niryuu/sni-each-converted huggingface dataset:
Passage: On 28 March 1193 Richard was brought to Speyer and handed over to Henry VI, Holy Roman Emperor, who imprisoned him in Trifels Castle. Henry VI was aggrieved by the support the Plantagenets had given to the family of Henry the Lion and by Richard's recognition of Tancred in Sicily. Henry VI needed money to raise an army and assert his rights over southern Italy and continued to hold Richard for ransom.  In response, Pope Celestine III excommunicated Henry VI, as he had Duke Leopold, for the continued wrongful imprisonment of Richard. Richard famously refused to show deference to the emperor and declared to him, "I am born of a rank which recognises no superior but God". Despite his complaints, the conditions of his captivity were not severe. The emperor demanded that 150,000 marks  be delivered to him before he would release the king, the same amount raised by the Saladin tithe only a few years earlier, and 2-3 times the annual income for the English Crown under Richard. Richard's mother, Eleanor of Aquitaine, worked to raise the ransom. Both clergy and laymen were taxed for a quarter of the value of their property, the gold and silver treasures of the churches were confiscated, and money was raised from the scutage and the carucage taxes. At the same time, John, Richard's brother, and King Philip of France offered 80,000 marks for the Emperor to hold Richard prisoner until Michaelmas 1194. The emperor turned down the offer. The money to rescue the King was transferred to Germany by the emperor's ambassadors, but "at the king's peril" , and finally, on 4 February 1194 Richard was released. Philip sent a message to John: "Look to yourself; the devil is loose".
Output: What recognises?
Passage: On 28 March 1193 Richard was brought to Speyer and handed over to Henry VI, Holy Roman Emperor, who imprisoned him in Trifels Castle. Henry VI was aggrieved by the support the Plantagenets had given to the family of Henry the Lion and by Richard's recognition of Tancred in Sicily. Henry VI needed money to raise an army and assert his rights over southern Italy and continued to hold Richard for ransom.  In response, Pope Celestine III excommunicated Henry VI, as he had Duke Leopold, for the continued wrongful imprisonment of Richard. Richard famously refused to show deference to the emperor and declared to him, "I am born of a rank which recognises no superior but God". Despite his complaints, the conditions of his captivity were not severe. The emperor demanded that 150,000 marks  be delivered to him before he would release the king, the same amount raised by the Saladin tithe only a few years earlier, and 2-3 times the annual income for the English Crown under Richard. Richard's mother, Eleanor of Aquitaine, worked to raise the ransom. Both clergy and laymen were taxed for a quarter of the value of their property, the gold and silver treasures of the churches were confiscated, and money was raised from the scutage and the carucage taxes. At the same time, John, Richard's brother, and King Philip of France offered 80,000 marks for the Emperor to hold Richard prisoner until Michaelmas 1194. The emperor turned down the offer. The money to rescue the King was transferred to Germany by the emperor's ambassadors, but "at the king's peril" , and finally, on 4 February 1194 Richard was released. Philip sent a message to John: "Look to yourself; the devil is loose".
Output: What were the treasures taken from churches?
Passage: On 28 March 1193 Richard was brought to Speyer and handed over to Henry VI, Holy Roman Emperor, who imprisoned him in Trifels Castle. Henry VI was aggrieved by the support the Plantagenets had given to the family of Henry the Lion and by Richard's recognition of Tancred in Sicily. Henry VI needed money to raise an army and assert his rights over southern Italy and continued to hold Richard for ransom.  In response, Pope Celestine III excommunicated Henry VI, as he had Duke Leopold, for the continued wrongful imprisonment of Richard. Richard famously refused to show deference to the emperor and declared to him, "I am born of a rank which recognises no superior but God". Despite his complaints, the conditions of his captivity were not severe. The emperor demanded that 150,000 marks  be delivered to him before he would release the king, the same amount raised by the Saladin tithe only a few years earlier, and 2-3 times the annual income for the English Crown under Richard. Richard's mother, Eleanor of Aquitaine, worked to raise the ransom. Both clergy and laymen were taxed for a quarter of the value of their property, the gold and silver treasures of the churches were confiscated, and money was raised from the scutage and the carucage taxes. At the same time, John, Richard's brother, and King Philip of France offered 80,000 marks for the Emperor to hold Richard prisoner until Michaelmas 1194. The emperor turned down the offer. The money to rescue the King was transferred to Germany by the emperor's ambassadors, but "at the king's peril" , and finally, on 4 February 1194 Richard was released. Philip sent a message to John: "Look to yourself; the devil is loose".
