text: . some of walsh's film - related material and personal papers are contained in the wesleyan university cinema archives. selected filmography miscellaneous the conqueror ( writer, 1917 ) the big trail ( story contributor, uncredited, 1930 ) captain horatio hornblower r. n. ( producer, uncredited, 1951 ) the lawless breed ( producer, uncredited, 1953 ) esther and the king ( screenplay, 1960 ) the men who made the movies : raoul walsh ( tv documentary ) himself ( 1973 ) notes logan sandler logan sandler is an american writer and director who is best known for his first feature film live cargo. early life and education sandler graduated from sftv within loyola marymount university's film school in 2011 with a b. a. in film production, and three years later, while earning an m. f. a. from afi in film directing, he developed his first feature film, live cargo. he developed the script with the late seth winston and co - writer thymaya payne. in 2015, sandler was awarded the institute's franklin j. schaffner fellow award for his short film, tracks. career sandler's senior thesis, all it will ever be premiered at the bermuda international film festival in 2012. sandler's second short film tracks screened at various festival around the world, including afi fest, marfa film fest, cambridge film festival, and the miami international film festival. the film won the lexus audience award for best short film at the miami international film festival and best actor for keith stanfield at the 24 fps international film festival. sandler's debut feature film live cargo was filmed in the bahamas, and premiered at the tribeca film festival in 2016. the film stars dree hemingway, keith stanfield, and robert wisdom. in addition to the 2016 tribeca film festival, live cargo had its european premiere at the warsaw international film festival, then went on to screen at the american film festival in poland, the sao paulo international film festival, the denver film festival, the key west film festival, the torino film festival, the bahamas international film festival, and afi fest. sandler has collaborated with stanfield on music videos, co - directing the group moors ’ single gas. the music video premiered on vice ’ s music channel noisey. ioncinema. com chose sandler as their ioncinephile of the month for april 2017, a feature that focuses on an emerging filmmaker from the world of cinema. when asked about his favorite films of his formative years sandler
text: beyond their most superficial attributes surely playing a key role in the movie's ultimate ( and colossal ) downfall. " reviewer john j. puccio described the film as " a movie that starts grimly, lightens up slightly, and then gets very gloomy, indeed. " awards the film won the award for best screenplay ( by yurek bogayevicz, who also directed the film ) at the 2001 polish film festival. the film was also nominated for six awards at the 2002 polish film awards : best film, best supporting actress ( olga frycz ), best director ( yurek bogayevicz ), best screenplay ( yurek bogayevicz ), best cinematography ( paweł edelman ) and best costume design ( jagna janicka ) brian keith lord brian keith lord ( born 1961 ) is an american murderer whose case was featured on forensic files. murders in 1974, at the age of 13, lord murdered his friend's mother by shooting her in the back as she hung clothes on a clothesline. " for that crime, lord served only six months in a juvenile detention facility and was released. " in 1986, at the age of 25, he was hired as a carpenter at the home of wayne and sharon frye, neighbors of 16 - year - old tracy parker. lord subsequently became acquainted with tracy, who often rode horses owned by the fryes. finding himself alone with her on the night of september 16, 1986, lord persuaded her to get into his truck under the guise of giving her a ride home. he drove to his brother's workshop, somehow coerced her into going inside, and raped and murdered her. investigation investigation into tracy's disappearance initially focused on the fryes. her last discernible interaction was a telephone call made by her to her friend from their residence. a manhunt took place, and some of her blood - soaked clothes were found in a wooded area on the weekend of september 20. her semi - nude body was found on september 30. investigators began considering lord as a suspect after it was discovered that he called his family roughly ten minutes prior to tracy from the same phone that tracy called her friend on. lord denied any involvement and informed police that he had traveled to his brother's workshop that night. the workshop was investigated as a possible murder location which led to the discovery of a large blood spot on the floor ; samples of material from the workshop were collected. a green paint chip found on tracy's body was matched to a dismantled fence
