natgillin/translations-raw huggingface dataset:
Če leto po tem, ko v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma, fonogram ni dan v prosto uporabo po žici ali brezžično, tako da imajo posamezniki iz prebivalstva dostop do njih na kraju in v času, ki ga sami izberejo, pravice proizvajalca fonograma do fonograma in pravice izvajalcev v zvezi s posnetkom izvedbe prenehajo veljati.“
If, one year after the moment at which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram, the phonogram is not made available to the public, by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them, the rights of the phonogram producer in the phonogram and the rights of the performers in relation to the fixation of their performance shall expire.
Člen 10a a (novo)
Article 10a a (new)
(4a) Vstavi se naslednji člen:
(4a) The following Article shall be inserted:
"Člen 10aa
"Article 10aa
Če je izvajalec prenesel ali dodelil izključno pravico, da dovoli ali prepove dajanje na voljo javnosti po žici ali brezžično posnetek svoje izvedbe tako, da imajo posamezniki dostop do njega na kraju in v času, ki ga sami izberejo, izvajalec ohrani pravico do pridobitve pravičnega nadomestila, ki ga plača uporabnik za dajanje posnete izvedbe izvajalca na voljo javnosti.
Where a performer has transferred or assigned the exclusive right to authorise or prohibit the making available to the public, by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them, of the fixation of his performance, that performer shall retain the right to obtain an equitable remuneration to be paid by the user for the making available to the public of his fixed performance.
Pravice do pridobitve pravičnega nadomestila za dajanje izvedbe na voljo javnosti ni mogoče izpodbijati.
The right of the performer to obtain an equitable remuneration for the making available to the public of his performance cannot be waived.
To nadomestilo zbira in upravlja izvajalčeva kolektivna organizacija.“
This remuneration is collected and administered by a performers’ collecting society."
Kdor da izvedbo na voljo javnosti, mora izvajalcu priznati pravico do nadomestila.
A remuneration to the performers has to be recognised by those who make the performance available to the public.
Pripravljavec mnenja na splošno podpira predlog Komisije, da se podaljša varstvo za izvajalce in proizvajalce fonogramov s 50 na 95 let.
Your rapporteur generally supports the Commission proposal to extend the term of protection for performers and phonogram producers countries from 50 to 95 years.
Predlog primerno odraža dejstvo, da vse več izvajalcev dosega starost, ki presega 50 let varstva, zato pripravljavec mnenja nima predlogov sprememb k temu podaljšanju.
Taking the view that the proposal is a sensible reflection of the fact that performers are increasingly outliving the existing 50 year period of protection, your rapporteur is not proposing any amendments to this extension.
Predlog vključuje tudi spremljevalne ukrepe, na primer ustanovitev sklada za studijske glasbenike, in želi uvesti enotno izračunavanje trajanja varstva za skladbe z besedilom, h kateremu je prispevalo več avtorjev.
The proposal also include accompanying measures such as establishing a fund for session musicians and it also seek to introduce a uniform way of calculating the term of protection that applies to a musical composition with words which contains the contributions of several authors.
Države članice uporabljajo različne sisteme za skladbe, napisane v soavtorstvu.
Different Member States apply different systems for such co-written compositions.
To povzroča težave pri upravljanju avtorskih pravic v Skupnosti in pri čezmejni distribuciji avtorskih honorarjev v različnih državah članicah.
This leads to difficulties in administering copyright across the Community and difficulties in cross-border distribution of royalties for the exploitation that occurs in different Member States.
Pripravljavec mnenja v zvezi s tem podpira predlog za uskladitev pravil, saj trenutne razlike ovirajo učinkovito delovanje notranjega trga.
Your rapporteur supports the proposal to harmonise rules in this respect, taking the view that the current discrepancies is hampering the effective functioning of the Internal Market.
Pripravljavec mnenja na splošno podpira idejo o vnosu klavzul po načelu „uporabi ali izgubi“ v pogodbe med izvajalci in proizvajalci fonogramov, vendar meni, da bi v ta del predloga morale biti vnesene nekatere spremembe.
