niryuu/sni-each-converted huggingface dataset:
Passage: Kitchen Creek flows through the park's three glens, which the descriptions of the waterfalls are organized by: Ricketts Glen, Glen Leigh, and Ganoga Glen. The falls are listed in order going upstream along Kitchen Creek, starting with the southernmost and ending at the northernmost in each glen. This is also the order in which a hiker would encounter the falls while traveling north along the creek on the Falls Trail.The Falls Trail is a 7.1-mile (11.4 km) loop hike. Starting at PA 118, it is 1.8 miles (2.9 km) north along the creek through Ricketts Glen to Waters Meet, where the trail divides. Following the Glen Leigh branch, it is 1.2 miles (1.9 km) north through the glen to the Highland Trail, then 1.0 mile (1.6 km) west along the Highland Trail to Ganoga Glen. Turning southeast, it is 1.3 miles (2.1 km) through Ganoga Glen back to Waters Meet, then the 1.8 miles (2.9 km) through Ricketts Glen is retraced, but heading south back to PA 118.The description of each waterfall starts with the name. While the Pennsylvania Department of Conservation and Natural Resources (DCNR) Bureau of State Parks names 22 waterfalls in Ricketts Glen State Park (all but Kitchen Creek and Shingle Cabin), the United States Geological Survey (USGS) Geographic Names Information System (GNIS) names 23 (all but Shingle Cabin), and Scott E. Brown's 2004 book Pennsylvania waterfalls: a guide for hikers and photographers names 24. There are also several unnamed waterfalls in the park, with the total number of falls given as 33 or 34. For each waterfall the height is given next, followed by the elevation above sea level, and the latitude and longitude. Each waterfall in the table is classified according to the four types used in Brown's book (falls, cascade, slide, and chute), with some classified as combinations of types. For each waterfall there are notes, which can give more information on the waterfall, the etymology of the name, and the location on the Falls Trail, followed by a photograph.
Output: What is the full name for USGS?
Passage: Kitchen Creek flows through the park's three glens, which the descriptions of the waterfalls are organized by: Ricketts Glen, Glen Leigh, and Ganoga Glen. The falls are listed in order going upstream along Kitchen Creek, starting with the southernmost and ending at the northernmost in each glen. This is also the order in which a hiker would encounter the falls while traveling north along the creek on the Falls Trail.The Falls Trail is a 7.1-mile (11.4 km) loop hike. Starting at PA 118, it is 1.8 miles (2.9 km) north along the creek through Ricketts Glen to Waters Meet, where the trail divides. Following the Glen Leigh branch, it is 1.2 miles (1.9 km) north through the glen to the Highland Trail, then 1.0 mile (1.6 km) west along the Highland Trail to Ganoga Glen. Turning southeast, it is 1.3 miles (2.1 km) through Ganoga Glen back to Waters Meet, then the 1.8 miles (2.9 km) through Ricketts Glen is retraced, but heading south back to PA 118.The description of each waterfall starts with the name. While the Pennsylvania Department of Conservation and Natural Resources (DCNR) Bureau of State Parks names 22 waterfalls in Ricketts Glen State Park (all but Kitchen Creek and Shingle Cabin), the United States Geological Survey (USGS) Geographic Names Information System (GNIS) names 23 (all but Shingle Cabin), and Scott E. Brown's 2004 book Pennsylvania waterfalls: a guide for hikers and photographers names 24. There are also several unnamed waterfalls in the park, with the total number of falls given as 33 or 34. For each waterfall the height is given next, followed by the elevation above sea level, and the latitude and longitude. Each waterfall in the table is classified according to the four types used in Brown's book (falls, cascade, slide, and chute), with some classified as combinations of types. For each waterfall there are notes, which can give more information on the waterfall, the etymology of the name, and the location on the Falls Trail, followed by a photograph.
Output: What are the four types of classifications used in Brown's book for waterfalls?
Passage: The symphony was dedicated to Górecki's wife Jadwiga Rurańska. When asked why, Górecki responded, "Who was I supposed to dedicate it to?" He never sought to explain the symphony as a response to a political or historical event. Instead, he maintained that the work is an evocation of the ties between mother and child.  Górecki was commissioned to write music in response to the Holocaust in the 1960s but was unable to finish any of the pieces he started for that purpose. While Górecki stated that for many years he sought to produce a work specifically in response to Auschwitz, he resisted that interpretation of the symphony, which he preferred to be viewed in a wider context. Other critics have attempted to interpret the symphony in spiritual terms, an approach which Górecki also dismissed. Still others have suggested that the symphony can be understood as a compendium of Polish history:
The symphony alludes to each of the main historical and political developments in Poland's history from the 14th century to 1976, the year of its composition. What is more, each of the three movements appears to represent a different age . . . and [they are] chronologically contiguous. The composer seems to have created three separate and discrete "chapters" in his summary of Poland's history.
Górecki said of the work, "Many of my family died in concentration camps. I had a grandfather who was in Dachau, an aunt in Auschwitz. You know how it is between Poles and Germans. But Bach was a German too—and Schubert, and Strauss. Everyone has his place on this little earth. That's all behind me. So the Third Symphony is not about war; it's not a Dies Irae; it's a normal Symphony of Sorrowful Songs.".
