niryuu/sni-each-converted huggingface dataset:
Passage: At the end of the 19th century, several forms of industrial development shaped Minnesota.  In 1882, a hydroelectric power plant was built at Saint Anthony Falls, marking one of the first developments of hydroelectric power in the United States.  Iron mining began in northern Minnesota with the opening of the Soudan Mine in 1884.  The Vermilion Range was surveyed and mapped by a party financed by Charlemagne Tower.  Another mining town, Ely began with the foundation of the Chandler Mine in 1888.  Soon after, the Mesabi Range was established when ore was found just under the surface of the ground in Mountain Iron.  The Mesabi Range ultimately had much more ore than the Vermilion Range, and it was easy to extract because the ore was closer to the surface.  As a result, open-pit mines became well-established on the Mesabi Range, with 111 mines operating by 1904.  To ship the iron ore to refineries, railroads such as the Duluth, Missabe and Iron Range Railway were built from the iron ranges to Two Harbors and Duluth on Lake Superior.  Large ore docks were used at these cities to load the iron ore onto ships for transport east on the Great Lakes.  The mining industry helped to propel Duluth from a small town to a large, thriving city.  In 1904, iron was discovered in the Cuyuna Range in Crow Wing County.  Between 1904 and 1984, when mining ceased, more than 106 million tons of ore were mined.  Iron from the Cuyuna Range also contained significant proportions of manganese, increasing its value.
Output: What is the name of the range that had less ore than the one that established 111 mines?
Passage: At the end of the 19th century, several forms of industrial development shaped Minnesota.  In 1882, a hydroelectric power plant was built at Saint Anthony Falls, marking one of the first developments of hydroelectric power in the United States.  Iron mining began in northern Minnesota with the opening of the Soudan Mine in 1884.  The Vermilion Range was surveyed and mapped by a party financed by Charlemagne Tower.  Another mining town, Ely began with the foundation of the Chandler Mine in 1888.  Soon after, the Mesabi Range was established when ore was found just under the surface of the ground in Mountain Iron.  The Mesabi Range ultimately had much more ore than the Vermilion Range, and it was easy to extract because the ore was closer to the surface.  As a result, open-pit mines became well-established on the Mesabi Range, with 111 mines operating by 1904.  To ship the iron ore to refineries, railroads such as the Duluth, Missabe and Iron Range Railway were built from the iron ranges to Two Harbors and Duluth on Lake Superior.  Large ore docks were used at these cities to load the iron ore onto ships for transport east on the Great Lakes.  The mining industry helped to propel Duluth from a small town to a large, thriving city.  In 1904, iron was discovered in the Cuyuna Range in Crow Wing County.  Between 1904 and 1984, when mining ceased, more than 106 million tons of ore were mined.  Iron from the Cuyuna Range also contained significant proportions of manganese, increasing its value.
Output: What is the name of the mountain range that had a large amount of iron with higher value than normal?
Passage: Drama critic John Earl observes a piece of artwork in a museum, gazing at it reverently. He asks the museum curator how much it costs, and the curator says that it is not for sale. The artist, James Harlan Corbin [Lederer], does not wish to sell the painting. Nonplussed, Earl returns to his office and phones Corbin with his proposal to sell. Again, Corbin refuses. Earl continues his pursuit to find out who the model for the painting was. He learns it is Helen North, a young woman who looks nothing like the woman in the painting. He visits with her to learn his location, but she refuses, telling him that she will be singing at a local nightclub, where Corbin frequents. Earl finds both of them in the museum, and again confronts Corbin. Becoming clearly annoyed, Corbin invites the singer out for a night in his yacht. She agrees, but is later found washed ashore. Although Police Lt. Roberts initially questions Helen's suitor Hunt Mason, Mason implicates Corbin as the last person who saw Helen North. John Earl works with the police department to arrange for Helen's sister Linda to apply for modeling, in order to spy on Corbin. The two return to Corbin's boathouse. While there, Linda calls for Earl and tells his chef that she is in danger and to notify the police. There, she learns that Corbin did not murder her sister. Thereafter, she falls in love with Corbin and agrees to support him against the district attorney's allegations he killed both Helen and another model, Madonna. Although Corbin has visions that he did so, Linda tells him to make sure he is telling the truth before confessing such heinous crimes. Linda returns home with Corbin's mother, who poisons her tea and tries to inject her with a lethal substance before police shoot. Corbin had suddenly recognized who it was that had planted evidence at the boathouse to implicate him. Police arrive just in time to save Linda from death but not Mrs. Corbin, who dies in her son's arms.
Output: What is the full name of the person who has a sister named Linda?
