nc33/multispan_quoref huggingface dataset:
The incident proved stressful for Hendrix, and it weighed heavily on his mind while he awaited trial. His limousine driver and a witness to the arrest, Louis Goldblatt, described him as "genuinely dumbfounded by the whole affair." Tour manager Eric Barrett said that he looked "as if there had been a plane crash". Hendrix biographers Harry Shapiro and Caesar Glebbeek described the incident as "a nightmare which ... plagued" him for seven months. According to Redding, "the bust knocked any positive feelings Jimi was holding onto out of him" and that he was in "agonised suspense" from the arrest until the trial. In 2012, Plummer wrote: "The real possibility of prison hung over Hendrix like a spectre ... a threat to his career and the cause of much brooding and rumination." Journalist Charles Shaar Murray asserted that the incident jeopardized what he described as "Hendrix's increasingly fragile peace of mind".
Two weeks after the arrest, Hendrix told Lawrence: "Whatever I have done ... getting hooked on heroin is not one of them." He explained that his fear of needles discouraged him from using the drug and that having known junkies convinced him that it was not something he should get involved with. Soon after the story of his arrest became public, he drew a connection between the bust and anti-establishment sentiments: "All of that is the establishment fighting back ... Eventually, they will swallow themselves up, but I don't want them to swallow up too many kids as they go along."According to Shapiro and Glebbeek, in 1969 there was little confidence in the staying power of rock stars; it was assumed that their careers were going to be short, and industry insiders operated under a "take the money and run" mentality. For this reason, they speculated that had Hendrix been convicted it would have ended his music career. After the trial, his management announced to the British press that they were planning a farewell tour for the Experience. However, the US tour during which the arrest occurred was their last. The band played their final concert on June 29, at Mile High Stadium in Denver (less than two months before Hendrix's iconic solo performance at Woodstock). There were no new album releases from them during 1969. Hendrix's management later stated that concert promoters were apprehensive about booking him until after the matter had been resolved.

Question: What is the last name of the person that drew a connection between the bust and anti-establishment sentiments?
Answer: Hendrix
The incident proved stressful for Hendrix, and it weighed heavily on his mind while he awaited trial. His limousine driver and a witness to the arrest, Louis Goldblatt, described him as "genuinely dumbfounded by the whole affair." Tour manager Eric Barrett said that he looked "as if there had been a plane crash". Hendrix biographers Harry Shapiro and Caesar Glebbeek described the incident as "a nightmare which ... plagued" him for seven months. According to Redding, "the bust knocked any positive feelings Jimi was holding onto out of him" and that he was in "agonised suspense" from the arrest until the trial. In 2012, Plummer wrote: "The real possibility of prison hung over Hendrix like a spectre ... a threat to his career and the cause of much brooding and rumination." Journalist Charles Shaar Murray asserted that the incident jeopardized what he described as "Hendrix's increasingly fragile peace of mind".
Two weeks after the arrest, Hendrix told Lawrence: "Whatever I have done ... getting hooked on heroin is not one of them." He explained that his fear of needles discouraged him from using the drug and that having known junkies convinced him that it was not something he should get involved with. Soon after the story of his arrest became public, he drew a connection between the bust and anti-establishment sentiments: "All of that is the establishment fighting back ... Eventually, they will swallow themselves up, but I don't want them to swallow up too many kids as they go along."According to Shapiro and Glebbeek, in 1969 there was little confidence in the staying power of rock stars; it was assumed that their careers were going to be short, and industry insiders operated under a "take the money and run" mentality. For this reason, they speculated that had Hendrix been convicted it would have ended his music career. After the trial, his management announced to the British press that they were planning a farewell tour for the Experience. However, the US tour during which the arrest occurred was their last. The band played their final concert on June 29, at Mile High Stadium in Denver (less than two months before Hendrix's iconic solo performance at Woodstock). There were no new album releases from them during 1969. Hendrix's management later stated that concert promoters were apprehensive about booking him until after the matter had been resolved.

Question: What is the last name of the person that their  management announced to the British press that they were planning a farewell tour for the Experience?
Answer: Hendrix
New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records.
In the years leading up to the album, the New York Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion; the group later appeared in exaggerated drag on the album cover for shock value.
After signing a contract with Mercury, the New York Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. Their music on the album incorporated carefree rock and roll, Brill Building pop influences, and campy sensibilities, while Johansen's colloquial and ambiguous lyrics explored themes of urban youth, teen alienation, adolescent romance, and authenticity.
New York Dolls was met with widespread critical acclaim but sold poorly and polarized listeners. The band proved difficult to market outside their native New York and developed a reputation for rock-star excesses while touring the United States in support of the album. Despite its commercial failure, New York Dolls was an influential precursor to the 1970s punk rock movement and has since been named in various publications as one of the best debut records in rock music and one of the greatest albums of all time.

