niryuu/sni-each-converted huggingface dataset:
CONTEXT: It may be the case that the demon is cunning and wanted to make a doubt in the mind of Karras, already having a lack of faith in demons and ghosts. As we have seen that demon plays with Karras' emotions related to his mother too. The demon reads on mind and emotions so it's not possible that he got fooled by tap water at all.  <sep>  Q: Why does the demon that possesses Regan react to the “fake” holy water? A: The demon reads on mind and emotions so it's not possible that he got fooled by tap water at all  Q: So why did he do it? A: It may be the case that the demon is cunning and wanted to make a doubt in the mind of Karras, already having a lack of faith in demons and ghosts 
Output: WHo sprinkled the fake holy water?
CONTEXT: The implication is that the inmates are potentially violent and presumably the biggest danger from unarmed but psychotic patients is biting/scratching/gouging at the face and eyes. Clearly the protection is deliberately crude and underlines the primitive and brutal conditions in that setting in a way that more refined protection might not. You could also speculate that the head cages reflect the appearance of the barred cells and by placing them on the guard's heads it is a metaphor for the idea that the inmates are prisoners of their own madness. Equally by obscuring the guards faces with a crude and claustrophobic cage they are somewhat dehumanised and more like automata than medical staff. Indeed the whole visual style of the film uses a lot of elements which evoke stylized dreamlike of hallucinogenic states which confuse individual sense of identity and many of the characters are driven by some sort of obsession and it is implied that Dr Seward is as much a prisoner of his work as the peopel he treats (or at least studies).  <sep>  Q: Why are the asylum guards wearing cages on their heads? A: The implication is that the inmates are potentially violent and presumably the biggest danger from unarmed but psychotic patients is biting/scratching/gouging at the face and eyes 
Output: was there any other types of protection?
CONTEXT: You're using "anthropomorphic" with way too much precision. Bojack is an anthropomorphic character because he is a horse that behaves like a human. End of definition. The factual accuracy of his human/horse features is a different discussion altogether. As you point out, it's not all that consistent. For a comedy cartoon, that's well within the expected range of accuracy: it serves a particular joke in a particular scene.  <sep>  Q: Are the characters in BoJack Horseman really anthropomorphic? A: You're using "anthropomorphic" with way too much precision  Q: Why do you say too much precision? A: Bojack is an anthropomorphic character because he is a horse that behaves like a human. End of definition 
Output: Why in the world would Bojack say he weighs 1200 pounds?
CONTEXT: I think he was talking about his dead wife: Parry is saying he remembers everything about what happened and forgives Jack, so Jack can find peace, that's why he was crying (Jack is the wounded, tormented Fisher King and Parry the simple-minded man that helps him, in my interpretation of the movie).  <sep>  Q: Which girl Parry was referring to after waking up? A: I think he was talking about his dead wife 
Output: What is the Name of this movie?
CONTEXT: To get rid of Jesse. It's my speculation, I think Gus is not able to kill Jesse directly because of Walt. But he can create a situation where he can get killed on his own. So killing Tomas is a good way to make Jesse create trouble for his own self. It was Walt's involvement which saved Jesse in the end otherwise Jesse might died that day.  <sep>  Q: Why did Tomas have to die? A: To get rid of Jesse  Q: Was his method successful? A: I think Gus is not able to kill Jesse directly because of Walt 
Output: What is the conclusion of the episode?
CONTEXT: Because Wahyu was corrupt and Dagu and Rama figured it out during the raid (the guy in the apartment complex told Rama that Wahyu had been in the building many times before which he would only have known if he was in league with the criminals and Wahyu knew where Tama's office was). Jaka even told him he would go to jail as he had led an unsanctioned and highly dangerous mission and no one else knew about it. They were originally working together as that was the only way they could escape alive (by seizing Tama and using him as a hostage) once Wahyu had Tama as a bargaining chip he realised that he didn't need Dagu and Rama anymore and their knowledge of his corrupt actions would lead to him being incarcarated.  <sep>  Q: Near the end of the Raid, Wahyu and Dagu reach the boss,Why does Wahyu kill Dagu? A: Because Wahyu was corrupt and Dagu and Rama figured it out during the raid  Q: But he is not on the boss's side so why kill his comrade? A: once Wahyu had Tama as a bargaining chip he realised that he didn't need Dagu and Rama anymore and their knowledge of his corrupt actions would lead to him being incarcarated 
Output: Hmmm. May be I missed that
CONTEXT: I think it's intentionally left ambiguous whether it was an accident or it was done on purpose. Even in the short story that this incident is based on, My old man and the lascivious special award that heralded the birth of pop art, it's never stated outright if breaking the lamp was intentional. Of course, in both the story and the movie the Mother is glad to see it go, and the Old Man accuses her of breaking it on purpose, but I don't think there's a definite answer.  <sep>  Q: Did the Mother break the Leg Lamp? A: in both the story and the movie the Mother is glad to see it go, and the Old Man accuses her of breaking it on purpose, but I don't think there's a definite answer 
Output: Did she ever like it?
