niryuu/sni-each-converted huggingface dataset:
Passage: In 1979 a priest at the Vatican sees a comet arching over the moon (described as the "eye of God"), heralding the birth of one chosen to be the mother of Satan's child. The priest is sent on a mission by the Pope  to find and protect the girl from Satan, although a few Vatican knights (led by a corrupt cardinal) insist that she must die. In New York a newborn girl, Christine York, is identified by Satanists (including her physician, Dr. Abel, and her nurse and future guardian, Mabel) as the person chosen to bear Satan's child on New Year's Eve, 1999. The Satanists perform occult rites on the newborn.
In late 1999, Satan possesses an investment banker in a restaurant; he then destroys the restaurant, killing many inside. Suicidal and alcoholic former police detective Jericho Cane, depressed since his wife and daughter's contract killings, works for a private security company and blames God for his plight. Jericho and co-worker Bobby Chicago are assigned to protect the possessed banker. A priest, Thomas Aquinas, unsuccessfully tries to kill the banker. Jericho captures Aquinas, who tells Jericho: "The thousand years has ended, the dark angel is loosed from his prison" and says that a girl is central. Jericho shoots Aquinas, who is arrested by the New York Police Department. Marge Francis, an NYPD detective and Jericho's former colleague, tells him that Aquinas has no tongue. 
Question: What is the first name of the person who tells Jericho about the dark angel?
Output: Thomas.
Passage: As Pei, neared the end of his secondary education, he decided to study at a university. He was accepted to a number of schools, but decided to enroll at the University of Pennsylvania. Pei's choice had two roots. While studying in Shanghai, he had closely examined the catalogs for various institutions of higher learning around the world. The architectural program at the University of Pennsylvania stood out to him. The other major factor was Hollywood. Pei was fascinated by the representations of college life in the films of Bing Crosby, which differed tremendously from the academic atmosphere in China. "College life in the U.S. seemed to me to be mostly fun and games", he said in 2000. "Since I was too young to be serious, I wanted to be part of it ... You could get a feeling for it in Bing Crosby's movies. College life in America seemed very exciting to me. It's not real, we know that. Nevertheless, at that time it was very attractive to me. I decided that was the country for me."In 1935 Pei boarded a boat and sailed to San Francisco, then traveled by train to Philadelphia. What he found, however, differed vastly from his expectations. Professors at the University of Pennsylvania based their teaching in the Beaux-Arts style, rooted in the classical traditions of Greece and Rome. Pei was more intrigued by modern architecture, and also felt intimidated by the high level of drafting proficiency shown by other students. He decided to abandon architecture and transferred to the engineering program at Massachusetts Institute of Technology (MIT). Once he arrived, however, the dean of the architecture school commented on his eye for design and convinced Pei to return to his original major.MIT's architecture faculty was also focused on the Beaux-Arts school, and Pei found himself uninspired by the work. In the library he found three books by the Swiss-French architect Le Corbusier. Pei was inspired by the innovative designs of the new International style, characterized by simplified form and the use of glass and steel materials. Le Corbusier visited MIT in November 1935, an occasion which powerfully affected Pei: "The two days with Le Corbusier, or 'Corbu' as we used to call him, were probably the most important days in my architectural education." Pei was also influenced by the work of US architect Frank Lloyd Wright. In 1938 he drove to Spring Green, Wisconsin, to visit Wright's famous Taliesin building. After waiting for two hours, however, he left without meeting Wright. 
Question: Who decided to abandon architecture?
Output: Pei.
Passage: In the heyday of vaudeville, on the verge of America's entrance into World War I, two talented performers, Jo Hayden and Harry Palmer, set their sights on playing the Palace Theatre on Broadway, the epitome of vaudeville success, and marrying immediately after.
Just weeks before their plans are to be realized Harry gets a draft notice. Intending to obtain a short delay before reporting for duty, he intentionally smashes his hand in a trunk.  That same day Jo is notified that her brother, who had been studying to be a doctor, has died in the war.
When she realizes what Harry has done, she rejects him and leaves the act. Harry then tries to undo his rash act and enlist, but none of the armed services will take him as his hand has been permanently crippled. Eventually he resigns himself to participating in the war effort the only way left open to him, entertaining front line troops for the YMCA.
When he and his partner find themselves dangerously close to the front, Harry heroically sets out to warn off an ambulance convoy heading into an artillery bombardment. He is wounded while destroying an enemy machine gun emplacement ambushing the convoy and is apparently commended for his bravery.
After the war, during a victory performance at the Palace Theatre, Jo sees Harry in the audience and runs to him. The two reunite on stage to sing "For Me and My Gal", the first song they ever performed together. 
Question: What is the first name of the person who entertains front line troops for the YMCA?
Output: Harry.
Passage: The film starts off with Ellie and her two friends, Karl and Monica, participating in a big activity with their classmates called "the Hunt."  Ellie's brother Fletcher comes in and does a magic trick, but she is unimpressed and tells him to get out.  Fletcher, insulted, then steals an hourglass that Ellie's dad had given to her when she was little.  Her father is now deceased, and so the hourglass is very important to her.
