niryuu/sni-each-converted huggingface dataset:
Passage: Though she did not again win the Sulman, she was successful in having works hung in that competition on many occasions, including the 1946, 1947, 1948 and 1950 shows. Bellette continued to paint classical scenes, and around 1950 produced the work Chorus without Iphigenia. Purchased by the National Gallery of Australia in 1976, this oil painting shows five figures, "posed like statues in a tableau vivant, [and who] possess a kind of erotic energy". Anne Gray, the National Gallery's curator, interpreted the scene chosen by Bellette:
Although nothing is happening in this image, we associate the figures with tragedy, with death and mourning – with the classical reference in the painting's title. Iphigenia, Agamemnon's daughter, gave her life for her country when the goddess Artemis asked for it in exchange for favourable winds so that the Greek ships could sail to Troy. Bellette's melancholic painting might be supposed to portray Iphigenia's friends mourning her death.
In 1951, Bellette came second in the Commonwealth Jubilee Art Competition, behind the young Jeffrey Smart. The following year, she won a competitive exhibition sponsored by Metro Goldwyn Mayer, with Girl With Still Life.Although Haefliger never critiqued his wife's exhibitions, others occasionally stepped in to provide reviews in the Herald. Describing her 1950 exhibition at the Macquarie Galleries, one critic considered it "one of the most stimulating and refreshing that has been seen here for a long time" and that "She paints with a strong, sombre palette and her forms are sculptured with great decision. She uses paint sensuously and passionately, as paint, not as so many contemporary Australians do, as mere colour".Two years later, the same reviewer, attending another of the artist's solo Sydney shows, observed that Bellette:.
Output: Who never critiqued Bellette's exhibitions?
Passage: Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music.Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine.
Club play of house tracks by pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes Etc., State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs and producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs.
Output: What are the full names of the people whose 12-minute "Acid Tracks" was recorded to tape?
Passage: Deep house's origins can be traced to Chicago producer Mr Fingers's relatively jazzy, soulful recordings "Mystery of Love" (1985) and "Can You Feel It?" (1986). According to author Richie Unterberger, it moved house music away from its "posthuman tendencies back towards the lush" soulful sound of early disco music.Acid house arose from Chicago artists' experiments with the squelchy Roland TB-303 bass synthesizer, and the style's origins on vinyl is generally cited as Phuture's "Acid Tracks" (1987). Phuture, a group founded by Nathan "DJ Pierre" Jones, Earl "Spanky" Smith Jr., and Herbert "Herb J" Jackson, is credited with having been the first to use the TB-303 in the house music context. The group's 12-minute "Acid Tracks" was recorded to tape and was played by DJ Ron Hardy at the Music Box, where Hardy was resident DJ. Hardy once played it four times over the course of an evening until the crowd responded favorably. The track also utilized a Roland TR-707 drum machine.
Club play of house tracks by pioneering Chicago DJs such as Hardy and Lil Louis, local dance music record shops such as Importes Etc., State Street Records, Loop Records, Gramaphone Records and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago. Later, visiting DJs and producers from Detroit fell into the genre. Trax Records and DJ International Records, Chicago labels with wider distribution, helped popularize house music inside and outside of Chicago. One 1986 house tune called "Move Your Body" by Marshall Jefferson, taken from the appropriately titled "The House Music Anthem" EP, became a big hit in Chicago and eventually worldwide. By 1986, UK labels were releasing house music by Chicago acts, and by 1987 house tracks by Chicago DJs and producers were appearing on and topping the UK music chart. By this time, house music released by Chicago-based labels was considered a must-play in clubs.
Output: What moved house music away from its "posthuman tendencies?
Passage: Most historians describe the contacts between the Mongol Empire and the Western Europeans as a series of attempts, missed opportunities, and failed negotiations. Christopher Atwood, in the 2004 Encyclopedia of Mongolia and the Mongol Empire, summed up the relations between Western Europe and the Mongols: "Despite numerous envoys and the obvious logic of an alliance against mutual enemies, the papacy and the Crusaders never achieved the often-proposed alliance against Islam."A few other historians argue there was an actual alliance, but do not agree on the details: Jean Richard wrote that an alliance began around 1263. Reuven Amitai stated that the closest thing to actual Mongol-Frankish military coordination was when Prince Edward of England attempted to coordinate activities with Abaga in 1271. Amitai also mentioned the other attempts towards cooperation, but said, "In none of these episodes, however, can we speak of Mongols and troops from the Frankish West being on the Syrian mainland at the same time." Timothy May described the alliance as having its peak at the Council of Lyon in 1274, but that it began to unravel in 1275 with the death of Bohemond, and May too admitted that the forces never engaged in joint operations. Alain Demurger, in his own book The Last Templar, said that an alliance was not sealed until 1300.There also continues to be debate about whether or not an alliance would have been a wise idea, and whether the Crusaders at that point in history were even relevant to the Persian-Mongol conflict. The 20th-century historian Glenn Burger said, "The refusal of the Latin Christian states in the area to follow Hethum's example and adapt to changing conditions by allying themselves with the new Mongol empire must stand as one of the saddest of the many failures of Outremer." This was similar to the view of Steven Runciman, who argued, "Had the Mongol alliance been achieved and honestly implemented by the West, the existence of Outremer would almost certainly have been prolonged. The Mameluks would have been crippled if not destroyed; and the Ilkhanate of Persia would have survived as a power friendly to the Christians and the West". However, David Nicolle, describing the Mongols as "potential allies", said that early historians were writing from the benefit of hindsight, and that overall the major players were the Mamluks and the Mongols, with Christians just "pawns in a greater game.".
