natgillin/translations-raw huggingface dataset:
ob upoštevanju sporočila Komisije o evropski agendi za kulturo v svetu globalizacije ( KOM(2007)0242 ) in delovnega dokumenta služb Komisije, ki je priložen temu sporočilu ( SEK(2007)0570 ),
having regard to the Commission communication on a European agenda for culture in a globalising world ( COM(2007)0242 ) and the accompanying Commission staff working document ( SEC(2007)0570 ),
ob upoštevanju svoje resolucije z dne 4. septembra 2003 o kulturni industriji UL C 76 E, 25.3.2004, str.
having regard to its resolution of 4 September 2003 on cultural industries OJ C 76 E, 25.3.2004, p.
ob upoštevanju svoje resolucije z dne 7. junija 2007 o socialnem statusu umetnikov Sprejeta besedila, P6_TA(2007)0236 .
having regard to its resolution of 7 June 2007 on the social status of artists Texts adopted, P6_TA(2007)0236 .
ob upoštevanju poročila Odbora za kulturo in izobraževanje in mnenj Odbora za industrijo, raziskave in energetiko ter Odbora za pravice žensk in enakost spolov ( A6-0063/2008 ),
having regard to the report of the Committee on Culture and Education and the opinions of the Committee on Industry, Research and Energy and the Committee on Women's Rights and Gender Equality ( A6-0063/2008 ),
ker je kultura javna dobrina in sama po sebi namen, ki omogoča razvoj posameznika in družbe ter gospodarsko rast, zaposlovanje ter socialno kohezijo kot tudi regionalni in lokalni razvoj, kot je razvidno iz nedavnih znanstvenih študij, zlasti študije o gospodarstvu v sektorju kulture v Evropi, ki jo je izvedlo svetovalno podjetje KEA European Affairs za Komisijo,
whereas culture is a public good and an end in itself, fulfilling individuals and benefiting society and at the same time fosters economic growth, employment and social cohesion, and regional and local development, as demonstrated by recent research, particularly as highlighted in the study by KEA European Affairs for the Commission on the economy of culture in Europe,
ker panoge kulturne industrije ne bi mogle obstati ter krepiti kulturne in gospodarske vrednosti Evrope, če cvetoča skupnost ustvarjalcev, kot so filmski ustvarjalci, skladatelji, avtorji, upodabljajoči umetniki in snovalci, ne bi nenehno prispevala k novim vsebinam na vseh umetniških področjih,
B whereas cultural industries could neither exist nor add to European cultural and economic value without a regular input of new content from a thriving creative community of creators, in all artistic fields, such as film makers, composers, authors, visual artists and designers,
ker so panoge kulturne industrije tiste, ki intelektualnim izdelkom dodajo gospodarsko vrednost in hkrati ustvarjajo nove vrednote za posameznike in družbo; ker te kulturne panoge zajemajo tradicionalne panoge, kot so film, glasba in založništvo, mediji in panoge kreativne industrije (npr. moda in oblikovanje), turizem, umetnost in informiranje,
whereas cultural industries are industries that give intellectual works additional economic value and at the same time generate new values for individuals and society; whereas those cultural industries include traditional industries such as the film, music and publishing industries, the media and industries in the creative sector (such as fashion and design), tourist, arts and information industries,
ker po opredelitvi Konvencije Unesca o varovanju kulturne raznolikosti kulturna industrija zajema vse panoge, ki združujejo ustvarjanje, proizvajanje ter trženje blaga in storitev, katerih posebna značilnost je njihova neoprijemljiva kulturna vsebina; ker so izdelki kulturne industrije običajno zaščiteni s pravicami intelektualne lastnine,
whereas, in the light of the definition given by the Unesco Convention, cultural industries encompass all sectors that combine the creation, production and marketing of goods and services, the distinctive character of which lies in contents which are intangible and cultural in nature; whereas the product of cultural industries is typically protected by intellectual property rights,
ker je treba vse panoge kulturne in kreativne industrije, vključno z mikro podjetji ter MSP, ter posamezne umetnike bolj priznavati, jim zagotoviti poseben pravni status ter jih bolj podpirati, da se bodo lahko celovito razvili in prispevali k uresničevanju ciljev Lizbonske strategije,
whereas, however, greater recognition, the securing of a special legal status and greater support for the entire cultural and creative industries, including micro businesses and SMEs as well as individual artists, are needed to help these sectors to achieve their full potential and contribute also to the Lisbon Strategy objectives,