Question: What are the last name of the two band members who said Rundgren successfully captured how the band sounded live?
Answer: Johansen, Sylvain
New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records.
In the years leading up to the album, the New York Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion; the group later appeared in exaggerated drag on the album cover for shock value.
After signing a contract with Mercury, the New York Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. Their music on the album incorporated carefree rock and roll, Brill Building pop influences, and campy sensibilities, while Johansen's colloquial and ambiguous lyrics explored themes of urban youth, teen alienation, adolescent romance, and authenticity.
New York Dolls was met with widespread critical acclaim but sold poorly and polarized listeners. The band proved difficult to market outside their native New York and developed a reputation for rock-star excesses while touring the United States in support of the album. Despite its commercial failure, New York Dolls was an influential precursor to the 1970s punk rock movement and has since been named in various publications as one of the best debut records in rock music and one of the greatest albums of all time.

Question: Who was Sylvain Sylvain a guitarist for?
Answer: New York Dolls
New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records.
In the years leading up to the album, the New York Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion; the group later appeared in exaggerated drag on the album cover for shock value.
After signing a contract with Mercury, the New York Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. Their music on the album incorporated carefree rock and roll, Brill Building pop influences, and campy sensibilities, while Johansen's colloquial and ambiguous lyrics explored themes of urban youth, teen alienation, adolescent romance, and authenticity.
New York Dolls was met with widespread critical acclaim but sold poorly and polarized listeners. The band proved difficult to market outside their native New York and developed a reputation for rock-star excesses while touring the United States in support of the album. Despite its commercial failure, New York Dolls was an influential precursor to the 1970s punk rock movement and has since been named in various publications as one of the best debut records in rock music and one of the greatest albums of all time.

Question: What is the full name of the person who colloquial and ambiguous lyrics explored themes of urban youth, teen alienation, adolescent romance and authenticity?
Answer: David Johansen
Mercury booked the New York Dolls at The Record Plant in New York City, where they recorded their self-titled debut album in April 1973. Rundgren was originally concerned that they had taken "the worst sounding studio in the city at that time" because it was the only one available to them with the short time given to record and release the album. He later said that expectations for the band and the festive atmosphere of the recording sessions proved to be more of a problem: "The Dolls were critics' darlings and the press had kind of adopted them. Plus, there were lots of extra people around, socializing, which made it hard to concentrate." New York Dolls was recorded in eight days on a budget of $17,000 (equivalent to $96,000 in 2018). With a short amount of studio time and no concept in mind for the album, the band chose which songs to record based on how well they had been received at their live shows. In Johansen's own words, "we went into a room and just recorded. It wasn't like these people who conceptualize things. It was just a document of what was going on at the time."In the studio, the New York Dolls dressed in their usual flashy clothes. Rundgren, who did not approve of their raucous sound, at one point yelled at them during the sessions to "get the glitter out of your asses and play". Sylvain recalled Rundgren inviting Buell and their Chihuahua to the studio and putting the latter atop an expensive mixing console, while Johansen acknowledged that his recollections of the sessions have since been distorted by what he has read about them: "It was like the 1920s, with palm tree décor and stuff. Well, that's how I remember it, anyway." He also said Rundgren directed the band from the control room with engineer Jack Douglas and hardly spoke to them while they recorded the album. According to Scopa, the group's carefree lifestyle probably conflicted with Rundgren's professional work ethic and schedule: "He doesn't put up with bullshit. I mean, [the band] rarely started their live sets before midnight, so who knows? Todd was very much in charge in the studio, however, and I got the impression that everybody was looking to him."

Question: What is the last name of the person who reportedly "doesn't put up with bullshit"?
Answer: Rundgren
A farmer and his wife are attacked in their remote home by what appears to be zombies. At a horror convention, filmmaker Alfonso Betz is onstage discussing media being blamed for real-life violence. Russell and Duane listen in the audience, but Duane is disinterested and talks over the speaker. In the cafeteria later, Russell and Duane are invited to a private party by a seductive goth girl.
Russell and Duane go to a secluded farmhouse for the party, along with other horror fans. The partiers drink keg beer and get to know each other before seemingly passing out.
Russell awakens with a girl named Karen in a cemetery, dressed as two leads from "Night of the Living Dead" and without a memory of how they got there. A zombie approaches and bites Russell's throat while Karen runs away. She finds Duane, who has just awoken inside of a truck. She takes refuge in the farmhouse and tells Duane what happened. Disbelieving, Duane looks for Russell and then carries him back to the farmhouse after seeing the zombie. Karen hears voices coming from a vent leading to the house's basement. Duane explores the top floor and finds a room where all modern technology has been stored. The rest of the house is made to look like it is the 1960's. Duane also finds the dead bodies of the farmer and his wife.
Duane decides to take Russell to a hospital in the truck but retreats to the house after three zombies approach. Duane has to leave Russell outside and the zombies tear him apart.
In the basement, Duane finds Karl with his wife and daughter, as well as Keith and Judith. The group discusses their situation and what to do next. Keith points out that they are unwitting participants in a recreation of "Night of the Living Dead."

