natgillin/translations-raw huggingface dataset:
More specific guidance on moisture levels should be provided in national codes, taking into account local storage conditions.
Nacionalni kodeksi bi morali vsebovati natančnejša navodila o vsebnosti vlage, ob upoštevanju lokalnih pogojev skladiščenja.
This is necessary to prevent the growth of a number of fungal species that may be present on fresh grains.
To je potrebno za preprečevanje rasti številnih glivičnih vrst, ki so lahko prisotne na svežih zrnih.
Where damp cereals need to be stored before drying, there is a risk of mould growth within a few days, which may be accompanied by heating.
Kadar je treba vlažno žito skladiščiti pred sušenjem, obstaja tveganje, da bo v nekaj dneh prišlo do rasti plevela, ki ga lahko spremlja segrevanje.
Cereals should be dried in such a manner that damage to the grain is minimised.
Žito je treba sušiti tako, da se zrna čim manj poškodujejo.
The time period that wet, freshly harvested grain is kept piled or heaped prior to drying or cleaning should be as brief as possible to lessen the risk of fungal growth.
Nalaganje ali kopičenje mokrega, sveže požetega pridelka mora biti pred sušenjem ali čiščenjem čim krajše, da se zmanjša tveganje glivične rasti.
Aerate wet grain to avoid overheating prior to drying.
Mokra zrna zračite, da pred sušenjem ne bo prišlo do pregretja.
Where practical, cereal lots with different risks of contamination should not be mixed.
Po možnosti ne mešajte serije žit z različnim tveganjem onesnaženja.
To reduce the variation of moisture content within a lot, the grain may be moved to another facility, or silo, after drying.
Za zmanjšanje razlik v vsebnosti vlage znotraj serije se lahko zrna po sušenju premesti v drug objekt ali silos.
STORAGE
SKLADIŠČENJE
For bagged commodities, ensure that bags are clean, dry and stacked on pallets or incorporate a water-impermeable layer between the bags and the floor.
Za izdelke v vrečah zagotovite, da bodo vreče čiste, suhe in zložene na palete ali pa, da bo med vrečami in tlemi plast, neprepustna za vodo.
Where possible, aerate the grain by circulation of air through the storage area to maintain proper and uniform temperature levels throughout the storage area.
Po možnosti zračite zrna s kroženjem zraka skozi prostor skladiščenja, da se ohrani ustrezna in enotna stopnja temperature po vsem prostoru skladiščenja.
Check moisture content and temperature of the stored grain at regular intervals during the storage period.
Med obdobjem skladiščenja preverjajte vsebnost vlage in temperature v skladiščenih zrnih v rednih časovnih presledkih.
Odour can indicate that grain is heating, particularly if the store is enclosed.
Vonj je lahko pokazatelj segrevanja zrn, zlasti če je skladišče zaprto.
Measure the temperature of the stored grain at several fixed time intervals during storage.
Med skladiščenjem merite temperaturo skladiščenih zrn v določenih časovnih presledkih.
A temperature rise may indicate microbial growth and/or insect infestation.
Naraščanje temperature lahko pomeni rast mikrobov in/ali napad insektov.
Separate the apparently infected portions of the grain and send samples for analysis.
Ločite vidno okužene dele zrn in pošljite vzorce v analizo.
After separation, lower the temperature in the remaining grain and aerate.
Po ločitvi znižajte temperaturo pri preostalih zrnih in jih zračite.
Avoid using infected grain for food or feed production.
Za proizvodnjo živil ali krme se izogibajte uporabi okuženih zrn.
Care should be taken to select only those chemicals that will not interfere or cause harm, depending on the intended end use of the grain, and should be strictly limited.
Poskrbeti je treba, da se izberejo samo tiste kemikalije, ki ne bodo vplivale na predvideno uporabo zrn ali jim škodovale, obenem pa mora biti njihova uporaba omejena.
