nc33/multispan_quoref huggingface dataset:
Halsy Knox, a professional motorcycle racer, runs into Little Fauss, an amateur racer, after a race held near Phoenix, Arizona. They strike up a friendship as Fauss is attracted to Halsy's carefree lifestyle. Fauss's father, however, regards Halsy as a bad influence on his son and refuses to help Halsy when his truck breaks down. When Halsy arrives later at the motorcycle repair shop where Fauss is employed he tricks the admiring Fauss into repairing his motorcycle for free. Halsy, who has been barred from racing for drinking on the track, When Fauss breaks his leg, Halsey proposes that they form a partnership in which Halsy would race under Fauss's name with Fauss serving as the mechanic. Fauss joins Halsy on the motorcycle racing circuit despite his parent's disapproval. Fauss is constantly confronted with his inferiority to Halsy, both on and off the racetrack. Their partnership is finally broken when Rita Nebraska, a drop-out from a wealthy background, arrives at the racetrack and immediately attaches herself to Halsy, despite the attention Fauss pays her. Fauss returns home to his parents to find his father has died. Several months later, Halsy visits him and attempts to ditch Rita, who is now pregnant. Fauss, however, refuses to take her. He informs Halsy that he plans to reenter the racing circuit. The two men race against each other a short time later at the Sears Point International Raceway. Halsy's motorcycle breaks down. As he leaves the track, he hears the announcement that Fauss has taken the lead.
In addition to the above Plot summary, at the Sears Point meeting Fauss tells Halsy that he has been drafted. The difference between these two characters is further defined.

Question: What is the first name of the person that the amateur racer refuses to take from the professional?
Answer: Rita
The film opens on ancient Greek ruins where a chanting Greek chorus introduces and narrates the story of Lenny Weinrib. Lenny is a sportswriter in Manhattan, married to ambitious curator Amanda. The couple decide to adopt a baby, a boy they name Max. Lenny is awed by their son who, it becomes increasingly clear, is a gifted child.
Lenny becomes obsessed with learning the identity of Max's biological mother. After a long search, Lenny is disturbed to find that she is a prostitute and part-time porn star, who uses several names but confesses her birth name is Leslie, and she likes "Linda" because it means beautiful in Spanish, so her current porn star name is Linda Ash. Lenny makes an "appointment" to see her at her apartment. Linda is a bit of a ditz with a crude sense of humor and delusions of becoming a stage actress. Lenny does not have intercourse with her but instead urges her to get away from prostitution and start a wholesome life. Linda becomes angry, refunds Lenny's money, and forces him to leave. Lenny, however, is determined to befriend her and improve her life. He first manages to get Linda away from her violent pimp and then attempts to pair Linda with a former boxer, Kevin. They appear to be a well-suited couple until Kevin discovers Linda's background.

Question: What is Max's adoptive father introduced by?
Answer: a chanting Greek chorus
The film opens on ancient Greek ruins where a chanting Greek chorus introduces and narrates the story of Lenny Weinrib. Lenny is a sportswriter in Manhattan, married to ambitious curator Amanda. The couple decide to adopt a baby, a boy they name Max. Lenny is awed by their son who, it becomes increasingly clear, is a gifted child.
Lenny becomes obsessed with learning the identity of Max's biological mother. After a long search, Lenny is disturbed to find that she is a prostitute and part-time porn star, who uses several names but confesses her birth name is Leslie, and she likes "Linda" because it means beautiful in Spanish, so her current porn star name is Linda Ash. Lenny makes an "appointment" to see her at her apartment. Linda is a bit of a ditz with a crude sense of humor and delusions of becoming a stage actress. Lenny does not have intercourse with her but instead urges her to get away from prostitution and start a wholesome life. Linda becomes angry, refunds Lenny's money, and forces him to leave. Lenny, however, is determined to befriend her and improve her life. He first manages to get Linda away from her violent pimp and then attempts to pair Linda with a former boxer, Kevin. They appear to be a well-suited couple until Kevin discovers Linda's background.

Question: Who is the porn star's child?
Answer: Max
The film opens on ancient Greek ruins where a chanting Greek chorus introduces and narrates the story of Lenny Weinrib. Lenny is a sportswriter in Manhattan, married to ambitious curator Amanda. The couple decide to adopt a baby, a boy they name Max. Lenny is awed by their son who, it becomes increasingly clear, is a gifted child.
Lenny becomes obsessed with learning the identity of Max's biological mother. After a long search, Lenny is disturbed to find that she is a prostitute and part-time porn star, who uses several names but confesses her birth name is Leslie, and she likes "Linda" because it means beautiful in Spanish, so her current porn star name is Linda Ash. Lenny makes an "appointment" to see her at her apartment. Linda is a bit of a ditz with a crude sense of humor and delusions of becoming a stage actress. Lenny does not have intercourse with her but instead urges her to get away from prostitution and start a wholesome life. Linda becomes angry, refunds Lenny's money, and forces him to leave. Lenny, however, is determined to befriend her and improve her life. He first manages to get Linda away from her violent pimp and then attempts to pair Linda with a former boxer, Kevin. They appear to be a well-suited couple until Kevin discovers Linda's background.

