an american werewolf in paris is a failed attempt to recapture the humor and horror of john landis ' 1981 feature , an american werewolf in london .
where the original had comedy , the sequel has the kind of revolting silliness that can be found in tv sit - coms .
where the first installment had chills , this one has sequences that are inappropriately , unintentionally funny
.
in short , while an american werewolf in london has become something of a minor classic in its genre , the woeful an american werewolf in paris seems destined for late nights on cinemax ( it even has the necessary gratuitous nudity ) .
the film opens with a trio of daredevil americans -- andy ( tom everett scott ) , brad ( vince vieluf ) , and chris ( phil buckman ) -- sneaking up to the top of the eiffel tower to drink wine and do a little bungee jumping .
soon they have company in the person of serafine ( julie delpy ) , who has decided to end it all .
she jumps , but andy , with a bungee cord attached , goes after her , and manages to save her ( at the price of a major headache ) .
serafine disappears , but a smitten andy seeks her out .
however , once he learns his would - be girlfriend 's dark secret , he wishes he had n't .
she 's a werewolf , cursed to change into a hideous beast when the moon is full , and , to make matters worse , he has suffered a nasty bite himself .
actress julie delpy is far too good for this movie .
she imbues serafine with spirit , spunk , and humanity , which gives us an emotional stake in the character 's fate .
this is n't necessarily a good thing , since it prevents us from relaxing and enjoying an american werewolf in paris as a completely mindless , campy entertainment experience .
delpy 's injection of class into an otherwise classless production raises the specter of what this film could have been with a better script and a better cast surrounding her .
delpy 's previous credits include such memorable ventures as krzysztof kieslowski 's white and richard linklater 's before sunrise .
she was radiant , charismatic , and effective in both .
given the nature and level of the material she has to work with here , she gets as close as possible to those adjectives .
it could be argued that delpy is the only reason to see an american werewolf in paris , but even her most devoted fans should consider giving this one a miss .
and if your primary objective is catching a glimpse of her in the buff , check out either killing zoe or the passion of beatrice -- those movies have intelligible plots in addition to breasts .
the rest of the cast acts at a level considerably below that of delpy -- which is to say , they give performances appropriate for the screenplay .
tom everett scott ( that thing you do ) plays the lead like he 's in a made - for - tv movie .
it would be kind to call him bland
.
actors vince vieluf and phil buckman , as andy 's friends , are no more impressive .
julie bowen ( happy gilmore ) is suitably fetching as werewolf meat . and respected french actor thierry lhermitte has a brief turn as another monster meal .
on the technical side , it 's all bad news .
the computer - generated werewolves look painfully unreal .
the creatures would probably have been more believable had they been men in wolf suits .
repeated use is made of the " werewolf cam " , an infrared wolf 's point - of - view approach that 's interesting the first couple of times it 's employed , then becomes tedious .
and the soundtrack includes some alternative grunge rock tunes that clash violently with the on - screen action they 're matched to .
director anthony waller , who displayed a confident , edgy style in mute witness ,
stumbles with this material , never being able to make the comedy and horror elements gel .
as a result , we get the worst werewolf sequel
since the howling ii : your sister is a werewolf .
( i will give waller credit for killing off a dog , though -- something that 's rarely seen in movies these days . )
an american werewolf in paris is marginally entertaining in a " bad movie " sort of way , but that 's a dubious distinction .
ultimately , it 's an unfortunate effort , for , while it is n't unbearable to sit through , it is n't a howl , either .
Output: N