niryuu/sni-each-converted huggingface dataset:
Passage: With her scholarship funds exhausted, Holst needed a job, and in June 1931 took charge of music at the Citizen House arts and education centre in Bath.  She disliked the disciplines imposed by an unsympathetic and unyielding superior, but stayed until the end of the year, by which time Citizen House had relocated to Hampstead.    She worked briefly as a freelance conductor and accompanist before joining the staff of the EFDS early in 1932. The organisation had by now expanded to become the "English Folk Dance and Song Society" (EFDSS) and was based in new headquarters at Cecil Sharp House. The duties, mainly teaching, were not full-time, and she was able to take up part-time teaching posts at her old school, Eothen, and at Roedean School.  Although she composed little original music during these years, she made many instrumental and vocal arrangements of traditional folk melodies.Gustav Holst's health had been poor for years; in the winter of 1933–34 it deteriorated, and he died on 25 May 1934. Imogen Holst privately determined that she would establish and protect her father's musical legacy. On 24 March 1935 she took part in a Gustav Holst memorial concert, in which she conducted her own arrangement of one of her father's brass band suites.  Meanwhile, her own music was beginning to attract attention. Her carol arrangement "Nowell and Nowell" was performed in a 1934 Christmas concert in Chichester Cathedral, and the following year saw the premiere of her Concerto for Violin and Strings, with Elsie Avril as the soloist.  In 1936 she paid a visit to Hollywood, where she stayed with her uncle (Gustav's brother), the actor Ernest Cossart.  Back in England, Holst worked on recorder arrangements of music by the neglected 16th-century composer Pelham Humphrey. These were published in 1936 to a positive critical reception.In 1938 Holst published a biography of her father.  Among many positive comments from friends and critics, the composer Edmund Rubbra praised her for producing a book that was not "clouded by sentiment ... her biography is at once intimate and objective". 
Question: What is the full name of the person who worked briefly as a freelance conductor and accompanist before joining the staff of the EFDS early in 1932?
Output: Imogen Holst.
Passage: News anchor Barry Baron discovers that a drug smuggling ring is operating out of the building where he works, and is chased down and eventually shot dead by the drug dealers. His co-anchor, Dulcie Niles finds Barry's body, calls the police and prepares to film the investigation, but before the police can arrive Barry's body is stolen by the building's cleaner, Chafuka, who uses her voodoo powers to reanimate Barry's corpse as a zombie, allowing her to take over Barry's luxury apartment.
In order to keep up appearances, Chafuka has Barry, who is otherwise unable to speak, continue performing his news broadcasts by controlling him with a voodoo doll, while Dulcie continues to investigate the drug ring with the help of incompetent police detective Jordan Penrose. Meanwhile, the head of the drug ring, Nolan sees one of Barry's news broadcasts and assumes that his henchmen bungled Barry's murder, and sends them to finish the job off. When they arrive at the station however, they end up being killed in a series of mishaps, and Chafuka turns them into more zombies.
On seeing his zombified former henchmen, Nolan panics and takes refuge with the station's owner, Alex Cavanaugh, who it turns out is the mastermind behind the drug ring. He takes Dulcie and Jordan hostage and has Nolan drive them to safety, while Barry, Chafuka and the zombie henchmen give chase. During the course of the chase Dulcie and Jordan are rescued, and then Nolan loses control of the car, with both he and Cavanaugh being killed in the resulting crash. Chafuka turns Cavanaugh and Nolan into zombies and then takes full control of the station, with Barry continuing as lead anchor after his original personality fully returns, and Jordan quitting the police to become the station's head of security, with the zombie Nolan and his henchmen becoming security guards. 
Question: What is the full name of the person whose co-anchor finds their body?
Output: Barry Baron.
Passage: A preacher witnesses his family and a group of refugees seeking shelter in his church murdered by a gang of ruthless outlaws led by Colonel Cusack.  After his wife makes him promise to never seek revenge, he instead becomes a bounty hunter. When he steps in to defend a woman in a saloon, the bad guy and his two friends (who happen to be allied with The Colonel), give him a beating and toss him into the street.
A woman with a "past", named Maggie, takes him in to care for him. He stays in her extra room, but she insists he give up his gun while at her home because she has a daughter.
The local sheriff, on Cusacks's payroll, is meanwhile trying to run off some squatters. The Sheriff's gang attempts to intimidate the squatters, but once The Preacher learns of the Sheriff's and The Colonel's dealings, he visits the squatters, who tell him they paid for the land but never got the deed. A few days later the Sheriff's posse burns down a few of the squatter's tents.
The Preacher attempts to negotiate peacefully with the Sheriff, and so visits Cusack.  Cusack tries to persuade The Preacher to join his mob, which he refuses.  The Sheriff then sends a message to The Preacher by having some of his men rough up Maggie. Unarmed still because of his agreement with Maggie, The Preacher catches the gang in the act and overcomes one of the men's guns, scaring the men off.
The Preacher gets his gun back from Maggie and sets out to visit the Squatters again, and is met by the Sheriff and some of his gang. The Preacher, now armed, tells the Sheriff that the squatters have a right to stay. Gunfire ensues, and The Preacher shoots the sheriff. The rest of the bad guys run off. 
Question: What was the bounty hunter previously?
Output: A preacher.
Passage: Plymouth Colony did not have a royal charter authorizing it to form a government, yet some means of governance was needed. The Mayflower Compact was the colony's first governing document, signed by the 41 able-bodied Separatists aboard the Mayflower upon their arrival in Provincetown Harbor on November 21, 1620. Formal laws were not codified until 1636. The colony's laws were based on a hybrid of English common law and religious law as laid out in the Bible. The colonial authorities were deeply influenced by Calvinist theology, and were convinced that democracy was the form of government mandated by God.The colony offered nearly all adult males potential citizenship. Full citizens, or "freemen", were accorded full rights and privileges in areas such as voting and holding office. To be considered a freeman, adult males had to be sponsored by an existing freeman and accepted by the General Court. Later restrictions established a one-year waiting period between nominating and granting of freeman status, and also placed religious restrictions on the colony's citizens, specifically preventing Quakers from becoming freemen. Freeman status was also restricted by age; the official minimum age was 21, although in practice most men were elevated to freeman status between the ages of 25 and 40, averaging somewhere in their early thirties. The colony established a disabled veterans' fund in 1636 to support veterans who returned from service with disabilities. In 1641, the Body of Liberties developed protections for people who were unable to perform public service. 
Question: What group were the 41 able-bodied Separatists a part of?
Output: Plymouth Colony.
Passage: The cruelty has also advanced to include abuse of people. A dray crushes a playing boy while the drayman sleeps, oblivious to the boy's injury and the beer spilling from his barrels. Posters in the background advertise a cockfight and a boxing match as further evidence of the brutal entertainments favoured by the subjects of the image. The boxing match is to take place at Broughton's Amphitheatre, a notoriously tough venue established by the "father of pugilism", Jack Broughton: a contemporary bill records that the contestants would fight with their left leg strapped to the floor, with the one with the fewest bleeding wounds being adjudged the victor. One of the advertised participants in the boxing match is James Field, who was hanged two weeks before the prints were issued and features again in the final image of the series; the other participant is George "the Barber" Taylor, who had been champion of England but was defeated by Broughton and retired in 1750. On Taylor's death in 1757, Hogarth produced a number of sketches of him wrestling Death, probably for his tomb.According to Werner Busch, the composition alludes to Rembrandt's painting, Balaam's Ass (1626).In an echo of the first plate, there is but one person who shows concern for the welfare of the tormented horse. To the left of Nero, and almost unseen, a man notes down Nero's hackney coach number to report him. 
Question: What is the full name of the person who died in 1757?
Output: George "the Barber" Taylor.
Passage: In 1897 Ravel was readmitted to the Conservatoire, studying composition with Fauré, and taking private lessons in counterpoint with André Gedalge. Both these teachers, particularly Fauré, regarded him highly and were key influences on his development as a composer. As Ravel's course progressed, Fauré reported "a distinct gain in maturity ... engaging wealth of imagination". Ravel's standing at the Conservatoire was nevertheless undermined by the hostility of the Director, Théodore Dubois, who deplored the young man's musically and politically progressive outlook. Consequently, according to a fellow-student, Michel-Dimitri Calvocoressi, he was "a marked man, against whom all weapons were good". He wrote some substantial works while studying with Fauré, including the overture Shéhérazade and a violin sonata, but he won no prizes, and therefore was expelled again in 1900. As a former student he was allowed to attend Fauré's classes as a non-participating "auditeur" until finally abandoning the Conservatoire in 1903.In 1899 Ravel composed his first piece to become widely known, though it made little impact initially: Pavane pour une infante défunte ("Pavane for a dead princess"). It was originally a solo piano work, commissioned by the Princesse de Polignac. In 1897 he conducted the first performance of the Shéhérazade overture, which had a mixed reception, with boos mingling with applause from the audience, and unflattering reviews from the critics. One described the piece as "a jolting debut: a clumsy plagiarism of the Russian School" and called Ravel a "mediocrely gifted debutant ... who will perhaps become something if not someone in about ten years, if he works hard." Another critic, Pierre Lalo, thought that Ravel showed talent, but was too indebted to Debussy and should instead emulate Beethoven. Over the succeeding decades Lalo became Ravel's most implacable critic.From the start of his career, Ravel appeared calmly indifferent to blame or praise. Those who knew him well believed that this was no pose but wholly genuine. The only opinion of his music that he truly valued was his own, perfectionist and severely self-critical. At twenty years of age he was, in the words of the biographer Burnett James, "self-possessed, a little aloof, intellectually biased, given to mild banter." He dressed like a dandy and was meticulous about his appearance and demeanour. Orenstein comments that, short in stature, light in frame, and bony in features, Ravel had the "appearance of a well-dressed jockey", whose large head seemed suitably matched to his formidable intellect. During the late 1890s and into the early years of the next century, Ravel was bearded in the fashion of the day; from his mid-thirties he was clean-shaven. 
Question: What was the full name of the person who said Ravel was too indebted to Debussey?
Output: Pierre Lalo.
Passage: 1953: Through the course of a Colorado autumn and winter, Mary Spencer and Fred Wilson lead an idyllic existence. Mary drops out of college (with 6 months to go) to marry Fred. Their perfect wedding mirrors the happy endings of the films Mary loves.
1969: It is the Wilsons' 16th wedding anniversary. On his way to work, Fred, a successful tax consultant, tells their maid Agnes that he has found vodka hidden in Mary's wardrobe and asks Agnes to keep an eye on his wife. Mary sets out for the beauty parlour. At an airline office, however, Mary buys a one-way ticket to Nassau, Bahamas looking for an escape from her dull and unhappy suburban life.
On the flight she recalls the horrors of last year's anniversary party, when Fred had drunkenly flirted with a blond divorcee, and she had taken refuge in the bottle and a rerun of Casablanca. At a stop-over, she calls home and learns this year's anniversary party has been a different sort of disaster. Her teenage daughter Marge is scared by Mary's call, as it reminds her of the time she had found her mother unconscious after an overdose.
En route to Nassau, Mary meets Flo, an old college friend she has not seen since 1953. While Mary settled down to married life, Flo has been the mistress of a series of married men and lives a rather carefree and hedonistic lifestyle and has fully embraced the sexual revolution. She is on her way to Nassau to meet her latest beau, Sam. Mary tells her she has had to get away from Fred, so Flo promises to look after her. 
Question: What is the last name of the person who drops out of college?
Output: Spencer.
Passage: The album appeared in numerous publication's lists of best albums of 2000. It appeared at number nine on Kerrang!'s list of albums of the year, and went on to rate it the 11th best album of the 2000–2009 decade, while NME ranked it at number 34 in their critic's pick of the 50 best albums of 2000 in their "Decade in Music" series. German magazine Musik Express/Sounds listed the album at number 30 in their critics' top 50, and at number nine in the popular poll of their "Albums of 2000" list. The French edition of British magazine Rock Sound ranked Holy Wood 15th in their Le choix de la rédaction (editors choice) and 5th in Le choix des lecteurs (readers choice) of their 2000 Albums de l'année (albums of the year). Record Collector also included it on their "Best of 2000" list. It went on to win the "Best Album" accolade at the 2001 Kerrang! Awards.Retrospective commentary on the album has been highly positive. In November 2010, Kerrang! published a tenth-anniversary commemorative issue dedicated to Holy Wood titled Screaming For Vengeance, calling it "Manson's finest hour". In 2014, Metal Hammer identified the album as a modern classic, calling it the band's "creative zenith". Manson said in a June 2015 Reddit AMA that he considered the record to be his best work, and, that same month, NME referred to it as the band's best album. A 2016 feature in Houston Press called Holy Wood "the album that really cemented the band as more than just shock-rockers, but true musical mavericks with an intelligent perspective on social issues." Metal Hammer referred to the record as "perfect", saying: "Manson has yet to better Holy Wood and that's fine—nobody's really bettered it. The flow of the record, the delivery of its concept, the clarity with which it strikes its opponents. A gargantuan artistic feat that will go down in history as Manson's defining statement.". 
Question: What is the last name of the artist who recorded the album?
Output: Manson.
Passage: At a London music hall theatre, Richard Hannay is watching a demonstration of the superlative powers of recall of "Mr. Memory" (Wylie Watson) when shots are fired. In the ensuing panic, Hannay finds himself holding a seemingly frightened Annabella Smith, who talks him into taking her back to his flat. There, she tells him that she is a spy, being chased by assassins, and that she has uncovered a plot to steal vital British military information, masterminded by a man with the top joint missing from one of his fingers. She mentions the "39 Steps", but does not explain its meaning.
Later that night Smith, fatally stabbed, bursts into Hannay's bedroom and warns him to flee. He finds a map of the Scottish Highlands clutched in her hand, showing the area around Killin, with a house or farm named "Alt-na-Shellach" circled. He sneaks out of his flat disguised as a milkman to avoid the assassins waiting outside. He then boards the Flying Scotsman express train to Scotland. He learns from a newspaper article (read by a pair of women's undergarment salesmen) that he is the target of a nationwide manhunt for Smith's murder. When he sees the police searching the train, he enters a compartment and kisses the sole occupant, Pamela, in a desperate attempt to hide his face and escape detection. She frees herself from his unwanted embrace and alerts the policemen, who stop the train on the Forth Bridge. Hannay then escapes, hiding behind the bridge's truss. 
