nc33/multispan_quoref huggingface dataset:
In 1924, Rix Nicholas, again travelling with Dorothy Richmond, set sail for France, intending to exhibit her works in Europe. She voyaged on the Ormonde, which was also carrying the Australian Olympic team. She befriended several of the team members and painted a portrait of one for an Olympic artists' competition.Arriving in Paris in June, eventually Rix Nicholas rented a studio in Montparnasse, which had previously belonged to French artist Rosa Bonheur. An exhibition at the "prestigious" Georges Petit Galerie in Paris in January 1925 was a great success. It led to important sales, including to the Musée du Luxembourg, making her the only Australian woman to have more than one work in its collection and, according to one report, one of only three Australian artists represented at all at that time, the others being Rupert Bunny and Arthur Streeton. The exhibition led also to a tour of her works to London and British regional galleries, the first time any Australian artist had archived such prominence; between 1926 and 1928, her works were shown in Hull, Sunderland, Tyne and Wear, Bootle, Blackpool, Northampton, Warrington, Folkestone, Leicester, Derby, Gateshead and Leek in Staffordshire.The work purchased by the Luxembourg in 1925 was In Australia, a portrait of Ned Wright, manager of the property at Delegate where she had stayed in the early 1920s. He is portrayed on horseback, a pipe clasped in his exposed and bright teeth, with a panoramic backdrop of an Australian pastoral landscape. His stance is casual, self-assured and heroic, consistent with the up-beat nationalism of Australia at the time.

Question: What is the full name of the person whose work was exhibited in Leicester, Derby, Gateshead and Leek in Staffordshire?
Answer: Dorothy Richmond
In 1924, Rix Nicholas, again travelling with Dorothy Richmond, set sail for France, intending to exhibit her works in Europe. She voyaged on the Ormonde, which was also carrying the Australian Olympic team. She befriended several of the team members and painted a portrait of one for an Olympic artists' competition.Arriving in Paris in June, eventually Rix Nicholas rented a studio in Montparnasse, which had previously belonged to French artist Rosa Bonheur. An exhibition at the "prestigious" Georges Petit Galerie in Paris in January 1925 was a great success. It led to important sales, including to the Musée du Luxembourg, making her the only Australian woman to have more than one work in its collection and, according to one report, one of only three Australian artists represented at all at that time, the others being Rupert Bunny and Arthur Streeton. The exhibition led also to a tour of her works to London and British regional galleries, the first time any Australian artist had archived such prominence; between 1926 and 1928, her works were shown in Hull, Sunderland, Tyne and Wear, Bootle, Blackpool, Northampton, Warrington, Folkestone, Leicester, Derby, Gateshead and Leek in Staffordshire.The work purchased by the Luxembourg in 1925 was In Australia, a portrait of Ned Wright, manager of the property at Delegate where she had stayed in the early 1920s. He is portrayed on horseback, a pipe clasped in his exposed and bright teeth, with a panoramic backdrop of an Australian pastoral landscape. His stance is casual, self-assured and heroic, consistent with the up-beat nationalism of Australia at the time.

Question: What is the first name of the person who painted a man on horseback?
Answer: Dorothy
In 1924, Rix Nicholas, again travelling with Dorothy Richmond, set sail for France, intending to exhibit her works in Europe. She voyaged on the Ormonde, which was also carrying the Australian Olympic team. She befriended several of the team members and painted a portrait of one for an Olympic artists' competition.Arriving in Paris in June, eventually Rix Nicholas rented a studio in Montparnasse, which had previously belonged to French artist Rosa Bonheur. An exhibition at the "prestigious" Georges Petit Galerie in Paris in January 1925 was a great success. It led to important sales, including to the Musée du Luxembourg, making her the only Australian woman to have more than one work in its collection and, according to one report, one of only three Australian artists represented at all at that time, the others being Rupert Bunny and Arthur Streeton. The exhibition led also to a tour of her works to London and British regional galleries, the first time any Australian artist had archived such prominence; between 1926 and 1928, her works were shown in Hull, Sunderland, Tyne and Wear, Bootle, Blackpool, Northampton, Warrington, Folkestone, Leicester, Derby, Gateshead and Leek in Staffordshire.The work purchased by the Luxembourg in 1925 was In Australia, a portrait of Ned Wright, manager of the property at Delegate where she had stayed in the early 1920s. He is portrayed on horseback, a pipe clasped in his exposed and bright teeth, with a panoramic backdrop of an Australian pastoral landscape. His stance is casual, self-assured and heroic, consistent with the up-beat nationalism of Australia at the time.

Question: What is the last name of the Australian artist who obtained high providence?
Answer: Richmond
For combination of grace, dramatic strength, and clearness in technique this picture would be difficult to surpass. There is nothing finicky about it; it tells its story with vivid directness. As a background to the figure Mrs. Rix Nicholas has set a piece of antique tapestry, so that the trees on either side lean in arch-wise over the head, the face and shoulders stand out clearly against an expanse of sky, and behind the body and limbs extends a countryside full of towers and rivers and trees. The quaint conventionality of this background accords exactly with the late eighteenth-century costume, all sprigged with roses and heliotrope; and the whole mass of detail harmonies [sic] perfectly with the type of the model's face. It is a cold, selfish face. The artist has brought out with revealing strokes an expression of vindictive malice which is for the moment resting there; and the hands, the fingers of one grasped tightly by the other, give a clear indication of nervous tension within. The treatment of flesh tones and the general arrangement, drawing attention gently but not too obtrusively to the columbines scattered on the polished floor—those are excellent.
While she exhibited many of the Australian works completed before arriving in France, she was also creating many new works, including illustrations and portraits of traditional life and costume, produced during a summer in Brittany. In 1926, Rix Nicholas was again included in London's Royal Academy of Art exhibition, where one of her Brittany paintings, Le Bigouden, was hung. She also appeared at the Société Nationale des Beaux-Arts Spring exhibition in Paris, in which she had eight works, a very large number for a single artist. The Société not only hung many of her paintings and drawings: she was also elected an Associate to the organisation in that year.At the end of 1926, Rix Nicholas and Dorothy Richmond together returned to Australia. Energised by her success, Rix Nicholas purchased a car, filled its rear compartment with painting equipment, and the pair set out to paint the landscape, ranging from Canberra and the Monaro plains to the south, up into central Queensland. This included a publicity-attracting occasion where she painted figures on the beach at Bondi, reported by various publications including Australian magazine, The Home.

Question: What is the full name of the person who paired with Rix Nicholas to set out and paint the landscape?
Answer: Dorothy Richmond
For combination of grace, dramatic strength, and clearness in technique this picture would be difficult to surpass. There is nothing finicky about it; it tells its story with vivid directness. As a background to the figure Mrs. Rix Nicholas has set a piece of antique tapestry, so that the trees on either side lean in arch-wise over the head, the face and shoulders stand out clearly against an expanse of sky, and behind the body and limbs extends a countryside full of towers and rivers and trees. The quaint conventionality of this background accords exactly with the late eighteenth-century costume, all sprigged with roses and heliotrope; and the whole mass of detail harmonies [sic] perfectly with the type of the model's face. It is a cold, selfish face. The artist has brought out with revealing strokes an expression of vindictive malice which is for the moment resting there; and the hands, the fingers of one grasped tightly by the other, give a clear indication of nervous tension within. The treatment of flesh tones and the general arrangement, drawing attention gently but not too obtrusively to the columbines scattered on the polished floor—those are excellent.
While she exhibited many of the Australian works completed before arriving in France, she was also creating many new works, including illustrations and portraits of traditional life and costume, produced during a summer in Brittany. In 1926, Rix Nicholas was again included in London's Royal Academy of Art exhibition, where one of her Brittany paintings, Le Bigouden, was hung. She also appeared at the Société Nationale des Beaux-Arts Spring exhibition in Paris, in which she had eight works, a very large number for a single artist. The Société not only hung many of her paintings and drawings: she was also elected an Associate to the organisation in that year.At the end of 1926, Rix Nicholas and Dorothy Richmond together returned to Australia. Energised by her success, Rix Nicholas purchased a car, filled its rear compartment with painting equipment, and the pair set out to paint the landscape, ranging from Canberra and the Monaro plains to the south, up into central Queensland. This included a publicity-attracting occasion where she painted figures on the beach at Bondi, reported by various publications including Australian magazine, The Home.

Question: What is the full name of the organization to which Rix Nicholas was also elected an Associate?
Answer: Société Nationale des Beaux-Arts
For combination of grace, dramatic strength, and clearness in technique this picture would be difficult to surpass. There is nothing finicky about it; it tells its story with vivid directness. As a background to the figure Mrs. Rix Nicholas has set a piece of antique tapestry, so that the trees on either side lean in arch-wise over the head, the face and shoulders stand out clearly against an expanse of sky, and behind the body and limbs extends a countryside full of towers and rivers and trees. The quaint conventionality of this background accords exactly with the late eighteenth-century costume, all sprigged with roses and heliotrope; and the whole mass of detail harmonies [sic] perfectly with the type of the model's face. It is a cold, selfish face. The artist has brought out with revealing strokes an expression of vindictive malice which is for the moment resting there; and the hands, the fingers of one grasped tightly by the other, give a clear indication of nervous tension within. The treatment of flesh tones and the general arrangement, drawing attention gently but not too obtrusively to the columbines scattered on the polished floor—those are excellent.
While she exhibited many of the Australian works completed before arriving in France, she was also creating many new works, including illustrations and portraits of traditional life and costume, produced during a summer in Brittany. In 1926, Rix Nicholas was again included in London's Royal Academy of Art exhibition, where one of her Brittany paintings, Le Bigouden, was hung. She also appeared at the Société Nationale des Beaux-Arts Spring exhibition in Paris, in which she had eight works, a very large number for a single artist. The Société not only hung many of her paintings and drawings: she was also elected an Associate to the organisation in that year.At the end of 1926, Rix Nicholas and Dorothy Richmond together returned to Australia. Energised by her success, Rix Nicholas purchased a car, filled its rear compartment with painting equipment, and the pair set out to paint the landscape, ranging from Canberra and the Monaro plains to the south, up into central Queensland. This included a publicity-attracting occasion where she painted figures on the beach at Bondi, reported by various publications including Australian magazine, The Home.