ker različne panoge kulturne industrije proizvajajo in državljanom ponujajo široko paleto informativnih, izobraževalnih in razvedrilnih vsebin, ki vedno bolj temeljijo na novih tehnologijah ter novih digitalnih avdiovizualnih oblikah, kar morajo države članice in Evropska unija spodbujati ter pri tem delovati kot regulativno telo, hkrati pa ustvarjalcem izvirnih vsebin zagotavljati ustrezno in primerno plačilo z ustrezno in učinkovito zaščito avtorskih in sorodnih pravic ter s tem zagotavljati trajnost panog evropske kulturne industrije,
whereas cultural industries produce and disseminate a wide range of content to inform, educate and entertain the public, based increasingly on new technologies and new digital and audiovisual formats, in regard to which the Member States and the European Union must play their part as promoters and regulators, guaranteeing that just and adequate economic rewards accrue to the creators of original content through ensuring adequate and effective protection of copyright and related rights, thereby securing the sustainability of European cultural industries,
ker v današnji informacijski in digitalno tehnološki družbi nastajajo nove oblike proizvajanja, distribucije in potrošnje, ki ustvarjajo nove kulturne dobrine in storitve, ki jih je treba zaščititi pred piratstvom, bolj na splošno pa tudi ustrezne poslovne in gospodarske modele, ki bodo zagotavljali dostopnost, odprtje in raznolikost kulturnih dobrin, pri čemer je treba ohranjati njihovo specifičnost v primerjavi z običajnimi komercialnimi izdelki in vsem kategorijam lastnikov pravic izplačati primerno plačilo za uporabo avtorsko zaščitenih kulturnih vsebin,
whereas new forms of production, distribution and consumption are emerging in today's information and digital technology society and they are generating new cultural goods and services that need protection from piracy, but also, more generally, suitable entrepreneurial and economic models to ensure the accessibility, opening-up and diversity of products with a cultural content while preserving their specific nature as compared to ordinary commercial products and granting fair remuneration to all categories of right holders for the use made of copyright-protected cultural content,
ker se kulturni proizvodi in storitve razlikujejo od drugih proizvodov in storitev zaradi posebnosti, ki jih je treba upoštevati pri pripravi in izvajanju politike Evropske unije,
whereas cultural products and services have special characteristics which distinguish them from other products and services, and which must be taken into account when drawing up and implementing EU policies,
ker je ustrezna in učinkovita zaščita avtorskih in sorodnih pravic poglavitno sredstvo, ki ustvarjalcem zagotavlja pravično plačilo za njihov ustvarjalni napor ter pri trženju njihovih del, zato je ta zaščita nujno potrebna za preživetje panog kulturne industrije,
whereas appropriate and effective protection of copyright and related rights is an essential means to enable creators to be fairly remunerated for their creative efforts within the context of the commercial exploitation of their works, and whereas such protection is therefore indispensable to the survival of cultural industries,
ker panoge kulturne industrije in ustvarjalna skupnost bistveno prispevajo k spodbujanju kulturne raznolikosti, zagotavljanju izbire za potrošnike, povečanju raznolikosti podjetništva, demokratizaciji dostopa do kulture, krepitvi evropske identitete in povezovanja ter spodbujanju medkulturnega dialoga,
whereas cultural industries and the creative community have a vital contribution to make towards promoting cultural diversity, ensuring consumer choice, increasing the diversity of entrepreneurship, democratising access to culture, enhancing European identity and integration, and promoting intercultural dialogue,
ker panoge kulturne industrije, ki privlačijo vlaganja v turizem, močno prispevajo k lokalnemu in regionalnemu razvoju in povezanosti, ustvarjajo nove "lokalne" vrste blaga in storitev ter z ustvarjanjem novih delovnih mest in možnosti gospodarskega razvoja preprečujejo družbeno zapostavljenost oddaljenih ali prikrajšanih regij,
whereas cultural industries contribute significantly to local and regional development and cohesion, since they are a magnet for tourist investments, create new categories of commercial products and services of a 'local' nature and, by creating new jobs and economic development opportunities, prevent the social marginalisation of remote or disadvantaged regions,
ker imajo avtorji v dejavnostih kulturne industrije nadvse pomembno vlogo, jim je treba zagotoviti primerno gospodarsko, pravno in družbeno okolje, v katerem bodo lahko razvijali njihove ustvarjalne zmožnosti,
whereas authors play a fundamental part in the activities of the cultural industries and should therefore be provided with an economic, legal and social environment that will enable the development of their creative potential,
