natgillin/translations-raw huggingface dataset:
(9) Da bi zagotovili, da bodo od podaljšanja trajanja varstva imeli korist izvajalci in ne proizvajalci nosilcev zvoka, mora direktiva zagotoviti, da veljavne pogodbe, ki podaljšujejo trajanje varstva, ne bodo vplivale na podaljšanje trajanja varstva s 50 let na celotno življenjsko obdobje izvajalca.
(9) In order to ensure that performers, rather than record producers, benefit from the extended term of protection, this Directive should provide that any contract in force assigning any extension of the term of protection shall have no effect as regards the extended protection term from 50 years to the lifetime of the performer.
Ker bodo omogočale izkoriščanje izvedb kateremukoli subjektu, določba „uporabi ali izgubi“ ne bo potrebna.
Given that collecting societies will allow for any operator to exploit the performance, there will be no need for a 'use it or lose it provision'.
Predlagana izjema je nepravična do izvajalcev in ne prinaša ustreznega ravnovesja med interesi izvajalcev in malih proizvajalcev.
The proposed exception creates an unfair situation for the performers and does not strike a fair balance of between the interest of performers and of small producers.
Poleg tega bi se lahko tudi večje glasbene založbe poskušale izogniti plačilu dodatnih nadomestil tako, da bi sklenile licenčne pogodbe z malimi proizvajalci fonogramov.
In addition, larger record companies might also try to avoid paying supplementary remuneration by signing licensing contracts with smaller phonogram producers.
(Povezano s predlogom spremembe k drugemu pododstavku četrtega odstavka člena 10 a (novo) direktive 2006/116/ES.)
(Linked to the amendment on Article 10 a (new), paragraph 4, subparagraph 2 of Directive 2006/116/EC.)
(13) Ta denarna sredstva je treba rezervirati izključno v korist izvajalcev, katerih izvedbe so posnete na fonogramu in ki so svoje pravice prenesli na proizvajalca fonogramov proti plačilu v enkratnem znesku.
(13) Those monies should be reserved solely for the benefit of performers whose performances are fixed in a phonogram and who have transferred their rights to the phonogram producer against a one-off payment.
Na ta način rezervirana denarna sredstva je treba na individualni osnovi razdeliti pogodbenim umetnikom najmanj enkrat letno.
The monies set aside in this manner should be distributed to non-featured performers at least once a year on an individual basis.
Države članice smejo zahtevati, da se razdeljevanje teh denarnih sredstev zaupa kolektivnim organizacijam, ki zastopajo izvajalce.
Member States may require that distribution of those monies is entrusted to collecting societies representing performers.
Ko se razdeljevanje teh denarnih sredstev zaupa kolektivnim organizacijam, se lahko uporabljajo nacionalna pravila o nerazdeljivih prihodkih.
When the distribution of those monies is entrusted to collecting societies, national rules on non-distributable revenues may be applied.
Upravljanje s temi denarnimi sredstvi se zaupa kolektivnim organizacijam, da bodo sredstva učinkovito dodeljena upravičencem, navedenim v prvotnem predlogu Evropske komisije, na primer studijskim glasbenikom.
The administration of those monies should be entrusted to collecting societies in order for the said monies to be effectively assigned to the beneficiaries indicated in the original proposal of the European Commission, i.e. session musicians.
(14a) Prvi dodatni prehodni ukrep bi moral vključevati obvezno skupinsko uveljavljanje pravic izvajalcev in proizvajalcev fonogramov v zvezi s storitvami na zahtevo, ki jih ponujajo izdajatelji radijskih in televizijskih programov, ki vključujejo glasbo iz zakonito objavljenih fonogramov.
(14a) Part of the first accompanying transitional measure should be the mandatory collective exercise of the rights of performers and phonogram producers concerning on-demand services by broadcasters of their radio or television productions of which music from lawfully published phonograms is an integral part.
Ta sistem upravljanja kolektivnih pravic dopolnjuje sistem nadomestil za predvajanje zakonito objavljenih fonogramov v skladu s členom 8(2) Direktive 2006/115/ES in zagotavlja, da izvajalci in proizvajalci fonogramov med celotnim trajanjem varstva zakonito predvajanih fonogramov prejemajo pošten delež nadomestil tudi za uporabo predvajane produkcije na zahtevo.
The system of collective rights management complements the remuneration regime for the broadcasting of lawfully published phonograms under Article 8(2) of Directive 2006/115/EC and guarantees that, throughout the full term of protection of lawfully published programmes, the relevant performers and phonogram producers also receive a fair share of the remuneration for the on-demand use of broadcast production.
Zaradi poenostavitve upravnih postopkov, med drugim za izdajatelje radijskih in televizijskih programov glede pravic uporabe njihove produkcije na zahtevo, je treba kolektivnim organizacijam zaupati upravljanje dodatnih letnih nadomestil.
For the sake of simplifying the administrative procedures for, among others, radio and television broadcasters to clear the necessary on-demand rights for their productions, the collecting societies should be entrusted with the administration of the annual supplementary remuneration.
(Povezano s predlogom spremembe člena 10 a (5) (novo) direktive 2006/116/ES.)
(Linked to amendment on Article 10 a (new), paragraph 5 of Directive 2006/116/EC.)
(14b) Cilj te direktive je zagotoviti ponovno oceno pravnega varstva izvajalcev.
(14b) This Directive should provide for the re-assessment of the legal protection of performers.
Digitalno okolje omogoča nove načine izkoriščanja zavarovanih vsebin, od česar bi morali imeti koristi vsi imetniki pravic.
The digital environment provides new possibilities for exploitation of protected content, which should benefit all rights holders.
V ta namen je treba na ravni Skupnosti in s strani držav članic izvesti ocene učinka, da se ugotovi, kako bi se dalo izboljšati pravno varstvo izvajalcev, zlasti z uvedbo izključne pravice do dajanja na voljo javnosti, ki bi jo imeli izvajalci, in da bi se njihove izvedbe izkoriščale tako, da bi imeli posamezniki iz prebivalstva dostop do njih na kraju in v času, ki bi ga sami izbrali (na primer storitve „na zahtevo“).
To achieve that goal, impact assessments should be conducted at the Community level and by Member States in order to estimate how the legal protection of performers should be improved, notably with the introduction of an exclusive right of making available to the public to the benefit of performers, for the exploitation of their performances in such a way that members of the public may access them from a place and at a time individually chosen by them (i.e. on-demand services).
V okviru te ocene je treba posebno pozornost nameniti praktičnim vidikom obravnavanja zahtev izvajalcev za pravično nadomestilo (kako na primer izmeriti finančne koristi in odgovornost pri nadomestilih).
In the framework of such assessments, particular attention should be given to the practical administration of claims for equitable remuneration for performers (such as quantification of financial benefits; and responsibility for remuneration).
Prav tako je treba pozorno preučiti pravila in obveznosti iz ustreznih mednarodnih konvencij.
Rules and obligations laid down in the relevant international conventions should also be carefully considered.
(14c) Da se ponovno uravnotežijo pogodbe, s katerimi izvajalci prenesejo svoje izključne pravice na podlagi avtorske pravice na proizvajalce fonogramov, bi bilo treba na podaljšanje trajanja varstva vezati nadaljnji pogoj, in sicer „nov začetek“ za tiste izvajalce, ki so prenesli omenjene pravice na proizvajalce fonogramov v zameno za avtorski honorar ali nadomestilo.
(14c) In order to rebalance contracts under which performers transfer their exclusive rights, on a royalty basis, to a phonogram producer, a further condition attached to term extension should be a 'clean slate' for those performers who have assigned those rights to phonogram producers in return for royalties or remuneration.
Da bi lahko izvajalci v celoti izkoristili podaljšanje trajanja varstva, bi morale države članice zagotoviti, da se v skladu s sporazumi med proizvajalci fonogramov in izvajalci med trajanjem podaljšanega varstva izvajalcem plačuje avtorski honorar, ki ni obremenjen s predplačili ali pogodbeno določenimi odbitki.
In order for performers to benefit fully from the extended term of protection, Member States should ensure that, under agreements between phonogram producers and performers, a royalty unencumbered by advance payments or contractually defined deductions is paid to performers during the extended period.
Brez te dodatne določbe bi od podaljšanja trajanja varstva lahko končno imela koristi le manjšina glavnih izvajalcev.
Without this additional provision, the extension of the term of protection may ultimately only be beneficial to a minority of featured artists.
(19a) Države članice bi morale po potrebi zagotoviti, da podaljšanje trajanja varstva pravic izvajalcev spremljajo zakonske določbe, ki zagotavljajo izvajalcem varstvo v smislu pravičnih pogodbenih pogojev pri prenosu ali dodelitvi pravic.
(19a) If necessary, Member States should ensure that the extension of the term of protection of performers' rights is accompanied by legislative provisions that offer protection to performers for fair contractual terms on transfer or assignment.
Člen 3 – odstavek 1 - stavek 2
Article 3 – paragraph 1 - sentence 2
(1) Drugi stavek člena 3(1) se nadomesti z naslednjim:
(1) The second sentence of Article 3(1) is replaced by the following:
(1) Na koncu člena 3(1) se doda naslednji stavek:
(1) At the end of Article 3(1) the following sentence shall be added:
„Če pa po koncu tega obdobja izvajalec še živi, se njegove pravice varujejo dalje vse do konca njegovega življenja.“
"However, if at the end of this period, a performer is alive, the rights of that performer shall continue to be protected in the performer's lifetime."
pa je bil v tem času posnetek izvedbe, ki ni na fonogramu, zakonito izdan ali zakonito priobčen javnosti, trajajo pravice izvajalcev 50 let od prve izdaje ali prve priobčitve javnosti, odvisno od tega, kaj se je zgodilo prej.
- if a fixation of the performance otherwise than in a phonograph is lawfully published or lawfully communicated to the public within this period, the rights shall expire 50 years from the date of the first such publication or the first such communication to the public, whichever is the earlier,
pa je bil v tem času posnetek izvedbe na fonogramu zakonito izdan ali zakonito priobčen javnosti, trajajo pravice izvajalcev 95 let od prve izdaje ali prve priobčitve javnosti, odvisno od tega, kaj se je zgodilo prej.“
- if a fixation of the performance in a phonograph is lawfully published or lawfully communicated to the public within this period, the rights shall expire 95 years from the date of the first such publication or the first such communication to the public, whichever is the earlier.
Podaljšanje se nanaša samo na izvajalce in samo do njihove smrti.
The extension should apply to performers only, and only until they die.
Predlog se zgleduje po veljavni grški zakonodaji, ki pa ni usklajena.
This proposal mirrors the current Greek law, which has not been harmonized.
Komisija je navedla, da se je odpovedala postopku izvršbe proti Grčiji, ker meni, da je grška določba boljša od veljavne usklajene zakonodaje.
The Commission has indicated that it has declined to bring enforcement proceedings against Greece, because it regards the Greek provision as preferable to the current harmonized law.
Proizvajalci fonogramov niso upravičeni do podaljšanja, saj doba 50 let več kot zadostuje za povrnitev vsakršnih naložb.
No extension is justified for phonogram producers, a 50 year fixed term being more than sufficient time in which to recoup any investment.
Člen 3 – odstavek 2 - stavka 2 in 3
Article 3 – paragraph 2 - sentences 2 and 3
(2) V drugem in tretjem stavku člena 3(2) se številka „50“ nadomesti s številko „95“.
(2) In the second and third sentence of Article 3(2) the cipher "50" is replaced by the cipher "95"
Da bi zagotovili, da se fonogrami v petdesetletnem obdobju varstva izkoriščajo v korist izvajalcev, se pravicam proizvajalcev fonogramov doda še ena opredelitev.
In order to ensure that phonograms are exploited during the fifty year term of protection for the benefit of performers, an additional qualification is added to the rights of phonogram producers.
Kadar izdani fonogram preneha biti na voljo javnosti za obdobje treh let, lahko izvajalec zahteva tako vrnitev pravic do vključenih izvedb kot vrnitev pravic do fonograma (brez drugih ne bi mogel izkoriščati prvih).
Where a published phonogram ceases to be available to the public for a period of three years, the performers shall be entitled to reclaim both the rights in the performances embodied and the rights in the phonograms (without which it would not be possible to exploit the former rights).
Kadar vsi izvajalci delujejo skupaj, te pravice nosijo izvajalci, kar jim omogoča, da sklenejo novo pogodbo za izkoriščanje, dajo posnetek na voljo ali pa v prosto uporabo.
Where all performers act in concert, these rights vest in the performers, which will enable them either to enter into a new exploitation contract, to make the fixation available or to place the fixation in the public domain.
Če izvajalci ne morejo ali ne želijo delovati skupaj, je treba pravice prenesti na kolektivno organizacijo, ki bo prihodke pravično razdelila različnim izvajalcem.
Where the performers are unable or unwilling to act in concert, the rights must be vested in a collecting society, which will distribute revenues to the various performers equitably.