Question: What is the last name of the individual who exhibited many of the Australian works completed before arriving in France?
Answer: Nicholas
For combination of grace, dramatic strength, and clearness in technique this picture would be difficult to surpass. There is nothing finicky about it; it tells its story with vivid directness. As a background to the figure Mrs. Rix Nicholas has set a piece of antique tapestry, so that the trees on either side lean in arch-wise over the head, the face and shoulders stand out clearly against an expanse of sky, and behind the body and limbs extends a countryside full of towers and rivers and trees. The quaint conventionality of this background accords exactly with the late eighteenth-century costume, all sprigged with roses and heliotrope; and the whole mass of detail harmonies [sic] perfectly with the type of the model's face. It is a cold, selfish face. The artist has brought out with revealing strokes an expression of vindictive malice which is for the moment resting there; and the hands, the fingers of one grasped tightly by the other, give a clear indication of nervous tension within. The treatment of flesh tones and the general arrangement, drawing attention gently but not too obtrusively to the columbines scattered on the polished floor—those are excellent.
While she exhibited many of the Australian works completed before arriving in France, she was also creating many new works, including illustrations and portraits of traditional life and costume, produced during a summer in Brittany. In 1926, Rix Nicholas was again included in London's Royal Academy of Art exhibition, where one of her Brittany paintings, Le Bigouden, was hung. She also appeared at the Société Nationale des Beaux-Arts Spring exhibition in Paris, in which she had eight works, a very large number for a single artist. The Société not only hung many of her paintings and drawings: she was also elected an Associate to the organisation in that year.At the end of 1926, Rix Nicholas and Dorothy Richmond together returned to Australia. Energised by her success, Rix Nicholas purchased a car, filled its rear compartment with painting equipment, and the pair set out to paint the landscape, ranging from Canberra and the Monaro plains to the south, up into central Queensland. This included a publicity-attracting occasion where she painted figures on the beach at Bondi, reported by various publications including Australian magazine, The Home.

Question: What is the last name of the person who appeared at the Société Nationale des Beaux-Arts Spring exhibition in Paris, in which she had eight works?
Answer: Nicholas
For combination of grace, dramatic strength, and clearness in technique this picture would be difficult to surpass. There is nothing finicky about it; it tells its story with vivid directness. As a background to the figure Mrs. Rix Nicholas has set a piece of antique tapestry, so that the trees on either side lean in arch-wise over the head, the face and shoulders stand out clearly against an expanse of sky, and behind the body and limbs extends a countryside full of towers and rivers and trees. The quaint conventionality of this background accords exactly with the late eighteenth-century costume, all sprigged with roses and heliotrope; and the whole mass of detail harmonies [sic] perfectly with the type of the model's face. It is a cold, selfish face. The artist has brought out with revealing strokes an expression of vindictive malice which is for the moment resting there; and the hands, the fingers of one grasped tightly by the other, give a clear indication of nervous tension within. The treatment of flesh tones and the general arrangement, drawing attention gently but not too obtrusively to the columbines scattered on the polished floor—those are excellent.
While she exhibited many of the Australian works completed before arriving in France, she was also creating many new works, including illustrations and portraits of traditional life and costume, produced during a summer in Brittany. In 1926, Rix Nicholas was again included in London's Royal Academy of Art exhibition, where one of her Brittany paintings, Le Bigouden, was hung. She also appeared at the Société Nationale des Beaux-Arts Spring exhibition in Paris, in which she had eight works, a very large number for a single artist. The Société not only hung many of her paintings and drawings: she was also elected an Associate to the organisation in that year.At the end of 1926, Rix Nicholas and Dorothy Richmond together returned to Australia. Energised by her success, Rix Nicholas purchased a car, filled its rear compartment with painting equipment, and the pair set out to paint the landscape, ranging from Canberra and the Monaro plains to the south, up into central Queensland. This included a publicity-attracting occasion where she painted figures on the beach at Bondi, reported by various publications including Australian magazine, The Home.

Question: What is the last name of the person who painted figures on the beach at Bondi?
Answer: Nicholas
Boo-Boo Bear wakes up from winter hibernation, excited about the new Spring. Then Yogi Bear wakes up, his only interest finding some food to eat. Cindy Bear unsuccessfully tries to woo Yogi. After Ranger Smith thwarts Yogi's latest attempts to grab some food, Yogi gets angry and convinces the Ranger to transfer him out of Jellystone National Park. Smith prepares Yogi to be sent over to the San Diego Zoo along with an identification tag. Yogi first says goodbye to everything, but tricks another bear named Corn Pone into going to California instead of him and Boo-Boo and Cindy remain unaware of this, thinking Yogi has departed for good.
Soon, Yogi is stealing food from all over the park under the alter ego "The Brown Phantom", but Smith believes it is another bear. He threatens whoever it is to be sent to the zoo. Cindy, wishing to be with Yogi at the zoo, angers Smith into mistakenly sending her away. However, she gets sent to the St. Louis Zoo instead, as the San Diego Zoo does not need any more bears. When she realizes her true destination, she gets very sad, crying since she knows she would be far from Yogi now.
Late that night, Cindy falls out of the train and becomes lost. A traveling circus is looking for a great act to raise their ratings, when suddenly, their dog runs off and scares Cindy into walking on the telephone wires, the perfect opportunity for the circus.

Question: What is the name of the character who is sent to the St. Louis zoo?
Answer: Cindy
Boo-Boo Bear wakes up from winter hibernation, excited about the new Spring. Then Yogi Bear wakes up, his only interest finding some food to eat. Cindy Bear unsuccessfully tries to woo Yogi. After Ranger Smith thwarts Yogi's latest attempts to grab some food, Yogi gets angry and convinces the Ranger to transfer him out of Jellystone National Park. Smith prepares Yogi to be sent over to the San Diego Zoo along with an identification tag. Yogi first says goodbye to everything, but tricks another bear named Corn Pone into going to California instead of him and Boo-Boo and Cindy remain unaware of this, thinking Yogi has departed for good.
Soon, Yogi is stealing food from all over the park under the alter ego "The Brown Phantom", but Smith believes it is another bear. He threatens whoever it is to be sent to the zoo. Cindy, wishing to be with Yogi at the zoo, angers Smith into mistakenly sending her away. However, she gets sent to the St. Louis Zoo instead, as the San Diego Zoo does not need any more bears. When she realizes her true destination, she gets very sad, crying since she knows she would be far from Yogi now.
Late that night, Cindy falls out of the train and becomes lost. A traveling circus is looking for a great act to raise their ratings, when suddenly, their dog runs off and scares Cindy into walking on the telephone wires, the perfect opportunity for the circus.

Question: What is the name of the character who cries when they learn their true destination?
Answer: Cindy
Boo-Boo Bear wakes up from winter hibernation, excited about the new Spring. Then Yogi Bear wakes up, his only interest finding some food to eat. Cindy Bear unsuccessfully tries to woo Yogi. After Ranger Smith thwarts Yogi's latest attempts to grab some food, Yogi gets angry and convinces the Ranger to transfer him out of Jellystone National Park. Smith prepares Yogi to be sent over to the San Diego Zoo along with an identification tag. Yogi first says goodbye to everything, but tricks another bear named Corn Pone into going to California instead of him and Boo-Boo and Cindy remain unaware of this, thinking Yogi has departed for good.
Soon, Yogi is stealing food from all over the park under the alter ego "The Brown Phantom", but Smith believes it is another bear. He threatens whoever it is to be sent to the zoo. Cindy, wishing to be with Yogi at the zoo, angers Smith into mistakenly sending her away. However, she gets sent to the St. Louis Zoo instead, as the San Diego Zoo does not need any more bears. When she realizes her true destination, she gets very sad, crying since she knows she would be far from Yogi now.
Late that night, Cindy falls out of the train and becomes lost. A traveling circus is looking for a great act to raise their ratings, when suddenly, their dog runs off and scares Cindy into walking on the telephone wires, the perfect opportunity for the circus.

Question: What zoo does Cindy want to go to?
Answer: San Diego Zoo
Boo-Boo Bear wakes up from winter hibernation, excited about the new Spring. Then Yogi Bear wakes up, his only interest finding some food to eat. Cindy Bear unsuccessfully tries to woo Yogi. After Ranger Smith thwarts Yogi's latest attempts to grab some food, Yogi gets angry and convinces the Ranger to transfer him out of Jellystone National Park. Smith prepares Yogi to be sent over to the San Diego Zoo along with an identification tag. Yogi first says goodbye to everything, but tricks another bear named Corn Pone into going to California instead of him and Boo-Boo and Cindy remain unaware of this, thinking Yogi has departed for good.
Soon, Yogi is stealing food from all over the park under the alter ego "The Brown Phantom", but Smith believes it is another bear. He threatens whoever it is to be sent to the zoo. Cindy, wishing to be with Yogi at the zoo, angers Smith into mistakenly sending her away. However, she gets sent to the St. Louis Zoo instead, as the San Diego Zoo does not need any more bears. When she realizes her true destination, she gets very sad, crying since she knows she would be far from Yogi now.
Late that night, Cindy falls out of the train and becomes lost. A traveling circus is looking for a great act to raise their ratings, when suddenly, their dog runs off and scares Cindy into walking on the telephone wires, the perfect opportunity for the circus.

Question: What is the name of the character who calls themselves "The Brown Phantom"?
Answer: Yogi
Boo-Boo Bear wakes up from winter hibernation, excited about the new Spring. Then Yogi Bear wakes up, his only interest finding some food to eat. Cindy Bear unsuccessfully tries to woo Yogi. After Ranger Smith thwarts Yogi's latest attempts to grab some food, Yogi gets angry and convinces the Ranger to transfer him out of Jellystone National Park. Smith prepares Yogi to be sent over to the San Diego Zoo along with an identification tag. Yogi first says goodbye to everything, but tricks another bear named Corn Pone into going to California instead of him and Boo-Boo and Cindy remain unaware of this, thinking Yogi has departed for good.
Soon, Yogi is stealing food from all over the park under the alter ego "The Brown Phantom", but Smith believes it is another bear. He threatens whoever it is to be sent to the zoo. Cindy, wishing to be with Yogi at the zoo, angers Smith into mistakenly sending her away. However, she gets sent to the St. Louis Zoo instead, as the San Diego Zoo does not need any more bears. When she realizes her true destination, she gets very sad, crying since she knows she would be far from Yogi now.
Late that night, Cindy falls out of the train and becomes lost. A traveling circus is looking for a great act to raise their ratings, when suddenly, their dog runs off and scares Cindy into walking on the telephone wires, the perfect opportunity for the circus.

Question: Where do Boo-Boo and Cindy think Yogi is?
Answer: San Diego Zoo
Boo-Boo Bear wakes up from winter hibernation, excited about the new Spring. Then Yogi Bear wakes up, his only interest finding some food to eat. Cindy Bear unsuccessfully tries to woo Yogi. After Ranger Smith thwarts Yogi's latest attempts to grab some food, Yogi gets angry and convinces the Ranger to transfer him out of Jellystone National Park. Smith prepares Yogi to be sent over to the San Diego Zoo along with an identification tag. Yogi first says goodbye to everything, but tricks another bear named Corn Pone into going to California instead of him and Boo-Boo and Cindy remain unaware of this, thinking Yogi has departed for good.
Soon, Yogi is stealing food from all over the park under the alter ego "The Brown Phantom", but Smith believes it is another bear. He threatens whoever it is to be sent to the zoo. Cindy, wishing to be with Yogi at the zoo, angers Smith into mistakenly sending her away. However, she gets sent to the St. Louis Zoo instead, as the San Diego Zoo does not need any more bears. When she realizes her true destination, she gets very sad, crying since she knows she would be far from Yogi now.
Late that night, Cindy falls out of the train and becomes lost. A traveling circus is looking for a great act to raise their ratings, when suddenly, their dog runs off and scares Cindy into walking on the telephone wires, the perfect opportunity for the circus.

Question: What is the name of the character that wants to be transferred out of Jellystone National Park?
Answer: Yogi Bear
Boo-Boo Bear wakes up from winter hibernation, excited about the new Spring. Then Yogi Bear wakes up, his only interest finding some food to eat. Cindy Bear unsuccessfully tries to woo Yogi. After Ranger Smith thwarts Yogi's latest attempts to grab some food, Yogi gets angry and convinces the Ranger to transfer him out of Jellystone National Park. Smith prepares Yogi to be sent over to the San Diego Zoo along with an identification tag. Yogi first says goodbye to everything, but tricks another bear named Corn Pone into going to California instead of him and Boo-Boo and Cindy remain unaware of this, thinking Yogi has departed for good.
Soon, Yogi is stealing food from all over the park under the alter ego "The Brown Phantom", but Smith believes it is another bear. He threatens whoever it is to be sent to the zoo. Cindy, wishing to be with Yogi at the zoo, angers Smith into mistakenly sending her away. However, she gets sent to the St. Louis Zoo instead, as the San Diego Zoo does not need any more bears. When she realizes her true destination, she gets very sad, crying since she knows she would be far from Yogi now.
Late that night, Cindy falls out of the train and becomes lost. A traveling circus is looking for a great act to raise their ratings, when suddenly, their dog runs off and scares Cindy into walking on the telephone wires, the perfect opportunity for the circus.

Question: What is the name of the character that Boo-Boo Bear and Cindy Bear think were shipped to California?
Answer: Yogi Bear
Boo-Boo Bear wakes up from winter hibernation, excited about the new Spring. Then Yogi Bear wakes up, his only interest finding some food to eat. Cindy Bear unsuccessfully tries to woo Yogi. After Ranger Smith thwarts Yogi's latest attempts to grab some food, Yogi gets angry and convinces the Ranger to transfer him out of Jellystone National Park. Smith prepares Yogi to be sent over to the San Diego Zoo along with an identification tag. Yogi first says goodbye to everything, but tricks another bear named Corn Pone into going to California instead of him and Boo-Boo and Cindy remain unaware of this, thinking Yogi has departed for good.
Soon, Yogi is stealing food from all over the park under the alter ego "The Brown Phantom", but Smith believes it is another bear. He threatens whoever it is to be sent to the zoo. Cindy, wishing to be with Yogi at the zoo, angers Smith into mistakenly sending her away. However, she gets sent to the St. Louis Zoo instead, as the San Diego Zoo does not need any more bears. When she realizes her true destination, she gets very sad, crying since she knows she would be far from Yogi now.
Late that night, Cindy falls out of the train and becomes lost. A traveling circus is looking for a great act to raise their ratings, when suddenly, their dog runs off and scares Cindy into walking on the telephone wires, the perfect opportunity for the circus.

Question: What zoo did Cindy Bear want to be sent to?
Answer: San Diego Zoo
Innocent young Connie Heath is persuaded to borrow a party dress from her friend, "fast girl" Hilda Engstrom, who has actually misappropriated it from the dry cleaner where she works. After the real owner of the dress, witchy Gloria Adams, spots Connie out in the dress (which is subsequently torn in a car door), Connie is falsely accused of theft and prosecuted as Hilda flees town and leaves her to take the blame. Though Gloria withdraws her charge, the insurance company continues to persecute poor Connie, resulting in a charge of grand larceny. Championing her cause is crusading attorney Neil Dillon (Ronald Reagan)- coincidentally, also Connie's date on the evening in question- who gets Connie off with probation. 
Connie leaves town after being mistreated by her unsympathetic father and gets a job in order to pay for the damaged dress.  One day she spots Hilda waiting in a parked car on the street and begins to argue with her in the car when Hilda's boyfriend emerges from a bank he has just robbed, fleeing the scene with Connie in tow. She is arrested and convicted while refusing to give her real name or full story for fear of humiliating her family.
Eventually the truth begins to emerge, and Connie is given probation, returns home, and becomes engaged to Dillon. When Hilda is given probation, she returns to town as well, to make even more trouble for Connie, especially after her boyfriend escapes prison.

Question: What is the first name of the person that the owner of the dress sees wearing it?
Answer: Connie
Innocent young Connie Heath is persuaded to borrow a party dress from her friend, "fast girl" Hilda Engstrom, who has actually misappropriated it from the dry cleaner where she works. After the real owner of the dress, witchy Gloria Adams, spots Connie out in the dress (which is subsequently torn in a car door), Connie is falsely accused of theft and prosecuted as Hilda flees town and leaves her to take the blame. Though Gloria withdraws her charge, the insurance company continues to persecute poor Connie, resulting in a charge of grand larceny. Championing her cause is crusading attorney Neil Dillon (Ronald Reagan)- coincidentally, also Connie's date on the evening in question- who gets Connie off with probation. 
Connie leaves town after being mistreated by her unsympathetic father and gets a job in order to pay for the damaged dress.  One day she spots Hilda waiting in a parked car on the street and begins to argue with her in the car when Hilda's boyfriend emerges from a bank he has just robbed, fleeing the scene with Connie in tow. She is arrested and convicted while refusing to give her real name or full story for fear of humiliating her family.
Eventually the truth begins to emerge, and Connie is given probation, returns home, and becomes engaged to Dillon. When Hilda is given probation, she returns to town as well, to make even more trouble for Connie, especially after her boyfriend escapes prison.

Question: What is the first name of the person that the attorney represents in the theft case?
Answer: Connie
In Jerusalem, a rabbi named Rostenburg is using software he designed to decode seventy eschatological prophecies hidden within the Torah. Rostenburg has handwritten each one in a journal, to be entered into the program for deciphering. The program deciphers a prophecy which says that he is about to die; immediately, he tears the page containing the final code from his journal, hiding it in his shirt pocket. He is then shot and killed by an assassin, who takes his journal and the optical disc containing the decoding program. After the assassin leaves, two mysterious men (later revealed to be two prophets) retrieve the journal page Rostenburg had hidden.
Television reporter and talk show host Cassandra Barris introduces Dr. Gillen Lane as her show's guest. Lane is a popular author and charismatic motivational speaker who explains that codes hidden in the Old Testament describe events past, present, and future; he sees no contradiction between this belief and his dismissal of religious faith.
Media mogul and European Union Chairman Stone Alexander receives a humanitarian award in Rome for having all but eliminated world hunger through advances in nutritional technology. There, we see that the man who killed Rostenburg and stole his decoding software is Alexander's apprentice, Dominic. Dr. Lane is in attendance, seeking to meet with Alexander "to discuss some ideas." Cassandra, employed by one of Alexander's television networks, is also in attendance, providing Lane brief conversation after Alexander spurns him. Some time afterward, however, Alexander sees a prophecy (deciphered with Rostenberg's program) that leads him to ask Lane to become his Minister of Information.

Question: What has Rostenburg handwritten each one of in a journal?
Answer: seventy eschatological prophecies
In Jerusalem, a rabbi named Rostenburg is using software he designed to decode seventy eschatological prophecies hidden within the Torah. Rostenburg has handwritten each one in a journal, to be entered into the program for deciphering. The program deciphers a prophecy which says that he is about to die; immediately, he tears the page containing the final code from his journal, hiding it in his shirt pocket. He is then shot and killed by an assassin, who takes his journal and the optical disc containing the decoding program. After the assassin leaves, two mysterious men (later revealed to be two prophets) retrieve the journal page Rostenburg had hidden.
Television reporter and talk show host Cassandra Barris introduces Dr. Gillen Lane as her show's guest. Lane is a popular author and charismatic motivational speaker who explains that codes hidden in the Old Testament describe events past, present, and future; he sees no contradiction between this belief and his dismissal of religious faith.
Media mogul and European Union Chairman Stone Alexander receives a humanitarian award in Rome for having all but eliminated world hunger through advances in nutritional technology. There, we see that the man who killed Rostenburg and stole his decoding software is Alexander's apprentice, Dominic. Dr. Lane is in attendance, seeking to meet with Alexander "to discuss some ideas." Cassandra, employed by one of Alexander's television networks, is also in attendance, providing Lane brief conversation after Alexander spurns him. Some time afterward, however, Alexander sees a prophecy (deciphered with Rostenberg's program) that leads him to ask Lane to become his Minister of Information.

Question: What three people are in attendance where Stone Alexander receives a humanitarian award?
Answer: Dominic, Dr. Lane, Cassandra
In Jerusalem, a rabbi named Rostenburg is using software he designed to decode seventy eschatological prophecies hidden within the Torah. Rostenburg has handwritten each one in a journal, to be entered into the program for deciphering. The program deciphers a prophecy which says that he is about to die; immediately, he tears the page containing the final code from his journal, hiding it in his shirt pocket. He is then shot and killed by an assassin, who takes his journal and the optical disc containing the decoding program. After the assassin leaves, two mysterious men (later revealed to be two prophets) retrieve the journal page Rostenburg had hidden.
Television reporter and talk show host Cassandra Barris introduces Dr. Gillen Lane as her show's guest. Lane is a popular author and charismatic motivational speaker who explains that codes hidden in the Old Testament describe events past, present, and future; he sees no contradiction between this belief and his dismissal of religious faith.
Media mogul and European Union Chairman Stone Alexander receives a humanitarian award in Rome for having all but eliminated world hunger through advances in nutritional technology. There, we see that the man who killed Rostenburg and stole his decoding software is Alexander's apprentice, Dominic. Dr. Lane is in attendance, seeking to meet with Alexander "to discuss some ideas." Cassandra, employed by one of Alexander's television networks, is also in attendance, providing Lane brief conversation after Alexander spurns him. Some time afterward, however, Alexander sees a prophecy (deciphered with Rostenberg's program) that leads him to ask Lane to become his Minister of Information.

Question: What is the full name of the person that owns the television station that Cassandra Barris' talk show is on?
Answer: Stone Alexander
In Jerusalem, a rabbi named Rostenburg is using software he designed to decode seventy eschatological prophecies hidden within the Torah. Rostenburg has handwritten each one in a journal, to be entered into the program for deciphering. The program deciphers a prophecy which says that he is about to die; immediately, he tears the page containing the final code from his journal, hiding it in his shirt pocket. He is then shot and killed by an assassin, who takes his journal and the optical disc containing the decoding program. After the assassin leaves, two mysterious men (later revealed to be two prophets) retrieve the journal page Rostenburg had hidden.
Television reporter and talk show host Cassandra Barris introduces Dr. Gillen Lane as her show's guest. Lane is a popular author and charismatic motivational speaker who explains that codes hidden in the Old Testament describe events past, present, and future; he sees no contradiction between this belief and his dismissal of religious faith.
Media mogul and European Union Chairman Stone Alexander receives a humanitarian award in Rome for having all but eliminated world hunger through advances in nutritional technology. There, we see that the man who killed Rostenburg and stole his decoding software is Alexander's apprentice, Dominic. Dr. Lane is in attendance, seeking to meet with Alexander "to discuss some ideas." Cassandra, employed by one of Alexander's television networks, is also in attendance, providing Lane brief conversation after Alexander spurns him. Some time afterward, however, Alexander sees a prophecy (deciphered with Rostenberg's program) that leads him to ask Lane to become his Minister of Information.

Question: What is the full name of the person that was spurned by Alexander?
Answer: Dr. Gillen Lane
Set in a rural environs outside the fictional town of Raupo in New Zealand, the film centres on sheep and cattle farmer Wal Footrot and his border collie sheepdog named Dog. Wal is assisted on his farm, Footrot Flats, by his nature-loving neighbour Cooch Windgrass, local boy Rangi Jones and Wal's niece Pongo Footrot. 
Wal and Cooch are menaced by their unpleasant neighbours, the Murphys, comprising patriarch Irish and his two sons Spit and Hunk, who attempt to steal Cooch's deer and stag. When the Murphys buzz Wal's shearing shed from their "deer slayer" helicopter, Dog is stampeded into a sheep dip and starts to drown. This prompts a flashback sequence in which Dog recalls being given as a puppy to Wal by Aunt Dolly, and first meeting his future girlfriend Jess. 
Wal's two non-farming preoccupations are his girlfriend, local hairdresser Cheeky Hobson, and impressing a selector for New Zealand's national rugby team, the All Blacks. Dog opposes Wal's relationship with Cheeky, but has problems of his own when Jess is swept away in a flood and ends up at the Murphys' farm, where she is threatened by rats and ferocious "croco-pigs". Dog saves Jess from the rats, but the two dogs are then hunted by Irish Murphy. Meanwhile, Rangi has managed to get Wal away from a rugby game and over to the Murphys' farm. Dog and Jess end up floating out toward the sea on a raft with the fearless cat Horse, who has been shot by Irish. Rangi and Wal rescue Jess, but Dog and Horse are swept out to sea. Wal, Rangi, Pongo, Cooch and Jess rush to the beach but cannot see Dog or Horse. The two are given up for dead, before surfing in on a giant wave that dumps them ashore.

Question: Who recalls meeting his future wife?
Answer: Dog
Set in a rural environs outside the fictional town of Raupo in New Zealand, the film centres on sheep and cattle farmer Wal Footrot and his border collie sheepdog named Dog. Wal is assisted on his farm, Footrot Flats, by his nature-loving neighbour Cooch Windgrass, local boy Rangi Jones and Wal's niece Pongo Footrot. 
Wal and Cooch are menaced by their unpleasant neighbours, the Murphys, comprising patriarch Irish and his two sons Spit and Hunk, who attempt to steal Cooch's deer and stag. When the Murphys buzz Wal's shearing shed from their "deer slayer" helicopter, Dog is stampeded into a sheep dip and starts to drown. This prompts a flashback sequence in which Dog recalls being given as a puppy to Wal by Aunt Dolly, and first meeting his future girlfriend Jess. 
Wal's two non-farming preoccupations are his girlfriend, local hairdresser Cheeky Hobson, and impressing a selector for New Zealand's national rugby team, the All Blacks. Dog opposes Wal's relationship with Cheeky, but has problems of his own when Jess is swept away in a flood and ends up at the Murphys' farm, where she is threatened by rats and ferocious "croco-pigs". Dog saves Jess from the rats, but the two dogs are then hunted by Irish Murphy. Meanwhile, Rangi has managed to get Wal away from a rugby game and over to the Murphys' farm. Dog and Jess end up floating out toward the sea on a raft with the fearless cat Horse, who has been shot by Irish. Rangi and Wal rescue Jess, but Dog and Horse are swept out to sea. Wal, Rangi, Pongo, Cooch and Jess rush to the beach but cannot see Dog or Horse. The two are given up for dead, before surfing in on a giant wave that dumps them ashore.

Question: What are the names of the characters that were dumped ashore?
Answer: Dog, Horse
Gabriel Urbain Fauré (French: [ɡabʁiɛl yʁbɛ̃ fɔʁe]; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically  complex style.
Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine, he was sent to a music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime.
Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

Question: What is the last name of the person who was one of the foremost French composers of his generation?
Answer: Fauré
Gabriel Urbain Fauré (French: [ɡabʁiɛl yʁbɛ̃ fɔʁe]; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically  complex style.
Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine, he was sent to a music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime.
Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

Question: What is the last name of the person whose musical style influenced many 20th-century composers?
Answer: Fauré