nc33/multispan_quoref huggingface dataset:
In 1930, entertainer Bill Miller believes that he has the ability to become a solo performer.  He and his partner Ben Bailey split up and go their separate ways.  Miller fails miserably, and his manager Leo Lyman thinks it would be a good idea to perform with a "stooge."  Enter Ted Rogers, who plays an accident-prone foil for Miller.  Soon afterwards, Miller's act is a hit.
Along the way, Rogers is unaware that he is the real reason the act is a success and becomes very loyal to Miller.  Even though he receives no billing, he defends his "partner" when others suggest he is being taken advantage of by Miller.
Eventually, even Miller's wife Mary is ashamed of his treatment of Rogers, going so far as to threaten him with divorce.  Miller is more determined than ever to prove he can make it as a single and fires Rogers, but promptly regrets his decision as his first performance as a true solo artist flops.  He addresses the audience, apologizing and admitting that the "stooge" was the true heart and soul of the act.  Rogers, who is sitting in the audience, comes to his rescue by joining him onstage and the two finally become true partners.

Question: What's the full name of the person that Ben Bailey's former partner mistreats?
Answer: Ted Rogers
In 1930, entertainer Bill Miller believes that he has the ability to become a solo performer.  He and his partner Ben Bailey split up and go their separate ways.  Miller fails miserably, and his manager Leo Lyman thinks it would be a good idea to perform with a "stooge."  Enter Ted Rogers, who plays an accident-prone foil for Miller.  Soon afterwards, Miller's act is a hit.
Along the way, Rogers is unaware that he is the real reason the act is a success and becomes very loyal to Miller.  Even though he receives no billing, he defends his "partner" when others suggest he is being taken advantage of by Miller.
Eventually, even Miller's wife Mary is ashamed of his treatment of Rogers, going so far as to threaten him with divorce.  Miller is more determined than ever to prove he can make it as a single and fires Rogers, but promptly regrets his decision as his first performance as a true solo artist flops.  He addresses the audience, apologizing and admitting that the "stooge" was the true heart and soul of the act.  Rogers, who is sitting in the audience, comes to his rescue by joining him onstage and the two finally become true partners.

Question: What is the role of the man who becomes Bill's true partner?
Answer: stooge
In 1930, entertainer Bill Miller believes that he has the ability to become a solo performer.  He and his partner Ben Bailey split up and go their separate ways.  Miller fails miserably, and his manager Leo Lyman thinks it would be a good idea to perform with a "stooge."  Enter Ted Rogers, who plays an accident-prone foil for Miller.  Soon afterwards, Miller's act is a hit.
Along the way, Rogers is unaware that he is the real reason the act is a success and becomes very loyal to Miller.  Even though he receives no billing, he defends his "partner" when others suggest he is being taken advantage of by Miller.
Eventually, even Miller's wife Mary is ashamed of his treatment of Rogers, going so far as to threaten him with divorce.  Miller is more determined than ever to prove he can make it as a single and fires Rogers, but promptly regrets his decision as his first performance as a true solo artist flops.  He addresses the audience, apologizing and admitting that the "stooge" was the true heart and soul of the act.  Rogers, who is sitting in the audience, comes to his rescue by joining him onstage and the two finally become true partners.

Question: Whose spouse used to be partnered with Ben Bailey?
Answer: Mary
In 1930, entertainer Bill Miller believes that he has the ability to become a solo performer.  He and his partner Ben Bailey split up and go their separate ways.  Miller fails miserably, and his manager Leo Lyman thinks it would be a good idea to perform with a "stooge."  Enter Ted Rogers, who plays an accident-prone foil for Miller.  Soon afterwards, Miller's act is a hit.
Along the way, Rogers is unaware that he is the real reason the act is a success and becomes very loyal to Miller.  Even though he receives no billing, he defends his "partner" when others suggest he is being taken advantage of by Miller.
Eventually, even Miller's wife Mary is ashamed of his treatment of Rogers, going so far as to threaten him with divorce.  Miller is more determined than ever to prove he can make it as a single and fires Rogers, but promptly regrets his decision as his first performance as a true solo artist flops.  He addresses the audience, apologizing and admitting that the "stooge" was the true heart and soul of the act.  Rogers, who is sitting in the audience, comes to his rescue by joining him onstage and the two finally become true partners.

