natgillin/translations-raw huggingface dataset:
We must also remember that this earthquake is the worst disaster ever confronted by the UN,” Mr Solheim commented. 
Vi må også huske at dette jordskjelvet er den verste katastrofen noensinne for FN, sier Solheim.
“I will therefore consider how we can help to support Haiti after the acute emergency relief phase is over,” said Mr Solheim. 
- Jeg vil derfor se hvordan vi kan bidra til å støtte Haiti også etter at den akutte nødhjelpsfasen er over, sier Solheim.
Norway has already provided NOK 40 million (USD 7 million) for immediate relief efforts. 
Norge har allerede gitt 40 millioner kroner til det umiddelbare hjelpearbeidet.
The additional aid will, for instance, be channelled to the World Food Programme (WFP), the United Nations Children’s Fund (UNICEF), and Médecins Sans Frontières. 
Den økte støtten skal blant annet gå til Verdens matvareprogram (WFP), FNs barnefond (Unicef) og Leger uten grenser.
NOK 20 million in emergency relief to Côte d’Ivoire 
20 millioner kroner i nødhjelp til Elfenbenskysten
The escalation of the crisis in Côte d’Ivoire during the past week has caused a considerable number of people to flee. 
Eskaleringen av krisen i Elfenbenskysten i løpet av den siste uken har ført til at et betydelig antall mennesker er på flukt.
Many thousands have crossed the border to neighbouring Liberia during the past few days. 
Mange tusen mennesker har de siste dagene krysset grensen til nabolandet Liberia.
We are following developments closely and will, on an ongoing basis, consider allocating additional funds,” said Mr Støre. 
Vi følger utviklingen nøye, og vil vurdere ytterligere bidrag fortløpende, sier utenriksminister Støre.
Norway is also allocating funds for UN humanitarian activities in Côte d’Ivoire and Liberia through the UN Central Emergency Response Fund (CERF). 
Norge bidrar også med midler til FNs humanitære aktiviteter i Elfenbenskysten og Liberia gjennom FNs humanitære fond CERF.
Commissioner Navracsics, Minister Prévot, Ladies and gentlemen, 
Commissioner Navracsics, Minister Prévot, Ladies and gentlemen,
It is a pleasure to welcome you to Oslo on behalf of the Norwegian Government, and to welcome you to this conference where Europa Nostra and its partners present the results of intensive European Union funded cooperation. 
It is a pleasure to welcome you to Oslo on behalf of the Norwegian Government, and to welcome you to this conference where Europa Nostra and its partners present the results of intensive European Union funded cooperation.
In my view the report (Culture Counts for Europe) is an important building block for enhanced policy on and developing cultural heritage management across Europe. 
In my view the report (Culture Counts for Europe) is an important building block for enhanced policy on and developing cultural heritage management across Europe.
I’d like to thank you for choosing Norway as the venue for this important event. 
I’d like to thank you for choosing Norway as the venue for this important event.
How very fitting it is, that this milestone report is presented here in the Aula of the recently restored Domus Media, with its long history, firmly rooted in Norway’s heritage. 
How very fitting it is, that this milestone report is presented here in the Aula of the recently restored Domus Media, with its long history, firmly rooted in Norway’s heritage.
As you have no doubt noticed, you are surrounded by eleven paintings by Edvard Munch. 
As you have no doubt noticed, you are surrounded by eleven paintings by Edvard Munch.
These are an important part of our cultural heritage. 
These are an important part of our cultural heritage.
They are intended – as the artist put it himself – ‘to form a complete, independent world of ideas’. 
They are intended – as the artist put it himself – ‘to form a complete, independent world of ideas’.
Munch wanted them to be distinctively Norwegian and universally human. 
Munch wanted them to be distinctively Norwegian and universally human.
I’m sure you will agree that he succeeded in this. 
I’m sure you will agree that he succeeded in this.
These works were finished as the First World War was raging across Europe. 
These works were finished as the First World War was raging across Europe.
