Context_1 : Tecno brega or "technobrega" (cheesy techno) is a form of music from northern Brazil, particularly Belém. Music of the genre is created primarily through remixing and reworking songs from popular music and music from the eighties. While there is a large amount of famous music used in tecno brega, the majority of it is original material (80%). Several DJs and music producers from the tecno brega movement were featured in the peer-to-peer filesharing documentary "Good Copy Bad Copy". Context_2 : Contemporary worship music (CWM), also known as praise and worship music, is a defined genre of Christian music used in contemporary worship. It has developed over the past sixty years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It is becoming a common genre of music sung in Western churches, particularly in Pentecostal churches. Many non-charismatic Protestant churches use this type of music. Also, Roman Catholic churches are using this type of music in some parishes. Some mix it in with more traditional music; others have certain masses with just contemporary worship music along with traditional masses; others only use contemporary; many others steer clear of contemporary worship and stick with traditional. Context_3 : Emo is a genre of rock music characterized by an emphasis on emotional expression, sometimes through confessional lyrics. It emerged as a style of post-hardcore from the mid-1980s hardcore punk movement of Washington, D.C., where it was known as emotional hardcore or emocore and pioneered by Washington, D.C. hardcore bands such as Rites of Spring and Embrace. However, as the genre was taken up by a new generation of musicians in the early 1990s, its sound and meaning shifted and changed and it was reinvented as a style of indie rock and pop punk by bands such as Jawbreaker, Sunny Day Real Estate, Weezer, and Jimmy Eat World. By the mid-1990s, numerous emo acts such as Braid, The Promise Ring, and the Get Up Kids emerged in the Midwestern and Central United States, and several independent record labels began to specialize in the genre. Meanwhile, a more aggressive style of emo, screamo, had also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Context_4 : Aguirre is the seventh album by German band Popol Vuh. It contains music used in the soundtrack to Werner Herzog's film "Aguirre, the Wrath of God" (1972), first released as an album in 1975 on Ohr, and reissued in 2004 by SPV with one bonus track. This score was the first of many filmic collaborations between the group and Herzog. Only two tracks ("Aguirre I" and "Aguirre II") are from the film; the rest were gathered from various recordings done by the group during the period 1972–74, including alternative versions of two songs ("Morgengruß II" and "Agnus Dei") originally released on the band's 1974 album, "Einsjäger und Siebenjäger". Context_5 : Toneel (Dutch word for: "theatre") is a genre of theatrical drama performance developed in early 20th-century Dutch East Indies (modern-day Indonesia). Compared to earlier native musical dramas, such as such as the Malay "bangsawan" and "komedi stambul", "toneel" adapted more European stylings, with an emphasis on spoken dialogue and a reduction in the amount of music used during the performance; thus the genre is called "toneel", an adaptation of the Dutch word for theatre. Context_6 : The Bridge is the debut and only studio album by American punk-emo band Letter Kills. Produced by Jim Wirt, the album was released on July 2, 2004 through Island Records. Context_7 : Letter Kills was an alternative rock band from Southern California, formed in August 2002. They were signed to Island Records. Context_8 : The Solitude of Prime Numbers (2011) is the soundtrack for the film of the same name by Saverio Costanzo composed by Mike Patton. It contains all the music used in the film, and more that was rejected by the director. It also contains music inspired directly by Patton's reading of the book in the original Italian and English translations. Context_9 : Masonic music has been defined as "music used in connection with the ritual and social functions of freemasonry". Two major types of music used in masonic lodges are lodge songs, played to keyboard accompaniment before or after meetings, or during meals; and music written to accompany specific masonic ceremonies and events. Because the number 3 and the letter 'B' are of particular significance to freemasonry, music written in the keys of C minor or E flat major, which both involve 3 flats, (whose symbol '♭' resembles the lowercase letter 'b'), in their key signatures has been considered especially appropriate for masonic ceremonial music. Context_10 : A horror film score is music used and often specially written for films in the horror genre. fact_1 : The Bridge is the debut and only studio album by American punk-emo band Letter Kills. fact_2 :  It emerged as a style of post-hardcore from the mid-1980s hardcore punk movement of Washington, D.C., where it was known as emotional hardcore or emocore and pioneered by Washington, D.C. hardcore bands such as Rites of Spring and Embrace. Question: What city was the origin of the movement that inspired the genre of music used in the album "The Bridge" by the band Letter Kills?
Output: Washington, D.C.