natgillin/translations-raw huggingface dataset:
I. ker je kulturna raznolikost Evrope, zlasti njena bogata dediščina regionalnih jezikov in kultur, nenadomestljiva surovina za kulturne in ustvarjalne industrije,
I. whereas Europe’s cultural diversity, and particularly its rich heritage of regional languages and cultures, constitutes an irreplaceable raw material for the CCI,
J. ker je treba v razpravi o vzpostavitvi enotnega trga za sektor ustvarjalnih vsebin posebno pozornost nameniti kulturnim in jezikovnim posebnostim,
J. whereas particular attention must be paid to cultural and language specificities in the debate on the establishment of a single market in the creative content sector,
K. ker so kulturne in ustvarjalne industrije laboratoriji za inovacije na področju umetnosti, tehnike in upravljanja in ker omogočajo širše kroženje umetniških del in umetnikov na evropski in mednarodni ravni,
K. whereas CCI are laboratories for artistic, technical and management innovation and whereas they make possible a broader dissemination of works and artists at European and international level,
L. ker se sektor kulturnih in ustvarjalnih industrij krepi in njegova prepoznavnost zagotavlja z različnimi pobudami Evropskega parlamenta in Sveta Evrope, kot so na primer nagrada Evropa, nagrada LUX in kulturne turistične poti,
L. whereas the CCI sector is enhanced and its visibility ensured through various initiatives by the European Parliament and the Council of Europe, such as the Europe Prize, the LUX Prize, and the Cultural Routes,
M. ker imajo kulturne in ustvarjalne industrije pomembno vlogo pri ohranjanju specifičnih, dragocenih in edinstvenih spretnosti in veščin, ki so plod sodobne ustvarjalnosti in starih izkušenj; in ker so zlasti v nekaterih panogah (kot so moda, urarstvo, draguljarstvo) ročne spretnosti ter znanje obrtnikov in ustvarjalcev so temelj slovesa in svetovnega uspeha evropske sektorske industrije,
M. whereas the CCI have a role to play in preserving distinctive, invaluable and unique skills and abilities through the fusion of contemporary creativity and long-standing experience; whereas, especially in certain sectors such as, for example, fashion, watchmaking and jewellery, the reputation and worldwide success of European industries in the sector are founded upon the manual skills and expertise of artisans and creators,
N. ker umetniki trenutno nimajo pravnega statusa na ravni EU, ki bi upošteval posebnosti njihove dejavnosti in kariere, zlasti glede mobilnosti, delovnih pogojev in socialnega varstva,
N. whereas artists do not have at present a legal status at EU level that takes into account the specific nature of their work and their career, in regard to mobility, working conditions and social protection in particular,
O. ker so ustvarjalne in kulturne industrije, ki zagotavljajo 5 milijonov delovnih mest in 2,6 % BDP EU, ena glavnih gonilnih sil za rast v EU, saj ustvarjajo nova delovna mesta, imajo ključno vlogo v svetovnih vrednostnih verigah, spodbujajo inovacije, prinašajo dodano vrednost kot dejavnik socialne kohezije ter so učinkovito orodje v boju proti sedanji recesiji,
O. whereas the CCI, which account for 5 million jobs and 2.6% of EU GDP, are one of the main drivers for growth in the EU, creating new jobs, playing key roles in global value chains, spurring innovation, providing added value as a factor for social cohesion and serving as an efficient tool in the fight against the current recession,
P. ker kulturne in ustvarjalne industrije vplivajo na skoraj vse druge gospodarske sektorje, ki jim nudijo inovacije, pomembne za konkurenčnost, zlasti v zvezi z informacijsko in komunikacijsko tehnologijo,
P. whereas the CCI have an influence on almost every other economic sector, furnishing them with innovations that are decisive for competitiveness, especially where information and communication technologies (ICT) are concerned,
Q. ker so te industrije gibalo gospodarstva v digitalni dobi, saj znatno prispevajo k inovacijam ter razmahu novih informacijskih in komunikacijskih tehnologij, in ker prispevajo k uresničevanju ciljev strategije Evropa 2020,
Q. whereas these industries are a driving force for economies in the digital age, making a significant contribution to innovation and the development of new ICT, and whereas they contribute to attaining the Europe 2020 objectives,
R. ker lahko ustvarjalne in kulturne industrije ustvarijo bogastvo in delovna mesta, če se jim v okviru evropske strategije za mednarodno konkurenčnost zagotovijo sredstva za zagotavljanje konkurenčnosti s kulturnimi in ustvarjalnimi industrijami držav zunaj EU,
R. whereas CCI can create wealth and jobs if they are given the means to be competitive with the CCI in countries outside the EU in the context of a European international competition strategy,
S. ker je nekaj ljudi v ustvarjalnih in kulturnih industrijah samozaposlenih,
S. whereas some people involved in the creative and cultural industries are self-employed,
T. ker so kulturne in ustvarjalne industrije trg v EU v porastu in so področje, kjer lahko države članice postanejo vodilne na svetovnem trgu,
T. whereas the CCI are a growth market in the EU and an area where it has the potential to become a global market leader,
U. ker je razvoj trgovine z blagom in storitvami kulturne in ustvarjalne industrije pomemben steber kulture, razvoja in demokracije,
U. whereas the development of trade in cultural and creative goods and services constitutes an important pillar for culture, development and democracy,
V. ker je ustvarjalnost odvisna od dostopa do obstoječih znanj, del in ustvarjalnih vsebin,
V. whereas creativity depends on access to existing knowledge, works and creative content,
W. ker je vloga kulturnih vsebin v digitalnem gospodarstvu poglavitnega pomena; ker bo digitalna rast v Evropi v prihodnje odvisna od ponudbe kakovostnih in raznolikih kulturnih vsebin,
W. whereas the role of cultural content in the digital economy is crucial; whereas Europe’s digital growth will depend in future on having a varied supply of high-quality cultural content,
X. ker digitalna doba tem industrijam odpira nove perspektive za uvedbo novih gospodarskih modelov, ki potrošnikom omogočajo dostop do raznolike in kakovostne ponudbe,
X. whereas the digital age opens new possibilities for these industries by introducing new economic models enabling consumers to have access to a range of high-quality products,
Y. ker si industrija vsebin močno prizadeva za razvoj zakonite ponudbe kulturnih vsebin na spletu, vse zainteresirane strani pa bi morale združiti moči pri ozaveščanju o obstoječi zakoniti ponudbi teh vsebin,
Y. whereas the content industry is making a considerable effort to develop legal offers on cultural online content and all stakeholders should join forces in raising awareness about the existing legal offers of online content,
Z. ker so časopisi in revije sestavine kulturnih industrij, pa tudi pluralistične in raznolike evropske medijske krajine,
Z. whereas newspapers and magazines are components of cultural industries as well as a pluralistic and diverse European media landscape,
AA. ker digitalna doba postavlja pred izziv tudi vzdržnost tradicionalnih sektorjev v teh industrijah, kot so knjižno založništvo, knjigotrštvo in tiskani mediji,
AA. whereas the digital age also poses challenges to the sustainability of traditional sectors of these industries, including book publishing, bookselling and the print media,
AB. ker evropske kulturne in ustvarjalne industrije za svoj razcvet potrebujejo sodoben, dostopen in pravno varen sistem za zaščito pravic intelektualne lastnine,
AB. whereas, in order to flourish, Europe’s CCI require a modern, accessible and legally certain system for the protection of intellectual property rights (IPR),
AC. ker je bistveno zagotavljati umetniško in kulturno izobraževanje državljanov ter podpirati ustvarjanje, da bi razvijali ustvarjalnost ter poznavanje umetnosti, kulture, kulturne dediščine in kulturne raznolikosti Unije, izobraževanje pa mora poleg učenja o digitalnih pravicah obsegati tudi učenje o obveznostih, s čimer bi spodbudili boljše razumevanje in spoštovanje del, zaščitenih s pravicami intelektualne lastnine,
AC. whereas it is essential to ensure the artistic and cultural education of citizens and to appreciate the creative process in order to develop creativity and knowledge of the arts, culture, cultural heritage and the cultural diversity of the EU, education should extend to learning about not only digital rights but also obligations, to foster better understanding and respect of works protected by IPR,
AD. ker se zaradi tehnološkega napredka informacijskih in telekomunikacijskih tehnologij nikakor ni spremenila temeljna potreba po zaščiti pravic intelektualne lastnine,
AD. whereas the technological advances in ICT in no way alter the fundamental need to protect IPR,
AE. ker je treba bolj spoštovati veljavni pravni okvir za zaščito teh pravic ter izvesti reforme, med drugim v zvezi s poenostavitvijo postopkov za izdajanje licenc v kulturnih industrijah, da se v celoti izkoristijo nove možnosti in zagotovi uravnotežen sistem zaščite pravic, ki bo upošteval interese ustvarjalcev in potrošnikov,
AE. whereas better compliance with the existing legal framework protecting these rights, as well as reforms regarding, inter alia , simplification of licensing procedures in the cultural industries, are required in order to take full advantage of the new possibilities offered, whilst guaranteeing a well-balanced system of rights protection which takes account of the interests of both creators and consumers,
AF. ker je sodoben sistem blagovne znamke Unije bistven za zaščito vrednosti, ki jo predstavljajo naložbe evropskih podjetij v oblikovanje, ustvarjanje in inovacije,
AF. whereas a modern Union trademark system is essential in order to protect the value represented by investments made by European companies in design, creation and innovation,
AG. ker je treba zagotoviti strateška vlaganja v kulturne in ustvarjalne industrije, zlasti z dostopom do financiranja, prilagojenega njihovim posebnostim in potrebam, da bodo lahko polno prispevale h krepitvi evropskega gospodarstva,
AG. whereas there must be a guarantee of strategic investments in CCI, for example through access to funding which is adapted to their specific characteristics and needs, in order to enable them to play a full part in boosting the European economy,
AH. ker imajo kulturne in ustvarjalne industrije pomembno vlogo v razvoju ustvarjalnih središč na lokalni in regionalni ravni, ki skozi številne vmesnike, kot so lokalne oblasti, omogočajo večjo privlačnost regij, oblikovanje ter razvoj podjetij in delovnih mest, ukoreninjenih v lokalno in regionalno gospodarsko tkivo, spodbujajo turistično privlačnost regij in krepijo njihov profil ter spodbujajo sektor umetnosti in kulture ter ohranjanje, promocijo in pospeševanje evropske kulturne dediščine,
AH. whereas CCI play a major role in developing centres of creativity at local and regional level which make regions more attractive and allow businesses and jobs anchored in the local and regional economic fabric to be created and developed, make the regions more attractive to tourists, promote the setting up of new businesses and enhance the profile of these regions, and promote the cultural and artistic sector and the preservation, promotion and enhancement of the European cultural heritage thanks to numerous agencies such as local and regional authorities,
AI. ker je zlasti treba upoštevati evropski instrument sosedstva in partnerstva in njegov regionalni akcijski načrt, odobren in financiran za obdobje 2011–2013,
AI. whereas the European Neighbourhood and Partnership Instrument (ENPI) and its regional action plan (RIP) have been approved and funded for 2011-2013,
AJ. ker je treba okrepiti vlogo evropske zveze ustvarjalnih industrij,
AJ. whereas the role of the European Creative Industries Alliance (ECIA) should be enhanced,
Kulturne in ustvarjalne industrije kot gonilo Evropske unije
Cultural and creative industries as a driving force in the European Union
7. poziva Komisijo, naj pripravi belo knjigo zaradi vse večjega pomena kulturnih in ustvarjalnih industrij ter zaradi okrepitve tega sektorja, ki je strateškega pomena za dosego ciljev strategije Evropa 2020;
Calls on the Commission to draw up a White Paper, in view of the ever increasing importance of CCI as well as the objective of strengthening this sector, which is of strategic importance for the achievement of the Europe 2020 goals;
10. poudarja pomen izobraževalnih programov, ki so osredotočeni na poklicno usposabljanje, razvoj idej in pripovedovanje zgodb, digitalna, tehnična, podjetniška in tržna znanja, vključno z uporabo družabnih omrežij in delavskih spretnosti;
Highlights the importance of educational programmes which focus on vocational training, the development of ideas and storytelling, e-skills, technical, entrepreneurial and marketing skills, including the use of social networks, and workers' skills;
16. predlaga oblikovanje novih pilotnih projektov v okviru programov ERASMUS in ERASMUS za mlade podjetnike, kar bo omogočilo večje sodelovanje med univerzami in podjetji v kulturnem in ustvarjalnem sektorju;
Proposes the creation of new pilot projects under the Erasmus and Erasmus for Young Entrepreneurs programmes to allow for greater collaboration between universities and enterprises in the cultural and creative sector;
Delovni pogoji in podjetništvo
Working conditions and entrepreneurship
29. poziva Komisijo, naj spoštuje in prizna dejavnosti kulturnih služb, neprofitnih organizacij in zasebnih pobud, ki sodelujejo pri razvoju vključujočega ustvarjalnega gospodarstva; poziva Komisijo in države članice, naj spodbujajo in ohranjajo dobre prakse, katerih namen je olajšati dostop vseh mladih (najsi gre za študente, vajence, pripravnike, iskalce zaposlitve itd.) in najbolj ranljivih posameznikov do kulture in ustvarjalnih vsebin, kot so znižane cene, boni za kulturo ali brezplačne kulturne dejavnosti;
Calls on the Commission to respect and acknowledge actions taken by cultural services, not-for-profit organisations and private initiatives involved in the development of a creative inclusive economy; calls on the Commission and the Member States to encourage and embed good practices designed to facilitate access for both young people (irrespective of their status as students, apprentices, trainees or job-seekers, etc.) and particularly vulnerable people to culture and creative content – for example, reduced prices, culture vouchers and free cultural activities;
