text: it is generally considered one of his best films as a director. corman was meant to follow this with robert e. lee for united artists at a budget of $ 4. 5 million. it was not made. neither was a story corman optioned, the spy in the vatican. return to independence he continued to finance films for filmgroup : voyage to the prehistoric planet ( 1965 ), dubbing a soviet movie planeta bur into english with some additional footage shot by curtis harrington, queen of blood ( 1966 ), using some soviet footage but a mostly new film, directed by harrington, blood bath ( 1966 ), an adapted yugoslavian film with additional footage shot by stephanie rothman and jack hill, and voyage to the planet of prehistoric women ( 1967 ), yet another dubbed version of planeta bur with some additional footage shot by corman's then - assistant peter bogdanovich. he had money in navy vs. the night monsters ( 1967 ). he financed two westerns shot back to back in utah, directed by monte hellman and written and co - produced by jack nicholson, the shooting ( 1967 ) and ride in the whirlwind ( 1967 ), which became cult successes. he also financed two films directed by dan haller, devil's angels ( 1967 ), a follow - up to wild angels written by griffith, and a car racing film shot in europe, the wild racers ( 1968 ). he announced a comedy about the population explosion, there just isn't any room, but it appears to have never been made. corman directed the trip for aip, written by jack nicholson and starring peter fonda, dennis hopper and bruce dern. this began the psychedelic film craze of the late 1960s and was the american entry at cannes that year. aip made some changes to the film in post - production, which made corman unhappy. in september 1967, he announced plans to build a new film studio. however, this did not happen for a number of years. corman made a film for american tv, target : harry ( 1968 ), shot in europe with his brother producing. he did some uncredited directing on aip's de sade ( 1969 ) when director cy endfield fell ill. he financed bogdanovich's first feature, targets ( 1968 ), which incorporated footage from the terror. he also produced the dunwich horror ( 1970 ) for aip, directed by haller and co - written by curtis hanson, and financed haller's
text: . mabuse, der spieler ( " dr. mabuse the gambler, " 1922 - which ran for over four hours, in two parts in the original version, and was the first in the dr. mabuse trilogy ), the five - hour die nibelungen ( 1924 ), the dystopian film metropolis ( 1927 ), and the science fiction film woman in the moon ( 1929 ). metropolis went far over budget and nearly destroyed ufa, which was bought by right - wing businessman and politician alfred hugenberg. it was a financial flop, as were his last silent films spies ( 1928 ) and woman in the moon, produced by lang's own company. in 1931, independent producer seymour nebenzahl hired lang to direct m for nero - film. his first " talking " picture, considered by many film scholars to be a masterpiece of the early sound era, m is a disturbing story of a child murderer ( peter lorre in his first starring role ) who is hunted down and brought to rough justice by berlin's criminal underworld. m remains a powerful work ; it was remade in 1951 by joseph losey, but this version had little impact on audiences, and has become harder to see than the original film. during the climactic final scene in m, lang allegedly threw peter lorre down a flight of stairs in order to give more authenticity to lorre's battered look. lang, who was known for being hard to work with, epitomized the stereotype of the tyrannical germanic film director, a type embodied also by erich von stroheim and otto preminger ; lang wore a monocle, adding to the stereotype. in the films of his german period, lang produced a coherent oeuvre that established the characteristics later attributed to film noir, with its recurring themes of psychological conflict, paranoia, fate and moral ambiguity. at the end of 1932, lang started filming the testament of dr. mabuse. adolf hitler came to power in january 1933, and by march 30, the new regime banned it as an incitement to public disorder. testament is sometimes deemed an anti - nazi film, as lang had put phrases used by the nazis into the mouth of the title character. a screening of the film was cancelled by joseph goebbels, and it was later banned by the reich ministry of public enlightenment and propaganda. in banning the film, goebbels stated that the film " showed that an extremely dedicated group of people are perfectly capable of overthrowing
text: , modern musical score that kovacs plays the piano reluctantly at first, but then enthusiastically after realizing it must, how little the americans can do with such modern music. trust in one another begins to develop slowly. tensions between the two governments are only resolved when the little one's parents are located. they are olaf, the embassy's swedish cook, and a woman from the host country who used to work here. ambassador adams now ensures in no time at all that marriage papers are issued to the parents, so that the toddler is considered a swedish citizen and can leave the communist country with the parents in the direction of freedom. adams'relationship with sonja also soon goes beyond the purely official : both eventually become a couple. cast joseph cotten as john adams eva bartok as sonja bob cunningham as captain heinikan rene deltgen as kovak gert frobe as olaf bruni lobel as lila ursula herking as madame debrov production it was filmed simultaneously in english - and german - language versions. see also 1955 in film list of comedy films of the 1950s list of german films 1945 – 1959 sepideh farsi sepideh farsi ( persian : سپیده فارسی ; born 1965 ) is an iranian director. early years farsi left iran in 1984 and went to paris to study mathematics. however, eventually she was drawn to the visual arts and initially experimented in photography before making her first short films. a main theme of her works is identity. she still visits tehran each year. awards / recognition farsi was a member of the jury of the locarno international film festival in best first feature in 2009. she won the fipresci prize ( 2002 ), cinema du reel and traces de vie prize ( 2001 ) for " homi d. sethna, filmmaker " and best documentary prize in festival dei popoli ( 2007 ) for " harat ". recent news one of her latest films is called tehran bedoune mojavez ( tehran without permission ). the 83 - minute documentary shows life in iran's crowded capital city of tehran, facing international sanctions over its nuclear ambitions and experiencing civil unrest. it was shot entirely with a nokia camera phone because of the government restrictions over shooting a film. the film shows various aspects of city life including following women at the hairdressers talking of the latest fads, young men speaking of drugs, prostitution and other societal problems, and the iranian rapper “ hichkas ”. the dialogue is in
text: 1991, which was a commercial film produced by a large hong kong film studio. in 1992 she directed and produced autumn moon. the film was a hit in the film festival circuit. it won the golden leopard award at the locarno film festival in 1992, as well as the european art theatres association best picture award and the youth special jury award in switzerland and the best screenplay in valencia ( 1994 ). it was also awarded at the belgium and portugal film festivals. autumn moon was selected for official screenings at the new york film festival as well as in sundance, toronto, london, rotterdam, gothenburg, thessaloniki, nantes, san francisco, creteil, dublin, puerto rico, seattle, jerusalem, new delhi, wellington, midnight sun finland, rio de janeiro, reykjavik, ghent, munich, ankara, sydney and melbourne. in 1993 she released temptation of a monk. the film is an adaptation of a novella by lillian lee. the film was shot entirely on location in the north and northwestern part of china. the film was selected for competition at the venice film festival in 1993. it won the grand prix at the creteil international film festival in france ( 1994 ). the film was also selected for official screenings at the toronto, sundance, rotterdam and brisbane film festivals, and as the closing film at the l. a. film festival. in 1994, law finished a segment of the movie erotique called wonton soup. later that year she and eddie fong moved to australia. 1994 – present she moved to australia with eddie fong in 1994. the pair's first film after their move to australia is floating life, which was completed in 1996. it won the silver leopard award at the locarno film festival in 1996, and two other awards including best film, it was selected by prix ficc and the " ambiente salute : qualita di vita " award. it also won the best film and best director awards at the gijon international film festival in spain, and the grand prix at the creteil international film festival in france. it was nominated for three awards at the australian film institute awards including best director and best screenplay, and it received nine nominations at the golden horse international film festival in taiwan, including the awards for best film, best director and best screenplay. floating life was also australia's official entry in the best foreign language film category at the 69th academy awards ( 1997 ). the film was also screened at the sydney, melbourne, london, rotterdam, hof, stockholm, toronto and hawaii film festivals. the
text: ##es 1999 : bienvenue au grand magasin 2000 : les iles eoliennes ( coll. voyages, voyages ) 2006 : un monde en fusion 2006 : otar iosseliani, le merle siffleur ( coll. cineastes de notre temps ) 2007 : stage les chantiers nomades : l'acteur concret au cinema, autour des objets 2008 : le mystere glasberg 2008 : antoinette fouque, qu'est - ce qu'une femme ( coll. empreintes ) 2014 : la cour de babel 2016 : dernieres nouvelles du cosmos feature films 2003 : depuis qu'otar est parti … 2010 : l'arbre 2018 : claire darling scriptwriter 2002 : depuis qu'otar est parti … 2010 : l'arbre 2018 : claire darling assistant director 1988 – 1990 : divers serie : salut les homards, les six compagnons, souris noire from pierre etaix 1990 : aujourd'hui peut - etre from jean - louis bertuccelli 1990 : kaminsky, un flic a moscou from stephane kurc 1991 : promenades d'ete from rene feret 1991 : la chasse aux papillons from otar iosseliani 1992 : precheur en eau trouble from georges lautner 1992 : trois couleurs : bleu from krzysztof kieslowski 1992 : trois couleurs : blanc from krzysztof kieslowski 1993 : les dessous du moulin rouge from nils tavernier 1994 : le clandestin from jean - louis bertuccelli 1994 : madame jacques sur la croisette from emmanuel finkiel 1995 : l'appat from bertrand tavernier 1995 : le bel ete 1914 from christian de chalonge 1996 : brigands, chapitre vii from otar iosseliani 1997 : un soir apres la guerre from rithy panh see also list of female film and television directors ian barry ( director ) ian barry is an australian director of film and tv. select credits waiting for lucas ( 1973 ) ( short ) stone ( 1974 ) ( editor only ) the chain reaction ( 1980 ) whose baby? ( 1986 ) ( mini - series ) minnamurra ( 1989 ) bodysurfer ( 1989 ) ( mini - series ) ring of scorpio ( 1990
text: ##co, justa, pedro, pelayo, muno and diego. he was the tenente of aguilar and documented with the title of count as of 1028. jointly with his son, flain fernandez, he governed the city of leon until 1038 when the kingdom was already under the control of king sancho iii of pamplona. biographical sketch he first appears in medieval charters in 999 when, jointly with his brother munio, confirmed a donation by the bishop of leon to the monastery of sahagun. on 26 february 1020, he and his wife accompanied by several of his children founded the monastery of san martin de pereda in valle de valdeburon which was subsequently incorporated in the monastery of benevivere. in this document, he mentions that he had inherited several of the properties being donated from fredenando uermudiz et flanio moniz, his grandfather and father, respectively. as a loyal vassal of king alfonso v of leon, he appears constantly confirming royal charters and was honored with the title of count at the end of the reign of alfonso and at least from 1028. after the death of alfonso v and the succession to the throne by bermudo iii of leon, fernando supported his first cousin king sancho iii of navarre, although, at first, he accompanied the young monarch as evidenced in a donation made by bermudo iii in november 1028 to the cathedral of santiago de compostela where he appears with other magnates confirming the royal charter. his presence in the curia regis of king bermudo iii was infrequent from 1029 until 1035 and this absence could be attributed to his involvement — active or behind the scenes — in the assassination of garcia sanchez, count of castile in 1029 when garcia went to the city of leon to meet sancha, his promised bride and future wife of king ferdinand i of leon. he was back at the court of bermudo iii to whom he remained faithful until the king was killed in the battle of tamaron in 1037. fernando flainez did not hand over the capital of the kingdom of leon to ferdinand i until 1038 and kept all his honors and estates until his death, after 1049, the last year in which he appears in the charters of the monastery of sahagun. marriage and issue he married his first cousin, elvira pelaez, daughter of count pelayo rodriguez and countess gotina fernandez, another daughter of fernando be
text: , which has been a concert and recording mainstay for many years. the songs are in latin, spanish and italian, and include romances, canciones ( songs ), villancicos, ( popular songs ) and sonetos ( sonnets ). another innovation was the use of different signs for different tempos : slow, medium, and fast. references and further reading john griffiths : " alonso mudarra ", grove music online ed. l. macy ( accessed march 24, 2005 ), ( subscription access ) gustave reese, music in the renaissance. new york, w. w. norton & co., 1954. isbn 0 - 393 - 09530 - 4 guitar music of the sixteenth century, mel bay publications ( transcribed by keith calmes ) the eight masterpieces of alonso mudarra, mel bay publications ( transcribed by keith calmes ) fantasia vi in hypermedia ( shockwave player required ) at the binaural collaborative hypertext jacob heringman and catherine king : " alonso mudarra songs and solos ". magnatune. com ( http : / / www. magnatune. com / artists / albums / heringman - mudarra / hifi _ play ) external links free scores by alonso mudarra in the choral public domain library ( choralwiki ) free scores by alonso mudarra at the international music score library project ( imslp ) pablo sorozabal pablo sorozabal mariezcurrena ( 18 september 1897 – 26 december 1988 ) was a spanish composer of zarzuelas, operas, symphonic works, and the popular romanza, " no puede ser ". he was born in san sebastian, in a working - class family. trained in san sebastian, madrid and leipzig ; then in berlin, where he preferred friedrich koch as composition teacher to arnold schonberg, whose theories he disliked. it was in germany that he made his conducting debut, and the rostrum remained at the centre of his working life. his leipzig concert works include the choral suite vasca ( 1923 ) ; dos apuntes vascos ( 1925 ) and symphonic variations on a basque theme ( 1927 ) ; of later works the funeral march gernika for chorus and orchestra ( 1966 ) is outstanding. the siete lieder, 1929 settings of heinrich heine for mezzo - soprano and orchestra, are perhaps the finest works he produced in germany. two short but powerful compositions for chorus and orchestra, maite ( ‘ our
text: time in northern quebec flying his cessna 180 skywagon, fishing, and hunting. artistry playback wrote that lauzon's films were " substantially autobiographical in nature ". collaborators described the director as " an extremely creative and intense personality for whom making films was painful. " american film critic roger ebert wrote that " lauzon is so motivated by his resentments and desires that everything he creates is pressed into the cause and filled with passion. " death lauzon was preparing his third feature - length film when he died, along with his girlfriend, canadian actress marie - soleil tougas, in a plane crash. on august 10, 1997, the cessna 180 skywagon that lauzon was piloting flew into a mountainside in strong winds and rain near kuujjuaq, quebec while returning from a fishing trip. lauzon was 43 years old when he died. he was buried in a private ceremony. filmography super maire ( 1979 ), short film piwi ( 1981 ), short film night zoo also known as un zoo la nuit ( 1987 ), feature film leolo ( 1992 ), feature film silvi jan silvi jan ( hebrew : סילבי ז'אן ; born 27 october 1973 ) an israeli former footballer who played as a striker. with 29 goals, she is the all - time israel national team top goalscorer. club career jan played school football in netanya, and was part of the boys'football team of shorashim school. as there was no women's league, jan tried to find an active team in europe, eventually signing with kolbotn i. l. in norway. in 1999, with the establishment of the israeli women's league, jan returned to israel and signed with hapoel tel aviv. jan played at hapoel tel aviv for four seasons, until the team folded, winning the league and cup in 2000 – 01. after hapoel tel aviv folded, jan signed with maccabi holon, where she played until her retirement in 2007. with maccabi holon jan won the league 4 times and the cup 5 times. in january 2009, jan returned to league action and joined asa tel aviv university. on 21 february 2012, in a league match against her former club, maccabi holon, jan scored her 1000th goal in all club and national team competitions. jan played at asa tel aviv until her retirement in may 2012. with asa tel aviv jan jan won three championships and two cups. jan scored a total of 1, 010 goals in all
text: ##lleur spectacle comique ) in 1991. he also directed shows by charlotte de turckheim, chevallier et laspales, patrick timsit, les chevaliers du fiel... woman in the moon woman in the moon ( german frau im mond ) is a german science fiction silent film that premiered 15 october 1929 at the ufa - palast am zoo cinema in berlin to an audience of 2, 000. it is often considered to be one of the first " serious " science fiction films. it was directed by fritz lang, and written by his wife thea von harbou, based on her 1928 novel the rocket to the moon. it was released in the us as by rocket to the moon and in the uk as girl in the moon. the basics of rocket travel were presented to a mass audience for the first time by this film, including the use of a multi - stage rocket. the film was shot between october 1928 and june 1929 at the ufa studios in neubabelsberg near berlin. plot helius ( willy fritsch ) is an entrepreneur with an interest in space travel. he seeks out his friend professor mannfeldt ( klaus pohl ), a visionary who wrote a treatise claiming that there was probably much gold on the moon, only to be ridiculed by his peers. helius recognizes the value of mannfeldt's work. however, a gang of evil businessmen have also taken an interest in mannfeldt's theories, and send a spy ( fritz rasp ) who identifies himself as " walter turner ". meanwhile, helius's assistant windegger ( gustav von wangenheim ) has announced his engagement to helius's other assistant, friede ( gerda maurus ). helius, who secretly loves friede, avoids their engagement party. on his way home from his meeting with professor mannfeldt, helius is mugged by henchmen of the gang. they steal the research that professor mannfeldt had entrusted to helius, and also burgle helius's home, taking other valuable material. turner then presents helius with an ultimatum : the gang know he is planning a voyage to the moon ; either he includes them in the project, or they will sabotage it and destroy his rocket, which is named friede ( " peace " ). reluctantly, helius agrees to their terms. the rocket team is assembled : helius ; professor mannfeldt and his pet mouse josephine ; windeg
text: / director wunderkind ( 1984 ) - writer / director guistina ( 1981 ) - writer / director activism feldman is active in the fight for gender equality in the film and television industry. her activism takes form in speaking out about issues such as equal pay, job stability for women, sexual harassment, sexual discrimination and female representation within the industry. feldman is also an activist for women behind the camera, who can be seen in the geena davis produced documentary this changes everything. feldman was the former chair of the dga women's steering committee ( wsc ). the focus of the wsc is to support and uplift women in the film and television industry. personal life and education feldman grew up in the bronx and now lives in los angeles. she attended new york university where she received a master of fine arts degree and has taught classes in directing and screenwriting at the usc school of cinematic arts. feldman is married to artisan contractor and colorist carl tillmanns ; together they have two children, nora and leon. they are both alumni of sarah lawrence college, where they first met. ian barry ( director ) ian barry is an australian director of film and tv. select credits waiting for lucas ( 1973 ) ( short ) stone ( 1974 ) ( editor only ) the chain reaction ( 1980 ) whose baby? ( 1986 ) ( mini - series ) minnamurra ( 1989 ) bodysurfer ( 1989 ) ( mini - series ) ring of scorpio ( 1990 ) ( mini - series ) crimebroker ( 1993 ) inferno ( 1998 ) ( tv movie ) miss lettie and me ( 2002 ) ( tv movie ) not quite hollywood : the wild, untold story of ozploitation! ( 2008 ) ( documentary ) the doctor blake mysteries ( 2013 ) howard w. koch howard winchel koch ( april 11, 1916 – february 16, 2001 ) was an american producer and director of film and television. life and career koch was born in new york city, the son of beatrice ( winchel ) and william jacob koch. his family was jewish. he attended dewitt clinton high school and the peddie school in hightstown, new jersey. he began his film career as an employee at universal studios office in new york then made his hollywood filmmaking debut in 1947 as an assistant director. he worked as a producer for the first time in 1953 and a year later made his directing debut. in 1964, paramount pictures appointed him head of film production, a position he held until 1966 when he left to set up
text: and television. in november 2019 dana blankstein cohen was appointed the new director of the sam spiegel film and television school where she also oversees the sam spiegel international film lab. in 2022, she spearheaded the launch of the new series lab and the film preparatory program for arabic speakers in east jerusalem. filmography tel aviviot ( mini - series ; director, 2012 ) growing pains ( graduation film, sam spiegel ; director and screenwriter, 2008 ) camping ( debut film, sam spiegel ; director and screenwriter, 2006 ) peter levin peter levin is an american director of film, television and theatre. career since 1967, levin has amassed a large number of credits directing episodic television and television films. some of his television series credits include love is a many splendored thing, james at 15, the paper chase, family, starsky & hutch, lou grant, fame, cagney & lacey, law & order and judging amy. some of his television film credits include rape and marriage : the rideout case ( 1980 ), a reason to live ( 1985 ), popeye doyle ( 1986 ), a killer among us ( 1990 ), queen sized ( 2008 ) and among other films. he directed " heart in hiding ", written by his wife audrey davis levin, for which she received an emmy for best day time special in the 1970s. prior to becoming a director, levin worked as an actor in several broadway productions. he costarred with susan strasberg in " [ the diary of ann frank ] " but had to leave the production when he was drafted into the army. he trained at the carnegie mellon university. eventually becoming a theatre director, he directed productions at the long wharf theatre and the pacific resident theatre company. he also co - founded the off - off - broadway theatre [ the hardware poets playhouse ] with his wife audrey davis levin and was also an associate artist of the interact theatre company. lynn reynolds lynn fairfield reynolds ( may 7, 1889 – february 25, 1927 ) was an american director and screenwriter. reynolds directed more than 80 films between 1915 and 1928. he also wrote for 58 films between 1914 and 1927. reynolds was born in harlan, iowa and died in los angeles, california, from a self - inflicted gunshot wound. death returning home in 1927 after being snowbound in the sierras for three weeks, reynolds telephoned his wife, actress kathleen o'connor, to arrange a dinner party at their hollywood home with another couple. during the dinner, reynolds and o'connor
text: kettle - sally lesley dudley as joan jill adams - june wilson john glyn - jones - benny wintle raymond huntley - harry halburton harriette johns - lady gregg noel dyson - muriel donaghue richard bebb - frank lang ann castle - eileen lang micheline patton - mrs. broome irene richardson - extra elliot silverstein elliot silverstein ( born august 3, 1927 ) is a retired american film and television director. he directed the academy award - winning western comedy cat ballou ( 1965 ), and other films including the happening ( 1967 ), a man called horse ( 1970 ), nightmare honeymoon ( 1974 ), and the car ( 1977 ). his television work includes four episodes of the twilight zone ( 1961 – 1964 ). career elliot silverstein was the director of six feature films in the mid - twentieth century. the most famous of these by far is cat ballou, a comedy - western starring jane fonda and lee marvin. the other silverstein films, in chronological order, are the happening, a man called horse, nightmare honeymoon, the car, and flashfire. other work included directing for the television shows the twilight zone, the nurses, picket fences, and tales from the crypt. while silverstein was not a prolific director, his films were often decorated. cat ballou, for instance, earned one oscar and was nominated for four more. his high quality work was rewarded in 1990 with a lifetime achievement award by the directors guild of america. awards in 1965, at the 15th berlin international film festival, he won the youth film award – honorable mention, in the category of best feature film suitable for young people for cat ballou. he was also nominated for the golden berlin bear. in 1966, he was nominated for the dga award in the category for outstanding directorial achievement in motion pictures ( cat ballou ). in 1971, he won the bronze wrangler award at the western heritage awards in the category of theatrical motion picture for a man called horse, along with producer sandy howard, writer jack dewitt, and actors judith anderson, jean gascon, corinna tsopei and richard harris. in 1985, he won the robert b. aldrich achievement award from the directors guild of america. in 1990, he was awarded the dga honorary life member award. personal life silverstein has been married three times, each ending in divorce. his first marriage was to evelyn ward in 1962 ; the couple divorced in 1968. his second marriage was to alana king. during his first marriage, he
text: the speed of sound on land. death needham died on october 25, 2013 in los angeles, california, aged 82, shortly after being diagnosed with cancer. bibliography needham, hal ( 2011 ). stuntman! : my car - crashing, plane - jumping, bone - breaking, death - defying hollywood life. new york : little, brown and company. isbn 978 - 0 - 316 - 07899 - 3. oclc 548642135. filmography as actor filmography as director perdon, viejita perdon, viejita is a 1927 silent argentine film directed and written by jose a. ferreyra. ferreyra was born on 28 august 1889 in buenos aires, argentina. he was a director and writer also known for bewitching kisses ( 1937 ) and la vuelta al bulin ( 1926 ). ferreyra died on 29 january 1943, at age 53. a fragment ( 34 - minutes ) of the film is currently available on youtube. the restored version will be presented in the san isidro film and music festival on 15 november. 2016. the nitrate copy of the film was provided by the fundacion cinemateca argentina and the restoration work was done by gotika, synopsis perdon, viejita ( which means " sorry, old woman " in english ) revolves around a lower - class family : dona camila, the aging mother, and elena and carlos, her children. carlos is, unbeknownst to her, a reformed thief. one day he meets nora, a prostitute, in the park, and decides to bring her home after falling in love with her. elena, who is being courted by a shady don juan, is given a ring as a gift, but nora takes it away from her complaining that she knows men like don juan and the ring is probably stolen. this is evidenced when the police arrive in search for the ring, and nora takes the fall for elena. prudencio, elena's other pretender, takes an interest in don juan and after following him forces him to accompany him to the police and confess about the stolen ring. don juan is then imprisoned and nora let go, but she feels her honor has been tainted and her meddling has caused trouble to the family, so she leaves and goes back to her job under the wing of el gavilan ( " the hawker " ). carlos follows suit, and confronts el gavilan, who in the confrontation wounds nora from gunshot. in the epilogue
text: aid to his struggling family. babu killed the village chief, who discovered babu's true sex and demanded babu have sex with him in return for concealing the truth. babu also killed the financier's son, who falsely told babu he has photographed babu while he was bathing. rana asks vivek to give babu the lightest - available sentence but vivek decides to release him. rana thanks vivek, who says rana is a greater human being than he is a director. cast tamil version production final cut of director was launched in malaysia in 2006 with the title cinema for the hindi version and bommalattam for the tamil version. bharathiraja decided to make the film in hindi after casting nana patekar to play rana. vikram was initially considered to play arjun's role. arjun sarja was cast as vivek, a cbi officer although he was not fluent in hindi. rukmini vijayakumar was cast in an important role. the film was to be made in hindi and dubbed into tamil. cinema was based on a true incident that took place in hampi. the film was mostly made in mumbai and goa. scenes involving nana patekar and arjun sarja were shot in chennai. nana and bharathiraja fought during filming ; according to bharathiraja ; " we fought with each other a couple of times. however the fights helped us to sharpen our thoughts and to shape the movie in a nice way. " nagravi of insight media bought the film's rights. bharathiraja and cinematographer kannan said final cut of director is one of the best films they had made. final cut of director was originally the film lead debut of kajal aggarwal, who appeared in a hindi film called kyun! ho gaya na..., but final cut of director was delayed and lakshmi kalyanam became her first release. soundtrack the soundtrack was composed by himesh reshammiya. hindi versionlyrics by sameer. " zindagi " – sunidhi chauhan " dhola dholiya " – afsar, sneha panth " chakle chakle " – akriti kakkar " aaha aaha " – himesh reshammiya, manjeera ganguly " leja leja " – gayatri iyer ganjawala tamil versionlyrics by snehan, thenmozhi das and viveka. " aaha aaha "
text: case ( 1952 ) laughing anne ( 1953 ) trouble in the glen ( 1953 ) lilacs in the spring 1954 ) king's rhapsody ( 1955 ) my teenage daughter ( 1956 ) these dangerous years ( 1957 ) the man who wouldn't talk ( 1958 ) wonderful things! ( 1958 ) the heart of a man ( 1959 ) the lady is a square ( 1959 ) producer the wonderful story ( 1922 ) paddy the next best thing ( 1923 ) warned off ( 1930 ) on approval ( 1930 ) tons of money ( 1930 ) plunder ( 1931 ) the barton mystery ( 1932 ) life goes on ( 1932 ) say it with music ( 1932 ) thark ( 1932 ) leap year ( 1932 ) a night like this ( 1932 ) the flag lieutenant ( 1932 ) general john regan ( 1933 ) the blarney stone ( 1933 ) lord of the manor ( 1933 ) discord ( 1933 ) lilies of the field ( 1934 ) fame ( 1936 ) millions ( 1937 ) mohsen eslamzadeh mohsen eslamzadeh is an iranian documentary filmmaker. he is the director of alone among the taliban. this film has won the best documentary award at the 44th athens international film and video festival in the united states. this film has won the best documentary award at the 12th marbella international film festival in spain. this film has won the shahid avini award offers. filmography “ the sunnies of iran ” “ mothers of the revolution ” “ mysteries of abu - salim prison ” “ in the name of liberty ” “ looking for peace ” “ alone among the taliban ” the dream of marjaan awards and honors the competition of the international festival of documentary films " meetings in siberia " | russia, 2018 the competition of the " tiburon international film festival " | usa, 2017 the best documentary of “ athen international film + video festival ” | usa, 2017the best documentary of “ marbella international film festival ” | spain, 2017the “ moscow detective film festival ” | russia, 2017 the competition of the “ thin line film festival ” | usa, 2017the competition of the “ asia - pacific film festival ” | 2016 the competition of the “ human rights film festival ” | italy, 2017the competition of the “ ismailia international film festival ” | egypt, 2017the winner of the “ shahid avini ” international section of the “ cinema verite ” | iran, 2015 the winner of the “ ammar popular film festival ” | iran, 2015 the 8th “ ammar film festival ” for the documentary of “ q
text: of the illusory nature of reality. in greek myth, maia is the mother of hermes and a goddess of mountains and fields. in 1944, back in new york city, her social circle included marcel duchamp, andre breton, john cage, and anais nin. in 1944, deren filmed the witch's cradle in peggy guggenheim's art of this century gallery with duchamp featured in the film. in the december 1946 issue of esquire magazine, a caption for her photograph teased that she " experiments with motion pictures of the subconscious, but here is finite evidence that the lady herself is infinitely photogenic. " her third husband, teiji ito, said : " maya was always a russian. in haiti she was a russian. she was always dressed up, talking, speaking many languages and being a russian. " film career deren defined cinema as an art, provided an intellectual context for film viewing, and filled a theoretical gap for the kinds of independent films that film societies were featuring. as sarah keller states, “ maya deren lays claim to the honor of being one of the most important pioneers of the american film avant - garde with a scant seventy - five or so minutes of finished films to her credit. ” deren began to screen and distribute her films in the united states, canada, and cuba, lecturing and writing on avant - garde film theory, and additionally on vodou. in february 1946 she booked the provincetown playhouse in greenwich village for a major public exhibition, titled three abandoned films, in which she showed meshes of the afternoon ( 1943 ), at land ( 1944 ) and a study in choreography for camera ( 1945 ). the event was completely sold out, inspiring amos vogel's formation of cinema 16, the most successful film society of the 1950s. in 1946, she was awarded a guggenheim fellowship for " creative work in the field of motion pictures ", and in 1947, won the grand prix international for avant - garde film at the cannes film festival for meshes of the afternoon. she then created a scholarship for experimental filmmakers, the creative film foundation. between 1952 and 1955, deren collaborated with the metropolitan opera ballet school and antony tudor to create the very eye of night. deren's background and interest in dance appears in her work, most notably in the short film a study in choreography for camera ( 1945 ). this combination of dance and film has often been referred to as " choreocinema ", a term first coined by american dance critic
text: from charles stewart's wife harriet stewart, and her daughter would take the same name. an hour afterwards, in the early evening of september 16, 1823, she died. the next day, the ships in port fired their guns in salute, and a large public funeral was held on september 18, 1823. she was buried at a new tomb at hale kamani in lahaina. in 1837, king kamehameha iii transferred her body to the sacred island of mokuʻula in lahaina, maui. later her remains were perhaps reburied at the christian cemetery at waiola church, along with her daughter and many others in the royal family. keopuolani park at 700 halia nakoa street in wailuku 20°53 ′ 37 ″ n 156°29 ′ 4 ″ w and keopuolani dormitory on the kapalama campus of kamehameha schools were named after her. family family tree ancestry khalid al - habib khalid habib ( arabic : خالد حبيب ) ( died october 16, 2008 ), born shawqi marzuq abd al - alam dabbas ( arabic : شوقي مرزوق عبد العليم دباس ), was an ascending member of al - qaeda's central structure in pakistan and afghanistan. his nationality was reported as egyptian ( by cbs news ) and as moroccan ( by the new york times ). habib was the operations commander for the region. he was one of several al - qaeda members who were more battle - hardened by combat experience in iraq, chechnya, and elsewhere. this experience rendered them more capable than their predecessors. according to the new york times, this cadre was more radical than the previous generation of al - qaeda leadership. the fbi described habib as " one of the five or six most capable, most experienced terrorists in the world. in 2008, habib relocated from wana to taparghai, pakistan to avoid missile strikes launched from us - operated mq - 1 predator aircraft which targeted al qaeda and taliban personnel. khalid habib was killed by a predator strike near taparghai on october 16, 2008. habib was reportedly sitting in a toyota station wagon which was struck by the missile. on october 28, militants confirmed to the asia times that habib was killed in the drone attack. kamehameha i kamehameha i ( hawaiian pronunciation : [ kəmehəˈmɛ
text: ) ( directed by demme ), moving violation ( 1976 ) and thunder and lightning ( 1977 ). peak of new world death race 2000 ( 1975 ), written by robert thom and directed by paul bartel, was a big hit, earning $ 4 million. it helped inspire a series of car chase movies : cannonball ( 1976 ), directed by bartel ; eat my dust! ( 1976 ), directed by griffith starring ron howard, which led to a follow - up, grand theft auto ( 1978 ), howard's directorial debut. there was also the great texas dynamite chase ( 1976 ), deathsport ( 1978 ) and smokey bites the dust ( 1981 ). new world's trailers were cut by joe dante and alan arkush. corman gave them the chance to direct together, with hollywood boulevard ( 1976 ), which used outtakes from other new world films. it was successful enough for corman to give both men jobs directing features on their own : dante with piranha ( 1978 ) and arkush with rock'n'roll high school ( 1979 ). piranha was written by john sayles, who had been discovered by corman's story editor, frances doel. sayles later wrote the lady in red ( 1979 ) for corman, which was directed by lewis teague. other popular films around this time included tidal wave ( 1975 ), a japanese film to which corman added some extra footage, and jackson county jail ( 1976 ). he also financed i never promised you a rose garden. less popular was avalanche ( 1979 ), a disaster film directed by corey allen. for universal he made fast charlie... the moonbeam rider ( 1979 ), directed by carver. he financed bogdanovich's saint jack ( 1979 ). corman was criticized when he insisted on the addition of footage featuring a rape for humanoids from the deep ( 1980 ). similarly, in galaxy of terror, as noted on schlock and awe... some, " corman promised the investors that the film would feature a taaffe o'connell sex - scene and a gruesome death - scene as - well. to save time, corman put the two together. the actress agreed to a nude scene, but not a rape scene. corman isn't the kind of man who takes no for an answer, and after some contract renegotiation, o'connell agreed to being raped to death by a giant worm - monster. money … it does amazing
text: abdication of her son, king gustav iv adolf of sweden, after sweden lost finland to russia. she was deeply affected by his deposition. on the day of the coup, she was informed by her friend maria aurora uggla, and in her company she immediately rushed to the quarters of her son. she was prevented from seeing him by guards, and burst into tears in the arms of uggla. shortly after, she was visited in her quarters by duke charles in the company of guards, who officially told her what had happened and made her burst into tears again by officially banning her from seeing her son. when she, during the captivity of her son, formally applied for permission to see him, and was told by charles that she could not unless given permission by the government, she publicly commented : " the government was not asked for permission for the murder of my husband, neither any permission was sought to depose and imprison my son, but i must have their permission, to speak to my child. " she was never to see her son again, but she corresponded with him for the rest of her life. he was sent into exile and replaced by his paternal uncle charles xiii, but she remained in sweden until her death. she did, however, say goodbye to her daughter - in - law and her grandchildren when they left stockholm to join gustav adolf. in january 1810, she was presented to the elected heir to the throne, charles august, crown prince of sweden. during his visit, he stopped before the portrait of her grandson gustav, and informed her that he wished to adopt him for his successor. later that year ( 2 november 1810 ), she was presented to the next elected heir to the throne, jean baptiste bernadotte. he regarded her with suspicion and believed that she did not wish to see him, but she commented : " i am grateful for the sensitivity of the crown prince, but he is mistaken, if he believes that i do not wish to see him! it would be unfair if i were to hold the least bit of dislike toward him, for it is not he who has deposed my son! " at the meeting, her face was said to have turned white, but at the end, she is said to have been delighted by his charm. in 1811, she was one of the few in the swedish court who were nice to desiree clary. in september 1812, germaine de stael was presented to her, and gave her the impression of her : " her majesty analyzed my books as an educated woman
text: eye. it does not seem to have been made. instead, griffith reused the same script structure and corman employed many of the same cast in the little shop of horrors ( 1960 ). this film was reputedly shot in two days and one night. for filmgroup, corman directed the wasp woman ( 1959 ), starring cabot from a script by gordon. his brother and he made two films back - to - back in south dakota : ski troop attack ( 1960 ), a war movie written by griffith and directed by corman, and beast from haunted cave ( 1959 ), the first film directed by monte hellman. corman went to puerto rico and produced another two films back - to - back : battle of blood island ( 1960 ), directed by joel rapp, and last woman on earth ( 1960 ), directed by corman from a script by robert towne. filming on these two films went so quickly that corman commissioned griffith to write a third, which was shot at the same time : creature from the haunted sea ( 1961 ). corman was going to make part time mother from a script by griffith but it appears to have never been made. house of usher aip wanted corman to make two horror films for them, in black and white, at under $ 100, 000 each on a 10 - day shooting schedule. corman, however, was tired of making films on this sort of budget and was worried the market for them was in decline. he proposed making a film in colour for $ 200, 000, shot over 15 days. corman proposed an adaptation of " the fall of the house of usher " by edgar allan poe and aip agreed. the film was announced in may 1959. richard matheson was hired to do the adaptation and vincent price was brought in to star ; haller did the art direction. the resulting film, house of usher ( 1960 ), shot in early 1960, was a critical and commercial hit. following this, corman bought two scripts, sob sisters don't cry and cop killer. in march 1960, corman announced that filmgroup would be part of an international production group, compass productions. he directed a peplum in greece, atlas ( 1961 ) in august. he was going to direct a thriller from a script by robert towne, i flew a spy plane over russia. it was not made ; neither were two comedies he was to make with dick miller and jon haze, murder at the convention and pan and the satyrs. house of usher had

Question: Which film has the director born later, Woman In The Moon or Changeland?
Answer: Changeland