natgillin/translations-raw huggingface dataset:
direct or indirect, temporary or permanent reproduction by any means and in any form, in whole or in part, of their works;
Priroda i opseg obveza
any form of distribution to the public, by sale or otherwise, of the original of their works or of copies thereof;
Stranke osiguravaju odgovarajuću i djelotvornu provedbu međunarodnih ugovora u području intelektualnog vlasništva kojih su stranke, uključujući Sporazum WTO-a o trgovinskim aspektima prava intelektualnog vlasništva, koji je sadržan u Prilogu 1.C Sporazumu o WTO-u („Sporazum o TRIPS-u”).
any communication to the public of their works, by wire or wireless means, including the making available to the public of their works in such a way that members of the public may access them from a place and at a time individually chosen by them; and
Ovim se poglavljem dopunjuju i dodatno preciziraju prava i obveze između stranaka u okviru Sporazuma o TRIPS-u i drugih međunarodnih ugovora u području intelektualnog vlasništva.
rental and lending of the original and copies of their works.
Za potrebe ovog Sporazuma pojam „intelektualno vlasništvo” odnosi se barem na sve kategorije intelektualnog vlasništva iz odjeljka B ovog poglavlja.
Article 214
Zaštita intelektualnog vlasništva uključuje zaštitu od nepoštenog tržišnog natjecanja iz članka 10.a Pariške konvencije za zaštitu industrijskog vlasništva iz 1883., kako je zadnje revidirana Stockholmskim aktom iz 1967. („Pariška konvencija (1967.)”).
Performers
Članak 211.
Each Party shall, as regards performers, provide for the exclusive right to authorise or prohibit:
Iscrpljenje
the fixation of their performances;
Svaka stranka uspostavlja režim za nacionalno ili regionalno iscrpljenje prava intelektualnog vlasništva.
direct or indirect, temporary or permanent, reproduction by any means and in any form, in whole or in part, of fixations of their performances;
Norme koje se odnose na prava intelektualnog vlasništva
the distribution to the public, by sale or otherwise, fixations of their performances;
Autorsko pravo i srodna prava
the making available to the public, of fixations of their performances by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them;
Članak 212.
the broadcasting by wireless means and the communication to the public of their performances, except where the performance is itself already a broadcast performance or is made from a fixation; and
Dodijeljena zaštita
rental and lending of fixations of their performances.
Stranke postupaju u skladu s pravima i obvezama utvrđenima u:
Article 215
Bernskoj konvenciji za zaštitu književnih i umjetničkih djela („Bernska konvencija”);
Producers of phonograms
Rimskoj konvenciji za zaštitu umjetnika izvođača, proizvođača fonograma i organizacija za radiodifuziju („Rimska konvencija”);
Each Party shall, as regards producers of phonograms, provide for the exclusive right to authorise or prohibit:
Sporazumu o TRIPS-u;
direct or indirect, temporary or permanent, reproduction by any means and in any form, in whole or in part, of their phonograms;
Ugovoru o autorskom pravu WIPO-a i
the distribution to the public, by sale or otherwise, their phonograms, including copies thereof;
Ugovoru o izvedbama i fonogramima WIPO-a.
the making available of their phonograms to the public, by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them; and
Stranke ulažu sve razumne napore kako bi pristupile Pekinškom ugovoru o audiovizualnim izvedbama.
rental and lending in respect of their phonograms.
Članak 213.
Article 216
Autori
Broadcasting organisations
Svaka stranka autorima osigurava isključivo pravo odobravanja ili zabrane:
Each Party shall, as regards broadcasting organisations, provide for the exclusive right to authorise or prohibit:
izravnog ili neizravnog, privremenog ili trajnog reproduciranja njihovih djela bilo kojim sredstvom i u bilo kojem obliku, u cijelosti ili djelomično;
the fixation of their broadcasts, whether those broadcasts are transmitted by wire or over the air, including by cable or satellite;
svakog oblika javne distribucije izvornika njihovih djela ili umnoženih primjeraka, prodajom ili na drugi način;
the direct or indirect, temporary or permanent reproduction, by any means and in any form, in whole or in part, of fixations of their broadcasts, whether those broadcasts are transmitted by wire or over the air, including by cable or satellite;
svakog priopćavanja njihovih djela javnosti, žično ili bežično, uključujući stavljanje njihovih djela na raspolaganje javnosti tako da im svatko može pristupiti s mjesta i u vrijeme koje sam odabere i
the making available to the public, by wire or wireless means, of fixations of their broadcasts in such a way that members of the public may access them from a place and at a time individually chosen by them;
iznajmljivanja i posuđivanja izvornika njihovih djela ili umnoženih primjeraka.
the distribution to the public, by sale or otherwise, of fixations of their broadcasts; and
Članak 214.
the rebroadcasting of their broadcasts by wireless means, as well as the communication to the public of their broadcasts if such communication is made in places accessible to the public against payment of an entrance fee.
