niryuu/sni-each-converted huggingface dataset:
Passage: The film opens on ancient Greek ruins where a chanting Greek chorus introduces and narrates the story of Lenny Weinrib. Lenny is a sportswriter in Manhattan, married to ambitious curator Amanda. The couple decide to adopt a baby, a boy they name Max. Lenny is awed by their son who, it becomes increasingly clear, is a gifted child.
Lenny becomes obsessed with learning the identity of Max's biological mother. After a long search, Lenny is disturbed to find that she is a prostitute and part-time porn star, who uses several names but confesses her birth name is Leslie, and she likes "Linda" because it means beautiful in Spanish, so her current porn star name is Linda Ash. Lenny makes an "appointment" to see her at her apartment. Linda is a bit of a ditz with a crude sense of humor and delusions of becoming a stage actress. Lenny does not have intercourse with her but instead urges her to get away from prostitution and start a wholesome life. Linda becomes angry, refunds Lenny's money, and forces him to leave. Lenny, however, is determined to befriend her and improve her life. He first manages to get Linda away from her violent pimp and then attempts to pair Linda with a former boxer, Kevin. They appear to be a well-suited couple until Kevin discovers Linda's background.
Output: What's the name of the man that  Max's birth mother gets romantically involved with?
Passage: The film opens on ancient Greek ruins where a chanting Greek chorus introduces and narrates the story of Lenny Weinrib. Lenny is a sportswriter in Manhattan, married to ambitious curator Amanda. The couple decide to adopt a baby, a boy they name Max. Lenny is awed by their son who, it becomes increasingly clear, is a gifted child.
Lenny becomes obsessed with learning the identity of Max's biological mother. After a long search, Lenny is disturbed to find that she is a prostitute and part-time porn star, who uses several names but confesses her birth name is Leslie, and she likes "Linda" because it means beautiful in Spanish, so her current porn star name is Linda Ash. Lenny makes an "appointment" to see her at her apartment. Linda is a bit of a ditz with a crude sense of humor and delusions of becoming a stage actress. Lenny does not have intercourse with her but instead urges her to get away from prostitution and start a wholesome life. Linda becomes angry, refunds Lenny's money, and forces him to leave. Lenny, however, is determined to befriend her and improve her life. He first manages to get Linda away from her violent pimp and then attempts to pair Linda with a former boxer, Kevin. They appear to be a well-suited couple until Kevin discovers Linda's background.
Output: What does the wife of Linda's friend do for a living?
Passage: The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision. "The Day You Come" spent nine weeks on the ARIA Charts, peaking at #25.The second single was the double a-side, "Don't Wanna Be Left Out/Good-Day Ray", released on 9 November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'. Drummer Jon Coghill described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat". The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members. "Good-Day Ray" was dedicated to Australian television presenter Ray Martin and his public disagreements with former Media Watch host Stuart Littlemore. Its lyrics verged on punk, though Coghill denied that Powderfinger were a punk band. He also described the music video for "Good-Day Ray" as being one of the better videos the band had made.Internationalist's third single was "Already Gone", released on 12 February 1999. The song was a tribute to the Beatles and their influence on Powderfinger's music. The fourth and final single from the album was "Passenger", released on 9 August 1999.  "Passenger" was influenced by Elvis Presley, and included a big horn section, as well as backing vocals from folk group Tiddas. "Passenger" won the ARIA Award for "Song Of The Year" in 1999. The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films. "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30. It appeared at #48 on Max's top 100 songs from the 1990s list.
Output: What is the first name of the person who described the music video for "Good-Day Ray" as being one of the better videos the band had made?
Passage: The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision. "The Day You Come" spent nine weeks on the ARIA Charts, peaking at #25.The second single was the double a-side, "Don't Wanna Be Left Out/Good-Day Ray", released on 9 November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'. Drummer Jon Coghill described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat". The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members. "Good-Day Ray" was dedicated to Australian television presenter Ray Martin and his public disagreements with former Media Watch host Stuart Littlemore. Its lyrics verged on punk, though Coghill denied that Powderfinger were a punk band. He also described the music video for "Good-Day Ray" as being one of the better videos the band had made.Internationalist's third single was "Already Gone", released on 12 February 1999. The song was a tribute to the Beatles and their influence on Powderfinger's music. The fourth and final single from the album was "Passenger", released on 9 August 1999.  "Passenger" was influenced by Elvis Presley, and included a big horn section, as well as backing vocals from folk group Tiddas. "Passenger" won the ARIA Award for "Song Of The Year" in 1999. The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films. "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30. It appeared at #48 on Max's top 100 songs from the 1990s list.
