niryuu/sni-each-converted huggingface dataset:
Passage: When the painting was unveiled in 1953, most Chinese critics were enthusiastic.  Xu Beihong, the president of CAFA and a pioneer in using realism in oil painting, admired the manner in which the work fulfilled its political mission, but complained that because of the colors, it barely resembled an oil painting.  He and others, though, saw that the painting opened a new chapter in Chinese art development.  Zhu Dan, head of the People's Fine Arts Publishing House, which would reproduce the painting for the masses, argued that it was more a poster than an oil painting.  Other artists stated that Dong's earlier works, such as Kazakh Shepherdess (1947) and Liberation (1949), were better examples of the new national style of art.  Senior Party leaders, though, approved of the painting, as art historian Chang-Tai Hung put it, "seeing it as a testament to the young nation's evolving identity and growing confidence".Soon after the unveiling, Jiang wanted to arrange an exhibition at which government officials, including Mao, could view and publicly endorse the new Chinese art.  He had connections in Mao's inner circle, and Dong and others organized it to be in conjunction with meetings at Zhongnanhai that Mao led. This was, most likely, the only time Mao attended an art exhibition after 1949.  Mao visited the exhibition three times in between meetings and especially liked The Founding of the Nation—the official photograph of the event shows Mao and Zhou Enlai viewing the canvas with Dong.  The chairman stared at the painting for a long time and finally said, "It is a great nation.  It really is a great nation."  Mao also stated that the portrayal of Dong Biwu was particularly well rendered.  As Dong Biwu was in the second row, mostly hidden by the large Zhu De, Mao was most likely joking, but the favorable reaction by the country's leader assured the success of the painting.The Founding of the Nation was hailed as one of the greatest oil paintings ever by a Chinese artist by reviewers in that country, and more than 500,000 reproductions were sold in three months.  Mao's praise helped boost the painting and its painter.  Dong's techniques were seen as bridging the gap between the elitist medium of oil painting and popular art, and as a boost to Jiang's position that realistic art could be politically desirable.  It was reproduced in primary and secondary school textbooks.  The painting appeared on the front page of People's Daily in September 1953, and became an officially approved interior decoration.  One English-language magazine published by the Chinese government for distribution abroad showed a model family in a modern apartment, with a large poster of The Founding of the Nation on the wall.  According to Chang-Tai Hung, the painting "became a celebrated propaganda piece".
Output: What painting became an officially approved interior decoration?
Passage: When the painting was unveiled in 1953, most Chinese critics were enthusiastic.  Xu Beihong, the president of CAFA and a pioneer in using realism in oil painting, admired the manner in which the work fulfilled its political mission, but complained that because of the colors, it barely resembled an oil painting.  He and others, though, saw that the painting opened a new chapter in Chinese art development.  Zhu Dan, head of the People's Fine Arts Publishing House, which would reproduce the painting for the masses, argued that it was more a poster than an oil painting.  Other artists stated that Dong's earlier works, such as Kazakh Shepherdess (1947) and Liberation (1949), were better examples of the new national style of art.  Senior Party leaders, though, approved of the painting, as art historian Chang-Tai Hung put it, "seeing it as a testament to the young nation's evolving identity and growing confidence".Soon after the unveiling, Jiang wanted to arrange an exhibition at which government officials, including Mao, could view and publicly endorse the new Chinese art.  He had connections in Mao's inner circle, and Dong and others organized it to be in conjunction with meetings at Zhongnanhai that Mao led. This was, most likely, the only time Mao attended an art exhibition after 1949.  Mao visited the exhibition three times in between meetings and especially liked The Founding of the Nation—the official photograph of the event shows Mao and Zhou Enlai viewing the canvas with Dong.  The chairman stared at the painting for a long time and finally said, "It is a great nation.  It really is a great nation."  Mao also stated that the portrayal of Dong Biwu was particularly well rendered.  As Dong Biwu was in the second row, mostly hidden by the large Zhu De, Mao was most likely joking, but the favorable reaction by the country's leader assured the success of the painting.The Founding of the Nation was hailed as one of the greatest oil paintings ever by a Chinese artist by reviewers in that country, and more than 500,000 reproductions were sold in three months.  Mao's praise helped boost the painting and its painter.  Dong's techniques were seen as bridging the gap between the elitist medium of oil painting and popular art, and as a boost to Jiang's position that realistic art could be politically desirable.  It was reproduced in primary and secondary school textbooks.  The painting appeared on the front page of People's Daily in September 1953, and became an officially approved interior decoration.  One English-language magazine published by the Chinese government for distribution abroad showed a model family in a modern apartment, with a large poster of The Founding of the Nation on the wall.  According to Chang-Tai Hung, the painting "became a celebrated propaganda piece".