Question: What is the ditzy woman's real name?
Answer: Leslie
The film opens on ancient Greek ruins where a chanting Greek chorus introduces and narrates the story of Lenny Weinrib. Lenny is a sportswriter in Manhattan, married to ambitious curator Amanda. The couple decide to adopt a baby, a boy they name Max. Lenny is awed by their son who, it becomes increasingly clear, is a gifted child.
Lenny becomes obsessed with learning the identity of Max's biological mother. After a long search, Lenny is disturbed to find that she is a prostitute and part-time porn star, who uses several names but confesses her birth name is Leslie, and she likes "Linda" because it means beautiful in Spanish, so her current porn star name is Linda Ash. Lenny makes an "appointment" to see her at her apartment. Linda is a bit of a ditz with a crude sense of humor and delusions of becoming a stage actress. Lenny does not have intercourse with her but instead urges her to get away from prostitution and start a wholesome life. Linda becomes angry, refunds Lenny's money, and forces him to leave. Lenny, however, is determined to befriend her and improve her life. He first manages to get Linda away from her violent pimp and then attempts to pair Linda with a former boxer, Kevin. They appear to be a well-suited couple until Kevin discovers Linda's background.

Question: What's the name of the man that  Max's birth mother gets romantically involved with?
Answer: Kevin
The film opens on ancient Greek ruins where a chanting Greek chorus introduces and narrates the story of Lenny Weinrib. Lenny is a sportswriter in Manhattan, married to ambitious curator Amanda. The couple decide to adopt a baby, a boy they name Max. Lenny is awed by their son who, it becomes increasingly clear, is a gifted child.
Lenny becomes obsessed with learning the identity of Max's biological mother. After a long search, Lenny is disturbed to find that she is a prostitute and part-time porn star, who uses several names but confesses her birth name is Leslie, and she likes "Linda" because it means beautiful in Spanish, so her current porn star name is Linda Ash. Lenny makes an "appointment" to see her at her apartment. Linda is a bit of a ditz with a crude sense of humor and delusions of becoming a stage actress. Lenny does not have intercourse with her but instead urges her to get away from prostitution and start a wholesome life. Linda becomes angry, refunds Lenny's money, and forces him to leave. Lenny, however, is determined to befriend her and improve her life. He first manages to get Linda away from her violent pimp and then attempts to pair Linda with a former boxer, Kevin. They appear to be a well-suited couple until Kevin discovers Linda's background.

Question: What does the wife of Linda's friend do for a living?
Answer: curator
Ernie Davis is a young African American growing up in Pennsylvania with his uncle Will Davis Jr., in the late 1940s during a time of racism and discrimination. Davis lives with his extended family, including his grandfather, Willie 'Pops' Davis, who guides and educates him. Davis' mother, Marie Davis, eventually returns to their residence to inform the family that she has remarried and can now afford to raise Ernie at her own home in Elmira, New York. Upon relocating to Elmira, Davis enrolls in a Small Fry Football League and excels on the field as a running back.
Several years later, Syracuse University football head coach Ben Schwartzwalder searches for a running back to address the absence of Jim Brown, the graduating player completing his All-American senior season. Schwartzwalder is impressed with Davis after viewing footage of him playing for Elmira Free Academy. Schwartzwalder convinces Brown to accompany him on a recruiting visit to see Davis and his family in hopes of luring him to commit to Syracuse. After their visit, Davis decides to enroll at Syracuse and spurns the recruiting efforts of other colleges.
At the start of the 1959 college football season, Davis immediately excels playing for the varsity team, to lead Syracuse to victories over several college football teams. After Syracuse defeats UCLA to conclude the regular season undefeated, the team decides by choice to play the 2nd ranked Texas Longhorns in the Cotton Bowl Classic. During the game on January 1, 1960, Davis boldly attempts to lead his team to victory but is hampered by an injured leg and biased officiating. Towards the end of the game, Davis scores a crucial touchdown to preserve a Syracuse lead. The matchup concludes with a victory for Syracuse, and its first national championship.

Question: What are the full names of the two men who successfully visit Ernie Davis and convince him to attend Syracuse University?
Answer: Ben Schwartzwalder, Jim Brown
Ernie Davis is a young African American growing up in Pennsylvania with his uncle Will Davis Jr., in the late 1940s during a time of racism and discrimination. Davis lives with his extended family, including his grandfather, Willie 'Pops' Davis, who guides and educates him. Davis' mother, Marie Davis, eventually returns to their residence to inform the family that she has remarried and can now afford to raise Ernie at her own home in Elmira, New York. Upon relocating to Elmira, Davis enrolls in a Small Fry Football League and excels on the field as a running back.
Several years later, Syracuse University football head coach Ben Schwartzwalder searches for a running back to address the absence of Jim Brown, the graduating player completing his All-American senior season. Schwartzwalder is impressed with Davis after viewing footage of him playing for Elmira Free Academy. Schwartzwalder convinces Brown to accompany him on a recruiting visit to see Davis and his family in hopes of luring him to commit to Syracuse. After their visit, Davis decides to enroll at Syracuse and spurns the recruiting efforts of other colleges.
At the start of the 1959 college football season, Davis immediately excels playing for the varsity team, to lead Syracuse to victories over several college football teams. After Syracuse defeats UCLA to conclude the regular season undefeated, the team decides by choice to play the 2nd ranked Texas Longhorns in the Cotton Bowl Classic. During the game on January 1, 1960, Davis boldly attempts to lead his team to victory but is hampered by an injured leg and biased officiating. Towards the end of the game, Davis scores a crucial touchdown to preserve a Syracuse lead. The matchup concludes with a victory for Syracuse, and its first national championship.

