niryuu/sni-each-converted huggingface dataset:
Passage: A landscape can be seen through the window behind St. Catherine. Because of the miniature scale of the painting it can be seen only at close up. The view is built with extremely fine brushwork and shows a number of highly detailed buildings and hills before snowcapped mountains.A lance rests against the shoulder of a youthful-looking St. Michael. Michael is dressed in elaborately jewelled and coloured armour, his left arm holding his helmet, while his right hand rests on the shoulder of the donor as he is presented to Mary. The donor kneels in prayer before the Virgin, with his hands held upwards as if in prayer, although they are not clasped. He wears a gold ring on his right small finger, and is dressed in a long olive-green houppelande, at the time the height of fashion and an indicator of status within the Burgundian court. The gown has a fur-lined high collar and deep baggy sleeves, also lined with fur.  The donor's bowl-shaped haircut, rounded at the fringe but cut above his ears, is also typical of mid-1430s Netherlandish fashion. Except for the red hood, the garment closely resembles that worn by the groom in the Arnolfini Portrait.The capital of the pillar above the donor's head is lined with carvings of military scenes. Similar carvings are seen near the donor in van Eyck's earlier van der Paele and Madonna of Chancellor Rolin, and where they depict events or personal circumstances from the donor's life. Those in the present work likely serve a similar role, however because the donor is unidentified it is unknown as to what they may refer. Elisabeth Dhanens speculates that they might depict the sarcophagus of Hippolytus in Pisa, which she believes adds credibility to the belief the donor was of Italian origin; she also notes the military scene reflects St. Michael's status as military commander. Ward compares the carving to a similar one found in the Washington Annunciation. Unlike in van Eyck's earlier votive portraits the donor is positioned at a remove from the Marian apparition, and at a much smaller scale to Mary on a triptych wing.The lettering running along the edges of the panel's frame consists of a prayer fragment from the liturgy for the feast of St. Michael. The extract reads HIC EST ARCHANGELUS PRINCEPS MILITAE ANGELORUM CUIUS HONOR PRAESTAT BENEFICIA POPULORUM ET ORATARIO PERDUCIT AD REGNA COELORUM. HIC ANGELUS MICHAEL DEI NUNTIUS DE ANIMABUS JUSTIS. GRATIA DEI ILLE VICTOR IN COELIS RESEDIT. A PACIBUS ("This is Michael the Archangel, leader of the angelic hosts, whose privilege it is to grant favours to the people, and whose prayer leads them to the Kingdom of Heaven. The Archangel Michael is God's messenger for the souls of the just. By the grace of God, that great victor has taken his place in Heaven, on the side of peace'").
Output: What is the name of the person that wears a gold ring on his finger?
Passage: A landscape can be seen through the window behind St. Catherine. Because of the miniature scale of the painting it can be seen only at close up. The view is built with extremely fine brushwork and shows a number of highly detailed buildings and hills before snowcapped mountains.A lance rests against the shoulder of a youthful-looking St. Michael. Michael is dressed in elaborately jewelled and coloured armour, his left arm holding his helmet, while his right hand rests on the shoulder of the donor as he is presented to Mary. The donor kneels in prayer before the Virgin, with his hands held upwards as if in prayer, although they are not clasped. He wears a gold ring on his right small finger, and is dressed in a long olive-green houppelande, at the time the height of fashion and an indicator of status within the Burgundian court. The gown has a fur-lined high collar and deep baggy sleeves, also lined with fur.  The donor's bowl-shaped haircut, rounded at the fringe but cut above his ears, is also typical of mid-1430s Netherlandish fashion. Except for the red hood, the garment closely resembles that worn by the groom in the Arnolfini Portrait.The capital of the pillar above the donor's head is lined with carvings of military scenes. Similar carvings are seen near the donor in van Eyck's earlier van der Paele and Madonna of Chancellor Rolin, and where they depict events or personal circumstances from the donor's life. Those in the present work likely serve a similar role, however because the donor is unidentified it is unknown as to what they may refer. Elisabeth Dhanens speculates that they might depict the sarcophagus of Hippolytus in Pisa, which she believes adds credibility to the belief the donor was of Italian origin; she also notes the military scene reflects St. Michael's status as military commander. Ward compares the carving to a similar one found in the Washington Annunciation. Unlike in van Eyck's earlier votive portraits the donor is positioned at a remove from the Marian apparition, and at a much smaller scale to Mary on a triptych wing.The lettering running along the edges of the panel's frame consists of a prayer fragment from the liturgy for the feast of St. Michael. The extract reads HIC EST ARCHANGELUS PRINCEPS MILITAE ANGELORUM CUIUS HONOR PRAESTAT BENEFICIA POPULORUM ET ORATARIO PERDUCIT AD REGNA COELORUM. HIC ANGELUS MICHAEL DEI NUNTIUS DE ANIMABUS JUSTIS. GRATIA DEI ILLE VICTOR IN COELIS RESEDIT. A PACIBUS ("This is Michael the Archangel, leader of the angelic hosts, whose privilege it is to grant favours to the people, and whose prayer leads them to the Kingdom of Heaven. The Archangel Michael is God's messenger for the souls of the just. By the grace of God, that great victor has taken his place in Heaven, on the side of peace'").
Output: What is the full name of the person that believes adds credibility to the belief the donor was of Italian origin?
Passage: A landscape can be seen through the window behind St. Catherine. Because of the miniature scale of the painting it can be seen only at close up. The view is built with extremely fine brushwork and shows a number of highly detailed buildings and hills before snowcapped mountains.A lance rests against the shoulder of a youthful-looking St. Michael. Michael is dressed in elaborately jewelled and coloured armour, his left arm holding his helmet, while his right hand rests on the shoulder of the donor as he is presented to Mary. The donor kneels in prayer before the Virgin, with his hands held upwards as if in prayer, although they are not clasped. He wears a gold ring on his right small finger, and is dressed in a long olive-green houppelande, at the time the height of fashion and an indicator of status within the Burgundian court. The gown has a fur-lined high collar and deep baggy sleeves, also lined with fur.  The donor's bowl-shaped haircut, rounded at the fringe but cut above his ears, is also typical of mid-1430s Netherlandish fashion. Except for the red hood, the garment closely resembles that worn by the groom in the Arnolfini Portrait.The capital of the pillar above the donor's head is lined with carvings of military scenes. Similar carvings are seen near the donor in van Eyck's earlier van der Paele and Madonna of Chancellor Rolin, and where they depict events or personal circumstances from the donor's life. Those in the present work likely serve a similar role, however because the donor is unidentified it is unknown as to what they may refer. Elisabeth Dhanens speculates that they might depict the sarcophagus of Hippolytus in Pisa, which she believes adds credibility to the belief the donor was of Italian origin; she also notes the military scene reflects St. Michael's status as military commander. Ward compares the carving to a similar one found in the Washington Annunciation. Unlike in van Eyck's earlier votive portraits the donor is positioned at a remove from the Marian apparition, and at a much smaller scale to Mary on a triptych wing.The lettering running along the edges of the panel's frame consists of a prayer fragment from the liturgy for the feast of St. Michael. The extract reads HIC EST ARCHANGELUS PRINCEPS MILITAE ANGELORUM CUIUS HONOR PRAESTAT BENEFICIA POPULORUM ET ORATARIO PERDUCIT AD REGNA COELORUM. HIC ANGELUS MICHAEL DEI NUNTIUS DE ANIMABUS JUSTIS. GRATIA DEI ILLE VICTOR IN COELIS RESEDIT. A PACIBUS ("This is Michael the Archangel, leader of the angelic hosts, whose privilege it is to grant favours to the people, and whose prayer leads them to the Kingdom of Heaven. The Archangel Michael is God's messenger for the souls of the just. By the grace of God, that great victor has taken his place in Heaven, on the side of peace'").
Output: What is the name of the person that painted extremely fine brushwork and shows a number of highly detailed buildings and hills before snowcapped mountains?
Passage: A landscape can be seen through the window behind St. Catherine. Because of the miniature scale of the painting it can be seen only at close up. The view is built with extremely fine brushwork and shows a number of highly detailed buildings and hills before snowcapped mountains.A lance rests against the shoulder of a youthful-looking St. Michael. Michael is dressed in elaborately jewelled and coloured armour, his left arm holding his helmet, while his right hand rests on the shoulder of the donor as he is presented to Mary. The donor kneels in prayer before the Virgin, with his hands held upwards as if in prayer, although they are not clasped. He wears a gold ring on his right small finger, and is dressed in a long olive-green houppelande, at the time the height of fashion and an indicator of status within the Burgundian court. The gown has a fur-lined high collar and deep baggy sleeves, also lined with fur.  The donor's bowl-shaped haircut, rounded at the fringe but cut above his ears, is also typical of mid-1430s Netherlandish fashion. Except for the red hood, the garment closely resembles that worn by the groom in the Arnolfini Portrait.The capital of the pillar above the donor's head is lined with carvings of military scenes. Similar carvings are seen near the donor in van Eyck's earlier van der Paele and Madonna of Chancellor Rolin, and where they depict events or personal circumstances from the donor's life. Those in the present work likely serve a similar role, however because the donor is unidentified it is unknown as to what they may refer. Elisabeth Dhanens speculates that they might depict the sarcophagus of Hippolytus in Pisa, which she believes adds credibility to the belief the donor was of Italian origin; she also notes the military scene reflects St. Michael's status as military commander. Ward compares the carving to a similar one found in the Washington Annunciation. Unlike in van Eyck's earlier votive portraits the donor is positioned at a remove from the Marian apparition, and at a much smaller scale to Mary on a triptych wing.The lettering running along the edges of the panel's frame consists of a prayer fragment from the liturgy for the feast of St. Michael. The extract reads HIC EST ARCHANGELUS PRINCEPS MILITAE ANGELORUM CUIUS HONOR PRAESTAT BENEFICIA POPULORUM ET ORATARIO PERDUCIT AD REGNA COELORUM. HIC ANGELUS MICHAEL DEI NUNTIUS DE ANIMABUS JUSTIS. GRATIA DEI ILLE VICTOR IN COELIS RESEDIT. A PACIBUS ("This is Michael the Archangel, leader of the angelic hosts, whose privilege it is to grant favours to the people, and whose prayer leads them to the Kingdom of Heaven. The Archangel Michael is God's messenger for the souls of the just. By the grace of God, that great victor has taken his place in Heaven, on the side of peace'").
Output: What is the full name of the person that notes the military scene reflects St. Michael's status as military commander?
Passage: A landscape can be seen through the window behind St. Catherine. Because of the miniature scale of the painting it can be seen only at close up. The view is built with extremely fine brushwork and shows a number of highly detailed buildings and hills before snowcapped mountains.A lance rests against the shoulder of a youthful-looking St. Michael. Michael is dressed in elaborately jewelled and coloured armour, his left arm holding his helmet, while his right hand rests on the shoulder of the donor as he is presented to Mary. The donor kneels in prayer before the Virgin, with his hands held upwards as if in prayer, although they are not clasped. He wears a gold ring on his right small finger, and is dressed in a long olive-green houppelande, at the time the height of fashion and an indicator of status within the Burgundian court. The gown has a fur-lined high collar and deep baggy sleeves, also lined with fur.  The donor's bowl-shaped haircut, rounded at the fringe but cut above his ears, is also typical of mid-1430s Netherlandish fashion. Except for the red hood, the garment closely resembles that worn by the groom in the Arnolfini Portrait.The capital of the pillar above the donor's head is lined with carvings of military scenes. Similar carvings are seen near the donor in van Eyck's earlier van der Paele and Madonna of Chancellor Rolin, and where they depict events or personal circumstances from the donor's life. Those in the present work likely serve a similar role, however because the donor is unidentified it is unknown as to what they may refer. Elisabeth Dhanens speculates that they might depict the sarcophagus of Hippolytus in Pisa, which she believes adds credibility to the belief the donor was of Italian origin; she also notes the military scene reflects St. Michael's status as military commander. Ward compares the carving to a similar one found in the Washington Annunciation. Unlike in van Eyck's earlier votive portraits the donor is positioned at a remove from the Marian apparition, and at a much smaller scale to Mary on a triptych wing.The lettering running along the edges of the panel's frame consists of a prayer fragment from the liturgy for the feast of St. Michael. The extract reads HIC EST ARCHANGELUS PRINCEPS MILITAE ANGELORUM CUIUS HONOR PRAESTAT BENEFICIA POPULORUM ET ORATARIO PERDUCIT AD REGNA COELORUM. HIC ANGELUS MICHAEL DEI NUNTIUS DE ANIMABUS JUSTIS. GRATIA DEI ILLE VICTOR IN COELIS RESEDIT. A PACIBUS ("This is Michael the Archangel, leader of the angelic hosts, whose privilege it is to grant favours to the people, and whose prayer leads them to the Kingdom of Heaven. The Archangel Michael is God's messenger for the souls of the just. By the grace of God, that great victor has taken his place in Heaven, on the side of peace'").
Output: What is the name of the person that painted a landscape can be seen through the window behind St. Catherine?
Passage: The history of Solidarity (Polish: Solidarność, pronounced [sɔliˈdarnɔɕt͡ɕ] (listen)), a Polish non-governmental trade union, began on August 14, 1980, at the Lenin Shipyards (now Gdańsk Shipyards) at its founding by Lech Wałęsa and others. In the early 1980s, it became the first independent labor union in a Soviet-bloc country. Solidarity gave rise to a broad, non-violent, anti-communist social movement that, at its height, claimed some 9.4 million members. It is considered to have contributed greatly to the fall of communism.
Poland's communist government attempted to destroy the union by instituting martial law in 1981, followed by several years of political repression, but in the end was forced into negotiation. The Roundtable Talks between the government and the Solidarity-led opposition resulted in semi-free elections in 1989. By the end of August 1989, a Solidarity-led coalition government had been formed, and, in December 1990, Wałęsa was elected president. This was soon followed by the dismantling of the communist governmental system and by Poland's transformation into a modern democratic state. Solidarity's early survival represented a break in the hard-line stance of the communist Polish United Workers' Party (PZPR), and was an unprecedented event; not only for the People's Republic of Poland—a satellite of the USSR ruled by a one-party communist regime—but for the whole of the Eastern bloc. Solidarity's example led to the spread of anti-communist ideas and movements throughout the Eastern Bloc, weakening communist governments. This process later culminated in the Revolutions of 1989.
In the 1990s, Solidarity's influence on Poland's political scene waned. A political arm of the "Solidarity" movement, Solidarity Electoral Action (AWS), was founded in 1996 and would win the Polish parliamentary elections in 1997, only to lose the subsequent 2001 elections. Thereafter, Solidarity had little influence as a political party, though it did become the largest trade union in Poland.
Output: What was the name of what Poland's government tried to destroy?
Passage: The history of Solidarity (Polish: Solidarność, pronounced [sɔliˈdarnɔɕt͡ɕ] (listen)), a Polish non-governmental trade union, began on August 14, 1980, at the Lenin Shipyards (now Gdańsk Shipyards) at its founding by Lech Wałęsa and others. In the early 1980s, it became the first independent labor union in a Soviet-bloc country. Solidarity gave rise to a broad, non-violent, anti-communist social movement that, at its height, claimed some 9.4 million members. It is considered to have contributed greatly to the fall of communism.
Poland's communist government attempted to destroy the union by instituting martial law in 1981, followed by several years of political repression, but in the end was forced into negotiation. The Roundtable Talks between the government and the Solidarity-led opposition resulted in semi-free elections in 1989. By the end of August 1989, a Solidarity-led coalition government had been formed, and, in December 1990, Wałęsa was elected president. This was soon followed by the dismantling of the communist governmental system and by Poland's transformation into a modern democratic state. Solidarity's early survival represented a break in the hard-line stance of the communist Polish United Workers' Party (PZPR), and was an unprecedented event; not only for the People's Republic of Poland—a satellite of the USSR ruled by a one-party communist regime—but for the whole of the Eastern bloc. Solidarity's example led to the spread of anti-communist ideas and movements throughout the Eastern Bloc, weakening communist governments. This process later culminated in the Revolutions of 1989.
In the 1990s, Solidarity's influence on Poland's political scene waned. A political arm of the "Solidarity" movement, Solidarity Electoral Action (AWS), was founded in 1996 and would win the Polish parliamentary elections in 1997, only to lose the subsequent 2001 elections. Thereafter, Solidarity had little influence as a political party, though it did become the largest trade union in Poland.
Output: What was soon followed by the dismantling of the communist governmental system and by Poland's transformation into a modern democratic state?
Passage: The history of Solidarity (Polish: Solidarność, pronounced [sɔliˈdarnɔɕt͡ɕ] (listen)), a Polish non-governmental trade union, began on August 14, 1980, at the Lenin Shipyards (now Gdańsk Shipyards) at its founding by Lech Wałęsa and others. In the early 1980s, it became the first independent labor union in a Soviet-bloc country. Solidarity gave rise to a broad, non-violent, anti-communist social movement that, at its height, claimed some 9.4 million members. It is considered to have contributed greatly to the fall of communism.
Poland's communist government attempted to destroy the union by instituting martial law in 1981, followed by several years of political repression, but in the end was forced into negotiation. The Roundtable Talks between the government and the Solidarity-led opposition resulted in semi-free elections in 1989. By the end of August 1989, a Solidarity-led coalition government had been formed, and, in December 1990, Wałęsa was elected president. This was soon followed by the dismantling of the communist governmental system and by Poland's transformation into a modern democratic state. Solidarity's early survival represented a break in the hard-line stance of the communist Polish United Workers' Party (PZPR), and was an unprecedented event; not only for the People's Republic of Poland—a satellite of the USSR ruled by a one-party communist regime—but for the whole of the Eastern bloc. Solidarity's example led to the spread of anti-communist ideas and movements throughout the Eastern Bloc, weakening communist governments. This process later culminated in the Revolutions of 1989.
In the 1990s, Solidarity's influence on Poland's political scene waned. A political arm of the "Solidarity" movement, Solidarity Electoral Action (AWS), was founded in 1996 and would win the Polish parliamentary elections in 1997, only to lose the subsequent 2001 elections. Thereafter, Solidarity had little influence as a political party, though it did become the largest trade union in Poland.
Output: What was the name of the largest trade union in Poland?
Passage: The Metacomet Ridge picks up elevation again with the Pocumtuck Ridge, beginning on Sugarloaf Mountain and the parallel massif of Mount Toby, 1,269 feet (387 m), the high point of the Metacomet Ridge geography. Both Sugarloaf Mountain and Mount Toby are composed of erosion-resistant sedimentary rock. North of Mount Sugarloaf, the Pocumtuck Ridge continues as alternating sedimentary and traprock dominated strata to Greenfield, Massachusetts. From Greenfield north to 2 miles (3 km) short of the Vermont–New Hampshire–Massachusetts tri-border, the profile of the Metacomet Ridge diminishes into a series of nondescript hills and low, wooded mountain peaks composed of sedimentary rock with dwindling traprock outcrops.In Connecticut, the high point of the Metacomet Ridge is West Peak of the Hanging Hills at 1,024 feet (312 m); in Massachusetts, the highest traprock peak is Mount Tom, 1,202 feet (366 m), although Mount Toby, made of sedimentary rock, is higher. Visually, the Metacomet Ridge is narrowest at Provin Mountain and East Mountain in Massachusetts where it is less than 0.5 miles (1 km) wide; it is widest at Totoket Mountain, over 4 miles (6 km). However, low parallel hills and related strata along much of the range often make the actual geologic breadth of the Metacomet Ridge wider than the more noticeable ridgeline crests, up to 10 miles (16 km) across in some areas. Significant river drainages of the Metacomet Ridge include the Connecticut River and tributaries (Falls River, Deerfield River, Westfield River, Farmington River, Coginchaug River); and, in southern Connecticut, the Quinnipiac River.The Metacomet Ridge is surrounded by rural wooded, agricultural, and suburban landscapes, and is no more than 6 miles (10 km) from a number of urban hubs such as New Haven, Meriden, New Britain, Hartford, and Springfield. Small city centers abutting the ridge include Greenfield, Northampton, Amherst, Holyoke, West Hartford, Farmington, Wallingford, and Hamden.
Output: What is the main river drainage in southern Connecticut for the ridge that has a high point of 1,024 feet in Connecticut?
Passage: The Metacomet Ridge picks up elevation again with the Pocumtuck Ridge, beginning on Sugarloaf Mountain and the parallel massif of Mount Toby, 1,269 feet (387 m), the high point of the Metacomet Ridge geography. Both Sugarloaf Mountain and Mount Toby are composed of erosion-resistant sedimentary rock. North of Mount Sugarloaf, the Pocumtuck Ridge continues as alternating sedimentary and traprock dominated strata to Greenfield, Massachusetts. From Greenfield north to 2 miles (3 km) short of the Vermont–New Hampshire–Massachusetts tri-border, the profile of the Metacomet Ridge diminishes into a series of nondescript hills and low, wooded mountain peaks composed of sedimentary rock with dwindling traprock outcrops.In Connecticut, the high point of the Metacomet Ridge is West Peak of the Hanging Hills at 1,024 feet (312 m); in Massachusetts, the highest traprock peak is Mount Tom, 1,202 feet (366 m), although Mount Toby, made of sedimentary rock, is higher. Visually, the Metacomet Ridge is narrowest at Provin Mountain and East Mountain in Massachusetts where it is less than 0.5 miles (1 km) wide; it is widest at Totoket Mountain, over 4 miles (6 km). However, low parallel hills and related strata along much of the range often make the actual geologic breadth of the Metacomet Ridge wider than the more noticeable ridgeline crests, up to 10 miles (16 km) across in some areas. Significant river drainages of the Metacomet Ridge include the Connecticut River and tributaries (Falls River, Deerfield River, Westfield River, Farmington River, Coginchaug River); and, in southern Connecticut, the Quinnipiac River.The Metacomet Ridge is surrounded by rural wooded, agricultural, and suburban landscapes, and is no more than 6 miles (10 km) from a number of urban hubs such as New Haven, Meriden, New Britain, Hartford, and Springfield. Small city centers abutting the ridge include Greenfield, Northampton, Amherst, Holyoke, West Hartford, Farmington, Wallingford, and Hamden.
Output: What are the urban hubs that are within 6 miles of the ridge that picks up elevation again with the Pocumtuck Ridge?
Passage: The Metacomet Ridge picks up elevation again with the Pocumtuck Ridge, beginning on Sugarloaf Mountain and the parallel massif of Mount Toby, 1,269 feet (387 m), the high point of the Metacomet Ridge geography. Both Sugarloaf Mountain and Mount Toby are composed of erosion-resistant sedimentary rock. North of Mount Sugarloaf, the Pocumtuck Ridge continues as alternating sedimentary and traprock dominated strata to Greenfield, Massachusetts. From Greenfield north to 2 miles (3 km) short of the Vermont–New Hampshire–Massachusetts tri-border, the profile of the Metacomet Ridge diminishes into a series of nondescript hills and low, wooded mountain peaks composed of sedimentary rock with dwindling traprock outcrops.In Connecticut, the high point of the Metacomet Ridge is West Peak of the Hanging Hills at 1,024 feet (312 m); in Massachusetts, the highest traprock peak is Mount Tom, 1,202 feet (366 m), although Mount Toby, made of sedimentary rock, is higher. Visually, the Metacomet Ridge is narrowest at Provin Mountain and East Mountain in Massachusetts where it is less than 0.5 miles (1 km) wide; it is widest at Totoket Mountain, over 4 miles (6 km). However, low parallel hills and related strata along much of the range often make the actual geologic breadth of the Metacomet Ridge wider than the more noticeable ridgeline crests, up to 10 miles (16 km) across in some areas. Significant river drainages of the Metacomet Ridge include the Connecticut River and tributaries (Falls River, Deerfield River, Westfield River, Farmington River, Coginchaug River); and, in southern Connecticut, the Quinnipiac River.The Metacomet Ridge is surrounded by rural wooded, agricultural, and suburban landscapes, and is no more than 6 miles (10 km) from a number of urban hubs such as New Haven, Meriden, New Britain, Hartford, and Springfield. Small city centers abutting the ridge include Greenfield, Northampton, Amherst, Holyoke, West Hartford, Farmington, Wallingford, and Hamden.
Output: Within how many miles are the urban centers from the ridge that is up to 10 miles wide in some areas?
Passage: Vampires are finding their own undead bodies being mutated by the pollution of the host's blood, tainted with hard drugs and sexually transmitted diseases, alcohol, diabetes, anti-depressants, and cigarettes: substances that change the blood and makes it undrinkable for vampires.  The scarcity of good blood has incited an underground civil war between various groups of vampires.  A clique of 4 vampires, led by Benedict, struggle to find sustenance by seeking victims with untainted blood.  The group is being stalked by a samurai sword-wielding vampire-killing Priest, who leaves a note on the bodies of slain vampires in the form of a playing card inscribed with the words "Live Evil".  In order to survive both their race's own fierce infighting and the biological pollution found in human blood, the group desperately seeks out Max, a "blood pusher" who steals from hospital blood banks to offer the freshest and purest blood around. But they may not have time to enjoy it, because the vengeful Priest is hot on their trail.
Output: Who does Benedict's group get their blood from?
Passage: Vampires are finding their own undead bodies being mutated by the pollution of the host's blood, tainted with hard drugs and sexually transmitted diseases, alcohol, diabetes, anti-depressants, and cigarettes: substances that change the blood and makes it undrinkable for vampires.  The scarcity of good blood has incited an underground civil war between various groups of vampires.  A clique of 4 vampires, led by Benedict, struggle to find sustenance by seeking victims with untainted blood.  The group is being stalked by a samurai sword-wielding vampire-killing Priest, who leaves a note on the bodies of slain vampires in the form of a playing card inscribed with the words "Live Evil".  In order to survive both their race's own fierce infighting and the biological pollution found in human blood, the group desperately seeks out Max, a "blood pusher" who steals from hospital blood banks to offer the freshest and purest blood around. But they may not have time to enjoy it, because the vengeful Priest is hot on their trail.
Output: What type of substance is difficult to come by?
Passage: Vampires are finding their own undead bodies being mutated by the pollution of the host's blood, tainted with hard drugs and sexually transmitted diseases, alcohol, diabetes, anti-depressants, and cigarettes: substances that change the blood and makes it undrinkable for vampires.  The scarcity of good blood has incited an underground civil war between various groups of vampires.  A clique of 4 vampires, led by Benedict, struggle to find sustenance by seeking victims with untainted blood.  The group is being stalked by a samurai sword-wielding vampire-killing Priest, who leaves a note on the bodies of slain vampires in the form of a playing card inscribed with the words "Live Evil".  In order to survive both their race's own fierce infighting and the biological pollution found in human blood, the group desperately seeks out Max, a "blood pusher" who steals from hospital blood banks to offer the freshest and purest blood around. But they may not have time to enjoy it, because the vengeful Priest is hot on their trail.
Output: Who leads the group that seeks out the "blood-pusher"?
Passage: South Sister, also known as "Charity", is the tallest volcano of the trio, standing at 10,363 feet (3,159 m). The eruptive products range from basaltic andesite to rhyolite and rhyodacite. It is a predominantly rhyolitic stratovolcano overlying an older shield structure. Its modern structure is no more than 50,000 years old, and it last erupted about 2,000 years ago. Although its first eruptive events from 50,000 to 30,000 years ago were predominantly rhyolitic, between 38,000 and 32,000 years ago the volcano began to alternate between dacitic/rhyodacitic and rhyolitic eruptions. The volcano built a broad andesitic cone, forming a steep summit cone of andesite about 27,000 years ago. South Sister remained dormant for 15,000 years, after which its composition shifted from dacitic to more rhyolitic lava. An eruptive episode about 2,200 years ago, termed the Rock Mesa eruptive cycle, first spread volcanic ash from flank vents from the south and southwest flanks, followed by a thick rhyolite lava flow. Next, the Devils Hill eruptive cycle consisted of explosive ash eruptions followed by viscous rhyolitic lava flows. Unlike the previous eruptive period, it was caused by the intrusion of a dike of new silicic magma that erupted from 20 vents on the southeast side and from a smaller line on the north side. These eruptions generated pyroclastic flows and lava domes from vents on the northern, southern, eastern, and southeastern sides of the volcano. These relatively recent, postglacial eruptions suggest the presence of a silicic magma reservoir under South Sister, one that could perhaps lead to future eruptions.
Unlike its sister peaks, South Sister has an uneroded summit crater about 0.25 mi (0.40 km) in diameter that holds a small crater lake known as Teardrop Pool, the highest lake in Oregon. Its cone consists of basaltic andesite along with red scoria and tephra, with exposed black and red inner walls made of scoria. Hodge Crest, a false peak, formed between 28,000 and 24,000 years ago, roughly around the same time as the main cone.Despite its relatively young age, every part of South Sister other than its peak has undergone significant erosion due to Pleistocene and Holocene glaciation. Between 30,000 and 15,000 years ago, South Sister's southern flanks were covered with ice streams, and a small amount of ice extended below 3,600 feet (1,100 m). On the volcano's northern flank, below the summit peak, erosion from these glaciers exposed a headwall about 1,200 feet (370 m) high. During the Holocene, smaller glaciers formed, alternating between advance and retreat, depositing moraines and till between 7,000 and 9,000 feet (2,100 and 2,700 m) on the mountain. The Lewis and |Clark glaciers have cirques, or glacial valleys, that made the outer walls of the crater rim significantly steeper. The slopes of South Sister contain small glaciers, including the Lost Creek and Prouty glaciers.
Output: What cycle was caused by the intrusion of a dike of new silicic magma that erupted from 20 vents on the southeast side and from a smaller line on the north side?
Passage: South Sister, also known as "Charity", is the tallest volcano of the trio, standing at 10,363 feet (3,159 m). The eruptive products range from basaltic andesite to rhyolite and rhyodacite. It is a predominantly rhyolitic stratovolcano overlying an older shield structure. Its modern structure is no more than 50,000 years old, and it last erupted about 2,000 years ago. Although its first eruptive events from 50,000 to 30,000 years ago were predominantly rhyolitic, between 38,000 and 32,000 years ago the volcano began to alternate between dacitic/rhyodacitic and rhyolitic eruptions. The volcano built a broad andesitic cone, forming a steep summit cone of andesite about 27,000 years ago. South Sister remained dormant for 15,000 years, after which its composition shifted from dacitic to more rhyolitic lava. An eruptive episode about 2,200 years ago, termed the Rock Mesa eruptive cycle, first spread volcanic ash from flank vents from the south and southwest flanks, followed by a thick rhyolite lava flow. Next, the Devils Hill eruptive cycle consisted of explosive ash eruptions followed by viscous rhyolitic lava flows. Unlike the previous eruptive period, it was caused by the intrusion of a dike of new silicic magma that erupted from 20 vents on the southeast side and from a smaller line on the north side. These eruptions generated pyroclastic flows and lava domes from vents on the northern, southern, eastern, and southeastern sides of the volcano. These relatively recent, postglacial eruptions suggest the presence of a silicic magma reservoir under South Sister, one that could perhaps lead to future eruptions.
Unlike its sister peaks, South Sister has an uneroded summit crater about 0.25 mi (0.40 km) in diameter that holds a small crater lake known as Teardrop Pool, the highest lake in Oregon. Its cone consists of basaltic andesite along with red scoria and tephra, with exposed black and red inner walls made of scoria. Hodge Crest, a false peak, formed between 28,000 and 24,000 years ago, roughly around the same time as the main cone.Despite its relatively young age, every part of South Sister other than its peak has undergone significant erosion due to Pleistocene and Holocene glaciation. Between 30,000 and 15,000 years ago, South Sister's southern flanks were covered with ice streams, and a small amount of ice extended below 3,600 feet (1,100 m). On the volcano's northern flank, below the summit peak, erosion from these glaciers exposed a headwall about 1,200 feet (370 m) high. During the Holocene, smaller glaciers formed, alternating between advance and retreat, depositing moraines and till between 7,000 and 9,000 feet (2,100 and 2,700 m) on the mountain. The Lewis and |Clark glaciers have cirques, or glacial valleys, that made the outer walls of the crater rim significantly steeper. The slopes of South Sister contain small glaciers, including the Lost Creek and Prouty glaciers.
Output: What is the name of the cycle that generated pyroclastic flows and lava domes from vents on the northern, southern, eastern, and southeastern sides of the volcano?
Passage: South Sister, also known as "Charity", is the tallest volcano of the trio, standing at 10,363 feet (3,159 m). The eruptive products range from basaltic andesite to rhyolite and rhyodacite. It is a predominantly rhyolitic stratovolcano overlying an older shield structure. Its modern structure is no more than 50,000 years old, and it last erupted about 2,000 years ago. Although its first eruptive events from 50,000 to 30,000 years ago were predominantly rhyolitic, between 38,000 and 32,000 years ago the volcano began to alternate between dacitic/rhyodacitic and rhyolitic eruptions. The volcano built a broad andesitic cone, forming a steep summit cone of andesite about 27,000 years ago. South Sister remained dormant for 15,000 years, after which its composition shifted from dacitic to more rhyolitic lava. An eruptive episode about 2,200 years ago, termed the Rock Mesa eruptive cycle, first spread volcanic ash from flank vents from the south and southwest flanks, followed by a thick rhyolite lava flow. Next, the Devils Hill eruptive cycle consisted of explosive ash eruptions followed by viscous rhyolitic lava flows. Unlike the previous eruptive period, it was caused by the intrusion of a dike of new silicic magma that erupted from 20 vents on the southeast side and from a smaller line on the north side. These eruptions generated pyroclastic flows and lava domes from vents on the northern, southern, eastern, and southeastern sides of the volcano. These relatively recent, postglacial eruptions suggest the presence of a silicic magma reservoir under South Sister, one that could perhaps lead to future eruptions.
Unlike its sister peaks, South Sister has an uneroded summit crater about 0.25 mi (0.40 km) in diameter that holds a small crater lake known as Teardrop Pool, the highest lake in Oregon. Its cone consists of basaltic andesite along with red scoria and tephra, with exposed black and red inner walls made of scoria. Hodge Crest, a false peak, formed between 28,000 and 24,000 years ago, roughly around the same time as the main cone.Despite its relatively young age, every part of South Sister other than its peak has undergone significant erosion due to Pleistocene and Holocene glaciation. Between 30,000 and 15,000 years ago, South Sister's southern flanks were covered with ice streams, and a small amount of ice extended below 3,600 feet (1,100 m). On the volcano's northern flank, below the summit peak, erosion from these glaciers exposed a headwall about 1,200 feet (370 m) high. During the Holocene, smaller glaciers formed, alternating between advance and retreat, depositing moraines and till between 7,000 and 9,000 feet (2,100 and 2,700 m) on the mountain. The Lewis and |Clark glaciers have cirques, or glacial valleys, that made the outer walls of the crater rim significantly steeper. The slopes of South Sister contain small glaciers, including the Lost Creek and Prouty glaciers.
Output: What volcano has a cone tht consists of basaltic andesite along with red scoria and tephra?
Passage: Loveless has been influential on a large number of genres and artists. Clash called the album "the magnum opus of the shoegazing genre ... it raised the bar so high that it subsequently collapsed under its own weight", leading to the dissipation of the style. Critic Jim DeRogatis wrote that "the forward-looking sounds of this unique disc have positioned the band as one of the most influential and inspiring bands since the Velvet Underground." Authors Paul Hegarty and Martin Halliwell wrote that the album "might be so progressive that nothing else will ever match it." Metro Times called the album "the high-water mark of shoegaze", writing that its "dense production and hypnotic atmosphere drugged listeners with its sound's lovely oxymoron: at once hard and soft, up-tempo and languid, lascivious and frigid."Musician Brian Eno said that "Soon" "set a new standard for pop. It's the vaguest music ever to have been a hit." Robert Smith of the Cure discovered Loveless after a period of almost exclusively listening to disco and/or Irish bands such as the Dubliners as a means of avoiding his contemporaries, and said, "[My Bloody Valentine] was the first band I heard who quite clearly pissed all over us, and their album Loveless is certainly one of my all-time three favourite records. It's the sound of someone [Shields] who is so driven that they're demented. And the fact that they spent so much time and money on it is so excellent." Billy Corgan of the Smashing Pumpkins told Spin: "It's rare in guitar-based music that somebody does something new [...] At the time, everybody was like, 'How the fuck are they doing this?' And, of course, it's way simpler than anybody would imagine."In 2014 for the documentary Beautiful Noise, McGee said about the album, "people were talking about it as if it was Beethoven's 7th or 8th symphony. No. It's some guy that can't finish a record that took three years... Loveless is fucking overrated as fuck.".
Output: What is the name of the band whose unique disc with forward-looking sounds positioned them as "one of the most influential and inspiring bands since the Velvet Underground," according to Jim DeRogatis?
Passage: Loveless has been influential on a large number of genres and artists. Clash called the album "the magnum opus of the shoegazing genre ... it raised the bar so high that it subsequently collapsed under its own weight", leading to the dissipation of the style. Critic Jim DeRogatis wrote that "the forward-looking sounds of this unique disc have positioned the band as one of the most influential and inspiring bands since the Velvet Underground." Authors Paul Hegarty and Martin Halliwell wrote that the album "might be so progressive that nothing else will ever match it." Metro Times called the album "the high-water mark of shoegaze", writing that its "dense production and hypnotic atmosphere drugged listeners with its sound's lovely oxymoron: at once hard and soft, up-tempo and languid, lascivious and frigid."Musician Brian Eno said that "Soon" "set a new standard for pop. It's the vaguest music ever to have been a hit." Robert Smith of the Cure discovered Loveless after a period of almost exclusively listening to disco and/or Irish bands such as the Dubliners as a means of avoiding his contemporaries, and said, "[My Bloody Valentine] was the first band I heard who quite clearly pissed all over us, and their album Loveless is certainly one of my all-time three favourite records. It's the sound of someone [Shields] who is so driven that they're demented. And the fact that they spent so much time and money on it is so excellent." Billy Corgan of the Smashing Pumpkins told Spin: "It's rare in guitar-based music that somebody does something new [...] At the time, everybody was like, 'How the fuck are they doing this?' And, of course, it's way simpler than anybody would imagine."In 2014 for the documentary Beautiful Noise, McGee said about the album, "people were talking about it as if it was Beethoven's 7th or 8th symphony. No. It's some guy that can't finish a record that took three years... Loveless is fucking overrated as fuck.".
Output: What is the name of that which is described as the sound of someone who is so driven that they're demented?
Passage: Loveless has been influential on a large number of genres and artists. Clash called the album "the magnum opus of the shoegazing genre ... it raised the bar so high that it subsequently collapsed under its own weight", leading to the dissipation of the style. Critic Jim DeRogatis wrote that "the forward-looking sounds of this unique disc have positioned the band as one of the most influential and inspiring bands since the Velvet Underground." Authors Paul Hegarty and Martin Halliwell wrote that the album "might be so progressive that nothing else will ever match it." Metro Times called the album "the high-water mark of shoegaze", writing that its "dense production and hypnotic atmosphere drugged listeners with its sound's lovely oxymoron: at once hard and soft, up-tempo and languid, lascivious and frigid."Musician Brian Eno said that "Soon" "set a new standard for pop. It's the vaguest music ever to have been a hit." Robert Smith of the Cure discovered Loveless after a period of almost exclusively listening to disco and/or Irish bands such as the Dubliners as a means of avoiding his contemporaries, and said, "[My Bloody Valentine] was the first band I heard who quite clearly pissed all over us, and their album Loveless is certainly one of my all-time three favourite records. It's the sound of someone [Shields] who is so driven that they're demented. And the fact that they spent so much time and money on it is so excellent." Billy Corgan of the Smashing Pumpkins told Spin: "It's rare in guitar-based music that somebody does something new [...] At the time, everybody was like, 'How the fuck are they doing this?' And, of course, it's way simpler than anybody would imagine."In 2014 for the documentary Beautiful Noise, McGee said about the album, "people were talking about it as if it was Beethoven's 7th or 8th symphony. No. It's some guy that can't finish a record that took three years... Loveless is fucking overrated as fuck.".
Output: What is the name of that which nothing else will ever match, according to Hegarty and Halliwell?
Passage: Audioslave's musical style has generally been regarded as hard rock, alternative metal, post-grunge, and alternative rock. By combining '70s style hard rock riffing with alternative rock, Audioslave created a distinctive sound. This mix was driven by Cornell's wide vocal range, Morello's innovative guitar solos and the robust rhythm section of Wilk and Commerford. Morello, although stating he "never felt musically limited" in Rage Against the Machine, did say that he had "a lot more scope to explore with Audioslave" and a "wider musical territory." This meant that the instrumentalists had the opportunity to write slow and melodic songs, something they had not done before.
As opposed to de la Rocha's lyrics, Cornell's were mostly apolitical; Morello referred to them as "haunted, existential poetry." They were characterised by his cryptic approach, often dealing with themes of existentialism, love, hedonism, spirituality and Christianity. Audioslave's first two albums drew influences from 1970s hard rock and heavy metal such as Led Zeppelin and Black Sabbath and from the members' previous bands (the grunge sound of Soundgarden and the funk metal sound of Rage Against the Machine). For Revelations, which was influenced by 1960s and '70s funk, soul and R&B music, Morello used vintage guitars and amplifiers and Cornell adopted his "seventies funk and R&B-flavor vocals." The guitarist also cited Sly & the Family Stone, James Brown and Funkadelic as a reason for the funk overtones on the album.Just as Rage Against the Machine did, Audioslave also included the statement "All sounds made by guitar, bass, drums and vocals" in their albums' booklets as Morello's guitar work often caused listeners to believe that the band used samples, synthesiser effects or different turntable techniques to produce certain sounds.
Output: Whose cryptic approach characterized the lyrics that often dealt with themes of existentialism, love, hedonism, spirituality and Christianity?