Umjetnici izvođači
Article 217
Svaka stranka umjetnicima izvođačima osigurava isključivo pravo odobravanja ili zabrane:
Broadcasting and communication to the public
snimki vlastitih izvedbi;
Each Party shall provide a right in order to ensure that a single equitable remuneration is paid by the user to the performers and producers of phonograms if a phonogram published for commercial purposes, or a reproduction of such phonogram, is used for broadcasting by wireless means or for any communication to the public.
izravnog ili neizravnog, privremenog ili trajnog reproduciranja njihovih izvedbi bilo kojim sredstvom i u bilo kojem obliku, u cijelosti ili djelomično;
Each Party shall ensure that such remuneration is shared between the relevant performers and phonogram producers.
stavljanja snimki njihovih izvedbi na raspolaganje javnosti, prodajom ili na drugi način;
Each Party may, in the absence of agreement between the performers and phonogram producers, lay down the conditions as to the sharing of such remuneration between them.
stavljanja na raspolaganje javnosti snimki njihovih izvedbi, žično ili bežično, tako da im svatko može pristupiti s mjesta i u vrijeme koje sam odabere;
Article 218
bežičnog radiodifuzijskog emitiranja i priopćavanja javnosti njihovih izvedbi, osim ako već sama izvedba predstavlja radiodifuzijsko emitiranje ili se izvedba reproducira sa snimke; i
Term of protection
iznajmljivanja i posuđivanja snimki njihovih izvedbi.
The economic rights of an author of a literary or artistic work within the meaning of Article 2 of the Berne Convention shall run for the life of the author and for no less than 70 years after his death, irrespective of the date when the work is lawfully made available to the public.
Članak 215.
In the case of a work of joint authorship, the term referred to in paragraph 1 shall be calculated from the death of the last surviving author.
Proizvođači fonograma
In the case of anonymous or pseudonymous works, the term of protection shall run for no less than 70 years after the work is lawfully made available to the public.
Svaka stranka proizvođačima fonograma osigurava isključivo pravo odobravanja ili zabrane:
However, when the pseudonym adopted by the author leaves no doubt as to his identity, or if the author discloses his identity during the period referred to in the first sentence, the term of protection applicable shall be that laid down in paragraph 1.
izravnog ili neizravnog, privremenog ili trajnog reproduciranja njihovih djela bilo kojim sredstvom i u bilo kojem obliku, u cijelosti ili djelomično;
Where a Party provides for particular rights in respect of collective works or for a legal person to be designated as a right holder, the term of protection shall be calculated in accordance with paragraph 3, except if the natural persons who have created the work are identified as such in the versions of the work which are made available to the public.
distribucije njihovih fonograma javnosti, prodajom ili na drugi način, uključujući umnožene primjerke;
This paragraph is without prejudice to the rights of identified authors whose identifiable contributions are included in such works, to which contributions paragraph 1 or 2 shall apply.
stavljanja njihovih fonograma na raspolaganje javnosti, žično ili bežično, tako da im svatko može pristupiti s mjesta i u vrijeme koje sam odabere i
Where a work is published in volumes, parts, instalments, issues or episodes and the term of protection runs from the time when the work was lawfully made available to the public, the term of protection shall run for each separately.
iznajmljivanja i posuđivanja u pogledu njihovih fonograma.
In the case of works for which the term of protection is not calculated from the death of the author or authors and which have not been lawfully made available to the public within 70 years from their creation, the protection shall terminate.
Članak 216.
The term of protection of cinematographic or audiovisual works shall expire not earlier than 70 years after the death of the last of the following persons to survive, whether or not such persons are designated as co-authors: the principal director, the author of the screenplay, the author of the dialogue and the composer of the music specifically created for use in the cinematographic or audiovisual work.
Organizacije za radiodifuziju
Each Party shall ensure that any person who, after the expiry of copyright protection, for the first time lawfully publishes or lawfully communicates to the public a previously unpublished work benefits from a protection equivalent to the economic rights of the author.
