English: Homage to István Anhalt F2,5 Eckhardt, Ferdinand B3,11 Edmison, David R. B3,26 Edward B. Marks Music Corporation B3,5 Edward, Jack B2,48; H3,9 Edward, Joan B3,26 and B3,27 Elastic Band Studies I1/2,3 Electric Phoenix B3,11 The Electroacoustic Music of István Anhalt F1,82 Electronic Composition No. 1 E,7 and E,8 Electronic Composition No. 2 D6,1 and D6,2; E,7 and E,8; I; I1/1,1 Electronic Composition No. 3 (Birds and Bells) D; D6,3 to D6,5; E,7 and E,8; I; I1/1,1; I2,1 Electronic Composition No. 4 D6,6 and D6,7; E,7 and E,8; I; I1/1,1 Elements of a Systematic View F1,24 Eliot, T.S. D5,20 Elliott, Patricia B3,9 Elliott, Robin B2,49; E,21; F; F1,83 and F1,84; H2,18; I2,14 Encyclopedia of Music in Canada A,10; F1,1 to F1,3 The End of the Mime of Mick, Nick and the Maggies I1/2,10 English, James R. B3,18 Enter Lady Diotima D1,115; D1,117; D1,119 and D1,120 Entry of the Bride D5,33 Enyedi, György B3,1 Epp, Richard H3,8 Epstein, Paul H2,16 Erdély, Stephen B3,6 Erdman, Sandra I1/2,3 Erickson, Robert B3,5; I; I1/2,10 Esprit Orchestra MUS 164; B3,16; B3,18; B3,20; D2,33; H3,11 Evans, Glyn E,45; H3,15 to H3,17; I1/1,4 Evenings for New Music Ensemble I1/2,17 Evocation I1/2,1 Eyles, Sherelle B3,26 F Falck, Robert B3,23; F2,25 Fallis, Loie E,21; E,35 Famous Brittany D1,45; D1,53; D1,58 Fantasia MUS 164; D4,10 The Fashion Show D1,116; D1,118 to D1,120 Feldman, Morton I1/2,11 Feldstein, Carol Ann I1/1,4 Fell, Albert B3,17 Ferenc Liszt Hungarian Academy of Music D1,103 to D1,105; I2,4 Ferrari, Luc C1/1,15; I1/2,12 Festival of the Sound B3,18 A Few Words About "Comments" F1,92 Fiddlers and Fribbles or Is Art a Separate Reality?
French: Homage to István Anhalt F2,5 Eckhardt, Ferdinand B3,11 Edmison, David R. B3,26 Edward B. Marks Music Corporation B3,5 Edward, Jack B2,48; H3,9 Edward, Joan B3,26 et B3,27 Elastic Band Studies I1/2,3 Electric Phoenix B3,11 The Electroacoustic Music of István Anhalt F,82 Electronic Composition No. 1 E,7 et E,8 Electronic Composition No. 2 D6,1 et D6,2; E,7 et E,8; I; I1/1,1 Electronic Composition No. 3 (Birds and Bells) D; D6,3 à D6,5; E,7 et E,8; I; I1/1,1; I2,1 Electronic Composition No. 4 D6,6 et D6,7; E,7 et E,8; I; I1/1,1 Elements of a Systematic View F1,24 Eliot, T.S. D5,20 Elliott, Patricia B3,9 Elliott, Robin B2,49; E,21; F; F1,83 et F1,84; H2,18; I2,14 Encyclopédie de la musique au Canada A,10; F1,1 à F1,3 The End of the Mime of Mick, Nick and the Maggies I1/2,10 English, James R. B3,18 Enter Lady Diotima D1,115; D1,117; D1,119 et D1,120 Entry of the Bride D5,33 Enyedi, György B3,1 Epp, Richard H3,8 Epstein, Paul H2,16 Erdély, Stephen B3,6 Erdman, Sandra I1/2,3 Erickson, Robert B3,5; I; I1/2,10 Esprit Orchestra MUS 164; B3,16; B3,18; B3,20; D2,33; H3,11 Evans, Glyn E,45; H3,15 à H3,17; I1/1,4 Evenings for New Music Ensemble I1/2,17 Evocation I1/2,1 Eyles, Sherelle B3,26 F Falck, Robert B3,23; F2,25 Fallis, Loie E,21; E,35 Famous Brittany D1,45; D1,53; D1,58 Fantasia MUS 164; D4,10 The Fashion Show D1,116; D1,118 à D1,120 Fédération canadienne des associations de professeurs de musique B3,16 Feldman, Morton I1/2,11 Feldstein, Carol Ann I1/1,4 Fell, Albert B3,17 Ferenc Liszt Hungarian Academy of Music D1,103 à D1,105; I2,4 Ferrari, Luc C1/1,15; I1/2,12 Festival of the Sound B3,18 A Few Words About « Comments » F,92 Fiddlers and Fribbles or Is Art a Separate Reality?