Question: Who alerts the police when Richard Hannay kisses her?
Output: Pamela.
Passage: Before the 1760s, Westgate consisted of only a farm, a coastguard station (built 1791 and still standing in Old Boundary Road) and a few cottages for the crew that surrounded it. These were located beside the coast at St Mildred's Bay, named after Mildrith, Thanet's patron saint and a one-time Abbess of Minster. The town inherited its name from the Westgate Manor, which was located in the area in medieval times. In the early 20th century, the remains of a Roman villa were discovered in what is now Beach Road, where a stream once used to flow. Fresh water can still be seen rising from the sand at low tide.
During the late 1860s, businessmen developed the area into a seaside resort for the upper to middle-classes. A stretch of sea wall, with promenade on top, was constructed around the beaches at St Mildred's Bay and West Bay, and the land divided into plots to be sold for what would become an exclusive development by the sea for wealthy metropolitan families  within a gated community, rather than for occasional tourists. The opening of a railway station, in 1871, led to the rapid expansion of the population, which reached 2,738 by 1901. The demands of the increasing population led to the building of the parish churches of St. James in 1872 and St. Saviour in 1884. St. Saviour's was designed by the architect C.N. Beazley. In 1884 it was reported that Essex, on the other side of the Thames Estuary, was hit by a tremor so large that it caused the bells of St. James' Church to ring. In 1884, ownership of most of the resort passed to Coutts Bank, after the previous proprietors had gone bankrupt.Around twenty schools were opened during the late 19th century, although many had only a few pupils or closed within a few years. The largest of the schools were Streete Court School, Wellington House Preparatory School and St Michael's School.Wellington House was established in 1886 by two clergymen, the Bull brothers. It closed in 1970 and was demolished in 1972. Notable old boys included Doctor Who actor Jon Pertwee and cabinet minister John Profumo, known for his involvement in the Profumo affair.
Streete Court School was opened in 1894 by John Vine Milne, the father of the author A. A. Milne. In the 1890s, the school was attended by St John Philby, the father of the spy Kim Philby.The Coronation Bandstand was built by the cliff edge in 1903, at a cost of £350, to celebrate the coronation of King Edward VII. The following year, a group of French Ursuline nuns, who were banned from teaching in France, fled with some of their pupils to Westgate-on-Sea and established the Ursuline Convent School, which in 1995 was re-established as Ursuline College. In 1910, a Swiss-Gothic styled town hall was built. However, it was soon decided that the building could be put to better use, and in 1912, it was transformed into the Town Hall Cinema. In 1932, it was renamed the Carlton Cinema. 
Question: What is the name of the school that was attended by the person who was notable for being involved in the Profumo affair?
Output: Wellington House Preparatory School.
Passage: Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem Gerusalemme liberata ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.
Handel composed Rinaldo quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years following the premiere, he made numerous amendments to the score. Rinaldo is regarded by critics as one of Handel's greatest operas. Of its individual numbers, the soprano aria "Lascia ch'io pianga" has become a particular favourite, and is a popular concert piece.
Handel went on to dominate opera in England for several decades. Rinaldo was revived in London regularly up to 1717, and in a revised version in 1731; of all Handel's operas, Rinaldo was the most frequently performed during his lifetime. After 1731, however, the opera was not staged for more than 200 years. Renewed interest in baroque opera during the 20th century led to the first modern professional production in Handel's birthplace, Halle, Germany, in 1954. The opera was mounted sporadically over the following thirty years; after a successful run at New York's Metropolitan Opera in 1984, performances and recordings of the work have become more frequent worldwide. Rinaldo was the first Handel Opera to have found its way to the Metropolitan. The opera's tercentenary in 2011 brought a modernized production at the Glyndebourne Festival. 
Question: What is the name of the story that is loosely based on Torquato Tasso's epic poem Gerusalemme liberata?
Output: Rinaldo.
Passage: Chuck Scott is a World War II veteran who is now a penniless drifter in Miami tormented by bizarre dreams. After finding a wallet and showing his honesty by returning it to Eddie Roman, a vicious gangster, he is hired by Roman to be his driver. Roman tests his new driver, whom he nicknames 'Scotty,' by assuming control of his car from the back seat. Unbeknownst to Scotty, Roman has an accelerator installed in the rear passenger compartment so that he can "take over" the vehicle whenever he wants. This bizarre trick unnerves his new driver as well as Roman's right-hand man, Gino.
Roman reveals himself as a tough gangster by killing any competition, and even locks his wife, Lorna, in her room every night to control her.  Lorna goes for a drive every night at 9:30 pm, and one day she asks Scotty to take her to Havana, Cuba in exchange for $1,000. He consents and realizes that he is in love with her. When they get to Havana, they stop for a drink at a club, where Lorna is murdered with a knife while in Scotty's arms. All the evidence, including the fact that Scotty apparently purchased the knife that was used to kill Lorna earlier that day, points to Scotty being the killer, and he realizes he is being framed. The photograph from the club that proves Scotty was innocent is destroyed by Gino, who has come down to Cuba to exact revenge against Lorna and Scotty. Scotty escapes police custody, but is gunned down by Gino when he returns to the curio store where the knife came from. 
