natgillin/translations-raw huggingface dataset:
poudarja, da so pri prehodu kinematografije v digitalno dobo potrebne javne in zasebne naložbe;
Emphasises the need for public and private investment as the cinema sector enters the digital era;
poudarja, da bi bilo treba za lajšanje procesa digitalizacije zagotoviti prožno in raznoliko financiranje, tako javno kot zasebno, na lokalni, regionalni, nacionalni in evropski ravni, zlasti v podporo malim in neodvisnim kinematografom, v okviru, ki bi določal prednostne naloge in dopolnjevanje med različnimi ravnmi ter opredelil merljive cilje;
Stresses that in order to ease the digitisation process, flexible and diversified financing, both public and private, should be made available at local, regional, national and European level, particularly to support small and independent cinemas, within a framework that sets out the priorities and complementarities at the various levels and establishes quantifiable objectives;
poudarja, da so evropski strukturni skladi sicer pomemben vir financiranja projektov digitalizacije in pobud za usposabljanje, vendar bi bilo treba v okviru novega večletnega finančnega okvira za obdobje 2014–2020 povečati sredstva, skrajšati čakalne dobe in poenostaviti prijave;
Underlines that although the European Structural Funds are a significant source of financing for digitisation projects and training initiatives, funding should be increased, the waiting times shortened and the applications simplified as part of the new Multiannual Financial Framework 2014-2020;
priporoča, naj financiranje projektov digitalizacije iz evropskih strukturnih skladov vključuje tudi zaveze kinematografov, ki prejmejo to podporo, da bodo predvajali evropske filme;
Recommends that the financing of digitisation projects by the European Structural Funds include commitments by supported cinemas to screen European films;
nadalje poziva k mehanizmom za izboljšanje podpore prek programov Evropskega sklada za regionalni razvoj;
Furthermore, calls for mechanisms to improve support through European Regional Development Fund programmes;
poziva Komisijo in države članice, naj na področju financiranja digitalizacije razširijo najboljšo prakso, vključno s tržnimi rešitvami, kot je združevanje malih kinematografov v mreže za sklepanje kolektivnih pogodb z distributerji; poziva Komisijo, države članice in regije, naj javna sredstva za prehod na digitalno kinematografijo namenijo kinematografom, ki svojih finančnih potreb ne morejo pokriti iz drugih virov, ter naj poskrbijo, da bo prehodno obdobje čim krajše;
Calls on the Commission and Member States to disseminate best practices in the area of the financing of digitisation, including market-based solutions such as small cinemas forming networks to conclude collective agreements with distributors; calls on the Commission, Member States and regions to focus public funding for digital conversion on cinemas which cannot cover their financing needs from other sources, and to keep the transitional period as short as possible;
poziva Komisijo, naj skrbno preuči posledice prehoda s tradicionalne kinematografije na digitalno za vse udeležene in zainteresirane strani; poudarja, da bi morale države članice pri pripravi svojih nacionalnih programov digitalizacije upoštevati stroške malih lokalnih kinematografov ter morebitne priložnosti ali posledice za trg dela;
Calls on the Commission to carefully examine the implications which the transition from traditional to digital cinema has for all the stakeholders and parties involved; stresses that Member States should take into account the costs for small local cinemas, and possible opportunities/consequences for the labour market, when drawing up their national digitisation programmes;
meni, da bi bilo treba digitalno opremiti kinematografe na manj poseljenih območjih z redkimi kulturnimi dogodki, ki ne zmorejo pokriti stroškov prehoda na digitalno tehnologijo;
Considers that cinemas located in less well populated areas, where cultural events are rare, and which are not in a position to pay the costs of converting to digital, should be fitted out with digital equipment;
poudarja, da so na voljo preferencialna posojila Evropske investicijske banke za kinematografe, ki se želijo digitalizirati, pa nimajo ustreznih lastnih sredstev;
Underlines the availability of preferential loans provided by the European Investment Bank for cinemas which are pursuing digitisation and do not have proper funding;
poudarja vlogo javno-zasebnih partnerstev kot načina za financiranje digitalizacije kinematografov in da bi bilo treba ta partnerstva spodbujati;
Underlines the role of public-private partnerships as a method for financing the digitisation of cinemas and stresses that they should be promoted;