Meanwhile, her mom Katherine Blake is preparing for her second marriage; her fiancé is named Mike. To make it even busier, she is catering her own wedding. When Ellie's friends leave she and Katherine fight and Katherine wishes that Ellie would take more responsibility for herself, while Ellie wishes her mother would understand what it is like to be her. When they start eating, Ellie asks her mother if she can go to the Hunt, but her mother says no because it scares her. When Fletcher's pet bunny goes missing and Mike says he will help find the bunny, Ellie snaps at Mike and says that he is not their dad.  Katherine demands that Ellie say sorry, but Ellie refuses to apologize. Katherine asks Mike to take Fletcher to school, and Ellie storms to her room. 
Question: What is the first name of the person whose mother is about to get remarried?
Output: Ellie.
Passage: On the planet Krypton, Jor-El of the Kryptonian high council discovers the planet will soon be destroyed when its red supergiant sun goes supernova. Despite his insistence, he fails to convince the other council members. To save his infant son, Kal-El, Jor-El launches him in a spaceship to Earth, a planet with a suitable atmosphere where his dense molecular structure will give him superhuman strength and other powers. Shortly after the launch, Krypton's sun explodes, destroying the planet.
The ship crash-lands on Earth near Smallville, Kansas. Kal-El, who is now three years old, is found by Jonathan and Martha Kent, who are astonished when he lifts their truck. They take him back to their farm and raise him as their own, naming him Clark after Martha's maiden name.
At 18, soon after Jonathan's death from a heart attack, Clark hears a psychic "call" and discovers a glowing green crystal in the remains of his spacecraft. It compels him to travel to the Arctic where it builds the Fortress of Solitude, resembling the architecture of Krypton. Inside, a hologram of Jor-El explains Clark's true origins, and after 12 further years of educating him on his powers and his reason for being sent to Earth, he leaves the Fortress wearing a blue and red suit with a red cape and the House of El family crest emblazoned on his chest and becomes a reporter at the Daily Planet in Metropolis. He meets and develops a romantic attraction to coworker Lois Lane. 
Question: Where on Earth does Kal-El live until age 18?
Output: Smallville, Kansas.
Passage: After the end of World War II, Peter Kuban, a Hungarian displaced person and survivor of the Nazi concentration camps, stows away on a ship bound for New York City. However, he is spotted and held for the authorities. When they arrive, he claims that he qualifies for entry under an exception for those who helped Allied soldiers during the war, but all he knows about the paratrooper he hid from the enemy is that his name is Tom and he plays clarinet in a jazz band in New York City's Times Square.The immigration authorities led by Inspector Bailey say that without better documentation he must be sent back to Europe.
He jumps off the ship, breaking some ribs, and starts searching for Tom. He encounters an unemployed ex-factory worker named Maggie Summers. When she steals a coat in a restaurant, Peter helps her elude the police. They go to her apartment, where she tends his injury as best she can and learns his story. When her landlady, Mrs. Hinckley, threatens to evict her for being behind on her rent, Peter gives her all the money he has. Eddie Hinckley, the landlady's  son, barges in and tries to get amorous with Maggie. Peter bursts out of hiding and starts fighting him, but gets the worst of it. Maggie knocks Eddie out with a chair and flees with Peter.  The Hinckleys notify the police. Meanwhile, Tom sees Peter's picture on the front page of a newspaper. He wants to go to the immigration department, but his girlfriend Nancy persuades him to attend an important audition instead. Tom impresses band leader Jack Teagarden, but leaves abruptly to try to help Peter. 
Question: What is the full name of the person who starts searching for Tom?
Output: Peter Kuban.
Passage: Waters was born on 6 September 1943, the younger of two boys, to Mary (née Whyte; 1913–2009) and Eric Fletcher Waters (1914–1944), in Great Bookham, Surrey. His father, the son of a coal miner and Labour Party activist, was a schoolteacher, a devout Christian, and a Communist Party member. In the early years of the Second World War, Waters' father was a conscientious objector who drove an ambulance during the Blitz.Waters' father later changed his stance on pacifism, joined the Territorial Army and was commissioned into the 8th Battalion, Royal Fusiliers as a Second Lieutenant on 11 September 1943. He was killed five months later on 18 February 1944 at Aprilia, during the Battle of Anzio, when Roger was five months old. He is commemorated at the Cassino War Cemetery. On 18 February 2014, Waters unveiled a monument to his father and other war casualties in Aprilia, and was made an honorary citizen of Anzio. Following her husband's death, Mary Waters, also a teacher, moved with her two sons to Cambridge and raised them there. Waters' earliest memory is of the V-J Day celebrations.Waters attended Morley Memorial Junior School in Cambridge and then the Cambridgeshire High School for Boys (now Hills Road Sixth Form College) with Syd Barrett, while future Pink Floyd guitarist David Gilmour lived nearby on Mill Road and attended the Perse School. At 15, Waters was chairman of the Cambridge Youth Campaign for Nuclear Disarmament (YCND), having designed its publicity poster and participated in its organisation. He was a keen sportsman and a highly regarded member of the high school's cricket and rugby teams. Waters was unhappy at school, saying: "I hated every second of it, apart from games. The regime at school was a very oppressive one ... the same kids who are susceptible to bullying by other kids are also susceptible to bullying by the teachers."Whereas Waters knew Barrett and Gilmour from his childhood in Cambridge, he met future Pink Floyd founder members Nick Mason and Richard Wright in London at the Regent Street Polytechnic (later the University of Westminster) school of architecture. Waters enrolled there in 1962, after a series of aptitude tests indicated he was well-suited to that field. He had initially considered a career in mechanical engineering. 
