natgillin/translations-raw huggingface dataset:
While that is a common challenge for SMEs generally, the situation is significantly more difficult in the cultural and creative sectors due to the intangible nature of many of their assets, the prototype profile of their activities, and their intrinsic need to take risks and experiment in order to innovate.
Medtem ko je tak izziv skupen MSP na splošno, pa je zaradi nesnovne narave številnih njihovih sredstev, prototipičnosti njihovih dejavnosti in njihove lastne potrebe po tveganju in preizkušanju zavoljo inoviranja položaj v kulturnih in ustvarjalnih sektorjih precej težji.
Such risk-taking needs to be understood and supported also by the financial sector.
Takšno prevzemanje tveganja mora razumeti in podpirati tudi finančni sektor.
Testing of new tools for better support for innovation in creative industries will take place and will be leveraged to feed into a policy learning platform composed of European, national and regional stakeholders.
Potekalo bo preizkušanje novih orodij za boljšo podporo inovacijam v ustvarjalnih industrijah, ki bo podprto s finančnimi vzvodi, da se bo uporabilo za platformo za seznanjanje s politikami, ki bo sestavljena iz evropskih, nacionalnih in regionalnih zainteresiranih strani.
Bringing together the current MEDIA, Culture and MEDIA Mundus programmes for the cultural and creative sectors within a single comprehensive programme (the "Programme") would more effectively support SMEs and micro, small and medium-sized organisations in their efforts to take advantage of the opportunities offered by the digital shift and globalisation and would help them to address issues currently leading to market fragmentation.
Z združitvijo sedanjih programov MEDIA, Kultura in MEDIA Mundus za kulturne in ustvarjalne sektorje v enotni celoviti program (v nadaljnjem besedilu: Program) bi učinkoviteje podprli MSP ter mikro-, male in srednje organizacije pri njihovih prizadevanjih izkoristiti priložnosti, ki jih ponujata digitalni premik in globalizacija, ter jim pomagali iskati odgovore na vprašanja, ki so trenutno vzrok za razdrobljenost trga.
To be effective, the Programme should take into account the specific nature of the different sectors, their different target groups and their particular needs through tailor-made approaches within two independent sub-programmes and a cross-sectoral strand.
Program bi moral, da bo učinkovit, s prilagojenimi pristopi v okviru dveh neodvisnih podprogramov in medsektorskega sklopa upoštevati posebno naravo različnih sektorjev, njihove različne ciljne skupine in njihove posebne potrebe.
In particular, it is important to ensure synergies at the level of implementation between the Programme and the national and regional strategies for smart specialisation.
Zlasti je pomembno, da se zagotovijo sinergije na ravni izvajanja med Programom ter nacionalnimi in regionalnimi strategijami za pametno specializacijo.
To that end, the Programme should establish a coherent support structure for the different cultural and creative sectors consisting of a grants system complemented by a financial instrument.
Zato bi moral Program vzpostaviti skladno podporno strukturo za različne kulturne in ustvarjalne sektorje v obliki sistema nepovratnih sredstev, ki bi ga dopolnjeval finančni instrument.
The Programme should take into account the dual nature of culture and cultural activities, recognising, on the one hand, the intrinsic and artistic value of culture and, on the other hand, the economic value of those sectors, including their broader societal contribution to creativity, innovation and social inclusion.
Program bi moral upoštevati dvojno naravo kulture in kulturnih dejavnosti in priznavati resnično in umetniško vrednost kulture na eni strani ter tržno vrednost teh sektorjev na drugi strani, vključno z njihovim širšim družbenim prispevkom k ustvarjalnosti, inovativnosti in socialni vključenosti.
With regard to the implementation of the Programme, the intrinsic value of culture and the specific nature of the cultural and creative sectors should be taken into account, including the importance of not-for-profit organisations and projects under a Culture Sub-programme.
Pri izvajanju Programa bi bilo treba upoštevati vrednost kulture same po sebi ter posebno naravo kulturnih in ustvarjalnih sektorjev, vključno s pomenom nepridobitnih organizacij in projektov podprograma Kultura.
A self-standing financial instrument, the Cultural and Creative Sectors Guarantee Facility (the "Guarantee Facility"), should enable the cultural and creative sectors at large to grow, and in particular should provide sufficient leverage for new actions and opportunities.
Jamstvena shema za kulturne in ustvarjalne sektorje kot samostojni finančni instrument (v nadaljnjem besedilu: Jamstvena shema) bi morala na splošno omogočati rast kulturnih in ustvarjalnih sektorjev, predvsem pa zagotavljati zadostno podporo za nove ukrepe in priložnosti.
Selected financial intermediaries should act in favour of cultural and creative projects to ensure a balanced loans portfolio in terms of geographical coverage and sector representation.
Izbrani finančni posredniki bi morali ravnati v korist kulturnih in ustvarjalnih projektov, da bi zagotovili uravnotežen portfelj posojil v smislu geografske pokritosti in zastopanosti sektorjev.
Moreover, public and private organisations have an important role to play in that context, in order to achieve a broad approach under the Guarantee Facility.
V zvezi s tem imajo pomembno vlogo tako javne kot zasebne organizacije, da se doseže širok pristop v okviru Jamstvene sheme.
Funding should also be provided for the European Capitals of Culture action and for the administration of the European Heritage Label action, as they contribute to the strengthening of the feeling of belonging to a common cultural area, to the stimulation of intercultural dialogue and mutual understanding and to the enhancement of the value of cultural heritage.
Zagotoviti bi bilo treba tudi financiranje za ukrep Evropske prestolnice kulture in za upravljanje ukrepa Znak evropske dediščine, saj prispevata h krepitvi občutka pripadnosti skupnemu kulturnemu območju, k spodbujanju medkulturnega dialoga in vzajemnega razumevanja ter povečanju vrednosti kulturne dediščine.
In addition to Member States and overseas countries and territories which are eligible to participate in the Programme pursuant to Article 58 of Council Decision 2001/822/EC [12], the Programme should also be open, subject to certain conditions, to the participation of European Free Trade Association ("EFTA") countries which are parties to the Agreement on the European Economic Area ("EEA") and of the Swiss Confederation.
V Programu bi poleg držav članic ter čezmorskih držav in ozemelj, ki so upravičene do sodelovanja v Programu v skladu s členom 58 Sklepa Sveta 2001/822/ES [12], pod določenimi pogoji morale imeti možnost sodelovati tudi države Evropskega združenja za prosto trgovino (Efta), ki so pogodbenice Sporazuma o Evropskem gospodarskem prostoru (EGP), in Švicarska konfederacija.
Acceding countries, candidate countries and potential candidate countries benefiting from a pre-accession strategy as well as countries covered by the European Neighbourhood Policy should also be able to participate in the Programme, except as regards the Guarantee Facility.
Tudi države pristopnice, države kandidatke in morebitne države kandidatke, ki so deležne ugodnosti predpristopne strategije in države, ki jih zajema Evropska sosedska politika, bi morale imeti možnost sodelovati v Programu, razen kar zadeva Jamstveno shemo.
The Programme should further be open for bilateral or multilateral cooperation actions with third countries on the basis of additional appropriations to be defined, and specific arrangements to be agreed upon, with the parties concerned.
Program bi moral biti ostati odprt za dvostranske ali večstranske ukrepe sodelovanja s tretjimi državami na podlagi dodatnih odobrenih proračunskih sredstev, ki bodo še določena, in posebne ureditve, o kateri se bodo ustrezne strani še dogovorile.
Cooperation in the cultural and audiovisual fields should be fostered between the Programme and international organisations such as Unesco, the Council of Europe, the Organisation for Economic Co-operation and Development ("OECD") and the World Intellectual Property Organisation ("WIPO").
Spodbujati bi bilo treba sodelovanje na kulturnih in avdiovizualnih področjih med Programom in mednarodnimi organizacijami, kot so Unesco, Svet Evrope, Organizacija za gospodarsko sodelovanje in razvoj (OECD) in Svetovna organizacija za intelektualno lastnino.
It is necessary to ensure the European added value of all actions and activities carried out within the Programme, their complementarity to Member States' activities, their compliance with Article 167(4) TFEU and their consistency with other Union activities, in particular in the fields of education, employment, the internal market, enterprise, youth, health, citizenship and justice, research and innovation, industrial and cohesion policy, tourism and external relations, trade and development, and the digital agenda.
Zagotoviti je treba evropsko dodano vrednost vseh ukrepov in dejavnosti, ki se izvajajo v Programu, njihovo dopolnjevanje z dejavnostmi držav članic in njihovo skladnost s členom 167(4) PDEU in drugimi dejavnostmi Unije, zlasti na področjih izobraževanja, zaposlovanja, notranjega trga, podjetništva, mladine, zdravja, državljanstva in pravosodja, raziskav in inovacij, industrijske in kohezijske politike, turizma ter zunanjih odnosov, trgovine in razvoja ter digitalne agende.
In compliance with the principles for performance-related assessment, the procedures for monitoring and evaluating the Programme should include detailed annual reports and should refer to specific, measurable, achievable, relevant and time-bound targets and indicators, including qualitative ones.
Postopki za spremljanje in ocenjevanje Programa bi morali skladno z načeli za oceno uspešnosti vključevati podrobna letna poročila in se nanašati na posebne, merljive, dosegljive, relevantne in časovno omejene cilje ter kazalnike, vključno s kvalitativnimi.
Procedures for monitoring and evaluation ought to take into account the work of relevant players such as Eurostat, and the findings of the ESS-net Culture project and of the Unesco Institute for Statistics.
Postopki za spremljanje in ocenjevanje bi morali upoštevati delo ustreznih akterjev, kot so Eurostat, ter ugotovitve projekta ESS-net Culture in statističnega inštituta Unesca.
In that context, as regards the audiovisual sector, the Union's participation in the European Audiovisual Observatory (the "Observatory") should be continued.
V tem okviru pa bi bilo treba v zvezi z avdiovizualnim sektorjem nadaljevati s sodelovanjem Unije v Evropskem avdiovizualnem observatoriju (v nadaljnjem besedilu: Observatorij).
In order to ensure optimal monitoring and evaluation of the Programme during its entire duration, the power to adopt acts in accordance with Article 290 TFEU should be delegated to the Commission in respect of the adoption of additional quantitative and qualitative indicators.
Da se zagotovi optimalno spremljanje in ocenjevanje Programa v celotnem času njegovega trajanja, bi bilo treba na Komisijo prenesti pooblastila, da v skladu s členom 290 PDEU sprejme akte v zvezi s sprejetjem dodatnih kvantitativnih in kvalitativnih kazalnikov.
As stated in the Commission report of 30 July 2010 on the impact of the European Parliament and Council Decisions modifying the legal bases of the European Programmes in the areas of Lifelong Learning, Culture, Youth and Citizenship, the substantial shortening of the delays in the management procedures has increased the efficiency of programmes.
Kot je navedeno v Poročilu Komisije z dne 30. julija 2010 o vplivu sklepov Evropskega parlamenta in Sveta o spremembah pravnih podlag evropskih programov na področju vseživljenjskega učenja, kulture, mladine in državljanstva, se je zaradi znatnega zmanjšanja zamud v postopkih upravljanja povečala učinkovitost programov.
Particular care should be taken to ensure that administrative and financial procedures continue to be simplified, including through the use of sound, objective and regularly updated systems for determining lump sums, unit costs and flat-rate financing.
Zlasti bi bilo treba zagotoviti nadaljnjo poenostavitev upravnih in finančnih postopkov, tudi z uporabo premišljenih, objektivnih in redno posodobljenih sistemov za določanje pavšalnih zneskov, stroškov na enoto in pavšalnega financiranja.
Those powers should be exercised in accordance with Regulation (EU) No 182/2011 of the European Parliament and of the Council [13].
Ta pooblastila bi bilo treba izvajati v skladu z Uredbo (EU) št. 182/2011 Evropskega parlamenta in Sveta [13].
In accordance with Council Regulation (EC) No 58/2003 [14], the Commission has since 2009 entrusted the Education, Audiovisual and Culture Executive Agency with implementation tasks for the management of Union action in the fields of education, audiovisual and culture.
Komisija je v skladu z Uredbo Sveta (ES) št. 58/2003 [14] leta 2009 pooblastila Izvajalsko agencijo za izobraževanje, avdiovizualno področje in kulturo za izvajalske naloge pri upravljanju programa ukrepov Unije na področjih izobraževanja, avdiovizualnem področju in področju kulture.
The Commission may therefore use, on the basis of a cost-benefit analysis, an existing executive agency for the implementation of the Programme, as provided for in that Regulation.
Komisija lahko zato na podlagi analize stroškov in koristi za izvajanje Programa uporablja obstoječo izvajalsko agencijo, kot jo določa navedena Uredba.
This Regulation lays down a financial envelope for the entire duration of the Programme, which is to constitute the prime reference amount, within the meaning of point 17 of the Interinstitutional Agreement of 2 December 2013 between the European Parliament, the Council and the Commission on budgetary discipline, on cooperation in budgetary matters and on sound financial management [15], for the European Parliament and the Council during the annual budgetary procedure.
Ta uredba za celotno trajanje Programa določa finančna sredstva v višini … EUR, ki za Evropski parlament in Svet v okviru letnega proračunskega postopka predstavljajo prednostni referenčni znesek v smislu točke 17 Medinstitucionalnega sporazuma z dne 2. decembra 2013 med Evropskim parlamentom, Svetom in Komisijo o proračunski disciplini, sodelovanju v proračunskih zadevah in dobrem finančnem poslovodenju [15].
The financial interests of the Union should be protected through proportionate measures throughout the expenditure cycle, including measures for the prevention, detection and investigation of irregularities, the recovery of funds lost, unduly paid or incorrectly used and, where appropriate, administrative and financial penalties in accordance with Regulation (EU, Euratom) No 966/2012 of the European Parliament and of the Council [16] (the "Financial Regulation").
Finančne interese Unije bi bilo treba skozi celoten cikel odhodkov zaščititi s sorazmernimi ukrepi, med katerimi so preprečevanje, odkrivanje in preiskovanje nepravilnosti, povračilo izgubljenih, neupravičeno plačanih ali nepravilno uporabljenih sredstev ter po potrebi nalaganje upravnih in denarnih kazni v skladu z Uredbo (EU, Euratom) št. 966/2012 Evropskega parlamenta in Sveta [16] (v nadaljnjem besedilu: Finančna uredba).
With regard to the European Anti-Fraud Office ("OLAF") and pursuant to Council Regulation (Euratom, EC) No 2185/96 [17] and Regulation (EU, Euratom) No 883/2013 of the European Parliament and of the Council [18], appropriate measures should be drawn up and implemented to prevent fraud and to recover funds which have been lost or transferred or used improperly.
Ob upoštevanju Evropskega urada za boj proti goljufijam (urad OLAF) in v skladu z Uredbo Sveta (Euratom, ES) št. 2185/96 [17] in Uredbo (EU, Euratom) št. 883/2013 Evropskega parlamenta in Sveta [18] bi bilo treba pripraviti in izvajati ustrezne ukrepe za preprečevanje goljufij in povračilo izgubljenih ali nepravilno prenesenih ali uporabljenih sredstev.
Since the objectives of this Regulation, namely to safeguard, develop and promote European cultural and linguistic diversity, to promote Europe's cultural heritage and to strengthen the competitiveness of the European cultural and creative sectors, in particular of the audiovisual sector, cannot be sufficiently achieved by the Member States, given the transnational and international character of the Programme, but can rather, by reason of its scale and expected effects, be better achieved at Union level, the Union may adopt measures, in accordance with the principle of subsidiarity as set out in Article 5 of the Treaty on European Union.
Ker ciljev te uredbe, in sicer varovanja, razvoja in spodbujanja evropske kulture in jezikovne raznolikosti, promocije evropske kulturne dediščine in krepitve konkurenčnosti evropskih kulturnih in ustvarjalnih sektorjev, zlasti avdiovizualnega sektorja, glede na nadnacionalno in mednarodno naravo Programa države članice ne morejo zadovoljivo doseči, temveč se te cilje zaradi njihovega obsega in pričakovanih učinkov lažje doseže na ravni Unije, lahko Unija sprejme ukrepe v skladu z načelom subsidiarnosti iz člena 5 Pogodbe o Evropski uniji.
Decisions No 1718/2006/EC, No 1855/2006/EC and No 1041/2009/EC should therefore be repealed.
Sklepe št. 1718/2006/ES, št. 1855/2006/ES in št. 1041/2009/ES bi bilo zato treba razveljaviti.
Provision should be made for measures governing the transition from the MEDIA, Culture and MEDIA Mundus programmes to the Programme.
Določiti bi bilo treba ukrepe, ki bi urejali prehod od programov MEDIA, Kultura in MEDIA Mundus k Programu.
In order to ensure continuity in the funding support provided under the Programme, the Commission should be able to consider the costs directly linked to the implementation of the supported actions and activities as eligible for financing, even if they are incurred by the beneficiary before the grant application is submitted.
Za zagotovitev nadaljevanja finančne podpore, dane v okviru Programa, bi Komisija morala imeti možnost šteti stroške, neposredno povezane z izvajanjem podprtih dejavnosti, kot upravičene za financiranje, četudi so upravičencu nastali pred vložitvijo vloge za pridobitev sredstev.
This Regulation establishes the Creative Europe Programme for support to the European cultural and creative sectors (the "Programme").
Ta uredba za podporo evropskim kulturnim in ustvarjalnim sektorjem uvaja program Ustvarjalna Evropa (v nadaljnjem besedilu: Program).
'cultural and creative sectors' means all sectors whose activities are based on cultural values and/or artistic and other creative expressions, whether those activities are market- or non-market-oriented, whatever the type of structure that carries them out, and irrespective of how that structure is financed.
„kulturni in ustvarjalni sektorji“ pomeni vse sektorje, katerih dejavnosti temeljijo na kulturnih vrednotah in/ali umetniških in drugih ustvarjalnih izražanjih, ne glede na to, ali so te dejavnosti tržno ali netržno usmerjene, katera vrsta strukture jih izvaja in kako se ta struktura financira.
Those activities include the development, the creation, the production, the dissemination and the preservation of goods and services which embody cultural, artistic or other creative expressions, as well as related functions such as education or management.
Te dejavnosti vključujejo razvoj, ustvarjanje, produkcijo, razširjanje ter ohranjanje dobrin in storitev, ki vsebujejo kulturna, umetniška ali druga ustvarjalna izražanja, ter povezane dejavnosti, kot so izobraževanje ali upravljanje.
