text: me trinity. after the success of that movie, the wind's fierce was re - released in many countries as a " trinity " sequel and misleadingly marketed as a comedy. claude weisz claude weisz is a french film director born in paris. filmography feature films une saison dans la vie d'emmanuel ( 1972 ) with germaine montero, lucien raimbourg, florence giorgetti, jean - francois delacour, helene darche, manuel pinto, etc. festival de cannes 1973 - quinzaine des realisateurs jury prize : festival jeune cinema 1973 la chanson du mal aime ( 1981 ) with rufus, daniel mesguich, christine boisson, vera galatikova, mark burns, philippe clevenot, dominique pinon, madelon violla, paloma matta, beatrice bruno, catherine belkhodja, veronique leblanc, philippe avron, albert delpy, etc. festival de cannes 1982 - perspectives du cinema francais competition selections : valencia, valladolid, istanbul, montreal on l'appelait... le roi laid ( 1987 ) with yilmaz guney ( mockumentary ) valencia festival 1988 - grand prix for documentaries " laurel wreath " competition selections : rotterdam, valladolid, strasbourg, nyon, cannes, lyon, cairo paula et paulette, ma mere ( 2005 ) documentary - straight to dvd short and mid - length la grande greve ( 1963 - co - directed cas collective, idhec ) l'inconnue ( 1966 - with paloma matta and gerard blain - prix cnc hyeres, sidney ) un village au quebec montreal deux aspects du canada ( 1969 ) la hongrie, vers quel socialisme? ( 1975 - nominated for best documentary - cesars 1976 ) tibor dery, portrait d'un ecrivain hongrois ( 1977 ) l'huitre boudeuse ancienne maison godin ou le familistere de guise ( 1977 ) passementiers et rubaniers le quinzieme mois c'etait la derniere annee de ma vie ( 1984 - fipresci prize - festival oberhausen 1985 - nomination - cesars 1986 ) nous aimons tant le cinema ( film of the european year of cinema - delphes 1988 ) participation jusqu'en 1978 a la realisation de films " militants " television series of seven dramas in german
text: a. s. louis - antoine - philippe d'orleans, duc de montpensier, paris, baudouin freres, 1824 – text on www. gallica. fr ancestors references and notes hay, malcolm. prince in captivity : based on the memoirs and unpublished letters of antoine philippe d'orleans, duc de montpensier, 1775 - 1807 ( eyre & spottiswoode, 1960 ) = = external links = = stranger on horseback stranger on horseback is a 1955 american anscocolor western film directed by jacques tourneur and starring joel mccrea. the screenplay is based on a story by louis l'amour. it was filmed in and around sedona, arizona. plot rick thorne, a circuit judge, rides into bannerman and discovers everything in town is controlled by rich rancher josiah bannerman and his kin. he meets sheriff nat bell and district attorney buck streeter and asks why bannerman's arrogant son, tom, got away with killing a man without an arrest or trial. offered no assistance, thorne stands up to tom and then jails him. he becomes acquainted with bannerman's beautiful niece, amy lee, who is attracted to thorne but doubts her cousin tom is a cold - blooded killer. thorne finds allies in caroline and vince webb, who own a gun shop and are willing to testify with evidence against tom in court. thorne realizes he needs to sneak tom and the webbs to a different town if he's to get a fair trial. bannerman and his men pursue them, and amy lee watches as tom deliberately causes vince webb's death. in time, thorne gets the prisoner to the next town safely, and amy lee goes to court to back him up. cast joel mccrea as judge richard'rick'thorne miroslava as amy lee bannerman kevin mccarthy as tom bannerman john mcintire as josiah bannerman john carradine as col. buck streeter nancy gates as caroline webb emile meyer as sheriff nat bell robert cornthwaite as arnold hammer jaclynne greene as paula morrison walter baldwin as vince webb emmett lynn as barfly roy roberts as sam kettering george keymas as bannerman's henchman lane bradford as kettering henchman ( uncredited ) dabbs greer as hotel clerk ( uncredited ) frank hagney as bartender ( uncredited ) see also list of american films of 1955 la morte vivante la morte vivante ( english : the living dead girl ) is a 1982 french horror - drama film directed by jean rollin and starring
text: for her work as a voice artist, having dubbed films, such as, robert altman's popeye ( 1980 ), the neverending story iii ( 1994 ) and hackers ( 1995 ), and animated television series, teenage mutant ninja turtles and totally spies! career blanchard's career stretched from between the late 1970s until the early 1990s. she may have been best known for playing catherine valmont in 1982 horror la morte vivante ( the living dead girl ), a film from jean rollin. she also appeared in films by directors jess franco and bruno mattei. she recalled her career in an interview, which was featured on the encore release of la morte vivante, she mentioned that it was a tragedy and a coincidence that started her career in the late 1970s. while trying to make ends meet as a hand model, she lost her brother in the late 1970. around that same time she was offered her first role, coincidentally as someone who had also lost a family member. francoise approached the part skeptically as she remembered that at that time she was, " aggressive against people but also a bit confused " due to the death of her brother. she enjoyed the experience and took a serious interest in acting, so decided to take acting lessons afterwards. blanchard soon became involved in several b movies when her career quickly became intertwined with the legendary eurocine company. " i liked the feel of these b movies, especially horror ", francoise noted to encore, which