niryuu/sni-each-converted huggingface dataset:
CONTEXT: The bleach is for Trevor to clean his apartment with. Because he cannot sleep, I can only assume he turned his mind to something to keep him distracted; hence over-cleaning his apartment. He probably did not notice the blood as because the fish were from the trip that we can assume he was coming home from when he killed 'Nicholas'. He probably was so shocked from this crime that he shoved the fish into the freezer and forgot about them as his mind began to shut down over the course of the next year. I don't believe it is explicitly shown that this has occurred during the whole year, but at the very end when Trevor is trying to find Ivan, when he stops caring about his apartment due to his manhunt is when this occurs.  <sep>  Q: What is wrong with the bleach and the fish in the Machinist? A: The bleach is for Trevor to clean his apartment with. Because he cannot sleep, I can only assume he turned his mind to something to keep him distracted; hence over-cleaning his apartment  <sep> FOLLOWUP_Q: What is the relationship between the bleach and the plot?
Output: Yes
CONTEXT: The bleach is for Trevor to clean his apartment with. Because he cannot sleep, I can only assume he turned his mind to something to keep him distracted; hence over-cleaning his apartment. He probably did not notice the blood as because the fish were from the trip that we can assume he was coming home from when he killed 'Nicholas'. He probably was so shocked from this crime that he shoved the fish into the freezer and forgot about them as his mind began to shut down over the course of the next year. I don't believe it is explicitly shown that this has occurred during the whole year, but at the very end when Trevor is trying to find Ivan, when he stops caring about his apartment due to his manhunt is when this occurs.  <sep>  Q: What is wrong with the bleach and the fish in the Machinist? A: The bleach is for Trevor to clean his apartment with. Because he cannot sleep, I can only assume he turned his mind to something to keep him distracted; hence over-cleaning his apartment  Q: What is the relationship between the bleach and the plot? A: Because he cannot sleep, I can only assume he turned his mind to something to keep him distracted; hence over-cleaning his apartment  <sep> FOLLOWUP_Q: Why didn't he notice the blood from the rotten fish?
Output: Yes
CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard.  <sep>  Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful?
Output: Yes
CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard.  <sep>  Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful? A: This is one aspect of what is called the Anti-Hero  <sep> FOLLOWUP_Q: Why do we view these characters as non-masculine?
Output: Yes
CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard.  <sep>  Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful? A: This is one aspect of what is called the Anti-Hero  Q: Why do we view these characters as non-masculine? A: he is not someone people expect a fictional teenage girl in a movie would fantasize about  <sep> FOLLOWUP_Q: Why do we relate so well to the characters they play?
Output: Yes
CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard.  <sep>  Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful? A: This is one aspect of what is called the Anti-Hero  Q: Why do we view these characters as non-masculine? A: he is not someone people expect a fictional teenage girl in a movie would fantasize about  <sep> FOLLOWUP_Q: Like Eisenberg in Adventureland?
Output: No
CONTEXT: Oh, it's quite simple really. It's alphabetical. Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe, thus making it after the word Quiz. R goes after letter Q in the alphabet. It is believable that the word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section. It might be the small or "weird" library, having many books on odd subjects. That is if you ignore other words starting with R which would come before the word rash, such as race (verb) racial (adjective) radiation radical (adjective) radio (noun) rage rail (noun) railroad (noun) rain rain forest raise (verb) range (noun) rank (noun) rapid (adjective) rare (adjective) rarely It should also be pointed out that almost all those previous words when read start with Re- while the rash is the first one which actually reads like Ra-. So the library might be arranged by phonetic pronunciation of the words and not how they are spelled.  <sep>  Q: How do rashes relate to chinese cars?