Output: What is the title of the song that was a tribute to the Beatles?
Passage: The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision. "The Day You Come" spent nine weeks on the ARIA Charts, peaking at #25.The second single was the double a-side, "Don't Wanna Be Left Out/Good-Day Ray", released on 9 November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'. Drummer Jon Coghill described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat". The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members. "Good-Day Ray" was dedicated to Australian television presenter Ray Martin and his public disagreements with former Media Watch host Stuart Littlemore. Its lyrics verged on punk, though Coghill denied that Powderfinger were a punk band. He also described the music video for "Good-Day Ray" as being one of the better videos the band had made.Internationalist's third single was "Already Gone", released on 12 February 1999. The song was a tribute to the Beatles and their influence on Powderfinger's music. The fourth and final single from the album was "Passenger", released on 9 August 1999.  "Passenger" was influenced by Elvis Presley, and included a big horn section, as well as backing vocals from folk group Tiddas. "Passenger" won the ARIA Award for "Song Of The Year" in 1999. The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films. "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30. It appeared at #48 on Max's top 100 songs from the 1990s list.
Output: What is the name of the album for which the first single was "The Day You Come"?
Passage: The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision. "The Day You Come" spent nine weeks on the ARIA Charts, peaking at #25.The second single was the double a-side, "Don't Wanna Be Left Out/Good-Day Ray", released on 9 November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'. Drummer Jon Coghill described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat". The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members. "Good-Day Ray" was dedicated to Australian television presenter Ray Martin and his public disagreements with former Media Watch host Stuart Littlemore. Its lyrics verged on punk, though Coghill denied that Powderfinger were a punk band. He also described the music video for "Good-Day Ray" as being one of the better videos the band had made.Internationalist's third single was "Already Gone", released on 12 February 1999. The song was a tribute to the Beatles and their influence on Powderfinger's music. The fourth and final single from the album was "Passenger", released on 9 August 1999.  "Passenger" was influenced by Elvis Presley, and included a big horn section, as well as backing vocals from folk group Tiddas. "Passenger" won the ARIA Award for "Song Of The Year" in 1999. The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films. "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30. It appeared at #48 on Max's top 100 songs from the 1990s list.
Output: What is the name of the album for which the fourth and final single was "Passenger"?
Passage: The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision. "The Day You Come" spent nine weeks on the ARIA Charts, peaking at #25.The second single was the double a-side, "Don't Wanna Be Left Out/Good-Day Ray", released on 9 November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'. Drummer Jon Coghill described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat". The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members. "Good-Day Ray" was dedicated to Australian television presenter Ray Martin and his public disagreements with former Media Watch host Stuart Littlemore. Its lyrics verged on punk, though Coghill denied that Powderfinger were a punk band. He also described the music video for "Good-Day Ray" as being one of the better videos the band had made.Internationalist's third single was "Already Gone", released on 12 February 1999. The song was a tribute to the Beatles and their influence on Powderfinger's music. The fourth and final single from the album was "Passenger", released on 9 August 1999.  "Passenger" was influenced by Elvis Presley, and included a big horn section, as well as backing vocals from folk group Tiddas. "Passenger" won the ARIA Award for "Song Of The Year" in 1999. The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films. "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30. It appeared at #48 on Max's top 100 songs from the 1990s list.
Output: What is the title of the song with a music video that was one of Powderfinger's first to feature computer graphics?
Passage: After almost three years of touring to promote Metallica, including a headlining performance at Woodstock '94, Metallica returned to the studio to write and record its sixth studio album. The band went on a brief hiatus in the summer of 1995 and played a short tour, Escape from the Studio '95, comprising three outdoor shows, including a headline show at Donington Park supported by Slayer, Skid Row, Slash's Snakepit, Therapy?, and Corrosion of Conformity. The band spent about a year writing and recording new songs, resulting in the release of Load in 1996. Load debuted at number one on the Billboard 200 and ARIA Charts; it was the band's second number-one album. The cover art, Blood and Semen III, was created by Andres Serrano, who pressed a mixture of his own semen and blood between sheets of plexiglass. The release marked a change in the band's musical direction and a new image; the bandmembers' hair was cut. Metallica headlined the alternative rock festival Lollapalooza festival in mid-1996.
During early production of the album, the band had recorded enough material to fill a double album. It was decided that half of the songs were to be released; the band would continue to work on the remaining songs and release them the following year. This resulted in follow-up album titled Reload. The cover art was again created by Serrano, this time using a mixture of blood and urine. Reload debuted at number one on the Billboard 200 and reached number two on the Top Canadian Album chart. Hetfield said in the 2004 documentary film Some Kind of Monster that the band initially thought some of the songs on these albums were of average quality; these were "polished and reworked" until judged releasable. To promote Reload, Metallica performed "Fuel" and "The Memory Remains" with Marianne Faithfull on NBC's Saturday Night Live in December 1997.In 1998, Metallica compiled a double album of cover songs, Garage Inc. The first disc contained newly recorded covers of songs by Diamond Head, Killing Joke, the Misfits, Thin Lizzy, Mercyful Fate, Black Sabbath, and others. The second disc featured the original version of The $5.98 E.P.: Garage Days Re-Revisited, which had become a scarce collectors' item. The album entered the Billboard 200 at number two.On April 21 and 22, 1999, Metallica recorded two performances with the San Francisco Symphony conducted by Michael Kamen, who had previously worked with producer Rock on "Nothing Else Matters". Kamen approached Metallica in 1991 with the idea of pairing the band's music with a symphony orchestra. Kamen and his staff of over 100 composed additional orchestral material for Metallica songs. Metallica wrote two new Kamen-scored songs for the event, "No Leaf Clover" and "-Human". The audio recording and concert footage were released in 1999 as the album and concert film S&M. It entered the Billboard 200 at number two and the Australian ARIA charts and Top Internet Albums chart at number one.
Output: What three bodily fluids did Serrano use for the album cover art for Reload and Load?
Passage: After almost three years of touring to promote Metallica, including a headlining performance at Woodstock '94, Metallica returned to the studio to write and record its sixth studio album. The band went on a brief hiatus in the summer of 1995 and played a short tour, Escape from the Studio '95, comprising three outdoor shows, including a headline show at Donington Park supported by Slayer, Skid Row, Slash's Snakepit, Therapy?, and Corrosion of Conformity. The band spent about a year writing and recording new songs, resulting in the release of Load in 1996. Load debuted at number one on the Billboard 200 and ARIA Charts; it was the band's second number-one album. The cover art, Blood and Semen III, was created by Andres Serrano, who pressed a mixture of his own semen and blood between sheets of plexiglass. The release marked a change in the band's musical direction and a new image; the bandmembers' hair was cut. Metallica headlined the alternative rock festival Lollapalooza festival in mid-1996.
During early production of the album, the band had recorded enough material to fill a double album. It was decided that half of the songs were to be released; the band would continue to work on the remaining songs and release them the following year. This resulted in follow-up album titled Reload. The cover art was again created by Serrano, this time using a mixture of blood and urine. Reload debuted at number one on the Billboard 200 and reached number two on the Top Canadian Album chart. Hetfield said in the 2004 documentary film Some Kind of Monster that the band initially thought some of the songs on these albums were of average quality; these were "polished and reworked" until judged releasable. To promote Reload, Metallica performed "Fuel" and "The Memory Remains" with Marianne Faithfull on NBC's Saturday Night Live in December 1997.In 1998, Metallica compiled a double album of cover songs, Garage Inc. The first disc contained newly recorded covers of songs by Diamond Head, Killing Joke, the Misfits, Thin Lizzy, Mercyful Fate, Black Sabbath, and others. The second disc featured the original version of The $5.98 E.P.: Garage Days Re-Revisited, which had become a scarce collectors' item. The album entered the Billboard 200 at number two.On April 21 and 22, 1999, Metallica recorded two performances with the San Francisco Symphony conducted by Michael Kamen, who had previously worked with producer Rock on "Nothing Else Matters". Kamen approached Metallica in 1991 with the idea of pairing the band's music with a symphony orchestra. Kamen and his staff of over 100 composed additional orchestral material for Metallica songs. Metallica wrote two new Kamen-scored songs for the event, "No Leaf Clover" and "-Human". The audio recording and concert footage were released in 1999 as the album and concert film S&M. It entered the Billboard 200 at number two and the Australian ARIA charts and Top Internet Albums chart at number one.
Output: What is the name of the band's second number-one album?
Passage: After almost three years of touring to promote Metallica, including a headlining performance at Woodstock '94, Metallica returned to the studio to write and record its sixth studio album. The band went on a brief hiatus in the summer of 1995 and played a short tour, Escape from the Studio '95, comprising three outdoor shows, including a headline show at Donington Park supported by Slayer, Skid Row, Slash's Snakepit, Therapy?, and Corrosion of Conformity. The band spent about a year writing and recording new songs, resulting in the release of Load in 1996. Load debuted at number one on the Billboard 200 and ARIA Charts; it was the band's second number-one album. The cover art, Blood and Semen III, was created by Andres Serrano, who pressed a mixture of his own semen and blood between sheets of plexiglass. The release marked a change in the band's musical direction and a new image; the bandmembers' hair was cut. Metallica headlined the alternative rock festival Lollapalooza festival in mid-1996.
During early production of the album, the band had recorded enough material to fill a double album. It was decided that half of the songs were to be released; the band would continue to work on the remaining songs and release them the following year. This resulted in follow-up album titled Reload. The cover art was again created by Serrano, this time using a mixture of blood and urine. Reload debuted at number one on the Billboard 200 and reached number two on the Top Canadian Album chart. Hetfield said in the 2004 documentary film Some Kind of Monster that the band initially thought some of the songs on these albums were of average quality; these were "polished and reworked" until judged releasable. To promote Reload, Metallica performed "Fuel" and "The Memory Remains" with Marianne Faithfull on NBC's Saturday Night Live in December 1997.In 1998, Metallica compiled a double album of cover songs, Garage Inc. The first disc contained newly recorded covers of songs by Diamond Head, Killing Joke, the Misfits, Thin Lizzy, Mercyful Fate, Black Sabbath, and others. The second disc featured the original version of The $5.98 E.P.: Garage Days Re-Revisited, which had become a scarce collectors' item. The album entered the Billboard 200 at number two.On April 21 and 22, 1999, Metallica recorded two performances with the San Francisco Symphony conducted by Michael Kamen, who had previously worked with producer Rock on "Nothing Else Matters". Kamen approached Metallica in 1991 with the idea of pairing the band's music with a symphony orchestra. Kamen and his staff of over 100 composed additional orchestral material for Metallica songs. Metallica wrote two new Kamen-scored songs for the event, "No Leaf Clover" and "-Human". The audio recording and concert footage were released in 1999 as the album and concert film S&M. It entered the Billboard 200 at number two and the Australian ARIA charts and Top Internet Albums chart at number one.
Output: What is the name of the release that marked a change in Metallica's musical direction?
Passage: After almost three years of touring to promote Metallica, including a headlining performance at Woodstock '94, Metallica returned to the studio to write and record its sixth studio album. The band went on a brief hiatus in the summer of 1995 and played a short tour, Escape from the Studio '95, comprising three outdoor shows, including a headline show at Donington Park supported by Slayer, Skid Row, Slash's Snakepit, Therapy?, and Corrosion of Conformity. The band spent about a year writing and recording new songs, resulting in the release of Load in 1996. Load debuted at number one on the Billboard 200 and ARIA Charts; it was the band's second number-one album. The cover art, Blood and Semen III, was created by Andres Serrano, who pressed a mixture of his own semen and blood between sheets of plexiglass. The release marked a change in the band's musical direction and a new image; the bandmembers' hair was cut. Metallica headlined the alternative rock festival Lollapalooza festival in mid-1996.
During early production of the album, the band had recorded enough material to fill a double album. It was decided that half of the songs were to be released; the band would continue to work on the remaining songs and release them the following year. This resulted in follow-up album titled Reload. The cover art was again created by Serrano, this time using a mixture of blood and urine. Reload debuted at number one on the Billboard 200 and reached number two on the Top Canadian Album chart. Hetfield said in the 2004 documentary film Some Kind of Monster that the band initially thought some of the songs on these albums were of average quality; these were "polished and reworked" until judged releasable. To promote Reload, Metallica performed "Fuel" and "The Memory Remains" with Marianne Faithfull on NBC's Saturday Night Live in December 1997.In 1998, Metallica compiled a double album of cover songs, Garage Inc. The first disc contained newly recorded covers of songs by Diamond Head, Killing Joke, the Misfits, Thin Lizzy, Mercyful Fate, Black Sabbath, and others. The second disc featured the original version of The $5.98 E.P.: Garage Days Re-Revisited, which had become a scarce collectors' item. The album entered the Billboard 200 at number two.On April 21 and 22, 1999, Metallica recorded two performances with the San Francisco Symphony conducted by Michael Kamen, who had previously worked with producer Rock on "Nothing Else Matters". Kamen approached Metallica in 1991 with the idea of pairing the band's music with a symphony orchestra. Kamen and his staff of over 100 composed additional orchestral material for Metallica songs. Metallica wrote two new Kamen-scored songs for the event, "No Leaf Clover" and "-Human". The audio recording and concert footage were released in 1999 as the album and concert film S&M. It entered the Billboard 200 at number two and the Australian ARIA charts and Top Internet Albums chart at number one.
Output: What is the name of the album during whose early production, Metallica had recorded enough material to full a double album?
Passage: From the days of 78 rpm discs, when relatively little modern music was being put on record, Walton was favoured by the record companies. In 1929 the small, new Decca company recorded eleven movements from Façade, with the composer conducting a chamber ensemble, with the speakers Edith Sitwell and Walton's friend and colleague Constant Lambert.       In the 1930s, Walton also had two of his major orchestral works on disc, both on Decca, the First Symphony recorded by Harty and the London Symphony Orchestra, and the Viola Concerto with Frederick Riddle and the LSO conducted by the composer. In the 1940s Walton moved from Decca to its older, larger rival, EMI. The EMI producer Walter Legge arranged a series of recordings of Walton's major works and many minor ones over the next twenty years; a rival composer expressed the view that if Walton had an attack of flatulence (he used an earthier expression), Walter Legge would record it.Walton himself, although a reluctant conductor, conducted many of the EMI recordings, and some for other labels. He made studio recordings of the First Symphony, the Viola Concerto, the Violin Concerto, the Sinfonia Concertante, the Façade Suites, the Partita, Belshazzar's Feast, and suites from his film scores for Shakespeare plays and The First of the Few. Some live performances conducted by Walton were recorded and have been released on compact disc, including the Cello Concerto and the Coronation Te Deum.Almost all Walton's works have been recorded for commercial release. EMI published a "Walton Edition" of his major works on CD in the 1990s, and the recording of the Chandos Records "Walton Edition" of his works was completed in 2010. His best-known works have been recorded by performers from many countries. Among the frequently recorded are Belshazzar's Feast, the Viola and Violin Concertos and the First Symphony, which has had more than twenty recordings since Harty's 1936 set.
Output: What is the name of the person conducting a chamber ensemble, with the speaker Edith Sitwell?
Passage: From the days of 78 rpm discs, when relatively little modern music was being put on record, Walton was favoured by the record companies. In 1929 the small, new Decca company recorded eleven movements from Façade, with the composer conducting a chamber ensemble, with the speakers Edith Sitwell and Walton's friend and colleague Constant Lambert.       In the 1930s, Walton also had two of his major orchestral works on disc, both on Decca, the First Symphony recorded by Harty and the London Symphony Orchestra, and the Viola Concerto with Frederick Riddle and the LSO conducted by the composer. In the 1940s Walton moved from Decca to its older, larger rival, EMI. The EMI producer Walter Legge arranged a series of recordings of Walton's major works and many minor ones over the next twenty years; a rival composer expressed the view that if Walton had an attack of flatulence (he used an earthier expression), Walter Legge would record it.Walton himself, although a reluctant conductor, conducted many of the EMI recordings, and some for other labels. He made studio recordings of the First Symphony, the Viola Concerto, the Violin Concerto, the Sinfonia Concertante, the Façade Suites, the Partita, Belshazzar's Feast, and suites from his film scores for Shakespeare plays and The First of the Few. Some live performances conducted by Walton were recorded and have been released on compact disc, including the Cello Concerto and the Coronation Te Deum.Almost all Walton's works have been recorded for commercial release. EMI published a "Walton Edition" of his major works on CD in the 1990s, and the recording of the Chandos Records "Walton Edition" of his works was completed in 2010. His best-known works have been recorded by performers from many countries. Among the frequently recorded are Belshazzar's Feast, the Viola and Violin Concertos and the First Symphony, which has had more than twenty recordings since Harty's 1936 set.
Output: What is the name of the person that had ther symphony recorded by Harty and the London Symphony Orchestra?
Passage: From the days of 78 rpm discs, when relatively little modern music was being put on record, Walton was favoured by the record companies. In 1929 the small, new Decca company recorded eleven movements from Façade, with the composer conducting a chamber ensemble, with the speakers Edith Sitwell and Walton's friend and colleague Constant Lambert.       In the 1930s, Walton also had two of his major orchestral works on disc, both on Decca, the First Symphony recorded by Harty and the London Symphony Orchestra, and the Viola Concerto with Frederick Riddle and the LSO conducted by the composer. In the 1940s Walton moved from Decca to its older, larger rival, EMI. The EMI producer Walter Legge arranged a series of recordings of Walton's major works and many minor ones over the next twenty years; a rival composer expressed the view that if Walton had an attack of flatulence (he used an earthier expression), Walter Legge would record it.Walton himself, although a reluctant conductor, conducted many of the EMI recordings, and some for other labels. He made studio recordings of the First Symphony, the Viola Concerto, the Violin Concerto, the Sinfonia Concertante, the Façade Suites, the Partita, Belshazzar's Feast, and suites from his film scores for Shakespeare plays and The First of the Few. Some live performances conducted by Walton were recorded and have been released on compact disc, including the Cello Concerto and the Coronation Te Deum.Almost all Walton's works have been recorded for commercial release. EMI published a "Walton Edition" of his major works on CD in the 1990s, and the recording of the Chandos Records "Walton Edition" of his works was completed in 2010. His best-known works have been recorded by performers from many countries. Among the frequently recorded are Belshazzar's Feast, the Viola and Violin Concertos and the First Symphony, which has had more than twenty recordings since Harty's 1936 set.