perhaps explains why she became so popular to several of the most noteworthy genre directors of the late 1970s. she also mentioned that she didn't mind nudity and even went so far as to pose for lui magazine in the early 1980s. after several films directors such as pierre chevalier, francoise took a role in bruno mattei's caligula and messalina in 1981. the following year she appeared in jess franco's revenge in the house of usher, and she liked franco and admired his creativity and fire. she then appeared in the la morte vivante with rollin. the night shoot on the film was mostly difficult and there were many problems with the special effects but, despite some disagreements, she liked and admired rollin and admitted to encore that, " he is really nice and is very much there ". she enjoyed working with and admired her co - star in the film, italian actress marina pierro, and noted, " she is very maternal with me. " francoise worked again with rollin in les trottoirs de bangkok ( the sidewalks of
text: immediately after charles's deposition. odo, count of paris, may have had a similar purpose in visiting charles at kirchen. on the other hand, the presence of these magnates at these two great assemblies may merely have been necessary to confirm charles's illegitimate son as his heir ( waiblingen ), a plan which failed when the pope refused to attend, and then to confirm louis instead ( kirchen ). deposition, death, and legacy with charles increasingly seen as spineless and incompetent, matters came to a head in late 887. in the summer of that year, having given up on plans for his son's succession, charles received odo and berengar, margrave of friuli, a relative of his, at his court. he may have accepted neither, one, or both of these as his heir in their respective kingdoms. his inner circle then began to fall apart. first, he accused his wife richgard of having an affair with his chief minister and archchancellor, liutward, bishop of vercelli. she proved her innocence in an ordeal of fire and left him for the monastic life. he then turned against liutward, who was hated by all, and removed him from office, appointing liutbert ( archbishop of mainz ), in his place. in that year, his first cousin once removed, ermengard of provence, daughter of the emperor louis ii and wife of boso of provence, brought her son louis the blind to him for protection. charles confirmed louis in provence ( he may even have adopted him ) and allowed them to live at his court. he probably intended to make louis heir to the whole realm and the imperium. on 11 november, he called an assembly to frankfurt. while there he received news that an ambitious nephew, arnulf of carinthia, had fomented a general rebellion and was marching into germany with an army of bavarians and slavs. the next week saw the collapse of all his support in east francia. the last to abandon him were his loyal alemanni, though the men of lotharingia never seem to have formally accepted his deposition. by 17 november, charles was out of power, though the exact course of events is unknown. aside from rebuking his faithlessness, he did little to prevent arnulf's move — he had recently been ill again — but assured that bernard was entrusted to his care and possibly louis too. he asked for
text: story follows two young lovers ( francoise pascal and hugues quester ) who meet at a wedding reception and agree to go on a date, for which they decide to take a walk in an enormous cemetery. as they make love in an underground tomb, strange and bizarre occurrences take place above ground. as night falls, they frantically try to escape from the cemetery, and with no luck, end up where they started. they are slowly overcome with hysteria and paranoia which brings about their mortality. the film was shot in the city of amiens over a four - week period and premiered at the 2nd annual convention of the fantastique in paris in april 1973 and was initially met with a negative reception and as a result, rollin was unable to find anyone to back his future personal projects. rollin directed the adult sex films jeunes filles impudiques ( schoolgirl hitchhikers ), le sourire vertical ( the vertical smile ), and tout le monde il en a deux ( bacchanales sexuelles or fly me the french way ) under the pseudonym michel gentil as he was financially unable to come up with a budget for another mainstream feature film. however, in 1974 rollin directed the horror adventure and self - proclaimed " expressionist " film les demoniaques which was inspired by the adventure classics he had enormous admiration for in his youth. the film includes joelle cœur and willy braque whom rollin worked with on jeunes filles impudiques. the story follows two young women who have been involved in a shipwreck and are brutally raped and murdered by a group of rogue pirates, only to be resurrected after making love to the devil so that they can seek their revenge. rollin had many disputes with the producers of the film during production of the project as they insisted on a low budget. he was hospitalized for two weeks following the work due to mental and physical exhaustion. further problems would arise including the working title, les diablesses, having to be changed as the copyright was not free of charge and with the castel twins being unavailable for the roles of the avenging ghosts, the parts where offered to inexperienced actresses lieva lone and patricia hermenier. rollin made a brief return to the erotic vampire genre in 1975 when he wrote and directed levres de sang ( lips of blood ). the film includes all the surreal dreamlike aspects for which rollin's films are known. the story follows a young man named frederic who is on a quest to find a woman dressed