Output: Who did Jean Richard claim had an alliance around 1263?
Passage: Most historians describe the contacts between the Mongol Empire and the Western Europeans as a series of attempts, missed opportunities, and failed negotiations. Christopher Atwood, in the 2004 Encyclopedia of Mongolia and the Mongol Empire, summed up the relations between Western Europe and the Mongols: "Despite numerous envoys and the obvious logic of an alliance against mutual enemies, the papacy and the Crusaders never achieved the often-proposed alliance against Islam."A few other historians argue there was an actual alliance, but do not agree on the details: Jean Richard wrote that an alliance began around 1263. Reuven Amitai stated that the closest thing to actual Mongol-Frankish military coordination was when Prince Edward of England attempted to coordinate activities with Abaga in 1271. Amitai also mentioned the other attempts towards cooperation, but said, "In none of these episodes, however, can we speak of Mongols and troops from the Frankish West being on the Syrian mainland at the same time." Timothy May described the alliance as having its peak at the Council of Lyon in 1274, but that it began to unravel in 1275 with the death of Bohemond, and May too admitted that the forces never engaged in joint operations. Alain Demurger, in his own book The Last Templar, said that an alliance was not sealed until 1300.There also continues to be debate about whether or not an alliance would have been a wise idea, and whether the Crusaders at that point in history were even relevant to the Persian-Mongol conflict. The 20th-century historian Glenn Burger said, "The refusal of the Latin Christian states in the area to follow Hethum's example and adapt to changing conditions by allying themselves with the new Mongol empire must stand as one of the saddest of the many failures of Outremer." This was similar to the view of Steven Runciman, who argued, "Had the Mongol alliance been achieved and honestly implemented by the West, the existence of Outremer would almost certainly have been prolonged. The Mameluks would have been crippled if not destroyed; and the Ilkhanate of Persia would have survived as a power friendly to the Christians and the West". However, David Nicolle, describing the Mongols as "potential allies", said that early historians were writing from the benefit of hindsight, and that overall the major players were the Mamluks and the Mongols, with Christians just "pawns in a greater game.".
Output: What people would have been crippled by a Mongol Empire and the Western European alliance?
Passage: Max Anderson is being pursued by a Tyrannosaurus until a fissure vent opens in the ground. When he tries to jump across, he calls out his brother's name before falling into the vent. Ten years later, Max's 13-year-old son, Sean Anderson, visits Max's brother, volcanologist Trevor Anderson. In a box of items that belonged to Max is a book, Journey to the Center of the Earth by Jules Verne. Notes written by Max are found inside the book.
In Trevor's volcanology laboratory, a device shows activity on Snæfell, a dormant volcano in Iceland. Trevor and Sean travel to Iceland to investigate. They try to contact Icelandic volcanologist Sigurbjörn Ásgeirsson, but instead encounter his daughter Hannah Ásgeirsdóttir since her father had died some years earlier. It turns out that Sigurbjörn and Max were both Vernians, a group of people who believe the works of Jules Verne to be fact and not fiction.
Hannah offers to help them climb the volcano. While the group is hiking up the volcano, a lightning storm forces them to take shelter in a cave. The cave entrance collapses, trapping them in what appears to be an abandoned mine. The trio rappel down a giant hole and ride on out-of-control mine carts, in which the tracks start to branch off in three ways. Hannah and Trevor save each other from dead-ends and Sean reunites with them. They reach the bottom of a volcanic vent filled with different varieties of crystals, including Diamonds. Sean accidentally drops a diamond, which breaks the Muscovite floor, and they begin to fall towards the center of the Earth. The vent eventually becomes a water slide which drops them safely into a lake in the center of the Earth, which turns out to be a completely separate world contained within the Earth.
Output: What are the full names of the people who rappel down a hole in the mine?
Passage: Max Anderson is being pursued by a Tyrannosaurus until a fissure vent opens in the ground. When he tries to jump across, he calls out his brother's name before falling into the vent. Ten years later, Max's 13-year-old son, Sean Anderson, visits Max's brother, volcanologist Trevor Anderson. In a box of items that belonged to Max is a book, Journey to the Center of the Earth by Jules Verne. Notes written by Max are found inside the book.
In Trevor's volcanology laboratory, a device shows activity on Snæfell, a dormant volcano in Iceland. Trevor and Sean travel to Iceland to investigate. They try to contact Icelandic volcanologist Sigurbjörn Ásgeirsson, but instead encounter his daughter Hannah Ásgeirsdóttir since her father had died some years earlier. It turns out that Sigurbjörn and Max were both Vernians, a group of people who believe the works of Jules Verne to be fact and not fiction.
