Fact1: local hotel and films killing eleven of hotel guests before committing suicide, Fact2: actress is set to star as Omori 's Chisato, Fact3: old film camera be revealed to be same type, Fact4: Yayoi 's research takes her to only survivor of attack, Fact5: Nagisa During begins to believe that she is reincarnation of Chisato Omori as she seems to slip into hallucination during filming filming
Output: A number of people see visions apparently dead people: a businessman finds one behind him in an elevator. A truck driver runs over one on the road only to be shocked when he investigates the body as the opening credits start. Professor Norihasa Omori Atsushi Haruta visits a local hotel and films himself killing eleven of the hotel guests, employees, his own children before committing suicide, all as part of his wish to understand reincarnation. Since then, the footage of the murders disappears. Thirtyfive years later, horror movie director Ikuo Matsumura Kippei Shiina decides to make a film about the massacre. As the date of the shoot draws near, Nagisa Sugiura Yuka, the actress who is set to star as Omoris daughter Chisato Mao Sasaki, is haunted by the ghosts of the victims. She begins hallucinating and is plagued by nightmares of the killings. She discovers an old film camera which will later be revealed to be the same type the professor used. Yayoi Kinoshita Karina Nose wakes up in the middle of a psychology class, in which the professor publicly opposes the ideas of reincarnation and cryptomnesia. She decides to write an essay supporting cryptomnesia and meets Yuka Morita Marika Matsumoto, an actress who auditioned for Ikuos movie. Yuka says she remembers things in a past life of hers and shows Yayoi a birthmark that would appear to be evidence of strangulation, which reveals that she has the same vision as Nagisa. Yayoi and Yuka check out the college library, but ghosts of the dead appear to drag Yuka up and away. Yayois research takes her to the only survivor of the attack: Ayumi Omori Miki Sanjo, the professors wife. She explains that while many thought he had lost his mind, he had become obsessed that the body is only a vessel. During filming Nagisa begins to believe that she is the reincarnation of Chisato Omori as she seems to slip into another hallucination during filming. The director becomes the slain son of the professor. Meanwhile, Nagisas agent reviews the film from the camera which consists of the film the professor took as he murdered his children and others at the hotel. As this film is played, Nagisa reenacts the events in her apparent hallucination. She discovers Yayoi in the cubby where the little girl was slain. Realizing that she is not the real reincarnation of Chisato, Nagisa witnesses the actors, including Yayoi and the director, and the two men seen before the opening credits, all transform into the people they portray in the places where they died. Yuka is revealed as a maid who was hung. With all the victims walking towards her, Nagisa escapes the hotel and runs down the road and into the town. Simultaneously, her agent sees the film of this escape from the professor. Ultimately, Nagisa finds herself cornered in a store. She grabs a piece of class to kill herself before the doll can come to her. She looks at her reflection in the glass and sees the face of the professor. At the same time, her agent watches the knife in the hand of the professor in his film reveal Nagisas reflection before he cuts his own throat. Nagisa starts to reenact the professors suicide but the doll reaches her and stops her in time to tell her that they will be together forever. A group of executives watch Nagisas take. Among them is the professors wife. Near the end of the take, Nagisa collapses shaking and screaming as crew members come to her aid. Notice by the professors wife is her two children in the scene some distance away. She smiles with satisfaction. Sometime later, in a mental ward, Nagisa is bound in a fullbody wrap and still haunted by the souls of Omoris children. The professors wife looks at her from the window of her door then passes through the smaller aperture for food her childrens favourite toys: a red ball and the doll. Nagisa screams as they are shoved into her solitary confinement cell as the professors wife smile. Nagisa eventually calms down with a sinister smile on her face as the ghosts of the children close in on her.