natgillin/translations-raw huggingface dataset:
Digital material has to be managed and maintained, otherwise files may be unreadable when the hardware and software used to store them becomes obsolete, material may be lost when storage devices deteriorate over time, and storage devices could be overwhelmed by the sheer volume of new and changing content.
Digitalno gradivo je treba urejati in vzdrževati, sicer bi datoteke z zastaranjem strojne in programske opreme, ki se je uporabljala za shranjevanje, lahko postale neberljive, gradivo bi se lahko po določenem času zaradi premajhne zmogljivosti pomnilnikov izgubilo, pomnilniki pa bi bili lahko zaradi same količine nove in spreminjajoče se vsebine preobremenjeni.
In spite of progress made across the EU on the preservation of digital material, in several Member States no clear and comprehensive policies are in place on the preservation of digital content.
Kljub napredku, ki je bil v EU dosežen na področju hrambe digitalnega gradiva, nekatere države članice še niso sprejele jasnih in celovitih politik o hrambi digitalne vsebine.
The absence of such policies poses a threat to the survival of digitised material and may also result in the loss of material produced in digital format (born digital material).
Odsotnost takšnih politik ogroža obstoj digitaliziranega gradiva in lahko povzroči izgubo gradiva, ki je bilo proizvedeno v digitalni obliki (izvorno digitalno gradivo).
The development of effective means of digital preservation has far-reaching implications that go beyond cultural institutions.
Razvoj učinkovitih sredstev za digitalno hrambo ima daljnosežne posledice ne samo za kulturne ustanove.
Questions of digital preservation are relevant for any private or public organisation, which is obliged or which wishes to preserve digital material.
Vprašanja digitalne hrambe so pomembna tudi za vse zasebne in javne organizacije, ki morajo ali želijo hraniti digitalno gradivo.
Digital preservation poses challenges of a financial, organisational, and technical nature and sometimes requires an update of legislative provisions.
Digitalna hramba je povezana s finančnimi, organizacijskimi in tehničnimi izzivi ter včasih zahteva posodobitev zakonodajnih določb.
Several Member States have introduced or are considering legal obligations requiring producers of digital material to make one or more copies of their material available to a mandated deposit body.
Več držav članic je uvedlo pravne obveznosti, ki od proizvajalcev digitalnega gradiva zahtevajo, da eno ali več kopij gradiva zagotovijo imenovanemu organu za deponiranje, oziroma razmišlja o uvedbi le-teh.
Efficient provisions and practices for legal deposit can minimise the administrative burden on content holders and deposit institutions alike, and should therefore be recommended.
Učinkovite določbe in prakse za zakonito deponiranje lahko zmanjšajo upravno breme tako lastnikov vsebin kot ustanov za deponiranje, zato jih je treba priporočiti.
Effective collaboration between Member States is necessary to avoid a wide variation in the rules governing the deposit of digital material and should be encouraged.
Da se predpisi o deponiranju digitalnega gradiva med seboj ne bi preveč razlikovali, morajo države članice med seboj učinkovito sodelovati, takšno sodelovanje pa je treba spodbujati.
In as far as cinematographic works are concerned the present Recommendation complements the Parliament and Council Recommendation of 16 November 2005 on film heritage and the competitiveness of related industrial activities [1] on a number of aspects,
V zvezi s kinematografskimi deli to priporočilo v številnih vidikih dopolnjuje Priporočilo Parlamenta in Sveta z dne 16. novembra 2005 o filmski dediščini in konkurenčnosti z njo povezanih industrijskih dejavnosti [1] –
HEREBY RECOMMENDS THAT MEMBER STATES:
PRIPOROČA DRŽAVAM ČLANICAM, DA:
Digitisation: organisation and funding
Digitalizacija: organizacija in financiranje
further develop their planning and monitoring of the digitisation of books, journals, newspapers, photographs, museum objects, archival documents, sound and audiovisual material, monuments and archaeological sites (hereinafter ‘cultural material’) by:
še naprej razvijajo načrtovanje in spremljanje digitalizacije knjig, revij, časopisov, fotografij, muzejskih predmetov, arhivskih dokumentov, zvočnega in avdiovizualnega gradiva, spomenikov in arheoloških najdišč (v nadaljnjem besedilu: kulturno gradivo) tako:
setting clear quantitative targets for the digitisation of cultural material, in line with the overall targets mentioned under point 7, indicating the expected increase in digitised material which could form part of Europeana, and the budgets allocated by public authorities;
da določijo jasne količinske cilje za digitalizacijo kulturnega gradiva v skladu s splošnimi cilji iz točke 7, pri čemer navedejo pričakovano povečanje digitaliziranega gradiva, ki bi ga lahko dodali Europeani, in proračunska sredstva, ki jih bodo za to zagotovili javni organi,
