natgillin/translations-raw huggingface dataset:
2 ESSnet-Culture Final Report available at http://ec.europa. eu/culture/library/reports/ess-net-report_en.pdf
3 Richard Peterson & Albert Simkus, 'How Musical Tastes Mark Occupational Status Groups' in Cultivating differences: Symbolic boundaries and the making of inequality, p.153
The information presented in these
Informaţiile prezentate în aceste capitole pot prezenta
19 Raymond Bauer, ,Social Indicators and Sample Surveys', The Public Opinion Quarterly, p. 344-345
- Target Group Index | Marea Britanie (sondaj general dedicat consumului care, începând cu anii '80, include secţiuni dedicate consumului cultural)
- Taking Part Survey | United Kingdom (since 2005, dedicated to the cultural and sport consumption);
- Taking Part Survey | Marea Britanie (din 2005, dedicat exclusiv consumului de cultură şi sport);
- Les pratiques culturelles des franfais | Franţa (since 1973, dedicated exclusively to the cultural consumption);
- Les pratiques culturelles des franţais | Franţa (din 1973, dedicat exclusiv consumului de cultură);
- Survey of Cultural Habits and Practices in Spain | Spain (since 2002, dedicated exclusively to the cultural consumption);
- Survey of Cultural Habits and Practices in Spain | Spania (din 2002, dedicat exclusiv consumului de cultură);
- The Norwegian Cultural Barometer | Norway (since 1991, dedicated to the cultural and mass media consumption);
- The Norwegian Cultural Barometer | Norvegia (din 1991, dedicat consumului de mass-media şi cultură);
4 H. Seybert & P. Reinecke, 'Internet and cloud services statistics on the use by individuals', Statistics in focus
3 H. Seybert & P. Reinecke, 'Internet and cloud servicesstatistics on the use by individuals', Statistics in focus
Cultural Acces and Participation Report (European Comission, 2013)
Cultural Acces and Participation Report (European Comission, 2013) < http://ec.europa.eu/>
Visiting the Czech Republic - Culture (Embassy of the Czech Republic in Bucharest, 2015)
Vizitarea Republici Cehe- Cultura, (Ambasada Republicii Cehe în Bucureşti, 2015) < http://www.mzv. cz/bucharest/ro >
6 David Throsby, ,The production and consumption of the arts: A view of cultural economics', Journal of Economic Literature, 32, 1994, p.2
7 Francois Courvoisier & Fabienne Courvoisier, 'Marketing of cultural institutions in French-speaking Switzerland', International Journal of Nonprofit and Voluntary Sector Marketing, 12, p.199
7 Francois Courvoisier & Fabienne Courvoisier, .
care ar putea afecta produsul cultural.
13 A. Markusen & A. Brown, ,From audience to Participants.
The Dynamics of Building and Retaining Performing Arts Audiences
A new way of thinking for Performing Arts' (University of Minnesota, 2013)
13 A. Markusen & A. Brown, 'From audience to Participants.
This does not necessarily mean that there are automatically more spectators with a
15 Jennifer L. Novak-Leonard & Alan S. Brown, Beyond attendance: A multi-modal understanding of arts participation
The public cultural infrastructure of Bucharest is much more complex than other cities', the first independent experiments took place here, the level of cultural festivals is much higher, and this is why it was necessary to make an in-depth analysis of the information on performing arts at the level of the capital city.
Infrastructura culturală publică a oraşului Bucureşti este mult mai complexă decât în alte oraşe ale ţării, primele experimente independente au avut loc tot aici, numărul festivalurilor culturale este mult mai mare, de aceea este necesară aprofundarea informaţiilor cu privire la artele spectacolului.
The information comprised in this study may be used by the managers of the cultural institutions and organisations in order to construct a cultural response to the social problems.
Informaţiile din prezentul studiu pot fi utilizate de managerii instituţiilor şi organizaţiilor culturale pentru a construi un răspuns cultural la problematica socială.
<http://www.hhh.umn.edu/centers/prie/pdf/174MarkusenBrownFromAudiencetoParticipant.pdf> Mucică, Delia, Economy of culture, course support, CPDC, (Bucharest, 2006)
<http://www.hhh.umn.edu/centers/prie/pdf/174MarkusenBrownFromAudiencetoParticipant.pdf> Mucică, Delia, Economia culturii suport de curs, CPDC, (Bucureşti, 2006)
None / no need for restoration (they were restored)
Infrastructura de agrement (parcuri, ştranduri, băi termale etc.)