Question: Which place looks like the 1960s?
Answer: the farmhouse
A farmer and his wife are attacked in their remote home by what appears to be zombies. At a horror convention, filmmaker Alfonso Betz is onstage discussing media being blamed for real-life violence. Russell and Duane listen in the audience, but Duane is disinterested and talks over the speaker. In the cafeteria later, Russell and Duane are invited to a private party by a seductive goth girl.
Russell and Duane go to a secluded farmhouse for the party, along with other horror fans. The partiers drink keg beer and get to know each other before seemingly passing out.
Russell awakens with a girl named Karen in a cemetery, dressed as two leads from "Night of the Living Dead" and without a memory of how they got there. A zombie approaches and bites Russell's throat while Karen runs away. She finds Duane, who has just awoken inside of a truck. She takes refuge in the farmhouse and tells Duane what happened. Disbelieving, Duane looks for Russell and then carries him back to the farmhouse after seeing the zombie. Karen hears voices coming from a vent leading to the house's basement. Duane explores the top floor and finds a room where all modern technology has been stored. The rest of the house is made to look like it is the 1960's. Duane also finds the dead bodies of the farmer and his wife.
Duane decides to take Russell to a hospital in the truck but retreats to the house after three zombies approach. Duane has to leave Russell outside and the zombies tear him apart.
In the basement, Duane finds Karl with his wife and daughter, as well as Keith and Judith. The group discusses their situation and what to do next. Keith points out that they are unwitting participants in a recreation of "Night of the Living Dead."

Question: Who is torn apart by zombies?
Answer: Russell
A farmer and his wife are attacked in their remote home by what appears to be zombies. At a horror convention, filmmaker Alfonso Betz is onstage discussing media being blamed for real-life violence. Russell and Duane listen in the audience, but Duane is disinterested and talks over the speaker. In the cafeteria later, Russell and Duane are invited to a private party by a seductive goth girl.
Russell and Duane go to a secluded farmhouse for the party, along with other horror fans. The partiers drink keg beer and get to know each other before seemingly passing out.
Russell awakens with a girl named Karen in a cemetery, dressed as two leads from "Night of the Living Dead" and without a memory of how they got there. A zombie approaches and bites Russell's throat while Karen runs away. She finds Duane, who has just awoken inside of a truck. She takes refuge in the farmhouse and tells Duane what happened. Disbelieving, Duane looks for Russell and then carries him back to the farmhouse after seeing the zombie. Karen hears voices coming from a vent leading to the house's basement. Duane explores the top floor and finds a room where all modern technology has been stored. The rest of the house is made to look like it is the 1960's. Duane also finds the dead bodies of the farmer and his wife.
Duane decides to take Russell to a hospital in the truck but retreats to the house after three zombies approach. Duane has to leave Russell outside and the zombies tear him apart.
In the basement, Duane finds Karl with his wife and daughter, as well as Keith and Judith. The group discusses their situation and what to do next. Keith points out that they are unwitting participants in a recreation of "Night of the Living Dead."

Question: What find shows the remote home and the secluded farmhouse are the same?
Answer: the dead bodies of the farmer and his wife
A farmer and his wife are attacked in their remote home by what appears to be zombies. At a horror convention, filmmaker Alfonso Betz is onstage discussing media being blamed for real-life violence. Russell and Duane listen in the audience, but Duane is disinterested and talks over the speaker. In the cafeteria later, Russell and Duane are invited to a private party by a seductive goth girl.
Russell and Duane go to a secluded farmhouse for the party, along with other horror fans. The partiers drink keg beer and get to know each other before seemingly passing out.
Russell awakens with a girl named Karen in a cemetery, dressed as two leads from "Night of the Living Dead" and without a memory of how they got there. A zombie approaches and bites Russell's throat while Karen runs away. She finds Duane, who has just awoken inside of a truck. She takes refuge in the farmhouse and tells Duane what happened. Disbelieving, Duane looks for Russell and then carries him back to the farmhouse after seeing the zombie. Karen hears voices coming from a vent leading to the house's basement. Duane explores the top floor and finds a room where all modern technology has been stored. The rest of the house is made to look like it is the 1960's. Duane also finds the dead bodies of the farmer and his wife.
Duane decides to take Russell to a hospital in the truck but retreats to the house after three zombies approach. Duane has to leave Russell outside and the zombies tear him apart.
In the basement, Duane finds Karl with his wife and daughter, as well as Keith and Judith. The group discusses their situation and what to do next. Keith points out that they are unwitting participants in a recreation of "Night of the Living Dead."

