natgillin/translations-raw huggingface dataset:
87. poudarja, da je nujno usposobiti zaposlene v sektorju, da bodo sposobni zagotoviti gospodarsko in finančno preživetje kulturnih in ustvarjalnih projektov z izboljšanjem dostopa do posojil pri finančnih in bančnih institucijah, ki ponavadi ne poznajo posebnosti tega sektorja;
Stresses the need to train professionals capable of ensuring the economic and financial viability of cultural and creative projects in order to improve access to credit when faced with financial and banking institutions that are generally unfamiliar with the specific characteristics of this sector;
Lokalno in regionalno sodelovanje
Local a nd regional cooperation
96. poudarja, da ima kultura pomembno vlogo v smislu trajnostnega razvoja čezmejnih območij, ter se zaveda, da lahko infrastruktura in zmogljivosti kulturnih in ustvarjalnih industrij prispevajo k doseganju teritorialne kohezije; meni, da je spodbujanje kulture in ustvarjalnosti sestavni del teritorialnega sodelovanja in bi ga bilo treba okrepiti;
Underlines that culture has an important role to play in terms of the sustainable development of cross-border territories and is aware that CCI infrastructures and facilities can contribute to the achievement of territorial cohesion; believes that stimulating culture and creativity is an integral part of territorial cooperation that should be reinforced;
98. priporoča, da bi bilo treba okrepiti raziskave soodvisnosti med kulturno ponudbo in lokacijo podjetij kulturnih in ustvarjalnih industrij ter raziskati vseevropski pomen kulture kot dejavnika pri odločitvah podjetij za lokacijo, poleg tega pa je treba podpreti znanstvene raziskave učinkov podjetij kulturnih in ustvarjalnih industrij na njihovo neposredno okolje;
Recommends, on the one hand, that more intensive research be conducted into the interdependence of cultural provision and the location of cultural and creative businesses, as well as the EU-wide significance of culture as a factor in companies’ location decisions; and, on the other, that support be given to academic research into the impact which cultural and creative businesses have on the places where they locate;
104. meni tudi, da je to tudi izredno pomemben dejavnik v strategijah za sanacijo nekdanjih industrijskih območij ter v politikah za opredelitev porajajočih se panožnih področij turizma in pri ponovni opredelitvi tradicionalnega turizma;
Considers it also to be a highly significant factor in the context of strategies for the rehabilitation of old industrial districts, as well as in policies to define the new sectoral spheres of tourism which are appearing and in the redefinition of traditional tourism;
107. meni, da bi lahko Komisija namenila več pozornosti pobratenju mest, občin in regij, kar je bilo dolga leta odlična podlaga za kulturno in ustvarjalno sodelovanje in izmenjavo informacij; poziva Komisijo, naj v sodelovanju z evropskimi združenji lokalnih in regionalnih organov spodbuja sodobne ter kakovostne pobude pobratenja in izmenjave, ki bodo vključevale vse dele družbe;
Believes that the Commission could pay more attention to twinning arrangements between towns, municipalities and regions, which have for many years provided an excellent forum for cultural and creative cooperation and information exchange; calls on the Commission in cooperation with European associations of local and regional authorities to promote modern, high-quality twinning initiatives and exchanges that involve all parts of society;
Evropska prestolnica kulture
European Capital of Culture
Moda in turizem
Fashion and tourism
Mednarodni odnosi in trgovina
International relations and trade
Zelena knjiga Evropske komisije je v ugodnem trenutku sprožila razpravo o izkoriščanju potenciala kulturnih in ustvarjalnih industrij ter uradno priznava gospodarski in socialni pomen tega sektorja.
This is a good time for the European Commission’s Green Paper, officially endorsing the economic and social importance of the sector, to prompt discussion on ‘unlocking the potential of the cultural and creative industries’.
V Evropski uniji je rast kulturnih in ustvarjalnih industrij od 90-ih let prejšnjega stoletja eksponentna z vidika ustvarjanja delovnih mest in njihovega prispevka k BDP.
The growth of cultural and creative industries (CCI) in the European Union since the 1990s has been exponential in terms of job creation and their contribution to GDP.
Izziv globalizacije in nastop digitalne dobe ponujata pomembne nove priložnosti za razvoj teh industrij ter lahko izboljšata njihov potencial za rast in ustvarjanje delovnih mest, ki v veliki meri še ni izkoriščen.
The challenge of globalisation and the arrival of the digital age are providing these industries with major new opportunities to develop and can improve their hitherto largely untapped potential to create growth and jobs.