Generally supporting the idea of introducing “use it or lose it” clauses in contracts between performers and phonogram producers, your rapporteur however takes the view that some changes should be introduced in this part of the proposal.
Prvič; če je skupaj posnetih več izvajalcev, jih trenutni predlog zavezuje, da lahko pogodbo o prenosu ali dodelitvi prekinejo le skupaj.
Firstly, in the case of several performers being recorded together, the current proposal obliges them to act jointly to terminate their contracts on transfer or assignment.
To pomeni, da bi 50 let po snemanju izvajalci morali dejansko biti enakega mnenja.
This means that 50 years after a recording took place, the performers would have to actually agree.
Seveda to ni realno pričakovati, zato pripravljavec mnenja meni, da je potrebna sprememba, ki bi izvajalcem omogočila, da delujejo ločeno.
This is not realistic and it is the view of your rapporteur that this should be changed allowing them to act individually.
Drugič; trenutni predlog naj bi izvajalcu omogočil razumen čas za uporabo njegove izvedbe, za katero bodo pravice kmalu prenehale veljati.
Secondly, the current proposal is referring to allowing the performer a reasonable time to have his performance, for which the rights are about to expire, exploited.
Vendar predlog v ta namen predvideva le eno leto.
However, in the proposal this one year is suggested for this.
Pripravljavec mnenja meni, da to ni dovolj dolga doba, in ocenjuje, da bi bilo pet let primernejših.
Your draftsperson does not consider this as a reasonable time and takes the view that five years is more appropriate in this respect.
Pripravljavec mnenja prav tako predlaga, da se Komisijo pozove, naj po petih letih Evropskemu parlamentu in Svetu poroča o izvajanju prehodnih ukrepov.
Your rapporteur is also proposing to include an amendment calling upon the Commission to report to the European Parliament and the Council on the operation of the transitional measures after five years.
(5) Izvajalci običajno začnejo kariero mladi in trenutno 50-letno trajanje varstva za njihove izvedbe, posnete na fonogramih, in za fonograme pogosto izvedb ne varuje v celem njihovem življenju .
(5) Performers generally start their careers young and the current term of protection of 50 years with regard to performances fixed in phonograms and for phonograms often does not protect their performances during their entire lifetime.
(5) Izvajalci običajno začnejo kariero mladi in trenutno 50-letno trajanje varstva za posnetke njihovih izvedb pogosto izvedb ne varuje ves čas njihovega življenja .
(5) Performers generally start their careers young and the current term of protection of 50 years with regard to the fixation of performances often does not protect their performances during their entire lifetime.
(Povezano s predlogom spremembe člena 3(1) direktive 2006/116/ES.)
(Linked to the amendment on Article 3 - paragraph 1 of Directive 2006/116/EC.)
(7) Trajanje varstva za posnetke izvedb in za fonograme je zato treba podaljšati na 95 let od objave fonograma in na njem posnete izvedbe .
(7) The term of protection for fixations of performances and for phonograms should therefore be extended to 95 years after publication of the phonogram and the performance fixed therein .
Če fonogram ali izvedba, posneta na fonogramu, ni objavljena v prvih 50 letih, varstvo traja 95 let od prve priobčitve javnosti.
If the phonogram or the performance fixed in a phonogram has not been published within the first 50 years, then the term of protection should run for 95 years from the first communication to the public.
(7) Trajanje varstva za posnetke izvedb in za fonograme je zato treba podaljšati na 95 let od ustreznega sprožitvenega trenutka .
(7) The term of protection for fixations of performances and for phonograms should therefore be extended to 95 years after the relevant trigger point .
(9) Države članice morajo imeti možnost, da sprejmejo določbe o razlagi, prilagoditvi, prekinitvi in nadaljnjem izvajanju pogodb o prenosu ali dodelitvi pravic izvajalca na posnetku izvedbe proizvajalcu fonogramov, pri čemer so bile te pogodbe sprejete pred podaljšanjem trajanja varstva, ki izhaja iz te direktive .