The use of a suitable, approved preservative, for example an organic acid such as propionic acid, may be beneficial for cereals intended for feedstuffs.
Uporaba ustreznega in odobrenega konzervansa, na primer organske kisline, kot je propionska kislina, je lahko koristna za žita, namenjena za krmo.
Propionic acid and its salts are fungistatic and are sometimes used for preserving damp grain on-farm after harvest to avoid heating and moulding prior to treatment.
Propionska kislina in njene soli so fungistatične in se na kmetijskih gospodarstvih včasih uporabljajo za konzerviranje vlažnih zrn po žetvi, s čimer se prepreči segrevanje in nastajanje plesni pred obdelavo.
They should be applied promptly with appropriate application equipment to provide even coverage of the whole batch of grain being treated while ensuring good operator safety.
Uporabiti jih je treba nemudoma in z ustrezno napravo za nanašanje, da se zagotovi enakomerna pokritost celotne serije zrn, ki se obdeluje, obenem pa zagotoviti ustrezno varnost izvajalca.
If the grain has been treated after a period of damp storage, the use of a preservative is not a guarantee of uncontaminated grain.
Če so bila zrna obdelana po obdobju vlažnega skladiščenja, prisotnost konzervansa ni jamstvo, da zrna niso onesnažena.
TRANSPORT FROM STORAGE
PREVOZ IZ SKLADIŠČA
Transport containers should be dry and free of visible fungal growth, insects and any contaminated material.
Zabojniki za prevoz morajo biti suhi in brez vidnih glivičnih rasti, insektov in kakršnega koli onesnaženega materiala.
As necessary, transport containers should be cleaned and disinfected before use and re-use and be suitable for the intended cargo.
Po potrebi je treba zabojnike za prevoz pred uporabo in ponovno uporabo očistiti in dezinficirati, da so nato primerni za predviden tovor.
Registered fumigants or insecticides may be useful here.
Pri tem so lahko koristni registrirani fumiganti ali insekticidi.
Upon unloading, the transport container should be emptied of all cargo and cleaned as appropriate.
Po raztovarjanju je treba iz zabojnika za prevoz izprazniti ves tovor in ga ustrezno očistiti.
Shipments of grain should be protected from additional moisture by using covered or airtight containers or tarpaulins.
Pošiljke zrn je treba z uporabo pokritih ali nepredušnih zabojnikov ali ponjav zaščititi pred dodatno vlago.
Avoid temperature fluctuations and any actions that may cause condensation to form on the grain, which could lead to local moisture build-up with subsequent fungal growth and mycotoxin formation.
Izogibajte se temperaturnim nihanjem in ukrepom, ki bi lahko povzročili nastajanje kondenzacije na zrnih, zaradi česar bi prišlo do lokalnega kopičenja vlage in posledične glivične rasti in tvorjenja mikotoksinov.
Avoid insect, bird and rodent infestation during transport by the use of insect- and rodent-proof containers and other appropriate methods and, if necessary, by applying insect- and rodent-repellent chemical treatments if they are approved for the intended end use of the grain.
Izogibajte se napadu insektov, ptic in glodalcev med prevozom tako, da uporabljate zabojnike, ki so odporni nanje, druge ustrezne metode ter po potrebi kemične postopke proti insektom in glodalcem, če so odobreni za predvideno končno uporabo zrn.
Use good housekeeping procedures to minimise the presence of insects and fungi in storage facilities.
Uporabljajte postopke dobrega gospodarjenja, da bi čimbolj zmanjšali prisotnosti insektov in gliv v objektih skladiščenja.
This may include the use of suitable, registered insecticides and fungicides or appropriate alternative methods.
To lahko vključuje uporabo ustreznih, registriranih insekticidov in fungicidov ali primernih alternativnih metod.
on the digitisation and online accessibility of cultural material and digital preservation
o digitalizaciji in spletni dostopnosti kulturnega gradiva in digitalnem arhiviranju
On 1 June 2005 the Commission presented the i2010 initiative, which seeks to optimise the benefits of the new information technologies for economic growth, job creation and the quality of life of European citizens.