Status umetnikov
Status of artists
Umetniški poklici
Artistic trades
Boljše širjenje del v digitalni dobi
Improving the distribution of works in the digital age
40. poziva Komisijo, naj zagotovi dosledno izvajanje člena 13 direktive o avdiovizualnih medijskih storitvah
Calls on the Commission to ensure the strict implementation of Article 13 of the Audiovisual Media Services Directive
1. , ki določa, da države zagotovijo, da avdiovizualne medijske storitve spodbujajo proizvodnjo evropskih del ter dostop do njih, ter da najpozneje do leta 2012 poročajo o izvajanju te določbe;
1. , which provides for the Member States to ensure that on-demand audiovisual media services promote the production of and access to European works and to report to it on the implementation of this provision no later than 2012;
44. poziva Komisijo in države članice, naj posebno pozornost namenijo vlogi knjižnic kot ustanov za širjenje kulture ter forumov za dialog; meni, da bi se knjižnicam ter izobraževalnemu in kulturnemu sektorju lahko dalo odgovornost ter sredstva za prehod na digitalni sistem; opozarja, da je ta postopek treba opraviti hitro, saj imajo evropske knjižnice celo zdaj omejena sredstva za zadovoljiv prehod na digitalne medije;
Calls on the Commission and the Member States to give particular consideration to the role of libraries as institutions for the dissemination of culture and as forums for dialogue; considers that libraries, together with the educational and cultural sector, should be given responsibility and resources for the digital switchover; recalls that this process is a matter of urgency, since European libraries even now have only limited means to convert satisfactorily to digital media;
47. poziva Komisijo, naj glede na vse večji prehod na produkcijo in širjenje digitalnih vsebin prevzame pobude za spodbujanje in povečanje digitalne pismenosti; poudarja, da morajo založniki tesno sodelovati v pobudah za pismenost na področju digitalnih medijev,
Calls on the Commission to take initiatives to promote and increase digital literacy, given the increasing shift towards digital content production and distribution by the publishing industry; stresses that publishers should be closely involved in initiatives on digital media literacy;
Oblikovanje notranjega trga kulturnih in ustvarjalnih vsebin
Towards an internal market for cultural and creative content
51. poziva Evropsko komisijo, naj podpre nove inovativne gospodarske modele v ustvarjalnem in kulturnem sektorju, ki bodo prilagojeni učinkom globalizacije in izzivom digitalne dobe, zlasti kar zadeva industrijo vsebin;
Calls on the Commission to support new and innovative economic models in the creative and cultural sector which are adapted to the impact of globalisation and the challenges of the digital age, particularly with regard to content industries;
53. poziva Komisijo, naj spodbuja uporabo, širjenje in razvoj odprtokodne programske opreme in odprtih standardov, ki pomenijo potencial za inovacije, ustvarjalnost, širjenje znanja in ustvarjanje delovnih mest;
Calls on the Commission to promote the use, dissemination and development of open source software and open standards, which represent potential for innovation, creativity, knowledge dissemination and job creation;
55. poudarja, da je treba razmisliti o tem, kako prilagoditi regulativni okvir, zlasti veljavne predpise o konkurenčni politiki, posebnostim kulturnega sektorja, da bi zagotovili kulturno raznolikost in dostop potrošnikov do različnih kakovostnih kulturnih vsebin in storitev;
Stresses the importance of considering the best way to adapt the regulatory framework – and in particular the rules on competition policy – to the specific situation of the cultural sector in order to ensure cultural diversity and consumer access to a range of high-quality cultural content and services;
57. vztraja tudi, da je treba razmisliti o optimalnih pogojih za razvoj tega enotnega trga, zlasti na glede obdavčenja, na primer s pri viru odtegnjenimi davki za dohodke iz naslova avtorskih pravic ali z uvedbo znižane stopnje DDV za kulturne dobrine in storitve, ki se širijo na fizičnih nosilcih ali prek spleta, da bi spodbujali njihov razvoj;
Emphasises the need to give thought to the optimum conditions for the development of this single market, with particular regard to taxation, for example, concerning deductions at source applicable to copyright income, by allowing the introduction of a reduced rate of VAT for on- or off-line cultural goods and services in order to promote their development;
62. poudarja, da je treba pravice intelektualne lastnine učinkovito uveljavljati na spletu in zunaj njega, ter v zvezi s tem opozarja, da je treba vse ukrepe temeljito oceniti, da se zagotovi, njihova učinkovitost, sorazmernost in skladnost z Listino Evropske unije o temeljnih pravicah;
Emphasises the need for effective enforcement of IPR in both the offline and online environments, and stresses in that connection that all measures should be carefully evaluated in order to guarantee their efficiency, proportionality and compatibility with the Charter of Fundamental Rights of the European Union;
64. v zvezi s tem poudarja ključno vlogo organizacij kolektivnega upravljanja pri razvoju evropske ustvarjalnosti in digitalnega gospodarstva; poziva Komisijo, naj v okviru trenutne priprave predloga direktive o kolektivnem upravljanju pravic oblikuje ustrezen pravni okvir za kolektivne organizacije in preureditev seznamov avtorskih pravic;
Stresses, in this context, the essential role of collecting societies for the development of European creativity and the digital economy; calls on the Commission, in the context of the ongoing drafting of a proposal for a directive on collective rights management, to establish an appropriate legal framework for collecting societies and the reaggregation of copyright repertoire;
69. poudarja, da se je treba končno spoprijeti z „lakoto po knjigah“ pri slabovidnih osebah in osebah, ki imajo težave z branjem; opozarja Komisijo in države članice na njihove obveznosti iz konvencije Združenih narodov o pravicah invalidov, da je treba sprejeti vse ustrezne ukrepe, ki bodo invalidom zagotovili dostop do kulturnega gradiva v dostopnih oblikah, ter zagotoviti, da zakoni o varstvu intelektualne lastnine ne bi nerazumno ali diskriminacijsko ovirali dostop invalidov do kulturnega gradiva;
Stresses the need finally to address the ‘book famine’ experienced by visually impaired and print-disabled people; reminds the Commission and Member States of their obligations under the UN Convention on the Rights of Persons with Disabilities to take all appropriate measures to ensure that people with disabilities enjoy access to cultural materials in accessible formats, and to ensure that laws protecting IPR do not constitute an unreasonable or discriminatory barrier to access by people with disabilities to cultural materials;
71. poudarja, da je treba rešiti vprašanje osirotelih del; pozdravlja namero Komisije, da bo predložila predloge na tem področju; ugotavlja, da problem osirotelih del in „črne luknje 20. stoletja“ ni omejen zgolj na tiskana dela, kot so knjige in revije, temveč zadeva vse vrste del, vključno s fotografijami, glasbo in avdiovizualnimi deli;
Stresses the need to solve the issue of orphan works; welcomes the Commission’s stated intention to present proposals in this area; notes that the problem of orphan works and the ‘black hole of the 20th century’ is not limited to printed works such as books and magazines, but extends to all kinds of works, including photographs, music and audiovisual works;
75. pozdravlja pregled sistema blagovne znamke EU, ki ga je opravila Komisija, in jo spodbuja, naj poskrbi za ustrezne ukrepe, s katerimi bodo blagovne znamke enako dobro zaščitene na spletu in zunaj njega;
Welcomes the Commission’s revision of the EU trademark system and encourages the Commission to see to it that the relevant steps are taken to ensure that trademarks can benefit from the same level of protection in both the online and offline environments;
Financiranje kulturnih in ustvarjalnih industrij
Funding cultural and creative industries
79. spodbuja uporabo obstoječih evropskih sredstev in programov (na primer instrumenta mikrofinanciranja) za razvoj malih podjetij in mikropodjetij v sektorju kulture in ustvarjalnosti, da bi se izboljšala pomoč podjetjem z lažjim dostopom do informacij o možnostih financiranja, in enostavnejšimi vlogami za ta sredstva;
Advocates the mobilisation of, and simplified application for, existing EU funds and programmes (such as the Microfinance Facility) for the development of small and micro-enterprises in the cultural and creative sector, with a view to optimising support for enterprises by facilitating access to information on funding options;
84. poudarja pomen sponzorstva in javno-zasebnega partnerstva pri podpori kulturnih in ustvarjalnih dejavnosti ter poziva k boljšemu dostopu teh sektorjev do posojil ter naj se za spodbujanje sponzorstva podjetij preučijo alternativne možnosti, kot so davčne olajšave ali davčne spodbude;
Underlines the importance of patronage and public-private partnerships in the financing and support of cultural and creative activities and calls for better access to credit for these sectors and for alternative formulas such as tax relief or tax incentives to be examined in order to encourage patronage by enterprises;