Output: Which happened first, the Pope excommunicating Henry VI or the emperor imprisoning Richard?
Passage: On 28 March 1193 Richard was brought to Speyer and handed over to Henry VI, Holy Roman Emperor, who imprisoned him in Trifels Castle. Henry VI was aggrieved by the support the Plantagenets had given to the family of Henry the Lion and by Richard's recognition of Tancred in Sicily. Henry VI needed money to raise an army and assert his rights over southern Italy and continued to hold Richard for ransom.  In response, Pope Celestine III excommunicated Henry VI, as he had Duke Leopold, for the continued wrongful imprisonment of Richard. Richard famously refused to show deference to the emperor and declared to him, "I am born of a rank which recognises no superior but God". Despite his complaints, the conditions of his captivity were not severe. The emperor demanded that 150,000 marks  be delivered to him before he would release the king, the same amount raised by the Saladin tithe only a few years earlier, and 2-3 times the annual income for the English Crown under Richard. Richard's mother, Eleanor of Aquitaine, worked to raise the ransom. Both clergy and laymen were taxed for a quarter of the value of their property, the gold and silver treasures of the churches were confiscated, and money was raised from the scutage and the carucage taxes. At the same time, John, Richard's brother, and King Philip of France offered 80,000 marks for the Emperor to hold Richard prisoner until Michaelmas 1194. The emperor turned down the offer. The money to rescue the King was transferred to Germany by the emperor's ambassadors, but "at the king's peril" , and finally, on 4 February 1194 Richard was released. Philip sent a message to John: "Look to yourself; the devil is loose".
Output: Who demanded that 150,000 marks be delivered to him before he would release the king?
Passage: On 28 March 1193 Richard was brought to Speyer and handed over to Henry VI, Holy Roman Emperor, who imprisoned him in Trifels Castle. Henry VI was aggrieved by the support the Plantagenets had given to the family of Henry the Lion and by Richard's recognition of Tancred in Sicily. Henry VI needed money to raise an army and assert his rights over southern Italy and continued to hold Richard for ransom.  In response, Pope Celestine III excommunicated Henry VI, as he had Duke Leopold, for the continued wrongful imprisonment of Richard. Richard famously refused to show deference to the emperor and declared to him, "I am born of a rank which recognises no superior but God". Despite his complaints, the conditions of his captivity were not severe. The emperor demanded that 150,000 marks  be delivered to him before he would release the king, the same amount raised by the Saladin tithe only a few years earlier, and 2-3 times the annual income for the English Crown under Richard. Richard's mother, Eleanor of Aquitaine, worked to raise the ransom. Both clergy and laymen were taxed for a quarter of the value of their property, the gold and silver treasures of the churches were confiscated, and money was raised from the scutage and the carucage taxes. At the same time, John, Richard's brother, and King Philip of France offered 80,000 marks for the Emperor to hold Richard prisoner until Michaelmas 1194. The emperor turned down the offer. The money to rescue the King was transferred to Germany by the emperor's ambassadors, but "at the king's peril" , and finally, on 4 February 1194 Richard was released. Philip sent a message to John: "Look to yourself; the devil is loose".
Output: Who demanded?