ker je treba kulturo tesno povezati z izobraževanjem in usposabljanjem, saj bo imela tako kulturna industrija večjo produkcijsko in ustvarjalno zmogljivost,
whereas there is a need to ally culture closely with education and training in order to increase the productive and creative capacity of the cultural sector,
ker je izkušnja "evropskih prestolnic" dokaz, kako lahko kulturni sektor prispeva h gospodarskemu in družbenemu življenju mest ter k obogatitvi njihovih prebivalcev,
whereas experience with the "European Capitals of Culture" has shown, in practical terms, how the cultural sector contributes to the economic and social life of the city and the enrichment of its inhabitants,
ker so državna pomoč in druge subvencije, dodeljene kreativnemu sektorju, naložbe, ne pa prestiž, in ker jih je treba enakovredno ovrednotiti skladno s pravili Skupnosti o konkurenci, protokolom k Amsterdamski pogodbi o sistemu javne radiotelevizije v državah članicah, členom 151 Pogodbe ES in Konvencije Unesca o varovanju kulturne raznolikosti ,
whereas State aid and other subsidies for the benefit of the creative sector should be seen as an investment and not a luxury and must be evaluated equally in accordance with EU rules on competition, annexed the Protocol to the Treaty of Amsterdam on the system of public broadcasting in the Member States, Article 151 of the EC Treaty, and the Unesco Convention on Cultural Diversity,
ker je treba spodbujati zasebna in javna vlaganja ter sponzorstvo v kulturni industriji,
whereas private and public investment as well as patronage should be encouraged in the cultural sector,
ker koncentracija v panogah kulturne industrije ogroža raznolikost in ponudbo kulturnih dobrin potrošnikom,
whereas concentration in the cultural industries sector poses risks for diversity and the supply of cultural goods to consumers,
ker je ustvarjalnost pogoj za razvoj inovacij v Evropi in ker bi imela evropska tehnološka podjetja prednosti od delovanja v sožitju z ustvarjalci v grozdih podjetij ("clusters"),
whereas creativity is a condition for the development of innovation in Europe and European technology companies would benefit from working in symbiosis with creators within 'clusters',
ker je treba bolj podpirati mala in mikro podjetja ter spodbujati njihove mreže kot tudi osebe, zaposlene v teh podjetjih, ki znatno prispevajo k ustvarjanju bogastva v gospodarstvu, in ker je treba ustvarjalcem pomagati, da postanejo ustvarjalni podjetniki, ter jih spodbujati, da se preživljajo s svojim ustvarjanjem,
whereas there is a need for further support for small and micro businesses and for the promotion of their networks, and for the individual workers in those businesses, who contribute hugely to creating wealth in an economy, and whereas creators should be assisted in pursuing training as creative entrepreneurs and encouraged to live from their creativity,
ker lahko razdrobljenost kreativne industrije v Evropi, ki se le deloma lahko pripiše jezikovni ali narodnostni identiteti, in neobstoj panog kulturne industrije z resnično evropsko razsežnostjo, omejujeta kulturno vlogo Evrope v svetu,
whereas the fragmentation of the creative sector in Europe, which can be only partially justified by reasons of language and national identity, and the absence of any genuinely European-scale cultural industries, are liable to limit Europe's cultural role globally,
ker se kulturna raznolikost in prost pretok idej uresničujeta z izvirnostjo, pluralnostjo identitet ter enakostjo moških in žensk,
whereas cultural diversity and the free flow of ideas have their roots in originality, the multiplicity of identities and equality between men and women,
ker je enakost moških in žensk ena izmed ključnih vrednot Evropske unije, ki se prenaša s kulturo, ta prenos vrednot pa spodbuja evropsko povezovanje,
whereas equality between men and women is one of the European Union's core values, which is passed on through culture, and whereas that transmission of values furthers European integration,
ker v panogah kulturne industrije še zdaleč ni doseženo ravnovesje med moškimi in ženskami,
whereas gender balance is far from being a reality in the cultural industries,
ker so v kulturni industriji ženske na vodilnih položajih le v MSP ali v podjetjih, ki jih ustanovijo same,
whereas women hold positions of responsibility in the cultural industry primarily in SMEs or when they establish their own businesses,
izraža zadovoljstvo nad pripravljenostjo Sveta in Komisije, da priznata osrednjo vlogo kulture in ustvarjalnosti pri spodbujanju evropskega državljanstva, približevanju kulture evropskim državljanom in uresničevanju ciljev Lizbonske strategije, saj se s tem še bolj podpira njuna vloga pri oblikovanju evropskega projekta;