Question: What is the first name of the person who takes refuge in a farmhouse telling Duane what happened?
Answer: Karen
Shaw and Crompton is a town and civil parish within the Metropolitan Borough of Oldham, in Greater Manchester, England. It lies on the River Beal at the foothills of the South Pennines,  2.3 miles (3.7 km) north of Oldham, 3.6 miles (5.8 km) southeast of Rochdale, and 8.7 miles (14 km) to the northeast of the city of Manchester. It is regularly referred to as Shaw.
Historically in Lancashire, Crompton (as it was originally known) and its surroundings have provided evidence of ancient British and Anglian activity in the area. During the Middle Ages, Crompton formed a small township of scattered woods, farmsteads, moorland and swamp with a small and close community of families. The local lordship was weak or absent, and so Crompton failed to emerge as a manor with its own lord and court. Farming was the main industry of this broadly independent and self-supporting rural area, with locals supplementing their incomes by hand-loom woollen weaving in the domestic system.
The introduction of textile manufacture during the Industrial Revolution initiated a process of rapid and unplanned urbanisation. A building boom began in Crompton during the mid-19th century, when suitable land for factories in Oldham was becoming scarce. By the late 19th century Crompton had emerged as a densely populated mill town. Forty-eight cotton mills—some of the largest in the United Kingdom—have been recorded as existing in the area. At its spinning zenith, as a result of an interwar economic boom associated with the textile industry, Shaw and Crompton was reported to have had more millionaires per capita than any other town in the world. Imports of foreign cotton goods began the decline in the region's textile industry during the mid-20th century; Shaw and Crompton's last mill closed in 1989.
Shaw and Crompton, which covers 4.5 square miles (11.7 km2), is a predominantly suburban area of mixed affluence with a population of 21,065 as of 2011. Its double name has been said to make it "distinctive, if not unique". The legacy of its industrial past can be seen in its six surviving cotton mills, all of which are home to large distribution companies, among them Shop Direct Group's Shaw National Distribution Centre, a major employer in the area.

Question: What is the full name of the place that is 8.7 miles northeast of Manchester?
Answer: Shaw and Crompton
Shaw and Crompton is a town and civil parish within the Metropolitan Borough of Oldham, in Greater Manchester, England. It lies on the River Beal at the foothills of the South Pennines,  2.3 miles (3.7 km) north of Oldham, 3.6 miles (5.8 km) southeast of Rochdale, and 8.7 miles (14 km) to the northeast of the city of Manchester. It is regularly referred to as Shaw.
Historically in Lancashire, Crompton (as it was originally known) and its surroundings have provided evidence of ancient British and Anglian activity in the area. During the Middle Ages, Crompton formed a small township of scattered woods, farmsteads, moorland and swamp with a small and close community of families. The local lordship was weak or absent, and so Crompton failed to emerge as a manor with its own lord and court. Farming was the main industry of this broadly independent and self-supporting rural area, with locals supplementing their incomes by hand-loom woollen weaving in the domestic system.
The introduction of textile manufacture during the Industrial Revolution initiated a process of rapid and unplanned urbanisation. A building boom began in Crompton during the mid-19th century, when suitable land for factories in Oldham was becoming scarce. By the late 19th century Crompton had emerged as a densely populated mill town. Forty-eight cotton mills—some of the largest in the United Kingdom—have been recorded as existing in the area. At its spinning zenith, as a result of an interwar economic boom associated with the textile industry, Shaw and Crompton was reported to have had more millionaires per capita than any other town in the world. Imports of foreign cotton goods began the decline in the region's textile industry during the mid-20th century; Shaw and Crompton's last mill closed in 1989.
Shaw and Crompton, which covers 4.5 square miles (11.7 km2), is a predominantly suburban area of mixed affluence with a population of 21,065 as of 2011. Its double name has been said to make it "distinctive, if not unique". The legacy of its industrial past can be seen in its six surviving cotton mills, all of which are home to large distribution companies, among them Shop Direct Group's Shaw National Distribution Centre, a major employer in the area.

Question: What is the full name of the place that double name has been said to make it "distinctive, if not unique"?
Answer: Shaw and Crompton
Shaw and Crompton is a town and civil parish within the Metropolitan Borough of Oldham, in Greater Manchester, England. It lies on the River Beal at the foothills of the South Pennines,  2.3 miles (3.7 km) north of Oldham, 3.6 miles (5.8 km) southeast of Rochdale, and 8.7 miles (14 km) to the northeast of the city of Manchester. It is regularly referred to as Shaw.
Historically in Lancashire, Crompton (as it was originally known) and its surroundings have provided evidence of ancient British and Anglian activity in the area. During the Middle Ages, Crompton formed a small township of scattered woods, farmsteads, moorland and swamp with a small and close community of families. The local lordship was weak or absent, and so Crompton failed to emerge as a manor with its own lord and court. Farming was the main industry of this broadly independent and self-supporting rural area, with locals supplementing their incomes by hand-loom woollen weaving in the domestic system.
The introduction of textile manufacture during the Industrial Revolution initiated a process of rapid and unplanned urbanisation. A building boom began in Crompton during the mid-19th century, when suitable land for factories in Oldham was becoming scarce. By the late 19th century Crompton had emerged as a densely populated mill town. Forty-eight cotton mills—some of the largest in the United Kingdom—have been recorded as existing in the area. At its spinning zenith, as a result of an interwar economic boom associated with the textile industry, Shaw and Crompton was reported to have had more millionaires per capita than any other town in the world. Imports of foreign cotton goods began the decline in the region's textile industry during the mid-20th century; Shaw and Crompton's last mill closed in 1989.
Shaw and Crompton, which covers 4.5 square miles (11.7 km2), is a predominantly suburban area of mixed affluence with a population of 21,065 as of 2011. Its double name has been said to make it "distinctive, if not unique". The legacy of its industrial past can be seen in its six surviving cotton mills, all of which are home to large distribution companies, among them Shop Direct Group's Shaw National Distribution Centre, a major employer in the area.

