natgillin/translations-raw huggingface dataset:
An important element in this context is that regions work together, also across borders.
Pri tem je pomembno, da regije sodelujejo, tudi čezmejno.
Functional areas like industrial districts or clusters should not be hampered in their developments through borders between regions and countries.
Območja, na katerih potekajo dejavnosti, kot so industrijski predeli ali grozdi, morajo imeti proste roke za čezmejni razvoj, ki vključuje različne regije in države.
This is also what European integration is about.
To je tudi bistvo evropskega združevanja.
Territorial cooperation in the form of cross-border cooperation between micro-regions situated on a frontier, or transnational
Ozemeljsko sodelovanje, ki poteka v obliki čezmejnega sodelovanja med obmejnimi mikro regijami, ali meddržavno sodelovanje, ki poteka znotraj makro regij, kot je baltsko območje, lahko pomagajo spodbuditi ustvarjalnost in inovativnost s številnimi stiki, izmenjavami in skupnimi razvojnimi projekti.
One of the ambassadors for the Year of Creativity and Innovation, Professor Karl-Heinz Brandenburg is a researcher in information and communication technology, Head of Research Area 'Electronic Media Techniques', and Director of Fraunhofer Institut for Digital Media Technology (IDMT).
Profesor Karl-Heinz Brandenburg, eden od ambasadorjev leta ustvarjalnosti in inovativnosti, je ra-ziskovalec s področja informacijske in komunikacijske tehnologije, vodja raziskovalnega področja „tehnike elektronskih medijev“ in direktor Fraunhoferjevega inštituta za tehnologijo digitalnih medijev (IDMT).
Professor Brandenburg's work enabled the development of MPEG Layer-3 (MP3), MPEG-2 Advanced Audio Coding (AAC) and many other modern audio-coding method.
Profesor Brandenburg je s svojim delom omogočil razvoj naprav MPEG Layer-3 (MP3), algoritma MPEG-2 AAC (advanced audio coding) in veliko drugih sodobnih metod za kodiranje zvoka.
Creativity and innovation are also a question of mentality: those who only want to know about and advance their own specialist subjects will fail.
Ustvarjalnost in inovativnost sta povezana tudi z miselnostjo: tisti, ki hočejo poznati in razvijati samo svoje specialistično področje, bodo propadli.
What is important for creativity is to ‘think outside the box’, going beyond compartmentalised thinking.
Za ustvarjalnost je pomembno, da „ne negujemo samo svojih vrtičkov“, ampak da naše razmišljanje seže prek njihovih ograd.
This statement has already been true for a long time.
Znanost je že dolgo globalna.
In the globalised economy, Europe is not the region that possesses the natural resources, nor is it any longer the workshop of the world.
Znanstvene objave so dostopne po vsem svetu in znanstveniki se vključujejo v sodelovanja po vsem svetu.
Only the latest technologies and innovative ideas will allow Europe to compete in the global economy.
Spodbujati moramo tak način delovanja in se rešiti nacionalne zaverovanosti vase – to bo najbolj koristilo našim interesom, in sicer na regionalni, nacionalni in evropski ravni.
These new ideas are the wealth of our era – whether for products or services.
Leto ustvarjalnosti in inovativnosti krepi zavedanje o teh potrebah, potrebujemo pa tudi ustrezne prednostne naloge za izobraževanje in raziskave.
Science has long been global.
Ta izjava drži že dolgo.
Scientific publications are accessible throughout the world, and scientists are used to cooperating worldwid We must encourage this way of working and set aside national egos – that is what will best serve our own interests, at a regional, national and European level.
V svetovnem gospodarstvu Evropa ni območje, ki bi imelo v lasti naravne vire, prav tako ni več svetovna delavnica.
Research and development and the creative industries must be promoted beyond our regions and recognised by society to a greater extent than today.
Samo najsodobnejše tehnologije in inovativne zamisli bodo omogočile Evropi, da bo lahko ohranjala konkurenčnost v svetovnem gospodarstvu.