Question: What is the full name of the character hired to be a driver for a gangster?
Output: Chuck Scott.
Passage: In 1897 Ravel was readmitted to the Conservatoire, studying composition with Fauré, and taking private lessons in counterpoint with André Gedalge. Both these teachers, particularly Fauré, regarded him highly and were key influences on his development as a composer. As Ravel's course progressed, Fauré reported "a distinct gain in maturity ... engaging wealth of imagination". Ravel's standing at the Conservatoire was nevertheless undermined by the hostility of the Director, Théodore Dubois, who deplored the young man's musically and politically progressive outlook. Consequently, according to a fellow-student, Michel-Dimitri Calvocoressi, he was "a marked man, against whom all weapons were good". He wrote some substantial works while studying with Fauré, including the overture Shéhérazade and a violin sonata, but he won no prizes, and therefore was expelled again in 1900. As a former student he was allowed to attend Fauré's classes as a non-participating "auditeur" until finally abandoning the Conservatoire in 1903.In 1899 Ravel composed his first piece to become widely known, though it made little impact initially: Pavane pour une infante défunte ("Pavane for a dead princess"). It was originally a solo piano work, commissioned by the Princesse de Polignac. In 1897 he conducted the first performance of the Shéhérazade overture, which had a mixed reception, with boos mingling with applause from the audience, and unflattering reviews from the critics. One described the piece as "a jolting debut: a clumsy plagiarism of the Russian School" and called Ravel a "mediocrely gifted debutant ... who will perhaps become something if not someone in about ten years, if he works hard." Another critic, Pierre Lalo, thought that Ravel showed talent, but was too indebted to Debussy and should instead emulate Beethoven. Over the succeeding decades Lalo became Ravel's most implacable critic.From the start of his career, Ravel appeared calmly indifferent to blame or praise. Those who knew him well believed that this was no pose but wholly genuine. The only opinion of his music that he truly valued was his own, perfectionist and severely self-critical. At twenty years of age he was, in the words of the biographer Burnett James, "self-possessed, a little aloof, intellectually biased, given to mild banter." He dressed like a dandy and was meticulous about his appearance and demeanour. Orenstein comments that, short in stature, light in frame, and bony in features, Ravel had the "appearance of a well-dressed jockey", whose large head seemed suitably matched to his formidable intellect. During the late 1890s and into the early years of the next century, Ravel was bearded in the fashion of the day; from his mid-thirties he was clean-shaven. 
Question: Whose politically progressive outlook was deplored?
Output: Ravel.
Passage: Popeye & Olive Oyl stroll happily along arm-in-arm and stop short when Popeye catches sight of a roller rink: Good Skates 50 cents, Cheap Skates 25 cents the  declares. Asked to go skating, Olive protests that she does not know how; but Popeye will teach her! Within, the attendant asks Popeye what size of skates he wishes to rent, and Popeye, observing Olive's long feet, blushes, either not wishing to say or not knowing. "Make a fist," he suggests to his best girl, and the attendant shall measure it. ("A hand like a foot and a half," he mutters, deftly wrapping a skate about the lady's great clenched hand.) The long, long, slender skates procured, Popeye hammers them with his brawny fists to the bottom of Olive's shoes; she falls over a couple of times as Popeye delicately slips on his own. We roll over to the rink proper, and Popeye, swinging his arms as if rowing a canoe, a bit too gracefully demonstrates the proper technique; Olive attempts to move, but can only kick the air in desperation and flap her skinny arms as she falls headfirst into the railing around the rink. She frees her head by her own strength, but her feet, fanning out, become stuck in the same way as a result: with a struggle, one foot is freed, and an exasperated Olive is helped at last by Popeye, who gently releases the other foot and dusts off his indignant companion (adept enough to tap her foot impatiently), and he points out all of the other rinkgoers merrily whizzing about. 
Question: Who becomes stuck in the railing?
Output: Olive Oyl.
Passage: World War I veteran Waldo Pepper feels he has missed out on the glory of aerial combat after being made a flight instructor. After the war, Waldo had taken up barnstorming to make a living. He soon tangles with rival barnstormer (and fellow war veteran) Axel Olsson.
Antagonistic at first, Waldo and Axel become partners and try out various stunts. One of these stunts, a car-to-aircraft transfer, goes wrong and Waldo is nearly killed after Axel is unable to climb high enough to clear a barn, slamming Waldo into it.  Waldo then goes home to Kansas to be with on-again, off-again girlfriend Maude and her family. Maude, however, is not happy to see Waldo at first; because every time he returns from a barnstorming tour of the country, he is injured in some way. Eventually, however, they make up and become lovers once again. Meanwhile, Maude's brother Ezra, a long-time friend of Waldo's since boyhood, promises to build Waldo a high-performance monoplane as soon as he is well enough to fly it. Waldo's goal is to become the first pilot in history to successfully perform an outside loop, and Ezra feels Waldo can do it with the monoplane. 