Svaka stranka organizacijama za radiodifuziju osigurava isključivo pravo odobravanja ili zabrane:
The term of protection of such rights shall be 25 years from the time when the work was first lawfully published or lawfully communicated to the public.
snimanja vlastitih programa, neovisno o tome emitiraju li se ti programi žično ili bežično, uključujući kabelom ili satelitom;
The economic rights of audiovisual performers shall expire not less than 50 years after the date of the performance.
izravnog ili neizravnog, privremenog ili trajnog reproduciranja snimki njihovih programa bilo kojim sredstvom i u bilo kojem obliku, u cijelosti ili djelomično, neovisno o tome emitiraju li se ti programi žično ili bežično, uključujući kabelom ili satelitom;
However, if a fixation of the performance is lawfully published or lawfully communicated to the public within that period, the rights shall expire not less than 50 years from the date of the first such publication or the first such communication to the public, whichever is the earlier.
stavljanja snimki njihovih programa na raspolaganje javnosti, žično ili bežično, tako da im svatko može pristupiti s mjesta i u vrijeme koje sam odabere;
The economic rights of performers and producers of phonograms shall expire 70 years after the date of the first publication or the first communication to the public, whichever is the earlier.
distribucije snimki njihovih programa javnosti, prodajom ili na drugi način i
A Party may adopt effective measures to ensure that profits generated during the 20 years of protection beyond 50 years are shared fairly between performers and producers.
ponovnog bežičnog radiodifuzijskog emitiranja njihovih programa, kao i priopćavanja njihovih programa javnosti ako se to priopćavanje odvija na javno dostupnim mjestima uz plaćanje ulaznice.
The economic rights of producers of the first fixation of a film shall expire not less than 50 years after the fixation is made.
Članak 217.
However, if the film is lawfully published or lawfully communicated to the public during that period, the rights shall expire not less than 50 years after the date of the first such publication or the first such communication to the public, whichever is the earlier.
Radiodifuzijsko emitiranje i priopćavanje javnosti
The economic rights of broadcasting organisations shall expire not less than 50 years after the first transmission of a broadcast, whether that broadcast is transmitted by wire or over the air, including by cable or satellite.
Svaka stranka propisuje pravo kako bi se osiguralo da korisnik plaća jedinstvenu primjerenu naknadu umjetnicima izvođačima i proizvođačima fonograma ako se fonogram objavljen u komercijalne svrhe ili umnoženi primjerak takva fonograma upotrebljava za bežično radiodifuzijsko emitiranje ili za bilo kakvo priopćavanje javnosti.
The terms laid down in this Article shall be calculated from the first of January of the year following the event which gives rise to them.
Svaka stranka osigurava raspodjelu takve naknade između relevantnih umjetnika izvođača i proizvođača fonograma.
Article 219
U nedostatku sporazuma između umjetnika izvođača i proizvođača fonograma svaka stranka može utvrditi uvjete pod kojima oni dijele tu naknadu.
Protection of technological measures
Članak 218.
Each Party shall provide adequate legal protection against the circumvention of any effective technological measures which the person concerned carries out in the knowledge, or with reasonable grounds to know, that he is pursuing that objective.
Rok trajanja zaštite
Each Party shall provide adequate legal protection against the manufacture, import, distribution, sale, rental, advertisement for sale or rental, or possession for commercial purposes of devices, products or components or the provision of services which:
Imovinska prava autora književnog ili umjetničkog djela u smislu članka 2.
are promoted, advertised or marketed for the purpose of circumventing any effective technological measures;
Bernske konvencije traju za života autora i najmanje 70 godina nakon njegove smrti, bez obzira na datum na koji je djelo zakonito stavljeno na raspolaganje javnosti.
have only a limited commercially significant purpose or use other than to circumvent any effective technological measures; or
U slučaju djela na kojem postoji zajedničko autorsko pravo rok iz stavka 1. računa se od smrti koautora koji je najdulje živio.
are primarily designed, produced, adapted or performed for the purpose of enabling or facilitating the circumvention of any effective technological measures.
U slučaju anonimnih djela ili djela pod pseudonimima rok trajanja zaštite iznosi najmanje 70 godina od zakonitog stavljanja djela na raspolaganje javnosti.
For the purposes of this Chapter, the expression ‘technological measures’ means any technology, device or component that, in the normal course of its operation, is designed to prevent or restrict acts, in respect of works or other subject matter, which are not authorised by the right holder of any copyright or related right as provided for by domestic legislation.
