natgillin/translations-raw huggingface dataset:
(7a) Komisija bi morala zagotoviti, da izvajalcem in študijskim glasbenikom ne bo treba zaradi pogodbenih dogovorov s tretjimi strankami, kot so glasbene založbe, prenesti na te stranke prihodke, ki so posledica podaljšanja trajanja varstva od 50 na 95 let.
(7a) T he Commission should ensure that performers and session musicians will not be obliged by contractual arrangements with any third parties, such as record companies, to transfer to those third parties the revenues that derive from the term of extension from 50 to 95 years.
(8) Izvajalci morajo običajno ob vzpostavitvi pogodbenega odnosa s proizvajalcem fonograma na proizvajalce fonogramov prenesti svoje izključne pravice reproduciranja, distribuiranja, dajanja v najem in dajanja na voljo posnetkov svojih izvedb.
(8) Upon entering into a contractual relationship with a phonogram producer, performers normally have to transfer to the phonogram producers their exclusive rights of reproduction, distribution, rental and making available of fixations of their performances.
V zameno izvajalci vnaprej dobijo avtorske honorarje in plačila šele, ko proizvajalec fonogramov povrne začetno predplačilo in odšteje pogodbeno določene odbitke.
In exchange, performers are paid an advance on royalties and enjoy payments only once the phonogram producer has recouped the initial advance and made any contractually defined deductions.
Izvajalci, ki igrajo spremljevalno glasbo in se ne pojavijo na seznamu tistih, ki so prispevali k izvedbi („pogodbeni izvajalci“), običajno svoje izključne pravice prenesejo proti plačilu v enkratnem znesku (neponavljajoče se nadomestilo).
Performers who play in the background and do not appear in the credits ("non-featured performers") usually transfer their exclusive rights against a one-off payment (non recurring remuneration).
Izvajalci, ki igrajo spremljevalno glasbo in se ne pojavijo na seznamu tistih, ki so prispevali k izvedbi („pogodbeni izvajalci“), kot tudi nekateri drugi izvajalci, ki se pojavijo na seznamu („glavni izvajalci“) običajno svoje izključne pravice prenesejo proti plačilu v enkratnem znesku (neponavljajoče se nadomestilo).
Performers who play in the background and do not appear in the credits ("non-featured performers") as well as some other performers who appear in the credits ("featured performers") usually transfer their exclusive rights against a one-off payment (non recurring remuneration).
(9) Zaradi pravne varnosti je treba določiti, da – če ni jasnih navedb o nasprotnem – velja pogodbeni prenos ali dodelitev pravic do posnetkov izvedb, izvedena pred datumom, do katerega morajo države članice sprejeti ukrepe za izvajanje direktive, tudi v podaljšanem trajanju .
(9) For the sake of legal certainty it should be provided that in the absence of clear indications to the contrary, a contractual transfer or assignment of rights in the fixation of the performance concluded before the date by which Member States are to adopt measures implementing the directive shall continue to produce its effects for the extended term .
(9) Države članice morajo imeti možnost, da sprejmejo določbe o razlagi, prilagoditvi, prekinitvi in nadaljnjem izvajanju pogodb o prenosu ali dodelitvi pravic izvajalca do posnetka njegove izvedbe proizvajalcu fonogramov, ki so bile sprejete pred podaljšanjem trajanja varstva, ki izhaja iz te direktive.
(9) Member States should remain free to adopt provisions on the interpretation, adaptation, termination and further execution of contracts governing the transfer or assignment of the rights of the performer in the fixation of his performance to a phonogram producer concluded before the extension of the term of protection resulting from this Directive .
Ni primerno, da predlagane spremembe direktive 2006/116/ES spreminjajo pravila držav članic o razlagi, prilagoditvi, odpovedi in nadaljnjem izvajanju pogodb o prenosu ali dodelitvi pravic izvajalca proizvajalcu fonogramov.
It does not appear suitable that the proposed changes to Directive 2006/116/EC modify Member States' rules on the interpretation, adaptation, termination and further execution of contracts on the transfer or assignment of performers' rights to a phonogram producer.
Zato morajo pri izvajanju klavzule „uporabi ali izgubi“ iz člena 10a(6) veljati nacionalna pravila o tem, kako se pravice izvajalcev prenašajo in dodeljujejo, in o tem, kako se pogodbe o takih prenosih in dodelitvah prekinejo.
Therefore, national rules on how performers' rights are transferred, assigned and how the contracts on such assignments and transfers are terminated should govern the exercise of the 'use it or lose it' clause as foreseen in Article 10a, paragraph 6.
(9a) Da bi zagotovili, da bodo od podaljšanja trajanja varstva imeli korist izvajalci in ne proizvajalci nosilcev zvoka, mora direktiva zagotoviti, da veljavne pogodbe, ki podaljšujejo trajanje varstva, ne bodo vplivale na podaljšanje trajanja varstva s 50 let na celotno življenjsko obdobje izvajalca .
(9a) In order to ensure that performers, rather than record producers, benefit from the extended term of protection, this Directive should provide that any contract in force assigning any extension of the term of protection shall have no effect as regards the exten sion of the term of protection from 50 years to the lifetime of the performer .
Namen tega predloga spremembe je, da imajo od podaljšanja trajanja varstva korist izvajalci.
This amendment is designed to ensure that the additional term actually benefit performers.
Obstoječi pogodbeni dogovori zato ne smejo biti uporabljeni za podaljšanje trajanja pravic proizvajalcem fonogramov.
Existing contractual arrangements must not therefore be treated as assigning the additional term to a phonogram producer.
Da bi se izognili težavam pri usklajevanju v zvezi s podaljšanim trajanjem, se izvajanje pravic zaupa kolektivnim organizacijam.
In order to avoid co-ordination problems with respect to the additional term, management of the rights is to be entrusted to collecting societies.
Te bodo zato morale podeljevati pravice za reproduciranje in distribuiranje v zvezi s posnetki izvedb v podaljšanem trajanju.
This will require collecting societies to administer the reproduction and distribution rights in relation to fixations of performances for the extended term.
Ker bodo omogočale izkoriščanje nastopov kateremukoli subjektu, določba „uporabi ali izgubi“ ne bo potrebna.
Given that collecting societies will allow for any operator to exploit the performance, there will be no need for a 'use it or lose it provision'.
Glede na to, da bodo te družbe imele podatke o izvajalcih, katerih izvedbe bodo vključene v fonograme, se bo mogoče izogniti pomislekom glede nejasnosti, kdaj delo preide v prosto uporabo.
Given that collecting societies will keep details of the performers whose performances are embodied on phonograms, concerns about lack of clarity as to when a work falls into the public domain can be avoided.
(12) Prvi prehodni spremljevalni ukrep ne sme povzročati nesorazmerne upravne obremenitve za male in srednje velike proizvajalce fonogramov.
(12) The first transitional accompanying measure should not entail a disproportionate administrative burden on small and medium sized phonogram producers.
Zato lahko države članice izvzamejo iz tega ukrepa določene proizvajalce fonogramov, ki so obravnavani kot mali in srednje veliki, zaradi letnih prihodkov, ki so bili pridobljeni s komercialno uporabo fonogramov.
Therefore, Member States shall be free to exempt certain phonogram producers who are deemed small and medium by reason of the annual revenue achieved with the commercial exploitations of phonograms.
Od sklada bi morali imeti korist vsi izvajalci.
Tous les artistes interprètes ou exécutants devraient profiter du fonds.
Prihodek, ki se plača zadevnim izvajalcem, je zaradi tega ukrepa sorazmeren s prihodkom proizvajalca.
Les recettes à verser aux artistes concernés en vertu de cette mesure transitoire sont proportionnelles aux recettes du producteur.
Plačilo bo torej manjše, če bo manjši prihodek proizvajalca.
Le versement sera donc moins important en cas de recette moindre du producteur.
(14a) da se ponovno uravnotežijo pogodbe, s katerimi izvajalci prenesejo svoje izključne pravice na podlagi avtorske pravice na proizvajalce fonogramov, bi bilo treba na podaljšanje trajanja varstva vezati nadaljnji pogoj, in sicer "nov začetek" za tiste izvajalce, ki so prenesli zgoraj omenjene izključne pravice na proizvajalce fonogramov, v zameno za avtorski honorar ali nadomestilo.
(14a) In order to rebalance contracts whereby performers transfer their exclusive rights , on a royalty basis, to a phonogram producer, a further condition attached to term extension should be a 'clean slate' for those performers who have assigned their above - mentioned exclusive rights to phonogram producers in return for royalties or remuneration.
Zato, da lahko izvajalci v celoti uživajo podaljšanje trajanja varstva, bi morale države članice zagotoviti, da se v skladu s sporazumi med proizvajalci fonogramov in izvajalci med trajanjem podaljšanega varstva izvajalcem plačuje avtorski honorar ali nadomestilo, ki nista obremenjena s predplačili ali pogodbeno določenimi odbitki.
In order for performers to benefit fully from the extended term of protection, Member States should ensure that, under agreements between phonogram producers and performers, a royalty or remuneration rate unencumbered by advance payments or contractually defined deductions is paid to performers during the extended period.
Ta določba je nujna zato, da lahko izvajalci prejmejo ves avtorski honorar, ki jim pripada za podaljšano trajanje varstva, v primeru odklonitve glasbenih založb, z razlogom, da predplačilo, plačano izvajalcem, še ni bilo povrnjeno.
This provision is essential for performers to enjoy all the royalties due to them for the extended period, against a refusal by labels, on grounds that advance payments to the artists have still not been recouped.
Brez te dodatne določbe bi od podaljšanja trajanja varstva lahko imela koristi le manjšina glavnih umetnikov.
Without this additional provision, the extension of the term of protection may ultimately only be beneficial to a minority of featured artists.
(14b) Zato, da lahko izvajalci, ki prenesejo svoje izključne pravice na proizvajalca v zameno za ponavljajoče se plačilo ali nadomestilo, v celoti uživajo podaljšano trajanje varstva, države članice zagotovijo, da se v podaljšanem obdobju izvajalcem plačuje avtorski honorar ali nadomestilo, ki nista obremenjena s predplačili ali pogodbeno določenimi odbitki.
(14b) Likewise , in order to ensure that performers that transfer their exclusive rights in return for a recurring payment or remuneration to a producer benefit fully from the extended term of protection, Member States should ensure that the royalty or remuneration rate , unencumbered by deductions for advance payments or contractually defined deductions , is paid to performers during the extended period.
(17) Ker ciljev predlaganih spremljevalnih ukrepov države članice same ne morejo zadovoljivo doseči, ker bi nacionalni ukrepi na tem področju bodisi povzročili izkrivljanje pogojev konkurence bodisi vplivali na obseg izključnih pravic proizvajalcev fonogramov, opredeljenih v zakonodaji Skupnosti, in jih je zato lažje doseči na ravni Skupnosti, lahko Skupnost sprejme ukrepe v skladu z načelom subsidiarnosti iz člena 5 Pogodbe.
(17) Since the objectives of the proposed accompanying measures cannot be sufficiently achieved by the Member States, as national measures in that field would either lead to distortion of the conditions of competition or affect the scope of exclusive rights of the phonogram producer which are defined by Community legislation and can therefore, be better achieved at Community level, the Community may adopt measures, in accordance with the principle of subsidiarity as set out in Article 5 of the Treaty.
V skladu z načelom sorazmernosti iz navedenega člena ta direktiva ne presega okvira, ki je potreben za dosego teh ciljev.
In accordance with the principle of proportionality, as set out in that Article, this directive does not go beyond what is necessary in order to achieve those objectives.
Med spremljevalne prehodne ukrepe sodi tudi obvezno skupinsko uveljavljanje pravic izvajalcev in proizvajalcev fonogramov v zvezi s storitvami na zahtevo, ki jih ponujajo izdajatelji radijskih in televizijskih programov, ki vključujejo glasbo iz zakonito objavljenih fonogramov.
Among the accompanying transitional measures should also include the mandatory collective exercise of the rights of performers and phonogram producers concerning on-demand services by broadcasters of their radio or television productions of which music from lawfully published phonograms is an integral part.
Ta sistem upravljanja kolektivnih pravic dopolnjuje sistem nadomestil za predvajanje zakonito objavljenih fonogramov v skladu s členom 8(2) Direktive 2006/115/ES in zagotavlja, da izvajalci in proizvajalci fonogramov celotno trajanje varstva zakonito predvajanih fonogramov prejemajo pošten delež nadomestil tudi za uporabo predvajane produkcije na zahtevo.
This system of collective rights management complements the remuneration regime for the broadcasting of lawfully published phonograms under Article 8(2) of Directive 2006/115/EC and guarantees that, throughout the full term of protection of lawfully published phonograms, the relevant performers and phonogram producers receive a fair share of the remuneration also for the on-demand use of broadcast productions.
Podaljšanje trajanja varstva za izvajalce in proizvajalce fonogramov otežuje upravne težave izdajateljev radijskih in televizijskih programov pri urejanju potrebnih pravic uporabe njihove produkcije na zahtevo, zlasti njihovih arhivov.
The extension of the term of protection for performers and phonogram producers aggravates the administrative difficulties for radio and television broadcasters to clear the necessary on-demand rights for their productions, in particular their archives.
Pri obračunu pravic za predvajanje zakonito objavljenih fonogramov je že zdaj obvezno plačilo pravičnega nadomestila (člen 8(2) direktive št. /115/ES o pravici dajanja v najem in pravici posojanja), pri čemer si plačilo delijo zadevni izvajalci in proizvajalci fonogramov.
The clearance of rights for the broadcasting of lawfully published phonograms is already subject to payment of equitable remuneration (Article 8(2) of the Rental and Lending Directive 2006/115/EC), which payment is shared between the relevant performers and phonogram producers.
Da bi dosegli učinkovito upravljanje pravic, kot ga spodbuja uvodna izjava 26 direktive o avtorskih pravicah iz leta 2001, ter pošten delež za vse imetnike pravic, tudi za uporabo predvajane produkcije na zahtevo, je treba dopolniti ta sistem nadomestil z obvezno skupinsko licenčno shemo za to uporabo.
In order to achieve both efficient rights management, as encouraged by Recital 26 of the 2001 Copyright (InfoSoc) Directive, and a fair share for all right-holders also for the on-demand use of broadcast productions, it is therefore appropriate to complement this remuneration regime by a mandatory collective licensing scheme for such use.
(19) Trajanje varstva pri skladbah z besedilom zato ni usklajeno, kar ovira prosto gibanje blaga in storitev, npr. pri čezmejnih kolektivnih storitvah upravljanja.
(19) Consequently, the harmonisation of the term of protection in musical compositions with words is incomplete, giving rise to impediments to the free movement of goods and services, such as cross-border collective management services.
(19) Trajanje varstva pri skladbah z besedilom zato ni usklajeno, kar ovira prosto gibanje blaga in storitev, npr. pri čezmejnih kolektivnih storitvah upravljanja.
(19) Consequently, the harmonization of the term of protection in musical compositions with words is incomplete, giving rise to impediments to the free movement of goods and services, such as cross-border collective management services.
Da bi zagotovili odpravo teh ovir, morajo imeti vsa dela v varstvu od [datum te direktive] enako, usklajeno trajanje varstva v vseh državah članicah.
In order to ensure the removal of such impediments, all such works in protection as at the [date of entry into force of this Directive] should have the same harmonised term of protection in all Member States.
Namen predloga Komisije je uskladiti določbe o delih, napisanih v soavtorstvu, da bi odstranili obstoječe ovire za prost pretok blaga in storitev ter omogočili izdajanje licenc za več ozemelj.
The purpose of the Commission proposal is to harmonise the provisions on co-written works in order to remove existing obstacles to the free movement of goods and services and facilitate multi-territorial licensing.
Namen predloga spremembe je pojasniti, da mora določba začeti veljati z začetkom veljavnosti direktive v zvezi z vsemi deli, ki so še varovana v EU v tem času.
The amendment seeks clarification that the provision should take effect as of the entry into force of the Directive in relation to all works still protected in the EU at that time.
(19a) Države članice bi morale po potrebi zagotoviti, da podaljšanje trajanja varstva pravic izvajalcev spremljajo zakonske določbe, ki zagotavljajo izvajalcem varstvo v smislu pravičnih pogodbenih pogojev pri prenosu ali dodelitvi pravic.
(19a) If necessary, Member States should ensure that the extension of the term of protection of performers' rights is accompanied by legislative provisions that offer protection to performers in the form of fair contractual terms in respect of transfer or assignment.
Direktiva 2006/116/ES
Directive 2006/116/EC
Odstavki 3 do 6 tega člena se uporabljajo za pogodbe o prenosu ali dodelitvi, ki veljajo tudi po tem, ko izvajalec in proizvajalec fonograma v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive ]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma.
Paragraphs 3 to 6 of this article shall apply to contracts on transfer or assignment which continue to produce their effects beyond the moment at which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram.
Odstavki 3 do 7 tega člena se uporabljajo za pogodbe o prenosu ali dodelitvi, ki veljajo tudi po tem, ko izvajalec in proizvajalec fonograma v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive ]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma.
Paragraphs 3 to 7 of this A rticle shall apply to contracts on transfer or assignment which continue to produce their effects beyond the moment at which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram.
Člen 10a – odstavek 4 – pododstavek 2
Article 10a – paragraph 4 – subparagraph 2
Države članice lahko zagotovijo, da proizvajalcu fonograma, katerega skupni letni prihodki v letu pred letom, za katerega se plača navedeno nadomestilo, ne presegajo minimalnega praga v višini 2 milijona EUR, ni treba nameniti vsaj 20 % prihodkov, ki v letu pred letom, za katero se plača navedeno nadomestilo, izhajajo iz reprodukcije, distribucije in dajanja v najem fonogramov, glede katerih v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive]/ES izvajalec in proizvajalec fonograma 31. decembra navedenega leta ne bi bila več varovana.
Member States may provide that a phonogram producer whose total annual revenue, during the year preceding that for which the said remuneration is paid, does not exceed a minimum threshold of € 2 million, shall not be obliged to dedicate at least 20 percent of the revenues which he has derived, during the year preceding that for which the said remuneration is paid, from the reproduction, distribution and making available of those phonograms in regard of which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected on 31 December of the said year.
Od sklada bi morali imeti korist vsi izvajalci.
Tous les artistes interprètes ou exécutants devraient profiter du fond s .
Člen 10a – odstavek 5
Article 10a – paragraph 5
Države članice lahko določijo, ali in v kakšnem obsegu je uveljavljanje pravice do pridobitve dodatnega letnega nadomestila iz odstavka 3 po kolektivnih organizacijah obvezno .
Member States may regulate whether and to what extent administration by collecting societies of the right to obtain an annual supplementary remuneration referred to in paragraph 3 may be imposed .
Države članice zagotovijo, da s pravico do pridobitve dodatnega letnega nadomestila iz odstavka 3 upravlja kolektivna organizacija.
Member States shall ensure that the right to obtain an annual supplementary remuneration referred to in paragraph 3 is administered by the collecting society .
Kar zadeva upravljanje pravic v zvezi s storitvami na zahtevo, ki jih ponujajo izdajatelji radijskih in televizijskih programov, ki vključujejo glasbo iz zakonito objavljenih fonogramov, države članice zagotovijo, da je mogoče pravice izvajalcev in proizvajalcev fonogramov, da dovolijo ali prepovedo takšno uporabo, izvajati samo prek kolektivne organizacije, ki je bila ustanovljena za zbiranje in razdeljevanje nadomestil za oddajanje tovrstnih fonogramov.
With respect to the administration of rights concerning the on-demand services by broadcasters of their radio or television productions incorporating music from lawfully published phonograms, Member States shall ensure that the rights of performers and phonogram producers to grant or refuse authori s ation for such use may be exercised only through the collecting society which has been established for collecting and distributing the remuneration for broadcasting such phonograms.
Za poenostavitev upravnih postopkov je treba kolektivnim organizacijam zaupati upravljanje dodatnih letnih nadomestil.
For the sake of simplifying the administrative procedures, the collecting societies should be entrusted with the administration of the annual supplementary remuneration.
(Povezano s predlogom spremembe k uvodni izjavi 13.)
(Linked to amendment on Recital 13.).
Kolektivne organizacije razdeljujejo nadomestila po posameznih primerih in ob upoštevanju uporabe izvedb vsakega izvajalca.
Collecting societies shall distribute those remunerations on an individual basis and taking into account the use of each performer’s performances.
Bistvenega pomena je, da kolektivne organizacije kar najbolj natančno in na posamični podlagi razdelijo nadomestila, ki jih zberejo v imenu izvajalcev.
It is essential that collecting societies distribute in the most precise way and on individual basis the remuneration collected on behalf of performers.