Hannah offers to help them climb the volcano. While the group is hiking up the volcano, a lightning storm forces them to take shelter in a cave. The cave entrance collapses, trapping them in what appears to be an abandoned mine. The trio rappel down a giant hole and ride on out-of-control mine carts, in which the tracks start to branch off in three ways. Hannah and Trevor save each other from dead-ends and Sean reunites with them. They reach the bottom of a volcanic vent filled with different varieties of crystals, including Diamonds. Sean accidentally drops a diamond, which breaks the Muscovite floor, and they begin to fall towards the center of the Earth. The vent eventually becomes a water slide which drops them safely into a lake in the center of the Earth, which turns out to be a completely separate world contained within the Earth.
Output: What is the full name of the person who wrote inside the book Journey to the Center of the Earth?
Passage: The Perijá tapaculo is a small bird, 10 to 12 cm (3.9 to 4.7 in) in length with an average mass of 17 to 18 grams (around 0.6 oz). The bill averages 6.8 millimetres (0.27 inches) long, 2.9 mm (0.11 in) wide, and 3.5 mm (0.14 in) high. The legs are about 21 mm (0.83 in) long. The Perijá tapaculo's tarsus averages 21.1 millimetres (0.83 in) long. The wings measure 57.4 mm (2.26 in) on average and the tail is about 40 mm (1.6 in) long with between 8 and 12 rectrices.The forehead, lores, crown, mantle, and scapular area are a neutral grey colour. There is a brown spot on the nape. The top of the tail is brown, and the bottom is faintly striped brown. The bird's back and rump are striped brown-sepia, and the throat, breast, and belly are grey-white. Its lower belly and flanks are tawny. The iris is dark brown. Male specimens are distinguished by having less sharp brown spots on their napes, and the bottom of their breasts are mixed with a pale buff colour. The legs are brown on the back and whitish on the front. Young birds have a yellowish appearance with striped brown flanks.The bird's plumage colouration is most similar to the pale-bellied tapaculo. The S. g. morenoi subspecies of the pale-bellied tapaculo can be differentiated from the Perijá tapaculo by its entirely brown back and nape, and its different calls. Juveniles of this subspecies have a dull ventral plumage, while the Perijá tapaculo has a more yellow plumage. It also resembles the Caracas tapaculo but has a duller ventral colour.
Output: How many inches long is the average bill of the Perijá tapaculo?
Passage: The Perijá tapaculo is a small bird, 10 to 12 cm (3.9 to 4.7 in) in length with an average mass of 17 to 18 grams (around 0.6 oz). The bill averages 6.8 millimetres (0.27 inches) long, 2.9 mm (0.11 in) wide, and 3.5 mm (0.14 in) high. The legs are about 21 mm (0.83 in) long. The Perijá tapaculo's tarsus averages 21.1 millimetres (0.83 in) long. The wings measure 57.4 mm (2.26 in) on average and the tail is about 40 mm (1.6 in) long with between 8 and 12 rectrices.The forehead, lores, crown, mantle, and scapular area are a neutral grey colour. There is a brown spot on the nape. The top of the tail is brown, and the bottom is faintly striped brown. The bird's back and rump are striped brown-sepia, and the throat, breast, and belly are grey-white. Its lower belly and flanks are tawny. The iris is dark brown. Male specimens are distinguished by having less sharp brown spots on their napes, and the bottom of their breasts are mixed with a pale buff colour. The legs are brown on the back and whitish on the front. Young birds have a yellowish appearance with striped brown flanks.The bird's plumage colouration is most similar to the pale-bellied tapaculo. The S. g. morenoi subspecies of the pale-bellied tapaculo can be differentiated from the Perijá tapaculo by its entirely brown back and nape, and its different calls. Juveniles of this subspecies have a dull ventral plumage, while the Perijá tapaculo has a more yellow plumage. It also resembles the Caracas tapaculo but has a duller ventral colour.
Output: What gender of the Perijá tapaculo have brown on the back of their legs and whitish on the front?
Passage: Nina Sayers is a 28-year-old dancer in a New York City ballet company, which is preparing to open its new season with Tchaikovsky's Swan Lake.  With prima ballerina Beth MacIntyre being forced into retirement, artistic director Thomas Leroy announces he is looking for a new dancer to portray the dual role of the innocent White Swan and the sensual Black Swan.  Nina auditions for the role and gives a flawless performance as the White Swan, but fails to embody the Black Swan.
The following day, Nina asks Thomas to reconsider choosing her to play the role.  When he forcibly kisses her, she bites him before running out of his office.  Later that day, Nina sees the cast list and discovers, much to her surprise and that of her overprotective mother Erica, she will be portraying the lead.  At a gala celebrating the new season, an intoxicated Beth confronts Nina, accusing her of sleeping with Thomas to get the role.  The following day, Nina discovers that Beth was hit by a car while walking in the street and Thomas believes she did it on purpose.
During rehearsals, Thomas tells Nina to observe new dancer Lily, whom he describes as possessing an uninhibited quality that Nina lacks. Nina also falls victim to several hallucinations of a doppelgänger following her wherever she goes and finds unexplained scratch marks on her back. One night, Nina accepts Lily's invitation to dinner despite Erica's objections.
Output: Who did Nina attack when he kissed her?
