niryuu/sni-each-converted huggingface dataset:
Passage: The management of Rockefeller Center shifted around this time. In November 1936, John Todd was featured in two New Yorker articles that emphasized his role in the complex's construction. At the same time, Nelson was gaining clout within Rockefeller Center Inc., and he disagreed with nearly all of Todd's suggestions. Nelson's father, John, was relinquishing his responsibilities, since the Rockefeller family's youngest son David had moved out of the family home at 10 West 54th Street, and John was now focusing on his own personal life. By April 1937, Todd regretted his decision to be featured in The New Yorker. In March 1938, Nelson became the president of Rockefeller Center Inc. He then fired Todd as the complex's manager and appointed Hugh Robertson in his place. Nelson and Robertson wanted to avoid workers' strikes, which would delay the completion of construction. Nelson, Robertson, and the workers' unions agreed to a contract in which the unions would not strike, Robertson would not lock out union workers, and both would agree to arbitration if a labor dispute arose. Rockefeller Center was one of Nelson's primary business ventures until 1958, when he was elected Governor of New York.Public relations officials were hired to advertise the different parts of the complex, such as the gardens and the plaza. Merle Crowell set up a viewing platform on the east side of Rockefeller Center and founded the facetious "Sidewalk Superintendents' Club" so the public could view construction. 
Question: What is the first name of the person who would not lock out union workers?
Output: Hugh.
Passage: Kennedy learned of the deaths on the following morning when National Security Council staffer Michael Forrestal rushed into the cabinet room with a telegram reporting the Ngô brothers' alleged suicides. According to General Maxwell Taylor, "Kennedy leaped to his feet and rushed from the room with a look of shock and dismay on his face which I had never seen before." Kennedy had planned that Ngô Đình Diệm would be safely exiled and Arthur M. Schlesinger, Jr. recalled that the US President was "somber and shaken". Kennedy later penned a memo, lamenting that the assassination was "particularly abhorrent" and blaming himself for approving Cable 243, which had authorised Lodge to explore coup options in the wake of Nhu's attacks on the Buddhist pagodas. Forrestal said that "It shook him personally ... bothered him as a moral and religious matter. It shook his confidence, I think, in the kind of advice he was getting about South Vietnam." When Kennedy was consoled by a friend who told him he need not feel sorry for the Ngô brothers on the grounds of despotism, Kennedy replied "No. They were in a difficult position. They did the best they could for their country."Kennedy's reaction did not draw sympathy from his entire administration. Some believed that he should not have supported the coup and that as coups were uncontrollable, assassination was always a possibility. Kennedy was skeptical about the story and suspected that a double assassination had taken place. He reasoned the devoutly Catholic Ngô brothers would not have taken their own lives, but Roger Hilsman rationalised the possibility of suicide by asserting that Diệm and Nhu would have interpreted the coup as Armageddon. US officials soon became aware of the true reasons for the deaths of Diệm and Nhu. Lucien Conein had left the rebel headquarters as the generals were preparing to bring in the Ngô brothers for the press conference which announced the handover of power. Upon returning to his residence, Conein received a phone call from Saigon's CIA station that ordered him to report to the embassy. The embassy informed Conein that Kennedy had instructed him to find Diệm. Conein returned to Tân Sơn Nhứt at around 10:30. The following conversation was reported:
Conein: Where were Diem and Nhu?
Minh: They committed suicide. They were in the Catholic Church at Cholon, and they committed suicide.
C: Look, you're a Buddhist, I'm a Catholic. If they committed suicide at that church and the priest holds mass tonight, that story won't hold water. Where are they?
M: Their bodies are behind General Staff Headquarters. Do you want to see them?
C: No.
M: Why not?. 
Question: What is the full name of the person who tells Minh that they are a Catholic?
Output: Lucien Conein.
Passage: Single mother Jenny Graves decides to restart her dead end life by moving out of Detroit and taking her two sons Green and Jay to small rural town in Alabama. Green is fan of horror films, more specifically the makeup effects used to bring them to life. He meets a pair of affable locals, Tony Bennet and Billy Martin.
However, his mother's penchant for getting involved with the wrong type of men brings a very human monster into his life, Earl Knight.
Taking some horror films back to the video store, he meets Angevin Duvet who shares both his interest in the horror genre and fish-out-of-water status in the small town. Smart, funny and a sexy Goth girl he is instantly smitten. However, there are hints that there are some troubling aspects to her past.
Green approaches the local business man, Tightwiler, who runs a yearly haunted house and by startling him with one of his creations nabs the job of creating this year's haunted house. With his share of the ticket sales, he and Angevin can move to Hollywood to pursue their dreams. However, this puts him on a direct collision course with Angenvin's mother, a deeply religious woman involved with local Holy Calling of the Southern Saints church. 
Question: What quality does the mother of the sexy goth girl have that makes her difficult for Green to get along with?
Output: deeply religious.
Passage: Holmes and Watson are in Canada attending a conference on the occult, when Lord Penrose receives a message that his wife Lady Penrose has been murdered in the small village of La Mort Rouge. Holmes and Watson are about to return to England when Holmes receives a telegram from Lady Penrose, issued before her death, asking for help as she fears for her life. Holmes decides to investigate her death.