creating overviews of digitised cultural material and contributing to collaborative efforts to establish an overview at European level with comparable figures;
da pripravijo preglede nad digitaliziranim kulturnim gradivom in sodelujejo pri skupnih prizadevanjih za pripravo pregleda na evropski ravni s primerljivimi podatki;
encourage partnerships between cultural institutions and the private sector in order to create new ways of funding digitisation of cultural material and to stimulate innovative uses of the material, while ensuring that public private partnerships for digitisation are fair and balanced, and in line with the conditions indicated in the Annex;
spodbujajo partnerstva med kulturnimi ustanovami in zasebnim sektorjem, da se zagotovijo novi načini financiranja digitalizacije kulturnega gradiva in spodbujajo inovativni načini uporabe gradiva, pri čemer je treba zagotoviti, da bodo javno-zasebna partnerstva za digitalizacijo pravična in uravnotežena ter v skladu s pogoji iz Priloge;
make use of the EU’s Structural Funds, where possible, to co-finance digitisation activities in the framework of regional innovation strategies for smart specialisation;
če je mogoče, črpajo iz strukturnih skladov EU, da bi sofinancirale dejavnosti digitalizacije v okviru regionalnih inovacijskih strategij za pametno specializacijo;
consider ways to optimise the use of digitisation capacity and achieve economies of scale, which may imply the pooling of digitisation efforts by cultural institutions and cross-border collaboration, building on competence centres for digitisation in Europe;
preučijo načine za čim boljšo uporabo digitalizacijskih zmogljivosti in ustvarjanje ekonomij obsega, kamor lahko spada tudi združevanje dejavnosti kulturnih ustanov na področju digitalizacije in čezmejno sodelovanje, ki temelji na središčih za usposabljanje na področju digitalizacije v Evropi;
Digitisation and online accessibility of public domain material
Digitalizacija in spletna dostopnost javno dostopnega gradiva
improve access to and use of digitised cultural material that is in the public domain by:
izboljšajo dostop in uporabo digitaliziranega javno dostopnega kulturnega gradiva tako:
ensuring that material in the public domain remains in the public domain after digitisation;
da zagotovijo, da bo javno dostopno gradivo javno dostopno tudi po digitalizaciji,
promoting the widest possible access to digitised public domain material as well as the widest possible reuse of the material for non-commercial and commercial purposes;
da podpirajo čim širši dostop do javno dostopnega digitaliziranega gradiva ter čim širšo ponovno uporabo gradiva za nekomercialne in komercialne namene,
taking measures to limit the use of intrusive watermarks or other visual protection measures that reduce the usability of the digitised public domain material;
da sprejmejo ukrepe, s katerimi omejijo uporabo motečih vodnih žigov ali drugih vizualnih zaščitnih ukrepov, ki zmanjšujejo uporabnost javno dostopnega digitaliziranega gradiva;
Digitisation and online accessibility of in-copyright material
Digitalizacija in spletna dostopnost avtorsko zaščitenega gradiva
improve conditions for the digitisation and online accessibility of in-copyright material by:
izboljšajo pogoje za digitalizacijo in spletno dostopnost avtorsko zaščitenega gradiva tako:
rapid and correct transposition and implementation of the provisions of the Directive on orphan works, once it is adopted, with consultation of interested parties ahead of adoption in order to facilitate a rapid implementation; a close monitoring of the Directive’s application once it is adopted;
da takoj po sprejetju direktive o osirotelih delih hitro in pravilno prenesejo ter izvajajo njene določbe, pri čemer se pred samim sprejetjem posvetujejo z zainteresiranimi stranmi, da zagotovijo hitro izvajanje, ter natančno spremljajo uporabo direktive po njenem sprejetju;
creating the legal framework conditions to underpin licensing mechanisms identified and agreed by stakeholders for the large-scale digitisation and cross-border accessibility of works that are out-of-commerce;
določijo pravne okvirne pogoje, s katerimi podprejo mehanizme za izdajanje licenc, ki jih za obsežno digitalizacijo in čezmejno dostopnost na trgu nedostopnih del opredelijo in sprejmejo zainteresirane strani,
contributing to and promoting the availability of databases with rights information, connected at the European level, such as ARROW;
prispevajo k zagotavljanju zbirk podatkov, ki vsebujejo informacije o pravicah ter so povezane na evropski ravni, npr. ARROW, in te zbirke podpirajo;
contribute to the further development of Europeana by:
prispevajo k nadaljnjemu razvoju Europeane tako:
encouraging cultural institutions as well as publishers and other rightholders to make their digitised material accessible through Europeana, thus helping the platform to give direct access to 30 million digitised objects by 2015, including two million sound or audiovisual objects;
da kulturne ustanove in založnike ter druge zainteresirane strani spodbujajo, da zagotovijo dostop do digitaliziranega gradiva prek Europeane ter tako platformi pomagajo, da nudi neposreden dostop do 30 milijonov digitaliziranih objektov do leta 2015, vključno z dvema milijonoma zvočnih in avdiovizualnih objektov,
making all public funding for future digitisation projects conditional on the accessibility of the digitised material through Europeana;
da javna sredstva za prihodnje projekte na področju digitalizacije zagotovijo samo pod pogojem, da bo digitalizirano gradivo dostopno prek Europeane,
ensuring that all their public domain masterpieces will be accessible through Europeana by 2015;
zagotovijo dostopnost vseh javno dostopnih umetniških del prek Europeane do leta 2015,
setting up or reinforcing national aggregators bringing content from different domains into Europeana, and contributing to cross-border aggregators in specific domains or for specific topics, which may bring about economies of scale;
vzpostavijo ali okrepijo nacionalna zbirališča, ki vsebino z različnih področij vnašajo v Europeano, ter sodelujejo pri čezmejnih zbirališčih za posebna področja ali teme, pri katerih se lahko ustvarijo ekonomije obsega,
ensuring the use of common digitisation standards defined by Europeana in collaboration with the cultural institutions in order to achieve interoperability of the digitised material at European level, as well as the systematic use of permanent identifiers;
zagotovijo uporabo skupnih digitalizacijskih standardov, ki jih Europeana določi v sodelovanju s kulturnimi ustanovami, da zagotovi medobratovalnost digitaliziranega gradiva na evropski ravni, ter sistematično uporabo trajnih označb,
ensuring the wide and free availability of existing metadata (descriptions of digital objects) produced by cultural institutions, for reuse through services such as Europeana and for innovative applications;
zagotovijo široko in brezplačno razpoložljivost obstoječih metapodatkov (opisov digitalnih objektov), ki so jih zbrale kulturne ustanove, ter njihovo ponovno uporabo prek storitev, kot je Europeana, in za inovativne uporabe,
establishing a communication plan to raise awareness of Europeana among the general public and notably in schools, in collaboration with the cultural institutions contributing content to the site;
izdelajo komunikacijski načrt za seznanjanje javnosti, zlasti šol, z Europeano, pri čemer sodelujejo s kulturnimi ustanovami, ki tej strani zagotavljajo vsebine;
Digital preservation
Digitalna hramba
reinforce national strategies for the long-term preservation of digital material, update action plans implementing the strategies, and exchange information with each other on the strategies and action plans;
izpopolnijo nacionalne strategije za dolgoročno hrambo digitalnega gradiva, posodobijo akcijske načrte za izvajanje strategij ter izmenjujejo informacije o strategijah in akcijskih načrtih;
make explicit and clear provision in their legislation so as to allow multiple copying and migration of digital cultural material by public institutions for preservation purposes, in full respect of European Union and international legislation on intellectual property rights;
v nacionalni zakonodaji sprejemajo izrecne in jasne določbe, ki javnim ustanovam za namene hrambe dovoljujejo večkratno kopiranje in prenos digitalnega kulturnega gradiva na nove strojne medije in v druge programske oblike, pri čemer v celoti spoštujejo zakonodajo Evropske unije in mednarodno zakonodajo o pravicah intelektualne lastnine;
make the necessary arrangements for the deposit of material created in digital format in order to guarantee its long-term preservation, and improve the efficiency of existing deposit arrangements for material created in digital format by:
sprejmejo potrebne ureditve za deponiranje gradiva, ustvarjenega v digitalnem formatu, da zagotovijo njegovo dolgotrajno hrambo, in izboljšajo učinkovitost obstoječih ureditev o hrambi gradiva, ustvarjenega v digitalnem formatu, tako:
ensuring that rightholders deliver works to legal deposit libraries without technical protection measures, or that, alternatively, they make available to legal deposit libraries the means to ensure that the technical protection measures do not impede the acts that libraries have to undertake for preservation purposes, in full respect of European Union and international legislation on intellectual property rights;
da zagotovijo, da imetniki pravic dela posredujejo knjižnicam za deponiranje brez ukrepov tehnične zaščite, oziroma da jim zagotovijo sredstva, da ukrepi tehnične zaščite ne bodo ovirali dejanj, ki jih morajo knjižnice opraviti za namen hrambe, pri čemer morajo v celoti spoštovati zakonodajo Evropske unije in mednarodno zakonodajo o pravicah intelektualne lastnine,