CONTEXT: I think the key is the line "He could've gone for general, but he went for himself instead." Kurtz had apparently lost interest in climbing higher in the military ranks, which presumably would have taken him away from combat and the front lines. He seemed to want to go in the opposite direction -- toward the heat of the fight -- so Kurtz requested Airborne training as a first step toward returning to combat. Kurtz took himself out of the running for promotion by enrolling in Airborne training. Promotion would have required continuing to follow an advancing career path -- whereas Kurtz brought his career advancement to a halt by enrolling in Airborne training.  <sep>  Q: What was the significance of Kurtz joining airborne A: Kurtz took himself out of the running for promotion by enrolling in Airborne training  Q: Why did he not want a promotion? A: Kurtz had apparently lost interest in climbing higher in the military ranks, which presumably would have taken him away from combat and the front lines 
Output: Did Kurtz want to stay in the fight rather than get a higher rank?
CONTEXT: Luke had discovered that his father was a Jedi and that he had some skill with the force from his time with Obi-Wan. He was advised by Ghost Obi-Wan to seek out Yoda to further his training. So he seeks out Yoda for training. Leia on the other hand does not know of her parentage, had not experimented with any Force training and had no time with Obi-Wan at all. She does not even really understand the Force, never mind seeking out a master for her training. I think it is also clear that Leia is not as inherently strong with the force as Luke. Vader has her in captivity, even tortures her and doesn't seem to sense her latent abilities. Luke, despite very brief training on the flight to Alderaan, is quickly identified by Vader as being strong, even when he is just another pilot in the battle over the Death Star. I think Yoda and Obi-Wan view Leia as a backup, to be used if Luke failed, and that to keep her parentage secret from her, Vader and the Emperor was the best way to keep her safe.  <sep>  Q: Why didn't Yoda train Princess Leia as a Jedi? A: Leia on the other hand does not know of her parentage  Q: Didn't he say that the force was strong with her as well? A: I think it is also clear that Leia is not as inherently strong with the force as Luke 
Output: Why is it not as strong with her?
CONTEXT: No password on the computer account, and the professor saved his password in Safari, so there was nothing to crack/hack. Many people do not require a password to enter their computer and many people save passwords to their browser. Note that the "stay signed in" checkbox for gmail was checked. Most people give little thought to security on their computer.  <sep>  Q: How was she able to crack the password of her professor's mail? A: No password on the computer account  Q: Why would there not have been a password? A: he professor saved his password in Safari, so there was nothing to crack/hack  Q: Is this not very unwise? A: Many people do not require a password to enter their computer and many people save passwords to their browser 
Output: What can you tell me about the movie in general?
CONTEXT: Voldemort didn't know that it held no useful information to defeat Harry. What he did know was that he had been defeated by a baby, who was the likely subject of the prophecy (Neville Longbottom being the other potential subject). He wanted the prophecy so that he could know fully what it said, in case it held any information that would have helped him. He was aware he had only heard part of the details, and given the "defeat" by Baby-Harry, was keen to know the rest in case it gave him a clue how to avoid a repeat of that outcome. He didn't know that it wouldn't help him; and Dumbledore quite possibly thought it worth keeping secret to try and force Voldemort to reveal himself to the public when he tried to get hold of it.  <sep>  Q: Why did Voldemort want the prophecy in Order of the Phoenix? A: Voldemort didn't know that it held no useful information to defeat Harry  Q: If this is the case then why did he want it? A: He wanted the prophecy so that he could know fully what it said  Q: When he found out what it said was it useful? A: He didn't know that it wouldn't help him 
Output: Why was it not helpful to him in any way?
