Context_1 : Bianca Lamblin (born Bienenfeld) (April 1921 in Lublin – 5 November 2011) was a French writer who was romantically involved with both Jean-Paul Sartre and his lifelong companion Simone de Beauvoir, for a number of years. Her book, "Mémoires d'une Jeune Fille Dérangée" (published in English under the title, "A Disgraceful Affair"), is an account of her long-lasting involvement with two of the most prominent French thinkers of the twentieth century. In correspondence between Sartre and Beauvoir, the pseudonym Louise Védrine was used when referring to Bianca in "Lettres au Castor" and in "Lettres à Sartre". Lamblin later lamented of being abused by both Sartre and Beauvoir. Context_2 : Parviz Poorhosseini (Persian: پرویز پورحسینی, alternative transliterations include Pervez Pourhosseini, Pour-Hosseini), b. 11 September 1941 in Tehran, Iran, is an Iranian film, theater and television actor. He is best known (outside of Iran) for his roles in "Bashu, the Little Stranger" (1989), "The Fifth Season" (1997) and "Saint Mary" (1997). Other well-known films he has performed in include "The Man Who Became a Mouse" (1985), "The Night it Happened" (1988), "Angel Day" (1993), and "Leila's Sleep" (2007). He graduated with a bachelor's degree in performance arts from Tehran University's Faculty of Fine arts. In 1961, with director Hamid Samandarian, he and other artists formed an acting troupe named Pasargad. Since then, Poorhosseini has appeared in more than 35 movies, over 70 TV shows and 60 theater performances. Context_3 : No Exit (French: "Huis Clos" , ] ) is a 1944 existentialist French play by Jean-Paul Sartre. The original title is the French equivalent of the legal term "in camera", referring to a private discussion behind closed doors. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room. It is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. It is the source of Sartre's especially famous and often misinterpreted quotation "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the and the perpetual ontological struggle of being caused to see oneself as an object from the view of another consciousness. Context_4 : The Jean-Paul Sartre Experience is an EP by New Zealand band Jean-Paul Sartre Experience released in 1986. Context_5 : The Jean-Paul Sartre Experience, later renamed JPS Experience after a lawsuit by the estate of Jean-Paul Sartre, were an indie rock band on New Zealand's Flying Nun Records. Context_6 : The Transcendence of the Ego (French: "La Transcendance de l'ego: Esquisse d'une description phénomenologique" ) is a philosophical and psychological essay written by Jean-Paul Sartre in 1934 and published in 1936. The essay demonstrates Sartre’s transition from traditional phenomenological thinking and most notably his break from Edmund Husserl’s school of thought (phenomenology), and into his own. This transition is more apparent after Sartre’s military service from 1939 where we observe a rather more sympathetic view of being in the world, a topic that is dealt with in much greater detail in his 1943 work "Being and Nothingness". This essay begins Sartre's study and hybridisation of phenomenology and ontology. Context_7 : Rabe'e Oskooyi (Persian: رابعه اسکویی‎ ‎ ) is an Iranian film and Television actress. She started theater training under the supervision of Iranian theater director Hamid Samandarian. Context_8 : Homa Rousta (Persian: هما روستا‎ ‎ ‎; 26 September 1946 – 26 September 2015) was an Iranian film and stage actress. She was the widow of stage director Hamid Samandarian. Context_9 : Saint Genet, Actor and Martyr (French: "Saint Genet, comédien et martyr" ) is a book by the French philosopher Jean-Paul Sartre about the writer Jean Genet especially on his "The Thief's Journal". It was first published in 1952. Sartre described it as an attempt "to prove that genius is not a gift but the way out that one invents in desperate cases." Sartre also based his character Goetz in his play "The Devil and the Good Lord" (1951) on his analysis of Genet's psychology and morality. Sartre has been credited by David M. Halperin with providing, "a brilliant, subtle, and thoroughgoing study of the unique subjectivity and gender positioning of gay men". Context_10 : Hamid Samandarian Persian: حمید سمندریان‎ ‎ ; May 6, 1931 – July 12, 2012) was an Iranian film and theater director and translator. He staged numerous dramas during his lifetime, including No Exit by Jean-Paul Sartre, Ghosts by Henrik Ibsen, The Glass Menagerie by Tennessee Williams and Marriage of Mr. Mississippi by Friedrich Durrenmatt. fact_1 : Hamid Samandarian Persian: حمید سمندریان‎ ‎ ; May 6, 1931 – July 12, 2012) was an Iranian film and theater director and translator. fact_2 :  He staged numerous dramas during his lifetime, including No Exit by Jean-Paul Sartre, Ghosts by Henrik Ibsen, The Glass Menagerie by Tennessee Williams and Marriage of Mr. Mississippi by Friedrich Durrenmatt. fact_3 :  It is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. Question: What is the main depiction of No Exit by Jean-Paul Sartre which was staged by director Hamid Samandarian?
Output: the afterlife