Question: What school did Waters enroll into in 1962?
Output: Regent Street Polytechnic.
Passage: The year is 1965, and 10-year-old Sandra and her parents, Abraham and Sannie, are white Afrikaners. Her parents are shopkeepers in a remote area of the Eastern Transvaal and, despite Sandra's mixed-race appearance, have lovingly brought her up as their white little girl. Sandra is sent to a boarding school in the neighbouring town of Piet Retief, where her (white) brother Leon is also studying, but parents of other students and teachers complain that she does not belong.
She is examined by State officials, reclassified as coloured, and expelled from the school. Sandra's parents are shocked, but Abraham fights through the courts to have the classification reversed. The story becomes an international scandal and media pressure forces the law to change, so that Sandra is classified as officially white again.
By the time she is 17, Sandra realises she is never going to be accepted by the white community. She falls in love with Petrus, a young black man and the local vegetable seller, and begins an illicit love affair. Abraham threatens to shoot Petrus and disown Sandra. Sannie is torn between her husband's rage and her daughter's predicament. Sandra elopes with Petrus to Swaziland. Abraham alerts the police, and has them arrested and put in prison for the illegal border crossing. Sandra is released by the local magistrate to return home with her parents, but she decides to return to Petrus, as she is pregnant with his child. Her father disowns her. 
Question: Who falls in love with the local vegetable seller?
Output: Sandra.
Passage: In July 1985, Dallas electrician and rodeo cowboy Ron Woodroof is diagnosed with AIDS and given 30 days to live. He initially refuses to accept the diagnosis but remembers having unprotected sex with a woman who was an intravenous drug user a couple years prior. He is soon ostracized by family and friends who mistakenly believe he contracted AIDS from homosexual relations. He gets fired from his job, and is eventually evicted from his home. At the hospital, he is tended to by Dr. Eve Saks, who tells him that they are testing a drug called zidovudine, an antiretroviral drug which is thought to prolong the life of AIDS patients—and is the only drug approved by the Food and Drug Administration for testing on humans. Saks informs him that in the clinical trials, half the patients receive the drug and the other half a placebo, as this is the only way they can determine if the drug is working. 
Question: What job did Ron get fired from?
Output: electrician.
Passage: The commissioning of Cossa's tomb monument was negotiated for about a decade following Cossa's death. Cossa's last will and testament—written on his death bed on December 22, 1419—made several of the customary Florentine civic bequests, acts of charity, and traditional ecclesiastical courtesies, but the bulk of his estate was left to his nephews Michele and Giovanni. The bequests to his nephews took priority, and his estate remained disputed by various creditors while the tomb was being completed.Cossa designated four prominent Florentines as his executors: Bartolommeo di Taldo Valori, Niccolò da Uzzano, Giovanni di Bicci de' Medici, and Vieri Guadagni, allowing any two of the executors to act on behalf of all four, as Valori and Medici appear to have done. Valori died on September 2, 1427, by which time Guadagni was also deceased and Uzzano had long lost interest, leaving the remaining work of commissioning entirely to Giovanni, or—more likely—Cosimo de' Medici.The executors claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will. Most later scholars accept this testimony of the executors, attributing Cossa with "tact—and tactics", although at least one has postulated that the executors chose the site of the Baptistry against Cossa's wishes.
Documentary records indicate that, on January 9, 1421, Palla Strozzi, on behalf of the Arte di Calimala, the guild who were responsible for the upkeep of the Baptistry, authorized a "breve et honestissima" ("small and inconspicuous") monument in the Baptistry, but not the chapel requested by Cossa's will; present scholarship accepts Strozzi's assertion that burial within the Baptistry was a considerable honor, perhaps beyond the status of Cossa. After this meeting, there are no extant records from the Calimala regarding the tomb as the bulk of documents from the 1420s have been lost, although the notes of Senatore Carlo Strozzi, who went through the records, are extant.The Calimala's acquiescence is traditionally explained by Cossa's donation of the relic of the right index finger of John the Baptist (and 200 florins for an appropriate reliquary) to the Baptistry. With this finger John was believed to have pointed to Jesus, saying "Ecce Agnus Dei" ("Behold the lamb of God") in John 1:29. The long and complicated history of the relic would only have increased the legendary status of the finger: Philotheus Kokkinos, Patriarch of Constantinople presented it in 1363 to Pope Urban V, who passed it to his successors Gregory XI and Urban VI, who was dispossessed of it during the siege of Nocera, after which John XXIII bought it for 800 florins and wore it on his person before hiding it in the monastery of Santa Maria degli Angeli. 
Question: What are the full names of the people who claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will?
Output: Bartolommeo di Taldo Valori.
Passage: The commissioning of Cossa's tomb monument was negotiated for about a decade following Cossa's death. Cossa's last will and testament—written on his death bed on December 22, 1419—made several of the customary Florentine civic bequests, acts of charity, and traditional ecclesiastical courtesies, but the bulk of his estate was left to his nephews Michele and Giovanni. The bequests to his nephews took priority, and his estate remained disputed by various creditors while the tomb was being completed.Cossa designated four prominent Florentines as his executors: Bartolommeo di Taldo Valori, Niccolò da Uzzano, Giovanni di Bicci de' Medici, and Vieri Guadagni, allowing any two of the executors to act on behalf of all four, as Valori and Medici appear to have done. Valori died on September 2, 1427, by which time Guadagni was also deceased and Uzzano had long lost interest, leaving the remaining work of commissioning entirely to Giovanni, or—more likely—Cosimo de' Medici.The executors claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will. Most later scholars accept this testimony of the executors, attributing Cossa with "tact—and tactics", although at least one has postulated that the executors chose the site of the Baptistry against Cossa's wishes.
Documentary records indicate that, on January 9, 1421, Palla Strozzi, on behalf of the Arte di Calimala, the guild who were responsible for the upkeep of the Baptistry, authorized a "breve et honestissima" ("small and inconspicuous") monument in the Baptistry, but not the chapel requested by Cossa's will; present scholarship accepts Strozzi's assertion that burial within the Baptistry was a considerable honor, perhaps beyond the status of Cossa. After this meeting, there are no extant records from the Calimala regarding the tomb as the bulk of documents from the 1420s have been lost, although the notes of Senatore Carlo Strozzi, who went through the records, are extant.The Calimala's acquiescence is traditionally explained by Cossa's donation of the relic of the right index finger of John the Baptist (and 200 florins for an appropriate reliquary) to the Baptistry. With this finger John was believed to have pointed to Jesus, saying "Ecce Agnus Dei" ("Behold the lamb of God") in John 1:29. The long and complicated history of the relic would only have increased the legendary status of the finger: Philotheus Kokkinos, Patriarch of Constantinople presented it in 1363 to Pope Urban V, who passed it to his successors Gregory XI and Urban VI, who was dispossessed of it during the siege of Nocera, after which John XXIII bought it for 800 florins and wore it on his person before hiding it in the monastery of Santa Maria degli Angeli. 
Question: What are the full names of the people who claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will?
Output: Niccolò da Uzzano.
Passage: The commissioning of Cossa's tomb monument was negotiated for about a decade following Cossa's death. Cossa's last will and testament—written on his death bed on December 22, 1419—made several of the customary Florentine civic bequests, acts of charity, and traditional ecclesiastical courtesies, but the bulk of his estate was left to his nephews Michele and Giovanni. The bequests to his nephews took priority, and his estate remained disputed by various creditors while the tomb was being completed.Cossa designated four prominent Florentines as his executors: Bartolommeo di Taldo Valori, Niccolò da Uzzano, Giovanni di Bicci de' Medici, and Vieri Guadagni, allowing any two of the executors to act on behalf of all four, as Valori and Medici appear to have done. Valori died on September 2, 1427, by which time Guadagni was also deceased and Uzzano had long lost interest, leaving the remaining work of commissioning entirely to Giovanni, or—more likely—Cosimo de' Medici.The executors claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will. Most later scholars accept this testimony of the executors, attributing Cossa with "tact—and tactics", although at least one has postulated that the executors chose the site of the Baptistry against Cossa's wishes.
Documentary records indicate that, on January 9, 1421, Palla Strozzi, on behalf of the Arte di Calimala, the guild who were responsible for the upkeep of the Baptistry, authorized a "breve et honestissima" ("small and inconspicuous") monument in the Baptistry, but not the chapel requested by Cossa's will; present scholarship accepts Strozzi's assertion that burial within the Baptistry was a considerable honor, perhaps beyond the status of Cossa. After this meeting, there are no extant records from the Calimala regarding the tomb as the bulk of documents from the 1420s have been lost, although the notes of Senatore Carlo Strozzi, who went through the records, are extant.The Calimala's acquiescence is traditionally explained by Cossa's donation of the relic of the right index finger of John the Baptist (and 200 florins for an appropriate reliquary) to the Baptistry. With this finger John was believed to have pointed to Jesus, saying "Ecce Agnus Dei" ("Behold the lamb of God") in John 1:29. The long and complicated history of the relic would only have increased the legendary status of the finger: Philotheus Kokkinos, Patriarch of Constantinople presented it in 1363 to Pope Urban V, who passed it to his successors Gregory XI and Urban VI, who was dispossessed of it during the siege of Nocera, after which John XXIII bought it for 800 florins and wore it on his person before hiding it in the monastery of Santa Maria degli Angeli. 
Question: What are the full names of the people who claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will?
Output: Giovanni di Bicci de' Medici.
