natgillin/translations-raw huggingface dataset:
Ensuring that literature crosses borders is not only good for authors and publishers, who want to reach new markets; it is also great for readers who have more choice and are exposed to works which they might never otherwise have come across.
Omogućiti književnosti da prijeđe granice nije korisno samo za autore i izdavače, koji žele doprijeti do novih tržišta, odlično je i za čitatelje, koji na taj način imaju veći izbor i priliku za susret s djelima s kojim se inače nikada ne bi susreli.
The European Union Prize for Literature is open to the 37 countries involved in the EU Culture Programme (27 EU Member States as well as Albania, Bosnia-Herzegovina, Croatia, Iceland, Liechtenstein, the Former Yugoslav Republic of Macedonia, Montenegro, Norway, Serbia, Turkey).
Nagrada Europske unije za književnost obuhvaća 37 zemalja uključenih u program EU-a za kulturu (27 država članica EU-a te Albanija, Bivša Jugoslavenska Republika Makedonija, Bosna i Hercegovina, Crna Gora, Hrvatska, Island, Lithenšt ajn, Norveška, Srbija, Turska).
Each year, national juries in a third of the countries nominate the winner authors, so that all countries in the programme are represented over a three-year period.
Svake godine nacionalni ocjenjivački žiriji u trećini zemalja predlažu dobitnike, tako da su u razdoblju od tri godine sve zemlje zastupljene u programu.
Since the Prize was launched in 2009, the EU Culture Programme has provided funding for 32 of the winners to have their books translated into different languages.
Od pokretanja nagrade 2009. iż programa EU-a za kuturu osigurala su se sredstva za prijevod knjiga na različite jezike za 32 dobitnika.
To date, more than 100 translations in total, covering 19 languages, have received EU funding.
EU je do danas finacirao više od sto prijevoda na 19 jezika.
The winners also benefit from extra visibility at the Frankfurt Book Fair, the London Book Fair and the Passaporta festival in Brussels.
Dobitnici su, osim toga, vidljiviji na Frankfurtskom i Londonskom sajmu knjiga te na Festivalu Passaporta u Bruxellesu.
This year's winners will be presented with their awards and celebrated at a ceremony in Brussels on 22 November, in the presence of Commissioner Vassiliou and leading representatives of the worlds of literature, culture and politics.
Ovogodišnjim dobitnicima nagrade će se svečano uručiti 22. studenoga u Bruxellesu, u nazočnosti povjerenice Vassilou i vodećih osoba iz svijeta književnosti, kulture i politike.
This Prize is organised by the European Commission, the European Booksellers' Federation, the European Writers' Council and the Federation of European Publishers.
Nagradu dodjeljuju Europska komisija, Europski savez knjižara, Europsko vijeće književnika i Europska udruga nakladnika.
Background
Pozadina
The European Commission invests €3 million a year on literary translation and more than €2.4 million on cooperation projects involving the book sector.
Europska komisija svake godine ulaže tri milijuna eura u prijevod književnih djela i više od 2,4 milijuna eura u projekte u knjižavnom sektoru.
The industry contributes €23 billion to the EU's GDP and employs 135 000 people full time.
Taj sektor sudjeluje s 23 milijarde eura u BDP-u Unije te zapošljava 135 tisuća ljudi na puno radno vrijeme.
Books are the second most exported cultural goods in the EU, after works of art and antiques.
Knjige, nakon umjetnina i antikviteta, predstavljaju drugo najznačajnije kulturno dobro u izvozu EU-a.
Book publishing is a significant part of the cultural and creative sectors, which account for up to 4.5% of EU GDP and up to 8.5 million jobs.
Izdavaštvo čini značajan dio kulturnog i kreativnog sektora, koji predstavlja do 4,5 % BDP-a Europske unije i do 8,5 % radnih mjesta.
Although these sectors have proved relatively resilient in the crisis, they also face considerable challenges stemming from the digital shift, globalisation and market fragmentation along cultural and linguistic lines.
