natgillin/translations-raw huggingface dataset:
· določbe o računovodstvu so bile posodobljene tako, da odražajo spremembo v mednarodno sprejetih računovodskih pravilih za celotno Komisijo.
· the provisions on accounting have been updated to reflect the change to internationally accepted accounting rules for the whole Commission.
Predlog ne vpliva na proračun Skupnosti.
The proposal has no implications for the Community budget.
Mnenje poročevalca
Rapporteur's position
Poročevalec opominja, da je Evropski parlament podprl vključitev Evropske skupnosti za premog in jeklo v proračun Skupnosti po izteku veljavnosti pogodbe o ustanovitvi ESPJ leta 2002.
The rapporteur recalls that the European Parliament voted in favour of incorporating the ECSC into the Community budget, after the expiry of the ECSC Treaty in 2002.
Evropski parlament bi moral biti, kot zakonodajni in proračunski organ, močno vključen v ta proces.
The European Parliament, in its capacity as a legislative and budgetary authority, should be closely involved in the process.
Poleg tega je ob sprejetju svojega poročila o sklepu Sveta 2003/76/ES Evropski parlament poudaril, da mora biti pri odločanju na tem področju enakopraven Svetu, in vztrajal, da morajo biti finančne smernice sprejete s postopkom soodločanja v skladu s členom 251 Pogodbe o ustanovitvi Evropske skupnosti.
Further, on the occasion of the adoption of the Parliament report on Council Decision 2003/76/EC, the EP underlined that " i n decision-making in this area, the European Parliament must be placed on an equal footing with the Council ", and insisted that the financial guidelines should " be adopted under the co-decision procedure, in accordance with Article 251 of the Treaty establishing the European Community."
Svet do danes še vedno ni sprejel teh zahtev.
These requests have not been accepted by the Council so far.
Poročevalec meni, da je ta zahteva še pomembnejša zaradi razširitve postopka soodločanja na večino politik Skupnosti, kot je predvideno v lizbonski pogodbi.
The Rapporteur considers that, in the context of the extension of codecision to most of the Community policies, as foreseen by the Lisbon Treaty, this request becomes even more relevant.
Vendar pa na tej stopnji poročevalec vseeno priporoča sprejetje predloga Komisije brez predlogov sprememb.
Nevertheless, at this stage the Rapporteur recommends adoption of the Commission proposal without amendments.
Upravljanje sredstev ESPJ in Raziskovalnega sklada za premog in jeklo
Managment of the assets of the ECSC and the Research Fund for Coal and Steel
o panogah kulturne industrije v Evropi
on cultural industries in Europe
MNENJE Odbora za industrijo, raziskave in energetiko .............................12
OPINION of the Committee on Industry, Research and Energy ...............13
MNENJE Odbora za pravice žensk in enakost spolov ...................................16
OPINION of the Committee on Women’s Rights and Gender Equality ...17
– ob upoštevanju člena 151 Pogodbe o ES,
– having regard to Article 151 of the EC Treaty,
– ob upoštevanju konvencije Organizacije združenih narodov za prosveto, znanost in kulturo (Unesco) o zaščiti in spodbujanju raznolikosti kultur iz leta 2005,
– having regard to the United Nations Educational, Scientific and Cultural Organisation (UNESCO) Convention on the Protection and Promotion of the Diversity of Cultural Expressions, 2005,
– ob upoštevanju sklepov Sveta s 13. in 14. novembra 2006 ter s 24. in 25. maja 2007, zlasti v zvezi s prispevanjem kulturne in ustvarjalne industrije k uresničevanju lizbonskih ciljev, ter resolucije Sveta s 16. novembra 2007 o evropski agendi za kulturo,
– having regard to the Council conclusions of 13 and 14 November 2006 and 24 and 25 May 2007, in particular as regards the contribution of the cultural and creative sectors to the achievement of the Lisbon objectives, and the Council's resolution of 16 November 2007 on a European agenda for culture,
- ob upoštevanju Direktive Evropskega parlamenta in Sveta 2007/65/ES z dne 11. decembra 2007 o spremembi Direktive Sveta 89/552/EGS o usklajevanju nekaterih zakonov in drugih predpisov držav članic o opravljanju dejavnosti razširjanja televizijskih programov
- having regard to Directive 2007/65/EC of the European Parliament and of the Council of 11 December 2007 amending Council Directive 89/552/EEC on the coordination of certain provisions laid down by law, regulation or administrative action in Member States concerning the pursuit of television broadcasting activities
– ob upoštevanju Sklepa Sveta 2006/515/ES z dne 18. maja 2006 o sklenitvi konvencije o zaščiti in spodbujanju raznolikosti kultur
