natgillin/translations-raw huggingface dataset:
Member States should ensure that the organisations concerned keep records of their diligent searches and that the results of such searches, consisting in particular of any finding that a work or phonogram is to be considered an orphan work within the meaning of this Directive, as well as information on the change of status and on the use which those organisations make of orphan works, are collected and made available to the public at large, in particular through the recording of the relevant information in an online database.
Države članice bi morale zagotoviti, da zadevne organizacije vodijo evidenco svojih skrbnih iskanj in rezultatov takih iskanj, ki vsebuje zlasti vsako ugotovitev, da se delo ali fonogram šteje kot osirotelo delo v smislu te direktive, ter da se informacije o spremembi statusa in uporabi osirotelih del s strani navedenih organizacij zbirajo in dajo na voljo splošni javnosti, zlasti z vnosom pomembnih informacij v spletno podatkovno bazo.
Considering in particular the pan-European dimension, and in order to avoid duplication of efforts, it is appropriate to make provision for the creation of a single online database for the Union containing such information and for making it available to the public at large in a transparent manner.
Zlasti ob upoštevanju vseevropske razsežnosti ter zaradi preprečitve podvajanja prizadevanj je primerno določiti vzpostavitev enotne spletne podatkovne baze Unije, ki bo vsebovala tovrstne informacije in jih na pregleden način dala na voljo splošni javnosti.
This can enable both the organisations which are carrying out diligent searches and the rightholders easily to access such information.
S tem bodo te informacije lahko dostopne tako za organizacije, ki opravljajo skrbna iskanja, kot za imetnike pravic.
The database could also play an important role in preventing and bringing to an end possible copyright infringements, particularly in the case of changes to the orphan work status of the works and phonograms.
Ta podatkovna baza bi lahko imela pomembno vlogo tudi pri preprečevanju in odpravi morebitnih kršitev avtorskih pravic, zlasti v primeru sprememb statusa osirotelih del in fonogramov.
Under Regulation (EU) No 386/2012 [4], the Office for Harmonization in the Internal Market ('the Office') is entrusted with certain tasks and activities, financed by making use of its own budgetary means, aimed at facilitating and supporting the activities of national authorities, the private sector and the Union institutions in the fight against, including the prevention of, infringement of intellectual property rights.
Z Uredbo (EU) št. 386/2012 [4] se Urad za usklajevanje na notranjem trgu (v nadaljnjem besedilu: Urad) pooblasti za nekatere naloge in dejavnosti, ki se financirajo iz njegovih lastnih proračunskih sredstev in katerih namen je olajšati in podpirati dejavnosti nacionalnih organov, zasebnega sektorja in institucij Unije pri boju proti kršitvam pravic intelektualne lastnine, vključno s preprečevanjem teh kršitev.
In particular, pursuant to point (g) of Article 2(1) of that Regulation, those tasks include providing mechanisms which help to improve the online exchange of relevant information between the Member States' authorities concerned and fostering cooperation between those authorities.
V skladu s točko (g) člena 2(1) navedene uredbe navedene naloge vključujejo vzpostavitev mehanizmov, ki pripomorejo k izboljšanju spletne izmenjave ustreznih informacij med zadevnimi organi držav članic ter spodbujanje sodelovanja med temi organi.
It is therefore appropriate to rely on the Office to establish and manage the European database containing information related to orphan works referred to in this Directive.
Zato je primerno, da se Urad pooblasti za vzpostavitev in vodenje evropske podatkovne baze, ki vsebuje informacije v zvezi z osirotelimi deli iz te direktive.
There can be several rightholders in respect of a particular work or phonogram, and works and phonograms can themselves include other works or protected subject-matter.
Posamezno delo ali fonogram ima lahko več imetnikov pravic in dela in fonogrami sami lahko vključujejo druga dela ali zaščitene vsebine.
This Directive should not affect the rights of identified and located rightholders.
Ta direktiva ne bi smela vplivati na pravice opredeljenih in najdenih imetnikov pravic.
If at least one rightholder has been identified and located, a work or phonogram should not be considered an orphan work.
Če je opredeljen in najden vsaj en imetnik pravic, se delo ali fonogram ne bi smelo šteti kot osirotelo.
The beneficiaries of this Directive should only be permitted to use a work or phonogram one or more of the rightholders in which are not identified or not located, if they are authorised to carry out the acts of reproduction and of making available to the public covered by Articles 2 and 3 respectively of Directive 2001/29/EC by those rightholders that have been identified and located, including the rightholders of works and other protected subject-matter which are embedded or incorporated in the works or phonograms.
