niryuu/sni-each-converted huggingface dataset:
Passage: "Climbing over rocky mountain" is the best known piece from Thespis, as it was transplanted in 1879 into one of Gilbert and Sullivan's most successful operas, The Pirates of Penzance. In 1902, Gilbert told a correspondent that this had happened accidentally. He and Sullivan had arrived in New York to produce the new opera, but the composer discovered that he had left his sketches behind in England. Fortunately, the entrance chorus from Thespis fitted the situation almost exactly, so it was substituted instead.Several scholars have doubted that explanation. In Sullivan's autograph score for the later work, the first part of "Climbing over rocky mountain" is actually taken from a Thespis copyist score, with the Thespis words cancelled and the new words written in, which raises the question of why Sullivan had a Thespis score to hand, if not for that purpose.Some suggest that other music from Thespis could have been used in Pirates. Goldberg suggests that "It is reasonable to believe that Sullivan made generous use of his Thespis music in other operettas: perhaps owing to the circumstances under which The Pirates of Penzance was written, it contains more than one unacknowledged borrowing from the unlucky firstling of the lucky pair." Reginald Allen says that "it seems certain" from its "rhythmic structure" that part of the Act I finale of Thespis, "Here's a pretty tale for future Iliads and Odysseys" became the original Act II finale in Pirates, "At length we are provided with unusual felicity", which was later deleted. Tillett and Spencer propose that most of Act I of Pirates was taken from Thespis. However, there is only circumstantial evidence for these suggestions. Except for "Climbing over rocky mountain", neither author admitted to borrowing from Thespis for later works.
Output: What are the last names of the "lucky pair" that Goldberg speaks of?
Passage: Opeth entered Fascination Street Studios in November 2007 to record their ninth studio album, with Åkerfeldt producing. By January 2008, Opeth had recorded 13 songs, including three cover songs. The finished album, Watershed, features seven tracks, with cover songs used as bonus tracks on different versions of the album. Watershed was released on June 3, 2008. Åkerfeldt described the songs on the album as "a bit more energetic". Opeth toured in support of Watershed, including headlining the UK Defenders of the Faith tour with Arch Enemy, an appearance at Wacken Open Air, and the Progressive Nation tour with headliner Dream Theater. Watershed was Opeth's highest-charting album to date, debuting at number 23 on the US Billboard 200, on the Australian ARIA album charts at number seven and at number one on Finland's official album chart. Opeth went on a worldwide tour in support of Watershed. From September to October, the band toured North America backed by High on Fire, Baroness, and Nachtmystium. They returned to tour Europe for the rest of the year with Cynic and The Ocean.In 2010, Opeth wrote and recorded the new track, "The Throat of Winter", which appeared on the digital EP soundtrack of the video game, God of War III. Åkerfeldt described the song as "odd" and "not very metal." To celebrate their 20th anniversary, Opeth performed a six-show, worldwide tour called Evolution XX: An Opeth Anthology, from March 30 through April 9, 2010. Blackwater Park was performed in its entirety, along with several songs never before performed. The concert of April 5, 2010, at the Royal Albert Hall in London, England was filmed for a DVD and live album package titled In Live Concert at the Royal Albert Hall. The set was released on September 21, 2010, in 2-DVD and 2-DVD/3-CD configurations. For the DVD the concert was split into two sets. The first set consists of the entire Blackwater Park album, while the second set contains one song from every album excluding Blackwater Park, in chronological order representing the twenty years of "evolution" in their music. Åkerfeldt stated, "I can't believe it, but, fuck, we're celebrating 20 years. I've been in this band ever since I was 16. It's insane." A special edition of Blackwater Park was released in March 2010 to coincide with the tour.
Output: What four bands went on a worldwide tour together?
Passage: Opeth entered Fascination Street Studios in November 2007 to record their ninth studio album, with Åkerfeldt producing. By January 2008, Opeth had recorded 13 songs, including three cover songs. The finished album, Watershed, features seven tracks, with cover songs used as bonus tracks on different versions of the album. Watershed was released on June 3, 2008. Åkerfeldt described the songs on the album as "a bit more energetic". Opeth toured in support of Watershed, including headlining the UK Defenders of the Faith tour with Arch Enemy, an appearance at Wacken Open Air, and the Progressive Nation tour with headliner Dream Theater. Watershed was Opeth's highest-charting album to date, debuting at number 23 on the US Billboard 200, on the Australian ARIA album charts at number seven and at number one on Finland's official album chart. Opeth went on a worldwide tour in support of Watershed. From September to October, the band toured North America backed by High on Fire, Baroness, and Nachtmystium. They returned to tour Europe for the rest of the year with Cynic and The Ocean.In 2010, Opeth wrote and recorded the new track, "The Throat of Winter", which appeared on the digital EP soundtrack of the video game, God of War III. Åkerfeldt described the song as "odd" and "not very metal." To celebrate their 20th anniversary, Opeth performed a six-show, worldwide tour called Evolution XX: An Opeth Anthology, from March 30 through April 9, 2010. Blackwater Park was performed in its entirety, along with several songs never before performed. The concert of April 5, 2010, at the Royal Albert Hall in London, England was filmed for a DVD and live album package titled In Live Concert at the Royal Albert Hall. The set was released on September 21, 2010, in 2-DVD and 2-DVD/3-CD configurations. For the DVD the concert was split into two sets. The first set consists of the entire Blackwater Park album, while the second set contains one song from every album excluding Blackwater Park, in chronological order representing the twenty years of "evolution" in their music. Åkerfeldt stated, "I can't believe it, but, fuck, we're celebrating 20 years. I've been in this band ever since I was 16. It's insane." A special edition of Blackwater Park was released in March 2010 to coincide with the tour.