Output: Yes
CONTEXT: Oh, it's quite simple really. It's alphabetical. Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe, thus making it after the word Quiz. R goes after letter Q in the alphabet. It is believable that the word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section. It might be the small or "weird" library, having many books on odd subjects. That is if you ignore other words starting with R which would come before the word rash, such as race (verb) racial (adjective) radiation radical (adjective) radio (noun) rage rail (noun) railroad (noun) rain rain forest raise (verb) range (noun) rank (noun) rapid (adjective) rare (adjective) rarely It should also be pointed out that almost all those previous words when read start with Re- while the rash is the first one which actually reads like Ra-. So the library might be arranged by phonetic pronunciation of the words and not how they are spelled.  <sep>  Q: How do rashes relate to chinese cars? A: Oh, it's quite simple really. It's alphabetical  <sep> FOLLOWUP_Q: How is this alphabetical?
Output: Yes
CONTEXT: Oh, it's quite simple really. It's alphabetical. Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe, thus making it after the word Quiz. R goes after letter Q in the alphabet. It is believable that the word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section. It might be the small or "weird" library, having many books on odd subjects. That is if you ignore other words starting with R which would come before the word rash, such as race (verb) racial (adjective) radiation radical (adjective) radio (noun) rage rail (noun) railroad (noun) rain rain forest raise (verb) range (noun) rank (noun) rapid (adjective) rare (adjective) rarely It should also be pointed out that almost all those previous words when read start with Re- while the rash is the first one which actually reads like Ra-. So the library might be arranged by phonetic pronunciation of the words and not how they are spelled.  <sep>  Q: How do rashes relate to chinese cars? A: Oh, it's quite simple really. It's alphabetical  Q: How is this alphabetical? A: Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe  <sep> FOLLOWUP_Q: Is there any other context to this as the series is full of meaning?
Output: Yes
CONTEXT: Oh, it's quite simple really. It's alphabetical. Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe, thus making it after the word Quiz. R goes after letter Q in the alphabet. It is believable that the word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section. It might be the small or "weird" library, having many books on odd subjects. That is if you ignore other words starting with R which would come before the word rash, such as race (verb) racial (adjective) radiation radical (adjective) radio (noun) rage rail (noun) railroad (noun) rain rain forest raise (verb) range (noun) rank (noun) rapid (adjective) rare (adjective) rarely It should also be pointed out that almost all those previous words when read start with Re- while the rash is the first one which actually reads like Ra-. So the library might be arranged by phonetic pronunciation of the words and not how they are spelled.  <sep>  Q: How do rashes relate to chinese cars? A: Oh, it's quite simple really. It's alphabetical  Q: How is this alphabetical? A: Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe  Q: Is there any other context to this as the series is full of meaning? A: R goes after letter Q in the alphabet  <sep> FOLLOWUP_Q: What else is there to this alphabetical relationship?
Output: Yes
CONTEXT: Oh, it's quite simple really. It's alphabetical. Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe, thus making it after the word Quiz. R goes after letter Q in the alphabet. It is believable that the word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section. It might be the small or "weird" library, having many books on odd subjects. That is if you ignore other words starting with R which would come before the word rash, such as race (verb) racial (adjective) radiation radical (adjective) radio (noun) rage rail (noun) railroad (noun) rain rain forest raise (verb) range (noun) rank (noun) rapid (adjective) rare (adjective) rarely It should also be pointed out that almost all those previous words when read start with Re- while the rash is the first one which actually reads like Ra-. So the library might be arranged by phonetic pronunciation of the words and not how they are spelled.  <sep>  Q: How do rashes relate to chinese cars? A: Oh, it's quite simple really. It's alphabetical  Q: How is this alphabetical? A: Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe  Q: Is there any other context to this as the series is full of meaning? A: R goes after letter Q in the alphabet  Q: What else is there to this alphabetical relationship? A: he word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section  <sep> FOLLOWUP_Q: So the relationship is based on where books are in a library?