– having regard to the Council Decision 2006/515/EC of 18 May 2006 on the conclusion of the Convention on the Protection and Promotion of the Diversity of Cultural Expressions
– ob upoštevanju sporočila Komisije o evropski agendi za kulturo v svetu globalizacije ( KOM(2007)0242 ) in delovnega dokumenta služb Komisije, ki je priložen temu sporočilu ( SEC(2007)0570 ),
– having regard to the Commission communication on a European agenda for culture in a globalising world ( COM(2007)0242 ) and the accompanying Commission staff working document ( SEC(2007)0570 ),
– ob upoštevanju svoje resolucije z dne 4. septembra 2003 o kulturni industriji
– having regard to its resolution of 4 September 2003 on cultural industries
– ob upoštevanju svoje resolucije z dne 15. januarja 2004 o okviru Skupnosti za kolektivne organizacije na področju avtorskih in sorodnih pravic
- having regard to its resolution of 15 January 2004 on a Community framework for collective management societies in the field of copyright and neighbouring rights
Sprejeta besedila s tem datumom, P6_TA(2007)0236 . ,
Texts adopted, P6_TA(2007)0236 . ,
– ob upoštevanju poročila Odbora za kulturo in izobraževanje in mnenj Odbora za industrijo, raziskave in energetiko ter Odbora za pravice žensk in enakost spolov ( A6-0063/2007 ),
– having regard to the report of the Committee on Culture and Education and the opinions of the Committee on Industry, Research and Energy and the Committee on Women's Rights and Gender Equality ( A6‑0063/2008 ),
A. ker je kultura javna dobrina in sama po sebi namen, ki omogoča razvoj posameznika in družbe ter gospodarsko rast, zaposlovanje ter socialno kohezijo kot tudi regionalni in lokalni razvoj, kot je razvidno iz nedavnih znanstvenih študij, zlasti študije o gospodarstvu v sektorju kulture v Evropi, ki jo je izvedlo svetovalno podjetje KEA European Affairs za Evropsko komisijo,
A. whereas culture is both a public benefit and an end in itself, fulfilling individuals and society and operating as a means towards economic growth, employment and social cohesion, and regional and local development, as demonstrated by recent research, particularly the study by KEA European Affairs for the Commission on the economy of culture in Europe,
B. ker panoge kulturne industrije ne bi mogle obstati ter krepiti kulturno in gospodarsko vrednost Evrope, ne da bi cvetoča skupnost ustvarjalcev, kot so filmski ustvarjalci, skladatelji, avtorji, upodabljajoči umetniki in snovalci, nenehno prispevala k novim vsebinam na vseh umetniških področjih,
B whereas cultural industries could neither exist nor add to European cultural and economic value without an ongoing input of new content from a thriving creative community of creators, in all artistic fields, such as film makers, composers, authors, visual artists and designers,
C. ker so panoge kulturne industrije tiste, ki intelektualnim izdelkom dodajo gospodarsko vrednost in hkrati ustvarjajo nove vrednote za posameznike in družbo; ker te kulturne panoge zajemajo tradicionalne panoge, kot so film, glasba in založništvo, mediji in panoge kreativne industrije (moda in oblikovanje), turizem, umetnost in informiranje,
C. whereas cultural industries are industries that give intellectual works additional economic value and at the same time generate new values for individuals and society; whereas those cultural industries include traditional industries such as the film, music and publishing industries, the media and industries in the creative sector (fashion and design), tourist, arts and information industries,
D. ker po opredelitvi omenjene konvencije Unesca kulturna industrija zajema vse panoge, ki združujejo ustvarjanje, proizvajanje ter trženje blaga in storitev z nedotakljivimi in kulturnimi vsebinami; ker so izdelki kulturne industrije običajno zaščiteni s pravicami intelektualne lastnine,
D. whereas, in the light of the definition given by the UNESCO Convention, cultural industries encompass all sectors that combine the creation, production and marketing of goods and services, the distinctive character of which lies in contents which are intangible and cultural in nature; whereas the product of cultural industries is typically protected by intellectual property rights,
E. ker pa je treba vse panoge kulturne in kreativne industrije, vključno z mikro podjetji ter malimi in srednjimi podjetji, ter posamezne umetnike bolj priznavati, podpirati in jim zagotavljati poseben pravni status, da se bodo lahko celovito razvili in tudi prispevali k uresničevanju ciljev lizbonske strategije,
E. whereas, however, greater recognition, the securing of a special legal status and greater support for the entire cultural and creative industries, including micro businesses and SMEs as well as individual artists, are needed to help these sectors achieve their full potential and to contribute also to the Lisbon Strategy objectives,