Output: What is the name of the band that toured North America backed by High on Fire, Baroness, and Nachtmystium?
Passage: Opeth entered Fascination Street Studios in November 2007 to record their ninth studio album, with Åkerfeldt producing. By January 2008, Opeth had recorded 13 songs, including three cover songs. The finished album, Watershed, features seven tracks, with cover songs used as bonus tracks on different versions of the album. Watershed was released on June 3, 2008. Åkerfeldt described the songs on the album as "a bit more energetic". Opeth toured in support of Watershed, including headlining the UK Defenders of the Faith tour with Arch Enemy, an appearance at Wacken Open Air, and the Progressive Nation tour with headliner Dream Theater. Watershed was Opeth's highest-charting album to date, debuting at number 23 on the US Billboard 200, on the Australian ARIA album charts at number seven and at number one on Finland's official album chart. Opeth went on a worldwide tour in support of Watershed. From September to October, the band toured North America backed by High on Fire, Baroness, and Nachtmystium. They returned to tour Europe for the rest of the year with Cynic and The Ocean.In 2010, Opeth wrote and recorded the new track, "The Throat of Winter", which appeared on the digital EP soundtrack of the video game, God of War III. Åkerfeldt described the song as "odd" and "not very metal." To celebrate their 20th anniversary, Opeth performed a six-show, worldwide tour called Evolution XX: An Opeth Anthology, from March 30 through April 9, 2010. Blackwater Park was performed in its entirety, along with several songs never before performed. The concert of April 5, 2010, at the Royal Albert Hall in London, England was filmed for a DVD and live album package titled In Live Concert at the Royal Albert Hall. The set was released on September 21, 2010, in 2-DVD and 2-DVD/3-CD configurations. For the DVD the concert was split into two sets. The first set consists of the entire Blackwater Park album, while the second set contains one song from every album excluding Blackwater Park, in chronological order representing the twenty years of "evolution" in their music. Åkerfeldt stated, "I can't believe it, but, fuck, we're celebrating 20 years. I've been in this band ever since I was 16. It's insane." A special edition of Blackwater Park was released in March 2010 to coincide with the tour.
Output: What is the name of the band that toured Europe with Cynic and The Ocean?
Passage: Opeth entered Fascination Street Studios in November 2007 to record their ninth studio album, with Åkerfeldt producing. By January 2008, Opeth had recorded 13 songs, including three cover songs. The finished album, Watershed, features seven tracks, with cover songs used as bonus tracks on different versions of the album. Watershed was released on June 3, 2008. Åkerfeldt described the songs on the album as "a bit more energetic". Opeth toured in support of Watershed, including headlining the UK Defenders of the Faith tour with Arch Enemy, an appearance at Wacken Open Air, and the Progressive Nation tour with headliner Dream Theater. Watershed was Opeth's highest-charting album to date, debuting at number 23 on the US Billboard 200, on the Australian ARIA album charts at number seven and at number one on Finland's official album chart. Opeth went on a worldwide tour in support of Watershed. From September to October, the band toured North America backed by High on Fire, Baroness, and Nachtmystium. They returned to tour Europe for the rest of the year with Cynic and The Ocean.In 2010, Opeth wrote and recorded the new track, "The Throat of Winter", which appeared on the digital EP soundtrack of the video game, God of War III. Åkerfeldt described the song as "odd" and "not very metal." To celebrate their 20th anniversary, Opeth performed a six-show, worldwide tour called Evolution XX: An Opeth Anthology, from March 30 through April 9, 2010. Blackwater Park was performed in its entirety, along with several songs never before performed. The concert of April 5, 2010, at the Royal Albert Hall in London, England was filmed for a DVD and live album package titled In Live Concert at the Royal Albert Hall. The set was released on September 21, 2010, in 2-DVD and 2-DVD/3-CD configurations. For the DVD the concert was split into two sets. The first set consists of the entire Blackwater Park album, while the second set contains one song from every album excluding Blackwater Park, in chronological order representing the twenty years of "evolution" in their music. Åkerfeldt stated, "I can't believe it, but, fuck, we're celebrating 20 years. I've been in this band ever since I was 16. It's insane." A special edition of Blackwater Park was released in March 2010 to coincide with the tour.
Output: What is the name of the set released on September 21, 2010, in 2-DVD and 2-DVD/3-CD configurations?
Passage: The Slaters of Wolverhampton are plagued with Mrs. Slater's chronic debilitating asthma and her cooking limited to what comes in canned goods that she can heat in boiling water. Mr. Alan Slater is sick with worry and has a cantankerous personality. Nigel longs for a life that is more than a succession of canned-food dinners made from what can be heated in boiling water. When dinner is burnt, the standard substitute of toast is always served. He loves toast, with the crunchy outside giving way to buttery softness inside. Despite her infrequent forays into cooking meals from scratch, his mother's attempts to improve her cooking change nothing before or after her death. His father continues in widowhood with the same cooking style and frequent dinners of toast. The experience brings Nigel to conclude that he is not liked. Nigel learns from a friend that the way in which he could attempt a better relationship with his father is to cook a meal for him.
His cooking efforts are thwarted by the new housekeeper, the married and "common" Mrs. Joan Potter, who seduces Alan with her apple pie and array of gourmet meals. The two start to spend time together: at one point, she exiting her council house through an upstairs window so as not to be found out by her husband. Without announcement, the Slaters move to the Herefordshire countryside along with Mrs. Potter. Nigel co-exists with her but never accepts her. She makes a competition of cooking when the teenaged Nigel's shows an emerging interest in developing his skills at school home economics class cookery lessons. Mrs. Potter's lemon meringue pie becomes Nigel's quest to learn the secret recipe.
Output: Who does Nigel compete with in cooking?
Passage: The Slaters of Wolverhampton are plagued with Mrs. Slater's chronic debilitating asthma and her cooking limited to what comes in canned goods that she can heat in boiling water. Mr. Alan Slater is sick with worry and has a cantankerous personality. Nigel longs for a life that is more than a succession of canned-food dinners made from what can be heated in boiling water. When dinner is burnt, the standard substitute of toast is always served. He loves toast, with the crunchy outside giving way to buttery softness inside. Despite her infrequent forays into cooking meals from scratch, his mother's attempts to improve her cooking change nothing before or after her death. His father continues in widowhood with the same cooking style and frequent dinners of toast. The experience brings Nigel to conclude that he is not liked. Nigel learns from a friend that the way in which he could attempt a better relationship with his father is to cook a meal for him.
His cooking efforts are thwarted by the new housekeeper, the married and "common" Mrs. Joan Potter, who seduces Alan with her apple pie and array of gourmet meals. The two start to spend time together: at one point, she exiting her council house through an upstairs window so as not to be found out by her husband. Without announcement, the Slaters move to the Herefordshire countryside along with Mrs. Potter. Nigel co-exists with her but never accepts her. She makes a competition of cooking when the teenaged Nigel's shows an emerging interest in developing his skills at school home economics class cookery lessons. Mrs. Potter's lemon meringue pie becomes Nigel's quest to learn the secret recipe.
Output: Who loves toast?
Passage: The Slaters of Wolverhampton are plagued with Mrs. Slater's chronic debilitating asthma and her cooking limited to what comes in canned goods that she can heat in boiling water. Mr. Alan Slater is sick with worry and has a cantankerous personality. Nigel longs for a life that is more than a succession of canned-food dinners made from what can be heated in boiling water. When dinner is burnt, the standard substitute of toast is always served. He loves toast, with the crunchy outside giving way to buttery softness inside. Despite her infrequent forays into cooking meals from scratch, his mother's attempts to improve her cooking change nothing before or after her death. His father continues in widowhood with the same cooking style and frequent dinners of toast. The experience brings Nigel to conclude that he is not liked. Nigel learns from a friend that the way in which he could attempt a better relationship with his father is to cook a meal for him.
His cooking efforts are thwarted by the new housekeeper, the married and "common" Mrs. Joan Potter, who seduces Alan with her apple pie and array of gourmet meals. The two start to spend time together: at one point, she exiting her council house through an upstairs window so as not to be found out by her husband. Without announcement, the Slaters move to the Herefordshire countryside along with Mrs. Potter. Nigel co-exists with her but never accepts her. She makes a competition of cooking when the teenaged Nigel's shows an emerging interest in developing his skills at school home economics class cookery lessons. Mrs. Potter's lemon meringue pie becomes Nigel's quest to learn the secret recipe.
Output: What medical condition might contribute to Nigel's mom not cooking elaborate meals?
Passage: The Slaters of Wolverhampton are plagued with Mrs. Slater's chronic debilitating asthma and her cooking limited to what comes in canned goods that she can heat in boiling water. Mr. Alan Slater is sick with worry and has a cantankerous personality. Nigel longs for a life that is more than a succession of canned-food dinners made from what can be heated in boiling water. When dinner is burnt, the standard substitute of toast is always served. He loves toast, with the crunchy outside giving way to buttery softness inside. Despite her infrequent forays into cooking meals from scratch, his mother's attempts to improve her cooking change nothing before or after her death. His father continues in widowhood with the same cooking style and frequent dinners of toast. The experience brings Nigel to conclude that he is not liked. Nigel learns from a friend that the way in which he could attempt a better relationship with his father is to cook a meal for him.
His cooking efforts are thwarted by the new housekeeper, the married and "common" Mrs. Joan Potter, who seduces Alan with her apple pie and array of gourmet meals. The two start to spend time together: at one point, she exiting her council house through an upstairs window so as not to be found out by her husband. Without announcement, the Slaters move to the Herefordshire countryside along with Mrs. Potter. Nigel co-exists with her but never accepts her. She makes a competition of cooking when the teenaged Nigel's shows an emerging interest in developing his skills at school home economics class cookery lessons. Mrs. Potter's lemon meringue pie becomes Nigel's quest to learn the secret recipe.
Output: By what is Nigel's dad lured into an illicit relationship?
Passage: The Slaters of Wolverhampton are plagued with Mrs. Slater's chronic debilitating asthma and her cooking limited to what comes in canned goods that she can heat in boiling water. Mr. Alan Slater is sick with worry and has a cantankerous personality. Nigel longs for a life that is more than a succession of canned-food dinners made from what can be heated in boiling water. When dinner is burnt, the standard substitute of toast is always served. He loves toast, with the crunchy outside giving way to buttery softness inside. Despite her infrequent forays into cooking meals from scratch, his mother's attempts to improve her cooking change nothing before or after her death. His father continues in widowhood with the same cooking style and frequent dinners of toast. The experience brings Nigel to conclude that he is not liked. Nigel learns from a friend that the way in which he could attempt a better relationship with his father is to cook a meal for him.
His cooking efforts are thwarted by the new housekeeper, the married and "common" Mrs. Joan Potter, who seduces Alan with her apple pie and array of gourmet meals. The two start to spend time together: at one point, she exiting her council house through an upstairs window so as not to be found out by her husband. Without announcement, the Slaters move to the Herefordshire countryside along with Mrs. Potter. Nigel co-exists with her but never accepts her. She makes a competition of cooking when the teenaged Nigel's shows an emerging interest in developing his skills at school home economics class cookery lessons. Mrs. Potter's lemon meringue pie becomes Nigel's quest to learn the secret recipe.
Output: Who tells Alan's son he should try cooking a meal for him?
Passage: The Slaters of Wolverhampton are plagued with Mrs. Slater's chronic debilitating asthma and her cooking limited to what comes in canned goods that she can heat in boiling water. Mr. Alan Slater is sick with worry and has a cantankerous personality. Nigel longs for a life that is more than a succession of canned-food dinners made from what can be heated in boiling water. When dinner is burnt, the standard substitute of toast is always served. He loves toast, with the crunchy outside giving way to buttery softness inside. Despite her infrequent forays into cooking meals from scratch, his mother's attempts to improve her cooking change nothing before or after her death. His father continues in widowhood with the same cooking style and frequent dinners of toast. The experience brings Nigel to conclude that he is not liked. Nigel learns from a friend that the way in which he could attempt a better relationship with his father is to cook a meal for him.
His cooking efforts are thwarted by the new housekeeper, the married and "common" Mrs. Joan Potter, who seduces Alan with her apple pie and array of gourmet meals. The two start to spend time together: at one point, she exiting her council house through an upstairs window so as not to be found out by her husband. Without announcement, the Slaters move to the Herefordshire countryside along with Mrs. Potter. Nigel co-exists with her but never accepts her. She makes a competition of cooking when the teenaged Nigel's shows an emerging interest in developing his skills at school home economics class cookery lessons. Mrs. Potter's lemon meringue pie becomes Nigel's quest to learn the secret recipe.
Output: While Nigel's mom has asthma, what makes his dad ill?
Passage: The Slaters of Wolverhampton are plagued with Mrs. Slater's chronic debilitating asthma and her cooking limited to what comes in canned goods that she can heat in boiling water. Mr. Alan Slater is sick with worry and has a cantankerous personality. Nigel longs for a life that is more than a succession of canned-food dinners made from what can be heated in boiling water. When dinner is burnt, the standard substitute of toast is always served. He loves toast, with the crunchy outside giving way to buttery softness inside. Despite her infrequent forays into cooking meals from scratch, his mother's attempts to improve her cooking change nothing before or after her death. His father continues in widowhood with the same cooking style and frequent dinners of toast. The experience brings Nigel to conclude that he is not liked. Nigel learns from a friend that the way in which he could attempt a better relationship with his father is to cook a meal for him.
His cooking efforts are thwarted by the new housekeeper, the married and "common" Mrs. Joan Potter, who seduces Alan with her apple pie and array of gourmet meals. The two start to spend time together: at one point, she exiting her council house through an upstairs window so as not to be found out by her husband. Without announcement, the Slaters move to the Herefordshire countryside along with Mrs. Potter. Nigel co-exists with her but never accepts her. She makes a competition of cooking when the teenaged Nigel's shows an emerging interest in developing his skills at school home economics class cookery lessons. Mrs. Potter's lemon meringue pie becomes Nigel's quest to learn the secret recipe.
Output: What has to happen for the Slaters not to have to eat canned goods?