Output: What is the last name of the person who had an aunt at Auschwitz?
Passage: The symphony was dedicated to Górecki's wife Jadwiga Rurańska. When asked why, Górecki responded, "Who was I supposed to dedicate it to?" He never sought to explain the symphony as a response to a political or historical event. Instead, he maintained that the work is an evocation of the ties between mother and child.  Górecki was commissioned to write music in response to the Holocaust in the 1960s but was unable to finish any of the pieces he started for that purpose. While Górecki stated that for many years he sought to produce a work specifically in response to Auschwitz, he resisted that interpretation of the symphony, which he preferred to be viewed in a wider context. Other critics have attempted to interpret the symphony in spiritual terms, an approach which Górecki also dismissed. Still others have suggested that the symphony can be understood as a compendium of Polish history:
The symphony alludes to each of the main historical and political developments in Poland's history from the 14th century to 1976, the year of its composition. What is more, each of the three movements appears to represent a different age . . . and [they are] chronologically contiguous. The composer seems to have created three separate and discrete "chapters" in his summary of Poland's history.
Górecki said of the work, "Many of my family died in concentration camps. I had a grandfather who was in Dachau, an aunt in Auschwitz. You know how it is between Poles and Germans. But Bach was a German too—and Schubert, and Strauss. Everyone has his place on this little earth. That's all behind me. So the Third Symphony is not about war; it's not a Dies Irae; it's a normal Symphony of Sorrowful Songs.".
Output: What is the last name of the person who wrote a normal Symphony of Sorrowful Songs?
Passage: Palmyra (; Palmyrene:  Tadmor; Arabic: تَدْمُر‎ Tadmur) is an ancient Semitic city in present-day Homs Governorate, Syria. Archaeological finds date back to the Neolithic period, and documents first mention the city in the early second millennium BC. Palmyra changed hands on a number of occasions between different empires before becoming a subject of the Roman Empire in the first century AD.
The city grew wealthy from trade caravans; the Palmyrenes became renowned as merchants who established colonies along the Silk Road and operated throughout the Roman Empire. Palmyra's wealth enabled the construction of monumental projects, such as the Great Colonnade, the Temple of Bel, and the distinctive tower tombs. Ethnically, the Palmyrenes combined elements of Amorites, Arameans, and Arabs. The city's social structure was tribal, and its inhabitants spoke Palmyrene (a dialect of Aramaic), while using Greek for commercial and diplomatic purposes. Greco-Roman culture influenced the culture of Palmyra, which produced distinctive art and architecture that combined eastern and western traditions. The city's inhabitants worshiped local Semitic deities, Mesopotamian and Arab gods.
By the third century AD Palmyra had become a prosperous regional center. It reached the apex of its power in the 260s, when the Palmyrene King Odaenathus defeated Persian Emperor Shapur I. The king was succeeded by regent Queen Zenobia, who rebelled against Rome and established the Palmyrene Empire. In 273, Roman emperor Aurelian destroyed the city, which was later restored by Diocletian at a reduced size. The Palmyrenes converted to Christianity during the fourth century and to Islam in the centuries following the conquest by the 7th-century Rashidun Caliphate, after which the Palmyrene and Greek languages were replaced by Arabic.
Before AD 273, Palmyra enjoyed autonomy and was attached to the Roman province of Syria, having its political organization influenced by the Greek city-state model during the first two centuries AD. The city became a Roman colonia during the third century, leading to the incorporation of Roman governing institutions, before becoming a monarchy in 260. Following its destruction in 273, Palmyra became a minor center under the Byzantines and later empires. Its destruction by the Timurids in 1400 reduced it to a small village. Under French Mandatory rule in 1932, the inhabitants were moved into the new village of Tadmur, and the ancient site became available for excavations. During the Syrian Civil War in 2015, the Islamic State of Iraq and the Levant (ISIL) destroyed large parts of the ancient city, which was recaptured by the Syrian Army on 2 March 2017.
Output: What is the name of the leader that the Palmyrene King defeated during the apex of his power?
Passage: Palmyra (; Palmyrene:  Tadmor; Arabic: تَدْمُر‎ Tadmur) is an ancient Semitic city in present-day Homs Governorate, Syria. Archaeological finds date back to the Neolithic period, and documents first mention the city in the early second millennium BC. Palmyra changed hands on a number of occasions between different empires before becoming a subject of the Roman Empire in the first century AD.
The city grew wealthy from trade caravans; the Palmyrenes became renowned as merchants who established colonies along the Silk Road and operated throughout the Roman Empire. Palmyra's wealth enabled the construction of monumental projects, such as the Great Colonnade, the Temple of Bel, and the distinctive tower tombs. Ethnically, the Palmyrenes combined elements of Amorites, Arameans, and Arabs. The city's social structure was tribal, and its inhabitants spoke Palmyrene (a dialect of Aramaic), while using Greek for commercial and diplomatic purposes. Greco-Roman culture influenced the culture of Palmyra, which produced distinctive art and architecture that combined eastern and western traditions. The city's inhabitants worshiped local Semitic deities, Mesopotamian and Arab gods.
