natgillin/translations-raw huggingface dataset:
Čutim, da bo ta projekt tisti, za katerega sem gorela ves ta čas.
I feel like this one project is something I am burning for.
119 minut
119 min
igrajo: Sibel Kekilli (Umay), Settar Tanriöðen (Kader)
Cast: Sibel Kekilli (Umay), Settar Tanriöðen (Kader)
Olivier Masset-Depasse Olivier Masset-Depasse (rojen v Charleroiju leta 1971) rad predstavlja trmaste ženske značaje.
Olivier Masset-Depasse Belgian born director likes to portray headstrong female characters Describes his film "Illégal" as poignant Olivier Masset-Depasse (born in Charleroi 1971) likes to portray headstrong female characters.
Njegov prvenec Cages (2006) je bil prikazan na filmskih festivalih v Rimu in Torontu, v Belgiji pa je bil tudi komercialno uspešen.
His debut feature Cages (2006) was seen at the Rome and Toronto festivals and enjoyed commercial success in Belgium.
Illégal je bil izbran za projekcijo na filmskem festivalu v Cannesu, poteguje pa se tudi za Oscarja za najboljši tuji film.
Selected for the 2010 Cannes Film festival’s Directors’ Fortnight, Illégal is also running for the 2011 Oscar's Best Foreign Language Film.
Čustven, dokumentaren, pod pritiskom.
Poignant, documented, under tension.
Zato, da bi ga lahko ljudje videli in ne bi mogli več reči, da niso vedeli.
So people can see it and can no longer say "I do not know."
Pozitivno in negativno presenečenje ob snemanju filma?
One positive and negative surprise in making the film?
Večinoma so bili ljudje ganjeni, stvar se jih je dotaknila, jih pretresla, nekatere pa tudi razjezila.
Most of the time they were moved, touched, shaken and sometimes angry.
Človeka-slona Davida Lyncha.
The Elephant Man by David Lynch.
Če ne bi snemali filmov, kaj bi delali?
Which film in cinema history do you most wish you had made?
Priložnost, da dober glas seže v deveto vas, distribucija.
An opportunity to spread a message and also to distribute my film.
Politični triler o prekupčevanju z vizami.
At the moment it's a political thriller about visa trafficking.
95 minut
95 min
Kdo so trije finalisti za nagrado LUX?
2010 LUX finalists
Trije finalisti.
The screening of this year's LUX Prize finalists started on 26 October.
V Evropskem parlamentu so se 26. oktobra začele filmske predstave, na katerih so si lahko poslanci ogledali tri filme, ki so se uvrstili v ožji izbor za filmsko nagrado Evropskega parlamenta LUX: gre za filme Akadimia Platonos, Die Fremde, Illégal.
Three European films are in competition for the Parliament's annual cinema award: Akadimia Platonos, Die Fremde and Illégal.
Dobitnik nagrade LUX sicer ne dobi denarja neposredno na svoj tekoči račun.
The LUX Prize marks the Parliament's commitment to culture.
Evropski parlament namreč plača stroške podnaslovov v vseh 23 uradnih jezikih Evropske unije, pa tudi prilagoditev filma za posameznike, ki imajo težave s sluhom ali vidom.
It aims to encourage European film - the winning film is subtitled into the EU’s 23 official languages.
Parlament zmagovalcu financira tudi prenos filma na 35-milimetrski trak za distribucijo v vseh državah EU.
All MEP:s are eligible to cast their vote and the prize ceremony takes place on 24th November in Strasbourg.
V nadaljevanju predstavljamo tri finaliste:
All three films have won already remarkable awards; two will represent their respective countries to the forthcoming Oscars.
AKADIMIA PLATONOS - PLATONOVA AKADEMIJA (režiral Filippos Tsitos, Grčija/Nemčija)
AKADIMIA PLATONOS - PLATO‘S ACADEMY directed by Filippos Tsitos
Prodajalec časopisov Stavros vsak dan odklene svoj kiosk, razstavi časopise in na pločnik postavi stole, s katerih nato njegovi prijatelji cel dan opazujejo mimoidoče.
Every day, Stavros raises the metal shutters of his kiosk, puts out the newspapers and arranges the chairs on which he and his friends sit all day looking at passers by and enjoying the way their dog Patriot, on the opposite pavement, barks at Albanians that walk by.
Pri tem uživajo predvsem v vragolijah kužka Patriota z nasprotne strani ceste, ki oblaja prav vsakega Albanca, ki se znajde na njegovi poti.
Stavros and his friends do not like foreigners.
Stavros in njegovi prijatelji namreč ne marajo tujcev.
Near the kiosk entrance, sits Stavros’ increasingly senile mother.
Potem pa se nekega dne Stavrosova mati zgrudi v roke albanskega delavca in ga po albansko nagovori kot svojega sina.
One day their routine is broken as the mother throws herself into the arms of an Albanian worker – calling him her son, in Albanian.
Od takrat naprej Stavrosovi prijatelji nanj gledajo sumničavo: imajo opravka z Grkom ali Albancem?
From then on Stavros’s friends view him with suspicion: Is he Greek or Albanian?
DIE FREMDE - KO ODIDEMO (režirala Feo Aladag, Nemčija)
DIE FREMDE - WHEN WE LEAVE directed by Feo Aladag
Umay, mlada, 25-letna Nemka s svojim mladim sinom Cemom zbeži od svojega moža in se iz Istanbula vrne v rodni Berlin.
Synopsis : Umay, a young German woman of 25, flees her oppressive marriage in Istanbul with her young son Cem and returns to her native Berlin.
Upa, da bo v Nemčiji življenje boljše.
She hopes to build a better life there.
Ampak njena vrnitev vznemiri njeno družino, ki je razpeta med ljubeznijo do nje in spoštovanjem tradicionalnih vrednot skupnosti.
But her unexpected arrival creates conflicts in her family which is torn between their love for her and the values of their community.
Čeprav si uspe izgraditi novo življenje, pa ji je usojena vrsta propadlih poskusov spraviti se s svojo družino.
Although she manages to build a new life, her need for her family’s approval and love drives her to a series of ill-fated attempts at reconciliation.
Ne predstavlja si namreč, kako nevaren je lahko boj za lastno neodvisnost.
She doesn’t realize the depth of the wounds or how dangerous her struggle for independence has become.
ILLÉGAL – NEZAKONITO (režiral Olivier Masset-Depasse, Belgija/Francija/Luksemburg)
ILLÉGAL – ILLEGAL directed by Olivier Masset-Depasse
Tanja, 39-letna Rusinja, s svojim 14-letnim sinom že deset let nezakonito živi v Belgiji.
Synopsis : Tania, a 39-year-old Russian woman, has been living illegally in Belgium for some ten years with her 14 year old son.
Čeprav so oblasti zavrnile njeno prošnjo za azil, je uspela najti službo in sina poslati v šolo.
Although the authorities refused her application for asylum, she manages to find a job and send her son to school.
Vendar živi v stalnem strahu, da je ne odkrijejo.
But she lives in constant fear of being found out.
Potem, ko jo enkrat policisti legitimirajo, se znajde v centru za tujce.
Following a police check, she is arrested and placed in a detention center.
Njen sin uspe pobegniti in se skriti pri prijatelju.
Her young son manages to escape and take refuge at a friend’s home.
In tako se začne njen boj za lastno dostojanstvo.
And so she begins her fight for her dignity and the search for her son despite the constant deportation threat hanging over her head.
Zgodba o boju matere proti sistemu.
It is a story of a mother’s struggle against the State.
Več o Akadimia Platonos Več o Die Fremde Več o Illégal
More about Akadimia Platonos More about Die Fremde More about Illégal
Film je jezik, ki se ga lahko naučimo, pravi režiser Wim Wenders
Film maker Wim Wenders: Film is a language that can be taught
Režiser se je v Evropskem parlamentu udeležil razprave ob projekciji treh filmov, ki se potegujejo za letošnjo filmsko nagrado Parlamenta LUX.
We talked to Wenders as he visited the European Parliament for discussions with MEPs on Film and European identities - a hearing launching the screening of 2010's LUX film Prize finalists.
Obstaja en evropski film ali več nacionalnih filmov?
Is there one European cinema or several national ones?
Že vsota je kar veliko, ampak evropski film je veliko več, s svojim jezikom, svojimi pravili, svojo zgodovino.
The sum is already quite a lot but European cinema is much more with its language of its own with its own rules and its own history.
Zelo poseben jezik, ki se ga je Hollywood skozi leta kar dobro naučil.
A very distinct language...that Hollywood learned a lot from over the years.
Kako promovirati filme iz ene države v drugih?
How can we promote national films from one country to another?
Tam zunaj je veliko bogastvo filmov, ampak ti ne potujejo veliko.
We see the incredible richness of films out there, and we see how little they travel.
Vsako leto manj.
Every year it's less.
In to ne zato, ker jih ljudje ne bi imeli radi.
And it is not because people don't like it.
Ko ljudje te filme enkrat vidijo, so osupli, presenečeni.
Once you show people these movies they are flabbergastered, they are astonished, but they don't get to see them.
Občinstvo obstaja, le priložnosti za ogled filmov je manj.
The audience is there, it is just that the chances to see these movies are diminished.
Nagrada Evropskega parlamenta LUX je ena izmed mnogih dobrih pobud.
European Parliament's LUX Prize is one out of many good initiatives.
V vsaki državi je veliko programov in dejavnosti, veliko različnih idej.
If you look at each country you realise there is a lots of programmes lots of activities lots of different ideas.
Je jezik ovira?
Is language an obstacle?
Jezik je vedno težava.
Language is always a problem.
Nerad govorim o jeziku kot o težavi, saj je zame delati filme v različnih jezikih privilegij.
I hate to speak of it as a problem because I see it as a privilege that we can make movies in different languages.
Učiti film v šolah ...
What about "cinema literacy" and teaching film in schools...
Izpuščamo priložnost, da bi otroke naučili, da obstaja čisto drug jezik, ki se ga lahko naučijo in ki ga potrebujejo, da ne postanejo žrtve hitre hrane.
We are missing the chance to teach kids that there is a whole different language that they can learn and that they need in order not to be victims of fast food.
Gre za njihovo dobrobit.
It is for their own good.
Nobenega ne silimo, lahko si ogledajo katerikoli film želijo, ne uvajamo nobenih kvot.
We are not forcing them, they can later on go to see any movie they like.
Tako ali tako je vse zunaj.
We are the last who want to impose any quotas.
Vendar bi bila škoda, če bi otroci popolnoma izgubili okus, da ne bi vedeli, da obstajajo filmi o njihovih sosedih, da obstaja druga vrsta filma, ki je zelo drugačna in, na drug način, veliko bolj zabavna.
But it would be a shame if they completely lost the taste and the chance to learn that there are films about their neighbours, that there is another kind of cinema that is very different, and in a different way much more fun.
Avdiovizualni jezik je tisti jezik, ki so mu otroci najbolj izpostavljeni, pri tem pa je edini, na katerega so popolnoma nepripravljeni.
Kids are exposed to no other language more frequently than the audiovisual language and it is the only one they are completely unprepared for.
Ne gre samo za film, ampak tudi za igre, televizijo, splet.
It is not just cinema, it is games, it is television, it is internet it is a language and it can be taught.
Delež gledalcev evropskih filmov je v Skandinaviji veliko višji kot drugje, to pa zato, ker so otroke naučili, da obstajajo tudi druge stvari.
The percentage of audiences for European films in Scandinavia is much higher than anywhere else, because they started to teach and kids know there is something else out there.
Kakšna je razlika med evropskim in ameriškim filmom?
What is the difference between European and American film?
Evropski filmi so zelo specifični, le malo evropskih filmov se dogaja nikjer ali kjerkoli.
European films have a tradition of being very specific, you find few European films that take place nowhere or anywhere.
Dogajajo se na določenem mestu, imajo določen jezik.
They take place in a certain location, they have a certain language.
Večina ameriških filmov se dogaja na nedoločenih mestih, za gledalce ni toliko važno, kje se zgodba dogaja.
Most American films are located in unspecific places, they like to appeal to an audience where it doesn't matter where it takes place.
Menim, da bi morali otroci vedeti, da se filmi ne dogajajo le na domišljijskih lokacijah.
And I think it's good for kids to learn that films can be specific and that they can talk of real things, and not only imaginary places.
rojen leta 1945 v Düsseldorfu
Born 1945 in Düsseldorf.
režiral "Paris, Texas" (1984) in "Buena Vista Social Club"(1999)
Wim Wenders won prize in Cannes 1984 for "Paris, Texas" and in 1987 for "Wings of Desire".
predsednik nemške Evropske filmske akademije President of the European Film Academy, združenja, ki predstavlja filmske ustvarjalce iz 46 držav
He has also made documentaries, most notably Buena Vista Social Club (1999) about Cuban musicians, and The Soul of a Man (2003) on American blues and worked on music videos and commercials.
Filmska nagrada Evropskega parlamenta LUX Evropska filmska akademija Domača stran Wima Wendersa
Culture Committee European Film Academy Wim Wenders official web site Committee hearing
Letos bo na Lidu prisoten tudi Evropski parlament s svojo filmsko nagrado LUX.
"Plato's Academy", "When we leave" and "Illégal" have been chosen as they deal with themes that currently affect many people in Europe.
V petek in soboto bodo v Benetkah namreč na ogled trije filmi, ki so se uvrstili v finale nagrade, Parlament pa je na festival povabil tudi 27 mladih cineastov iz vse EU.
The three films deal with immigration, racism, ageing and family entanglements.
Gre za neodvisne filmarje, organizatorje festivalov, fotografe, kritike in blogerje, ki bodo imeli priložnost srečati se s svojimi starejšimi in uveljavljenimi kolegi iz sveta filma ter izmenjati svoje izkušnje.
The film lovers have been especially chosen and include film bloggers, photographers and independent film makers.
Na beneškem filmskem festivalu bodo tako 10. in 11. septembra na posebnih projekcijah prikazani trije finalisti filmske nagrade Evropskega parlamenta LUX:
27 Times Cinema Blog LUX film prize: 3-film shortlist for 2010 Venice Days
Filmska nagrada LUX: Evropski parlament je zavezan kulturi Avstrija, Belgija, Danska, Francija, Nemčija, Grčija, Madžarska, Italija, Litva, Romunija in Velika Britanija - filmarji iz teh držav so sodelovali pri nastajanju desetih filmov, ki so se uvrstili v izbor za filmsko nagrado Evropskega parlamenta LUX.
These films, made in Austria, Belgium, Denmark, France, Germany, Greece, Hungary, Italy, Lithuania, Romania and the UK, all reflect the creative excellence of European cinema, which Parliament is pleased to support.
Akadimia Platonos , režiser Filippos Tsitos (Grčija/Nemčija)
Akadimia Platonos (Plato's Academy) by Filippos Tsitos, Greece, Germany
Bibliothèque Pascal , režiser Szabolcs Hajdu (Madžarska/Nemčija/Velika Britanija/Romunija)
Bibliothèque Pascal by Szabolcs Hajdu, Hungary, Germany, United Kingdom, Romania
Die Fremde , režiserka Feo Aladag (Nemčija)
Die Fremde (When We Leave) by Feo Aladag, Germany
Illégal , režiser Olivier Masset-Depasse (Belgija)
Illégal (Illegal) by Olivier Masset-Depasse, Belgium
Indigène d’Eurasie , režiser Sharunas Bartas (Litva/Francija/Velika Britanija)
Indigène d’Eurasie (Eastern Drift) by Sharunas Bartas, Lithuania, France, United Kingdom
Io sono l'amore , režiser Luca Guadagnino (Italija)
Io sono l'amore (I Am Love) by Luca Guadagnino, Italy
La bocca del lupo , režiser Pietro Marcello (Italija)
La bocca del lupo (The Mouth of the Wolf) by Pietro Marcello, Italy
Lourdes , režiserka Jessica Hausner (Avstrija/Francija/Nemčija)
Lourdes by Jessica Hausner, Austria, France, Germany
Medalia de onoare , režiser Calin Peter Netzer (Nemčija/Romunija)
Medalia de onoare (Medal of Honour) by Calin Peter Netzer, Germany, Romania
R , režiserja Tobias Lindholm in Michael Noer (Danska)
R by Tobias Lindholm and Michael Noer, Denmark
Filmska nagrada LUX kot dokaz zavezanosti Parlamenta filmu
The prize showing the European Parliament's commitment to cinema
Nagrada LUX (v latinščini lux pomeni luč) je bila prvič podeljena leta 2007, z njo pa Evropski parlament daje svoj prispevek evropskemu filmu.
The LUX Prize (in Latin, lux means light), was established in 2007, as a tangible symbol of the European Parliament’s commitment to the European film industry and its creative endeavours.
Žirija izbira predvsem filme, ki kažejo Evropejce - njihova življenja, prepričanja, dvome in iskanje identitete.
No matter what individual, historical or social issue it illustrates, each film in the LUX Prize Official Selection gives a glimpse of Europeans — their lives, their convictions, their doubts, and their quest for identity.
Kdo se lahko prijavi in kako poteka izbira?
Eligibility criteria and the selection process
Za nagrado LUX se lahko potegujejo filmi, animirani filmi ali dokumentarci, dolgi najmanj 60 minut, ki se ukvarjajo z evropskimi vrednotami, kulturno raznolikostjo ali procesom evropskega združevanja.
To be eligible to the 2010 LUX Prize Official Selection, films must meet the following requirements: fiction or animation films or creative documentaries; a 60-minute minimum running time; illustrating or questioning the founding values of our European identity, Europe’s cultural diversity or providing insights into the debate on the EU integration process; productions or co-productions eligible for support from the MEDIA programme (European Union, Croatia, Iceland, Liechtenstein, Norway, Switzerland); first theatre release between 1 June 2009 and 31 May 2010.
Uradni izbor za nagrado LUX najprej opravijo producenti, distributerji, direktorji filmskih festivalov in filmski kritiki.
One third of the selection panel is renewed yearly, and its members are appointed by the European Parliament’s Committee on Culture and Education.
Tretjina članov žirije, to sicer imenuje odbor Parlamenta za kulturo, se vsako leto zamenja, vedno pa vključuje dobitnika nagrade LUX iz prejšnjega leta.
The jury includes the previous LUX Prize winner.
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Pravila za delovanje hedge skladov in skladov zasebnega kapitala
Hedge funds and private equity: new rules soon in place
Poslanci bodo v četrtek glasovali o predlogu zakonodaje za delovanje hedge skladov in skladov zasebnega kapitala, ki so plod več kot leto dni trajajočih intenzivnih pogajanj.
On Thursday MEPs will be asked to give their final approval to new EU laws on hedge funds and private equity funds, hammered out in over a year of intensive negotiations.
Pravila določajo višino osnovnega kapitala, registracijo in način poročanja nadzornim organom za sektor finančne industrije, ki je bil doslej predmet dokaj ohlapne zakonodaje.
These laws will impose registration, reporting and initial capital requirements on a sector of the financial industry hitherto subject only to "light touch" regulation.
Spremembe pa bodo skladom tudi omogočile delovanje po enotnih pravilih na območju celotne Evropske unije, kar bo okrepilo skupni trg.
In return, it will be possible to market these funds throughout the European Union under a single set of EU rules rather than 27 different national systems, thus giving a boost to the European single market.
Zakonodaja uvaja tudi predpise o plačilih in omejitvah za odprodajo sredstev, ki sicer niso bili del prvotnega predloga Komisije.
Neither of these issues was addressed by the Commission's initial proposal and both sets of rules were at first strongly resisted by Member States.
Določa še odgovornost depozitarjev, da bi vlagatelji v primeru sporov lahko zahtevali odškodnino.
The legislation also lays down strict rules on the liability of depositaries, who are key players in running these funds, to ensure that investors never lose their right to claim damages.
Države članice bodo morale določila direktive prenesti v svojo zakonodajo do leta 2013, Komisija pa bo morala nato najkasneje v štiri letih izvesti pregled izvajanja in med drugim oceniti, če bo treba zaostriti pravila o odprodaji sredstev.
The directive's rules are to be implemented by 2013 and reviewed by the Commission four years later.
Jean-Paul GAUZÈS ELS FR Sporočilo za javnost po zaključku pogajanj s predstavniki Sveta (26.
At Parliament's request, this review will include an assessment of the need to strengthen the rules on asset stripping.
2010; v angleščini) Pojmovnik izrazov v direktivi o hedge skladih (v angleščini) Poročevalec Jean-Paul GAUZÈS (ELS, FR)
Vote: Thursday 11 November Post trialogue agreement press release (26.10.2010) Background - Glossary on the alternative investment fund managers directive Profile of rapporteur Jean-Paul Gauzès (EPP, FR) Report on Alternative Investment Fund Managers
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Prednostne naloge pred vrhom EU-ZDA
Parliament to set its priorities ahead of EU-US summit
Osrednje točke razprave v sredo bodo trgovinska izmenjava z ZDA, gospodarska kriza in skorajšnje srečanje čezatlantskega ekonomskega.
Trade relations with the US in the context of the economic crisis and ahead of the upcoming Transatlantic Economic Council meeting will be a key issue in Wednesday's debate.
Na področju mednarodnih odnosov bodo poslanci največ pozornosti namenili boju proti terorizmu, bližnjevzhodnemu mirovnemu procesu, jedrskemu razoroževanju in vprašanju, skupne strategije EU in ZDA glede Afganistana, Pakistana in Irana.
Parliament is also expected to set out its priorities on EU-US international relations, including the fight against terrorism, the latest talks in the Middle East, the use of nuclear weapons and the US nuclear presence in Europe, and a common EU-US strategy on Afghanistan, Pakistan and UN sanctions against Iran.
Varstvo osebnih podatkov
Personal data protection
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Neporabljena evropska sredstva za financiranje energetsko učinkovitih projektov
Unspent EU money to be used for energy saving projects
V četrtek bo Evropski parlament razpravljal in glasoval o zakonodajnem predlogu, ki bo omogočil sprostitev 146 milijonov evrov neporabljenih sredstev za financiranje projektov, usmerjenih v varčevanje z energijo, energetsko učinkovitost in uporabo obnovljivih virov.
Around €146 million of unused EU funds could be released to finance energy saving, energy efficiency and renewable energy projects once MEPs have voted on Thursday on an agreement with the Council.
Dopolnjena zakonodaja o evropskem energetskem programu za oživitev gospodarstva predvideva prerazporeditev neporabljenih sredstev v nov sklad, iz katerega se bodo financirali projekti, kot so:
Amended legislation on the European Energy Recovery Plan (EERP) will channel the unspent money into a new fund, to finance projects such as:
prenova javnih in zasebnih stavb za izboljšanje njihove energetske učinkovitosti in prehod na obnovljive vire energije;
renovation of public and private buildings to improve energy efficiency or switching to renewable energy;
gradnja kombiniranih termoelektrarn-toplarn, ki uporabljajo obnovljive vire energije, njihovih distribucijskih omrežij, in njihova integracija v elektroenergetska omrežja;
the construction of renewables-based heat-and-power installations, with distribution networks, and their integration into electricity grids;
čist javni mestni promet, predvsem z vozili na električni in vodikov pogon;
clean urban public transport solutions, particularly electric and hydrogen vehicles;
prenova lokalne infrastrukture, s poudarkom na učinkoviti javni razsvetljavi, shranjevanju električne energije, "pametnih" števcih porabe in "pametnih" omrežjih.
local infrastructure, including efficient street lighting, electricity storage, smart metering and smart grids.
Sklad bo namenjen predvsem projektom na lokalni in regionalni ravni, ki bodo morali biti tudi gospodarsko in finančno vzdržni.
The fund will focus chiefly on helping local and regional authorities to pay for such projects, which must be economically and financially viable, so as to refund the investment in due course.