Potrebne so strateške naložbe, da bi kulturne in ustvarjalne industrije spodbudile dinamičnost kulturne raznolikosti, socialno in teritorialno kohezijo, rast in zaposlovanje.
There is a need for strategic investment to enable cultural and creative industries to invigorate cultural diversity, social and territorial cohesion, growth and employment.
Zato je treba zagotoviti ustrezno financiranje, tem industrijam pomagati, da bi se razvile v lokalnem in regionalnem okolju, ter se usmeriti v ustvarjalno gospodarstvo s spodbujanjem njihovih učinkov prelivanja v različnih gospodarskih in družbenih kontekstih.
To this end there must be adequate funding, support for CCI to develop in their local and regional environments and a move towards a creative economy by catalysing their spill-over effects on a wide range of economic and social contexts.
S tem ko bo na voljo večja digitalna ponudba evropskih avdiovizualnih vsebin, bodo lahko vsebine z evropsko identiteto bolj vplivale na kulturno raznolikost.
The greater the availability of European audiovisual content, the more will content which is characteristically European be able to influence cultural diversity.
Ustvarjalni sektor tudi pomembno prispeva k razvoju informacijskih in komunikacijskih tehnologij ter ima pomembno vlogo na lokalni, regionalni in nacionalni ravni.
In addition, the creative sector makes a significant contribution to the development of information and communication technologies and plays a major role at local, regional and national levels.
Zaradi tega je potreben zagon na ravni Skupnosti za spodbujanje kulturnih in ustvarjalnih industrij in to je tudi razlog, zakaj mora imeti to področje inovativne gospodarske modele in dostop do novih zakonodajnih ponudb storitev na spletu.
In this context there is a need for Community-wide momentum to encourage cultural and creative industries, which is why they must adopt innovative economic models and have access to new, legal on-line service provision.
Nujno je torej treba ustvariti resnično enoten trg vsebin in storitev na spletu, uvesti posebne ukrepe, da bi izboljšali vlogo kulturnih in ustvarjalnih industrij, ki spodbujajo inovativnost in strukturne spremembe, ter združili akterje na regionalni, nacionalni in evropski ravni ter ustvarili nove proizvode in storitve, ki spodbujajo rast in ustvarjanje delovnih mest.
It is therefore necessary to create a genuine single market for on-line content and services, take specific measures aimed at increasing the role of cultural and creative industries as catalysers for innovation and structural change, bring together actors at regional, national and European level and create new products and services to generate growth and jobs.
V Evropi ima kulturni sektor ključno vlogo in privablja državljane, podjetja in vlagatelje, zato velja Evropa za dinamično in spodbudno mesto za življenje in delo.
In Europe, the cultural sector plays a key role and attracts citizens, enterprises and investment, thereby highlighting Europe as a dynamic, stimulating place to live and work.
Energičen in rastoč kulturni sektor je vsekakor bistven za uspešnost Evrope na področju ustvarjalnega gospodarstva, ki temelji na znanju.
An energetic, growing cultural sector is clearly necessary for Europe’s success as a creative, knowledge-based economy.
Kulturni sektor tudi privablja kvalificirane in ustvarjalne ljudi.
The cultural sector also attracts well-qualified, creative people.
V tem času kulturne in ustvarjalne industrije tudi pomembno spodbujajo gospodarske in socialne inovacije v številnih drugih sektorjih.
CCI are currently also important drivers of economic and social innovation in many other sectors.
V času, ko nekateri naši mednarodni partnerji že v veliki meri črpajo iz raznolikih virov teh industrij, mora Evropska unija šele razviti strateški pristop, pri katerem bosta trdnost in ustvarjalnost njenega gospodarstva ter družbena povezanost temeljila na prednostih njene kulture.
At a time when some of our international partners are already tapping into the multifaceted resources of CCI to a broad extent, the EU is yet to develop a strategic approach to make its strong and attractive cultural assets the basis of a powerful creative economy and a cohesive society.
V tem pogledu mora zelena knjiga ponuditi več.
In this respect the Green Paper must do more.
Da bodo lahko kulturne in ustvarjalne industrije čim bolj izkoristile svoj dvojen kulturni in gospodarski potencial, potrebujejo večjo zmožnost eksperimentiranja in inovacij, mešanico ustreznih znanj in spretnosti ter dostop do financiranja.
In order to be able fully to unlock their dual cultural and economic potential, CCI need to increase their capacity for experimenting and innovating and take advantage of the right mix of skills and access to funding.
