niryuu/sni-each-converted huggingface dataset:
Passage: Ice skater Frances Marlowe, who has just signed a lucrative contract with an ice show, is driving with her manager, Dan Morton, when her car is struck by a truck. Dr. James Kildare and his fiancée, nurse Mary Lamont, see the accident and help the victims, who are only slightly hurt, except for Frances, who has a compound fracture of the leg and a ruptured spleen. Because Kildare is certain that Frances will die from internal bleeding if he does not operate immediately, he performs surgery before the ambulance arrives. Back at New York's Blair General Hospital, Kildare gives her a transfusion under the watchful eye of his diagnostician mentor, crusty Dr. Leonard Gillespie. 
Morton arrives with an insurance investigator and overhears orderly Vernon Briggs joke about a half-empty whiskey bottle being found in the car Kildare borrowed from Molly Byrd, superintendent of nurses. Weeks later, when the cast is removed from Frances' leg, she is unable to move it. In hysterics she blames the paralysis on Kildare. Gillespie and Kildare have no idea what is causing the paralysis and are shocked when Frances sues Kildare and the hospital for malpractice. Kildare must face trial and Gillespie fears that a jury of laymen will side with the patient. Hospital administrator Dr. Carew wants to settle the case out of court, but Kildare insists on going through with it to protect his standing as a doctor. 
During the trial, Frances' aggressive attorney establishes that the liquor bottle was found in the car to imply that Kildare had been drinking. Further testimony makes the case seem hopeless until Vernon, who first saw the bottle, suggests during a recess where it might have come from. Kildare goes to see the driver of the truck, who admits that he hid the bottle in Kildare's car because he did not want to be accused of driving drunk, but says that Frances could have prevented the collision but seemed "paralyzed.".
Output: What is the full name of the person who is unable to move their leg?
Passage: Ice skater Frances Marlowe, who has just signed a lucrative contract with an ice show, is driving with her manager, Dan Morton, when her car is struck by a truck. Dr. James Kildare and his fiancée, nurse Mary Lamont, see the accident and help the victims, who are only slightly hurt, except for Frances, who has a compound fracture of the leg and a ruptured spleen. Because Kildare is certain that Frances will die from internal bleeding if he does not operate immediately, he performs surgery before the ambulance arrives. Back at New York's Blair General Hospital, Kildare gives her a transfusion under the watchful eye of his diagnostician mentor, crusty Dr. Leonard Gillespie. 
Morton arrives with an insurance investigator and overhears orderly Vernon Briggs joke about a half-empty whiskey bottle being found in the car Kildare borrowed from Molly Byrd, superintendent of nurses. Weeks later, when the cast is removed from Frances' leg, she is unable to move it. In hysterics she blames the paralysis on Kildare. Gillespie and Kildare have no idea what is causing the paralysis and are shocked when Frances sues Kildare and the hospital for malpractice. Kildare must face trial and Gillespie fears that a jury of laymen will side with the patient. Hospital administrator Dr. Carew wants to settle the case out of court, but Kildare insists on going through with it to protect his standing as a doctor. 
During the trial, Frances' aggressive attorney establishes that the liquor bottle was found in the car to imply that Kildare had been drinking. Further testimony makes the case seem hopeless until Vernon, who first saw the bottle, suggests during a recess where it might have come from. Kildare goes to see the driver of the truck, who admits that he hid the bottle in Kildare's car because he did not want to be accused of driving drunk, but says that Frances could have prevented the collision but seemed "paralyzed.".
Output: What is the full name of the person who blames the paralysis on her doctor?
Passage: At 3:06 pm, on November 13, 1985, Nevado del Ruiz began to erupt, ejecting dacitic tephra more than 30 kilometres (19 mi) into the atmosphere. The total mass of the erupted material (including magma) was 35 million tonnes—only 3% of the amount that erupted from Mount St. Helens in 1980.  The eruption reached a value of 3 on the Volcanic Explosivity Index. The mass of the ejected sulfur dioxide was about 700,000 tonnes, or about 2% of the mass of the erupted solid material, making the eruption atypically sulfur-rich.The eruption produced pyroclastic flows that melted summit glaciers and snow, generating four thick lahars that raced down river valleys on the volcano's flanks. It also destroyed a small lake that was observed in Arenas crater several months before the eruption. Water in such volcanic lakes tends to be extremely salty and contain dissolved volcanic gases. The lake's hot, acidic water significantly accelerated the melting of the ice; this effect was confirmed by the large amounts of sulfates and chlorides found in the lahar flow.
The lahars, formed of water, ice, pumice, and other rocks, mixed with clay as they travelled down the volcano's flanks. They ran down the volcano's sides at an average speed of 60 km per hour, eroding soil, dislodging rock, and destroying vegetation. After descending thousands of meters down the side of the volcano, the lahars were directed into all of the six river valleys leading from the volcano. While in the river valleys, the lahars grew to almost 4 times their original volume. In the Gualí River, a lahar reached a maximum width of 50 meters (200 ft).One of the lahars virtually erased the town of Armero in Tolima, which lay in the Lagunilla River valley. Only one quarter of its 28,700 inhabitants survived. The second lahar, which descended through the valley of Chinchiná River, killed about 1,800 people and destroyed about 400 homes in the town of Chinchiná, in the department of Caldas. In total, over 23,000 people were killed and approximately 5,000 were injured. More than 5,000 homes were destroyed. The Armero tragedy, as the event came to be known, was the second-deadliest volcanic disaster in the 20th century, being surpassed only by the 1902 eruption of Mount Pelée, and is the fourth-deadliest volcanic eruption in recorded history. It is also the deadliest known lahar, and Colombia's worst natural disaster. A young girl named Omayra Sánchez became a worldwide symbol of the disaster after images of her trapped under the debris of her former home, after the eruption made the news worldwide.
Output: What is the full name of the person who was trapped under the debris of her former home?
Passage: At 3:06 pm, on November 13, 1985, Nevado del Ruiz began to erupt, ejecting dacitic tephra more than 30 kilometres (19 mi) into the atmosphere. The total mass of the erupted material (including magma) was 35 million tonnes—only 3% of the amount that erupted from Mount St. Helens in 1980.  The eruption reached a value of 3 on the Volcanic Explosivity Index. The mass of the ejected sulfur dioxide was about 700,000 tonnes, or about 2% of the mass of the erupted solid material, making the eruption atypically sulfur-rich.The eruption produced pyroclastic flows that melted summit glaciers and snow, generating four thick lahars that raced down river valleys on the volcano's flanks. It also destroyed a small lake that was observed in Arenas crater several months before the eruption. Water in such volcanic lakes tends to be extremely salty and contain dissolved volcanic gases. The lake's hot, acidic water significantly accelerated the melting of the ice; this effect was confirmed by the large amounts of sulfates and chlorides found in the lahar flow.
The lahars, formed of water, ice, pumice, and other rocks, mixed with clay as they travelled down the volcano's flanks. They ran down the volcano's sides at an average speed of 60 km per hour, eroding soil, dislodging rock, and destroying vegetation. After descending thousands of meters down the side of the volcano, the lahars were directed into all of the six river valleys leading from the volcano. While in the river valleys, the lahars grew to almost 4 times their original volume. In the Gualí River, a lahar reached a maximum width of 50 meters (200 ft).One of the lahars virtually erased the town of Armero in Tolima, which lay in the Lagunilla River valley. Only one quarter of its 28,700 inhabitants survived. The second lahar, which descended through the valley of Chinchiná River, killed about 1,800 people and destroyed about 400 homes in the town of Chinchiná, in the department of Caldas. In total, over 23,000 people were killed and approximately 5,000 were injured. More than 5,000 homes were destroyed. The Armero tragedy, as the event came to be known, was the second-deadliest volcanic disaster in the 20th century, being surpassed only by the 1902 eruption of Mount Pelée, and is the fourth-deadliest volcanic eruption in recorded history. It is also the deadliest known lahar, and Colombia's worst natural disaster. A young girl named Omayra Sánchez became a worldwide symbol of the disaster after images of her trapped under the debris of her former home, after the eruption made the news worldwide.
Output: What made the news worldwide when it erupted?
Passage: At 3:06 pm, on November 13, 1985, Nevado del Ruiz began to erupt, ejecting dacitic tephra more than 30 kilometres (19 mi) into the atmosphere. The total mass of the erupted material (including magma) was 35 million tonnes—only 3% of the amount that erupted from Mount St. Helens in 1980.  The eruption reached a value of 3 on the Volcanic Explosivity Index. The mass of the ejected sulfur dioxide was about 700,000 tonnes, or about 2% of the mass of the erupted solid material, making the eruption atypically sulfur-rich.The eruption produced pyroclastic flows that melted summit glaciers and snow, generating four thick lahars that raced down river valleys on the volcano's flanks. It also destroyed a small lake that was observed in Arenas crater several months before the eruption. Water in such volcanic lakes tends to be extremely salty and contain dissolved volcanic gases. The lake's hot, acidic water significantly accelerated the melting of the ice; this effect was confirmed by the large amounts of sulfates and chlorides found in the lahar flow.
The lahars, formed of water, ice, pumice, and other rocks, mixed with clay as they travelled down the volcano's flanks. They ran down the volcano's sides at an average speed of 60 km per hour, eroding soil, dislodging rock, and destroying vegetation. After descending thousands of meters down the side of the volcano, the lahars were directed into all of the six river valleys leading from the volcano. While in the river valleys, the lahars grew to almost 4 times their original volume. In the Gualí River, a lahar reached a maximum width of 50 meters (200 ft).One of the lahars virtually erased the town of Armero in Tolima, which lay in the Lagunilla River valley. Only one quarter of its 28,700 inhabitants survived. The second lahar, which descended through the valley of Chinchiná River, killed about 1,800 people and destroyed about 400 homes in the town of Chinchiná, in the department of Caldas. In total, over 23,000 people were killed and approximately 5,000 were injured. More than 5,000 homes were destroyed. The Armero tragedy, as the event came to be known, was the second-deadliest volcanic disaster in the 20th century, being surpassed only by the 1902 eruption of Mount Pelée, and is the fourth-deadliest volcanic eruption in recorded history. It is also the deadliest known lahar, and Colombia's worst natural disaster. A young girl named Omayra Sánchez became a worldwide symbol of the disaster after images of her trapped under the debris of her former home, after the eruption made the news worldwide.