Output: Yes
CONTEXT: Oh, it's quite simple really. It's alphabetical. Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe, thus making it after the word Quiz. R goes after letter Q in the alphabet. It is believable that the word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section. It might be the small or "weird" library, having many books on odd subjects. That is if you ignore other words starting with R which would come before the word rash, such as race (verb) racial (adjective) radiation radical (adjective) radio (noun) rage rail (noun) railroad (noun) rain rain forest raise (verb) range (noun) rank (noun) rapid (adjective) rare (adjective) rarely It should also be pointed out that almost all those previous words when read start with Re- while the rash is the first one which actually reads like Ra-. So the library might be arranged by phonetic pronunciation of the words and not how they are spelled.  <sep>  Q: How do rashes relate to chinese cars? A: Oh, it's quite simple really. It's alphabetical  Q: How is this alphabetical? A: Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe  Q: Is there any other context to this as the series is full of meaning? A: R goes after letter Q in the alphabet  Q: What else is there to this alphabetical relationship? A: he word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section  Q: So the relationship is based on where books are in a library? A: It might be the small or "weird" library, having many books on odd subjects  <sep> FOLLOWUP_Q: Do you have any other facts that you can share with me?
Output: Yes
CONTEXT: Oh, it's quite simple really. It's alphabetical. Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe, thus making it after the word Quiz. R goes after letter Q in the alphabet. It is believable that the word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section. It might be the small or "weird" library, having many books on odd subjects. That is if you ignore other words starting with R which would come before the word rash, such as race (verb) racial (adjective) radiation radical (adjective) radio (noun) rage rail (noun) railroad (noun) rain rain forest raise (verb) range (noun) rank (noun) rapid (adjective) rare (adjective) rarely It should also be pointed out that almost all those previous words when read start with Re- while the rash is the first one which actually reads like Ra-. So the library might be arranged by phonetic pronunciation of the words and not how they are spelled.  <sep>  Q: How do rashes relate to chinese cars? A: Oh, it's quite simple really. It's alphabetical  Q: How is this alphabetical? A: Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe  Q: Is there any other context to this as the series is full of meaning? A: R goes after letter Q in the alphabet  Q: What else is there to this alphabetical relationship? A: he word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section  Q: So the relationship is based on where books are in a library? A: It might be the small or "weird" library, having many books on odd subjects  <sep> FOLLOWUP_Q: How about the Baudelaire Children's situation?
Output: No
CONTEXT: We aren't really meant to know how Jack's men managed to get into their home, specifically into the baby's room, and the scene is supposed to show how skilled Jack's men are at getting to people, even if they're under police surveillance. We're supposed to feel the same dread and confusion Skyler feels by not fully understanding how they were able to get in, simply knowing that they can and will.  <sep>  Q: In Breaking Bad how did the masked men break into Skyler's home?
Output: Yes
CONTEXT: We aren't really meant to know how Jack's men managed to get into their home, specifically into the baby's room, and the scene is supposed to show how skilled Jack's men are at getting to people, even if they're under police surveillance. We're supposed to feel the same dread and confusion Skyler feels by not fully understanding how they were able to get in, simply knowing that they can and will.  <sep>  Q: In Breaking Bad how did the masked men break into Skyler's home? A: We aren't really meant to know how Jack's men managed to get into their home  <sep> FOLLOWUP_Q: One night masked men managed to break into Skyler's home and threaten her. I believe Marie's house was protected by armed-guards at the time
Output: Yes
CONTEXT: We aren't really meant to know how Jack's men managed to get into their home, specifically into the baby's room, and the scene is supposed to show how skilled Jack's men are at getting to people, even if they're under police surveillance. We're supposed to feel the same dread and confusion Skyler feels by not fully understanding how they were able to get in, simply knowing that they can and will.  <sep>  Q: In Breaking Bad how did the masked men break into Skyler's home? A: We aren't really meant to know how Jack's men managed to get into their home  Q: One night masked men managed to break into Skyler's home and threaten her. I believe Marie's house was protected by armed-guards at the time A: We're supposed to feel the same dread and confusion Skyler feels  <sep> FOLLOWUP_Q: why did the police not protect Skyler's home?
