natgillin/translations-raw huggingface dataset:
Consequently, regional development is promoted and, with it, long-term economic survival.Of the many different Leader+ projects which involve culture, there are perhaps four main different kinds that can be identified: promotion of regional identity; exploitation of cultural heritage; creation of permanent cultural infrastructures (cultural centres, eco-museums, etc.); and the organisation of specific cultural activities (entertainment and festivals for example).
Posledično se tako spodbuja regionalni razvoj in s tem dolgoročno gospodarsko preživetje.Najrazličnejši projekti Leader+, ki vključujejo kulturo, se lahko razporedijo morda v štiri glavne vrste: spodbujanje regionalne identitete, izkoriščanje kulturne dediščine, ustvarjanje trajne kulturne infrastrukture (kulturnih centrov, ekoloških muzejev itd.) in organizacija posebnih kulturnih dejavnosti (na primer razvedrilo in festivali). Okoljske in kulturne teme so primerne tudi za strategije celostnega razvoja podeželja, ki so ključni vidik Leader+, z
An innovative use of new technology adds an extra dimension in exploring a region’s natural and cultural heritage, while promoting a positive image for economic revival
Inovativna uporaba nove tehnologije prinaša dodatno razsežnost v raziskovanju naravne in kulturne dediščine regije ter hkrati spodbuja pozitivno predstavo o gospodarskem oživljanju.
The bike ‘storyteller’ ready for action. © Toerisme Limburg/Kristien Wintmolders
Kolesarjev„Pripovednik“ je pripravljen.null
The Leader+ area of Midden-Maasland has more than 25 000 inhabitants and covers 86 km.
Območje Leader+ Midden-Maasland ima več kot 25 000 prebivalcev in obsega 86 km.
It takes in 11 hamlets and districts in the municipalities of Maaseik (Wurfeld, Heppeneert and Aldeneik), Dilsen-Stokkem (Stokkem, Dilsen, Lanklaar, Rotem and Elen) and Maasmechelen (Vucht, Leut and Meeswijk).
Vključuje 11 vasic in okrajev v mestnih skupnostih Maaseik (Wurfeld, Heppeneert in Aldeneik), Dilsen-Stokkem (Stokkem, Dilsen, Lanklaar, Rotem in Elen) in Maasmechelen (Vucht, Leut in Mees-wijk).
As a border region, this middle area of the Belgian Maas has for some time been economically disadvantaged.
To srednje območje belgijskega Maas je bilo kot obmejna regija nekaj časa v gospodarsko neugodnem položaju.
The closure of the Limburg collieries in the 1980s was a severe blow for the region, and the gravel pits, which generate little employment, have over many decades caused serious damage to the region’s landscape.
Zaprtje premogovnikov v Limburgu v osemdesetih letih prejšnjega stoletja je bilo hud udarec za regijo in peskolomi, ki so ustvarjali malo delovnih mest, so v več desetletjih hudo poškodovali pokrajino.
However, after years of decline, the region is now rediscovering itself, and is starting to exploit its natural heritage along with its hospitality and charm.
Vendar regija zdaj po letih nazadovanja spet odkriva samo sebe in začenja izkoriščati svojo naravno dediščino skupaj z gostoljubnostjo in privlačnostjo.
Activities such as walking, bicycle tours and water recreation are all ways to reinforce the region’s economy in a sustainable and envi-ronment-friendly way.The Maasland was the first to develop a dedicated cycling route network, which gradually expanded all over Flanders, parts of the Netherlands and even western Germany.
Dejavnosti, kot so pohodništvo, kolesarjenje in vodna rekreacija, so načini za okrepitev gospodarstva regije na trajnosten in okolju prijazen način.Maasland je bila prva regija, ki je razvila namensko mrežo kolesarskih stez, in ta se je postopoma razširila po vsej Flandriji, predelih Nizozemske in celo v zahodno Nemčijo.
With support from Leader+, rural tourism in this region has now been given a new dimension.
S podporo Leader+ je podeželski turizem v tej regiji zdaj dobil novo dimenzijo.
