niryuu/sni-each-converted huggingface dataset:
Passage: Over the Rainbow is the debut album of the child singer Connie Talbot, and was released 26 November 2007 by Rainbow Recording Company. Talbot, who had entered the public eye after her appearance on the first series of Britain's Got Talent at age six, signed with Rainbow, an independent label, after briefly recording with Sony BMG. Over the Rainbow consists entirely of covers of pop and Christmas songs, and was recorded primarily in a spare room in the house of Talbot's aunt, in an attempt not to interrupt Talbot's childhood by disrupting her regular activities. Although public appearances were initially kept to a minimum, Talbot did make appearances to promote the album, and performed in public several times after the British release.
Over the Rainbow received poor reviews. Though praising Talbot's voice, critics noted a lack of depth in the performances, and questioned the appropriateness of releasing and rating work by such a young artist. The album peaked at number 35 on the UK Albums Chart. Despite its poor chart performance, additional copies of the album had to be pressed after sales were higher than expected. Talbot later toured Asia in support of the album; Over the Rainbow achieved more success on Asian charts, reaching number one in Taiwan, South Korea and Hong Kong.
Over the Rainbow was rereleased on 18 June 2008 with an updated track list, replacing some of the Christmas-themed tracks of the original with more general covers. The first single from the album, a cover of Bob Marley's "Three Little Birds," was released in June 2008, and a music video for the song was shot in Jamaica. On 14 October, the album was released in the US, appearing on several Billboard charts. Talbot visited the US to promote the album, appearing on national television. 
Question: What is the name of the company that Connie Talbot first recorded with?
Output: Sony BMG.
Passage: In writing Young Modern, Johns tried to make the music sound very simple, despite a complex musical structure. The lyrics were written after the music was created, sometimes as late as the day of recording. As Johns dreads writing lyrics, he suggested that the band could produce an instrumental album at some stage in the future. Johns is the band's primary songwriter, and notes that while Joannou and Gillies do not have significant influence on what he writes, they are key to the band's overall sound. For that album, Hamilton co-wrote four songs with Johns including the APRA Award-winning "Straight Lines". Joannou believed that Young Modern was simpler than Diorama but "still as complex underneath with simple pop song elements". He said that much of the band's success resulted from trying to push themselves harder in recording and writing. Self-producing has allowed the band to do so without the pressures of a record label.Gillies notes that Silverchair will often "run the risk of losing fans" with their work, and this was evident in the changes in musical direction in Diorama and Young Modern. However, he described this as a good thing, describing the fact "that we haven't been pigeonholed, and people really don't know what to expect" as one of the attractive elements of the band. Despite the ups and downs of success at a young age, Gillies says the band "appreciate what we've achieved and what we've got" in their careers. The band have received six APRA Awards with Johns winning three songwriting awards at the 2008 ceremony. 
Question: What is the name of the band John's suggested could produce an instrumental album at some stage in the future?
Output: Silverchair.
Passage: Cattle, timber and mining baron George Washington "G.W." McLintock is living the single life on his ranch. He is estranged from wife Katherine, who left him two years before, suspecting him of adultery. She has been living the society life back East while their daughter Rebeeca (whom G.W. calls "Becky") (Stefanie Powers) is completing her college degree.

Following a meeting with a group of homesteaders whom he cautions against trying to farm on the Mesa Verde: "God made that land for the buffalo. It serves pretty well for cattle. But it hates the plow! And even the government should know you can't farm six thousand feet above sea level!"
He hires one of them, attractive widow Louise Warren, as his cook and housekeeper. G.W. welcomes both her and her two children into his home, including grown son Dev, who is handy with his fists, good with cattle, and is an excellent chess player, who had to leave Purdue University on account of his father's death.

Katherine (a.k.a. Katie), returns to the town of McLintock, seeking a divorce from G.W.  He declines to give her one, having no idea why she has been so angry with him and why she moved out two years ago.
Following a misunderstanding which leads to a Comanche subchief nearly being lynched by a hotheaded settler father who believes his daughter has been kidnapped, there is a gigantic brawl at the mud slide by one of McLintock's mines. Significantly, Katherine is in there swinging on her estranged husband's side as the local Indians watch the white folks make fools of themselves. 
Question: What is the alias of the person who is married to Katherine?
Output: G.W.
Passage: Singing-and-dancing stage star Julie is told that husband Marty is reported missing in action during the Korean War. After a long waiting period, she makes plans to marry Vernon, who is Marty's best friend. After the marriage, Marty (who crashed but survived on an island) turns up at one of Julie's shows. Upon discovering Julie's new marriage, Marty demands his rights as her first husband.
Julie finds that she is legally married to both Marty and Vernon. She soon realises that she must choose who she wants to be with, if only to avoid being branded a bigamist. But Julie loves the idea of having two husbands and so she decides to try to live with them both, to the annoyance and disapproval of Marty and Vernon who both know that her idea will not work out.
Meanwhile, Julie's close friend Gwen has a secret crush on Marty and hopes to be with him, if only Julie could make her up mind as to who she wants. After a long serious decision and a talk with them both, Julie decides that she is more in love with Marty and she leaves Vernon, who has now fallen for Gwen. 