Question: What is the full name of the character who convinces an All-American to accompany him on a recruiting trip?
Answer: Ben Schwartzwalder
Ernie Davis is a young African American growing up in Pennsylvania with his uncle Will Davis Jr., in the late 1940s during a time of racism and discrimination. Davis lives with his extended family, including his grandfather, Willie 'Pops' Davis, who guides and educates him. Davis' mother, Marie Davis, eventually returns to their residence to inform the family that she has remarried and can now afford to raise Ernie at her own home in Elmira, New York. Upon relocating to Elmira, Davis enrolls in a Small Fry Football League and excels on the field as a running back.
Several years later, Syracuse University football head coach Ben Schwartzwalder searches for a running back to address the absence of Jim Brown, the graduating player completing his All-American senior season. Schwartzwalder is impressed with Davis after viewing footage of him playing for Elmira Free Academy. Schwartzwalder convinces Brown to accompany him on a recruiting visit to see Davis and his family in hopes of luring him to commit to Syracuse. After their visit, Davis decides to enroll at Syracuse and spurns the recruiting efforts of other colleges.
At the start of the 1959 college football season, Davis immediately excels playing for the varsity team, to lead Syracuse to victories over several college football teams. After Syracuse defeats UCLA to conclude the regular season undefeated, the team decides by choice to play the 2nd ranked Texas Longhorns in the Cotton Bowl Classic. During the game on January 1, 1960, Davis boldly attempts to lead his team to victory but is hampered by an injured leg and biased officiating. Towards the end of the game, Davis scores a crucial touchdown to preserve a Syracuse lead. The matchup concludes with a victory for Syracuse, and its first national championship.

Question: What is the full name of the character who is educated and guided by his grandfather?
Answer: Ernie Davis
Ernie Davis is a young African American growing up in Pennsylvania with his uncle Will Davis Jr., in the late 1940s during a time of racism and discrimination. Davis lives with his extended family, including his grandfather, Willie 'Pops' Davis, who guides and educates him. Davis' mother, Marie Davis, eventually returns to their residence to inform the family that she has remarried and can now afford to raise Ernie at her own home in Elmira, New York. Upon relocating to Elmira, Davis enrolls in a Small Fry Football League and excels on the field as a running back.
Several years later, Syracuse University football head coach Ben Schwartzwalder searches for a running back to address the absence of Jim Brown, the graduating player completing his All-American senior season. Schwartzwalder is impressed with Davis after viewing footage of him playing for Elmira Free Academy. Schwartzwalder convinces Brown to accompany him on a recruiting visit to see Davis and his family in hopes of luring him to commit to Syracuse. After their visit, Davis decides to enroll at Syracuse and spurns the recruiting efforts of other colleges.
At the start of the 1959 college football season, Davis immediately excels playing for the varsity team, to lead Syracuse to victories over several college football teams. After Syracuse defeats UCLA to conclude the regular season undefeated, the team decides by choice to play the 2nd ranked Texas Longhorns in the Cotton Bowl Classic. During the game on January 1, 1960, Davis boldly attempts to lead his team to victory but is hampered by an injured leg and biased officiating. Towards the end of the game, Davis scores a crucial touchdown to preserve a Syracuse lead. The matchup concludes with a victory for Syracuse, and its first national championship.

Question: What teams participate in a matchup that concludes with a victory for Syracuse?
Answer: Syracuse, Texas Longhorns
Constance Stokes (née Parkin, 22 February 1906 – 14 July 1991) was a modernist Australian painter who worked in Victoria. She trained at the National Gallery of Victoria Art School until 1929, winning a scholarship to continue her study at London's Royal Academy of Arts. Although Stokes painted few works in the 1930s, her paintings and drawings were exhibited from the 1940s onwards. She was one of only two women, and two Victorians, included in a major exhibition of twelve Australian artists that travelled to Canada, the United Kingdom and Italy in the early 1950s.
Influenced by George Bell, Stokes was part of the Melbourne Contemporary Artists, a group Bell established in 1940. Her works continued to be well-regarded for many years after the group's formation, in contrast to those by many of her Victorian modernist colleagues, with favourable reviews from critics such as Sir Philip Hendy in the United Kingdom and Bernard William Smith in Australia.
Her husband's early death in 1962 forced Stokes to return to painting as a career, resulting in a successful one-woman show in 1964, her first in thirty years. She continued to paint and exhibit through the 1970s and 1980s, and was the subject of a retrospective exhibition that toured Victorian regional galleries including Swan Hill Regional Art Gallery and Geelong Art Gallery in 1985. She died in 1991 and is little-known in comparison to some other women artists including Grace Cossington Smith and Clarice Beckett, but her fortunes were revived somewhat as a central figure in Anne Summers' 2009 book The Lost Mother. Her art is represented in most major Australian galleries, including the National Gallery of Australia and the National Gallery of Victoria; the Art Gallery of New South Wales is the only significant Australian collecting institution not to hold one of her works.