Question: What's the last name of the person who was the heart and soul of the act?
Answer: Rogers
The film opens during the Dixie Chicks' 2003 Top of the World Tour, discussing the Dixie Chicks' superstar status prior to the incident at their London show.  They had sold more albums in the United States than any other female band in history. With the release of their 2002 album Home, they were again at the top of the Billboard Charts. The new single from that album "Travelin' Soldier", a sensitive depiction of a soldier's life during the Vietnam War era, and the young woman who waited for him, finding he was killed in battle, had peaked at #1 on the US Billboard Hot Country Songs Chart.
The film then cuts to a scene from the Dixie Chicks' March 10, 2003 concert at the Shepherd's Bush Empire Theatre in London, England. The atmosphere in the European audience is of dramatic opposition to the announcement from United States President George W. Bush's authorization of the invasion of Iraq.  Approximately 1 million people had recently demonstrated in London against the impending war. During the introduction to their song "Travelin' Soldier", Natalie Maines, a Texas native, says:

The Guardian, a major English newspaper, published Maines' statement as simply "Just so you know, we're ashamed the President of the United States is from Texas." Shortly thereafter, the U.S. media picked up the story and controversy erupted. Conservative groups in the U.S. rallied against the Dixie Chicks and a firestorm of anger and criticism followed.
The film shows the band's reaction to the open hostility, political and corporate backlash, and physical threats directed at the group. The band did not expect such a strong reaction, and they are unsure if they should "shut up and sing", apologize, or stand by their convictions and let more sparks fly.

Question: What is the first name of the person the Dixie Chicks are embarrassed come from Texas?
Answer: George
The film opens during the Dixie Chicks' 2003 Top of the World Tour, discussing the Dixie Chicks' superstar status prior to the incident at their London show.  They had sold more albums in the United States than any other female band in history. With the release of their 2002 album Home, they were again at the top of the Billboard Charts. The new single from that album "Travelin' Soldier", a sensitive depiction of a soldier's life during the Vietnam War era, and the young woman who waited for him, finding he was killed in battle, had peaked at #1 on the US Billboard Hot Country Songs Chart.
The film then cuts to a scene from the Dixie Chicks' March 10, 2003 concert at the Shepherd's Bush Empire Theatre in London, England. The atmosphere in the European audience is of dramatic opposition to the announcement from United States President George W. Bush's authorization of the invasion of Iraq.  Approximately 1 million people had recently demonstrated in London against the impending war. During the introduction to their song "Travelin' Soldier", Natalie Maines, a Texas native, says:

The Guardian, a major English newspaper, published Maines' statement as simply "Just so you know, we're ashamed the President of the United States is from Texas." Shortly thereafter, the U.S. media picked up the story and controversy erupted. Conservative groups in the U.S. rallied against the Dixie Chicks and a firestorm of anger and criticism followed.
The film shows the band's reaction to the open hostility, political and corporate backlash, and physical threats directed at the group. The band did not expect such a strong reaction, and they are unsure if they should "shut up and sing", apologize, or stand by their convictions and let more sparks fly.