Passage: Drama critic John Earl observes a piece of artwork in a museum, gazing at it reverently. He asks the museum curator how much it costs, and the curator says that it is not for sale. The artist, James Harlan Corbin [Lederer], does not wish to sell the painting. Nonplussed, Earl returns to his office and phones Corbin with his proposal to sell. Again, Corbin refuses. Earl continues his pursuit to find out who the model for the painting was. He learns it is Helen North, a young woman who looks nothing like the woman in the painting. He visits with her to learn his location, but she refuses, telling him that she will be singing at a local nightclub, where Corbin frequents. Earl finds both of them in the museum, and again confronts Corbin. Becoming clearly annoyed, Corbin invites the singer out for a night in his yacht. She agrees, but is later found washed ashore. Although Police Lt. Roberts initially questions Helen's suitor Hunt Mason, Mason implicates Corbin as the last person who saw Helen North. John Earl works with the police department to arrange for Helen's sister Linda to apply for modeling, in order to spy on Corbin. The two return to Corbin's boathouse. While there, Linda calls for Earl and tells his chef that she is in danger and to notify the police. There, she learns that Corbin did not murder her sister. Thereafter, she falls in love with Corbin and agrees to support him against the district attorney's allegations he killed both Helen and another model, Madonna. Although Corbin has visions that he did so, Linda tells him to make sure he is telling the truth before confessing such heinous crimes. Linda returns home with Corbin's mother, who poisons her tea and tries to inject her with a lethal substance before police shoot. Corbin had suddenly recognized who it was that had planted evidence at the boathouse to implicate him. Police arrive just in time to save Linda from death but not Mrs. Corbin, who dies in her son's arms.
Output: What is the full name of the person who wants to buy the painting?
Passage: Drama critic John Earl observes a piece of artwork in a museum, gazing at it reverently. He asks the museum curator how much it costs, and the curator says that it is not for sale. The artist, James Harlan Corbin [Lederer], does not wish to sell the painting. Nonplussed, Earl returns to his office and phones Corbin with his proposal to sell. Again, Corbin refuses. Earl continues his pursuit to find out who the model for the painting was. He learns it is Helen North, a young woman who looks nothing like the woman in the painting. He visits with her to learn his location, but she refuses, telling him that she will be singing at a local nightclub, where Corbin frequents. Earl finds both of them in the museum, and again confronts Corbin. Becoming clearly annoyed, Corbin invites the singer out for a night in his yacht. She agrees, but is later found washed ashore. Although Police Lt. Roberts initially questions Helen's suitor Hunt Mason, Mason implicates Corbin as the last person who saw Helen North. John Earl works with the police department to arrange for Helen's sister Linda to apply for modeling, in order to spy on Corbin. The two return to Corbin's boathouse. While there, Linda calls for Earl and tells his chef that she is in danger and to notify the police. There, she learns that Corbin did not murder her sister. Thereafter, she falls in love with Corbin and agrees to support him against the district attorney's allegations he killed both Helen and another model, Madonna. Although Corbin has visions that he did so, Linda tells him to make sure he is telling the truth before confessing such heinous crimes. Linda returns home with Corbin's mother, who poisons her tea and tries to inject her with a lethal substance before police shoot. Corbin had suddenly recognized who it was that had planted evidence at the boathouse to implicate him. Police arrive just in time to save Linda from death but not Mrs. Corbin, who dies in her son's arms.
Output: What is the full name of the person Corbin invites out on his yacht?
Passage: Drama critic John Earl observes a piece of artwork in a museum, gazing at it reverently. He asks the museum curator how much it costs, and the curator says that it is not for sale. The artist, James Harlan Corbin [Lederer], does not wish to sell the painting. Nonplussed, Earl returns to his office and phones Corbin with his proposal to sell. Again, Corbin refuses. Earl continues his pursuit to find out who the model for the painting was. He learns it is Helen North, a young woman who looks nothing like the woman in the painting. He visits with her to learn his location, but she refuses, telling him that she will be singing at a local nightclub, where Corbin frequents. Earl finds both of them in the museum, and again confronts Corbin. Becoming clearly annoyed, Corbin invites the singer out for a night in his yacht. She agrees, but is later found washed ashore. Although Police Lt. Roberts initially questions Helen's suitor Hunt Mason, Mason implicates Corbin as the last person who saw Helen North. John Earl works with the police department to arrange for Helen's sister Linda to apply for modeling, in order to spy on Corbin. The two return to Corbin's boathouse. While there, Linda calls for Earl and tells his chef that she is in danger and to notify the police. There, she learns that Corbin did not murder her sister. Thereafter, she falls in love with Corbin and agrees to support him against the district attorney's allegations he killed both Helen and another model, Madonna. Although Corbin has visions that he did so, Linda tells him to make sure he is telling the truth before confessing such heinous crimes. Linda returns home with Corbin's mother, who poisons her tea and tries to inject her with a lethal substance before police shoot. Corbin had suddenly recognized who it was that had planted evidence at the boathouse to implicate him. Police arrive just in time to save Linda from death but not Mrs. Corbin, who dies in her son's arms.
Output: Who falls in love with Corbin?
