English: Symmetry in Atonal and Tonal Music F2,18 Ciamaga, Gustav I1/2,7 Circle, with Tangents I1/2,3 Citizen Demand and Government Response F2,13 City of Philadelphia B3,3 Cixous, Hélène B; B2,30 Clark, George B3,26 Clark, Melville B3,3; F2,23 Clarke, F.R.C. B2,31 Clarkes, Gerard B2,32 Clarkson, Austin B2,33; E,35; F2,1; H3,9 Claussen, Elizabeth B2,86 Cleavages, Parties and Value in Canada F2,13 Cluytens, A. B3,1 Coates, Donald F2,24 Cohanim, Moussa B3,25 Cole, Barry E,43 to E,45; H3,15 to H3,17 Colgrass, Ulla B; B2,34; H3,15 Collins, G.S. B3,8 Colpa, Hans B3,13 Colpa, J. Alexander F2,24 Colwell, David B2,35; H2,17 Combarieu, Jules G,20 Come Let’s Begin to Revel’t Out D7,8 Come Shepherds Follow Me D7,8 Commemorative Medal for the 125th Anniversary of the Confederation of Canada MUS 164; A; A,21 Comments D; D5,29 and D5,30; E,53 Communion D1,19 to D1,21; D1,23; D1,25 A Compendium of Contemporary Musical Thought G,58 Composing with Speech F1,92 COMUS Music Theatre of Canada B2,36 Concordia Electro-acoustic Composers’ Group G,53 Concerto D7,2 Concerto Fantasy I1/2,3 Concerto (In stilo di Handel) D2,1 Concerto per orchestra D2,2 Concord String Quartet I1/2,17 Conservatoire de musique et d’art dramatique MUS 164; B3,3 Consolation I I1/2,20 Constant, Marius B; B2,37; E; E,32 and E,33; H; H2,16 and H2,17; H3,13; I1/1,2 Constant, Sonia B2,37 Consulate General of Paraguay B3,2 Contemporary Music in Canada F2,5 Contemporary Music Review B2,38 A Continuing Thread? . . . Perhaps F1,86 Contra Mortem et Tempus I1/2,31 Contrapuntos I1/2,13 Corker, Eve B3,7 Cornell University B3,5 Cornwall Symphony Orchestra B3,11 Courtney, Rosemary B3,12 Cousineau-Allard, Lucille E,28 Covenant and Lesson (The Voyage) D1,47; D1,54; D1,58 Cox, Linda B3,19 Cram, Robert B; B3,28 Crawley, Clifford B3,20 Creek, Mario F2,24 A Crisis D1,49; D1,56; D1,59 Crowder, C. D1,18 A Crown for Ashes F2,7 Crumb, George B3,13; I1/2,8 Csapó, Gyula B; B2,39 Csipkay, Francesca de B2,84 and B2,85 Csipkay, Genevra de B2,82 to B2,85, E,44 Curtay, Jean-Paul B3,13 Curtin, John B3,22 Curtin, Walter B3,12 to B3,15 and B3,16; E,22; H2,18 D D’Albert, François B3,21 Dalos, Anna B3,27 Dann, Steve H3,2 Darius, Jon B2,40; F2,25; H; H2,16 Dart, Thurston B3,44 Darvas, Tibor C. B3,15 Davenant, William D5,21 and D5,22 Davidowski, Mario I1/2,9 Davidson, Hugh B3,10; E,33 Davies, Michael B2,41; E,35 and E,36 Davis, Andrew E,46 Davis, Caroline B3,12; B3,15 Davis, Henriette D2,4 Deák, T.J. B3,4 Decsényi, János B3,18 Deep Themes, Not-So-Hidden F1,44; F1,47; F1,49; F1,51 Deep Themes, Not So Hidden in the Music of István Anhalt F2,19 Definition 2 D1,7 and D1,8 Definition 3 D1,7 and D1,8 Dehejia, Rajeev H. B; B2,42; E,22; F2,2 "Densité 21.5" de Varèse: essai d’analyse sémiologique F2,14 Depraz, Raymond B2,43; D5,3 and D5,4 Derivations No. 5 I1/2,1 Destination D1,19 and D1,20; D1,22; D1,24 Devecseri, Gábor D5,1 Devecseri, Klára B; B2,44; B2,64; D5,3 and D5,4; H; H2,4 Devoy-Pineau, Françoise B3,20 Dialogue D1,63 and D1,64 Dickson, Jennifer B3,11 Didergö Király I1/2,34 Différences I1/2,4 Diotima Leaves de Mall (Dialogue) D1,116; D1,118 to D1,120 Discipline D1,19 to D1,21; D1,23; D1,25 Dixon, Gail B2,45 Donald, Merlin B3,18 Donn, Ken B3,6 Donovan, Patrick E,45 Doors… Shadows (Glenn Gould in Memory) MUS 164; D; D3,7 to D3,10; E,6; H3,2 Dorenfeld, Joanne B3,15 Drake University B3,5 Dreisziger, N.F. B3,20 Dufourcq, Norbert B3,1 Duncan, Alain B3,22 Dünnhaupt, Gerhard B3,19 and B3,20; F2,25 Dupuis, Charles E,32 Dzigan, Shimon I3,2 E Easton, David B2,46 and B2,47; E,35; F; F2,25; H; H2,5; H3,9; H3,16 Easton, Sylvia B2,46; H2,5 Echoes of Time and the River:
French: Symmetry in Atonal and Tonal Music F2,18 Ciamaga, Gustav I1/2,7 Circle, with Tangents I1/2,3 Citizen Demand and Government Response F2,13 Cixous, Hélène B; B2,30 Clark, George B3,26 Clark, Melville B3,3; F2,23 Clarke, F.R.C. B2,31 Clarkes, Gerard B2,32 Clarkson, Austin B2,33; E,35; F2,1; H3,9 Claussen, Elizabeth B2,86 Cleavages, Parties and Value in Canada F2,13 Cluytens, A. B3,1 Coates, Donald F2,24 Cohanim, Moussa B3,25 Cole, Barry E,43 à E,45; H3,15 à H3,17 Colgrass, Ulla B; B2,34; H3,15 Collins, G.S. B3,8 Colpa, Hans B3,13 Colpa, J. Alexander F2,24 Colwell, David B2,35; H2,17 Combarieu, Jules G,20 Come Let’s Begin to Revel’t Out D7,8 Come Shepherds Follow Me D7,8 Comments D; D5,29 et D5,30; E,53 Commission canadienne pour l’Unesco B; B3,5 Commission du Centenaire E,3 Communauté électroacoustique canadienne B; B3,26 et B3,27 Communion D1,19 à D1,21; D1,23; D1,25 A Compendium of Contemporary Musical Thought G,58 Composing with Speech F1,92 COMUS Music Theatre of Canada B2,36 Concerto D7,2 Concerto Fantasy I1/2,3 Concerto (In stilo di Handel) D2,1 Concerto per orchestra D2,2 Concord String Quartet I1/2,17 Concours international Béla Bartók B; B3,1 et B3,2 Concours nationaux JMC 1967 B3,4 Congrès juif canadien B3,3; B3,9 Conseil canadien de la musique E,52; G,43 Conseil de recherches en sciences humaines du Canada B2,149 Conseil des arts du Canada B2,23 et B2,24; D1,64 Conseil international d’études canadiennes B3,19 Conseil national de recherches du Canada B2,117 Conservatoire de musique et d’art dramatique MUS 164; B3,3 Consolation I I1/2,20 Constant, Marius B; B2,37; E; E,32 et E,33; H; H2,16 et H2,17; H3,13; I1/1,2 Constant, Sonia B2,37 Consulat général du Paraguay B3,2 Contemporary Music in Canada F2,5 Contemporary Music Review B2,38 A Continuing Thread? … Perhaps F1,86 Contra Mortem et Tempus I1/2,31 Contrapuntos I1/2,13 Corker, Eve B3,7 Courtney, Rosemary B3,12 Cousineau-Allard, Lucille E,28 Covenant and Lesson (The Voyage) D1,47; D1,54; D1,58 Cox, Linda B3,19 Cram, Robert B; B3,28 Crawley, Clifford B3,20 Creek, Mario F2,24 A Crisis D1,49; D1,56; D1,59 Crowder, C. D1,18 A Crown for Ashes F2,7 Crumb, George B3,13; I1/2,8 Csapó, Gyula B; B2,39 Csipkay, Francesca de B2,84 et B2,85 Csipkay, Genevra de B2,82 à B2,85, E,44 Curtay, Jean-Paul B3,13 Curtin, John B3,22 Curtin, Walter B3,12 à B3,15 et B3,16; E,22; H2,18 D D’Albert, François B3,21 Dalos, Anna B3,27 Dann, Steve H3,2 Darius, Jon B2,40; F2,25; H; H2,16 Dart, Thurston B3,44 Darvas, Tibor C. B3,15 Davenant, William D5,21 et D5,22 Davidowski, Mario I1/2,9 Davidson, Hugh B3,10; E,33 Davies, Michael B2,41; E,35 et E,36 Davis, Andrew E,46 Davis, Caroline B3,12; B3,15 Davis, Henriette D2,4 Deák, T.J. B3,4 Decsényi, János B3,18 Deep Themes, Not-So-Hidden F,44; F1,47; F1,49; F1,51 Deep Themes, Not So Hidden in the Music of István Anhalt F2,19 Definition 2 D1,7 et D1,8 Definition 3 D1,7 et D1,8 Dehejia, Rajeev H. B; B2,42; E,22; F2,2 « Densité 21.5 » de Varèse : essai d’analyse sémiologique F2,14 Département de psychiatrie de l’Université Queen’s I2,11 Depraz, Raymond B2,43; D5,3 et D5,4 Derivations No. 5 I1/2,1 Destination D1,19 et D1,20; D1,22; D1,24 Devecseri, Gábor D5,1 Devecseri, Klára B; B2,44; B2,64; D5,3 et D5,4; H; H2,4 Devoy-Pineau, Françoise B3,20 Dialogue D1,63 et D1,64 Dickson, Jennifer B3,11 Didergö Király I1/2,34 Différences I1/2,4 Diotima Leaves de Mall (Dialogue) D1,116; D1,118 à D1,120 Discipline D1,19 à D1,21; D1,23; D1,25 Dixon, Gail B2,45 Donald, Merlin B3,18 Donn, Ken B3,6 Donovan, Patrick E,45 Doors… Shadows (Glenn Gould in Memory) MUS 164; D; D3,7 à D3,10; E,6; H3,2 Dorenfeld, Joanne B3,15 Dreisziger, N.F. B3,20 Dufourcq, Norbert B3,1 Duncan, Alain B3,22 Dünnhaupt, Gerhard B3,19 et B3,20; F2,25 Dupuis, Charles E,32 Dzigan, Shimon I3,2 E Easton, David B2,46 et B2,47; E,35; F; F2,25; H; H2,5; H3,9; H3,16 Easton, Sylvia B2,46; H2,5 Echoes of Time and the River: