niryuu/sni-each-converted huggingface dataset:
Within six years of the official criminalization of heresy by the Emperor, the first Christian heretic to be executed, Priscillian, was condemned in 386 by Roman secular officials for sorcery, and put to death with four or five followers. However, his accusers were excommunicated both by Ambrose of Milan and Pope Siricius, who opposed Priscillian's heresy, but "believed capital punishment to be inappropriate at best and usually unequivocally evil". For some years after the Reformation, Protestant churches were also known to execute those they considered heretics, including Catholics. The last known heretic executed by sentence of the Roman Catholic Church was Spanish schoolmaster Cayetano Ripoll in 1826. The number of people executed as heretics under the authority of the various "ecclesiastical authorities"[note 1] is not known.[note 2] One of the first examples of the word as translated from the Nag Hammadi's Apocalypse of Peter was" they will cleave to the name of a dead man thinking that they will become pure. But they will become greatly defiled and they will fall into the name of error and into the hands of an evil cunning man and a manifold dogma, and they will be ruled heretically".
Output: Who was the first Christian individual to be sentenced to death by the church for heresy in Rome?
Within six years of the official criminalization of heresy by the Emperor, the first Christian heretic to be executed, Priscillian, was condemned in 386 by Roman secular officials for sorcery, and put to death with four or five followers. However, his accusers were excommunicated both by Ambrose of Milan and Pope Siricius, who opposed Priscillian's heresy, but "believed capital punishment to be inappropriate at best and usually unequivocally evil". For some years after the Reformation, Protestant churches were also known to execute those they considered heretics, including Catholics. The last known heretic executed by sentence of the Roman Catholic Church was Spanish schoolmaster Cayetano Ripoll in 1826. The number of people executed as heretics under the authority of the various "ecclesiastical authorities"[note 1] is not known.[note 2] One of the first examples of the word as translated from the Nag Hammadi's Apocalypse of Peter was" they will cleave to the name of a dead man thinking that they will become pure. But they will become greatly defiled and they will fall into the name of error and into the hands of an evil cunning man and a manifold dogma, and they will be ruled heretically".
Output: What happened to the people that sentenced Priscillian to death?
Within six years of the official criminalization of heresy by the Emperor, the first Christian heretic to be executed, Priscillian, was condemned in 386 by Roman secular officials for sorcery, and put to death with four or five followers. However, his accusers were excommunicated both by Ambrose of Milan and Pope Siricius, who opposed Priscillian's heresy, but "believed capital punishment to be inappropriate at best and usually unequivocally evil". For some years after the Reformation, Protestant churches were also known to execute those they considered heretics, including Catholics. The last known heretic executed by sentence of the Roman Catholic Church was Spanish schoolmaster Cayetano Ripoll in 1826. The number of people executed as heretics under the authority of the various "ecclesiastical authorities"[note 1] is not known.[note 2] One of the first examples of the word as translated from the Nag Hammadi's Apocalypse of Peter was" they will cleave to the name of a dead man thinking that they will become pure. But they will become greatly defiled and they will fall into the name of error and into the hands of an evil cunning man and a manifold dogma, and they will be ruled heretically".
Output: What religion is an example of Protestants killing for conviction of heresy after the Reformation?
Within six years of the official criminalization of heresy by the Emperor, the first Christian heretic to be executed, Priscillian, was condemned in 386 by Roman secular officials for sorcery, and put to death with four or five followers. However, his accusers were excommunicated both by Ambrose of Milan and Pope Siricius, who opposed Priscillian's heresy, but "believed capital punishment to be inappropriate at best and usually unequivocally evil". For some years after the Reformation, Protestant churches were also known to execute those they considered heretics, including Catholics. The last known heretic executed by sentence of the Roman Catholic Church was Spanish schoolmaster Cayetano Ripoll in 1826. The number of people executed as heretics under the authority of the various "ecclesiastical authorities"[note 1] is not known.[note 2] One of the first examples of the word as translated from the Nag Hammadi's Apocalypse of Peter was" they will cleave to the name of a dead man thinking that they will become pure. But they will become greatly defiled and they will fall into the name of error and into the hands of an evil cunning man and a manifold dogma, and they will be ruled heretically".