Passage: Drama critic John Earl observes a piece of artwork in a museum, gazing at it reverently. He asks the museum curator how much it costs, and the curator says that it is not for sale. The artist, James Harlan Corbin [Lederer], does not wish to sell the painting. Nonplussed, Earl returns to his office and phones Corbin with his proposal to sell. Again, Corbin refuses. Earl continues his pursuit to find out who the model for the painting was. He learns it is Helen North, a young woman who looks nothing like the woman in the painting. He visits with her to learn his location, but she refuses, telling him that she will be singing at a local nightclub, where Corbin frequents. Earl finds both of them in the museum, and again confronts Corbin. Becoming clearly annoyed, Corbin invites the singer out for a night in his yacht. She agrees, but is later found washed ashore. Although Police Lt. Roberts initially questions Helen's suitor Hunt Mason, Mason implicates Corbin as the last person who saw Helen North. John Earl works with the police department to arrange for Helen's sister Linda to apply for modeling, in order to spy on Corbin. The two return to Corbin's boathouse. While there, Linda calls for Earl and tells his chef that she is in danger and to notify the police. There, she learns that Corbin did not murder her sister. Thereafter, she falls in love with Corbin and agrees to support him against the district attorney's allegations he killed both Helen and another model, Madonna. Although Corbin has visions that he did so, Linda tells him to make sure he is telling the truth before confessing such heinous crimes. Linda returns home with Corbin's mother, who poisons her tea and tries to inject her with a lethal substance before police shoot. Corbin had suddenly recognized who it was that had planted evidence at the boathouse to implicate him. Police arrive just in time to save Linda from death but not Mrs. Corbin, who dies in her son's arms.
Output: What is the full name of the person whose mother the police shoot?
Passage: When Todd Anderson (played by Quran Pender) has just signed a 5-year/$30 million contract with his hometown basketball team the New Jersey Nets, he purchases many new luxuries for himself and his family including a new house in a well established, high class neighborhood for him and his gold digging girlfriend Brittany (played by Meagan Good). Keeping with family tradition, he decides to host a regular family reunion cookout in his new place, however, not planning for it to clash with an important business meeting for an endorsement deal.
Meanwhile, Bling Bling (played by Ja Rule) is jealous that Todd has made it with his basketball contract after being insulted and embarrassed in front of the neighborhood when Todd did not recognize who he was. He plans to get many pairs of sneakers signed by the upcoming star to sell on eBay and become rich. Whilst on his way to Todd's new house, he crashes his car due to his clumsy friend and then tries to steal a new Mercedes from a car park without realizing the car belongs to Todd's girlfriend Brittany. After finding out he holds her at gunpoint and forces her to drive him there.
Although the meeting is scheduled to take place in the morning, and the guests are to arrive in the afternoon, one by one members of Todd's eccentric family begin to arrive before expected disrupting his business interview. The neighbors are drawn to the cookout, and Todd is concerned mainly about his image, as his family's antics are making a poor impression on his neighbors.
When Bling Bling and his criminal sidekick invade the cookout so they can get Todd's autograph, the ensuing chaos makes Todd realize how much he needs his family. He realizes that he loves the family for the way they are and gets a shock by the endorsement interviewer. Todd breaks up with Brittney and marries Becky and scores 26 points in his debut in New Jersey.
Output: Who crashes on the way to the Nets players' house?
Passage: When Todd Anderson (played by Quran Pender) has just signed a 5-year/$30 million contract with his hometown basketball team the New Jersey Nets, he purchases many new luxuries for himself and his family including a new house in a well established, high class neighborhood for him and his gold digging girlfriend Brittany (played by Meagan Good). Keeping with family tradition, he decides to host a regular family reunion cookout in his new place, however, not planning for it to clash with an important business meeting for an endorsement deal.
Meanwhile, Bling Bling (played by Ja Rule) is jealous that Todd has made it with his basketball contract after being insulted and embarrassed in front of the neighborhood when Todd did not recognize who he was. He plans to get many pairs of sneakers signed by the upcoming star to sell on eBay and become rich. Whilst on his way to Todd's new house, he crashes his car due to his clumsy friend and then tries to steal a new Mercedes from a car park without realizing the car belongs to Todd's girlfriend Brittany. After finding out he holds her at gunpoint and forces her to drive him there.
Although the meeting is scheduled to take place in the morning, and the guests are to arrive in the afternoon, one by one members of Todd's eccentric family begin to arrive before expected disrupting his business interview. The neighbors are drawn to the cookout, and Todd is concerned mainly about his image, as his family's antics are making a poor impression on his neighbors.
When Bling Bling and his criminal sidekick invade the cookout so they can get Todd's autograph, the ensuing chaos makes Todd realize how much he needs his family. He realizes that he loves the family for the way they are and gets a shock by the endorsement interviewer. Todd breaks up with Brittney and marries Becky and scores 26 points in his debut in New Jersey.
Output: Who steals a car from Todd's gold digging girlfriend?
Passage: When Todd Anderson (played by Quran Pender) has just signed a 5-year/$30 million contract with his hometown basketball team the New Jersey Nets, he purchases many new luxuries for himself and his family including a new house in a well established, high class neighborhood for him and his gold digging girlfriend Brittany (played by Meagan Good). Keeping with family tradition, he decides to host a regular family reunion cookout in his new place, however, not planning for it to clash with an important business meeting for an endorsement deal.