Against this backdrop it is interesting to note that Munch chose to convey a brighter view of history and humanity, and to use the rays of the sun to symbolise the hope of human enlightenment. 
Against this backdrop it is interesting to note that Munch chose to convey a brighter view of history and humanity, and to use the rays of the sun to symbolise the hope of human enlightenment.
Norway and the European Union 
Norway and the European Union
Norway is not member of the EU, but we are very much a part of Europe through our participation in the European Economic Area, or the EEA. 
Norway is not member of the EU, but we are very much a part of Europe through our participation in the European Economic Area, or the EEA.
We also contribute to reducing social and economic disparities through the EEA and Norway Grants, which are used to fund programmes and projects in sixteen EU Member States. 
We also contribute to reducing social and economic disparities through the EEA and Norway Grants, which are used to fund programmes and projects in sixteen EU Member States.
Culture is one of our priority sectors. 
Culture is one of our priority sectors.
We fund cultural heritage and cultural cooperation activities in fourteen countries, with a total budget of €204 million Euros for a period of five years. 
We fund cultural heritage and cultural cooperation activities in fourteen countries, with a total budget of €204 million Euros for a period of five years.
We aim for sustainability by stimulating capacity development and awareness raising in restoration, conservation, and reuse of cultural heritage, and through meaningful bilateral partnerships that pave the way for future cooperation. 
We aim for sustainability by stimulating capacity development and awareness raising in restoration, conservation, and reuse of cultural heritage, and through meaningful bilateral partnerships that pave the way for future cooperation.
When it comes to cultural heritage, I do not want to mince my words: in my view cultural heritage is not about ‘a crumbling ancient past’. 
When it comes to cultural heritage, I do not want to mince my words: in my view cultural heritage is not about ‘a crumbling ancient past’.
- It is about ‘a fresh and realistic present’, 
- It is about ‘a fresh and realistic present’,
- it is about ‘managing heritage in order to grasp opportunities’, 
- it is about ‘managing heritage in order to grasp opportunities’,
- it is about ‘innovative and locally anchored ways to merge the past with the future’. 
- it is about ‘innovative and locally anchored ways to merge the past with the future’.
Wiews on the Report 
Wiews on the Report
I am pleased to see that the report looks at the effects that investments in this sector have on local development, employment, skills development, social inclusion and mutual understanding, as well as on maximising impact. 
I am pleased to see that the report looks at the effects that investments in this sector have on local development, employment, skills development, social inclusion and mutual understanding, as well as on maximising impact.
These are aims shared by Norway. 
These are aims shared by Norway.
We also share the report’s view that strategic cultural heritage management is required at all levels of government. 
We also share the report’s view that strategic cultural heritage management is required at all levels of government.
This is already embedded in Norway’s approach to cultural heritage, which includes the goal that all Norway’s municipalities will have drawn up plans for the conservation of their monuments and other cultural heritage sites by 2020. 
This is already embedded in Norway’s approach to cultural heritage, which includes the goal that all Norway’s municipalities will have drawn up plans for the conservation of their monuments and other cultural heritage sites by 2020.
And through the EEA and Norway Grants, we support projects that conserve local cultural heritage, increase local people’s skills, and improve services for cultural tourism. 
And through the EEA and Norway Grants, we support projects that conserve local cultural heritage, increase local people’s skills, and improve services for cultural tourism.
Most importantly, as the report stresses, a holistic and integrated approach is essential for the best possible management of cultural heritage. 
Most importantly, as the report stresses, a holistic and integrated approach is essential for the best possible management of cultural heritage.
This was the approach taken when shaping the current funding period of the EEA and Norway Grants. 
This was the approach taken when shaping the current funding period of the EEA and Norway Grants.
While this strategic aim proved challenging to implement in some cases, an integrated approach has produced good results in others. 
While this strategic aim proved challenging to implement in some cases, an integrated approach has produced good results in others.
We support a range of efforts, from large-scale awareness-raising projects to smaller projects aimed at building mutual understanding between different communities with focus on their shared heritage. 
