natgillin/translations-raw huggingface dataset:
Article 2(1), fourth indent, second sentence
Člen 2(1), četrta alinea, drugi stavek
Article 2(1), point (c)
Člen 2(1), točka (c)
Article 2 (2)
Člen 2(2)
Article 2(7)
Člen 2(7)
Article 5(1) to (3)
Člen 5(1) do (3)
Article 6(1) to (3)
Člen 6(1) do (3)
Article 9(1), introductory words and final words
Člen 9(1), uvodne besede in končne besede
Article 9(1), introductory words
Člen 9(1), uvodne besede
Article 9(1), second indent
Člen 9(1), druga alinea
Article 9(1), third indent
Člen 9(1), tretja alinea
Article 9(1)(c)
Člen 9(1)(c)
Article 9(1), fourth indent
Člen 9(1), četrta alinea
Article 9(2), (3) and (4)
Člen 9(2), (3) in (4)
Article 10(2), first sentence
Člen 10(2), prvi stavek e
Article 10(2), first subparagraph
Člen 10(2), prvi pododstavek
Article 10(2), second sentence
Člen 10(2), drugi stavek
Article 10(2), second subparagraph
Člen 10(2), drugi pododstavek
Article 13(3), first sentence
Člen 13(3), prvi stavek
Article 11(3), first subparagraph
Člen 11(3), prvi pododstavek
Article 13(3), second sentence
Člen 13(3), drugi stavek
Article 11(3), second subparagraph
Člen 11(3), drugi pododstavek
Article 13(4)
Člen 13(4)
Article 13(5)
Člen 13(5)
Article 13(7)
Člen 13(7)
Article 11(6)
Člen 11(6)
Article 13(8)
Člen 13(8)
Article 13(9)
Člen 13(9)
Article 11(7)
Člen 11(7)
Directive 2006/116/EC of the European Parliament and of the Council
Direktiva 2006/116/ES Evropskega parlamenta in Sveta
on the term of protection of copyright and certain related rights
o trajanju varstva avtorske pravice in določenih sorodnih pravic
(codified version)
(Kodificirana različica)
Having regard to the Treaty establishing the European Community, and in particular Articles 47(2), 55 and 95 thereof,
ob upoštevanju Pogodbe o ustanovitvi Evropske skupnosti, zlasti členov 47(2), 55 in 95 Pogodbe,
Council Directive 93/98/EEC of 29 October 1993 harmonising the term of protection of copyright and certain related rights has been substantially amended.
Direktiva Sveta 93/98/EGS z dne 29. oktobra 1993 o uskladitvi trajanja varstva avtorske pravice in določenih sorodnih pravic je bila bistveno spremenjena.
The Berne Convention for the protection of literary and artistic works and the International Convention for the protection of performers, producers of phonograms and broadcasting organisations (Rome Convention) lay down only minimum terms of protection of the rights they refer to, leaving the Contracting States free to grant longer terms.
Bernska konvencija za varstvo književnih in umetniških del in Mednarodna konvencija za varstvo izvajalcev, proizvajalcev fonogramov in RTV organizacij (Rimska konvencija) določata le minimalno trajanje varstva pravic, na katere se nanašata, kar državam podpisnicam dopušča, da določijo daljše trajanje varstva.
Certain Member States have exercised this entitlement.
Nekatere države članice so uporabile to pravico.
In addition, some Member States have not yet become party to the Rome Convention.
Poleg tega nekatere države članice še niso podpisnice Rimske konvencije.
There are consequently differences between the national laws governing the terms of protection of copyright and related rights, which are liable to impede the free movement of goods and freedom to provide services and to distort competition in the common market.
Razlike obstajajo med nacionalnimi zakoni, ki urejajo trajanje varstva avtorske pravice in sorodnih pravic in ki lahko zavirajo prost pretok blaga in prost pretok storitev ter izkrivljajo konkurenco na skupnem trgu.
Therefore, with a view to the smooth operation of the internal market, the laws of the Member States should be harmonised so as to make terms of protection identical throughout the Community.
Za nemoteno delovanje notranjega trga je treba zakone držav članic uskladiti tako, da so pogoji varstva v Skupnosti enaki.
It is important to lay down not only the terms of protection as such, but also certain implementing arrangements, such as the date from which each term of protection is calculated.
Pomembno je določiti ne le trajanja varstva kot takega, temveč tudi določene izvedbene določbe, na primer datum, od katerega se šteje trajanje varstva.
The provisions of this Directive should not affect the application by the Member States of the provisions of Article 14 bis (2)(b), (c) and (d) and (3) of the Berne Convention.