Output: No
CONTEXT: We aren't really meant to know how Jack's men managed to get into their home, specifically into the baby's room, and the scene is supposed to show how skilled Jack's men are at getting to people, even if they're under police surveillance. We're supposed to feel the same dread and confusion Skyler feels by not fully understanding how they were able to get in, simply knowing that they can and will.  <sep>  Q: In Breaking Bad how did the masked men break into Skyler's home? A: We aren't really meant to know how Jack's men managed to get into their home  Q: One night masked men managed to break into Skyler's home and threaten her. I believe Marie's house was protected by armed-guards at the time A: We're supposed to feel the same dread and confusion Skyler feels  <sep> FOLLOWUP_Q: Any thoughts on the break-in?
Output: No
CONTEXT: Well, Riggan didn't actually jump off the roof or fly, those were just manifestations in his mind. If you recall, it was somewhat implied that he flew right to the theater and walked in, and then you saw the taxi and realized he must have taken the taxi to the theater since he can't really fly.  <sep>  Q: Why does Riggan jump from the roof?
Output: Yes
CONTEXT: Well, Riggan didn't actually jump off the roof or fly, those were just manifestations in his mind. If you recall, it was somewhat implied that he flew right to the theater and walked in, and then you saw the taxi and realized he must have taken the taxi to the theater since he can't really fly.  <sep>  Q: Why does Riggan jump from the roof? A: Riggan didn't actually jump off the roof or fly, those were just manifestations in his mind  <sep> FOLLOWUP_Q: What caused them?
Output: No
CONTEXT: Well, Riggan didn't actually jump off the roof or fly, those were just manifestations in his mind. If you recall, it was somewhat implied that he flew right to the theater and walked in, and then you saw the taxi and realized he must have taken the taxi to the theater since he can't really fly.  <sep>  Q: Why does Riggan jump from the roof? A: Riggan didn't actually jump off the roof or fly, those were just manifestations in his mind  <sep> FOLLOWUP_Q: Do others know that it isn't real?
Output: No
CONTEXT: Well, Riggan didn't actually jump off the roof or fly, those were just manifestations in his mind. If you recall, it was somewhat implied that he flew right to the theater and walked in, and then you saw the taxi and realized he must have taken the taxi to the theater since he can't really fly.  <sep>  Q: Why does Riggan jump from the roof? A: Riggan didn't actually jump off the roof or fly, those were just manifestations in his mind  <sep> FOLLOWUP_Q: Does he realize that it didn't really happen?
Output: No
CONTEXT: The only reasonable explanation I can think of is that the Gods portrayed here are more 'mortal' than what we are used to thinking of. The battle that was alluded to in the beginning of the movie sounded like the God/Titan battle was more evenly matched than the 'canon' Greek mythology. Honestly, I consider this movie more an adaptation of Greek mythology than what is accepted based on the anonymity of the Titans. The Titans themselves seem to be all the same, no distinction between any of them. After all, where is Chronus, Atlus, Gaia, etc? That being said, the reason that the 'immortal' Gods are so easily killed is because of that even matching of the Titans strength + numbers against the Gods.  <sep>  Q: How do gods die so quickly in Immortals?
Output: Yes
CONTEXT: The only reasonable explanation I can think of is that the Gods portrayed here are more 'mortal' than what we are used to thinking of. The battle that was alluded to in the beginning of the movie sounded like the God/Titan battle was more evenly matched than the 'canon' Greek mythology. Honestly, I consider this movie more an adaptation of Greek mythology than what is accepted based on the anonymity of the Titans. The Titans themselves seem to be all the same, no distinction between any of them. After all, where is Chronus, Atlus, Gaia, etc? That being said, the reason that the 'immortal' Gods are so easily killed is because of that even matching of the Titans strength + numbers against the Gods.  <sep>  Q: How do gods die so quickly in Immortals? A: The only reasonable explanation I can think of is that the Gods portrayed here are more 'mortal' than what we are used to thinking of  <sep> FOLLOWUP_Q: Does Poseidon have power of the sea?
