niryuu/sni-each-converted huggingface dataset:
Passage: In Edwardian London, 1910, Bert entertains a crowd as a one-man band when he senses a change in the wind. Afterwards, he directly addresses the audience, and gives them a tour of Cherry Tree Lane, stopping outside the Banks family's home. George Banks returns home to learn from his wife, Winifred, that Katie Nanna has left their service after Jane and Michael ran away again. They are returned shortly after by Constable Jones, who reveals the children were chasing a lost kite. The children ask their father to help build a better kite, but he dismisses them. Taking it upon himself to hire a new nanny, Mr. Banks advertises for a stern, no-nonsense nanny. Instead, Jane and Michael present their own advertisement for a kinder, sweeter nanny. Mr. Banks rips up the letter, and throws the scraps in the fireplace, but the remains of the advertisement magically float up, and out into the air.
The next day, a number of elderly, sour-faced nannies wait outside the Banks' home, but a strong gust of wind blows them away, and Jane and Michael witness a young nanny descending from the sky using her umbrella. Presenting herself to Mr. Banks, Mary Poppins calmly produces the children's restored advertisement, and agrees with its requests, but promises the astonished banker she will be firm with his children. As Mr. Banks puzzles over the advertisement's return, Mary Poppins hires herself, and convinces him it was originally his idea. She meets the children, then helps them magically tidy their nursery through song, before heading out for a walk in the park.
Output: What is Mr. Bank's profession?
Passage: In Edwardian London, 1910, Bert entertains a crowd as a one-man band when he senses a change in the wind. Afterwards, he directly addresses the audience, and gives them a tour of Cherry Tree Lane, stopping outside the Banks family's home. George Banks returns home to learn from his wife, Winifred, that Katie Nanna has left their service after Jane and Michael ran away again. They are returned shortly after by Constable Jones, who reveals the children were chasing a lost kite. The children ask their father to help build a better kite, but he dismisses them. Taking it upon himself to hire a new nanny, Mr. Banks advertises for a stern, no-nonsense nanny. Instead, Jane and Michael present their own advertisement for a kinder, sweeter nanny. Mr. Banks rips up the letter, and throws the scraps in the fireplace, but the remains of the advertisement magically float up, and out into the air.
The next day, a number of elderly, sour-faced nannies wait outside the Banks' home, but a strong gust of wind blows them away, and Jane and Michael witness a young nanny descending from the sky using her umbrella. Presenting herself to Mr. Banks, Mary Poppins calmly produces the children's restored advertisement, and agrees with its requests, but promises the astonished banker she will be firm with his children. As Mr. Banks puzzles over the advertisement's return, Mary Poppins hires herself, and convinces him it was originally his idea. She meets the children, then helps them magically tidy their nursery through song, before heading out for a walk in the park.
Output: What was the former nanny's name?
Passage: The film follows a United States Border Patrol Agent in Charge, Jeb Maynard, who is forced to track down the killers of a young Mexican boy and his colleague and friend, a veteran Senior Patrol Agent, "Scooter" Jackson, portrayed by (Wilford Brimley).  Jeb Maynard is the Patrol Agent in Charge of the "fictional" Otay Border Patrol Station, located in the hills east of San Diego, CA.  Otay Station is a composite of the actual El Cajon, CA and Brown Field, CA Border Patrol Stations.  He is helped by the young boy's mother, Elena Morales, (Karmin Murcelo) and a rookie Border Patrol Agent, Jimmy Fantes, (Kirby).
Output: What is the full name of the person who is assisted by a murdered Mexican boy's mother?
Passage: Grayson's traveling carnival comes to Munich with acts that include high-dive artist Frank Collini and silent strongman Groppo. A local girl named Willi picks the pocket of Joe, who works for the carny, but she ends up being offered a job.
Joe makes romantic advances to Willi, who tries to resist him but can't. Collini asks if she would like to become a part of his act, which involves diving into a flaming tank of water from a great height. He also proposes marriage on Willi's first night as part of the show.
Magazine photographer Bill comes to take their picture as The Great Collinis' fame grows. Collini gives a beating to Joe after catching him with Willi, whereupon he plunges to his death after a rung on his high-dive ladder breaks.
