niryuu/sni-each-converted huggingface dataset:
Passage: Joy Division toured Continental Europe in January 1980. Although the schedule was demanding, Curtis experienced only two grand mal seizures, both in the final two months of the tour. That March, the band recorded their second album, Closer, with Hannett at London's Britannia Row Studios. That month they released the "Licht und Blindheit" single, with "Atmosphere" as the A-side and "Dead Souls" as the B-side, on the French independent label Sordide Sentimental.A lack of sleep and long hours destabilised Curtis's epilepsy, and his seizures became almost uncontrollable. He often had seizures during performances, which some audience members believed was part of the performance. The seizures left him feeling ashamed and depressed, and the band became increasingly worried about Curtis's condition. On 7 April, Curtis attempted suicide by overdosing on his anti-seizure medication, phenobarbitone. The following evening, Joy Division were scheduled to play a gig at the Derby Hall in Bury. Curtis was too ill to perform, so at Gretton's insistence the band played a combined set with Alan Hempsall of Crispy Ambulance and Simon Topping of A Certain Ratio singing on the first few songs. When Topping came back towards the end of the set, some audience members threw bottles at the stage. Curtis's ill health led to the cancellation of several other gigs that April. Joy Division's final live performance was held at the University of Birmingham's High Hall on 2 May, and included their only performance of "Ceremony", one of the last songs written by Curtis.
Hannett's production has been widely praised. However, as with Unknown Pleasures, both Hook and Sumner were unhappy with the production. Hook said that when he heard the final mix of "Atrocity Exhibition" he was disappointed that the abrasiveness had been toned down. He wrote; "I was like, head in hands, 'Oh fucking hell, it's happening again ... Martin had fucking melted the guitar with his Marshall Time Waster. Made it sound like someone strangling a cat and, to my mind, absolutely killed the song. I was so annoyed with him and went in and gave him a piece of my mind but he just turned round and told me to fuck off.".
Output: What is the last name of the person who was disappointed that the abrasiveness had been toned down?
Passage: Joy Division toured Continental Europe in January 1980. Although the schedule was demanding, Curtis experienced only two grand mal seizures, both in the final two months of the tour. That March, the band recorded their second album, Closer, with Hannett at London's Britannia Row Studios. That month they released the "Licht und Blindheit" single, with "Atmosphere" as the A-side and "Dead Souls" as the B-side, on the French independent label Sordide Sentimental.A lack of sleep and long hours destabilised Curtis's epilepsy, and his seizures became almost uncontrollable. He often had seizures during performances, which some audience members believed was part of the performance. The seizures left him feeling ashamed and depressed, and the band became increasingly worried about Curtis's condition. On 7 April, Curtis attempted suicide by overdosing on his anti-seizure medication, phenobarbitone. The following evening, Joy Division were scheduled to play a gig at the Derby Hall in Bury. Curtis was too ill to perform, so at Gretton's insistence the band played a combined set with Alan Hempsall of Crispy Ambulance and Simon Topping of A Certain Ratio singing on the first few songs. When Topping came back towards the end of the set, some audience members threw bottles at the stage. Curtis's ill health led to the cancellation of several other gigs that April. Joy Division's final live performance was held at the University of Birmingham's High Hall on 2 May, and included their only performance of "Ceremony", one of the last songs written by Curtis.
Hannett's production has been widely praised. However, as with Unknown Pleasures, both Hook and Sumner were unhappy with the production. Hook said that when he heard the final mix of "Atrocity Exhibition" he was disappointed that the abrasiveness had been toned down. He wrote; "I was like, head in hands, 'Oh fucking hell, it's happening again ... Martin had fucking melted the guitar with his Marshall Time Waster. Made it sound like someone strangling a cat and, to my mind, absolutely killed the song. I was so annoyed with him and went in and gave him a piece of my mind but he just turned round and told me to fuck off.".
Output: What is the last name of the person who said he was "like, head in hands?"?
Passage: Joy Division toured Continental Europe in January 1980. Although the schedule was demanding, Curtis experienced only two grand mal seizures, both in the final two months of the tour. That March, the band recorded their second album, Closer, with Hannett at London's Britannia Row Studios. That month they released the "Licht und Blindheit" single, with "Atmosphere" as the A-side and "Dead Souls" as the B-side, on the French independent label Sordide Sentimental.A lack of sleep and long hours destabilised Curtis's epilepsy, and his seizures became almost uncontrollable. He often had seizures during performances, which some audience members believed was part of the performance. The seizures left him feeling ashamed and depressed, and the band became increasingly worried about Curtis's condition. On 7 April, Curtis attempted suicide by overdosing on his anti-seizure medication, phenobarbitone. The following evening, Joy Division were scheduled to play a gig at the Derby Hall in Bury. Curtis was too ill to perform, so at Gretton's insistence the band played a combined set with Alan Hempsall of Crispy Ambulance and Simon Topping of A Certain Ratio singing on the first few songs. When Topping came back towards the end of the set, some audience members threw bottles at the stage. Curtis's ill health led to the cancellation of several other gigs that April. Joy Division's final live performance was held at the University of Birmingham's High Hall on 2 May, and included their only performance of "Ceremony", one of the last songs written by Curtis.