Passage: Set in a rural environs outside the fictional town of Raupo in New Zealand, the film centres on sheep and cattle farmer Wal Footrot and his border collie sheepdog named Dog. Wal is assisted on his farm, Footrot Flats, by his nature-loving neighbour Cooch Windgrass, local boy Rangi Jones and Wal's niece Pongo Footrot. 
Wal and Cooch are menaced by their unpleasant neighbours, the Murphys, comprising patriarch Irish and his two sons Spit and Hunk, who attempt to steal Cooch's deer and stag. When the Murphys buzz Wal's shearing shed from their "deer slayer" helicopter, Dog is stampeded into a sheep dip and starts to drown. This prompts a flashback sequence in which Dog recalls being given as a puppy to Wal by Aunt Dolly, and first meeting his future girlfriend Jess. 
Wal's two non-farming preoccupations are his girlfriend, local hairdresser Cheeky Hobson, and impressing a selector for New Zealand's national rugby team, the All Blacks. Dog opposes Wal's relationship with Cheeky, but has problems of his own when Jess is swept away in a flood and ends up at the Murphys' farm, where she is threatened by rats and ferocious "croco-pigs". Dog saves Jess from the rats, but the two dogs are then hunted by Irish Murphy. Meanwhile, Rangi has managed to get Wal away from a rugby game and over to the Murphys' farm. Dog and Jess end up floating out toward the sea on a raft with the fearless cat Horse, who has been shot by Irish. Rangi and Wal rescue Jess, but Dog and Horse are swept out to sea. Wal, Rangi, Pongo, Cooch and Jess rush to the beach but cannot see Dog or Horse. The two are given up for dead, before surfing in on a giant wave that dumps them ashore.
Output: Who recalls meeting his future wife?
Passage: Set in a rural environs outside the fictional town of Raupo in New Zealand, the film centres on sheep and cattle farmer Wal Footrot and his border collie sheepdog named Dog. Wal is assisted on his farm, Footrot Flats, by his nature-loving neighbour Cooch Windgrass, local boy Rangi Jones and Wal's niece Pongo Footrot. 
Wal and Cooch are menaced by their unpleasant neighbours, the Murphys, comprising patriarch Irish and his two sons Spit and Hunk, who attempt to steal Cooch's deer and stag. When the Murphys buzz Wal's shearing shed from their "deer slayer" helicopter, Dog is stampeded into a sheep dip and starts to drown. This prompts a flashback sequence in which Dog recalls being given as a puppy to Wal by Aunt Dolly, and first meeting his future girlfriend Jess. 
Wal's two non-farming preoccupations are his girlfriend, local hairdresser Cheeky Hobson, and impressing a selector for New Zealand's national rugby team, the All Blacks. Dog opposes Wal's relationship with Cheeky, but has problems of his own when Jess is swept away in a flood and ends up at the Murphys' farm, where she is threatened by rats and ferocious "croco-pigs". Dog saves Jess from the rats, but the two dogs are then hunted by Irish Murphy. Meanwhile, Rangi has managed to get Wal away from a rugby game and over to the Murphys' farm. Dog and Jess end up floating out toward the sea on a raft with the fearless cat Horse, who has been shot by Irish. Rangi and Wal rescue Jess, but Dog and Horse are swept out to sea. Wal, Rangi, Pongo, Cooch and Jess rush to the beach but cannot see Dog or Horse. The two are given up for dead, before surfing in on a giant wave that dumps them ashore.
Output: What are the names of the characters that were dumped ashore?
Passage: "The World Is Not Enough" received mainly positive reviews from music critics. Kerrang! magazine noted that "Nothing takes a band into the truly immortal like a Bond theme, and Garbage's ever-burgeoning celebrity will be done no harm whatsoever by this appropriately lush and orchestral anthem." A Radio Times reviewer wrote that the song "sounds like Shirley Bassey revisited", while AllMusic's Steve Thomas Erlewine wrote that Garbage "expertly modernized the classic Bond sound, while turning in a strong melodic tune. A first class theme song". PopMatters called the song a "top-notch Bond theme", following the Shirley Bassey template. In a Billboard review, Chuck Taylor wrote that Garbage was an inspired choice and the song "rings of international intrigue, with the slinky gait, noir-ish guitar line and grand chorus we have come to expect ... the song's darkly sexy, electronic ambience is wholly in keeping with Garbage's distinctive soundprint. [It is] not only the best 007 theme in eons, it is a great Garbage track that should thrill fans of band and Bond alike". IGN ranked "The World Is Not Enough" ninth on its list of top 10 James Bond songs: "Shirley Manson's warbling croon is a perfect fit for an opening sequence and her bandmates gel well with Arnold's sweeping symphonics."Negative reviews revolved around the theme's classic Bond sound. LAUNCHcast's James Poletti called the song a "perfectly competent Bond theme", but "the formula seems a little too easy. Perhaps they would have done better to rise to the challenge of doing something a little different, something a little more knowingly tongue-in-cheek." Melody Maker stated, "You know what this sounds like before you hear it. If the people in charge want Garbage, then why not let them do what Garbage do?" In its review of Absolute Garbage, Pitchfork called the song a "predictable 'Goldfinger' permutation signaling the band's limitless affinity for big-budget theatrics."The song appeared in two "best of 1999" radio-station polls: number 87 in 89X's Top 89 Songs of 1999 and number 100 in Q101's Top 101 of 1999. In 2012 Grantland ranked "The World Is Not Enough" the second-best Bond song of all time, behind "Goldfinger".