Question: What is the full name of the person who tangles with a rival barnstormer?
Output: Waldo Pepper.
Passage: The film begins with a mock newsreel sequence showing the chaos around the death of 31-year-old film star Rudolph Valentino. Thousands of fans mob the funeral home until order is restored, at which point the important women in Valentino's life come to mourn. Each remembers him via flashbacks.
The first of these women Bianca de Saulles who knew Valentino when he was a  taxi dancer, and gigolo in New York City. He shares with her his dream of owning an orange grove in California.  After mobsters rob him, he decides he must make the move west.  
Next is a young movie executive and screenwriter named June Mathis, who has an unrequited love for Valentino. She first meets Valentino in California, where he upsets Mr. Fatty by grabbing the starlet next to Arbuckle and romancing her into becoming his first wife, Jean Acker. Acker's glamorous and luxurious life, made possible by acting in movies, motivates Valentino to try acting himself. Mathis recalls seeing him in a bit part in a movie and, based on that alone, recommending him for a larger role in her next project, The Four Horsemen of the Apocalypse. The hugely successful 1921 film launches Valentino to superstardom, and she is proud to have discovered him.
Back at the funeral, Alla Nazimova makes a flamboyant entrance.  She proceeds to make a scene and, when the photographers ask her to repeat it for the cameras, she obliges.  Nazimova claims a relationship with Valentino and recalls working on Camille with him. 
Question: What is the first name of the person who the women remember in flashbacks?
Output: Rudolph.
Passage: The configuration of the band has evolved since first touring in 1988. Early incarnations of the band had three people playing guitars, drums, keyboards, and samplers.  Later incarnations replaced the keyboards and samplers with an additional guitarist, and incarnations after that added a multi-instrumentalist whose main role was as a bassist but also played guitars and keyboards on a number of songs. Finally, the live component of Nine Inch Nails has settled as a five-piece band since the Self Destruct tour from 1994. On the Performance 2007 tour, some songs from the Year Zero album were performed as a 3 piece band, featuring Reznor, keyboard player Alessandro Cortini and guitarist Aaron North, using a combination of live guitars and triggered loops. In September 2007, Reznor expressed his interest in moving away from the "rock band configuration" to explore "other ways [to] present the material in concert", though once again the 2008 incarnation consisted of five positions, but adding a variety of instruments not normally used in Nine Inch Nails such as double bass, various percussion instruments, steel guitar, vibraphone and other acoustic instruments as well as sampled sounds triggered from a variety of electronic instruments. No replacement was hired for keyboard player Alessandro Cortini after he left the band in late 2008, and the 2009 live band is a four-piece, with the role of keyboard player being shared between all members.
Describing the selection process, early contributor Chris Vrenna told Gannett News "coming from the same emotional background, I feel, is more important than how well you can play your instrument. That's one reason that makes our shows more intense when we're up there ... We found people that understood that. It makes us stronger".  Reznor described his selection of the earliest incarnations of the live band by saying "I'm not in the position to offer somebody a thousand dollars a week to rehearse ... So I took some young guys who were malleable, who would basically do what I want them to do but expand on it.  The only context I've worked with them in so far is, 'Here are the songs, here are your parts, learn them.' "Between major tours, live band members have on occasion contributed instrumental performances to official Nine Inch Nails releases, though creative control and direction has always been the responsibility of Reznor.  Live-band members who have contributed to major Nine Inch Nails studio releases are denoted by a "#" below.  Most members provide backing vocals during live performances.
Personnel
Live guestsMike Garson# – piano (September 2009 at the Henry Fonda Theater for the song "Just Like You Imagined"). 
Question: What were the full names of the 3 piece band members who performed some songs from the Year Zero album on the Performance 2007 tour?
Output: Reznor.
Passage: The configuration of the band has evolved since first touring in 1988. Early incarnations of the band had three people playing guitars, drums, keyboards, and samplers.  Later incarnations replaced the keyboards and samplers with an additional guitarist, and incarnations after that added a multi-instrumentalist whose main role was as a bassist but also played guitars and keyboards on a number of songs. Finally, the live component of Nine Inch Nails has settled as a five-piece band since the Self Destruct tour from 1994. On the Performance 2007 tour, some songs from the Year Zero album were performed as a 3 piece band, featuring Reznor, keyboard player Alessandro Cortini and guitarist Aaron North, using a combination of live guitars and triggered loops. In September 2007, Reznor expressed his interest in moving away from the "rock band configuration" to explore "other ways [to] present the material in concert", though once again the 2008 incarnation consisted of five positions, but adding a variety of instruments not normally used in Nine Inch Nails such as double bass, various percussion instruments, steel guitar, vibraphone and other acoustic instruments as well as sampled sounds triggered from a variety of electronic instruments. No replacement was hired for keyboard player Alessandro Cortini after he left the band in late 2008, and the 2009 live band is a four-piece, with the role of keyboard player being shared between all members.
