Query: zootopia

title: "Buy everything" the model consumer citizen of Disney's Zootopia
abstract: Given its history and status as a purveyor of quality children's entertainment, Disney's animated films are often associated with notions of "wholesomeness" and "family fun" by audiences. Consequently, consumption of Disney's media products tends to be an uncritical process. While a preferred decoding of Zootopia recognizes in its characters and story an affirmation of racial diversity and girl power, the film's polysemy conveys other latent messages that emerge through a negotiated reading. This paper focuses on the discourses within Zootopia that promote neoliberal values such as consumerism, individualism, and "small government." An analysis of the text reveals that Zootopia constructs an ideal citizen who obeys the law, performs their consumptive duties, believes in the capitalist myth of the American Dream, and happily accepts simulacra as substitute for reality. Furthermore, this paper makes the argument that Zootopia functions as a feature length advertisement, not only for consumer products per se, but in a broader sense, for the consumerist lifestyle.

title: "It's Called a Hustle, Sweetheart" Zootopia, Moana, and Disney's (Dis) empowered Postfeminist Heroines
abstract: Throughout its long history, the Walt Disney Company has repeatedly relied on a patriarchal idealization of femininity to craft its animated female protagonists. In Disney films, male interests, expectations, power, and leadership are consistently valued over those of female characters, who must submit unquestioningly to male direction. Internet reviewers and respected news sources alike claimed that Judy Hopps, Zootopia 's bunny cop protagonist, and Moana 's royal Polynesian title character, are independent, "feminist" heroines who counter this patriarchal narrative template. While critics argue that Judy and Moana defy Disney's patriarchal template, these two films actually represent a postfeminist, rather than a feminist, reimagining of Disney's template which resigns both protagonists to narratives that celebrate and center male power. Judy Hopps and Moana act independently, but each woman is relegated to a tenuous relationship with a domineering male character whom she must defer to and emotionally nurture. Intentionally or not, Disney empowers Judy and Moana only to the extent that both women manage and control themselves, rather than allowing them to exercise power to contest the relationships and societies which oppress them. Thus, these films offer a tepid acknowledgment of the problems with Disney's traditional depiction of femininity, but they ultimately reveal that female empowerment exists in the Disney Co.'s narratives only when incubated in a toxic, platonic relationship with a male character.

title: ANALISIS ISI PESAN FEMINISME DALAM FILM''ZOOTOPIA'(Studi Analisis Isi Pesan Feminisme Dalam Film Zootopia)Diajukan Kepada Fakultas Ilmu Sosial dan Ilmu Politik
abstract: This study discusses the message of feminism in zootopia films. The film, titled Zootopia, was produced by Walt Disney Pictures with the topic of the rabbit animals that have a passion for the first female police officer in zootopia. Zootopia Fillm also contains feminism messages that researchers categorize into eleven categorizations. The research method used is a quantitative approach with descriptive type and uses content analysis research techniques. The object of this study is the film, titled Zootopia, produced by Walt Disney Pictures with the message of feminism and gender. In this case, the researcher observes and selects from 76 scenes to 76 scenes. By appointing two people to be the coder to make the research easier. The results of this study indicate that the categorization of messages related to the struggle for women so that the position and dignity are also the same as men, showing the largest number with an average appearance of 14 times with a percentage of 18.42% compared with other feminism message categorization. This shows that the actual struggle of women cannot be underestimated and should be appreciated by the social environment. This shows that the Zootopia film proves that every message of feminism, so that later can have a positive effect for others. The target of the Zootopia film message is the general public with sub indicators of children and adults. The target of the feminist message content of the Zootopia film is quite universal, so that not only children can consume these shows, but adults can also get positive values in the Zootopia film shows.

title: AN ANALYSIS OF STEREOTYPE IN ZOOTOPIA MOVIE
abstract: Stereotypes are preconceptions about individuals of group. Stereotypes are the common phenomena that happen in the daily activities of language use where sometimes people do not realize that they are stereotyping others. It is caused by a diversity of issues among the society. People tend to build some general perspectives that include the positive and negative things about a group of people. As a reflection of the real life, movies can also contain the phenomenon of stereotype such as in Zootopia movie. This research is aimed to describe the categories of stereotype and also to analyze the function of stereotype that were performed by several characters in Zootopia movie. This research was conducted by using descriptive method and qualitative approach. Data were taken from movie script in the form of utterances. The results of this research show that there are forty three data which are indicated as stereotyping utterances from eleven characters in Zootopia movie. In addition, the researchers identified six out of eight stereotype categories that have been used in this movie, namely Gender, Race, Physical Features, Occupation and Socioeconomic Status, National Groups and Other Category. Moreover, the researchers identified two stereotype functions in the movie, they are individual function and social or collective function.

title: Whiteness and the Postracial Imaginary in Disney's Zootopia
abstract: Drawing from strategic whiteness and postracism as critical frames, and utilizing critical rhetorical analysis, this manuscript argues that the 2016 Disney animated hit film Zootopia is a postracial narrative developed by the White imagination to embody an ideal diversity that sustains whiteness. This project seeks to expose how, within the film Zootopia, whiteness toils as a strategic rhetoric to maintain its dominance, benefiting logics of postracism that hinder White liability and any possibilities for White ally ship. This project offers two identified primary themes. First, the metropolis, Zootopia, is strategically constructed a postracial space of the White imaginary. Second, the film reinscribes racial "Otherness" on Black masculine bodies while centralizing whiteness and romanticizing racism through the common anti racist White hero trope.

title: Positive and negative politeness strategies used by Judy Hopps and Nick Wilde in Zootopia Movie
abstract: This study aims to analyze the positive and negative politeness strategies applied by Judy Hopps and Nick Wilde in the Zootopia movie. There are three problem statements that must be answered in this research: (1) What types of positive politeness strategies are used by Judy Hopps and Nick Wilde in the Zootopia movie. (2) What kind of negative politeness is used by Judy Hopps and Nick Wilde in the Zootopia movie. (3) What factors influence the use of positive and negative strategies by Judy Hopps and Nick Wilde in the Zootopia movie. The author uses descriptive qualitative methods and theories from Brown and Levinson (1987) to conduct this research. It is descriptive qualitative because the researcher showed the facts in analyzing the utterances of Judy Hopps and Nick Wilde in the Zootopia movie, which contains the negative and positive politeness strategy. The data analysis is then identified and classified to find what strategies are used most often. For the final result, the writer got 15 kinds of positive politeness strategies produced by Judy Hopps and Nick Wilde. The data found there were 49 times the use of this positive politeness strategy. Judy Hopps used positive strategy 33 times, and Nick Wilde used 16 times. In using positive strategies, "using group identity marker" is the top strategy used in Zootopia Movie. While in the negative strategy, the researcher finds 7 types of 10 types of negative politeness strategies. The data found there were 12 times the use of this negative strategy. Judy Hopps used negative strategies 8 times, and Nick Wilde used 4 times. In using the negative politeness strategy, Strategy 6 "apologize" is the highest strategy used in Zootopia Movie. The researcher also found factors that affect the use of positive and negative politeness strategies. These factors are divided into two; relevant circumstances and payoff. The relevant circumstances factors are divided into three types; social distance, size of imposition, and relative power. In this research, the writer found 33 payoff factors. In relevant circumstances, the researcher only found two types; there are 22 social distance factors and 6 relative power factors. It means payoff is the highest factor that affects positive and negative politeness strategies.

title: THE STRUGGLE OF JUDY HOPPS IN THE MOVIE ZOOTOPIA
abstract: The aims of this research are to find out the characterizations of Judy Hopps in the movie Zootopia and the struggles of Judy Hopps to make her dream come true. The method used was descriptive method. In collecting the data, the researcher downloaded and watched the movie, found the script movie to get full understanding about the content in the movie, found out the struggle in Judy Hopps character and noted the utterances in Judy Hopps character as the data for analysis based on Feminism theory by Karl Max. There are five characterizations found in Judy Hopps' character, they are; clever, energetic, heroic, kind hearted and never give up. The findings revealed Judy Hoops has a dream to make the world better place. In achieving her dream, she faced stereotypes, prejudice, discrimination, violence, and segregation. She struggled for being a female police officer, for raising social class and for gender equality.

title: Karnaval'ne porushennia stereotipnikh norm iak shliakh do ekologizatsiyi svidomosti (na materiali anglomovnogo animatsiinogo diskursu <Zootopia>
abstract: The article focuses on the problem of carnival violation of simplified and generalized ideas about the world in the English language animated discourse of the film "Zootopia" The question of carnival violation of stereotypes is for the first time studied in terms of ecological or non ecological impact on consciousness. The article consistently considers the problems of development of ecological consciousness; stereotype as a tangible result of the processes of simplification and generalization in the common consciousness of people which prevents the development of "healthy" interaction between people and with the natural world. In what way animation discourse: embodies the features of the carnival defined by M. Bakhtin; exposes the shortcomings of people through the prism of stereotypes about animals and due to its paradoxical nature helps to establish the ecological norm. The material of the English language animated discourse of the film "Zootopia" examines cooperation of carnival elements: ambivalence, universality, grotesqueness, symbolism and corporeality with verbal and nonverbal modes, and their influence on infraction and ridicule of stereotypes; how in the result of the carnival violation of stereotypical norms a new ecological norm is formed, which contributes to the ecoliteracy increase in society, encourages to solve environmental problems and promotes the establishment of "healthy" relationships with nature and its phenomena.

title: Slothful Movements: Disability, Acceleration, and Capacity Feminism in Disney's Zootopia (2016)
abstract: Critics and audiences applauded Disney's Zootopia (2016) as a new brand of politically conscious, pedagogical children's media but uniformly read it as a critique of sexism and racism. This article.

title: A phonetic study of Zootopia characters' voices in Brazilian Portuguese dubbing: the role of stereotypes
abstract: This work comprises an experimental investigation approach of expressive speech that integrates methodological procedures of perceptual and acoustic analyses. As the object of this work, we have focused on voice quality and vocal dynamics. Speech samples from the four main personality distinct characters in the animated feature film "Zootopia" dubbed by Brazilian voice actors have been analysed. Due to the expressive function of voice quality, we have posed the following question: what types of voice quality and vocal dynamics settings were used by the voice actors in the Brazilian dubbing of "Zootopia" to compose the vocal profiles of the characters? Perceptual evaluation of the 54 speech stimuli was performed using the Vocal Profile Analysis protocol (Laver Mackenzie Beck, 2007) Acoustic measures were automatically extracted using the ExpressionEvaluator script (Barbosa, 2008) for PRAAT. The profiles for each of the four characters were composed based on the psychological traits described in the film script. The results of the acoustic analysis, the perceptual analysis of voice quality and vocal dynamics settings were correlated using the MFA (Multiple Factor Analysis) method in the R environment based on 40 variables (quantitative and qualitative) and it turned out that the speech stimuli were distributed in 6 clusters according to the variables analysed. The quantitative variables that presented the highest correlation percentage were: Standard Deviation of f0 Derivative, Standard Deviation of Spectral Tilt, f0 Median. The qualitative variables that presented the highest correlation percentage were: Lowered Larynx, Lip Rounding, Breathy Voice and Minimised Pitch Range. The research has presented evidence in favor of the symbolic use of phonic matter and contributions to the understanding of how vocal stereotypes are established.