By the third century AD Palmyra had become a prosperous regional center. It reached the apex of its power in the 260s, when the Palmyrene King Odaenathus defeated Persian Emperor Shapur I. The king was succeeded by regent Queen Zenobia, who rebelled against Rome and established the Palmyrene Empire. In 273, Roman emperor Aurelian destroyed the city, which was later restored by Diocletian at a reduced size. The Palmyrenes converted to Christianity during the fourth century and to Islam in the centuries following the conquest by the 7th-century Rashidun Caliphate, after which the Palmyrene and Greek languages were replaced by Arabic.
Before AD 273, Palmyra enjoyed autonomy and was attached to the Roman province of Syria, having its political organization influenced by the Greek city-state model during the first two centuries AD. The city became a Roman colonia during the third century, leading to the incorporation of Roman governing institutions, before becoming a monarchy in 260. Following its destruction in 273, Palmyra became a minor center under the Byzantines and later empires. Its destruction by the Timurids in 1400 reduced it to a small village. Under French Mandatory rule in 1932, the inhabitants were moved into the new village of Tadmur, and the ancient site became available for excavations. During the Syrian Civil War in 2015, the Islamic State of Iraq and the Levant (ISIL) destroyed large parts of the ancient city, which was recaptured by the Syrian Army on 2 March 2017.
Output: What is the name of the rule who suceeded the leader that defeated the Persian Emperor Shapur 1?
Passage: Palmyra (; Palmyrene:  Tadmor; Arabic: تَدْمُر‎ Tadmur) is an ancient Semitic city in present-day Homs Governorate, Syria. Archaeological finds date back to the Neolithic period, and documents first mention the city in the early second millennium BC. Palmyra changed hands on a number of occasions between different empires before becoming a subject of the Roman Empire in the first century AD.
The city grew wealthy from trade caravans; the Palmyrenes became renowned as merchants who established colonies along the Silk Road and operated throughout the Roman Empire. Palmyra's wealth enabled the construction of monumental projects, such as the Great Colonnade, the Temple of Bel, and the distinctive tower tombs. Ethnically, the Palmyrenes combined elements of Amorites, Arameans, and Arabs. The city's social structure was tribal, and its inhabitants spoke Palmyrene (a dialect of Aramaic), while using Greek for commercial and diplomatic purposes. Greco-Roman culture influenced the culture of Palmyra, which produced distinctive art and architecture that combined eastern and western traditions. The city's inhabitants worshiped local Semitic deities, Mesopotamian and Arab gods.
By the third century AD Palmyra had become a prosperous regional center. It reached the apex of its power in the 260s, when the Palmyrene King Odaenathus defeated Persian Emperor Shapur I. The king was succeeded by regent Queen Zenobia, who rebelled against Rome and established the Palmyrene Empire. In 273, Roman emperor Aurelian destroyed the city, which was later restored by Diocletian at a reduced size. The Palmyrenes converted to Christianity during the fourth century and to Islam in the centuries following the conquest by the 7th-century Rashidun Caliphate, after which the Palmyrene and Greek languages were replaced by Arabic.
Before AD 273, Palmyra enjoyed autonomy and was attached to the Roman province of Syria, having its political organization influenced by the Greek city-state model during the first two centuries AD. The city became a Roman colonia during the third century, leading to the incorporation of Roman governing institutions, before becoming a monarchy in 260. Following its destruction in 273, Palmyra became a minor center under the Byzantines and later empires. Its destruction by the Timurids in 1400 reduced it to a small village. Under French Mandatory rule in 1932, the inhabitants were moved into the new village of Tadmur, and the ancient site became available for excavations. During the Syrian Civil War in 2015, the Islamic State of Iraq and the Levant (ISIL) destroyed large parts of the ancient city, which was recaptured by the Syrian Army on 2 March 2017.
Output: What is the name of the man that restored the Palmyrene city after it was destroyed by the Roman emperor?
Passage: Palmyra (; Palmyrene:  Tadmor; Arabic: تَدْمُر‎ Tadmur) is an ancient Semitic city in present-day Homs Governorate, Syria. Archaeological finds date back to the Neolithic period, and documents first mention the city in the early second millennium BC. Palmyra changed hands on a number of occasions between different empires before becoming a subject of the Roman Empire in the first century AD.
The city grew wealthy from trade caravans; the Palmyrenes became renowned as merchants who established colonies along the Silk Road and operated throughout the Roman Empire. Palmyra's wealth enabled the construction of monumental projects, such as the Great Colonnade, the Temple of Bel, and the distinctive tower tombs. Ethnically, the Palmyrenes combined elements of Amorites, Arameans, and Arabs. The city's social structure was tribal, and its inhabitants spoke Palmyrene (a dialect of Aramaic), while using Greek for commercial and diplomatic purposes. Greco-Roman culture influenced the culture of Palmyra, which produced distinctive art and architecture that combined eastern and western traditions. The city's inhabitants worshiped local Semitic deities, Mesopotamian and Arab gods.