We support a range of efforts, from large-scale awareness-raising projects to smaller projects aimed at building mutual understanding between different communities with focus on their shared heritage.
Let me give you some examples: 
Let me give you some examples:
Our support to the Museum of the History of Polish Jews in Warsaw raises awareness of minority issues and promotes understanding and tolerance. 
Our support to the Museum of the History of Polish Jews in Warsaw raises awareness of minority issues and promotes understanding and tolerance.
The development of the new Centre for Visual Arts and Research close to the buffer zone in Nicosia has enhanced dialogue between the Turk-Cypriot and the Greek-Cypriot communities. 
The development of the new Centre for Visual Arts and Research close to the buffer zone in Nicosia has enhanced dialogue between the Turk-Cypriot and the Greek-Cypriot communities.
45 % of the current projects are being carried out in cooperation with partners from Iceland, Liechtenstein and/or Norway, which increases the capacity of the beneficiary and the donor countries to work internationally. 
45 % of the current projects are being carried out in cooperation with partners from Iceland, Liechtenstein and/or Norway, which increases the capacity of the beneficiary and the donor countries to work internationally.
The restoration of the historical Rezekne Green Synagogue in Latvia is bringing together pupils from Norway and Latvia. 
The restoration of the historical Rezekne Green Synagogue in Latvia is bringing together pupils from Norway and Latvia.
The project merges these nations’ expertise in the care of Latvia’s wooden buildings, and is paving the way for meaningful bilateral cooperation for the future. 
The project merges these nations’ expertise in the care of Latvia’s wooden buildings, and is paving the way for meaningful bilateral cooperation for the future.
It also increases young people’s skills and thus helps to bridge the gap between school and work. 
It also increases young people’s skills and thus helps to bridge the gap between school and work.
We are very pleased that the excellent quality of some of our projects have been recognised by the European Prize for Cultural Heritage, the Europa Nostra Awards. 
We are very pleased that the excellent quality of some of our projects have been recognised by the European Prize for Cultural Heritage, the Europa Nostra Awards.
Last year, the Atjaro (Passage) Project in Hungary won the Grand Prix 2014; and the Home for Cooperation project in Cyprus and the Route of Torres Vedras in Portugal won the Conservation category in 2014. 
Last year, the Atjaro (Passage) Project in Hungary won the Grand Prix 2014; and the Home for Cooperation project in Cyprus and the Route of Torres Vedras in Portugal won the Conservation category in 2014.
We are currently looking at how our cultural heritage and cultural cooperation programmes are progressing. 
We are currently looking at how our cultural heritage and cultural cooperation programmes are progressing.
While good progress is being made, we note that the focus in several projects is mainly on restoration and conservation. 
While good progress is being made, we note that the focus in several projects is mainly on restoration and conservation.
These projects do not always take into account the broader management aspects related to heritage’s surroundings and its instrumental value. 
These projects do not always take into account the broader management aspects related to heritage’s surroundings and its instrumental value.
We will put more emphasis on this aspect in future programmes. 
We will put more emphasis on this aspect in future programmes.
Concluding remarks 
Concluding remarks
The report presented here today provides building blocks for increasing the impact of cultural heritage policy. 
The report presented here today provides building blocks for increasing the impact of cultural heritage policy.
There are significant opportunities if we use our heritage resources strategically. 
There are significant opportunities if we use our heritage resources strategically.
Returning to Edvard Munch and the bright outlook of these paintings, we should remember that the development of cultural heritage can play an important part in meeting the current challenges in Europe today – helping to create growth and job opportunities. 
Returning to Edvard Munch and the bright outlook of these paintings, we should remember that the development of cultural heritage can play an important part in meeting the current challenges in Europe today – helping to create growth and job opportunities.
I can assure you that Norway will take careful note of the report, and will take the outcome of the discussions here today into account in future policy. 
I can assure you that Norway will take careful note of the report, and will take the outcome of the discussions here today into account in future policy.