Output: What is the name of the person that conducted the Viola Concerto?
Passage: From the days of 78 rpm discs, when relatively little modern music was being put on record, Walton was favoured by the record companies. In 1929 the small, new Decca company recorded eleven movements from Façade, with the composer conducting a chamber ensemble, with the speakers Edith Sitwell and Walton's friend and colleague Constant Lambert.       In the 1930s, Walton also had two of his major orchestral works on disc, both on Decca, the First Symphony recorded by Harty and the London Symphony Orchestra, and the Viola Concerto with Frederick Riddle and the LSO conducted by the composer. In the 1940s Walton moved from Decca to its older, larger rival, EMI. The EMI producer Walter Legge arranged a series of recordings of Walton's major works and many minor ones over the next twenty years; a rival composer expressed the view that if Walton had an attack of flatulence (he used an earthier expression), Walter Legge would record it.Walton himself, although a reluctant conductor, conducted many of the EMI recordings, and some for other labels. He made studio recordings of the First Symphony, the Viola Concerto, the Violin Concerto, the Sinfonia Concertante, the Façade Suites, the Partita, Belshazzar's Feast, and suites from his film scores for Shakespeare plays and The First of the Few. Some live performances conducted by Walton were recorded and have been released on compact disc, including the Cello Concerto and the Coronation Te Deum.Almost all Walton's works have been recorded for commercial release. EMI published a "Walton Edition" of his major works on CD in the 1990s, and the recording of the Chandos Records "Walton Edition" of his works was completed in 2010. His best-known works have been recorded by performers from many countries. Among the frequently recorded are Belshazzar's Feast, the Viola and Violin Concertos and the First Symphony, which has had more than twenty recordings since Harty's 1936 set.
Output: What is the name of the person that made studio recordings of the First Symphony, the Viola Concerto, and the Violin Concerto?
Passage: Famous Hollywood actor Don Bolton is a vain movie star whose biggest fear is to be drafted into the US Army. He definitely lacks the qualities of a good soldier, and he is so afraid of loud noise that he would not last a day in the service, let alone cope with hearing a single gunshot when he is on set shooting a war film at the studio. Colonel Peter Fairbanks visits the studio set as a consultant for the war film, and with him he has brought his beautiful daughter Antoinett, known as "Tony" (Dorothy Lamour). Don is smitten by Tony, and also realizes that his ticket out of the Army is to marry the colonel's daughter to avoid the draft.
Don manages to insult the colonel gravely when he first mistakes him for an actor and treats him disrespectfully. Even so, Don manages to go on a date with Tony, and even proposes to her, before hearing on the radio that the draft age is only  going up to the age of 31.  As Don is 32 he retracts his proposal, and Tony is disgusted with his intentions and cowardly behavior.
Output: Who is mistaken for an actor?
Passage: Famous Hollywood actor Don Bolton is a vain movie star whose biggest fear is to be drafted into the US Army. He definitely lacks the qualities of a good soldier, and he is so afraid of loud noise that he would not last a day in the service, let alone cope with hearing a single gunshot when he is on set shooting a war film at the studio. Colonel Peter Fairbanks visits the studio set as a consultant for the war film, and with him he has brought his beautiful daughter Antoinett, known as "Tony" (Dorothy Lamour). Don is smitten by Tony, and also realizes that his ticket out of the Army is to marry the colonel's daughter to avoid the draft.
Don manages to insult the colonel gravely when he first mistakes him for an actor and treats him disrespectfully. Even so, Don manages to go on a date with Tony, and even proposes to her, before hearing on the radio that the draft age is only  going up to the age of 31.  As Don is 32 he retracts his proposal, and Tony is disgusted with his intentions and cowardly behavior.
Output: What is the nickname of the person who gets proposed to?
Passage: Famous Hollywood actor Don Bolton is a vain movie star whose biggest fear is to be drafted into the US Army. He definitely lacks the qualities of a good soldier, and he is so afraid of loud noise that he would not last a day in the service, let alone cope with hearing a single gunshot when he is on set shooting a war film at the studio. Colonel Peter Fairbanks visits the studio set as a consultant for the war film, and with him he has brought his beautiful daughter Antoinett, known as "Tony" (Dorothy Lamour). Don is smitten by Tony, and also realizes that his ticket out of the Army is to marry the colonel's daughter to avoid the draft.
