He is especially well-known of the public for composing the music for the soundtrack to a lot of video games, ads, documentaries and films. A multi-instrumentalist, he collects instruments from the five continents but also all kinds of natural and sonorous materials. Besides, he creates installations based on interactions between the public with the natural acoustic materials and technologies, and makes use of materials which he creates himself. Context_8 : "Ippolito ed Aricia" was commissioned in 1759 by Guillaume du Tillot, a minister for Philip, Duke of Parma, on behalf of the duke and his wife, Princess Louise Élisabeth of France. At that time, both France and Spain thought of Parma as a strategic point of interest and subsidized the court heavily. The duke and his wife were particularly fond of French opera and Tillot promoted all forms of French musical theater at the court. However, Tillot decided that he wanted to commission an opera for the court that would merge Italian musical idioms, such as beautiful melodies and virtuosic coloratura display, with French dramatic forms like choruses, ballet, and supernatural elements. He approached Carlo Innocenzo Frugoni, court poet of Parma, with the idea of creating such an opera using the Italian text of Rameau's "Hippolyte et Aricie". He agreed, and Tillot proceeded to recruit Tommaso Traetta to compose the music and Count Francesco Algarotti to assist Frugoni with the libretto. Context_9 : Arthur Pougin (] 6 August 1834 – 8 August 1921) was a French musical and dramatic critic and writer. He was born at Châteauroux (Indre) and studied music at the Paris Conservatory under Alard (violin) and Reber (harmony). In 1855 he became conductor at the Théâtre Beaumarchais, and afterward leader at Musard's concerts, subconductor at the Folies-Nouvelles, and from 1860 to 1863 he was first violin at the Opéra-Comique. He was in turn "feuilletoniste" to "Le Soir, La Tribune, L'Événement" and "Le Journal Officiel", besides being a frequent contributor to all the important French musical periodicals. His work in connection with Fétis's "Biographie universelle", for which he prepared a supplement (two volumes, 1878–80), has, however, been found to be lacking in thoroughness. He edited the new edition of Clément and Larousse's "Dictionnaire lyrique". Context_10 : Michel Legrand (born 24 February 1932) is a French musical composer, arranger, conductor, and jazz pianist. Legrand is a prolific composer, having written over 200 film and television scores, in addition to many memorable songs. He is best known for his often haunting, jazz-tinged film music. His celebrated scores for the films of French New Wave director Jacques Demy, "The Umbrellas of Cherbourg" (1964) and "The Young Girls of Rochefort" (1967), earned Legrand his first Academy Award nominations. For "The Thomas Crown Affair" (1968) and its title song, "The Windmills of Your Mind", Legrand won his first Oscar. fact_1 : "I Will Wait for You" is the English version of "Je ne pourrai jamais vivre sans toi", a song from the French musical "The Umbrellas of Cherbourg" ("Les Parapluies de Cherbourg", 1964). fact_2 :  The music was written by Michel Legrand. Question: Who wrote the music for the French musical that the song I Will Wait for You is from?
Output: Michel Legrand