Context_1 : "Mr. Brownstone" is a song by the American rock band Guns N' Roses, featured on their debut studio album, "Appetite for Destruction" (1987). Slash relates that the song was begun by him and Izzy Stradlin while they were at Stradlin and his girlfriend Dezi Craft's apartment. He states that they were sitting around, complaining about being heroin addicts, when they started improvising lyrics and music ("Brownstone" is a slang term for heroin). The lyrics make a clear reference to the tolerance that the drug causes in the verse that says:""I used to do a little, but a little wouldn't do, so the little got more and more. I just keep trying to get a little better, said a little better than before"". When they had the lyrics all together, with some help from Dezi, they wrote it down on the back of a grocery bag and brought it to Axl Rose. Slash said the lyrics describe a typical day in the life of Slash and Stradlin. He also states that it was the first song the band wrote after being signed by Geffen Records. Context_2 : Pauline Duchambge née de Montet (1778 – 23 April 1858) was a French Creole pianist, singer, and composer. Duchambdge (Montet) was born in Martinique, West Indies and was the daughter of a noble family. She was taken to Paris, where she received a convent education and studied the piano from composer and author Jean Baptiste Desormery, son of the famous comic opera actor and composer Léopold-Bastien Desormery. Pauline composed and performed as a singer and a pianist. She studied harmony and composition with Daniel Auber and with Luigi Cherubini, who wrote several compositions for her. She also studied piano and composition with Jan Ladislav Dussek. Pauline left the convent in 1792 and married Baron Duchambge in 1796. In 1798 at the age of 20, she lost both her parents and with them the family fortune. Soon afterwards she was later divorced. It was after these events that Duchamge musical education began in earnest. She studied church music with Jan Dussek, Luigi Cherubini and D.F.E Auber. In 1815, Duchambge met the French poet and novelist, Marceline Desbordes-Valmore beginning a lifelong friendship and collaboration. Their friendship is documented by a lengthy correspondence and a number of songs by Duchambge on Debordes-Valmore’s texts including L’adieu tout bas, La fiancée del marin, Je pense à lui, La jeune Châtelaine, Rêve du mousse, La sincère and La valse et l’automne. Duchambge also composed music to texts and romances of other female authors such as Mme Amble Tastu and Mme Emile De Girardin. Pauline Duchambge wrote over three hundred romances, a very popular genre in the nineteenth century. Auber deposited three hundred of Duchambge’s songs in the Bibliothèque du Conservatoire in Paris. Eleven of Duchambge's individual songs and albums of songs were published between 1827 and 1841 by some of the leading Parisian publishers: Jean Antoine Meissonnier, Jacques-Joseph Frey, A. Petibon, and Ignace Pleyel. Her works reached a German audience through the Berlin publisher Maurice Schlesinger and the Schott firm in Mainz. In addition to songs, Duchambge wrote a few piano pieces. Duchambge had a difficult life, struggling with poverty, delicate health, and the disenchantments of love; her music expresses her emotions. She commented: "Love, it is life! but a life full of troubles, illusions, deceptions, repentance, discouragements…. " Context_3 : Around the World is a musical based on the Jules Verne novel, "Around the World in Eighty Days", with a book by Orson Welles and music and lyrics by Cole Porter. It involves an around-the-world adventure by Phileas Fogg. The expensive musical extravaganza opened on Broadway in May 1946 but it closed after 75 performances. Context_4 : "The Beat Continues" is the big band Entre'act overture from the musical "Over Here!", which opened on Broadway at the Shubert Theatre (Broadway) on March 6, 1974. Like other musical overtures, this piece is an instrumental (only) medley of songs from the show (i.e. there are no lyrics). Although the Sherman Brothers, who wrote the music and lyrics for the show, are generally credited as "Richard M. Sherman and Robert B. Sherman" collectively for both the music and lyrics, it is generally accepted that Richard is the primary music composer and Robert, the primary lyricist. Context_5 : Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Born to a wealthy family in Indiana, he defied the wishes of his domineering grandfather and took up music as a profession. Classically trained, he was drawn towards musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics, as