more than forty years ago , the " sword and sandals " genre of historical epic ruled the box office .
during the 1950 's hollywood sought to give audiences a reason to turn off their televisions and go out to the movies by offering the grand spectacle of the roman empire in cinemascope .
" ben - hur . "
" cleopatra .
" " the robe . "
" sparticus .
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" the fall of the roman empire . "
" quo vadis .
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sometimes brilliant , sometimes campy , the roman epic was the technicolor funeral pyre of classic hollywood .
since then , epics have appeared infrequently ( " the last emperor , " " braveheart " ) and some of the best have been small - screen affairs produced in the 1970 's ( " roots , " " shogun " ) .
yet , the phrase " we who are about to die salute you " has been absent until now .
" gladiator " begins in germania in a .
d .
180 .
roman general maximus ( russell crowe ) has conquered yet another group of barbarians for his emperor marcus aurelius ( richard harris ) , and he is eager to retire to his plantation in spain where his wife and son are waiting .
however , the emperor is worried that his decadent weakling son commodus ( joaquin phoenix ) will prove a poor successor , so he wants to make maximus his heir as a transition toward rome becoming a republic again .
when commodus hears the plan , he strangles his father and orders maximus and his family murdered .
maximus escapes from the executioners , but he arrives home too late to save his wife and son .
a caravan of slavers pick up the wounded hero and carry him off to north africa .
( why the caravan happened to be cruising by maximus ' place is never explained . )
an african named juba ( djimon hounsou ) treats maximus ' wounds .
proximo ( oliver reed ) , a gladiator who won his freedom , purchases maximus and juba as fodder for the arena .
of course , maximus proves as able a gladiator as he was a soldier , and his fame spreads .
when commodus reopens the coliseum , proximo brings his troupe of warriors to rome to compete .
our hero wins the hearts and minds of the cheering crowds and finds that he has an ally in commodus ' sister lucilla ( connie nielsen ) .
the similarities to " braveheart " are obvious : an evil king , a determined warrior seeking revenge for his murdered family , the aid of a lovestruck princess .
also , like mel gibson 's epic , " gladiator " has a primarily visceral appeal and is driven forward by the hero 's anger .
it 's a simple tale of good versus evil .
maximus has all the manly virtues : nobility of purpose , courage in battle , loyalty to king and country , physical stamina , and devotion to family .
commodus is his opposite in every way : a sniveling , selfish coward who is intended to disgust the audience .
the opening night crowd in my theater was about 70 % male , and that seems appropriate .
" gladiator " is a guy movie ( would the opposite of a " chick flick " be a " dick flick " ? ) .
there 's much pumping of testosterone and chopping off of body parts in gruesome battle sequences .
( those easily offended by gore should stay away . )
lucilla is the only female character , and what sparks there are between her and maximus are dampened by his devotion to his dead wife .
joaquin phoenix gives an astounding performance .
in the scene where commodus kills his father , phoenix shows the pain of a son who has never had his father 's love or pride .
throughout the picture , phoenix manages to give depth to a character who 's scripted as a caricature of evil .
i 've been a russell crowe fan since " romper stomper .
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this role does n't offer him the complexities of his parts in " l . a . confidential " and " the insider " -- essentially his job is to grunt heroically -- but his voice , which has a richard burton resonance textured by a clint eastwood rasp , is perfect for the genre .
the late oliver reed gave us the best work of his career in his last role .
i hope it will be rewarded with an oscar .
my only major quibble with " gladiator " is its stylized look .
several scenes are tinted .
we 've seen a lot of the tinted look lately , particularly in " payback " and " the matrix .
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i do n't get the appeal of the style , which makes feature films look like tv ads .
in " payback " it was merely annoying , but in " gladiator " it bleaches the color out of the grand spectacles that are the raison d'etre of the roman epic .
( perhaps it 's meant to gloss over the imperfections of the computer - generated shots . )
also , the battle scenes are filmed in a strange herky jerky style that seems to be slo mo and fast forward simultaneously .
( it reminds me of the way the flash runs in the comic books , leaving a half - blurred trail of images of himself behind . ) with a more realistic look , " gladiator " could be even more satisfying than " braveheart " because it has a tighter script and a more fulfilling conclusion .
bottom line :
a rousing action film enriched by fine performances but tarnished by stylistic choices .
Output: P