Passage: The commissioning of Cossa's tomb monument was negotiated for about a decade following Cossa's death. Cossa's last will and testament—written on his death bed on December 22, 1419—made several of the customary Florentine civic bequests, acts of charity, and traditional ecclesiastical courtesies, but the bulk of his estate was left to his nephews Michele and Giovanni. The bequests to his nephews took priority, and his estate remained disputed by various creditors while the tomb was being completed.Cossa designated four prominent Florentines as his executors: Bartolommeo di Taldo Valori, Niccolò da Uzzano, Giovanni di Bicci de' Medici, and Vieri Guadagni, allowing any two of the executors to act on behalf of all four, as Valori and Medici appear to have done. Valori died on September 2, 1427, by which time Guadagni was also deceased and Uzzano had long lost interest, leaving the remaining work of commissioning entirely to Giovanni, or—more likely—Cosimo de' Medici.The executors claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will. Most later scholars accept this testimony of the executors, attributing Cossa with "tact—and tactics", although at least one has postulated that the executors chose the site of the Baptistry against Cossa's wishes.
Documentary records indicate that, on January 9, 1421, Palla Strozzi, on behalf of the Arte di Calimala, the guild who were responsible for the upkeep of the Baptistry, authorized a "breve et honestissima" ("small and inconspicuous") monument in the Baptistry, but not the chapel requested by Cossa's will; present scholarship accepts Strozzi's assertion that burial within the Baptistry was a considerable honor, perhaps beyond the status of Cossa. After this meeting, there are no extant records from the Calimala regarding the tomb as the bulk of documents from the 1420s have been lost, although the notes of Senatore Carlo Strozzi, who went through the records, are extant.The Calimala's acquiescence is traditionally explained by Cossa's donation of the relic of the right index finger of John the Baptist (and 200 florins for an appropriate reliquary) to the Baptistry. With this finger John was believed to have pointed to Jesus, saying "Ecce Agnus Dei" ("Behold the lamb of God") in John 1:29. The long and complicated history of the relic would only have increased the legendary status of the finger: Philotheus Kokkinos, Patriarch of Constantinople presented it in 1363 to Pope Urban V, who passed it to his successors Gregory XI and Urban VI, who was dispossessed of it during the siege of Nocera, after which John XXIII bought it for 800 florins and wore it on his person before hiding it in the monastery of Santa Maria degli Angeli. 
Question: What are the full names of the people who claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will?
Output: Vieri Guadagni.
Passage: When Brooklyn burlesque showgirl Maisie Ravier arrives at a small Wyoming town, she finds her new employer has folded after a single performance, leaving her stranded and nearly penniless. She persuades Rico to hire her for his midway shooting gallery.
Her first customer is the unfriendly "Slim" Martin, the manager of a ranch. Slim accidentally drops his wallet full of money. Rico picks it up and leaves town. Slim has Maisie arrested for theft, but when a search finds she only has 15 cents, he admits his mistake. The deputy sheriff informs Maisie that as a vagrant, she must leave town by midnight, so she hides in the back of Slim's truck. When Slim returns to the ranch, he is displeased to discover the stowaway.
He has Maisie driven to the railway station the next morning. Maisie meets the ranch owners, Cliff and Sybil Ames, who arrive on the train. Maisie fast-talks herself into being hired as Sybil's maid. The Ameses are trying to rebuild their marriage after Cliff discovered Sybil's extramarital affair with Richard "Ray" Raymond.
Maisie's warm personality gradually overcomes Slim's hostility. Slim's demeanor is the result of past hard luck: he confessed to embezzlement to protect his girlfriend and spent a year in prison, only to discover after his release that she had run off with another man. Maisie also becomes friends with Cliff.
Maisie and Cliff volunteer to drive needed supplies to the old ranch house but their car overturns and Cliff is pinned under the wreck. Maisie limps to the house and walks in on Sybil kissing Ray Raymond. Maisie sends the ranch hands to rescue Cliff, who is not seriously injured. 
Question: What happened to the shooting gallery owner's girlfriend?
Output: she had run off with another man.
Passage: In the beginning of the film, a brief overview of the history of the marathon is shown, with footage of dramatic races involving Dorando Pietri, Abebe Bikila and Rod Dixon.  Notable marathoners such as Frank Shorter, Dick Beardsley, Alberto Salazar, Grete Waitz, Paula Radcliffe, Joan Benoit-Samuelson, and Kathrine Switzer provide commentary about the sport.
The focus is then on the six featured runners and their training for the 2005 Chicago Marathon. American Deena Kastor and Kenyan Daniel Njenga are both elite runners, and are  determined to win the race.  Kastor was the bronze medalist at the 2004 Olympic Marathon, but has yet to win a marathon.  Njenga had finished second multiple times in previous Chicago Marathons.  Kastor is shown training and recovering from an injury in Mammoth Lakes, California, while Njenga's life as a sponsored runner in Tokyo is profiled.
The rest of the runners featured live in Chicago. Ryan Bradley and Lori O'Connor are both married young professionals; Bradley is a veteran marathoner who hopes to earn a qualifying time for the Boston Marathon, and O'Connor is running her first marathon.  She finds it humorous when colleagues ask if she expects to win.  Jerry Meyers is a jovial 70-year-old who claims to run marathons for the T-shirt.  Leah Caille is a new runner that took up the sport to help recover from an emotional divorce.