The cultural and creative sectors include inter alia architecture, archives, libraries and museums, artistic crafts, audiovisual (including film, television, video games and multimedia), tangible and intangible cultural heritage, design, festivals, music, literature, performing arts, publishing, radio and visual arts;
Kulturni in ustvarjalni sektorji med drugim vključujejo arhitekturo, arhive, knjižnice in muzeje, umetniške veščine, avdiovizualno področje (vključno s filmom, televizijo, videoigrami in večpredstavnostnimi vsebinami), snovno in nesnovno kulturno dediščino, oblikovanje, festivale, glasbo, literaturo, uprizoritvene umetnosti, založništvo, radijske in vizualne umetnosti;
'SMEs' means micro, small and medium-sized enterprises, as defined in Commission Recommendation 2003/361/EC [19];
„MSP“ pomeni mikro-, mala in srednja podjetja, kot so opredeljena v Priporočilu Komisije 2003/361/ES [19];
'participating financial intermediaries' means financial intermediaries within the meaning of the second subparagraph of Article 139(4) of the Financial Regulation, selected under the Guarantee Facility in accordance with the Financial Regulation and with Annex I to this Regulation, providing or planning to provide:
„sodelujoči finančni posredniki“ pomeni finančne posrednike v smislu drugega pododstavka člena 139(4) Finančne uredbe, ki so bili izbrani v okviru Jamstvene sheme, v skladu s Finančno uredbo in Prilogo I k tej uredbi, in ki zagotavljajo ali načrtujejo zagotavljanje:
loans to SMEs and to micro, small and medium-sized organisations in the cultural and creative sectors (guarantees from the European Investment Fund ("EIF"));
posojil MSP ter mikro-, malim in srednjim organizacijam v kulturnih in ustvarjalnih sektorjih (jamstva iz Evropskega investicijskega sklada (EIS));
loan guarantees to other financial intermediaries providing loans to SMEs and to micro, small and medium-sized organisations in the cultural and creative sectors (counter-guarantees from the EIF);
posojilnih jamstev drugim finančnim posrednikom, ki zagotavljajo posojila MSP ter mikro-, malim in srednjim organizacijam v kulturnih in ustvarjalnih sektorjih (posredna osebna jamstva iz EIS).
'capacity-building providers' means entities capable of providing expertise in accordance with Annex I in order to enable participating financial intermediaries to assess effectively the specificities and risks associated with SMEs and micro, small and medium-sized organisations in the cultural and creative sectors and with their projects.
„ponudniki storitev krepitve zmogljivosti“ pomeni subjekte, ki lahko zagotavljajo strokovno znanje v skladu s Prilogo I, da bi omogočili sodelujočim finančnim posrednikom, da učinkovito ocenijo posebnosti in tveganja, povezana z MSP ter mikro-, malimi in srednjimi organizacijami v kulturnih in ustvarjalnih sektorjih in z njihovimi projekti.
General objectives
Splošna cilja
The general objectives of the Programme shall be:
Splošna cilja Programa sta:
to safeguard, develop and promote European cultural and linguistic diversity and to promote Europe's cultural heritage;
varovati, razvijati in spodbujati evropsko kulturno in jezikovno raznolikost ter spodbujati evropsko kulturno dediščino;
to strengthen the competitiveness of the European cultural and creative sectors, in particular of the audiovisual sector, with a view to promoting smart, sustainable and inclusive growth.
okrepiti konkurenčnost evropskih kulturnih in ustvarjalnih sektorjev, zlasti avdiovizualnega sektorja, za spodbujanje pametne, trajnostne in vključujoče rasti.
The specific objectives of the Programme shall be:
Posebni cilji Programa so:
to support the capacity of the European cultural and creative sectors to operate transnationally and internationally;
podpirati zmogljivosti evropskih kulturnih in ustvarjalnih sektorjev za nadnacionalno in mednarodno delovanje;
to promote the transnational circulation of cultural and creative works and transnational mobility of cultural and creative players, in particular artists, as well as to reach new and enlarged audiences and improve access to cultural and creative works in the Union and beyond, with a particular focus on children, young people, people with disabilities and under-represented groups;
spodbujati nadnacionalno kroženje kulturnih in ustvarjalnih del ter nadnacionalno mobilnost kulturnih in ustvarjalnih akterjev, zlasti umetnikov, pa tudi doseči nova in širša občinstva ter izboljšati dostop do kulturnih in ustvarjalnih del v Uniji in zunaj nje s posebnim poudarkom na otrocih, mladih, invalidih in premalo zastopanih skupinah;