poudarja, da javno ali zasebno financiranje digitalizacije kinematografov ne sme ogroziti neodvisnosti kinematografov ter povzročiti zmanjšanja programske raznolikosti in tržnega deleža evropskih filmov;
Stresses that publicly or privately funded digitisation of cinemas must not jeopardise the independence of film theatres and will not lead to a reduction in the diversity of programming and in the market share of European films;
poziva Komisijo, naj to vprašanje reši tudi glede na podaljšanje uporabe Sporočila o kinematografiji;
Calls on the Commission to resolve this issue in the light, also, of the prolongation of the application of the Cinema Communication;
v zvezi s tem ugotavlja, da je treba nad vsemi javnimi sredstvi za digitalizacijo kinematografov in filmov izvajati enak nadzor kot nad državno pomočjo drugim sektorjem;
Notes in this respect that any public funds provided for the digitisation of cinema and film should be subject to the same scrutiny as state aid to other sectors;
spodbuja sodelovanje med kinooperaterji, lokalnimi organi, prizorišči, filmskimi klubi ali društvi in filmskimi festivali za kar najboljše izkoriščanje digitalnih tehnologij, ki so bile zagotovljene s sredstvi EU;
Encourages cooperation between cinema operators, local authorities, venues, film clubs/societies and film festivals in order to best make use of digital technologies provided for by funding from EU avenues;
meni, da bi bilo treba izvajati mehanizme, ki bi povezovali distributerje in predvajalce, ter poziva k tesnejšemu sodelovanju med majhnimi kinematografi, da bi čim bolj zmanjšali stroške naložb v digitalno opremo;
Considers that mechanisms integrating distributors and exhibitors should be implemented and calls for strengthened cooperation between small cinemas to minimise the costs of investment in digital equipment;
spodbuja države članice, naj povečajo sredstva za raziskave, povezane z digitalno kinematografsko tehnologijo, zlasti s kanali za širjenje filmskega gradiva in z metodami za njegovo stiskanje, tako da bo vzpostavljeno omrežje interaktivno in bo zagotavljalo kakovostno predvajanje ter hkrati omogočalo enostavnejšo uporabo stisnjenih in raztegnjenih slik;
Encourages Member States to increase funding for research connected with digital cinema technology, and particularly channels for disseminating film material and the methods for compressing it, so that the network established will be interactive and offer high quality projection and at the same time allow easier use of compressed and decompressed images;
poudarja pomen ustreznih naložb v raziskave, financiranje in usposabljanje strokovnjakov, ki že delajo na tem področju, da se bodo lahko prilagodili uporabi novih tehnologij ter da se zagotovita socialna vključenost in varnost zaposlitve;
Highlights the importance of appropriate investment in research, funding and training for professionals already working in this field to enable them to adapt to the use of new technologies and to guarantee social inclusion and employment protection;
poudarja, da je treba izvajati programe usposabljanja za strokovnjake v avdiovizualnem sektorju, da se bodo lahko naučili uporabljati digitalno tehnologijo in se prilagodili novim poslovnim modelom, ter priznava uspeh pobud, ki so bile na tem področju že sprejete; meni, da se mora EU zavezati podpiranju in financiranju teh programov;
Underlines the need to implement training programmes targeted at professionals in the audiovisual sector allowing them to learn to use digital technologies and adapt to new business models, and acknowledges the success of the initiatives already under way in that field; considers that the EU must pledge support and funding for these programmes;
priznava, da je tako imenovani komercialni model pristojbine za virtualni film (VFP) za financiranje namestitve digitalne opreme primeren za velike mreže kinematografov, ni pa najboljša rešitev za male in neodvisne kinematografe, ki imajo omejena sredstva za naložbe, ter da lahko zato finančni model VFP tudi ovira kulturno raznolikost;
Acknowledges that the so-called VPF commercial model for financing the installation of digital equipment is suitable for large cinema networks but is not an optimal solution for small and independent cinemas, which are restrained by the lack of investment funds, and that therefore the VPF financing model may also hamper cultural diversity;
poudarja, da model pristojbine za virtualni film izključuje male, podeželske in umetniške kinematografe, ki večinoma prikazujejo evropske vsebine, ter da bodo za ohranitev in okrepitev kulturne raznolikosti ter za ohranitev konkurenčnosti morda potrebni alternativni modeli financiranja, vključno z državno podporo;
Highlights the fact that many small, rural and art-house cinemas which mainly show European content are excluded from the VPF model and that alternative financing models, including public support, may be necessary to maintain and strengthen cultural diversity and to safeguard competitiveness;
zato poziva, naj se finančni modeli pristojbine za virtualni film prilagodijo zahtevam in posebnostim neodvisnih programskih in umetniških kinematografov;
Calls therefore for VPF financing models to be adjusted in accordance with the requirements and specificities of independent programme and art film cinemas;
opozarja, da bi bilo treba spodbujati finančne modele, ki neodvisnim kinematografom omogočajo dostop do plačil pristojbine za virtualni film vseh distributerjev; priporoča ustanovitev nakupnih organizacij, ki bi vsem kinematografom omogočile prednosti skupinskih tarif;
Notes that financing models should be promoted which enable independent cinemas to gain access to VPF payments from all distributors; recommends organising purchasing cooperatives in order to make the advantage of group rates available to all cinemas;
poudarja, da filmska vzgoja prispeva k razvoju kritičnega duha in splošne izobrazbe mladih, saj omogoča povezovanje poznavanja dediščine in ozaveščanje o zapletenosti sveta podob in zvokov;
Underlines that film education helps develop an analytical mind and train young people generally, as it enables learning about heritage to be combined with becoming aware of the complexity of the universe of images and sounds;
poudarja, da filmska vzgoja, vključno s kinematografsko kulturo in jezikom, državljanom omogoča kritično razumevanje različnih medijev ter tako povečuje in krepi vire in priložnosti, ki jih zagotavlja digitalna pismenost;
Underlines that education through film, including cinema culture and language, allows citizens to have a critical understanding of different forms of media, thereby increasing and enhancing the resources and opportunities offered by ‘digital literacy’;
poudarja, da bi morala filmska vzgoja državljanom omogočiti, da bi pridobili širše znanje, cenili filmsko umetnost ter razmišljali o vrednotah, ki jih filmi sporočajo;
Underlines that film education should enable citizens to gain wider knowledge, to appreciate the art of film and to reflect on the values that films convey;
poziva države članice, naj filmsko vzgojo vključijo v nacionalne izobraževalne programe;
Calls on Member States to include film education in their national education programmes;
poudarja pomen filmske vzgoje v neodvisnih kinematografih na vseh stopnjah izobraževanja, da bi vzgojili občinstvo za evropske filme;
Highlights the importance of film education in independent cinemas at all stages of education in order to develop audiences for European films;
spodbuja države članice, naj podpirajo izobraževalne programe v filmskih šolah in podobnih ustanovah, ki obravnavajo možnosti izdelave filmov z digitalno tehnologijo ter digitalno produkcijo in distribucijo filmov;
Encourages Member States to support educational programmes in film schools and other relevant institutions on the possibilities of making films using digital technology and on digital film production and distribution;
poziva h kakovostnemu in sodobnemu usposabljanju tako za tehnično kot vodstveno osebje, ki se zagotovi s pomočjo financiranja EU ali prek uspešnih prosilcev za financiranje, da se zagotovi optimalna uporaba digitalnih tehnologij, ki jih je financirala EU;
Calls for high quality and up-to-date training for both technical and managerial staff to be provided for by either EU funding avenues or successful applicants to funding avenues, in order to ensure optimum use of EU-funded digital technologies;
poziva države članice, naj razvijejo in spodbujajo posebne programe in dogodke, na primer v okviru filmskih festivalov, za izobrazbo in izoblikovanje okusa mladih evropskih državljanov za evropske filme;
Calls on Member States to develop and promote special programmes and events, for example in the framework of film festivals, to develop young European citizens' education and taste for European films;
priznava, da program MEDIA že več kot dve desetletji podpira evropsko avdiovizualno industrijo ter je prispeval k razvoju, distribuciji in promociji evropskih filmov ter k usposabljanju kinooperaterjev na področju digitalne tehnike;
Acknowledges that the MEDIA Programme has supported the European audiovisual industry for more than two decades and has contributed to the development, distribution and promotion of European films, and to the training of cinema operators in digital techniques;
v zvezi s tem pozdravlja dejstvo, da se je predsednik Komisije Barroso 18. marca 2011 zavezal za ohranitev in nadaljnjo krepitev programa MEDIA;
Welcomes, in this context, the commitment given by Mr Barroso on 18 March 2011 to maintain and further strengthen the MEDIA programme;
poudarja pomen programa MEDIA pri digitalizaciji kinematografov in poziva k ohranitvi obstoječih finančnih postavk ter k povečanju sredstev v naslednji generaciji programa za soočanje z izzivi, ki jih prinašajo digitalne tehnologije;
Stresses the importance of the MEDIA Programme in the digitisation of cinemas and calls for existing funding lines to be maintained, as well as for increased funds in the next generation of the programme to tackle the challenges brought by digital technologies;
poziva Komisijo, naj sredstva novega programa MEDIA za obdobje po letu 2013 in Evropskega sklada za regionalni razvoj nameni za podporo digitalizaciji kinematografov, ki prikazujejo evropske vsebine;
Calls on the Commission to earmark funding under the new MEDIA programme for the post-2013 period and from the European Fund for Regional Development (EFRD) to support the digitisation of cinemas showing European content;
poudarja, da je treba v naslednji generaciji programa predvideti ukrepe, ki bodo ustvarili znatno dodano vrednost in prispevali k celotni strategiji Evropa 2020;
Points out that it is necessary for the next generation of the programme to envisage measures generating substantial added value and contributing to the overall ‘Europe 2020’ strategy;
poudarja, da je treba v okviru naslednje generacije programa MEDIA uvesti nove pobude za izboljšanje ter spodbujanje prevodov, sinhronizacije, podnaslavljanja in nadnaslavljanja, da bi podprli neodvisne kinematografe, usmerjene v evropske filme;
Underlines that new initiatives must be introduced as part of the next generation of the MEDIA programme to improve and promote translation, dubbing, subtitling and surtitling, in order to support independent cinemas dedicated to European films;
opozarja, da bi se morala z naložbami v novo kinematografsko tehnologijo in s prehodom na digitalno tehniko izboljšati dostopnost za invalide, zlasti z uvedbo tehnologije za zvočni opis;
Recalls that the investment in new cinema technology and the transition to digital should improve accessibility for disabled people, particularly through the introduction of audio description;
zato poziva k vključitvi postavke „digitalni program“ v program MEDIA, da se poenostavi prehod na digitalne oblike;
Calls therefore for a ‘digital programme heading’ to be included in the MEDIA programme in order to simplify conversion to digital formats;
opozarja na pomen še trajajočega programa MEDIA kot orodja, ki strokovnjakom v tem sektorju omogoča, da nadgradijo svoje znanje ter se tako prilagodijo spremenljivim tehnologijam in produkcijskim metodam;
Draws attention to the importance of the MEDIA continuous training programme as a tool for professionals in the sector to upgrade their skills so as to adapt to changing technologies and production methods;
poudarja dodano vrednost uvodnega programa usposabljanja MEDIA, ki lajša mobilnost študentov filmske umetnosti v Evropi, kar vodi k boljšemu vključevanju v poklicni sektor ter k močnejšemu evropskemu sodelovanju in koprodukcijam; v zvezi s tem poziva k povečanju te finančne postavke;
Points out the added value of the MEDIA initial training programme which facilitates film students' mobility in Europe, leading to better integration in the professional sector and to increased European cooperation and coproductions; in this light calls for this funding line to be increased;
priporoča, naj se prek programa MEDIA v okviru prizadevanj za podporo vseevropske distribucije vlaga v video na zahtevo, spodbuja nadnacionalno sodelovanje med platformami in nagrajuje pobude za čezmejno sodelovanje;
Recommends that the MEDIA programme invest in VOD as part of its efforts to support pan-European distribution, promote transnational collaboration between platforms and reward initiatives involving cross-border collaboration;
poudarja dodano vrednost evropske podpore, zlasti pri čezmejnemu predvajanju filmov in preprečevanju nadaljnje razdrobljenosti evropskega kinematografskega trga;
Emphasises the added value of European support, particularly with regard to cross-border screening of films and in preventing further fragmentation of the European cinema market;
ugotavlja, da je digitalna tehnologija vplivala na način distribucije filmov prek številnih platform in naprav v obliki linearnih ali nelinearnih storitev;
Notes that digital technologies have affected the way in which films are distributed over a variety of platforms and devices either through linear or non-linear services;
priznava, da se bodo z digitalno infrastrukturo po začetni naložbi v proces digitalizacije občutno zmanjšali stroški distribucije, mali neodvisni filmski distributerji pa bodo lahko svoje filme predvajali v širšem obsegu in s tem dosegli večje občinstvo;
Recognises that, following the initial outlay on the digitisation process, digital infrastructure will thereafter reduce distribution costs considerably, and allow small independent film distributors to give wider releases to their films and thereby reach larger audiences;
