natgillin/translations-raw huggingface dataset:
vodja enote, oddelek za zakonodajni dialog
Head of Unit, Legislative Dialogue Unit
pisarna: WIE 05U050
Office: WIE 05U050
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pisarna: RMD 04J022
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pisarna: WIE 05U020
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6. oktober 2011 od 10.00 do 12.30
6 October 2011, 10.00 – 12.30
Javna predstavitev o strelivu z osiromašenim uranom (glej ločeni program)
Public hearing on Depleted Uranium Ammunition (see separate programme)
· 10. november 2011 od 9.00 do 12.30 (Bruselj)
· 10 November 2011, 9.00 – 12.30 (Brussels)
Osnutek programa
Draft Programme
Prijava udeležencev
Registration of participants
sprehajališče „Solidarność 1980“,
"Solidarność 1980" esplanade,
vhod v stavbo Josef Antall (JAN)
József Antall building (JAN) entrance
Pozdrav in uvodne besede
Welcome and introductory remarks
Danuta Hübner, predsednica
Mrs Danuta Hübner, Chairperson
Odbora za regionalni razvoj, Evropski parlament
Committee on Regional Development, European Parliament
Johannes Hahn, komisar za regionalno politiko,
Mr Johannes Hahn, Commissioner for Regional Policy,
Elzbieta Bienkowska, ministrica za regionalni razvoj,
Mrs Elzbieta Bienkowska, Minister of Regional Development
poljsko predsedovanje Svetu EU
Polish Presidency of the Council of the EU
Začetek razprave
Launching the debate
Prihodnja kohezijska politika: nekaj opažanj nacionalnih parlamentov (z dvema glavnima govornikoma)
Future cohesion policy: some reflections from the national Parliaments (with two keynote speakers)
Odprta razprava
Open Debate
med poslanci Evropskega parlamenta in nacionalnih parlamentov
between members of the European Parliament and national Parliaments
Odbora za regionalni razvoj
Committee on Regional Development, European Parliament
Filmska nagrada LUX 2011: evropski film pod žarometi
LUX prize 2011: spotlight on European film
Francoski film "Les neiges du Kilimandjaro" režiserja Roberta Guédiguiana je dobitnik letošnje filmske nagrade Evropskega parlamenta LUX, ki jo je predsednik Jerzy Buzek podelil v sredo, 16. novembra, v plenarni dvorani v Strasbourgu.
Jerzy Buzek awarded the prize during a ceremony on 16 November during the plenary ceremony in Strasbourg.
Film se ukvarja z vprašanjem krivic v modernih družbah, političnimi in socialnimi konflikti, ter poziva k toleranci.
Director Robert Guédiguian couldn't attend and producer Marc Bordure attended on his behalf.
Nagrada LUX pokrije tudi produkcijo 35-milimetrskih kopij za vsako državo EU.
Each year three films are shortlisted for the award.
- Les neiges du Kilimandjaro Roberta Guédiguiana (Francija)
It also includes the production of a 35 mm print for each country.
- Play Rubena Östlunda (Švedska, Francija, Danska)
News and updates about the prize and the films in the competition can be found on the official LUX Prize website.
Filmska nagrada LUX spodbuja filmsko umetnost po vsej Evropi
LUX Prize - spreading cinema around Europe
Zakaj bi film, ki se dogaja v Marseillu, zanimal vse Evropejce?
What interest does this "local" movie from Marseilles have for all EU citizens?
Gre za film, ki obravnava univerzalne vrednote, ki so temelj evropske identitete.
"Les neiges du Kilimandjaro" is about universal values that are fundamental elements of the European identity.
Morda zgleda očitno, vendar moramo še posebej v teh kriznih časih biti pozorni na to, da ne zdrsnemo v ksenofobijo.
It may seem obvious but in this period of crisis we have to be aware and careful about a slide into xenophobia.
Kaj vam pomeni nagrada LUX?
What does it mean to win the LUX Prize?
Če želim v francoskem kinu videti poljski film, se bom namučil.
If I want to see a Polish movie in a French cinema, it's still very difficult.
Nagrada LUX filmu omogoči širšo distribucijo.
The LUX Prize will allow a bigger circulation of the movie.
Dejstvo, da bo film opremljen s podnapisi v vseh 23 uradnih jezikih EU, bo vzbudilo zanimanje lokalnih distributerjev!
Subtitling the movie into the 23 official languages of the EU will awaken the interest of local distributors!
Promocija in distribucija sta danes zelo pomembni, splet tukaj postaja najpomembnejše orodje filmske industrije.
Promotion and distribution are very important today and the web is beginning to take a role in the cinema industry.
Kako lahko EU pomaga evropskemu filmu?
How can EU institutions support cinema in Europe?
Veliko je že bilo narejenega.
A lot has been done.
Koprodukcije dobro delujejo, sam sem bil koproducent irskim, švedskim in gruzijskim filmom.
The system of co-productions works quite well and as a French producer I've co-produced movies in Irish, Swedish and Georgian partnerships.
Vsekakor pa bi morali v film in distribucijo vlagati več.
We should invest more on cinema and its distribution.
Treba je biti pozoren tudi na davčni damping, se pravi privabljanje vlagateljev z nepravično nizkimi davki.
We should also be careful about the fiscal dumping (the use of lower taxes to unfairly attract investment).
Filmska nagrada LUX 2011: evropski film pod žarometi Pogovor z Robertom Julesom Guédiguianom Filmska nagrada LUX - uradna stran Galerija fotografij s podelitve
Interview on EuroparlTV
"Les neiges du Kilimandjaro" - dobitnik filmske nagrade LUX 2011
"Les neiges du Kilimandjaro" wins 2011 LUX film prize
Film se ukvarja z vprašanjem krivic v modernih družbah, političnimi in socialnimi konflikti, ter poziva k toleranci.
The film questions the injustices of today's societies and their political and trade union conflicts, and makes a plea for tolerance.
Preostala dva finalista sta bila grški Attenberg (režija Athina Rachel Tsangari) in švedsko-francosko-danska koprodukcija Play (režija Ruben Östlund).
The other two finalists were "Attenberg" (Greece) by Athina Rachel Tsangari and "Play", (Sweden-France-Denmark).
Ob podelitvi je predsednik Buzek dejal: "Nagrada LUX nas znova opominja, da je tisto, kar nas povezuje, močnejše od tistega, kar nas ločuje.
Presenting the prize, Parliament's President Buzek said "The European Parliament's LUX film prize serves as a reminder that what unites us is stronger than what divides us.
Opominja nas, da se je za vrednote, svoboščine in tudi samokritičnost vredno boriti .
It reminds us that the values, freedoms and indeed self-criticisms we share, are worth fighting for.
Prav tako nas opominja, da se evropski filmi nimajo česa sramovati pred neevropskimi produkcijami. "
It also reminds us that European movies have nothing to envy non-European productions."
Producent zmagovalnega filma Marc Bordure je na prireditvi v imenu režiserja povedal: "Evropske vrednote so zame povezane z idejo republike, republike, ki jo je Jean Jaurès, čigar ideje so navdihnile ta film, imenoval socialna republika .
At the ceremony, the film's producer, Mr Bordure, said on behalf of Robert Guédiguian: "The values of Europe are, for me, linked to the idea of the Republic - this Republic which Jean Jaurès, under whose auspices my film is placed, called a 'social Republic': liberty, equality and fraternity are qualities that Europe also owes it to itself to defend [....]
Svoboda, enakost in bratstvo so vrednote, ki jih je Evropa dolžna braniti in ne sme prepustiti ubogih ljudi Victorja Hugoja, simbolične figure filma in Evrope, ledenim vodam sebične preračunljivosti."
Please do not abandon the poor people of Victor Hugo, a symbolic figurehead of both film and Europe, in the 'icy waters of egotistical calculation'."
Parlament svojo vsakoletno filmsko nagrado podeljuje filmom, ki prikazujejo ali postavljajo pod vprašaj temeljne vrednote evropske identitete, kažejo kulturno raznolikost Evrope in prinašajo nova razmišljanja o integraciji EU.
The European Parliament's LUX prize is awarded each year to films illustrating values that constitute European identity, the diversity of cultures in Europe or debate on the European Union integration process.
Nagrajeni film bo dobil finančno podporo Evropskega parlamenta v vrednosti 90 tisoč evrov za prevod in podnaslavljanje v vseh 23 uradnih jezike EU, predelavo v verziji za slušno prizadete in slepe gledalce ter izdelavo 35 mm filmskih kopij ali digitalnih zapisov za distribucijo in predvajanje v vseh državah članicah Unije.
The €90,000 prize money will pay to sub-title the winning film in the EU's 23 official languages, adapting the original for people with visual or hearing handicaps, and the cinema launch or production, in each Member State, of a 35mm or digital copy.
Predhodni dobitniki nagrade LUX so: Na drugi strani (2007, režiser Fatih Akin), Lornin molk (2008, režiserja Jean-Pierre in Luc Dardenne), Dobrodošli (2009, režiser Philippe Lioret) in Tujka (2010, režija Feo Aladağ).
Since its creation in 2007, the LUX Prize has gone to "Auf der anderen Seite" by Fatih Akin (2007), "Le Silence de Lorna" by Jean-Pierre and Luc Dardenne (2008), "Welcome" by Philippe Lioret (2009) and "Die Fremde" (Allemagne) by Feo Aladag.
Parlament podpira evropski film tudi z zakonodajo za spodbujanje raznolikosti in dostopa do kinematografskih del.
Parliament's support for European cinema includes specific legislation to promote the diversity of, and access to, cinematographic works.
Internet stran LUX Galerija nagrad s podelitve
Press release on European cinema in digital era (16.11.2011) Slideshow of the ceremony Video about the LUX prize
Švedski režiser Ruben Östlund se je rodil leta 1974, filme pa je začel delati v 90. letih prejšnjega stoletja.
Poster of "Play" by Ruben Östlund Ruben Östlund (born 13 April 1974 in Gothenburg) is a Swedish film director.
Režiral je tri celovečerce, za svoj kratki film Incident by a Bank pa je leta 2009 prejel zlatega medveda na berlinskem filmskem festivalu.
Östlund's short film Incident by a Bank won the Golden Bear for Best Short Film at the 2009 Berlin International Film Festival.
Kako bi opisali svoj film?
Can you describe your movie in a few words?
Opisuje resnične dogodke v Gothenburgu med letoma 2006 in 2008.
The movie is inspired by real events in Gothenburg between 2006 and 2008.
V časopisu je bil objavljen članek o ropu.
I recall a news article in the local newspaper about a robbery.
Roparji so bili črni in mladi.
It was interesting because the robbers were black and very young.
Film se tako začne pod predpostavko, da je pet mladih črncev oropalo tri mlade belce.
The image, built up by the media, of five black boys robbing three white boys, was the starting point for the movie.
Menil sem, da je bil omenjeni članek dolaj provokativen in kontraverzen.
My own feeling was that the article was provocative and controversial.
Raziskoval sem, prebral dokumente iz sojenja in se pogovarjal s storilci in žrtvami.
So I did some research about the case: read trial documents, interviewed perpetrators and victims.
Izkazalo se je, da so prvi zavestno zlorabljali podobo črnca, da ustrahovali slednje.
Remarkably, the perpetrators consciously used the image of the "black man" to inspire fear in their victims.
Kaj vam je ostalo v spominu iz snemanja?
Do you recall any particular moment while shooting the movie?
Bili smo v Benetkah, kjer smo predstavljali film za nagrado LUX.
We were in Venice, screening the film for the LUX prize.
Ko smo čakali na čoln-taksi sem opazil črnca, ki sem ga prepoznal kot igralca v filmu Intruder.
As I was getting into a taxi boat I spotted a black man I recognised, an actor in "Intruder", a movie that I had recently seen.
Začela sva se pogovarjati v angleščini, nato pa me je vprašal, od kod sem.
So I walked over to him and started talking in English.
Rekel sem: "Iz Švedske."
He asked me where I was from and I answered: "Sweden".
On pa je odgovoril v popolni norveščini: "Jaz pa iz Norveške."
And in perfect Norwegian he answered "I'm from Norway!".
To je lep primer tega, da se danes ne moremo zanašati samo na zunanji videz.
This is a striking example that these days you can't rely on appearance alone.
To želim izpostaviti v svojem filmu: morda bodo sčasoma vse meje počasi izginile.
It says something about Europe as well, something I want to highlight in "Play": maybe before long all such "borders" will eventually disappear for good.
Kaj ste mislili, ko ste film končali?
What did you think the first time you saw the movie edited and finished?
Zadnji film, ki ste ga videli?
The last movie you saw?
Intruder Rogerja Cormana iz leta 1962.
"The Intruder", by Roger Corman (1962).
Zadnja knjiga, ki ste jo prebrali?
The last book you read?
Eno izmed del Michela Houellebecqa.
A book by the French writer Michel Houellebecq.
V katerem evropskem mestu bi radi snemali naslednji film?
What European city would you like to use as a setting for your next film?
Šlo bo za film o turizmu, zato se bo dogajal v turističnih središčih, trajektih, avtobusih in celo francoskih Alpah.
My next film is going to be about tourism, so it will take place in tourist resorts, ferries, buses, and at one point even the French Alps.
Dvomim, da bo veliko dogajanja posnetega v mestih.
So I doubt that there will be many city scenes, actually.
Play Rubena Östlunda (Švedska, Francija, Danska)
I have an old friend who always tries to find something to push against.
Francoski režiser Robert Jules Guédiguian se je rodil leta 1953 in je sin nemške matere ter armenskega očeta.
"Les neiges du Kilimandjaro" by Robert Guédiguian Robert Jules Guédiguian (born 3 December 1953 in Marseilles) is a French movie maker.
Izhaja iz delavskega razreda, vedno se je ukvarjal s političnimi vprašanji, nekaj časa je bil tudi član francoskih komunistov.
Born to a German mother and Armenian father, he evokes his paternal working class roots in his 2006 film "Le voyage en Arménie".
Vaš film v treh besedah?
Can you describe your movie in a three words?
Kaj vam je ostalo v spominu iz snemanja?
Does any particular moment while shooting the movie stick in your mind?
V pristanišču v Marseillu smo snemali prizor o odpuščanju delavcev.
We were shooting a scene about job losses in the Marseilles docks.
To se tam kar pogosto dogaja.
In this place, this is something that happens very often.
Kaj ste mislili, ko ste film končali?
What did you think the first time you saw your finished movie?
Bil sem zelo zadovoljen, da sem se posvetil svojim koreninam: Marseillu, svetu, v katerem živijo delavci.
I was very satisfied about working on my origins: my land, Marseilles, the workers' world.
Habemus Papam Nannija Morettija.
"Habemus Papam", by Nanni Moretti (2011).
Lep razmislek o moči.
It's a great reflection on power.
Woman flees tidings Davida Grossmana.
"Woman Flees Tidings", by David Grossman (2009).
V katerem mestu boste snemali svoj naslednji film?
What European city would you like to use as a setting for your next film?
Mesto mi veliko pomeni.
This city means a lot to me.
Je mesto Piera Paola Pasolinija, Antonia Gramscija, italijanske komunistične partije in 70. let.
It's the city of Pier Paolo Pasolini, Antonio Gramsci, the Italian communist party (PCI) and the seventies.
Vaš moto?
Your motto as movie maker?
Ne delam kompromisov.
Never accept any concessions.
Les neiges du Kilimandjaro Roberta Guédiguiana (Francija)
Interview on CINEUROPA
Athina Rachel Tsangari je grška režiserka in producentka, ki je bila med drugim udeležena tudi pri nastajanju filmov, kot je Dogtooth .
"Attenberg", by Athina Rachel Tsangari Athina Rachel Tsangari is a Greek movie maker and actress.
Vaš film v treh besedah?
Can you describe your movie in three words?
Kaj vam je ostalo v spominu iz snemanja?
Does any particular moment in the shooting of the movie come to mind?
Ko je začela teči kamera in sem pomislila: to je to, zdaj bomo naredili film.
The first time the camera rolls onto the set and I realise, this is it: we're about to make a movie.
Le kaj sem naredila?
What have I done?
Network Sydneya Lumeta.
"Network" by Sydney Lumet (1976).
Stars my destination Alfreda Besterja.
"The Stars My Destination" (1956) by the American writer Alfred Bester.
Česa nimate radi v filmih?
What you don't like to see in a movie?
Zlaganega humanizma.
Pseudo humanism.
Kje bi radi snemali svoj naslednji film?
Which is the European city you'd like to use as the setting for your next film?
Kaj je vaš naslednji projekt?
What's your next project?
Znanstveno-fantastična burleska.
Sci-fi screwball tragedy.
Bolje pozno kot nikoli.
Better late than never.
Attenberg Athine Rachel Tsangari (Grčija)
Interview on CINEUROPA
A Torinói lói madžarskega režiserja Bele Tarrja (Madžarska, Francija, Švica, Nemčija)
A torinói ló (The Turin Horse) by Béla Tarr (Hungary, France, Switzerland, Germany)
Žirija izbira predvsem filme, ki kažejo Evropejce - njihova življenja, prepričanja, dvome in iskanje identitete.
It is awarded annually based on voting by MEPs.
Grški film "Attenberg", francoski film "Les neiges du Kilimandjaro" in švedsko-dansko-francoska produkcija "Play" so trije filmi, ki so se po izboru Parlamenta uvrstili v finale filmske nagrade LUX 2011, o zmagovalcu katere vsako leto glasujejo evropski poslanci.
France's "Les neiges du Kilimandjaro" by Robert Guédiguian and "Play" by Ruben Östlund - a Swedish, French, Danish production .
Predstavitev treh finalistov filmske nagrade Parlamenta LUX 2011 Znanih 10 filmov v tekmovanju za filmsko nagrado Parlamenta LUX 2011
Press release: Three films to compete for the LUX Prize More on "Attenberg" More on "Les neiges du Kilimandjaro" More on "Play" LUX Prize 2011: 10 films in competition unveiled
Poslanci srečajo finaliste
EuroparlTV video in Venice
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Sredstva za regionalno politiko ne bi smela biti preveč pogojevana
EU Cohesion Policy after 2013: MEPs question conditionality
V regijah, ki ne dosegajo 75 odstotkov BDP unije, živi 120 milijonov ljudi, te regije pa dobijo tudi 70 odstotkov denarja iz kohezijske politike.
More than 70% of new funds would go to regions with below 75% of EU average income (120 million inhabitants).
Poljska ministrica za razvoj regij Elzbieta Bienkowska je v zvezi s pogojevanjem sredstev iz skladov EU menila, da ne gre za kazen, ampak spodbudo za oblikovanje bolj učinkovitih politik.
The Commission's proposed new regional policy aims to simplify access to funding, by bringing all five funds under the umbrella of a single regulation and reducing the documentation burden on applicants.
S tem se ni strinjala francoska poslanka Elisabeth Morin-Chartier, ki je poudarila, da držav, ki so v proračunskih težavah, ne bi smeli kaznovati še z odvzemom sredstev za regionalni razvoj.
It further demands that national and regional authorities set clear, attainable and measurable goals in priority areas linked to the EU's "2020" growth and sustainability strategy.
Hubnerjeva je ob tem opozorila, da se EU preveč osredotoča na stabilnost in premalo na rast.
"We are focusing too much on stability and not enough on growth," said Regional Committee chair Danuta Hübner, who criticised conditionality as "an indirect punishment" of countries and regions that are suffering from the economic crisis.
Nemški poslanec Ernst Hinsken (EPP) je dejal, da novi predlogi za obseg kohezijskih sredstev niso tako velikodušni, kot so bili prejšnja leta.
Similar views were expressed by Elisabeth Morin-Chartier, speaking for Parliament's Employment Committee,.
Z letom 2014 bo začel veljati nov dolgoročni proračunski okvir za obdobje 2014-2020.
A new regulatory framework must be in place for the next phase of cohesion programmes beginning in 2014.