Output: What is the full name of the person whose bandmates gel well with Arnold's sweeping symphonics?
Passage: "The World Is Not Enough" received mainly positive reviews from music critics. Kerrang! magazine noted that "Nothing takes a band into the truly immortal like a Bond theme, and Garbage's ever-burgeoning celebrity will be done no harm whatsoever by this appropriately lush and orchestral anthem." A Radio Times reviewer wrote that the song "sounds like Shirley Bassey revisited", while AllMusic's Steve Thomas Erlewine wrote that Garbage "expertly modernized the classic Bond sound, while turning in a strong melodic tune. A first class theme song". PopMatters called the song a "top-notch Bond theme", following the Shirley Bassey template. In a Billboard review, Chuck Taylor wrote that Garbage was an inspired choice and the song "rings of international intrigue, with the slinky gait, noir-ish guitar line and grand chorus we have come to expect ... the song's darkly sexy, electronic ambience is wholly in keeping with Garbage's distinctive soundprint. [It is] not only the best 007 theme in eons, it is a great Garbage track that should thrill fans of band and Bond alike". IGN ranked "The World Is Not Enough" ninth on its list of top 10 James Bond songs: "Shirley Manson's warbling croon is a perfect fit for an opening sequence and her bandmates gel well with Arnold's sweeping symphonics."Negative reviews revolved around the theme's classic Bond sound. LAUNCHcast's James Poletti called the song a "perfectly competent Bond theme", but "the formula seems a little too easy. Perhaps they would have done better to rise to the challenge of doing something a little different, something a little more knowingly tongue-in-cheek." Melody Maker stated, "You know what this sounds like before you hear it. If the people in charge want Garbage, then why not let them do what Garbage do?" In its review of Absolute Garbage, Pitchfork called the song a "predictable 'Goldfinger' permutation signaling the band's limitless affinity for big-budget theatrics."The song appeared in two "best of 1999" radio-station polls: number 87 in 89X's Top 89 Songs of 1999 and number 100 in Q101's Top 101 of 1999. In 2012 Grantland ranked "The World Is Not Enough" the second-best Bond song of all time, behind "Goldfinger".
Output: What is the name of the song Poletti called a "perfectly competent Bond theme"?
Passage: "The World Is Not Enough" received mainly positive reviews from music critics. Kerrang! magazine noted that "Nothing takes a band into the truly immortal like a Bond theme, and Garbage's ever-burgeoning celebrity will be done no harm whatsoever by this appropriately lush and orchestral anthem." A Radio Times reviewer wrote that the song "sounds like Shirley Bassey revisited", while AllMusic's Steve Thomas Erlewine wrote that Garbage "expertly modernized the classic Bond sound, while turning in a strong melodic tune. A first class theme song". PopMatters called the song a "top-notch Bond theme", following the Shirley Bassey template. In a Billboard review, Chuck Taylor wrote that Garbage was an inspired choice and the song "rings of international intrigue, with the slinky gait, noir-ish guitar line and grand chorus we have come to expect ... the song's darkly sexy, electronic ambience is wholly in keeping with Garbage's distinctive soundprint. [It is] not only the best 007 theme in eons, it is a great Garbage track that should thrill fans of band and Bond alike". IGN ranked "The World Is Not Enough" ninth on its list of top 10 James Bond songs: "Shirley Manson's warbling croon is a perfect fit for an opening sequence and her bandmates gel well with Arnold's sweeping symphonics."Negative reviews revolved around the theme's classic Bond sound. LAUNCHcast's James Poletti called the song a "perfectly competent Bond theme", but "the formula seems a little too easy. Perhaps they would have done better to rise to the challenge of doing something a little different, something a little more knowingly tongue-in-cheek." Melody Maker stated, "You know what this sounds like before you hear it. If the people in charge want Garbage, then why not let them do what Garbage do?" In its review of Absolute Garbage, Pitchfork called the song a "predictable 'Goldfinger' permutation signaling the band's limitless affinity for big-budget theatrics."The song appeared in two "best of 1999" radio-station polls: number 87 in 89X's Top 89 Songs of 1999 and number 100 in Q101's Top 101 of 1999. In 2012 Grantland ranked "The World Is Not Enough" the second-best Bond song of all time, behind "Goldfinger".
Output: What is the name of the song that appeared in two "best of 1999" radio-station polls?
Passage: Joe Dirt is the janitor at a Los Angeles radio station. A producer drags him into the studio to talk live on the air with famous a disc jockey, shock jock Zander Kelly.
Joe tells his life story. As a baby, he had a mullet wig installed because the top of his skull had never formed. At age 8, he was left behind by his parents and sister at the Grand Canyon. He does not know his real surname. After growing up in a series of foster homes and travelling on the road as a kid while camping in the woods, Joe arrived in Silvertown, a small town in the Pacific Northwest, where he met the beautiful Brandy and her dog, Charlie, and became a target for jealousy from Robby, the town bully.
After Brandy's alcoholic father shoots Charlie dead, Joe decides to try to find his parents. He strikes up a friendship with Kicking Wing, an unsuccessful Native American fireworks salesman. In Indiana, Joe has an encounter with a skin cannibal named Buffalo Bob. This brings him unwanted attention from the media, but helps his search.  He travels to Louisiana and works as a high school janitor with "Clem Doore", a former NYC mobster in the Witness Protection Program, with whom he becomes good friends. Joe discovers the address of his old family home and travels to Baton Rouge.
Listening to Joe's story, both Zander and the radio audience initially find him an object of scorn, but Joe's kindness and optimistic outlook on life, as well as his good-natured self deprecation, win them over.
Output: What's the first name of the person missing the top of their skull?
Passage: Joe Dirt is the janitor at a Los Angeles radio station. A producer drags him into the studio to talk live on the air with famous a disc jockey, shock jock Zander Kelly.
Joe tells his life story. As a baby, he had a mullet wig installed because the top of his skull had never formed. At age 8, he was left behind by his parents and sister at the Grand Canyon. He does not know his real surname. After growing up in a series of foster homes and travelling on the road as a kid while camping in the woods, Joe arrived in Silvertown, a small town in the Pacific Northwest, where he met the beautiful Brandy and her dog, Charlie, and became a target for jealousy from Robby, the town bully.
After Brandy's alcoholic father shoots Charlie dead, Joe decides to try to find his parents. He strikes up a friendship with Kicking Wing, an unsuccessful Native American fireworks salesman. In Indiana, Joe has an encounter with a skin cannibal named Buffalo Bob. This brings him unwanted attention from the media, but helps his search.  He travels to Louisiana and works as a high school janitor with "Clem Doore", a former NYC mobster in the Witness Protection Program, with whom he becomes good friends. Joe discovers the address of his old family home and travels to Baton Rouge.
Listening to Joe's story, both Zander and the radio audience initially find him an object of scorn, but Joe's kindness and optimistic outlook on life, as well as his good-natured self deprecation, win them over.
Output: What's the first name of the new arrival the town bully is jealous of?
Passage: Joe Dirt is the janitor at a Los Angeles radio station. A producer drags him into the studio to talk live on the air with famous a disc jockey, shock jock Zander Kelly.
Joe tells his life story. As a baby, he had a mullet wig installed because the top of his skull had never formed. At age 8, he was left behind by his parents and sister at the Grand Canyon. He does not know his real surname. After growing up in a series of foster homes and travelling on the road as a kid while camping in the woods, Joe arrived in Silvertown, a small town in the Pacific Northwest, where he met the beautiful Brandy and her dog, Charlie, and became a target for jealousy from Robby, the town bully.
After Brandy's alcoholic father shoots Charlie dead, Joe decides to try to find his parents. He strikes up a friendship with Kicking Wing, an unsuccessful Native American fireworks salesman. In Indiana, Joe has an encounter with a skin cannibal named Buffalo Bob. This brings him unwanted attention from the media, but helps his search.  He travels to Louisiana and works as a high school janitor with "Clem Doore", a former NYC mobster in the Witness Protection Program, with whom he becomes good friends. Joe discovers the address of his old family home and travels to Baton Rouge.
Listening to Joe's story, both Zander and the radio audience initially find him an object of scorn, but Joe's kindness and optimistic outlook on life, as well as his good-natured self deprecation, win them over.
Output: Whose dog does the alcoholic father kill?
Passage: Joe Dirt is the janitor at a Los Angeles radio station. A producer drags him into the studio to talk live on the air with famous a disc jockey, shock jock Zander Kelly.
Joe tells his life story. As a baby, he had a mullet wig installed because the top of his skull had never formed. At age 8, he was left behind by his parents and sister at the Grand Canyon. He does not know his real surname. After growing up in a series of foster homes and travelling on the road as a kid while camping in the woods, Joe arrived in Silvertown, a small town in the Pacific Northwest, where he met the beautiful Brandy and her dog, Charlie, and became a target for jealousy from Robby, the town bully.
After Brandy's alcoholic father shoots Charlie dead, Joe decides to try to find his parents. He strikes up a friendship with Kicking Wing, an unsuccessful Native American fireworks salesman. In Indiana, Joe has an encounter with a skin cannibal named Buffalo Bob. This brings him unwanted attention from the media, but helps his search.  He travels to Louisiana and works as a high school janitor with "Clem Doore", a former NYC mobster in the Witness Protection Program, with whom he becomes good friends. Joe discovers the address of his old family home and travels to Baton Rouge.
Listening to Joe's story, both Zander and the radio audience initially find him an object of scorn, but Joe's kindness and optimistic outlook on life, as well as his good-natured self deprecation, win them over.
Output: Who is the janitor telling his story to?
Passage: Joe Dirt is the janitor at a Los Angeles radio station. A producer drags him into the studio to talk live on the air with famous a disc jockey, shock jock Zander Kelly.
Joe tells his life story. As a baby, he had a mullet wig installed because the top of his skull had never formed. At age 8, he was left behind by his parents and sister at the Grand Canyon. He does not know his real surname. After growing up in a series of foster homes and travelling on the road as a kid while camping in the woods, Joe arrived in Silvertown, a small town in the Pacific Northwest, where he met the beautiful Brandy and her dog, Charlie, and became a target for jealousy from Robby, the town bully.
After Brandy's alcoholic father shoots Charlie dead, Joe decides to try to find his parents. He strikes up a friendship with Kicking Wing, an unsuccessful Native American fireworks salesman. In Indiana, Joe has an encounter with a skin cannibal named Buffalo Bob. This brings him unwanted attention from the media, but helps his search.  He travels to Louisiana and works as a high school janitor with "Clem Doore", a former NYC mobster in the Witness Protection Program, with whom he becomes good friends. Joe discovers the address of his old family home and travels to Baton Rouge.
Listening to Joe's story, both Zander and the radio audience initially find him an object of scorn, but Joe's kindness and optimistic outlook on life, as well as his good-natured self deprecation, win them over.
Output: What is the former mobster's profession?
Passage: Joe Dirt is the janitor at a Los Angeles radio station. A producer drags him into the studio to talk live on the air with famous a disc jockey, shock jock Zander Kelly.
Joe tells his life story. As a baby, he had a mullet wig installed because the top of his skull had never formed. At age 8, he was left behind by his parents and sister at the Grand Canyon. He does not know his real surname. After growing up in a series of foster homes and travelling on the road as a kid while camping in the woods, Joe arrived in Silvertown, a small town in the Pacific Northwest, where he met the beautiful Brandy and her dog, Charlie, and became a target for jealousy from Robby, the town bully.
After Brandy's alcoholic father shoots Charlie dead, Joe decides to try to find his parents. He strikes up a friendship with Kicking Wing, an unsuccessful Native American fireworks salesman. In Indiana, Joe has an encounter with a skin cannibal named Buffalo Bob. This brings him unwanted attention from the media, but helps his search.  He travels to Louisiana and works as a high school janitor with "Clem Doore", a former NYC mobster in the Witness Protection Program, with whom he becomes good friends. Joe discovers the address of his old family home and travels to Baton Rouge.
Listening to Joe's story, both Zander and the radio audience initially find him an object of scorn, but Joe's kindness and optimistic outlook on life, as well as his good-natured self deprecation, win them over.
Output: Where does the janitor meet the man who would become his good friend?
Passage: Joe Dirt is the janitor at a Los Angeles radio station. A producer drags him into the studio to talk live on the air with famous a disc jockey, shock jock Zander Kelly.
Joe tells his life story. As a baby, he had a mullet wig installed because the top of his skull had never formed. At age 8, he was left behind by his parents and sister at the Grand Canyon. He does not know his real surname. After growing up in a series of foster homes and travelling on the road as a kid while camping in the woods, Joe arrived in Silvertown, a small town in the Pacific Northwest, where he met the beautiful Brandy and her dog, Charlie, and became a target for jealousy from Robby, the town bully.
After Brandy's alcoholic father shoots Charlie dead, Joe decides to try to find his parents. He strikes up a friendship with Kicking Wing, an unsuccessful Native American fireworks salesman. In Indiana, Joe has an encounter with a skin cannibal named Buffalo Bob. This brings him unwanted attention from the media, but helps his search.  He travels to Louisiana and works as a high school janitor with "Clem Doore", a former NYC mobster in the Witness Protection Program, with whom he becomes good friends. Joe discovers the address of his old family home and travels to Baton Rouge.
Listening to Joe's story, both Zander and the radio audience initially find him an object of scorn, but Joe's kindness and optimistic outlook on life, as well as his good-natured self deprecation, win them over.
Output: Where does the radio station janitor meet Charlie's owner?
Passage: The exact time of the liftoff varies from source to source and is mentioned as 05:30:42 Moscow Time or 07:22 Moscow Time.At peak acceleration Laika's respiration increased to between three and four times the pre-launch rate. The sensors showed her heart rate was 103 beats/min before launch and increased to 240 beats/min during the early acceleration. After reaching orbit, Sputnik 2's nose cone was jettisoned successfully; however the "Block A" core did not separate as planned, preventing the thermal control system from operating correctly. Some of the thermal insulation tore loose, raising the cabin temperature to 40 °C (104 °F). After three hours of weightlessness, Laika's pulse rate had settled back to 102 beats/min, three times longer than it had taken during earlier ground tests, an indication of the stress she was under. The early telemetry indicated that Laika was agitated but eating her food. After approximately five to seven hours into the flight, no further signs of life were received from the spacecraft.The Soviet scientists had planned to euthanise Laika with a poisoned serving of food. For many years, the Soviet Union gave conflicting statements that she had died either from asphyxia, when the batteries failed, or that she had been euthanised. Many rumours circulated about the exact manner of her death. In 1999, several Russian sources reported that Laika had died when the cabin overheated on the fourth orbit. In October 2002, Dimitri Malashenkov, one of the scientists behind the Sputnik 2 mission, revealed that Laika had died by the fourth circuit of flight from overheating. According to a paper he presented to the World Space Congress in Houston, Texas, "It turned out that it was practically impossible to create a reliable temperature control system in such limited time constraints."Over five months later, after 2,570 orbits, Sputnik 2—including Laika's remains—disintegrated during re-entry on 14 April 1958.