The ‘Year of Creativity and Innovation’ is helping to increase awareness of these necessities, but we also need the right priorities for education and research.
Bogastvo naše dobe se skriva v teh novih zamislih – in to tako na področju izdelkov kot storitev.
How would you see the relationship between creativity, culture and the challenges presented by living in a modern society?
Mar ni ustvarjalnost v domeni umetnikov, zakaj se z njo ukvarjate vi, ki ste inženir?
There are studies showing that, even today, many companies generate a large percentage of their sales with products that were only developed in the last five years.
Opravljene so bile raziskave, ki kažejo, da veliko podjetij še vedno ustvarja velik delež prodaje z izdelki, ki so jih razvili šele v zadnjih petih letih.
In some fields, there is already a split between businesses that only develop and sell ideas, those manufacturing them, and the companies that market those products, often under their own brand names.
Na nekaterih področjih se že pojavlja razkorak med podjetji, ki samo razvijajo in prodajajo zamisli, tistimi, ki po njih izdelujejo izdelke, in tistimi, ki te izdelke tržijo, pogosto pod lastnimi blagovnimi znamkami.
In this international division of labour, it is important to contribute as much as possible to both ideas and innovations.
Pri tej mednarodni delitvi dela je treba čim več prispevati k zamislim in inovacijam.
Even in engineering, it is important to think ‘outside the box’.
Tudi pri tehniških vedah je pomembno, da „ne negujemo samo svojih vrtičkov“.
Engineering science is all about developing technologies to help people and also make our lives easier and more worth living.
Tehniška znanost se ukvarja z razvojem tehnologij, ki pomagajo ljudem, nam lajšajo in bogatijo življenje.
If I simply trod the same path all the time, things would then become dull and it would no longer really be possible to resolve the problems we face today.
Če bi nenehno hodil po isti poti, bi kmalu postalo dolgočasno in ne bi bilo več mogoče reševati težav, s katerimi se spopadamo danes.
The point is that ‘it cannot be done’ is an unacceptable answer as long as the basic laws of physics remain inviolate.
Odgovor „to ni mogoče“ je nesprejemljiv, dokler še veljajo osnovni fizikalni zakoni.
Engineers must always be prepared to unearth unexpected answers to well-known problems – this is what we refer to as ‘invention’.
Inženirji morajo biti vedno pripravljeni, da pridejo na dan z nepričakovanimi odgovori na znane probleme – temu pravimo „inventivnost“.
Incidentally, at the same time many engineers are also creatively active in the arts, many of my colleagues at the Fraunhofer institute also perform as musicians.
Treba pa je tudi povedati, da je veliko inženirjev dejavnih na področju umetnosti.
This happens at many levels: the school system is part of the picture, as are continuing
Veliko mojih sodelavcev na Fraunhoferjevem inštitutu se ukvarja z glasbo.
Only the latest technologies and innovative ideas will allow
Samo najsodobnejše tehnologije in inovativne zamisli bodo omogočile Evropi, da bo lahko
Europe to compete in the global economy
ohranjala konkurenčnost v svetovnem gospodarstvu.
Director General, European Commission Directorate-General for Education and Culture
Generalni direktor, Evropska komisija, Generalni direktorat za izobraževanje in kulturo
When launching the new phase of the Lisbon Strategy for growth and jobs 200810, the EU's political leaders acknowledged that 'a key factor for future growth is the full development of the potential for innovation and creativity of European citizens built on European culture and excellence in science'.
Politični voditelji EU so ob začetku nove faze lizbonske strategije za rast in delovna mesta 2008–2010 priznali, da je ključni dejavnik za prihodnjo rast poln razvoj zmožnosti za inovativnost in ustvarjalnost evropskih državljanov, ki temelji na evropski kulturi in znanstveni odličnosti.
How do you see this relating to culture as a driver for creativity and innovation?
Kaj vi menite o sklicevanju na kulturo kot sredstvu za spodbujanje ustvarjalnosti in inovativnosti?
Innovation and creativity are key for our future living standards.
Inovativnost in ustvarjalnost sta bistvenega pomena za naš prihodnji življenjski standard.
Europe must become more inventive, innovate more and react better to market trends.
Evropa mora postati bolj inventivna, ustvariti mora več inovacij in mora se bolje odzivati na tržna gibanja.
This has been acknowledged at the highest political level.
To je bilo priznano na najvišji politični ravni.
A broad-based innovation strategy for the European Union was put forth a couple of years ago and significant steps have been taken in this direction.
Že več let se razvija široko zasnovana inovacijska strategija za Evropsko unijo in bili so sprejeti pomembni ukrepi v tej smeri.
The capacity for innovation depends on a multitude of factors.
Sposobnost za inovacije je odvisna od množice dejavnikov.
Creativity is one of them, yet not fully exploited.
Eden od njih je ustvarjalnost, a ni polno izkoriščen.
The nexus 'creativity-innovation' calls for smart investments which can bring new, sustainable solutions and benefits for our economies and societies.
Povezava „ustvarjalnost–inovativnost“ zahteva varne naložbe, ki lahko prinesejo nove, trajnostne rešitve in koristi za naša gospodarstva in družbe.
This is the key message of the European Year for Creativity and Innovation.
To je poglavitno sporočilo evropskega leta ustvarjalnosti in inovativnosti.
It becomes more meaningful against the backdrop of the current financial downturn.
V sedanji finančni recesiji pa postane še bolj smiselno.
Culture relates not only to the arts, but also science, education, industry and the wider economy.
Kultura se ne nanaša samo na umetnost, temveč tudi na znanost, izobraževanje, industrijo in širše gospodarstvo.
Cultural and creative industries contribute to stimulating research, product development and service innovation, marketing and communication, 'branding of cities' or community-building.
Kulturne in ustvarjalne panoge pomagajo spodbujati raziskave, razvoj izdelkov in inovativne storitve, trženje in komuniciranje, „blagovne znamke mest“ ali graditev skupnosti.
Using networks and partnerships, where cross-cutting skills are needed, they present a new model for growth in a globalised world.
Kadar potrebujemo interdisciplinarne veščine, vključevanje v omrežja in partnerstva zagotavlja nov model rasti v globaliziranem svetu.
Examples across European cities and regions show how culture can be used within an integrated approach to sustainable development in economic and societal terms.
V evropskih mestih in regijah najdemo vrsto primerov, ki ponazarjajo, kako je mogoče uporabiti kulturo v okvirih celostnega pristopa h gospodarskemu in družbenemu trajnostnemu razvoju.
To develop environments conducive to creativity and innovation, we need to step up action at all levels of governance.
Potrebujemo dobro usmerjene strategije na vseh ravneh upravljanja, ki bodo okrepile povezave med kulturo, ustvarjalnostjo, inovativnostjo ter družbenim in gospodarskim razvojem.
Public and private stakeholders must be involved in this process.
Če bomo v svojih politikah dali prostor kulturi, bomo odprli vrata tudi ustvarjalnosti in inovativnosti.
The challenge is how to exploit positive spillover effects produced by culture.
Če hočemo razviti okolja, ki so dovzetna za ustvarjalnost in inovativnost, moramo okrepiti ukrepe na vseh ravneh upravljanja.
We need well-targeted strategies at all levels of governance maximising the links between culture, creativity, innovation and socioeconomic development.
V proces je treba vključiti javne in zasebne zainteresirane strani.
Making space for culture in our policies is making space for creativity and innovation.
Ustvarjalnost je več kot kulturni/ustvarjalni sektor in inovativnost je več od raziskav in razvoja.
Creativity is more than the cultural/creative sector and innovation is more than R & D. We must encourage partnerships between diverse sectors such as culture, education, research, technology, industry, and public services.
„ pozitivne učinke, različnejšimi sektorji, kot so kultura, izobraževanje, raziskave, tehnologija, industrija in javne storitve.
We need to strengthen the skills for an innovation-friendly society.
Okrepiti moramo svojo usposobljenost za inovativnosti prijazno družbo.
The challenge is how to exploit positive spillover effects “ produced by culture„
ki jih ustvarja kultura.
Community instruments support clustering of businesses as vehicles for creativity and innovation, along with mobility and knowledge transfer.
Instrumenti Skupnosti podpirajo združevanje podjetij kot sredstvo za ustvarjalnost in inovativnost, skupaj z mobilnostjo in prenosom znanja.
Same support is required at national, regional and local level.
Enaka podpora je potrebna na nacionalni, regionalni in lokalni ravni.
Concrete evidence is necessary for building a sustainable and effective strategy for creativity and innovation.
Potrebujemo konkretne dokaze za oblikovanje trajnostne in učinkovite strategije za ustvarjalnost in inovativnost.
Jamie Oliver is an internationally renowned chef and the founder of Fifteen Restaurant, a registered charity that offers apprenticeships to young people who need a second chance to establish their place in the world.
Jamie Oliver je mednarodno priznan kuhar in ustanovitelj dobrodelne organizacije Fifteen Restaurant. Mladi, ki potrebujejo drugo priložnost v življenju, lahko v njenih restavracijah opravljajo pripravništvo.
Oliver, who received regional funding for Fifteen in Cornwall, is also a key mover behind the UK’s healthy eating in schools campaign.
Oliver, ki je za organizacijo Fifteen v Cornwallu dobil regionalna sredstva, je tudi glavna gonilna sila v kampanji Združenega kraljestva Zdravo prehranjevanje v šolah.
What’s more, Fifteen is a living example of innovation in action in the sense that it takes young people in need of a chance in life – often a second chance – and turns them into chefs with a skill and the opportunity of a good career.
Po mojem je veliko podjetij ali organizacij, ki pozabljajo na spodbujanje inovativnosti – čisto srečni so, če ostajajo pri svojem. In ko pridejo hudi časi, so žrtve ravno taka podjetja.
This in turn has a wider impact in both the local community near to Fifteens as well as the hospitality industry in general.
Mislim, da bi moralo veliko podjetij, to seveda včasih velja tudi za vlade, spodbuditi svoje osebje k ustvarjalnosti ali pa pripeljati ljudi, ki znajo biti ustvarjalni in lahko malo prevetrijo stvari. Bodite drzni in ne bojte se eksperimentirati z novimi idejami.
I think often you find that some companies or organisations aren’t set up to inspire innovation – they’re happy to plod along with the status quo and then when times get tough, those companies are the ones to suffer.
Pri tem je lahko v pomoč evropski denar … mislim, da bi v žargonu rekli, da to „omogoča“ … ves ta keš in talent … polna celina genialnih ljudi, s katerimi lahko delaš!
In a lot of cases, I think companies, as well as governments of course in some cases, need to either inspire existing staff to be creative or bring in staff who can be creative and shake things up a bit.
Prepoznaj jih, sprejmi jih, vzgajaj jih, financiraj jih… in nikar si ne puli las, če komu ne uspe … se zgodi.
I’m not a politician so I’m not promising to be an expert in this area.
Nisem politik, tako da ne morem govoriti kot strokovnjak za to področje.
All I do know is that whichever business you’re in, you need to keep adapting, improving and – yes – innovating.
Vem samo, da se moraš v vsakem poklicu kar naprej prilagajati, izboljševati in – da – iskati inovacije.
But there’s no point in innovation if your product isn’t up to scratch.
Inovacije pa nimajo smisla, če vaš izdelek ni na višini.
When we start a new business we always ask ourselves how we can over-deliver.
Vsakič, ko se lotimo novega posla, se vprašamo, kako bi se lahko presegli.
How can we make certain that the public will come to us again and again because of the quality and the affordability of what we offer and the very real creativity that goes into it.
Kako lahko vemo, da se bodo ljudje znova in znova vračali k nam zaradi kakovosti in dostopnosti naše ponudbe ter tiste prave ustvarjalnosti, ki jo vlagamo v svoje delo?
European money can help that happen … 'enable' it I think is the jargon … all that dosh and all that talent … a whole continent of brilliant people to work with!
