if you 're debating whether or not to see _
breakfast_of_champions _ , ask yourself one simple question : do you want to see nick nolte in lingerie ?
the only people who would get much enjoyment from alan rudolph 's chaotic adaptation of the kurt vonnegut novel is the cross - section of the population with the unhealthy urge to see that unpleasant sight .
everyone else -- and
i 'm hoping that 's most people -- would be wise to
steer clear of this excrutiatingly unfunny mess .
actually , though , the sight of nolte in high heels is one of the more amusing things about this muddle , which focuses dwayne hoover ( bruce willis ) , the owner of dwayne hoover 's exit 11 motor village in midland city .
not only is he a huge success as a businessman , he 's also something of a celebrity , his face made recognizable by an ongoing series of television commercials .
with a nice home and family to boot , dwayne appears to have it all the ingredients to be happy -- yet he 's not .
his wife celia ( barbara hershey ) is perpetually in a pill - induced haze ; his son george ( lukas haas ) is a flamboyant lounge singer who goes by the stage name " bunny .
"
not only that , the environmental protection agency is on dwayne 's ass over a building development project .
it 's enough to send dwayne on a nervous breakdown
-- that is , if he does n't succeed in blowing his brains out first .
meanwhile , midland city is about to host a fine arts festival , and the guest of honor is one kilgore trout ( albert finney ) , a writer who is far from the renowned author the festival 's organizer ( buck henry ) was led to believe -- in fact , he 's a penniless hack who writes second - rate sci - fi that appears in porn magazines .
his trek to midland city is also a spiritual journey , one that reaches its apex after meeting dwayne , who for some reason thinks that trout will hold for him all of life 's answers .
the above is already a longer plot synopsis than i usually give in my reviews , but , ironically , i have barely scratched the surface .
i have n't yet mentioned wayne hoobler ( omar epps ) , an ex - con with an obsessive admiration for the similarly - named dwayne .
then there 's the matter of francine ( glenne headly ) , dwayne 's devoted secretary .
not to mention dwayne 's employee and old friend harry lesabre ( nolte ) , the one with the secret penchant for cross - dressing .
and so on .
the film is essentially dwayne 's story , but too often rudolph goes on distracting tangents with the eccentric peripheral players that one often wonders what the point is .
rudolph does arrive at a point ( more on that later ) , but it 's blunted and obscured by his hyperactive approach to the material .
the surreal visual style , complete with printed words flying through the air and into dwayne 's ears , is obviously meant to convey a sense of madness , but its bludgeoning nature is likely to make viewers mad .
the actors are called on to act accordingly , resulting in some of the worst , most overdone work
all of them have ever turned in .
willis fares best of all --
but that 's because his frozen expression of befuddled bewilderment mirrors that of the audience .
with such an aggressively outrageous atmosphere for nearly all of its running time , it comes as a shock when things suddenly turn serious , and rudolph tries to make a statement .
unlike _ american_beauty _ ( a film that _ breakfast _ resembles in more than a few ways , to its great detriment ) , there is n't any palpably earnest undercurrent that would prepare the audience for the big shift . as such , the cartoony characters fail to win a sympathy that needs to be earned ; and the film attempts , to no avail , to reach a profundity that it does n't deserve .
vonnegut 's original novel is considered a classic , but it had been called unfilmable -- the same that was said of hunter s .
thompson 's _
fear_and_loathing_in_las_vegas _ , which was disastrously committed to film last year by terry gilliam .
with the similar failure of
_ breakfast_of_champions _ , will hollywood ever learn that books labeled " unfilmable " inevitably results in a film that is unwatchable ?
likely not .
Output: N