By the third century AD Palmyra had become a prosperous regional center. It reached the apex of its power in the 260s, when the Palmyrene King Odaenathus defeated Persian Emperor Shapur I. The king was succeeded by regent Queen Zenobia, who rebelled against Rome and established the Palmyrene Empire. In 273, Roman emperor Aurelian destroyed the city, which was later restored by Diocletian at a reduced size. The Palmyrenes converted to Christianity during the fourth century and to Islam in the centuries following the conquest by the 7th-century Rashidun Caliphate, after which the Palmyrene and Greek languages were replaced by Arabic.
Before AD 273, Palmyra enjoyed autonomy and was attached to the Roman province of Syria, having its political organization influenced by the Greek city-state model during the first two centuries AD. The city became a Roman colonia during the third century, leading to the incorporation of Roman governing institutions, before becoming a monarchy in 260. Following its destruction in 273, Palmyra became a minor center under the Byzantines and later empires. Its destruction by the Timurids in 1400 reduced it to a small village. Under French Mandatory rule in 1932, the inhabitants were moved into the new village of Tadmur, and the ancient site became available for excavations. During the Syrian Civil War in 2015, the Islamic State of Iraq and the Levant (ISIL) destroyed large parts of the ancient city, which was recaptured by the Syrian Army on 2 March 2017.
Output: Under what rule did the inhabitants of the city that was once attached to the Roman province of Syria get moved to Tadmur?
Passage: Palmyra (; Palmyrene:  Tadmor; Arabic: تَدْمُر‎ Tadmur) is an ancient Semitic city in present-day Homs Governorate, Syria. Archaeological finds date back to the Neolithic period, and documents first mention the city in the early second millennium BC. Palmyra changed hands on a number of occasions between different empires before becoming a subject of the Roman Empire in the first century AD.
The city grew wealthy from trade caravans; the Palmyrenes became renowned as merchants who established colonies along the Silk Road and operated throughout the Roman Empire. Palmyra's wealth enabled the construction of monumental projects, such as the Great Colonnade, the Temple of Bel, and the distinctive tower tombs. Ethnically, the Palmyrenes combined elements of Amorites, Arameans, and Arabs. The city's social structure was tribal, and its inhabitants spoke Palmyrene (a dialect of Aramaic), while using Greek for commercial and diplomatic purposes. Greco-Roman culture influenced the culture of Palmyra, which produced distinctive art and architecture that combined eastern and western traditions. The city's inhabitants worshiped local Semitic deities, Mesopotamian and Arab gods.
By the third century AD Palmyra had become a prosperous regional center. It reached the apex of its power in the 260s, when the Palmyrene King Odaenathus defeated Persian Emperor Shapur I. The king was succeeded by regent Queen Zenobia, who rebelled against Rome and established the Palmyrene Empire. In 273, Roman emperor Aurelian destroyed the city, which was later restored by Diocletian at a reduced size. The Palmyrenes converted to Christianity during the fourth century and to Islam in the centuries following the conquest by the 7th-century Rashidun Caliphate, after which the Palmyrene and Greek languages were replaced by Arabic.
Before AD 273, Palmyra enjoyed autonomy and was attached to the Roman province of Syria, having its political organization influenced by the Greek city-state model during the first two centuries AD. The city became a Roman colonia during the third century, leading to the incorporation of Roman governing institutions, before becoming a monarchy in 260. Following its destruction in 273, Palmyra became a minor center under the Byzantines and later empires. Its destruction by the Timurids in 1400 reduced it to a small village. Under French Mandatory rule in 1932, the inhabitants were moved into the new village of Tadmur, and the ancient site became available for excavations. During the Syrian Civil War in 2015, the Islamic State of Iraq and the Levant (ISIL) destroyed large parts of the ancient city, which was recaptured by the Syrian Army on 2 March 2017.
Output: What is the name of the group that in 2015 destroyed large parts of the city that reached the apex of its power in the 260s?
Passage: Nielsen is perhaps most closely associated outside Denmark with his six symphonies, written between 1892 and 1925. The works have much in common: they are all just over 30 minutes long, brass instruments are a key component of the orchestration, and they all exhibit unusual changes in tonality, which heighten the dramatic tension. From its opening bars, Symphony No. 1 (Op. 7, 1890–92), while reflecting the influence of Grieg and Brahms, shows Nielsen's individuality. In Symphony No. 2 (Op. 16, 1901–02), Nielsen embarks on the development of human character. Inspiration came from a painting in an inn depicting the four temperaments (choleric, phlegmatic, melancholic, and sanguine).The title of Symphony No. 3, Sinfonia Espansiva (Op. 27, 1910–11), is understood by the English composer Robert Simpson to refer to the "outward growth of the mind's scope". It fully exploits Nielsen's technique of confronting two keys at the same time and includes a peaceful section with soprano and baritone voices, singing a tune without words. Symphony No. 4, The Inextinguishable (Op. 29, 1914–16), written during World War I, is among the most frequently performed of the symphonies. In the last movement two sets of timpani are placed on opposite sides of the stage undertaking a kind of musical duel. Nielsen described the symphony as "the life force, the unquenchable will to live".Also frequently performed is the Symphony No. 5 (Op. 50, 1921–22), presenting another battle between the forces of order and chaos. A snare drummer is given the task of interrupting the orchestra, playing ad libitum and out of time, as if to destroy the music. Performed by the Danish Radio Symphony Orchestra conducted by Erik Tuxen at the 1950 Edinburgh International Festival, it caused a sensation, sparking interest in Nielsen's music outside Scandinavia. In Symphony No. 6 (without opus number), written 1924–25, and subtitled Sinfonia Semplice (Simple Symphony), the tonal language seems similar to that in Nielsen's other symphonies, but the symphony develops into a sequence of cameos, some sad, some grotesque, some humorous.