Hannett's production has been widely praised. However, as with Unknown Pleasures, both Hook and Sumner were unhappy with the production. Hook said that when he heard the final mix of "Atrocity Exhibition" he was disappointed that the abrasiveness had been toned down. He wrote; "I was like, head in hands, 'Oh fucking hell, it's happening again ... Martin had fucking melted the guitar with his Marshall Time Waster. Made it sound like someone strangling a cat and, to my mind, absolutely killed the song. I was so annoyed with him and went in and gave him a piece of my mind but he just turned round and told me to fuck off.".
Output: What is the first name of the person who told Hook to fuck off?
Passage: Joy Division toured Continental Europe in January 1980. Although the schedule was demanding, Curtis experienced only two grand mal seizures, both in the final two months of the tour. That March, the band recorded their second album, Closer, with Hannett at London's Britannia Row Studios. That month they released the "Licht und Blindheit" single, with "Atmosphere" as the A-side and "Dead Souls" as the B-side, on the French independent label Sordide Sentimental.A lack of sleep and long hours destabilised Curtis's epilepsy, and his seizures became almost uncontrollable. He often had seizures during performances, which some audience members believed was part of the performance. The seizures left him feeling ashamed and depressed, and the band became increasingly worried about Curtis's condition. On 7 April, Curtis attempted suicide by overdosing on his anti-seizure medication, phenobarbitone. The following evening, Joy Division were scheduled to play a gig at the Derby Hall in Bury. Curtis was too ill to perform, so at Gretton's insistence the band played a combined set with Alan Hempsall of Crispy Ambulance and Simon Topping of A Certain Ratio singing on the first few songs. When Topping came back towards the end of the set, some audience members threw bottles at the stage. Curtis's ill health led to the cancellation of several other gigs that April. Joy Division's final live performance was held at the University of Birmingham's High Hall on 2 May, and included their only performance of "Ceremony", one of the last songs written by Curtis.
Hannett's production has been widely praised. However, as with Unknown Pleasures, both Hook and Sumner were unhappy with the production. Hook said that when he heard the final mix of "Atrocity Exhibition" he was disappointed that the abrasiveness had been toned down. He wrote; "I was like, head in hands, 'Oh fucking hell, it's happening again ... Martin had fucking melted the guitar with his Marshall Time Waster. Made it sound like someone strangling a cat and, to my mind, absolutely killed the song. I was so annoyed with him and went in and gave him a piece of my mind but he just turned round and told me to fuck off.".
Output: On their last live show, what song did the band that toured Continental Europe in January 1980 play their only performance of?
Passage: Joy Division toured Continental Europe in January 1980. Although the schedule was demanding, Curtis experienced only two grand mal seizures, both in the final two months of the tour. That March, the band recorded their second album, Closer, with Hannett at London's Britannia Row Studios. That month they released the "Licht und Blindheit" single, with "Atmosphere" as the A-side and "Dead Souls" as the B-side, on the French independent label Sordide Sentimental.A lack of sleep and long hours destabilised Curtis's epilepsy, and his seizures became almost uncontrollable. He often had seizures during performances, which some audience members believed was part of the performance. The seizures left him feeling ashamed and depressed, and the band became increasingly worried about Curtis's condition. On 7 April, Curtis attempted suicide by overdosing on his anti-seizure medication, phenobarbitone. The following evening, Joy Division were scheduled to play a gig at the Derby Hall in Bury. Curtis was too ill to perform, so at Gretton's insistence the band played a combined set with Alan Hempsall of Crispy Ambulance and Simon Topping of A Certain Ratio singing on the first few songs. When Topping came back towards the end of the set, some audience members threw bottles at the stage. Curtis's ill health led to the cancellation of several other gigs that April. Joy Division's final live performance was held at the University of Birmingham's High Hall on 2 May, and included their only performance of "Ceremony", one of the last songs written by Curtis.
Hannett's production has been widely praised. However, as with Unknown Pleasures, both Hook and Sumner were unhappy with the production. Hook said that when he heard the final mix of "Atrocity Exhibition" he was disappointed that the abrasiveness had been toned down. He wrote; "I was like, head in hands, 'Oh fucking hell, it's happening again ... Martin had fucking melted the guitar with his Marshall Time Waster. Made it sound like someone strangling a cat and, to my mind, absolutely killed the song. I was so annoyed with him and went in and gave him a piece of my mind but he just turned round and told me to fuck off.".
