natgillin/translations-raw huggingface dataset:
direct or indirect, temporary or permanent reproduction by any means and in any form, in whole or in part, of their works;
neposredno ali posredno, začasno ali stalno reprodukcijo dela ali celote njihovih del na kakršen koli način in v kakršni koli obliki;
any form of distribution to the public, by sale or otherwise, of the original of their works or of copies thereof;
kakršno koli obliko distribucije izvirnikov ali njegovih kopij v javnosti s prodajo ali drugače;
any communication to the public of their works, by wire or wireless means, including the making available to the public of their works in such a way that members of the public may access them from a place and at a time individually chosen by them; and
predvajanje njihovih del v javnosti, žično ali brezžično, vključno z objavo njihovih del v javnosti na tak način, da imajo posamezniki do njih dostop na kraju in v času, ki si ju sami izberejo; ter
rental and lending of the original and copies of their works.
izposojanje in posojanje originala in kopij njihovih del.
Article 214
Člen 214
Performers
Izvajalci
Each Party shall, as regards performers, provide for the exclusive right to authorise or prohibit:
Vsaka pogodbenica izvajalcem zagotovi izključno pravico, da dovolijo ali prepovejo:
the fixation of their performances;
posnetke svojih izvedb;
direct or indirect, temporary or permanent, reproduction by any means and in any form, in whole or in part, of fixations of their performances;
neposredno ali posredno, začasno ali stalno reprodukcijo dela ali celote posnetkov svojih izvedb na kakršen koli način in v kakršni koli obliki;
the distribution to the public, by sale or otherwise, fixations of their performances;
distribucijo posnetkov svojih izvedb v javnosti s prodajo ali drugače;
the making available to the public, of fixations of their performances by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them;
objavo njihovih posnetkov izvedb v javnosti, žično ali brezžično, na tak način, da imajo posamezniki do njih dostop na kraju in v času, ki si ju sami izberejo;
the broadcasting by wireless means and the communication to the public of their performances, except where the performance is itself already a broadcast performance or is made from a fixation; and
brezžično radiodifuzijo in predvajanje v javnosti svojih izvedb, razen kadar gre za radiodifuzno izvedbo ali kadar je narejena po posnetku; ter
rental and lending of fixations of their performances.
izposojanje in posojanje posnetkov svojih izvedb.
Article 215
Člen 215
Producers of phonograms
Proizvajalci fonogramov
Each Party shall, as regards producers of phonograms, provide for the exclusive right to authorise or prohibit:
Vsaka pogodbenica proizvajalcem fonogramov zagotovi izključno pravico, da dovolijo ali prepovejo:
direct or indirect, temporary or permanent, reproduction by any means and in any form, in whole or in part, of their phonograms;
neposredno ali posredno, začasno ali stalno reprodukcijo dela ali celote svojih fonogramov na kakršen koli način in v kakršni koli obliki;
the distribution to the public, by sale or otherwise, their phonograms, including copies thereof;
distribucijo svojih fonogramov v javnosti, vključno s pripadajočimi kopijami, s prodajo ali drugače;
the making available of their phonograms to the public, by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them; and
objavo svojih fonogramov v javnosti, žično ali brezžično, na tak način, da imajo posamezniki do njih dostop na kraju in v času, ki si ju sami izberejo; ter
rental and lending in respect of their phonograms.
izposojanje in posojanje v zvezi z svojimi fonogrami.
Article 216
Člen 216
Broadcasting organisations
Radiodifuzne organizacije
Each Party shall, as regards broadcasting organisations, provide for the exclusive right to authorise or prohibit:
Vsaka pogodbenica radiodifuznim organizacijam zagotovi izključno pravico, da dovolijo ali prepovejo:
the fixation of their broadcasts, whether those broadcasts are transmitted by wire or over the air, including by cable or satellite;
posnetke svojih oddaj, ne glede na to, ali je to oddajanje po žici ali po zraku, tudi po kablu ali prek satelita;
the direct or indirect, temporary or permanent reproduction, by any means and in any form, in whole or in part, of fixations of their broadcasts, whether those broadcasts are transmitted by wire or over the air, including by cable or satellite;
neposredno ali posredno, začasno ali stalno reprodukcijo dela ali celote posnetkov svojih oddaj na kakršen koli način in v kakršni koli obliki, ne glede na to, ali je to oddajanje po žici ali po zraku, tudi po kablu ali prek satelita;
the making available to the public, by wire or wireless means, of fixations of their broadcasts in such a way that members of the public may access them from a place and at a time individually chosen by them;
objavo posnetkov svojih oddaj v javnosti, žično ali brezžično, na tak način, da imajo posamezniki do njih dostop na kraju in v času, ki si ju sami izberejo;
the distribution to the public, by sale or otherwise, of fixations of their broadcasts; and
distribucijo posnetkov svojih oddaj v javnosti s prodajo ali drugače; ter
the rebroadcasting of their broadcasts by wireless means, as well as the communication to the public of their broadcasts if such communication is made in places accessible to the public against payment of an entrance fee.
ponoven brezžični prenos svojih oddaj in njihovo predvajanje v javnosti, če to predvajanje poteka na javnih mestih ob plačilu vstopnine.
Article 217
Člen 217
Broadcasting and communication to the public
Radiodifuzno oddajanje in predvajanje v javnosti
Each Party shall provide a right in order to ensure that a single equitable remuneration is paid by the user to the performers and producers of phonograms if a phonogram published for commercial purposes, or a reproduction of such phonogram, is used for broadcasting by wireless means or for any communication to the public.
Vsaka pogodbenica zagotovi pravico do primernega enkratnega nadomestila, ki ga poravna uporabnik izvajalcem in proizvajalcem fonogramov, če se fonogram, objavljen za komercialne namene, ali reprodukcija takega fonograma uporablja za brezžično radiodifuzijo ali za kakršno koli predvajanje v javnosti.
Each Party shall ensure that such remuneration is shared between the relevant performers and phonogram producers.
Vsaka pogodbenica zagotovi, da se to nadomestilo razdeli med zadevne izvajalce in proizvajalce fonogramov.
Each Party may, in the absence of agreement between the performers and phonogram producers, lay down the conditions as to the sharing of such remuneration between them.
Če ni dogovora med izvajalci in proizvajalci fonogramov, lahko vsaka pogodbenica določi pogoje glede razdelitve tega nadomestila mednje.
Article 218
Člen 218
Term of protection
Obdobje varstva
The economic rights of an author of a literary or artistic work within the meaning of Article 2 of the Berne Convention shall run for the life of the author and for no less than 70 years after his death, irrespective of the date when the work is lawfully made available to the public.
Materialne pravice avtorja literarnega ali umetniškega dela v smislu člena 2 Bernske konvencije trajajo za čas avtorjevega življenja in najmanj 70 let po njegovi smrti, ne glede na to, kdaj je bilo delo zakonito objavljeno v javnosti.
In the case of a work of joint authorship, the term referred to in paragraph 1 shall be calculated from the death of the last surviving author.
Kadar je delo ustvarilo več avtorjev, se rok iz odstavka 1 računa od smrti soavtorja, ki je umrl zadnji.
In the case of anonymous or pseudonymous works, the term of protection shall run for no less than 70 years after the work is lawfully made available to the public.
Varstvo anonimnih ali psevdonimnih del traja najmanj 70 let po zakoniti objavi dela v javnosti.
However, when the pseudonym adopted by the author leaves no doubt as to his identity, or if the author discloses his identity during the period referred to in the first sentence, the term of protection applicable shall be that laid down in paragraph 1.
Če psevdonim, ki ga avtor uporablja, ne dopušča dvomov o njegovi identiteti ali če avtor razkrije svojo identiteto v obdobju iz prvega stavka, se uporabi obdobje varstva iz odstavka 1.
Where a Party provides for particular rights in respect of collective works or for a legal person to be designated as a right holder, the term of protection shall be calculated in accordance with paragraph 3, except if the natural persons who have created the work are identified as such in the versions of the work which are made available to the public.
Kadar pogodbenica določi posebne pravice v zvezi s kolektivnimi deli ali da se pravna oseba določi kot imetnik pravice, se trajanje varstva izračuna v skladu z odstavkom 3, razen v primeru, ko so fizične osebe, ki so delo ustvarile, identificirane kot take v verzijah dela, ki so objavljene v javnosti.
This paragraph is without prejudice to the rights of identified authors whose identifiable contributions are included in such works, to which contributions paragraph 1 or 2 shall apply.
Ta odstavek ne vpliva na pravice identificiranih avtorjev, katerih ugotovljivi prispevki so vključeni v taka dela; za te prispevke se uporabita odstavka 1 ali 2.
Where a work is published in volumes, parts, instalments, issues or episodes and the term of protection runs from the time when the work was lawfully made available to the public, the term of protection shall run for each separately.
Če je delo objavljeno v več knjigah, delih, nadaljevanjih, izdajah ali epizodah in se obdobje varstva začne z zakonito objavo dela v javnosti, teče obdobje varstva za vsak del posebej.
In the case of works for which the term of protection is not calculated from the death of the author or authors and which have not been lawfully made available to the public within 70 years from their creation, the protection shall terminate.
Za dela, pri katerih se obdobje varstva ne računa od smrti avtorja ali avtorjev in ki v 70 letih od nastanka niso bila zakonito objavljena v javnosti, varstvo preneha veljati.
The term of protection of cinematographic or audiovisual works shall expire not earlier than 70 years after the death of the last of the following persons to survive, whether or not such persons are designated as co-authors: the principal director, the author of the screenplay, the author of the dialogue and the composer of the music specifically created for use in the cinematographic or audiovisual work.
Obdobje varstva za kinematografska in avdiovizualna dela poteče najmanj 70 let po smrti zadnje od naslednjih oseb, ne glede na to, ali so te osebe opredeljene kot soavtorji: glavni režiser, pisec scenarija, avtor dialogov in skladatelj glasbe, ustvarjene posebej za uporabo v kinematografskem ali avdiovizualnem delu.
Each Party shall ensure that any person who, after the expiry of copyright protection, for the first time lawfully publishes or lawfully communicates to the public a previously unpublished work benefits from a protection equivalent to the economic rights of the author.
Vsaka pogodbenica zagotovi, da ima vsaka oseba, ki po poteku varstva avtorske pravice v javnosti prvič zakonito objavi ali predvaja prej neobjavljeno delo, pravice, ki so enakovredne materialnim pravicam avtorja.
The term of protection of such rights shall be 25 years from the time when the work was first lawfully published or lawfully communicated to the public.
Obdobje varstva teh pravic traja 25 let od prve zakonite objave ali predvajanja dela v javnosti.
The economic rights of audiovisual performers shall expire not less than 50 years after the date of the performance.
Materialne pravice izvajalcev avdiovizualnih del potečejo najmanj 50 let po datumu izvedbe.
However, if a fixation of the performance is lawfully published or lawfully communicated to the public within that period, the rights shall expire not less than 50 years from the date of the first such publication or the first such communication to the public, whichever is the earlier.
Vendar če je bil v tem obdobju posnetek izvedbe zakonito izdan ali zakonito priobčen javnosti, trajajo pravice izvajalcev najmanj 50 let od prve izdaje ali prve priobčitve javnosti, odvisno od tega, kaj se je zgodilo prej.
The economic rights of performers and producers of phonograms shall expire 70 years after the date of the first publication or the first communication to the public, whichever is the earlier.
Materialne pravice izvajalcev in proizvajalcev fonogramov potečejo 70 let po datumu prve izdaje ali prve priobčitve javnosti, odvisno od tega, kaj se je zgodilo prej.
A Party may adopt effective measures to ensure that profits generated during the 20 years of protection beyond 50 years are shared fairly between performers and producers.
Pogodbenica lahko sprejme učinkovite ukrepe za zagotovitev, da se dobički, ustvarjeni v 20 letih varstva po 50 letih pravično razdelijo med izvajalce in proizvajalce.
The economic rights of producers of the first fixation of a film shall expire not less than 50 years after the fixation is made.
Materialne pravice proizvajalcev prvega posnetka filma potečejo najmanj 50 let po nastanku posnetka.
However, if the film is lawfully published or lawfully communicated to the public during that period, the rights shall expire not less than 50 years after the date of the first such publication or the first such communication to the public, whichever is the earlier.
Če pa je bil v tem obdobju film zakonito izdan ali zakonito priobčen javnosti, trajajo pravice izvajalcev najmanj 50 let po prvi izdaji ali prvi priobčitvi javnosti, odvisno od tega, kaj se je zgodilo prej.
The economic rights of broadcasting organisations shall expire not less than 50 years after the first transmission of a broadcast, whether that broadcast is transmitted by wire or over the air, including by cable or satellite.
Obdobje veljavnosti materialnih pravic radiodifuznih organizacij ni krajše od 50 let od prvega radiodifuznega oddajanja, ne glede na to, ali je to oddajanje po žici ali po zraku, tudi po kablu ali prek satelita.
The terms laid down in this Article shall be calculated from the first of January of the year following the event which gives rise to them.
Obdobje varstva iz tega člena začne teči prvega januarja tistega leta, ki sledi dogodku, s katerim je pravica nastala.
Article 219
Člen 219
Protection of technological measures
Varstvo tehnoloških ukrepov
Each Party shall provide adequate legal protection against the circumvention of any effective technological measures which the person concerned carries out in the knowledge, or with reasonable grounds to know, that he is pursuing that objective.
Vsaka pogodbenica zagotovi ustrezno pravno varstvo proti izogibanju veljavnim tehnološkim ukrepom, kadar se oseba, ki se tem ukrepom izogiba, tega zaveda ali če obstajajo utemeljeni razlogi, da se tega zaveda.
Each Party shall provide adequate legal protection against the manufacture, import, distribution, sale, rental, advertisement for sale or rental, or possession for commercial purposes of devices, products or components or the provision of services which:
Vsaka pogodbenica zagotovi ustrezno pravno varstvo proti proizvodnji, uvozu, distribuciji, prodaji, najemu, oglaševanju za prodajo ali najem ali posedovanju za komercialne namene naprav, izdelkov ali komponent oziroma izvajanju storitev, ki:
are promoted, advertised or marketed for the purpose of circumventing any effective technological measures;
se promovirajo, oglašujejo ali tržijo z namenom izognitve kakršnim koli veljavnim tehnološkim ukrepom;
have only a limited commercially significant purpose or use other than to circumvent any effective technological measures; or
so le majhnega komercialnega pomena ali imajo le majhno uporabo razen izognitve veljavnim tehnološkim ukrepom; ali
are primarily designed, produced, adapted or performed for the purpose of enabling or facilitating the circumvention of any effective technological measures.
so zlasti načrtovani, izdelani, prirejeni ali se izvajajo za namene omogočanja ali olajševanja izogibanja veljavnim tehnološkim ukrepom.
For the purposes of this Chapter, the expression ‘technological measures’ means any technology, device or component that, in the normal course of its operation, is designed to prevent or restrict acts, in respect of works or other subject matter, which are not authorised by the right holder of any copyright or related right as provided for by domestic legislation.
V tem poglavju izraz „tehnološki ukrep“ pomeni vsakršno tehnologijo, napravo ali komponento, ki je ob običajnem obratovanju namenjena preprečevanju ali omejevanju dejanj v zvezi z deli ali drugimi vsebinami, ki jih ni dovolil imetnik avtorskih ali katerih koli sorodnih pravic, kot je določeno v domači zakonodaji.
Technological measures shall be deemed ‘effective’ where the use of a protected work or other subject matter is controlled by the right holders through application of an access control or protection process, such as encryption, scrambling or other transformation of the work or other subject matter or a copy control mechanism, which achieves the protection objective.
Tehnološki ukrepi se štejejo za „veljavne“, kadar uporabo zaščitenega dela ali drugih vsebin nadzorujejo imetniki pravice z nadzorom dostopa ali varnostnim postopkom, kot je kodiranje, šifriranje ali drugo preoblikovanje dela oziroma vsebine, ali z mehanizmom za nadzor kopiranja, ki doseže cilj varstva.
Article 220
Člen 220
Protection of rights management information
Varstvo podatkov za upravljanje pravic
Each Party shall provide adequate legal protection against any person knowingly performing without authority any of the following acts:
Vsaka pogodbenica zagotovi ustrezno pravno varstvo proti vsaki osebi, ki zavestno nepooblaščeno stori katero koli od naslednjih dejanj:
the removal or alteration of any electronic rights-management information; and
odstrani ali spremeni kateri koli elektronski podatek za upravljanje pravic; ter
the distribution, importation for distribution, broadcasting, communication or making available to the public of works or other subject matter protected under this Chapter from which electronic rights-management information has been removed or altered without authority,
distribuira, uvaža za distribucijo, razširja, predvaja ali objavi v javnosti dela ali druge vsebine, varovane v skladu s tem poglavjem, s katerih so bili nepooblaščeno odstranjeni ali na katerih so bili nepooblaščeno spremenjeni elektronski podatki za upravljanje pravic,
if such person knows, or has reasonable grounds to know, that by so doing this person is inducing, enabling, facilitating or concealing an infringement of any copyright or any related rights as provided by national legislation.
če se taka oseba zaveda oziroma če obstaja utemeljen razlog, da se zaveda, da s takim ravnanjem povzroča, omogoča, olajšuje ali prikriva kršitev avtorskih ali sorodnih pravic, kot je določeno z nacionalno zakonodajo.
For the purposes of this Chapter, the term ‘rights-management information’ means any information provided by right holders which identifies the work or other subject matter referred to in this Chapter, the author or any other right holder, or information about the terms and conditions of use of the work or other subject matter, and any numbers or codes that represent such information.
V tem poglavju izraz „podatki za upravljanje pravic“ pomeni vsakršne podatke, ki jih predloži imetnik pravice in ki opredeljujejo delo ali druge vsebine iz tega poglavja, avtorja ali katerega koli drugega imetnika pravice, ali podatke o pogojih uporabe dela ali druge vsebine ter kakršne koli številke ali kode, ki predstavljajo take podatke.
Paragraph 1 applies where any such information is associated with a copy of, or appears in connection with the communication to the public of, a work or other subject matter referred to in this Chapter.
Odstavek 1 se uporablja, kadar je kateri koli od teh podatkov povezan s kopijo dela ali drugih vsebin iz tega poglavja, ali pa se zdi, da je povezan s predvajanjem teh del ali vsebin javnosti.
Article 221
Člen 221
Exceptions and limitations
Izjeme in omejitve
Each Party may provide for limitations or exceptions to the rights set out in the Articles 213 to 218 only in certain special cases which do not conflict with a normal exploitation of the subject matter and do not unreasonably prejudice the legitimate interests of the right holders, in accordance with the conventions and international treaties to which they are parties.
Vsaka pogodbenica lahko v skladu s konvencijami in mednarodnimi sporazumi, katerih podpisnica je, določi omejitve ali izjeme glede pravic iz členov 213 do 218 le v nekaterih posebnih primerih, ki niso v nasprotju z običajno uporabo vsebin in ne posegajo nerazumno v zakonite interese imetnikov pravice.
Each Party shall provide that temporary acts of reproduction referred to in Articles 213 to 217, which are transient or incidental, which are an integral and essential part of a technological process, and the sole purpose of which is to enable: (a) a transmission in a network between third parties by an intermediary, or (b) a lawful use of a work or other subject matter to be made, and which have no independent economic significance, shall be exempted from the reproduction right provided for in Articles 213 to 217.
Vsaka pogodbenica določi, da je začasno reproduciranje dela ali vsebin iz členov 213 do 217, ki je predhodno ali spremljevalno ter sestavni in bistveni del tehnološkega procesa in katerega edini namen je omogočiti: (a) prenos po omrežju med tretjimi osebami po posredniku, ali (b) zakonito uporabo dela ali drugih vsebin ter ki nima neodvisnega ekonomskega pomena, izvzeto iz pravice reproduciranja iz členov 213 do 217.
Article 222
Člen 222
Artists' resale right in works of art
Sledna pravica umetnikov pri umetniških delih
Each Party shall provide, for the benefit of the author of an original work of art, a resale right, to be defined as an inalienable right, which cannot be waived, even in advance, to receive a royalty based on the sale price obtained for any resale of the work, subsequent to the first transfer of the work by the author.
Vsaka pogodbenica v korist avtorja originalnega umetniškega dela določi sledno pravico, ki je opredeljena kot neodtujljiva pravica, ki se ji ni mogoče odpovedati, niti vnaprej, v skladu s katero avtor ob vsaki nadaljnji prodaji dela prejme nadomestilo, ki temelji na prodajni ceni, po tem ko je avtor prvič prenesel delo.
The right referred to in paragraph 1 shall apply to all acts of resale involving as sellers, buyers or intermediaries art-market professionals, such as salesrooms, art galleries and, in general, any dealers in works of art.
Pravica iz odstavka 1 se uporablja za vse nadaljnje prodaje, v katere so kot prodajalci, kupci ali posredniki vključeni strokovnjaki na umetniškem trgu, kot so prodajni saloni, umetniške galerije in drugi trgovci z umetninami.
Each Party may provide that the right referred to in paragraph 1 does not apply to acts of resale where the seller has acquired the work directly from the author less than three years before that resale and where the resale price does not exceed a certain minimum amount.
Vsaka pogodbenica lahko določi, da se pravica iz odstavka 1 ne uporablja pri nadaljnjih prodajah, če je prodajalec dobil delo neposredno od avtorja manj kot tri leta pred ponovno prodajo in če prodajna cena ne presega določenega minimalnega zneska.
The royalty shall be paid by the seller.
Nadomestilo plača prodajalec.
Each Party may provide that one of the natural or legal persons referred to in paragraph 2 other than the seller shall alone be liable or shall share liability with the seller for payment of the royalty.
Vsaka pogodbenica lahko določi, da je za plačilo nadomestila odgovorna ena od fizičnih ali pravnih oseb iz odstavka 2, ki ni kupec, ali si odgovornost za plačilo nadomestila deli s kupcem.
The procedure for collection and the amounts of the royalty shall be determined by domestic legislation.
Postopek za pobiranje in zneski nadomestila se določijo z domačo zakonodajo.