Describing the selection process, early contributor Chris Vrenna told Gannett News "coming from the same emotional background, I feel, is more important than how well you can play your instrument. That's one reason that makes our shows more intense when we're up there ... We found people that understood that. It makes us stronger".  Reznor described his selection of the earliest incarnations of the live band by saying "I'm not in the position to offer somebody a thousand dollars a week to rehearse ... So I took some young guys who were malleable, who would basically do what I want them to do but expand on it.  The only context I've worked with them in so far is, 'Here are the songs, here are your parts, learn them.' "Between major tours, live band members have on occasion contributed instrumental performances to official Nine Inch Nails releases, though creative control and direction has always been the responsibility of Reznor.  Live-band members who have contributed to major Nine Inch Nails studio releases are denoted by a "#" below.  Most members provide backing vocals during live performances.
Personnel
Live guestsMike Garson# – piano (September 2009 at the Henry Fonda Theater for the song "Just Like You Imagined"). 
Question: What were the full names of the 3 piece band members who performed some songs from the Year Zero album on the Performance 2007 tour?
Output: Alessandro Cortini.
Passage: The configuration of the band has evolved since first touring in 1988. Early incarnations of the band had three people playing guitars, drums, keyboards, and samplers.  Later incarnations replaced the keyboards and samplers with an additional guitarist, and incarnations after that added a multi-instrumentalist whose main role was as a bassist but also played guitars and keyboards on a number of songs. Finally, the live component of Nine Inch Nails has settled as a five-piece band since the Self Destruct tour from 1994. On the Performance 2007 tour, some songs from the Year Zero album were performed as a 3 piece band, featuring Reznor, keyboard player Alessandro Cortini and guitarist Aaron North, using a combination of live guitars and triggered loops. In September 2007, Reznor expressed his interest in moving away from the "rock band configuration" to explore "other ways [to] present the material in concert", though once again the 2008 incarnation consisted of five positions, but adding a variety of instruments not normally used in Nine Inch Nails such as double bass, various percussion instruments, steel guitar, vibraphone and other acoustic instruments as well as sampled sounds triggered from a variety of electronic instruments. No replacement was hired for keyboard player Alessandro Cortini after he left the band in late 2008, and the 2009 live band is a four-piece, with the role of keyboard player being shared between all members.
Describing the selection process, early contributor Chris Vrenna told Gannett News "coming from the same emotional background, I feel, is more important than how well you can play your instrument. That's one reason that makes our shows more intense when we're up there ... We found people that understood that. It makes us stronger".  Reznor described his selection of the earliest incarnations of the live band by saying "I'm not in the position to offer somebody a thousand dollars a week to rehearse ... So I took some young guys who were malleable, who would basically do what I want them to do but expand on it.  The only context I've worked with them in so far is, 'Here are the songs, here are your parts, learn them.' "Between major tours, live band members have on occasion contributed instrumental performances to official Nine Inch Nails releases, though creative control and direction has always been the responsibility of Reznor.  Live-band members who have contributed to major Nine Inch Nails studio releases are denoted by a "#" below.  Most members provide backing vocals during live performances.
Personnel
Live guestsMike Garson# – piano (September 2009 at the Henry Fonda Theater for the song "Just Like You Imagined"). 
Question: What were the full names of the 3 piece band members who performed some songs from the Year Zero album on the Performance 2007 tour?
Output: Aaron North.