Output: What is the last name of the band members that were unhappy with the man who produced Closer?
Passage: Joy Division toured Continental Europe in January 1980. Although the schedule was demanding, Curtis experienced only two grand mal seizures, both in the final two months of the tour. That March, the band recorded their second album, Closer, with Hannett at London's Britannia Row Studios. That month they released the "Licht und Blindheit" single, with "Atmosphere" as the A-side and "Dead Souls" as the B-side, on the French independent label Sordide Sentimental.A lack of sleep and long hours destabilised Curtis's epilepsy, and his seizures became almost uncontrollable. He often had seizures during performances, which some audience members believed was part of the performance. The seizures left him feeling ashamed and depressed, and the band became increasingly worried about Curtis's condition. On 7 April, Curtis attempted suicide by overdosing on his anti-seizure medication, phenobarbitone. The following evening, Joy Division were scheduled to play a gig at the Derby Hall in Bury. Curtis was too ill to perform, so at Gretton's insistence the band played a combined set with Alan Hempsall of Crispy Ambulance and Simon Topping of A Certain Ratio singing on the first few songs. When Topping came back towards the end of the set, some audience members threw bottles at the stage. Curtis's ill health led to the cancellation of several other gigs that April. Joy Division's final live performance was held at the University of Birmingham's High Hall on 2 May, and included their only performance of "Ceremony", one of the last songs written by Curtis.
Hannett's production has been widely praised. However, as with Unknown Pleasures, both Hook and Sumner were unhappy with the production. Hook said that when he heard the final mix of "Atrocity Exhibition" he was disappointed that the abrasiveness had been toned down. He wrote; "I was like, head in hands, 'Oh fucking hell, it's happening again ... Martin had fucking melted the guitar with his Marshall Time Waster. Made it sound like someone strangling a cat and, to my mind, absolutely killed the song. I was so annoyed with him and went in and gave him a piece of my mind but he just turned round and told me to fuck off.".
Output: At what college was the final live performance of the band that's second album was named Closer?
Passage: The house has been restored and preserved as it looked in the 1920-30s; at the time of the Trust's purchase, Churchill committed to leave it, "garnished and furnished so as to be of interest to the public". Rooms are decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. Lady Churchill's long-time secretary, Grace Hamblin, was appointed the first administrator of the house. Earlier in her career, Miss Hamblin had undertaken the destruction of the portrait of Churchill painted by Graham Sutherland. The picture, a gift from both Houses of Parliament on Churchill's 80th birthday in 1954, was loathed by both Churchill and Lady Churchill and had been stored in the cellars at Chartwell before being burnt in secret.The opening of the house required the construction of facilities for visitors and a restaurant was designed by Philip Jebb, and built to the north of the house, along with a shop and ticket office. Alterations have also been made to the gardens, for ease of access and of maintenance. In 1987, the Great Storm caused considerable damage, with some twenty-three trees being blown down in the gardens. Greater loss occurred in the woodlands surrounding the house, which lost over 70% of its trees.Chartwell has become among the National Trust's most popular properties; in 2016 some 232,000 visitors came to the house. In that year, the fiftieth anniversary of the house's opening, the Trust launched the Churchill's Chartwell Appeal, to raise £7.1M for the purchase of hundreds of personal items held at Chartwell on loan from the Churchill family. The items available to the Trust include Churchill's Nobel Prize in Literature awarded to him in 1953. The citation for the award reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". The medal is displayed in the museum room on the first floor of Chartwell, at the opposite end of the house to the study, the room where, in the words used by John F. Kennedy when awarding him honorary citizenship of the United States, Churchill "mobilized the English language and sent it into battle".
Output: What is the full name of the person that destroyed the portrait of Churchill on his 80th birday?
Passage: The house has been restored and preserved as it looked in the 1920-30s; at the time of the Trust's purchase, Churchill committed to leave it, "garnished and furnished so as to be of interest to the public". Rooms are decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. Lady Churchill's long-time secretary, Grace Hamblin, was appointed the first administrator of the house. Earlier in her career, Miss Hamblin had undertaken the destruction of the portrait of Churchill painted by Graham Sutherland. The picture, a gift from both Houses of Parliament on Churchill's 80th birthday in 1954, was loathed by both Churchill and Lady Churchill and had been stored in the cellars at Chartwell before being burnt in secret.The opening of the house required the construction of facilities for visitors and a restaurant was designed by Philip Jebb, and built to the north of the house, along with a shop and ticket office. Alterations have also been made to the gardens, for ease of access and of maintenance. In 1987, the Great Storm caused considerable damage, with some twenty-three trees being blown down in the gardens. Greater loss occurred in the woodlands surrounding the house, which lost over 70% of its trees.Chartwell has become among the National Trust's most popular properties; in 2016 some 232,000 visitors came to the house. In that year, the fiftieth anniversary of the house's opening, the Trust launched the Churchill's Chartwell Appeal, to raise £7.1M for the purchase of hundreds of personal items held at Chartwell on loan from the Churchill family. The items available to the Trust include Churchill's Nobel Prize in Literature awarded to him in 1953. The citation for the award reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". The medal is displayed in the museum room on the first floor of Chartwell, at the opposite end of the house to the study, the room where, in the words used by John F. Kennedy when awarding him honorary citizenship of the United States, Churchill "mobilized the English language and sent it into battle".
Output: What is the last name of the person in the painting that was loathed by the couple before it was burned by the secretary?
Passage: The house has been restored and preserved as it looked in the 1920-30s; at the time of the Trust's purchase, Churchill committed to leave it, "garnished and furnished so as to be of interest to the public". Rooms are decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. Lady Churchill's long-time secretary, Grace Hamblin, was appointed the first administrator of the house. Earlier in her career, Miss Hamblin had undertaken the destruction of the portrait of Churchill painted by Graham Sutherland. The picture, a gift from both Houses of Parliament on Churchill's 80th birthday in 1954, was loathed by both Churchill and Lady Churchill and had been stored in the cellars at Chartwell before being burnt in secret.The opening of the house required the construction of facilities for visitors and a restaurant was designed by Philip Jebb, and built to the north of the house, along with a shop and ticket office. Alterations have also been made to the gardens, for ease of access and of maintenance. In 1987, the Great Storm caused considerable damage, with some twenty-three trees being blown down in the gardens. Greater loss occurred in the woodlands surrounding the house, which lost over 70% of its trees.Chartwell has become among the National Trust's most popular properties; in 2016 some 232,000 visitors came to the house. In that year, the fiftieth anniversary of the house's opening, the Trust launched the Churchill's Chartwell Appeal, to raise £7.1M for the purchase of hundreds of personal items held at Chartwell on loan from the Churchill family. The items available to the Trust include Churchill's Nobel Prize in Literature awarded to him in 1953. The citation for the award reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". The medal is displayed in the museum room on the first floor of Chartwell, at the opposite end of the house to the study, the room where, in the words used by John F. Kennedy when awarding him honorary citizenship of the United States, Churchill "mobilized the English language and sent it into battle".
Output: What is the name of the award for which the citation reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values"?
Passage: The house has been restored and preserved as it looked in the 1920-30s; at the time of the Trust's purchase, Churchill committed to leave it, "garnished and furnished so as to be of interest to the public". Rooms are decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. Lady Churchill's long-time secretary, Grace Hamblin, was appointed the first administrator of the house. Earlier in her career, Miss Hamblin had undertaken the destruction of the portrait of Churchill painted by Graham Sutherland. The picture, a gift from both Houses of Parliament on Churchill's 80th birthday in 1954, was loathed by both Churchill and Lady Churchill and had been stored in the cellars at Chartwell before being burnt in secret.The opening of the house required the construction of facilities for visitors and a restaurant was designed by Philip Jebb, and built to the north of the house, along with a shop and ticket office. Alterations have also been made to the gardens, for ease of access and of maintenance. In 1987, the Great Storm caused considerable damage, with some twenty-three trees being blown down in the gardens. Greater loss occurred in the woodlands surrounding the house, which lost over 70% of its trees.Chartwell has become among the National Trust's most popular properties; in 2016 some 232,000 visitors came to the house. In that year, the fiftieth anniversary of the house's opening, the Trust launched the Churchill's Chartwell Appeal, to raise £7.1M for the purchase of hundreds of personal items held at Chartwell on loan from the Churchill family. The items available to the Trust include Churchill's Nobel Prize in Literature awarded to him in 1953. The citation for the award reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". The medal is displayed in the museum room on the first floor of Chartwell, at the opposite end of the house to the study, the room where, in the words used by John F. Kennedy when awarding him honorary citizenship of the United States, Churchill "mobilized the English language and sent it into battle".
Output: What is the name of the person whose "mastery of historical and biographical description" is cited on the Nobel Prize in Literature that he was awarded?
Passage: The house has been restored and preserved as it looked in the 1920-30s; at the time of the Trust's purchase, Churchill committed to leave it, "garnished and furnished so as to be of interest to the public". Rooms are decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. Lady Churchill's long-time secretary, Grace Hamblin, was appointed the first administrator of the house. Earlier in her career, Miss Hamblin had undertaken the destruction of the portrait of Churchill painted by Graham Sutherland. The picture, a gift from both Houses of Parliament on Churchill's 80th birthday in 1954, was loathed by both Churchill and Lady Churchill and had been stored in the cellars at Chartwell before being burnt in secret.The opening of the house required the construction of facilities for visitors and a restaurant was designed by Philip Jebb, and built to the north of the house, along with a shop and ticket office. Alterations have also been made to the gardens, for ease of access and of maintenance. In 1987, the Great Storm caused considerable damage, with some twenty-three trees being blown down in the gardens. Greater loss occurred in the woodlands surrounding the house, which lost over 70% of its trees.Chartwell has become among the National Trust's most popular properties; in 2016 some 232,000 visitors came to the house. In that year, the fiftieth anniversary of the house's opening, the Trust launched the Churchill's Chartwell Appeal, to raise £7.1M for the purchase of hundreds of personal items held at Chartwell on loan from the Churchill family. The items available to the Trust include Churchill's Nobel Prize in Literature awarded to him in 1953. The citation for the award reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". The medal is displayed in the museum room on the first floor of Chartwell, at the opposite end of the house to the study, the room where, in the words used by John F. Kennedy when awarding him honorary citizenship of the United States, Churchill "mobilized the English language and sent it into battle".
Output: What is the name of the house that has been restored and preserved as it looked in the 1920s-30s?
Passage: The house has been restored and preserved as it looked in the 1920-30s; at the time of the Trust's purchase, Churchill committed to leave it, "garnished and furnished so as to be of interest to the public". Rooms are decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. Lady Churchill's long-time secretary, Grace Hamblin, was appointed the first administrator of the house. Earlier in her career, Miss Hamblin had undertaken the destruction of the portrait of Churchill painted by Graham Sutherland. The picture, a gift from both Houses of Parliament on Churchill's 80th birthday in 1954, was loathed by both Churchill and Lady Churchill and had been stored in the cellars at Chartwell before being burnt in secret.The opening of the house required the construction of facilities for visitors and a restaurant was designed by Philip Jebb, and built to the north of the house, along with a shop and ticket office. Alterations have also been made to the gardens, for ease of access and of maintenance. In 1987, the Great Storm caused considerable damage, with some twenty-three trees being blown down in the gardens. Greater loss occurred in the woodlands surrounding the house, which lost over 70% of its trees.Chartwell has become among the National Trust's most popular properties; in 2016 some 232,000 visitors came to the house. In that year, the fiftieth anniversary of the house's opening, the Trust launched the Churchill's Chartwell Appeal, to raise £7.1M for the purchase of hundreds of personal items held at Chartwell on loan from the Churchill family. The items available to the Trust include Churchill's Nobel Prize in Literature awarded to him in 1953. The citation for the award reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". The medal is displayed in the museum room on the first floor of Chartwell, at the opposite end of the house to the study, the room where, in the words used by John F. Kennedy when awarding him honorary citizenship of the United States, Churchill "mobilized the English language and sent it into battle".
Output: What is the name of the house Churchill committed to leave "garnished and furnished so as to be of interest to the public" at the time of the Trust's purchase?
Passage: The house has been restored and preserved as it looked in the 1920-30s; at the time of the Trust's purchase, Churchill committed to leave it, "garnished and furnished so as to be of interest to the public". Rooms are decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. Lady Churchill's long-time secretary, Grace Hamblin, was appointed the first administrator of the house. Earlier in her career, Miss Hamblin had undertaken the destruction of the portrait of Churchill painted by Graham Sutherland. The picture, a gift from both Houses of Parliament on Churchill's 80th birthday in 1954, was loathed by both Churchill and Lady Churchill and had been stored in the cellars at Chartwell before being burnt in secret.The opening of the house required the construction of facilities for visitors and a restaurant was designed by Philip Jebb, and built to the north of the house, along with a shop and ticket office. Alterations have also been made to the gardens, for ease of access and of maintenance. In 1987, the Great Storm caused considerable damage, with some twenty-three trees being blown down in the gardens. Greater loss occurred in the woodlands surrounding the house, which lost over 70% of its trees.Chartwell has become among the National Trust's most popular properties; in 2016 some 232,000 visitors came to the house. In that year, the fiftieth anniversary of the house's opening, the Trust launched the Churchill's Chartwell Appeal, to raise £7.1M for the purchase of hundreds of personal items held at Chartwell on loan from the Churchill family. The items available to the Trust include Churchill's Nobel Prize in Literature awarded to him in 1953. The citation for the award reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". The medal is displayed in the museum room on the first floor of Chartwell, at the opposite end of the house to the study, the room where, in the words used by John F. Kennedy when awarding him honorary citizenship of the United States, Churchill "mobilized the English language and sent it into battle".
Output: What is the name of the house whose first administrator was Lady Churchill's longtime secretary?
Passage: The house has been restored and preserved as it looked in the 1920-30s; at the time of the Trust's purchase, Churchill committed to leave it, "garnished and furnished so as to be of interest to the public". Rooms are decorated with memorabilia and gifts, the original furniture and books, as well as honours and medals that Churchill received. Lady Churchill's long-time secretary, Grace Hamblin, was appointed the first administrator of the house. Earlier in her career, Miss Hamblin had undertaken the destruction of the portrait of Churchill painted by Graham Sutherland. The picture, a gift from both Houses of Parliament on Churchill's 80th birthday in 1954, was loathed by both Churchill and Lady Churchill and had been stored in the cellars at Chartwell before being burnt in secret.The opening of the house required the construction of facilities for visitors and a restaurant was designed by Philip Jebb, and built to the north of the house, along with a shop and ticket office. Alterations have also been made to the gardens, for ease of access and of maintenance. In 1987, the Great Storm caused considerable damage, with some twenty-three trees being blown down in the gardens. Greater loss occurred in the woodlands surrounding the house, which lost over 70% of its trees.Chartwell has become among the National Trust's most popular properties; in 2016 some 232,000 visitors came to the house. In that year, the fiftieth anniversary of the house's opening, the Trust launched the Churchill's Chartwell Appeal, to raise £7.1M for the purchase of hundreds of personal items held at Chartwell on loan from the Churchill family. The items available to the Trust include Churchill's Nobel Prize in Literature awarded to him in 1953. The citation for the award reads, "for his mastery of historical and biographical description as well as for brilliant oratory in defending exalted human values". The medal is displayed in the museum room on the first floor of Chartwell, at the opposite end of the house to the study, the room where, in the words used by John F. Kennedy when awarding him honorary citizenship of the United States, Churchill "mobilized the English language and sent it into battle".
Output: What is the full name of the person earlier in whose career had undertaken the destruction of the portrait of Churchill?
Passage: According to academic Rob Wilson, San Francisco is a global city, a status that pre-dated the city's popularity during the California Gold Rush. Such cities are characterized by their ethnic clustering, network of international connectivity, and convergence of technological innovation. Global cities, such as San Francisco, are considered to be complex and require a high level of talent as well as large masses of low wage workers. A divide is created within the city of ethnic, typically lower-class neighborhoods, and expensive ones with newly developed buildings. This in turn creates a population of highly educated, white-collar individuals as well as blue-collar workers, many of whom are immigrants, and who both are drawn to the increasing number of opportunities available. Competition for these opportunities pushes growth and adaptation in world centers.San Francisco has a diversified service economy, with employment spread across a wide range of professional services, including financial services, tourism, and (increasingly) high technology. In 2016, approximately 27% of workers were employed in professional business services; 14% in leisure and hospitality; 13% in government services; 12% in education and health care; 11% in trade, transportation, and utilities; and 8% in financial activities. In 2017, GDP in the five-county San Francisco metropolitan area grew 3.4% to $501 billion. Additionally, in 2017 the 14-county San Jose–San Francisco–Oakland combined statistical area had a GDP of $907 billion, ranking 3rd among CSAs, and ahead of all but 16 countries. As of 2017, San Francisco County was the 7th highest-income county in the United States (among 3,142), with a per capita personal income of $119,868. Marin County, directly to the north over the Golden Gate Bridge, and San Mateo County, directly to the south on the Peninsula, were the 5th and 9th highest-income counties respectively.
Output: What county has the 5th highest-income county in the United States?
Passage: According to academic Rob Wilson, San Francisco is a global city, a status that pre-dated the city's popularity during the California Gold Rush. Such cities are characterized by their ethnic clustering, network of international connectivity, and convergence of technological innovation. Global cities, such as San Francisco, are considered to be complex and require a high level of talent as well as large masses of low wage workers. A divide is created within the city of ethnic, typically lower-class neighborhoods, and expensive ones with newly developed buildings. This in turn creates a population of highly educated, white-collar individuals as well as blue-collar workers, many of whom are immigrants, and who both are drawn to the increasing number of opportunities available. Competition for these opportunities pushes growth and adaptation in world centers.San Francisco has a diversified service economy, with employment spread across a wide range of professional services, including financial services, tourism, and (increasingly) high technology. In 2016, approximately 27% of workers were employed in professional business services; 14% in leisure and hospitality; 13% in government services; 12% in education and health care; 11% in trade, transportation, and utilities; and 8% in financial activities. In 2017, GDP in the five-county San Francisco metropolitan area grew 3.4% to $501 billion. Additionally, in 2017 the 14-county San Jose–San Francisco–Oakland combined statistical area had a GDP of $907 billion, ranking 3rd among CSAs, and ahead of all but 16 countries. As of 2017, San Francisco County was the 7th highest-income county in the United States (among 3,142), with a per capita personal income of $119,868. Marin County, directly to the north over the Golden Gate Bridge, and San Mateo County, directly to the south on the Peninsula, were the 5th and 9th highest-income counties respectively.
Output: What county has the 9th highest-income county in the United States?
Passage: The premiere, originally planned for 14 September 1863, was postponed to the 30th because of the illness of the soprano lead, Léontine de Maësen. The first-night audience at the Théâtre Lyrique received the work well, and called for Bizet at the conclusion. The writer Louis Gallet, who later would provide several librettos for Bizet, described the composer on this occasion as "a little dazed ... a forest of thick curly hair above a round, still rather childish face, enlivened by the quick brown eyes..." The audience's appreciation was not reflected in the majority of the press reviews, which generally castigated both the work and what they considered Bizet's lack of modesty in appearing on stage. Gustave Bertrand in Le Ménestrel wrote that "this sort of exhibition is admissible only for a most extraordinary success, and even then we prefer to have the composer dragged on in spite of himself, or at least pretending to be". Another critic surmised that the calls for the composer had been orchestrated by a "claque" of Bizet's friends, strategically distributed.Of the opera itself, Benjamin Jouvin of Le Figaro wrote: "There were neither fishermen in the libretto nor pearls in the music". He considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner". Bertrand compared the work unfavourably with those of contemporary French composers such as Charles Gounod and Félicien David. "Nevertheless", he wrote, "there is a talent floating in the midst of all these regrettable imitations". Hector Berlioz was a voice apart in the general critical hostility; his review of the work in Journal des Débats praised the music's originality and subtlety: "The score of Les pêcheurs de perles does M. Bizet the greatest honour", he wrote. Among Bizet's contemporaries, the dramatist Ludovic Halévy wrote that this early work announced Bizet as a composer of quality: "I persist in finding in [the score] the rarest virtues". The youthful composer Émile Paladilhe told his father that the opera was superior to anything that the established French opera composers of the day, such as Auber and Thomas, were capable of producing.In its initial run Les pêcheurs de perles ran for 18 performances, alternating with Mozart's The Marriage of Figaro. It closed on 23 November 1863, and although it brought the theatre little financial success, Bizet had won admiration from his peers. Carvalho was satisfied enough to ask Bizet to quickly finish Ivan IV, with a view to its early production at the Théâtre Lyrique. This idea eventually came to nothing; Ivan IV remained unperformed until 1946.
Output: What is the work that was received well by the first-night audience at the Théâtre Lyrique?
Passage: The premiere, originally planned for 14 September 1863, was postponed to the 30th because of the illness of the soprano lead, Léontine de Maësen. The first-night audience at the Théâtre Lyrique received the work well, and called for Bizet at the conclusion. The writer Louis Gallet, who later would provide several librettos for Bizet, described the composer on this occasion as "a little dazed ... a forest of thick curly hair above a round, still rather childish face, enlivened by the quick brown eyes..." The audience's appreciation was not reflected in the majority of the press reviews, which generally castigated both the work and what they considered Bizet's lack of modesty in appearing on stage. Gustave Bertrand in Le Ménestrel wrote that "this sort of exhibition is admissible only for a most extraordinary success, and even then we prefer to have the composer dragged on in spite of himself, or at least pretending to be". Another critic surmised that the calls for the composer had been orchestrated by a "claque" of Bizet's friends, strategically distributed.Of the opera itself, Benjamin Jouvin of Le Figaro wrote: "There were neither fishermen in the libretto nor pearls in the music". He considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner". Bertrand compared the work unfavourably with those of contemporary French composers such as Charles Gounod and Félicien David. "Nevertheless", he wrote, "there is a talent floating in the midst of all these regrettable imitations". Hector Berlioz was a voice apart in the general critical hostility; his review of the work in Journal des Débats praised the music's originality and subtlety: "The score of Les pêcheurs de perles does M. Bizet the greatest honour", he wrote. Among Bizet's contemporaries, the dramatist Ludovic Halévy wrote that this early work announced Bizet as a composer of quality: "I persist in finding in [the score] the rarest virtues". The youthful composer Émile Paladilhe told his father that the opera was superior to anything that the established French opera composers of the day, such as Auber and Thomas, were capable of producing.In its initial run Les pêcheurs de perles ran for 18 performances, alternating with Mozart's The Marriage of Figaro. It closed on 23 November 1863, and although it brought the theatre little financial success, Bizet had won admiration from his peers. Carvalho was satisfied enough to ask Bizet to quickly finish Ivan IV, with a view to its early production at the Théâtre Lyrique. This idea eventually came to nothing; Ivan IV remained unperformed until 1946.
Output: What is the name of the work for which the majority of press reviews did not reflect the audience's appreciation?
Passage: The premiere, originally planned for 14 September 1863, was postponed to the 30th because of the illness of the soprano lead, Léontine de Maësen. The first-night audience at the Théâtre Lyrique received the work well, and called for Bizet at the conclusion. The writer Louis Gallet, who later would provide several librettos for Bizet, described the composer on this occasion as "a little dazed ... a forest of thick curly hair above a round, still rather childish face, enlivened by the quick brown eyes..." The audience's appreciation was not reflected in the majority of the press reviews, which generally castigated both the work and what they considered Bizet's lack of modesty in appearing on stage. Gustave Bertrand in Le Ménestrel wrote that "this sort of exhibition is admissible only for a most extraordinary success, and even then we prefer to have the composer dragged on in spite of himself, or at least pretending to be". Another critic surmised that the calls for the composer had been orchestrated by a "claque" of Bizet's friends, strategically distributed.Of the opera itself, Benjamin Jouvin of Le Figaro wrote: "There were neither fishermen in the libretto nor pearls in the music". He considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner". Bertrand compared the work unfavourably with those of contemporary French composers such as Charles Gounod and Félicien David. "Nevertheless", he wrote, "there is a talent floating in the midst of all these regrettable imitations". Hector Berlioz was a voice apart in the general critical hostility; his review of the work in Journal des Débats praised the music's originality and subtlety: "The score of Les pêcheurs de perles does M. Bizet the greatest honour", he wrote. Among Bizet's contemporaries, the dramatist Ludovic Halévy wrote that this early work announced Bizet as a composer of quality: "I persist in finding in [the score] the rarest virtues". The youthful composer Émile Paladilhe told his father that the opera was superior to anything that the established French opera composers of the day, such as Auber and Thomas, were capable of producing.In its initial run Les pêcheurs de perles ran for 18 performances, alternating with Mozart's The Marriage of Figaro. It closed on 23 November 1863, and although it brought the theatre little financial success, Bizet had won admiration from his peers. Carvalho was satisfied enough to ask Bizet to quickly finish Ivan IV, with a view to its early production at the Théâtre Lyrique. This idea eventually came to nothing; Ivan IV remained unperformed until 1946.
Output: What is the name of the opera about which Benjamin Jouvin of Le Figaro wrote: "There were neither fishermen in the libretto nor pearls in the music"?
Passage: The premiere, originally planned for 14 September 1863, was postponed to the 30th because of the illness of the soprano lead, Léontine de Maësen. The first-night audience at the Théâtre Lyrique received the work well, and called for Bizet at the conclusion. The writer Louis Gallet, who later would provide several librettos for Bizet, described the composer on this occasion as "a little dazed ... a forest of thick curly hair above a round, still rather childish face, enlivened by the quick brown eyes..." The audience's appreciation was not reflected in the majority of the press reviews, which generally castigated both the work and what they considered Bizet's lack of modesty in appearing on stage. Gustave Bertrand in Le Ménestrel wrote that "this sort of exhibition is admissible only for a most extraordinary success, and even then we prefer to have the composer dragged on in spite of himself, or at least pretending to be". Another critic surmised that the calls for the composer had been orchestrated by a "claque" of Bizet's friends, strategically distributed.Of the opera itself, Benjamin Jouvin of Le Figaro wrote: "There were neither fishermen in the libretto nor pearls in the music". He considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner". Bertrand compared the work unfavourably with those of contemporary French composers such as Charles Gounod and Félicien David. "Nevertheless", he wrote, "there is a talent floating in the midst of all these regrettable imitations". Hector Berlioz was a voice apart in the general critical hostility; his review of the work in Journal des Débats praised the music's originality and subtlety: "The score of Les pêcheurs de perles does M. Bizet the greatest honour", he wrote. Among Bizet's contemporaries, the dramatist Ludovic Halévy wrote that this early work announced Bizet as a composer of quality: "I persist in finding in [the score] the rarest virtues". The youthful composer Émile Paladilhe told his father that the opera was superior to anything that the established French opera composers of the day, such as Auber and Thomas, were capable of producing.In its initial run Les pêcheurs de perles ran for 18 performances, alternating with Mozart's The Marriage of Figaro. It closed on 23 November 1863, and although it brought the theatre little financial success, Bizet had won admiration from his peers. Carvalho was satisfied enough to ask Bizet to quickly finish Ivan IV, with a view to its early production at the Théâtre Lyrique. This idea eventually came to nothing; Ivan IV remained unperformed until 1946.
Output: What is the full name of the person who considered that on every page the score displayed "the bias of the school to which [Bizet] belongs, that of Richard Wagner"?