Passage: Ideologically, Varg Vikernes's one-man project Burzum helped inspire the Viking metal scene through his strongly held racist, nationalistic, and anti-Judeo-Christian beliefs, and his longing for a return to paganism. In Trafford and Pluskowski's opinion, Vikernes' beliefs, which had culminated in the burning of several churches, including the twelfth-century Fantoft Stave Church in Bergen, reveal the confused nature of ideas about Vikings in the Norwegian black metal scene. They note, "His tastes seem originally not for the unmediated medieval itself as for J. R. R. Tolkien: he adopted the name 'Count Grishnackh', based upon an orc in The Lord of the Rings, and named Burzum after a Tolkienian word for 'darkness'." They postulate that only in retrospect did Vikernes "cloak his actions in an Oðinic garb and claim the motivation of an attempt to restore Norse paganism for his church burning". While in prison, Vikernes released the book Vargsmål, which Trafford and Pluskowski call an echoing of the Hávamál, though with "an eye on Mein Kampf". According to Trafford and Pluskowski, "proving both that it is not just the early medieval past to which he looks for inspiration, and that he will use any historical weapon at his disposal to offend Norwegian liberal opinion, it is notable that he has recently added the name Quisling to his own, and is even attempting to claim some sort of kinship to the wartime collaborator".Vikernes himself has connected the church burnings to an idea of resurgent Viking paganism. The first such burning, that of Fantoft Church on June 6, 1992, was thought by many to be related to Satanism, since the burning occurred on the sixth day of the week, on day six of the sixth month and was thus a reference to the Number of the Beast. Vikernes contends that the date June 6 was really picked because the first recorded Viking raid (upon Lindisfarne) occurred, according to Vikernes, on June 6, 793. Quorthon acknowledged that nationalist elements had always been present in the Viking metal scene, and, in the early 1990s, these elements hardened into explicit racism and anti-Semitism, particularly among Heathen adherents. However, by the late 1990s, Viking metal pulled back from the neo-Nazi direction toward which it was headed, once many musicians from the Oslo scene died or were jailed.
Output: What is the first name of the person whose belief had culminated in the burning of several churches?
Passage: Ideologically, Varg Vikernes's one-man project Burzum helped inspire the Viking metal scene through his strongly held racist, nationalistic, and anti-Judeo-Christian beliefs, and his longing for a return to paganism. In Trafford and Pluskowski's opinion, Vikernes' beliefs, which had culminated in the burning of several churches, including the twelfth-century Fantoft Stave Church in Bergen, reveal the confused nature of ideas about Vikings in the Norwegian black metal scene. They note, "His tastes seem originally not for the unmediated medieval itself as for J. R. R. Tolkien: he adopted the name 'Count Grishnackh', based upon an orc in The Lord of the Rings, and named Burzum after a Tolkienian word for 'darkness'." They postulate that only in retrospect did Vikernes "cloak his actions in an Oðinic garb and claim the motivation of an attempt to restore Norse paganism for his church burning". While in prison, Vikernes released the book Vargsmål, which Trafford and Pluskowski call an echoing of the Hávamál, though with "an eye on Mein Kampf". According to Trafford and Pluskowski, "proving both that it is not just the early medieval past to which he looks for inspiration, and that he will use any historical weapon at his disposal to offend Norwegian liberal opinion, it is notable that he has recently added the name Quisling to his own, and is even attempting to claim some sort of kinship to the wartime collaborator".Vikernes himself has connected the church burnings to an idea of resurgent Viking paganism. The first such burning, that of Fantoft Church on June 6, 1992, was thought by many to be related to Satanism, since the burning occurred on the sixth day of the week, on day six of the sixth month and was thus a reference to the Number of the Beast. Vikernes contends that the date June 6 was really picked because the first recorded Viking raid (upon Lindisfarne) occurred, according to Vikernes, on June 6, 793. Quorthon acknowledged that nationalist elements had always been present in the Viking metal scene, and, in the early 1990s, these elements hardened into explicit racism and anti-Semitism, particularly among Heathen adherents. However, by the late 1990s, Viking metal pulled back from the neo-Nazi direction toward which it was headed, once many musicians from the Oslo scene died or were jailed.
Output: What is the first name of the person whose belief reveal the confused nature of ideas about Vikings in the Norwegian black metal scene?
Passage: Ideologically, Varg Vikernes's one-man project Burzum helped inspire the Viking metal scene through his strongly held racist, nationalistic, and anti-Judeo-Christian beliefs, and his longing for a return to paganism. In Trafford and Pluskowski's opinion, Vikernes' beliefs, which had culminated in the burning of several churches, including the twelfth-century Fantoft Stave Church in Bergen, reveal the confused nature of ideas about Vikings in the Norwegian black metal scene. They note, "His tastes seem originally not for the unmediated medieval itself as for J. R. R. Tolkien: he adopted the name 'Count Grishnackh', based upon an orc in The Lord of the Rings, and named Burzum after a Tolkienian word for 'darkness'." They postulate that only in retrospect did Vikernes "cloak his actions in an Oðinic garb and claim the motivation of an attempt to restore Norse paganism for his church burning". While in prison, Vikernes released the book Vargsmål, which Trafford and Pluskowski call an echoing of the Hávamál, though with "an eye on Mein Kampf". According to Trafford and Pluskowski, "proving both that it is not just the early medieval past to which he looks for inspiration, and that he will use any historical weapon at his disposal to offend Norwegian liberal opinion, it is notable that he has recently added the name Quisling to his own, and is even attempting to claim some sort of kinship to the wartime collaborator".Vikernes himself has connected the church burnings to an idea of resurgent Viking paganism. The first such burning, that of Fantoft Church on June 6, 1992, was thought by many to be related to Satanism, since the burning occurred on the sixth day of the week, on day six of the sixth month and was thus a reference to the Number of the Beast. Vikernes contends that the date June 6 was really picked because the first recorded Viking raid (upon Lindisfarne) occurred, according to Vikernes, on June 6, 793. Quorthon acknowledged that nationalist elements had always been present in the Viking metal scene, and, in the early 1990s, these elements hardened into explicit racism and anti-Semitism, particularly among Heathen adherents. However, by the late 1990s, Viking metal pulled back from the neo-Nazi direction toward which it was headed, once many musicians from the Oslo scene died or were jailed.