Passage: Although no new fighting techniques were introduced during the Texas Revolution, casualty figures were quite unusual for the time.  Generally in 19th-century warfare, the number of wounded outnumbered those killed by a factor of two or three.  From October 1835 through April 1836, approximately 1,000 Mexican and 700 Texian soldiers died, while the wounded numbered 500 Mexican and 100 Texian.  The deviation from the norm was due to Santa Anna's decision to label Texian rebels as traitors and to the Texian desire for revenge.During the revolution, Texian soldiers gained a reputation for courage and militance.   Lack points out that fewer than five percent of the Texian population enrolled in the army during the war, a fairly low rate of participation.  Texian soldiers recognized that the Mexican cavalry was far superior to their own.  Over the next decade, the Texas Rangers borrowed Mexican cavalry tactics and adopted the Spanish saddle and spurs, the riata, and the bandana.The Texas Veterans Association, composed solely of revolutionary veterans living in Texas, was active from 1873 through 1901 and played a key role in convincing the legislature to create a monument to honor the San Jacinto veterans.  In the late 19th century, the Texas Legislature purchased the San Jacinto battlesite, which is now home to the San Jacinto Monument, the tallest stone column monument in the world.  In the early 20th century, the Texas Legislature purchased the Alamo Mission, now an official state shrine. In front of the church, in the center of Alamo Plaza, stands a cenotaph designed by Pompeo Coppini which commemorates the defenders who died during the battle. More than 2.5 million people visit the Alamo every year.The Texas Revolution has been the subject of poetry and of many books, plays and films. Most English-language treatments reflect the perspectives of the Anglos and are centered primarily on the battle of the Alamo.  From the first novel depicting events of the revolution, 1838's Mexico versus Texas, through the mid-20th century, most works contained  themes of anticlericalism and racism, depicting the battle as a fight for freedom between good (Anglo Texian) and evil (Mexican). In both English- and Spanish-language literature, the Alamo is often compared to the battle of Thermopylae.  The 1950s Disney miniseries Davy Crockett, which was largely based on myth, created a worldwide craze for everything Alamo-related. Within several years, John Wayne directed and starred in one of the best-known and perhaps least historically accurate film versions, The Alamo (1960).  Notably, this version made the first attempt to leave behind racial stereotypes; it was still banned in Mexico.  In the late 1970s, works about the Alamo began to explore Tejano perspectives, which had been all but extinguished even from textbooks about the revolution, and to explore the revolution's links to slavery. 
Question: What is the last name of person that designed a cenotaph that is in front of the building that was purchased by the Texas Legislature in the 20th century?
Output: Coppini.
Passage: Mack "Truck" Turner is a former professional football player who becomes a Los Angeles-based bounty hunter after an injury. Truck visits his girlfriend, Annie, who is in jail and wants to leave LA when released. Truck and his partner Jerry Barnes go to collect their bounty from Nate Dinwiddie, a bail bondsman, who refers them to Fogarty, a bail bondsman after a pimp who skipped bail named Gator.
The two visit Dorinda, who runs Gator's stable of prostitutes. Truck and Jerry wait for Gator to visit, and chase him, but Gator escapes.  A tip from Truck's friend Duke allows them to locate Gator again, and kill Gator when he attempts to shoot Truck.
Dorinda threatens Gator's former whores to keep them in line. Dorinda offers Gator's competing pimps a deal: whoever kills Truck gets to replace Gator while she runs the stable. The only pimp interested in the violence is Harvard Blue. Truck survives several ambushes by Blue's goons. 
When Blue points out that Dorinda will not be able to deal with Truck, they agree to share the cost of getting rid of Truck, and Blue will take over more control of Gator's stable. Blue's men force Nate to call Truck and tell him that there is a big job. Truck does not feel sober enough after a night of partying, so he calls Jerry, who dies in Blue's ambush.
Nate warns Truck of the hit out on him. Truck frames Annie for shoplifting, and the police arrest her. Truck visits Nate again in the hospital.  Truck gives Nate Jerry's gun for protection, and then they shoot Blue's goons when they burst in. Blue flees, but Truck shoots him. Blue dies a few minutes later in the driver's seat of his car. Truck confronts Dorinda and more goons at her house, and kills her when she reaches for a gun. 
Question: What are the full names of the people who agree to share the cost of getting rod of Truck?
Output: Dorinda.
Passage: Mack "Truck" Turner is a former professional football player who becomes a Los Angeles-based bounty hunter after an injury. Truck visits his girlfriend, Annie, who is in jail and wants to leave LA when released. Truck and his partner Jerry Barnes go to collect their bounty from Nate Dinwiddie, a bail bondsman, who refers them to Fogarty, a bail bondsman after a pimp who skipped bail named Gator.
The two visit Dorinda, who runs Gator's stable of prostitutes. Truck and Jerry wait for Gator to visit, and chase him, but Gator escapes.  A tip from Truck's friend Duke allows them to locate Gator again, and kill Gator when he attempts to shoot Truck.
Dorinda threatens Gator's former whores to keep them in line. Dorinda offers Gator's competing pimps a deal: whoever kills Truck gets to replace Gator while she runs the stable. The only pimp interested in the violence is Harvard Blue. Truck survives several ambushes by Blue's goons. 
When Blue points out that Dorinda will not be able to deal with Truck, they agree to share the cost of getting rid of Truck, and Blue will take over more control of Gator's stable. Blue's men force Nate to call Truck and tell him that there is a big job. Truck does not feel sober enough after a night of partying, so he calls Jerry, who dies in Blue's ambush.
Nate warns Truck of the hit out on him. Truck frames Annie for shoplifting, and the police arrest her. Truck visits Nate again in the hospital.  Truck gives Nate Jerry's gun for protection, and then they shoot Blue's goons when they burst in. Blue flees, but Truck shoots him. Blue dies a few minutes later in the driver's seat of his car. Truck confronts Dorinda and more goons at her house, and kills her when she reaches for a gun. 
Question: What are the full names of the people who agree to share the cost of getting rod of Truck?
Output: Harvard Blue.