nc33/multispan_quoref huggingface dataset:
Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo Seattle show. They played together several Nightwatchman songs, Cornell's usual acoustic covers, and for the first time in eight years, some Audioslave songs.Both Rage Against the Machine and Soundgarden have reformed since Audioslave's breakup. Rage Against the Machine has performed at several live venues and other festivals since its initial performance at the Coachella Music Festival in April 2007, although the band currently has no plans to make a new album. Soundgarden announced a reunion in 2010 and recorded a new album, King Animal, which was released in November 2012.

Question: What is the first name of the person who claims to have had communications with Tom about the fact that he was gonna go make a record?
Answer: Chris
Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo Seattle show. They played together several Nightwatchman songs, Cornell's usual acoustic covers, and for the first time in eight years, some Audioslave songs.Both Rage Against the Machine and Soundgarden have reformed since Audioslave's breakup. Rage Against the Machine has performed at several live venues and other festivals since its initial performance at the Coachella Music Festival in April 2007, although the band currently has no plans to make a new album. Soundgarden announced a reunion in 2010 and recorded a new album, King Animal, which was released in November 2012.

Question: What is the first name of the person who claims they were tired of what ended up seeming like political negotiations toward how  Audioslave business would be done and getting nowhere with it?
Answer: Chris
Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo Seattle show. They played together several Nightwatchman songs, Cornell's usual acoustic covers, and for the first time in eight years, some Audioslave songs.Both Rage Against the Machine and Soundgarden have reformed since Audioslave's breakup. Rage Against the Machine has performed at several live venues and other festivals since its initial performance at the Coachella Music Festival in April 2007, although the band currently has no plans to make a new album. Soundgarden announced a reunion in 2010 and recorded a new album, King Animal, which was released in November 2012.

Question: What is the full name of the person who also added that this process of "doing Audioslave business" led him to go solo?
Answer: Chris Cornell
Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo Seattle show. They played together several Nightwatchman songs, Cornell's usual acoustic covers, and for the first time in eight years, some Audioslave songs.Both Rage Against the Machine and Soundgarden have reformed since Audioslave's breakup. Rage Against the Machine has performed at several live venues and other festivals since its initial performance at the Coachella Music Festival in April 2007, although the band currently has no plans to make a new album. Soundgarden announced a reunion in 2010 and recorded a new album, King Animal, which was released in November 2012.

Question: What is the first name of the person who said he was just not getting along with the other members during their later years?
Answer: Chris
Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo Seattle show. They played together several Nightwatchman songs, Cornell's usual acoustic covers, and for the first time in eight years, some Audioslave songs.Both Rage Against the Machine and Soundgarden have reformed since Audioslave's breakup. Rage Against the Machine has performed at several live venues and other festivals since its initial performance at the Coachella Music Festival in April 2007, although the band currently has no plans to make a new album. Soundgarden announced a reunion in 2010 and recorded a new album, King Animal, which was released in November 2012.

Question: What is the full name of the person who was trying to land on their feet again?
Answer: Chris Cornell
Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo Seattle show. They played together several Nightwatchman songs, Cornell's usual acoustic covers, and for the first time in eight years, some Audioslave songs.Both Rage Against the Machine and Soundgarden have reformed since Audioslave's breakup. Rage Against the Machine has performed at several live venues and other festivals since its initial performance at the Coachella Music Festival in April 2007, although the band currently has no plans to make a new album. Soundgarden announced a reunion in 2010 and recorded a new album, King Animal, which was released in November 2012.

Question: What is the full name of the person who went through a lot of personal turmoil right around the time Audioslave formed?
Answer: Chris Cornell
Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo Seattle show. They played together several Nightwatchman songs, Cornell's usual acoustic covers, and for the first time in eight years, some Audioslave songs.Both Rage Against the Machine and Soundgarden have reformed since Audioslave's breakup. Rage Against the Machine has performed at several live venues and other festivals since its initial performance at the Coachella Music Festival in April 2007, although the band currently has no plans to make a new album. Soundgarden announced a reunion in 2010 and recorded a new album, King Animal, which was released in November 2012.