Zahvaljujoč ustvarjalnemu gospodarstvu so kulturni delavci dejavniki razvoja družbe znanja ter postajajo vir gospodarskega razvoja in družbene harmoničnosti.
The creative economy means that those working in the cultural sector are the drivers of the knowledge-based society and are becoming a source of economic development and social harmony.
Kulturne in ustvarjalne industrije dajejo večjo razsežnost ustvarjalni dodani vrednosti, saj naša gospodarstva čedalje bolj temeljijo na nematerialnih storitvah.
With our economies increasingly based on intangible services, cultural and creative industries provide creative added value with a broader dimension.
Trajni dejavnik rasti temelji predvsem na dolgoročnih naložbah v evropski ustvarjalni potencial.
The driver of sustainable growth is based in particular on long-term investment in Europe’s creative potential.
Vzpostavitev resničnega notranjega trga je prednostna naloga, da bi okrepili zaposlovanje in socialno kohezijo ter vzpostavili trajno gospodarsko rast, zato da bi Evropska unija postala območje z najbolj konkurenčnim in dinamičnim gospodarstvom na svetu, ki temelji na znanju, skupaj z kvantitativnim in kvalitativnim izboljšanjem delovnih mest.
The creation of a genuine internal market is a priority if we are to boost employment and social cohesion and achieve sustainable economic growth aimed at making the European Union the economy which is founded on the most competitive and most dynamic knowledge-base in the world alongside a quantitative, qualitative improvement in employment.
Zato je treba priznati posebnost celotnega kulturnega sektorja in ga nujno upoštevati pri oblikovanju evropske zakonodaje s področja mednarodne trgovine, notranjega trga, konkurence in davčne politike.
We must therefore acknowledge the specific characteristics of the cultural sector as a whole and take them into consideration when formulating European rules on international trade, the internal market, competition and taxation.
Za kulturne in ustvarjalne industrije je značilno, da so dvojne narave, zaradi česar se tudi razlikujejo od drugih industrij – ekonomske, saj prispevajo k zaposlovanju, rasti in ustvarjanju blaginje, predvsem pa kulturne, saj prispevajo k razvoju ter družbenem in kulturnem povezovanju državljanov.
Cultural and creative industries are characterised by a dual nature (which makes them different from any other industry): in an economic sense, in terms of their contribution to employment, growth and wealth creation, and – primarily – in a cultural sense, in terms of their activities, which contribute to development and citizens’ social and cultural integration.
Ti sektorji imajo s spodbujanjem ustvarjalnosti in inovacijami za izboljšanje postopkov širjenja in produkcije v Evropski uniji pomembno vlogo pri spodbujanju kulturne in jezikovne raznolikosti, pluralizma, socialne in teritorialne kohezije ter pri demokratizaciji dostopa do kulture in spodbujanju medkulturnega dialoga.
By encouraging creativity and by improving the distribution and production procedure through innovation, these industries play a major role in the European Union in promoting cultural and linguistic diversity, pluralism, social and territorial cohesion and the democratisation of access to culture and the promotion of intercultural dialogue.
Zato je za ohranjanje evropske kulturne raznolikosti nujni pogoj, da se ustvarjanje pravično nagradi s pravicami intelektualne lastnine.
In this regard, proper remuneration for the creative industry through intellectual property rights is a vital precondition for the preservation of European cultural diversity.
Spodbujati je treba tudi mobilnost in privlačnost.
There must also be a focus on mobility and attractiveness.
S spodbujanjem mobilnosti umetnikov, kulturnih delavcev in umetniških del bi namreč evropskim kulturnim in ustvarjalnim industrijam pomagali predvsem pri prodiranju z lokalne ravni na nacionalno.
Promoting the mobility of artists, cultural practitioners and works is a way of helping European cultural and creative industries make, in particular, the leap from local to national level.
Zato si je treba prizadevati za vzpostavitev uravnoteženih partnerstev z evropskimi zaposlenimi v stroki na podlagi mehanizmov rednega posvetovanja, da bi sledili hitro razvijajočemu se sektorju, odpravili ovire za mobilnost in zagotovili nadzor nad orodji, razvitimi na vseh ravneh.
If this is to happen, there is a need to set up balanced partnerships with European professionals based on regular consultation mechanisms in order to keep pace with a rapidly developing sector, remove obstacles to mobility and ensure monitoring of the tools developed at all levels.
Evropska unija mora uvesti ukrepe, s katerimi bo podprla ustvarjalni sektor.
The European Union must introduce measures to support the creative sector.
