natgillin/translations-raw huggingface dataset:
The Education, Youth, Culture & Sports Council Conclusions on European film heritage of 18 November 2010 [25] invited EU Member States to ensure that films that have been supported by State aid are deposited with a film heritage institution [26], together with all related material, where feasible, and the appropriate rights in relation to the preservation and cultural and non-commercial use of films and related material.
Nadzorni organ mora med drugim zagotoviti, da se spoštujejo načela, ki prepovedujejo diskriminacijo na podlagi državljanstva, in načela, ki zagotavljajo prost pretok blaga, prosto gibanje delavcev, svobodo ustanavljanja, svobodo opravljanja storitev in prost pretok kapitala (členi 4, 8, 28, 31, 36, in 40 Sporazuma EGP).
Some EU Member States have introduced the practice of paying the last instalment of the aid after the film heritage institution has certified the deposit of the aided film.
Nadzorni organ ta načela izvaja v povezavi z uporabo pravil o konkurenci, če so določbe, ki kršijo ta načela, neločljivo povezane z delovanjem sheme.
This has proved to be an efficient instrument for enforcing the contractual deposit obligation.
Glede na poseben položaj evropskega filmskega sektorja se lahko v shemah podpore za filmsko produkcijo:
Some EU Member States have also introduced provisions in their grant agreements to allow the use of publicly-funded films for specified purposes in the execution of the public interest missions of the film heritage institutions after an agreed period of time and provided that this does not interfere with the normal use of the film.
zahteva, da se do 160 % zneska pomoči, dodeljenega za produkcijo avdiovizualnega dela, porabi na ozemlju države, ki dodeli pomoč, ali
The Authority is of the view that EEA States should also encourage and support producers to deposit a copy of the aided film in a film heritage institution designated by the funding body for preservation, as well as for specified non-commercial use agreed with the right holder(s) in compliance with intellectual property rights and without prejudice to fair remuneration for the right holder(s) after an agreed period of time set in the grant agreement and such that this does not interfere with the normal use of the film.
znesek pomoči, dodeljene za produkcijo avdiovizualnega dela, izračuna kot delež izdatkov za dejavnosti filmske produkcije v državi EGP, ki dodeli pomoč, v primeru shem podpore običajno v obliki davčnih spodbud.
ASSESSING THE COMPATIBILITY OF THE AID
V obeh primerih lahko države EGP pred dodelitvijo pomoči določijo najmanjšo raven produkcijske dejavnosti, ki jo je treba opraviti na njihovem ozemlju, da bi bil projekt upravičen do pomoči.
When it assesses aid for films and other audiovisual works, the Authority verifies on the basis of the above considerations:
Vendar ta raven ne sme preseči 50 % celotnega proračuna za produkcijo.
firstly, whether the aid scheme respects the ‘general legality’ principle, i.e. the Authority must verify that the scheme does not contain clauses that would be contrary to provisions of the EEA Agreement in fields other than State aid,
Poleg tega pogoj vezanosti na ozemlje v nobenem primeru ne sme preseči 80 % celotnega proračuna za produkcijo.
GENERAL LEGALITY
Cilj podpore produkciji evropskih avdiovizualnih del in zagotovitve obstoja infrastrukture, ki je potrebna za njihovo produkcijo in predvajanje, je oblikovanje evropskih kulturnih identitet in okrepitev kulturne raznovrstnosti.
The Authority must first verify that the aid respects the ‘general legality’ principle and that the eligibility conditions and award criteria do not contain clauses contrary to the EEA Agreement in fields other than State aid.
Namen pomoči je torej pospeševanje kulture.
The Authority must ensure, inter alia, that the principles prohibiting discrimination on the grounds of nationality and the principles regarding free movement of goods, free movement of workers, freedom of establishment, freedom to provide services and freedom of movement of capital have been respected (Articles 4, 8, 28, 31, 36 and 40 of the EEA Agreement).
Taka pomoč je lahko združljiva s Sporazumom EGP v skladu s členom 61(3)(c) Sporazuma EGP.
The Authority enforces these principles in conjunction with the application of competition rules when the provisions in breach of these principles are inseparable from the operation of the scheme.
Podjetja, ki se ukvarjajo s filmsko produkcijo in produkcijo televizijskih programov, lahko koristijo tudi druge vrste pomoči, ki se dodeljujejo v skladu s členom 61(3)(a) in (c) Sporazuma EGP (na primer regionalna pomoč, pomoč za mala in srednja podjetja, raziskave in razvoj, usposabljanje ali zaposlovanje), pri čemer morajo v primeru kumulacije pomoči spoštovati najvišjo intenzivnost pomoči.
In compliance with the above principles, aid schemes must not, for example, reserve the aid exclusively for nationals; require beneficiaries to have the status of national undertakings established under national commercial law (undertakings established in one EEA State and operating in another by means of a permanent branch or agency must be eligible for aid; furthermore the agency requirement should only be enforceable upon payment of the aid); or oblige foreign companies providing filmmaking services to circumvent the terms and conditions of Directive 96/71/EC of the European Parliament and of the Council [27] with respect to their posted workers.
Za sheme, ki so namenjene podpori pisanja scenarijev, razvoja, produkcije, distribucije in promocije avdiovizualnih del, ki jih zajemajo te smernice, bo Nadzorni organ za oceno, ali je shema združljiva s členom 61(3)(c) Sporazuma EGP, proučil naslednja merila v zvezi s produkcijo avdiovizualnih del, za katera bo dodeljena pomoč:
In view of the specific situation of the European film sector, film production support schemes may either:
Pomoč je namenjena kulturnemu proizvodu.
require that up to 160 % of the aid amount awarded to the production of a given audiovisual work is spent in the territory granting the aid, or
Intenzivnost pomoči mora biti načeloma omejena na 50 % proračuna za produkcijo zaradi spodbujanja običajnih komercialnih pobud.
calculate the aid amount awarded to the production of a given audiovisual work as a percentage of the expenditure on film production activities in the granting EEA State, typically in case of support schemes in the form of tax incentives.
Intenzivnost pomoči za čezmejne produkcije, ki jih financira več kot ena država EGP in v katerih sodelujejo producenti iz več kot ene države EGP, lahko znaša do 60 % proračuna za produkcijo.
In both cases, EEA States may require a minimum level of production activity in their territory for projects to be eligible for any aid.
Te omejitve ne veljajo za zahtevna avdiovizualna dela [28] in koprodukcije, ki vključujejo države s seznama Odbora za razvojno pomoč Organizacije za gospodarsko sodelovanje in razvoj [29].
This level cannot, however, exceed 50 % of the overall production budget.
Filmi, katerih edina prvotna različica je v uradnem jeziku države EGP z majhnim ozemljem, populacijo ali jezikovnim področjem, se v tem primeru lahko štejejo za zahtevna avdiovizualna dela.
In addition, the territorial linking shall in no case exceed 80 % of the overall production budget.
Načeloma ni omejitev za pomoč pisanju scenarijev ali razvoju.
SPECIFIC ASSESSMENT CRITERIA UNDER ARTICLE 61(3)(c) OF THE EEA AGREEMENT
Toda če se na podlagi nastalega scenarija ali projekta na koncu posname film, se stroški pisanja scenarija in razvoja naknadno vključijo v proračun produkcije in upoštevajo za izračun največje intenzivnosti pomoči za avdiovizualna dela, kot je navedeno v pododstavku 2 zgoraj.
The objective for supporting the production of European audiovisual works and ensuring the existence of the infrastructure necessary for their production and exhibition is the shaping of European cultural identities and the enhancement of cultural diversity.
Stroške distribucije in promocije avdiovizualnih del, ki so upravičeni do podpore za produkcijo, je mogoče podpreti z enako intenzivnostjo pomoči, kot je bila ali bi lahko bila dodeljena za produkcijo.
Undertakings in the film and TV programme production sector may also benefit from other aid types granted under Article 61(3)(a) and (c) of the EEA Agreement (e.g. regional aid, aid for SME, Research and Development, training, or employment), within the maximum aid intensities in the case of cumulation of aid.
Vsaka pomoč, ki se dodeli za produkcijo posebnega avdiovizualnega dela, mora prispevati k skupnemu proračunu produkcije.
In the case of schemes designed to support the script-writing, development, production, distribution and promotion of audiovisual works covered by these Guidelines, the Authority will examine the following criteria with reference to the audiovisual work which will benefit from the aid to assess whether the scheme is compatible with Article 61(3)(c) of the EEA Agreement:
Producent mora imeti možnost, da prosto izbira proračunske postavke, ki bodo porabljene v drugih državah EGP.
The aid is directed to a cultural product.
To naj bi zagotavljalo nevtralen spodbujevalni učinek pomoči.
Each EEA State ensures that the content of the aided production is cultural according to its own national criteria, through an effective verification process to avoid a manifest error:
Dodelitev pomoči določenim posameznim postavkam proračuna filma bi lahko tako pomoč spremenila v nacionalno preferenco v korist sektorjev, ki opravljajo zadevne storitve, ki dobivajo pomoč, kar ne bi bilo združljivo s Sporazumom EGP.
either through the selection of film proposals, e.g. by a panel or a person entrusted with the selection, or, in the absence of such a selection process, by establishing a list of cultural criteria against which each audiovisual work will be verified.
Države EGP bi morale producente spodbujati in podpirati, da kopijo filma, ki je prejel pomoč, deponirajo pri ustanovi za filmsko dediščino, ki jo organ financiranja določi za hrambo in za uporabo v posebne nekomercialne namene, o kateri se dogovori z imetniki pravic v skladu s pravicami intelektualne lastnine in brez poseganja v pošteno nadomestilo za imetnike pravic po dogovorjenem obdobju, določenem v sporazumu o dodelitvi nepovratnih sredstev, pod pogojem, če to ne posega v običajno uporabo filma.
The aid intensity must in principle be limited to 50 % of the production budget, with a view to stimulating normal commercial initiatives.
Pomoč se dodeli na pregleden način.
The aid intensity for cross-border productions funded by more than one EEA State and involving producers from more than one EEA State may be up to 60 % of the production budget.
Države EGP morajo na eni spletni strani ali na eni spletni strani, ki zbira informacije z več spletnih strani, objaviti vsaj naslednje informacije:
Difficult audiovisual works [28] and co-productions involving countries from the DAC List of the OECD [29] are excluded from these limits.
celotno besedilo odobrene sheme pomoči in določb glede njenega izvajanja, ime upravičenca do pomoči, ime in vrsto dejavnosti ali projekta, za katerega se dodeli pomoč, znesek pomoči in intenzivnost pomoči kot delež celotnega proračuna za dejavnost ali projekt, za katerega se dodeli pomoč.
Films whose sole original version is in an official language of an EEA State with a limited territory, population or language area may be regarded as difficult audiovisual works in this context.
Te informacije je treba po sprejetju sklepa o dodelitvi objaviti na spletu, hraniti jih je treba najmanj deset let, javnosti pa morajo biti na voljo brez omejitev [30].
In principle, there is no limit for aid to script writing or development.
Pomoč za posodobitev kinematografov, vključno z njihovo digitalizacijo, se lahko odobri, če države EGP lahko utemeljijo potrebo po takšni pomoči ter sorazmernost in ustreznost pomoči.
However, if the resulting script or project is ultimately made into a film, the costs of script-writing and development are subsequently included in the production budget and taken into account for calculating the maximum aid intensity for the audiovisual work as set out in subparagraph (2) above.
Nadzorni organ bo na podlagi tega ocenil, ali je shema združljiva s členom 61(3)(c) Sporazuma EGP.
The costs of distributing and promoting audiovisual works which are eligible for production support may be supported with the same aid intensity as they were or could have been for their production.
Pri ugotavljanju, ali se spoštuje največja intenzivnost pomoči, se upošteva skupni znesek ukrepov javne podpore držav EGP za dejavnost ali projekt, ki prejema pomoč, ne glede na to, ali se ta podpora financira iz lokalnih, regionalnih, nacionalnih virov ali virov EU.
Apart from script-writing, development, distribution or promotion, aid granted for specific production activities is not allowed.
Vendar sredstva, ki so dodeljena neposredno iz programov EU, kot je MEDIA, brez sodelovanja držav EGP pri odločanju o dodelitvi, niso državna sredstva.
Consequently, the aid must not be reserved for individual parts of the production value chain.
Zato se njihova pomoč ne šteje za namene upoštevanja zgornjih mej pomoči.
Any aid granted to the production of a specific audiovisual work should contribute to its overall budget.
USTREZNI UKREPI
The producer should be free to choose the items of the budget that will be spent in other EEA States.
Nadzorni organ kot ustrezne ukrepe za namene člena 62(1) Sporazuma EGP predlaga, naj države EGP svoje obstoječe sheme v zvezi s financiranjem filmov uskladijo s temi smernicami, in sicer v dveh letih po njihovi objavi v Dopolnilu EGP k Uradnemu listu Evropske unije.
This is to ensure that the aid has a neutral incentive effect.
Države EGP morajo v enem mesecu po objavi teh smernic v Dopolnilu EGP k Uradnemu listu Evropske unije Nadzornemu organu potrditi, da se strinjajo s predlaganimi ustreznimi ukrepi.
The earmarking of aid to specific individual items of a film budget could turn such aid into a national preference to the sectors providing the specific aided items, which would be incompatible with the EEA Agreement.
Če Nadzorni organ ne bo prejel nobenega odgovora, bo to razumel, kakor da se zadevna država EGP ne strinja.
EEA States should encourage and support producers to deposit a copy of the aided film in a film heritage institution designated by the funding body for preservation, as well as for specified non-commercial use agreed with the right holder(s) in compliance with intellectual property rights and without prejudice to fair remuneration for the right holder(s) after an agreed period of time set in the grant agreement and such that this does not interfere with the normal use of the film.
UPORABA
The aid is awarded in a transparent manner.
Nadzorni organ bo načela iz teh smernic uporabljal od 1. aprila 2014.
EEA States must publish at least the following information on a single website, or on a single website retrieving information from several websites:
Nadzorni organ bo te smernice uporabljal za vse priglašene ukrepe pomoči, glede katerih bo moral odločiti po 1. aprilu 2014, tudi če so bili ukrepi priglašeni pred tem datumom.
the full text of the approved aid scheme and its implementing provisions, the name of the aid beneficiary, the name and nature of the aided activity or project, the aid amount, and the aid intensity as a proportion of the total budget of the aided activity or project.
Nadzorni organ bo proučil združljivost vsake pomoči, dodeljene brez njegove odobritve in zato v nasprotju s členom 1(3) dela I Protokola 3 k Sporazumu med državami Efte o ustanovitvi nadzornega organa in sodišča, s Sporazumom EGP na podlagi:
Such information must be published online after the award decision has been taken, kept for at least 10 years and be available to the general public without restrictions [30].
teh smernic, če je bil del ali celoten obseg pomoči odobren po objavi teh smernic v Dopolnilu EGP k Uradnemu listu Evropske unije;
The modernisation of cinemas, including their digitisation, may be aided where the EEA States can justify the necessity, proportionality and adequacy of such aid.
Smernic Nadzornega organa iz leta 2008 v vseh ostalih primerih.
On this basis, the Authority would assess whether the scheme is compatible with Article 61(3)(c) of the EEA Agreement.
Te smernice ustrezajo Sporočilu Komisije o državni pomoči za filmsko produkcijo in produkcijo drugih avdiovizualnih del (UL C 332, 15.11.2013, str. 1).
In determining whether the maximum aid intensity is respected, the total amount of public support measures of EEA States for the aided activity or project shall be taken into account, regardless of whether that support is financed from local, regional, national or EU sources.
Države Efte so polnopravne članice programa MEDIA.
However, funds awarded directly by EU programmes like MEDIA, without the involvement of EEA States in the award decision, are not State resources.
PWC Global Entertainment and Media Outlook 2013–2017, http://www.pwc.com/gx/en/global-entertainment-media-outlook/segment-insights/filmed-entertainment.jhtml.
Therefore, their assistance does not count for the purposes of respecting the aid ceilings.