Kako bi opisali odnos med ustvarjalnostjo, kulturo in izzivi, ki jih prinaša življenje v sodobni družbi?
Recognises it, embrace it, nurture it, fund it … and don’t tear your hair out if some fail … it happens.
Mislim, da sodobna družba pravzaprav ponuja priložnosti, ne pa izzivov, če govorimo o ustvarjalnosti.
How would you see the relationship between, creativity, culture and the challenges presented by living in a modern society?
Nekaj britanskim poslovnežem, ki jih občudujem – na primer Paulu Smithu, Richardu Bransonu –, dobro uspeva v družbi, ki ceni ustvarjalnost, in po mojem bi morali bolj spodbujati ustvarjalne posameznike, da pridejo na dan s svojimi zamislimi.
That’s real creativity and if you match that with classleading productivity you’ll be on to a winner – any successful restaurant kitchen is like that … all the Fifteens are like that including the one in Cornwall which has already been recognised and supported by the EU for its innovation … that kitchen serves over 80 000 a year, so a quarter of a million so far since opening in May 2006 … creative, innovative, productive … successful.
To je prava ustvarjalnost in če to združite z odličnostjo pri produktivnosti, ste zmagali – to boste našli v vseh kuhinjah uspešnih restavracij … takšne so vse restavracije Fifteen, tudi tista v Cornwallu, ki je že dobila priznanje in podporo EU za inovativnost … tista kuhinja pripravi 80 000 obrokov na leto, kar pomeni četrt milijona od maja 2006, ko smo jo odprli … ustvarjalna, inovativna, produktivna … uspešna.
I think that modern society actually presents opportunities as opposed to challenges when it comes to creativity.
Današnja javnost ima zelo dober nos za ustvarjalnost v vsakdanjem življenju – ljudje hočejo dobro oblikovanje, zahtevajo pametno razmišljanje, pazijo, kaj bodo dobili na krožniku in v kozarcu.
Some of the British business people that I admire – Paul Smith, Richard Branson, for example, thrive in a society where creativity is valued and I think we should encourage more creative individuals to bring forward ideas.
Še dvajset let nazaj ni bilo tako … ljudje se danes niso pripravljeni zadovoljiti s tem, kar je bilo še včeraj dovolj dobro. Dihajo s sodobno kulturo.
Over 200 top-class meals a day is impressive productivity but people don’t come for that …they expect that … what they want is what they personally get on their plate and that comes from the creativity in the kitchen.
Več kot dvesto vrhunskih obrokov na dan je zavidanja vredna storilnost, vendar ljudje ne prihajajo zaradi tega … pričakujejo, da … na svojem krožniku dobijo točno to, kar so hoteli, in to jim jamči ustvarjalnost v kuhinji.
Whichever business you’re in, you need to keep adapting, improving and –
„ se je treba kar naprej prilagajati, izboljševati in – da – iskati inovacije.
The public is very savvy these days to creativity in everyday life – they want good design, they demand smart thinking, look at what they eat and drink these days compared with just 20 years ago … they won’t put up with yesterday.
In ne samo to, restavracije Fifteen so živ primer, kako deluje inovativnost, saj jemljejo mlade, ki potrebujejo priložnost v življenju – pogosto drugo priložnost –, in iz njih naredi izkušene kuharje, ki dobijo znanje in možnosti za uspešno kariero.
They're in tune with modern culture.
To pa se pozna tudi v lokalni skupnosti, kjer se nahajajo restavracije Fifteen, in na splošno v gostinstvu.
The World in One City
Ves svet v enem mestu
The Capital of Culture programme started back in 1985, in Athens.
Začetki programa Prestolnica kulture segajo v leto 1985 v Atene.
Since then, all EU Member States have been allocated a year where they can put forward their own choice of city.
Od takrat je vsaka država članica lahko za določeno leto predlagala mesto po lastnem izboru.
2008 saw Liverpool nominated, with an impressive programme under the title ‘The World in One City’.