20111007STO28688 Posnetek razprave Predlogi Komisije Tiskovno sporočilo Komisije Kohezijska politika po letu 2013 (študija) Tiskovno sporočilo Parlamenta
Member states with GNI per capita of less than 90% of EU average eligible (2007-2013: Bulgaria, Cyprus, the Czech Republic, Estonia, Greece, Hungary, Latvia, Lithuania, Malta, Poland, Portugal, Romania, Slovakia, Slovenia) European Agricultural Fund for Rural Development: improves competitiveness of agriculture, forestry; environment and countryside; quality of life European Maritime Fisheries Fund (EMFF): helps fishing industry and coastal communities become economically resilient and ecologically sustainable 20111007STO28688 Debate in REGI EC Legislative Proposal EC Press Release DG IPO: Study on Cohesion Policy after 2013 EP Press Release (with names of rapporteurs)
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Poslanci so prepričani, da izdelki po EU niso vsi enake kakovosti, čeprav se prodajajo pod isto blagovno znamko. ©BELGA/Belpress Predvsem v vzhodnoevropskih članicah EU se potrošniki pogosto pritožijo, da imajo nekatera živila znanih blagovnih znamk boljši okus na tujem kot doma.
Food quality may vary between supposedly identical products ©BELGA/Belpress Though a relatively unknown phenomenon in Western Europe, consumers in Central and Eastern Europe complain frequently of differences in food quality between supposedly identical products.
Romunska poslanka Elena Oana Antonescu (EPP) je v vezi s tem zastavila vprašanje Evropski komisiji.
Romanian MEP Elena Oana Antonescu has tabled a formal question to the Commission on this seeming double standard.
Ta je pojasnila, da podjetja iz živilske industrije svoje izdelke prilagajajo lokalnim okusom, a hkrati opozorila, da bi morali biti potrošniki obveščeni o sestavinah v živilih, ki jih kupujejo.
Recent tests carried out by the Slovak Association of Consumers on products from Coca-Cola, Nescafé and Milka revealed that the ingredients vary from country to country, with Milka being the only brand to taste exactly the same in all eight European countries where the test was conducted.
Slovaški urad za potrošnike je pred časom preveril, kako se izdelki pod blagovnimi znamkami Coca-Cola, Nescafé in Milka razlikujejo od države do države: pod drobnogledom so bile Nemčija, Avstrija, Ciper, Poljska, Slovaška, Madžarska, Romunija in Bolgarija.
Members of Parliament's Committee on the Environment, Public Health and Food Safety last week took a closer look at the issue, hearing that manufacturers indeed change the ingredients according to "their budget, tastes and traditions" in different countries.
Rezultati raziskave so pokazali, da je le čokolada Milka v vseh državah naprodaj z enakimi sestavinami, medtem ko sta osvežilna pijača in kava v različnih državah različnega okusa.
The committee heard for example about Nutella, whose French version is runnier than that marketed in Germany because French bread is softer than German bread.
Jérôme Lepeintre iz Komisije je pojasnil, da je npr. čokoladni namaz Nutella bolj tekoč v Franciji kot v Nemčiji, saj je francoski kruh v povprečju mehkejši od nemškega.
Elena Oana Antonescu, who initially raised the subject with her question to the Commission, said consumers were aware of quality differences, citing requests from her own family and friends to buy “better things” in Brussels, and warned against creating 1st and 2nd class consumers.
Poslanka Antonescu je poudarila, da se potrošniki zavedajo razlik v kakovosti izdelkov, rekoč, da so jo njena družina in prijatelji prosili, naj v Romunijo prinese "boljše stvari" iz Bruslja.
Hungarian Member János Áder emphasized that some manufacturers actually admit to using cheaper ingredients for Eastern European markets: "It looks the same and is advertised as the same - but the quality isn't as good," he said.
Ne bi se smelo dogajati, da obstajata dve kategoriji potrošnikov, je opozorila poslanka.
According to a Commission spokesman, the EU cannot impose 'one-recipe-for-all,' but consumers should be informed of the composition of the food products they purchase.
Čeh Pavel Poc (S&D) se je ob tem vprašal, komu sploh služi EU, če še potrošnikov ne more zaščititi.
Currently, there is no legislation penalising manufacturers who use different recipes for different national markets.