Zelo zaželeno bi bilo, da bi imela ta zelena knjiga kratko- in dolgoročen učinek na evropski ravni, na primer s prilagojeno davčno ureditvijo za kulturne dobrine in storitve na spletu ter zagotovijo možnosti uporabe finančne pomoči Evropske investicijske banke in Evropskega investicijskega sklada.
We would like to see this Green Paper have a short and long-term impact through specific developments at European level in such areas as taxation adapted to on-line cultural goods and services and the possibility of exploiting the financing facilities available through the EIB and the EIF.
Da bi lahko kulturne in ustvarjalne kulture imele spodbujevalno vlogo v vseh pogledih, je treba zagotoviti finančne možnosti, podprte s solidnim strokovnim znanjem na področju posebnosti kulturnih industrij, in prilagojeno davčno ureditvijo.
If cultural and creative industries are to maximise their energising role, financing facilities backed up by solid expertise in the characteristics of cultural industries and an adapted taxation system must be introduced.
Če želimo sprostiti potencial kulturnih in ustvarjalnih industrij, moramo razviti zlasti kakovostno izobraževanje na področju umetnosti in kulture, teritorialno razsežnost, lokalna partnerstva, ustvarjanje in ustvarjalnost, prenos znanja in izkušenj, financiranje, javno-zasebna partnerstva in izmenjavo zgledov dobre prakse.
To sum up, unlocking the potential of cultural and creative industries necessitates the development, inter alia, of high-quality artistic and cultural education, territorialisation, local partnerships, creation and creativity, the sharing of expertise, financing, public-private partnerships and the exchange of good practices.
Ustvariti moramo konkurenčnost med kulturnimi in ustvarjalnimi industrijami, pri tem pa ne smemo pozabiti, da ima vsak sektor svoje posebnosti in potrebuje različne oblike pomoči.
We must create competitiveness between CCI whilst bearing in mind the characteristics of each branch and the fact that they require different forms of support.
Pripravljavec mnenja: William grof Dartmouthski
Rapporteur: William (The Earl of) Dartmouth
Odbor za mednarodno trgovino poziva Odbor za kulturo in izobraževanje kot pristojni odbor, da v svoj predlog resolucije vključi naslednje pobude:
The Committee on International Trade calls on the Committee on Culture and Education, as the committee responsible, to incorporate the following suggestions in its motion for a resolution:
3. poudarja velik potencial kulturne in ustvarjalne industrije v mednarodni trgovini in meni, da je zaradi zahtevnega zbiranja podatkov njen pomen premalo cenjen;
Stresses the great potential of the CCI in international trade and assumes that its significance is being underestimated owing to the difficulty of gathering data;
7. poudarja, da je varstvo avtorskih pravic v prvi vrsti namenjeno zaščiti dejanskih avtorjev in ustvarjalcev ter da to varstvo ne bi smelo spodkopati temeljnih pravic;
Points out that copyright is intended principally to protect actual authors and originators, and that the protection of copyright should not undermine fundamental rights;
11. poudarja pomen Konvencije Unesca o zaščiti in spodbujanju raznolikosti kulturnega izražanja iz leta 2005 kot bistvenega instrumenta, s katerim se lahko v mednarodnem okviru STO zagotovi ohranitev „kulturne izjeme“ v mednarodni trgovini z blagom in storitvami kulturne in ustvarjalne narave.
Highlights the importance of the above-2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions as an essential instrument to guarantee that the ‘cultural exception’ in international trade in goods and services of a cultural and creative nature is maintained within the international framework of the WTO.