Question: What is the full name of the person who thinks his personal turmoil affected the band a little bit in terms of him not really being grounded?
Answer: Chris Cornell
Morello and Cornell initially disagreed over the particulars of Cornell quitting the group, with Morello claiming that Cornell did not communicate directly with him about leaving, while Cornell countered: "Tom and I did have communications about the fact that I was gonna go make a record, and that I was tired of what ended up seeming like political negotiations toward how we were gonna do Audioslave business and getting nowhere with it." He also added that this process of "doing Audioslave business" led him to go solo. Cornell has said that the breakup was not about money, but that he was just not getting along with the other members during their later years. Said Cornell, "Getting along as people is one thing. Getting along as a group of people that can work together in a band situation...We weren't particularly getting along well, no. Bands work in a way where everyone at some point has to have a similar idea of how you do things...Three albums into it, it started to seem like our interests weren't as conjoined anymore."In 2011, Cornell revealed further information about the band's breakup; "Personally a lot of it was me trying to land on my feet again. I went through a lot of personal turmoil right around the time Audioslave formed and unfortunately I think that affected the band a little bit in terms of me not really being grounded.... I think there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff. I certainly played a role in it. I definitely feel like I was part of a lot of unnecessary stuff. It didn't need to become what it became. You learn with experience."In 2012, Tom Morello said that unreleased material that was not on the three albums could be released in the future at an unspecified point. Chris Cornell and Tom Morello shared the stage together for the first time in seven years, among many musicians, at the 2013 Rock and Roll Hall of Fame concert. Cornell also joined Morello on stage on September 26, 2014, guesting on his solo Seattle show. They played together several Nightwatchman songs, Cornell's usual acoustic covers, and for the first time in eight years, some Audioslave songs.Both Rage Against the Machine and Soundgarden have reformed since Audioslave's breakup. Rage Against the Machine has performed at several live venues and other festivals since its initial performance at the Coachella Music Festival in April 2007, although the band currently has no plans to make a new album. Soundgarden announced a reunion in 2010 and recorded a new album, King Animal, which was released in November 2012.

Question: What is the full name of the person who thinks there was stuff that could have been resolved, and there was drama that was probably unnecessary, typical rock band stuff?
Answer: Chris Cornell
Audioslave's musical style has generally been regarded as hard rock, alternative metal, post-grunge, and alternative rock. By combining '70s style hard rock riffing with alternative rock, Audioslave created a distinctive sound. This mix was driven by Cornell's wide vocal range, Morello's innovative guitar solos and the robust rhythm section of Wilk and Commerford. Morello, although stating he "never felt musically limited" in Rage Against the Machine, did say that he had "a lot more scope to explore with Audioslave" and a "wider musical territory." This meant that the instrumentalists had the opportunity to write slow and melodic songs, something they had not done before.
As opposed to de la Rocha's lyrics, Cornell's were mostly apolitical; Morello referred to them as "haunted, existential poetry." They were characterised by his cryptic approach, often dealing with themes of existentialism, love, hedonism, spirituality and Christianity. Audioslave's first two albums drew influences from 1970s hard rock and heavy metal such as Led Zeppelin and Black Sabbath and from the members' previous bands (the grunge sound of Soundgarden and the funk metal sound of Rage Against the Machine). For Revelations, which was influenced by 1960s and '70s funk, soul and R&B music, Morello used vintage guitars and amplifiers and Cornell adopted his "seventies funk and R&B-flavor vocals." The guitarist also cited Sly & the Family Stone, James Brown and Funkadelic as a reason for the funk overtones on the album.Just as Rage Against the Machine did, Audioslave also included the statement "All sounds made by guitar, bass, drums and vocals" in their albums' booklets as Morello's guitar work often caused listeners to believe that the band used samples, synthesiser effects or different turntable techniques to produce certain sounds.

Question: Whose cryptic approach characterized the lyrics that often dealt with themes of existentialism, love, hedonism, spirituality and Christianity?
Answer: Cornell
Audioslave's musical style has generally been regarded as hard rock, alternative metal, post-grunge, and alternative rock. By combining '70s style hard rock riffing with alternative rock, Audioslave created a distinctive sound. This mix was driven by Cornell's wide vocal range, Morello's innovative guitar solos and the robust rhythm section of Wilk and Commerford. Morello, although stating he "never felt musically limited" in Rage Against the Machine, did say that he had "a lot more scope to explore with Audioslave" and a "wider musical territory." This meant that the instrumentalists had the opportunity to write slow and melodic songs, something they had not done before.
As opposed to de la Rocha's lyrics, Cornell's were mostly apolitical; Morello referred to them as "haunted, existential poetry." They were characterised by his cryptic approach, often dealing with themes of existentialism, love, hedonism, spirituality and Christianity. Audioslave's first two albums drew influences from 1970s hard rock and heavy metal such as Led Zeppelin and Black Sabbath and from the members' previous bands (the grunge sound of Soundgarden and the funk metal sound of Rage Against the Machine). For Revelations, which was influenced by 1960s and '70s funk, soul and R&B music, Morello used vintage guitars and amplifiers and Cornell adopted his "seventies funk and R&B-flavor vocals." The guitarist also cited Sly & the Family Stone, James Brown and Funkadelic as a reason for the funk overtones on the album.Just as Rage Against the Machine did, Audioslave also included the statement "All sounds made by guitar, bass, drums and vocals" in their albums' booklets as Morello's guitar work often caused listeners to believe that the band used samples, synthesiser effects or different turntable techniques to produce certain sounds.

Question: What are the individual names of the member's previous bands from which Audioslave's first two albums drew influences?
Answer: Soundgarden, Rage Against the Machine
Audioslave's musical style has generally been regarded as hard rock, alternative metal, post-grunge, and alternative rock. By combining '70s style hard rock riffing with alternative rock, Audioslave created a distinctive sound. This mix was driven by Cornell's wide vocal range, Morello's innovative guitar solos and the robust rhythm section of Wilk and Commerford. Morello, although stating he "never felt musically limited" in Rage Against the Machine, did say that he had "a lot more scope to explore with Audioslave" and a "wider musical territory." This meant that the instrumentalists had the opportunity to write slow and melodic songs, something they had not done before.
As opposed to de la Rocha's lyrics, Cornell's were mostly apolitical; Morello referred to them as "haunted, existential poetry." They were characterised by his cryptic approach, often dealing with themes of existentialism, love, hedonism, spirituality and Christianity. Audioslave's first two albums drew influences from 1970s hard rock and heavy metal such as Led Zeppelin and Black Sabbath and from the members' previous bands (the grunge sound of Soundgarden and the funk metal sound of Rage Against the Machine). For Revelations, which was influenced by 1960s and '70s funk, soul and R&B music, Morello used vintage guitars and amplifiers and Cornell adopted his "seventies funk and R&B-flavor vocals." The guitarist also cited Sly & the Family Stone, James Brown and Funkadelic as a reason for the funk overtones on the album.Just as Rage Against the Machine did, Audioslave also included the statement "All sounds made by guitar, bass, drums and vocals" in their albums' booklets as Morello's guitar work often caused listeners to believe that the band used samples, synthesiser effects or different turntable techniques to produce certain sounds.

Question: What is the name of the album for which Morella cites Sly & the Family Stone, James Brown and Funkadelic as a reason for the funk overtones?
Answer: Revelations
In 1878 a hardened American gunfighter arrives in a small town in the foothills of the Canadian Rockies, a place that doesn't understand or appreciate the brutal code of the American Wild West.
Gunslinger Sean Lafferty, known as the Montana Kid, has a bounty on his head for killing eleven people across the western United States.  He arrives in town on his horse, riding backwards, bound, with a noose around his neck, and dragging the broken tree branch over which a group had tried to hang him on the American side of the border. After being helped off his horse by a young Chinese girl named Adell, he begins to explore the town, starting with the town general store. After leaving the store, he finds his horse gone and accuses Jack, the blacksmith, of stealing it, even though Jack was simply replacing the horse's damaged shoes. After unsuccessfully trying to intimidate the blacksmith, the Montana Kid decides to call him out. Since the blacksmith has no gun, though, Sean can't shoot him because the Kid lives by a code of ethics that prevents him from killing unarmed men.
When she witnesses this, Jane Taylor, one of the townsfolk, says the Kid can have her broken gun (to fix and give to Jack) if he builds her a windmill. Sean proceeds to go with her and stays in a sod house at her farm, alternately working on the windmill and repairing the gun. After a few days, however, the Kid begins to develop feelings toward Jane while also becoming friends with the townsfolk.
In the meantime, a roaming band of American bounty hunters crosses into Canada and heads for the town to claim the price on Sean's head. They terrorize a camp of Chinese railroad workers to find out his whereabouts.