text: " ( 1956 ), and camel rock ( 1957 ). after making the 35mm short italian - language film progetti ( 1962 ) while attending the centro sperimentale di cinematografia in rome, bartel produced the secret cinema ( 1966 ). shot on an extremely low budget in 35mm and with his own money, the secret cinema was the film that began his reputation as a new and unusual independent voice in narrative cinema. he followed it with another short he wrote and directed, naughty nurse ( 1969 ). he co - wrote the feature utterly without redeeming social value ( 1969 ), also starring in the lead. he worked as an actor only in hi, mom! ( 1970 ) directed by brian de palma. bartel's first feature as director was private parts ( 1972 ), a comedy horror film for mgm. it was produced by gene corman and bartel was in the cast. new world pictures gene corman's brother, roger, ran a production company, new world pictures, and hired bartel to be second unit director on big bad mama ( 1974 ), an action film. bartel also played a small role. roger corman gave bartel the job of directing death race 2000 ( 1975 ), a satirical action comedy starring david carradine, sylvester stallone and mary woronov. bartel also played a small role. the film was a huge success at the box office and quickly established itself as a cult favorite. corman promptly offered bartel the chance to direct a similar action film with carradine for new world, cannonball ( 1976 ). bartel also worked on the script. the film is littered with cameos from people such as joe dante and martin scorsese. bartel later said he worked for a year on death race 2000 for $ 5, 000 " so when it was finished i desperately needed money. the only thing anybody wanted from me was another car picture, hence cannonball. corman had drummed into me the idea that if death race had been " harder " and " more real " it would have been more popular. like a fool, i believed him. i am not, and never have been, very much interested in cars and racing " so he decided to load up the film with " cameos and character gimmicks that did interest me. " bartel was in much demand from other directors at new world to play small parts in their pictures : he appeared in eat my dust ( 1976 ) for ron howard,
text: battling with his inner ghosts and demons, he meets a mysterious woman in san francisco who promises him a ritual for his cure. eugen york eugen york ( 26 november 1912 – 18 november 1991 ) was a german film director. he directed 35 films between 1938 and 1984. he was born in rybinsk, russian empire and died in berlin, germany. selected filmography film morituri ( 1948 ) the last night ( 1949 ) shadows in the night ( 1950 ) blondes for export ( 1950 ) der schatten des herrn monitor ( 1950 ) the allure of danger ( 1950 ) das fraulein von scuderi ( 1955 ) a heart returns home ( 1956 ) the heart of st. pauli ( 1957 ) the copper ( 1958 ) man in the river ( 1958 ) the girl with the cat eyes ( 1958 ) murderer in the fog ( 1964 ) das gesetz des clans ( 1977 ) television das sparschwein ( 1952 ) aufruhr ( 1960 ) — based on the play disturbance by hugh forbes polly liebt nur kapitane ( 1963 ) haus der schonheit ( 1963 ) — based on the play pariser platz 13 by vicki baum gewagtes spiel ( 1964 – 1966, tv series, 26 episodes ) sechs stunden angst ( 1964 ) — based on the novel six heures d'angoisse by francis didelot großer ring mit außenschleife ( 1966 ) — based on a radio play by heinz oskar wuttig spatsommer ( 1966 ) — based on the novel altersschwach by max dreyer das kleine teehaus ( co - director : paul martin, 1967 ) — based on the teahouse of the august moon großer mann was nun? ( 1967 – 1968, tv series, 8 episodes ) der tag, an dem die kinder verschwanden ( 1967 ) — based on the day the children vanished by hugh pentecost alle hunde lieben theobald ( 1969 – 1970, tv series, 12 episodes ) stewardessen ( 1969, tv series, 6 episodes ) der opernball ( 1971 ) — based on der opernball kennzeichen rosa nelke ( 1971, tv series, 6 episodes ) ball im savoy ( 1971 ) — based on ball im savoy paganini ( 1973 ) — based on paganini grafin mariza ( 1974 ) — based on countess maritza madame pompadour ( 1974
text: demands yet gentle in his way of dealing with many different temperaments to be found in the movie industry. sam is the only actor i know who can horrify an audience without make - up and without grotesque posturing and playing to the camera. he is the only actor i know who pulls teeth on the set in between takes. a rare pair, they have given the industry not one but two dimensions. joseph de grasse died in eagle rock, california ; he collapsed on a street while walking, and was taken to hospital where he was pronounced dead. the cause of his death was a heart attack. filmography director actor the place beyond the winds ( 1916 ) - anton farwell triumph ( 1917 ) - man at theatre ( uncredited ) after the war ( 1918 ) so big ( 1924 ) - simeon peake the cowboy kid ( 1928 ) - john grover the drunkard ( 1935 ) - mr. miller the dawn rider ( 1935 ) - dad mason the adventures of frank merriwell ( 1936, serial ) - dr. cummings ( uncredited ) ( final film role ) preservation the three surviving reels of de grasse's film triumph were restored by the academy film archive in 2012. see also other canadian pioneers in early hollywood the piper's price the piper's price is a 1917 silent drama film directed by joe de grasse and starring lon chaney, william stowell and dorothy phillips. it was the first in a series of films co - starring william stowell and dorothy phillips together. the screenplay was written by ida may park, based on the short story by nancy mann waddel woodrow ( aka mrs. wilson woodrow ). the film was released in the u. k. as storm and sunshine. the film is today considered lost. a still exists showing lon chaney in the role of billy kilmartin. plot ralph hadley's ex - wife, jessica, is a shrewd businesswoman, while his new wife, amy, is the perfect homemaker. billy kilmartin ( lon chaney ), an attorney, has sought to woo jessica for many years, and now that she is divorced from ralph, he doubles down on his efforts to win her. at a stockholders meeting, jessica makes several intelligent suggestions that win both the approval of the company and ralph's admiration. ralph wants jessica back and takes her to lunch. amy soon hears gossip about her husband dating his ex - wife and she worries about losing him to the other woman. amy learns that she