Output: What eruption reached a value of 3 on the Volcanic Explosivity Index?
Passage: At 3:06 pm, on November 13, 1985, Nevado del Ruiz began to erupt, ejecting dacitic tephra more than 30 kilometres (19 mi) into the atmosphere. The total mass of the erupted material (including magma) was 35 million tonnes—only 3% of the amount that erupted from Mount St. Helens in 1980.  The eruption reached a value of 3 on the Volcanic Explosivity Index. The mass of the ejected sulfur dioxide was about 700,000 tonnes, or about 2% of the mass of the erupted solid material, making the eruption atypically sulfur-rich.The eruption produced pyroclastic flows that melted summit glaciers and snow, generating four thick lahars that raced down river valleys on the volcano's flanks. It also destroyed a small lake that was observed in Arenas crater several months before the eruption. Water in such volcanic lakes tends to be extremely salty and contain dissolved volcanic gases. The lake's hot, acidic water significantly accelerated the melting of the ice; this effect was confirmed by the large amounts of sulfates and chlorides found in the lahar flow.
The lahars, formed of water, ice, pumice, and other rocks, mixed with clay as they travelled down the volcano's flanks. They ran down the volcano's sides at an average speed of 60 km per hour, eroding soil, dislodging rock, and destroying vegetation. After descending thousands of meters down the side of the volcano, the lahars were directed into all of the six river valleys leading from the volcano. While in the river valleys, the lahars grew to almost 4 times their original volume. In the Gualí River, a lahar reached a maximum width of 50 meters (200 ft).One of the lahars virtually erased the town of Armero in Tolima, which lay in the Lagunilla River valley. Only one quarter of its 28,700 inhabitants survived. The second lahar, which descended through the valley of Chinchiná River, killed about 1,800 people and destroyed about 400 homes in the town of Chinchiná, in the department of Caldas. In total, over 23,000 people were killed and approximately 5,000 were injured. More than 5,000 homes were destroyed. The Armero tragedy, as the event came to be known, was the second-deadliest volcanic disaster in the 20th century, being surpassed only by the 1902 eruption of Mount Pelée, and is the fourth-deadliest volcanic eruption in recorded history. It is also the deadliest known lahar, and Colombia's worst natural disaster. A young girl named Omayra Sánchez became a worldwide symbol of the disaster after images of her trapped under the debris of her former home, after the eruption made the news worldwide.
Output: What erupted causing the production of pyroclastic flows that melted summit glaciers and snow?
Passage: Grunge is generally characterized by a sludgy electric guitar sound with a "thick" middle register and rolled-off treble tone and a high level of distortion and fuzz, typically created with small 1970s-style stompbox pedals, with some guitarists chaining several fuzz pedals together and plugging them into a tube amplifier and speaker cabinet. Grunge guitarists use very loud Marshall guitar amplifiers  and some used powerful Mesa-Boogie amplifiers, including Kurt Cobain and Dave Grohl (the latter in early, grunge-oriented Foo Fighters songs ). Grunge has been called the rock genre with the most "lugubrious sound"; the use of heavy distortion and loud amps has been compared to a massive "buildup of sonic fog". or even dismissed as "noise" by one critic. As with metal and punk, a key part of grunge's sound is very distorted power chords played on the electric guitar.Whereas metal guitarists' overdriven sound generally comes from a combination of overdriven amplifiers and distortion pedals, grunge guitarists typically got all of their "dirty" sound from overdrive and fuzz pedals, with the amp just used to make the sound louder. Grunge guitarists tended to use the Fender Twin Reverb and the Fender Champion 100 combo amps (Cobain used both of these amps). The use of pedals by grunge guitarists was a move away from the expensive, studio-grade rackmount effects units used in other rock genres. The positive way that grunge bands viewed stompbox pedals can be seen in Mudhoney's use of the name of two overdrive pedals, the Univox Super-Fuzz and the Big Muff, in the title of their "debut EP Superfuzz Bigmuff".  In the song Mudride, the band's guitars were said to have "growled malevolently" through its "Cro-magnon slog".
Output: What two brands of amplifiers do grunge guitarists use?
Passage: Grunge is generally characterized by a sludgy electric guitar sound with a "thick" middle register and rolled-off treble tone and a high level of distortion and fuzz, typically created with small 1970s-style stompbox pedals, with some guitarists chaining several fuzz pedals together and plugging them into a tube amplifier and speaker cabinet. Grunge guitarists use very loud Marshall guitar amplifiers  and some used powerful Mesa-Boogie amplifiers, including Kurt Cobain and Dave Grohl (the latter in early, grunge-oriented Foo Fighters songs ). Grunge has been called the rock genre with the most "lugubrious sound"; the use of heavy distortion and loud amps has been compared to a massive "buildup of sonic fog". or even dismissed as "noise" by one critic. As with metal and punk, a key part of grunge's sound is very distorted power chords played on the electric guitar.Whereas metal guitarists' overdriven sound generally comes from a combination of overdriven amplifiers and distortion pedals, grunge guitarists typically got all of their "dirty" sound from overdrive and fuzz pedals, with the amp just used to make the sound louder. Grunge guitarists tended to use the Fender Twin Reverb and the Fender Champion 100 combo amps (Cobain used both of these amps). The use of pedals by grunge guitarists was a move away from the expensive, studio-grade rackmount effects units used in other rock genres. The positive way that grunge bands viewed stompbox pedals can be seen in Mudhoney's use of the name of two overdrive pedals, the Univox Super-Fuzz and the Big Muff, in the title of their "debut EP Superfuzz Bigmuff".  In the song Mudride, the band's guitars were said to have "growled malevolently" through its "Cro-magnon slog".