Welcomes the fact that the Council and the Commission are ready to recognise the central role played by culture and creativity as important factors in promoting European citizenship, bringing the arts closer to the European public and achieving the objectives of the Lisbon Strategy, thereby bolstering still further their importance in the development of the European project;
poudarja, da bo treba konkurenčnost Evropske unije v sedanjem postindustrijskem gospodarstvu okrepiti tudi s kulturo in ustvarjalnostjo; v tem okviru poziva Komisijo in države članice, naj se osredotočijo na politiko, ki ne bo temeljila le na podjetniških inovacijah, temveč tudi na inovacijah na področju kulturnih dejavnosti in ustvarjalnega gospodarstva;
Stresses that, within the framework of today's 'post-industrial economy', the competitiveness of the European Union will also have to be reinforced by the sectors of culture and creativity; calls, within this framework, on the Commission and the Member States to set as their priorities, policies based not only on entrepreneurial innovation, but on the innovation of cultural actions and creative economies;
ugotavlja, da je največ storitev z dodano vrednostjo v panogah kulturne industrije, te storitve pa so podlaga za dinamično in na znanju temelječe gospodarstvo, zato bi bilo treba priznati, da pomembno prispevajo h konkurenčnosti v Evropski uniji;
Notes that cultural industries are key providers of value-added services, which are the basis of a dynamic, knowledge-based economy and should thus be recognised as an important contribution to competitiveness in the European Union;
meni, da morajo panoge kulturne industrije, ki so pomemben vir novih delovnih mest v Evropski uniji, izkoristiti zlasti ustvarjalno nadarjenost; poziva države članice, naj podprejo nove, inovativne oblike vseživljenjskega učenja, ki spodbujajo ustvarjalno nadarjenost;
Considers that cultural industries, which are an important source of job creation in the European Union, particularly need to harness creative talent; urges the Member States to encourage new, innovative types of life-long learning that foster creative talent;
poziva Svet in Komisijo, naj pojasnita evropsko vizijo kulture, ustvarjalnosti in inovativnosti, ter naj oblikujeta strukturirane politične ukrepe za spodbujanje dejanskega razvoja panog evropske kreativne industrije in jih vključita v resnično evropsko strategijo za kulturo; meni, da je treba v tem smislu najprej opredeliti področje kulturne industrije in kulturnih podjetij;
Calls on the Council and the Commission to clarify what constitutes the European vision of culture, creativity and innovation and to elaborate structured political measures for practical implementation in order to develop European creative industries, incorporating these in a genuine European strategy for culture; considers that, to this end, the identification of the sector of cultural industries and undertakings is a priority;
zato Komisijo poziva, naj poskrbi za zbiranje urejenih statističnih podatkov na tem področju, da bodo lahko Evropska unija in njene države članice na podlagi usklajenih in primerljivih statističnih podatkov oblikovale ustrezno usmerjeno politiko za spodbujanje kulturne in kreativne industrije;
Calls on the Commission, accordingly, to arrange for the collection of systematic statistics in this area, so that the European Union and the Member States have consistent and comparable statistical data, as these are needed to elaborate suitable targeted policies for promoting the cultural and creative sector;
spodbuja države članice, naj v nacionalne srednje- in visokošolske izobraževalne programe vključijo vzgojo o podjetniškem duhu, zlasti na področju humanistike, umetnosti in kulture;
Calls on the Member States to include entrepreneurship studies in national secondary and higher education programmes, particularly in the humanities, arts and culture fields;
poziva Komisijo in visokega predstavnika za skupno zunanjo in varnostno politiko, naj v zunanji politiki Evropske unije in evropski sosedski politiki ter na velikih forumih za dialog z drugimi regijami sveta bolj upoštevata evropsko kulturno razsežnost, zlasti njene kulturne panoge in ustvarjalce;
Calls on the Commission and the High Representative for the Common Foreign and Security Policy to incorporate Europe's cultural dimension, and specifically its cultural industries and creators, more fully and effectively into the European Union's external relations, as well as into the European Neighbourhood Policy, and at the major forums for dialogue with other regions of the world;
meni, da je razvoj panog kulturne industrije v veliki meri odvisen od možnosti za zagotavljanje čezmejne mobilnosti, zato je treba rešiti težave, povezane z evropskim nalogom za prijetje, in opredeliti konkretne predpise na tem področju, obenem pa ponovno poudarja svoje zahteve v zvezi s tem, izražene v zgoraj omenjeni resoluciji o socialnem statusu umetnikov;
Considers that flourishing cultural industries depend to a large extent on the opportunities for ensuring cross-frontier mobility, and for this reason the problems of the European arrest warrant must be addressed and specific rules drawn up in this regard, and repeats the requests it set out in this connection in the above resolution on the social status of artists;
pozdravlja zamisel o spodbujanju mobilnosti oseb, dobrin in storitev v kreativni industriji, z upoštevanjem pravil in načel iz Konvencije Unesca o varovanju kulturne raznolikosti, in poziva Komisijo, naj mu predloži zeleno knjigo na to temo, v kateri bo opredelila posebnosti tega sektorja industrije kot kulturne, pa tudi gospodarske dobrine;
Welcomes the idea of promoting mobility for the people, goods and services in the creative sector, with due regard for the rules and principles laid down in the Unesco Convention on Cultural Diversity, and calls on the Commission to present Parliament with a Green Paper on this subject, which does justice to the specificity of the sector as both a cultural and economic asset;
poudarja, da je treba oblikovati družbeni in gospodarski model, ki bo zagotavljal ustrezno varnost ustvarjalnim podjetnikom, zlasti samozaposlenim, na področju kulture in ustvarjalnega gospodarstva, kjer je visoka stopnja zaposlitve s skrajšanim delovnim časom, delovni pogoji pa so negotovi;
Points to the need to develop a social and economic model which provides a suitable safety network for creative entrepreneurs, principally for those who are self-employed, in the sectors of culture and the creative economy, sectors where there has so far been a high percentage of partial employment and unstable working conditions;
meni, da so dobro organizirano kolektivno čezmejno upravljanje avtorskih in sorodnih pravic ter poslovni modeli, ki spoštujejo pravice vseh lastnikov pravic, bistveni za omogočanje optimalnega izkoriščanja ustvarjalnih zmožnosti in zagotavljanje pravičnega plačila za vse kategorije lastnikov pravic;
Considers that well-organised collective cross-border management of copyright and related rights and business models respectful of the rights of all right holders are essential to allow creative potential to be exploited to the full whilst securing fair remuneration to all categories of right holders;
opozarja Komisijo na svojo zgoraj omenjeno resolucijo z dne 13. marca 2007 in poziva k pristopu na ravni Skupnosti, pri katerem se bodo na osnovi načela enakega obravnavanja upoštevale posebnosti digitalne dobe, pomen ohranjanja evropske kulturne raznolikosti, majhni akterji in lokalne zbirke;
Reminds the Commission of its above-mentioned resolution of 13 March 2007, and calls for a Community approach taking account of the specific nature of the digital era, the importance of safeguarding European cultural diversity, small stakeholders and local repertoires, on the basis of the principle of equal treatment;
poziva Komisijo, naj nemudoma sistematizira celovito izvajanje člena 151(4) Pogodbe ES, da se zagotovi upoštevanje kulture in kulturne industrije na vseh drugih področjih politike Skupnosti, zlasti tistih, ki zadevajo notranji trg, konkurenco, trgovino, podjetja ter raziskave in razvoj, ter naj pri izvajanju teh politik kot tudi v zunanji politiki pri sklepanju mednarodnih pogodb v skladu s Konvencijo Unesca o varovanju kulturne raznolikosti bolj upošteva posebnost kulturnega sektorja in prevzame proaktivno vlogo ter izboljša mednarodno sodelovanje;
Requests the Commission, to proceed systematically and as soon as possible with the full application of Article 151(4) of the EC Treaty, in order to ensure that culture and the cultural sector are taken into account in all the other Community policies, in particular those relating to the internal market, competition, trade, enterprise and research and development, and to take better account of the special nature of the cultural sector in implementing those policies as well as in external policy relating to the conclusion of international treaties in accordance with the Unesco Convention on Cultural Diversity, and to play a proactive role and improve international cooperation;
poziva Komisijo in države članice, naj oživijo Konvencijo Unesca o varovanju kulturne raznolikosti in v notranji in zunanji politiki v celoti spoštujejo načela, na katerih temelji;
Calls on the Commission and the Member States to inject new life into the Unesco Convention on Cultural Diversity and fully to take into account the principles on which it is based in their internal and external policies;