Context_1 : In the Hall of the Mountain King is a 1867 orchestral piece composed by Edvard Grieg. Context_2 : Edvard Hagerup Grieg (] ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively. Context_3 : The 5 Browns are a classical piano ensemble consisting of five siblings—two brothers and three sisters. Their repertoire ranges from beloved concert hall staples, such as Igor Stravinsky's "The Rite of Spring", Gershwin's "Rhapsody in Blue", and Grieg's "In the Hall of the Mountain King" to lesser known works like Nico Muhly's "Edge of the World" and John Novacek's "Reflections on Shenandoah". In addition to their work on five pianos, The 5 Browns perform and record works for solo piano, two pianos, and in various other combinations. Context_4 : Classical is an album by the guitarist Wolf Hoffmann. It begins with a rendition from Georges Bizet's Carmen, Suite #1 playing the famous "Fate Theme" from Carmen's opera. Next is a version of Edvard Grieg's "In the Hall of the Mountain King." Track #4 is "Arabian Dance" by Peter I. Tchaikovsky. Ravel's "Bolero" becomes a bluesy piece. The CD's final track is a version of Edward Elgar's "Pomp & Circumstance". Context_5 : Forever Young The Ska Collection is a 2012 compilation CD album by Madness. The album consists of a selection of the bands Ska sounding songs, including singles, b-sides and album tracks. In addition to the classic Madness tracks, the album contains two previously unreleased covers "Vietnam" originally by Jimmy Cliff and "In the Hall of the Mountain King". Both of these bonus tracks were originally recorded for the 2006 Madness album "The Dangermen Sessions Vol. 1". Context_6 : The Polaris RMK is a series of snowmobiles made by Polaris Industries. All RMK models are powered by Two-stroke engines and introduced in the 1996 model year by Polaris to compete in the mountain market. The acronym RMK originally standing for Rocky Mountain King. The RMK name is still in use today and has been used on many chassis and engine variations and is primarily used to indicate the snowmobile is designed for mountain or deep-snow use. Context_7 : Hall of the Mountain King is the fourth studio album by American heavy metal band Savatage, released in 1987 under the direction of producer Paul O'Neill. It is their first album produced by O'Neill, who was assigned to the band after the tour in support of "Fight for the Rock". This album shows the beginning of Savatage's exploration of progressive metal, in their search for new forms of musical expression. Many fans consider this album the original turning point in their musical identity, distinguishing between the old and new Savatage. It is not a concept album, but it has a constant tone (of darkness, in this case) and is more complex than their previous albums, with two entirely instrumental tracks that go beyond simple guitar riffs and solos, namely "Prelude to Madness" and "Last Dawn". Through Paul O'Neill's connections, he brought in Ray Gillen of Badlands fame (credited as Ray Gillian) to perform a vocal duet at the end of "Strange Wings". Context_8 : "In the Hall of the Mountain King" (Norwegian: "I Dovregubbens hall" ) is a piece of orchestral music composed by Edvard Grieg in 1875 as incidental music for the sixth scene of act 2 in Henrik Ibsen's 1867 play "Peer Gynt". It was originally part of Opus 23 but was later extracted as the final piece of "Peer Gynt", Suite No. 1, Op. 46. Its easily recognizable theme has helped it attain iconic status in popular culture, where it has been arranged by many artists (See Grieg's music in popular culture). Context_9 : La Maldicion de la Bestia (Curse of the Beast) is a 1975 Spanish horror film that is the eighth in a long series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. The film has also been known as The Werewolf and the Yeti, Night of the Howling Beast and Hall of the Mountain King. This film ignored the events from the earlier films "The Fury of the Wolfman" (1970) and "Curse of the Devil" (1972), and provided an all-new origin for Waldemar's lycanthropy, having the curse transmitted by the bites of not one, but "two", vampire women! A yeti is woven into the storyline (as in "The Fury of the Wolfman"), but in this film the yeti isn't the cause of Waldemar's lycanthropy, but rather the catalyst that brings Waldemar to Tibet in the first place. <br> Context_10 : The bergsrå , (Mountain Rå), "Bergatrollet" (Mountain Troll) or "Bergakungen" (Mountain King), was a mythical creature of the mountain, or Rå, in norse mythology. fact_1 : "In the Hall of the Mountain King" (Norwegian: "I Dovregubbens hall" ) is a piece of orchestral music composed by Edvard Grieg in 1875 as incidental music for the sixth scene of act 2 in Henrik Ibsen's 1867 play "Peer Gynt". fact_2 : Edvard Hagerup Grieg (] ; 15 June 18434 September 1907) was a Norwegian composer and pianist. Question: In the Hall of the Mountain King is a piece by a composer of what nationality?
Output: Norwegian