Međutim, ako na temelju pseudonima autora ne postoji nikakva sumnja u pogledu njegova identiteta ili ako autor razotkrije svoj identitet tijekom razdoblja iz prve rečenice, primjenjuje se rok trajanja zaštite utvrđen u stavku 1.
Technological measures shall be deemed ‘effective’ where the use of a protected work or other subject matter is controlled by the right holders through application of an access control or protection process, such as encryption, scrambling or other transformation of the work or other subject matter or a copy control mechanism, which achieves the protection objective.
Ako stranka predviđa posebna prava koja se odnose na kolektivna djela ili na imenovanje pravne osobe nositeljem prava, rok trajanja zaštite računa se u skladu sa stavkom 3., osim ako su fizičke osobe koje su stvorile djelo označene kao takve u verzijama djela koje su stavljene na raspolaganje javnosti.
Article 220
Ovim se stavkom ne dovode u pitanje prava označenih autora čiji su doprinosi sadržani u takvim djelima; na takve se doprinose primjenjuje stavak 1. ili stavak 2.
Protection of rights management information
Ako je djelo objavljeno u svescima, dijelovima, nastavcima, izdanjima ili epizodama, a rok trajanja zaštite počinje teći od trenutka kada je djelo zakonito stavljeno na raspolaganje javnosti, rok trajanja zaštite za svaki od njih teče zasebno.
Each Party shall provide adequate legal protection against any person knowingly performing without authority any of the following acts:
Zaštita prestaje za djela za koja se rok trajanja zaštite ne računa od smrti autora te koja nisu zakonito stavljena na raspolaganje javnosti u roku od 70 godina od njihova stvaranja.
the removal or alteration of any electronic rights-management information; and
Rok trajanja zaštite kinematografskih ili audiovizualnih djela istječe najranije 70 godina nakon smrti posljednje preživjele osobe od navedenih, neovisno o tome jesu li te osobe imenovane koautorima: glavni redatelj, autor scenarija, autor dijaloga i skladatelj glazbe posebno skladane za korištenje u tom kinematografskom ili audiovizualnom djelu.
the distribution, importation for distribution, broadcasting, communication or making available to the public of works or other subject matter protected under this Chapter from which electronic rights-management information has been removed or altered without authority,
Svaka stranka osigurava da svaka osoba koja nakon isteka zaštite autorskog prava prvi put zakonito objavljuje ili zakonito priopćuje javnosti prethodno neobjavljeno djelo uživa zaštitu koja je istovjetna imovinskim pravima autora.
if such person knows, or has reasonable grounds to know, that by so doing this person is inducing, enabling, facilitating or concealing an infringement of any copyright or any related rights as provided by national legislation.
Rok trajanja zaštite takvih prava iznosi 25 godina od trenutka prve zakonite objave ili zakonitog priopćenja tog djela javnosti.
For the purposes of this Chapter, the term ‘rights-management information’ means any information provided by right holders which identifies the work or other subject matter referred to in this Chapter, the author or any other right holder, or information about the terms and conditions of use of the work or other subject matter, and any numbers or codes that represent such information.
Imovinska prava umjetnika izvođača audiovizualnog djela istječu najranije 50 godina nakon datuma izvedbe.
Paragraph 1 applies where any such information is associated with a copy of, or appears in connection with the communication to the public of, a work or other subject matter referred to in this Chapter.
Međutim, ako je snimka izvedbe zakonito objavljena ili zakonito priopćena javnosti tijekom tog razdoblja, prava istječu najranije 50 godina nakon datuma prve takve objave ili prvog takvog priopćenja javnosti, ovisno o tome što nastupi prije.
Article 221
Imovinska prava umjetnika izvođača i proizvođača fonograma istječu 70 godina nakon datuma prve objave ili prvog priopćenja javnosti, ovisno o tome što nastupi prije.
Exceptions and limitations
Stranka može donijeti djelotvorne mjere kako bi osigurala da umjetnici izvođači i proizvođači pravedno dijele dobit ostvarenu tijekom 20 godina zaštite nakon isteka roka od 50 godina.
Each Party may provide for limitations or exceptions to the rights set out in the Articles 213 to 218 only in certain special cases which do not conflict with a normal exploitation of the subject matter and do not unreasonably prejudice the legitimate interests of the right holders, in accordance with the conventions and international treaties to which they are parties.