Output: Who was the last known person to be sentenced to death for the crime of heresy by the Roman Catholic Church?
Within six years of the official criminalization of heresy by the Emperor, the first Christian heretic to be executed, Priscillian, was condemned in 386 by Roman secular officials for sorcery, and put to death with four or five followers. However, his accusers were excommunicated both by Ambrose of Milan and Pope Siricius, who opposed Priscillian's heresy, but "believed capital punishment to be inappropriate at best and usually unequivocally evil". For some years after the Reformation, Protestant churches were also known to execute those they considered heretics, including Catholics. The last known heretic executed by sentence of the Roman Catholic Church was Spanish schoolmaster Cayetano Ripoll in 1826. The number of people executed as heretics under the authority of the various "ecclesiastical authorities"[note 1] is not known.[note 2] One of the first examples of the word as translated from the Nag Hammadi's Apocalypse of Peter was" they will cleave to the name of a dead man thinking that they will become pure. But they will become greatly defiled and they will fall into the name of error and into the hands of an evil cunning man and a manifold dogma, and they will be ruled heretically".
Output: From what passage is cited as being one of the first known examples of using the word heresy?
Grazing organisms may also kill their prey species, but this is seldom the case. While some herbivores like zooplankton live on unicellular phytoplankton and therefore, by the individualized nature of the organism, kill their prey, many only eat a small part of the plant. Grazing livestock may pull some grass out at the roots, but most is simply grazed upon, allowing the plant to regrow once again. Kelp is frequently grazed in subtidal kelp forests, but regrows at the base of the blade continuously to cope with browsing pressure. Animals may also be 'grazed' upon; female mosquitos land on hosts briefly to gain sufficient proteins for the development of their offspring. Starfish may be grazed on, being capable of regenerating lost arms.
Output: Animals that consume parts of their prey are considered to be
Grazing organisms may also kill their prey species, but this is seldom the case. While some herbivores like zooplankton live on unicellular phytoplankton and therefore, by the individualized nature of the organism, kill their prey, many only eat a small part of the plant. Grazing livestock may pull some grass out at the roots, but most is simply grazed upon, allowing the plant to regrow once again. Kelp is frequently grazed in subtidal kelp forests, but regrows at the base of the blade continuously to cope with browsing pressure. Animals may also be 'grazed' upon; female mosquitos land on hosts briefly to gain sufficient proteins for the development of their offspring. Starfish may be grazed on, being capable of regenerating lost arms.
Output: Prey that can regrow leaves or arms have learned to deal with what?
Grazing organisms may also kill their prey species, but this is seldom the case. While some herbivores like zooplankton live on unicellular phytoplankton and therefore, by the individualized nature of the organism, kill their prey, many only eat a small part of the plant. Grazing livestock may pull some grass out at the roots, but most is simply grazed upon, allowing the plant to regrow once again. Kelp is frequently grazed in subtidal kelp forests, but regrows at the base of the blade continuously to cope with browsing pressure. Animals may also be 'grazed' upon; female mosquitos land on hosts briefly to gain sufficient proteins for the development of their offspring. Starfish may be grazed on, being capable of regenerating lost arms.
Output: Give an example of a predator that specializes in eating autotrophic species
Grazing organisms may also kill their prey species, but this is seldom the case. While some herbivores like zooplankton live on unicellular phytoplankton and therefore, by the individualized nature of the organism, kill their prey, many only eat a small part of the plant. Grazing livestock may pull some grass out at the roots, but most is simply grazed upon, allowing the plant to regrow once again. Kelp is frequently grazed in subtidal kelp forests, but regrows at the base of the blade continuously to cope with browsing pressure. Animals may also be 'grazed' upon; female mosquitos land on hosts briefly to gain sufficient proteins for the development of their offspring. Starfish may be grazed on, being capable of regenerating lost arms.