Cultural Heritage Counts for Europe 
Cultural Heritage Counts for Europe
Oslo, 12 June 2015 
Oslo, 12. juni 2015
State Secretary Ingvild Næss Stub's speech at the Europa Nostra's conference «Cultural Heritage Counts for Europe» in Oslo 12 June 2015. 
Statssekretær Ingvild Næss Stubs tale ved Europa Nostras konferanse «Cultural Heritage Counts for Europe» i Oslo 12. juni 2015.
Solidarity and a Sense of Belonging 
Solidarity and a Sense of Belonging
Foreword to Culture and Continuity. 
Forord til Culture and Continuity.
Revitalising European Heritage – A Norwegian Contribution. 
Revitalising European Heritage – A Norwegian Contribution.
The EEA and Norway Grants 
The EEA and Norway Grants
It is my sincere hope that this book will delight and inspire everyone who has contributed to these efforts and results, and that it will increase interest and awareness of our common European cultural heritage, Minister of Foreign Affairs Jonas Gahr Støre writes in his foreword. 
It is my sincere hope that this book will delight and inspire everyone who has contributed to these efforts and results, and that it will increase interest and awareness of our common European cultural heritage, skriver utenriksminister Jonas Gahr Støre i sitt forord.
The EEA and the Norway Grants are making an important contribution to reducing social and economic disparities in Europe by supporting projects in such areas as environmental protection, conservation and cultural heritage, health and childcare, research and strengthening civil society. 
The EEA and the Norway Grants are making an important contribution to reducing social and economic disparities in Europe by supporting projects in such areas as environmental protection, conservation and cultural heritage, health and childcare, research and strengthening civil society.
Norway is thus helping to create an inclusive and secure Europe. 
Norway is thus helping to create an inclusive and secure Europe.
European culture is rich and diverse. 
European culture is rich and diverse.
There has been overwhelming interest in project support for the protection of cultural heritage. 
There has been overwhelming interest in project support for the protection of cultural heritage.
When the EEA and Norway Grants were established in 2004, little national or EU funding was available, and the beneficiary states themselves wished to priorities this area. 
When the EEA and Norway Grants were established in 2004, little national or EU funding was available, and the beneficiary states themselves wished to priorities this area.
Therefore it is not surprising that the conservation of European cultural heritage has become one of the largest priority areas. 
Therefore it is not surprising that the conservation of European cultural heritage has become one of the largest priority areas.
A total of 225 cultural heritage projects, both big and small, receive support from Norway. 
A total of 225 cultural heritage projects, both big and small, receive support from Norway.
The restoration of historic buildings and fortifications, the renovation of museums, and the conservation of urban areas, cultural landscapes and historical documents have boosted activity and employment in both central and rural areas in the beneficiary states. 
The restoration of historic buildings and fortifications, the renovation of museums, and the conservation of urban areas, cultural landscapes and historical documents have boosted activity and employment in both central and rural areas in the beneficiary states.
New attractions of historical interest have also helped to put the enlarged EU on the tourist map. 
New attractions of historical interest have also helped to put the enlarged EU on the tourist map.
This is all about a sense of belonging, about creating meeting places and opportunities. 
This is all about a sense of belonging, about creating meeting places and opportunities.
It is also about increasing awareness of the historical legacy of the beneficiary nations. 
It is also about increasing awareness of the historical legacy of the beneficiary nations.
Culture not only provides insight, but also sets an agenda and provides a framework for dialogue and cooperation. 
Culture not only provides insight, but also sets an agenda and provides a framework for dialogue and cooperation.
Therefore, it is gratifying to see that our efforts in the field of conservation are also promoting cultural activities and creating social arenas, thus bringing cultural heritage to life and making it accessible to the general public. 
Therefore, it is gratifying to see that our efforts in the field of conservation are also promoting cultural activities and creating social arenas, thus bringing cultural heritage to life and making it accessible to the general public.
The EEA and Norway Grants have resulted in greater knowledge about and interest in Norway. 
The EEA and Norway Grants have resulted in greater knowledge about and interest in Norway.