Imovinska prava proizvođača prve snimke filma istječu najranije 50 godina nakon izrade te snimke.
Each Party shall provide that temporary acts of reproduction referred to in Articles 213 to 217, which are transient or incidental, which are an integral and essential part of a technological process, and the sole purpose of which is to enable: (a) a transmission in a network between third parties by an intermediary, or (b) a lawful use of a work or other subject matter to be made, and which have no independent economic significance, shall be exempted from the reproduction right provided for in Articles 213 to 217.
Međutim, ako je film zakonito objavljen ili zakonito priopćen javnosti tijekom tog razdoblja, prava istječu najranije 50 godina nakon datuma prve takve objave ili prvog takvog priopćenja javnosti, ovisno o tome što nastupi prije.
Article 222
Imovinska prava organizacija za radiodifuziju istječu najranije 50 godina nakon prvog emitiranja programa, neovisno o tome emitira li se taj program žično ili bežično, uključujući kabelom ili satelitom.
Artists' resale right in works of art
Rokovi utvrđeni u ovom članku računaju se od prvog dana siječnja one godine koja slijedi nakon godine u kojoj se dogodio događaj koji je doveo do njihova nastanka.
Each Party shall provide, for the benefit of the author of an original work of art, a resale right, to be defined as an inalienable right, which cannot be waived, even in advance, to receive a royalty based on the sale price obtained for any resale of the work, subsequent to the first transfer of the work by the author.
Članak 219.
The right referred to in paragraph 1 shall apply to all acts of resale involving as sellers, buyers or intermediaries art-market professionals, such as salesrooms, art galleries and, in general, any dealers in works of art.
Zaštita tehnoloških mjera
Each Party may provide that the right referred to in paragraph 1 does not apply to acts of resale where the seller has acquired the work directly from the author less than three years before that resale and where the resale price does not exceed a certain minimum amount.
Svaka stranka osigurava odgovarajuću pravnu zaštitu protiv izbjegavanja svih djelotvornih tehnoloških mjera, koja dotična osoba poduzima svjesno ili uz postojanje opravdanih razloga za svijest o tome da ona nastoji ostvariti taj cilj.
The royalty shall be paid by the seller.
Svaka stranka osigurava odgovarajuću pravnu zaštitu protiv proizvodnje, uvoza, distribucije, prodaje, iznajmljivanja, oglašavanja u svrhu prodaje ili iznajmljivanja, ili posjedovanja uređaja, proizvoda ili komponenata u komercijalne svrhe ili pružanja usluga koje:
Each Party may provide that one of the natural or legal persons referred to in paragraph 2 other than the seller shall alone be liable or shall share liability with the seller for payment of the royalty.
se promiču, oglašavaju ili stavljaju na tržište u svrhu izbjegavanja djelotvornih tehnoloških mjera;
The procedure for collection and the amounts of the royalty shall be determined by domestic legislation.
osim izbjegavanja djelotvornih tehnoloških mjera imaju samo ograničenu komercijalnu svrhu ili upotrebu ili
Article 223
su ponajprije osmišljene, proizvedene, prilagođene ili se izvode u svrhu omogućavanja ili olakšavanja izbjegavanja svih djelotvornih tehnoloških mjera.
Co-operation on collective management of rights
Za potrebe ovog poglavlja izraz „tehnološke mjere” znači svaka tehnologija, uređaj ili komponenta koja je, u uobičajenom okviru njezina rada, osmišljena za sprječavanje ili ograničavanje radnji, u pogledu djela i drugih sadržaja, koje nije odobrio nositelj autorskog prava ili srodnog prava kako je predviđeno nacionalnim zakonodavstvom.
The Parties shall promote cooperation between their respective collective management organisations for the purpose of fostering the availability of works and other protected subject matter in the territories of the Parties and the transfer of royalties for the use of such works or other protected subject matter.
Tehnološke mjere smatraju se „djelotvornima” ako nositelji prava kontroliraju upotrebu zaštićenog djela ili drugog sadržaja primjenom postupka nadzora pristupa ili postupka zaštite, kao što su kodiranje, premetanja ili druge transformacije djela ili drugog sadržaja, ili primjenom mehanizma nadzora umnožavanja kojima se postiže cilj zaštite.
The Parties shall promote transparency of collective management organisations, in particular regarding the collection of royalties, deductions applied to collected royalties, the use of collected royalties, the distribution policy and their repertoire.
Članak 220.