Output: Give an example of an animal that feeds off of other animals for reproduction?
Grazing organisms may also kill their prey species, but this is seldom the case. While some herbivores like zooplankton live on unicellular phytoplankton and therefore, by the individualized nature of the organism, kill their prey, many only eat a small part of the plant. Grazing livestock may pull some grass out at the roots, but most is simply grazed upon, allowing the plant to regrow once again. Kelp is frequently grazed in subtidal kelp forests, but regrows at the base of the blade continuously to cope with browsing pressure. Animals may also be 'grazed' upon; female mosquitos land on hosts briefly to gain sufficient proteins for the development of their offspring. Starfish may be grazed on, being capable of regenerating lost arms.
Output: What is an organism that grazes upon other animals?
Grazing organisms may also kill their prey species, but this is seldom the case. While some herbivores like zooplankton live on unicellular phytoplankton and therefore, by the individualized nature of the organism, kill their prey, many only eat a small part of the plant. Grazing livestock may pull some grass out at the roots, but most is simply grazed upon, allowing the plant to regrow once again. Kelp is frequently grazed in subtidal kelp forests, but regrows at the base of the blade continuously to cope with browsing pressure. Animals may also be 'grazed' upon; female mosquitos land on hosts briefly to gain sufficient proteins for the development of their offspring. Starfish may be grazed on, being capable of regenerating lost arms.
Output: What is an organism that can regrow lost arms?
Grazing organisms may also kill their prey species, but this is seldom the case. While some herbivores like zooplankton live on unicellular phytoplankton and therefore, by the individualized nature of the organism, kill their prey, many only eat a small part of the plant. Grazing livestock may pull some grass out at the roots, but most is simply grazed upon, allowing the plant to regrow once again. Kelp is frequently grazed in subtidal kelp forests, but regrows at the base of the blade continuously to cope with browsing pressure. Animals may also be 'grazed' upon; female mosquitos land on hosts briefly to gain sufficient proteins for the development of their offspring. Starfish may be grazed on, being capable of regenerating lost arms.
Output: Do grazing organisms often kill their prey?
Grazing organisms may also kill their prey species, but this is seldom the case. While some herbivores like zooplankton live on unicellular phytoplankton and therefore, by the individualized nature of the organism, kill their prey, many only eat a small part of the plant. Grazing livestock may pull some grass out at the roots, but most is simply grazed upon, allowing the plant to regrow once again. Kelp is frequently grazed in subtidal kelp forests, but regrows at the base of the blade continuously to cope with browsing pressure. Animals may also be 'grazed' upon; female mosquitos land on hosts briefly to gain sufficient proteins for the development of their offspring. Starfish may be grazed on, being capable of regenerating lost arms.
Output: How do grass and kelp deal with being grazed upon?
The earliest occurrences of the term in non-Christian literature include Josephus, referring to "the tribe of Christians, so named from him;" Pliny the Younger in correspondence with Trajan; and Tacitus, writing near the end of the 1st century. In the Annals he relates that "by vulgar appellation [they were] commonly called Christians" and identifies Christians as Nero's scapegoats for the Great Fire of Rome.
Output: What is one of the first mentions of the term Christian in a non-religious work, referring to a tribe of Christians?
The earliest occurrences of the term in non-Christian literature include Josephus, referring to "the tribe of Christians, so named from him;" Pliny the Younger in correspondence with Trajan; and Tacitus, writing near the end of the 1st century. In the Annals he relates that "by vulgar appellation [they were] commonly called Christians" and identifies Christians as Nero's scapegoats for the Great Fire of Rome.
Output: Which non-religious piece of literature had the term Christian in it towards the end of the first century?