Launched in 2005 by Toerisme Limburg (the Limburg tourist agency), the Leader+ area of Midden-Maasland has a new cycling route which makes use of an audio and video guide in the form of a personal data assistant (PDA) to provide cyclists with a ‘voice’ about the region.
Turistična agencija Limburg (Toerisme Limburg) je leta 2005 v območju Leader+ „MiddenMaasland“ uvedla novo kolesarsko progo, na kateri je možna uporaba avdio in video vodnika v obliki osebnega podatkovnega pomočnika (Personal Data Assistant – PDA), ki kolesarjem prinaša informacije o regiji. Imenuje se „pripovednik“.
After installing the PDAs, the cyclists are then ready to be guided along the valley of the Maas River. Once under way the guide automatically recounts all the interesting facts about the natural surroundings, including the local history and the region’s rich culture.
Po namestitvi PDA na kolesa se kolesarji lahko prepustijo njegovemu vodstvu po dolini reke Maas.Vodnik samodejno sporoča vsa zanimiva dejstva o naravnem okolju, vključno z lokalno zgodovino in bogato regijsko kulturo.
A large part of this route is carfree with the Maas River and South Willem’s canal forming an attractive backdrop.
Velik del te poti ob reki Maas je brez avtomobilov in kanal Južni Willem tvori privlačno ozadje.
The story about the region’s natural and cultural heritage provides the basis for this guided bicycle tour.
Podlaga za to vodeno kolesarjenje je zgodba o naravni in kulturni dediščini regije.
The PDA is an innovative technical approach and a world’s first for Limburg, since it is the rst-ever bicycle tour which uses a combination of an audio/video guide in a single piece of equipment.
PDA pomeni inovativen tehnični pristop in svetovno premiero v Limburgu, saj je to prva kolesarska steza, ki uporablja kombinacijo avdio/video vodnika v enem kosu opreme.
For the user, the PDA is simply xed to the bicycle and then the permanent satellite connection ensures that the commentary is given at the right moment.
Uporabnik preprosto namesti PDA na kolo in stalna satelitska povezava potem zagotavlja, da dobi razlago v pravem trenutku.
The biggest added value of this system is not just the navigation provided, but rather the extra insight into the region which the user gets while on the tour.The route starts and nishes at the visitors’ centre in Stokkem.
Največja dodana vrednost tega sistema ni samo v zagotovljeni navigaciji, temveč v dodatnem vpogledu v regijo, ki ga uporabnik dobi na potovanju. Pot se začne in konča v središču za obiskovalce v Stok-kemu.
Over a distance of 55 kilometres the journey takes in the various boroughs and villages of Dilsen-Stokkem, Maaseik and Maasmechelen.
Potovanje na razdalji več kot 55 kilometrov poteka skozi različna mesteca in vasi v Dilsen-Stokkem, Maaseik in Maasmechelen.
The Storyteller includes no less than 35 separate audio recordings, which are sometimes combined with video pictures and music.
Pripovednik vključuje najmanj 35 ločenih zvočnih posnetkov, ki so včasih kombinirani z video slikami in glasbo.
During the tour, the PDA provides the cyclist with further insight into the region’s history and cultural heritage, including a sense of the history of the smuggler’s route, a feeling for the story about two ‘Bokkenrijders’ (robbers) who were hanged, and an image of Stokkem as a carnival town and as a centre for basket-makers.
Med potjo dobi kolesar s PDA nadaljnji vpogled v zgodovino regije in kulturno dediščino, med drugim s podatki o zgodovini stare tihotapske poti, z zgodbo o dveh roparjih („Bokkenrijders“), ki sta bila obešena, in predstavitvijo Stokkema kot karnevalskega mesta in središča izdelovalcev košar.
These and many other stories are revealed during the course of the tour.
Med potovanjem so pripovedovane te in številne druge zgodbe.
While cycling, the tourist is kept in touch with the region via a ctitious radio station called Radio Maasland which is rather unusual and unpredictable in its broadcasts.
Program Leader+ je omogočil regiji, da izvaja poskus z razvojem pozitivne in živahne podobe v okviru teme „kar najboljše izkoriščanje naravnih in kulturnih virov“ kot del svojega procesa obnove.