Question: What is the full name of the place that the legacy of its industrial past can be seen in its six surviving cotton mills?
Answer: Shaw and Crompton
The township of Crompton was originally within the parish of Prestwich-cum-Oldham in the Diocese of Lichfield, until 1541, when, owing to the English Reformation, this diocese was divided and Crompton became part of the Diocese of Chester. This in turn was divided in 1847, when the present Diocese of Manchester was created.The exact date of the establishment of a place of worship in Crompton is uncertain. Although Shaw Chapel is certain to have been in existence since the early 16th century, it has been put that "Shaw Chapel is even more ancient than Oldham Old Church", as evidenced by the ancient toponymy of the area. Shaw Chapel was anciently known as St Patrick's Chapel-on-the-Moor, and during the reign of James I of England, "it was situate in the midst of the common called Shaw Moor, not a single habitation being near it". It is thought to have been constructed following an increase in wealth produced by the localisation of the woollen trade during a very bleak period, although, in 1552 it was noted that it had no endowment, and its ornaments were in poor condition. It was rebuilt in 1739 and enlarged in 1798, and rebuilt again in 1870. It is now known as the Church of Holy Trinity.Shaw and Crompton has three Church of England ecclesiastic parishes: Shaw, High Crompton, and East Crompton. In addition to the established church, a variety of Reformed denominations, particularly Nonconformism and Methodism, have been practiced in Shaw and Crompton. Presbyterian ministers were recorded preaching at Shaw Chapel in as early as the 1650s. The Religious Society of Friends held conventicles in Whitfield in 1660s and 1670s.The following is a table of churches presently in Shaw and Crompton, as of 2018.
Most of the above churches participate in Shaw's annual Whit Walks event, when congregations, choirs, and brass bands parade through the streets from their respective churches before taking part in one large, communal, inter-church service. The town centre is also home to a small mosque.

Question: What diocese was divided for owing to English reformation?
Answer: Diocese of Lichfield
The township of Crompton was originally within the parish of Prestwich-cum-Oldham in the Diocese of Lichfield, until 1541, when, owing to the English Reformation, this diocese was divided and Crompton became part of the Diocese of Chester. This in turn was divided in 1847, when the present Diocese of Manchester was created.The exact date of the establishment of a place of worship in Crompton is uncertain. Although Shaw Chapel is certain to have been in existence since the early 16th century, it has been put that "Shaw Chapel is even more ancient than Oldham Old Church", as evidenced by the ancient toponymy of the area. Shaw Chapel was anciently known as St Patrick's Chapel-on-the-Moor, and during the reign of James I of England, "it was situate in the midst of the common called Shaw Moor, not a single habitation being near it". It is thought to have been constructed following an increase in wealth produced by the localisation of the woollen trade during a very bleak period, although, in 1552 it was noted that it had no endowment, and its ornaments were in poor condition. It was rebuilt in 1739 and enlarged in 1798, and rebuilt again in 1870. It is now known as the Church of Holy Trinity.Shaw and Crompton has three Church of England ecclesiastic parishes: Shaw, High Crompton, and East Crompton. In addition to the established church, a variety of Reformed denominations, particularly Nonconformism and Methodism, have been practiced in Shaw and Crompton. Presbyterian ministers were recorded preaching at Shaw Chapel in as early as the 1650s. The Religious Society of Friends held conventicles in Whitfield in 1660s and 1670s.The following is a table of churches presently in Shaw and Crompton, as of 2018.
Most of the above churches participate in Shaw's annual Whit Walks event, when congregations, choirs, and brass bands parade through the streets from their respective churches before taking part in one large, communal, inter-church service. The town centre is also home to a small mosque.