Člen 10a – odstavek 1
Article 10a – paragraph 1
Če ni jasnih navedb o nasprotnem, velja pogodba, sklenjena pred [vstaviti datum, do katerega morajo države članice prenesti spremembo direktive, kakor je navedeno v členu 2 spodaj], s katero je izvajalec prenesel ali dodelil svoje pravice do posnetka izvedbe na proizvajalca fonograma (v nadaljnjem besedilu: „pogodba o prenosu ali dodelitvi“), tudi po tem, ko izvajalec in proizvajalec fonograma v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive] ne bi bila več varovana glede posnetka izvedbe oziroma fonograma .
In the absence of clear indications to the contrary, a contract, concluded before [insert date before which Member States are to transpose the amending directive, as mentioned in Article 2 below], whereby a performer has transferred or assigned his rights in the fixation of his performance to a phonogram producer (hereinafter: a "contract on transfer or assignment"), shall be deemed to continue to produce its effects beyond the moment at which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive], the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram .
Pogodba, sklenjena pred [vstaviti datum, do katerega morajo države članice prenesti spremembo direktive, kakor je navedeno v členu 2 spodaj], s katero je izvajalec prenesel ali dodelil svoje pravice, ki ni pravica kolektivne organizacije, do posnetka izvedbe na proizvajalca fonograma (v nadaljnjem besedilu: „pogodba o prenosu ali dodelitvi“), ni več veljavna po tem, ko izvajalec in proizvajalec fonograma v skladu s členom 3(1) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive] ne bi bila več varovana glede posnetka izvedbe.
A contract, concluded before [insert date before which Member States are to transpose the amending directive, as mentioned in Article 2 below], whereby a performer has transferred or assigned his rights other than to a collecting society in the fixation of his performance to a phonogram producer (hereinafter: a "contract of transfer or assignment"), shall be deemed not to produce any effect beyond the moment at which, by virtue of Article 3 (1) in their version before amendment by Directive [// insert: Nr. of this amending directive], the performer would be no longer protected in regard of, respectively, the fixation of the performance.
Te bodo zato morale podeljevati pravice za reproduciranje in distribuiranje v zvezi s posnetki izvedb za podaljšano trajanje.
This will require collecting societies to administer the reproduction and distribution rights in relation to fixations of performances for the extended term.
Ker bodo omogočale izkoriščanje nastopov kateremukoli subjektu, ne bo treba zaračunavati provizij po načelu "uporabi ali izgubi".
Given that collecting societies will allow for any operator to exploit the performance, there will be no need for a 'use it or lose it provision'.
Ker bodo te družbe imele podatke o izvajalcih, katerih izvedbe so vključene v fonograme, se s tem lahko izognemo pomislekom glede nejasnosti, kdaj delo preide v prosto uporabo.
Given that collecting societies will keep details of the performers whose performances are embodied on phonograms, concerns about lack of clarity as to when a work falls into the public domain can be avoided.
Če izvajalec upravljanja svojih pravic v podaljšanem trajanju varstva, ki izhaja iz te direktive, ni prenesel na kolektivno organizacijo, se za pooblaščeno za upravljanje njegovih pravic šteje kolektivna organizacija, ki upravlja pravice iste kategorije.
Where a performer has not transferred the management of his rights to a collecting society as regards the additional term of protection that is conferred as a result of this Directive, the collecting society which manages rights of the same category shall be deemed to be mandated to manage his rights.
Izvajalec obdrži moralne pravice.
The performer shall retain his moral rights.
Člen 10a – odstavek 2 a (novo)
Article 10a – paragraph 2 a (new)
Če je izvajalec prenesel svoje izključne pravice v zameno za ponavljajoča se plačila, se od teh plačil, ki pripadajo izvajalcu, ne odšteva niti predplačil niti pogodbeno določenih odbitkov.
Where a performer has transferred his exclusive rights for a recurring payment, no advance payments nor contractually defined deductions shall be deducted from the recurring payment due to the performer.
Kadar pogodba o prenosu ali dodelitvi daje pravico izvajalcu zahtevati neponavljajoče se nadomestilo, ima izvajalec pravico od proizvajalca fonograma dobiti dodatno letno nadomestilo za vsako polno leto, v katerem v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive ]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma.
Where a contract on transfer or assignment gives the performer a right to claim a non recurring remuneration, the performer shall have the right to obtain an annual supplementary remuneration from the phonogram producer for each full year in which, by virtue of Article 3 (1) and (2) in its version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram.