The Leader+ programme has allowed the region to experiment in developing a positive and lively image under the theme of ‘making best use of natural and cultural resources’ as part of its renewal process.
Da bi regija to dosegla, se je morala osredotočiti na ekološke in gospodarske vidike ter uporabo obstoječih naravnih virov, kot so: reka Maas, peskolomi, opekarne in kmetijstvo.
To achieve this has meant focusing on both the region’s ecology and economy, and using its existing natural resources, such as the Maas River, the gravel pits, the brickyards and its agriculture.
Razvoj te kolesarske steze z lastnim inovativnim vodnikom, imenovanim Pripovednik, je primer, kako je mogoče promovirati podobo regije.
Process MagentaProcess Yellow
KAR NAJBOLJŠEIZKORIŠČANJE NARAVNIHIN KULTURNIH VIROV
MAKING THE BEST USE OF NATURAL AND CULTURAL RESOURCES tor can also get a good view of the region’s farmland.Thanks to the Leader+ support for this project, ‘The spoken treasures of the Maasland’ is available (in Dutch) from the De Wissen Maas centre for up to 25 bicycle tourists.
Ker je spored namenoma„kičast“, vključuje različne vrste „maaslandskih novic“ o temah, kot so zgodovina peskolomov, poplave reke Maas in druge anekdote v zvezi s kanalom Južni Willems.
The reaction from bikers is very positive and in 2005 there was a 30 % increase in the number of users. As from spring 2006, ‘The spoken treasures of the Maasland’ storyteller will also be available in German.
Mednje sodi, na primer, zgodba o nesrečnem Nizozemcu iz vasice Boyen, ki se je v 19. stoletju zaradi poplav in sprememb rečne struge nenadoma znašel na belgijskem ozemlju.
Being intentionally kitsch, it broadcasts various items of ‘Maasland news’ which cover such topics as the history of the gravel pits, the Maas River oods and other anecdotes related to the South Willems canal.
Druga pripoveduje o tem, kako so tihotapci masla v davnih časih prelisičili carinike, pa o legendi o čarovnicah iz cerkve v Aldeneiku (slikoviti vasi v Maasu).Med vsem tem prijazni radio Mass predvaja priljubljeno glasbo in reklame, da bi zabaval kolesarja.
There are other stories, such as the unhappy Dutchmen from the hamlet of Boyen who, in the 19th century, as a result of ooding and changes in the river bed, suddenly found themselves on Belgian territory.
Zaslon PDA lahko prikazuje tudi stare fotograje, na primer obisk kralja Boudewijna med poplavami v Maasu leta 1984, prve viseče mostove čez kanal Južni Willems in celo Stokkem kot karnevalsko mesto v polnem teku praznovanja.
Others tell about how, in days gone by, the customs authorities were outsmarted by the butter smugglers, and the legend concerning the witches of the church of Aldeneik (a picturesque Maas village).In between all this, the friendly Maas radio broadcasts pieces of popular music and advertisements to keep the cyclist amused.
Od reke Maas in z nasipov kanala, ki so v isti višini kot prejšnji železniški tir, ima obiskovalec dober razgled na kmetijsko pokrajino regije.Podpora Leader+ za ta projekt je omogočila, da so „govorni zakladi Maaslanda“ v središču De Wissen Maas na voljo (v nizozemščini) za 25 kolesarjev turistov.
The PDA screen can also show old photographs, such as the visit of King Boudewijn to the Maas oods of 1984, the earlier swing bridges over the South Willems canal, and even Stokkem as a carnival town in full celebration.
Odziv kolesarjev je zelo pozitiven in v letu 2005 se je število uporabnikov povečalo za 30 %.
From the River Maas and the canal dikes, which are at the same height as the former railway track, the visi-
Od spomladi 2006 bo Pripovednik „Govorni zakladi Maaslanda“ na voljo tudi v nemščini.