Question: Who falls for the close friend of the stage star?
Output: Vernon.
Passage: The Expendables—led by Barney Ross and formed by Lee Christmas, Gunner Jensen, and Toll Road—extract former member Doctor Death, a knives specialist and team medic, from a military prison during his transfer on a train. They recruit Doc to assist them in intercepting a shipment of bombs meant to be delivered to a warlord in Somalia. Arriving there, they reunite with Hale Caesar, who directs them to the drop point, where Ross is surprised to find out that the arms trader providing the bombs is Conrad Stonebanks, a former co-founder of the Expendables who went rogue and was presumed dead. In the ensuing firefight, The Expendables kill all but Stonebanks, who shoots Caesar. They are forced to retreat due to Stonebanks' advanced weaponry, and Caesar is severely injured.
Back at the United States, CIA operative Max Drummer, the Expendables' new missions manager, gives Ross a mission to capture Stonebanks to bring him to the International Criminal Court to be tried for war crimes. Blaming himself for Caesar's injuries, Ross disbands the Expendables and leaves for Las Vegas, where he enlists retired mercenary-turned-recruiter Bonaparte to help him find a new team of younger mercenaries. The recruits include former U.S. Marine John Smilee, nightclub bouncer Luna, computer expert Thorn, and weapons expert Mars. Skilled sharpshooter Galgo asks to be included in the team, but Ross turns him down. 
Question: Who does the former co-founder of the Expendables shoot?
Output: Caesar.
Passage: Spoiled playboy Bob Merrick's (Rock Hudson) reckless behaviour causes him to lose control of his speedboat. Rescuers send for the nearest resuscitator, located in Dr. Phillips's house across the lake. While the resuscitator is being used to save Merrick, Dr. Phillips suffers a heart attack and dies. Merrick ends up a patient at Dr. Phillips's clinic, where most of the doctors and nurses resent the fact that Merrick inadvertently caused Dr. Phillips's death. 
Helen Phillips, Dr. Phillips's widow, receives a flood of calls, letters, and visitors all offering to pay back loans that Dr. Phillips refused to accept repayment of during his life. Many claimed he refused by saying "it was already used up." Edward Randolph, a famous artist and Dr. Phillips's close friend, explains to Helen what that phrase means. This helps her to understand why her husband left little money, even though he had a very successful practice.
Merrick discovers why everyone dislikes him. He runs from the clinic but collapses in front of Helen's car and ends up back at the hospital, where she learns his true identity. After his discharge, Merrick leaves a party, drunk. Merrick runs off the road and ends up at the home of Edward Randolph, who recognizes him. Randolph explains the secret belief that powered his own art and Dr. Phillips's success.  Merrick decides to try out this new philosophy. His first attempt causes Helen to step into the path of a car while trying to run away from Merrick's advances. She is left blind as a result of this accident.
Merrick soberly commits to becoming a doctor, trying to fulfill Dr. Phillips's legacy. He also has fallen in love with Helen and secretly helps her adjust to her blindness under the guise of being simply a poor medical student, Robby. 
Question: What is the first name of the person who ends up a patient at Dr. Phillip's clinic?
Output: Bob.
Passage: When not working with Toto, Lukather has participated in numerous side projects including playing with jazz fusion band Los Lobotomys and with other session musicians, and touring with Larry Carlton, Joe Satriani, Steve Vai, and others.
Lukather was a long-time member of the band Los Lobotomys, a collaboration of session musicians including jazz and be-bop player David "Creatchy" Garfield and Toto drummer Jeff Porcaro, replaced after his death by Simon Phillips, who also replaced Porcaro in Toto. Los Lobotomys formed in the mid-1980s and played regular shows in the Los Angeles area, often inviting whatever session musicians happened to be available and in the area. They recorded an album under the Los Lobotomys name in 1989, and the band was heavily involved in the recording of Lukather's Candyman. Los Lobotomys recorded a live album in 2004 comprising several tracks from Candyman and from the 1989 album.In 1998, Lukather received an invitation to tour Japan with fellow guitarist Larry Carlton after Japanese promoters requested that Carlton's annual tours each be different from the last. Lukather and Carlton exchanged some recorded material and decided that a collaboration would be interesting. Lukather was flattered by the invitation to tour with Carlton, citing him as his favorite guitarist. Lukather speaks highly of their stage efforts, although the two were admittedly outside their normal realm of work. He stated in an interview that "you can hear us having fun on the record—you can hear the smiles on our faces." After several shows, the duo realized that they should record their collaboration even if just for their own use. Guitarist and producer Steve Vai heard one of the subsequent recordings and expressed interest in releasing it under his Favored Nations label, also home to such artists as Eric Johnson and Dweezil Zappa. Vai and Lukather mixed and produced the recording, which is said to be a mixture of jazz, blues, and fusion music. The resulting album, No Substitutions: Live in Osaka, won a 2001 Grammy award for Best Pop Instrumental Album. Album reviewers described Lukather as having a heavier style than Carlton. Lukather and Carlton later did an international tour in support of the album.In 2005, Lukather won critical praise for his rendition of the Jimi Hendrix song "Little Wing" at a gala 90th birthday celebration for jazz guitarist Les Paul. Returning after a five-year absence, the 2012 G3 Tour featured Lukather alongside Joe Satriani and Steve Vai. 
Question: What music genres were included on the album that won a 2001 Grammy award?
Output: jazz.
Passage: When not working with Toto, Lukather has participated in numerous side projects including playing with jazz fusion band Los Lobotomys and with other session musicians, and touring with Larry Carlton, Joe Satriani, Steve Vai, and others.
Lukather was a long-time member of the band Los Lobotomys, a collaboration of session musicians including jazz and be-bop player David "Creatchy" Garfield and Toto drummer Jeff Porcaro, replaced after his death by Simon Phillips, who also replaced Porcaro in Toto. Los Lobotomys formed in the mid-1980s and played regular shows in the Los Angeles area, often inviting whatever session musicians happened to be available and in the area. They recorded an album under the Los Lobotomys name in 1989, and the band was heavily involved in the recording of Lukather's Candyman. Los Lobotomys recorded a live album in 2004 comprising several tracks from Candyman and from the 1989 album.In 1998, Lukather received an invitation to tour Japan with fellow guitarist Larry Carlton after Japanese promoters requested that Carlton's annual tours each be different from the last. Lukather and Carlton exchanged some recorded material and decided that a collaboration would be interesting. Lukather was flattered by the invitation to tour with Carlton, citing him as his favorite guitarist. Lukather speaks highly of their stage efforts, although the two were admittedly outside their normal realm of work. He stated in an interview that "you can hear us having fun on the record—you can hear the smiles on our faces." After several shows, the duo realized that they should record their collaboration even if just for their own use. Guitarist and producer Steve Vai heard one of the subsequent recordings and expressed interest in releasing it under his Favored Nations label, also home to such artists as Eric Johnson and Dweezil Zappa. Vai and Lukather mixed and produced the recording, which is said to be a mixture of jazz, blues, and fusion music. The resulting album, No Substitutions: Live in Osaka, won a 2001 Grammy award for Best Pop Instrumental Album. Album reviewers described Lukather as having a heavier style than Carlton. Lukather and Carlton later did an international tour in support of the album.In 2005, Lukather won critical praise for his rendition of the Jimi Hendrix song "Little Wing" at a gala 90th birthday celebration for jazz guitarist Les Paul. Returning after a five-year absence, the 2012 G3 Tour featured Lukather alongside Joe Satriani and Steve Vai. 
Question: What music genres were included on the album that won a 2001 Grammy award?
Output: blues.
Passage: When not working with Toto, Lukather has participated in numerous side projects including playing with jazz fusion band Los Lobotomys and with other session musicians, and touring with Larry Carlton, Joe Satriani, Steve Vai, and others.
Lukather was a long-time member of the band Los Lobotomys, a collaboration of session musicians including jazz and be-bop player David "Creatchy" Garfield and Toto drummer Jeff Porcaro, replaced after his death by Simon Phillips, who also replaced Porcaro in Toto. Los Lobotomys formed in the mid-1980s and played regular shows in the Los Angeles area, often inviting whatever session musicians happened to be available and in the area. They recorded an album under the Los Lobotomys name in 1989, and the band was heavily involved in the recording of Lukather's Candyman. Los Lobotomys recorded a live album in 2004 comprising several tracks from Candyman and from the 1989 album.In 1998, Lukather received an invitation to tour Japan with fellow guitarist Larry Carlton after Japanese promoters requested that Carlton's annual tours each be different from the last. Lukather and Carlton exchanged some recorded material and decided that a collaboration would be interesting. Lukather was flattered by the invitation to tour with Carlton, citing him as his favorite guitarist. Lukather speaks highly of their stage efforts, although the two were admittedly outside their normal realm of work. He stated in an interview that "you can hear us having fun on the record—you can hear the smiles on our faces." After several shows, the duo realized that they should record their collaboration even if just for their own use. Guitarist and producer Steve Vai heard one of the subsequent recordings and expressed interest in releasing it under his Favored Nations label, also home to such artists as Eric Johnson and Dweezil Zappa. Vai and Lukather mixed and produced the recording, which is said to be a mixture of jazz, blues, and fusion music. The resulting album, No Substitutions: Live in Osaka, won a 2001 Grammy award for Best Pop Instrumental Album. Album reviewers described Lukather as having a heavier style than Carlton. Lukather and Carlton later did an international tour in support of the album.In 2005, Lukather won critical praise for his rendition of the Jimi Hendrix song "Little Wing" at a gala 90th birthday celebration for jazz guitarist Les Paul. Returning after a five-year absence, the 2012 G3 Tour featured Lukather alongside Joe Satriani and Steve Vai. 
Question: What music genres were included on the album that won a 2001 Grammy award?
Output: fusion.
Passage: When Richard II was crowned in 1377, he led a procession from the Tower to Westminster Abbey. This tradition began in at least the early 14th century and lasted until 1660. During the Peasants' Revolt of 1381 the Tower of London was besieged with the King inside. When Richard rode out to meet with Wat Tyler, the rebel leader, a crowd broke into the castle without meeting resistance and looted the Jewel House. The Archbishop of Canterbury, Simon Sudbury, took refuge in St John's Chapel, hoping the mob would respect the sanctuary. However, he was taken away and beheaded on Tower Hill. Six years later there was again civil unrest, and Richard spent Christmas in the security of the Tower rather than Windsor as was more usual. When Henry Bolingbroke returned from exile in 1399, Richard was imprisoned in the White Tower. He abdicated and was replaced on the throne by Bolingbroke, who became King Henry IV. In the 15th century, there was little building work at the Tower of London, yet the castle still remained important as a place of refuge. When supporters of the late Richard II attempted a coup, Henry IV found safety in the Tower of London. During this period, the castle also held many distinguished prisoners. The heir to the Scottish throne, later King James I of Scotland, was kidnapped while journeying to France in 1406 and held in the Tower. The reign of Henry V (1413–1422) renewed England's fortune in the Hundred Years' War against France. As a result of Henry's victories, such as the Battle of Agincourt, many high-status prisoners were held in the Tower of London until they were ransomed.Much of the latter half of the 15th century was occupied by the Wars of the Roses between the claimants to the throne, the houses of Lancaster and York. The castle was once again besieged in 1460, this time by a Yorkist force. The Tower was damaged by artillery fire but only surrendered when Henry VI was captured at the Battle of Northampton. With the help of Richard Neville, 16th Earl of Warwick (nicknamed "the Kingmaker") Henry recaptured the throne for a short time in 1470. However, Edward IV soon regained control and Henry VI was imprisoned in the Tower of London, where he was probably murdered. During the wars, the Tower was fortified to withstand gunfire, and provided with loopholes for cannons and handguns: an enclosure was created for this purpose to the south of Tower Hill, although it no longer survives. 
Question: What was the last name of the person who hoped that the mob would respect the sanctuary?
Output: Sudbury.
Passage: The independence of the Thirteen Colonies in North America in 1783 after the American War of Independence caused Britain to lose some of its oldest and most populous colonies. British attention soon turned towards Asia, Africa, and the Pacific. After the defeat of France in the Revolutionary and Napoleonic Wars (1792–1815), Britain emerged as the principal naval and imperial power of the 19th century. Unchallenged at sea, British dominance was later described as Pax Britannica ("British Peace"), a period of relative peace in Europe and the world (1815–1914) during which the British Empire became the global hegemon and adopted the role of global policeman. In the early 19th century, the Industrial Revolution began to transform Britain; so that by the time of the Great Exhibition in 1851, the country was described as the "workshop of the world". The British Empire expanded to include most of India, large parts of Africa and many other territories throughout the world. Alongside the formal control that Britain exerted over its own colonies, its dominance of much of world trade meant that it effectively controlled the economies of many regions, such as Asia and Latin America.During the 19th century, Britain's population increased at a dramatic rate, accompanied by rapid urbanisation, which caused significant social and economic stresses. To seek new markets and sources of raw materials, the British government under Benjamin Disraeli initiated a period of imperial expansion in Egypt, South Africa, and elsewhere. Canada, Australia, and New Zealand became self-governing dominions.By the start of the 20th century, Germany and the United States had begun to challenge Britain's economic lead. Subsequent military and economic tensions between Britain and Germany were major causes of the First World War, during which Britain relied heavily upon its empire. The conflict placed enormous strain on the military, financial and manpower resources of Britain. Although the British Empire achieved its largest territorial extent immediately after World War I, Britain was no longer the world's pre-eminent industrial or military power. In the Second World War, Britain's colonies in East and Southeast Asia were occupied by Japan. Despite the final victory of Britain and its allies, the damage to British prestige helped to accelerate the decline of the empire. India, Britain's most valuable and populous possession, achieved independence as part of a larger decolonisation movement in which Britain granted independence to most territories of the empire. The transfer of Hong Kong to China in 1997 marked for many the end of the British Empire. Fourteen overseas territories remain under British sovereignty. 
Question: What war accelerated the end of the British empire?
Output: Second World War.
Passage: The film begins as Emma, a young woman not yet 18, is packing up her belongings and preparing to leave the convent to marry the man her farmer father has arranged as her husband: country doctor Charles Bovary. But she becomes bored and miserable in the small, provincial town of Yonville. She spends most of her time alone, reading or wandering in the garden while Charles tends to patients. Even when he's home, he either bores or neglects Emma.
Emma longs for more—excitement, passion, status, and love. She shows restraint at first, when smitten law clerk Leon Dupuis skittishly professes his affections for her. But she is intrigued by the dashing Marquis, who makes more overt advances. Their affair emboldens her as she believes it gives her glimpse of the good life. She spends money she doesn't have on lavish dresses and decorations from the obsequious dry-goods dealer Monsieur Lheureux, who's all too happy to continue extending her credit. 