Študijo je izvedla svetovalna družba KEA European Affairs (Multi-Territory Licensing of Audiovisual Works in the European Union, končno poročilo, pripravljeno za Evropsko komisijo, GD za informacijsko družbo in medije, oktober 2010, str. 21, http://www.keanet.eu/docs/mtl%20-%20full%20report%20en.pdf).
APPROPRIATE MEASURES
Norveška:
The Authority proposes as appropriate measures for the purposes of Article 62(1) of the EEA Agreement that EEA States bring their existing schemes regarding film funding in line with these Guidelines within two years of its publication in the EEA Supplement to the Official Journal of the European Union.
odločbe št. 32/02/COL z dne 20. februarja 2002, št. 169/02/COL z dne 18. septembra 2002, št. 186/03/COL z dne 29. oktobra 2003, št. 179/05/COL z dne 15. julija 2005, št. 342/06/COL z dne 14. novembra 2006, št. 430/08/COL z dne 2. julija 2008, št. 774/08/COL z dne 10. decembra 2008, št. 289/09/COL z dne 1. julija 2009 in Odločba št. 180/09/COL z dne 31. marca 2009;
EEA States should confirm to the Authority within one month of publication of these Guidelines in the EEA Supplement to the Official Journal that they agree to the appropriate measures proposed.
Islandija:
In the absence of any reply, the Authority will take it that the EEA State concerned does not agree.
odločbe št. 114/99/COL z dne 4. junija 1999, št. 380/00/COL z dne 18. decembra 2000, št. 390/06/COL z dne 13. decembra 2006, št. 255/09/COL z dne 10. junija 2009 in št. 262/12/COL z dne 4. julija 2012;
APPLICATION
Lihtenštajn:
The Authority will apply the principles set out in these Guidelines from 1 April 2014.
odločbe št. 192/00/COL z dne 27. septembra 2000, št. 267/06/COL z dne 20. septembra 2006 in št. 395/11/COL z dne 14. decembra 2011.
The Authority will apply these Guidelines to all notified aid measures in respect of which it is called upon to take a decision after 1 April 2014, even where the aid measures were notified prior to that date.
Kneževina Lihtenštajn ni podpisnica Konvencije Unesca o varovanju in spodbujanju raznolikosti kulturnih izrazov.
The Authority will examine the compatibility with the EEA Agreement of any aid granted without its authorisation and therefore in breach of Article 1(3) of Part I of Protocol 3 to the Agreement between the EFTA States on the Establishment of a Surveillance Authority and a Court of Justice on the basis of:
Sporočilo Komisije Svetu, Evropskemu parlamentu, Ekonomsko-socialnemu odboru in Odboru regij o nekaterih pravnih vidikih v zvezi s kinematografskimi in drugimi avdiovizualnimi deli (UL C 43, 16.2.2002, str. 6).
these Guidelines if some or all of that aid is granted after the publication of these Guidelines in the EEA Supplement to the Official Journal of the European Union;
UL C 123, 30.4.2004, str. 1.
the Authority's 2008 Guidelines, in all other cases.
UL C 134, 16.6.2007, str. 5.
These Guidelines correspond to the Communication from the European Commission on State aid for films and other audiovisual works (OJ C 332, 15.11.2013, p. 1).
UL C 31, 7.2.2009, str. 1.
The EFTA states are full members of the MEDIA programme.
Posodobljena različica Smernic o državni pomoči je objavljena na spletni strani Nadzornega organa:
PWC Global Entertainment and Media Outlook 2013-2017, http://www.pwc.com/gx/en/global-entertainment-media-outlook/segment-insights/filmed-entertainment.jhtml
V delu VII Smernic o državni pomoči so določena pravila o državni pomoči za posamezne sektorje za kinematografska in druga avdiovizualna dela (UL L 105, 21.4.2011, str. 32, in Dopolnilo EGP št. 23, 21.4.2011, str. 1).
Study by KEA European Affairs, Multi-Territory Licensing of Audiovisual Works in the European Union, Final Report prepared for the European Commission, DG Information Society and Media, October 2010, p. 21, http://www.keanet.eu/docs/mtl%20-%20full%20report%20en.pdf
Zlasti sodbo Sodišča z dne 10. marca 2005 v zadevi Laboratoires Fournier, C-39/04, ZOdl., str.