Question: What was the full name of the person whose work continued to be well-regarded for many years after the group's formation?
Answer: Constance Stokes
Constance Stokes (née Parkin, 22 February 1906 – 14 July 1991) was a modernist Australian painter who worked in Victoria. She trained at the National Gallery of Victoria Art School until 1929, winning a scholarship to continue her study at London's Royal Academy of Arts. Although Stokes painted few works in the 1930s, her paintings and drawings were exhibited from the 1940s onwards. She was one of only two women, and two Victorians, included in a major exhibition of twelve Australian artists that travelled to Canada, the United Kingdom and Italy in the early 1950s.
Influenced by George Bell, Stokes was part of the Melbourne Contemporary Artists, a group Bell established in 1940. Her works continued to be well-regarded for many years after the group's formation, in contrast to those by many of her Victorian modernist colleagues, with favourable reviews from critics such as Sir Philip Hendy in the United Kingdom and Bernard William Smith in Australia.
Her husband's early death in 1962 forced Stokes to return to painting as a career, resulting in a successful one-woman show in 1964, her first in thirty years. She continued to paint and exhibit through the 1970s and 1980s, and was the subject of a retrospective exhibition that toured Victorian regional galleries including Swan Hill Regional Art Gallery and Geelong Art Gallery in 1985. She died in 1991 and is little-known in comparison to some other women artists including Grace Cossington Smith and Clarice Beckett, but her fortunes were revived somewhat as a central figure in Anne Summers' 2009 book The Lost Mother. Her art is represented in most major Australian galleries, including the National Gallery of Australia and the National Gallery of Victoria; the Art Gallery of New South Wales is the only significant Australian collecting institution not to hold one of her works.

Question: What was the full name of the person who died in 1991 and is little-known comparison to some other women artists?
Answer: Constance Stokes
Tom and Dan meet in a bar and then proceed to Tom's apartment together.  While there, Dan realizes that he had been in that same apartment before.  Five years earlier, Dan and Tom had a one night stand there.  According to Tom, that encounter with Dan was his first and only homosexual experience.  Some years later, Tom's wife is found to be HIV positive.  Despondent after receiving this diagnosis from her doctor, Tom's wife drives through a red traffic light and is killed in an ensuing collision.  Subsequent to these events, medical tests reveal that Tom is also HIV positive.  Tom blames himself for passing HIV on to his wife and, in turn, he blames Dan for passing the virus on to him.  Reasoning that Dan, ultimately, is to blame for his wife's death, Tom devises a plan to exact revenge.  He holds Dan hostage, keeping him bound and gagged to a chair in his apartment. He draws blood from Dan in order to conduct a test to determine Dan's HIV status.  If Dan's test results are positive for HIV, Tom vows to kill Dan.  If the results are negative, Tom agrees to release Dan unharmed. In the end, Tom returns to the apartment and lets Dan go. As Dan is leaving, Tom asks him when he had last been tested. A few moments later, he reveals that Dan's test was, in fact, positive. He decided to let Dan go because he realized that his positive status was the result of his choices which he couldn't blame on anyone else. The screen fades with Dan standing in Tom's doorway in shock.

Question: What is the name of the person Tom blames in the end for his HIV status?
Answer: Tom
The Stooges are defense workers at the Heedlock Airplane Corp., a pun on the Lockheed Aircraft Corporation.  They enter an apartment and break into a safe, which turns out to be a refrigerator.  With the food they find, they prepare a late night meal of a single slice of ham, an egg, bread and coffee.  Moe and Larry share the food, and Curly gets the bone and the eggshell. While eating, Curly breaks his tooth while attempting to eat the ham bone, resulting in a major toothache. Moe suggests he simply gets some sleep, and in the morning the toothache will be gone.
The boys situate themselves for bed in a conveniently placed three-tiered bunk bed. Curly naturally receives the top bunk and his ascent thereto is not without mishap. During the night, Moe unsuccessfully tries to alleviate Curly's pain but is unable to do so. While Curly does finally fall asleep, we are introduced into his dreams where he is still whining on about his current state of affairs. His persistent moaning and complaining about his toothache finally aggravate the other two into action. His fear of dentists leaves the Stooges with precious few options, leaving them to improvise their own brand of home dentistry techniques. These techniques include trying to extract the tooth with a fishing pole and line, tying the tooth to the doorknob and violently closing it, tying the tooth to a ceiling light fixture and jumping from a ladder, and lastly, firecrackers.

Question: What are the names of the Stooges?
Answer: Moe, Larry, Curly
The Stooges are defense workers at the Heedlock Airplane Corp., a pun on the Lockheed Aircraft Corporation.  They enter an apartment and break into a safe, which turns out to be a refrigerator.  With the food they find, they prepare a late night meal of a single slice of ham, an egg, bread and coffee.  Moe and Larry share the food, and Curly gets the bone and the eggshell. While eating, Curly breaks his tooth while attempting to eat the ham bone, resulting in a major toothache. Moe suggests he simply gets some sleep, and in the morning the toothache will be gone.
The boys situate themselves for bed in a conveniently placed three-tiered bunk bed. Curly naturally receives the top bunk and his ascent thereto is not without mishap. During the night, Moe unsuccessfully tries to alleviate Curly's pain but is unable to do so. While Curly does finally fall asleep, we are introduced into his dreams where he is still whining on about his current state of affairs. His persistent moaning and complaining about his toothache finally aggravate the other two into action. His fear of dentists leaves the Stooges with precious few options, leaving them to improvise their own brand of home dentistry techniques. These techniques include trying to extract the tooth with a fishing pole and line, tying the tooth to the doorknob and violently closing it, tying the tooth to a ceiling light fixture and jumping from a ladder, and lastly, firecrackers.

Question: Who has a fear of dentists?
Answer: Curly
Eric Stoltz plays John Dantley, an NTSB officer sent to O'Hare Airport in Chicago to investigate a collision between Global Airlines Flight 1025 (a Boeing 757-200 from Los Angeles to Washington D.C.) and PDO Cargo flight 342 (a Boeing 727-200F flying westbound cargo plane), where 185 people are killed.
Charles Martin Smith plays Henry Drake, an air traffic controller who insists his radar system malfunctioned when the planes were being cleared for landing. When the rest of air traffic control dismiss Drake and blame the incident on human error, Dantley must discover the truth about the crash: Was Drake — a high-strung individual who already didn't get along with his co-workers — simply incompetent at his job or did Drake's co-workers and superiors know about and/or had been previously been warned about the aging radar system showing signs of seriously malfunctioning and crashing at critical times (and thus liable to lead to deadly situations such as the one that happened), but instead of taking action ignored the warnings and initiated a cover-up?

Question: What were the two flights that an NTSB officer was sent to O'Hare Airport to investigate a collision between?
Answer: Global Airlines Flight 1025, PDO Cargo flight 342
Eric Stoltz plays John Dantley, an NTSB officer sent to O'Hare Airport in Chicago to investigate a collision between Global Airlines Flight 1025 (a Boeing 757-200 from Los Angeles to Washington D.C.) and PDO Cargo flight 342 (a Boeing 727-200F flying westbound cargo plane), where 185 people are killed.
Charles Martin Smith plays Henry Drake, an air traffic controller who insists his radar system malfunctioned when the planes were being cleared for landing. When the rest of air traffic control dismiss Drake and blame the incident on human error, Dantley must discover the truth about the crash: Was Drake — a high-strung individual who already didn't get along with his co-workers — simply incompetent at his job or did Drake's co-workers and superiors know about and/or had been previously been warned about the aging radar system showing signs of seriously malfunctioning and crashing at critical times (and thus liable to lead to deadly situations such as the one that happened), but instead of taking action ignored the warnings and initiated a cover-up?

Question: What is the full name of the person who didn't get along with his co-workers?
Answer: Henry Drake
Gigolos in Europe are being terrorized by a serial killer. In Malibu, Deuce Bigalow's wife Kate has died from a shark attack, and Deuce is invited by his former pimp T.J. Hicks to Amsterdam. Deuce goes to take his mind off of Kate.
After T.J. shows Deuce his boat, or "float crib," the pair go to a coffee shop where they get high and bump into Heinz Hummer, a German gigolo. After leaving the coffee shop, Deuce finds Hummer dead in an alley, but thinks he is merely stoned and takes the dead gigolo to T.J.'s float crib; when T.J. gets back, he immediately realizes that Hummer is dead. T.J. plans to dump the body, but skeptical of Hummer's reputation of being well-endowed, unzips his pants and examines his genitalia and is caught by a tour boat.
Upon his release from the police station, Deuce finds T.J. at a restaurant and recalls that he saw the killer walking away from Hummer's body. Deuce says it was a woman, so they both figure it was a she-john, a former client of the murdered gigolo. T.J. convinces Deuce to find the killer by becoming a gigolo again, visiting the former clients and "rooting" out the killer. They attend a meeting of the Royal Order of European Man Whores, but fail to procure a list of the clients.

Question: What are the full names of the characters who go to the meeting of the Royal Order of European Man Whores?
Answer: Deuce Bigalow, T.J. Hicks
Gigolos in Europe are being terrorized by a serial killer. In Malibu, Deuce Bigalow's wife Kate has died from a shark attack, and Deuce is invited by his former pimp T.J. Hicks to Amsterdam. Deuce goes to take his mind off of Kate.
After T.J. shows Deuce his boat, or "float crib," the pair go to a coffee shop where they get high and bump into Heinz Hummer, a German gigolo. After leaving the coffee shop, Deuce finds Hummer dead in an alley, but thinks he is merely stoned and takes the dead gigolo to T.J.'s float crib; when T.J. gets back, he immediately realizes that Hummer is dead. T.J. plans to dump the body, but skeptical of Hummer's reputation of being well-endowed, unzips his pants and examines his genitalia and is caught by a tour boat.
Upon his release from the police station, Deuce finds T.J. at a restaurant and recalls that he saw the killer walking away from Hummer's body. Deuce says it was a woman, so they both figure it was a she-john, a former client of the murdered gigolo. T.J. convinces Deuce to find the killer by becoming a gigolo again, visiting the former clients and "rooting" out the killer. They attend a meeting of the Royal Order of European Man Whores, but fail to procure a list of the clients.

Question: What is the full name of the character whose dick Deuce's former pimp wants to look at?
Answer: Heinz Hummer
Gigolos in Europe are being terrorized by a serial killer. In Malibu, Deuce Bigalow's wife Kate has died from a shark attack, and Deuce is invited by his former pimp T.J. Hicks to Amsterdam. Deuce goes to take his mind off of Kate.
After T.J. shows Deuce his boat, or "float crib," the pair go to a coffee shop where they get high and bump into Heinz Hummer, a German gigolo. After leaving the coffee shop, Deuce finds Hummer dead in an alley, but thinks he is merely stoned and takes the dead gigolo to T.J.'s float crib; when T.J. gets back, he immediately realizes that Hummer is dead. T.J. plans to dump the body, but skeptical of Hummer's reputation of being well-endowed, unzips his pants and examines his genitalia and is caught by a tour boat.
Upon his release from the police station, Deuce finds T.J. at a restaurant and recalls that he saw the killer walking away from Hummer's body. Deuce says it was a woman, so they both figure it was a she-john, a former client of the murdered gigolo. T.J. convinces Deuce to find the killer by becoming a gigolo again, visiting the former clients and "rooting" out the killer. They attend a meeting of the Royal Order of European Man Whores, but fail to procure a list of the clients.

Question: What is the name of the character who doubts to validity of rumors about the size of a dead guy's dick?
Answer: T.J. Hicks
Gigolos in Europe are being terrorized by a serial killer. In Malibu, Deuce Bigalow's wife Kate has died from a shark attack, and Deuce is invited by his former pimp T.J. Hicks to Amsterdam. Deuce goes to take his mind off of Kate.
After T.J. shows Deuce his boat, or "float crib," the pair go to a coffee shop where they get high and bump into Heinz Hummer, a German gigolo. After leaving the coffee shop, Deuce finds Hummer dead in an alley, but thinks he is merely stoned and takes the dead gigolo to T.J.'s float crib; when T.J. gets back, he immediately realizes that Hummer is dead. T.J. plans to dump the body, but skeptical of Hummer's reputation of being well-endowed, unzips his pants and examines his genitalia and is caught by a tour boat.
Upon his release from the police station, Deuce finds T.J. at a restaurant and recalls that he saw the killer walking away from Hummer's body. Deuce says it was a woman, so they both figure it was a she-john, a former client of the murdered gigolo. T.J. convinces Deuce to find the killer by becoming a gigolo again, visiting the former clients and "rooting" out the killer. They attend a meeting of the Royal Order of European Man Whores, but fail to procure a list of the clients.

Question: What is the first name of the person that finds the German gigolo's body?
Answer: Deuce
Gigolos in Europe are being terrorized by a serial killer. In Malibu, Deuce Bigalow's wife Kate has died from a shark attack, and Deuce is invited by his former pimp T.J. Hicks to Amsterdam. Deuce goes to take his mind off of Kate.
After T.J. shows Deuce his boat, or "float crib," the pair go to a coffee shop where they get high and bump into Heinz Hummer, a German gigolo. After leaving the coffee shop, Deuce finds Hummer dead in an alley, but thinks he is merely stoned and takes the dead gigolo to T.J.'s float crib; when T.J. gets back, he immediately realizes that Hummer is dead. T.J. plans to dump the body, but skeptical of Hummer's reputation of being well-endowed, unzips his pants and examines his genitalia and is caught by a tour boat.
Upon his release from the police station, Deuce finds T.J. at a restaurant and recalls that he saw the killer walking away from Hummer's body. Deuce says it was a woman, so they both figure it was a she-john, a former client of the murdered gigolo. T.J. convinces Deuce to find the killer by becoming a gigolo again, visiting the former clients and "rooting" out the killer. They attend a meeting of the Royal Order of European Man Whores, but fail to procure a list of the clients.

Question: What is the name of the person that the gigolo visits after the death of his wife?
Answer: T.J. Hicks
Portrait Diptych of Dürer's Parents (or Dürer's Parents with Rosaries) is the collective name for two late-15th century portrait panels by the German painter and printmaker Albrecht Dürer. They show the artist's parents, Barbara Holper (c. 1451–1514) and Albrecht Dürer the Elder (c. 1427–1502), when she was around 39 and he was 63 years. The portraits are unflinching records of the physical and emotional effects of ageing. The Dürer family was close and Dürer may have intended the panels either to display his skill to his parents or as keepsakes while he travelled soon after as a journeyman painter.
They were created either as pendants, that is conceived as a pair and intended to hang alongside each other, or diptych wings. However this formation may have been a later conception; Barbara's portrait seems to have been executed some time after her husband's and it is unusual for a husband to be placed to the viewer's right in paired panels. His father's panel is considered the superior work and has been described as one of Dürer's most exact and honest portraits. They are among four paintings or drawings Dürer made of his parents, each of which unsentimentally examines the deteriorating effects of age. His later writings contain eulogies for both parents, from which the love and respect he felt toward them is evident.
Each panel measured 47.5 cm x 39.5 cm (18.7 in x 15.6 in), but the left hand panel has been cut down. They have been separated since at least 1628, until Barbara's portrait—long considered lost—was reattributed in 1977. The panels were reunited in the Germanisches Nationalmuseum's 2012 exhibition "The Early Dürer".

Question: Whose portraits are described as unflinching records of the effects of ageing?
Answer: Barbara Holper, Albrecht Dürer the Elder
Portrait Diptych of Dürer's Parents (or Dürer's Parents with Rosaries) is the collective name for two late-15th century portrait panels by the German painter and printmaker Albrecht Dürer. They show the artist's parents, Barbara Holper (c. 1451–1514) and Albrecht Dürer the Elder (c. 1427–1502), when she was around 39 and he was 63 years. The portraits are unflinching records of the physical and emotional effects of ageing. The Dürer family was close and Dürer may have intended the panels either to display his skill to his parents or as keepsakes while he travelled soon after as a journeyman painter.
They were created either as pendants, that is conceived as a pair and intended to hang alongside each other, or diptych wings. However this formation may have been a later conception; Barbara's portrait seems to have been executed some time after her husband's and it is unusual for a husband to be placed to the viewer's right in paired panels. His father's panel is considered the superior work and has been described as one of Dürer's most exact and honest portraits. They are among four paintings or drawings Dürer made of his parents, each of which unsentimentally examines the deteriorating effects of age. His later writings contain eulogies for both parents, from which the love and respect he felt toward them is evident.
Each panel measured 47.5 cm x 39.5 cm (18.7 in x 15.6 in), but the left hand panel has been cut down. They have been separated since at least 1628, until Barbara's portrait—long considered lost—was reattributed in 1977. The panels were reunited in the Germanisches Nationalmuseum's 2012 exhibition "The Early Dürer".

Question: What is the full name of the person whose portrait is described as one of Dürer's most exact and honest portraits?
Answer: Albrecht Dürer the Elder
Portrait Diptych of Dürer's Parents (or Dürer's Parents with Rosaries) is the collective name for two late-15th century portrait panels by the German painter and printmaker Albrecht Dürer. They show the artist's parents, Barbara Holper (c. 1451–1514) and Albrecht Dürer the Elder (c. 1427–1502), when she was around 39 and he was 63 years. The portraits are unflinching records of the physical and emotional effects of ageing. The Dürer family was close and Dürer may have intended the panels either to display his skill to his parents or as keepsakes while he travelled soon after as a journeyman painter.
They were created either as pendants, that is conceived as a pair and intended to hang alongside each other, or diptych wings. However this formation may have been a later conception; Barbara's portrait seems to have been executed some time after her husband's and it is unusual for a husband to be placed to the viewer's right in paired panels. His father's panel is considered the superior work and has been described as one of Dürer's most exact and honest portraits. They are among four paintings or drawings Dürer made of his parents, each of which unsentimentally examines the deteriorating effects of age. His later writings contain eulogies for both parents, from which the love and respect he felt toward them is evident.
Each panel measured 47.5 cm x 39.5 cm (18.7 in x 15.6 in), but the left hand panel has been cut down. They have been separated since at least 1628, until Barbara's portrait—long considered lost—was reattributed in 1977. The panels were reunited in the Germanisches Nationalmuseum's 2012 exhibition "The Early Dürer".

Question: What two names refer to the panels that were reunited in the 2012 exhibition "The Early Dürer"?
Answer: Dürer's Parents with Rosaries, Portrait Diptych of Dürer's Parents
Portrait Diptych of Dürer's Parents (or Dürer's Parents with Rosaries) is the collective name for two late-15th century portrait panels by the German painter and printmaker Albrecht Dürer. They show the artist's parents, Barbara Holper (c. 1451–1514) and Albrecht Dürer the Elder (c. 1427–1502), when she was around 39 and he was 63 years. The portraits are unflinching records of the physical and emotional effects of ageing. The Dürer family was close and Dürer may have intended the panels either to display his skill to his parents or as keepsakes while he travelled soon after as a journeyman painter.
They were created either as pendants, that is conceived as a pair and intended to hang alongside each other, or diptych wings. However this formation may have been a later conception; Barbara's portrait seems to have been executed some time after her husband's and it is unusual for a husband to be placed to the viewer's right in paired panels. His father's panel is considered the superior work and has been described as one of Dürer's most exact and honest portraits. They are among four paintings or drawings Dürer made of his parents, each of which unsentimentally examines the deteriorating effects of age. His later writings contain eulogies for both parents, from which the love and respect he felt toward them is evident.
Each panel measured 47.5 cm x 39.5 cm (18.7 in x 15.6 in), but the left hand panel has been cut down. They have been separated since at least 1628, until Barbara's portrait—long considered lost—was reattributed in 1977. The panels were reunited in the Germanisches Nationalmuseum's 2012 exhibition "The Early Dürer".