F. ker različne panoge kulturne industrije proizvajajo in državljanom ponujajo široko paleto informativnih, izobraževalnih in razvedrilnih vsebin, ki vedno bolj temeljijo na novih tehnologijah ter novih digitalnih avdiovizualnih oblikah, kar morajo države članice in Evropska unija spodbujati ter pri tem delovati kot regulativno telo, hkrati pa ustvarjalcem izvirnih vsebin zagotavljati ustrezno in primerno plačilo z ustrezno in učinkovito zaščito avtorskih in sorodnih pravic ter s tem zagotavljati trajnost panog evropske kulturne industrije,
F. whereas cultural industries produce and disseminate a wide range of content to inform, educate and entertain the public, based increasingly on new technologies and new digital and audiovisual formats, in regard to which the Member States and European Union must play their part as promoters and regulators, guaranteeing that just and adequate economic rewards accrue to the creators of original content through ensuring adequate and efficient protection of copyright and related rights, thereby securing the sustainability of European cultural industries,
G. ker v današnji informacijski in digitalno tehnološki družbi nastajajo nove oblike proizvajanja, distribucije in potrošnje, ki ustvarjajo nove kulturne dobrine in storitve, ki jih je treba zaščititi pred piratstvom, bolj na splošno pa tudi ustrezne poslovne in gospodarske modele, ki bodo zagotavljali dostopnost, odprtje in raznolikost kulturnih dobrin, pri čemer je treba ohranjati njihovo specifičnost v primerjavi z običajnimi komercialnimi izdelki in vsem kategorijam lastnikov pravic izplačati primerno plačilo za uporabo avtorsko zaščitenih kulturnih vsebin,
G. whereas new forms of production, distribution and consumption are emerging in today's information and digital technology society and they are generating new cultural goods and services that need protection from piracy, but also, more generally, suitable entrepreneurial and economic models to ensure the accessibility, opening-up and diversity of products with a cultural content while preserving their specific nature as compared to ordinary commercial products and granting fair remuneration to all categories of right holders for the use made of copyright-protected cultural content,
H. ker se kulturni proizvodi in storitve razlikujejo od drugih proizvodov in storitev zaradi posebnosti, ki jih je treba upoštevati pri pripravi in izvajanju politike Evropske unije,
H. whereas cultural products and services have special characteristics which distinguish them from other products and services, and which must be taken into account when drawing up and implementing European Union policies,
I. ker je ustrezna in učinkovita zaščita avtorskih in sorodnih pravic poglavitno sredstvo, ki ustvarjalcem zagotavlja pravično plačilo za njihov ustvarjalni napor ter pri trženju njihovih del, zato je ta zaščita nujno potrebna za preživetje panog kulturne industrije,
I. whereas appropriate and effective protection of copyright and related rights is an essential means to enable creators to be fairly remunerated for their creative efforts, and within the context of the commercial exploitation of their works, and whereas such protection is therefore indispensable to the survival of the cultural industries,
J. ker panoge kulturne industrije in ustvarjalna skupnost bistveno prispevajo k spodbujanju kulturne raznolikosti, zagotavljanju izbire za potrošnike, povečanju raznolikosti podjetništva, demokratizaciji dostopa do kulture, krepitvi evropske identitete in povezovanja ter spodbujanju medkulturnega dialoga,
J. whereas cultural industries and the creative community have a vital contribution to make towards promoting cultural diversity, ensuring consumer choice, increasing the diversity of entrepreneurship, democratising access to culture, enhancing European identity and integration, and promoting intercultural dialogue,
K. ker panoge kulturne industrije, ki privlačijo vlaganja v turizem, močno prispevajo k lokalnemu in regionalnemu razvoju in povezanosti, ustvarjajo nove „lokalne“ vrste blaga in storitev ter z ustvarjanjem novih delovnih mest in možnosti gospodarskega razvoja preprečujejo družbeno zapostavljenost oddaljenih ali prikrajšanih regij,
K. whereas cultural industries contribute significantly to local and regional development and cohesion, since they are a magnet for tourist investments, create new categories of commercial products and services of a 'local' nature and, by creating new jobs and economic development opportunities, prevent the social marginalisation of remote or disadvantaged regions,
L. ker imajo avtorji v dejavnostih kulturne industrije nadvse pomembno vlogo, zato jim je treba zagotoviti primerno gospodarsko, pravno in družbeno okolje, v katerem bodo lahko razvijali njihove ustvarjalne zmožnosti,
L. whereas authors play a fundamental part in the activities of the cultural industries and should therefore be provided with an economic, legal and social environment that will enable the development of their creative potential,
M. ker je treba kulturo tesno povezati z izobraževanjem in usposabljanjem, saj bo imela tako kulturna industrija večjo produkcijsko in ustvarjalno zmogljivost,
M. whereas there is a need to ally culture closely with education and training in order to increase the productive and creative capacity of the cultural sector,
N. ker je izkušnja „evropskih prestolnic“ dokaz, kako lahko kulturni sektor prispeva h gospodarskemu in družbenemu življenju mest ter k razvoju njihovih prebivalcev,
N. whereas experience with the ‘European Capitals of Culture’ has shown, in practical terms, how the cultural sector contributes to the economic and social life of the city and the enrichment of its inhabitants,
O. ker so državna pomoč in druge subvencije, dodeljene kreativnemu sektorju, naložbe, ne pa prestiž, in ker jih je treba enakovredno ovrednotiti skladno s pravili Skupnosti o konkurenci, protokolom amsterdamske pogodbe o sistemu javne radiotelevizije v državah članicah, členom 151 Pogodbe o ES in konvencijo Unesca o zaščiti kulturne raznolikosti,
O. whereas State aid and other subsidies for the benefit of the creative sector should be seen as an investment and not a luxury and must be evaluated equally in accordance with the EU rules on competition, the Protocol to the Treaty of Amsterdam on the system of public broadcasting in the Member States, Article 151 of the EC Treaty, and the UNESCO Convention on Cultural Diversity,
P. ker je treba spodbujati zasebna in javna vlaganja ter sponzorstvo v kulturni industriji,
P. whereas private and public investment as well as patronage should be encouraged in the cultural sector,
Q. ker koncentracija v panogah kulturne industrije ogroža raznolikost in ponudbo kulturnih dobrin potrošnikom,
Q. whereas concentration in the cultural industries sector poses risks for diversity and the supply of cultural goods to consumers,
R. ker je ustvarjalnost pogoj za razvoj inovacij v Evropi in ker bi imela evropska tehnološka podjetja prednosti od delovanja v sožitju z ustvarjalci v grozdih podjetij ("clusters"),
R. whereas creativity is a condition for the development of innovation in Europe and European technology companies would benefit from working in symbiosis with creators within 'clusters',
S. ker je treba bolj podpirati mala in mikro podjetja ter spodbujanje njihovih mrež kot tudi osebe, zaposlene v teh podjetjih, ki znatno prispevajo k ustvarjanju bogastva v gospodarstvu, in ker je treba ustvarjalcem pomagati, da postanejo ustvarjalni podjetniki, ter jih spodbujati, da se preživljajo s svojim ustvarjanjem,
S. whereas there is a need for further support for small and micro businesses and for the promotion of their networks, and for the individual workers in those businesses, who contribute hugely to creating wealth in an economy, and whereas creators should be assisted in pursuing training as creative entrepreneurs and encouraged to live from their creativity,
T. ker lahko razdrobljenost kreativne industrije v Evropi, deloma zaradi jezikovnih razlogov ali narodnostne identitete, in neobstoj panog kulturne industrije z resnično evropsko razsežnostjo, omejujeta kulturno vlogo Evrope v svetu,
T. whereas the fragmentation of the creative sector in Europe, which can be only partially justified by reasons of language and national identity, and the absence of any genuinely European-scale cultural industries, are liable to limit Europe’s cultural role globally,
U. ker se kulturna raznolikost in prost pretok idej uresničujeta z izvirnostjo, pluralnostjo identitet ter enakostjo moških in žensk,
U. whereas cultural diversity and the free flow of ideas have their roots in originality, the multiplicity of identities and equality between men and women,
V. ker je enakost moških in žensk ena izmed ključnih vrednot Evropske unije, ki se prenaša s kulturo, ta prenos vrednot pa spodbuja evropsko povezovanje,
V. whereas equality between men and women is one of the European Union's core values, which is passed on through culture, and whereas that transmission of values furthers European integration,
W. ker v panogah kulturne industrije še zdaleč ni doseženo ravnovesje med moškimi in ženskami,
W. whereas gender balance is far from being a reality in the cultural industries,
X. ker so v kulturni industriji ženske na vodilnih položajih le v malih in srednjih podjetjih ali v podjetij, ki jih ustanovijo same,