text: and rank keopuolani was among the highest aliʻi of all the islands of hawaiʻi in her days, a ranking called naha. this meant she was the product of a royal half - sister and brother marriage. her extended genealogy displays an extreme case of pedigree collapse ; in the five preceding generations, the 64 possible positions for her ancestors are filled by only 30 individuals, largely due to multiple half - sibling marriages ( by comparison, charles ii of spain, an extreme case of european royal pedigree collapse, has 32 individuals in those positions, in his case largely due to multiple uncle - niece marriages ). this lineage gave her unquestionable social and political influence, which made her a coveted marriage partner for a chief to ensure heirs to inherit the combined ranks and birthrights of both parents. she married kamehameha in 1795 and their marriage linked the house of kamehameha to the ruling house of maui and the old ruling house of hawaii. although kamehameha had his own claims to these island, keopuolani further cemented his legitimacy over his usurpation of his cousin, keopuolani's father. she possessed the kapu moe ( prostrating taboo ) which required commoners to fall to their face on the ground at her presence. when chanters mentioned her name, listeners removed their kapa ( bark cloth ) garments above the waist in deference. even the touching of her shadow by commoners was punishable by death. she was kindhearted and never enforced those punishments. even kamehameha had to remove his malo ( loincloth ) in her presence. she was amiable and affectionate, while her husband was not. keopuolani was strict in the observance of the kapu, but mild in her treatment of those who had broken it, so they often fled to her protection. children she mothered at least three of kamehameha's children : prince liholiho in 1797 ( later king kamehameha ii ), prince kauikeaouli in 1814 ( later king kamehameha iii ), and princess nahienaena in 1815. perhaps up to eleven or twelve children were born but all except the three mentioned died young. because of the large age difference, kamehameha called his children born to keopuolani his grandchildren. the children of nieces and nephews were collectively grandchildren among the older generations of true grandparents and their siblings. only his children
text: and interviews ( all in french with english subtitles ) with blanchard, jean - pierre bouyxou and composer philippe d'aram. la morte la morte ( french pronunciation : [ la mɔʁt ] ) is a commune in the isere department in southeastern france. population see also communes of the isere department jacques tourneur jacques tourneur ( french : [ tuʁnœʁ ] ; november 12, 1904 – december 19, 1977 ) was a french film director known for the classic film noir out of the past and a series of low - budget horror films he made for rko radio pictures by val lewton, including cat people, i walked with a zombie, and the leopard man. he is also known for directing night of the demon, which was released by columbia pictures. while in hollywood, he was usually addressed by his anglicized name " jack turner ", a literal and phonetic translation of his name in english. life born in paris, france, tourneur was the son of fernande petit and film director maurice tourneur. at age 10, jacques moved to the united states with his father. he started a career in cinema while still attending high school as an extra and later as a script clerk in various silent films. both maurice and jacques returned to france after his father worked on the film the mysterious island in 1925. tourneur died in 1977, aged 73, in bergerac, dordogne, france. career tourneur began work as an editor and assistant director. he made his debut as a director on the french film tout ca ne vaut pas l'amour in 1931. tourneur went to hollywood in 1934 where he had a contract with mgm studios. while working as the second unit director on the film a tale of two cities he met film producer val lewton. tourneur made his feature debut as director in the 1939 film they all come out. after tourneur was dropped by mgm in 1941, he was picked up by lewton to film several acclaimed low - budget horror films for rko studios including cat people and i walked with a zombie. cat people, although considered a b movie and made on a limited budget, was distinguished by a style of lighting and cinematography that has been imitated countless times. tourneur was promoted to the a - list at rko, directing films including out of the past and berlin express. in the 1950s, tourneur became a freelance director, filming various genre films including wichita
text: life she remained ranjit singh's favorite and for no other did he have greater respect for than datar kaur, who he affectionately called mai nakain. even though she was his second wife she became his principal wife and chief consort. during a hunting trip with ranjit singh, she fell ill and died on 20 june 1838. ratan kaur and daya kaur were wives of sahib singh bhangi of gujrat ( a misl north of lahore, not to be confused the state of gujarat ). after sahib singh's death, ranjit singh took them under his protection in 1811 by marrying them via the rite of chadar andazi, in which a cloth sheet was unfurled over each of their heads. the same with roop kaur, gulab kaur, saman kaur, and lakshmi kaur, looked after duleep singh when his mother jind kaur was exiled. ratan kaur had a son multana singh in 1819, and daya kaur had two sons kashmira singh and pashaura singh in 1821. jind kaur, the final spouse of ranjit singh. her father, manna singh aulakh, extolled her virtues to ranjit singh, who was concerned about the frail health of his only heir kharak singh. the maharaja married her in 1835 by'sending his arrow and sword to her village '. on 6 september 1838 she gave birth to duleep singh, who became the last maharaja of the sikh empire. his other wives included, mehtab devi of kangara also called guddan or katochan and raj banso, daughters of raja sansar chand of kangra. he was also married to rani har devi of atalgarh, rani aso sircar and rani jag deo according to the diaries, that duleep singh kept towards the end of his life, that these women presented the maharaja with four daughters. dr. priya atwal notes that the daughters could be adopted. ranjit singh was also married to jind bani or jind kulan, daughter of muhammad pathan from mankera and gul bano, daughter of malik akhtar from amritsar. ranjit singh married many times, in various ceremonies, and had twenty wives. sir lepel griffin, however, provides a list of just sixteen wives and their pension list. most of his marriages were performed through chadar andaz. some scholars note that the information on
text: ##son as magistrate r. k. johnson as stephanus'father fannie mae jones as sarah bill kinkaid as barnabas george law as peter bruce lemmen as caiaphas john ludwig as priest melba jo mckenzie as claudia's maid fritz mollenkott as priest elmer rumminger as priest james ryerson as fremder glenn schunk as irenes vater billy shelton as enos clifford wallace as zebedee zeb wolfe as priest thomas woodward as herod agrippa bob kendall as longinus, roman soldier dan dunkelberger as vinicius, roman soldier jon formo as vestus, roman soldier roy lichtenwalter as sextus, roman soldier barry thomas as : marcus, roman soldier glenn zachary as octavus, roman soldier production the film was created with the participation of students and staff of bob jones university. the basis was the novel wine of morning of the university president, bob jones, jr., 1950, who had long been planning to write a novel about barabbas, but did not find the time to write until a pleurisy forced him into the hospital bed for two months. six months later, the novel was completed. the novel was finally filmed by unusual films ; bob jones jr. took over the role of pontius pilatus. wine of morning was featured at the international congress of motion's picture and television school directors at the cannes international film festival. it was the first film to win the four major awards from the national evangelical film foundation. wine of morning was katherine helmond's film debut. external links wine of morning in the internet movie database ( english ) wine of morning on www. unusualfilms. com brian kennedy ( gallery director ) brian patrick kennedy ( born 5 november 1961 ) is an irish - born art museum director who has worked in ireland and australia, and now lives and works in the united states. he was the director of the peabody essex museum in salem for 17 months, resigning december 31, 2020. he was the director of the toledo museum of art in ohio from 2010 to 2019. he was the director of the hood museum of art from 2005 to 2010, and the national gallery of australia ( canberra ) from 1997 to 2004. career brian kennedy currently lives and works in the united states after leaving australia in 2005 to direct the hood museum of art at dartmouth college. in october 2010 he became the ninth director of the toledo museum of art. on 1 july 2019, he succeeded dan monroe as the executive director
text: story follows two young lovers ( francoise pascal and hugues quester ) who meet at a wedding reception and agree to go on a date, for which they decide to take a walk in an enormous cemetery. as they make love in an underground tomb, strange and bizarre occurrences take place above ground. as night falls, they frantically try to escape from the cemetery, and with no luck, end up where they started. they are slowly overcome with hysteria and paranoia which brings about their mortality. the film was shot in the city of amiens over a four - week period and premiered at the 2nd annual convention of the fantastique in paris in april 1973 and was initially met with a negative reception and as a result, rollin was unable to find anyone to back his future personal projects. rollin directed the adult sex films jeunes filles impudiques ( schoolgirl hitchhikers ), le sourire vertical ( the vertical smile ), and tout le monde il en a deux ( bacchanales sexuelles or fly me the french way ) under the pseudonym michel gentil as he was financially unable to come up with a budget for another mainstream feature film. however, in 1974 rollin directed the horror adventure and self - proclaimed " expressionist " film les demoniaques which was inspired by the adventure classics he had enormous admiration for in his youth. the film includes joelle cœur and willy braque whom rollin worked with on jeunes filles impudiques. the story follows two young women who have been involved in a shipwreck and are brutally raped and murdered by a group of rogue pirates, only to be resurrected after making love to the devil so that they can seek their revenge. rollin had many disputes with the producers of the film during production of the project as they insisted on a low budget. he was hospitalized for two weeks following the work due to mental and physical exhaustion. further problems would arise including the working title, les diablesses, having to be changed as the copyright was not free of charge and with the castel twins being unavailable for the roles of the avenging ghosts, the parts where offered to inexperienced actresses lieva lone and patricia hermenier. rollin made a brief return to the erotic vampire genre in 1975 when he wrote and directed levres de sang ( lips of blood ). the film includes all the surreal dreamlike aspects for which rollin's films are known. the story follows a young man named frederic who is on a quest to find a woman dressed
text: bangkok ), a film which she had a lot of fun making, and she appeared in his newest film production la nuit des horloges ( the night of clocks ) opposite ovidie. death blanchard died on 24 may 2013, twelve days before her 59th birthday. the cause of death was not disclosed. filmography giulio questi giulio questi ( 18 march 1924 – 3 december 2014 ) was an italian film director and screenwriter. questi was born in bergamo. he wrote short stories and filmed several documentaries before he started as assistant director and script writer in the movie business. he is best known for the films la morte ha fatto l'uovo and django kill! ( if you live shoot! ). questi died in rome, aged 90. filmography mr. right ( 2009 film ) mr. right is a 2009 british film directed by david morris and jacqui morris. the jointly - made gay - themed film is the debut for both directors. synopsis the film presents life of a number of individuals who live in london's soho area in their quest for their " mr. right ". one of the highlights of the film is when all the characters gather for an excruciatingly awkward and hilarious dinner party at which wine and secrets are spilled. harry ( james lance ) is a tv producer but dreams to get way. he loves alex ( luke de woolfson ), an aspiring yet insecure actor who also works as a caterer. meanwhile alex is struggling to create an identity for himself and decides to live independently through monetary help from his brother despite harry wanting him back tom ( david morris, the co - director of the film ) is a successful art dealer who is in a precarious relationship with lars ( benjamin hart ), a handsome sometime - model. tom finds excuses for lars'flings so long as lars doesn't leave him. meanwhile lars has this attraction to harry and can't get over his feelings william ( rocky marshall ) a divorced former rugby player finds it difficult very difficult to parent his nine - year - old daughter georgie while trying to get on a new relationship with lawrence ( leon ockenden ), a striving soap actor. their relationship is complicated as georgie is intent on sabotaging his relationship. louise ( georgia zaris ), a fag hag, is dating paul ( jeremy edwards ), but suspects paul is gay. paul is slowly but surely getting drawn into the gay scene, despite visibly and verbally protesting
text: , for whom lady jane hamilton stood proxy ). little is known of her short life other than a fragment preserved in the letters of walpole. we have lost another princess, lady elizabeth. she died of an inflammation in her bowels in two days. her figure was so very unfortunate, that it would have been difficult for her to be happy, but her parts and application were extraordinary. i saw her act in " cato " at eight years old, ( when she could not stand alone, but was forced to lean against the side - scene, ) better than any of her brothers and sisters. she had been so unhealthy, that at that age she had not been taught to read, but had learned the part of lucia by hearing the others study their parts. she went to her father and mother, and begged she might act. they put her off as gently as they could — she desired leave to repeat her part, and when she did, it was with so much sense, that there was no denying her. she died on 4 september 1759 at kew palace, london and was buried at westminster abbey. ancestors see also list of british princesses daniel burman daniel burman ( born 29 august 1973, in buenos aires ) is an argentine film director, screenplay writer, and producer. according to film critic joel poblete, who writes for mabuse, a cinema magazine, daniel burman is one of the members of the so - called " new argentina cinema ", which began circa 1998. in fact, film critic anthony kaufman, writing for indiewire, said burman's a chrysanthemum burst in cincoesquinas ( 1998 ) has been cited as the beginning of the " new argentine cinema " wave. biography burman is of polish - jewish descent, and he was born and raised in buenos aires. he holds both argentine and polish citizenship, like his films'character, ariel. he studied law before changing to audiovisual media production. in 1995, he launched his own production company together with diego dubcovsky, bd cine ( burman and dubcovsky cine ). burman is also a founding member of the academy of argentine cinema. his loose trilogy of films, esperando al mesias ( 2000 ), el abrazo partido ( 2004 ), and derecho de familia ( 2006 ), were all written and directed by burman and star uruguayan actor daniel hendler. they are largely autobiographical, dealing with the life
text: , modern musical score that kovacs plays the piano reluctantly at first, but then enthusiastically after realizing it must, how little the americans can do with such modern music. trust in one another begins to develop slowly. tensions between the two governments are only resolved when the little one's parents are located. they are olaf, the embassy's swedish cook, and a woman from the host country who used to work here. ambassador adams now ensures in no time at all that marriage papers are issued to the parents, so that the toddler is considered a swedish citizen and can leave the communist country with the parents in the direction of freedom. adams'relationship with sonja also soon goes beyond the purely official : both eventually become a couple. cast joseph cotten as john adams eva bartok as sonja bob cunningham as captain heinikan rene deltgen as kovak gert frobe as olaf bruni lobel as lila ursula herking as madame debrov production it was filmed simultaneously in english - and german - language versions. see also 1955 in film list of comedy films of the 1950s list of german films 1945 – 1959 sepideh farsi sepideh farsi ( persian : سپیده فارسی ; born 1965 ) is an iranian director. early years farsi left iran in 1984 and went to paris to study mathematics. however, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films. a main theme of her works is identity. she still visits tehran each year. awards / recognition farsi was a member of the jury of the locarno international film festival in best first feature in 2009. she won the fipresci prize ( 2002 ), cinema du reel and traces de vie prize ( 2001 ) for " homi d. sethna, filmmaker " and best documentary prize in festival dei popoli ( 2007 ) for " harat ". recent news one of her latest films is called tehran bedoune mojavez ( tehran without permission ). the 83 - minute documentary shows life in iran's crowded capital city of tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest. it was shot entirely with a nokia camera phone because of the government restrictions over shooting a film. the film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the iranian rapper “ hichkas ”. the dialogue is in
text: ##es, directed by maurice tourneur 1931 : partir, directed by maurice tourneur 1932 : au nom de la loi, directed by maurice tourneur 1932 : les gaites de l'escadron, directed by maurice tourneur ( editor ) 1933 : les deux orphelines, directed by maurice tourneur ( editor ) 1993 : lidoire, directed by maurice tourneur. 1933 : obsession, directed by maurice tourneur ( uncredited ) 1933 : la fusee, directed by jacques natanson ( editor ) 1933 : le voleur, directed by maurice tourneur 1934 : rothchild, directed by maurice tourneur ( editor ) 1935 : a tale of two cities, directed by jack conway, war sequences, ( sequence de la prise de la bastille ). posterity la mort en direct ( 1980 ), film by bertrand tavernier is dedicated to deceased film director jacques tourneur ” there are films that watch us grow old ” serge daney. quoted by serge le peron in ( jacques tourneur le medium ), film by alain mazars, 2015. by naming the main character jessica holland in his film memoria ( 2021 ), apichatpong weerasethakul pays tribute to jacques tourneur ’ s film i walked with a zombie. jean rollin jean michel rollin roth le gentil ( french : [ ʒɑ mˈɪtʃəl ɹˈəʊlɪn lˈə dʒˈɛnt ] ; 3 november 1938 – 15 december 2010 ) was a french film director, actor, and novelist best known for his work in the fantastique genre. rollin's career, spanning over fifty years, featured early short films and his achievements with his first four vampire classics le viol du vampire ( 1968 ), la vampire nue ( 1970 ), le frisson des vampires ( 1970 ), and requiem pour un vampire ( 1971 ). rollin's subsequent notable works include la rose de fer ( 1973 ), levres de sang ( 1975 ), les raisins de la mort ( 1978 ), fascination ( 1979 ), and la morte vivante ( 1982 ). his films are noted for their exquisite, if mostly static, cinematography, off - kilter plot progression, poetic dialogue, playful surrealism and recurrent use of well - constructed female lead characters. outlandish denouements and abstruse visual symbols were trademarks. bel
text: a script for a pornographic picture which was in english and devoid of interest and not for la morte vivante, as she didn't speak french, she refused the role and told her agent that she would never in her life shoot with a guy like him. his second choice was actress marina pierro, a recurring collaborator with director walerian borowczyk, whom rollin instantly liked. pierro accepted the role. in the role of the photographers, american actor mike marshall, whom rollin enjoyed working with during the production received the role of greg and canadian actress carina barone, was offered the role of barbara due to a previous actress who featured in les paumees du petit matin turning it down as she unmistakable believed that it was supposedly an erotic film. the film was a commercial success within theatres and received quite a positive reception, especially in italy. upon its release, rollin was betrayed by a dishonest distributor who premiered in a select number of small theatres behind his back, as the film deserved a much larger audience in highly established theatres. however, la morte vivante was selected in many festivals which gave the film little success, particularly in rome where rollin's friend, andriano pintaldi presented the film in his festival where it was given the public's award. after directing three additional pornographic features following la morte vivante, rollin's next feature film, les trottoirs de bangkok ( the sidewalks of bangkok ) was released in 1984. it is a rare production for rollin, in that it does not contain his traditional fare of the supernatural, horror, or the fantastique genre. it is highly influenced by rollin's childhood passion for old serials as it contains themes of adventure, crime and mystery, comic - book fantasy and is inspired by the 1932 boris karloff classic the mask of fu manchu. the leading protagonist of the film is pornographic actress, yoko, whom rollin mentioned that he had " never worked with an actor who was so open - minded and easy to direct. " she portrays the role of eva, who is on the run from the french secret service and a rival syndicate who desperate require a deadly chemical which she possesses. this is her only mainstream role outside of the pornographic industry. francoise blanchard returns in her second film with rollin, as she appears in the role of claudine, a woman who works for the syndicate and is forced to locate eva and hand her over to her villainous boss, instead she chooses to protect eva
text: the rest of her life without economic difficulties. the english climate and pollution during the industrial revolution was determintal to amethyste's health, and eventually they decided to leave. in 1824, marie - louise and her daughters moved in pisa in italy, where they lived for the rest of their lives, amethyste dying shortly after their arrival and athenais in 1839. they lived discreetly for the most part, but were occasionally bothered by fortune hunters and throne claimers who wanted their fortune. shortly before her death, she wrote to haiti for permission to return. she never did, however, before she died in italy. she is buried in the church of san donnino. a historical marker was installed in front of the church on april 23, 2023 to commemorate the queen, her daughter and her sister. see also marie - claire heureuse felicite adelina leveque where was i " where was i? " may refer to : books " where was i? ", essay by david hawley sanford from the mind's i where was i?, book by john haycraft 2006 where was i?!, book by terry wogan 2009 film and tv where was i? ( film ), 1925 film directed by william a. seiter. with reginald denny, marian nixon, pauline garon, lee moran. where was i? ( 2001 film ), biography about songwriter tim rose where was i? ( tv series ) 1952 – 1953 quiz show with the panelists attempting to guess a location by looking at photos " where was i? " episode of shoestring ( tv series ) 1980 music " where was i ", song by w. franke harling and al dubin performed by ruby newman and his orchestra with vocal chorus by larry taylor and peggy mccall 1939 " where was i ", single from charley pride discography 1988 " where was i " ( song ), a 1994 song by ricky van shelton " where was i ( donde estuve yo ) ", song by joe pass from simplicity ( joe pass album ) " where was i? ", song by guttermouth from the album formerly known as a full length lp ( guttermouth album ) " where was i ", song by sawyer brown ( billy maddox, paul thorn, anne graham ) from can you hear me now 2002 " where was i? ", song by kenny wayne shepherd from live on 1999 " where was i ", song by melanie laine ( victoria banks, steve fox ) from time
text: of denmark ( 1528 – 11 november 1575 ), married on 27 october 1573 to christopher, duke of mecklenburg - gadebusch. frederick of denmark ( 13 april 1532 – 27 october 1556 ), prince - bishop of hildesheim and bishop of schleswig. christine of mecklenburg - gustrow christine of mecklenburg - gustrow ( 14 august 1663 – 3 august 1749 ) was a german noblewoman of the house of mecklenburg and by marriage countess of stolberg - gedern. born in gustrow, she was the sixth of eleven children born from the marriage of gustav adolph, duke of mecklenburg - gustrow and magdalene sibylle of holstein - gottorp. from her ten older and younger siblings, eight survived to adulthood : marie ( by marriage duchess of mecklenburg - strelitz ), magdalene, sophie ( by marriage duchess of wurttemberg - oels ), charles, hereditary prince of mecklenburg - gustrow, hedwig ( by marriage duchess of saxe - merseburg - zorbig ), louise ( by marriage queen of denmark and norway ), elisabeth ( by marriage duchess of saxe - merseburg - spremberg ) and augusta. life in gustrow on 14 may 1683, christine married louis christian, count of stolberg - gedern ( 1652 – 1710 ) as his second wife. between 1684 and 1705 she had 23 children in 19 pregnancies ( including 4 sets of twins ). from them, only 11 survive to adulthood : gustav adolph, hereditary prince of stolberg - gedern ( born and died gedern, 17 january 1684 ). a daughter ( born and died gedern, 17 january 1684 ), twin of gustav adolph. gustav ernest, hereditary prince of stolberg - gedern ( gedern, 10 march 1685 - gedern, 14 june 1689 ). fredericka charlotte ( gedern, 3 april 1686 - laubach, 10 january 1739 ), married on 8 december 1709 to frederick ernest, count of solms - laubach. emilie auguste ( gedern, 11 may 1687 - rossla, 30 june 1730 ), married on 1 october 1709 to jost christian, count of stolberg - rossla ( her first - cousin ). christiana louise ( gedern, 6 april 1688 - gedern, 11 august 1691 ). albertine antonie ( gedern, 15 april 1689 - gedern, 16 august 1691 ). charles louis, hereditary prince of stolberg - gedern ( ge
text: life donatich is married to betsy lerner, a literary agent and author ; together they have a daughter, raffaella. dana blankstein dana blankstein - cohen ( born march 3, 1981 ) is the executive director of the sam spiegel film and television school. she was appointed by the board of directors in november 2019. previously she was the ceo of the israeli academy of film and television. she is a film director, and an israeli culture entrepreneur. biography dana blankstein was born in switzerland in 1981 to theatre director dedi baron and professor alexander blankstein. she moved to israel in 1983 and grew up in tel aviv. blankstein graduated from the sam spiegel film and television school, jerusalem in 2008 with high honors. during her studies she worked as a personal assistant to directors savi gabizon on his film nina's tragedies and to renen schorr on his film the loners. she also directed and shot'the making of'film on gavison's film lost and found. her debut film camping competed at the berlin international film festival, 2007. film and academic career after her studies, dana founded and directed the film and television department at the kfar saba municipality. the department encouraged and promoted productions filmed in the city of kfar saba, as well as the established cultural projects, and educational community activities. blankstein directed the mini - series " tel aviviot " ( 2012 ). from 2016 - 2019 was the director of the israeli academy of film and television. in november 2019 dana blankstein cohen was appointed the new director of the sam spiegel film and television school where she also oversees the sam spiegel international film lab. in 2022, she spearheaded the launch of the new series lab and the film preparatory program for arabic speakers in east jerusalem. filmography tel aviviot ( mini - series ; director, 2012 ) growing pains ( graduation film, sam spiegel ; director and screenwriter, 2008 ) camping ( debut film, sam spiegel ; director and screenwriter, 2006 ) ian barry ( director ) ian barry is an australian director of film and tv. select credits waiting for lucas ( 1973 ) ( short ) stone ( 1974 ) ( editor only ) the chain reaction ( 1980 ) whose baby? ( 1986 ) ( mini - series ) minnamurra ( 1989 ) bodysurfer ( 1989 ) ( mini - series ) ring of scorpio ( 1990 ) ( mini - series ) crimebroker ( 1993 ) inferno ( 1998 )
text: , which has been a concert and recording mainstay for many years. the songs are in latin, spanish and italian, and include romances, canciones ( songs ), villancicos, ( popular songs ) and sonetos ( sonnets ). another innovation was the use of different signs for different tempos : slow, medium, and fast. references and further reading john griffiths : " alonso mudarra ", grove music online ed. l. macy ( accessed march 24, 2005 ), ( subscription access ) gustave reese, music in the renaissance. new york, w. w. norton & co., 1954. isbn 0 - 393 - 09530 - 4 guitar music of the sixteenth century, mel bay publications ( transcribed by keith calmes ) the eight masterpieces of alonso mudarra, mel bay publications ( transcribed by keith calmes ) fantasia vi in hypermedia ( shockwave player required ) at the binaural collaborative hypertext jacob heringman and catherine king : " alonso mudarra songs and solos ". magnatune. com ( http : / / www. magnatune. com / artists / albums / heringman - mudarra / hifi _ play ) external links free scores by alonso mudarra in the choral public domain library ( choralwiki ) free scores by alonso mudarra at the international music score library project ( imslp ) pablo sorozabal pablo sorozabal mariezcurrena ( 18 september 1897 – 26 december 1988 ) was a spanish composer of zarzuelas, operas, symphonic works, and the popular romanza, " no puede ser ". he was born in san sebastian, in a working - class family. trained in san sebastian, madrid and leipzig ; then in berlin, where he preferred friedrich koch as composition teacher to arnold schonberg, whose theories he disliked. it was in germany that he made his conducting debut, and the rostrum remained at the centre of his working life. his leipzig concert works include the choral suite vasca ( 1923 ) ; dos apuntes vascos ( 1925 ) and symphonic variations on a basque theme ( 1927 ) ; of later works the funeral march gernika for chorus and orchestra ( 1966 ) is outstanding. the siete lieder, 1929 settings of heinrich heine for mezzo - soprano and orchestra, are perhaps the finest works he produced in germany. two short but powerful compositions for chorus and orchestra, maite ( ‘ our
text: pornographic pictures, rollin eventually gained financial backing to produce his next mainstream feature. the story here features a young woman, elisabeth ( marie - georges pascal ) who is travelling to a secluded vineyard in the mountains owned by her fiance. there she discovers that the local residents who occupy the village have been transformed into mindless zombies by a dangerous pesticide which contaminated the grapes growing at the vineyard following a wine festival which occurred some days before. the film includes pornographic actress brigitte lahaie, in her first mainstream role, as rollin was the first french director to recognise her acting capabilities and offer her much more prominent roles in his subsequent films. rollin stated that les raisins de la mort was his " first traditional, almost conventional, production " which was because the film acquired solid finances with made a change and with special effects supplied by italian experts. claude becognee served as director of photography which added to the film's success. rollin would credit much of the film's success to marie - georges pascal's portrayal of elisabeth, whom he would recall delivered a very " moving " performance in the film. les raisins de la mort was shot in the deserted mountain region of les cevennes. the film is often referred to as being influenced by george a. romero's night of the living dead. however, it has more in common with jorge grau's 1974 spanish - italian horror film let sleeping corpses lie ( also known as the living dead at manchester morgue ). the film does not follow the tradition zombie method, instead, rollin's zombies centre on madness with a strong environmentally conscious message. as he has mentioned, the zombies " have retained their consciousness " and they finally " suffer for what they are ". with the film as a notable success, rollin would continue with pornographic films under a new pseudonym, robert xavier, while retaining the michel gentil credit. in 1979, and now established as a somewhat successful director, rollin created fascination in which he returned to the roots of the fantastique genre his early works are known for. the film is inspired by the short story un verre de sang ( a glass of blood ) from french poet jean lorrain with tells the tale of wealthy french people, who, at the turn of the century, begin to drink the blood of bulls in order to cure anemia. the title of the film refers to and pays homage to a french magazine of the same name which is dedicated to different forms of eroticism in art

Question: Are both directors of films La Morte Vivante and Stranger On Horseback from the same country?
Answer: yes