Member State: Belgium Region, province: Flanders, Limburg Name of the LAG: PG Midden-Maasland Population: 25 000Surface area: 86 k m Project total cost: EUR 151 000EU: EUR 60 400Other public funding: EUR 60 400Private funding: EUR 30 200Period of project eligibility: 1 July 2004 to 30 June 2005
Država članica: Belgija Regija, provinca: Flandrija, Limburg Ime LAS: PG Midden-Maasland Prebivalstvo: 25 000Površina: 86 k m Skupni stroški projekta: 151 000 EUREU: 60 400 EURDruga javna sredstva: 60 400 EURZasebna sredstva: 30 200 EURObdobje upravičenosti projekta: 1. julij 2004–30. junij 2005 n u l l
Contact person: Jeroen Danëls Address: Toerisme Limburg, Willekensmolenstraat 140, B-3500 Hasselt Tel.
Ime kontaktne osebe: Jeroen Danëls Naslov: Toerisme Limburg, Willekensmolenstraat 140, B-3500 Hasselt Tel. (32-11) 23 74 70E-pošta: jdaniels@limburg.be Spletna stran: www.toerismelimburg.be
Photos provided by the Belgium Flanders National Network Unit
Fotograje: Belgijska flamska nacionalna omrežna enota
Hands up all those who like this particular feature.
Dvignite roke vsi tisti, ki vam je tole všeč.
Children weave the local reed to create a large nest.© Rerun productions
Otroci spletajo lokalno trstje, iz katerega bodo n u l l
The Weerribben: ‘a breeding place for art’
Weerribben: „Mesto za gojenje umetnosti“
A local initiative brings together a region’s community and creates an innovative habitat using a local product
Lokalna pobuda združuje regijsko skupnost in ustvarja inovativen življenjski prostor z uporabo lokalnega proizvoda
Based on an article by Marieke Blom, Dutch National Network Unit
Povzeto po članku Marieke Blom, Nizozemska nacionalna omrežna enota
Introduction forms’which give visitors an added interest to the existing natural landscape.The project began in spring 2003 in the region of Overijssel, where the national park is situated.
Uvod oblike“, ki pri obiskovalcih regije vzbudijo dodatno zanimanje za obstoječe naravne pokrajine. Projekt se je začel spomladi 2003 v regiji Overijssel, kjer je narodni park.
Here, nature development is an important theme although it is not always fully understood and appreciated by everybody.
Tukaj je razvoj narave pomembna tema, čeprav ni vedno v celoti razumljena in je ne cenijo vsi.
Two local artists thought that it would be an interesting experiment to ‘open up’ the Weerribben by using expressive arts, on the basis that a different way to experience nature might also change people’s understanding and attitude towards the park.Although interested, the area’s LAG did not approve the project proposal straight away: concerns were voiced about the sustainability of the project’s results, and whether the various groups of people from the area could really become involved.
Dva lokalna umetnika sta menila, da bi bilo zanimivo, če bi poskusili„odpreti“ Weerribben z uporabo izraznih umetnosti na podlagi tega, da bi drugačen način doživljanja narave morda lahko spremenil tudi razumevanje parka in odnos do njega.Čeprav je bila območna LAS zainteresirana, projektni predlog ni bil takoj odobren. Izražene so bile skrbi glede trajnosti projektnih rezultatov in o tem, ali se bodo različne skupine ljudi iz območja lahko resnično vključile.
However, with the eventual approval of the LAG, the artists drew up their plans, which included activities with local schools and extensive marketing.
A potem, ko je bila odobritev LAS končno dobljena, so umetniki pripravili načrte, ki so vključevali dejavnosti z lokalnimi šolami in obširno trženje.
Efforts were made to contact and bring together the different organisations and institutions in the area so that they could really work together.
Potrudili so se, da so stopili v stik z različnimi organizacijami in ustanovami iz območja in jih povezali, da bi lahko resnično sodelovale.
In April 2004, their efforts were rewarded by a subsidy from Leader+.
Aprila 2004 so bili njihovi napori nagrajeni s podporo Leader+.
Being involved in the process
Vključeni v proces
The Dutch National Park, the Weerribben, is an internationally renowned wetland area which has gained more and more importance as a breeding ground for animals and plants.