X. whereas women hold positions of responsibility in the cultural industry primarily in small and medium-sized enterprises (SMEs) or when they establish their own businesses,
1. izraža zadovoljstvo nad pripravljenostjo Sveta in Komisije, da priznata osrednjo vlogo kulture in ustvarjalnosti pri spodbujanju evropskega državljanstva, približevanju kulture evropskim državljanom in uresničevanju ciljev lizbonske strategije, saj se s tem še bolj podpira njuna vloga pri oblikovanju evropskega projekta;
Welcomes the fact that the Council and the Commission are ready to recognise the central role played by culture and creativity as important factors in promoting European citizenship, bringing the arts closer to the European public and achieving the objectives of the Lisbon Strategy, thereby bolstering still further their importance in the development of the European project;
6. zato Komisijo poziva, naj poskrbi za zbiranje urejenih statističnih podatkov na tem področju, da bodo lahko Evropska unija in njene države članice na podlagi usklajenih in primerljivih statističnih podatkov oblikovale ustrezno usmerjeno politiko za spodbujanje kulturne in kreativne industrije;
Calls on the Commission, accordingly, to arrange for the collection of systematic statistics in this area, so that the European Union and the Member States have consistent and comparable statistical data, as these are needed to elaborate suitable targeted policies for promoting the cultural and creative sector;
9. meni, da je razvoj panog kulturne industrije v veliki meri odvisen od možnosti za zagotavljanje čezmejne mobilnosti, zato je treba rešiti težave, povezane z evropskim nalogom za prijetje, in opredeliti konkretne predpise na tem področju, obenem pa ponovno poudarja svoje zahteve v zvezi s tem, izražene v resoluciji o socialnem statusu umetnikov;
Considers that flourishing cultural industries depend to a large extent on the opportunities for ensuring cross-frontier mobility, and for this reason the problems of the European arrest warrant must be addressed and specific rules drawn up in this connection, and repeats the requests it set out in this connection in the above resolution on the social status of artists;
11. poudarja, da je treba oblikovati družbeni in gospodarski model, ki bo zagotavljal ustrezno varnost ustvarjalnim podjetnikom, zlasti samozaposlenim, na področju kulture in ustvarjalnega gospodarstva, kjer je visoka stopnja zaposlitve s skrajšanim delovnim časom, delovni pogoji pa so negotovi;
Points to the need to develop a social and economic model which provides a suitable safety network for creative entrepreneurs, principally for those who are self-employed, in the sectors of culture and the creative economy, sectors where there has so far been a high percentage of partial employment and unstable working conditions;
13. opozarja Komisijo, da je 13. marca 2007 sprejela že omenjeno resolucijo, in zahteva pristop na ravni Skupnosti, pri katerem se bodo na osnovi načela enakega obravnavanja upoštevale posebnosti digitalne dobe, ohranjanje evropske kulturne raznolikosti, majhni akterji in lokalne zbirke;
Reminds the Commission of its above-mentioned resolution of 13 March 2007, and calls for a Community approach taking account of the specific nature of the digital era, the importance of safeguarding European cultural diversity, small stakeholders and local repertoires, on the basis of the principle of equal treatment;
18. poziva Komisijo, naj sprejme ukrepe za zaščito, izobraževanje in osveščanje potrošnikov, zlasti mladih v šolah, o pomenu intelektualne lastnine in ustvarjalnosti na splošno, ter spodbuja potrošnike k spoštovanju intelektualne lastnine;
Invites the Commission to take measures relating to prevention, education and awareness-raising among consumers, especially among young people in schools on the value of intellectual property and creativity in general and to encourage consumers to respect intellectual property;
20. poziva Komisijo, naj prizna, da so se z internetom klasični načini uporabe kulturnih proizvodov in storitev močno spremenili in da je bistveno zagotoviti neoviran dostop do spletnih kulturnih vsebin in raznolikosti kulturnih izrazov, ki presega enotno industrijsko in trgovsko logiko, ter primerno plačilo za vse kategorije lastnikov pravic;
Calls on the Commission to recognise that, as a result of the Internet, traditional ways of using cultural products and services have completely changed and that it is essential to ensure unimpeded access to online cultural content and to the diversity of cultural expressions, over and above that which is driven by industrial and commercial logic, ensuring moreover, fair remuneration for all categories of right holders;