Output: What was the last name of the person who used a powerful amplifier in Foo Fighters songs?
Passage: Grunge is generally characterized by a sludgy electric guitar sound with a "thick" middle register and rolled-off treble tone and a high level of distortion and fuzz, typically created with small 1970s-style stompbox pedals, with some guitarists chaining several fuzz pedals together and plugging them into a tube amplifier and speaker cabinet. Grunge guitarists use very loud Marshall guitar amplifiers  and some used powerful Mesa-Boogie amplifiers, including Kurt Cobain and Dave Grohl (the latter in early, grunge-oriented Foo Fighters songs ). Grunge has been called the rock genre with the most "lugubrious sound"; the use of heavy distortion and loud amps has been compared to a massive "buildup of sonic fog". or even dismissed as "noise" by one critic. As with metal and punk, a key part of grunge's sound is very distorted power chords played on the electric guitar.Whereas metal guitarists' overdriven sound generally comes from a combination of overdriven amplifiers and distortion pedals, grunge guitarists typically got all of their "dirty" sound from overdrive and fuzz pedals, with the amp just used to make the sound louder. Grunge guitarists tended to use the Fender Twin Reverb and the Fender Champion 100 combo amps (Cobain used both of these amps). The use of pedals by grunge guitarists was a move away from the expensive, studio-grade rackmount effects units used in other rock genres. The positive way that grunge bands viewed stompbox pedals can be seen in Mudhoney's use of the name of two overdrive pedals, the Univox Super-Fuzz and the Big Muff, in the title of their "debut EP Superfuzz Bigmuff".  In the song Mudride, the band's guitars were said to have "growled malevolently" through its "Cro-magnon slog".
Output: What was the last name of the person who used the Fender Twin Reverb?
Passage: Grunge is generally characterized by a sludgy electric guitar sound with a "thick" middle register and rolled-off treble tone and a high level of distortion and fuzz, typically created with small 1970s-style stompbox pedals, with some guitarists chaining several fuzz pedals together and plugging them into a tube amplifier and speaker cabinet. Grunge guitarists use very loud Marshall guitar amplifiers  and some used powerful Mesa-Boogie amplifiers, including Kurt Cobain and Dave Grohl (the latter in early, grunge-oriented Foo Fighters songs ). Grunge has been called the rock genre with the most "lugubrious sound"; the use of heavy distortion and loud amps has been compared to a massive "buildup of sonic fog". or even dismissed as "noise" by one critic. As with metal and punk, a key part of grunge's sound is very distorted power chords played on the electric guitar.Whereas metal guitarists' overdriven sound generally comes from a combination of overdriven amplifiers and distortion pedals, grunge guitarists typically got all of their "dirty" sound from overdrive and fuzz pedals, with the amp just used to make the sound louder. Grunge guitarists tended to use the Fender Twin Reverb and the Fender Champion 100 combo amps (Cobain used both of these amps). The use of pedals by grunge guitarists was a move away from the expensive, studio-grade rackmount effects units used in other rock genres. The positive way that grunge bands viewed stompbox pedals can be seen in Mudhoney's use of the name of two overdrive pedals, the Univox Super-Fuzz and the Big Muff, in the title of their "debut EP Superfuzz Bigmuff".  In the song Mudride, the band's guitars were said to have "growled malevolently" through its "Cro-magnon slog".
Output: What were the names of the two overdrive pedals used by Mudhoney?
Passage: Aaliyah was dating co-founder of Roc-A-Fella Records Damon Dash at the time of her death and, though they were not formally engaged, in interviews given after Aaliyah's death, Dash claimed the couple had planned to marry. Aaliyah and Dash met in 2000 through his accountant and formed a friendship. Dash has said he is unsure of how he and Aaliyah started dating and that the two just understood each other. "I don't know [how we got involved], just spending time, you know, we just saw things the same and it was new, you know what I mean? Meeting someone that is trying to do the same thing you are doing in the urban market, in the same urban market place but not really being so urban. It was just; her mind was where my mind was. She understood me and she got my jokes. She thought my jokes were funny."Dash expressed his belief that Aaliyah was the "one" and claimed the pair were not officially engaged, but had spoken about getting married prior to her death.
Aaliyah publicly never addressed the relationship between her and Dash as being anything but platonic. In May 2001, she hosted a party for Dash's 30th birthday at a New York City club, where they were spotted together and Dash was seen escorting her to a bathroom. Addressing this, Aaliyah stated that she and Dash were just "very good friends" and chose to "keep it at that" for the time being. Just two weeks before her death, Aaliyah traveled from New Jersey to East Hampton, New York to visit Dash at the summer house he shared with Jay Z.The couple were separated for long periods at a time, as Dash recalled that Aaliyah continuously shot films and would be gone for months often to come back shortly and continue her schedule. Dash was also committed to "his own thing", which did not make matters any better. Despite this, they were understanding that the time they had together was special. Dash remembered they would "be in a room full of people talking to each other and it felt like everyone was listening but it would be just us. It would be like we were the only ones in the room". Dash always felt their time together was essential and Aaliyah was the person he was interested in being with, which is why, as he claimed, they had begun speaking about engagement. The relationship was mentioned in the lyrics of Jay-Z's remix to her song "Miss You", released after her death.
Output: What is the first name of the person Aaliyah met in 2000 through an accountant?
Passage: Aaliyah was dating co-founder of Roc-A-Fella Records Damon Dash at the time of her death and, though they were not formally engaged, in interviews given after Aaliyah's death, Dash claimed the couple had planned to marry. Aaliyah and Dash met in 2000 through his accountant and formed a friendship. Dash has said he is unsure of how he and Aaliyah started dating and that the two just understood each other. "I don't know [how we got involved], just spending time, you know, we just saw things the same and it was new, you know what I mean? Meeting someone that is trying to do the same thing you are doing in the urban market, in the same urban market place but not really being so urban. It was just; her mind was where my mind was. She understood me and she got my jokes. She thought my jokes were funny."Dash expressed his belief that Aaliyah was the "one" and claimed the pair were not officially engaged, but had spoken about getting married prior to her death.
Aaliyah publicly never addressed the relationship between her and Dash as being anything but platonic. In May 2001, she hosted a party for Dash's 30th birthday at a New York City club, where they were spotted together and Dash was seen escorting her to a bathroom. Addressing this, Aaliyah stated that she and Dash were just "very good friends" and chose to "keep it at that" for the time being. Just two weeks before her death, Aaliyah traveled from New Jersey to East Hampton, New York to visit Dash at the summer house he shared with Jay Z.The couple were separated for long periods at a time, as Dash recalled that Aaliyah continuously shot films and would be gone for months often to come back shortly and continue her schedule. Dash was also committed to "his own thing", which did not make matters any better. Despite this, they were understanding that the time they had together was special. Dash remembered they would "be in a room full of people talking to each other and it felt like everyone was listening but it would be just us. It would be like we were the only ones in the room". Dash always felt their time together was essential and Aaliyah was the person he was interested in being with, which is why, as he claimed, they had begun speaking about engagement. The relationship was mentioned in the lyrics of Jay-Z's remix to her song "Miss You", released after her death.
Output: What is the name of the person who died that was mentioned in the song "Miss You?"?
Passage: According to the artillery officer Anders Gyllenspak, only 40 men, including himself, survived the sinking: Major Johan Klerk, 2 trumpeters, 14 sailors and 22 soldiers, which means that more than 800 had perished. Among them were half a dozen navy and army officers as well as the chief physician of the Admiralty and the fleet apothecary. Altogether around 1,400 men died when Kronan and Svärdet were lost, and in the days following the battle, hundreds of corpses were washed up on the east coast of Öland. According to the vicar of Långlöt parish, 183 men were taken from the beaches and buried at Hulterstad and Stenåsa graveyards. Lorentz Creutz's body was identified and shipped to his estate Sarvlax near the town of Loviisa, Finland, where it was buried. The losses were even worse since Kronan was the flagship and was manned with the best sailors and gunners in the fleet. When Kronan and Svärdet went down, they took with them the navy's entire stock of 30- and 36-pounder guns. Altogether over 300 tonnes of bronze guns worth nearly 250,000 silver dalers went down with the ships, a sum that was slightly higher than the value of the ships themselves.Within a week, the news of the failure at Bornholm and the disaster at Öland reached King Charles, who immediately ordered that a commission be set up to investigate the fiasco. Charles wanted to know if Bär and other officers were guilty of cowardice or incompetence. On 13 June the King wrote that "some of our sea officers have shown such cowardly and careless behavior [that they] have placed the safety, welfare and defense of the kingdom at great peril", and that "such a great crime should be sternly punished". The commission began its work on 7 June 1676 and finished in October 1677, without passing any sentences. Admiral Johan Bär of Nyckeln and Lieutenant Admiral Christer Boije, who ran aground with Äpplet, were never again given a navy command. One of the accused, Hans Clerck of Solen, was promoted to full admiral by the King even before the commission presented its findings.
Output: What is the first name of the King who wrote that "some of our sea officers have shown such cowardly and careless behavior [that they] have placed the safety, welfare and defense of the kingdom at great peril"?
Passage: According to the artillery officer Anders Gyllenspak, only 40 men, including himself, survived the sinking: Major Johan Klerk, 2 trumpeters, 14 sailors and 22 soldiers, which means that more than 800 had perished. Among them were half a dozen navy and army officers as well as the chief physician of the Admiralty and the fleet apothecary. Altogether around 1,400 men died when Kronan and Svärdet were lost, and in the days following the battle, hundreds of corpses were washed up on the east coast of Öland. According to the vicar of Långlöt parish, 183 men were taken from the beaches and buried at Hulterstad and Stenåsa graveyards. Lorentz Creutz's body was identified and shipped to his estate Sarvlax near the town of Loviisa, Finland, where it was buried. The losses were even worse since Kronan was the flagship and was manned with the best sailors and gunners in the fleet. When Kronan and Svärdet went down, they took with them the navy's entire stock of 30- and 36-pounder guns. Altogether over 300 tonnes of bronze guns worth nearly 250,000 silver dalers went down with the ships, a sum that was slightly higher than the value of the ships themselves.Within a week, the news of the failure at Bornholm and the disaster at Öland reached King Charles, who immediately ordered that a commission be set up to investigate the fiasco. Charles wanted to know if Bär and other officers were guilty of cowardice or incompetence. On 13 June the King wrote that "some of our sea officers have shown such cowardly and careless behavior [that they] have placed the safety, welfare and defense of the kingdom at great peril", and that "such a great crime should be sternly punished". The commission began its work on 7 June 1676 and finished in October 1677, without passing any sentences. Admiral Johan Bär of Nyckeln and Lieutenant Admiral Christer Boije, who ran aground with Äpplet, were never again given a navy command. One of the accused, Hans Clerck of Solen, was promoted to full admiral by the King even before the commission presented its findings.
Output: What is the first name of the King who promoted Hans Clerck of Solen to full admiral?
Passage: By December 1899, Tosca was in rehearsal at the Teatro Costanzi. Because of the Roman setting, Ricordi arranged a Roman premiere for the opera, even though this meant that Arturo Toscanini could not conduct it as Puccini had hoped—Toscanini was fully engaged at La Scala in Milan. Leopoldo Mugnone was appointed to conduct. The accomplished (but temperamental) soprano Hariclea Darclée was selected for the title role; Eugenio Giraldoni, whose father had originated many Verdi roles, became the first Scarpia. The young Enrico Caruso had hoped to create Cavaradossi, but was passed over in favour of the more experienced Emilio De Marchi. The performance was to be directed by Nino Vignuzzi, with stage designs by Adolfo Hohenstein.At the time of the premiere, Italy had experienced political and social unrest for several years. The start of the Holy Year in December 1899 attracted the religious to the city, but also brought threats from anarchists and other anticlericals. Police received warnings of an anarchist bombing of the theatre, and instructed Mugnone (who had survived a theatre bombing in Barcelona), that in an emergency he was to strike up the royal march. The unrest caused the premiere to be postponed by one day, to 14 January.By 1900, the premiere of a Puccini opera was a national event. Many Roman dignitaries attended, as did Queen Margherita, though she arrived late, after the first act. The Prime Minister of Italy, Luigi Pelloux was present, with several members of his cabinet. A number of Puccini's operatic rivals were there, including Franchetti, Pietro Mascagni, Francesco Cilea and Ildebrando Pizzetti. Shortly after the curtain was raised there was a disturbance in the back of the theatre, caused by latecomers attempting to enter the auditorium, and a shout of "Bring down the curtain!", at which Mugnone stopped the orchestra. A few moments later the opera began again, and proceeded without further disruption.The performance, while not quite the triumph that Puccini had hoped for, was generally successful, with numerous encores. Much of the critical and press reaction was lukewarm, often blaming Illica's libretto. In response, Illica condemned Puccini for treating his librettists "like stagehands" and reducing the text to a shadow of its original form. Nevertheless, any public doubts about Tosca soon vanished; the premiere was followed by twenty performances, all given to packed houses.
Output: What is the full name of the name of the Prime Minister that attended the opera that was delayed due to a possible bomb threat?
Passage: By December 1899, Tosca was in rehearsal at the Teatro Costanzi. Because of the Roman setting, Ricordi arranged a Roman premiere for the opera, even though this meant that Arturo Toscanini could not conduct it as Puccini had hoped—Toscanini was fully engaged at La Scala in Milan. Leopoldo Mugnone was appointed to conduct. The accomplished (but temperamental) soprano Hariclea Darclée was selected for the title role; Eugenio Giraldoni, whose father had originated many Verdi roles, became the first Scarpia. The young Enrico Caruso had hoped to create Cavaradossi, but was passed over in favour of the more experienced Emilio De Marchi. The performance was to be directed by Nino Vignuzzi, with stage designs by Adolfo Hohenstein.At the time of the premiere, Italy had experienced political and social unrest for several years. The start of the Holy Year in December 1899 attracted the religious to the city, but also brought threats from anarchists and other anticlericals. Police received warnings of an anarchist bombing of the theatre, and instructed Mugnone (who had survived a theatre bombing in Barcelona), that in an emergency he was to strike up the royal march. The unrest caused the premiere to be postponed by one day, to 14 January.By 1900, the premiere of a Puccini opera was a national event. Many Roman dignitaries attended, as did Queen Margherita, though she arrived late, after the first act. The Prime Minister of Italy, Luigi Pelloux was present, with several members of his cabinet. A number of Puccini's operatic rivals were there, including Franchetti, Pietro Mascagni, Francesco Cilea and Ildebrando Pizzetti. Shortly after the curtain was raised there was a disturbance in the back of the theatre, caused by latecomers attempting to enter the auditorium, and a shout of "Bring down the curtain!", at which Mugnone stopped the orchestra. A few moments later the opera began again, and proceeded without further disruption.The performance, while not quite the triumph that Puccini had hoped for, was generally successful, with numerous encores. Much of the critical and press reaction was lukewarm, often blaming Illica's libretto. In response, Illica condemned Puccini for treating his librettists "like stagehands" and reducing the text to a shadow of its original form. Nevertheless, any public doubts about Tosca soon vanished; the premiere was followed by twenty performances, all given to packed houses.