The earliest occurrences of the term in non-Christian literature include Josephus, referring to "the tribe of Christians, so named from him;" Pliny the Younger in correspondence with Trajan; and Tacitus, writing near the end of the 1st century. In the Annals he relates that "by vulgar appellation [they were] commonly called Christians" and identifies Christians as Nero's scapegoats for the Great Fire of Rome.
Output: Christians were said to be the scapegoat of who?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Where did Victoria spend the Christmas of 1900?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Where was osborne House that Victoria spent christmas at located?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: What had caused Victoria to be lame?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Why was Victorias eyesight clouded?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: What was the date of Queen Victorias death?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Where was Osborne House located?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: When did Queen Victoria die?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: How old was Queen Victoria upon her death?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Who was Queen Victoria's successor after her death?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Who did she wish to see on her deathbed, making it her last request?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Where did Victoria usually spend Christmases?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: What caused Victoria limited mobility later in life?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Whaen did Queen Victoria die?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: How old was Victoria when she died?
Following a custom she maintained throughout her widowhood, Victoria spent the Christmas of 1900 at Osborne House on the Isle of Wight. Rheumatism in her legs had rendered her lame, and her eyesight was clouded by cataracts. Through early January, she felt "weak and unwell", and by mid-January she was "drowsy ... dazed, [and] confused". She died on Tuesday, 22 January 1901, at half past six in the evening, at the age of 81. Her son and successor King Edward VII, and her eldest grandson, Emperor Wilhelm II of Germany, were at her deathbed. Her favourite pet Pomeranian, Turri, was laid upon her deathbed as a last request.
Output: Who was Queen Victoria's successor?
Maplecroft Child Labour Index 2012 survey reports 76 countries pose extreme child labour complicity risks for companies operating worldwide. The ten highest risk countries in 2012, ranked in decreasing order, were: Myanmar, North Korea, Somalia, Sudan, DR Congo, Zimbabwe, Afghanistan, Burundi, Pakistan and Ethiopia. Of the major growth economies, Maplecroft ranked Philippines 25th riskiest, India 27th, China 36th, Viet Nam 37th, Indonesia 46th, and Brazil 54th - all of them rated to involve extreme risks of child labour uncertainties, to corporations seeking to invest in developing world and import products from emerging markets.
Output: According to the Maplecroft Child Labour Index how many countries post risks for child labour?
Maplecroft Child Labour Index 2012 survey reports 76 countries pose extreme child labour complicity risks for companies operating worldwide. The ten highest risk countries in 2012, ranked in decreasing order, were: Myanmar, North Korea, Somalia, Sudan, DR Congo, Zimbabwe, Afghanistan, Burundi, Pakistan and Ethiopia. Of the major growth economies, Maplecroft ranked Philippines 25th riskiest, India 27th, China 36th, Viet Nam 37th, Indonesia 46th, and Brazil 54th - all of them rated to involve extreme risks of child labour uncertainties, to corporations seeking to invest in developing world and import products from emerging markets.
Output: What country is the second on the list for child labour in accordance to the Maplecroft Child Labour Index?
Maplecroft Child Labour Index 2012 survey reports 76 countries pose extreme child labour complicity risks for companies operating worldwide. The ten highest risk countries in 2012, ranked in decreasing order, were: Myanmar, North Korea, Somalia, Sudan, DR Congo, Zimbabwe, Afghanistan, Burundi, Pakistan and Ethiopia. Of the major growth economies, Maplecroft ranked Philippines 25th riskiest, India 27th, China 36th, Viet Nam 37th, Indonesia 46th, and Brazil 54th - all of them rated to involve extreme risks of child labour uncertainties, to corporations seeking to invest in developing world and import products from emerging markets.
Output: What was the Phillipines ranked as?
Maplecroft Child Labour Index 2012 survey reports 76 countries pose extreme child labour complicity risks for companies operating worldwide. The ten highest risk countries in 2012, ranked in decreasing order, were: Myanmar, North Korea, Somalia, Sudan, DR Congo, Zimbabwe, Afghanistan, Burundi, Pakistan and Ethiopia. Of the major growth economies, Maplecroft ranked Philippines 25th riskiest, India 27th, China 36th, Viet Nam 37th, Indonesia 46th, and Brazil 54th - all of them rated to involve extreme risks of child labour uncertainties, to corporations seeking to invest in developing world and import products from emerging markets.
Output: Was Brazil on the list?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: How did Nicholas Lezard describe post-punk?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: Which artists were influential in post-punk?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: Which writers helped to influence the post-punk movement?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: What was an intellectual focus of post-punk?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: How did the post-punk movement feel about big business?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: What was Nicholas Lezard's description of post-punk?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: Where did post-punk ram its appropriation of ideas into?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: What tradition could be found in works by Captain Beefheart and David Bowie?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: What intellectual movement informed and influenced a variety of post-punk artists?
Nicholas Lezard described post-punk as "a fusion of art and music". The era saw the robust appropriation of ideas from literature, art, cinema, philosophy, politics and critical theory into musical and pop cultural contexts. Artists sought to refuse the common distinction between high and low culture and returned to the art school tradition found in the work of artists such as Captain Beefheart and David Bowie. Among major influences on a variety of post-punk artists were writers such as William S. Burroughs and J.G. Ballard, avant-garde political scenes such as Situationism and Dada, and intellectual movements such as postmodernism. Many artists viewed their work in explicitly political terms. Additionally, in some locations, the creation of post-punk music was closely linked to the development of efficacious subcultures, which played important roles in the production of art, multimedia performances, fanzines and independent labels related to the music. Many post-punk artists maintained an anti-corporatist approach to recording and instead seized on alternate means of producing and releasing music. Journalists also became an important element of the culture, and popular music magazines and critics became immersed in the movement.
Output: Why did many post-punk artists produce and release their own music?
Most CBC television stations, including those in the major cities, are owned and operated by the CBC itself. CBC O&O stations operate as a mostly seamless national service with few deviations from the main network schedule, although there are some regional differences from time to time. For on-air identification, most CBC stations use the CBC brand rather than their call letters, not identifying themselves specifically until sign-on or sign-off (though some, like Toronto's CBLT, do not ID themselves at all except through PSIP). All CBC O&O stations have a standard call letter naming convention, in that the first two letters are "CB" (an ITU prefix allocated not to Canada, but to Chile) and the last letter is "T". Only the third letter varies from market to market; however, that letter is typically the same as the third letter of the CBC Radio One and CBC Radio 2 stations in the same market. An exception to this rule are the CBC North stations in Yellowknife, Whitehorse and Iqaluit, whose call signs begin with "CF" due to their historic association with the CBC's Frontier Coverage Package prior to the advent of microwave and satellite broadcasting.
Output: What station does not identify itself by its call letters?
Most CBC television stations, including those in the major cities, are owned and operated by the CBC itself. CBC O&O stations operate as a mostly seamless national service with few deviations from the main network schedule, although there are some regional differences from time to time. For on-air identification, most CBC stations use the CBC brand rather than their call letters, not identifying themselves specifically until sign-on or sign-off (though some, like Toronto's CBLT, do not ID themselves at all except through PSIP). All CBC O&O stations have a standard call letter naming convention, in that the first two letters are "CB" (an ITU prefix allocated not to Canada, but to Chile) and the last letter is "T". Only the third letter varies from market to market; however, that letter is typically the same as the third letter of the CBC Radio One and CBC Radio 2 stations in the same market. An exception to this rule are the CBC North stations in Yellowknife, Whitehorse and Iqaluit, whose call signs begin with "CF" due to their historic association with the CBC's Frontier Coverage Package prior to the advent of microwave and satellite broadcasting.