Norway:
I-2057.
Decisions No 32/02/COL of 20 February 2002, No 169/02/COL of 18 September 2002, No 186/03/COL of 29 October 2003, No 179/05/COL of 15 July 2005, No 342/06/COL of 14 November 2006, No 430/08/COL of 2 July 2008, No 774/08/COL of 10 December 2008, No 289/09/COL of 1 July 2009 as well as Decision No 180/09/COL of 31 March 2009;
Uredbo je treba vključiti v Sporazum EGP.
Iceland:
Ne gre za tradicionalne medijske franšize, nadaljevanja ali priredbe, ki nastajajo v različnih okoljih.
Decisions No 114/99/COL of 4 June 1999, No 380/00/COL of 18 December 2000, No 390/06/COL of 13 December 2006, No 255/09/COL of 10 June 2009 and No 262/12/COL of 4 July 2012;
Uredba Komisije (ES) št. 800/2008 z dne 6. avgusta 2008 o razglasitvi nekaterih vrst pomoči za združljive s skupnim trgom z uporabo členov 87 in 88 Pogodbe (Uredba o splošnih skupinskih izjemah) (UL L 214, 9.8.2008, str. 3), kakor je bila spremenjena z Uredbo Komisije (EU) št. 1224/2013 z dne 29. novembra 2013 glede obdobja uporabe (UL L 320, 30.11.2013, str. 22), vključena kot točka 1(j) v Prilogo XV k Sporazumu EGP s Sklepom Skupnega odbora EGP št. 29/2014 (še ni objavljena v Uradnem listu ali v Dopolnilu EGP), ki je začela veljati 15. februarja 2014.
Liechtenstein:
V členu 4(4) Konvencije je navedeno:
Decisions No 192/00/COL of 27 September 2000, No 267/06/COL of 20 September 2006 and No 395/11/COL of 14 December 2011.
„Kulturne dejavnosti, dobrine in storitve so tiste dejavnosti, dobrine in storitve, ki vsebujejo ali prenašajo kulturne izraze, ne glede na tržno vrednost, ki jo morda imajo.
The Principality of Liechtenstein is however not a Party to the Unesco Convention on the Protection and the Promotion of the Diversity of Cultural Expressions.
Kulturne dejavnosti so lahko končni izdelek ali pa prispevajo k proizvodnji kulturnih dobrin in storitev.“
Communication from the Commission to the Council, the European Parliament, the Economic and Social Committee and the Committee of the Regions on certain legal aspects relating to cinematographic and other audiovisual works (OJ C 43, 16.2.2002, p. 6).
Sodba Sodišča z dne 5. marca 2009 v zadevi UTECA, C-222/07, ZOdl., str.
OJ C 123, 30.4.2004, p. 1.
I-01407, točke 27–33.
OJ C 31, 7.2.2009, p. 1.
I-11135, točka 43.
The updated version of the State aid Guidelines is published on the Authority's website at:
Sodba Sodišča z dne 28. oktobra 1999 v zadevi ARD, C-6/98, ZOdl., str.
Part VII of the State aid Guidelines sets out Sector Specific rules on State aid to cinematographic and other audiovisual works (OJ L 105, 21.4.2011, p. 32 and the EEA Supplement No 23, 21.4.2011, p. 1).
I-07599, točka 50.
In particular the Judgment of the Court of Justice of 10 March 2005 in case Laboratoires Fournier (C-39/04), ECR 2005 I-2057.
Sodba Sodišča z dne 5. marca 2009 v zadevi UTECA, C-222/07, ZOdl., str.
Commission Regulation (EC) No 1998/2006 of 15 December 2006 on the application of Articles 87 and 88 of the Treaty to de minimis aid (OJ L 379, 28.12.2006, p. 5), incorporated as point 1ea into Annex XV to the EEA Agreement by Joint Committee Decision No 29/2007 (OJ L 209, 9.8.2007, p. 52 and EEA Supplement No 38, 9.8.2007, p. 34), e.i.f.
I-01407, točki 34 in 36.