Holmes and Watson arrive at the village and discover that the inhabitants are all convinced that the murder is the work of the legendary monster of La Mort Rouge, which roams the marshes around the village. The "monster" is even later seen by Dr. Watson, who describes it as "a ball of fire spitting flames in each direction".
Holmes, however, is skeptical, and recognizes Lady Penrose as Lillian Gentry, a former actress, who was involved in a famous murder case several years before when actor Alistair Ramson killed another actor in a jealous rage over her. Ramson was believed to have been killed in a prison escape two years before, but now Holmes believes that Ramson - a master of disguise - is living in the village, having created a new identity, perhaps several, for himself.
Holmes then turns his attention to Judge Brisson, another inhabitant of the village with a connection to the case, as he passed sentence on Ramson. Despite Holmes' warnings, Brisson is murdered. Holmes tracks Ramson down to his hideout and discovers there is a third person that Ramson is preparing to kill. While Ramson is holding Holmes at gunpoint, Watson blunders in and Ramson escapes, albeit before Holmes can learn who Ramson's final target is.
Holmes learns that the third victim is to be Journet, the local inn-keeper, formerly a prison guard. However Journet has gone into hiding. Ramson then kills Marie, Journet's daughter, for not revealing her father's hideout. Holmes finds Journet and convinces him to spring a trap for the murderer. 
Question: What is the full name of the man who Holmes and Journet are springing a trap for?
Output: Alistair Ramson.
Passage: Robins plays bumbling mad scientist Nathaniel Pickman Wingate, of the Miskatonic University. He works on opening a portal to another dimension while his wife, Nancy and family prepare his fiftieth birthday party.  When he succeeds with contact with the new dimension, two triops-like creatures escape. These creatures possess shape-shifting abilities that allows them to assume the form and identity of anything, and thusly do so with Nancy's cousin, Count Desmon of Liechtenstein and Jasmine, a model from son Sam's (Dan Evans) poster.
Jasmine and Desmon are shown to be polar behavioral opposites. Jasmine is friendly and intelligent. Via her telepathic abilities she quickly becomes Sam's girlfriend. Desmon on the other hand is ill-behaved, surly, and mischievously malevolent. His mischievous personality drives him to pull terrible tricks on Sam's family via his powers—for example, Lindy overuses the phone, so Desmon stuffs the receiver in her mouth, causing her to go to the ER to have it extracted. Handyman Floyd is hurt by some cut wires a vindictive Desmon moves with psychokinesis giving him a severe electric shock. Suffering difficulties in retaining his new body, Desmon frightens off the maid Emma when he tries to seduce her. Reverend Lawrence Newman, Nathan's college roommate, tries some bedroom antics with Nathan's sister, Angelica; Desmon, clinging to the ceiling above them, uses his powers to transform Lawrence's penis into a dragon-like creature that attacks him. 
Question: What are the first names of the two people the creatures assumed and formed the identity of?
Output: Desmon.
Passage: Robins plays bumbling mad scientist Nathaniel Pickman Wingate, of the Miskatonic University. He works on opening a portal to another dimension while his wife, Nancy and family prepare his fiftieth birthday party.  When he succeeds with contact with the new dimension, two triops-like creatures escape. These creatures possess shape-shifting abilities that allows them to assume the form and identity of anything, and thusly do so with Nancy's cousin, Count Desmon of Liechtenstein and Jasmine, a model from son Sam's (Dan Evans) poster.
Jasmine and Desmon are shown to be polar behavioral opposites. Jasmine is friendly and intelligent. Via her telepathic abilities she quickly becomes Sam's girlfriend. Desmon on the other hand is ill-behaved, surly, and mischievously malevolent. His mischievous personality drives him to pull terrible tricks on Sam's family via his powers—for example, Lindy overuses the phone, so Desmon stuffs the receiver in her mouth, causing her to go to the ER to have it extracted. Handyman Floyd is hurt by some cut wires a vindictive Desmon moves with psychokinesis giving him a severe electric shock. Suffering difficulties in retaining his new body, Desmon frightens off the maid Emma when he tries to seduce her. Reverend Lawrence Newman, Nathan's college roommate, tries some bedroom antics with Nathan's sister, Angelica; Desmon, clinging to the ceiling above them, uses his powers to transform Lawrence's penis into a dragon-like creature that attacks him. 
Question: What are the first names of the two people the creatures assumed and formed the identity of?
Output: Jasmine.
Passage: In 1947, Walton was presented with the Royal Philharmonic Society's Gold Medal. In the same year he accepted an invitation from the BBC to compose his first opera. He decided to base it on Chaucer's Troilus and Criseyde, but his preliminary work came to a halt in April 1948 when Alice Wimborne died. To take Walton's mind off his grief, the music publisher Leslie Boosey persuaded him to be a British delegate to a conference on copyright in Buenos Aires later that year.