Output: What is the full name and title of the symphony described by Nielsen as "the life force, the unquenchable will to live"?
Passage: Nielsen is perhaps most closely associated outside Denmark with his six symphonies, written between 1892 and 1925. The works have much in common: they are all just over 30 minutes long, brass instruments are a key component of the orchestration, and they all exhibit unusual changes in tonality, which heighten the dramatic tension. From its opening bars, Symphony No. 1 (Op. 7, 1890–92), while reflecting the influence of Grieg and Brahms, shows Nielsen's individuality. In Symphony No. 2 (Op. 16, 1901–02), Nielsen embarks on the development of human character. Inspiration came from a painting in an inn depicting the four temperaments (choleric, phlegmatic, melancholic, and sanguine).The title of Symphony No. 3, Sinfonia Espansiva (Op. 27, 1910–11), is understood by the English composer Robert Simpson to refer to the "outward growth of the mind's scope". It fully exploits Nielsen's technique of confronting two keys at the same time and includes a peaceful section with soprano and baritone voices, singing a tune without words. Symphony No. 4, The Inextinguishable (Op. 29, 1914–16), written during World War I, is among the most frequently performed of the symphonies. In the last movement two sets of timpani are placed on opposite sides of the stage undertaking a kind of musical duel. Nielsen described the symphony as "the life force, the unquenchable will to live".Also frequently performed is the Symphony No. 5 (Op. 50, 1921–22), presenting another battle between the forces of order and chaos. A snare drummer is given the task of interrupting the orchestra, playing ad libitum and out of time, as if to destroy the music. Performed by the Danish Radio Symphony Orchestra conducted by Erik Tuxen at the 1950 Edinburgh International Festival, it caused a sensation, sparking interest in Nielsen's music outside Scandinavia. In Symphony No. 6 (without opus number), written 1924–25, and subtitled Sinfonia Semplice (Simple Symphony), the tonal language seems similar to that in Nielsen's other symphonies, but the symphony develops into a sequence of cameos, some sad, some grotesque, some humorous.
Output: What is the full name and title of the symphony in which two sets of timpani are placed on opposite sides of the stage undertaking a kind of musical due?
Passage: Nielsen is perhaps most closely associated outside Denmark with his six symphonies, written between 1892 and 1925. The works have much in common: they are all just over 30 minutes long, brass instruments are a key component of the orchestration, and they all exhibit unusual changes in tonality, which heighten the dramatic tension. From its opening bars, Symphony No. 1 (Op. 7, 1890–92), while reflecting the influence of Grieg and Brahms, shows Nielsen's individuality. In Symphony No. 2 (Op. 16, 1901–02), Nielsen embarks on the development of human character. Inspiration came from a painting in an inn depicting the four temperaments (choleric, phlegmatic, melancholic, and sanguine).The title of Symphony No. 3, Sinfonia Espansiva (Op. 27, 1910–11), is understood by the English composer Robert Simpson to refer to the "outward growth of the mind's scope". It fully exploits Nielsen's technique of confronting two keys at the same time and includes a peaceful section with soprano and baritone voices, singing a tune without words. Symphony No. 4, The Inextinguishable (Op. 29, 1914–16), written during World War I, is among the most frequently performed of the symphonies. In the last movement two sets of timpani are placed on opposite sides of the stage undertaking a kind of musical duel. Nielsen described the symphony as "the life force, the unquenchable will to live".Also frequently performed is the Symphony No. 5 (Op. 50, 1921–22), presenting another battle between the forces of order and chaos. A snare drummer is given the task of interrupting the orchestra, playing ad libitum and out of time, as if to destroy the music. Performed by the Danish Radio Symphony Orchestra conducted by Erik Tuxen at the 1950 Edinburgh International Festival, it caused a sensation, sparking interest in Nielsen's music outside Scandinavia. In Symphony No. 6 (without opus number), written 1924–25, and subtitled Sinfonia Semplice (Simple Symphony), the tonal language seems similar to that in Nielsen's other symphonies, but the symphony develops into a sequence of cameos, some sad, some grotesque, some humorous.
Output: What is the full name of the symphony that develops into a sequence of cameos, some sad, some grotesque, some humorous?