Question: What was rebuilt in 1739 and enlarged in 1798?
Answer: Shaw Chapel
Shaw and Crompton has communal areas and public facilities, including public parks, sporting establishments, and playing fields. Public houses in the centre of the town include The Shay Wake (a mill town-themed J D Wetherspoon pub, named after the Shaw Wakes week), The Blue Bell, Duke of York, Coach and Horses, and The Pineapple. Outlying public houses include the Royal Oak at Cowlishaw, and the Park Inn at Buckstones Road.Crompton Library is a purpose-built library housing over 36,000 items including books, CDs, and DVDs that can be borrowed by anyone who lives in the Oldham borough. It has communal Internet facilities. The library was built in the early 1990s after the original 1907 building, which exists now as apartments on Beal Lane, became too small.
There are three main public parks in Shaw and Crompton. Dunwood Park lies alongside the Oldham and Rochdale Metrolink Line and has a children's play area, bowling green, and over a mile of wooded pathways along the base of a forested hillside. The land that forms Dunwood Park was presented to Crompton Urban District Council by Captain Abram Crompton JP on 22 June 1911, and opened as a park by him on 14 September 1912. It was redeveloped with a new park and bowling green for its 2012 centenary after winning a £1 million grant from the National Lottery. High Crompton Park is in High Crompton and is home to a tennis court, bowling green, children's play area, and gardens. Jubilee Gardens are found in the centre of Shaw and Crompton town centre, behind the Crompton War Memorial. Shaw and Crompton has large areas of land reserved for sporting and communal events; these are located off George Street, Edward Road, and Rushcroft Road respectively.
Shaw Market is open retailers and customers every Thursday and is held on Market Street, which is closed to traffic for the event. Westway, the original location of the market, is now used for car parking but used for fun fairs and events. Crompton Pool was a swimming pool built in 1899 on Farrow Street in the town centre and served the community until its closure in July 2014 and subsequent demolition in February 2016.  Crompton Cricket Club, is located on Glebe Street.
Playhouse 2 is a 156-seat theatre in the heart of Shaw and Crompton town centre, which used to be an Odeon cinema. It has been the home of the Crompton Stage Society, an amateur theatre company, since 1966. A wide variety of entertainment, professional as well as amateur, is produced each year.

Question: What is the name of the 156 seat theatre in the town with three main public parks?
Answer: Playhouse 2
Shaw and Crompton has communal areas and public facilities, including public parks, sporting establishments, and playing fields. Public houses in the centre of the town include The Shay Wake (a mill town-themed J D Wetherspoon pub, named after the Shaw Wakes week), The Blue Bell, Duke of York, Coach and Horses, and The Pineapple. Outlying public houses include the Royal Oak at Cowlishaw, and the Park Inn at Buckstones Road.Crompton Library is a purpose-built library housing over 36,000 items including books, CDs, and DVDs that can be borrowed by anyone who lives in the Oldham borough. It has communal Internet facilities. The library was built in the early 1990s after the original 1907 building, which exists now as apartments on Beal Lane, became too small.
There are three main public parks in Shaw and Crompton. Dunwood Park lies alongside the Oldham and Rochdale Metrolink Line and has a children's play area, bowling green, and over a mile of wooded pathways along the base of a forested hillside. The land that forms Dunwood Park was presented to Crompton Urban District Council by Captain Abram Crompton JP on 22 June 1911, and opened as a park by him on 14 September 1912. It was redeveloped with a new park and bowling green for its 2012 centenary after winning a £1 million grant from the National Lottery. High Crompton Park is in High Crompton and is home to a tennis court, bowling green, children's play area, and gardens. Jubilee Gardens are found in the centre of Shaw and Crompton town centre, behind the Crompton War Memorial. Shaw and Crompton has large areas of land reserved for sporting and communal events; these are located off George Street, Edward Road, and Rushcroft Road respectively.
Shaw Market is open retailers and customers every Thursday and is held on Market Street, which is closed to traffic for the event. Westway, the original location of the market, is now used for car parking but used for fun fairs and events. Crompton Pool was a swimming pool built in 1899 on Farrow Street in the town centre and served the community until its closure in July 2014 and subsequent demolition in February 2016.  Crompton Cricket Club, is located on Glebe Street.
Playhouse 2 is a 156-seat theatre in the heart of Shaw and Crompton town centre, which used to be an Odeon cinema. It has been the home of the Crompton Stage Society, an amateur theatre company, since 1966. A wide variety of entertainment, professional as well as amateur, is produced each year.

Question: In what year was the pool in the town with a public house called The Shay Wake demolished?
Answer: 2016
Shaw and Crompton has communal areas and public facilities, including public parks, sporting establishments, and playing fields. Public houses in the centre of the town include The Shay Wake (a mill town-themed J D Wetherspoon pub, named after the Shaw Wakes week), The Blue Bell, Duke of York, Coach and Horses, and The Pineapple. Outlying public houses include the Royal Oak at Cowlishaw, and the Park Inn at Buckstones Road.Crompton Library is a purpose-built library housing over 36,000 items including books, CDs, and DVDs that can be borrowed by anyone who lives in the Oldham borough. It has communal Internet facilities. The library was built in the early 1990s after the original 1907 building, which exists now as apartments on Beal Lane, became too small.
There are three main public parks in Shaw and Crompton. Dunwood Park lies alongside the Oldham and Rochdale Metrolink Line and has a children's play area, bowling green, and over a mile of wooded pathways along the base of a forested hillside. The land that forms Dunwood Park was presented to Crompton Urban District Council by Captain Abram Crompton JP on 22 June 1911, and opened as a park by him on 14 September 1912. It was redeveloped with a new park and bowling green for its 2012 centenary after winning a £1 million grant from the National Lottery. High Crompton Park is in High Crompton and is home to a tennis court, bowling green, children's play area, and gardens. Jubilee Gardens are found in the centre of Shaw and Crompton town centre, behind the Crompton War Memorial. Shaw and Crompton has large areas of land reserved for sporting and communal events; these are located off George Street, Edward Road, and Rushcroft Road respectively.
Shaw Market is open retailers and customers every Thursday and is held on Market Street, which is closed to traffic for the event. Westway, the original location of the market, is now used for car parking but used for fun fairs and events. Crompton Pool was a swimming pool built in 1899 on Farrow Street in the town centre and served the community until its closure in July 2014 and subsequent demolition in February 2016.  Crompton Cricket Club, is located on Glebe Street.
Playhouse 2 is a 156-seat theatre in the heart of Shaw and Crompton town centre, which used to be an Odeon cinema. It has been the home of the Crompton Stage Society, an amateur theatre company, since 1966. A wide variety of entertainment, professional as well as amateur, is produced each year.

Question: What is the name of the shop that is open every Thursday on Market street for retail customers in the town with the library that has 36,000 items?
Answer: Shaw Market
In 1944, with the help of fictional Russian mystic Grigori Rasputin, the Nazis build a dimensional portal off the coast of Scotland and intend to free the Ogdru Jahad—monstrous entities imprisoned in deep space—to aid them in defeating the Allies. Rasputin opens the portal with the aid of his disciples, Ilsa von Haupstein and Obersturmbannführer Karl Ruprecht Kroenen, member of the Thule Society and Adolf Hitler's top assassin. An Allied team is sent to destroy the portal, guided by a young scientist named Trevor Bruttenholm, who is well-versed in the occult. The German team is killed and the portal is destroyed—in the process absorbing Rasputin—while Haupstein and Kroenen escape. The Allied team discovers that an infant demon with a right hand of stone came through the portal; they dub him "Hellboy" and Bruttenholm adopts him.
Sixty years later, FBI agent John Myers is transferred to the Bureau of Paranormal Research and Defense at the request of Bruttenholm, where he meets the adult Hellboy and a psychic, amphibious humanoid named Abe Sapien. He learns that a third BPRD member, Liz Sherman, has recently checked into a mental hospital to protect others from her volatile pyrokinetic abilities. Despite regular visits and coaxing from Hellboy, she is determined not to return. Kroenen and Haupstein resurrect Rasputin in the mountains of Moldova and the three unleash a demon known as Sammael. Rasputin imbues Sammael with the power to reincarnate and split his essence, causing two of the creature's eggs to hatch and mature each time one dies. Rasputin visits Liz as she sleeps, activating her powers and almost destroying the hospital. Myers convinces her to return to the Bureau.

Question: What is the last name of the person that Hitler's top assassin aids in Scotland?
Answer: Rasputin
In 1944, with the help of fictional Russian mystic Grigori Rasputin, the Nazis build a dimensional portal off the coast of Scotland and intend to free the Ogdru Jahad—monstrous entities imprisoned in deep space—to aid them in defeating the Allies. Rasputin opens the portal with the aid of his disciples, Ilsa von Haupstein and Obersturmbannführer Karl Ruprecht Kroenen, member of the Thule Society and Adolf Hitler's top assassin. An Allied team is sent to destroy the portal, guided by a young scientist named Trevor Bruttenholm, who is well-versed in the occult. The German team is killed and the portal is destroyed—in the process absorbing Rasputin—while Haupstein and Kroenen escape. The Allied team discovers that an infant demon with a right hand of stone came through the portal; they dub him "Hellboy" and Bruttenholm adopts him.
Sixty years later, FBI agent John Myers is transferred to the Bureau of Paranormal Research and Defense at the request of Bruttenholm, where he meets the adult Hellboy and a psychic, amphibious humanoid named Abe Sapien. He learns that a third BPRD member, Liz Sherman, has recently checked into a mental hospital to protect others from her volatile pyrokinetic abilities. Despite regular visits and coaxing from Hellboy, she is determined not to return. Kroenen and Haupstein resurrect Rasputin in the mountains of Moldova and the three unleash a demon known as Sammael. Rasputin imbues Sammael with the power to reincarnate and split his essence, causing two of the creature's eggs to hatch and mature each time one dies. Rasputin visits Liz as she sleeps, activating her powers and almost destroying the hospital. Myers convinces her to return to the Bureau.