Iako su se ti sektori pokazali relativno otporni na krizu, suočeni su sa znatnim izazovima prelaska na digitalne medije, globalizacije i fragmetacije tržišta na kulturnoj i jezičnoj osnovi.
The Commission has proposed a new programme called Creative Europe to strengthen the competitiveness of these sectors and to promote cultural diversity.
Komisija je, kako bi ojačaja konkurentnost tih sektora te radi promicanja kulturne raznolikosti, predložila novi program pod imenom Kreativna Europa.
The Commission envisages a total budget of €1.8 billion for Creative Europe in the period 2014-2020, which represents a 37% increase compared with current funding levels.
Za taj je program predviđen ukupni proračun u iznosu od 1,8 milijuna eura za razdoblje 2014. – 2020., što predstavlja povećanje od 37 % u odnosu na sadašnju razinu.
The programme will provide funding for the translation of more than 5 000 books; it will also support 8 000 cultural organisations and enable 300 000 artists, cultural professionals and their works to operate across borders and gain international experience (IP/11/1399 ) .
Iz programa će se osigurati sredstva za prijevod više od 5000 knjiga i potpora za 8 000 kulturnih organizacija, a za 300 000 umjetnika i kulturnjaka omogućiti će se da oni i njihova djela prijeđu granice i tako steknu međunarodno iskustvo ( IP/11/1399 ) .
On 26 September, they Commission unveiled a strategy entitled 'Promoting cultural and creative sectors for growth and jobs in the EU'.
Komisija je 26. rujna predstavila strategiju pod naslovom „Promicanje kulturnog i kreativnog sektora za rast i zapošljavanje u EU-u“.
The aim is to increase the export potential of these sectors, as well as to maximise their spill-over benefits for other areas such as innovation, ICT and urban regeneration .
Cilj je ojačati izvozni potencijal tih sektora te u najvećoj mogućoj mjeri iskoristiti njihov povoljni utjecaj na druga područja kao što su inovacije, ICT i urbana regeneracija.
The strategy calls for measures to boost skills development, access to finance, promotion of new business models, audience development, access to international markets and improved links to other sectors ( IP/12/1012 ).
U strategiji se poziva na mjere za poticanje razvoja vještina, pristup financiranju, promicanje novih poslovnih modela, razvoj publike, pristup međunarodnim tržištima i bolja povezanost s drugim sektorima ( IP/12/1012 ).
Winning authors and their books
Dobitnici i njihova djela
Anna Kim (Austria)
Anna Kim (Austrija)
Anna Kim was born in 1977 in Daejeon, South Korea.
Anna Kim rođena je 1977. u Daejeonu u Južnoj Koreji.
In 1979, the family moved to Germany.
Obitelj je 1979. preselila u Njemačku.
She studied Philosophy and Theatre Studies at the University of Vienna.
Na Bečkom sveučilištu studirala je filozofiju i teatrologiju.
She has published several short stories, essays and poems as well as three novels, including Die gefrorene Zeit , which has been translated into English and Albanian.
Objavila je nekoliko kratkih priča, eseja i pjesama te tri romana, od kojih je „Die gefrorene Zeit“ preveden na engleski i albanski.
She lives in Vienna.
Živi u Beču.
Die gefrorene Zeit (Frozen Time)
Die gefrorene Zeit (Zamrznuto vrijeme)
The narrator of Anna Kim’s novel is a relatively inexperienced researcher working for a Red Cross agency assisting people from the former Yugoslavia in their search for lost relatives.
Pripovjedačica romana Anne Kim relativno je neiskusna istražiteljica koja radi za agenciju Crvenog križa i pomaže ljudima iz bivše Jugoslavije u potrazi za izgubljenom rodbinom.
In helping a man from Kosovo, whose wife disappeared during the war, she is confronted with the gruesome results of work by forensic archaeologists, medics and anthropologists.
Pomažući čovjeku s Kosova u potrazi za u ratu nestalom suprugom, suočava se s jezivim rezultatima rada forenzičnih arheologa, liječnika i antropologa.
She is gradually drawn into the fate of her client on a personal level and accompanies him to Kosovo, where she sees the results of the conflict first hand.
Vremenom biva na osobnoj razini uvučena u sudbinu svog klijenta te s njime odlazi na Kosovo gdje iz prve ruke svjedoči posljedicama sukoba.
Lada Žigo (Croatia)
Lada Žigo (Hrvatska)
Lada Žigo was born in 1970 in Zagreb.
Lada Žigo rođena je 1970. u Zagrebu.
She graduated in Comparative Literature and Philosophy from the University of Zagreb.
Na Sveučilištu u Zagrebu diplomirala je komparativnu književnost i filozofiju.
She has written literary reviews and essays for many newspapers and cultural and literary magazines and runs a literary panel for the Croatian Writers’ Association.
Pisala je književne kritike i eseje za brojne novine te časopise za kulturu i književnost, a za Društvo hrvatskih književnika vodi književnu tribinu.
Her first book, Ljudi i novinari (People and News People) came out in 2007 and was shortlisted for two literary awards.
Njezina prva knjiga „Ljudi i novinari“ objavljena je 2007. te je nominirana u uži izbor za dvije književne nagrade.
Rulet (Roulette) is her third novel.
„Rulet“ je njezin treći roman.
Lada Žigo is a member of the Croatian Writers' Association and the Croatian Freelance Artists Organization.
Lada Žigo članica je Društva hrvatskih književnika i Hrvatske zajednice samostalnih umjetnika.
She lives and works in Zagreb.
Živi i radi u Zagrebu.
Rulet (Roulette)
Rulet
Rulet is a novel exploring how gambling can become the only hope for people living in a society with no prospects.
U romanu „Rulet“ autorica ispituje kako kocka postaje jedina nada za ljude koji žive u društvu bez izgleda za budućnost.
The main character is a soldier who starts to gamble after becoming disillusioned with Serbian and Croatian leaders, who he sees as criminals.
Glavni je lik branitelj koji počinje kockati nakon što se razočara u srpske i hrvatske vođe, koje smatra zločincima.
At the same time, he blames the 'Americanisation' of culture and language for weakening his country's sovereignty and destroying people's jobs on the altar of liberal capitalism.
Istovremeno krivi „amerikanizaciju“ kulture i jezika za gubitak samostalnosti svoje zemlje i gašenje radnih mjesta na oltaru liberalnog kapitalizma.
He turns to playing roulette, a game that becomes one of destiny in which he can win or lose all.
Okreće se igranju ruleta, koji postaje igra sudbine na kojoj može dobiti ili izgubiti sve.
Laurence Plazenet (France)
Laurence Plazenet (Franc uska)
Laurence Plazenet was born in Paris in 1968.
Laurence Plazenet rođena je 1968. u Parizu.
A former student at the Ecole Normale Supérieure, she is a Classic Literature ‘agrégée’ and holds a PhD in literature.
Nekadašnja studentica na Ecole Normale Supérieure, izvanredna je profesorica klasične književnosti i doktorica književnosti.
She started her career as a Sorbonne professor and studied at Princeton in 1994.
Karijeru je započela kao profesorica na Sorboni, a 1994. studirala je na Princetonu.
She then worked as an academic for 10 years before publishing her first novel, L’amour seul .
Sljedećih deset godina radila je kao sveučilišna profesorica, prije nego što je objavila svoj prvi roman „L’amour seul“.
She has since written two other books, La Blessure et la soif , and Disproportion de l’homme .
Od tada je napisala još dvije knjige „La blessure et la soif“ i „Disproportion de l’homme“.
A lecturer in French Literature at Paris-Sorbonne, a member of the French National Centre for Scientific Research and the Institut Universitaire de France, and a vice-chair of the Societé des Amis de Port-Royal, Plazenet is currently writing her fourth novel.
Predavačica na katedri za francusku književnost na pariškoj Sorbonni, članica Francuskog nacionalnog centra za znanstveno istraživanje i Instituta Universitaire de France te potpredsjednica Societé des Amis de Port-Royal, Laurence Plazenet trenutačno piše svoj četvrti roman.
L’amour seul (Love Alone)
L’amour seul (Samo ljubav)
Louise Catherine d’Albrecht is 15 when she meets her tutor Monsieur de Ramon.
Petnaestogodišnja Louise Catherine d’Albrecht upoznaje svog učitelja gospodina de Ramona.
They become secret lovers until her father forces her to leave the city to return to the countryside.
Potajno započinju ljubavnu vezu, dok je otac ne prisili da se iz Pariza vrati na selo.
Later, back in Paris, she hopes her lover will find her again, but he fails to return.
Kasnije, opet u Parizu, nada se da će je ljubljeni ponovo pronaći, ali on se ne vraća.
Full of anxiety and piety, she dedicates her life to her studies and writes her first book.
Prožeta tjeskobom i pobožnošću, odlučuje život posvetiti studiju i piše svoju prvu knjigu.
De Ramon returns and they rekindle their love, but, feeling old and not worthy of his lover, he decides to leave her.
De Ramon se vraća te oni obnavljaju svoju ljubav, ali se on osjeća prestar i nedostojan nje te je napušta.
She endures a one-way correspondence with him, ending her life in asceticism, sharpened by the ghost of desire.
Život završava u asketicizmu, zaoštrenom duhom žudnje.
Viktor Horváth (Hungary)
Viktor Horváth (Mađarska)
Viktor Horváth was born in 1962 in Pécs.
Viktor Horváth rođen je 1962. u Pečuhu.
Between 2003 and 2006, he studied for his PhD at the University of Miskolc.
Od 2003. do 2006. radi na doktorskom studiju na Sveučilištu u Miškolcu.
Since 2003, he has been teaching the theory of poetic structure and the history of form in medieval and late-medieval times at the University of Pécs.
Od 2003. predaja teoriju poetske strukture te povijest srednjovjekovnih i kasno srednjovjekovnih oblika na Sveučilištu u Pečuhu.
He translates texts into English, German and Spanish.
Prevodi na engleski, njemački i španjolski.
Török tükör (Turkish Mirror)
Török tükör (Tursko ogledalo)
Török tükör takes the reader on an adventurous journey back to 16th century Hungary, when the country was still a new suzerainty of Sultan Suleyman the Magnificent.
„Török tükör“ čitatelje vodi na uzbudljivo putovanje u prošlosti, u Mađarsku 16. stoljeća, kada je zemlja još novo sizerenstvo Sulejmana Veličanstvenog.
The novel describes an unstable borderland situated between two empires, a colourful cavalcade of calendars, languages, sacred writings, kings and emperors, mighty sultans, Hungarian nobles and Ottoman beys, merchants, village magistrates, and - from time to time - even angels, 'djinns' and peculiar flying machines.
U romanu se opisuje nestabilna granica između dviju carstva, živopisna povorka kalendara, jezika, svetih spisa, kraljeva i careva, moćnih sultana, mađarskih plemića i otomanskih begova, trgovaca, seoskih sudaca te, s vremena na vrijeme, čak i anđela, džinova i čudnovatih letjelica.
Kevin Barry (Ireland)
Kevin Barry (Irska)
Kevin Barry was born in Limerick in 1969.
Kevin Barry rođen je 1969. u Limericku.
He spent much of his youth travelling, accumulating 17 addresses by the time he was 36.
U mladosti je dosta putovao i do 36. godine stanovao na 17 različitih adresa.
He lived variously in Cork, Santa Barbara, Barcelona and Liverpool before settling in Sligo.
Prije nego što se nastanio u Sligou živio je u Corku, Santa Barbari, Barceloni i Liverpoolu.
He has written for many publications, including the Sunday Herald , the Irish Examiner , The Guardian , The Irish Times and The Sydney Morning Herald .
Pisao je za brojne publikacije, uključujući the Sunday Herald, the Irish Examiner, The Guardian, The Irish Times and The Sydney Morning Herald.