Output: No
CONTEXT: The only reasonable explanation I can think of is that the Gods portrayed here are more 'mortal' than what we are used to thinking of. The battle that was alluded to in the beginning of the movie sounded like the God/Titan battle was more evenly matched than the 'canon' Greek mythology. Honestly, I consider this movie more an adaptation of Greek mythology than what is accepted based on the anonymity of the Titans. The Titans themselves seem to be all the same, no distinction between any of them. After all, where is Chronus, Atlus, Gaia, etc? That being said, the reason that the 'immortal' Gods are so easily killed is because of that even matching of the Titans strength + numbers against the Gods.  <sep>  Q: How do gods die so quickly in Immortals? A: The only reasonable explanation I can think of is that the Gods portrayed here are more 'mortal' than what we are used to thinking of  <sep> FOLLOWUP_Q: What does Phaedras son forsee in the ending seen?
Output: No
CONTEXT: From what we see and hear in the scene prior, Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front. The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly. Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room. Rust is also trying to secure the Iron Crusaders member, Ginger (Joseph Sikora). This explains why he moves towards him. That a bullet just happens to go through the wall in between the two and the camera is likely just a conveniently plausible location for the effect to happen. Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them. That said, we can not actually see anyone through the window at any time. At most, we see shadows prior to the rock throw. We do not see any of the people who are returning fire. Rust sees that the situation is becoming unmanageable and makes his play to secure a way out, grab Ginger and leave. There is nothing to indicate that he noticed someone, for example, raising a gun and aiming towards him.  <sep>  Q: How did Rust know the shot was coming right there in True Detective S1E4?
Output: Yes
CONTEXT: From what we see and hear in the scene prior, Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front. The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly. Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room. Rust is also trying to secure the Iron Crusaders member, Ginger (Joseph Sikora). This explains why he moves towards him. That a bullet just happens to go through the wall in between the two and the camera is likely just a conveniently plausible location for the effect to happen. Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them. That said, we can not actually see anyone through the window at any time. At most, we see shadows prior to the rock throw. We do not see any of the people who are returning fire. Rust sees that the situation is becoming unmanageable and makes his play to secure a way out, grab Ginger and leave. There is nothing to indicate that he noticed someone, for example, raising a gun and aiming towards him.  <sep>  Q: How did Rust know the shot was coming right there in True Detective S1E4? A: Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front  <sep> FOLLOWUP_Q: It seems strange that he can anticipate the shot is coming, how does he know to duck?
Output: Yes
CONTEXT: From what we see and hear in the scene prior, Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front. The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly. Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room. Rust is also trying to secure the Iron Crusaders member, Ginger (Joseph Sikora). This explains why he moves towards him. That a bullet just happens to go through the wall in between the two and the camera is likely just a conveniently plausible location for the effect to happen. Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them. That said, we can not actually see anyone through the window at any time. At most, we see shadows prior to the rock throw. We do not see any of the people who are returning fire. Rust sees that the situation is becoming unmanageable and makes his play to secure a way out, grab Ginger and leave. There is nothing to indicate that he noticed someone, for example, raising a gun and aiming towards him.  <sep>  Q: How did Rust know the shot was coming right there in True Detective S1E4? A: Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front  Q: It seems strange that he can anticipate the shot is coming, how does he know to duck? A: The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly  <sep> FOLLOWUP_Q: Is it possible that he sees someone off camera and avoids the shot?
Output: Yes
CONTEXT: From what we see and hear in the scene prior, Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front. The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly. Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room. Rust is also trying to secure the Iron Crusaders member, Ginger (Joseph Sikora). This explains why he moves towards him. That a bullet just happens to go through the wall in between the two and the camera is likely just a conveniently plausible location for the effect to happen. Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them. That said, we can not actually see anyone through the window at any time. At most, we see shadows prior to the rock throw. We do not see any of the people who are returning fire. Rust sees that the situation is becoming unmanageable and makes his play to secure a way out, grab Ginger and leave. There is nothing to indicate that he noticed someone, for example, raising a gun and aiming towards him.  <sep>  Q: How did Rust know the shot was coming right there in True Detective S1E4? A: Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front  Q: It seems strange that he can anticipate the shot is coming, how does he know to duck? A: The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly  Q: Is it possible that he sees someone off camera and avoids the shot? A: Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room  <sep> FOLLOWUP_Q: What about when another biker smashes a window with his shotgun?