While preparing for the race, Bradley suffers a knee injury and is unable to compete. He is clearly upset by this, and takes out his frustration by going for a long bike ride. O'Connor and Caille go through the new experience of the long training sessions necessary for a marathoner.  Meyers lends his veteran knowledge while leading slower training runs with his daughter, who is running her first marathon. 
Question: What's the full name of the person who finds the notion of winning the 2005 Chicago Marathon funny?
Output: Lori O'Connor.
Passage: When the painting was unveiled in 1953, most Chinese critics were enthusiastic.  Xu Beihong, the president of CAFA and a pioneer in using realism in oil painting, admired the manner in which the work fulfilled its political mission, but complained that because of the colors, it barely resembled an oil painting.  He and others, though, saw that the painting opened a new chapter in Chinese art development.  Zhu Dan, head of the People's Fine Arts Publishing House, which would reproduce the painting for the masses, argued that it was more a poster than an oil painting.  Other artists stated that Dong's earlier works, such as Kazakh Shepherdess (1947) and Liberation (1949), were better examples of the new national style of art.  Senior Party leaders, though, approved of the painting, as art historian Chang-Tai Hung put it, "seeing it as a testament to the young nation's evolving identity and growing confidence".Soon after the unveiling, Jiang wanted to arrange an exhibition at which government officials, including Mao, could view and publicly endorse the new Chinese art.  He had connections in Mao's inner circle, and Dong and others organized it to be in conjunction with meetings at Zhongnanhai that Mao led. This was, most likely, the only time Mao attended an art exhibition after 1949.  Mao visited the exhibition three times in between meetings and especially liked The Founding of the Nation—the official photograph of the event shows Mao and Zhou Enlai viewing the canvas with Dong.  The chairman stared at the painting for a long time and finally said, "It is a great nation.  It really is a great nation."  Mao also stated that the portrayal of Dong Biwu was particularly well rendered.  As Dong Biwu was in the second row, mostly hidden by the large Zhu De, Mao was most likely joking, but the favorable reaction by the country's leader assured the success of the painting.The Founding of the Nation was hailed as one of the greatest oil paintings ever by a Chinese artist by reviewers in that country, and more than 500,000 reproductions were sold in three months.  Mao's praise helped boost the painting and its painter.  Dong's techniques were seen as bridging the gap between the elitist medium of oil painting and popular art, and as a boost to Jiang's position that realistic art could be politically desirable.  It was reproduced in primary and secondary school textbooks.  The painting appeared on the front page of People's Daily in September 1953, and became an officially approved interior decoration.  One English-language magazine published by the Chinese government for distribution abroad showed a model family in a modern apartment, with a large poster of The Founding of the Nation on the wall.  According to Chang-Tai Hung, the painting "became a celebrated propaganda piece". 
Question: What is the name of the person who had connections in Mao's inner circle?
Output: Jiang.
Passage: Tim Warden, a boy with autism, has supposedly witnessed his parents' double murder. Jake Rainer, a former child psychiatrist turned therapist, is called on to probe the child's mind in order to solve the case.
The psychological drama is provided by the fact that not even Jake can entice Tim to communicate what he has or has not seen regarding the crime. Tim's sister, Sylvie, is protective of him. She eventually warms to Jake's efforts, but is concerned when she learns he was implicated in the suicide of another young child who was under his care.
Jake gradually befriends Tim. At first, Jake thinks that Tim is trying to communicate by cutting up playing cards, but Sylvie reveals that Tim is good at mimicking voices. Jake is able to trigger Tim's memory so that Tim mimics the voices he heard on the night of the murder by using the trigger phrase "God Damn," which were the first words Tim heard from the murder. He attempts to piece together the chronology of the murder, suspecting that Tim interrupted a fight between his parents and an intruder.
Sheriff Mitch Rivers threatens to use drugs to get Tim to talk about the murder and Dr. Rene Harlinger successfully hypnotizes Tim into breaking down a locked door. The police chief, seeing this as proof of Tim's strength, concludes that Tim was the murderer, after finding photographs showing that Tim's father was molesting him.
That night, Sylvie plans to take Tim away and attempts to convince Jake to run away with them. She fails, and instead paralyzes Jake and throws him into an icy lake to drown him. Tim mimics the police chief's voice over the phone to lure Sylvie to the police station and pulls Jake out of the lake while she is away. 
Question: What is the first name of the person that the former child psychiatrist befriends?
Output: Tim.
Passage: During the rage of Hurricane Katrina, Detective Andy Devereaux discovers the body of his former partner in a close to underwater warehouse. Quickly forgetting about his discovery, he joins a newly transferred detective named Stan Johnson (Curtis "50 Cent" Jackson) trying to end a conflict involving looters. 
Post-Katrina, Andy and Stan are now partners. They work with corrupt detectives Pepe and Barney, who are caught up in the murder of an undercover narcotics agent. Investigating the escalating police corruption in New Orleans is FBI Agent Brown. Brown brings up his thoughts to Police Captain Friendly who insists he is doing his best to solve the problems in his department.
Meanwhile, police therapist Nina Ferraro tries to help the detectives with their struggles, with little avail. She is particularly interested in Andy, whose father, also a detective, was murdered in the line of duty. 