Passage: Nielsen is perhaps most closely associated outside Denmark with his six symphonies, written between 1892 and 1925. The works have much in common: they are all just over 30 minutes long, brass instruments are a key component of the orchestration, and they all exhibit unusual changes in tonality, which heighten the dramatic tension. From its opening bars, Symphony No. 1 (Op. 7, 1890–92), while reflecting the influence of Grieg and Brahms, shows Nielsen's individuality. In Symphony No. 2 (Op. 16, 1901–02), Nielsen embarks on the development of human character. Inspiration came from a painting in an inn depicting the four temperaments (choleric, phlegmatic, melancholic, and sanguine).The title of Symphony No. 3, Sinfonia Espansiva (Op. 27, 1910–11), is understood by the English composer Robert Simpson to refer to the "outward growth of the mind's scope". It fully exploits Nielsen's technique of confronting two keys at the same time and includes a peaceful section with soprano and baritone voices, singing a tune without words. Symphony No. 4, The Inextinguishable (Op. 29, 1914–16), written during World War I, is among the most frequently performed of the symphonies. In the last movement two sets of timpani are placed on opposite sides of the stage undertaking a kind of musical duel. Nielsen described the symphony as "the life force, the unquenchable will to live".Also frequently performed is the Symphony No. 5 (Op. 50, 1921–22), presenting another battle between the forces of order and chaos. A snare drummer is given the task of interrupting the orchestra, playing ad libitum and out of time, as if to destroy the music. Performed by the Danish Radio Symphony Orchestra conducted by Erik Tuxen at the 1950 Edinburgh International Festival, it caused a sensation, sparking interest in Nielsen's music outside Scandinavia. In Symphony No. 6 (without opus number), written 1924–25, and subtitled Sinfonia Semplice (Simple Symphony), the tonal language seems similar to that in Nielsen's other symphonies, but the symphony develops into a sequence of cameos, some sad, some grotesque, some humorous.
Output: What is the full name of the symphony in which snare drummer is given the task of interrupting the orchestra, playing ad libitum and out of time, as if to destroy the music?
Passage: Nielsen is perhaps most closely associated outside Denmark with his six symphonies, written between 1892 and 1925. The works have much in common: they are all just over 30 minutes long, brass instruments are a key component of the orchestration, and they all exhibit unusual changes in tonality, which heighten the dramatic tension. From its opening bars, Symphony No. 1 (Op. 7, 1890–92), while reflecting the influence of Grieg and Brahms, shows Nielsen's individuality. In Symphony No. 2 (Op. 16, 1901–02), Nielsen embarks on the development of human character. Inspiration came from a painting in an inn depicting the four temperaments (choleric, phlegmatic, melancholic, and sanguine).The title of Symphony No. 3, Sinfonia Espansiva (Op. 27, 1910–11), is understood by the English composer Robert Simpson to refer to the "outward growth of the mind's scope". It fully exploits Nielsen's technique of confronting two keys at the same time and includes a peaceful section with soprano and baritone voices, singing a tune without words. Symphony No. 4, The Inextinguishable (Op. 29, 1914–16), written during World War I, is among the most frequently performed of the symphonies. In the last movement two sets of timpani are placed on opposite sides of the stage undertaking a kind of musical duel. Nielsen described the symphony as "the life force, the unquenchable will to live".Also frequently performed is the Symphony No. 5 (Op. 50, 1921–22), presenting another battle between the forces of order and chaos. A snare drummer is given the task of interrupting the orchestra, playing ad libitum and out of time, as if to destroy the music. Performed by the Danish Radio Symphony Orchestra conducted by Erik Tuxen at the 1950 Edinburgh International Festival, it caused a sensation, sparking interest in Nielsen's music outside Scandinavia. In Symphony No. 6 (without opus number), written 1924–25, and subtitled Sinfonia Semplice (Simple Symphony), the tonal language seems similar to that in Nielsen's other symphonies, but the symphony develops into a sequence of cameos, some sad, some grotesque, some humorous.
Output: What is the full name of the symphony that caused a sensation when conducted by Erik Tuxen at the 1950 Edinburgh International Festival, sparking interest in Nielsen's music outside Scandinavia?
Passage: The chapter ordered that 13 canons, including the succentor and the archdeacon, should immediately "erect, construct, build, and duly repair their manses, and the enclosures of their gardens within the college of Moray". The manse of the precentor, erroneously called the Bishop's House, is partially ruined and is dated 1557. (Fig. 2) Vestiges of the Dean's Manse and the Archdeacon's Manse (Fig. 3) are now part of private buildings.The hospital of Maison Dieu (the Alms House), dedicated to St Mary and situated near the cathedral precinct but outside the chanonry, was established by Bishop Andreas before 1237 for the aid of the poor. It suffered fire damage in 1390 and again in 1445. The cathedral clerks received it as a secular benefice but in later years it may, in common with other hospitals, have become dilapidated through a lack of patronage. Bishop James Hepburn granted it to the Blackfriars of Elgin on 17 November 1520, perhaps in an effort to preserve its existence. The property was taken into the ownership of the Crown after the Reformation and in 1595 was granted to the burgh by James VI for educational purposes and for helping the poor. In 1624, an almshouse was constructed to replace the original building, but in 1750 a storm substantially damaged its relatively intact ruins. The remnants of the original building were finally demolished during a 19th-century redevelopment of the area.There were two friaries in the burgh. The Dominican Black Friars friary was founded in the western part of the burgh around 1233. The Franciscan (Friars Minor Conventual) Grey Friars friary was later founded in the eastern part of the burgh sometime before 1281. It is thought that this latter Grey Friars foundation did not long survive, but was followed between 1479 and 1513 by the foundation of a friary near Elgin Cathedral by the Franciscan (Observants) Grey Friars. The building was transferred into the ownership of the burgh around 1559 and later became the Court of Justice in 1563. In 1489, the chapter founded a school that was not purely a song school for the cathedral but was also to be available to provide an education in music and reading for some children of Elgin.
Output: What did Bishop Hepburn grant to the Blackfriars?
Passage: The chapter ordered that 13 canons, including the succentor and the archdeacon, should immediately "erect, construct, build, and duly repair their manses, and the enclosures of their gardens within the college of Moray". The manse of the precentor, erroneously called the Bishop's House, is partially ruined and is dated 1557. (Fig. 2) Vestiges of the Dean's Manse and the Archdeacon's Manse (Fig. 3) are now part of private buildings.The hospital of Maison Dieu (the Alms House), dedicated to St Mary and situated near the cathedral precinct but outside the chanonry, was established by Bishop Andreas before 1237 for the aid of the poor. It suffered fire damage in 1390 and again in 1445. The cathedral clerks received it as a secular benefice but in later years it may, in common with other hospitals, have become dilapidated through a lack of patronage. Bishop James Hepburn granted it to the Blackfriars of Elgin on 17 November 1520, perhaps in an effort to preserve its existence. The property was taken into the ownership of the Crown after the Reformation and in 1595 was granted to the burgh by James VI for educational purposes and for helping the poor. In 1624, an almshouse was constructed to replace the original building, but in 1750 a storm substantially damaged its relatively intact ruins. The remnants of the original building were finally demolished during a 19th-century redevelopment of the area.There were two friaries in the burgh. The Dominican Black Friars friary was founded in the western part of the burgh around 1233. The Franciscan (Friars Minor Conventual) Grey Friars friary was later founded in the eastern part of the burgh sometime before 1281. It is thought that this latter Grey Friars foundation did not long survive, but was followed between 1479 and 1513 by the foundation of a friary near Elgin Cathedral by the Franciscan (Observants) Grey Friars. The building was transferred into the ownership of the burgh around 1559 and later became the Court of Justice in 1563. In 1489, the chapter founded a school that was not purely a song school for the cathedral but was also to be available to provide an education in music and reading for some children of Elgin.
Output: What were the two friaries in the burgh?
Passage: The chapter ordered that 13 canons, including the succentor and the archdeacon, should immediately "erect, construct, build, and duly repair their manses, and the enclosures of their gardens within the college of Moray". The manse of the precentor, erroneously called the Bishop's House, is partially ruined and is dated 1557. (Fig. 2) Vestiges of the Dean's Manse and the Archdeacon's Manse (Fig. 3) are now part of private buildings.The hospital of Maison Dieu (the Alms House), dedicated to St Mary and situated near the cathedral precinct but outside the chanonry, was established by Bishop Andreas before 1237 for the aid of the poor. It suffered fire damage in 1390 and again in 1445. The cathedral clerks received it as a secular benefice but in later years it may, in common with other hospitals, have become dilapidated through a lack of patronage. Bishop James Hepburn granted it to the Blackfriars of Elgin on 17 November 1520, perhaps in an effort to preserve its existence. The property was taken into the ownership of the Crown after the Reformation and in 1595 was granted to the burgh by James VI for educational purposes and for helping the poor. In 1624, an almshouse was constructed to replace the original building, but in 1750 a storm substantially damaged its relatively intact ruins. The remnants of the original building were finally demolished during a 19th-century redevelopment of the area.There were two friaries in the burgh. The Dominican Black Friars friary was founded in the western part of the burgh around 1233. The Franciscan (Friars Minor Conventual) Grey Friars friary was later founded in the eastern part of the burgh sometime before 1281. It is thought that this latter Grey Friars foundation did not long survive, but was followed between 1479 and 1513 by the foundation of a friary near Elgin Cathedral by the Franciscan (Observants) Grey Friars. The building was transferred into the ownership of the burgh around 1559 and later became the Court of Justice in 1563. In 1489, the chapter founded a school that was not purely a song school for the cathedral but was also to be available to provide an education in music and reading for some children of Elgin.
Output: Which of the two friaries was founded first?