Output: What are the last names of the rivals of the man who's opera wasn't a great triumph that attended the performance?
Passage: During the spring of 1990, Anjali Dutt was hired to replace Moulder, who had left to work with the bands Shakespears Sister and Ride. Dutt assisted in the recording of vocals and several guitar tracks. During this period, the band recorded in various studios, often spending a single day at a studio before deciding it was unsuitable. In May 1990, My Bloody Valentine settled on Protocol in Holloway as their primary location, and work began in earnest on the album, as well as a second EP titled Tremolo. Like Glider, Tremolo contained a song—"To Here Knows When"—that later appeared on Loveless. The band stopped recording during the summer of 1990 to tour in support of the release of Glider. When Moulder returned to the project in August, he was surprised by how little work had been completed. By that point, Creation was concerned by how much the album was costing. Moulder left again in March 1991 to work for the the Jesus and Mary Chain. In an interview with Select, Shields explained the stop-start nature of his recording, using "When You Sleep" as an example:We recorded the drums in September '89. The guitar was done in December. The bass was done in April. 1990 we're in, now. Then nothing happens for a year really." So it doesn't have vocals at this stage? "No." Does it have words? "No." Does it even have a title? "No. It has a song number. 'Song 12' it was called. And… I'm trying to remember… the melody line was done in '91. The vocals were '91. There were huge gaps though. Months and months of not touching songs. Years. I used to forget what tunings I'd used.
Output: What band had Moulder left?
Passage: During the spring of 1990, Anjali Dutt was hired to replace Moulder, who had left to work with the bands Shakespears Sister and Ride. Dutt assisted in the recording of vocals and several guitar tracks. During this period, the band recorded in various studios, often spending a single day at a studio before deciding it was unsuitable. In May 1990, My Bloody Valentine settled on Protocol in Holloway as their primary location, and work began in earnest on the album, as well as a second EP titled Tremolo. Like Glider, Tremolo contained a song—"To Here Knows When"—that later appeared on Loveless. The band stopped recording during the summer of 1990 to tour in support of the release of Glider. When Moulder returned to the project in August, he was surprised by how little work had been completed. By that point, Creation was concerned by how much the album was costing. Moulder left again in March 1991 to work for the the Jesus and Mary Chain. In an interview with Select, Shields explained the stop-start nature of his recording, using "When You Sleep" as an example:We recorded the drums in September '89. The guitar was done in December. The bass was done in April. 1990 we're in, now. Then nothing happens for a year really." So it doesn't have vocals at this stage? "No." Does it have words? "No." Does it even have a title? "No. It has a song number. 'Song 12' it was called. And… I'm trying to remember… the melody line was done in '91. The vocals were '91. There were huge gaps though. Months and months of not touching songs. Years. I used to forget what tunings I'd used.
Output: What band was Anjali Dutt hired by?
Passage: During the spring of 1990, Anjali Dutt was hired to replace Moulder, who had left to work with the bands Shakespears Sister and Ride. Dutt assisted in the recording of vocals and several guitar tracks. During this period, the band recorded in various studios, often spending a single day at a studio before deciding it was unsuitable. In May 1990, My Bloody Valentine settled on Protocol in Holloway as their primary location, and work began in earnest on the album, as well as a second EP titled Tremolo. Like Glider, Tremolo contained a song—"To Here Knows When"—that later appeared on Loveless. The band stopped recording during the summer of 1990 to tour in support of the release of Glider. When Moulder returned to the project in August, he was surprised by how little work had been completed. By that point, Creation was concerned by how much the album was costing. Moulder left again in March 1991 to work for the the Jesus and Mary Chain. In an interview with Select, Shields explained the stop-start nature of his recording, using "When You Sleep" as an example:We recorded the drums in September '89. The guitar was done in December. The bass was done in April. 1990 we're in, now. Then nothing happens for a year really." So it doesn't have vocals at this stage? "No." Does it have words? "No." Does it even have a title? "No. It has a song number. 'Song 12' it was called. And… I'm trying to remember… the melody line was done in '91. The vocals were '91. There were huge gaps though. Months and months of not touching songs. Years. I used to forget what tunings I'd used.
Output: Where was the album Loveless recorded?
Passage: By the time El Greco arrived in Rome, Michelangelo and Raphael were dead, but their example continued to be paramount, and somewhat overwhelming for young painters. El Greco was determined to make his own mark in Rome defending his personal artistic views, ideas and style. He singled out Correggio and Parmigianino for particular praise, but he did not hesitate to dismiss Michelangelo's Last Judgment in the Sistine Chapel; he extended an offer to Pope Pius V to paint over the whole work in accord with the new and stricter Catholic thinking. When he was later asked what he thought about Michelangelo, El Greco replied that "he was a good man, but he did not know how to paint". And thus we are confronted by a paradox: El Greco is said to have reacted most strongly or even condemned Michelangelo, but found it impossible to withstand his influence. Michelangelo's influence can be seen in later El Greco works such as the Allegory of the Holy League. By painting portraits of Michelangelo, Titian, Clovio and, presumably, Raphael in one of his works (The Purification of the Temple), El Greco not only expressed his gratitude but also advanced the claim to rival these masters. As his own commentaries indicate, El Greco viewed Titian, Michelangelo and Raphael as models to emulate. In his 17th century Chronicles, Giulio Mancini included El Greco among the painters who had initiated, in various ways, a re-evaluation of Michelangelo's teachings.Because of his unconventional artistic beliefs (such as his dismissal of Michelangelo's technique) and personality, El Greco soon acquired enemies in Rome. Architect and writer Pirro Ligorio called him a "foolish foreigner", and newly discovered archival material reveals a skirmish with Farnese, who obliged the young artist to leave his palace. On 6 July 1572, El Greco officially complained about this event. A few months later, on 18 September 1572, he paid his dues to the Guild of Saint Luke in Rome as a miniature painter. At the end of that year, El Greco opened his own workshop and hired as assistants the painters Lattanzio Bonastri de Lucignano and Francisco Preboste.
Output: What is the precise title of the work El Greco extended an offer to Pope Pius V to paint over?
Passage: By the time El Greco arrived in Rome, Michelangelo and Raphael were dead, but their example continued to be paramount, and somewhat overwhelming for young painters. El Greco was determined to make his own mark in Rome defending his personal artistic views, ideas and style. He singled out Correggio and Parmigianino for particular praise, but he did not hesitate to dismiss Michelangelo's Last Judgment in the Sistine Chapel; he extended an offer to Pope Pius V to paint over the whole work in accord with the new and stricter Catholic thinking. When he was later asked what he thought about Michelangelo, El Greco replied that "he was a good man, but he did not know how to paint". And thus we are confronted by a paradox: El Greco is said to have reacted most strongly or even condemned Michelangelo, but found it impossible to withstand his influence. Michelangelo's influence can be seen in later El Greco works such as the Allegory of the Holy League. By painting portraits of Michelangelo, Titian, Clovio and, presumably, Raphael in one of his works (The Purification of the Temple), El Greco not only expressed his gratitude but also advanced the claim to rival these masters. As his own commentaries indicate, El Greco viewed Titian, Michelangelo and Raphael as models to emulate. In his 17th century Chronicles, Giulio Mancini included El Greco among the painters who had initiated, in various ways, a re-evaluation of Michelangelo's teachings.Because of his unconventional artistic beliefs (such as his dismissal of Michelangelo's technique) and personality, El Greco soon acquired enemies in Rome. Architect and writer Pirro Ligorio called him a "foolish foreigner", and newly discovered archival material reveals a skirmish with Farnese, who obliged the young artist to leave his palace. On 6 July 1572, El Greco officially complained about this event. A few months later, on 18 September 1572, he paid his dues to the Guild of Saint Luke in Rome as a miniature painter. At the end of that year, El Greco opened his own workshop and hired as assistants the painters Lattanzio Bonastri de Lucignano and Francisco Preboste.
Output: What is the name of the young artist who Farnese obliged to leave his palace?
Passage: By the time El Greco arrived in Rome, Michelangelo and Raphael were dead, but their example continued to be paramount, and somewhat overwhelming for young painters. El Greco was determined to make his own mark in Rome defending his personal artistic views, ideas and style. He singled out Correggio and Parmigianino for particular praise, but he did not hesitate to dismiss Michelangelo's Last Judgment in the Sistine Chapel; he extended an offer to Pope Pius V to paint over the whole work in accord with the new and stricter Catholic thinking. When he was later asked what he thought about Michelangelo, El Greco replied that "he was a good man, but he did not know how to paint". And thus we are confronted by a paradox: El Greco is said to have reacted most strongly or even condemned Michelangelo, but found it impossible to withstand his influence. Michelangelo's influence can be seen in later El Greco works such as the Allegory of the Holy League. By painting portraits of Michelangelo, Titian, Clovio and, presumably, Raphael in one of his works (The Purification of the Temple), El Greco not only expressed his gratitude but also advanced the claim to rival these masters. As his own commentaries indicate, El Greco viewed Titian, Michelangelo and Raphael as models to emulate. In his 17th century Chronicles, Giulio Mancini included El Greco among the painters who had initiated, in various ways, a re-evaluation of Michelangelo's teachings.Because of his unconventional artistic beliefs (such as his dismissal of Michelangelo's technique) and personality, El Greco soon acquired enemies in Rome. Architect and writer Pirro Ligorio called him a "foolish foreigner", and newly discovered archival material reveals a skirmish with Farnese, who obliged the young artist to leave his palace. On 6 July 1572, El Greco officially complained about this event. A few months later, on 18 September 1572, he paid his dues to the Guild of Saint Luke in Rome as a miniature painter. At the end of that year, El Greco opened his own workshop and hired as assistants the painters Lattanzio Bonastri de Lucignano and Francisco Preboste.
Output: Whose palace was El Greco obliged to leave?