Contact between cultural institutions in Norway and the beneficiary countries has increased. 
Contact between cultural institutions in Norway and the beneficiary countries has increased.
Many of the projects we support have Norwegian cooperation partners. 
Many of the projects we support have Norwegian cooperation partners.
The exchange of knowledge and experience is both maintaining established relationships and creating new contacts and new forms of cooperation. 
The exchange of knowledge and experience is both maintaining established relationships and creating new contacts and new forms of cooperation.
It is my sincere hope that this book will delight and inspire everyone who has contributed to these efforts and results, and that it will increase interest and awareness of our common European cultural heritage. 
It is my sincere hope that this book will delight and inspire everyone who has contributed to these efforts and results, and that it will increase interest and awareness of our common European cultural heritage.
Afghanistan: The Hidden History 
Afghanistan – den gjemte historien
Foreword to the catalogue for the exhibition "Afghanistan: The Hidden History", NTNU Vitenskapsmuseet in Trondheim, 14 May 2012 
Forord til katalogen for utstillingen "Afghanistan: The Hidden History”, NTNU Vitenskapsmuseet i Trondheim, 14. mai 2012
I am sure that the exhibition “Afghanistan: The hidden history” will enrich our picture of Afghanistan. 
I am sure that the exhibition “Afghanistan: The hidden history” will enrich our picture of Afghanistan.
It will give a Norwegian audience a unique opportunity to learn about aspects of Afghanistan that we do not always encounter in the media – the richness of its own history and the immensely important role it has played in world history, writes Foreign Minister Jonas Gahr Støre in the foreword to the exhibition catalogue. 
It will give a Norwegian audience a unique opportunity to learn about aspects of Afghanistan that we do not always encounter in the media – the richness of its own history and the immensely important role it has played in world history, skriver utenriksminister Jonas Gahr Støre bl.a. i forordet til utstillingskatalogen.
It will give a Norwegian audience a unique opportunity to learn about aspects of Afghanistan that we do not always encounter in the media – the richness of its own history and the immensely important role it has played in world history. 
It will give a Norwegian audience a unique opportunity to learn about aspects of Afghanistan that we do not always encounter in the media – the richness of its own history and the immensely important role it has played in world history.
This exhibition is also a tribute to those Afghans who, at great personal risk, preserved these precious objects when tyrant rulers of different persuasions saw it in their interest to hide or destroy these treasures of the country’s past. 
This exhibition is also a tribute to those Afghans who, at great personal risk, preserved these precious objects when tyrant rulers of different persuasions saw it in their interest to hide or destroy these treasures of the country’s past.
Afghanistan – the name is loaded with history and adventure – but also with images of war and conflict. 
Afghanistan – the name is loaded with history and adventure – but also with images of war and conflict.
We, who are old enough, remember that the Cold War became much colder just after Christmas 1979 when news came from Kabul of the Soviet invasion. 
We, who are old enough, remember that the Cold War became much colder just after Christmas 1979 when news came from Kabul of the Soviet invasion.
And then, just over 20 years later, in September 2001, fingers were immediately pointed towards that rugged mountain country, at that time primarily known for the barbarism of the Taliban. 
And then, just over 20 years later, in September 2001, fingers were immediately pointed towards that rugged mountain country, at that time primarily known for the barbarism of the Taliban.
Since then, Afghanistan has had a constant presence in our news media, but rarely on a positive note. 
Since then, Afghanistan has had a constant presence in our news media, but rarely on a positive note.
This gloomy view is not new. 
This gloomy view is not new.
The most famous reference to the country in Western poetry, from a colonial point of view, is Kipling’s line “When you’re wounded and left on Afghanistan’s plains”. 
The most famous reference to the country in Western poetry, from a colonial point of view, is Kipling’s line “When you’re wounded and left on Afghanistan’s plains”.
But if we turn to the poetry of Afghanistan itself, the outlook on life is of course far more diverse. 
But if we turn to the poetry of Afghanistan itself, the outlook on life is of course far more diverse.