Question: What is the alias of the person who rides his horse backwards with a noose on his neck?
Answer: Montana Kid
In 1878 a hardened American gunfighter arrives in a small town in the foothills of the Canadian Rockies, a place that doesn't understand or appreciate the brutal code of the American Wild West.
Gunslinger Sean Lafferty, known as the Montana Kid, has a bounty on his head for killing eleven people across the western United States.  He arrives in town on his horse, riding backwards, bound, with a noose around his neck, and dragging the broken tree branch over which a group had tried to hang him on the American side of the border. After being helped off his horse by a young Chinese girl named Adell, he begins to explore the town, starting with the town general store. After leaving the store, he finds his horse gone and accuses Jack, the blacksmith, of stealing it, even though Jack was simply replacing the horse's damaged shoes. After unsuccessfully trying to intimidate the blacksmith, the Montana Kid decides to call him out. Since the blacksmith has no gun, though, Sean can't shoot him because the Kid lives by a code of ethics that prevents him from killing unarmed men.
When she witnesses this, Jane Taylor, one of the townsfolk, says the Kid can have her broken gun (to fix and give to Jack) if he builds her a windmill. Sean proceeds to go with her and stays in a sod house at her farm, alternately working on the windmill and repairing the gun. After a few days, however, the Kid begins to develop feelings toward Jane while also becoming friends with the townsfolk.
In the meantime, a roaming band of American bounty hunters crosses into Canada and heads for the town to claim the price on Sean's head. They terrorize a camp of Chinese railroad workers to find out his whereabouts.

Question: What is the alias of the person who was helped off of his horse by Adell?
Answer: Montana Kid
In 1878 a hardened American gunfighter arrives in a small town in the foothills of the Canadian Rockies, a place that doesn't understand or appreciate the brutal code of the American Wild West.
Gunslinger Sean Lafferty, known as the Montana Kid, has a bounty on his head for killing eleven people across the western United States.  He arrives in town on his horse, riding backwards, bound, with a noose around his neck, and dragging the broken tree branch over which a group had tried to hang him on the American side of the border. After being helped off his horse by a young Chinese girl named Adell, he begins to explore the town, starting with the town general store. After leaving the store, he finds his horse gone and accuses Jack, the blacksmith, of stealing it, even though Jack was simply replacing the horse's damaged shoes. After unsuccessfully trying to intimidate the blacksmith, the Montana Kid decides to call him out. Since the blacksmith has no gun, though, Sean can't shoot him because the Kid lives by a code of ethics that prevents him from killing unarmed men.
When she witnesses this, Jane Taylor, one of the townsfolk, says the Kid can have her broken gun (to fix and give to Jack) if he builds her a windmill. Sean proceeds to go with her and stays in a sod house at her farm, alternately working on the windmill and repairing the gun. After a few days, however, the Kid begins to develop feelings toward Jane while also becoming friends with the townsfolk.
In the meantime, a roaming band of American bounty hunters crosses into Canada and heads for the town to claim the price on Sean's head. They terrorize a camp of Chinese railroad workers to find out his whereabouts.

Question: What is the full name of the person Adell helped off the horse?
Answer: Sean Lafferty
In 1878 a hardened American gunfighter arrives in a small town in the foothills of the Canadian Rockies, a place that doesn't understand or appreciate the brutal code of the American Wild West.
Gunslinger Sean Lafferty, known as the Montana Kid, has a bounty on his head for killing eleven people across the western United States.  He arrives in town on his horse, riding backwards, bound, with a noose around his neck, and dragging the broken tree branch over which a group had tried to hang him on the American side of the border. After being helped off his horse by a young Chinese girl named Adell, he begins to explore the town, starting with the town general store. After leaving the store, he finds his horse gone and accuses Jack, the blacksmith, of stealing it, even though Jack was simply replacing the horse's damaged shoes. After unsuccessfully trying to intimidate the blacksmith, the Montana Kid decides to call him out. Since the blacksmith has no gun, though, Sean can't shoot him because the Kid lives by a code of ethics that prevents him from killing unarmed men.
When she witnesses this, Jane Taylor, one of the townsfolk, says the Kid can have her broken gun (to fix and give to Jack) if he builds her a windmill. Sean proceeds to go with her and stays in a sod house at her farm, alternately working on the windmill and repairing the gun. After a few days, however, the Kid begins to develop feelings toward Jane while also becoming friends with the townsfolk.
In the meantime, a roaming band of American bounty hunters crosses into Canada and heads for the town to claim the price on Sean's head. They terrorize a camp of Chinese railroad workers to find out his whereabouts.

Question: What is the real full name of the person that intimidated the blacksmith?
Answer: Sean Lafferty
"Talk That Talk" was written by Ester Dean, Jay-Z, StarGate, Anthony Best, Sean Combs, and Chucky Thompson, and produced by StarGate. They had produced Rihanna's 2010 hit singles "Only Girl (In the World)" and "What's My Name?" for her fifth album Loud. StarGate told Norwegian website 730.no that it was their first collaboration with Jay-Z and said that they were very satisfied with both the song and each artist's contribution. "Talk That Talk" was recorded at Roc the Mic Studios and The Jungle City Studios in New York City, Westlake Recording Studios in Los Angeles, and The Hide Out Studios in London. StarGate, Miles Walker, and Mike Anderson served as the song's recording engineers. Rihanna's vocals were recorded by Marcos Tovar and Kuk Harrell, who additionally produced them, while Jordan "DJ Swivel" Young recorded Jay-Z's verses. Additional recording of the song was done in Sofitel Paris Le Faubourg and Savoy London hotels. "Talk That Talk" was mixed by Phil Tan and assistant Daniela Rivera at Ninja Beat Club Studios in Atlanta. Eriksen and Hermansen recorded the song's instrumentation, and Tim Blacksmith and Danny D. were assigned as its executive producers.In December 2011, Rihanna asked her fans on Twitter to recommend a song from Talk That Talk for release as the third single. On January 10, 2012, she announced that the title track was chosen and also debuted the single's cover—a black-and-white image in which Rihanna is dressed in "street punk/rockabilly clothes" and crouches against a wall. According to Jazmine Gray of Vibe magazine, the singer has an ambiguous facial expression on the cover. On January 17, Def Jam Recordings serviced "Talk That Talk" to urban contemporary radio stations in the United States. It was also sent to US contemporary hit and rhythmic radios on February 14. On March 26, "Talk That Talk" was released in France as a CD single, which contained the album version of the song and the Chuckie Extended Remix of "We Found Love".

Question: What is the name of the person who recorded "Loud?"
Answer: Rihanna
"Talk That Talk" was written by Ester Dean, Jay-Z, StarGate, Anthony Best, Sean Combs, and Chucky Thompson, and produced by StarGate. They had produced Rihanna's 2010 hit singles "Only Girl (In the World)" and "What's My Name?" for her fifth album Loud. StarGate told Norwegian website 730.no that it was their first collaboration with Jay-Z and said that they were very satisfied with both the song and each artist's contribution. "Talk That Talk" was recorded at Roc the Mic Studios and The Jungle City Studios in New York City, Westlake Recording Studios in Los Angeles, and The Hide Out Studios in London. StarGate, Miles Walker, and Mike Anderson served as the song's recording engineers. Rihanna's vocals were recorded by Marcos Tovar and Kuk Harrell, who additionally produced them, while Jordan "DJ Swivel" Young recorded Jay-Z's verses. Additional recording of the song was done in Sofitel Paris Le Faubourg and Savoy London hotels. "Talk That Talk" was mixed by Phil Tan and assistant Daniela Rivera at Ninja Beat Club Studios in Atlanta. Eriksen and Hermansen recorded the song's instrumentation, and Tim Blacksmith and Danny D. were assigned as its executive producers.In December 2011, Rihanna asked her fans on Twitter to recommend a song from Talk That Talk for release as the third single. On January 10, 2012, she announced that the title track was chosen and also debuted the single's cover—a black-and-white image in which Rihanna is dressed in "street punk/rockabilly clothes" and crouches against a wall. According to Jazmine Gray of Vibe magazine, the singer has an ambiguous facial expression on the cover. On January 17, Def Jam Recordings serviced "Talk That Talk" to urban contemporary radio stations in the United States. It was also sent to US contemporary hit and rhythmic radios on February 14. On March 26, "Talk That Talk" was released in France as a CD single, which contained the album version of the song and the Chuckie Extended Remix of "We Found Love".

Question: What is the name of the person who announced that the title track was chosen in January of 2012?
Answer: Rihanna
"Talk That Talk" was written by Ester Dean, Jay-Z, StarGate, Anthony Best, Sean Combs, and Chucky Thompson, and produced by StarGate. They had produced Rihanna's 2010 hit singles "Only Girl (In the World)" and "What's My Name?" for her fifth album Loud. StarGate told Norwegian website 730.no that it was their first collaboration with Jay-Z and said that they were very satisfied with both the song and each artist's contribution. "Talk That Talk" was recorded at Roc the Mic Studios and The Jungle City Studios in New York City, Westlake Recording Studios in Los Angeles, and The Hide Out Studios in London. StarGate, Miles Walker, and Mike Anderson served as the song's recording engineers. Rihanna's vocals were recorded by Marcos Tovar and Kuk Harrell, who additionally produced them, while Jordan "DJ Swivel" Young recorded Jay-Z's verses. Additional recording of the song was done in Sofitel Paris Le Faubourg and Savoy London hotels. "Talk That Talk" was mixed by Phil Tan and assistant Daniela Rivera at Ninja Beat Club Studios in Atlanta. Eriksen and Hermansen recorded the song's instrumentation, and Tim Blacksmith and Danny D. were assigned as its executive producers.In December 2011, Rihanna asked her fans on Twitter to recommend a song from Talk That Talk for release as the third single. On January 10, 2012, she announced that the title track was chosen and also debuted the single's cover—a black-and-white image in which Rihanna is dressed in "street punk/rockabilly clothes" and crouches against a wall. According to Jazmine Gray of Vibe magazine, the singer has an ambiguous facial expression on the cover. On January 17, Def Jam Recordings serviced "Talk That Talk" to urban contemporary radio stations in the United States. It was also sent to US contemporary hit and rhythmic radios on February 14. On March 26, "Talk That Talk" was released in France as a CD single, which contained the album version of the song and the Chuckie Extended Remix of "We Found Love".

Question: What is the name of the person who was said to have an ambiguous facial expression on the cover
Answer: Rihanna
Daily Mirror critic Gavin Martin commented that the song has Rihanna "stealing not just Beyoncé's bootylicious crown but also her husband Jay Z for a frisky exchange against sibilant drum cracks." Sputnikmusic's Steve M. felt that it could be a major hit on radio partly because of Jay Z's guest rap. Reem Buhazza of The National similarly felt that "Talk That Talk", along with "You da One" and "Roc Me Out", is part of "the winning combination of made-for-radio pop sensibility". David Griffiths from 4Music found the song to be compelling and viewed it as another successful collaboration between Rihanna and Jay-Z. Lansky from MTV Buzzworthy was not surprised that another collaboration between the two was a success. MTV News' Jocelyn Vena called it "big and hard with just enough brightness" and felt that the song discusses sexual intercourse more appropriately than "Cockiness (Love It)"; in the latter, Rihanna expresses her desire to have sex while singing the lyrics "Suck my cockiness, lick my persuasion".Lewis Corner of Digital Spy gave the song four out of five stars and called it an enticing, anthemic club song. In a review of Talk That Talk, Pitchfork's Lindsay Zoladz wrote that it is one of the album's more lighthearted songs, even though it is not as good as "Umbrella". Consequence of Sound's Chris Coplan found Jay Z's rap unenthusiastic, but said that Rihanna is as emotional and invested in her singing as she was on Saturday Night Live. People magazine's Chuck Arnold called the song "another moment in the sun." Julianne Escobedo Shepherd of Spin thought that it is a collaboration that "does not go unnoticed". On the critical side, Priya Elan of NME wrote that the song is a "gamble that doesn't pay off". The single was nominated for Best Rap/Sung Collaboration at the 2013 Grammy Awards. but lost to "No Church in the Wild" (2012) by Jay-Z and Kanye West featuring Frank Ocean and The-Dream.

Question: What is the full name of the critic of the song that was a collaboration between Rihanna and Jay-Z declared it was a "gamble that doesn't pay off".?
Answer: Priya Elan
Daily Mirror critic Gavin Martin commented that the song has Rihanna "stealing not just Beyoncé's bootylicious crown but also her husband Jay Z for a frisky exchange against sibilant drum cracks." Sputnikmusic's Steve M. felt that it could be a major hit on radio partly because of Jay Z's guest rap. Reem Buhazza of The National similarly felt that "Talk That Talk", along with "You da One" and "Roc Me Out", is part of "the winning combination of made-for-radio pop sensibility". David Griffiths from 4Music found the song to be compelling and viewed it as another successful collaboration between Rihanna and Jay-Z. Lansky from MTV Buzzworthy was not surprised that another collaboration between the two was a success. MTV News' Jocelyn Vena called it "big and hard with just enough brightness" and felt that the song discusses sexual intercourse more appropriately than "Cockiness (Love It)"; in the latter, Rihanna expresses her desire to have sex while singing the lyrics "Suck my cockiness, lick my persuasion".Lewis Corner of Digital Spy gave the song four out of five stars and called it an enticing, anthemic club song. In a review of Talk That Talk, Pitchfork's Lindsay Zoladz wrote that it is one of the album's more lighthearted songs, even though it is not as good as "Umbrella". Consequence of Sound's Chris Coplan found Jay Z's rap unenthusiastic, but said that Rihanna is as emotional and invested in her singing as she was on Saturday Night Live. People magazine's Chuck Arnold called the song "another moment in the sun." Julianne Escobedo Shepherd of Spin thought that it is a collaboration that "does not go unnoticed". On the critical side, Priya Elan of NME wrote that the song is a "gamble that doesn't pay off". The single was nominated for Best Rap/Sung Collaboration at the 2013 Grammy Awards. but lost to "No Church in the Wild" (2012) by Jay-Z and Kanye West featuring Frank Ocean and The-Dream.

Question: What is the name of the track that beat out the song a critic claimed was "big and hard with just enough brightness" at the 2013 Grammy Awards?
Answer: No Church in the Wild
Daily Mirror critic Gavin Martin commented that the song has Rihanna "stealing not just Beyoncé's bootylicious crown but also her husband Jay Z for a frisky exchange against sibilant drum cracks." Sputnikmusic's Steve M. felt that it could be a major hit on radio partly because of Jay Z's guest rap. Reem Buhazza of The National similarly felt that "Talk That Talk", along with "You da One" and "Roc Me Out", is part of "the winning combination of made-for-radio pop sensibility". David Griffiths from 4Music found the song to be compelling and viewed it as another successful collaboration between Rihanna and Jay-Z. Lansky from MTV Buzzworthy was not surprised that another collaboration between the two was a success. MTV News' Jocelyn Vena called it "big and hard with just enough brightness" and felt that the song discusses sexual intercourse more appropriately than "Cockiness (Love It)"; in the latter, Rihanna expresses her desire to have sex while singing the lyrics "Suck my cockiness, lick my persuasion".Lewis Corner of Digital Spy gave the song four out of five stars and called it an enticing, anthemic club song. In a review of Talk That Talk, Pitchfork's Lindsay Zoladz wrote that it is one of the album's more lighthearted songs, even though it is not as good as "Umbrella". Consequence of Sound's Chris Coplan found Jay Z's rap unenthusiastic, but said that Rihanna is as emotional and invested in her singing as she was on Saturday Night Live. People magazine's Chuck Arnold called the song "another moment in the sun." Julianne Escobedo Shepherd of Spin thought that it is a collaboration that "does not go unnoticed". On the critical side, Priya Elan of NME wrote that the song is a "gamble that doesn't pay off". The single was nominated for Best Rap/Sung Collaboration at the 2013 Grammy Awards. but lost to "No Church in the Wild" (2012) by Jay-Z and Kanye West featuring Frank Ocean and The-Dream.

Question: What are the two leading artists on the single that won the 2013 Grammy award over the song that discusses sexual intercourse more appropriately than "Cockiness (Love It)"?
Answer: Jay-Z, Kanye West