 While there, Walton met Susana Gil Passo (1926–2010), daughter of an Argentine lawyer. At 22 she was 24 years younger than Walton (Alice Wimborne had been 22 years his senior), and at first she ridiculed his romantic interest in her. He persisted, and she eventually accepted his proposal of marriage. The wedding was held in Buenos Aires in December 1948. From the start of their marriage, the couple spent half the year on the Italian island of Ischia, and by the mid-1950s they lived there permanently.Walton's last work of the 1940s was his music for Olivier's film of Hamlet (1948). After that, he focused his attentions on his opera Troilus and Cressida. On the advice of the BBC, he invited Christopher Hassall to write the libretto. This did not help Walton's relations with the Sitwells, each of whom thought he or she should have been asked to be his librettist. Work continued slowly over the next few years, with many breaks while Walton turned to other things. In 1950 he and Heifetz recorded the Violin Concerto for EMI. In 1951 Walton was knighted. In the same year, he prepared an authorised version of Façade, which had undergone many revisions since its premiere. In 1953, following the accession of Elizabeth II he was again called on to write a coronation march, Orb and Sceptre; he was also commissioned to write a choral setting of the Te Deum for the occasion.Troilus and Cressida was presented at Covent Garden on 3 December 1954. Its preparation was dogged by misfortunes. Olivier, originally scheduled to direct it, backed out, as did Henry Moore who had agreed to design the production; Elisabeth Schwarzkopf, for whom the role of Cressida had been written, refused to perform it; her replacement, Magda László, had difficulty mastering the English words; and Sargent, the conductor, "did not seem well acquainted with the score". The premiere had a friendly reception, but there was a general feeling that Hassall and Walton had written an old-fashioned opera in an outmoded tradition. The piece was subsequently staged in San Francisco, New York and Milan during the next year, but failed to make a positive impression, and did not enter the regular operatic repertory. 
Question: What is the first name of the person who, at first, ridiculed Walton's romantic interest in her?
Output: Susana.
Passage: On the Greek island of Kalokairi, 20-year-old bride-to-be Sophie Sheridan reveals to her bridesmaids, Ali and Lisa, that she has secretly invited three men to her wedding without telling her mother, Donna. They are the men that her mother's diary reveals could have been her father: Irish-American architect Sam Carmichael, Swedish adventurer and writer Bill Anderson, and British banker Harry Bright. She dreams of being given away by her father at her wedding, and believes that after she spends time with them she will know which is her father.
Sophie's mother Donna, who owns a villa and runs it not very successfully as a hotel, is ecstatic to reunite with her former Dynamos bandmates, wisecracking author Rosie Mulligan and wealthy multiple divorcée Tanya Chesham-Leigh, and reveals her bafflement at her daughter's desire to get married. Donna shows off the villa to Rosie and Tanya. The three men arrive and Sophie smuggles them to their room. She doesn't reveal that she believes one of them is her father, but does explain that she and not her mother sent the invitations. She begs them to hide so Donna will be surprised by the old friends of whom she "so often" favorably speaks. They overhear Donna working and swear not to reveal Sophie's secret.
Donna spies them and is dumbfounded to find herself facing former lovers, demanding they leave. She confides in Tanya and Rosie that she truly does not know which of the three fathered Sophie. Tanya and Rosie rally her spirits by getting her to dance with an all female ensemble of staff and islanders. Sophie finds the men aboard Bill's yacht, and they sail around Kalokairi, telling stories of Donna's carefree youth. Sophie plans to tell her fiancé Sky about her ploy, but loses her nerve. Sky and Sophie sing to each other, but Sky is abducted for his bachelor party. 
Question: What is the first name of the person who sent the invitations?
Output: Sophie.
Passage: The story begins in Harlem, 1986, and Nino Brown and his gang, the Cash Money Brothers, become the dominant drug ring in New York City once crack cocaine is introduced to the streets. His gang consists of his best friend, Gee Money; enforcer Duh Duh Duh Man; gun moll Keisha; Nino's girlfriend, Selina, and her tech-savvy cousin, Kareem. Nino converts the Carter, an apartment complex, into a crack house. Gee Money and Keisha kill rival Fat Smitty, the CMB throws out the tenants, and Nino forces the landlord out onto the streets naked. Meanwhile, Undercover detective Scotty Appleton attempts to make a deal with stick-up kid Pookie, but Pookie runs off with the money. Scotty chases Pookie and shoots him in the leg, but the police let him go. Nino's gang successfully run the streets of Harlem over the next three years.
When Det. Stone comes under pressure, Scotty volunteers to infiltrate Nino's gang and is partnered with loose-cannon Nick Peretti. Elsewhere, mobster Frankie Needles attempts to collect taxes from Nino, who refuses to pay. While Scotty and Nick spy on Nino and his gang as they hand out Thanksgiving turkeys to the poor, Scotty spots Pookie, now a crack addict, as Pookie beats his junkie girlfriend. Instead of arresting him, Scotty puts Pookie in rehab, and, later, Pookie offers to help bring down Nino. Against his better judgment and the disapproval of Stone and Peretti, Scotty recruits Pookie as an informant in the Carter. 
Question: Who does the man who volunteers to infiltrate the gang shoot?
Output: Pookie.
Passage: Jess a female lawyer, is a single and overly concerned mother of a 15-year-old teenage girl, Sara.  She becomes even more overprotective and overbearing when Sara tells her that she is thinking about having sex with her boyfriend Chad. One day during court, Jess meets Alex Lofton a heart surgeon from Atlanta Georgia, who is currently separated from his wife and has two children.  During a dinner meeting the two begin to talk to each other, and soon begin a passionate affair, with Jess keeping it a secret from Sara.  A week before Thanksgiving Jess and Alex meet at a hotel in Chicago and have sex, after which Alex admits that he has fallen in love with Jess, but has decided to go back to Atlanta and his children, which breaks Jess' heart.   During Thanksgiving, Jess begins to feel sick and secretly buys a pregnancy test from the pharmacy. The test reveals that she got pregnant from her final encounter with Alex, which she tries to hide from Sara by throwing the test in the garbage, but the Sara later finds it and Jess confesses.  A few days later, Jess catches Sara during a sexual encounter with Chad in her bedroom. She kicks Chad out and tries to grounds Sara, but Sara decides to leave and go live with her father and stepmom since her mom was being a hypocrite.  A couple of nights later, Sara goes to a party with her friend Tyler, and catches Chad having sex with Tyler's girlfriend Leeza. Sara leaves the party, returns home to Jess, and they reconcile.  A few months later, Jess goes into labor, and gives birth to a baby boy she decides to name Jake, after her father, who passed away some time ago. Sara promises to help her take care of Jake. 
Question: What secret does the lawyer keep from her daughter?
Output: a passionate affair.
Passage: The Navajo were an Athabaskan people who migrated from the north into the Colorado River basin around 1025 A.D. They soon established themselves as the dominant Native American tribe in the Colorado River basin, and their territory stretched over parts of present-day Arizona, New Mexico, Utah and Colorado – in the original homelands of the Puebloans. In fact, the Navajo acquired agricultural skills from the Puebloans before the collapse of the Pueblo civilization in the 14th century. A profusion of other tribes have made a continued, lasting presence along the Colorado River. The Mohave have lived along the rich bottomlands of the lower Colorado below Black Canyon since 1200 A.D. They were fishermen – navigating the river on rafts made of reeds to catch Gila trout and Colorado pikeminnow – and farmers, relying on the annual floods of the river rather than irrigation to water their crops. Ute peoples have inhabited the northern Colorado River basin, mainly in present-day Colorado, Wyoming and Utah, for at least 2,000 years, but did not become well established in the Four Corners area until 1500 A.D. The Apache, Cocopah, Halchidhoma, Havasupai, Hualapai, Maricopa, Pima, and Quechan are among many other groups that live along or had territories bordering on the Colorado River and its tributaries.Beginning in the 17th century, contact with Europeans brought significant changes to the lifestyles of Native Americans in the Colorado River basin. Missionaries sought to convert indigenous peoples to Christianity – an effort sometimes successful, such as in Father Eusebio Francisco Kino's 1694 encounter with the "docile Pimas of the Gila Valley [who] readily accepted Kino and his Christian teachings". From 1694 to 1702 Kino would explore the Gila and Colorado Rivers to determine if California was an island or peninsula. The Spanish introduced sheep and goats to the Navajo, who came to rely heavily on them for meat, milk and wool. By the mid-16th century, the Utes, having acquired horses from the Spanish, introduced them to the Colorado River basin. The use of horses spread through the basin via trade between the various tribes and greatly facilitated hunting, communications and travel for indigenous peoples. More warlike groups such as the Utes and Navajos often used horses to their advantage in raids against tribes that were slower to adopt them, such as the Goshutes and Southern Paiutes. 
Question: What is the full name of the person who would explore the Gila and Colorado Rivers to determine if California was an island or peninsula?
Output: Eusebio Francisco Kino.
Passage: Hilda Rix Nicholas (née Rix, later Wright, 1 September 1884 – 3 August 1961) was an Australian artist. Hilda Rix was born in the Victorian city of Ballarat. Her father was an education administrator and poet, her mother was a musician and artist. She studied under a leading member of the Heidelberg School, Frederick McCubbin, at the National Gallery of Victoria Art School from 1902 to 1905 and was an early member of the Melbourne Society of Women Painters and Sculptors. Following the death of her father in 1907, Hilda Rix, her only sibling Elsie and her mother travelled to Europe where she undertook further study in London and then in Paris. Her teachers during the period included John Hassall, Richard Emil Miller and Théophile Steinlen.
After travelling to Tangiers in 1912, Rix held several successful exhibitions of her work, with one drawing, Grande marche, Tanger, purchased by the French government. She was one of the first Australians to paint post-impressionist landscapes, was made a member of the Société des Peintres Orientalistes Français, and had works hung in the Paris Salon first in 1911 and again in 1913. The family evacuated from France to England after the outbreak of World War I. A period of personal tragedy followed, as Rix's sister died in 1914, then her mother in 1915. In 1916 she met and married George Matson Nicholas, only to be widowed the next month when he was killed on the Western Front.
Returning to Australia in 1918, Rix Nicholas once more took up professional painting, and held an exhibition of over a hundred works at Melbourne's Guild Hall. Many sold, including In Picardy, purchased by the National Gallery of Victoria. Following a period painting in rural locations in the early 1920s, Rix Nicholas returned to Europe. A 1925 exhibition in Paris led to the sale of her work In Australia to the Musée du Luxembourg, followed by an extensive tour of her paintings around regional British art galleries. There followed representation in other exhibitions, including at the International Society of Sculptors, Painters and Gravers, and the Royal Academy of Arts, both in London. Following the inclusion of several works in the 1926 Société Nationale des Beaux-Arts Spring exhibition in Paris she was made an Associate of that organisation. 
Question: What is the full name of the person who studied at the National Gallery of Victoria Art School?
Output: Hilda Rix Nicholas.
Passage: "Halo" was composed by Ryan Tedder, lead vocalist of OneRepublic, together with Evan "Kidd" Bogart and Beyoncé. In an interview for HitQuarters, Kidd narrated the events that led to writing the song. OneRepublic canceled their tour after Tedder had broken his Achilles tendon and had undergone surgery. The following day, the band sent Tedder to Los Angeles. There, he and Kidd were socializing when Tedder expressed his desire to write a song. Kidd was initially opposed to the idea because Tedder was supposed to be recuperating, but the pair went to Tedder's studio. During the writing sessions, singer Ray LaMontagne was the primary inspiration for "Halo". Kidd suggested they create a song in the style of LaMontagne's "Shelter" for Beyoncé and her husband Jay-Z, and proposed the title "Halo" after hearing Tedder play "angelic" chords. They wrote the song in three hours.According to Simon Cowell, owner of the music production company Syco Entertainment, Bogart and Tedder intended "Halo" for his client, singer Leona Lewis, who could not record the song because of her tight schedule. Cowell was upset that Beyoncé chose to record the song. David Balls, editor of the British media website Digital Spy, asked Tedder during an interview whether "Halo" had initially been written for Lewis. Tedder answered that he had only tentatively offered the track to Lewis, after Beyoncé waited a long time before recording it. He commented:
There was this huge scandal that originally "Halo" was meant to go to Leona. That was never the case ... That song was written for Beyoncé. What happened was that Beyoncé waited long enough to record that song ... I thought this would be a brilliant first single for Leona, which it would have ... What I did was foolishly say to Leona's camp, "I have it on hold for another A-list artist and I'm pretty sure they'll take it, but if they don't, I just want to know if you like it enough to consider it". I sent it to them and they flipped on it. They loved it and instantly said they wanted to do it. I was like, "Wait, wait, wait, no, it's not free yet!". 
Question: What is the first name of the person who underwent surgery?
Output: Ryan.
Passage: During the early part of the Second World War, Britain had a nuclear weapons project codenamed Tube Alloys. At the Quebec Conference in August 1943, the Prime Minister of the United Kingdom, Winston Churchill, and the President of the United States, Franklin Roosevelt, signed the Quebec Agreement, which merged Tube Alloys with the American Manhattan Project to create a combined British, American and Canadian project. The September 1944 Hyde Park Aide-Mémoire extended commercial and military cooperation into the post-war period. Many of Britain's top scientists participated in the Manhattan Project. The Quebec Agreement specified that nuclear weapons would not be used against another country without mutual consent. On 4 July 1945, Field Marshal Sir Henry Maitland Wilson agreed on Britain's behalf to the use of nuclear weapons against Japan.The British government considered nuclear technology to be a joint discovery, and trusted that America would continue to share it. On 16 November 1945, President Harry S. Truman and Prime Minister Clement Attlee signed a new agreement that replaced the Quebec Agreement's requirement for "mutual consent" before using nuclear weapons with one for "prior consultation", and there was to be "full and effective cooperation in the field of atomic energy", but this was only "in the field of basic scientific research". The United States Atomic Energy Act of 1946 (McMahon Act) ended technical cooperation. Its control of "restricted data" prevented US allies from receiving any information. Fearing a resurgence of American isolationism, and Britain losing its great power status, the UK government restarted its own development effort, now codenamed High Explosive Research.In 1949, the Americans offered to make atomic bombs in the US available for Britain to use if the British agreed to curtail their atomic bomb programme. This would have given Britain nuclear weapons much sooner than its own target date of late 1952. Only those bomb components required by war plans would be stored in the UK; the rest would be kept in the US and Canada. The offer was rejected by the British Chiefs of Staff on the grounds that it was not "compatible with our status as a first class power to depend on others for weapons of this supreme importance". As a counter-offer, they proposed limiting the British nuclear weapons programme in return for American bombs. The opposition of key American officials, including the United States Atomic Energy Commission's Lewis Strauss, and Senators Bourke B. Hickenlooper and Arthur Vandenberg, coupled with security concerns aroused by the 2 February 1950 arrest of the British physicist Klaus Fuchs as an atomic spy, resulted in the proposal being dropped. 
Question: What are the last names of the American senators that opposed the counter-offer to the offer rejected by British Chiefs of Staff?
Output: Hickenlooper.
Passage: During the early part of the Second World War, Britain had a nuclear weapons project codenamed Tube Alloys. At the Quebec Conference in August 1943, the Prime Minister of the United Kingdom, Winston Churchill, and the President of the United States, Franklin Roosevelt, signed the Quebec Agreement, which merged Tube Alloys with the American Manhattan Project to create a combined British, American and Canadian project. The September 1944 Hyde Park Aide-Mémoire extended commercial and military cooperation into the post-war period. Many of Britain's top scientists participated in the Manhattan Project. The Quebec Agreement specified that nuclear weapons would not be used against another country without mutual consent. On 4 July 1945, Field Marshal Sir Henry Maitland Wilson agreed on Britain's behalf to the use of nuclear weapons against Japan.The British government considered nuclear technology to be a joint discovery, and trusted that America would continue to share it. On 16 November 1945, President Harry S. Truman and Prime Minister Clement Attlee signed a new agreement that replaced the Quebec Agreement's requirement for "mutual consent" before using nuclear weapons with one for "prior consultation", and there was to be "full and effective cooperation in the field of atomic energy", but this was only "in the field of basic scientific research". The United States Atomic Energy Act of 1946 (McMahon Act) ended technical cooperation. Its control of "restricted data" prevented US allies from receiving any information. Fearing a resurgence of American isolationism, and Britain losing its great power status, the UK government restarted its own development effort, now codenamed High Explosive Research.In 1949, the Americans offered to make atomic bombs in the US available for Britain to use if the British agreed to curtail their atomic bomb programme. This would have given Britain nuclear weapons much sooner than its own target date of late 1952. Only those bomb components required by war plans would be stored in the UK; the rest would be kept in the US and Canada. The offer was rejected by the British Chiefs of Staff on the grounds that it was not "compatible with our status as a first class power to depend on others for weapons of this supreme importance". As a counter-offer, they proposed limiting the British nuclear weapons programme in return for American bombs. The opposition of key American officials, including the United States Atomic Energy Commission's Lewis Strauss, and Senators Bourke B. Hickenlooper and Arthur Vandenberg, coupled with security concerns aroused by the 2 February 1950 arrest of the British physicist Klaus Fuchs as an atomic spy, resulted in the proposal being dropped. 
Question: What are the last names of the American senators that opposed the counter-offer to the offer rejected by British Chiefs of Staff?
Output: Vandenberg.
Passage: The Ottomans were employed as mercenaries by the Byzantines in the 1340s but later became invaders in their own right. Sultan Murad I took Adrianople from the Byzantines in 1362; Sofia fell in 1382, followed by Shumen in 1388. The Ottomans completed their conquest of Bulgarian lands in 1393 when Tarnovo was sacked after a three-month siege and the Battle of Nicopolis which brought about the fall of the Vidin Tsardom in 1396. Sozopol was the last Bulgarian settlement to fall, in 1453. The Bulgarian nobility was subsequently eliminated and the peasantry was enserfed to Ottoman masters, while much of the educated clergy fled to other countries.Christians were considered an inferior class of people under the Ottoman system. Bulgarians were subjected to heavy taxes (including devshirme, or blood tax), their culture was suppressed, and they experienced partial Islamisation. Ottoman authorities established a religious administrative community called the Rum Millet, which governed all Orthodox Christians regardless of their ethnicity. Most of the local population then gradually lost its distinct national consciousness, identifying only by its faith. The clergy remaining in some isolated monasteries kept their ethnic identity alive, enabling its survival in remote rural areas, and in the militant Catholic community in the northwest of the country.As Ottoman power began to wane, Habsburg Austria and Russia saw Bulgarian Christians as potential allies. The Austrians first backed an uprising in Tarnovo in 1598, then a second one in 1686, the Chiprovtsi Uprising in 1688 and finally Karposh's Rebellion in 1689. The Russian Empire also asserted itself as a protector of Christians in Ottoman lands with the Treaty of Küçük Kaynarca in 1774.
The Western European Enlightenment in the 18th century influenced the initiation of a national awakening of Bulgaria. It restored national consciousness and provided an ideological basis for the liberation struggle, resulting in the 1876 April Uprising. Up to 30,000 Bulgarians were killed as Ottoman authorities put down the rebellion. The massacres prompted the Great Powers to take action. They convened the Constantinople Conference in 1876, but their decisions were rejected by the Ottomans. This allowed the Russian Empire to seek a military solution without risking confrontation with other Great Powers, as had happened in the Crimean War. In 1877 Russia declared war on the Ottomans and defeated them with the help of Bulgarian rebels, particularly during the crucial Battle of Shipka Pass which secured Russian control over the main road to Constantinople. 
Question: What was the name of the rebellion the Ottoman's put down in 1876?
Output: April Uprising.
Passage: Despite being one of the most significant anti-war works of art, The Disasters of War had no impact on the European consciousness for two generations, as it was not seen outside a small circle in Spain until it was published by Madrid's Royal Academy of San Fernando in 1863.
Since then, interpretations in successive eras have reflected the sensibilities of the time. Goya was seen as a proto-Romantic in the early 19th century, and the series' graphically rendered dismembered carcasses were a direct influence on Théodore Géricault, best known for the politically charged Raft of the Medusa (1818–19). Luis Buñuel identified with Goya's sense of the absurd, and referenced his works in such films as the 1930 L'Âge d'Or, on which he collaborated with Salvador Dalí, and his 1962 The Exterminating Angel.The series' impact on Dalí is evident in Soft Construction with Boiled Beans (Premonition of Civil War), painted in 1936 in response to events leading to the Spanish Civil War. Here, the distorted limbs, brutal suppression, agonised expressions and ominous clouds are reminiscent of plate 39, Grande hazaña! Con muertos! (A heroic feat! With dead men!), in which mutilated bodies are shown against a backdrop barren landscape.In 1993, Jake and Dinos Chapman of the Young British Artists movement created 82 miniature, toy-like sculptures modelled on The Disasters of War. The works were widely acclaimed and purchased that year by the Tate gallery. For decades, Goya's series of etching served as a constant point of reference for the Chapman brothers; in particular, they created a number of variations based on the plate Grande hazaña! Con muertos!.
In 2003, the Chapman brothers exhibited an altered version of The Disasters of War. They purchased a complete set of prints, over which they drew and pasted demonic clown and puppy heads. The Chapmans described their "rectified" images as making a connection between Napoleon's supposed introduction of Enlightenment ideals to early-19th-century Spain and Tony Blair and George W. Bush purporting to bring democracy to Iraq. 
Question: What is the name of the person whose works are referenced in films such as the Buñuel and Dalí collaboration, L'Âge d'Or?
Output: Goya.
Passage: The palazzo remained the principal Medici residence until the last male Medici heir died in 1737. It was then occupied briefly by his sister, the elderly Electress Palatine; on her death, the Medici dynasty became extinct and the palazzo passed to the new Grand Dukes of Tuscany, the Austrian House of Lorraine, in the person of Francis I, Holy Roman Emperor. The Austrian tenancy was briefly interrupted by Napoleon, who used the palazzo during his period of control over Italy.When Tuscany passed from the House of Lorraine to the House of Savoy in 1860, the Palazzo Pitti was included. After the Risorgimento, when Florence was briefly the capital of the Kingdom of Italy, Victor Emmanuel II resided in the palazzo until 1871. His grandson, Victor Emmanuel III, presented the palazzo to the nation in 1919.  The palazzo and other buildings in the Boboli Gardens were then divided into five separate art galleries and a museum, housing not only many of its original contents, but priceless artefacts from many other collections acquired by the state.  The 140 rooms open to the public are part of an interior, which is in large part a later product than the original portion of the structure, mostly created in two phases, one in the 17th century and the other in the early 18th century. Some earlier interiors remain, and there are still later additions such as the Throne Room. In 2005 the surprise discovery of forgotten 18th-century bathrooms in the palazzo revealed remarkable examples of contemporary plumbing very similar in style to the bathrooms of the 21st century. 
Question: What is the name of the last person of the Medici dynasty to occupy the palazzo?
Output: Electress Palatine.
Passage: Monteverdi was an established court composer in the service of Duke Vincenzo Gonzaga in Mantua when he wrote his first operas, L'Orfeo and L'Arianna, in the years 1606–08. After falling out with Vincenzo's successor, Duke Francesco Gonzaga, Monteverdi moved to Venice in 1613 and became director of music at St Mark's Basilica, a position he held for the rest of his life. Alongside his steady output of madrigals and church music, Monteverdi continued to compose works for the stage, though not actual operas. He wrote several ballets and, for the Venice carnival of 1624–25, Il combattimento di Tancredi e Clorinda ("The Battle of Tancred and Clorinda"), a hybrid work with some characteristics of ballet, opera and oratorio.
In 1637 fully-fledged opera came to Venice with the opening of the Teatro San Cassiano. Sponsored by the wealthy Tron family, this theatre was the first in the world specifically devoted to opera. The theatre's inaugural performance, on 6 March 1637, was L'Andromeda by Francesco Manelli and Benedetto Ferrari. This work was received with great enthusiasm, as was the same pair's La Maga fulminata the following year. In rapid succession three more opera houses opened in the city, as the ruling families of the Republic sought to express their wealth and status by investing in the new musical fashion. At first, Monteverdi remained aloof from these activities, perhaps on account of his age (he was over 70), or perhaps through the dignity of his office as maestro di capella at St. Mark's. Nevertheless, an unidentified contemporary, commenting on Monteverdi's silence, opined that the maestro might yet produce an opera for Venice: "God willing, one of these nights he too will step onto the stage." This remark proved prescient; Monteverdi's first public contribution to Venetian opera came in the 1639–40 carnival season, a revival of his L'Arianna at the Teatro San Moisè.L'Arianna was followed in rapid succession by three brand new Monteverdi operas, of which Il ritorno was the first. The second, Le nozze d' Enea in Lavinia ("The Marriage of Aeneas to Lavinia"), was performed during the 1640–41 carnival; Monteverdi's music is lost, but a copy of the libretto, of unknown authorship, survives. The last of the three, written for the 1642–43 carnival, was L'incoronazione di Poppea ("The Coronation of Poppea"), performed shortly before the composer's death in 1643. 
Question: What was the final year of the opera season that Monteverdi wrote an opera for?
Output: 1642–43.
Passage: On 31 October 2005, Fanning released his debut solo album entitled Tea & Sympathy. The album debuted at No. 1 on the Australian ARIA Albums chart, and spent 58 weeks in the top 50. It peaked at No. 11 during its 18-week stay on the New Zealand albums chart.Tea & Sympathy comprised songs Fanning had written in his time with Powderfinger, as well as new content written after the band went on hiatus. Most of the writing was done in what Fanning described as a "creative burst" between March and May 2005. Much of the inspiration for the work on the album came from Fanning's reaction to the death of his brother in 2002, and to the ending of a 12-year relationship with his girlfriend, Philippa Sison. The majority of the album was recorded at Real World Studios with Tchad Blake in June 2005, except for "Not Finished Just Yet", "Believe", "Wash Me Clean", and "Hope & Validation", which were recorded at Fanning's Brisbane home. Fanning was supported by musicians Jerry Marotta, Keith Duffy, and John Bedggood, who also formed part of his live band. The album was developed in a relaxed manner, with Fanning stating, "We had a ball putting the songs together."Three singles were released from the album. The most successful of these was the lead single, "Wish You Well", shortly followed by "Songbird". These releases were only sold as digital download singles. The third single from the album, "Watch Over Me", was the only to be released as a CD single and achieved minor success on the Australian singles chart. It entered the chart on 9 July 2006 at No. 16, and spent eight weeks in the top 50. On 26 January 2006, "Wish You Well" was voted No. 1 for the Triple J Hottest 100, 2005. Following "Watch Over Me", Fanning digitally released a fourth single "Weekend of Mystery", which was not officially on the album, except for those who purchased the album from the iTunes Store. Fanning also took home the award for Best Music Video at the 2006 ARIA Awards for the iconic 'Wish You Well' clip.On 2 December 2005, Fanning announced a nationwide Which Way Home Concert Tour, named after the song on the album of the same name. Fanning played seven shows between 25 February and 10 March 2006, in all of Australia's major capital cities. He was supported by Perth band The Panics and Brisbane singer Andrew Morris. He followed this with the "Yesterday's Gone" tour, announced on 11 August 2006, and concluding with Powderfinger re-uniting and returning to the recording studio— Fanning later stated that while he enjoyed making Tea & Sympathy, "Powderfinger is my real job". 
Question: What is the title of the single that entered the Australian singles chart on 9 July 2006 at No. 16?
Output: "Watch Over Me".
Passage: The music video for "Single Ladies" was shot immediately after that of "If I Were a Boy", but it received less attention during production than the "higher-gloss, higher-profile video" for "If I Were a Boy". Both videos were shot in black-and-white in New York City and were directed by Jake Nava, with whom Beyoncé had worked on previous music videos including "Crazy in Love" and "Beautiful Liar". "Single Ladies" was choreographed by Frank Gatson Jr. and JaQuel Knight, and incorporates J-Setting choreography. The two music videos premiered on MTV's Total Request Live show on October 13, 2008 to reinforce the concept of conflicting personalities. The videos were released to other media outlets on the same date and subsequently included on Beyoncé's remix album with videography, Above and Beyoncé, and the platinum edition of I Am... Sasha Fierce.
Beyoncé told Simon Vozick-Levinson of Entertainment Weekly that the inspiration for the video was a 1969 Bob Fosse routine entitled "Mexican Breakfast" seen on The Ed Sullivan Show, which featured Fosse's wife, Gwen Verdon, dancing with two other women. "Mexican Breakfast" had become an Internet viral sensation the previous summer after Unk's "Walk It Out" was dubbed over the original mix. Beyoncé wanted to attempt a similar dance and eventually, the choreography of "Single Ladies" was liberally adapted from "Mexican Breakfast":
I saw a video on YouTube. [The dancers] had a plain background and it was shot on the crane; it was 360 degrees, they could move around. And I said, 'This is genius.' We kept a lot of the Fosse choreography and added the down-south thing—it's called J-Setting, where one person does something and the next person follows. So it was a strange mixture ... It's like the most urban choreography, mixed with Fosse—very modern and very vintage. 
Question: What is the name of the person whose song was Single Ladies?
Output: Beyoncé.
Passage: Lennon was born on 9 October 1940 at Liverpool Maternity Hospital, to Julia (née Stanley) (1914–1958) and Alfred Lennon (1912–1976). Alfred was a merchant seaman of Irish descent who was away at the time of his son's birth. His parents named him John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and Prime Minister Winston Churchill. His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother; the cheques stopped when he went absent without leave in February 1944. When he eventually came home six months later, he offered to look after the family, but Julia, by then pregnant with another man's child, rejected the idea. After her sister Mimi complained to Liverpool's Social Services twice, Julia gave her custody of Lennon. In July 1946, Lennon's father visited her and took his son to Blackpool, secretly intending to emigrate to New Zealand with him. Julia followed them – with her partner at the time, Bobby Dykins – and after a heated argument, his father forced the five-year-old to choose between them. In one account of this incident, Lennon twice chose his father, but as his mother walked away, he began to cry and followed her. According to author Mark Lewisohn, however, Lennon's parents agreed that Julia should take him and give him a home. A witness who was there that day, Billy Hall, has said that the dramatic portrayal of a young John Lennon being forced to make a decision between his parents is inaccurate. Lennon had no further contact with Alf for close to 20 years.Throughout the rest of his childhood and adolescence, Lennon lived at Mendips, 251 Menlove Avenue, Woolton, with Mimi and her husband George Toogood Smith, who had no children of their own. His aunt purchased volumes of short stories for him, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles. Julia visited Mendips on a regular basis, and when John was 11 years old, he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, taught him the banjo, and showed him how to play "Ain't That a Shame" by Fats Domino. In September 1980, Lennon commented about his family and his rebellious nature:. 
Question: What was the name of the person that witnessed the heated scene between Julia and Alfred Lennon?
Output: Billy Hall.