Passage: On 28 March 1193 Richard was brought to Speyer and handed over to Henry VI, Holy Roman Emperor, who imprisoned him in Trifels Castle. Henry VI was aggrieved by the support the Plantagenets had given to the family of Henry the Lion and by Richard's recognition of Tancred in Sicily. Henry VI needed money to raise an army and assert his rights over southern Italy and continued to hold Richard for ransom.  In response, Pope Celestine III excommunicated Henry VI, as he had Duke Leopold, for the continued wrongful imprisonment of Richard. Richard famously refused to show deference to the emperor and declared to him, "I am born of a rank which recognises no superior but God". Despite his complaints, the conditions of his captivity were not severe. The emperor demanded that 150,000 marks  be delivered to him before he would release the king, the same amount raised by the Saladin tithe only a few years earlier, and 2-3 times the annual income for the English Crown under Richard. Richard's mother, Eleanor of Aquitaine, worked to raise the ransom. Both clergy and laymen were taxed for a quarter of the value of their property, the gold and silver treasures of the churches were confiscated, and money was raised from the scutage and the carucage taxes. At the same time, John, Richard's brother, and King Philip of France offered 80,000 marks for the Emperor to hold Richard prisoner until Michaelmas 1194. The emperor turned down the offer. The money to rescue the King was transferred to Germany by the emperor's ambassadors, but "at the king's peril" , and finally, on 4 February 1194 Richard was released. Philip sent a message to John: "Look to yourself; the devil is loose".
Output: Who offered 80,000 marks for the Emperor to hold Richard prisoner until Michaelmas 1194?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: As of March 2015, how many of the digital screens were not 3D capable than screens that were?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: As of March 2015, how many screens had not been converted to digital?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many digital cinema screens did not have stereoscopic setups?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many more d-screens did the United States and Canada have than Asia?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many more d-screens were there in the Europe than in Asia?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many more digital screens were there in 2010 than in 2009?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many more digital screens were there in 2010 than there were in 2009?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many more digital screens worldwide in 2010 than in 2009?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many more screens have been converted in 3D capable in United States than Canada?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many of the 16,000 digital cinema screens are not stereoscopic setups?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many of the 38,719 screens in the United States are not 3D capable?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many of the digital cinema screens did not have stereoscopic setups?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many of the screens internationally have been converted that are not 3D capable?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many percent of the world's screens have not been digitized?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many percentages are 3D screens expected to drop between 2009 and 2011?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many percentages of screens had not yet been converted to digital in the UK by the end of 2012?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: How many screens were not in the U.S. and Canada or Asia?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: Were there more d-screens in Asia or in the United States and Canada?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: Where there more digital screens in 2009 or 2010?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: Which area had more digital screens, Europe or Asia?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: Which countries together had the largest amount of d-screens: Europe, Canada and United States or Asia?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: Which country had more converted screens in 2015, the United States, or Canada?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: Which geographical areas were considered when measuring the number of d-screens?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: Which had more d-screes, Europe or the United States and Canada?
Passage: By June 2010, there were close to 16,000 digital cinema screens, with over 5000 of them being stereoscopic setups. David Hancock claims that the total number of digital screens worldwide was 36,242, up from 16,339 at end 2009 or a growth rate of 121.8 percent during the year. There were 10,083 d-screens in Europe as a whole (28.2 percent of global figure), 16,522 in the United States and Canada (46.2 percent of global figure) and 7,703 in Asia (21.6 percent of global figure). As regards digital 3D screens, there were a total of 21,936 3D screens, which equals 60.5 percent of all d-screens. This was a rise from the 55 percent in 2009 but is expected to drop slightly in 2011 to 57.5 percent. By the end of 2012, according to Screen Digest, 91.4% of UK screens had been converted to digital and the rest expected to be so by the middle of 2013. Worldwide progress was slower as in some territories, particularly Latin America and Africa. However almost all screens worldwide were expected to be converted by the end of 2015. As of 31 March 2015, 38,719 screens (out of a total of 39,789 screens) in the United States have been converted to digital (15,643 of which are 3D capable), 3,007 screens in Canada have been converted (1,382 of which are 3D), and 93,147 screens internationally have been converted (59,350 of which are 3D). As of 3 May 2016, 98.2% of the worlds cinema screens were digitized.
Output: Which part of the world had the lowest number of d-screens?