Nizozemski nacionalni park „The Weerribben“ je mednarodno znano močvirsko območje, ki je pridobivalo vedno večji pomen kot območje za vzrejo živali in gojenje rastlin.
It is an area which has attracted many foresters and nature conservationists, who come to learn about ways to protect and increase the number of nature reserves in the Netherlands and elsewhere.
To je območje, ki je pritegnilo številne gozdarje in naravovarstvenike, ki so se prišli učit o tem, kako varovati naravne rezervate na Nizozemskem in drugje in povečati njihovo število.
With the project ‘A breeding place for art’, the Weerribben has become an attraction for many artists as well.A total of 15 enthusiastic artists were involved in the creation of an ‘art route’ through the region.
S projektom „Mesto za gojenje umetnosti“ je Weerribben postal privlačen tudi za številne umetnike.Pri ustvarjanju „umetnostne poti“ skozi regijo je sodelovalo petnajst navdušenih umetnikov.
Unlike an art exhibition where artists display their work in their art studios, the landscape artists were challenged to work with nature and to make an on-site object using the Weerribben reed.
V nasprotju z umetnostno razstavo, kjer umetniki razstavijo svoje delo v umetnostnih ateljejih, so bili krajinski umetniki prisiljeni delati z naravo in z uporabo trstja v Weerribbenu ustvariti objekte na mestu samem.
The aim of the artists’ reed-work was to provide suitable habitats in order to encourage the region’s wildlife, both animals and plants, in the Weerribben.
Cilj umetnostnega dela s trstjem je bil zagotoviti primerno življenjsko okolje za prosto živeče živalstvo in rastlinstvo iz Weerribbenu.
In this way, the art route created a new perspective for the many hikers, cyclists and canoeists who passed through the Weerribben between May and October 2005.
Na ta način je umetnostna pot ustvarila nove zorne kote za številne pohodnike, kolesarje in kanuiste, ki so potovali skozi Weerribben v času od maja do oktobra 2005.
Participative landscape art: the concept
Koncept participativne krajinske umetnosti
Land art has become a popular concept in several European regions over recent years.
Krajinska umetnost je postala v zadnjih letih priljubljen koncept v več evropskih regijah.
It provides a region with ‘art
Ustvarja „umetnostne
Nature development affects a lot of people living in the area in many different ways, and opinions on the subject vary.
Razvoj narave vpliva na veliko različnih načinov na ljudi, ki živijo na tem območju, mnenja o tem vprašanju pa so različna.
In this respect, using art to involve local inhabitants and tourists in nature development in the Weerribben was
V tem smislu je veljala uporaba umetnosti pri vključitvi lokalnih prebivalcev in turistov v razvoj narave v Weerribbenu za inovativen pristop.
The presence of the artists has really created much local interest. The artists invited people to discuss their ideas about this particular environment.
KAR NAJBOLJŠEIZKORIŠČANJE NARAVNIHIN KULTURNIH VIROV se je počasi zrasla z ustvarjeno umetnostjo.
A ‘wagtail bird’nesting in one of the works of art proved that animals and plants in the park were working together.
Gnezdenje ptice tresorepke v enem od umetnostnih del je bilo dokaz, da živali in rastline v parku sodelujejo.
This is another aspect of the project’s success.
Tudi to je bil eden od vidikov uspeha projekta.
In order to make sure that this attention had the desired effect, the two artists contacted various people and organisations in the area beforehand.
nost zaželen učinek, sta oba umetnika že prej stopila v stik s številnimi ljudmi in organizacijami na območju.
These included conservationists, artists, teachers and local authorities who were all involved in the making of a documentary about the different stages of the project.
Med njimi so bili naravovarstveniki, umetniki, učitelji in lokalne oblasti, vsi, ki so bili udeleženi pri pripravljanju dokumentarne oddaje o različnih stopnjah projekta.
Apparently, this approach really helped to improve relationships between the interested parties in the area and also stimulated lively debate about life and land use in and around the park.The documentary is shown non-stop in the visitors’ centre in the park. Other publications that were part of the project, such as a comprehensive catalogue and a brochure, also play their part in publicising the purpose and use of ‘a breeding place for art’.
Očitno je ta pristop res pomagal izboljšati odnose med zainteresiranimi stranmi na območju in je spodbudil tudi živahno razpravo o življenju in izrabi zemljišča v parku in okrog njega.Dokumentarna oddaja se neprekinjeno predvaja v centru za obiskovalce v parku.Tudi druge publikacije, ki so bile del projekta, na primer izčrpen katalog in brošura, so imele vlogo pri predstavljanju namena in uporabe „Mesta za gojenje umetnosti“.
e project in operation
Projekt v delovanju
‘A breeding place for art’
„Mesto za gojenje umetnosti“
Visitors started the art route at several points, where route descriptions and a booklet about the art route were provided.
Obiskovalci so lahko začeli z obiskom umetnostne poti na več točkah, kjer so bili na voljo opisi poti in knjižica o umetnostni poti.
At the visitors’ centre of SBB (the government’s forestry organisation) in Ossenzijl, an exhibition provided information about the local thatch industry and its symbiosis with animals and there butter y.The art route was open during the whole summer of 2005, with several artists invited for a ‘resident artists’ programme, in a barn in Kalenberg.
Na razstavi v centru za obiskovalce vladne gozdarske organizacije SBB v Ossenzijlu so bile na voljo informacije o lokalni slamarski industriji in njenem sožitju z živalmi in ognjenim metuljem.Umetnostna pot je bila odprta vse poletje 2005 in več umetnikov je bilo povabljenih v skedenj v Kalenbergu v program „stalnih umetnikov“.
The cycle and canoe route passed by this barn-studio and, at certain times, tourists were able to visit the‘breeding place’.A video has been made about the whole development process.
Mimo tega ateljeja v skednju vodita kolesarska in kanuistična pot in ob določenih urah so lahko turisti obiskali „Mesto umetnosti“.
It includes interviews with the SBB, with the artists about the philosophy behind the project, and the responses of visitors.
Pripravljen je bil video o celotnem procesu razvoja, ki vključuje pogovore z SBB, z umetniki o lozoji projekta in odzive obiskovalcev, predvaja pa se v centru za obiskovalce, čeprav se je projekt že končal.
Being involved in the Weerribben
Sodelovanje v Weerribbenu
Contact person: Tea Snippe Address: Postbus 162 8330 AD Steenwijk Tel. (31-521) 53 87 44Fax (31-521) 53 85 09E-mail: t.snippe@steenwijkerland.nl Websites: www.leaderplus.nl/nederlands/gebieden/ nwoverijssel/index.php?Noordwest+ Overijssel www.kunstbroedplaats.nl
Ime kontaktne osebe: Tea Snippe Naslov: Postbus 162, 8330 AD Steenwijk Tel. (31-521) 53 87 44Faks (31-521) 53 85 09E-pošta: t.snippe@steenwijkerland.nl Spletni strani: www.leaderplus.nl/nederlands/ gebieden/nwoverijssel/index. php?Noordwest+Overijssel www.kunstbroedplaats.nl
The art route also provided schoolchildren with an opportunity to become better acquainted with the Weerribben.
Umetnostna pot je dala možnost tudi šolarjem, da so se bolje seznanili z Weerribbenom.
One way was to have the children develop an idea for a breeding place themselves and then to put the idea into practice with the help of the resident artists.
Eden od načinov je bil tak, da so otroci sami razvili zamisel za Mesto za gojenje umetnosti in jo nato udejanjili v praksi s pomočjo tam stanujočih umetnikov.
This allowed the children to work in the national park for a significant length of time, and to experience the way in which art and nature can work together.
Različni pogledi in svež pristop do narave ter uporaba naravnih materialov so dali navdih za številne objave na regionalni in nacionalni ravni. Vsakdo je lahko videl lepoto narave, ki
One of the Mecklenburg’s many manor houses now open for business.
Eno od številnih podeželskih posestev v Mecklenburgu je zdaj pripravljeno za poslovanje.
Agrotourism in Mecklenburg: holidays on the historical country estate
Kmečki turizem v Mecklenburgu: počitnice na zgodovinskem podeželskem posestvu