His short fiction has appeared widely on both sides of the Atlantic.
Njegove kratke priče često su objavljivane na obje strane Atlantka.
He was awarded the 2007 Rooney Prize for Irish Literature for his debut collection of short stories, There Are Little Kingdoms , which was published by Stinging Fly Press, Dublin.
Godine 2007. dodijeljena mu je nagrada za irsku književnost Rooney za prvu zbirku kratkih priča „There Are Little Kingdoms“ u izdanju Stinging Fly Pressa iz Dublina.
He was the 2012 winner of the Sunday Times EFG Private Bank Short Story Award.
Dobitnik je nagrade za kratke priče Sunday Times EFG Private Bank Short Story Award za 2012.
City of Bohane
Grad Bohane
Forty years in the future, the once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines.
Četrdeset godina u budućnosti nekada slavni grad Bohane na zapadnoj obali Irske na koljenima je, ogrezao u porocima i podijeljen među plemenima.
There are posh parts of Bohane, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin' that the city really lives.
Postoje i otmjeni dijelovi, ali stvarni život grada odvija se u sirotinjskim četvrtima i sporednim ulicama Smoketowna, neboderima Northside Risesa te sablasnim močvarama u predjelu Big Nothin'.
For years, Bohane has been in the grip of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang.
Grad je godinama u šaci držao Logan Hartnett, elegantni kum bande Hartnett Fancy.
But his trusted henchmen are getting ambitious, and his missus wants him to give it all up and go straight.
No povjerljivi članovi bande sve su nadobudniji, a gospođa supruga želi da on sve napusti i živi poštenim životom.
And then there's his mother...
A tu je i njegova majka.
Emanuele Trevi (Italy)
Emanuele Trevi (Italija)
Emanuele Trevi was born in Rome in 1964.
Emanuele Trevi rođen je 1964. u Rimu.
He is a writer and literature critic.
Pisac je i književni kritičar.
He was creative director of the publisher Fazi and has also edited an anthology with Marco Lodoli.
Bio je kreativni direktor izdavačke kuće Fazi te je u suradnji s Marcom Lodolijem uredio antologiju.
Trevi has written many essays on poets and writers, including a work on the poet Pietro Tripodo which won the Sandro Onofri Prize.
Emanuele Trevi autor je brojnih eseja o pjesnicima i piscima, a za esej o pjesniku Pietru Tripodu osvojio je nagradu Sandro Onofri.
He is currently working for Rai 3 Radio on the programme Lucifer.
Trenutačno radi na emisiji Lucifer za treći program radija Rai.
He has written for magazines including Il Caffè Illustrato and Nuovi Argomenti , and national newspapers including La Repubblica, La Stampa, and Il Manifesto .
Pisao je za časopise kao što su Il Caffè Illustrato i Nuovi Argomenti, te nacionalne dnevne novine La Repubblica, La Stampa i Il Manifesto.
Qualcosa di scritto (Something Written)
Qualcosa di scritto (Nešto napisano)
Rome, in the early Nineties.
Rim ranih devedesetih.
A writer in his 30s, cynical and naive, finds work in an archive, the Fund Pier Paolo Pasolini, where he meets a shrewish old woman called Laura Betti.
Pisac u tridesetima, ciničan i naivan, zapošljava se u arhivu fondacije Pier Paolo Pasolini gdje upoznaje goropadnu staricu Lauru Betti.
The encounter with the mad heroine of this book is in a way an encounter with Pasolini himself.
Susret s ludom junakinjom ove knjige na neki je način susret s Pasolinijem samim.
Meanwhile, a hidden story in Petrolio , the unfinished novel by Pasolini, becomes a guide to the disenchantment of our time and the mysteries of life.
U međuvremenu, skrivena priča u nezavršenom Pasolinijevu romanu „Petrolio“, postaje vodi nas kroz razočarenje našeg vremena i tajne života.
Giedra Radvilavičiūtė (Lithuania)
Giedra Radvilavičiūtė (Litva)
Radvilavičiūtė is pseudonym for Giedra Subačienė, who was born in 1960 in Panevėžys, Lithuania.