Output: What is the first name of the person whose tastes seem originally not for the unmediated medieval itself?
Passage: The populace of the lethargic small town Fate, TX gathers for the grand opening of Consumart, a glossy new one-stop-shopping box store. The enthusiastic patrons merrily dispense into the store as the doors open at sunset.  Before the unsuspecting shoppers have time to question the fact that the store is stocked with coffins, terror erupts and the store explodes into a bloodbath. A few weeks later, three unmindful, egocentric twenty somethings, Carrie, Sam, and Bone, embark on a road trip to Mr. Fire, a festival which shares eerie similarities to Burning Man, and accidentally wander into Fate, unaware of its population's ill-fated transformation... into vampires.  Carrie, a superficial, aggressive scenester is dating Sam's wallet.  Sam is a shrill, immature, hypochondriac, well-to-do young man. Bone, an uncaring badass with a malicious speech pattern, is still nurturing a yearning for Carrie predicated upon a drunken, frolicsome one night stand.
After a confrontation with two blood-thirsty convenience store clerks in which Sam is repeatedly bitten and attacked, Bone is forced to butcher them. Now the protagonists begin to wonder if something strange might be going on in the town.  Luckily, but only in the sense that they didn't get murdered, the three stumble upon the only surviving humans in town: Byron Von Jones, a trigger-happy, conspiracy theorist, militia member; Lynette Von Jones, a worn, white-trash hussy; and Roy Jackson, a spineless, deceitful frat boy in his early 20s. The group is forced to band together and take shelter in Roy's ranch house, surrounded by hundreds of vampires intending to torch the property before sunrise.  The group must now try to last throughout the night with their bloodthirsty pursuers on their tail.
Output: Who begins to wonder if something strange might be going on in the town?
Passage: Odyssey Number Five was released on 4 September 2000, on the Grudge/Universal record labels. The album was released in the United Kingdom on Polydor, with 15 minutes of video and an additional track Nature Boy, at a later date. A sampler version was released in the United States in 2001, containing five tracks.Four singles were released from the album. "My Kind of Scene" was the first; released as a promotional single in June 2000. The track was written for the 2000 film Mission: Impossible 2, and appeared on its soundtrack. Collins and Middleton recalled that the song was written and produced with photos of Tom Cruise and Nicole Kidman on the wall of the band's studio "as inspiration". They noted that the band made three songs in response to the Mission: Impossible 2 request, and that "My Kind of Scene" was chosen over "Up & Down & Back Again" and "Whatever Makes You Happy".The second single from the album was "My Happiness", released on 14 August 2000 in Australia.  "My Happiness" entered the ARIA Singles Chart at #4, and spent 24 weeks on the chart, making it Powderfinger's highest charting single in Australia. It peaked at #7 on the New Zealand singles chart, and spent 23 weeks in the top 50. Furthermore, "My Happiness" was Powderfinger's first single to chart in the USA, reaching #23 on the  Modern Rock Tracks chart."Like a Dog" was released as the third single on 15 January 2001. The song was heavy in political sentiment, akin to "The Day You Come" on Internationalist. The riff for the song was written by Ian Haug, and the song's music video featured Australian Aboriginal boxer Anthony Mundine, and was based on the 1980 Martin Scorsese film Raging Bull. Drummer Jon Coghill said the song revolved around the question of "why the hell won’t John Howard say sorry to the Aboriginal people!" "Like a Dog" spent one week on the ARIA Singles Chart, at #40.Two songs from the album, "The Metre" and "Waiting for the Sun", were released as a double A-side to form the final single. The single was released on 21 August 2001, and included a cover of Iron Maiden's "Number of the Beast". "Waiting for the Sun" was written by Fanning as a devotional, gospel style song. He said of the song; "It’s about being in a relationship and being really heavily happy with it." "The Metre" spent one week on the ARIA Singles Chart, at #31.
Output: What is the last name of the song that spent one week on the Aria Singles Chart at #40 off the album released on 4 September 2000?
Passage: Odyssey Number Five was released on 4 September 2000, on the Grudge/Universal record labels. The album was released in the United Kingdom on Polydor, with 15 minutes of video and an additional track Nature Boy, at a later date. A sampler version was released in the United States in 2001, containing five tracks.Four singles were released from the album. "My Kind of Scene" was the first; released as a promotional single in June 2000. The track was written for the 2000 film Mission: Impossible 2, and appeared on its soundtrack. Collins and Middleton recalled that the song was written and produced with photos of Tom Cruise and Nicole Kidman on the wall of the band's studio "as inspiration". They noted that the band made three songs in response to the Mission: Impossible 2 request, and that "My Kind of Scene" was chosen over "Up & Down & Back Again" and "Whatever Makes You Happy".The second single from the album was "My Happiness", released on 14 August 2000 in Australia.  "My Happiness" entered the ARIA Singles Chart at #4, and spent 24 weeks on the chart, making it Powderfinger's highest charting single in Australia. It peaked at #7 on the New Zealand singles chart, and spent 23 weeks in the top 50. Furthermore, "My Happiness" was Powderfinger's first single to chart in the USA, reaching #23 on the  Modern Rock Tracks chart."Like a Dog" was released as the third single on 15 January 2001. The song was heavy in political sentiment, akin to "The Day You Come" on Internationalist. The riff for the song was written by Ian Haug, and the song's music video featured Australian Aboriginal boxer Anthony Mundine, and was based on the 1980 Martin Scorsese film Raging Bull. Drummer Jon Coghill said the song revolved around the question of "why the hell won’t John Howard say sorry to the Aboriginal people!" "Like a Dog" spent one week on the ARIA Singles Chart, at #40.Two songs from the album, "The Metre" and "Waiting for the Sun", were released as a double A-side to form the final single. The single was released on 21 August 2001, and included a cover of Iron Maiden's "Number of the Beast". "Waiting for the Sun" was written by Fanning as a devotional, gospel style song. He said of the song; "It’s about being in a relationship and being really heavily happy with it." "The Metre" spent one week on the ARIA Singles Chart, at #31.
Output: What is the name of the devotional, gospel style song that was on the album released as a sampler version in the United States?
Passage: Odyssey Number Five was released on 4 September 2000, on the Grudge/Universal record labels. The album was released in the United Kingdom on Polydor, with 15 minutes of video and an additional track Nature Boy, at a later date. A sampler version was released in the United States in 2001, containing five tracks.Four singles were released from the album. "My Kind of Scene" was the first; released as a promotional single in June 2000. The track was written for the 2000 film Mission: Impossible 2, and appeared on its soundtrack. Collins and Middleton recalled that the song was written and produced with photos of Tom Cruise and Nicole Kidman on the wall of the band's studio "as inspiration". They noted that the band made three songs in response to the Mission: Impossible 2 request, and that "My Kind of Scene" was chosen over "Up & Down & Back Again" and "Whatever Makes You Happy".The second single from the album was "My Happiness", released on 14 August 2000 in Australia.  "My Happiness" entered the ARIA Singles Chart at #4, and spent 24 weeks on the chart, making it Powderfinger's highest charting single in Australia. It peaked at #7 on the New Zealand singles chart, and spent 23 weeks in the top 50. Furthermore, "My Happiness" was Powderfinger's first single to chart in the USA, reaching #23 on the  Modern Rock Tracks chart."Like a Dog" was released as the third single on 15 January 2001. The song was heavy in political sentiment, akin to "The Day You Come" on Internationalist. The riff for the song was written by Ian Haug, and the song's music video featured Australian Aboriginal boxer Anthony Mundine, and was based on the 1980 Martin Scorsese film Raging Bull. Drummer Jon Coghill said the song revolved around the question of "why the hell won’t John Howard say sorry to the Aboriginal people!" "Like a Dog" spent one week on the ARIA Singles Chart, at #40.Two songs from the album, "The Metre" and "Waiting for the Sun", were released as a double A-side to form the final single. The single was released on 21 August 2001, and included a cover of Iron Maiden's "Number of the Beast". "Waiting for the Sun" was written by Fanning as a devotional, gospel style song. He said of the song; "It’s about being in a relationship and being really heavily happy with it." "The Metre" spent one week on the ARIA Singles Chart, at #31.
Output: What is the last name of the man who wrote the devotional, gospel style song on the album released in the United Kingdom on Polydor?
Passage: Odyssey Number Five was released on 4 September 2000, on the Grudge/Universal record labels. The album was released in the United Kingdom on Polydor, with 15 minutes of video and an additional track Nature Boy, at a later date. A sampler version was released in the United States in 2001, containing five tracks.Four singles were released from the album. "My Kind of Scene" was the first; released as a promotional single in June 2000. The track was written for the 2000 film Mission: Impossible 2, and appeared on its soundtrack. Collins and Middleton recalled that the song was written and produced with photos of Tom Cruise and Nicole Kidman on the wall of the band's studio "as inspiration". They noted that the band made three songs in response to the Mission: Impossible 2 request, and that "My Kind of Scene" was chosen over "Up & Down & Back Again" and "Whatever Makes You Happy".The second single from the album was "My Happiness", released on 14 August 2000 in Australia.  "My Happiness" entered the ARIA Singles Chart at #4, and spent 24 weeks on the chart, making it Powderfinger's highest charting single in Australia. It peaked at #7 on the New Zealand singles chart, and spent 23 weeks in the top 50. Furthermore, "My Happiness" was Powderfinger's first single to chart in the USA, reaching #23 on the  Modern Rock Tracks chart."Like a Dog" was released as the third single on 15 January 2001. The song was heavy in political sentiment, akin to "The Day You Come" on Internationalist. The riff for the song was written by Ian Haug, and the song's music video featured Australian Aboriginal boxer Anthony Mundine, and was based on the 1980 Martin Scorsese film Raging Bull. Drummer Jon Coghill said the song revolved around the question of "why the hell won’t John Howard say sorry to the Aboriginal people!" "Like a Dog" spent one week on the ARIA Singles Chart, at #40.Two songs from the album, "The Metre" and "Waiting for the Sun", were released as a double A-side to form the final single. The single was released on 21 August 2001, and included a cover of Iron Maiden's "Number of the Beast". "Waiting for the Sun" was written by Fanning as a devotional, gospel style song. He said of the song; "It’s about being in a relationship and being really heavily happy with it." "The Metre" spent one week on the ARIA Singles Chart, at #31.