priznava, da je uspešen prehod na digitalno tehnologijo neločljivo povezan z dostopom do hitre širokopasovne povezave, saj ta omogoča distribucijo digitalnih vsebin in nadgradnjo digitalne programske opreme ter opravlja številne druge bistvene funkcije, in zato poziva institucije, ki želijo nadgradnjo na digitalno tehnologijo, naj upoštevajo to medsebojno odvisnost;
Recognises that the successful conversion to digital technology is inextricably linked to access to high-speed broadband, as a means of distribution of digital content, the upgrading of digital software and many other essential functions, and therefore calls on institutions which wish to upgrade to digital technologies to make provision for the dependent nature of this relationship;
ugotavlja, da je digitalna tehnologija omogočila hiter razvoj kratkih filmov in videoposnetkov ter nove vzorce distribucije in prožne načine predvajanja filmov, na primer predvajanje na različnih platformah takoj po premiernem predvajanju v kinematografih;
Notes that digital technologies have fostered the rapid development of short films and video and that they allow new distribution patterns and flexible releases such as the possibility to release a film on a variety of platforms soon after theatrical release;
poleg tega meni, da je treba ohraniti ekskluzivno obdobje izrabe za kinematografe, da bi zaščitili raznolikost kinematografov;
Considers furthermore that the exclusive exploitation period for film theatres should be retained to protect the diversity of cinema;
poudarja, da je šibka točka v procesu digitalizacije v tem, da distributerji, zlasti neodvisni distributerji, ki ne prejemajo zadostne podpore za digitalno distribucijo, ne morejo slediti temu procesu;
Points out that one weak point in the digitisation process is the fact that distributors, and especially independent distributors, receive insufficient support for digital distribution and are therefore unable to keep up with that process;
spodbuja države članice, naj finančno pomoč osredotočijo na distribucijo;
Encourages Member States to focus financial aid on distribution;
spodbuja evropske institucije k izvajanju pripravljalnih ukrepov in pilotnih projektov, namenjenih preizkušanju novih poslovnih modelov, ki bi lahko izboljšali kroženje evropskih avdiovizualnih del;
Encourages European institutions to implement preparatory actions and pilot projects aiming at testing new business models that could improve the circulation of European audiovisual works;
spodbuja države članice, naj pripravijo strategijo za vzpostavitev digitalne kinematografske mreže s filmskimi studii, kinematografi z enim platnom in multipleksi ter objekti za neposredne prenose ter naj uporabijo vse kanale za prenos podatkov, vključno s sateliti;
Encourages Member States to devise a strategy for establishing a digital cinema network including film studios, single-screen and multiplex cinemas and live screening facilities, using all data transmission channels, including satellite;
poudarja, da mora razvoj novih načinov spletnega izkoriščanja na evropski ravni spremljati pošteno plačilo za avtorje avdiovizualnih del, in sicer sorazmerno s prihodki, ki jih prinašajo te nove oblike in storitve;
Underlines the need to accompany the development of new online exploitation methods with the implementation, at European level, of fair remuneration for audiovisual authors that is proportional to the revenues generated by these new formats and services;
spodbuja države članice, naj zagotovijo kar najširšo vključenost evropskih filmov v sporede svojih kinematografov, da se okrepi njihovo kroženje in promocija po EU ter da bodo državljani EU lahko uživali v bogastvu in raznolikosti teh filmov prek čim večjega števila platform;
Encourages Member States to ensure the widest possible inclusion of European films in the screening programmes of their cinemas in order to enhance their circulation and promotion across the EU, and to enable EU citizens to appreciate the richness and diversity of such films, through the widest variety of platforms;
meni, da je treba spodbujati in podpirati evropske koprodukcije ter da lahko povečanje takih produkcij privede do širše distribucije evropskih filmov po vsej celini;
Suggests that there is a need to promote and support European coproductions and that the increase in such productions may result in the wider distribution of European films across the continent;
podpira dejavnosti mrež kinematografov, na primer Europa Cinemas, ki spodbujajo evropski film po vsem svetu, in sicer tako, da finančno in operativno pomagajo kinematografom, ki predvajajo večje število evropskih filmov;
Supports the activities of cinema networks, such as Europa Cinemas, that promote European film worldwide by financially and operationally helping cinemas which exhibit a significant number of European films;