Question: Who fails to convince Liz to rejoin the bureau?
Answer: Hellboy
In 1944, with the help of fictional Russian mystic Grigori Rasputin, the Nazis build a dimensional portal off the coast of Scotland and intend to free the Ogdru Jahad—monstrous entities imprisoned in deep space—to aid them in defeating the Allies. Rasputin opens the portal with the aid of his disciples, Ilsa von Haupstein and Obersturmbannführer Karl Ruprecht Kroenen, member of the Thule Society and Adolf Hitler's top assassin. An Allied team is sent to destroy the portal, guided by a young scientist named Trevor Bruttenholm, who is well-versed in the occult. The German team is killed and the portal is destroyed—in the process absorbing Rasputin—while Haupstein and Kroenen escape. The Allied team discovers that an infant demon with a right hand of stone came through the portal; they dub him "Hellboy" and Bruttenholm adopts him.
Sixty years later, FBI agent John Myers is transferred to the Bureau of Paranormal Research and Defense at the request of Bruttenholm, where he meets the adult Hellboy and a psychic, amphibious humanoid named Abe Sapien. He learns that a third BPRD member, Liz Sherman, has recently checked into a mental hospital to protect others from her volatile pyrokinetic abilities. Despite regular visits and coaxing from Hellboy, she is determined not to return. Kroenen and Haupstein resurrect Rasputin in the mountains of Moldova and the three unleash a demon known as Sammael. Rasputin imbues Sammael with the power to reincarnate and split his essence, causing two of the creature's eggs to hatch and mature each time one dies. Rasputin visits Liz as she sleeps, activating her powers and almost destroying the hospital. Myers convinces her to return to the Bureau.

Question: What are the full names of the three people who work together to unleash Sammael?
Answer: Ilsa von Haupstein, Obersturmbannführer Karl Ruprecht Kroenen, Grigori Rasputin
In 1944, with the help of fictional Russian mystic Grigori Rasputin, the Nazis build a dimensional portal off the coast of Scotland and intend to free the Ogdru Jahad—monstrous entities imprisoned in deep space—to aid them in defeating the Allies. Rasputin opens the portal with the aid of his disciples, Ilsa von Haupstein and Obersturmbannführer Karl Ruprecht Kroenen, member of the Thule Society and Adolf Hitler's top assassin. An Allied team is sent to destroy the portal, guided by a young scientist named Trevor Bruttenholm, who is well-versed in the occult. The German team is killed and the portal is destroyed—in the process absorbing Rasputin—while Haupstein and Kroenen escape. The Allied team discovers that an infant demon with a right hand of stone came through the portal; they dub him "Hellboy" and Bruttenholm adopts him.
Sixty years later, FBI agent John Myers is transferred to the Bureau of Paranormal Research and Defense at the request of Bruttenholm, where he meets the adult Hellboy and a psychic, amphibious humanoid named Abe Sapien. He learns that a third BPRD member, Liz Sherman, has recently checked into a mental hospital to protect others from her volatile pyrokinetic abilities. Despite regular visits and coaxing from Hellboy, she is determined not to return. Kroenen and Haupstein resurrect Rasputin in the mountains of Moldova and the three unleash a demon known as Sammael. Rasputin imbues Sammael with the power to reincarnate and split his essence, causing two of the creature's eggs to hatch and mature each time one dies. Rasputin visits Liz as she sleeps, activating her powers and almost destroying the hospital. Myers convinces her to return to the Bureau.

Question: What is the full name of the person responsible for John Myers meeting Hellboy?
Answer: Trevor Bruttenholm
In 1944, with the help of fictional Russian mystic Grigori Rasputin, the Nazis build a dimensional portal off the coast of Scotland and intend to free the Ogdru Jahad—monstrous entities imprisoned in deep space—to aid them in defeating the Allies. Rasputin opens the portal with the aid of his disciples, Ilsa von Haupstein and Obersturmbannführer Karl Ruprecht Kroenen, member of the Thule Society and Adolf Hitler's top assassin. An Allied team is sent to destroy the portal, guided by a young scientist named Trevor Bruttenholm, who is well-versed in the occult. The German team is killed and the portal is destroyed—in the process absorbing Rasputin—while Haupstein and Kroenen escape. The Allied team discovers that an infant demon with a right hand of stone came through the portal; they dub him "Hellboy" and Bruttenholm adopts him.
Sixty years later, FBI agent John Myers is transferred to the Bureau of Paranormal Research and Defense at the request of Bruttenholm, where he meets the adult Hellboy and a psychic, amphibious humanoid named Abe Sapien. He learns that a third BPRD member, Liz Sherman, has recently checked into a mental hospital to protect others from her volatile pyrokinetic abilities. Despite regular visits and coaxing from Hellboy, she is determined not to return. Kroenen and Haupstein resurrect Rasputin in the mountains of Moldova and the three unleash a demon known as Sammael. Rasputin imbues Sammael with the power to reincarnate and split his essence, causing two of the creature's eggs to hatch and mature each time one dies. Rasputin visits Liz as she sleeps, activating her powers and almost destroying the hospital. Myers convinces her to return to the Bureau.

Question: Who tries to protect others from her own pyrokinetic abilities?
Answer: Liz Sherman