Question: What is the last name of the person the Dixie Chicks are embarrassed come from Texas?
Answer: Bush
The film opens during the Dixie Chicks' 2003 Top of the World Tour, discussing the Dixie Chicks' superstar status prior to the incident at their London show.  They had sold more albums in the United States than any other female band in history. With the release of their 2002 album Home, they were again at the top of the Billboard Charts. The new single from that album "Travelin' Soldier", a sensitive depiction of a soldier's life during the Vietnam War era, and the young woman who waited for him, finding he was killed in battle, had peaked at #1 on the US Billboard Hot Country Songs Chart.
The film then cuts to a scene from the Dixie Chicks' March 10, 2003 concert at the Shepherd's Bush Empire Theatre in London, England. The atmosphere in the European audience is of dramatic opposition to the announcement from United States President George W. Bush's authorization of the invasion of Iraq.  Approximately 1 million people had recently demonstrated in London against the impending war. During the introduction to their song "Travelin' Soldier", Natalie Maines, a Texas native, says:

The Guardian, a major English newspaper, published Maines' statement as simply "Just so you know, we're ashamed the President of the United States is from Texas." Shortly thereafter, the U.S. media picked up the story and controversy erupted. Conservative groups in the U.S. rallied against the Dixie Chicks and a firestorm of anger and criticism followed.
The film shows the band's reaction to the open hostility, political and corporate backlash, and physical threats directed at the group. The band did not expect such a strong reaction, and they are unsure if they should "shut up and sing", apologize, or stand by their convictions and let more sparks fly.

Question: What is the full name of the person the Dixie Chicks are embarrassed come from Texas?
Answer: George W. Bush
In a run down apartment complex, Bunny is looking through a photo album of memories. The pictures start to come to life as she daydreams. At nursing school Bunny sings about how lonely she is. As she walks down the stairs she slips, and her journal falls into the hands of a handsome fighter pilot, Bear. He states how beautiful her smile is. They are soon on a date in which they both realize they are in love with each other. As he flies through the air Bear sings about how madly in love he is. Bunny's dreams are interrupted by a knock on the door (a pig invites her for bacon in which she quickly shuts the door on his face). As her dreams continue, the couple are seen outside a military ball they were invited to. The couple dance and sing to one another. Later in the night Bear is seen outside on one knee ready to propose. Just as the words are said, the General is seen in the doorway. War has begun and there was a red alert. Bear has been called to duty. The couple kiss goodbye and Bear heads out to war. As war goes on Bunny waits at nursing school, worried for her love. After a successful mission, the flight is about to head to base when Bear's plane is shot down. Wounded but not ready to give up, Bear trudges through the wilderness. After shooting down several enemy soldiers, he promises to a picture of Bunny that he will return home. Spotted by the enemy, Bear is shot down at open lines. We return to the apartment where Bunny sings to a portrait of her love of how she misses him. The picture suddenly comes alive and sings back to her. In song, Bear states that life will go on, and it is revealed that Bunny was pregnant and had a child before Bear went to war. As the movie closes, Bunny sings about how her and Bear's love will live on in their child.

Question: What is the name of the person who is complimented as having a beautiful smile?
Answer: Bunny
In a run down apartment complex, Bunny is looking through a photo album of memories. The pictures start to come to life as she daydreams. At nursing school Bunny sings about how lonely she is. As she walks down the stairs she slips, and her journal falls into the hands of a handsome fighter pilot, Bear. He states how beautiful her smile is. They are soon on a date in which they both realize they are in love with each other. As he flies through the air Bear sings about how madly in love he is. Bunny's dreams are interrupted by a knock on the door (a pig invites her for bacon in which she quickly shuts the door on his face). As her dreams continue, the couple are seen outside a military ball they were invited to. The couple dance and sing to one another. Later in the night Bear is seen outside on one knee ready to propose. Just as the words are said, the General is seen in the doorway. War has begun and there was a red alert. Bear has been called to duty. The couple kiss goodbye and Bear heads out to war. As war goes on Bunny waits at nursing school, worried for her love. After a successful mission, the flight is about to head to base when Bear's plane is shot down. Wounded but not ready to give up, Bear trudges through the wilderness. After shooting down several enemy soldiers, he promises to a picture of Bunny that he will return home. Spotted by the enemy, Bear is shot down at open lines. We return to the apartment where Bunny sings to a portrait of her love of how she misses him. The picture suddenly comes alive and sings back to her. In song, Bear states that life will go on, and it is revealed that Bunny was pregnant and had a child before Bear went to war. As the movie closes, Bunny sings about how her and Bear's love will live on in their child.