Določbe te direktive ne bi smele vplivati na uporabo določb členov 14a(2)(b), (c) in (d) ter (3) Bernske konvencije v državah članicah.
The minimum term of protection laid down by the Berne Convention, namely the life of the author and 50 years after his death, was intended to provide protection for the author and the first two generations of his descendants.
Minimalno trajanje varstva, ki ga določa Bernska konvencija, je bilo namreč obdobje avtorjevega življenja in 50 let po njegovi smrti, namenjeno varstvu avtorja in prvih dveh generacij njegovih potomcev.
The average lifespan in the Community has grown longer, to the point where this term is no longer sufficient to cover two generations.
Povprečna življenjska doba v Skupnosti se je podaljšala do take mere, da to obdobje več ne zajema dveh generacij.
Certain Member States have granted a term longer than 50 years after the death of the author in order to offset the effects of the world wars on the exploitation of authors' works.
Določene države članice so določile trajanje varstva, daljše od 50 let po avtorjevi smrti, da bi nadomestile učinke svetovnih vojn na izkoriščanje avtorjevih del.
For the protection of related rights certain Member States have introduced a term of 50 years after lawful publication or lawful communication to the public.
Določene države članice so za varstvo sorodnih pravic uvedle obdobje 50 let po zakoniti objavi ali zakoniti priobčitvi javnosti.
The Diplomatic Conference held in December 1996, under the auspices of the World Intellectual Property Organization (WIPO), led to the adoption of the WIPO Performances and Phonograms Treaty, which deals with the protection of performers and producers of phonograms.
Diplomatska konferenca, ki se odvijala pod pokroviteljstvom Svetovne organizacije za intelektualno lastnino (WIPO) decembra 1996, je vodila k sprejetju nove pogodbe Pogodba WIPO o izvedbah in fonogramih, ki pokriva varstvo avtorjev oziroma izvajalcev in proizvajalcev fonogramov.
This Treaty took the form of a substantial up-date of the international protection of related rights.
Ta pogodba predstavlja pomembno posodobitev mednarodnega varstva sorodnih pravic.
Due regard for established rights is one of the general principles of law protected by the Community legal order.
Ustrezno spoštovanje pridobljenih pravic je eno od splošnih pravnih načel, ki ga varuje pravni red Skupnosti.
Therefore, the terms of protection of copyright and related rights established by Community law cannot have the effect of reducing the protection enjoyed by rightholders in the Community before the entry into force of Directive 93/98/EEC.
Posledica trajanja varstva avtorskih in sorodnih pravic, ki jo uvaja pravo Skupnosti, ne sme biti zmanjšanje varstva, ki ga uživajo imetniki pravic v Skupnosti pred začetkom veljavnosti Direktive 93/98/EGS.
In order to keep the effects of transitional measures to a minimum and to allow the internal market to function smoothly, those terms of protection should be applied for long periods.
Uvedbo trajanja varstva je treba izvesti v daljšem obdobju, da bi se učinki prehodnih ukrepov obdržali na minimalni ravni in bi se omogočilo nemoteno delovanje notranjega trga.
The level of protection of copyright and related rights should be high, since those rights are fundamental to intellectual creation.
Varstvo avtorske pravice in sorodnih pravic je potrebno izvajati na visoki ravni, saj so takšne pravice osnovnega pomena za intelektualno ustvarjanje.
Their protection ensures the maintenance and development of creativity in the interest of authors, cultural industries, consumers and society as a whole.
Njihovo varstvo tudi zagotavlja ohranjanje in razvoj ustvarjalnosti v interesu avtorjev, kulturnih industrijskih panog, potrošnikov in družbe v celoti.
In order to establish a high level of protection which at the same time meets the requirements of the internal market and the need to establish a legal environment conducive to the harmonious development of literary and artistic creation in the Community, the term of protection for copyright should be harmonised at 70 years after the death of the author or 70 years after the work is lawfully made available to the public, and for related rights at 50 years after the event which sets the term running.
Za zagotovitev visoke stopnje varstva, ki hkrati ustreza zahtevam notranjega trga in potrebi po vzpostavitvi pravne ureditve, ki vodi k skladnemu razvoju književnega in umetniškega ustvarjanja v Skupnosti, je trajanje varstva avtorskih pravic potrebno uskladiti na 70 let po smrti avtorja ali 70 let po zakoniti objavi dela, pri sorodnih pravicah pa 50 let po dogodku, s katerim pravica nastane.
Collections are protected according to Article 2(5) of the Berne Convention when, by reason of the selection and arrangement of their content, they constitute intellectual creations.
Zbirke so varovane po členu 2(5) Bernske konvencije, ko zaradi izbire in razporeditve svoje vsebine predstavljajo umetniške stvaritve.
In all cases where one or more physical persons are identified as authors, the term of protection should be calculated after their death.
V vseh primerih, ko se eno ali več fizičnih oseb določi kot avtorja, je treba trajanje varstva izračunati po njihovi smrti.
The question of authorship of the whole or a part of a work is a question of fact which the national courts may have to decide.
Vprašanje avtorstva celotnega dela ali njegovega dela je dejansko vprašanje, o katerem bodo morala odločati nacionalna sodišča.
Terms of protection should be calculated from the first day of January of the year following the relevant event, as they are in the Berne and Rome Conventions.
Trajanje varstva začne teči prvega januarja tistega leta, ki sledi letu zadevnega dogodka, kot je določeno v Bernski in Rimski konvenciji.
The protection of photographs in the Member States is the subject of varying regimes.
Varstvo fotografij je v državah članicah predmet različnih ureditev.
A photographic work within the meaning of the Berne Convention is to be considered original if it is the author's own intellectual creation reflecting his personality, no other criteria such as merit or purpose being taken into account.
Fotografsko delo se v pomenu Bernske konvencije šteje za izvirno, če gre za avtorjevo individualno intelektualno stvaritev, ki odraža njegovo osebnost, pri čemer se ne upoštevajo drugi kriteriji, na primer vrednost ali namen.
The protection of other photographs should be left to national law.
Varstvo drugih fotografij je treba prepustiti nacionalni zakonodaji.
In order to avoid differences in the term of protection as regards related rights it is necessary to provide the same starting point for the calculation of the term throughout the Community.
Zato, da bi se izognili različnemu trajanju varstva v zvezi s sorodnimi pravicami, je nujno najti isto začetno točko trajanja varstva po vsej Skupnosti.
The performance, fixation, transmission, lawful publication, and lawful communication to the public, that is to say the means of making a subject of a related right perceptible in all appropriate ways to persons in general, should be taken into account for the calculation of the term of protection regardless of the country where this performance, fixation, transmission, lawful publication, or lawful communication to the public takes place.
Izvedbo, posnetek, prenos, zakonito objavo in zakonito priobčitev javnosti, torej načine, kako narediti predmet sorodnih pravic na vse primerne načine zaznaven ljudem, je treba upoštevati pri določanju trajanja varstva ne glede na državo, v kateri pride do te izvedbe, posnetka, prenosa, zakonite objave ali zakonite priobčitve javnosti.
The rights of broadcasting organisations in their broadcasts, whether these broadcasts are transmitted by wire or over the air, including by cable or satellite, should not be perpetual.
Pravice RTV organizacij pri oddajanju, ne glede na to, ali oddajajo po žici ali po radijskih valovih, vključno s kablom ali satelitom, ne smejo biti večne.
It is therefore necessary to have the term of protection running from the first transmission of a particular broadcast only.
Torej je nujno, da trajanje varstva začne teči le od prvega prenosa določene oddaje.
This provision is understood to avoid a new term running in cases where a broadcast is identical to a previous one.
S to določbo naj bi se izognili teku novega obdobja v primerih, ko je oddaja identična predhodni.
The Member States should remain free to maintain or introduce other rights related to copyright in particular in relation to the protection of critical and scientific publications.
Države članice morajo še naprej svobodno ohranjati ali uvajati druge pravice, povezane z avtorsko pravico, še posebej v zvezi z varstvom kritičnih in znanstvenih izdaj.
In order to ensure transparency at Community level, it is however necessary for Member States which introduce new related rights to notify the Commission.
Države članice, ki uvedejo nove sorodne pravice, pa morajo za zagotovitev preglednosti na ravni Skupnosti uradno obvestiti Komisijo.
It should be made clear that this Directive does not apply to moral rights.
Treba je pojasniti, da ta direktiva ne velja za moralne pravice.
For works whose country of origin within the meaning of the Berne Convention is a third country and whose author is not a Community national, comparison of terms of protection should be applied, provided that the term accorded in the Community does not exceed the term laid down in this Directive.
Za dela, katerih država izvora v pomenu Bernske konvencije je tretja država in katerih avtor ni državljan Skupnosti, je treba primerjati trajanje varstva ob pogoju, da varstvo, priznano v Skupnosti, ne traja dlje kot varstvo, določeno v tej direktivi.
Where a rightholder who is not a Community national qualifies for protection under an international agreement, the term of protection of related rights should be the same as that laid down in this Directive.
Kadar imetnik pravic, ki ni državljan Skupnosti, izpolnjuje pogoje za varstvo po mednarodnem sporazumu, mora biti trajanje varstva sorodnih pravic enako, kot je določeno v tej direktivi.
However, this term should not exceed that fixed in the third country of which the rightholder is a national.
Vendar pa ne sme preseči trajanja, določenega v državi, katere državljan je imetnik pravic.
Comparison of terms should not result in Member States being brought into conflict with their international obligations.
Primerjava rokov ne sme povzročiti, da države članice pridejo v konflikt s svojimi mednarodnimi obveznostmi.
Member States should remain free to adopt provisions on the interpretation, adaptation and further execution of contracts on the exploitation of protected works and other subject matter which were concluded before the extension of the term of protection resulting from this Directive.
Države članice še naprej svobodno sprejemajo določbe glede interpretacije, prilagajanja in nadaljnjega izvajanja pogodb o izkoriščanju varovanih del in drugi vsebini, ki so bile sklenjene pred podaljšanjem obdobja varstva, ki izhaja iz te direktive.
Respect of acquired rights and legitimate expectations is part of the Community legal order.
Spoštovanje pridobljenih pravic in zakonitih pričakovanj je del pravnega reda Skupnosti.
Member States may provide in particular that in certain circumstances the copyright and related rights which are revived pursuant to this Directive may not give rise to payments by persons who undertook in good faith the exploitation of the works at the time when such works lay within the public domain.
Države članice lahko posebej zagotovijo, da v določenih okoliščinah avtorske in sorodne pravice ne morejo povzročiti plačevanja s strani oseb, ki so v dobri veri izkoristile dela v času, ko so takšna dela bila v prosti uporabi.
This Directive should be without prejudice to the obligations of the Member States relating to the time-limits for transposition into national law and application of the Directives, as set out in Part B of Annex I,
Ta direktiva ne bi smela posegati v obveznosti držav članic glede rokov za prenos v nacionalno pravo in uporabo direktiv, ki so določeni v delu B Priloge I –
Duration of authors' rights
Trajanje pravic avtorjev
The rights of an author of a literary or artistic work within the meaning of Article 2 of the Berne Convention shall run for the life of the author and for 70 years after his death, irrespective of the date when the work is lawfully made available to the public.
Pravice avtorja književnega ali umetniškega dela v smislu člena 2 Bernske konvencije trajajo v obdobju avtorjevega življenja in 70 let po njegovi smrti, ne glede na datum, ko je bilo delo zakonito dano na voljo javnosti.
In the case of a work of joint authorship, the term referred to in paragraph 1 shall be calculated from the death of the last surviving author.
Kadar je delo ustvarilo več avtorjev, se trajanje varstva iz odstavka 1 računa od smrti soavtorja, ki je umrl zadnji.
In the case of anonymous or pseudonymous works, the term of protection shall run for 70 years after the work is lawfully made available to the public.
Avtorska pravica na anonimnih in psevdonimnih delih traja 70 let po tem, ko je bilo delo zakonito dano na voljo javnosti.
However, when the pseudonym adopted by the author leaves no doubt as to his identity, or if the author discloses his identity during the period referred to in the first sentence, the term of protection applicable shall be that laid down in paragraph 1.
Če psevdonim ne dovoljuje nobenega dvoma o tem, kdo je avtor, ali če avtor med rokom iz prvega stavka razkrije svojo identiteto, traja varstvo v skladu z odstavkom 1.
Where a Member State provides for particular provisions on copyright in respect of collective works or for a legal person to be designated as the rightholder, the term of protection shall be calculated according to the provisions of paragraph 3, except if the natural persons who have created the work are identified as such in the versions of the work which are made available to the public.
Kadar država članica predvideva posebne določbe o avtorskih pravicah na kolektivnih delih ali da se pravna oseba določi kot imetnik pravic, se trajanje varstva računa po določbah iz odstavka 3, razen v primeru, ko so fizične osebe, ki so delo ustvarile, identificirane kot take v verzijah dela, ki so dane na voljo javnosti.
This paragraph is without prejudice to the rights of identified authors whose identifiable contributions are included in such works, to which contributions paragraph 1 or 2 shall apply.
Ta odstavek ne vpliva na pravice identificiranih avtorjev, katerih ugotovljivi prispevki spadajo v takšna dela; za te prispevke se uporabi odstavek 1 ali 2.
Where a work is published in volumes, parts, instalments, issues or episodes and the term of protection runs from the time when the work was lawfully made available to the public, the term of protection shall run for each such item separately.
Kadar je delo objavljeno v zvezkih, delih, nadaljevanjih, izdajah ali nanizankah in se po tem zakonu trajanje varstva računa po dnevu, ko je bilo delo zakonito dano na voljo javnosti, se trajanje varstva računa za vsako od teh sestavin posebej.
In the case of works for which the term of protection is not calculated from the death of the author or authors and which have not been lawfully made available to the public within 70 years from their creation, the protection shall terminate.
V primeru del, pri katerih trajanje varstva pravic ne teče od smrti avtorja ali avtorjev in ki niso bila zakonito objavljena v 70 letih od njegove stvaritve, varstvo preneha.
Cinematographic or audiovisual works
Kinematografska ali avdiovizualna dela
The principal director of a cinematographic or audiovisual work shall be considered as its author or one of its authors.
Glavni režiser kinematografskega ali avdiovizualnega dela velja za njegovega avtorja ali soavtorja.
Member States shall be free to designate other co-authors.
Države članice lahko določijo druge soavtorje.
The term of protection of cinematographic or audiovisual works shall expire 70 years after the death of the last of the following persons to survive, whether or not these persons are designated as co-authors: the principal director, the author of the screenplay, the author of the dialogue and the composer of music specifically created for use in the cinematographic or audiovisual work.
Varstvo kinematografskih ali avdiovizualnih del preneha 70 let po smrti zadnje preživele osebe od naštetih oseb, ne glede na to, ali so te osebe določene kot soavtorji: glavni režiser, pisec scenarija, avtor dialogov in skladatelj glasbe, ustvarjene posebej za uporabo v kinematografskem ali avdiovizualnem delu.
Duration of related rights
Trajanje sorodnih pravic
The rights of performers shall expire 50 years after the date of the performance.
Pravice izvajalcev trajajo 50 let od datuma izvedbe.
However, if a fixation of the performance is lawfully published or lawfully communicated to the public within this period, the rights shall expire 50 years from the date of the first such publication or the first such communication to the public, whichever is the earlier.
Če pa je bil v tem času posnetek izvedbe zakonito izdan ali zakonito priobčen javnosti, trajajo pravice izvajalcev 50 let od prve izdaje ali prve priobčitve, ki se je pripetila najprej.
The rights of producers of phonograms shall expire 50 years after the fixation is made.
Pravice proizvajalca fonogramov trajajo 50 let, odkar je bil posnetek narejen.
However, if the phonogram has been lawfully published within this period, the said rights shall expire 50 years from the date of the first lawful publication.
Če pa je bil fonogram zakonito objavljen v tem obdobju, te pravice trajajo 50 let od prve zakonite objave.
If no lawful publication has taken place within the period mentioned in the first sentence, and if the phonogram has been lawfully communicated to the public within this period, the said rights shall expire 50 years from the date of the first lawful communication to the public.
Če do zakonite javne objave ne pride v obdobju iz prvega stavka in če je fonogram v tem obdobju zakonito priobčen javnosti, omenjene pravice trajajo 50 let od datuma prve zakonite priobčitve javnosti.
However, this paragraph shall not have the effect of protecting anew the rights of producers of phonograms where, through the expiry of the term of protection granted them pursuant to Article 3(2) of Directive 93/98/EEC in its version before amendment by Directive 2001/29/EEC, they were no longer protected on 22 December 2002.
Kjer pa zaradi poteke obdobja trajanja varstva pravic proizvajalcev fonogramov, priznanega po členu 3(2) Direktive 93/98/EGS, kakor je obstajala pred njeno spremembo z Direktivo 2001/29/ES Evropskega parlamenta in Sveta z dne 22. maja 2001 o usklajevanju določenih vidikov avtorske in sorodnih pravic v informacijski družbi, niso več varovane na dan 22. decembra 2002, zaradi tega odstavka ne bodo ponovno varovane.
The rights of producers of the first fixation of a film shall expire 50 years after the fixation is made.
Pravice filmskega producenta trajajo 50 let, odkar je bil narejen posnetek.
However, if the film is lawfully published or lawfully communicated to the public during this period, the rights shall expire 50 years from the date of the first such publication or the first such communication to the public, whichever is the earlier.
Če je bil v tem času film zakonito izdan ali zakonito priobčen javnosti, trajajo pravice izvajalca 50 let od prve izdaje ali prve priobčitve, ki se je pripetila najprej.
The term ‘film’ shall designate a cinematographic or audiovisual work or moving images, whether or not accompanied by sound.
Izraz „film“ pomeni kinematografsko ali avdiovizualno delo ali gibljive slike, ne glede na to, ali jih spremlja zvok.