well as the music, for his songs. Context_6 : "Ricochet" (sometimes rendered "Rick-o-Shay" and also as "Ricochet Romance") is a popular song. The credits show it to be written by Larry Coleman, Joe Darion, and Norman Gimbel, without apportioning the work on the lyrics and music, in 1953. In fact, since Coleman and Darion wrote "Changing Partners" the same year, with Darion as lyricist and Coleman as composer, while Gimbel wrote the English lyric for "Sway" the same year, it can be concluded that Coleman wrote the music and Darion and Gimbel the lyrics. Context_7 : "A Mind Beside Itself" is a three-part song cycle composed of "Erotomania", "Voices" and "The Silent Man". Portnoy stated that the instrumental "Erotomania" was written "off the cuff"as "a bit of a joke and parody". Petrucci penned the lyrics to "Voices", dealing with the subject of mental illness. He researched schizophrenia and similar disorders and used religious terms "to make things more vivid". "When I was writing it, I saw these terms and medical things that were just brilliant," he said. "Like there was a guy who felt that his skin was inside out. I read that and was like 'Oh my God! That's unbelievable; I've got to write about that.'" Petrucci wrote the music and lyrics to the acoustic "The Silent Man". LaBrie described the lyrics as dealing with "communication breakdown, for instance between a father and a son. We feel that we have to play certain roles when around one of our parents, and we never really get to know the real person. I'm lucky that I behave with my own father like I would a friend. We can joke around and go for a beer." A full live performance of the suite can be found on the 2000 "Live Scenes from New York" album. Context_8 : Vernon Duke (10 October [O.S. 27 September] 1903 16 January 1969) was an American composer/songwriter, who also wrote under his original name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love" with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started" with lyrics by Ira Gershwin (1936), "April in Paris" with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say" for the "Ziegfeld Follies" of 1934, also with Harburg. He wrote the words and music for "Autumn in New York" (1934) for the revue "Thumbs Up!" Vernon collaborated with lyricists such as Johnny Mercer, Ira Gershwin, Ogden Nash and Sammy Cahn. Context_9 : TuneWiki was a music-centered startup that provides scrolling lyrics through its social music players for cellphones and handheld devices. With over 6 million lyrics and the world's largest scrolling lyrics library, TuneWiki had agreements with the major music publishers including Sony, Universal, and EMI to legally use synchronized lyrics in TuneWiki's music applications. Furthermore, the mobile TuneWiki applications also used to provide lyrics for streaming radio on mobile phones, and TuneWiki has location-based technology to let users see where their favorite music is being played around the world. Users follow other users to discover music and discuss the music they listen to. Context_10 : Jacob "Jake" Kaufman (also known as virt or virtjk) (born April 3, 1981) is an American video game music composer. After starting out creating arrangements and remixes of video game soundtracks, he began his commercial composing career in 2000 with the score to the Game Boy Color port of "Q*bert". He continued to compose music for games for the next couple of years, working primarily with handheld video games. In 2002, he set up the website VGMix, which hosts video game music remixes, and continues to administrate it. His career began to take off over the next few years, resulting in him transitioning jobs into a full-time freelance composer by 2005. Since then he has worked on several big-name projects such as "Contra 4", "," "", and "Shovel Knight". In early 2015, he and Jessie Seely formed CSP Industries, and launched a Kickstarter for "[NUREN] The New Renaissance", a project that they call "the world's first virtual reality rock opera." In late 2015, Kaufman composed and wrote lyrics for "Power Overwhelming", the debut album of parody supergroup Big Bad Bosses. fact_1 : Around the World is a musical based on the Jules Verne novel, "Around the World in Eighty Days", with a book by Orson Welles and music and lyrics by Cole Porter. fact_2 :  Born to a wealthy family in Indiana, he defied the wishes of his domineering grandfather and took up music as a profession. Question: Which state was the composer, who wrote the music and lyrics to "Around the World," born?
Output: Indiana