Question: What's the profession of the man that has tells the farmer's daughter of his affections?
Output: law clerk.
Passage: Brougham Castle (pronounced ) is a medieval building about 2 miles (3.2 km) south-east of Penrith, Cumbria, England. The castle was founded by Robert I de Vieuxpont in the early 13th century. The site, near the confluence of the rivers, Eamont and Lowther, had been chosen by the Romans for a Roman fort called Brocavum. The castle is scheduled as an Ancient Monument, along with the fort, as "Brougham Roman fort and Brougham Castle".In its earliest form, the castle consisted of a stone keep, with an enclosure protected by an earthen bank and a wooden palisade. When the castle was built, Robert de Vieuxpont was one of the only lords in the region who were loyal to King John. The Vieuxponts were a powerful land-owning family in North West England, who also owned the castles of Appleby and Brough. In 1264, Robert de Vieuxpont's grandson, also named Robert, was declared a traitor, and his property was confiscated by Henry III. Brougham Castle and the other estates were eventually returned to the Vieuxpont family, and stayed in their possession, until 1269, when the estates passed to the Clifford family through marriage.
With the outbreak of the Wars of Scottish Independence, in 1296, Brougham became an important military base for Robert Clifford, 1st Baron de Clifford. He began refortifying the castle: the wooden outer defences were replaced with stronger, more impressive stone walls, and a large stone gatehouse was added. The importance of Brougham and Robert Clifford was such that, in 1300, he hosted King Edward I of England at the castle. Robert's son, Roger Clifford, was executed as a traitor, in 1322, and the family estates passed into the possession of King Edward II of England, although they were returned once his son Edward III became king. The region was often at risk from the Scots, and in 1388, the castle was captured and sacked. 
Question: What is the first name of the person whose property was confiscated by Henry III?
Output: Robert.
Passage: Both men were suffering, but Mertz in particular started to feel ill. He complained of stomach pains, and this began to slow them down. Pavlova was killed, leaving only one remaining dog. Mawson decided to lighten their sledge, and much of the equipment—including the camera, photographic films, and all of the scientific equipment save the theodolite—was abandoned. On 29 December, the day they cleared the Ninnis Glacier, the last dog was killed. Mawson recorded: "Had a great breakfast off Ginger's skull—thyroids and brain". Two days later Mawson recorded that Mertz was "off colour"; Mertz wrote that he was "really tired [and] shall write no more".They made 5 miles (8.0 km) on 31 December, no progress for the following two days, and 5 miles more on 3 January. "[The] cold wind frost-bit Mertz's fingers" recorded Mawson, "and he is generally in a very bad condition. Skin coming off legs, etc—so had to camp though going was good." Not until 6 January did they make any more progress; they went 2 miles (3.2 km) before Mertz collapsed. The following day Mawson placed Mertz onto the sledge in his sleeping bag and continued, but was forced to stop and camp when Mertz's condition again deteriorated. Mawson recorded:
He is very weak, becomes more and more delirious, rarely being able to speak coherently. He will eat or drink nothing. At 8 pm he raves & breaks a tent pole. Continues to rave & call 'Oh Veh, Oh Veh' [O weh!, 'Oh dear!'] for hours. I hold him down, then he becomes more peaceful & I put him quietly in the bag. He dies peacefully at about 2 am on morning of 8th.
Strong winds prevented Mawson from continuing for two days. Instead, he prepared for travelling alone, removing the rearmost half from the sledge, and rearranging its cargo. To save having to carry excess kerosene for the stove, he boiled the remainder of the dog meat. Dragging Mertz's body in the sleeping bag from the tent, Mawson constructed a rough cairn from snow blocks to cover it, and used two spare beams from the sledge to form a cross, which he placed on the top. The following day he read the burial service. 
Question: What is the last name of the person who boiled the remainder of the dog meat?
Output: Mawson.
Passage: Poulenc made his début as a composer in 1917 with his Rapsodie nègre, a ten-minute, five-movement piece for baritone and chamber group; it was dedicated to Satie and premiered at one of a series of concerts of new music run by the singer Jane Bathori. There was a fashion for African arts in Paris at the time, and Poulenc was delighted to run across some published verses purportedly Liberian, but full of Parisian boulevard slang. He used one of the poems in two sections of the rhapsody. The baritone engaged for the first performance lost his nerve on the platform, and the composer, though no singer, jumped in. This jeu d'esprit was the first of many examples of what Anglophone critics came to call "leg-Poulenc". Ravel was amused by the piece and commented on Poulenc's ability to invent his own folklore. Stravinsky was impressed enough to use his influence to secure Poulenc a contract with a publisher, a kindness that Poulenc never forgot.
In completely arbitrary fashion Collet chose the names of six composers, Auric, Durey, Honegger, Poulenc, Tailleferre and myself, for no other reason than that we knew each other, that we were friends and were represented in the same programmes, but without the slightest concern for our different attitudes and our different natures. Auric and Poulenc followed the ideas of Cocteau, Honegger was a product of German Romanticism and my leanings were towards a Mediterranean lyrical art ... Collet's article made such a wide impression that the Groupe des Six had come into being.