Upravičencem iz te direktive bi morala biti dovoljena uporaba dela ali fonograma, za katerega eden ali več imetnikov pravic ni bil opredeljen ali najden, samo v primeru, če jim imetniki pravic, ki so opredeljeni in najdeni, vključno z imetniki pravic do del in drugih zaščitenih vsebin, ki so vsebovana ali vključena v teh delih ali fonogramih, dajo dovoljenje za izvajanje dejavnosti reprodukcije in dajanja na voljo javnosti v skladu s členom 2 oziroma 3 Direktive 2001/29/ES.
Rightholders that have been identified and located can give this authorisation only in relation to the rights that they themselves hold, either because the rights are their own rights or because the rights were transferred to them, and should not be able to authorise under this Directive any use on behalf of rightholders that have not been identified and located.
Imetnikom pravic, ki so opredeljeni in najdeni lahko dajo to dovoljenje samo za pravice, katerih imetniki so sami, ne glede na to, ali so te pravice njihove lastne ali so bile prenesene nanje, ne bi pa smeli v skladu s to direktivo dati dovoljenja za uporabo v imenu imetnikov pravic, ki niso opredeljeni in najdeni.
Correspondingly, when previously non-identified or non-located rightholders come forward in order to claim their rights in the work or phonogram, the lawful use of the work or phonogram by the beneficiaries can continue only if those rightholders give their authorisation to do so under Directive 2001/29/EC in relation to the rights that they hold.
Posledično, kadar se pojavijo prej neopredeljeni ali nenajdeni imetniki pravic in uveljavljajo svoje pravice do dela ali fonograma, lahko upravičenci nadalje uporabljajo to delo ali fonogram samo, če jim ti imetniki pravic za to dajo dovoljenje v skladu z Direktivo 2001/29/ES za pravice, katerih imetniki so.
Rightholders should be entitled to put an end to the orphan work status in the event that they come forward to claim their rights in the work or other protected subject-matter.
Imetniki pravic bi morali imeti pravico, da ukinejo status osirotela dela, v primeru, da se pojavijo in uveljavljajo svoje pravice do dela ali drugih zaščitenih vsebin.
Rightholders that put an end to the orphan work status of a work or other protected subject-matter should receive fair compensation for the use that has been made of their works or other protected subject-matter under this Directive, to be determined by the Member State where the organisation that uses an orphan work is established.
Imetniki pravic, ki za delo ali druge zaščitene vsebine ukinejo status osirotelega dela, bi morali prejeti pošteno nadomestilo za dotedanjo uporabo njihovih del ali drugih zaščitenih vsebin iz te direktive, ki ga določi država članica, v kateri ima sedež organizacija, ki uporablja osirotelo delo.
Member States should be free to determine the circumstances under which the payment of such compensation may be organised, including the point in time at which the payment is due.
Določitev okoliščin, v katerih se sme organizirati plačilo takšnega nadomestila, vključno z rokom zapadlosti plačila, bi moralo biti prepuščeno državam članicam.
For the purposes of determining the possible level of fair compensation, due account should be taken, inter alia, of Member States' cultural promotion objectives, of the non-commercial nature of the use made by the organisations in question in order to achieve aims related to their public-interest missions, such as promoting learning and disseminating culture, and of the possible harm to rightholders.
Za namene določanja višine poštenega nadomestila bi bilo treba med drugim ustrezno upoštevati cilje države članice na področju promocije kulture, nekomercialni značaj uporabe s strani zadevnih organizacij zaradi doseganja ciljev v zvezi z njihovimi poslanstvi javnega interesa, na primer spodbujanja učenja in širjenja kulture, ter morebitno oškodovanje imetnikov pravic.
If a work or phonogram has been wrongly found to be an orphan work, following a search which was not diligent, the remedies for copyright infringement in Member States' legislation, provided for in accordance with the relevant national provisions and Union law, remain available.
Če se delo ali fonogram po iskanju, ki ni bilo vztrajno, zmotno opredeli kot osirotelo delo, so v zakonodaji držav članic še vedno na voljo pravna sredstva za kršitve avtorskih pravic v skladu z ustreznimi nacionalnimi določbami in pravom Unije.
In order to promote learning and the dissemination of culture, Member States should provide for an exception or limitation in addition to those provided for in Article 5 of Directive 2001/29/EC.
Da bi spodbujale učenje in širjenje kulture, bi morale države članice določiti izjemo ali omejitev poleg tistih iz člena 5 Direktive 2001/29/ES.
That exception or limitation should permit certain organisations, as referred to in point (c) of Article 5(2) of Directive 2001/29/EC and film or audio heritage institutions which operate on a non-profit making basis, as well as public-service broadcasting organisations, to reproduce and make available to the public, within the meaning of that Directive, orphan works, provided that such use fulfils their public interest missions, in particular the preservation of, the restoration of, and the provision of cultural and educational access to, their collections, including their digital collections.
Ta izjema ali omejitev bi morala nekaterim organizacijam, kakor so opredeljene v točki (c) člena 5(2) Direktive 2001/29/ES in neprofitnim ustanovam filmske ali avdio dediščine, ter javnim RTV organizacijam dovoliti, da v smislu navedene direktive reproducirajo in dajo na voljo javnosti osirotela dela, pod pogojem, da takšna uporaba izpolnjuje njihova poslanstva javnega interesa, zlasti ohranjanje, obnovo, zagotovitev kulturnega in izobraževalnega dostopa do njihovih zbirk, vključno z digitalnimi zbirkami.
Film or audio heritage institutions should, for the purposes of this Directive, cover organisations designated by Member States to collect, catalogue, preserve and restore films and other audiovisual works or phonograms forming part of their cultural heritage.
Za namene te direktive bi morale ustanove filmske ali avdio dediščine vključevati organizacije, ki jih države članice imenujejo za zbiranje, katalogiziranje, ohranitev in obnovitev filmov in drugih avdiovizualnih del ali fonogramov, ki so del njihove kulturne dediščine.
Public-service broadcasters should, for the purposes of this Directive, cover broadcasters with a public-service remit as conferred, defined and organised by each Member State.
Za namene te direktive bi moral pojem javnih RTV organizacij vključevati RTV organizacije, ki izvajajo javne storitve, kot jih je podelila, opredelila in organizirala vsaka posamezna država članica.
The exception or limitation established by this Directive to permit the use of orphan works is without prejudice to the exceptions and limitations provided for in Article 5 of Directive 2001/29/EC.
Izjema ali omejitev iz te direktive, ki dovoljuje uporabo osirotelih del, ne posega v izjeme in omejitve iz člena 5 Direktive 2001/29/ES.
It can be applied only in certain special cases which do not conflict with the normal exploitation of the work or other protected subject-matter and do not unreasonably prejudice the legitimate interests of the rightholder.
Uporabi se lahko samo v določenih posebnih primerih, ki niso v nasprotju z normalno uporabo dela ali druge zaščitene vsebine in ne pomenijo nesmiselnega posega v legitimne interese imetnika pravic.
In order to incentivise digitisation, the beneficiaries of this Directive should be allowed to generate revenues in relation to their use of orphan works under this Directive in order to achieve aims related to their public-interest missions, including in the context of public-private partnership agreements.
Da bi spodbudili digitalizacijo, bi moralo biti upravičencem iz te direktive omogočeno, da ustvarjajo dohodke v zvezi z njihovo uporabo osirotelih del v skladu s to direktivo, da bi izpolnili cilje v zvezi z njihovimi poslanstvi javnega interesa, med drugim v okviru sporazumov o javno-zasebnem partnerstvu.
Contractual arrangements may play a role in fostering the digitisation of European cultural heritage, it being understood that publicly accessible libraries, educational establishments and museums, as well as archives, film or audio heritage institutions and public-service broadcasting organisations, should be allowed, with a view to undertaking the uses permitted under this Directive, to conclude agreements with commercial partners for the digitisation and making available to the public of orphan works.
Pogodbene določbe lahko igrajo vlogo pri spodbujanju digitalizacije evropske kulturne dediščine, pri čemer se razume, da bi moralo biti omogočeno, da javno dostopne knjižnice, izobraževalne ustanove in muzeji ter tudi arhivi, ustanove filmske ali avdio dediščine ter javne RTV organizacije z namenom uporab, dovoljenih v skladu s to direktivo, sklepajo sporazume s trgovinskimi partnerji za digitalizacijo in dajanje javnosti na voljo osirotelih del.
Those agreements may include financial contributions by such partners.
Ti sporazumi lahko vključujejo finančne prispevke teh partnerjev.
Such agreements should not impose any restrictions on the beneficiaries of this Directive as to their use of orphan works and should not grant the commercial partner any rights to use, or control the use of, the orphan works.
Tovrstni sporazumi upravičencem iz te direktive ne bi smeli nalagati nobenih omejitev glede njihove uporabe osirotelih del in ne bi smeli trgovinskemu partnerju odobriti nobenih pravic do uporabe ali nadzora uporabe osirotelih del.
In order to foster access by the Union's citizens to Europe's cultural heritage, it is also necessary to ensure that orphan works which have been digitised and made available to the public in one Member State may also be made available to the public in other Member States.
Da bi spodbujali dostop državljanov Unije do evropske kulturne dediščine, je prav tako treba zagotoviti, da so osirotela dela, ki so bila digitalizirana in dana na voljo javnosti v eni državi članici, lahko dana na voljo tudi v drugih državah članicah.
Publicly accessible libraries, educational establishments and museums, as well as archives, film or audio heritage institutions and public-service broadcasting organisations that use an orphan work in order to achieve their public-interest missions should be able to make the orphan work available to the public in other Member States.
Javno dostopnim knjižnicam, izobraževalnim ustanovam in muzejem ter tudi arhivom, ustanovam filmske ali avdio dediščine in javnim RTV organizacijam, ki uporabljajo osirotelo delo, da bi uresničile svoje poslanstvo javnega interesa, bi bilo treba omogočiti, da dajo osirotelo delo na voljo javnosti v drugih državah članicah.
This Directive is without prejudice to the arrangements in the Member States concerning the management of rights such as extended collective licences, legal presumptions of representation or transfer, collective management or similar arrangements or a combination of them, including for mass digitisation.
Ta direktiva ne posega v ureditve držav članic v zvezi z upravljanjem pravic, na primer v zvezi z razširjenimi kolektivnimi licencami, pravnimi domnevami glede zastopanja ali prenosa, obveznim kolektivnim upravljanjem ali podobno ureditvijo ali kombinacijo teh elementov, vključno z množično digitalizacijo.
Since the objective of this Directive, namely ensuring legal certainty with respect to the use of orphan works, cannot be sufficiently achieved by the Member States and can therefore, by reason of the need for uniformity of the rules governing the use of orphan works, be better achieved at Union level, the Union may adopt measures, in accordance with the principle of subsidiarity as set out in Article 5 of the Treaty on European Union.
Ker cilja te direktive, in sicer zagotovitve pravne varnosti glede uporabe osirotelih del, države članice ne morejo zadovoljivo doseči in ker so ti cilji zaradi potrebe po izenačenosti pravil, ki urejajo uporabo osirotelih del, lažje dosegljivi na ravni Unije, lahko Unija sprejme ukrepe v skladu z načelom subsidiarnosti iz člena 5 Pogodbe o Evropski uniji.
This Directive concerns certain uses made of orphan works by publicly accessible libraries, educational establishments and museums, as well as by archives, film or audio heritage institutions and public-service broadcasting organisations, established in the Member States, in order to achieve aims related to their public-interest missions.
Ta direktiva se nanaša na določene uporabe osirotelih del s strani javno dostopnih knjižnic, izobraževalnih ustanov in muzejev ter tudi arhivov, ustanov filmske ali avdio dediščine in javnih RTV organizacij, s sedežem v državah članicah, z namenom doseganja ciljev v zvezi z njihovimi poslanstvi javnega interesa.
This Directive applies to:
Ta direktiva se uporablja za:
works published in the form of books, journals, newspapers, magazines or other writings contained in the collections of publicly accessible libraries, educational establishments or museums as well as in the collections of archives or of film or audio heritage institutions;
dela, ki so objavljena kot knjige, revije, časopisi ali druga besedila in se nahajajo v zbirkah javno dostopnih knjižnic, izobraževalnih ustanov ali muzejev ter v zbirkah arhivov ali ustanov filmske ali avdio dediščine;
cinematographic or audiovisual works and phonograms contained in the collections of publicly accessible libraries, educational establishments or museums as well as in the collections of archives or of film or audio heritage institutions; and
kinematografska ali avdiovizualna dela in fonogrami, ki se nahajajo v zbirkah javno dostopnih knjižnic, izobraževalnih ustanov ali muzejev ter v zbirkah arhivov ali ustanov filmske ali avdio dediščine, ter
cinematographic or audiovisual works and phonograms produced by public-service broadcasting organisations up to and including 31 December 2002 and contained in their archives;
kinematografska ali avdiovizualna dela in fonogrami, ki so jih proizvedle javne RTV organizacije do vključno 31. decembra 2002 in se nahajajo v njihovih arhivih,
which are protected by copyright or related rights and which are first published in a Member State or, in the absence of publication, first broadcast in a Member State.
ki so zaščitena z avtorskimi ali sorodnimi pravicami in ki so prvič objavljena v državi članici, oziroma če niso objavljena, prvič predvajana v državi članici.