A. ker sta kulturna in ustvarjalna industrija pomemben del evropskega gospodarstva, ker že zaposlujeta okrog 5 milijonov ljudi, in ker zaradi multiplikacijskega učinka inovacij na tem področju predstavljata sektor z velikim potencialom za ustvarjanje spodobnih in kakovostnih delovnih mest, ki jih ni mogoče delokalizirati; ker sta kulturna in ustvarjalna industrija glavni mehanizem za doseganje ciljev EU na področju zaposlovanja ter razvoja na znanju in inovacijah temelječe družbe kot dela strategije Evropa 2020, predvsem v okviru pobud za nova delovna mesta in industrijsko politiko, ki bo v koraku s časom globalizacije; ker je za to treba ustvariti okolje, ki spodbuja razvoj tistih panog, ki prispevajo k spodbujanju kulturne zavesti in raznolikosti na lokalni in regionalni ravni, razvoja zaposlovanja in strokovnega znanja, kakovosti, konkurenčnosti, povečanja vrednosti površin/ozemelj in naravne ali kulturne dediščine ter tehničnih inovacij,
A. whereas the cultural and creative industries represent an important part of the European economy, already employ some five million people and – thanks to the knock-on effect of innovation in this area – constitute a sector with powerful potential for creating decent, high-quality jobs not vulnerable to relocation; whereas the cultural and creative industries will be of prime importance in achieving the Union’s targets under the Europe 2020 strategy in terms of employment and the development of a society based on knowledge and innovation, especially through the initiatives for new jobs and the ‘industrial policy for the globalisation era’; whereas, to that end, it is important to establish an environment conducive to the development of these industries, which help to foster cultural identity and diversity at local and regional level, to create jobs, to develop advanced skills, to enhance competitiveness, to promote regions and geographical and cultural resources and to encourage technological innovation,
B. ker je dostop do znanja in ustvarjalnih vsebin odločilen element temeljnih pravic, kot je spoštovanje kulturne raznolikosti, zlasti za najbolj ranljive,
B. whereas access to knowledge and creative content is a key aspect of fundamental rights, as is respect for cultural diversity, especially that of particularly vulnerable people,
C. ker je ustvarjalnost odvisna od dostopa do obstoječih znanj, del in ustvarjalnih vsebin,
C. whereas creativity depends on access to existing knowledge, works and creative content,
D. ker neobstoj uskladitve izjem pri avtorski pravici zavira pretok proizvodov in storitev, nastalih na podlagi znanja, v vsej Evropi in tudi ustvarjanje novih delovnih mest v inovativnih sektorjih v stalno razvijajočem se tehnološkem okolju,
D. whereas the lack of harmonisation with regard to copyright exemptions acts as a brake on the Europe-wide circulation of knowledge-based products and services and on job creation in innovative sectors where the technological environment is constantly evolving,
E. ker velika raznolikost statusov kulturnih delavcev in ustvarjalcev – ljubiteljev, prostovoljcev, zaposlenih, pogodbeno zaposlenih v zabavni industriji, samostojnih podjetnikov itd. – in njihovih načinov dela kaže na evropsko bogastvo, ki ga je treba ohraniti, hkrati pa zagotoviti nediskriminacijo akterjev in njihov dostop do pravice do dela in socialnih pravic, da se zagotovi pravično in redno plačilo ter tako zmanjša negotovost,
E. whereas the wide diversity in the status of cultural and creative sector practitioners – amateurs, volunteers, employees, entertainment-industry contract workers and individual entrepreneurs, etc. – and in their working methods is a reflection of rich variety in Europe that must be preserved, while at the same time preventing discrimination among practitioners and affording them access to labour and social rights, so as to ensure fair and regular remuneration, thereby reducing financial insecurity,
3. poudarja, da je kultura temeljna dobrina splošnega pomena, potrebna za rast Evrope v vseh njenih razsežnostih ter preseganje nacionalizmov in drugih ovir; je prepričan, da mora Unija podpirati kulturne in ustvarjalne industrije s programi in jamstvenimi skladi, ki so jim namenjeni;
Stresses that culture is a fundamental public good which is essential to the development of all facets of Europe and to overcoming nationalism and barriers of all kinds; considers that the EU should support the cultural and creative industries with specific programmes and guarantee funds;
5. poziva Komisijo in države članice, naj zagotovijo ustrezno pomoč malim, srednjim in mikropodjetjem, ki opravljajo dejavnost v kulturnem in ustvarjalnem sektorju v Evropi; poudarja pomembnost izvajanja politik, ki prispevajo k ohranjanju in ustvarjanju delovnih mest v teh podjetjih, saj predstavljajo večino v sektorju kulturnih in ustvarjalnih dejavnosti, in olajša dostop do financiranja, vključno z mikrokrediti
Calls on the Commission and the Member States to provide appropriate support for small, medium-sized and micro-enterprises working in the cultural and creative sector in Europe; stresses the importance of implementing job-preservation and job-creation policies in such enterprises, since most enterprises in the cultural and creative industries are of this type, and of easing their access to finance, including microcredits;
9. meni, da je nujno izboljšati znanja, veščine in poklicne možnosti delavcev, zaposlenih v kulturnem in ustvarjalnem sektorju, ter spodbuja države članice, naj podpirajo programe vseživljenjskega učenja, ki sledijo temu;
Considers it essential to improve the knowledge, capabilities and professional prospects of those employed in the cultural and creative sector and encourages Member States to promote lifelong learning programmes for this purpose;