Old buildings / old architecture
Infrastructura de agrement (pacuri, ştranduri, băi termale etc.)
9 Hung, Sirakaya-Turk & Ingram, ‘Testing the Efficacy of an Integrative Model for Community Participation', Journal of Travel Research, 50: 276, 2011
10 Gianpaolo Baiocchi & Ernesto Ganuza, 'Participatory Budgeting as if Emancipation Mattered', Politics & Society 42: 29, 2014
10 Gianpaolo Baiocchi & Ernesto Ganuza, participatory Budgeting as if Emancipation Mattered', Politics & Society 42: 29, 2014
şi pârghii de intervenţie locuitorilor obişnuiţi care contribuie la bugetul local prin taxe şi impozite.
& Ingram, Linda J., ‘Testing the Efficacy of an Integrative Model for Community Participation', Journal of Travel Research, 50: 276, 2011 National Institute of Statistics, ‘Regional economic and social landmarks: Territorial Statistics' (2013) <http://www.insse.ro>
& Ingram, Linda J., 'Testing the Efficacy of an Integrative Model for Community Participation', Journal of Travel Research, 50: 276, 2011 Institutul Naţional de Statistică, 'Repere economice şi sociale regionale: Statistică teritorială' (2013) <http://www.insse.ro>
Ministry of Labour, Family, Social Protection and Elderly Persons, 'Statistic Situation of the Unemployment on November 30th 2014' <http://www.anofm.ro/>
Ministerul Muncii, Familiei, Protecţiei Sociale şi Persoanelor Vârstnice, 'Situaţia Statistică a Şomajului înregistrat la 30 noiembrie 2014' <http://www.anofm.ro/>
2 Alexandra Zbuchea & Loredana Ivan, Museum Focus: how to better know the museum visitors
Cunoaşterea şi înţelegerea ^ * III'' motivaţiilor vizitatorilor cât şi a celor care nu
14 Screven (1993,) cited by Zbuchea & Ivan, p. 4-5
18 Carol Duncan, Civilizing Rituals: Inside Public Art Museums
32 Crăciun, Pălici, & Racles, Audience of the National Museum of the Romanian Peasant.
35 Crăciun, Pălici, & Racleş, ,Audienţa Muzeului Naţional al Ţăranului Român.
Analysis of the museum visiting experience and behaviour through the Timing&Tracking method', in Museums' Magazine, Vol. 1, new series, 2014
Analiza experienţei şi comportamentului de vizitare a muzeului prin metoda Timing&Tracking', în Revista Muzeelor, Vol. 1, Serie nouă, 2014
Muzeul Militar (Military Museum), Facebook < https://www.facebook.com/muzeul.militar >
Muzeul Naţional de Artă al României, Informaţii utile <http://www.mnar.arts.ro>
Muzeul Naţional de Istorie României (National History Museum of Romania), Programme <http:// www.mnir.ro>
Muzeul Satului, Program <http://www.muzeul-satului.ro>, Muzeul Naţional de Istorie României, Program <http://www.mnir.ro>
Muzeul Ţăranului Român (National Museum of the Romanian Peasant), Contact <http://www. muzeultaranuluiroman.ro>
Muzeul Ţăranului Român, Contact <http://www.muzeultaranuluiroman.ro>
Muzeul Ţăranului Român (National Museum of the Romanian Peasant), Facebook, <https://ro-ro.
Muzeul Ţăranului Român, Facebook, <https://ro-ro.facebook.com/MuzeulTaranului>
Thus, in 1981 the European Values Study was implemented -an international longitudinal survey, conducted every nine years (implemented in Romania since 1993).
19 Becky Pettit & Paul DiMaggio, Public Sentiments Towards the Arts: A Critical Reanalysis of 13 Opinion Surveys, p.2-4
21 Mălina Voicu & Bogdan Voicu, Project of International Research on the Study of European Values, p.1
Deşi acoperă o paletă destul de largă de subiecte, Studiul Valorilor Europene nu urmăreşte şi atitudinile sau percepţiile populaţiei cu privire la domeniul artelor sau al culturii, în general sau particular.