Question: What are the names of the people who while on a date realize they are both in love?
Answer: Bunny, Bear
In a run down apartment complex, Bunny is looking through a photo album of memories. The pictures start to come to life as she daydreams. At nursing school Bunny sings about how lonely she is. As she walks down the stairs she slips, and her journal falls into the hands of a handsome fighter pilot, Bear. He states how beautiful her smile is. They are soon on a date in which they both realize they are in love with each other. As he flies through the air Bear sings about how madly in love he is. Bunny's dreams are interrupted by a knock on the door (a pig invites her for bacon in which she quickly shuts the door on his face). As her dreams continue, the couple are seen outside a military ball they were invited to. The couple dance and sing to one another. Later in the night Bear is seen outside on one knee ready to propose. Just as the words are said, the General is seen in the doorway. War has begun and there was a red alert. Bear has been called to duty. The couple kiss goodbye and Bear heads out to war. As war goes on Bunny waits at nursing school, worried for her love. After a successful mission, the flight is about to head to base when Bear's plane is shot down. Wounded but not ready to give up, Bear trudges through the wilderness. After shooting down several enemy soldiers, he promises to a picture of Bunny that he will return home. Spotted by the enemy, Bear is shot down at open lines. We return to the apartment where Bunny sings to a portrait of her love of how she misses him. The picture suddenly comes alive and sings back to her. In song, Bear states that life will go on, and it is revealed that Bunny was pregnant and had a child before Bear went to war. As the movie closes, Bunny sings about how her and Bear's love will live on in their child.

Question: What are the names of the couple who dance and sing to one another?
Answer: Bunny, Bear
In a run down apartment complex, Bunny is looking through a photo album of memories. The pictures start to come to life as she daydreams. At nursing school Bunny sings about how lonely she is. As she walks down the stairs she slips, and her journal falls into the hands of a handsome fighter pilot, Bear. He states how beautiful her smile is. They are soon on a date in which they both realize they are in love with each other. As he flies through the air Bear sings about how madly in love he is. Bunny's dreams are interrupted by a knock on the door (a pig invites her for bacon in which she quickly shuts the door on his face). As her dreams continue, the couple are seen outside a military ball they were invited to. The couple dance and sing to one another. Later in the night Bear is seen outside on one knee ready to propose. Just as the words are said, the General is seen in the doorway. War has begun and there was a red alert. Bear has been called to duty. The couple kiss goodbye and Bear heads out to war. As war goes on Bunny waits at nursing school, worried for her love. After a successful mission, the flight is about to head to base when Bear's plane is shot down. Wounded but not ready to give up, Bear trudges through the wilderness. After shooting down several enemy soldiers, he promises to a picture of Bunny that he will return home. Spotted by the enemy, Bear is shot down at open lines. We return to the apartment where Bunny sings to a portrait of her love of how she misses him. The picture suddenly comes alive and sings back to her. In song, Bear states that life will go on, and it is revealed that Bunny was pregnant and had a child before Bear went to war. As the movie closes, Bunny sings about how her and Bear's love will live on in their child.

Question: What is the name of Bunny's love that she is worried for?
Answer: Bear
The construction of this severe and forbidding building was commissioned in 1458 by the Florentine banker Luca Pitti (1398-1472), a principal supporter and friend of Cosimo de' Medici. The early history of the Palazzo Pitti is a mixture of fact and myth. Pitti is alleged to have instructed that the windows be larger than the entrance of the Palazzo Medici.  The 16th-century art historian Giorgio Vasari proposed that Brunelleschi was the palazzo's architect, and that his pupil Luca Fancelli was merely his assistant in the task, but today it is Fancelli who is generally credited. Besides obvious differences from the elder architect's style, Brunelleschi died 12 years before construction of the palazzo began. The design and fenestration suggest that the unknown architect was more experienced in utilitarian domestic architecture than in the humanist rules defined by Alberti in his book De Re Aedificatoria.Though impressive, the original palazzo would have been no rival to the Florentine Medici residences in terms of either size or content. Whoever the architect of the Palazzo Pitti was, he was moving against the contemporary flow of fashion.  The rusticated stonework gives the palazzo a severe and powerful atmosphere, reinforced by the three-times-repeated series of seven arch-headed apertures, reminiscent of a Roman aqueduct. The Roman-style architecture appealed to the Florentine love of the new style all'antica.  This original design has withstood the test of time: the repetitive formula of the façade was continued during the subsequent additions to the palazzo, and its influence can be seen in numerous 16th-century imitations and 19th-century revivals. Work stopped after Pitti suffered financial losses following the death of Cosimo de' Medici in 1464.  Luca Pitti died in 1472 with the building unfinished.

Question: What is the full name of the person who is alleged to have instructed that the windows be larger than the entrance of the Palazzo Medici?
Answer: Luca Pitti
The building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo.  Raised at the luxurious court of Naples, Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke.  On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear.  Vasari also built the Vasari Corridor, an above-ground walkway from Cosimo's old palace and the seat of government, the Palazzo Vecchio, through the Uffizi, above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained the Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection.Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolò Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati. The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini. Performed for the amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci.

Question: What is the name of the building that was sold in 1549 by Buonaccorso Pitti?
Answer: Palazzo Pitti
The building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo.  Raised at the luxurious court of Naples, Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke.  On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear.  Vasari also built the Vasari Corridor, an above-ground walkway from Cosimo's old palace and the seat of government, the Palazzo Vecchio, through the Uffizi, above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained the Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection.Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolò Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati. The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini. Performed for the amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci.

Question: What is the name of the structure Cosimo had Vasari enlarge to fit his tastes on moving into the palace?
Answer: Palazzo Pitti
The building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo.  Raised at the luxurious court of Naples, Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke.  On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear.  Vasari also built the Vasari Corridor, an above-ground walkway from Cosimo's old palace and the seat of government, the Palazzo Vecchio, through the Uffizi, above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained the Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection.Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolò Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati. The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini. Performed for the amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci.

Question: What is the name of the palace that was more than doubled by the addition of a new block along the rear?
Answer: Palazzo Pitti
The building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo.  Raised at the luxurious court of Naples, Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke.  On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear.  Vasari also built the Vasari Corridor, an above-ground walkway from Cosimo's old palace and the seat of government, the Palazzo Vecchio, through the Uffizi, above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained the Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection.Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolò Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati. The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini. Performed for the amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci.

Question: What is the first name of the Grand Duke whose family was enabled to move easily and safely from their official residence?
Answer: Cosimo
The building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo.  Raised at the luxurious court of Naples, Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke.  On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear.  Vasari also built the Vasari Corridor, an above-ground walkway from Cosimo's old palace and the seat of government, the Palazzo Vecchio, through the Uffizi, above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained the Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection.Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolò Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati. The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini. Performed for the amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci.

Question: What is the name of the official residence from which the Grand Duke and his family was able to move easily and safely?
Answer: Palazzo Vecchio
The building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo.  Raised at the luxurious court of Naples, Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke.  On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear.  Vasari also built the Vasari Corridor, an above-ground walkway from Cosimo's old palace and the seat of government, the Palazzo Vecchio, through the Uffizi, above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained the Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection.Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolò Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati. The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini. Performed for the amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci.

Question: What is the name of the palazzo for which it was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that it was occupied on a permanent basis?
Answer: Palazzo Pitti
The building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo.  Raised at the luxurious court of Naples, Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke.  On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear.  Vasari also built the Vasari Corridor, an above-ground walkway from Cosimo's old palace and the seat of government, the Palazzo Vecchio, through the Uffizi, above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained the Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection.Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolò Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati. The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini. Performed for the amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci.