where relevant, making legal provision to allow the transfer of digital legal deposit works from one legal deposit library to other deposit libraries that also have the right to these works;
po potrebi določijo pravne določbe, ki dopuščajo prenos digitalnih deponiranih del iz ene knjižnice za deponiranje v druge knjižnice za deponiranje, ki imajo prav tako pravico do teh del,
allowing the preservation of web-content by mandated institutions using techniques for collecting material from the Internet such as web-harvesting, in full respect of European Union and international legislation on intellectual property rights;
dovolijo, da pooblaščene ustanove za hrambo spletnih vsebin uporabljajo tehnike za zbiranje gradiva z interneta, kot je spletno žetje, pri čemer v celoti spoštujejo zakonodajo Evropske unije in mednarodno zakonodajo o pravicah intelektualne lastnine;
taking into account developments in other Member States, when establishing or updating policies and procedures for the deposit of material originally created in digital format, in order to prevent a wide variation in depositing arrangements;
pri oblikovanju politik in določanju postopkov za deponiranje v digitalnem formatu ustvarjenega gradiva upoštevajo razvoj v drugih državah članicah, da preprečijo prevelike razlike pri ureditvah deponiranja;
inform the Commission 24 months from the publication of this Recommendation in the Official Journal of the European Union, and every 2 years thereafter, of action taken in response to this Recommendation.
Komisijo 24 mesecev po objavi tega priporočila v Uradnem listu Evropske unije in za tem vsaki dve leti obvestijo o sprejetih ukrepih na podlagi tega priporočila.
PUBLIC-PRIVATE PARTNERSHIPS FOR DIGITISATION
JAVNO-ZASEBNA PARTNERSTVA ZA DIGITALIZACIJO
In order to make rapid progress on the digitisation of our cultural heritage, public funding for digitisation needs to be complemented by private investment.
Da bi z digitalizacijo naše kulturne dediščine hitro napredovali, je treba javna sredstva za digitalizacijo dopolniti z zasebnimi naložbami.
Therefore, the Commission encourages public-private partnerships for the digitisation of cultural material.
Komisija zato spodbuja javno-zasebna partnerstva za digitalizacijo kulturnega gradiva.
It calls on the Member States to stimulate such partnerships, which should comply with the following key principles:
Države članice poziva, da takšna partnerstva podprejo, pri čemer morajo spoštovati naslednja ključna načela:
Respect for intellectual property rights
Spoštovanje pravic intelektualne lastnine
Public-private partnerships for the digitisation of collections in cultural institutions should fully respect the European Union and international legislation on intellectual property rights.
Javno-zasebna partnerstva za digitalizacijo zbirk v kulturnih ustanovah morajo v celoti spoštovati zakonodajo Evropske unije in mednarodno zakonodajo o pravicah intelektualne lastnine.
Non-exclusivity
Neizključnost
The agreements for digitising public domain material should be non-exclusive in the sense that any other private partner should have the possibility to digitise the same material under comparable conditions.
Sporazumi za digitalizacijo javno dostopnega gradiva morajo biti neizključni, kar pomeni, da lahko tudi drugi zasebni partnerji isto gradivo digitalizirajo pod primerljivimi pogoji.
A period of preferential commercial use or preferential commercial exploitation may be necessary in order to give the private partner the possibility to recoup its investment.
Da bi zasebni partnerji lahko amortizirali svoje naložbe, je morda treba določiti obdobje za prednostno komercialno uporabo ali prednostno komercialno izkoriščanje.
This period should be limited in time and as short as possible, in order to respect the principle that public domain material should stay in the public domain once it is digitised.
To obdobje mora biti omejeno in čim krajše, da se spoštuje načelo, po katerem mora biti javno dostopno gradivo javno dostopno tudi po digitalizaciji.
The period of preferential use should not be longer than 7 years.
Obdobje prednostne uporabe ne sme biti daljše od sedem let.
Agreements should be fully compliant with EU competition rules.
Sporazumi morajo biti v celoti v skladu s pravili EU o konkurenci.
Transparency of the process
Preglednost postopka
Agreements for the digitisation of collections held by cultural institutions should be awarded after an open competition between potential private partners.
Sporazume za digitalizacijo zbirk v lasti kulturnih ustanov je treba dodeliti v okviru javnega natečaja med potencialnimi zasebnimi partnerji.
Transparency of agreements
Preglednost sporazumov
The content of agreements between cultural institutions and private partners for the digitisation of cultural collections should be made public.
Sporazume med kulturnimi ustanovami in zasebnimi partnerji za digitalizacijo kulturnih zbirk je treba objaviti.
Accessibility through Europeana
Dostopnost prek Europeane
The conclusion of a public-private partnership should be conditional on the accessibility of the digitised material through Europeana.
Sklenitev javno-zasebnih partnerstev mora biti vezana na pogoj, da bo digitalizirano gradivo dostopno prek Europeane.
Key criteria
Ključna merila
Key criteria for assessing proposals for a public-private partnership are the following:
Ključna merila za ocenjevanje predlogov javno-zasebnih partnerstev so:
The total investment to be made by the private partner, taking into account the effort required by the public partner.
skupne naložbe zasebnega partnerja, pri čemer je treba upoštevati zahtevana prizadevanja javnega partnerja,
The time-scale of the digitisation project.
časovni okvir projekta digitalizacije.
INDICATIVE TARGETS FOR MINIMUM CONTENT CONTRIBUTION TO EUROPEANA PER MEMBER STATE
OKVIRNI CILJI ZA NAJMANJŠI PRISPEVEK VSEBIN V EUROPEANO NA DRŽAVO ČLANICO
Number of objects in Europeana per MS [1]
Število objektov v Europeani na državo članico [1]
Indicative Target 2015 [2]
Okvirni cilj za leto 2015 [2]
The indicative targets per Member State are calculated on the basis of (a) the size of the population and (b) GDP, in line with the overall target of making 30 million digitised objects available through Europeana by 2015.
Okvirni cilji na državo članico so izračunani glede na splošni cilj, tj. 30 milijonov digitaliziranih objektov v Europeani do leta 2015 glede na (a) velikost populacije in (b) BDP.
For Member States which would already have reached or would be close to reaching the indicative target now, the calculation is based on the current number of objects they contribute to Europeana plus 30 %.
Pri državah članicah, ki so okvirni cilj že dosegle oziroma ga bodo dosegle kmalu, izračun temelji na trenutnem številu objektov, ki jih prispevajo v Europeano, in dodatnih 30 %.
All Member States are invited to look also at the qualitative aspects, taking into account the need to make all public domain masterpieces available through Europeana by 2015.
Vse države članice so pozvane, da upoštevajo tudi kakovostne vidike, pri čemer morajo upoštevati, da morajo biti do leta 2015 prek Europeane dostopna vsa javna umetniška dela.
The European actions in this area, including the development of Europeana, Europe’s digital library archive and museum, were supported by the European Parliament and the Council, most recently in a Parliament resolution of 5 May 2010 and the Council Conclusions of 10 May 2010.
Evropski parlament in Svet sta z resolucijo Parlamenta z dne 5. maja 2010 in sklepi Sveta z dne 10. maja 2010 podprla evropske ukrepe na tem področju, vključno z razvojem Europeane, tj. evropske spletne knjižnice, muzeja in arhiva.
The Workplan for Culture 2011-14, established by the Council at its meeting of 18 and 19 November 2010, highlights the need for a coordinated effort in the area of digitisation.
Svet je v delovnem načrtu za kulturno področje 2011–2014, ki ga je sprejel na zasedanju 18. in 19. novembra 2010, poudaril, da je treba prizadevanja na področju digitalizacije uskladiti.
Europeana, Europe’s digital library, archive and museum, was launched on 20 November 2008.
Europeana, evropska spletna knjižnica, arhiv in muzej, je začela delovati 20. novembra 2008.
The further development of the Europeana platform will depend to a large extent on the way the Member States and their cultural institutions feed it with content, and make it visible to citizens.
Nadaljnji razvoj njene platforme bo v veliki meri odvisen od tega, kako jo bodo države članice in njihove kulturne ustanove polnile z vsebino in jo približale državljanom.
The overall target of 30 million objects by 2015 is in line with Europeana’s strategic plan, and a stepping stone for getting Europe’s entire cultural heritage digitised by 2025.
Splošni cilj 30 milijonov objektov do leta 2015 je v skladu s strateškim načrtom Europeane in je odskočna deska za doseganje digitaliziranosti celotne evropske kulturne dediščine do leta 2025.
The availability of all public domain masterpieces (key cultural or historical works and objects, as determined and selected by the Member States) through Europeana will enrich the content of the site, in line with the expectations of the users.
Razpoložljivost vseh javno dostopnih umetniških del (glavnih kulturnih in zgodovinskih del in objektov, ki jih opredelijo in izberejo države članice) prek Europeane bo po pričakovanjih uporabnikov obogatila vsebino strani.
October 2011.
[1] Oktober 2011.