Willi inherits $5,000. Joe spends the night with her; but, next morning, he is gone as is her money. She eventually gets Joe to confess that he sawed Collini's rung in two, deliberately causing his death. When Willi asserts her independence from Joe, he attacks her and tries to strangle her.  Hearing her cries for help, strongman Groppo comes to Willi's rescue, He chases Joe who tries to escape on a Ferris wheel.  Groppo climbs to the top of the wheel and throws Joe off, killing Joe; and Groppo is led away by the police.
Output: What is the full name of the person who falls off the ladder?
Passage: Grayson's traveling carnival comes to Munich with acts that include high-dive artist Frank Collini and silent strongman Groppo. A local girl named Willi picks the pocket of Joe, who works for the carny, but she ends up being offered a job.
Joe makes romantic advances to Willi, who tries to resist him but can't. Collini asks if she would like to become a part of his act, which involves diving into a flaming tank of water from a great height. He also proposes marriage on Willi's first night as part of the show.
Magazine photographer Bill comes to take their picture as The Great Collinis' fame grows. Collini gives a beating to Joe after catching him with Willi, whereupon he plunges to his death after a rung on his high-dive ladder breaks.
Willi inherits $5,000. Joe spends the night with her; but, next morning, he is gone as is her money. She eventually gets Joe to confess that he sawed Collini's rung in two, deliberately causing his death. When Willi asserts her independence from Joe, he attacks her and tries to strangle her.  Hearing her cries for help, strongman Groppo comes to Willi's rescue, He chases Joe who tries to escape on a Ferris wheel.  Groppo climbs to the top of the wheel and throws Joe off, killing Joe; and Groppo is led away by the police.
Output: Why is Groppo arrested?
Passage: Grayson's traveling carnival comes to Munich with acts that include high-dive artist Frank Collini and silent strongman Groppo. A local girl named Willi picks the pocket of Joe, who works for the carny, but she ends up being offered a job.
Joe makes romantic advances to Willi, who tries to resist him but can't. Collini asks if she would like to become a part of his act, which involves diving into a flaming tank of water from a great height. He also proposes marriage on Willi's first night as part of the show.
Magazine photographer Bill comes to take their picture as The Great Collinis' fame grows. Collini gives a beating to Joe after catching him with Willi, whereupon he plunges to his death after a rung on his high-dive ladder breaks.
Willi inherits $5,000. Joe spends the night with her; but, next morning, he is gone as is her money. She eventually gets Joe to confess that he sawed Collini's rung in two, deliberately causing his death. When Willi asserts her independence from Joe, he attacks her and tries to strangle her.  Hearing her cries for help, strongman Groppo comes to Willi's rescue, He chases Joe who tries to escape on a Ferris wheel.  Groppo climbs to the top of the wheel and throws Joe off, killing Joe; and Groppo is led away by the police.
Output: What is the nickname of the person taken away by the police?
Passage: Grayson's traveling carnival comes to Munich with acts that include high-dive artist Frank Collini and silent strongman Groppo. A local girl named Willi picks the pocket of Joe, who works for the carny, but she ends up being offered a job.
Joe makes romantic advances to Willi, who tries to resist him but can't. Collini asks if she would like to become a part of his act, which involves diving into a flaming tank of water from a great height. He also proposes marriage on Willi's first night as part of the show.
Magazine photographer Bill comes to take their picture as The Great Collinis' fame grows. Collini gives a beating to Joe after catching him with Willi, whereupon he plunges to his death after a rung on his high-dive ladder breaks.
Willi inherits $5,000. Joe spends the night with her; but, next morning, he is gone as is her money. She eventually gets Joe to confess that he sawed Collini's rung in two, deliberately causing his death. When Willi asserts her independence from Joe, he attacks her and tries to strangle her.  Hearing her cries for help, strongman Groppo comes to Willi's rescue, He chases Joe who tries to escape on a Ferris wheel.  Groppo climbs to the top of the wheel and throws Joe off, killing Joe; and Groppo is led away by the police.
Output: Who got Joe to confess he killed Collini?
Passage: Grayson's traveling carnival comes to Munich with acts that include high-dive artist Frank Collini and silent strongman Groppo. A local girl named Willi picks the pocket of Joe, who works for the carny, but she ends up being offered a job.
Joe makes romantic advances to Willi, who tries to resist him but can't. Collini asks if she would like to become a part of his act, which involves diving into a flaming tank of water from a great height. He also proposes marriage on Willi's first night as part of the show.