Question: What is the name of the palazzo that became home to the Medicis' art collection during the reign of Francesco I?
Answer: Palazzo Pitti
The building was sold in 1549 by Buonaccorso Pitti, a descendant of Luca Pitti, to Eleonora di Toledo.  Raised at the luxurious court of Naples, Eleonora was the wife of Cosimo I de' Medici of Tuscany, later the Grand Duke.  On moving into the palace, Cosimo had Vasari enlarge the structure to fit his tastes; the palace was more than doubled by the addition of a new block along the rear.  Vasari also built the Vasari Corridor, an above-ground walkway from Cosimo's old palace and the seat of government, the Palazzo Vecchio, through the Uffizi, above the Ponte Vecchio to the Palazzo Pitti. This enabled the Grand Duke and his family to move easily and safely from their official residence to the Palazzo Pitti. Initially the Palazzo Pitti was used mostly for lodging official guests and for occasional functions of the court, while the Medicis' principal residence remained the Palazzo Vecchio. It was not until the reign of Eleonora's son Francesco I and his wife Johanna of Austria that the palazzo was occupied on a permanent basis and became home to the Medicis' art collection.Land on the Boboli hill at the rear of the palazzo was acquired in order to create a large formal park and gardens, today known as the Boboli Gardens. The landscape architect employed for this was the Medici court artist Niccolò Tribolo, who died the following year; he was quickly succeeded by Bartolommeo Ammanati. The original design of the gardens centred on an amphitheatre, behind the corps de logis of the palazzo. The first play recorded as performed there was Andria by Terence in 1476. It was followed by many classically inspired plays of Florentine playwrights such as Giovan Battista Cini. Performed for the amusement of the cultivated Medici court, they featured elaborate sets designed by the court architect Baldassarre Lanci.

Question: What is the full name of the person who quickly succeeded by Bartolommeo Ammanati?
Answer: Niccolò Tribolo
With the garden project well in hand, Ammanati turned his attentions to creating a large courtyard immediately behind the principal façade, to link the palazzo to its new garden. This courtyard has heavy-banded channelled rustication that has been widely copied, notably for the Parisian palais of Maria de' Medici, the Luxembourg. In the principal façade Ammanati also created the finestre inginocchiate ("kneeling" windows, in reference to their imagined resemblance to a prie-dieu, a device of Michelangelo's), replacing the entrance bays at each end. During the years 1558–70, Ammanati created a monumental staircase to lead with more pomp to the piano nobile, and he extended the wings on the garden front that embraced a courtyard excavated into the steeply sloping hillside at the same level as the piazza in front, from which it was visible through the central arch of the basement.  On the garden side of the courtyard Amannati constructed a grotto, called the "grotto of Moses" on account of the porphyry statue that inhabits it. On the terrace above it, level with the piano nobile windows, Ammanati constructed a fountain centered on the axis; it was later replaced by the Fontana del Carciofo ("Fountain of the Artichoke"), designed by Giambologna's former assistant, Francesco Susini, and completed in 1641.In 1616, a competition was held to design extensions to the principal urban façade by three bays at either end. Giulio Parigi won the commission; work on the north side began in 1618, and on the south side in 1631 by Alfonso Parigi.  During the 18th century, two perpendicular wings were constructed by the architect Giuseppe Ruggeri to enhance and stress the widening of via Romana, which creates a piazza centered on the façade, the prototype of the cour d'honneur that was copied in France.  Sporadic lesser additions and alterations were made for many years thereafter under other rulers and architects.To one side of the Gardens is the bizarre grotto designed by Bernardo Buontalenti. The lower façade was begun by Vasari  but the architecture of the upper storey is subverted by "dripping" pumice stalactites with the Medici coat of arms at the centre. The interior is similarly poised between architecture and nature; the first chamber has copies of Michelangelo's four unfinished slaves emerging from the corners which seem to carry the vault with an open oculus at its centre and painted as a rustic bower with animals, figures and vegetation. Figures, animals and trees made of stucco and rough pumice adorn the lower walls. A short passage leads to a small second chamber and to a third which has a central fountain with Giambologna's Venus in the centre of the basin, peering fearfully over her shoulder at the four satyrs spitting jets of water at her from the edge.

Question: What is the name of the character who had four satyrs spitting jets of water at her?
Answer: Venus
With the garden project well in hand, Ammanati turned his attentions to creating a large courtyard immediately behind the principal façade, to link the palazzo to its new garden. This courtyard has heavy-banded channelled rustication that has been widely copied, notably for the Parisian palais of Maria de' Medici, the Luxembourg. In the principal façade Ammanati also created the finestre inginocchiate ("kneeling" windows, in reference to their imagined resemblance to a prie-dieu, a device of Michelangelo's), replacing the entrance bays at each end. During the years 1558–70, Ammanati created a monumental staircase to lead with more pomp to the piano nobile, and he extended the wings on the garden front that embraced a courtyard excavated into the steeply sloping hillside at the same level as the piazza in front, from which it was visible through the central arch of the basement.  On the garden side of the courtyard Amannati constructed a grotto, called the "grotto of Moses" on account of the porphyry statue that inhabits it. On the terrace above it, level with the piano nobile windows, Ammanati constructed a fountain centered on the axis; it was later replaced by the Fontana del Carciofo ("Fountain of the Artichoke"), designed by Giambologna's former assistant, Francesco Susini, and completed in 1641.In 1616, a competition was held to design extensions to the principal urban façade by three bays at either end. Giulio Parigi won the commission; work on the north side began in 1618, and on the south side in 1631 by Alfonso Parigi.  During the 18th century, two perpendicular wings were constructed by the architect Giuseppe Ruggeri to enhance and stress the widening of via Romana, which creates a piazza centered on the façade, the prototype of the cour d'honneur that was copied in France.  Sporadic lesser additions and alterations were made for many years thereafter under other rulers and architects.To one side of the Gardens is the bizarre grotto designed by Bernardo Buontalenti. The lower façade was begun by Vasari  but the architecture of the upper storey is subverted by "dripping" pumice stalactites with the Medici coat of arms at the centre. The interior is similarly poised between architecture and nature; the first chamber has copies of Michelangelo's four unfinished slaves emerging from the corners which seem to carry the vault with an open oculus at its centre and painted as a rustic bower with animals, figures and vegetation. Figures, animals and trees made of stucco and rough pumice adorn the lower walls. A short passage leads to a small second chamber and to a third which has a central fountain with Giambologna's Venus in the centre of the basin, peering fearfully over her shoulder at the four satyrs spitting jets of water at her from the edge.

Question: What is the name of the person that is made into a statue in the grotto?
Answer: Moses
With the garden project well in hand, Ammanati turned his attentions to creating a large courtyard immediately behind the principal façade, to link the palazzo to its new garden. This courtyard has heavy-banded channelled rustication that has been widely copied, notably for the Parisian palais of Maria de' Medici, the Luxembourg. In the principal façade Ammanati also created the finestre inginocchiate ("kneeling" windows, in reference to their imagined resemblance to a prie-dieu, a device of Michelangelo's), replacing the entrance bays at each end. During the years 1558–70, Ammanati created a monumental staircase to lead with more pomp to the piano nobile, and he extended the wings on the garden front that embraced a courtyard excavated into the steeply sloping hillside at the same level as the piazza in front, from which it was visible through the central arch of the basement.  On the garden side of the courtyard Amannati constructed a grotto, called the "grotto of Moses" on account of the porphyry statue that inhabits it. On the terrace above it, level with the piano nobile windows, Ammanati constructed a fountain centered on the axis; it was later replaced by the Fontana del Carciofo ("Fountain of the Artichoke"), designed by Giambologna's former assistant, Francesco Susini, and completed in 1641.In 1616, a competition was held to design extensions to the principal urban façade by three bays at either end. Giulio Parigi won the commission; work on the north side began in 1618, and on the south side in 1631 by Alfonso Parigi.  During the 18th century, two perpendicular wings were constructed by the architect Giuseppe Ruggeri to enhance and stress the widening of via Romana, which creates a piazza centered on the façade, the prototype of the cour d'honneur that was copied in France.  Sporadic lesser additions and alterations were made for many years thereafter under other rulers and architects.To one side of the Gardens is the bizarre grotto designed by Bernardo Buontalenti. The lower façade was begun by Vasari  but the architecture of the upper storey is subverted by "dripping" pumice stalactites with the Medici coat of arms at the centre. The interior is similarly poised between architecture and nature; the first chamber has copies of Michelangelo's four unfinished slaves emerging from the corners which seem to carry the vault with an open oculus at its centre and painted as a rustic bower with animals, figures and vegetation. Figures, animals and trees made of stucco and rough pumice adorn the lower walls. A short passage leads to a small second chamber and to a third which has a central fountain with Giambologna's Venus in the centre of the basin, peering fearfully over her shoulder at the four satyrs spitting jets of water at her from the edge.

Question: What is the terrace with the fountain constructed above?
Answer: "grotto of Moses"
The palazzo remained the principal Medici residence until the last male Medici heir died in 1737. It was then occupied briefly by his sister, the elderly Electress Palatine; on her death, the Medici dynasty became extinct and the palazzo passed to the new Grand Dukes of Tuscany, the Austrian House of Lorraine, in the person of Francis I, Holy Roman Emperor. The Austrian tenancy was briefly interrupted by Napoleon, who used the palazzo during his period of control over Italy.When Tuscany passed from the House of Lorraine to the House of Savoy in 1860, the Palazzo Pitti was included. After the Risorgimento, when Florence was briefly the capital of the Kingdom of Italy, Victor Emmanuel II resided in the palazzo until 1871. His grandson, Victor Emmanuel III, presented the palazzo to the nation in 1919.  The palazzo and other buildings in the Boboli Gardens were then divided into five separate art galleries and a museum, housing not only many of its original contents, but priceless artefacts from many other collections acquired by the state.  The 140 rooms open to the public are part of an interior, which is in large part a later product than the original portion of the structure, mostly created in two phases, one in the 17th century and the other in the early 18th century. Some earlier interiors remain, and there are still later additions such as the Throne Room. In 2005 the surprise discovery of forgotten 18th-century bathrooms in the palazzo revealed remarkable examples of contemporary plumbing very similar in style to the bathrooms of the 21st century.

Question: What is the name of the last person of the Medici dynasty to occupy the palazzo?
Answer: Electress Palatine
The palazzo remained the principal Medici residence until the last male Medici heir died in 1737. It was then occupied briefly by his sister, the elderly Electress Palatine; on her death, the Medici dynasty became extinct and the palazzo passed to the new Grand Dukes of Tuscany, the Austrian House of Lorraine, in the person of Francis I, Holy Roman Emperor. The Austrian tenancy was briefly interrupted by Napoleon, who used the palazzo during his period of control over Italy.When Tuscany passed from the House of Lorraine to the House of Savoy in 1860, the Palazzo Pitti was included. After the Risorgimento, when Florence was briefly the capital of the Kingdom of Italy, Victor Emmanuel II resided in the palazzo until 1871. His grandson, Victor Emmanuel III, presented the palazzo to the nation in 1919.  The palazzo and other buildings in the Boboli Gardens were then divided into five separate art galleries and a museum, housing not only many of its original contents, but priceless artefacts from many other collections acquired by the state.  The 140 rooms open to the public are part of an interior, which is in large part a later product than the original portion of the structure, mostly created in two phases, one in the 17th century and the other in the early 18th century. Some earlier interiors remain, and there are still later additions such as the Throne Room. In 2005 the surprise discovery of forgotten 18th-century bathrooms in the palazzo revealed remarkable examples of contemporary plumbing very similar in style to the bathrooms of the 21st century.

Question: What is the full name of the father of the man who presented the former Medici palazzo to the nation in 1919?
Answer: Victor Emmanuel II