Output: Who owns and operates most of the CBC television stations?
Most CBC television stations, including those in the major cities, are owned and operated by the CBC itself. CBC O&O stations operate as a mostly seamless national service with few deviations from the main network schedule, although there are some regional differences from time to time. For on-air identification, most CBC stations use the CBC brand rather than their call letters, not identifying themselves specifically until sign-on or sign-off (though some, like Toronto's CBLT, do not ID themselves at all except through PSIP). All CBC O&O stations have a standard call letter naming convention, in that the first two letters are "CB" (an ITU prefix allocated not to Canada, but to Chile) and the last letter is "T". Only the third letter varies from market to market; however, that letter is typically the same as the third letter of the CBC Radio One and CBC Radio 2 stations in the same market. An exception to this rule are the CBC North stations in Yellowknife, Whitehorse and Iqaluit, whose call signs begin with "CF" due to their historic association with the CBC's Frontier Coverage Package prior to the advent of microwave and satellite broadcasting.
Output: What are the first two letters of nearly all CBC stations?
Most CBC television stations, including those in the major cities, are owned and operated by the CBC itself. CBC O&O stations operate as a mostly seamless national service with few deviations from the main network schedule, although there are some regional differences from time to time. For on-air identification, most CBC stations use the CBC brand rather than their call letters, not identifying themselves specifically until sign-on or sign-off (though some, like Toronto's CBLT, do not ID themselves at all except through PSIP). All CBC O&O stations have a standard call letter naming convention, in that the first two letters are "CB" (an ITU prefix allocated not to Canada, but to Chile) and the last letter is "T". Only the third letter varies from market to market; however, that letter is typically the same as the third letter of the CBC Radio One and CBC Radio 2 stations in the same market. An exception to this rule are the CBC North stations in Yellowknife, Whitehorse and Iqaluit, whose call signs begin with "CF" due to their historic association with the CBC's Frontier Coverage Package prior to the advent of microwave and satellite broadcasting.
Output: What is the last letter of nearly all CBC stations?
Most CBC television stations, including those in the major cities, are owned and operated by the CBC itself. CBC O&O stations operate as a mostly seamless national service with few deviations from the main network schedule, although there are some regional differences from time to time. For on-air identification, most CBC stations use the CBC brand rather than their call letters, not identifying themselves specifically until sign-on or sign-off (though some, like Toronto's CBLT, do not ID themselves at all except through PSIP). All CBC O&O stations have a standard call letter naming convention, in that the first two letters are "CB" (an ITU prefix allocated not to Canada, but to Chile) and the last letter is "T". Only the third letter varies from market to market; however, that letter is typically the same as the third letter of the CBC Radio One and CBC Radio 2 stations in the same market. An exception to this rule are the CBC North stations in Yellowknife, Whitehorse and Iqaluit, whose call signs begin with "CF" due to their historic association with the CBC's Frontier Coverage Package prior to the advent of microwave and satellite broadcasting.
Output: Which stations break convention and begin with "CF" instead of "CB"?
The ESA requires that critical habitat be designated at the time of or within one year of a species being placed on the endangered list. In practice, most designations occur several years after listing. Between 1978 and 1986 the FWS regularly designated critical habitat. In 1986 the Reagan Administration issued a regulation limiting the protective status of critical habitat. As a result, few critical habitats were designated between 1986 and the late 1990s. In the late 1990s and early 2000s, a series of court orders invalidated the Reagan regulations and forced the FWS and NMFS to designate several hundred critical habitats, especially in Hawaii, California and other western states. Midwest and Eastern states received less critical habitat, primarily on rivers and coastlines. As of December, 2006, the Reagan regulation has not yet been replaced though its use has been suspended. Nonetheless, the agencies have generally changed course and since about 2005 have tried to designate critical habitat at or near the time of listing.
Output: What is the time limit for designating a species critical habitat after the species has been added to the endangered list?