Magazine photographer Bill comes to take their picture as The Great Collinis' fame grows. Collini gives a beating to Joe after catching him with Willi, whereupon he plunges to his death after a rung on his high-dive ladder breaks.
Willi inherits $5,000. Joe spends the night with her; but, next morning, he is gone as is her money. She eventually gets Joe to confess that he sawed Collini's rung in two, deliberately causing his death. When Willi asserts her independence from Joe, he attacks her and tries to strangle her.  Hearing her cries for help, strongman Groppo comes to Willi's rescue, He chases Joe who tries to escape on a Ferris wheel.  Groppo climbs to the top of the wheel and throws Joe off, killing Joe; and Groppo is led away by the police.
Output: What are the first names of the people who have their picture taken?
Passage: Electra Heart is the second studio album by Welsh singer Marina Diamandis, released under the stage name Marina and the Diamonds. It was released on 27 April 2012 by 679 Artists and Atlantic Records. Diamandis collaborated with producers including Liam Howe, Greg Kurstin, Dr. Luke, Diplo and Stargate during its recording, and subsequently transitioned from the new wave musical styles seen throughout her debut studio album, The Family Jewels (2010). Their efforts resulted in a concept album consisting of electropop and dance-pop music, a distinct departure from her earlier projects. Lyrically, the album discusses topics of love and identity. Diamandis created the title character "Electra Heart" to represent female archetypes in popular American culture (House Wife, Beauty Queen, Homewrecker and Idle Teen).
Music critics were divided in their opinions of Electra Heart, expressing ambivalence towards Diamandis' shift in musical style and its overall production. The album debuted at number one on the UK Albums Chart with first-week sales of 21,358 copies. In doing so, it earned Diamandis her first chart-topping album there, although it later became the lowest-selling number-one album of the 21st century in the country. The album was eventually certified gold by the British Phonographic Industry (BPI) for exceeding shipments of 100,000 units. Electra Heart performed moderately on international charts, including a peak position of number 31 on the US Billboard 200, and became Diamandis' highest-charting album in the United States at the time.
Electra Heart was supported by three singles, all of which were supplemented by music videos. "Primadonna" was released as the lead single from the album on 20 March 2012, and peaked at number 11 on the UK Singles Chart. Follow-up singles "Power & Control" and "How to Be a Heartbreaker" were respectively released on 20 July and 7 December, and reached numbers 193 and 88 in the United Kingdom. Promotional single "Radioactive" charted inside the top 40 in several countries. The album was additionally promoted by Diamandis' headlining The Lonely Hearts Club Tour, which visited Europe and North America from May 2012 through May 2013.
Output: What was Diamandis's first album called?
Passage: The film starts with a footage of a group of terrorists modifying toy guns to a real gun which can easily pass through a metal detector at Athens Airport. When a kid named Paul Cartowski discovers that the  terrorist bring plastic guns, he soon wonders and tells his father who is also a former CIA and Navy SEAL, Brad Cartowski. Then a gunfight begins and Cartowski is injured during a pursuit when the terrorists take the airport bus. The terrorists kidnaps his wife and fly her on a hijacked plane to North Africa. Cartowski goes in pursuit, aided by another ex-SEAL, Cody Grant.
Cartowski soon finds the terrorists' hide-out but is captured and electro-tortured before he manages to escape. He soon returns with reinforcements of a group of Navy SEAL team to rescue his wife. The group of Navy SEALs sneak in the house with their stealth abilities. Alya, the female terrorist is the first who get killed. Then Patrick, one of the terrorist manage to shoot one of the SEAL in the leg but the SEAL survives and able to playing dead on Patrick then kills him via neck-breaking, The SEAL then continue his mission with his partner.
As Cartowski able to kill another terrorist, he and Cody then ambushes Carlos, the leader of the terrorist group. As Cody shoots Carlos in the head, Cartowki rescues his wife. The mission was a success without a SEAL dies.
As he got a permission from Pentagon, Cartowski manage to blow the terrorist's house with explosions the SEALs plant in the house shortly before the mission starts. The rest of the SEALs doing a small celebration of their success to bring the terrorist down and rescue Cartowski's wife. The film ends with a footage of Cartowski and his wife meets his mother and his son, then they starts to huge each other with happiness of the success of bringing Cartowski's wife back with small injury. The rest of the SEALs especially Cody watch happily when the Cartowki's family reunited successfully.
Output: What is the full name of the person who is responsible for alerting a former CIA and Navy SEAL to the risk posed by plastic guns?
Passage: The film starts with a footage of a group of terrorists modifying toy guns to a real gun which can easily pass through a metal detector at Athens Airport. When a kid named Paul Cartowski discovers that the  terrorist bring plastic guns, he soon wonders and tells his father who is also a former CIA and Navy SEAL, Brad Cartowski. Then a gunfight begins and Cartowski is injured during a pursuit when the terrorists take the airport bus. The terrorists kidnaps his wife and fly her on a hijacked plane to North Africa. Cartowski goes in pursuit, aided by another ex-SEAL, Cody Grant.
Cartowski soon finds the terrorists' hide-out but is captured and electro-tortured before he manages to escape. He soon returns with reinforcements of a group of Navy SEAL team to rescue his wife. The group of Navy SEALs sneak in the house with their stealth abilities. Alya, the female terrorist is the first who get killed. Then Patrick, one of the terrorist manage to shoot one of the SEAL in the leg but the SEAL survives and able to playing dead on Patrick then kills him via neck-breaking, The SEAL then continue his mission with his partner.
As Cartowski able to kill another terrorist, he and Cody then ambushes Carlos, the leader of the terrorist group. As Cody shoots Carlos in the head, Cartowki rescues his wife. The mission was a success without a SEAL dies.
As he got a permission from Pentagon, Cartowski manage to blow the terrorist's house with explosions the SEALs plant in the house shortly before the mission starts. The rest of the SEALs doing a small celebration of their success to bring the terrorist down and rescue Cartowski's wife. The film ends with a footage of Cartowski and his wife meets his mother and his son, then they starts to huge each other with happiness of the success of bringing Cartowski's wife back with small injury. The rest of the SEALs especially Cody watch happily when the Cartowki's family reunited successfully.
Output: What is the full name of the person who rescues his wife?
Passage: U-153 is damaged during air attack in the Atlantic, and its crew abandon to escape Chlorine gas leakage due to broken battery cells. Her commanding officer is overcome by fumes before he can jettison the ship's papers. Aware of the intelligence windfall that this represents, the submarine is taken by a British prize crew to be examined and inspected (in much the same manner that befell the real German U-boat later renamed HMS Graph ).
It is not long before British intelligence suggest a new use for the submarine as a Trojan Horse. A picked crew of volunteers led by Commander Tarlton take the U-153 back to war, to intercept and disable a German Wolf-pack; in this they succeed, even sinking the Wolf-pack leader in their subsequent escape.
Her mission accomplished the U-153 is attacked and sunk by a British Frigate whose crew is oblivious to the submarine's mission or identity. Commander Tarlton orders his men to abandon ship, getting his crew off intact before she goes down. Their rescuers are astonished to learn that not only are the men they recover from the sea all British, but by attacking they have just sunk one of 'His Majesty's submarines…'.
Output: What is U-153 at the time of its sinking?
Passage: U-153 is damaged during air attack in the Atlantic, and its crew abandon to escape Chlorine gas leakage due to broken battery cells. Her commanding officer is overcome by fumes before he can jettison the ship's papers. Aware of the intelligence windfall that this represents, the submarine is taken by a British prize crew to be examined and inspected (in much the same manner that befell the real German U-boat later renamed HMS Graph ).
It is not long before British intelligence suggest a new use for the submarine as a Trojan Horse. A picked crew of volunteers led by Commander Tarlton take the U-153 back to war, to intercept and disable a German Wolf-pack; in this they succeed, even sinking the Wolf-pack leader in their subsequent escape.
Her mission accomplished the U-153 is attacked and sunk by a British Frigate whose crew is oblivious to the submarine's mission or identity. Commander Tarlton orders his men to abandon ship, getting his crew off intact before she goes down. Their rescuers are astonished to learn that not only are the men they recover from the sea all British, but by attacking they have just sunk one of 'His Majesty's submarines…'.
Output: What does the captured U-Boat destroy?
Passage: Annie, Marisa, and Kelly are three rowdy, raunchy, and rebellious best friends determined not to take crap from anyone and always have each other's backs. On the last day of freshman year, they sneak into the seniors party in the woods and throw eggs at three mean girls before running off. Exhilarated, the three vow to open their college acceptance letters together at their own epic senior bash in four years.
Years later, it is now the last day of the girls senior year of high school. Annie and Marisa are still best friends, but Kelly has stopped talking to both of them and is now the most popular girl in school. Each of them receives a letter from a different university - Annie, a talented cellist with excellent grades, receives a letter from Cornell; Marisa, who is unmotivated and didn't apply to any colleges until the last minute, receives a letter from Fresno State University; while Kelly gets a letter from Stanford, pleasing her overbearing mother. Annie is determined to keep the friends promise and open the letters at the senior party, but Marisa, bitter over Kelly cutting them out of her life, is annoyed by Annie constantly talking about the pact. Meanwhile, Kelly remembers how the school guidance counselor only signed her application to Stanford on the terms that Kelly would honor her pact with Annie and Marisa after Annie wrote about their friendship for her personal essay. Kelly, who seems to regret joining the popular girls, attempts to talk to Annie and Marisa, but the other popular girls bully them and ruin her attempt at conversation.
Output: Whose friendship does Annie write about in a personal essay?
Passage: Annie, Marisa, and Kelly are three rowdy, raunchy, and rebellious best friends determined not to take crap from anyone and always have each other's backs. On the last day of freshman year, they sneak into the seniors party in the woods and throw eggs at three mean girls before running off. Exhilarated, the three vow to open their college acceptance letters together at their own epic senior bash in four years.
Years later, it is now the last day of the girls senior year of high school. Annie and Marisa are still best friends, but Kelly has stopped talking to both of them and is now the most popular girl in school. Each of them receives a letter from a different university - Annie, a talented cellist with excellent grades, receives a letter from Cornell; Marisa, who is unmotivated and didn't apply to any colleges until the last minute, receives a letter from Fresno State University; while Kelly gets a letter from Stanford, pleasing her overbearing mother. Annie is determined to keep the friends promise and open the letters at the senior party, but Marisa, bitter over Kelly cutting them out of her life, is annoyed by Annie constantly talking about the pact. Meanwhile, Kelly remembers how the school guidance counselor only signed her application to Stanford on the terms that Kelly would honor her pact with Annie and Marisa after Annie wrote about their friendship for her personal essay. Kelly, who seems to regret joining the popular girls, attempts to talk to Annie and Marisa, but the other popular girls bully them and ruin her attempt at conversation.
Output: Whose guidance counselor only signed her application on the terms that she would honor the pact made during her freshman year?
Passage: Annie, Marisa, and Kelly are three rowdy, raunchy, and rebellious best friends determined not to take crap from anyone and always have each other's backs. On the last day of freshman year, they sneak into the seniors party in the woods and throw eggs at three mean girls before running off. Exhilarated, the three vow to open their college acceptance letters together at their own epic senior bash in four years.
Years later, it is now the last day of the girls senior year of high school. Annie and Marisa are still best friends, but Kelly has stopped talking to both of them and is now the most popular girl in school. Each of them receives a letter from a different university - Annie, a talented cellist with excellent grades, receives a letter from Cornell; Marisa, who is unmotivated and didn't apply to any colleges until the last minute, receives a letter from Fresno State University; while Kelly gets a letter from Stanford, pleasing her overbearing mother. Annie is determined to keep the friends promise and open the letters at the senior party, but Marisa, bitter over Kelly cutting them out of her life, is annoyed by Annie constantly talking about the pact. Meanwhile, Kelly remembers how the school guidance counselor only signed her application to Stanford on the terms that Kelly would honor her pact with Annie and Marisa after Annie wrote about their friendship for her personal essay. Kelly, who seems to regret joining the popular girls, attempts to talk to Annie and Marisa, but the other popular girls bully them and ruin her attempt at conversation.
Output: Whose attempt at reconciliation is ruined by bullying?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What was the real name of the woman who studied under Martin Puryear?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What was the full name of the person whose parents were a farmer turned greenkeeper, and someone who worked in a pharmacy?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the full name of the person whose creativity was nurtured from a young age?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the full given name of the person who was expected to go to university?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the first name of the person who said "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed."?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the last name of the person whose creativity was nurtured from a young age?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What was the first name of the person who attended weekend art classes in Inverell run by Ian Howard?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the first name of the person who was was dux of her school?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the real name of the person whose father was a farmer turned greenkeeper?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the real name of the person whose mother worked in a pharmacy?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the real name of the person whose creativity was nurtured from a young age?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the real name of the person who attended weekend art classes in Inverell?
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Output: What is the real name of the person who was dux of their school?