Don manages to insult the colonel gravely when he first mistakes him for an actor and treats him disrespectfully. Even so, Don manages to go on a date with Tony, and even proposes to her, before hearing on the radio that the draft age is only  going up to the age of 31.  As Don is 32 he retracts his proposal, and Tony is disgusted with his intentions and cowardly behavior.
Output: What is the full name of the person who cannot cope with even shooting a war film?
Passage: The film opens on Rachel and Hector's (Matthew Goode) wedding day in North London, England. Rachel's bossy and overbearing mother, Tess, is in charge of planning the wedding. Rachel's dazed father Ned and her much younger sister Henrietta are  supportive. Prior to Rachel arriving and the ceremony beginning, flower shop owner Luce who was contracted by Tess as the wedding florist, and Henrietta are rushing along while chatting with Hector and Cooper "Coop" (Darren Boyd). Luce answers Henrietta's trick question which makes Henrietta take an immediate liking to her, and she asks if Luce can sit by her during the wedding. Rachel arrives with her father and the ceremony begins. As Rachel is walking down the aisle, her eyes wander and she makes eye contact with Luce. The ceremony continues according to plan, and Rachel and Hector marry. At the reception afterwards, Luce introduces herself to Rachel as the one who did the flowers as she is about to get punch. Rachel nervously blocks Luce's attempt to get a drink, and when she questions why she can't have any, Rachel reveals that her wedding ring accidentally fell in. The two share a moment together, but it is over after Luce fishes the ring out of the punch bowl and goes on her way.
Some time later, Rachel goes to Luce's shop and invites her to dinner with Hector and, unknown to Luce, Cooper, a perennial bachelor and self-professed Lothario. Rachel has planned to set up Luce with Coop, while Luce confides to Heck moments before Coop arrives that she's a lesbian. Heck takes this news in stride and is bemused as Coop is undeterred in his attempts to seduce Luce. During the meal, when Coop starts bragging, Luce espouses she believes in love at first sight, while Rachel says it takes time to find the right person. Later on that night, Rachel and Luce share a moment together on the balcony as it rains.
Output: Rachel makes eye contact with a woman sitting next to whom?
Passage: The film opens on Rachel and Hector's (Matthew Goode) wedding day in North London, England. Rachel's bossy and overbearing mother, Tess, is in charge of planning the wedding. Rachel's dazed father Ned and her much younger sister Henrietta are  supportive. Prior to Rachel arriving and the ceremony beginning, flower shop owner Luce who was contracted by Tess as the wedding florist, and Henrietta are rushing along while chatting with Hector and Cooper "Coop" (Darren Boyd). Luce answers Henrietta's trick question which makes Henrietta take an immediate liking to her, and she asks if Luce can sit by her during the wedding. Rachel arrives with her father and the ceremony begins. As Rachel is walking down the aisle, her eyes wander and she makes eye contact with Luce. The ceremony continues according to plan, and Rachel and Hector marry. At the reception afterwards, Luce introduces herself to Rachel as the one who did the flowers as she is about to get punch. Rachel nervously blocks Luce's attempt to get a drink, and when she questions why she can't have any, Rachel reveals that her wedding ring accidentally fell in. The two share a moment together, but it is over after Luce fishes the ring out of the punch bowl and goes on her way.
Some time later, Rachel goes to Luce's shop and invites her to dinner with Hector and, unknown to Luce, Cooper, a perennial bachelor and self-professed Lothario. Rachel has planned to set up Luce with Coop, while Luce confides to Heck moments before Coop arrives that she's a lesbian. Heck takes this news in stride and is bemused as Coop is undeterred in his attempts to seduce Luce. During the meal, when Coop starts bragging, Luce espouses she believes in love at first sight, while Rachel says it takes time to find the right person. Later on that night, Rachel and Luce share a moment together on the balcony as it rains.
Output: What is the name of the person who arrived at the wedding with Rachel?
Passage: The film opens on Rachel and Hector's (Matthew Goode) wedding day in North London, England. Rachel's bossy and overbearing mother, Tess, is in charge of planning the wedding. Rachel's dazed father Ned and her much younger sister Henrietta are  supportive. Prior to Rachel arriving and the ceremony beginning, flower shop owner Luce who was contracted by Tess as the wedding florist, and Henrietta are rushing along while chatting with Hector and Cooper "Coop" (Darren Boyd). Luce answers Henrietta's trick question which makes Henrietta take an immediate liking to her, and she asks if Luce can sit by her during the wedding. Rachel arrives with her father and the ceremony begins. As Rachel is walking down the aisle, her eyes wander and she makes eye contact with Luce. The ceremony continues according to plan, and Rachel and Hector marry. At the reception afterwards, Luce introduces herself to Rachel as the one who did the flowers as she is about to get punch. Rachel nervously blocks Luce's attempt to get a drink, and when she questions why she can't have any, Rachel reveals that her wedding ring accidentally fell in. The two share a moment together, but it is over after Luce fishes the ring out of the punch bowl and goes on her way.
Some time later, Rachel goes to Luce's shop and invites her to dinner with Hector and, unknown to Luce, Cooper, a perennial bachelor and self-professed Lothario. Rachel has planned to set up Luce with Coop, while Luce confides to Heck moments before Coop arrives that she's a lesbian. Heck takes this news in stride and is bemused as Coop is undeterred in his attempts to seduce Luce. During the meal, when Coop starts bragging, Luce espouses she believes in love at first sight, while Rachel says it takes time to find the right person. Later on that night, Rachel and Luce share a moment together on the balcony as it rains.
Output: What is the first name of the person that Rachel arrives with?
Passage: The film opens on Rachel and Hector's (Matthew Goode) wedding day in North London, England. Rachel's bossy and overbearing mother, Tess, is in charge of planning the wedding. Rachel's dazed father Ned and her much younger sister Henrietta are  supportive. Prior to Rachel arriving and the ceremony beginning, flower shop owner Luce who was contracted by Tess as the wedding florist, and Henrietta are rushing along while chatting with Hector and Cooper "Coop" (Darren Boyd). Luce answers Henrietta's trick question which makes Henrietta take an immediate liking to her, and she asks if Luce can sit by her during the wedding. Rachel arrives with her father and the ceremony begins. As Rachel is walking down the aisle, her eyes wander and she makes eye contact with Luce. The ceremony continues according to plan, and Rachel and Hector marry. At the reception afterwards, Luce introduces herself to Rachel as the one who did the flowers as she is about to get punch. Rachel nervously blocks Luce's attempt to get a drink, and when she questions why she can't have any, Rachel reveals that her wedding ring accidentally fell in. The two share a moment together, but it is over after Luce fishes the ring out of the punch bowl and goes on her way.
Some time later, Rachel goes to Luce's shop and invites her to dinner with Hector and, unknown to Luce, Cooper, a perennial bachelor and self-professed Lothario. Rachel has planned to set up Luce with Coop, while Luce confides to Heck moments before Coop arrives that she's a lesbian. Heck takes this news in stride and is bemused as Coop is undeterred in his attempts to seduce Luce. During the meal, when Coop starts bragging, Luce espouses she believes in love at first sight, while Rachel says it takes time to find the right person. Later on that night, Rachel and Luce share a moment together on the balcony as it rains.
Output: What are the first names of the people who share a moment together?
Passage: The film opens on Rachel and Hector's (Matthew Goode) wedding day in North London, England. Rachel's bossy and overbearing mother, Tess, is in charge of planning the wedding. Rachel's dazed father Ned and her much younger sister Henrietta are  supportive. Prior to Rachel arriving and the ceremony beginning, flower shop owner Luce who was contracted by Tess as the wedding florist, and Henrietta are rushing along while chatting with Hector and Cooper "Coop" (Darren Boyd). Luce answers Henrietta's trick question which makes Henrietta take an immediate liking to her, and she asks if Luce can sit by her during the wedding. Rachel arrives with her father and the ceremony begins. As Rachel is walking down the aisle, her eyes wander and she makes eye contact with Luce. The ceremony continues according to plan, and Rachel and Hector marry. At the reception afterwards, Luce introduces herself to Rachel as the one who did the flowers as she is about to get punch. Rachel nervously blocks Luce's attempt to get a drink, and when she questions why she can't have any, Rachel reveals that her wedding ring accidentally fell in. The two share a moment together, but it is over after Luce fishes the ring out of the punch bowl and goes on her way.
Some time later, Rachel goes to Luce's shop and invites her to dinner with Hector and, unknown to Luce, Cooper, a perennial bachelor and self-professed Lothario. Rachel has planned to set up Luce with Coop, while Luce confides to Heck moments before Coop arrives that she's a lesbian. Heck takes this news in stride and is bemused as Coop is undeterred in his attempts to seduce Luce. During the meal, when Coop starts bragging, Luce espouses she believes in love at first sight, while Rachel says it takes time to find the right person. Later on that night, Rachel and Luce share a moment together on the balcony as it rains.
Output: Who is the wife of the the bride's father?