Output: What was Laika's maximum heart rate 3 hours before weightlessness.?
Passage: The exact time of the liftoff varies from source to source and is mentioned as 05:30:42 Moscow Time or 07:22 Moscow Time.At peak acceleration Laika's respiration increased to between three and four times the pre-launch rate. The sensors showed her heart rate was 103 beats/min before launch and increased to 240 beats/min during the early acceleration. After reaching orbit, Sputnik 2's nose cone was jettisoned successfully; however the "Block A" core did not separate as planned, preventing the thermal control system from operating correctly. Some of the thermal insulation tore loose, raising the cabin temperature to 40 °C (104 °F). After three hours of weightlessness, Laika's pulse rate had settled back to 102 beats/min, three times longer than it had taken during earlier ground tests, an indication of the stress she was under. The early telemetry indicated that Laika was agitated but eating her food. After approximately five to seven hours into the flight, no further signs of life were received from the spacecraft.The Soviet scientists had planned to euthanise Laika with a poisoned serving of food. For many years, the Soviet Union gave conflicting statements that she had died either from asphyxia, when the batteries failed, or that she had been euthanised. Many rumours circulated about the exact manner of her death. In 1999, several Russian sources reported that Laika had died when the cabin overheated on the fourth orbit. In October 2002, Dimitri Malashenkov, one of the scientists behind the Sputnik 2 mission, revealed that Laika had died by the fourth circuit of flight from overheating. According to a paper he presented to the World Space Congress in Houston, Texas, "It turned out that it was practically impossible to create a reliable temperature control system in such limited time constraints."Over five months later, after 2,570 orbits, Sputnik 2—including Laika's remains—disintegrated during re-entry on 14 April 1958.
Output: What was the full name of the scientist who stated that it was practically impossible to create a reliable temperature control system in such limited time constraints?
Passage: The exact time of the liftoff varies from source to source and is mentioned as 05:30:42 Moscow Time or 07:22 Moscow Time.At peak acceleration Laika's respiration increased to between three and four times the pre-launch rate. The sensors showed her heart rate was 103 beats/min before launch and increased to 240 beats/min during the early acceleration. After reaching orbit, Sputnik 2's nose cone was jettisoned successfully; however the "Block A" core did not separate as planned, preventing the thermal control system from operating correctly. Some of the thermal insulation tore loose, raising the cabin temperature to 40 °C (104 °F). After three hours of weightlessness, Laika's pulse rate had settled back to 102 beats/min, three times longer than it had taken during earlier ground tests, an indication of the stress she was under. The early telemetry indicated that Laika was agitated but eating her food. After approximately five to seven hours into the flight, no further signs of life were received from the spacecraft.The Soviet scientists had planned to euthanise Laika with a poisoned serving of food. For many years, the Soviet Union gave conflicting statements that she had died either from asphyxia, when the batteries failed, or that she had been euthanised. Many rumours circulated about the exact manner of her death. In 1999, several Russian sources reported that Laika had died when the cabin overheated on the fourth orbit. In October 2002, Dimitri Malashenkov, one of the scientists behind the Sputnik 2 mission, revealed that Laika had died by the fourth circuit of flight from overheating. According to a paper he presented to the World Space Congress in Houston, Texas, "It turned out that it was practically impossible to create a reliable temperature control system in such limited time constraints."Over five months later, after 2,570 orbits, Sputnik 2—including Laika's remains—disintegrated during re-entry on 14 April 1958.
Output: In what city did Dimitri Malashenkov submit a paper explaining how Laika died?
Passage: The exact time of the liftoff varies from source to source and is mentioned as 05:30:42 Moscow Time or 07:22 Moscow Time.At peak acceleration Laika's respiration increased to between three and four times the pre-launch rate. The sensors showed her heart rate was 103 beats/min before launch and increased to 240 beats/min during the early acceleration. After reaching orbit, Sputnik 2's nose cone was jettisoned successfully; however the "Block A" core did not separate as planned, preventing the thermal control system from operating correctly. Some of the thermal insulation tore loose, raising the cabin temperature to 40 °C (104 °F). After three hours of weightlessness, Laika's pulse rate had settled back to 102 beats/min, three times longer than it had taken during earlier ground tests, an indication of the stress she was under. The early telemetry indicated that Laika was agitated but eating her food. After approximately five to seven hours into the flight, no further signs of life were received from the spacecraft.The Soviet scientists had planned to euthanise Laika with a poisoned serving of food. For many years, the Soviet Union gave conflicting statements that she had died either from asphyxia, when the batteries failed, or that she had been euthanised. Many rumours circulated about the exact manner of her death. In 1999, several Russian sources reported that Laika had died when the cabin overheated on the fourth orbit. In October 2002, Dimitri Malashenkov, one of the scientists behind the Sputnik 2 mission, revealed that Laika had died by the fourth circuit of flight from overheating. According to a paper he presented to the World Space Congress in Houston, Texas, "It turned out that it was practically impossible to create a reliable temperature control system in such limited time constraints."Over five months later, after 2,570 orbits, Sputnik 2—including Laika's remains—disintegrated during re-entry on 14 April 1958.
Output: What were three reasons the Soviet Union gave as reasons for Laika's death?