Fact1: Movie starts with Venkatesha welcoming Martha to Bangalore, Fact2: whose chief goes to extent of playing flute to girls over phone just to impress upon them matha, Fact3: post in order join wife, Fact4: manager and administrator of matha In advertises in news papers declaring vacancy for Chief of Matha unique circumstances, Fact5: R. N. Sudarshan enacting role of Appayya declines to read out dialogues about placing news paper ad about vacant Chief of Matha position breaking fourth wall
Output: Movie starts with a taxi driver Venkatesha Jaggesh welcoming Sister Martha played by Pari to Bangalore. He needs to drive her to a matha in Thirthahalli and he starts narrating a story to make the journey interesting, interspersed with substories. The foresaid matha has an asylum taking care of handicapped orphans and a rare temple of Lord Brahma.He narrates about this matha, whose chief is a skirtchaser and goes to the extent of playing the flute to girls over the phone just to impress upon them. Soon enough, the chief decides to part with the post in order join his wife back. In unique circumstances, the manager and administrator of matha, Appayya R. N. Sudarshan advertises in news papers declaring vacancy for Chief of Matha. At this point, breaking the fourth wall, R. N. Sudarshan enacting the role of Appayya declines to read out the dialogues about placing a news paper ad about vacant Chief of Matha position. Director Guruprasad makes a cameo entry bombarding Appayya to enact his role, as he is paid to do just that viz., read out the dialogues. The introduction scene of the film is fabulous as all the characters are invited with vedic hymns, Asathoma Sadgamaya, which signifies the light in all directions. Tabla Nani as Venugopala nickname packet, Sudheendra as Chintamani, Shashidhar Bhat as Shashidhar bhat, Mandya Ramesh as Mandya Nagesh, Vaijanath Biradar as Kosta alias Sidda and Jaggesh as Venkatesha take the film on their shoulders. It is a great master piece that has every essence from crisp dialogues to a meaningful and soul stirring script. The characters are neglected by the society, their quest for a societal status and food drives them to do all kinds of things to just remain in the training period as they want to avoid destitution. Givne that it is a multi layered plot, the narrator Jaggesh infuses titbits of stories to the viewer and seamlessly weaves them with the main plot. For example, the comedy scenes involving Nagaraj Murthy as a desperate king, who wants to build a mausoleum for his wife, are hilarious and signifies the hold on making the audience waiting for the intuitiveness of the next scene. Sudarshan has given a great modification of a cool head who always emphasize Dharma, managers role orchestrated by Sadananda, who is at his comical best. The story progresses through the many travails of all the six apprentices, who fight for their place under the sun. This process takes them on a journey which transforms their previous meaningless lives into a completely different dimension. The plot also explores the many illegal activities that run behind the scenes in a mutt. In the end, Jaggesh and the others realize the true meaning of life, and they each adopt a profession best suited to their personality. Sister Martha is revealed to be a guardian angel for the financially ailing mutt when she donates a substantial amount of money for its betterment. The movie ends with Jaggesh thanking sister Martha, and Guruprasad and Sudarshan sharing a small but lively conversation about the outcome of the story.