Things are complicated further with Agent Brown's investigation into Andy and his crew. Brown tells Andy that he has an informant who is leaking out the details, and Andy, disbelieving at first, begins to resign himself to the fact that one of his men is betraying him. 
After Captain Friendly is assassinated by a local gangster named Chamorro, Andy, Stan, Pepe, and Barney decide to take the law into their own hands and go after Chamorro. While interrogating Chamorro, they find out that Brown has been supplying the drug dealer with information about the police raids, to help his own investigation. In a violent shootout, Barney accidentally shoots and kills Pepe.
Andy and Stan escape, only to return to the warehouse where they met. There Andy realizes that Stan is the informant. After the two start arguing, Brown shows up and there is another shootout, ending in Brown's death. Andy comforts a sobbing Stan, then Andy kills his partner, as he possibly did with his previous one. 
Question: What is the last name of the person whose father was murdered in the line of duty?
Output: Devereaux.
Passage: The term "Viking metal" has sometimes been used as a nickname for the 1990s Norwegian black metal scene, which was "noisy, chaotic, and often augmented by sorrowful keyboard melodies". It has also been variously described as a subgenre of black metal, albeit one that abandoned black metal's Satanic imagery, "slow black metal" with influences from Nordic folk music, straddling black metal and folk metal almost equally, or running the gamut from "folk to black to death metal". Typically, Viking metal artists rely extensively on keyboards, which are often played at a "swift, galloping pace". These artists often add "local cultural flourishes" such as traditional instruments and ethnic melodies. It is similar to folk metal, and is sometimes categorized as such, but it uses folk instruments less extensively. For vocals, Viking metal incorporates both singing and the typical black metal screams and growls.
Overall, Viking metal is hard to define since, apart from certain elements like anthem-like choruses, it is not based entirely on musical features and overlaps with other metal genres, with origins in black and death metal Some bands, such as Unleashed and Amon Amarth, play death metal, but incorporate Viking themes and thus are labeled as part of the genre. Generally, Viking metal is defined more by its thematic material and imagery than musical qualities. Rather than being a mock-up of medieval music, "it is in the band names, album titles, artwork of album covers and, especially, in the song lyrics that Viking themes are so evident." Viking metal, and the closely related style pagan metal, is more of a term or "etiquette" than a musical style. Since they are defined chiefly by lyrical focus, any musical categorizations of these two styles is controversial. Thus, Viking metal is more of a cross-genre term than a descriptor of a certain sound. Ashby and Schofield write that "The term 'Viking metal' is one of many that falls within a complex web of genres and subgenres, the precise form of which is constantly shifting, as trends and fads emerge and fade." From its origins in black metal, Viking metal "has diversified (at least in aural terms), and now covers a range of styles that run the gamut between black metal and what one might justifiably term classic rock". 
Question: What is the name given for the subgenre of black metal?
Output: Viking metal.
Passage: In writing Young Modern, Johns tried to make the music sound very simple, despite a complex musical structure. The lyrics were written after the music was created, sometimes as late as the day of recording. As Johns dreads writing lyrics, he suggested that the band could produce an instrumental album at some stage in the future. Johns is the band's primary songwriter, and notes that while Joannou and Gillies do not have significant influence on what he writes, they are key to the band's overall sound. For that album, Hamilton co-wrote four songs with Johns including the APRA Award-winning "Straight Lines". Joannou believed that Young Modern was simpler than Diorama but "still as complex underneath with simple pop song elements". He said that much of the band's success resulted from trying to push themselves harder in recording and writing. Self-producing has allowed the band to do so without the pressures of a record label.Gillies notes that Silverchair will often "run the risk of losing fans" with their work, and this was evident in the changes in musical direction in Diorama and Young Modern. However, he described this as a good thing, describing the fact "that we haven't been pigeonholed, and people really don't know what to expect" as one of the attractive elements of the band. Despite the ups and downs of success at a young age, Gillies says the band "appreciate what we've achieved and what we've got" in their careers. The band have received six APRA Awards with Johns winning three songwriting awards at the 2008 ceremony. 
Question: What is the name of the band that has received six APRA Awards ?
Output: Silverchair.
Passage: While driving his Dual-Ghia from Las Vegas to Los Angeles, lecherous, heavy-drinking pop singer Dino is forced to detour through Climax, Nevada. There he meets the amateur songwriting team of Barney Millsap, a gas station attendant, and piano teacher Orville J. Spooner, a man easily given to jealousy. Hoping to interest Dino in their songs, Barney disables the "Italian" sports car and tells Dino he will need to remain in town until new parts arrive from Milan. (Dual-Ghia was actually an American marque, mating a Dodge frame, drivetrain, and engine with Italian coachwork.)
Orville invites Dino to stay with him and wife Zelda, but becomes concerned when he learns the singer needs to have sex every night to avoid awakening with a headache. Anxious to accommodate Dino but safeguard his marriage, Orville provokes an argument with his wife that leads to Zelda fleeing in tears. He and Barney then arrange for Polly the Pistol, a waitress and prostitute at a saloon on the edge of town called the Belly Button, to pose as Orville's wife and satisfy Dino.