Leta 2008 je bil nominiran Liverpool, ki je predstavil čudovit program pod imenom „Ves svet v enem mestu“.
EU investment of €1.5 million contributed to infrastructure projects in the city.
EU je prispevala 1,5 milijona € za infrastrukturne projekte v mestu.
This in turn provided a focal point for attracting other commercial investment, with the promise of much bigger economic spin-offs in the longer term.
To je pritegnilo druge poslovne naložbe, ki dolgoročno obetajo veliko večje gospodarske učinke.
Many of the cultural partners that staged events in 2008 are staying in touch through local networks.
Veliko kulturnih partnerjev, ki je uprizorilo dogodke v letu 2008, ohranja stike prek lokalnih omrežij.
Further afield, other networks are being created between the European Capitals of Culture.
Na širši ravni se vzpostavljajo druga omrežja med evropskimi prestolnicami kulture.
Liverpool has benefited significantly from the €1.405 billion the European Regional Development Fund (ERDF) put into Merseyside, from 1994 to 2006.
Liverpool je s 1 405 milijardami €, ki jih je Evropski sklad za regionalni razvoj (ESRR) med letoma 1994 in 2006 vložil v projekt Merseyside, veliko pridobil.
From a city in economic decline to one which is now a vibrant centre of business and cultural activity, the funding helped Liverpool to be a successful runner for the title European Capital of Culture.
Iz mesta, ki je gospodarsko nazadovalo, se je prelevil v živahno poslovno in kulturno središče; Liverpool je tako tudi zaradi sredstev, ki jih je prejel, uspešno kandidiral za evropsko prestolnico kulture.
40 000 visitors celebrated the start of this unique year in Liverpool.
Začetek tega edinstvenega leta v Liverpoolu je proslavilo 40 000 obiskovalcev.
Former Beatle Ringo Starr topped the bill of an electrifying evening involving by 800 performers.
Glavna zvezda dogodka, ki je požel vsesplošno navdušenje in na katerem se je zvrstilo 800 nastopajočih, je bil nekdanji član Beatlesov Ringo Starr.
Inspirational music events ran right through the year, involving every classical and modern style.
Vse leto so gledalci uživali v glasbenih dogodkih, ki so segali od klasičnega do sodobnega sloga.
Sir Paul McCartney returned to his roots, performing a long-awaited gig at Anfield Stadium, joined by other leading Liverpool bands.
Sir Paul McCartney se je vrnil na začetke in imel dolgo pričakovani koncert na stadionu Anfield, pridružile so se mu tudi druge vodilne liverpoolske glasbene skupine.
Culture Liverpool is at the heart of promoting the longterm future of Liverpool as one of Europe’s best cultural destinations.
Kulturni Liverpool je temelj, na katerem sloni dolgoročna promocija Liverpoola kot ene najboljših kulturnih destinacij v Evropi.
Groundbreaking art exploded in every possible venue across the city, partly in conjunction with the Liverpool Biennial arts festival.
Vsa mogoča prizorišča po mestu je preplavila inovativna umetnost, dogodki so se delno prekrivali z liverpoolskim umetniškim bienalom.
New exhibitions drew unprecedented levels of visitors to galleries and museums.
Novih razstav v galerijah in muzejih si še nikoli poprej ni ogledalo toliko obiskovalcev.
A Klimt exhibition at Tate Liverpool was a focal point for many, but vibrant street art also proved popular.
Veliko jih je želelo videti Klimtovo razstavo v galeriji Tate Liverpool, vendar je bil priljubljen tudi utrip ulične umetnosti.
By the end of the year, Liverpool had celebrated its past, hosted an amazing array of cultural events and was geared up with new ways of seeing the future.
Liverpool je tako vse leto slavil svojo preteklost, gostil neverjeten izbor kulturnih dogodkov in se obogatil z novimi pogledi na prihodnost.
In 2009, both Vilnius and Linz will be European Capitals of Culture.
Leta 2009 bosta evropski prestolnici kulture Vilna in Linz.
The new Liverpool
Novi Liverpool