Meanwhile, Bling Bling (played by Ja Rule) is jealous that Todd has made it with his basketball contract after being insulted and embarrassed in front of the neighborhood when Todd did not recognize who he was. He plans to get many pairs of sneakers signed by the upcoming star to sell on eBay and become rich. Whilst on his way to Todd's new house, he crashes his car due to his clumsy friend and then tries to steal a new Mercedes from a car park without realizing the car belongs to Todd's girlfriend Brittany. After finding out he holds her at gunpoint and forces her to drive him there.
Although the meeting is scheduled to take place in the morning, and the guests are to arrive in the afternoon, one by one members of Todd's eccentric family begin to arrive before expected disrupting his business interview. The neighbors are drawn to the cookout, and Todd is concerned mainly about his image, as his family's antics are making a poor impression on his neighbors.
When Bling Bling and his criminal sidekick invade the cookout so they can get Todd's autograph, the ensuing chaos makes Todd realize how much he needs his family. He realizes that he loves the family for the way they are and gets a shock by the endorsement interviewer. Todd breaks up with Brittney and marries Becky and scores 26 points in his debut in New Jersey.
Output: Who holds Brittany at gunpoint?
Passage: Before the first gramophone disc recordings of The Rite were issued in 1929, Stravinsky had helped to produce a pianola version of the work for the London branch of the Aeolian Company. He also created a much more comprehensive arrangement for the Pleyela, manufactured by the French piano company Pleyel, with whom he signed two contracts in April and May 1921, under which many of his early works were reproduced on this medium. The Pleyela version of The Rite of Spring was issued in 1921; the British pianolist Rex Lawson first recorded the work in this form in 1990.In 1929 Stravinsky and Monteux vied with each other to conduct the first orchestral gramophone recording of The Rite. While Stravinsky led L'Orchestre des Concerts Straram in a recording for the Columbia label, at the same time Monteux was recording it for the HMV label. Stokowski's version followed in 1930. Stravinsky made two more recordings, in 1940 and 1960. According to the critic Edward Greenfield, Stravinsky was not technically a great conductor but, Greenfield says, in the 1960 recording with the Columbia Symphony Orchestra the composer inspired a performance with "extraordinary thrust and resilience". In conversations with Robert Craft, Stravinsky reviewed several recordings of The Rite made in the 1960s. He thought Herbert von Karajan's 1963 recording with the Berlin Philharmonic, was good, but "the performance is ... too polished, a pet savage rather than a real one". Stravinsky thought that Pierre Boulez, with the Orchestre National de France (1963), was "less good than I had hoped ... very bad tempi and some tasteless alterations". He praised a 1962 recording by The Moscow State Symphony Orchestra   for making the music sound Russian, "which is just right", but Stravinsky's concluding judgement was that none of these three performances was worth preserving.As of 2013 there were well over 100 different recordings of The Rite commercially available, and many more held in library sound archives. It has become one of the most recorded of all 20th century musical works.
Output: What is the name of the person who praised a 1962 recording of The Moscow State Symphony Orchestra for making the music sound Russian?
Passage: Before the first gramophone disc recordings of The Rite were issued in 1929, Stravinsky had helped to produce a pianola version of the work for the London branch of the Aeolian Company. He also created a much more comprehensive arrangement for the Pleyela, manufactured by the French piano company Pleyel, with whom he signed two contracts in April and May 1921, under which many of his early works were reproduced on this medium. The Pleyela version of The Rite of Spring was issued in 1921; the British pianolist Rex Lawson first recorded the work in this form in 1990.In 1929 Stravinsky and Monteux vied with each other to conduct the first orchestral gramophone recording of The Rite. While Stravinsky led L'Orchestre des Concerts Straram in a recording for the Columbia label, at the same time Monteux was recording it for the HMV label. Stokowski's version followed in 1930. Stravinsky made two more recordings, in 1940 and 1960. According to the critic Edward Greenfield, Stravinsky was not technically a great conductor but, Greenfield says, in the 1960 recording with the Columbia Symphony Orchestra the composer inspired a performance with "extraordinary thrust and resilience". In conversations with Robert Craft, Stravinsky reviewed several recordings of The Rite made in the 1960s. He thought Herbert von Karajan's 1963 recording with the Berlin Philharmonic, was good, but "the performance is ... too polished, a pet savage rather than a real one". Stravinsky thought that Pierre Boulez, with the Orchestre National de France (1963), was "less good than I had hoped ... very bad tempi and some tasteless alterations". He praised a 1962 recording by The Moscow State Symphony Orchestra   for making the music sound Russian, "which is just right", but Stravinsky's concluding judgement was that none of these three performances was worth preserving.As of 2013 there were well over 100 different recordings of The Rite commercially available, and many more held in library sound archives. It has become one of the most recorded of all 20th century musical works.
Output: What is the name of the person who thought Herbert von Karajan's 1963 recording with the Berlin Philharmonic was good, but the performance too polished?
Passage: Before the first gramophone disc recordings of The Rite were issued in 1929, Stravinsky had helped to produce a pianola version of the work for the London branch of the Aeolian Company. He also created a much more comprehensive arrangement for the Pleyela, manufactured by the French piano company Pleyel, with whom he signed two contracts in April and May 1921, under which many of his early works were reproduced on this medium. The Pleyela version of The Rite of Spring was issued in 1921; the British pianolist Rex Lawson first recorded the work in this form in 1990.In 1929 Stravinsky and Monteux vied with each other to conduct the first orchestral gramophone recording of The Rite. While Stravinsky led L'Orchestre des Concerts Straram in a recording for the Columbia label, at the same time Monteux was recording it for the HMV label. Stokowski's version followed in 1930. Stravinsky made two more recordings, in 1940 and 1960. According to the critic Edward Greenfield, Stravinsky was not technically a great conductor but, Greenfield says, in the 1960 recording with the Columbia Symphony Orchestra the composer inspired a performance with "extraordinary thrust and resilience". In conversations with Robert Craft, Stravinsky reviewed several recordings of The Rite made in the 1960s. He thought Herbert von Karajan's 1963 recording with the Berlin Philharmonic, was good, but "the performance is ... too polished, a pet savage rather than a real one". Stravinsky thought that Pierre Boulez, with the Orchestre National de France (1963), was "less good than I had hoped ... very bad tempi and some tasteless alterations". He praised a 1962 recording by The Moscow State Symphony Orchestra   for making the music sound Russian, "which is just right", but Stravinsky's concluding judgement was that none of these three performances was worth preserving.As of 2013 there were well over 100 different recordings of The Rite commercially available, and many more held in library sound archives. It has become one of the most recorded of all 20th century musical works.
Output: What are the individual names of the three specific orchestras whose recordings of The Rite were reviewed by Stravinsky in conversations with Robert Craft?
Passage: The postwar period also saw the beginning of Bush's 20-year involvement with grand opera, a genre in which, although he achieved little commercial recognition, he was retrospectively hailed by critics as a master of British opera second only to Britten. His first venture, Wat Tyler, was  written in a form which Bush thought acceptable to the general British public; it was not his choice, he wrote, that the opera and its successors all found their initial audiences in East Germany.  When eventually staged in Britain in 1974 the opera, although well received at Sadler's Wells, seemed somewhat old-fashioned; Philip Hope-Wallace in The Guardian thought the ending degenerated into "a choral union cantata", and found the music pleasant but not especially memorable. Bush's three other major operas were all characterised by their use of "local" music: Northumbrian folk-song in the case of Men of Blackmoor, Guyanese songs and dances in The Sugar Reapers, and American folk music in Joe Hill –  the last-named used in a manner reminiscent of Kurt Weill and the German opera with which Bush had become familiar in the  early 1930s.The extent to which Bush's music  changed substantially after the war was addressed by Meirion Bowen, reviewing a Bush concert in the 1980s. Bowen noted a distinct contrast between early and late works, the former showing primarily the influences of Ireland and of Bush's European contacts, while in the later pieces the idiom was "often overtly folklike and Vaughan Williams-ish".  In general Bush's late works continued to show all the hallmarks of his postwar oeuvre: vigour, clarity of tone and  masterful use of counterpoint. The Lascaux symphony, written when he was 83, is the composer's final major orchestral statement, and addresses deep philosophical issues relating to the origins and destiny of mankind.
Output: What is the last name of the person whose first venture was written in a form which Bush thought acceptable to the general British public?
Passage: The postwar period also saw the beginning of Bush's 20-year involvement with grand opera, a genre in which, although he achieved little commercial recognition, he was retrospectively hailed by critics as a master of British opera second only to Britten. His first venture, Wat Tyler, was  written in a form which Bush thought acceptable to the general British public; it was not his choice, he wrote, that the opera and its successors all found their initial audiences in East Germany.  When eventually staged in Britain in 1974 the opera, although well received at Sadler's Wells, seemed somewhat old-fashioned; Philip Hope-Wallace in The Guardian thought the ending degenerated into "a choral union cantata", and found the music pleasant but not especially memorable. Bush's three other major operas were all characterised by their use of "local" music: Northumbrian folk-song in the case of Men of Blackmoor, Guyanese songs and dances in The Sugar Reapers, and American folk music in Joe Hill –  the last-named used in a manner reminiscent of Kurt Weill and the German opera with which Bush had become familiar in the  early 1930s.The extent to which Bush's music  changed substantially after the war was addressed by Meirion Bowen, reviewing a Bush concert in the 1980s. Bowen noted a distinct contrast between early and late works, the former showing primarily the influences of Ireland and of Bush's European contacts, while in the later pieces the idiom was "often overtly folklike and Vaughan Williams-ish".  In general Bush's late works continued to show all the hallmarks of his postwar oeuvre: vigour, clarity of tone and  masterful use of counterpoint. The Lascaux symphony, written when he was 83, is the composer's final major orchestral statement, and addresses deep philosophical issues relating to the origins and destiny of mankind.
Output: What is the first name of the person who noted a distinct contrast between early and late works, the former showing primarily the influences of Ireland?
Passage: The postwar period also saw the beginning of Bush's 20-year involvement with grand opera, a genre in which, although he achieved little commercial recognition, he was retrospectively hailed by critics as a master of British opera second only to Britten. His first venture, Wat Tyler, was  written in a form which Bush thought acceptable to the general British public; it was not his choice, he wrote, that the opera and its successors all found their initial audiences in East Germany.  When eventually staged in Britain in 1974 the opera, although well received at Sadler's Wells, seemed somewhat old-fashioned; Philip Hope-Wallace in The Guardian thought the ending degenerated into "a choral union cantata", and found the music pleasant but not especially memorable. Bush's three other major operas were all characterised by their use of "local" music: Northumbrian folk-song in the case of Men of Blackmoor, Guyanese songs and dances in The Sugar Reapers, and American folk music in Joe Hill –  the last-named used in a manner reminiscent of Kurt Weill and the German opera with which Bush had become familiar in the  early 1930s.The extent to which Bush's music  changed substantially after the war was addressed by Meirion Bowen, reviewing a Bush concert in the 1980s. Bowen noted a distinct contrast between early and late works, the former showing primarily the influences of Ireland and of Bush's European contacts, while in the later pieces the idiom was "often overtly folklike and Vaughan Williams-ish".  In general Bush's late works continued to show all the hallmarks of his postwar oeuvre: vigour, clarity of tone and  masterful use of counterpoint. The Lascaux symphony, written when he was 83, is the composer's final major orchestral statement, and addresses deep philosophical issues relating to the origins and destiny of mankind.
Output: What is the last name of the person whose final major orchestral statement was written when he was 83?
Passage: While songs such as "Overcome" and "Suffocated Love" dealt with themes of "sexual paranoia and male dread of intimacy", the rest of Maxinquaye explored the psychological tolls of the British recreational drug culture, which Reynolds said served as a "temporary utopia" for a generation of users who otherwise lacked a "constructive outlet for its idealism". He felt the album's cover art, featuring rusting metal surfaces, represented the cultural decline explored in the music's themes. Tricky drew on Rastafarian ideas about end time for the record, although unlike adherents to that movement he did not disassociate himself from "Babylon", or the degenerate qualities of Western society, writing lyrics such as "my brain thinks bomb-like/beware of our appetite" on "Hell Is Round the Corner". He later told Reynolds, "I'm part of this fuckin' psychic pollution ... It's like, I can be as greedy as you. The conditioned part of me says 'yeah, I'm gonna go out and make money, I'm going to rule my own little kingdom.'" Christgau deemed the album's songs "audioramas of someone who's signed on to work for the wages of sin and lived to cash the check", while O'Hagan said Tricky's "impressionistic prose poems" were written from the deviant perspective of the urban hedonist: "Maxinquaye is the sound of blunted Britain, paranoid and obsessive ... This was the inner-city blues, Bristol style".The songs "Ponderosa", "Strugglin'", and "Hell Is Round the Corner" were inspired by Tricky's experiences with marijuana, alcohol, cocaine, and ecstasy, particularly a two-year binge and consequent state of despondency while on Massive Attack's payroll after the completion of Blue Lines. His stream-of-consciousness lyrics on Maxinquaye explore the delirious, despondent, and emotionally unstable state associated with drug use while offering a pessimistic view of the drug culture, as Tricky viewed the high of cocaine undeserved and the depth of thought achieved through ecstasy unsubstantial. In Reynolds' opinion, Tricky's experiences with drug-induced paranoia, anxiety, and visions of spectres and demons were represented in the production of songs such as "Aftermath" and "Hell Is Round the Corner". For the latter track, he altered and slowed down a vocal sample to give it a wounded basso profondo sound, while channelling it through a loop of an orchestral Isaac Hayes recording, "Ike's Rap II". On "Strugglin'", which sampled sounds of a creaking door and the click of a gun being loaded, Tricky's lyrics made explicit reference to his visions of "mystical shadows, fraught with no meaning".
Output: What is the name of the person who later said "I'm part of this fuckin' psychic pollution"?
Passage: Bitter war widow Janet Ames seeks out the five soldiers for whom her husband gave his life by falling on a hand grenade during the Battle of the Bulge. While crossing a city street to find the first, she is struck and knocked unconscious by an automobile. The police find no identification on her, only a list of names. One recognizes the last name on her list, Smithfield "Smitty" Cobb, a reporter recently fired for alcoholism, and contacts Smitty. When Smitty sees the list, he realizes who she must be.
He goes to see her at the hospital, and finds her in a wheelchair, unable to walk. As the doctor can find no physical reason for the paralysis, he schedules an appointment with a psychiatrist. Smitty decides to treat her himself. He introduces himself as a friend of her husband David (though not as one of the men he saved), and wheels her into a private room. She explains her mission: to see if any of the men were worth David's sacrifice, making it perfectly clear that she has already made up her mind. After a nurse gives her a sedative, Smitty accuses her of wallowing in self-pity, then tries to get Janet to change her mind by describing each of the men. He is so vivid that Janet can see and talk to them.
The first man she interacts with is nightclub bouncer Joe Burton. He and his singer girlfriend Katie dream of building a house. Joe constructs a model of it from a deck of cards. Exasperated by their unrealistic aspirations, Janet blows the cards down.
Output: What's the full name of the person that the automobile hits?
Passage: Bitter war widow Janet Ames seeks out the five soldiers for whom her husband gave his life by falling on a hand grenade during the Battle of the Bulge. While crossing a city street to find the first, she is struck and knocked unconscious by an automobile. The police find no identification on her, only a list of names. One recognizes the last name on her list, Smithfield "Smitty" Cobb, a reporter recently fired for alcoholism, and contacts Smitty. When Smitty sees the list, he realizes who she must be.
He goes to see her at the hospital, and finds her in a wheelchair, unable to walk. As the doctor can find no physical reason for the paralysis, he schedules an appointment with a psychiatrist. Smitty decides to treat her himself. He introduces himself as a friend of her husband David (though not as one of the men he saved), and wheels her into a private room. She explains her mission: to see if any of the men were worth David's sacrifice, making it perfectly clear that she has already made up her mind. After a nurse gives her a sedative, Smitty accuses her of wallowing in self-pity, then tries to get Janet to change her mind by describing each of the men. He is so vivid that Janet can see and talk to them.
The first man she interacts with is nightclub bouncer Joe Burton. He and his singer girlfriend Katie dream of building a house. Joe constructs a model of it from a deck of cards. Exasperated by their unrealistic aspirations, Janet blows the cards down.
Output: What is the name of the man who fell on a hand grenade during the Battle of the Bulge?
Passage: Bitter war widow Janet Ames seeks out the five soldiers for whom her husband gave his life by falling on a hand grenade during the Battle of the Bulge. While crossing a city street to find the first, she is struck and knocked unconscious by an automobile. The police find no identification on her, only a list of names. One recognizes the last name on her list, Smithfield "Smitty" Cobb, a reporter recently fired for alcoholism, and contacts Smitty. When Smitty sees the list, he realizes who she must be.
He goes to see her at the hospital, and finds her in a wheelchair, unable to walk. As the doctor can find no physical reason for the paralysis, he schedules an appointment with a psychiatrist. Smitty decides to treat her himself. He introduces himself as a friend of her husband David (though not as one of the men he saved), and wheels her into a private room. She explains her mission: to see if any of the men were worth David's sacrifice, making it perfectly clear that she has already made up her mind. After a nurse gives her a sedative, Smitty accuses her of wallowing in self-pity, then tries to get Janet to change her mind by describing each of the men. He is so vivid that Janet can see and talk to them.
The first man she interacts with is nightclub bouncer Joe Burton. He and his singer girlfriend Katie dream of building a house. Joe constructs a model of it from a deck of cards. Exasperated by their unrealistic aspirations, Janet blows the cards down.
Output: What's the nickname of one of the men David saved?
Passage: Bitter war widow Janet Ames seeks out the five soldiers for whom her husband gave his life by falling on a hand grenade during the Battle of the Bulge. While crossing a city street to find the first, she is struck and knocked unconscious by an automobile. The police find no identification on her, only a list of names. One recognizes the last name on her list, Smithfield "Smitty" Cobb, a reporter recently fired for alcoholism, and contacts Smitty. When Smitty sees the list, he realizes who she must be.
He goes to see her at the hospital, and finds her in a wheelchair, unable to walk. As the doctor can find no physical reason for the paralysis, he schedules an appointment with a psychiatrist. Smitty decides to treat her himself. He introduces himself as a friend of her husband David (though not as one of the men he saved), and wheels her into a private room. She explains her mission: to see if any of the men were worth David's sacrifice, making it perfectly clear that she has already made up her mind. After a nurse gives her a sedative, Smitty accuses her of wallowing in self-pity, then tries to get Janet to change her mind by describing each of the men. He is so vivid that Janet can see and talk to them.
The first man she interacts with is nightclub bouncer Joe Burton. He and his singer girlfriend Katie dream of building a house. Joe constructs a model of it from a deck of cards. Exasperated by their unrealistic aspirations, Janet blows the cards down.
Output: What's the full name of the person that was married to the person Katie's boyfriend was saved by?
Passage: Bitter war widow Janet Ames seeks out the five soldiers for whom her husband gave his life by falling on a hand grenade during the Battle of the Bulge. While crossing a city street to find the first, she is struck and knocked unconscious by an automobile. The police find no identification on her, only a list of names. One recognizes the last name on her list, Smithfield "Smitty" Cobb, a reporter recently fired for alcoholism, and contacts Smitty. When Smitty sees the list, he realizes who she must be.
He goes to see her at the hospital, and finds her in a wheelchair, unable to walk. As the doctor can find no physical reason for the paralysis, he schedules an appointment with a psychiatrist. Smitty decides to treat her himself. He introduces himself as a friend of her husband David (though not as one of the men he saved), and wheels her into a private room. She explains her mission: to see if any of the men were worth David's sacrifice, making it perfectly clear that she has already made up her mind. After a nurse gives her a sedative, Smitty accuses her of wallowing in self-pity, then tries to get Janet to change her mind by describing each of the men. He is so vivid that Janet can see and talk to them.
The first man she interacts with is nightclub bouncer Joe Burton. He and his singer girlfriend Katie dream of building a house. Joe constructs a model of it from a deck of cards. Exasperated by their unrealistic aspirations, Janet blows the cards down.
Output: Whose wife blows down a house of cards?
Passage: Bitter war widow Janet Ames seeks out the five soldiers for whom her husband gave his life by falling on a hand grenade during the Battle of the Bulge. While crossing a city street to find the first, she is struck and knocked unconscious by an automobile. The police find no identification on her, only a list of names. One recognizes the last name on her list, Smithfield "Smitty" Cobb, a reporter recently fired for alcoholism, and contacts Smitty. When Smitty sees the list, he realizes who she must be.
He goes to see her at the hospital, and finds her in a wheelchair, unable to walk. As the doctor can find no physical reason for the paralysis, he schedules an appointment with a psychiatrist. Smitty decides to treat her himself. He introduces himself as a friend of her husband David (though not as one of the men he saved), and wheels her into a private room. She explains her mission: to see if any of the men were worth David's sacrifice, making it perfectly clear that she has already made up her mind. After a nurse gives her a sedative, Smitty accuses her of wallowing in self-pity, then tries to get Janet to change her mind by describing each of the men. He is so vivid that Janet can see and talk to them.
The first man she interacts with is nightclub bouncer Joe Burton. He and his singer girlfriend Katie dream of building a house. Joe constructs a model of it from a deck of cards. Exasperated by their unrealistic aspirations, Janet blows the cards down.
Output: What was the occupation of the person who describes the men David saved?
Passage: In 1915 Berlin, the German high command is worried about ally Turkey. Recent British attacks on the vital Dardanelles shows signs of inside knowledge. Von Sturm, the head of German intelligence, is ordered to find out if Ali Bey, the Turkish commander of the region, is the traitor.
As his best agent has not been heard from in several weeks, von Sturm assigns Kruger the task. Shortly afterwards, Annemarie, known by the code name "Fräulein Doktor", returns after completing her mission. She also informs von Sturm that fellow spy Mata Hari has fallen in love and therefore can no longer be trusted. She recommends that an incriminating message be sent using a code that she knows has been broken by the Allies. In addition, she uncovers Kruger as a British double agent known as K-6.
When Kruger is arrested at his dentist contact's office, another patient, American medical student Douglas Beall, is also taken into custody, though he is later released. Just to be sure though, von Sturm orders Annemarie to make sure Beall is innocent. She arranges to be rescued from an unwanted "suitor" by Beall, who invites her to his hotel suite. During the course of the evening, he confesses he has fallen in love with her, now going by the name Helena Bohlen. Helena is attracted to him, but when she reads a coded message from von Sturm informing her that he has taken her advice regarding Mata Hari, she abruptly leaves.
Beall persists however. When Helena boards the train to Constantinople, he follows her on the spur of the moment and continues courting her, despite her half-hearted attempts to discourage him. Her assistant Karl watches with growing concern. As they near the Turkish border, she orders Karl to return to Germany so Beall can use his visa.
Output: What is the name of the person whose best agent has not been heard from in weeks?
Passage: In 1915 Berlin, the German high command is worried about ally Turkey. Recent British attacks on the vital Dardanelles shows signs of inside knowledge. Von Sturm, the head of German intelligence, is ordered to find out if Ali Bey, the Turkish commander of the region, is the traitor.
As his best agent has not been heard from in several weeks, von Sturm assigns Kruger the task. Shortly afterwards, Annemarie, known by the code name "Fräulein Doktor", returns after completing her mission. She also informs von Sturm that fellow spy Mata Hari has fallen in love and therefore can no longer be trusted. She recommends that an incriminating message be sent using a code that she knows has been broken by the Allies. In addition, she uncovers Kruger as a British double agent known as K-6.
When Kruger is arrested at his dentist contact's office, another patient, American medical student Douglas Beall, is also taken into custody, though he is later released. Just to be sure though, von Sturm orders Annemarie to make sure Beall is innocent. She arranges to be rescued from an unwanted "suitor" by Beall, who invites her to his hotel suite. During the course of the evening, he confesses he has fallen in love with her, now going by the name Helena Bohlen. Helena is attracted to him, but when she reads a coded message from von Sturm informing her that he has taken her advice regarding Mata Hari, she abruptly leaves.
Beall persists however. When Helena boards the train to Constantinople, he follows her on the spur of the moment and continues courting her, despite her half-hearted attempts to discourage him. Her assistant Karl watches with growing concern. As they near the Turkish border, she orders Karl to return to Germany so Beall can use his visa.
Output: What is the code name of the person who informs someone that a fellow spy has fallen in love?