This Directive also applies to works and phonograms referred to in paragraph 2 which have never been published or broadcast but which have been made publicly accessible by the organisations referred to in paragraph 1 with the consent of the rightholders, provided that it is reasonable to assume that the rightholders would not oppose the uses referred to in Article 6.
Ta direktiva se uporablja tudi za dela in fonograme iz odstavka 2, ki niso bili nikoli objavljeni ali predvajani, vendar so jih organizacije iz odstavka 1 dale na voljo javnosti ob soglasju imetnikov pravic, če se upravičeno domneva, da imetniki pravic ne bi oporekali uporabi iz člena 6.
Member States may limit the application of this paragraph to works and phonograms which have been deposited with those organisations before 29 October 2014.
Države članice lahko omejijo uporabo tega odstavka na dela in fonograme, ki so jih te organizacije prejele pred 29. oktobrom 2014.
This Directive shall also apply to works and other protected subject-matter that are embedded or incorporated in, or constitute an integral part of, the works or phonograms referred to in paragraphs 2 and 3.
Ta direktiva se uporablja tudi za dela in druge zaščitene vsebine, vsebovane ali vključene v delih ali fonogramih iz odstavka 2 in 3 ali so njihov sestavni del.
This Directive does not interfere with any arrangements concerning the management of rights at national level.
Ta direktiva ne posega v ureditve glede upravljanja pravic na nacionalni ravni.
Orphan works
Osirotela dela
A work or a phonogram shall be considered an orphan work if none of the rightholders in that work or phonogram is identified or, even if one or more of them is identified, none is located despite a diligent search for the rightholders having been carried out and recorded in accordance with Article 3.
Delo ali fonogram se šteje za osirotelo delo, če nihče izmed imetnikov pravic tega dela ali fonograma ni opredeljen ali, tudi če je eden ali več izmed njih opredeljen, nihče ni najden, kljub opravljenemu in zabeleženemu skrbnemu iskanju imetnikov pravic v skladu s členom 3.
Where there is more than one rightholder in a work or phonogram, and not all of them have been identified or, even if identified, located after a diligent search has been carried out and recorded in accordance with Article 3, the work or phonogram may be used in accordance with this Directive provided that the rightholders that have been identified and located have, in relation to the rights they hold, authorised the organisations referred to in Article 1(1) to carry out the acts of reproduction and making available to the public covered respectively by Articles 2 and 3 of Directive 2001/29/EC.
Če ima delo ali fonogram več kot enega imetnika pravic, pri čemer niso vsi opredeljeni ali, tudi če so opredeljeni, niso najdeni po tem, ko je bilo izvedeno in zabeleženo skrbno iskanje v skladu s členom 3, se lahko to delo ali fonogram uporablja v skladu s to direktivo pod pogojem, da so imetniki pravic, ki so opredeljeni in najdeni, za pravice, katerih imetniki so, dali dovoljenje organizacijam iz člena 1(1), da izvajajo dejavnosti reprodukcije in dajanja na voljo javnosti, zajete v členu 2 oziroma 3 Direktive 2001/29/ES.
Paragraph 2 shall be without prejudice to the rights in the work or phonogram of rightholders that have been identified and located.
Odstavek 2 ne posega v pravice imetnikov pravic, ki so bili opredeljeni in najdeni, do dela ali fonograma.
Article 5 shall apply mutatis mutandis to the rightholders that have not been identified and located in the works referred to in paragraph 2.
Za dela iz odstavka 2 se člen 5 smiselno uporablja za imetnike pravic, ki niso opredeljeni in najdeni.
This Directive shall be without prejudice to national provisions on anonymous or pseudonymous works.
Ta direktiva ne posega v nacionalne določbe o anonimnih ali psevdonimnih delih.
Diligent search
Skrbno iskanje
For the purposes of establishing whether a work or phonogram is an orphan work, the organisations referred to in Article 1(1) shall ensure that a diligent search is carried out in good faith in respect of each work or other protected subject-matter, by consulting the appropriate sources for the category of works and other protected subject-matter in question.
Za namene odločitve, ali spada delo ali fonogram med osirotela dela, organizacije iz člena 1(1) zagotovijo, da se za vsako delo ali druge zaščitene vsebine izvede skrbno iskanje v dobri veri s pregledom ustreznih virov za kategorijo zadevnih del in drugih zaščitenih vsebin.