ហ្វ្រេង្ស ផ្លយរ៉ាយស៍: ការស្លាប់និងកេរ្តិ៍ដំណែល

ការស្លាប់និងកេរ្តិ៍ដំណែល 
Turmoil followed Wright even many years after his death on April 9, 1959, shortly after undergoing surgery in Phoenix, Arizona, to remove an intestinal obstruction. After the death of his third wife, Olgivanna in 1985, it was learned that her dying wish had been that Wright, she, and her daughter by her first marriage all be cremated and interred together in a memorial garden being built at Taliesin West. By then, and according to his own wishes, Wright's body had lain for over 25 years in the Lloyd-Jones cemetery, next to the Unity Chapel, near Taliesin, Wright's beloved home in Spring Green, Wisconsin.The Unity Chapel, designed by Joseph Silsbee, should not be confused with the much larger and vastly more famous Unity Temple, designed by Wright and located in Oak Park, Illinois.  Although Olgivanna had taken no legal steps to move Wright's remains and against the wishes of other family members as well as the Wisconsin legislature, Wright's remains were removed from his grave by members of the Taliesin Fellowship, cremated and sent to Scottsdale where they were later interred in the memorial garden. Today, the original gravesite in Wisconsin, while empty, is still marked with Wright's name.Frank Lloyd Wright: A Biography, Meryle Secrest, University of Chicago Press, 1992.

 Colleagues and influences 
រូបភាពតូច|Wright-designed window in Robie House, Chicago (1906)
Wright rarely credited any influences on his designs, but most architects, historians and scholars agree he had five major influences:
 Louis Sullivan, whom he considered to be his Lieber Meister (dear master),
 Nature, particularly shapes/forms and colors/patterns of plant life,
 Music (his favorite composer was Ludwig van Beethoven),
 Japanese art, prints and buildings,
 Froebel Gifts 
He also routinely claimed the architects and architectural designers who were his employees' work as his own design and claimed that the rest of the Prairie School architects were merely his followers, imitators and subordinates."The Magic of America", Marion Mahony Griffin But, as with any architect, Wright worked in a collaborative process and drew his ideas from the work of others. In his earlier days, Wright worked with some of the top architects of the Chicago School, including Sullivan. In his Prairie School days, Wright's office was populated by many talented architects including William Eugene Drummond, John Van Bergen, Isabel Roberts, Francis Barry Byrne, Albert McArthur, Marion Mahony Griffin and Walter Burley Griffin.

The Czech-born architect Antonin Raymond, recognized as the father of modern architecture in Japan, worked for Wright at Taliesin and led the construction of the Imperial Hotel in Tokyo. He subsequently stayed in Japan and opened his own practice. Rudolf Schindler also worked for Wright on the Imperial hotel. His own work is often credited as influencing Wright's Usonian houses. Schindler's friend Richard Neutra also worked briefly for Wright and became an internationally successful architect.

Later in the Taliesin days, Wright employed many architects and artists who later become notable, such as Aaron Green, John Lautner, E. Fay Jones, Henry Klumb and Paolo Soleri in architecture and Santiago Martinez Delgado in the arts. As a young man, actor Anthony Quinn applied to study with Wright at Taliesin. However, Wright suggested that he first take voice lessons to help overcome a speech impediment.

Bruce Goff never worked for Wright but maintained correspondence with him. Their works can be seen to parallel each other.

Simon & Garfunkel recorded So Long, Frank Lloyd Wright as a tribute to Wright.

 ការទទួលស្គាល់ 
ធ្វេង|រូបភាពតូច|1966 U.S. postage stamp honoring Frank Lloyd Wright
Later in his life and well after his death in 1959, Wright received much honorary recognition for his lifetime achievements. He received Gold Medal awards from The Royal Institute of British Architects (RIBA) in 1941 and the American Institute of Architects (AIA Gold Medal) in 1949. The medal was a symbolic "burying the hatchet" between Wright and the AIA. In a radio interview he commented, "Well, the AIA I never joined, and they know why. When they gave me the gold medal in Houston, I told them frankly why. Feeling that the architecture profession is all that's the matter with architecture, why should I join them?" He was awarded the Franklin Institute's Frank P. Brown Medal in 1953. He received honorary degrees from several universities (including his "alma mater", the University of Wisconsin) and several nations named him as an honorary board member to their national academies of art and/or architecture. In 2000, Fallingwater was named "The Building of the 20th century" in an unscientific "Top-Ten" poll taken by members attending the AIA annual convention in Philadelphia. On that list, Wright was listed along with many of the USA's other greatest architects including Eero Saarinen, I.M. Pei, Louis Kahn, Philip Johnson and Ludwig Mies van der Rohe, and he was the only architect who had more than one building on the list. The other three buildings were the Guggenheim Museum, the Frederick C. Robie House and the Johnson Wax Building.

In 1992, the Madison Opera in Madison, Wisconsin commissioned and premiered the opera Shining Brow, by composer Daron Hagen and librettist Paul Muldoon based on events early in Wright's life. The work has since received numerous revivals, including a June 2013 revival at Fallingwater, in Bull Run, Pennsylvania, by Opera Theater of Pittsburgh. In 2000, Work Song: Three Views of Frank Lloyd Wright, a play based on the relationship between the personal and working aspects of Wright's life, debuted at the Milwaukee Repertory Theater.

In 1966, the United States Postal Service honored Wright with a Prominent Americans series 2¢ postage stamp. Several of Wright's buildings have been proposed by the United States to be UNESCO World Heritage sites.

In 1957, Arizona made plans to construct a new Capitol building. Believing that the submitted plans for the new Capitol were tombs to the past, Frank Lloyd Wright offered an alternative to the people of Arizona. Wright felt that Arizona's Capitol should inspire the citizens to loftier heights. Wright's architectural dream of the Oasis captures the spirit of his vision - an oasis from the heat of the desert, an oasis from the mediocrity of our past decisions, an oasis for open government and unconstrained ideas.

This collection also includes an early version of the Oasis with three spires, a typewritten transcript where Wright expresses his opinions regarding the various plans for Arizona's Capitol Building, and images of the restoration work completed by Kenneth C. Truong.
In 2004, one of the spires included in his design was erected in his memory. Consisting of roughly 1,700 individual pieces of steel, the Frank Lloyd Wright Spire is visible from nearly everywhere in residential Scottsdale and illuminates the night sky with a stunning, futuristic architectural ambiance of teal and blue.