text: camperdown ). he was succeeded by his eldest surviving son, sir hew dalrymple - hamilton, 4th baronet. john dalrymple, 5th earl of stair john dalrymple, 5th earl of stair ( 1720 – 1789 ) was a scottish soldier and politician. life he was eldest son of george dalrymple of dalmahoy, fifth son of john dalrymple, 1st earl of stair, and a baron of the court of exchequer of scotland, by his wife euphame, eldest daughter of sir andrew myrton of gogar. he passed advocate of the scottish bar in 1741, but he entered the army and attained the rank of captain. he was a favourite with his uncle john dalrymple, 2nd earl of stair, who having in 1707 obtained a new charter containing, in default of male issue, a reversionary clause in favour of any one of the male descendants of the first viscount stair whom he should nominate, selected him to succeed him in the states and honours on his own death. he therefore, in 1745, assumed the title, and voted as earl of stair in 1747, but by a decision of the house of lords in 1748 the titles were assigned to his cousin james dalrymple, who became 3rd earl of stair. john dalrymple succeeded to the title as fifth earl on the death of his cousin william, william dalrymple - crichton, 5th earl of dumfries, 4th earl of stair, on 27 july 1768. he was chosen a representative peer in 1771, and in the house of lords opposed the measures which led to the american war of independence. he presenting a petition on behalf of massachusetts in 1774. in the general election of 1774 he was not returned to parliament. stair died on 13 october 1789. works stair wrote pamphlets, mainly on national finance. their gloomy character and their predictions, earned for him, according to horace walpole, the nickname " cassandra of the state ". they included : the state of the national debt, income, and expenditure, 1776. considerations preliminary to the fixing the supplies, the ways and means, and the taxes for the year 1781, 1781. facts and their consequences submitted to the consideration of the public at large, 1782. an attempt to balance the income and expenditure of the state, 1783. an argument to prove that it is the indispensable duty of the public to insist that government do forthwith bring forward the consideration of the state of the nation, 1783. state of the public debts, 1783.
text: in 1816, as the final resting place for the two families, bourbon - penthievre and orleans. the original bourbon - penthievre family crypt in the collegiale de saint - etienne de dreux had been violated during the revolution and the bodies thrown together into a grave in the chanoines cemetery of the collegiale. she was buried in the new chapel which, after the accession to the throne of her son louis philippe, was enlarged, embellished and renamed chapelle royale de dreux, becoming the necropolis for the now royal orleans family. marie adelaide did not live to see her son louis philippe become king of the french in 1830. cultural references in the 2006 film, marie antoinette, marie - adelaide had a minor role played by actress aurore clement. issue the couple had six children : a daughter ( died at birth, 10 october 1771 ) louis philippe d'orleans ( future king louis philippe i of the french ), ( palais royal, 1773 – 1850, claremont ) duke of valois ( 1773 – 1785 ) * * duke of chartres ( 1785 – 1793 ) duke of orleans ( 1793 – 1830 ) married maria amalia of naples and had issue. louis antoine philippe d'orleans, duke of montpensier, ( palais royal, 1775 – 1807, salthill ), francoise d'orleans, mademoiselle d'orleans ( palais royal, 1777 – 1782, palais royal ), twin sister of ( below ), louise marie adelaide eugenie d'orleans, mademoiselle de chartres ( palais royal, 1777 – 1847, palais de tuileries ) never married. louis charles alphonse leodgard d'orleans, count of beaujolais ( palais royal, 1779 – 1808, malta ) never married the painting on the eve of the french revolution, in 1789, she was painted by elisabeth - louise vigee - le brun, the favourite portrait painter of queen marie antoinette. the painting was titled madame la duchesse d'orleans. vigee - le brun made use of the lonely duchess'melancholia in the pose. dressed in white, a reminder of her candor, the head of the duchess is supported on her upraised arm. she is shown with a languid, sad expression. below the breast is a wedgwood medallion which colin eisler has identified as poor maria, possibly a reference to the life of the duchess, which was later destroyed because of the revolution. the painting is now at
text: digital video, parts of the third film using an anaglyphic process to create the 3 - d effect. audiences were given red / blue 3d glasses with their tickets in movie theatres. four sets of these glasses were also included in the dvd release. the third film was used as a test for a special texas instruments digital projector which can project polarized 3d, which does not require the red - blue lenses, later reused for the adventures of sharkboy and lavagirl in 3 - d ( 2005 ). films spy kids ( 2001 ) after retiring from espionage for ten years, gregorio and ingrid ( antonio banderas and carla gugino ) are pulled back into duty for their important assignment despite the fact they were out of practice, and were captured. their two children, carmen and juni ( alexa vega and daryl sabara ), stay with their uncle felix gumm ( cheech marin ) and discover the truth of their parents'past, which they had neglected to tell them because they were afraid that if they knew, they would picture danger at every corner ; and decide to rescue them. on their first mission, carmen and juni manage to bring around their estranged uncle, isador " machete " cortez ( danny trejo ), a genius gadget inventor and juni helps to redeem a tv show host named fegan floop ( alan cumming ). together, carmen and juni thwart the plan of floop's notorious second in - command alexander minion ( tony shalhoub ) to develop an army of androids resembling young children ( including carmen and juni themselves ) for a mastermind named mr. lisp ( robert patrick ) and his partner ms. gradenko ( teri hatcher ). the robots based on carmen and juni became part of floop's show. spy kids 2 : the island of lost dreams ( 2002 ) as agents of the oss, carmen and juni try to save the daughter ( taylor momsen ) of the president of the united states ( christopher mcdonald ) while facing a particularly hard competition with gary and gerti giggles ( matt o'leary and emily osment ), the two children of a double - dealing agent donnagon giggles ( mike judge ), whom carmen and juni helped to rescue them from the first film. juni gets fired from the oss after fighting with gary over a smaller version of the transmooker, a device that can shut off all electronic devices even though it was gary who started the fight. jun
text: ##aunheim, who urged him to create stories from his own experience. he suggested, for example, that tykwer record arguments with his girlfriend, and turn them into a short film. because ( 1990 ) was screened at the hof international film festival and well received by the audience, which inspired tykwer to continue pursuing filmmaking. he made a second short film, epilog ( 1992 ), for which he took on personal financial debt, but he also gained valuable technical film making experience. tykwer wrote the screenplay for, and directed, his first feature film, the psychological thriller deadly maria ( 1993 ). it aired on german television and had a limited theatrical release in germany and the international film festival circuit. in 1994, tykwer founded the production company x filme creative pool with stefan arndt, wolfgang becker, and dani levy. 1996 - 2005 tykwer and becker wrote the screenplay for the comedy life is all you get ( 1997 ), while working on winter sleepers ( 1997 ), tykwer's second feature and a much bigger and more complex production than deadly maria. winter sleepers brought tykwer to the attention of german cineastes and film festivals, but he was struggling financially. his next feature film, run lola run ( 1998 ), became the most successful german film of 1998, earned $ 7 mln at the us box office, and elevated tykwer to international fame. as lola was becoming a success worldwide, tykwer was already at work on his next film, the princess and the warrior ( 2000 ), a love story about a nurse and a former soldier, which was shot in his home town of wuppertal. miramax produced his next film, heaven ( 2002 ), based on a screenplay by polish filmmaker krzysztof kieslowski, which was shot in english, starred cate blanchett and giovanni ribisi, and was filmed in turin and tuscany. 2006 - 2015 tykwer was approached by french producers to film a short contribution to paris, je t'aime ( 2006 ), a film composed of 20 short films by many famous directors depicting love in paris. tykwer shot the 10 - minute short film, true, with natalie portman and melchior beslon. he shot the film quickly with almost no pre - production. the result, tykwer later said, " symbolises an entire life for me, in just ten minutes. " tykwer shot the film pink children ( 2012
text: battling with his inner ghosts and demons, he meets a mysterious woman in san francisco who promises him a ritual for his cure. eugen york eugen york ( 26 november 1912 – 18 november 1991 ) was a german film director. he directed 35 films between 1938 and 1984. he was born in rybinsk, russian empire and died in berlin, germany. selected filmography film morituri ( 1948 ) the last night ( 1949 ) shadows in the night ( 1950 ) blondes for export ( 1950 ) der schatten des herrn monitor ( 1950 ) the allure of danger ( 1950 ) das fraulein von scuderi ( 1955 ) a heart returns home ( 1956 ) the heart of st. pauli ( 1957 ) the copper ( 1958 ) man in the river ( 1958 ) the girl with the cat eyes ( 1958 ) murderer in the fog ( 1964 ) das gesetz des clans ( 1977 ) television das sparschwein ( 1952 ) aufruhr ( 1960 ) — based on the play disturbance by hugh forbes polly liebt nur kapitane ( 1963 ) haus der schonheit ( 1963 ) — based on the play pariser platz 13 by vicki baum gewagtes spiel ( 1964 – 1966, tv series, 26 episodes ) sechs stunden angst ( 1964 ) — based on the novel six heures d'angoisse by francis didelot großer ring mit außenschleife ( 1966 ) — based on a radio play by heinz oskar wuttig spatsommer ( 1966 ) — based on the novel altersschwach by max dreyer das kleine teehaus ( co - director : paul martin, 1967 ) — based on the teahouse of the august moon großer mann was nun? ( 1967 – 1968, tv series, 8 episodes ) der tag, an dem die kinder verschwanden ( 1967 ) — based on the day the children vanished by hugh pentecost alle hunde lieben theobald ( 1969 – 1970, tv series, 12 episodes ) stewardessen ( 1969, tv series, 6 episodes ) der opernball ( 1971 ) — based on der opernball kennzeichen rosa nelke ( 1971, tv series, 6 episodes ) ball im savoy ( 1971 ) — based on ball im savoy paganini ( 1973 ) — based on paganini grafin mariza ( 1974 ) — based on countess maritza madame pompadour ( 1974
text: sebae, and oxyrhopus petola sebae. gallery ali elmusrati almoatasembellah ali mohamed al - musrati ( arabic : المعتصم بالله علي محمد المصراتي ; born 6 april 1996 ), known simply as al - musrati, is a libyan professional footballer who plays as a midfielder for primeira liga club braga and the libya national team. club career vitoria de guimaraes reserve team in january 2017, he signed a three - and - a - half - year deal at vitoria de guimaraes of portugal's primeira liga, on the recommendation of their former player romano sion. he began playing for their reserve team in ligapro, and on 4 march 2018 scored his first goal to equalise in a 1 – 1 draw away to uniao. first team on 5 august 2019, al - musrati made his debut for the first team, playing the full 90 minutes of a 1 – 0 win at feirense in the second round of the taca da liga. thirteen days later he made his primeira liga debut in a 1 – 1 home draw with boavista and was third - place in the vote for the league's best midfielder of the month, behind bruno fernandes and pizzi. on 12 december, he scored his only goal for the first team, equalising in a 3 – 2 comeback win at eintracht frankfurt in the group stage of the uefa europa league ; his club was already eliminated. loan to rio ave al - musrati was loaned to rio ave of the same league on 29 january 2020, for the rest of the season. he, diogo figueiras and nuno santos were sent off on 17 june in a 2 – 1 home loss to benfica. braga on 31 july 2020, al - musrati signed a four - year deal at braga, joining his former rio ave manager carlos carvalhal. his first goal was on 26 november, to open a 3 – 3 home draw with leicester city in the europa league group stage ; three days later he struck for the first time in the top flight to win at the estadio municipal de braga against farense. he was voted the league's player of the month for february 2021. international career al - musrati was first called up for libya at the 2014 african nations championship in south africa, and
text: well as the established cultural projects, and educational community activities. blankstein directed the mini - series " tel aviviot " ( 2012 ). from 2016 - 2019 was the director of the israeli academy of film and television. in november 2019 dana blankstein cohen was appointed the new director of the sam spiegel film and television school where she also oversees the sam spiegel international film lab. in 2022, she spearheaded the launch of the new series lab and the film preparatory program for arabic speakers in east jerusalem. filmography tel aviviot ( mini - series ; director, 2012 ) growing pains ( graduation film, sam spiegel ; director and screenwriter, 2008 ) camping ( debut film, sam spiegel ; director and screenwriter, 2006 ) ian barry ( director ) ian barry is an australian director of film and tv. select credits waiting for lucas ( 1973 ) ( short ) stone ( 1974 ) ( editor only ) the chain reaction ( 1980 ) whose baby? ( 1986 ) ( mini - series ) minnamurra ( 1989 ) bodysurfer ( 1989 ) ( mini - series ) ring of scorpio ( 1990 ) ( mini - series ) crimebroker ( 1993 ) inferno ( 1998 ) ( tv movie ) miss lettie and me ( 2002 ) ( tv movie ) not quite hollywood : the wild, untold story of ozploitation! ( 2008 ) ( documentary ) the doctor blake mysteries ( 2013 ) john donatich john donatich is the director of yale university press. early life he received a ba from new york university in 1982, graduating magna cum laude. he also got a master's degree from nyu in 1984, graduating summa cum laude. career donatich worked as director of national accounts at putnam publishing group from 1989 to 1992. his writing has appeared in various periodicals including harper's, the atlantic monthly and the village voice. he worked at harpercollins from 1992 to 1996, serving as director of national accounts and then as vice president and director of product and marketing development. from 1995 to 2003, donatich served as publisher and vice president of basic books. while there, he started the art of mentoring series of books, which would run from 2001 to 2008. while at basic books, donatich published such authors as christopher hitchens, steven pinker, samantha power, alan dershowitz, sir martin rees and richard florida. in 2003, donatich became the director of the yale university press. at yale, donatich published such authors as michael wal
text: use of the cinemascope screen, assembled a fine supporting cast and, with zestful choreography... came up with one of the few successes in a genre for which the british cinema was not noted. " woman in a dressing gown ( 1957 ), with yvonne mitchell, anthony quayle and sylvia syms and written by ted willis, deals with the collapse of a 20 - year marriage. action director thompson had a big success with ice cold in alex ( 1958 ), the story of a british army unit trekking across north africa in the second world war. it featured john mills, sylvia syms, anthony quayle and harry andrews. it won three bafta awards, including best british film. he followed it with north west frontier ( 1959 ), an adventure film set in british india starring kenneth more and lauren bacall. it was one of the most popular films in britain in 1959. no trees in the street ( 1959 ) was a thriller written by willis. also in that genre was tiger bay ( 1959 ), starring john mills. it introduced cinema audiences to mills'daughter hayley and german actor horst buchholz. hayley mills also earned a bafta for most promising newcomer portraying a 12 - year - old girl who refuses to betray a sailor accused of murder. thompson followed this with i aim at the stars ( 1960 ). hollywood career guns of navarone and cape fear thompson vaulted to international fame with the guns of navarone ( 1961 ) as a last - minute replacement for director alexander mackendrick. his take - charge attitude during its production earned him the nickname'mighty mouse'from lead actor gregory peck. co - star anthony quinn said thompson : never read a scene until he had to shoot it and approached each shot on a whim. and yet the cumulative effect was astonishing. lee thompson made a marvelous picture but how? perhaps his inventiveness lay in defying convention, in rejecting the accepted methods of motion picture making and establishing his own. perhaps it was in his very formlessness that he found the one form he could sustain, and nurture, the one form that could, in turn, sustain and nurture him. perhaps he was just a lucky englishman who pulled a good picture out of his ass. the guns of navarone, a world war ii epic filmed on location in rhodes, greece, was nominated for seven academy awards including thompson for best director. in 1961 he said " primarily i am in the business to entertain. this does not mean that i never want to try artistic
text: to film, because i normally don't believe the film has much to do with the novel. i wasn't at the screening at the melbourne film festival but i never want to screen a film at a festival again. that screening actually killed the release. it got bad reviews in a few places, so roadshow wouldn't even release it. i think that as an australian bush film, it is a very, very original film, a highly original piece. the forest, the beauty of the land, that's the altar, and the sacrifice is the innocence and youth. you have a sacrifice on an altar. but it gave me enormous satisfaction because the finished film is very nicely tuned, minimal when you look at the way it's crafted... but that's not what the reviewers want, a bush film like this. that's not very australian, is it? hal needham hal brett needham ( march 6, 1931 – october 25, 2013 ) was an american stuntman, film director, actor, writer, and nascar team owner. he is best known for his frequent collaborations with actor burt reynolds, usually in films involving fast cars, such as smokey and the bandit ( 1977 ), hooper ( 1978 ), the cannonball run ( 1981 ) and stroker ace ( 1983 ). in his later years, needham moved out of stunt work, and focused his energy on the world land speed record project. in 2001, needham received a lifetime achievement award from the taurus world stunt awards, and in 2012, he was awarded a governors award by the academy of motion picture arts and sciences. early years needham was born in memphis, tennessee, the son of edith may ( nee robinson ) and howard needham. he was the youngest of three children. raised in arkansas and missouri, needham served in the united states army as a paratrooper during the korean war, worked as a treetopper ( an arborist who performs tree topping services ), and was a billboard model for viceroy cigarettes while beginning a career in hollywood as a motion picture stuntman. career needham's first break was as the stunt double for actor richard boone on the popular tv western have gun, will travel. needham trained under john wayne's stunt double chuck roberson and quickly became one of the top stuntmen of the 1960s on such films as how the west was won, the bridge at remagen, mclintock!, the war lord, and little big man. he doubled regularly
text: ) notes external links official site women's suffrage journal the women's suffrage journal was a magazine founded by lydia becker and jessie boucherett in 1870. initially titled the manchester national society for women's suffrage journal within a year its title was changed reflecting becker's desire to extend its influence beyond " manchester's radical liberal elite ". it carried news of events affecting all areas of women's lives, and particularly focused on features that demonstrated the breadth of support among the general population for women's suffrage in the united kingdom. it also frequently published guidance on how to prepare a petition to be presented to the house of commons. publication ceased in 1890 following becker's death. the final edition contained this note : for twenty years and four months this journal has received the impress of one hand and one mind, so that its long row of volumes forms one continuous work, and now when that careful hand is laid low and the energies of that far - seeing mind are carried beyond our mortal ken, it would seem the most fitting course to close these pages where miss becker left them. see also list of suffragists and suffragettes list of women's rights activists timeline of women's suffrage women's suffrage lip ( magazine ) lip, a feminist arts journal, or just lip, was an australian interdisciplinary feminist art journal, published between 1976 and 1984. it was the first of its kind in australia. the magazine was founded by suzanne spunner, who had been involved in the organising of the international women's film festival in 1975. the magazine was self - published by a feminist collective during the era of the women's liberation movement, and its content included a very wide range of feminist positions and interdisciplinary art forms, in addition to work that connected the local scene to a more international network. the magazine was based in carlton, victoria. the lip collective also organised art shows, curated critical essays, and additionally published the earthworks poster collective, the women ’ s theatre group and the women ’ s film group. in 2013 vivian ziherl published an anthology of lip articles. american monthly american monthly magazine was the original official monthly magazine published by the national society of the daughters of the american revolution ( nsdar ). the magazine was published between 1892 and 2001. history and profile the magazine was established in 1892 with the name the american monthly. the headquarters of the magazine was in washington dc. in 1913 it was renamed as daughters of the american revolution magazine. later titles were daughters of the american revolution magazine, and the national
text: the village's true ruler, were murdered by the current chieftain and his daughter. with the aid of an inspector and his daughter, bomba battles the usurpers in the cave where his parents were buried. cast johnny sheffield as bomba karen sharpe as linda ward walter sande as mr. ward suzette harbin as boru martin wilkins as chief gamboso morris buchanan as kokoli leonard mudie as commissioner barnes don blackman as boru's lieutenant george blair ( director ) george blair ( december 6, 1905 – april 19, 1970 ) was an american film director who worked generally on supporting features including many b - westerns. two of his earliest films were british - set thriller films starring c. aubrey smith, made for republic pictures. selected filmography director secrets of scotland yard ( 1944 ) a sporting chance ( 1945 ) scotland yard investigator ( 1945 ) gangs of the waterfront ( 1945 ) affairs of geraldine ( 1946 ) that's my gal ( 1947 ) the trespasser ( 1947 ) exposed ( 1947 ) madonna of the desert ( 1948 ) lightnin'in the forest ( 1948 ) king of the gamblers ( 1948 ) daredevils of the clouds ( 1948 ) homicide for three ( 1948 ) rose of the yukon ( 1949 ) duke of chicago ( 1949 ) streets of san francisco ( 1949 ) under mexicali stars ( 1950 ) silver city bonanza ( 1951 ) secrets of monte carlo ( 1951 ) desert pursuit ( 1952 ) perils of the jungle ( 1953 ) superman in scotland yard ( 1954 ) sabu and the magic ring ( 1957 ) the hypnotic eye ( 1960 ) tv series adventures of superman ( 1953 - 1958, tv series, 27 episodes casey jones ( 1957 - 1958, tv series, 23 episodes ) highway patrol ( 1957, tv series, 2 episodes ) harbor command ( 1958, tv series, 1 episode ) tales of the texas rangers ( 1958, tv series, 7 episodes ) death valley days ( 1959, tv series, 1 episode ) lassie ( 1959 – 1960, tv series, 3 episodes ) bonanza ( 1960, tv series, 1 episode ) wanted : dead or alive ( 1960, tv series, 10 episodes ) stagecoach west ( 1961, tv series, 2 episodes ) the littlest hobo ( 1963, tv series, 1 episode ) the adventures of superboy ( 1996, tv series ) tv shorts beach patrol ( 1959, tv short ) the adventures of superboy ( 1961, tv short ) bibliography richards, jeffrey. visions of yesterday. routledge, 1973. external
text: his mother tends to a small shop ; in the third movie, his father dies in the film, and his mother has been long dead. however, a character named estela from the first film appears in the second, and is both times played by melina petriella. this at least connects the first two movies to the same universe. additionally, juan jose flores quispe appears in the second and third movie as " ramon ". although his character, unlike estela, varies from film to film, this suggests that the second and third film also share the same universe and, thus, the trilogy itself is set in the same storyline, with the " ariel persona " showing either different aspects of the same character or simply being a mere coincidence. filmography producer el crimen del cacaro gumaro ( 2014 ) a. k. a. " the popcorn chronicles " director ¿ en que estacion estamos? ( 1992, short ) post data de ambas cartas ( 1993, short ) help o el pedido de auxilio de una mujer viva ( 1994, short ) ninos envueltos ( 1995, short ) un crisantemo estalla en cinco esquinas ( 1998 ) a. k. a. a chrysanthemum burst in cincoesquinas esperando al mesias ( 2000 ) a. k. a. waiting for the messiah todas las azafatas van al cielo ( 2002 ) a. k. a. every stewardess goes to heaven el abrazo partido ( 2004 ) a. k. a. lost embrace 18 - j ( 2004 ) derecho de familia ( 2006 ) a. k. a. family law encarnacion ( 2007 ) el nido vacio ( 2008 ) brother and sister ( 2010 ) la suerte en tus manos ( 2012 ) mystery of happiness ( 2014 ) the tenth man ( 2016 ) television la pista ( 1997 ) un cuento de navidad ( 2002 ) yosi, the regretful spy ( 2022 ) awards bangkok world film festival : best film ; el abrazo partido ; 2004. berlin international film festival : silver berlin bear ; jury grand prix ; for el abrazo partido ; 2004. clarin entertainment awards : clarin award best film screenplay ; for derecho de familia ; 2006. clarin entertainment awards : won clarin award best film screenplay ; for el
text: night tide ( 1961 ). beverly garland, one of corman's early regular stock players, recalled working with him : roger made us work hard and long, i remember that! he was always fascinating to me, a fascinating man – and a good businessman! he had such incredible energy, it was tremendous – he was a dynamo to be around. i always knew he was going to be a huge success because there was no stopping him. he just made up his mind that he was going to be a success and that was it. american international pictures and allied artists arc changed its name to american international pictures. corman was established as their leading filmmaker. they financed corman's next film as director, the science - fiction story it conquered the world ( 1956 ). co - written by griffith, it was a follow - up to the day the world ended. it was a big hit. he optioned a tv play, the stake, and hoped to get dana andrews to star. it was never made. instead, walter mirisch of allied artists hired corman to make the undead ( 1957 ), inspired by the search for bridey murphy. griffith wrote the script. in june, corman made a science - fiction film for allied artists, not of this earth ( 1957 ), written by griffith. in august 1956, aip financed a corman heist movie shot in hawaii, naked paradise ( 1957 ), co - written by griffith. corman shot it back - to - back with a movie made with his own money, she gods of shark reef ( 1958 ). corman wound up selling the movie to aip. corman and griffith reunited in attack of the crab monsters ( 1957 ) for allied, which wound up being one of his most successful early films. for his own production company, corman made a rock - and - roll " quickle ", carnival rock ( 1957 ), released by howco. rock all night ( 1957 ) was a heist film written by griffith expanded from a tv play, " the little guy ", with musical acts inserted. he was meant to make rock'n'roll girl for aip in december 1957. in april 1957, corman announced he would try to make two films back - to - back from then on to save costs. corman made two " teen girl noirs ", teenage doll ( 1957 ) for the woolner brothers and sorority girl ( 1957 ), starring susan cabot for aip. for aip, he made the saga of
text: ##k restoration blu - ray was released by the criterion collection. show boat was the last of whale's films to be produced under the laemmle family. the studio was now bankrupt, and the laemmles lost control to j. cheever cowdin, head of the standard capital corporation, and charles r. rogers, who was installed in junior laemmle's old job. career decline whale's career went into sharp decline following the release of his next film, the road back ( 1937 ). the sequel to erich maria remarque's all quiet on the western front, which universal had filmed in 1930, the novel and film follow the lives of several young german men who have returned from the trenches of world war i and their struggles to re - integrate into society. the los angeles consul for nazi germany, georg gyssling, learned that the film was in production. he protested to pca enforcer joseph breen, arguing that the film gave an " untrue and distorted picture of the german people ". gyssling eventually met whale, but nothing came of it. gyssling then sent letters to members of the cast, threatening that their participation in the film might lead to difficulties in obtaining german filming permits for them and for anyone associated in a film with them. while the low volume of business conducted by universal in germany made such threats largely hollow, the state department, under pressure from the hollywood anti - nazi league and the screen actors guild, stepped in and the german government backed down. whale's original cut of the film was given generally positive reviews, but some time between preview screenings and the film's general release, rogers capitulated to the germans, ordering that cuts be made and additional scenes be shot and inserted. whale was furious, and the altered film was banned in germany anyway. the germans were successful in persuading china, greece, italy and switzerland to ban the film as well. following the debacle of the road back, charles rogers tried to get out of his contract with whale ; whale refused. rogers then assigned him to a string of b movies to run out his contractual obligation. whale only made one additional successful feature film, the man in the iron mask ( 1939 ), before retiring from the film industry in 1941. post - film life with his film career behind him, whale found himself at a loose end. he was offered the occasional job, including the opportunity to direct since you went away for david o. selznick, but turned
text: pbs series independent lens in april 2010. oscilloscope laboratories published the film on dvd in 2009. awards full frame documentary film festival full frame inspiration award anne dellinger special jury award the charles e. guggenheim emerging artist award – honorable mentionriverrun international film festival best documentaryebs international documentary festival grand prix audience awardindependent film festival boston special jury prize – documentarycamerimage grand prix – feature documentary filmhaifa international film festival best documentarykrakow film festival golden horn – best documentary cracow students jury award – best documentary see also tenzin phuntsok rinpoche tulku ( film ) my reincarnation pearl relics no trees in the street no trees in the street is a 1959 british crime thriller directed by j. lee thompson and written by ted willis, from his 1948 stage play of the same name. the film is set in the slums of london. it depicts the life of impoverished teenager tommy, who becomes a criminal in an attempt at social mobility. he starts with minor thefts and progresses to murder. a subplot involves the romantic involvements of tommy's sister hetty, first with a racketeer and then with a policeman. the film is another example of british kitchen sink realism, but is mainly noted for its naturalistic depiction of slum life. plot initially, the film's story is told by frank ( ronald howard ) a local plainclothes policeman in love with hetty ( sylvia syms ), to a young tearaway kenny ( david hemmings ). in the slums of london before world war ii, tommy ( melvyn hayes ) is an aimless teenager who tries to escape his squalid surroundings by entering a life of crime. he falls in with local racketeer wilkie ( herbert lom ), who holds the rest of the slum citizens - including tommy's own family - in a grip of fear. for a brief period, hetty ( tommy's older sister ) becomes wilkie's girlfriend until he humiliates her in front of the other slum citizens simply to show his power over them, after which she will have nothing to do with wilkie despite him repeatedly asking her to come back to him. the film chronicles tommy's sordid progression from minor thefts to murder. at the end of the film, hetty and frank are seen to be married and living in a new council flat long after the slums have been demolished. cast sylvia syms as hetty herbert lo

Question: Which film has the director who died later, True To The Navy or No Trees In The Street?
Answer: No Trees In The Street