niryuu/sni-each-converted huggingface dataset:
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: How many years before Huizong's death were the emperors forced to perform a ritual meant for war criminals?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: What happened first the Jin assault  or the death of Huizong ?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: What happened first, Jurchens looted the city or they were mocked with disparaging titles?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: What happened first, the defeat of Song armies in the north, or Emperor Qinzong wanting to negotiate a truce with the Jin?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: When did the Song emperor surrender?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: Which Jurchen siege of the city was attempted to be stopped by Song forces, the first or the second?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: Which event happened second, the looting of the conquered city or the death of Huizong?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: Which happened first, the seizing of the resident's belongings to give to the Jin, or unconditional surrender of the Song emperor?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: Who became commoners?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: Who did Emperor Qinzong not protect, prefectual cities or Kaifeng?
Passage: After the defeat of several Song armies in the north, Emperor Qinzong wanted to negotiate a truce with the Jin, but he committed a massive strategic blunder when he commanded his remaining armies to protect prefectural cities instead of Kaifeng. Neglecting the importance of the capital, he left Kaifeng defended with fewer than 100,000 soldiers. The Song forces were dispersed throughout China, powerless to stop the second Jurchen siege of the city. The Jin assault commenced in mid December 1126. Even as fighting raged on, Qinzong continued to sue for peace, but Jin demands for territory were enormous: they wanted all provinces north of the Yellow River. After more than twenty days of heavy combat against the besieging forces, Song defenses were decimated and the morale of Song soldiers was on the decline. On January 9, 1127, the Jurchens broke through and started to loot the conquered city. Emperor Qinzong tried to appease the victors by offering the remaining wealth of the capital. The royal treasury was emptied and the belongings of the city's residents were seized. The Song emperor offered his unconditional surrender a few days later. Qinzong, the former emperor Huizong, and members of the Song court were captured by the Jurchens as hostages. They were taken north to Huining , where they were stripped of their royal privileges and reduced to commoners. The former emperors were humiliated by their captors. They were mocked with disparaging titles like "Muddled Virtue" and "Double Muddled". In 1128 the Jin made them perform a ritual meant for war criminals. The harsh treatment of the Song royalty softened after the death of Huizong in 1135. Titles were granted to the deceased monarch, and his son Qinzong was promoted to Duke, a position with a salary.
Output: Who was restored to a position of power after Huizong's death?
Passage: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950–53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952–53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952–54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951–55) and two episodes of Schlitz Playhouse of Stars (1957–58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
Output: For how many years was the TV series Danger on the air?
Passage: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950–53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952–53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952–54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951–55) and two episodes of Schlitz Playhouse of Stars (1957–58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
Output: How many years did Steiger perform on television before he made his big screen debut?
Passage: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950–53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952–53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952–54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951–55) and two episodes of Schlitz Playhouse of Stars (1957–58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
Output: How many years was The Philco Television Playhouse on the air?
Passage: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950–53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952–53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952–54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951–55) and two episodes of Schlitz Playhouse of Stars (1957–58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
Output: What did TV and radio series did Steiger appear in in 1953?
Passage: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950–53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952–53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952–54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951–55) and two episodes of Schlitz Playhouse of Stars (1957–58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
Output: Which TV shows was Steiger  in for more than one year?
Passage: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950–53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952–53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952–54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951–55) and two episodes of Schlitz Playhouse of Stars (1957–58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
Output: Which did Steiger participate more in, Kraft Theatre or The Philco Television Playhouse?
Passage: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950–53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952–53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952–54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951–55) and two episodes of Schlitz Playhouse of Stars (1957–58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
Output: Which tv shows did Steiger appear in  1953?
Passage: Steigers early roles, although minor, were numerous, especially in television series during the early 1950s, when he appeared in more than 250 live television productions over a five-year period. He was spotted by Fred Coe, NBCs manager of program development, who increasingly gave him bigger parts. Steiger considered television to be what repertory theatre had been for an earlier generation, and saw it as a place where he could test his talent with a plethora of different roles. Soon afterward he began receiving positive reviews from critics such as John Crosby (media critic), who noted that Steiger regularly gave "effortless persuasive performances". Among Steigers credits were Danger (TV series) (1950–53), Lux Video Theatre (1951), Out There (1951 TV series) (1951), Tales of Tomorrow (1952–53), The Gulf Playhouse (1953), Medallion Theatre (1953), Goodyear Television Playhouse (1953), and as Shakespeares Romeo in "The First Command Performance of Romeo and Juliet (1957)" episode of You Are There (series) in 1954, under director Sidney Lumet. He continued to make appearances in various playhouse television productions, appearing in five episodes of Kraft Theatre (1952–54), which earned him praise from critics, six episodes of The Philco Television Playhouse (1951–55) and two episodes of Schlitz Playhouse of Stars (1957–58). Steiger made his big screen debut in 1953, with a small role in Fred Zinnemanns Teresa (film), shot in 1951. Steiger, who described himself as "cocky", won over Zinnemann by praising his direction. Zinnemann recalled that Steiger was "very popular, extremely articulate and full of remarkable memories", and the two remained highly respectful of each other for life.
Output: Who were two of Steigers earliest supporters?
Passage: In 1570 MacGill reluctantly accepted appointment as Provost of Edinburgh. In November 1571, during the War between Leith and Edinburgh when Mary's supporters held Edinburgh Castle, MacGill was sent with Robert Pitcairn, Commander of Dunfermline to negotiate with Henry, Lord Hunsdon at Berwick upon Tweed. MacGill was to ask for 8 cannons, 3000 footmen and pikemen, and support for 1000 Scots troops, in the cause of the "maintenance and protection of the true religion to the confusion of those that now goes about to disturb the same". MacGill had a particular interest in the siege as the "registers and records of the chief matters" were guarded by artillery at Edinburgh Castle, together with the Scottish Crown jewels. The forces holding Edinburgh Castle, known as the Castilians, in 1572 twice destroyed MacGill's stronghouses in Edinburgh, and while the siege lasted the Burgh Council met in exile at Leith. Regent Morton wrote to MacGill in 1575 asking him to re-negotiate a gold and silver mining contract with the Dutch engineer Cornelius de Vos. A portrait painter working in Scotland at this time, Arnold Bronckorst, was associated with Cornelius and Nicholas Hilliard. Morton also obtained passports for MacGill's sons, John and David, to travel to France to continue their studies. MacGill died on 16 October 1579. Alexander Hay succeeded him as Lord Clerk Register. His executors were his wife Janet Adamsoun and son, Master James Adamson.
Output: How many years after MacGill accepted appointed as Provot of Edinburgh was he sent to negotiate with Henry?
Passage: In 1570 MacGill reluctantly accepted appointment as Provost of Edinburgh. In November 1571, during the War between Leith and Edinburgh when Mary's supporters held Edinburgh Castle, MacGill was sent with Robert Pitcairn, Commander of Dunfermline to negotiate with Henry, Lord Hunsdon at Berwick upon Tweed. MacGill was to ask for 8 cannons, 3000 footmen and pikemen, and support for 1000 Scots troops, in the cause of the "maintenance and protection of the true religion to the confusion of those that now goes about to disturb the same". MacGill had a particular interest in the siege as the "registers and records of the chief matters" were guarded by artillery at Edinburgh Castle, together with the Scottish Crown jewels. The forces holding Edinburgh Castle, known as the Castilians, in 1572 twice destroyed MacGill's stronghouses in Edinburgh, and while the siege lasted the Burgh Council met in exile at Leith. Regent Morton wrote to MacGill in 1575 asking him to re-negotiate a gold and silver mining contract with the Dutch engineer Cornelius de Vos. A portrait painter working in Scotland at this time, Arnold Bronckorst, was associated with Cornelius and Nicholas Hilliard. Morton also obtained passports for MacGill's sons, John and David, to travel to France to continue their studies. MacGill died on 16 October 1579. Alexander Hay succeeded him as Lord Clerk Register. His executors were his wife Janet Adamsoun and son, Master James Adamson.
Output: How many years after MacGill was appointed Provost of Edinburgh did he die?
Passage: In 1570 MacGill reluctantly accepted appointment as Provost of Edinburgh. In November 1571, during the War between Leith and Edinburgh when Mary's supporters held Edinburgh Castle, MacGill was sent with Robert Pitcairn, Commander of Dunfermline to negotiate with Henry, Lord Hunsdon at Berwick upon Tweed. MacGill was to ask for 8 cannons, 3000 footmen and pikemen, and support for 1000 Scots troops, in the cause of the "maintenance and protection of the true religion to the confusion of those that now goes about to disturb the same". MacGill had a particular interest in the siege as the "registers and records of the chief matters" were guarded by artillery at Edinburgh Castle, together with the Scottish Crown jewels. The forces holding Edinburgh Castle, known as the Castilians, in 1572 twice destroyed MacGill's stronghouses in Edinburgh, and while the siege lasted the Burgh Council met in exile at Leith. Regent Morton wrote to MacGill in 1575 asking him to re-negotiate a gold and silver mining contract with the Dutch engineer Cornelius de Vos. A portrait painter working in Scotland at this time, Arnold Bronckorst, was associated with Cornelius and Nicholas Hilliard. Morton also obtained passports for MacGill's sons, John and David, to travel to France to continue their studies. MacGill died on 16 October 1579. Alexander Hay succeeded him as Lord Clerk Register. His executors were his wife Janet Adamsoun and son, Master James Adamson.
Output: How many years did MacGill serve as Provost of Edinburgh before war broke out?
Passage: In 1570 MacGill reluctantly accepted appointment as Provost of Edinburgh. In November 1571, during the War between Leith and Edinburgh when Mary's supporters held Edinburgh Castle, MacGill was sent with Robert Pitcairn, Commander of Dunfermline to negotiate with Henry, Lord Hunsdon at Berwick upon Tweed. MacGill was to ask for 8 cannons, 3000 footmen and pikemen, and support for 1000 Scots troops, in the cause of the "maintenance and protection of the true religion to the confusion of those that now goes about to disturb the same". MacGill had a particular interest in the siege as the "registers and records of the chief matters" were guarded by artillery at Edinburgh Castle, together with the Scottish Crown jewels. The forces holding Edinburgh Castle, known as the Castilians, in 1572 twice destroyed MacGill's stronghouses in Edinburgh, and while the siege lasted the Burgh Council met in exile at Leith. Regent Morton wrote to MacGill in 1575 asking him to re-negotiate a gold and silver mining contract with the Dutch engineer Cornelius de Vos. A portrait painter working in Scotland at this time, Arnold Bronckorst, was associated with Cornelius and Nicholas Hilliard. Morton also obtained passports for MacGill's sons, John and David, to travel to France to continue their studies. MacGill died on 16 October 1579. Alexander Hay succeeded him as Lord Clerk Register. His executors were his wife Janet Adamsoun and son, Master James Adamson.
Output: How many years passed between MacGill becoming Provost of Edinburg and his death?
Passage: In 1570 MacGill reluctantly accepted appointment as Provost of Edinburgh. In November 1571, during the War between Leith and Edinburgh when Mary's supporters held Edinburgh Castle, MacGill was sent with Robert Pitcairn, Commander of Dunfermline to negotiate with Henry, Lord Hunsdon at Berwick upon Tweed. MacGill was to ask for 8 cannons, 3000 footmen and pikemen, and support for 1000 Scots troops, in the cause of the "maintenance and protection of the true religion to the confusion of those that now goes about to disturb the same". MacGill had a particular interest in the siege as the "registers and records of the chief matters" were guarded by artillery at Edinburgh Castle, together with the Scottish Crown jewels. The forces holding Edinburgh Castle, known as the Castilians, in 1572 twice destroyed MacGill's stronghouses in Edinburgh, and while the siege lasted the Burgh Council met in exile at Leith. Regent Morton wrote to MacGill in 1575 asking him to re-negotiate a gold and silver mining contract with the Dutch engineer Cornelius de Vos. A portrait painter working in Scotland at this time, Arnold Bronckorst, was associated with Cornelius and Nicholas Hilliard. Morton also obtained passports for MacGill's sons, John and David, to travel to France to continue their studies. MacGill died on 16 October 1579. Alexander Hay succeeded him as Lord Clerk Register. His executors were his wife Janet Adamsoun and son, Master James Adamson.
Output: How many years passed between the appointment of MacGill as Provost of Edinburg and Morton's request to MacGill to re-negotiate a gold and silver mining contract?
Passage: In 1570 MacGill reluctantly accepted appointment as Provost of Edinburgh. In November 1571, during the War between Leith and Edinburgh when Mary's supporters held Edinburgh Castle, MacGill was sent with Robert Pitcairn, Commander of Dunfermline to negotiate with Henry, Lord Hunsdon at Berwick upon Tweed. MacGill was to ask for 8 cannons, 3000 footmen and pikemen, and support for 1000 Scots troops, in the cause of the "maintenance and protection of the true religion to the confusion of those that now goes about to disturb the same". MacGill had a particular interest in the siege as the "registers and records of the chief matters" were guarded by artillery at Edinburgh Castle, together with the Scottish Crown jewels. The forces holding Edinburgh Castle, known as the Castilians, in 1572 twice destroyed MacGill's stronghouses in Edinburgh, and while the siege lasted the Burgh Council met in exile at Leith. Regent Morton wrote to MacGill in 1575 asking him to re-negotiate a gold and silver mining contract with the Dutch engineer Cornelius de Vos. A portrait painter working in Scotland at this time, Arnold Bronckorst, was associated with Cornelius and Nicholas Hilliard. Morton also obtained passports for MacGill's sons, John and David, to travel to France to continue their studies. MacGill died on 16 October 1579. Alexander Hay succeeded him as Lord Clerk Register. His executors were his wife Janet Adamsoun and son, Master James Adamson.
Output: How many years was it from when MacGill was appointed as provost to when he died?
Passage: In 1570 MacGill reluctantly accepted appointment as Provost of Edinburgh. In November 1571, during the War between Leith and Edinburgh when Mary's supporters held Edinburgh Castle, MacGill was sent with Robert Pitcairn, Commander of Dunfermline to negotiate with Henry, Lord Hunsdon at Berwick upon Tweed. MacGill was to ask for 8 cannons, 3000 footmen and pikemen, and support for 1000 Scots troops, in the cause of the "maintenance and protection of the true religion to the confusion of those that now goes about to disturb the same". MacGill had a particular interest in the siege as the "registers and records of the chief matters" were guarded by artillery at Edinburgh Castle, together with the Scottish Crown jewels. The forces holding Edinburgh Castle, known as the Castilians, in 1572 twice destroyed MacGill's stronghouses in Edinburgh, and while the siege lasted the Burgh Council met in exile at Leith. Regent Morton wrote to MacGill in 1575 asking him to re-negotiate a gold and silver mining contract with the Dutch engineer Cornelius de Vos. A portrait painter working in Scotland at this time, Arnold Bronckorst, was associated with Cornelius and Nicholas Hilliard. Morton also obtained passports for MacGill's sons, John and David, to travel to France to continue their studies. MacGill died on 16 October 1579. Alexander Hay succeeded him as Lord Clerk Register. His executors were his wife Janet Adamsoun and son, Master James Adamson.
Output: Regent Morton wrote to MacGill asking him to re-negotiate a gold and silver mining contract how many years after MacGill was appointed as Provost of Edinburgh?
Passage: In 1570 MacGill reluctantly accepted appointment as Provost of Edinburgh. In November 1571, during the War between Leith and Edinburgh when Mary's supporters held Edinburgh Castle, MacGill was sent with Robert Pitcairn, Commander of Dunfermline to negotiate with Henry, Lord Hunsdon at Berwick upon Tweed. MacGill was to ask for 8 cannons, 3000 footmen and pikemen, and support for 1000 Scots troops, in the cause of the "maintenance and protection of the true religion to the confusion of those that now goes about to disturb the same". MacGill had a particular interest in the siege as the "registers and records of the chief matters" were guarded by artillery at Edinburgh Castle, together with the Scottish Crown jewels. The forces holding Edinburgh Castle, known as the Castilians, in 1572 twice destroyed MacGill's stronghouses in Edinburgh, and while the siege lasted the Burgh Council met in exile at Leith. Regent Morton wrote to MacGill in 1575 asking him to re-negotiate a gold and silver mining contract with the Dutch engineer Cornelius de Vos. A portrait painter working in Scotland at this time, Arnold Bronckorst, was associated with Cornelius and Nicholas Hilliard. Morton also obtained passports for MacGill's sons, John and David, to travel to France to continue their studies. MacGill died on 16 October 1579. Alexander Hay succeeded him as Lord Clerk Register. His executors were his wife Janet Adamsoun and son, Master James Adamson.
Output: The Castilians destroyed MacGill's stronghouses twice in the same here  how many years before he died?