natgillin/translations-raw huggingface dataset:
poudarja, kako pomembna je družbena in kulturna vloga kinematografov, ki jo je treba ohraniti, zlasti na podeželju in oddaljenih območjih;
Emphasises the importance of the social and cultural role played by cinemas, one which must be preserved, particularly in rural and remote areas;
ugotavlja, da potencial evropske filmske industrije stalno raste, vendar je treba postopno povečati delež evropske produkcije, ki se prikazuje v kinematografih;
Notes that the potential of the European film industry is constantly growing, but the proportion of European productions showing in cinemas must be progressively increased;
poudarja, da mali komercialni in nekomercialni kinematografi z uvrstitvijo evropske produkcije v svoj spored pomembno prispevajo k ohranjanju kulturne dediščine;
Points out that small commercial and non-commercial cinemas make a vital contribution to preserving cultural heritage by including European productions in their programmes;
poudarja, da je predvajanje filmov v procesu spreminjanja, saj narašča število multipleksov ter se znatno zmanjšuje število platen v majhnih mestih ter starih mestnih središčih;
Points out that film screening is in the process of changing, with growing numbers of multiplexes and a marked reduction in the number of screens in small towns and old city centres;
meni, da je treba ohraniti raznovrstnost kinematografije EU;
Considers that the diversity of the EU's cinematic landscape must be preserved;
ugotavlja, da sta deloma zaradi večjega pomena, ki se daje filmskim uspešnicam, filmska raznolikost v Evropi in programska svoboda kinematografov ogroženi, zato je strah pred nepovratno tržno koncentracijo na področju kinematografije upravičen;
Observes that, partly because of the primacy assigned to blockbuster films, the diversity of films in Europe and cinemas' freedom to decide on their programming are endangered and as a result there is reason to fear an irreversible market concentration in the field of cinema;
zato poudarja, da je treba pri digitalizaciji ohraniti programsko raznolikost in kulturno infrastrukturo na podeželju in v mestih v vseh državah EU ter da digitalizacija ne sme povzročiti zaprtja malih in umetniških kinematografov v prid multipleksov;
Emphasises therefore that the digital roll-out must preserve programming diversity and cultural facilities for rural and urban areas in all EU countries and must not result in the closure of small and art-house cinemas to the benefit of multiplexes;
poudarja, da digitalizacija omogoča cenejšo distribucijo kulturnih vsebin po celotnem notranjem trgu ter zagotavlja konkurenčnost in raznolikost evropske kinematografije;
Points out that digitisation makes it possible to distribute cultural contents throughout the internal market more cheaply, and safeguards the competitiveness and diversity of European cinema;
ugotavlja, da je vse večji pritisk, da morajo biti vsi filmi združljivi z digitalno projekcijo, nekateri evropski kinematografi pa so že postali popolnoma digitalni;
Notes that there is increasing pressure for all films to be compatible with digital projection, while some European cinemas have already converted to 100% digital;
zaskrbljeno ugotavlja, da je obstoj mnogih neodvisnih kinematografov ogrožen zaradi visokih stroškov prehoda na digitalno tehnologijo ter konkurence kinematografov, ki prikazujejo predvsem filme iz ZDA;
Notes with concern that the survival of many independent cinemas is being endangered by the high costs of converting to digital technology and competition from cinemas which primarily show films from the USA;
ugotavlja, da imajo neodvisni distributerji težave zaradi dvojnih stroškov, ki jih morajo plačevati v prehodnem obdobju, kar je sprožilo verižno reakcijo v celotni kinematografski panogi;
Notes that independent distributors are having problems coping with the dual costs they must meet in the transition period, which is having a ripple effect throughout the cinema industry;
ugotavlja, da je izdajanje dovoljenj za več ozemelj ali vso Evropo nujno za sprostitev potenciala trgov za spletno distribucijo filmov, za spodbujanje večje razširjenosti evropskih filmov, za boljši dostop potrošnikov do evropskih filmov ter za dostopnost evropskih filmov na platformah videa na zahtevo;
Notes that multi-territory or pan-European licensing is crucial for unlocking the potential of online distribution film markets, for promoting a wider circulation of European films, for better consumer access to European films and for availability of European films on Video On Demand (VOD) platforms;
ugotavlja, da obstajajo številne sheme EU, s katerimi se lahko podpre prehod filmske industrije v digitalno dobo, na primer program MEDIA;
Notes that a number of EU schemes exist that have the potential to support the transition of the film industry to the digital age, such as the MEDIA programme;
ugotavlja, da se evropska kinematografija zaradi nezadostnega financiranja premalo promovira na mednarodni ravni,
Notes that, as a result of inadequate funding, European cinema is being insufficiently promoted internationally;
poudarja, da so pri ustvarjanju filmskih vsebin pomembne vse stopnje produkcijske verige ter da je treba podpreti vse te stopnje;
Stresses the importance of all the stages in the production chain in creating cinema content and the need to support all those stages;
poudarja, da multimedijska tehnologija izpodriva druge oblike komuniciranja in da je zato treba ljudi naučiti, kako jo sprejemati;
Points out that multimedia technology is supplanting other forms of communication and that there is therefore a need to teach people how to receive it;
poziva države članice in Komisijo, naj finančno podprejo popolno digitalizacijo v smislu opreme kinematografov v EU, naj oblikujejo evropske in nacionalne programe v podporo čim hitrejšemu prehodu na digitalno tehnologijo ter spodbujajo kroženje evropskih filmov v avdiovizualnem sektorju, ki je globalno zelo konkurenčen;
Calls on the Member States and the Commission to financially support the full digitisation in terms of equipment of EU cinemas and to establish European and national programmes to support the transition to digital technologies as quickly as possible and encourage the circulation of European films within an audiovisual sector that is globally very competitive;
v zvezi s tem poudarja, da je bi bilo treba programe prožno prilagajati zahtevam prakse;
Stresses in this respect that the programmes should be flexibly aligned with practical requirements;
poudarja, da bi moral biti cilj digitalne kinematografije izboljšanje kakovosti slike in zvoka (če je ločljivost vsaj 2K), da bo mogoče bolj raznoliko in prožno načrtovati dogodke v živo, pa tudi posnete oddaje ter izobraževalne, kulturne in športne dogodke, pri tem pa uporabiti širok nabor inovativnih tehnologij, ki bodo še v prihodnje pritegovale občinstvo;
Highlights that digital cinema should aim at improving the quality of picture and sound (when a 2K resolution minimum is implemented), in order to allow a more diversified and flexible programming of live events, and also of recorded broadcasts and of educational, cultural and sporting events, while enabling the use of a wide range of innovative technologies that will continue to attract audiences into the future;
poudarja, da je treba podpirati in spodbujati produkcije EU, ter priznava, da EU pomembno prispeva k digitalni ustvarjalnosti in inovacijam, kot je tehnologija 3D;
Underlines that it is essential to support and promote EU productions and recognises that the EU contributes significantly to digital creativity and innovation such as 3D;
priznava, da je digitalizacija kinematografov sicer glavna prednostna naloga, vendar je treba upoštevati tudi stalen tehnološki razvoj, saj bodo srednje- in dolgoročno morda potrebne nadaljnje prilagoditve novim formatom predvajanja;
Acknowledges that although the digitisation of cinemas is a key priority, a consistent technological development should be taken into account, since in the medium and long term it may be necessary to further adapt to newer screening formats;
opozarja, da bi moral biti cilj evropskega prehoda na digitalno kinematografijo ustvariti nove priložnosti za distribucijo evropskih filmov, ohraniti raznolikost evropske produkcije in izboljšati njihovo dostopnost za evropske državljane;
Recalls that the European shift to digital cinema should aim at creating new opportunities for the distribution of European films, maintaining the diversity of European production and enhancing its accessibility for European citizens;
poudarja, da je lahko video na zahtevo priložnost za evropske filmske družbe, da dosežejo širše občinstvo;
Underlines that VOD may provide European film companies with the opportunity of reaching larger audiences;
priznava, da so ustvarjanje in inovacije v splošnem interesu, ter vztraja, naj se da prednost in podpora naložbam v programe, da bi v omrežjih spodbudili ponudbo kakovostnih vsebin;
Acknowledges that creation and innovation are matters of general interest, and urges that investing in programmes should be prioritised and supported in order to stimulate the supply of good quality content available on the networks;
poziva male in neodvisne kinematografe, naj v celoti izkoristijo svoj komercialni potencial z diverzifikacijo produktov ter tako dodajo vrednost svojim storitvam in izkoristijo svojo tržno nišo;
Urges small and independent cinemas to take every advantage of their commercial potential, through product diversification, adding value to the service they provide and utilising the niche market they occupy;
meni, da je digitalizacija zelo pomembna priložnost za spodbujanje prisotnosti regionalnih uradnih jezikov v kinematografih in za učenje tujih jezikov;