Komisija je 1. junija 2005 predstavila pobudo i2010, ki si prizadeva optimizirati koristi novih informacijskih tehnologij za gospodarsko rast, ustvarjanje delovnih mest in kakovost življenja evropskih državljanov.
The Commission has made digital libraries a key aspect of i2010.
Komisija je naredila digitalne knjižnice za glavni vidik i2010.
In its Communication ‘i2010: digital libraries’ of 30 September 2005 [1], it set out its strategy for digitisation, online accessibility and digital preservation of Europe's collective memory.
V svojem Sporočilu „i2010: digitalne knjižnice“ z dne 30. septembra 2005 [1] je določila svojo strategijo za digitalizacijo, spletno dostopnost in digitalno arhiviranje evropskega kolektivnega spomina.
This collective memory includes print (books, journals, newspapers), photographs, museum objects, archival documents, audiovisual material (hereinafter ‘cultural material’).
Ta kolektivni spomin vključuje tisk (knjige, revije, časopise), fotografije, muzejske objekte, arhivske dokumente, avdiovizualno gradivo (v nadaljnjem besedilu „kulturno gradivo“).
Measures applying that strategy with a view to optimising, by means of the Internet, the economic and cultural potential of Europe's cultural heritage should be recommended to the Member States.
Državam članicam je treba priporočiti ukrepe, ki jih navedena strategija uporablja za optimizacijo gospodarskega in kulturnega potenciala evropske kulturne dediščine.
In that context, the development of digitised material from libraries, archives and museums should be encouraged.
V navedenem okviru je treba spodbujati razvoj digitaliziranega gradiva iz knjižnic, arhivov in muzejev.
The online accessibility of the material will make it possible for citizens throughout Europe to access and use it for leisure, studies or work.
Spletna dostopnost gradiva bo omogočila državljanom po vsej Evropi, da imajo dostop do njega in ga uporabljajo za prosti čas, študij ali delo.
It will give Europe's diverse and multilingual heritage a clear profile on the Internet.
Evropski raznovrstni in večjezični dediščini bo dal jasen profil na internetu.
Moreover, the digitised material can be re-used in industries such as tourism and the education industry, as well as in new creative efforts.
Poleg tega se lahko digitalizirano gradivo ponovno uporabi v industrijah, kot je turizem, in izobraževalni industriji, kakor tudi v novih kreativnih prizadevanjih.
Furthermore, the Council Conclusions of 15-16 November 2004 on the Workplan for Culture 2005-2006 stress the contribution of creativity and creative industries to economic growth in Europe, and the need for a coordinated digitisation effort.
Poleg tega sklepi Sveta med 15. in 16. novembrom 2004 o delovnem načrtu za Kulturo 2005–2006 poudarjajo prispevek kreativnosti in kreativne industrije h gospodarski rasti v Evropi in potrebo po usklajenem prizadevanju za digitalizacijo.
The European Parliament and Council Recommendation of 16 November 2005 on film heritage and the competitiveness of related industrial activities [2] already recommended to Member States to adopt appropriate measures to increase the use of digital and new technologies in the collection, cataloguing, preservation and restoration of cinematographic works.
Priporočilo Evropskega parlamenta in Sveta z dne 16. novembra 2005 o filmski dediščini in konkurenčnosti z njo povezanih industrijskih dejavnosti [2] je že priporočilo državam članicam, da sprejmejo ustrezne ukrepe za povečanje uporabe digitalnih in novih tehnologij pri zbiranju, katalogiziranju, arhiviranju in restavriranju kinematografskih del.
In as far as cinematographic works are concerned the present Recommendation complements the Parliament and Council Recommendation on film heritage on a number of aspects.
Kar zadeva kinematografska dela, sedanje priporočilo v številnih vidikih dopolnjuje Priporočilo Parlamenta in Sveta o filmski dediščini.
Digitisation is an important means of ensuring greater access to cultural material.
Digitalizacija je pomembno sredstvo za zagotavljanje boljše dostopnosti kulturnega gradiva.
In some cases it is the only means of ensuring that such material will be available for future generations.
V nekaterih primerih je edino sredstvo za zagotavljanje, da bo tako gradivo na voljo prihodnjim generacijam.
Thus, many digitisation initiatives are currently being undertaken in the Member States, but efforts are fragmented.
Čeprav je trenutno v teku več pobud digitaliziranja v državah članicah, so prizadevanja razdrobljena.
Concerted action by the Member States to digitise their cultural heritage would lend greater coherence to the selection of material and would avoid overlap in digitisation.
Usklajeno ukrepanje držav članic za digitaliziranje njihove kulturne dediščine bi zagotovilo večjo skladnost pri izbiri gradiva in bi preprečevalo pokrivanje pri digitaliziranju.
It would also lead to a more secure climate for companies investing in digitisation technologies.
Prav tako bi zagotovilo bolj varne razmere za naložbe podjetij v tehnologije digitaliziranja.
Overviews of current and planned digitisation activities and quantitative targets for digitisation would contribute to the achievement of those objectives.
Pregledi trenutnih in načrtovanih dejavnosti digitaliziranja ter količinski cilji za digitalizacijo bi prispevali k doseganju navedenih ciljev.
Private sector sponsoring of digitisation or partnerships between the public and private sectors can involve private entities in digitisation efforts and should be further encouraged.
Zasebni sektor, ki sponzorira digitalizacijo, ali partnerstva med javnim in zasebnim sektorjem lahko v prizadevanja za digitalizacijo vključujejo zasebne subjekte in jih je treba še naprej spodbujati.
Investments in new technologies and large scale digitisation facilities can bring down costs of digitisation while maintaining or improving quality and should therefore be recommended.
Naložbe v nove tehnologije in sredstva za digitaliziranje v velikem obsegu lahko znižajo stroške digitalizacije ob ohranjanju ali izboljšanju kakovosti in jih je zato treba priporočati.
A common multilingual access point would make it possible to search Europe's distributed — that is to say, held in different places by different organisations — digital cultural heritage online.
Skupna večjezična dostopna točka bi omogočila iskanje po evropski distribuirani digitalni kulturni dediščini – to pomeni digitalni kulturni dediščini, ki se nahaja na različnih krajih v različnih organizacijah – na spletu.
Such an access point would increase its visibility and underline common features.
Taka dostopna točka bi jo naredila bolj vidno in poudarila skupne lastnosti.
The access point should build on existing initiatives such as The European Library (TEL), in which Europe’s libraries already collaborate.
Dostopna točka mora graditi na obstoječih pobudah, kot so Evropska knjižnica (TEL), v kateri evropske knjižnice že sodelujejo.
It should where possible closely associate private holders of rights in cultural material and all interested stakeholders.
Kjer je mogoče, mora zbliževati zasebne imetnike pravic pri kulturnem gradivu in vse zainteresirane interesne skupine.
A strong commitment by the Member States and cultural institutions to arrive at such an access point should be encouraged.
Treba je spodbujati močno zavezanost držav članic in kulturnih ustanov, da vzpostavijo tako dostopno točko.
Only part of the material held by libraries, archives and museums is in the public domain, in the sense that it is not or is no longer covered by intellectual property rights, while the rest is protected by intellectual property rights.
Samo del gradiva, ki ga hranijo knjižnice, arhivi in muzeji, je javno dostopnega, v smislu, da ni ali ni več zaščiteno s pravicami intelektualne lastnine, medtem ko je ostalo zaščiteno s pravicami intelektualne lastnine.
Since intellectual property rights are a key tool to stimulate creativity, Europe's cultural material should be digitised, made available and preserved in full respect of copyright and related rights.
Ker so pravice intelektualne lastnine ključno orodje za spodbujanje kreativnosti, je treba evropsko kulturno gradivo digitalizirati, omogočiti dostop do njega in ga arhivirati ob polnem spoštovanju avtorskih in sorodnih pravic.
Particularly relevant in this context are Articles 5(2)c, 5(3)n, and 5(5), as well as recital 40 of Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the harmonisation of certain aspects of copyright and related rights in the information society [3].
V tem okviru so zlasti pomembni členi 5(2)c, 5(3)n in 5(5), kakor tudi uvodna izjava (40) Direktive 2001/29/ES Evropskega parlamenta in Sveta z dne 22. maja 2001 o usklajevanju določenih vidikov avtorskih in sorodnih pravic v informacijski družbi [3].
Licensing mechanisms in areas such as orphan works — that is to say, copyrighted works whose owners are difficult or even impossible to locate — and works that are out of print or distribution (audiovisual) can facilitate rights clearance and consequently digitisation efforts and subsequent online accessibility.
Mehanizmi licenciranja na področjih, kot so dela sirote – to so tako imenovana avtorsko varovana dela, katerih avtorje je težko ali celo nemogoče določiti – in dela, ki se ne tiskajo ali distribuirajo (avdiovizualna) več, lahko olajšajo ureditev pravic in posledično prizadevanje za digitalizacijo ter naknadno spletno dostopnost.
Such mechanisms should therefore be encouraged in close cooperation with rightholders.
Take mehanizme je zato treba spodbujati v tesnem sodelovanju z imetniki pravic.
Provisions in national legislation may contain barriers to the use of works which are in the public domain, for example by requiring an administrative act for each reproduction of the work.
Določbe v nacionalni zakonodaji lahko vsebujejo ovire za uporabo del, ki so v javni rabi, tako da na primer zahtevajo upravni akt za vsako reproduciranje dela.
Any such barriers should be identified and steps taken to remove them.
Vse take ovire je treba ugotoviti in sprejeti ukrepe za njihovo odstranitev.
Council Resolution C/162/02 of 25 June 2002 on preserving tomorrow's memory — preserving digital content for future generations [4] proposes objectives and indicative measures for preserving digital content for future generations.
Resolucija Sveta C/162/02 z dne 25. junija 2002 o arhiviranju jutrišnjega spomina – arhiviranje digitalne vsebine za prihodnje generacije [4] predlaga cilje in okvirne ukrepe za arhiviranje digitalne vsebine za prihodnje generacije.
However, at present no clear and comprehensive policies exist in the Member States on the preservation of digital content.
Vendar trenutno v državah članicah ne obstajajo jasne in celovite politike glede arhiviranja digitalne vsebine.
The absence of such policies poses a threat to the survival of digitised material and may result in the loss of material produced in digital format.
Odsotnost takih politik predstavlja nevarnost za preživetje digitaliziranega gradiva in lahko povzroči izgubo gradiva, ki je bilo proizvedeno v digitalni obliki.
The development of effective means of digital preservation has far-reaching implications, not only for the preservation of material in public institutions but also for any organisation which is obliged or which wishes to preserve digital material.
Razvoj učinkovitih sredstev digitalnega arhiviranja ima daljnosežne posledice, ne samo za arhiviranje gradiva v javnih ustanovah, temveč tudi za vsako organizacijo, ki je obvezana k arhiviranju digitalnega gradiva ali si to želi.
Several Member States have introduced or are considering legal obligations requiring producers of digital material to make one or more copies of their material available to a mandated deposit body.
Več držav članic je uvedlo pravne obveznosti ali razmišlja o uvedbi le-teh, ki bi od proizvajalcev digitalnega gradiva zahtevale, da dajo eno ali več kopij svojega gradiva na voljo imenovanemu organu za deponiranje.
Effective collaboration between Member States is necessary to avoid a wide variety in the rules governing the deposit of digital material and should be encouraged.
Za izogibanje množici različnih predpisov, ki urejajo deponiranje digitalnega gradiva, je nujno učinkovito sodelovanje med državami članicami in treba ga je spodbujati.
Web-harvesting is a new technique for collecting material from the Internet for preservation purposes.
Spletna žetev (Web-harvesting) je nova tehnika za zbiranje gradiva z interneta za namene arhiviranja.
It involves mandated institutions actively collecting material instead of waiting for it to be deposited, thus minimising the administrative burden on producers of digital material, and national legislation should therefore make provision for it,
Pomeni, da imenovane ustanove aktivno zbirajo gradivo in ne čakajo, da je to deponirano, kar zmanjšuje upravno breme za proizvajalce digitalnega gradiva in take določbe morajo biti sprejete v nacionalno zakonodajo –
Digitisation and online accessibility
Digitalizacija in spletna dostopnost
gather information about current and planned digitisation of books, journals, newspapers, photographs, museum objects, archival documents, audiovisual material (hereinafter ‘cultural material’) and create overviews of such digitisation in order to prevent duplication of efforts and promote collaboration and synergies at European level;
zbirajo informacije o sedanji in načrtovani digitalizaciji knjig, revij, časopisov, fotografij, muzejskih objektov, arhivskih dokumentov, avdiovizualnega gradiva (v nadaljnjem besedilu „kulturno gradivo“) in ustvarjajo preglede take digitalizacije, da bi se preprečilo podvajanje prizadevanj ter bi se spodbujalo sodelovanje in sinergije na evropski ravni;
develop quantitative targets for the digitisation of analogue material in archives, libraries and museums, indicating the expected increase in digitised material which could form part of the European digital library and the budgets allocated by public authorities;
razvijejo količinske cilje za digitalizacijo analognega gradiva v arhivih, knjižnicah in muzejih ter navedejo pričakovano povečanje digitaliziranega gradiva, ki bi lahko oblikovalo del Evropske digitalne knjižnice, in proračuna, ki so ga dodelili javni organi;
encourage partnerships between cultural institutions and the private sector in order to create new ways of funding digitisation of cultural material;
spodbujajo partnerstva med kulturnimi ustanovami in zasebnim sektorjem, da bi se ustvarile nove poti za financiranje digitalizacije kulturnega gradiva;
set-up and sustain large scale digitisation facilities, as part of, or in close collaboration with, competence centres for digitisation in Europe;
vzpostavijo in ohranjajo sredstva za digitaliziranje v velikem obsegu kot del pooblaščenih centrov za digitalizacijo v Evropi ali v tesnem sodelovanju z njimi;
promote a European digital library, in the form of a multilingual common access point to Europe's distributed — that is to say, held in different places by different organisations — digital cultural material, by:
spodbujajo Evropsko digitalno knjižnico v obliki skupne večjezične točke dostopa do evropskega distribuiranega digitalnega kulturnega gradiva – to pomeni digitalno kulturno gradivo, ki se nahaja na različnih krajih v različnih organizacijah – s pomočjo:
encouraging cultural institutions, as well as publishers and other rightholders to make their digitised material searchable through the European digital library,
spodbujanja kulturnih ustanov, kot tudi založnikov in drugih imetnikov pravic, da omogočijo iskanje po njihovem digitaliziranem gradivu prek Evropske digitalne knjižnice,
ensuring that cultural institutions, and where relevant private companies, apply common digitisation standards in order to achieve interoperability of the digitised material at European level and to facilitate cross-language searchability;
zagotavljanja, da kulturne ustanove in, kadar je primerno, ustrezna zasebna podjetja uporabljajo skupne standarde za digitalizacijo, da bi dosegli interoperabilnost digitaliziranega materiala na evropski ravni in da bi omogočili iskanje, ki je neodvisno od jezika;
improve conditions for digitisation of, and online accessibility to, cultural material by:
izboljšajo pogoje za digitalizacijo kulturnega gradiva in spletno dostopnost do njega s pomočjo: