Fact1: Conway has provided address of elderly couple as Kubrick 's home address, Fact2: thugs are arrested by police for causing ruckus outside house, Fact3: Judgment at Nuremberg was directed by Stanley Kramer, Fact4: New York Times ran on Kubrick article, Fact5: Rich instigates Kubrick to look further into identity of con man
Output: Colour Me Kubrick begins with a direct homage to A Clockwork Orange with the aftereffects of one of Alan Conways Malkovich minor cons: two thugs are sent to collect a bar bill that Conway has generated by impersonating Kubrick. Conway has provided the address of an elderly couple as Kubricks home address. Conway is nowhere to be seen, and the thugs are arrested by the police for causing a ruckus outside the house. Following these events, the audience is taken through several of Conways scams, including tricking a fashion designer, members of a heavy metal band, and a popular bar owner. All of the victims are deceived into giving in to Kubrick for sums of money, free food and drinks, and even sexual favours. Conway actually knows little about Kubrick or his films, so he simply puts on a different persona—from reserved English gentleman to flamboyant Jewish stereotype—with each victim. Conway deceives just about everyone he meets into thinking he is the reclusive director, except for a rent boy at a bar, who tests Conway by saying that his favourite Kubrick film is Judgment at Nuremberg; when Conway begins an anecdote about directing the film, the young man tells him that Judgment at Nuremberg was directed by Stanley Kramer, and Conway walks away. Conway also has a runin with Frank Rich William Hootkins, a journalist from the New York Times. He meets Rich and his wife in a restaurant and confronts him about an article the New York Times ran on the real Kubrick. He is personally offended that the paper called Kubrick a recluse, and wants them to know that he shaved off his beard. After this chance meeting, Rich investigates Kubrick and finds a picture of him, learning that the real Kubrick looks nothing like the man he met in the restaurant. Rich then instigates Kubrick to look further into the identity of the con man. One of the biggest scams is when Conway promises to help establish Lee Pratt Jim Davidson as a headliner act in Las Vegas. Pratt is a British entertainer whos had limited success as a flamboyant dancer and stage singer. Pratt is described as a lowrent Liberace with an Elvis gleam in his eye. Conway makes huge promises to get Pratt a permanent seat in the spotlight in Las Vegas. While Pratt, Conway and Pratts manager try to decide how to conquer America, Conway lives a life of luxury at Pratts expense. He sleeps in a high class hotel consuming vodka and cigarettes until a cleaning woman, possibly under the direction of Pratts manager, discovers a passport with his real moniker printed inside. Conway is thrown out of Pratts life and off of a pier in a visual and musical homage to A Clockwork Orange. From there, Rich exposes Alans lies, and Conway is sent to a hospital after an apparent nervous breakdown which, of course, is just another one of Conways elaborate ruses. His case is published by his doctor in the medical literature and, courtesy of the British government, he is sent to the Rimini Clinic, a centre where celebrities go for rehabilitation. Conway is shown to be living the good life, and the film ends with him relaxing in a giant, luxurious hot tub whilst the Ray Noble Orchestra plays the Al Bowlly version of Midnight, the Stars and You on the soundtrack, harking back to the finale of The Shining.