Output: What is the name of the song with a heavy political statement on the album that included the song "My Kind of Scene"?
Passage: Odyssey Number Five was released on 4 September 2000, on the Grudge/Universal record labels. The album was released in the United Kingdom on Polydor, with 15 minutes of video and an additional track Nature Boy, at a later date. A sampler version was released in the United States in 2001, containing five tracks.Four singles were released from the album. "My Kind of Scene" was the first; released as a promotional single in June 2000. The track was written for the 2000 film Mission: Impossible 2, and appeared on its soundtrack. Collins and Middleton recalled that the song was written and produced with photos of Tom Cruise and Nicole Kidman on the wall of the band's studio "as inspiration". They noted that the band made three songs in response to the Mission: Impossible 2 request, and that "My Kind of Scene" was chosen over "Up & Down & Back Again" and "Whatever Makes You Happy".The second single from the album was "My Happiness", released on 14 August 2000 in Australia.  "My Happiness" entered the ARIA Singles Chart at #4, and spent 24 weeks on the chart, making it Powderfinger's highest charting single in Australia. It peaked at #7 on the New Zealand singles chart, and spent 23 weeks in the top 50. Furthermore, "My Happiness" was Powderfinger's first single to chart in the USA, reaching #23 on the  Modern Rock Tracks chart."Like a Dog" was released as the third single on 15 January 2001. The song was heavy in political sentiment, akin to "The Day You Come" on Internationalist. The riff for the song was written by Ian Haug, and the song's music video featured Australian Aboriginal boxer Anthony Mundine, and was based on the 1980 Martin Scorsese film Raging Bull. Drummer Jon Coghill said the song revolved around the question of "why the hell won’t John Howard say sorry to the Aboriginal people!" "Like a Dog" spent one week on the ARIA Singles Chart, at #40.Two songs from the album, "The Metre" and "Waiting for the Sun", were released as a double A-side to form the final single. The single was released on 21 August 2001, and included a cover of Iron Maiden's "Number of the Beast". "Waiting for the Sun" was written by Fanning as a devotional, gospel style song. He said of the song; "It’s about being in a relationship and being really heavily happy with it." "The Metre" spent one week on the ARIA Singles Chart, at #31.
Output: What is the last name of the song that spent one week on the Aria Singles Chart at #31 off the album released with a sampler version in the United States?
Passage: Balch Creek begins in the Forest Park neighborhood in unincorporated Multnomah County near the intersection of Northwest Skyline Boulevard and Northwest Thompson Road at the crest of the West Hills. It flows generally east about 3.5 miles (5.6 km) to its confluence with the Willamette River, a major tributary of the Columbia River. The creek drops from 1,116 feet (340 m) above sea level at its source to 46 feet (14 m) at its mouth, a total of 1,070 feet (330 m). Most of this occurs in the first 2.5 miles (4.0 km). In the hills, the stream gradient (slope) generally ranges from 15 to 30 percent interspersed with sections of less than 15 percent along the middle reaches.From its source, the creek runs east on private property near Forest Park, a large municipal park in Portland, before turning briefly south about 3 miles (5 km) from the mouth. Soon thereafter, the stream receives an unnamed tributary on the right bank and turns southeast on private property along Northwest Cornell Road. It enters the city and the Audubon Society of Portland simultaneously about 2 miles (3 km) from the mouth, receives two more unnamed tributaries on the right, and flows northeast, entering the part of Forest Park known as Macleay Park.For about 0.25 miles (0.40 km) the creek parallels Wildwood Trail, the main hiking trail in Forest Park, until reaching a former public restroom known as the Stone House. From here Balch Creek runs beside the Lower Macleay Trail, another hiking trail, for about 0.8 miles (1.3 km). Near Northwest Thurman Street, roughly 1 mile (1.6 km) from the mouth, the creek flows through a trash rack into an 84-inch (210 cm) diameter storm sewer. City workers first diverted the creek into a pipe in the early 20th century. The water empties into the Willamette River in the city's Northwest Industrial neighborhood at Outfall 17. About 10 miles (16 km) below this outfall, the Willamette enters the Columbia River.
Output: What is a tributary of for the Willamette River?