Question: Whose later writings contained eulogies for both parents?
Answer: Albrecht Dürer
The three-quarter view was widely used in southern German portraiture of the late-15th century. Rosary beads were often included to indicate the piousness and modesty of the sitters, although by the 16th century religious motifs and sentiments like this were falling out of fashion. Dürer distinguishes himself from his contemporaries through his tight and detailed focus on his parents' faces, a technique that draws comparison to the work of the first generation of Early Netherlandish painters active 50 years earlier. Albrecht the Elder had travelled to Flanders and from working with Netherlandish artists had acquired a strong appreciation for the work of both Jan van Eyck and Rogier van der Weyden.  That he passed on this influence to his son is evident from the early use of silverpoint, a medium which according to Erwin Panofsky requires "an exceptional degree of confidence, accuracy and sensitive feeling for its successful handling".
Dürer would have been aware of Hans Pleydenwurff's portrait of the ageing Count Georg von Lowenstein, through his teacher Michael Wolgemut. Pleydenwurff's portrait was in turn likely influenced by van Eyck's 1438 Portrait of Cardinal Niccolò Albergati. Von Fircks believes the portrait of Dürer's father took from Pleydenwurff's portrait, which she describes as a "highly detailed representation of [a] white haired old man, who defies the pains of growing old with an alert mind and an inner animation".Von Fircks notes that Dürer's 1484 self-portrait was created with the use of a mirror while his most iconic work is a self-portrait; the 1500 Self-Portrait at Twenty-Eight. From these she concludes that the "accurate observation and documentary recording" of both his own and his parents' appearances over time was not just a compulsion, but that is indicative of a deeper interest in the effects of time and age on human appearance. Although Dürer was fascinated by the effects of ageing on others, he seems to have had some hesitancy at examining how it might affect him personally. The self-portraits tend to be idealised and the 1500 portrait was his last. Later self-portraits are far more understated and executed in a 'secondary' media, such as his drawings of the Man of Sorrows and nude drawing of 1505, which depicted an emaciated body during the time of the plague.

Question: What was the full name of the person who concluded "accurate observation and documentary recording" of both his own and his parents' appearances over time was not just a compulsion, but that is indicative of a deeper interest in the effects of time and age on human appearance?
Answer: Von Fircks
The three-quarter view was widely used in southern German portraiture of the late-15th century. Rosary beads were often included to indicate the piousness and modesty of the sitters, although by the 16th century religious motifs and sentiments like this were falling out of fashion. Dürer distinguishes himself from his contemporaries through his tight and detailed focus on his parents' faces, a technique that draws comparison to the work of the first generation of Early Netherlandish painters active 50 years earlier. Albrecht the Elder had travelled to Flanders and from working with Netherlandish artists had acquired a strong appreciation for the work of both Jan van Eyck and Rogier van der Weyden.  That he passed on this influence to his son is evident from the early use of silverpoint, a medium which according to Erwin Panofsky requires "an exceptional degree of confidence, accuracy and sensitive feeling for its successful handling".
Dürer would have been aware of Hans Pleydenwurff's portrait of the ageing Count Georg von Lowenstein, through his teacher Michael Wolgemut. Pleydenwurff's portrait was in turn likely influenced by van Eyck's 1438 Portrait of Cardinal Niccolò Albergati. Von Fircks believes the portrait of Dürer's father took from Pleydenwurff's portrait, which she describes as a "highly detailed representation of [a] white haired old man, who defies the pains of growing old with an alert mind and an inner animation".Von Fircks notes that Dürer's 1484 self-portrait was created with the use of a mirror while his most iconic work is a self-portrait; the 1500 Self-Portrait at Twenty-Eight. From these she concludes that the "accurate observation and documentary recording" of both his own and his parents' appearances over time was not just a compulsion, but that is indicative of a deeper interest in the effects of time and age on human appearance. Although Dürer was fascinated by the effects of ageing on others, he seems to have had some hesitancy at examining how it might affect him personally. The self-portraits tend to be idealised and the 1500 portrait was his last. Later self-portraits are far more understated and executed in a 'secondary' media, such as his drawings of the Man of Sorrows and nude drawing of 1505, which depicted an emaciated body during the time of the plague.

Question: What was the name of the person whose 1500 portrait was their last?
Answer: Dürer
The three-quarter view was widely used in southern German portraiture of the late-15th century. Rosary beads were often included to indicate the piousness and modesty of the sitters, although by the 16th century religious motifs and sentiments like this were falling out of fashion. Dürer distinguishes himself from his contemporaries through his tight and detailed focus on his parents' faces, a technique that draws comparison to the work of the first generation of Early Netherlandish painters active 50 years earlier. Albrecht the Elder had travelled to Flanders and from working with Netherlandish artists had acquired a strong appreciation for the work of both Jan van Eyck and Rogier van der Weyden.  That he passed on this influence to his son is evident from the early use of silverpoint, a medium which according to Erwin Panofsky requires "an exceptional degree of confidence, accuracy and sensitive feeling for its successful handling".
Dürer would have been aware of Hans Pleydenwurff's portrait of the ageing Count Georg von Lowenstein, through his teacher Michael Wolgemut. Pleydenwurff's portrait was in turn likely influenced by van Eyck's 1438 Portrait of Cardinal Niccolò Albergati. Von Fircks believes the portrait of Dürer's father took from Pleydenwurff's portrait, which she describes as a "highly detailed representation of [a] white haired old man, who defies the pains of growing old with an alert mind and an inner animation".Von Fircks notes that Dürer's 1484 self-portrait was created with the use of a mirror while his most iconic work is a self-portrait; the 1500 Self-Portrait at Twenty-Eight. From these she concludes that the "accurate observation and documentary recording" of both his own and his parents' appearances over time was not just a compulsion, but that is indicative of a deeper interest in the effects of time and age on human appearance. Although Dürer was fascinated by the effects of ageing on others, he seems to have had some hesitancy at examining how it might affect him personally. The self-portraits tend to be idealised and the 1500 portrait was his last. Later self-portraits are far more understated and executed in a 'secondary' media, such as his drawings of the Man of Sorrows and nude drawing of 1505, which depicted an emaciated body during the time of the plague.

Question: What was the name of the person who drew Man of Sorrows?
Answer: Dürer