CONTEXT: This is one aspect of what is called the Anti-Hero. In Juno, he's just a "normal guy" and, potentially chosen because he is not someone people expect a fictional teenage girl in a movie would fantasize about. Also, they were going for a semblance of reality here rather than some weird hyper-perfect version we often see in a teenage movie. In action movies the anti-hero is quickly relatable, makes the danger seem even more dangerous. The anti-hero has a potential for growth, which is crucial for building a character. It is tiresome to see the perfect person become even more perfectly perfecter. As far as identifying with them etc. that's in the casting, writing and delivery. I am certain you can find more examples of failure in this regard.  <sep>  Q: What makes the nervous and anxious character model of Michael Cera, Jesse Eisenerg etc... so successful? A: This is one aspect of what is called the Anti-Hero  Q: Why do we view these characters as non-masculine? A: he is not someone people expect a fictional teenage girl in a movie would fantasize about 
Output: Like Eisenberg in Adventureland?
CONTEXT: Oh, it's quite simple really. It's alphabetical. Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe, thus making it after the word Quiz. R goes after letter Q in the alphabet. It is believable that the word Qìchē is the last section in the library's Q section before the R section, while the "Rash" section is possibly the first section in the library's R section. It might be the small or "weird" library, having many books on odd subjects. That is if you ignore other words starting with R which would come before the word rash, such as race (verb) racial (adjective) radiation radical (adjective) radio (noun) rage rail (noun) railroad (noun) rain rain forest raise (verb) range (noun) rank (noun) rapid (adjective) rare (adjective) rarely It should also be pointed out that almost all those previous words when read start with Re- while the rash is the first one which actually reads like Ra-. So the library might be arranged by phonetic pronunciation of the words and not how they are spelled.  <sep>  Q: How do rashes relate to chinese cars? A: Oh, it's quite simple really. It's alphabetical  Q: How is this alphabetical? A: Chinese word for car is 汽車 which is anglicized as Qìchē and read as Quizhe 
Output: Is there any other context to this as the series is full of meaning?
CONTEXT: We aren't really meant to know how Jack's men managed to get into their home, specifically into the baby's room, and the scene is supposed to show how skilled Jack's men are at getting to people, even if they're under police surveillance. We're supposed to feel the same dread and confusion Skyler feels by not fully understanding how they were able to get in, simply knowing that they can and will.  <sep>  Q: In Breaking Bad how did the masked men break into Skyler's home? A: We aren't really meant to know how Jack's men managed to get into their home  Q: One night masked men managed to break into Skyler's home and threaten her. I believe Marie's house was protected by armed-guards at the time A: We're supposed to feel the same dread and confusion Skyler feels 
Output: why did the police not protect Skyler's home?
CONTEXT: The only reasonable explanation I can think of is that the Gods portrayed here are more 'mortal' than what we are used to thinking of. The battle that was alluded to in the beginning of the movie sounded like the God/Titan battle was more evenly matched than the 'canon' Greek mythology. Honestly, I consider this movie more an adaptation of Greek mythology than what is accepted based on the anonymity of the Titans. The Titans themselves seem to be all the same, no distinction between any of them. After all, where is Chronus, Atlus, Gaia, etc? That being said, the reason that the 'immortal' Gods are so easily killed is because of that even matching of the Titans strength + numbers against the Gods.  <sep>  Q: How do gods die so quickly in Immortals? A: The only reasonable explanation I can think of is that the Gods portrayed here are more 'mortal' than what we are used to thinking of 
Output: Does Poseidon have power of the sea?
CONTEXT: From what we see and hear in the scene prior, Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front. The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly. Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room. Rust is also trying to secure the Iron Crusaders member, Ginger (Joseph Sikora). This explains why he moves towards him. That a bullet just happens to go through the wall in between the two and the camera is likely just a conveniently plausible location for the effect to happen. Given the position of the two relative to the broken window being fired through, it is very conceivable that a bullet could just as easily hit either of them. That said, we can not actually see anyone through the window at any time. At most, we see shadows prior to the rock throw. We do not see any of the people who are returning fire. Rust sees that the situation is becoming unmanageable and makes his play to secure a way out, grab Ginger and leave. There is nothing to indicate that he noticed someone, for example, raising a gun and aiming towards him.  <sep>  Q: How did Rust know the shot was coming right there in True Detective S1E4? A: Rustin "Rust" Cohle (McConaughey) knows there's an extremely suspicious, unsympathetic and likely armed crowd gathering in the front  Q: It seems strange that he can anticipate the shot is coming, how does he know to duck? A: The rock that goes through the window is thrown right at Rust. So, it's easy enough to imagine a bullet will follow shortly  Q: Is it possible that he sees someone off camera and avoids the shot? A: Once the armed group outside is being fired upon by the shotgun, Rust expects return fire. This explains why he exits the living room 
Output: What about when another biker smashes a window with his shotgun?
CONTEXT: I would suggest that the Teletubbies are not cyborgs. The peculiar antenna and visual display appendages are naturally occurring adaptations which allow them to exist in symbiotic harmony with humans. They display a distinct and uncontrollable physiological requirement for the reception of (mostly) childrens basic and crucially, innocent thought patterns. This coupled with our own natural requirement for congnative and social development; the 'Tubbies' use their individual personalities and applicable talents to display moral and ethical guidance, through the performance of simplistic song, dance and play scenarios... I would therefore classify them as Symbiote.  <sep>  Q: Are the teletubbies cyborgs? A: I would suggest that the Teletubbies are not cyborgs  Q: Why would you come to this conclusion when they have implanted televisions? A: The peculiar antenna and visual display appendages are naturally occurring adaptations which allow them to exist in symbiotic harmony with humans 
Output: Are they the result of some kind of experiment?
CONTEXT: It did occur in the movie, very near the beginning, when Poe and Finn escape in a TIE fighter and fend off some stormtroopers with the TIE fighter's weapons. It is, of course, one of the stormtroopers blown away who utters the Wilhelm scream. It is a bit faint and overshadowed by the general noise (and soundtrack?) and not directly in your face, which might be why you missed it. But you can definitely hear it in that scene.  <sep>  Q: Was the famous “Wilhelm Scream” used in “The Force Awakens?” A: It did occur in the movie, very near the beginning, when Poe and Finn escape in a TIE fighter and fend off some stormtroopers with the TIE fighter's weapons 
Output: Can you explain why this scream is used?###Many films use this scream, can you explain why it is used so heavily in the industry?
CONTEXT: I got the impression Weyland did not want the scientists (especially the two head scientists) to realize his selfish reason for wanting to contact the engineers. He kept them under the impression that he was funding the mission so that mankind could have the knowledge, even faking that he was already dead, the ultimate way to get credibility. If he had been honest and said "I want the engineers to help me live forever" the scientists might not have gone along as he wanted them to. (For example, David suggests Weyland wanted Elizabeth Shaw there as a good-luck charm). Remember the scene where Vickers tells the two scientists that they are not to make contact with the engineers? This is the first hint that Weyland (in the hologram) was lying. Vickers knew Weyland was alive, and knew his true goal, and did not want the scientists to interfere with that goal.  <sep>  Q: Why does Weyland hide that he was on the ship? A: I got the impression Weyland did not want the scientists (especially the two head scientists) to realize his selfish reason for wanting to contact the engineers 
Output: But, does anything happen when he reveals this?
CONTEXT: Aliens don't have eyes. They sense their prey through changes in air pressure and noise. How they manage this with such accuracy isn't known, but a Predator's cloak bends light so that they appear camouflaged by their surroundings. When a Predator moves when cloaked they still emit changes in air pressure. Aliens are also effective hunters underwater and can sense their prey's electromagnetic field much like a shark, and Aliens also adapt the senses of the host who gave birth to them. So if they are grown in a Predator they will take on Predator traits. Aliens are a scary bunch! :)  <sep>  Q: Can Aliens see cloaked predators? A: Aliens don't have eyes  Q: Aliens don't have eyes? A: They sense their prey through changes in air pressure and noise  Q: Wow, I was reading that the can see their predators even when cloaked, but that isn't true? A: a Predator's cloak bends light so that they appear camouflaged by their surroundings. When a Predator moves when cloaked they still emit changes in air pressure  Q: I am just going by what I see on IMDb, can you share anything else you know about aliens? A: Aliens are also effective hunters underwater and can sense their prey's electromagnetic field much like a shark 
Output: Wow, and is it true they can kill with their claws?
CONTEXT: The movie has altered the plot of One Shot in many significant ways. The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible (though this is a common trade-off in movies). The plot is simpler with fewer characters. The overall tone is not too far from the books, but the opportunity for cinematic additions has been taken. The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing). Some of the humorous dialogue, though, is true to Reacher's character in the book. I recall some inventive insults in the bar scene, for example, which are the sort of things he does say in the books as a result of his unshakeable confidence in dealing with people he has to fight. He really doesn't mind getting physical as he know he will win, so insulting his adversaries and goading them is a typical strategy. Overall the movie captures the spirit of the books reasonably well, but the slapstick scene sticks out as an anomaly.  <sep>  Q: Are the comedic elements in the film Jack Reacher evident in the novels on which it was based? A: The movie has altered the plot of One Shot in many significant ways  Q: How has the movie altered the plot? A: The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible  Q: Why was this done if it makes the movie less credible? A: this is a common trade-off in movies  Q: Why does the film have so much humour? A: The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing  Q: Why do films feel like they need to add humorous elements that are not true to the book? A: Some of the humorous dialogue, though, is true to Reacher's character in the book 
Output: Did the director choose to change anything else about the books?
CONTEXT: It is not explained, but we can theorize. We don't know when he rented those books. He might have done so before buying his own (to ensure he indeed should buy them), or because the books weren't easy (or cheap) to purchase. Also remember that instead of renting books on a subject he is well versed in, he probably became well versed on the subject thanks to renting those books. Finally, despite those books in his apartment, IIRC we are never told what those books are about. They might have had nothing to do with the seven deadly sins (John Doe wanted to avoid having incriminating evidence on his home, perhaps?), and thus all of his knowledge came from renting the books in the library. The books in his house might have been educational on a ton of other subjects or philosophies. Also keep in mind, the Internet still wasn't a thing back then. And books such as the ones mentioned (on bondage, homicide, or by Italian Dominican friars) might have not been easily found in your regular old book store. Finally, you can also claim that he rented them to make the plot move along, as this was their main lead.  <sep>  Q: Why did John Doe need to check out books at a public library? A: It is not explained, but we can theorize 
Output: What is your theory?
CONTEXT: The Transformers aren't very well explored in the Michael Bay movies, so we'll have to judge according to the other (better explored) continuities. While the process of switching alternate modes in the movie seemed effortless, it might not have been. In other continuities the switch is either energy consuming or a major physical operation. So just changing to another vehicle might be a very expensive step that one does not take lightly. Also, the alt-mode seems to be a very personal aspect for each Transformer, which serve a similar function as clothes do to humans. They are a reflection of the owner, and once it is chosen it tends to stay the same. Transformers have been known to keep the same alt mode for thousands of years, which isn't really that long when you remember that their life span can stretch into the millions of years.  <sep>  Q: Why do the Transformers always transform into the same cars? A: just changing to another vehicle might be a very expensive step that one does not take lightly  Q: Why is changing into another vehicle so difficult? A: the alt-mode seems to be a very personal aspect for each Transformer, which serve a similar function as clothes do to humans  Q: What is the alt-mode and why is it significant? A: a very personal aspect for each Transformer, which serve a similar function as clothes do to humans. They are a reflection of the owner  Q: How do the vehicles reflect the personality of the transformers? A: a similar function as clothes do to humans  Q: What else can you tell me about the transformers? A: Transformers have been known to keep the same alt mode for thousands of years 
Output: What makes a transformer change their alt-mode?
CONTEXT: How Bruce Banner found the Avengers: When Banner was aboard the Hellicarrier, his gamma ray search algorithm had worked out where the Tesseract was (Stark Tower), but before he could tell anyone Loki's machinations kicked in and he turned into the Hulk. After he went back to being Bruce Banner, he just found his way to Stark Tower, where the rest of the Avengers had assembled. How Thor found the Avengers: This one's a bit more problematic. Thor seems to have the ability to track down Loki. Witness how Thor knew Loki was held inside the jet after he was captured by S.H.I.E.L.D.. How he does that isn't known. So I'm assuming that, however he does it, Thor simply tracked down Loki to Stark Tower.  <sep>  Q: How did Thor and Banner know where to go? A: After he went back to being Bruce Banner, he just found his way to Stark Tower, where the rest of the Avengers had assembled  Q: How do Banner and Thor know that they need to go to the tower? A: How he does that isn't known. So I'm assuming that, however he does it, Thor simply tracked down Loki to Stark Tower  Q: What happens after they track down Loki? A: Thor seems to have the ability to track down Loki. Witness how Thor knew Loki was held inside the jet after he was captured by S.H.I.E.L.D 
Output: So are Thor and Loki connected somehow?
CONTEXT: It basically emotionally connects the viewer to the action or event in question. I guess that viewers these days want to feel as though they're in the thick of the action instead of feeling somewhat isolated from it. The camera lens (or glass in front of the lens) getting dirty tells the viewer that the camera is right up close and that you (as the viewer) are involved in this.  <sep>  Q: Why do you see blood on the camera lens so much in movies now? A: It basically emotionally connects the viewer to the action or event in question  Q: but doesn't it break the suspension of disbelief? A: I guess that viewers these days want to feel as though they're in the thick of the action instead of feeling somewhat isolated from it 
Output: Is it a meta thing to convince the viewer the producers can't control it?
CONTEXT: I believe there are two things going on here, one with the show, the second with the legal system. First, the show is about the Behavioral Analysis Unit. To capture their guy through interrogation seems wrong with the premise of the show. Using behavior is much more fitting. Second, in the US legal system, all incarcerated (arrested or imprisoned) individuals have the right to an attorney and the right to remain silent. An attorney would advise against them talking, while they both may chose not to talk. Putting either/both of them into a room(s) and interrogating them may not produce any information. Besides, it was far easier for the BAU to detect who was whom from the tick than spending hours in interrogation which may or may not have produced results.  <sep>  Q: Why the confusion over who was arrested in Criminal Minds? A: I believe there are two things going on here, one with the show, the second with the legal system  Q: Which is the more significant? A: First, the show is about the Behavioral Analysis Unit. To capture their guy through interrogation seems wrong with the premise of the show. Using behavior is much more fitting 
Output: Is this an aspect of the US justice system I don't know?
CONTEXT: It is more likely to have been real imho. Bond is superficially charasmatic and able to make shallow relationships with ease, like his ability to seduce women. However, he has issues forming deep relationships with anyone. His relationships with women usually end quickly with little emotional connection. It is the same in the bar, one minute he is able to impress everyone and become the centre of attention but none of them are actually his friends and he quickly ends up alone again.  <sep>  Q: In Skyfall, was the bar scene a daydream or was it real? A: It is more likely to have been real imho  Q: Why do you say this when it is not really explained in the film? A: Bond is superficially charasmatic and able to make shallow relationships with ease, like his ability to seduce women  Q: What does his charisma have to do with the dream sequence? A: It is the same in the bar, one minute he is able to impress everyone and become the centre of attention but none of them are actually his friends and he quickly ends up alone again  Q: So do you think his lack of charisma suggests this is a dream? A: he has issues forming deep relationships with anyone. His relationships with women usually end quickly with little emotional connection 
Output: Does Bond never form a deep relationship with anyone at all?
CONTEXT: It's a replaceable - some say rechargeable - power cell. You can see a spare on Ronon's belt in many shots, but there is as far as I can recall only one time you see him actually replace the power cell. In the tavern scene near the beginning of S2E7 "Instinct," he replaces the cell near the end of the conversation, just before he stands up. In S4E5 "Travelers" at about the 26 minute mark, you see Shepard ask Larrin if she has more "of these," referring to either the weapon, or the power cell he removes from the depleted gun. They are both weaponless because the gun is out of power. The show never actually shows how he replaces/recharges the cells, though. Probably for the same reason they never show the SG teams loading ammo into magazines. :)  <sep>  Q: Why doesn't Ronon's gun run out of power? A: It's a replaceable - some say rechargeable - power cell  Q: How does he recharge this power cell gun? A: You can see a spare on Ronon's belt in many shots, but there is as far as I can recall only one time you see him actually replace the power cell  Q: When does he do this exactly, I can't recall seeing him recharge it? A: In the tavern scene near the beginning of S2E7 "Instinct," he replaces the cell near the end of the conversation, just before he stands up 
Output: Is this the only time he is seen recharging the gun?
CONTEXT: Firstly, there's a chance Wednesday would sense them coming, and would get away. They couldn't have a decent conversation then, and Mr. World made it very clear they wanted to part on respectful terms, having made their proposal. However, in the room Wednesday and Shadow were kept, Media, World, and Technical Boy were able to enter unobstructed, through the only exit, so it was very much their ground. Secondly, it was a show of power. Wednesday is on the wrong side of the law (after the robbery), but the new gods aren't - or at least, they're useful to the law, with the satellites and all the like. They wanted to show Wednesday that they had the capability to track him if the wanted, and that he had something, namely the whole of law enforcement, to be aware of. Thirdly, I think it's the matter of not getting their hands dirty. Gods, both in the novel and in the series so far, operate through proxies - Wednesday has Shadow, Technical Boy had those dumb henchmen. It's possible (though unlikely) that the New Gods don't want to be on the wrong side of law enforcement as well, and the law enforcement was looking for the bank robber anyway. In this case Mr. World simply used the policy in place of his own men, but disposed of them as they became unnecessary (which could be seen as yet another show of power).  <sep>  Q: Why did Mr.World need to involve the police? A: They couldn't have a decent conversation then, and Mr. World made it very clear they wanted to part on respectful terms, having made their proposal  Q: Why did Mr World have to be so violent? A: Mr. World simply used the policy in place of his own men, but disposed of them as they became unnecessary (which could be seen as yet another show of power  Q: Why not just go to the motel room? A: They wanted to show Wednesday that they had the capability to track him if the wanted, and that he had something, namely the whole of law enforcement 
Output: What did this achieve?
CONTEXT: Why the delay? Probably for cinematic effect. The Unsullied are trained to follow orders without question. They have been known to selflessly sacrifice their life without hesitation if that is what was ordered. In the books the Unsullied attack and the dragon attack happened almost simultaneously. The Whip? The whip that was given to Dany was a special one. It told the Unsullied who their new master was. So they followed the holder of that whip, and that whip alone.  <sep>  Q: How do the Unsullied prioritize their orders? A: The Unsullied are trained to follow orders without question 
Output: how do they train them?
CONTEXT: The point of the scene was to show that she has the power to command others when she makes physical contact and that Wolverine doesn't know she has powers. She denies having power because she doesn't want him to know. She's trying to manipulate him for Stryker and Sabretooth so if Wolverine found out it would ruin the plan. EDIT: modified answer to remove mention of Wolverine being immune to Kayla's powers since it's unclear whether he is immune or not.  <sep>  Q: What was the point of the bridge scene? A: The point of the scene was to show that she has the power to command others 
Output: Where did she get this power?
CONTEXT: At the beginning of the Back to Earth special, we see Lister reading to a memorial to Kochanski, with the implication being that she is dead. Later in the special, the kids Lister talks to on the bus talk about the events of "Series 9", which was never actually written, shot, or aired. They tell him that Kryten lied about Kochanski being sucked out of an airlock. The truth, according to the kids, is that she was tired of watching Lister wasting his life drinking and went off on her own in Blue Midget. Kryten told Lister she had died in order to spare his feelings (or perhaps because he was jealous of Lister's feelings for Kochanski). At the end of the Back To Earth specials, Lister resists the hallucinated Kochanski, saying that he knows that the real her is out there somewhere and that he intends to find her.  <sep>  Q: What happened to Kochanski between season 8 and 10 of Red Dwarf? A: At the beginning of the Back to Earth special, we see Lister reading to a memorial to Kochanski, with the implication being that she is dead 
Output: Where did the others go?
CONTEXT: I disagree that Mike isn't the sort of person who would entertain a name change like this. Mike is exactly the sort of person who would hear "I've changed my name to Saul" and shrug it off with a casual "Whatever," and then proceed to call him only Saul from then on. Mike is the kind of guy who does the job he's asked to do and doesn't ask any questions that he doesn't need the answers to. As long as you play it straight, he will too. Refusing to call Jimmy "Saul" would potentially disrupt any shady dealings they were involved in together, if third parties only knew the name Saul. It would also be an indiscretion to casually blow Saul's cover by calling him Jimmy just because Mike knows his real name. Of all the characters seen in either show, Mike is the most discreet and conscientious of the sensitive nature of the illegal operations these people so often find themselves embroiled in. Unless he had a good reason NOT to call Jimmy "Saul," I believe he would do so without batting an eyelash.  <sep>  Q: Why does Mike call Jimmy "Saul"? A: Mike is exactly the sort of person who would hear "I've changed my name to Saul" and shrug it off with a casual "Whatever," and then proceed to call him only Saul from then on 
Output: Is it a plot hole?
CONTEXT: My guess is that it was relevant only at that particular moment. It was an expression of humans' attitude towards Clark. Just like criminals who are not accepted as 'normal' members of a society and stay behind bars in prisons or lines in this particular case, and treated differently from the rest of the society, Clark was also a stranger, an alien whose intentions or nature wasn't fully understood, so seeing 'behind the line' phrase behind Clark bears that symbolism in my opinion. So you can guess that he would be handed over to Zod. Also note - if we continue our analogy with criminals - that he hasn't been tried/appeared before a judge yet. People see him later in action, and he is judged by his actions, and afterwards accepted as an ally i.e. acquitted. And the reason it was painted over maybe because the rest of the phrase was irrelevant, and also if it said detainees - he is not really a detainee, wasn't detained, he surrendered. Or maybe because they couldn't really detain him, he ripped handcuffs off with ease.  <sep>  Q: What is the full phrase painted over on the ground and its purpose? A: My guess is that it was relevant only at that particular moment  Q: What do you think the full phrase is? A: It was an expression of humans' attitude towards Clark  Q: What did they feel towards Clark? A: Just like criminals who are not accepted as 'normal' members of a society and stay behind bars in prisons or lines in this particular case, and treated differently from the rest of the society 
Output: How did Clark treat them differently?
CONTEXT: I believe that you are thinking of Superman 2. The villains (General Zod, Ursa and Non) had been banished from Krypton into the "Phantom Zone" which was depicted as what looked similar to a plane of glass that flew through space. Right up until Superman pushes a nuclear bomb out of Earth's atmosphere and into space to save Paris (I think). When the device explodes it breaks open the Phantom Zone and releases the villains. Here is clip of there release on Youtube:  <sep>  Q: What was that movie where the bad guys are trapped in a 2d plane in space A: I believe that you are thinking of Superman 2 
Output: Are you sure this is Superman 2?
CONTEXT: The short answer is that Mann isn't a highly trained astronaut, he's a ground-based theoretical physicist who volunteered to lead this last-ditch mission. His knowledge of space flight is limited to a single mission and his training was done on the cheap by flight controllers who themselves haven't ever been into space. It's clear that he doesn't recognise the danger. He ignores Coop's verbal warning as well as the master alarm, something a real astronaut would never ever do. On top of that, he seems to be displaying major symptoms of mental illness; paranoia, psychosis and disassociation, all things that would be likely to lead to impaired judgement.  <sep>  Q: Why does Dr Mann act so stupidly? A: The short answer is that Mann isn't a highly trained astronaut 
Output: How does Dr Mann try to escape?
CONTEXT: A) They can't think of any other answers, so they don't want to lose any points they might earn in a steal by the other team. AND/OR B) They think it will be easier to steal the points from the other team than to get all of the points themselves.  <sep>  Q: When would a team pass on Family Feud? A: They can't think of any other answers 
Output: Does this usually work in their favor?
CONTEXT: Because this is the most natural and comfortable way of reading a vertical list of credits. While the major credited actors/film crew can enjoy fancy transforms on their listings, it would become exhausting to see the names of rest of the bazillion film crew members to be similarly displayed. Horizontal scrolling won't really work because someone's name/role will invariably scroll off one side before you have a chance to read it (especially when there's a full screen-full of names). Generally, producers want you to see the full list as quickly as reasonably possible (especially as all of these people worked hard for you to enjoy that movie).  <sep>  Q: Why do movie credits scroll from the bottom to the top of the screen? A: Because this is the most natural and comfortable way of reading a vertical list of credits  Q: Couldn't they be scrolled from left to right? A: Horizontal scrolling won't really work because someone's name/role will invariably scroll off one side before you have a chance to read it (especially when there's a full screen-full of names 
Output: Do you think before computers the screen was done manually or by machine?