Believes that digitisation is a very important opportunity to promote the presence of official regional languages in cinemas as well as foreign language learning;
priznava, da so lahko visoki stroški digitalizacije, ki bo zagotovila dolgoročno komercialno korist, veliko breme za številne majhne in neodvisne kinematografe ter umetniške kinematografe, katerih program je širši od prevladujočih trendov in ki v veliki meri prikazujejo evropske filme;
Acknowledges that the high costs of digitisation, which will provide long-term commercial benefit, can nevertheless create a significant burden for many small and independent cinemas and film theatres whose programming goes beyond the main stream, with a high proportion of European films;
v zvezi s tem priznava, da je treba te kinematografe zaradi grožnje pred zaprtjem oziroma za preprečitev zaprtja posebej prednostno podpreti;
Acknowledges in this respect that in the face of closure, or in order to prevent it, such cinemas and film theatres require special and priority support;
zato poziva Komisijo, naj predlaga posebne ukrepe za zagotavljanje podpore tem kinematografom;
Calls therefore on the Commission to propose specific measures to provide support for these cinemas;
ugotavlja, da kinematografi nosijo najtežje breme stroškov digitalizacije in da je javno financiranje še zlasti pomembno za majhne in neodvisne kinematografe, saj digitalizacija obsega vzpostavitev osnovne infrastrukture, ki je pomembna za občinstvo in bo omogočila boljše kulturne storitve kot doslej ne glede na kraj bivališča;
Observes that cinemas bear the heaviest burden in relation to the costs of digitisation and that, because this entails the creation of basic infrastructure which is important to the public and will facilitate better cultural services than hitherto, irrespective of place of residence, public funding is important, particularly for small and independent cinemas;
priznava, da se v kinematografih ljudje srečujejo in si izmenjujejo stališča, ter poudarja, da bi izginotje malih in neodvisnih kinematografov, zlasti v majhnih mestih in manj razvitih regijah, lahko omejilo dostop do evropskih kulturnih virov, kulture in kulturnega dialoga;
Recognises that cinemas are places where people meet and exchange views, and stresses that the disappearance of small and independent cinemas, in particular in small towns and less developed regions, limits access to European cultural resources, culture and cultural dialogue;
poudarja, da problematika malih kinematografov velja predvsem za podeželje, kjer imajo lahko kinematografi kot kraj srečanj posebej pomembno družbeno vlogo;
Stresses that the problem of small cinemas mainly exists in rural areas, where they can play a particularly strong social role as meeting places;
opozarja na težek položaj malih mestnih kinematografov, ki kot umetniški kinematografi prispevajo k ohranjanju kulturne dediščine;
Draws attention to the difficult situation of small urban cinemas which, as art-house cinemas, help to preserve cultural heritage;
priznava, da je treba čim prej zagotoviti digitalizacijo malih in neodvisnih kinematografov, če jih želimo ohraniti za predvajanje filmov, kulturno raznolikost in občinstvo;
Recognises that the digitisation of small and independent cinemas has to be achieved as urgently as possible in order to keep these venues open for films, cultural diversity and audiences;
opozarja na nevarnost, ki jo za filmsko industrijo predstavlja piratstvo in nezakonito nalaganje vsebin s spleta; poziva države članice, naj ustrezno izvršujejo pravice intelektualne lastnine;
Highlights the threat of copyright fraud and illegal downloading to the cinema industry; calls for intellectual property rights to be properly enforced by Member States;
poleg tega priznava nevarnosti za kakovost predvajanih del in spoštovanje avtorjevih moralnih pravic, ki jih predstavljajo kovinska platna, ki povzročajo občutne razlike v svetlosti celotne slike; pri čemer je treba upoštevati, da so kovinska platna namenjena tehnologiji 3D; priporoča, naj se dvodimenzionalni filmi na tovrstnih platnih ne predvajajo zaradi spoštovanja avtorjevih moralnih pravic in za zagotovitev kakovostne izkušnje gledalcem;
Recognises furthermore the threats to the quality of the works projected and respect for authors' moral rights caused by metallic screens which create significant luminance differences across the image; taking into account that metallic screens are made for 3D; recommends avoiding screening 2D films on metallic screens in order to respect authors' moral rights and to preserve the quality experience of the viewers;
poudarja, da se evropska filmska industrija sooča s težavami pri razširjanju in distribuciji filmov, zlasti nizkoproračunskih, ter da številne produkcije dosežejo le nacionalne trge in se redko tudi mednarodno predvajajo, zaradi česar ne morejo doseči širšega občinstva po vsej celini in v svetu;
Points out that the European film industry faces problems with the circulation and distribution of films, especially those with lower budgets, and that many productions reach only national markets and rarely get screened internationally, which prevents them from reaching wider audiences across the continent and the world;
opozarja na sedanje pomanjkanje ustreznega usposabljanja kinooperaterjev za ravnanje z novo digitalno kinematografsko opremo in za njeno prilagoditev vsakemu posameznemu filmu, da se zagotovi spoštovanje kakovosti predvajanega dela;
Warns of the current lack of suitable training of projectionists to handle new digital cinema equipment and to adapt it to each specific film so to respect the quality of the projected work;
priznava, da digitalizacija avdiovizualne produkcije in distribucije prinaša nove izzive za institucije za filmsko dediščino pri njihovi dejavnosti zbiranja, shranjevanja in ohranjanja evropske avdiovizualne dediščine;
Acknowledges that the digitisation of audiovisual production and distribution poses new challenges to film heritage institutions in their activities of collecting, conserving and preserving the European audiovisual heritage;
Interoperabilnost, standardizacija in arhiviranje
Interoperability, standardisation and archiving
poudarja, da je treba zagotoviti interoperabilnost sistemov in gradiv za digitalno projekcijo, pa tudi drugih naprav, saj so zlasti potrebni za manjša in srednje velika platna, ki upoštevajo okvirne gospodarske pogoje evropskega kinematografskega trga ter s tem ohranjajo raznolikost kinematografov in filmov;
Underlines the need to ensure the interoperability of digital projection systems and materials, as well as other devices, as they are particularly needed for smaller and medium-sized screens which take account of the economic context of the European cinema market and thus preserve the diversity of cinema and films;
poudarja, da je treba v procesu digitalizacije kinematografov zagotoviti, da bo potekala tehnološko kar najbolj nevtralno;
Stresses the need to ensure that the digitisation of cinemas is as technologically neutral as possible;
priporoča standardizacijo sistemov na podlagi standardov ISO na področjih produkcije, distribucije in predvajanja filmov;
Recommends the standardisation of systems based on ISO standards in the areas of production, distribution and film screening;
vendar meni, da zlasti v primeru digitalnega predvajanja digitalizacija kinematografov pod nobenim pogojem ne sme privesti do tega, da bi bil določen samo en standard;
Considers however that in the particular case of digital screening the digitisation of cinemas must not under any circumstances result in the establishment of a single standard;
ugotavlja, da bi bilo to neprimerno tudi glede na nadaljnje tehnične novosti, na primer sisteme predvajanja filmov z uporabo laserske tehnologije;
Notes that this would also be inappropriate with reference to further new technical developments such as cinema projection systems using laser technology;
poudarja pomen standardizacije sistema ločljivosti 2K, ki omogoča predvajanje filmov v 3D, HDTV in Blu-Ray tehniki ter zagotavljanje storitev video na zahtevo;
Underlines the importance of standardising the 2K resolution system, which allows the screening of films in 3D, HDTV and Blu-Ray as well as for VOD services;
zato pozdravlja razvoj standarda 2K, ki je enoten, odprt, povsod po svetu združljiv in mednarodno veljaven standard ISO za digitalno projekcijo, ki upošteva posebne potrebe evropskih predvajalcev;
Welcomes therefore the fact that, with the 2K standard, a unique, open and compatible worldwide ISO standard has been developed for digital projection, which takes into account the specific needs of European exhibitors;
poziva evropske in nacionalne organe za standardizacijo, naj ustrezno spodbujajo uporabo tega standarda;
Calls on European and national standardisation organisations to promote the use of this standard accordingly;
pozdravlja dejstvo, da je Komisija v svojem delovnem programu za industrijske inovacije za obdobje 2010–2013 napovedala, da bo do leta 2013 opredelila prostovoljne standarde za oddajo digitalnih filmov v arhive, ohranitev teh filmov in za tridimenzionalno projekcijo;
Welcomes the Commission's announcement, in its 2010-2013 Standardisation Work Programme for Industrial Innovation, of the plan to specify by 2013 voluntary standards for the submission of digital films to archives, for their preservation and for 3D projection;
dopušča nadaljnjo možnost financiranja cenejših projektorjev, ki jih je mogoče uspešno uporabljati na prizoriščih, kjer se prikazujejo bolj alternativne vsebine, in so lahko poleg tega v prid specializiranim filmom, na primer dokumentarcem in tujejezičnim filmom;
Allows for the further possibility of funding less expensive projectors, which can be used successfully in venues where more alternative content is shown, and furthermore has the potential to benefit specialist films such as documentaries and foreign language films;
priznava, da bo arhiviranje filmov v teku njihove digitalizacije ali popolnoma digitalne izdelave sicer tehnično lažje, vendar bo glede standardov in vprašanj avtorskih pravic v prihodnje prineslo več izzivov;
Concedes that, although the archiving of films will become technically easier as a result of their digitisation or purely digital production, it will entail more challenges in future because of the issues of standards and copyright;
priporoča državam članicam, naj sprejmejo zakonodajne ukrepe, s katerimi bodo zagotovile digitalizacijo, zbiranje s pomočjo obvezne oddaje filmov, katalogizacijo, hranjenje in razširjanje avdiovizualnih del, ki bi lahko v prihodnje pomenila začetke evropske multimedijske knjižnice in postala pomemben instrument za zaščito in promocijo nacionalne dediščine, v kulturne, izobraževalne in znanstvene namene, in obenem spoštovanje avtorskih pravic;
Recommends that Member States adopt legislative measures to ensure that audiovisual works, which in future could form the beginnings of a European multimedia library and become an important instrument for protecting and promoting the national heritage, will be digitised, collected by means of compulsory deposit mechanisms, catalogued, preserved and disseminated for cultural, educational and science purposes, whilst respecting copyright;
priporoča, da se digitalni prehod opravi kar najhitreje, s čimer bi se izognili stroškom izdelave tako filmskega traku kot tudi digitalne različice filmov ter dvojnega sistema distribucije oziroma predvajanja, pri tem pa oglaševalce spodbudili k prehodu s 35 mm na digitalno obliko;
Recommends that the digital transition be made as quickly as possible to avoid the cost of producing both celluloid and digital versions of films and a dual distribution/exhibition system, whilst also providing an incentive for advertisers to switch from 35mm to the digital format;
poziva Evropsko komisijo, naj evropsko digitalno knjižnico EUROPEANA uporablja ne le kot digitalno knjižnico za tiskana gradiva, temveč tudi za evropsko filmsko dediščino, ter naj ustrezno uredi njene naloge;
Calls on the Commission to use the European digital library EUROPEANA not only as a digital library for printed products but also for the European film heritage and to define the remit of EUROPEANA accordingly;
poudarja, da je treba zagotoviti podporo za kinematografe in filmske knjižnice, ki spodbujajo in ohranjajo filmsko dediščino;
Underlines the need to provide support for cinemas and film libraries that promote and preserve film heritage;
priporoča državam članicam, naj z zahtevo po oddaji standardnega digitalnega originala za digitalne filme vzpostavijo mehanizme obvezne oddaje ali že obstoječe mehanizme prilagodijo digitalnim oblikam;
Recommends that Member States set up compulsory deposit mechanisms for digital formats or adapt their existing mechanisms to such formats by requesting the deposit of a standard digital master for digital films;
poziva države članice, naj pri oblikovanju shem državne pomoči za digitalno konverzijo upoštevajo pravila EU o konkurenci, da bi preprečile izkrivljanje finančnih pogojev za digitalno kinematografijo;
Calls on Member States to take EU competition rules into account when designing State aid schemes for digital conversion, in order to avoid distortions of the financing terms for digital cinema;
poziva Komisijo, naj za povečanje pravne varnosti na podlagi izkušenj v različnih državah članicah pripravi jasne smernice za državno pomoč, pri čemer naj državam članicam prepusti načrtovanje financiranja filmov in kinematografije na nacionalni ravni;
Calls on the Commission to draw up clear guidelines for State aid, building on experiences in various Member States, in order to increase legal certainty whilst leaving Member States free to shape film and cinema funding at national level;
poudarja, da bi morala biti državna podpora tehnološko nevtralna, poleg tega pa bi morala zagotavljati trajnost naložb ob upoštevanju posebnih poslovnih modelov predvajalcev in tehničnih zahtev distributerjev;
Emphasises that, while public support should be technology-neutral, it should also guarantee the sustainability of investments, taking into account exhibitors' specific business models and distributors' technical requirements;
poziva države članice, naj zagotovijo podporo nacionalnim filmskim studiem in drugim tovrstnim institucijam pri prehodu na delo z digitalno tehnologijo;
Calls on the Member States to provide support to national film studios and other relevant institutions in the transition to working with digital technology;