Output: Yes
CONTEXT: From what we see and hear in the scene prior, Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front. The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly. Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room. Rust is also trying to secure the Iron Crusaders member, Ginger (Joseph Sikora). This explains why he moves towards him. That a bullet just happens to go through the wall in between the two and the camera is likely just a conveniently plausible location for the effect to happen. Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them. That said, we can not actually see anyone through the window at any time. At most, we see shadows prior to the rock throw. We do not see any of the people who are returning fire. Rust sees that the situation is becoming unmanageable and makes his play to secure a way out, grab Ginger and leave. There is nothing to indicate that he noticed someone, for example, raising a gun and aiming towards him.  <sep>  Q: How did Rust know the shot was coming right there in True Detective S1E4? A: Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front  Q: It seems strange that he can anticipate the shot is coming, how does he know to duck? A: The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly  Q: Is it possible that he sees someone off camera and avoids the shot? A: Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room  Q: What about when another biker smashes a window with his shotgun? A: Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them  <sep> FOLLOWUP_Q: What else can you tell me about the scene?
Output: Yes
CONTEXT: From what we see and hear in the scene prior, Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front. The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly. Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room. Rust is also trying to secure the Iron Crusaders member, Ginger (Joseph Sikora). This explains why he moves towards him. That a bullet just happens to go through the wall in between the two and the camera is likely just a conveniently plausible location for the effect to happen. Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them. That said, we can not actually see anyone through the window at any time. At most, we see shadows prior to the rock throw. We do not see any of the people who are returning fire. Rust sees that the situation is becoming unmanageable and makes his play to secure a way out, grab Ginger and leave. There is nothing to indicate that he noticed someone, for example, raising a gun and aiming towards him.  <sep>  Q: How did Rust know the shot was coming right there in True Detective S1E4? A: Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front  Q: It seems strange that he can anticipate the shot is coming, how does he know to duck? A: The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly  Q: Is it possible that he sees someone off camera and avoids the shot? A: Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room  Q: What about when another biker smashes a window with his shotgun? A: Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them  Q: What else can you tell me about the scene? A: we can not actually see anyone through the window at any time. At most, we see shadows prior to the rock throw  <sep> FOLLOWUP_Q: What happens after the rock throw?
Output: Yes
CONTEXT: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler. He cannot simply shoot at him as he is just a hallucination of his own mind and the bullet would just fly off into nothing. While before beating him up would have worked, it was just a physical representation of a mental battle. By bringing in an actual object into the fray, his attempts at Tyler's life are pointless. We see the Narrator finally realize that he has been in control all along and this is why he is presented able to take the gun from Tyler, because he is the one actually holding the gun. It is then he realizes that he must follow Tyler's own advice and "hit bottom". Only by doing so, is he able to control his own body and "kill" Tyler. To hit bottom he realizes he must do something life-threatening and plain insane. Whereas the bullet only blew a hole in his cheek, it was his mental F--- You to Tyler, showing him that he can take care of himself now, which is why the bullet is shown to have gone through the back of Tyler's head, killing him.  <sep>  Q: How/Why did Tyler Durden got shot in the head?
Output: Yes
CONTEXT: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler. He cannot simply shoot at him as he is just a hallucination of his own mind and the bullet would just fly off into nothing. While before beating him up would have worked, it was just a physical representation of a mental battle. By bringing in an actual object into the fray, his attempts at Tyler's life are pointless. We see the Narrator finally realize that he has been in control all along and this is why he is presented able to take the gun from Tyler, because he is the one actually holding the gun. It is then he realizes that he must follow Tyler's own advice and "hit bottom". Only by doing so, is he able to control his own body and "kill" Tyler. To hit bottom he realizes he must do something life-threatening and plain insane. Whereas the bullet only blew a hole in his cheek, it was his mental F--- You to Tyler, showing him that he can take care of himself now, which is why the bullet is shown to have gone through the back of Tyler's head, killing him.  <sep>  Q: How/Why did Tyler Durden got shot in the head? A: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler  <sep> FOLLOWUP_Q: So, that is the reason he was shot in the head?
Output: Yes
CONTEXT: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler. He cannot simply shoot at him as he is just a hallucination of his own mind and the bullet would just fly off into nothing. While before beating him up would have worked, it was just a physical representation of a mental battle. By bringing in an actual object into the fray, his attempts at Tyler's life are pointless. We see the Narrator finally realize that he has been in control all along and this is why he is presented able to take the gun from Tyler, because he is the one actually holding the gun. It is then he realizes that he must follow Tyler's own advice and "hit bottom". Only by doing so, is he able to control his own body and "kill" Tyler. To hit bottom he realizes he must do something life-threatening and plain insane. Whereas the bullet only blew a hole in his cheek, it was his mental F--- You to Tyler, showing him that he can take care of himself now, which is why the bullet is shown to have gone through the back of Tyler's head, killing him.  <sep>  Q: How/Why did Tyler Durden got shot in the head? A: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler  Q: So, that is the reason he was shot in the head? A: it was his mental F--- You to Tyler  <sep> FOLLOWUP_Q: Okay, but the narrator was shot in the mouth, so was that to shut him up...per se?
Output: Yes
CONTEXT: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler. He cannot simply shoot at him as he is just a hallucination of his own mind and the bullet would just fly off into nothing. While before beating him up would have worked, it was just a physical representation of a mental battle. By bringing in an actual object into the fray, his attempts at Tyler's life are pointless. We see the Narrator finally realize that he has been in control all along and this is why he is presented able to take the gun from Tyler, because he is the one actually holding the gun. It is then he realizes that he must follow Tyler's own advice and "hit bottom". Only by doing so, is he able to control his own body and "kill" Tyler. To hit bottom he realizes he must do something life-threatening and plain insane. Whereas the bullet only blew a hole in his cheek, it was his mental F--- You to Tyler, showing him that he can take care of himself now, which is why the bullet is shown to have gone through the back of Tyler's head, killing him.  <sep>  Q: How/Why did Tyler Durden got shot in the head? A: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler  Q: So, that is the reason he was shot in the head? A: it was his mental F--- You to Tyler  Q: Okay, but the narrator was shot in the mouth, so was that to shut him up...per se? A: Whereas the bullet only blew a hole in his cheek, it was his mental F--- You to Tyler, showing him that he can take care of himself now  <sep> FOLLOWUP_Q: Wasn't Tyler just a hallucination though?
Output: Yes
CONTEXT: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler. He cannot simply shoot at him as he is just a hallucination of his own mind and the bullet would just fly off into nothing. While before beating him up would have worked, it was just a physical representation of a mental battle. By bringing in an actual object into the fray, his attempts at Tyler's life are pointless. We see the Narrator finally realize that he has been in control all along and this is why he is presented able to take the gun from Tyler, because he is the one actually holding the gun. It is then he realizes that he must follow Tyler's own advice and "hit bottom". Only by doing so, is he able to control his own body and "kill" Tyler. To hit bottom he realizes he must do something life-threatening and plain insane. Whereas the bullet only blew a hole in his cheek, it was his mental F--- You to Tyler, showing him that he can take care of himself now, which is why the bullet is shown to have gone through the back of Tyler's head, killing him.  <sep>  Q: How/Why did Tyler Durden got shot in the head? A: The purpose of the end scene of the movie is to have the Narrator finally conquer his 'problems' in the form of killing Tyler  Q: So, that is the reason he was shot in the head? A: it was his mental F--- You to Tyler  Q: Okay, but the narrator was shot in the mouth, so was that to shut him up...per se? A: Whereas the bullet only blew a hole in his cheek, it was his mental F--- You to Tyler, showing him that he can take care of himself now  Q: Wasn't Tyler just a hallucination though? A: We see the Narrator finally realize that he has been in control all along and this is why he is presented able to take the gun from Tyler, because he is the one actually holding the gun  <sep> FOLLOWUP_Q: Does this indicate that the narrator and Tyler become one in the end?
Output: Yes
CONTEXT: No, it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing that happens in the film relates to the any of the others. The film is a self-contained story, and you will be able to watch it without knowing anything about the other Marvel films or comics. That said, it is part of the story leading up to Avengers: Infinity War, so if you're planning to see Infinity War, include this one.  <sep>  Q: Is the movie 'Doctor Strange' related to any of the Marvel movies?
Output: Yes
CONTEXT: No, it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing that happens in the film relates to the any of the others. The film is a self-contained story, and you will be able to watch it without knowing anything about the other Marvel films or comics. That said, it is part of the story leading up to Avengers: Infinity War, so if you're planning to see Infinity War, include this one.  <sep>  Q: Is the movie 'Doctor Strange' related to any of the Marvel movies? A: it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing  <sep> FOLLOWUP_Q: So I can watch Dr Strange without a background?
Output: Yes
CONTEXT: No, it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing that happens in the film relates to the any of the others. The film is a self-contained story, and you will be able to watch it without knowing anything about the other Marvel films or comics. That said, it is part of the story leading up to Avengers: Infinity War, so if you're planning to see Infinity War, include this one.  <sep>  Q: Is the movie 'Doctor Strange' related to any of the Marvel movies? A: it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing  Q: So I can watch Dr Strange without a background? A: The film is a self-contained story, and you will be able to watch it without knowing anything about the other Marvel films or comics  <sep> FOLLOWUP_Q: What can you tell me about the Marvel series in general?
Output: Yes
CONTEXT: No, it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing that happens in the film relates to the any of the others. The film is a self-contained story, and you will be able to watch it without knowing anything about the other Marvel films or comics. That said, it is part of the story leading up to Avengers: Infinity War, so if you're planning to see Infinity War, include this one.  <sep>  Q: Is the movie 'Doctor Strange' related to any of the Marvel movies? A: it is not related. Well.... it is set in the same Universe as the other Marvel movies. But, apart from a couple of brief mentions, nothing  Q: So I can watch Dr Strange without a background? A: The film is a self-contained story, and you will be able to watch it without knowing anything about the other Marvel films or comics  Q: What can you tell me about the Marvel series in general? A: That said, it is part of the story leading up to Avengers: Infinity War, so if you're planning to see Infinity War, include this one  <sep> FOLLOWUP_Q: Is there anything else?
Output: No
CONTEXT: I would suggest that the Teletubbies are not cyborgs. The peculiar antenna and visual display appendages are naturally occurring adaptations which allow them to exist in symbiotic harmony with humans. They display a distinct and uncontrollable physiological requirement for the reception of (mostly) childrens basic and crucially, innocent thought patterns. This coupled with our own natural requirement for congnative and social development; the 'Tubbies' use their individual personalities and applicable talents to display moral and ethical guidance, through the performance of simplistic song, dance and play scenarios... I would therefore classify them as Symbiote.  <sep>  Q: Are the teletubbies cyborgs?
Output: Yes
CONTEXT: I would suggest that the Teletubbies are not cyborgs. The peculiar antenna and visual display appendages are naturally occurring adaptations which allow them to exist in symbiotic harmony with humans. They display a distinct and uncontrollable physiological requirement for the reception of (mostly) childrens basic and crucially, innocent thought patterns. This coupled with our own natural requirement for congnative and social development; the 'Tubbies' use their individual personalities and applicable talents to display moral and ethical guidance, through the performance of simplistic song, dance and play scenarios... I would therefore classify them as Symbiote.  <sep>  Q: Are the teletubbies cyborgs? A: I would suggest that the Teletubbies are not cyborgs  <sep> FOLLOWUP_Q: Why would you come to this conclusion when they have implanted televisions?
Output: Yes