Output: What painting "became a celebrated propaganda piece?"?
Passage: When the painting was unveiled in 1953, most Chinese critics were enthusiastic.  Xu Beihong, the president of CAFA and a pioneer in using realism in oil painting, admired the manner in which the work fulfilled its political mission, but complained that because of the colors, it barely resembled an oil painting.  He and others, though, saw that the painting opened a new chapter in Chinese art development.  Zhu Dan, head of the People's Fine Arts Publishing House, which would reproduce the painting for the masses, argued that it was more a poster than an oil painting.  Other artists stated that Dong's earlier works, such as Kazakh Shepherdess (1947) and Liberation (1949), were better examples of the new national style of art.  Senior Party leaders, though, approved of the painting, as art historian Chang-Tai Hung put it, "seeing it as a testament to the young nation's evolving identity and growing confidence".Soon after the unveiling, Jiang wanted to arrange an exhibition at which government officials, including Mao, could view and publicly endorse the new Chinese art.  He had connections in Mao's inner circle, and Dong and others organized it to be in conjunction with meetings at Zhongnanhai that Mao led. This was, most likely, the only time Mao attended an art exhibition after 1949.  Mao visited the exhibition three times in between meetings and especially liked The Founding of the Nation—the official photograph of the event shows Mao and Zhou Enlai viewing the canvas with Dong.  The chairman stared at the painting for a long time and finally said, "It is a great nation.  It really is a great nation."  Mao also stated that the portrayal of Dong Biwu was particularly well rendered.  As Dong Biwu was in the second row, mostly hidden by the large Zhu De, Mao was most likely joking, but the favorable reaction by the country's leader assured the success of the painting.The Founding of the Nation was hailed as one of the greatest oil paintings ever by a Chinese artist by reviewers in that country, and more than 500,000 reproductions were sold in three months.  Mao's praise helped boost the painting and its painter.  Dong's techniques were seen as bridging the gap between the elitist medium of oil painting and popular art, and as a boost to Jiang's position that realistic art could be politically desirable.  It was reproduced in primary and secondary school textbooks.  The painting appeared on the front page of People's Daily in September 1953, and became an officially approved interior decoration.  One English-language magazine published by the Chinese government for distribution abroad showed a model family in a modern apartment, with a large poster of The Founding of the Nation on the wall.  According to Chang-Tai Hung, the painting "became a celebrated propaganda piece".
Output: What painting was unveiled in 1953?
Passage: The first recordings were made during the European leg of Garbage's Version 2.0 world tour. After listening to the orchestral demo, the band worked on the key and tempo. Garbage used a portable studio from a number of European cities to record material for Arnold, keeping in touch by phone as he produced the song's string arrangement in London. Since the strings carried the structure of the song, they had to be finalised and recorded before Manson could sing her parts. Arnold recorded the strings with a 60-piece orchestra in one day at London's Metropolis Studios.
Garbage flew to London for a day to record the basic tracks, laying down electric guitar, bass guitar and Manson's vocals with the orchestra. Manson called working with the orchestra "exhilarating". That night, the band flew to Switzerland to resume their tour for three weeks. 
The final recording was made in August at Armoury Studios in Vancouver, Canada, where Garbage built upon their first mix of the song, adding and subtracting parts, and completed final recording and mixing. The band kept the arrangement tight to preserve the song's dynamic, sweeping melody. "The orchestra took up so much space and really dictated where the song was going dynamically," keeping the recording simple, Vig recalled. "Besides the drums and bass and some percussive loops, there's a little bit of guitar that Duke and Steve did. There's not a lot of miscellaneous tracks on there. There's a few little ear-candy things that we did, but it's all meant to work around Shirley's singing." Although Garbage owned its own recording studio in Madison, Wisconsin, for legal reasons the song could not be recorded in a U.S. studio. "The World Is Not Enough" was completed, mixed and mastered at the end of the month, and the group returned to their recording studio in Madison to record their mix of the song. Garbage's version (the "chilled-out remix") downplayed the classic Bond sound in favour of the band's style. Vig later said about the original recording, "We're pretty pleased with how it turned out. To Garbage fans, it sounds like a Garbage song. And to Bond fans, it's a Bond song."  However, Manson noted that the version featured in the film “got our hopes and joys squashed,” as “they had completely screwed with all the stems of mix and it sounded completely different.”.
Output: What is the name of the song whose string arrangement was produced in London?
Passage: The first recordings were made during the European leg of Garbage's Version 2.0 world tour. After listening to the orchestral demo, the band worked on the key and tempo. Garbage used a portable studio from a number of European cities to record material for Arnold, keeping in touch by phone as he produced the song's string arrangement in London. Since the strings carried the structure of the song, they had to be finalised and recorded before Manson could sing her parts. Arnold recorded the strings with a 60-piece orchestra in one day at London's Metropolis Studios.
Garbage flew to London for a day to record the basic tracks, laying down electric guitar, bass guitar and Manson's vocals with the orchestra. Manson called working with the orchestra "exhilarating". That night, the band flew to Switzerland to resume their tour for three weeks. 
The final recording was made in August at Armoury Studios in Vancouver, Canada, where Garbage built upon their first mix of the song, adding and subtracting parts, and completed final recording and mixing. The band kept the arrangement tight to preserve the song's dynamic, sweeping melody. "The orchestra took up so much space and really dictated where the song was going dynamically," keeping the recording simple, Vig recalled. "Besides the drums and bass and some percussive loops, there's a little bit of guitar that Duke and Steve did. There's not a lot of miscellaneous tracks on there. There's a few little ear-candy things that we did, but it's all meant to work around Shirley's singing." Although Garbage owned its own recording studio in Madison, Wisconsin, for legal reasons the song could not be recorded in a U.S. studio. "The World Is Not Enough" was completed, mixed and mastered at the end of the month, and the group returned to their recording studio in Madison to record their mix of the song. Garbage's version (the "chilled-out remix") downplayed the classic Bond sound in favour of the band's style. Vig later said about the original recording, "We're pretty pleased with how it turned out. To Garbage fans, it sounds like a Garbage song. And to Bond fans, it's a Bond song."  However, Manson noted that the version featured in the film “got our hopes and joys squashed,” as “they had completely screwed with all the stems of mix and it sounded completely different.”.
Output: What is the name of the song for which the strings carried the structure?
Passage: The first recordings were made during the European leg of Garbage's Version 2.0 world tour. After listening to the orchestral demo, the band worked on the key and tempo. Garbage used a portable studio from a number of European cities to record material for Arnold, keeping in touch by phone as he produced the song's string arrangement in London. Since the strings carried the structure of the song, they had to be finalised and recorded before Manson could sing her parts. Arnold recorded the strings with a 60-piece orchestra in one day at London's Metropolis Studios.
Garbage flew to London for a day to record the basic tracks, laying down electric guitar, bass guitar and Manson's vocals with the orchestra. Manson called working with the orchestra "exhilarating". That night, the band flew to Switzerland to resume their tour for three weeks. 
The final recording was made in August at Armoury Studios in Vancouver, Canada, where Garbage built upon their first mix of the song, adding and subtracting parts, and completed final recording and mixing. The band kept the arrangement tight to preserve the song's dynamic, sweeping melody. "The orchestra took up so much space and really dictated where the song was going dynamically," keeping the recording simple, Vig recalled. "Besides the drums and bass and some percussive loops, there's a little bit of guitar that Duke and Steve did. There's not a lot of miscellaneous tracks on there. There's a few little ear-candy things that we did, but it's all meant to work around Shirley's singing." Although Garbage owned its own recording studio in Madison, Wisconsin, for legal reasons the song could not be recorded in a U.S. studio. "The World Is Not Enough" was completed, mixed and mastered at the end of the month, and the group returned to their recording studio in Madison to record their mix of the song. Garbage's version (the "chilled-out remix") downplayed the classic Bond sound in favour of the band's style. Vig later said about the original recording, "We're pretty pleased with how it turned out. To Garbage fans, it sounds like a Garbage song. And to Bond fans, it's a Bond song."  However, Manson noted that the version featured in the film “got our hopes and joys squashed,” as “they had completely screwed with all the stems of mix and it sounded completely different.”.
Output: What is the name of the song for which Garbage's first mix was built upon in the final recording made in August at Armoury Studios in Vancouver, Canada?
Passage: The first recordings were made during the European leg of Garbage's Version 2.0 world tour. After listening to the orchestral demo, the band worked on the key and tempo. Garbage used a portable studio from a number of European cities to record material for Arnold, keeping in touch by phone as he produced the song's string arrangement in London. Since the strings carried the structure of the song, they had to be finalised and recorded before Manson could sing her parts. Arnold recorded the strings with a 60-piece orchestra in one day at London's Metropolis Studios.
Garbage flew to London for a day to record the basic tracks, laying down electric guitar, bass guitar and Manson's vocals with the orchestra. Manson called working with the orchestra "exhilarating". That night, the band flew to Switzerland to resume their tour for three weeks. 
The final recording was made in August at Armoury Studios in Vancouver, Canada, where Garbage built upon their first mix of the song, adding and subtracting parts, and completed final recording and mixing. The band kept the arrangement tight to preserve the song's dynamic, sweeping melody. "The orchestra took up so much space and really dictated where the song was going dynamically," keeping the recording simple, Vig recalled. "Besides the drums and bass and some percussive loops, there's a little bit of guitar that Duke and Steve did. There's not a lot of miscellaneous tracks on there. There's a few little ear-candy things that we did, but it's all meant to work around Shirley's singing." Although Garbage owned its own recording studio in Madison, Wisconsin, for legal reasons the song could not be recorded in a U.S. studio. "The World Is Not Enough" was completed, mixed and mastered at the end of the month, and the group returned to their recording studio in Madison to record their mix of the song. Garbage's version (the "chilled-out remix") downplayed the classic Bond sound in favour of the band's style. Vig later said about the original recording, "We're pretty pleased with how it turned out. To Garbage fans, it sounds like a Garbage song. And to Bond fans, it's a Bond song."  However, Manson noted that the version featured in the film “got our hopes and joys squashed,” as “they had completely screwed with all the stems of mix and it sounded completely different.”.
Output: What is the name of the song whose dynamic sweeping melody the band wanted to preserve?
Passage: The first recordings were made during the European leg of Garbage's Version 2.0 world tour. After listening to the orchestral demo, the band worked on the key and tempo. Garbage used a portable studio from a number of European cities to record material for Arnold, keeping in touch by phone as he produced the song's string arrangement in London. Since the strings carried the structure of the song, they had to be finalised and recorded before Manson could sing her parts. Arnold recorded the strings with a 60-piece orchestra in one day at London's Metropolis Studios.
Garbage flew to London for a day to record the basic tracks, laying down electric guitar, bass guitar and Manson's vocals with the orchestra. Manson called working with the orchestra "exhilarating". That night, the band flew to Switzerland to resume their tour for three weeks. 
The final recording was made in August at Armoury Studios in Vancouver, Canada, where Garbage built upon their first mix of the song, adding and subtracting parts, and completed final recording and mixing. The band kept the arrangement tight to preserve the song's dynamic, sweeping melody. "The orchestra took up so much space and really dictated where the song was going dynamically," keeping the recording simple, Vig recalled. "Besides the drums and bass and some percussive loops, there's a little bit of guitar that Duke and Steve did. There's not a lot of miscellaneous tracks on there. There's a few little ear-candy things that we did, but it's all meant to work around Shirley's singing." Although Garbage owned its own recording studio in Madison, Wisconsin, for legal reasons the song could not be recorded in a U.S. studio. "The World Is Not Enough" was completed, mixed and mastered at the end of the month, and the group returned to their recording studio in Madison to record their mix of the song. Garbage's version (the "chilled-out remix") downplayed the classic Bond sound in favour of the band's style. Vig later said about the original recording, "We're pretty pleased with how it turned out. To Garbage fans, it sounds like a Garbage song. And to Bond fans, it's a Bond song."  However, Manson noted that the version featured in the film “got our hopes and joys squashed,” as “they had completely screwed with all the stems of mix and it sounded completely different.”.
Output: What is the name of the song that reportedly could not be recorded in a U.S. studio for legal reasons?
Passage: The first record of an organ at this church dates from 1310. A smaller organ, probably for the Lady Chapel, was installed in 1415. In 1620 an organ, built by Thomas Dallam, was installed at a cost of £398 1s 5d. (equivalent to about £73,000 as of 2014).
The organ that was installed in 1620 was destroyed by parliamentary soldiers in 1643. An organ built in 1662 was enlarged in 1786 and again in 1855. In 1909–10 an organ was built by Harrison & Harrison of Durham, with the best parts of the old organ retained. It has been serviced by the same company ever since.The cathedral also has a chamber organ, built by the Scottish organ-builders Lammermuir, which is normally kept in the choir but which can be moved around, for services and concerts, in other parts of the Cathedral. It is regularly used for authentic accompaniment of Tudor and baroque music.The first recorded organist of Wells Cathedral was Walter Bagele (or Vageler) in 1416, and the post of organist or assistant organist has been held by more than 60 individuals since then. Peter Stanley Lyons was Master of the Choristers at Wells Cathedral, and Director of Music at Wells Cathedral School, from 1954 to 1960. The choral conductor James William Webb-Jones, the father of Lyons's wife, Bridget, whom Lyons married in the Cathedral, was Headmaster of Wells Cathedral School from 1955 to 1960. Malcolm Archer was the appointed Organist and Master of the Choristers from 1996 to 2004. Since 2005, the organist has been Matthew Owens. Jeremy Cole was appointed assistant organist in 2017, and the current organ scholar is Harrison Cole.
Output: What is the first name of Bridget's husband?
Passage: Scene 1
("Talk About A Child") The play starts out as Patti is checking out her house when she is dropping off Ruth's (Rhonda Davis) new foster children, Tay, Karen and Shannon. Patti tries to talk Ruth into getting more foster children since she moved in a bigger house. Her supervisor Clay stops by and checks on Patti. Tay comes in the living room and is introduce and Clay questions Tay about how he loves the new house. He says it's okay. Patti and Clay leaves to go check out a place and Clay gives Ruth his card if she wants to call him. 
Scene 2
Aunt Bam steps on her porch and tells Clay and Patti to get their boxes off her grass. They all get into a brief conversation and Clay gives Aunt Bam his card but she denies it saying she has 2 kids that are grown and they never come to see her. Clay and Patti leaves and Aunt Bam checks the boxes on her grass until Tay comes out of the house screaming at her. Ruth comes out of the house and tells him to not talk to her like that and he apologize to her and goes back in the house. Ruth introduce herself to Aunt Bam and they both have a conversation. Aunt Bam has been living in the neighborhood for 39 years. Wally the mailman comes and give Aunt Bam her monthly bills but denies them and she tells him to take them back to the post office. Wally Introduces himself to Ruth, Aunt Bam tries to hook Ruth and Wally up since his wife left him for another woman. Wally leaves and Aunt Bam tells the story of the woman who lived in Ruth's house had died and was living there for 45 years prior to her moving. Ruth goes in the house so she can put her boxes down but Aunt Bam rings the doorbell. Aunt Bam tries to question Ruth about her husband disappearance but she says she has to put the boxes inside. Aunt Bam tells Ruth if one of her foster children can come and move the boxes. 
Scene 3.
Output: Who had a wife who left him for a woman?
Passage: Scene 1
("Talk About A Child") The play starts out as Patti is checking out her house when she is dropping off Ruth's (Rhonda Davis) new foster children, Tay, Karen and Shannon. Patti tries to talk Ruth into getting more foster children since she moved in a bigger house. Her supervisor Clay stops by and checks on Patti. Tay comes in the living room and is introduce and Clay questions Tay about how he loves the new house. He says it's okay. Patti and Clay leaves to go check out a place and Clay gives Ruth his card if she wants to call him. 
Scene 2
Aunt Bam steps on her porch and tells Clay and Patti to get their boxes off her grass. They all get into a brief conversation and Clay gives Aunt Bam his card but she denies it saying she has 2 kids that are grown and they never come to see her. Clay and Patti leaves and Aunt Bam checks the boxes on her grass until Tay comes out of the house screaming at her. Ruth comes out of the house and tells him to not talk to her like that and he apologize to her and goes back in the house. Ruth introduce herself to Aunt Bam and they both have a conversation. Aunt Bam has been living in the neighborhood for 39 years. Wally the mailman comes and give Aunt Bam her monthly bills but denies them and she tells him to take them back to the post office. Wally Introduces himself to Ruth, Aunt Bam tries to hook Ruth and Wally up since his wife left him for another woman. Wally leaves and Aunt Bam tells the story of the woman who lived in Ruth's house had died and was living there for 45 years prior to her moving. Ruth goes in the house so she can put her boxes down but Aunt Bam rings the doorbell. Aunt Bam tries to question Ruth about her husband disappearance but she says she has to put the boxes inside. Aunt Bam tells Ruth if one of her foster children can come and move the boxes. 
Scene 3.
Output: What does Aunt Barn instruct Wally to return to the post office?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: What country is Dead from?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: What is the name of the band member that leaves Mayhem first?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: Which member of the band threw a pig head at the posers?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: Whose shotgun did Dead use to shoot himself in the forehead?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: Who started calling himself Varg Vikernes?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: What is the name of Mayhem's first album?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: Who quits Mayehm after the vocalist's suicide?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: Who is Mayhem's second drummer?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: Which band member shot themself in the forehead?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: Where did Faust of Emperor socialize?
Passage: In the 1980s, a young guitarist called Euronymous forms a black metal band called Mayhem, the first of the genre in their country of Norway, with Necrobutcher on bass, and  Manheim on drums. Manhein leaves and is soon replaced by new drummer Hellhammer and they recruit a new vocalist from Sweden called Dead, who exhibits self-destructive behavior, which he portrays during their live shows by cutting himself and bleeding on the audience, and throwing pig heads at the "posers". At a show filmed by their friend Metalion, the band meets a fan named Kristian, whom Euronymous initially looks down on.
While home alone, Dead uses his personal knife to cut his arms and throat, and then uses Euronymous' shotgun to shoot himself in the forehead, leaving behind a suicide note. Euronymous returns home and finds the body but instead of calling the police, he takes photos of the body and moves the knife and shotgun around. After Dead's body is taken away, Euronymous gives necklaces to the other band members which he claims are pieces of Dead's skull; this disgusts Necrobutcher, prompting him to leave the band.
Soon after, Euronymous starts his own black metal record label and opens a record shop called Helvete, which becomes a social hub for black-metallers like Metalion, Fenriz of Darkthrone, Faust of Emperor, and Kristian (who is now calling himself Varg Vikernes) of Burzum. They become known as the "Black Circle". After being mocked by an ego-driven Euronymous, Varg uses his anti-Christian beliefs as motivation to burn down a local church. When approached by Varg concerning his status as the leader of the Black Circle, Euronymous burns down a church with Faust and Varg accompanying.
Euronymous recruits Varg as bassist, a guitarist called Blackthorn and a Hungarian vocalist, Attila Csihar, to record Mayhem's first album, De Mysteriis Dom Sathanas. A power dispute between Varg and Euronymous arises.
Output: What is the alias of the person that burned down a local church by themself?