Passage: The chapter ordered that 13 canons, including the succentor and the archdeacon, should immediately "erect, construct, build, and duly repair their manses, and the enclosures of their gardens within the college of Moray". The manse of the precentor, erroneously called the Bishop's House, is partially ruined and is dated 1557. (Fig. 2) Vestiges of the Dean's Manse and the Archdeacon's Manse (Fig. 3) are now part of private buildings.The hospital of Maison Dieu (the Alms House), dedicated to St Mary and situated near the cathedral precinct but outside the chanonry, was established by Bishop Andreas before 1237 for the aid of the poor. It suffered fire damage in 1390 and again in 1445. The cathedral clerks received it as a secular benefice but in later years it may, in common with other hospitals, have become dilapidated through a lack of patronage. Bishop James Hepburn granted it to the Blackfriars of Elgin on 17 November 1520, perhaps in an effort to preserve its existence. The property was taken into the ownership of the Crown after the Reformation and in 1595 was granted to the burgh by James VI for educational purposes and for helping the poor. In 1624, an almshouse was constructed to replace the original building, but in 1750 a storm substantially damaged its relatively intact ruins. The remnants of the original building were finally demolished during a 19th-century redevelopment of the area.There were two friaries in the burgh. The Dominican Black Friars friary was founded in the western part of the burgh around 1233. The Franciscan (Friars Minor Conventual) Grey Friars friary was later founded in the eastern part of the burgh sometime before 1281. It is thought that this latter Grey Friars foundation did not long survive, but was followed between 1479 and 1513 by the foundation of a friary near Elgin Cathedral by the Franciscan (Observants) Grey Friars. The building was transferred into the ownership of the burgh around 1559 and later became the Court of Justice in 1563. In 1489, the chapter founded a school that was not purely a song school for the cathedral but was also to be available to provide an education in music and reading for some children of Elgin.
Output: Which of the two friaries was founded last?
Passage: The British Parliament's efforts to levy new taxes following the French and Indian War were deeply unpopular in the colonies. In the House of Burgesses, opposition to taxation without representation was led by Patrick Henry and Richard Henry Lee, among others. Virginians began to coordinate their actions with other colonies in 1773, and sent delegates to the Continental Congress the following year. After the House of Burgesses was dissolved by the royal governor in 1774, Virginia's revolutionary leaders continued to govern via the Virginia Conventions. On May 15, 1776, the Convention declared Virginia's independence from the British Empire and adopted George Mason's Virginia Declaration of Rights, which was then included in a new constitution. Another Virginian, Thomas Jefferson, drew upon Mason's work in drafting the national Declaration of Independence.When the American Revolutionary War began, George Washington was selected to head the colonial army. During the war, the capital was moved to Richmond at the urging of Governor Thomas Jefferson, who feared that Williamsburg's coastal location would make it vulnerable to British attack. In 1781, the combined action of Continental and French land and naval forces trapped the British army on the Virginia Peninsula, where troops under George Washington and Comte de Rochambeau defeated British General Cornwallis in the Siege of Yorktown. His surrender on October 19, 1781 led to peace negotiations in Paris and secured the independence of the colonies.Virginians were instrumental in writing the United States Constitution. James Madison drafted the Virginia Plan in 1787 and the Bill of Rights in 1789. Virginia ratified the Constitution on June 25, 1788. The three-fifths compromise ensured that Virginia, with its large number of slaves, initially had the largest bloc in the House of Representatives. Together with the Virginia dynasty of presidents, this gave the Commonwealth national importance. In 1790, both Virginia and Maryland ceded territory to form the new District of Columbia, though the Virginian area was retroceded in 1846. Virginia is called the "Mother of States" because of its role in being carved into states such as Kentucky, which became the 15th state in 1792, and for the numbers of American pioneers born in Virginia.
Output: What is the first name of the person whose work Thomas Jefferson drew upon in drafting the national Declaration of Independence?
Passage: The British Parliament's efforts to levy new taxes following the French and Indian War were deeply unpopular in the colonies. In the House of Burgesses, opposition to taxation without representation was led by Patrick Henry and Richard Henry Lee, among others. Virginians began to coordinate their actions with other colonies in 1773, and sent delegates to the Continental Congress the following year. After the House of Burgesses was dissolved by the royal governor in 1774, Virginia's revolutionary leaders continued to govern via the Virginia Conventions. On May 15, 1776, the Convention declared Virginia's independence from the British Empire and adopted George Mason's Virginia Declaration of Rights, which was then included in a new constitution. Another Virginian, Thomas Jefferson, drew upon Mason's work in drafting the national Declaration of Independence.When the American Revolutionary War began, George Washington was selected to head the colonial army. During the war, the capital was moved to Richmond at the urging of Governor Thomas Jefferson, who feared that Williamsburg's coastal location would make it vulnerable to British attack. In 1781, the combined action of Continental and French land and naval forces trapped the British army on the Virginia Peninsula, where troops under George Washington and Comte de Rochambeau defeated British General Cornwallis in the Siege of Yorktown. His surrender on October 19, 1781 led to peace negotiations in Paris and secured the independence of the colonies.Virginians were instrumental in writing the United States Constitution. James Madison drafted the Virginia Plan in 1787 and the Bill of Rights in 1789. Virginia ratified the Constitution on June 25, 1788. The three-fifths compromise ensured that Virginia, with its large number of slaves, initially had the largest bloc in the House of Representatives. Together with the Virginia dynasty of presidents, this gave the Commonwealth national importance. In 1790, both Virginia and Maryland ceded territory to form the new District of Columbia, though the Virginian area was retroceded in 1846. Virginia is called the "Mother of States" because of its role in being carved into states such as Kentucky, which became the 15th state in 1792, and for the numbers of American pioneers born in Virginia.
Output: What is the name of the person whose surrender led to peace negotiations in Paris and secured the independence of the colonies?