24 Macnab, Bakker & Fitzsimmon, Career Values Scale Manual and User's Guide, p.1
Datele sondajului indică faptul că pentru 90% din populaţia generală a României, de 18
Alper & Gregory H. Wassall, Op. Cit., p.841
30 Neil O. Alper & Gregory H. Wassall, OpCit., p.841
Alper & Gregory H. Wassall, Op cit., p.835838.
32 Neil O. Alper & Gregory H. Wassall, Opcit., p.835-838.
Urban < 30 thousand inhabitants
Urban < 30 de mii de locuitori
Alper, Neil O., Wassall, Gregory H., ‘Artists' Careers and their Labour Markets' in David Throsby & Victor A. Ginsburgh (ed.), Handbook of the Economics of Art and Culture (vol. 1), (Amsterdam: Elsevier, 2006)
Alper, Neil O., Wassall, Gregory H., ,Artists' Careers and their Labor Markets' in David Throsby & Victor A. Ginsburgh (ed.), Handbook of the Economics of Art and Culture (vol. 1), (Amsterdam: Elsevier, 2006)
Butler, Donnell, Studies of Artists: An Annotated Directory (Princeton University: Centre for Arts and Cultural Policy Studies, 2000) <http://www.princeton.edu/~artspol/workpap/WP12%20-%20 Butler.pdf>
Butler, Donnell, Studies of Artists: An Annotated Directory (Princeton University: Center for Arts and Cultural Policy Studies, 2000) <http://www.princeton.edu/~artspol/workpap/WP12%20 -%20Butler.pdf>
The domestic network of electronic cultural goods includes several categories.
2 Stefania Lionetti & Roberto Patuelli, Trading Cultural Goods in the Era of Digital
1 Jeffery, Barclay & Grosvenor, Green Living For Dummies
reţeaua domestică de bunuri culturale electronice si consumul cultural domestic
2 Stefania Lionetti & Roberto Patuelli, Trading Cultural Goods in the Era of Digital
casetofonul, iar bunurile care solicită un grad mai ridicat de interactivitate sunt telefonul, Ipod-ul, Mp3 playerul, aparatul foto etc.3
Cultural events (programmes of theatres, cinema theatres, museums, festivals etc.)
Informaţii turistice (excursii, vacanţe, pachete de turism)
I neither have, nor use
Informaţii turistice (excursii, vacanţe, pachete de turism)
Karatzogianni, Athina & Kuntsman, Adi, Digital Cultures and the Politics ofEmotion: Feelings, Affect and Technological Change (New York: Palgrave Macmillan, 2012)
Karatzogianni, Athina & Kuntsman, Adi, Digital Cultures and the Politics of Emotion: Feelings, Affect and Technological Change (New York: Palgrave Macmillan, 2012)
8 The European working group on culture and development, La culture au c&ur.
8 Grupul de lucru european privind cultura şi dezvoltare La culture au c&ur.
The European Working Group on culture and development La culture au c&ur.
Grupul de lucru european privind cultura şi dezvoltare La culture au c&ur.
No. 22, Unirii Blvd., 2nd Floor, District 3, Postal Code 030833, Bucharest Tel: +4021 891 91 03 | Fax: +4021 893 31 75 | Web: http://www.culturadata.ro/
Tel: +4021 891 91 03 | Fax: +4021 893 31 75 | Web: http://www.culturadata.ro/
> 3 hours daily 1-3 hours daily < 1 hour daily
Aţi vizionat filme la TV?
1-2 times a year [ Never [
T-2 ori pe an | Niciodată |
Have y<m watched TV?
Aţi vizionat filme la TV?
19 The distributions in the percentage tables were matched by means of other statistical tests verifying the association between the variables.
În toate au fost folosite corelaţii de tip Spearman, la un prag de semnificaţie p < 0.05.
> 3 hours daily 1-3 hours daily
INSTITUTUL NATIONAL PENTRU CERCETARE Şl FORMARE CULTURALĂ
In this case Spearman correlations were used, at a significance threshold of p < 0,05.
În cazul de faţă au fost folosite corelaţii de tip Spearman, la un prag de semnificaţie p < 0,05.
cultural infrastructure.
infrastructura culturală domestică.
Influences on the adjusted index of domestic cultural infrastructure33
Influenţe asupra indexului ajustat de infrastructură culturală domestică34
33 The table is a simpler presentation of the coefficients resulted from two models of multiple regression, using a threshold of statistical significance p<0.05.
34 Tabelul este o prezentare mai simplă a coeficienţilor rezultaţi din două modele de regresie multiplă, folosind un prag de semnificaţie statistică p < 0,05.
The author, George Higgins13, shows that attitudes (Rahim, Seyal & Rahman, 2001), low self-control (Higgins, 2005), social learning (Skinner & Fream, 1997) and the theory of social discouragement (Gopal et al, 2004; Higgins, Wilson & Fell, 2005) are directions that can or must explain the piracy phenomenon.
Autorul George Higgins13 arată faptul că atitudinile (Rahim, Seyal & Rahman, 2001), autocontrolul scăzut (Higgins, 2005), învăţarea socială (Skinner & Fream, 1997) şi teoria descurajării sociale (Gopal et al, 2004; Higgins, Wilson & Fell, 2005) sunt direcţii prin care se poate sau ar trebui explicat fenomenul pirateriei.
Who are the Internet consumers in Romania?
Influenţa vârstei asupra consumului de internet.
Influence of the residence area on the Internet consumption
Influenţa mediului de rezidenţă asupra consumului de internet
The service infrastructure is more developed in the cities than in the rural areas.
Infrastructura serviciilor este mai degrabă dezvoltată în oraşe decât în mediul rural.
In terms of musical tastes, P&S prefer popular music (traditional folklore), while P prefer foreign pop music.
PS nu s-au dus niciodată în ultimul an să cumpere de la mall, pe când F se duc lunar.
At the same time, more P than P&S prefer manele31, yet, when compared to P&S, more
Deşi îi uneşte preferinţa pentru filmul de acţiune, opţiunile cinematografice secundare diferă: filmul romantic pentru PS, comedia pentru F.
P&S are primarily women, aged 51-65, “blue collar” occupation, from Bucharest.
PS sunt mai degrabă femei, 51-65 de ani, ocupaţie „blue collar”, din Bucureşti.
It is interesting that the education level (the same, i.e. medium) and income (701-1500 lei in the case of P&S, unstated for P) seem to have little relevance in the setting of these preferences.
Este interesant că nivelul de educaţie (acelaşi, adică mediu) şi venitul (701-1500 de lei pentru PS, nedeclarat pentru F) par să aibă prea puţină relevanţă în stabilirea acestor preferinţe.
In a way, the shared preferences of P&S and P for painting and sculpture, traditional folk music and action film are also consistent, as these artistic genres may be deemed nationally consecrated.
La fel de consecvente sunt, într-un sens, şi preferinţele comune ale PS şi F pentru pictură şi sculptură, muzica populară şi filmul de acţiune, care pot fi toate considerate genuri artistice consacrate pe plan naţional.
When considering the paradigmatic position proposed by the British sociologist Anthony Giddens, we are now living in a present of transition - from the first modernity to postmodernism -, a period which the sociologist calls the age of reflexive modernity.
infor-maţii care apar cu referire la chiar acele practici19, ele nemaifiind date structural, ci rezultând, fiind negociate activ între acţiunea umană (agency) şi structura socială, între individ şi cotidian.
32 Source http://www.rineuropa.org/cf.aspx?t=cfocusnewsdetail&l =en&tid=1965&did=256291#cl, Cineuropa presents data taken from the National Cinema Centre, article dated 28/04/2014, link accessed on the 20th of December 2015.
33 Sursa http://www.cineuropa.org/cf.aspx?t= cfocusnewsdetail&l= en&tid=1965&did=256291#cl, Cineuropa prezentând date preluate de la Centrul Naţional al Cinematografiei, articol datat 28/04/2014, link accesat la 20 decembrie 2015.
1 - 2 times a year 1-2 times a month _ 1-2 times a week ^ <1 hour daily ţ 1-3 hours daily £ >3 hours daily
0 Niciodată 1 - 2 ori pe an _ 1 - 2 ori pe lună v 1-2 ori pe săptămână 0 <1 oră zilnic 0 1-3 ore zilnic A >3 ore zilnic
1 - 2 times a year 1-2 times a month _ 1-2 times a week £ < 1 hour daily 0 1-3 hours daily 0 >3 hours daily
^ Niciodată 1 - 2 ori pe an _ 1 - 2 ori pe lună v 1-2 ori pe săptămână ^ <1 oră zilnic ţ 1-3 ore zilnic A >3 ore zilnic
CUPIX - Cultural Price Index on Goods and Services, 2014, available at http://www.culturalpolicies.net/web/statisticsmarkets.php?aid=289&cid=76 accessed on 7-Jan-2015
CUPIX - Cultural Price Index on Goods and Services, 2014, disponibil la adresa http://www.culturalpolicies. net/web/statistics-markets.php?aid=289&cid=76 accesat la 7-ian-2015
more and more diversified (people with higher
informare este mai diversificată (persoanele cu privire la festivaluri).
k||ijChNMlEf
Fără şcoală sau şcoală primară
Univorous pattern | Consumers of mass culture of consumption
INSTITUTUL NATIONAL PENTRU CERCETARE Şl FORMARE CULTURALĂ
| Consumers of high culture
Diagrama 1.
| Consumers of high culture
Consumatori de cultură de masă
cultural consumption and leisure practices in the public space
informaţii despre nivelul venitului, respectiv despre resursele de timp de care dispune o persoană.
No school / elementary school
* Chi-Square = 239.826309, p<0.001.
Frequency of participation in leisure activities, by gender
* Chi-Square = 227.601, p <0.001.
* Chi-Square = 294.330, p<0.001.
INSTITUTUL NATIONAL PENTRU CERCETARE Şl FORMARE CULTURALĂ
* Chi Square = 332.578, p<0.001.
astfel de activitate în lunile dinaintea intervievării.
The least mentioned facilities were computers, traditional folk costumes and video projectors, mentioned by less than 20% of the respondents, each of these items cumulating a maximum of 5% of the total answers (Graph 18)||
unui sistem de încălzire, acest răspuns având o proporţie de 18% în totalul alegerilor făcute de respondents Cele mai rar menţionate dotări au fost calculatoarele, costumele populare şi videoproietoarele, acestea fiind menţionate de mai puţin de 20% dintre respondenţi, cumulând fiecare cel mult 5% din totalul răspunsurilor (Graficul 18)45.
Tel: +4021 891 91 03 | Fax: +4021 893 31 75 | Web: http://www.culturadata.ro/
Tel: 021 891 91 03 | Fax: 021 893 31 75 | Website: http://www.culturadata.ro/
No. 7, I. Maniu Blvd., Cotroceni Business Center, Block C, ground floor, Postal Code 060274, sector 6, Bucharest, Romania.
Bulevardul Iuliu Maniu nr. 7, corp C, parter, Sector 6, Bucureşti Tel: 0733 672 111 | email: editura@prouniversitaria.ro
Public Infrastructure and Social Impact of Culture 27
Infrastructura publică şi impactul social al culturii 27
Public Infrastructure and Social Impact of Culture
Infrastructura publică şi impactul social al culturii
Cultural infrastructure in Romania 38
Infrastructura culturală din România 38
The collected information refer to a network of public and private cultural and artistic units that have developed cultural and artistic activities at the end of 2015; the cultural and artistic units with suspended activity in the reference year (they were closed to the public)19 were not taken into account.
Informaţiile colectate se referă la reţeaua unităţilor cultural-artistice publice şi private care au desfăşurat activităţi cultural-artistice la sfârşitul anului 2015, neluându-se în considerare unităţile cultural-artistice care au activitatea suspendată în anul de referinţă (au fost închise publicului)19.
Cultural infrastructure in Romania
Infrastructura culturală din România
Cultural infrastructure in Romania 39
Infrastructura culturală din România 39
The cultural infrastructure within the public space is influenced by a range of successive transformations; there are both periods of development and periods of stagnation or regress of the cultural sector.
Infrastructura culturală din spaţiul public este influenţată de o suită de transformări succesive, existând atât perioade de dezvoltare a sectorului cultural, cât şi perioade de stagnare sau regres.
12 drama theatres ^'■'1 8 animation theatres
3 teatre de animaţie 0,24/iqo ooo|
|391 class A monuments 2968 class B monuments
1373 monumente clasa A 3592 monumente clasa B
Index of engagement in cultural activities
Regiunea de dezvoltare Index imp'i<ctare ^ activităţi
Mall (56%) TV (90%) Music(71%)
Activităţile cele mai frecvente public | privat
possess approximately nine infrastructure elements); at the same time, they are persons with a rather high level of cultural consumption performed within the house (on average, these persons practise approximately six activities of domestic cultural consumption in a year).
infrastructură culturală (în medie au aproximativ 9 elemente de infrastructură), fiind totodată persoane cu nivel mai degrabă ridicat de consum cultural desfăşurat în spaţiul casei (în medie, aceste persoane practică aproximativ şase activităţi de consum cultural domestic în decursul unui an).
Rural, 2001 - 4000 inhabitants
Urban, 100001-200000 locuitori || 12%
Sociology of Time', 1900-82', Time & Society, vol. 1, nr. 1, 1992.
3 C. Moran, 'Time as a Social Practice', Time & Society , vol. 24, nr. 3, 2013, p. 283.
From a social standpoint, we can notice changes as regards the relation with old age.
Literature on the State of Theory and Research on the 'Sociology of Time', 1900-82', Time & Society, voi.
174 Social networks and approaches on the social capital
25 J.L. Molina, S. Petermann, & A. Herz, Defining and Measuring Transnational Fields, Gottingen: Max Planck Institute for the Study of Religious and Ethnic
29 P. Bourdieu, & L.J.D. Wacquant, An Invitation to Reflexive Sociology, Cambridge, University of Chicago Press, 1992, p. 119.
27 R. Putnam, 'Bowling Alone: America's Declining Social Capital', Journal of Democracy, vol. 6, nr. 1, 1995.
Various analyses can be conducted at the level of personal networks built through generators of positions.
29 P. Bourdieu, & L.J.D. Wacquant, An Invitation to Reflexive Sociology, Cambridge, University of Chicago Press, 1992, p. 119.
• At the level of the three sub-samples three age categories were built: youngsters (18 - 35 years old), adults (36 - 62 years old) and seniors (>62 years old).
• La nivelul celor trei sub-eşantioane au fost construite trei categorii de vârstă: tineri (18 - 35 de ani), adulţi (36 - 62 de ani) şi seniori (>62 de ani).
• All the reported scores are statistically significant for p < .05.
• Toate scorurile raportate sunt semnificative statistic pentru p< .05.
All the regression models had a Hosmer and Lemeshow test, whose score was not statistically significant (p > .05).
Toate modelele de regresie au avut un test Hosmer şi Lemeshow al cărui scor nu a fost semnificativ statistic (p> .05).
Moreover, all the logistic regression models run had x2 (2 degrees of freedom), statistically significant for p < .05.
De asemenea, toate modelele de regresie logistică rulate au avut x2 (2 grade de libertate) semnificativ statistic pentru p< .05.
• All the reported scores are statistically significant for p< .05.
• Toate scorurile raportate sunt semnificative statistic pentru p < .05.
All the regression models had a Hosmer and Lemeshow test, whose score was not statistically significant (p > .05).
Toate modelele de regresie au avut un test Hosmer şi Lemeshow, al cărui scor nu a fost semnificativ statistic (p > .05).
Furthermore, all the logistic regression models run had W2 (2 degrees of freedom), statistically significant for p < .05.
De asemenea, toate modelele de regresie logistică rulate au avut %2 (2 grade de libertate), semnificativ statistic pentru p < .05.
Model specifications: p < 0.05 for 02, d.f. = 2; p > 0.05 for the Hosmer-Lemeshow test.
Specificaţii model: p < 0,05 pentru x2, d.f. = 2; p > 0,05 pentru testul Hosmer-Lemeshow.
Model specifications: p < 0.05 for x2, d.f. = 2; p > 0,05 for the Hosmer-Lemeshow test.
Specificaţii model: p < 0,05 pentru x2, d.f. = 2; p > 0,05 pentru testul Hosmer-Lemeshow.
For the gender variable there was p < 0.05 for x2, d.f. = 1; but the level of probability for the Hosmer-Lemeshow test was not calculated (d.f. = 0).
In cazul variabilei sex a existat p < 0,05 pentru x2, d.f. = 1; dar nivelul de probabilitate pentru testul Hosmer-Lemeshow nu a fost calculat (d.f. = 0).
Model specifications: p < 0.05 for x2, d.f. = 3; p > 0.05 for the Hosmer-Lemeshow test.
Specificaţii model: p < 0,05 pentru x2, d.f. = 3; p > 0,05 pentru testul Hosmer-Lemeshow.
The influence of the types of capital on hobby practices among seniors - national sample
Influenţa tipurilor de capital asupra practicării de hobby-uri în rândul seniorilor - eşantion naţional
Model specifications: p < 0.05 for x2, d.f. = 1.
Specificaţii model: p < 0,05 pentru x2, d.f. = 1.