(9) Member States should remain free to adopt provisions on the interpretation, adaptation, termination and further execution of contracts governing the transfer or assignment of the rights of the performer in the fixation of his performance to a phonogram producer concluded before the extension of the term of protection resulting from this Directive .
Države članice smejo zahtevati , da se razdeljevanje teh denarnih sredstev zaupa kolektivnim organizacijam, ki zastopajo izvajalce.
Member States may require that distribution of those monies is entrusted to collecting societies representing performers.
Države članice morajo zagotoviti , da se razdeljevanje teh denarnih sredstev zaupa kolektivnim organizacijam, ki zastopajo izvajalce.
Member States should ensure that distribution of those monies is entrusted to collecting societies representing performers.
Lahko se uporabljajo nacionalna pravila o nerazdeljivih prihodkih.
National rules on non-distributable revenues may be applied.
(14a) Da se ponovno uravnotežijo pogodbe, s katerimi izvajalci prenesejo svoje izključne pravice na podlagi avtorske pravice na proizvajalce fonogramov, bi bilo treba na podaljšanje trajanja varstva vezati nadaljnji pogoj, in sicer „nov začetek“ za tiste izvajalce, ki so prenesli omenjene pravice na proizvajalce fonogramov v zameno za avtorski honorar ali nadomestilo.
(14a) In order to rebalance contracts under which performers transfer their exclusive rights, on a royalty basis, to a phonogram producer, a further condition attached to term extension should be a 'clean slate' for those performers who have assigned those rights to phonogram producers in return for royalties or remuneration.
Da bi lahko izvajalci v celoti uživali podaljšanje trajanja varstva, bi morale države članice zagotoviti, da se v skladu s sporazumi med proizvajalci fonogramov in izvajalci med trajanjem podaljšanega varstva izvajalcem plačuje avtorski honorar, ki ni obremenjen s predplačili ali pogodbeno določenimi odbitki.
In order for performers to benefit fully from the extended term of protection, Member States should ensure that, under agreements between phonogram producers and performers, a royalty unencumbered by advance payments or contractually defined deductions is paid to performers during the extended period.
Brez te dodatne določbe bi od podaljšanja trajanja varstva lahko imela koristi le manjšina glavnih umetnikov .
Without this additional provision, the extension of the term of protection may ultimately only be beneficial to a minority of featured artists .
(15a) Kadar fonogram vsebuje posnetek izvedb več izvajalcev, bi morale države članice imeti možnost, da se odločijo, ali lahko izvajalci prenos ali dodelitev prekličejo ločeno ali posamično.
(15a) Where a phonogram contains the fixation of the performances of a plurality of performers, Member States should be free to decide whether the performers may terminate the transfer or assignment jointly or individually.
Člen 3 – odstavek 1 – alinea 1
Article 3 – paragraph 1 – indent 1
– če pa je bil v tem času posnetek izvedbe, ki ni na fonogramu, zakonito izdan ali zakonito priobčen javnosti, trajajo pravice izvajalcev 50 let od prve izdaje ali prve priobčitve javnosti, odvisno od tega, kaj se je zgodilo prej.
- if a fixation of the performance otherwise than in a phonograph is lawfully published or lawfully communicated to the public within this period, the rights shall expire 50 years from the date of the first such publication or the first such communication to the public, whichever is the earlier,
– če pa je bil v tem času posnetek izvedbe, ki ni na fonogramu, zakonito izdan ali zakonito priobčen javnosti, trajajo pravice izvajalcev 95 let od prve izdaje ali prve priobčitve javnosti, odvisno od tega, kaj se je zgodilo prej.
- if a fixation of the performance otherwise than in a phonograph is lawfully published or lawfully communicated to the public within this period, the rights shall expire 95 years from the date of the first such publication or the first such communication to the public, whichever is the earlier,
Diskriminacija med glasbenimi in audiovizualnimi izvajalci je popolnoma nesprejemljiva, saj direktiva 93/98/EGS (katere kodificirana različica je direktiva 2006/116/ES) ne diskriminira med izvajalci; torej bi ustvarjanje različnih režimov za isto kategorijo izvajalcev pomenilo diskriminacijo po evropskem pravu in bi nasprotovalo nacionalnim ureditvam.
The discrimination between music and audiovisual performers is totally unacceptable as the Directive 93/98/EEC,whose codified version is Directive 2006/116/EC doesn’t make any discrimination between performers), so create different regimes for the same category performers would be a discrimination under the European Law and against national treatment.
Nadalje za tako diskriminacijo ni razloga.
Furthermore there is no reason for such discrimination.
(Povezano s predlogom spremembe uvodne izjave 13.)
(Linked to amendment on Recital 13)
Če po tem, ko v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive ]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma, proizvajalec fonograma preneha dajati zadostne količine primerkov fonograma v prodajo ali na voljo javnosti po žici ali brezžično, tako da imajo posamezniki iz prebivalstva dostop do njih na kraju in v času, ki ga sami izberejo, lahko izvajalec prekine pogodbo o prenosu ali dodelitvi.
If, after the moment at which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram, the phonogram producer ceases to offer copies of the phonogram for sale in sufficient quantity or to make it available to the public, by wire or wireless means, in such a way that members of the public may access them from a place ant at a time individually chosen by them, the performer may terminate the contract on transfer or assignment.
Kadar fonogram vsebuje posnetek izvedb več izvajalcev, lahko izvajalci pogodbo o prenosu ali dodelitvi prekinejo samo skupaj .
Where a phonogram contains the fixation of the performances of a plurality of performers, they may terminate their contracts on transfer or assignment only jointly .
Če po tem, ko v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive ]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma, proizvajalec fonograma preneha dajati zadostne količine primerkov fonograma v prodajo ali na voljo javnosti po žici ali brezžično, tako da imajo posamezniki iz prebivalstva dostop do njih na kraju in v času, ki ga sami izberejo, lahko izvajalec prekine pogodbo o prenosu ali dodelitvi.
If, after the moment at which, by virtue of Article 3(1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram, the phonogram producer ceases to offer copies of the phonogram for sale in sufficient quantity or to make it available to the public, by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them, the performer may terminate the contract on transfer or assignment.
Kadar fonogram vsebuje posnetek izvedb več izvajalcev, lahko izvajalci pogodbo o prenosu ali dodelitvi prekinejo v skladu z veljavnimi nacionalnimi zakoni .
Where a phonogram contains the fixation of the performances of a plurality of performers, they may terminate their contracts on transfer or assignment in accordance with the applicable national laws .
Obvezno skupno delovanje izvajalcev ni realno.
The obligation for performers to act jointly is not realistic.
Člen 10a - odstavek 6 – pododstavek 2
Article 10a - paragraph 6 – subparagraph 2
Če leto po tem, ko v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive ]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma, fonogram ni dan v prosto uporabo po žici ali brezžično, tako da imajo posamezniki iz prebivalstva dostop do njih na kraju in v času, ki ga sami izberejo, pravice proizvajalca fonograma do fonograma in pravice izvajalcev v zvezi s posnetkom izvedbe prenehajo veljati.“
If, one year after the moment at which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram, the phonogram is not made available to the public, by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them, the rights of the phonogram producer in the phonogram and the rights of the performers in relation to the fixation of their performance shall expire.
Če pet let po tem, ko v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive ]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma, fonogram ni dan v prosto uporabo po žici ali brezžično, tako da imajo posamezniki iz prebivalstva dostop do njih na kraju in v času, ki ga sami izberejo, pravice proizvajalca fonograma do fonograma in pravice izvajalcev v zvezi s posnetkom izvedbe prenehajo veljati.“
If, five years after the moment at which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram, the phonogram is not made available to the public, by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them, the rights of the phonogram producer in the phonogram and the rights of the performers in relation to the fixation of their performance shall expire.
Poleg tega uvodna izjava 16 izvajalcu omogoča razumen čas za uporabo njegove izvedbe, za katero bodo pravice kmalu prenehale veljati.
Moreover, recital 16 is referring to allowing the performer a reasonable time to have his performance, for which the rights are about to expire, exploited.
Vendar eno leto ni dovolj dolga doba, pet let bi bilo primernejših.
However, one year is not considered as a reasonable time, and five years are more appropriate.
(5a) Doda se naslednji člen:
(5a) the following Article shall be inserted:
„Člen 11a
"Article 11a
Pet let po začetku veljavnosti direktive .../.../ES Evropskega parlamenta in Sveta z dne ...* Komisija Evropskemu parlamentu in Svetu predloži poročilo o izvajanju določb člena 10a(3) do (5) te direktive.
Within five years of the date of entry into force of Directive .../.../EC of the European Parliament and of the Council of...*, the Commission shall submit to the European Parliament and to the Council a report on the operation of the provisions of Article 10a(3) to (5) of this Directive.
* UL: Vstaviti številko in datum te direktive.
* OJ: please insert the number and date of this Directive."
Poročanje bo Evropskemu parlamentu in Svetu omogočilo spremljanje učinkov sprememb, zlasti glede prehodnih ukrepov.
The reporting will allow the European Parliament and the Council to monitor the effect of the changes, in particular in relation to the transitional measures.
o predlogu Direktive Evropskega parlamenta in Sveta o spremembi Direktive 2006/116/ES Evropskega parlamenta in Sveta o trajanju varstva avtorske pravice in določenih sorodnih pravic
on the proposal for a directive of the European Parliament and of the Council amending Directive 2006/116/EC of the European Parliament and of the Council on the term of protection of copyright and related rights
Cilj tega predloga je izboljšanje socialnega položaja izvajalcev, zlasti studijskih glasbenikov, ob upoštevanju, da vse več izvajalcev preživi obdobje 50 let, ki trenutno velja za varstvo njihovih izvedb.
The proposal aims to improve the social situation of performers, and in particular sessions musicians, taking into account that performers are increasingly outliving the existing 50 year period of protection for their performances.
Množična proizvodnja fonogramov je v bistvu pojav, ki se je začel v petdesetih letih prejšnjega stoletja.
The large scale production of phonograms is essentially a phenomenon that commenced in the 1950s.
Brez ustreznih ukrepov bo v naslednjih 10 letih vse več izvedb, posnetih in izdanih med leti 1957 in 1967, izgubilo varstvo.
If nothing is done, over the next 10 years an increasing amount of performances recorded and released between 1957 and 1967 will lose protection.
Ko na fonogramu posneta izvedba ne bo več varovana, bo v vsaki večji državi članici približno 7 000 izvajalcev, v manjših državah članicah pa ustrezno manjše število, izgubilo ves dohodek, ki izhaja iz avtorskih honorarjev po pogodbi in obveznih nadomestil za oddajanje in javno priobčevanje njihovih izvedb v barih in diskotekah.
Once their performance fixed in a phonogram is no longer protected, around 7000 performers in any of the big Member States and a correspondingly smaller number in the smaller Member States will lose all of their income that derives from contractual royalties and statutory remuneration claims from broadcasting and public communication of their performances in bars and discotheques.
To vpliva na glavne izvajalce (ki prejemajo avtorske honorarje po pogodbi), še bolj pa na tisoče anonimnih studijskih glasbenikov (ki ne prejemajo avtorskih honorarjev, ampak so odvisni izključno od obveznih nadomestil), ki so prispevali k fonogramom v poznih petdesetih in šestdesetih letih in so svoje izključne pravice podelili proizvajalcem fonogramov za pavšalno plačilo („odkup“).
This affects featured performers (those who receive contractual royalties) but especially the thousands of anonymous session musicians (those who do not receive royalties and rely solely on statutory remuneration claims) who contributed to phonograms in the late fifties and sixties and have assigned their exclusive rights to the phonogram producer against a flat fee payment ('buy out').
Njihova „enkratna pravična nadomestila“ za oddajanje in priobčitev javnosti, ki niso nikoli dodeljene proizvajalcu fonograma, bodo prenehala.
Their 'single equitable remuneration' payments for broadcasting and communication to the public, which are never assigned to the phonogram producer, would cease.