Cocteau, though similar in age to Les Six, was something of a father-figure to the group. His literary style, "paradoxical and lapidary" in Hell's phrase, was anti-romantic, concise and irreverent. It greatly appealed to Poulenc, who made his first setting of Cocteau's words in 1919 and his last in 1961. When members of Les Six collaborated with each other, they contributed their own individual sections to the joint work. Their 1920 piano suite L'Album des Six consists of six separate and unrelated pieces. Their 1921 ballet Les mariés de la tour Eiffel contains three sections by Milhaud, two apiece by Auric, Poulenc and Tailleferre, one by Honegger and none by Durey, who was already distancing himself from the group.In the early 1920s Poulenc remained concerned at his lack of formal musical training. Satie was suspicious of music colleges, but Ravel advised Poulenc to take composition lessons; Milhaud suggested the composer and teacher Charles Koechlin. Poulenc worked with him intermittently from 1921 to 1925. 
Question: What is the name of the person that lacked formal musical training?
Output: Poulenc.
Passage: At a London music hall theatre, Richard Hannay is watching a demonstration of the superlative powers of recall of "Mr. Memory" (Wylie Watson) when shots are fired. In the ensuing panic, Hannay finds himself holding a seemingly frightened Annabella Smith, who talks him into taking her back to his flat. There, she tells him that she is a spy, being chased by assassins, and that she has uncovered a plot to steal vital British military information, masterminded by a man with the top joint missing from one of his fingers. She mentions the "39 Steps", but does not explain its meaning.
Later that night Smith, fatally stabbed, bursts into Hannay's bedroom and warns him to flee. He finds a map of the Scottish Highlands clutched in her hand, showing the area around Killin, with a house or farm named "Alt-na-Shellach" circled. He sneaks out of his flat disguised as a milkman to avoid the assassins waiting outside. He then boards the Flying Scotsman express train to Scotland. He learns from a newspaper article (read by a pair of women's undergarment salesmen) that he is the target of a nationwide manhunt for Smith's murder. When he sees the police searching the train, he enters a compartment and kisses the sole occupant, Pamela, in a desperate attempt to hide his face and escape detection. She frees herself from his unwanted embrace and alerts the policemen, who stop the train on the Forth Bridge. Hannay then escapes, hiding behind the bridge's truss. 
Question: What is the full name of the person that Annabella Smith told to flee?
Output: Richard Hannay.
Passage: Bob Weston works for STOP, a scandal magazine whose owner and staff are proud of being regarded as the filthiest rag in America. One of Bob's colleagues has just written an article about Dr. Helen Gurley Brown, a young psychologist and author of the best-selling book Sex and the Single Girl, a self-help guide with advice to single women on how to deal with men. The article raises doubts on her experience with sex and relationships. Helen is very offended, having lost six appointments with patients due to the article discrediting her as a "23 year-old virgin.". Bob wants to follow up by interviewing her, but she refuses.
Bob's friend and neighbor, stocking manufacturer Frank Broderick, is having marriage issues with his strong-willed wife Sylvia, but can't find the time to go to a counselor. Therefore, Bob decides to impersonate Frank and go to Helen as a patient, with the goal of getting close to her in order to gather more information. In exchange, he'll report back to Frank her advice. During their first couple of sessions, Bob acts shy and smitten, and tries to gently seduce Helen. She seems to respond to Bob's courteous advances, all while insisting it's a transfer and that she'll play the role of Sylvia to the benefit of his therapy. After he fakes a suicide attempt, the two of them end up making out in her apartment, with Bob realizing he's actually falling for Helen, which is the reason he still has not written anything about her, prompting an ultimatum from his boss. 
Question: What is the last name of the person that Bob goes to, pretending to be Frank, as a patient?
Output: Brown.
Passage: In Waters' absence, Gilmour had been recruiting musicians for a new project. Months previously, keyboardist Jon Carin had jammed with Gilmour at his Hookend studio, where he composed the chord progression that became "Learning to Fly", and so was invited onto the team. Gilmour invited Bob Ezrin (co-producer of 1979's The Wall) to help consolidate their material; Ezrin had turned down Waters' offer of a role on the development of his new solo album, Radio K.A.O.S., saying it was "far easier for Dave and I to do our version of a Floyd record". Ezrin arrived in England in mid-1986 for what Gilmour later described as "mucking about with a lot of demos".At this stage, there was no commitment to a new Pink Floyd release, and Gilmour maintained that the material might become his third solo album. CBS representative Stephen Ralbovsky hoped for a new Pink Floyd album, but in a meeting in November 1986, told Gilmour and Ezrin that the music "doesn't sound a fucking thing like Pink Floyd". Gilmour later said that the new project was difficult without Waters. He experimented with songwriters such as Eric Stewart and Roger McGough, but eventually settled on Anthony Moore, who was credited as co-writer of "Learning to Fly" and "On the Turning Away". Whereas many prior Pink Floyd albums are concept albums, Gilmour settled for the more conventional approach of a collection of songs without a thematic link. By the end of that year, he had decided to make the material into a Pink Floyd project. 
Question: What is the name of the person that considered using Roger McGough as a songwriter?
Output: Gilmour.
Passage: Soon afterward, in April 1993, Albini remarked to the Chicago Tribune that he doubted Geffen would release the completed album.  Albini commented years later that in a sense he felt he spoke about the situation "from a position of ignorance, because I wasn't there when the band was having their discussions with the record label.  All I know is ... we made a record, everybody was happy with it.  A few weeks later I hear that it's unreleasable and it's all got to be redone".  While Albini's remarks in the article drew no immediate reply from the group or its label, Newsweek ran a similar article soon afterwards that did.  Nirvana denied there was any pressure from its label to change the album's sound, sending a letter to Newsweek that said that the article's author "ridiculed our relationship with our label based on totally erronous  [sic] information"; the band also reprinted the letter in a full-page ad in Billboard.  Rosenblatt insisted in a press release that Geffen would release anything the band submitted, and label founder David Geffen made the unusual move of personally calling Newsweek to complain about the article.Nirvana wanted to do further work on the recorded tracks, and considered working with producer Scott Litt and remixing some tracks with Andy Wallace (who had mixed Nevermind).  Albini vehemently disagreed, and claimed he had an agreement with the band that it would not modify the tracks without his involvement.  Albini initially refused to give the album master tapes to Gold Mountain, but relented after a phone call from Novoselic.  The band decided against working with Wallace and chose to remix and augment the songs "Heart-Shaped Box" and "All Apologies" with Litt at Seattle's Bad Animals Studio in May 1993.  Furthermore, a remix of "Pennyroyal Tea" by Scott Litt (at Bad Animals on November 22, 1993) appears on the censored Wal-Mart and Kmart versions of In Utero; this remix is also available on the band's 2002 best-of compilation, Nirvana, and is the same mix that appeared on the single.  One song, "I Hate Myself and Want to Die", was omitted from the final track listing as Cobain felt there were too many "noise" songs on the album.  The rest of the album was left unaltered aside from a remastering which sharpened the bass guitar sound and increased the volume of the vocals by approximately three decibels.  Albini was critical of the album's final mix; he said, "The end result, the record in the stores doesn't sound all that much like the record that was made.  Though it's still them singing and playing their songs, and the musical quality of it still comes across.". 
Question: What is the name of the record in stores that, according to Albini, "doesn't sound all that much like the record that was made"?
Output: In Utero.
Passage: Englishman Rudolf Rassendyll decides to pass the time by attending the coronation of his distant relation, King Rudolf V of Ruritania (also played by Stone) . He encounters an acquaintance on the train there, Antoinette de Mauban, the mistress of the king's treacherous brother, Grand Duke 'Black' Michael.
The day before the coronation, Rassendyll is seen by Colonel Sapt and Captain Fritz von Tarlenheim. Astounded by the uncanny resemblance between Rassendyll and their liege, they take him to meet Rudolf at a hunting lodge. The king is delighted with his double and invites him to dinner. During the meal, a servant brings in a fine bottle of wine, a present from Michael delivered by his henchman, Rupert of Hentzau. After Rudolf tastes it, he finds it so irresistible that he drinks the entire bottle by himself.
The next morning, Sapt is unable to rouse him; the wine was drugged. Sapt is afraid that if the coronation is postponed, Michael will seize the throne. The country is dangerously divided between the supporters of Rudolf and of Michael. The colonel declares that it is Fate that brought Rassendyll to Ruritania; he can take Rudolf's place with no one the wiser. The Englishman is less certain, but he tosses a coin, which lands in Rudolf's favor, and Rassendyll goes through with the ceremony. Afterwards, he is driven to the palace in the company of the universally adored Princess Flavia.
Later, when Rassendyll returns to the lodge to switch places with the king once more, he and Sapt find only the corpse of Josef, the servant left to guard the king. Rassendyll is forced to continue the masquerade. 
Question: What is the alias of the person that Sapt is afraid will steal the throne?
Output: Black.
Passage: Of Human Feelings received considerable acclaim from contemporary critics. Reviewing the album for Esquire, Gary Giddins hailed it as another landmark recording from Coleman and his most accomplished work of harmolodics, partly because of compositions which he found clearly expressed and occasionally timeless. In his opinion, the discordant keys radically transmute conventional polyphony and may be the most challenging part for listeners, who he said should concentrate on Coleman's playing and "let the maelstrom resolve itself around his center". Giddins also highlighted the melody of "Sleep Talk", deeming it among the best of the saxophonist's career. Kofi Natambu from the Detroit Metro Times wrote that Coleman's synergetic approach displays expressive immediacy rather than superficial technical flair while calling the record "a multi-tonal mosaic of great power, humor, color, wit, sensuality, compassion and tenderness". He found the songs inspirational, danceable, and encompassing developments in African-American music over the previous century. Robert Christgau called its "warm, listenable harmolodic funk" an artistic "breakthrough if not a miracle". He found its exchange of rhythms and simple melodies heartfelt and sophisticated, writing in The Village Voice, "the way the players break into ripples of song only to ebb back into the tideway is participatory democracy at its most practical and utopian."Purist critics in jazz complained about the music's incorporation of danceable beats and electric guitar. In Stereo Review, Chris Albertson deemed the combination of saxophone and bizarre funk occasionally captivating but ultimately unfocused. Dan Sullivan of the Los Angeles Times believed the album's supporters in "hip rock circles" had overlooked flaws, arguing that Tacuma and Coleman's playing sound like a unique "beacon of clarity" amid an incessant background. Leonard Feather wrote in the Toledo Blade that the music is stylistically ambiguous, potentially controversial, and difficult to assess but interesting enough to warrant a listen.At the end of 1982, Of Human Feelings the year's best album by Billboard editor Peter Keepnews, who viewed it as a prime example of fusing free jazz with modern funk. In year-end lists for The Boston Phoenix, James Hunter and Howard Hampton ranked the album number one and number four, respectively. It was voted 13th best in the Pazz & Jop, an annual poll of American critics nationwide, published in The Village Voice. Christgau, the poll's supervisor, ranked it number one in an accompanying list, and in 1990 he named it the second-best album of the 1980s. 
Question: What did Christgau name as the second-best album of the 1980s?
Output: Of Human Feelings.
Passage: Temperley writes: "After 1855 [Bennett] was spurred by belated honours, and occasional commissions, to compose a respectable number of significant and substantial works, though it was too late to recapture his early self-confidence." Works from his later years included the cello Sonata Duo for Piatti; a pastoral cantata, The May Queen, Op. 39, for the opening of the Leeds Town Hall in 1858; an Ode (Op. 40) with words by Alfred, Lord Tennyson for the opening of the 1862 International Exhibition in London; an Installation Ode for Cambridge University (Op. 41) with words by Charles Kingsley, which included a lament for the late Prince Albert; a symphony in G minor (Op. 43); a sacred cantata,The Woman of Samaria for the Birmingham Triennial Music Festival of 1867; and finally a second Piano Sonata (The Maid of Orleans, Op. 46). Many of these works were composed during his summer holidays which were spent at Eastbourne. The Ode for the Exhibition was the cause of a further imbroglio with Costa, who although in charge of music for the Exhibition refused to conduct anything by Bennett. Eventually it was conducted by Prosper Sainton, between works by Meyerbeer and Daniel Auber also commissioned for the occasion. The affair leaked into the press, and Costa was widely condemned for his behaviour.In March 1856 Bennett, while still teaching at the RAM and Queen's College, was elected Professor of Music at the University of Cambridge. He modernised the system of awarding music degrees, instituting viva voce examinations and requiring candidates for doctorates to first take the degree of Bachelor of Music. Two years later on 8 June 1868 the newly formed (later Royal) College of Organists awarded him an Honorary Fellowship.In 1858 came yet another clash involving Costa, when the autocratic Earl of Westmorland, the original founder of the RAM, saw fit to arrange a subscription concert for the Academy to include a Mass of his own composition, to be conducted by Costa and using the orchestra and singers of the Opera, over the heads of the Academy directors. Bennett resigned from the RAM at this overbearing behaviour, and was not to return until 1866. Towards the end of 1862 Bennett's wife died after a painful illness. His biographer W. B. Squire suggests that "he never recovered from the effects of Mrs. Bennett's death, and that henceforward a painful change in him became apparent to his friends." In 1865 Bennett again visited Leipzig where he was reunited with old friends including Ferdinand David, and his Op. 43 Symphony was performed. 
Question: Who modernized the system of awarding music degrees?
Output: Bennett.
Passage: Stung by the criticism of Rattle and Hum, the band sought to transform themselves musically. Seeking inspiration from German reunification, they began work on their seventh studio album, Achtung Baby, at Berlin's Hansa Studios in October 1990 with producers Daniel Lanois and Brian Eno. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. While Clayton and Mullen preferred a sound similar to U2's previous work, Bono and the Edge were inspired by European industrial music and electronic dance music and advocated a change. Weeks of tension and slow progress nearly prompted the group to break up until they made a breakthrough with the improvised writing of the song "One". They returned to Dublin in 1991, where morale improved and the majority of the album was completed.
Achtung Baby was released in November 1991. The album represented a calculated change in musical and thematic direction for the group; the shift was one of their most dramatic since The Unforgettable Fire. Sonically, the record incorporated influences from alternative rock, dance, and industrial music of the time, and Bono referred to its musical departure as "four men chopping down the Joshua Tree". Thematically, it was a more introspective and personal record; it was darker, yet at times more flippant than the band's previous work. Commercially and critically, it has been one of the band's most successful albums. It produced five hit singles, including "The Fly", "Mysterious Ways", and "One", and it was a crucial part of the band's early 1990s reinvention. In 1993, Achtung Baby won the Grammy Award for Best Rock Performance by a Duo or Group with Vocal. Like The Joshua Tree, many publications have cited the record as one of rock's greatest. 
Question: What month and year was the band's seventh studio album released?
Output: November 1991.