Kolektivna organizacija pravično razdeli prihodke, ki jih prejema zaradi izkoriščanja fonogramov, in sicer tako, da razdelitev odraža naravo in obseg prispevka posameznega izvajalca, katerega zavarovana izvedba je vključena v fonogram.
The collecting society shall distribute the revenues received from the exploitation of phonograms equitably, and in such a manner as to reflect the nature and extent of the contribution of each performer whose protected performance is embodied in a phonogram.
Člen 10 a – odstavek 4 – pododstavek 2
Article 10 a – paragraph 4 – subparagraph 2
(Povezano s predlogom spremembe k uvodni izjavi 12.)
(Linked to the amendment on Recital 12.)
Države članice zagotovijo, da pravico do pridobitve dodatnega letnega nadomestila iz odstavka 3 upravlja kolektivna organizacija .
Member States shall ensure that the right to obtain an annual supplementary remuneration referred to in paragraph 3 is administered by the collecting society .
(Povezano s predlogom spremembe k uvodni izjavi 13.)
(Linked to amendment on Recital 13.)
Kar zadeva uveljavljanje pravic v zvezi s storitvami na zahtevo, ki jih ponujajo izdajatelji radijskih in televizijskih programov, ki vključujejo glasbo iz zakonito izdanih fonogramov, države članice zagotovijo, da se pravice izvajalcev in proizvajalcev fonogramov, da dovolijo ali prepovedo takšno uporabo, uveljavljajo izključno prek kolektivne organizacije, ki je bila ustanovljena za zbiranje in razdeljevanje nadomestil za oddajanje takšnih fonogramov.
With respect to the exercise of rights concerning on-demand services by broadcasters relating to their radio or television productions incorporating music from lawfully published phonograms, Member States shall ensure that the rights of performers and phonogram producers to grant or refuse authorisation for such use shall be exercised solely through the collecting society which has been established for collecting and distributing the remuneration for broadcasting such phonograms.
Pravice imetnikov avtorskih pravic do poštenega nadomestila je mogoče urediti prek ustrezne kolektivne organizacije, pri sorodnih pravicah izvajalcev pa manjka ustrezna zakonska obveznost.
Although it is possible for the rights of copyright holders to fair remuneration to be cleared through the relevant collecting society, there is no corresponding legal obligation in relation to the associated rights of performers.
Predlagana določba bi izdajateljem olajšala urejanje zadevnih pravic, zagotovila, da bi imetniki pravic prejemali pošteno nadomestilo, in omogočila evropskim državljanom dostop do kulturno, zgodovinsko in politično pomembnega materiala iz arhivov izdajateljev.
The proposed provision would make it easier for broadcasters to clear the relevant rights, ensure the rightholders received fair remuneration and allow Europe's citizens access to culturally, historically and politically important material from broadcasters' archives.
Če po tem, ko v skladu s členom 3(1) in (2) v različici pred spremembo z Direktivo [// vstaviti: št. te spremembe direktive]/ES izvajalec in proizvajalec fonograma ne bi bila več varovana glede posnetka izvedbe oziroma fonograma, proizvajalec fonograma preneha dajati zadostne količine primerkov fonograma v prodajo ali na voljo javnosti po žici ali brezžično, tako da imajo posamezniki iz prebivalstva dostop do njih na kraju in v času, ki ga sami izberejo, lahko izvajalec prekine pogodbo o prenosu ali dodelitvi.
If, after the moment at which, by virtue of Article 3 (1) and (2) in their version before amendment by Directive [// insert: Nr. of this amending directive]/EC, the performer and the phonogram producer would be no longer protected in regard of, respectively, the fixation of the performance and the phonogram, the phonogram producer ceases to offer copies of the phonogram for sale in sufficient quantity or to make it available to the public, by wire or wireless means, in such a way that members of the public may access them from a place ant at a time individually chosen by them, the performer may terminate the contract on transfer or assignment.
Kadar fonogram vsebuje posnetek izvedb več izvajalcev, lahko izvajalci pogodbo o prenosu ali dodelitvi prekinejo samo skupaj.
Where a phonogram contains the fixation of the performances of a plurality of performers, they may terminate their contracts on transfer or assignment only jointly.
Kadar fonogram vsebuje posnetek izvedb več izvajalcev, lahko izvajalci pogodbo o prenosu ali dodelitvi prekinejo skupaj ali posamično v skladu z veljavnimi nacionalnimi zakoni.
Where a phonogram contains the fixation of the performances of a plurality of performers, they may terminate their contracts on transfer or assignment jointly or individually in accordance with the applicable national laws .