That evening after the three have dinner, Orville plays his tunes for Dino on the piano and Polly requests a particular song. It is one she knows he wrote for his wife when trying to persuade her to marry him. Doing so, Orville gets lost in emotion, as does Polly, who has fallen a little for the dream of a domestic life that she doesn't have. Under the influence of wine and song, Orville starts thinking of Polly as his wife and tosses Dino out. He then spends the night with Polly. 
Question: What is the first name of the person that Polly pretends to be?
Output: Zelda.
Passage: A violent thunderstorm strands a couple and child in the gothic English countryside: little Judy, who is traveling with her selfish, uncaring father, David and her rich, callous, arrogant stepmother Rosemary. David only has Judy due to a court order and barely tolerates her presence. After their car is stuck in mud and the rain begins, they find a mansion. After breaking in, they are found by the owners, a kindly older couple, Gabriel and Hilary Hartwicke. Rosemary threw Judy's beloved teddy bear into the bushes while out in the rain, so Gabriel gifts her a new doll, Mr. Punch. They are invited to stay and while eating, Isabel and Enid (two British punk rocker hitchhikers) barge in with the person who picked them up, Ralph. Gabriel reveals himself to be a talented toy maker; their house is filled with dolls, puppets, and many other beautifully detailed and handmade toys. The Hartwickes invite the stranded travelers to join them to stay as guests until the storm ends and show them to their rooms. 
Question: What are the first names of the people who find a mansion?
Output: Judy.
Passage: A violent thunderstorm strands a couple and child in the gothic English countryside: little Judy, who is traveling with her selfish, uncaring father, David and her rich, callous, arrogant stepmother Rosemary. David only has Judy due to a court order and barely tolerates her presence. After their car is stuck in mud and the rain begins, they find a mansion. After breaking in, they are found by the owners, a kindly older couple, Gabriel and Hilary Hartwicke. Rosemary threw Judy's beloved teddy bear into the bushes while out in the rain, so Gabriel gifts her a new doll, Mr. Punch. They are invited to stay and while eating, Isabel and Enid (two British punk rocker hitchhikers) barge in with the person who picked them up, Ralph. Gabriel reveals himself to be a talented toy maker; their house is filled with dolls, puppets, and many other beautifully detailed and handmade toys. The Hartwickes invite the stranded travelers to join them to stay as guests until the storm ends and show them to their rooms. 
Question: What are the first names of the people who find a mansion?
Output: David.
Passage: A violent thunderstorm strands a couple and child in the gothic English countryside: little Judy, who is traveling with her selfish, uncaring father, David and her rich, callous, arrogant stepmother Rosemary. David only has Judy due to a court order and barely tolerates her presence. After their car is stuck in mud and the rain begins, they find a mansion. After breaking in, they are found by the owners, a kindly older couple, Gabriel and Hilary Hartwicke. Rosemary threw Judy's beloved teddy bear into the bushes while out in the rain, so Gabriel gifts her a new doll, Mr. Punch. They are invited to stay and while eating, Isabel and Enid (two British punk rocker hitchhikers) barge in with the person who picked them up, Ralph. Gabriel reveals himself to be a talented toy maker; their house is filled with dolls, puppets, and many other beautifully detailed and handmade toys. The Hartwickes invite the stranded travelers to join them to stay as guests until the storm ends and show them to their rooms. 
Question: What are the first names of the people who find a mansion?
Output: Rosemary.
Passage: By 1957 Grainger's physical health had markedly declined, as had his powers of concentration. Nevertheless, he continued to  visit Britain regularly; in May of that year he made his only television appearance, in a BBC "Concert Hour" programme when  he played "Handel in the Strand" on the piano. Back home, after  further surgery  he recovered sufficiently to undertake a modest winter concerts season. On his 1958 visit to England he met Benjamin Britten, the two having previously maintained a mutually complimentary correspondence. He agreed to visit Britten's Aldeburgh Festival in 1959, but was prevented by illness. Sensing that death was drawing near, he made a new will, bequeathing his skeleton "for preservation and possible display in the Grainger Museum". This wish was not carried out.Through the winter of 1959–60 Grainger continued to perform his own music, often covering long distances by bus or train; he would not travel by air. On 29 April 1960 he gave his last public concert, at Dartmouth College in Hanover, New Hampshire, although by now his illness was affecting his concentration. On this occasion his morning recital  went well, but his conducting in the afternoon  was, in his own words, "a fiasco".  Subsequently confined to his home, he continued to revise his music and arrange that of others; in August he informed Elsie  that he was working on an adaptation of one of Cyril Scott's early songs.  His last letters, written from hospital in December 1960 and January 1961, record  attempts to work, despite failing eyesight and hallucinations: "I have been trying to write score for several days. But I have not succeeded yet."Grainger died in the White Plains hospital on 20 February 1961, at the age of 78. His body was flown to Adelaide where, on 2 March, he was buried in the Aldridge family vault in the West Terrace Cemetery, alongside Rose's ashes. Ella survived him by 18 years; in 1972, aged 83, she married a young archivist, Stewart Manville. She died at White Plains on 17 July 1979. 
Question: What is the last name of the person who wouldn't fly?
Output: Grainger.