Radvilavičiūtė pseudonim je pod kojim piše Giedra Subačienė, rođena 1960. u Panevėžysu u Litvi.
After finishing secondary school, she graduated from Vilnius University with a degree in Lithuanian language and literature.
Nakon završene srednje škole diplomirala je litavski jezik i književnost na Sveučilištu u Vilniusu.
She initially worked as a school teacher in her native region before becoming a journalist in Vilnius.
Prije karijere novinarke u Vilniusu radila je kao nastavnica u kraju iz kojeg potječe.
From 1994 to 1998 she lived in Chicago, where her husband Giedrius Subačius was teaching at the university.
U razdoblju od 1994. do 1998. živjela je u Chicagu gdje je njezin suprug Giedrius Subačius radio kao sveučilišni profesor.
She now lives in Vilnius and works at a government institution as a language editor.
Danas živi u Vilniusu i radi u državnoj ustanovi kao jezični urednik.
Šiąnakt aš miegosiu prie sienos (Tonight I Shall Sleep by the Wall)
Šiąnakt aš miegosiu prie sienos (Večeras ću spavati pokraj zida)
These short stories mostly deal with everyday occurrences, seemingly insignificant experiences and perceptions.
Ove kratke priče uglavnom se bave svakodnevnim događajima, naizgled nevažnim iskustvima i opažanjima.
Some of the stories focus on a middle-aged woman, living with her daughter in a small flat in the Old Town of Vilnius.
Junakinja nekoliko priča sredovječna je žena, koja s kćeri živi u malom stanu u staroj jezgri Vilniusa.
One chapter, ‘The Allure of the Text’, lays out five criteria for a good literary work, which the author then goes on to illustrate in the unfolding story.
U poglavlju „Privlačnost teksta“ autorica iznosi pet kriterija za dobro književno djelo, koje zatim ilustrira u priči koja se razvija.
Another story, ‘Those Whom I Would Like to Meet Again: An Introduction’, is a narrative reflection on a very diverse set of characters.
Priča „Oni koje bih htjela susresti opet: Uvod“ narativna je refleksija o nizu vrlo različitih likova.
Gunstein Bakke (Norway)
Gunstein Bakke (Norveška)
Gunstein Bakke was born in 1968 in Setesdal, southern Norway.
Gunstein Bakke rođen je 1968. u Setesdalu u južnoj Norveškoj.
He made his debut as an author in 2000 with the novel Kontore t.
Autorski mu je prvijenac roman Kontoret objavljen 2000.
All his novels have been well received, but with Maud and Aud he has finally been recognised as one of the most original voices among Norwegian authors.
Iako su svi njegovi romani dobro primljeni, tek je s „Maud i Aud“ prepoznat kao jedan od najoriginalnijih norveških pisaca.
Bakke's thought-provoking book combines poetic language, polyphonic narrative and astute analysis.
U svojoj misaonoj knjizi Bakke spaja pjesnički jezik, polifonijsku naraciju i oštroumnu analizu.
Bakke currently divides his time between Oslo and Gotland.
Trenutačno živi između Osla and Gotlanda.
Maud og Aud : ein roman om trafikk (Maud and Aud: A Novel on Traffic)
Maud og Aud: ein roman om trafikk (Maud i Aud: Roman o prometu)
This novel alternates between narrative flashes and poetic descriptions, containing reflections on traffic and the physical aspects of human life in a society where technology has become an increasingly important part of our lives.
U romanu se izmjenjuju pripovijedanje i pjesnički opisi, razmišljanja o prometu i fizičkim aspektima ljudskog postojanja u društvu u kojem je tehnologija sve značajniji dio života.
Piotr Paziński (Poland)
Piotr Paziński (Poljska)
Piotr Paziński, born in 1973, is the author of three books: a monography on James Joyce’s Ulysses , a subjective guide tracing the footsteps of Joyce's Dublin, and the novel Pensjonat , published in 2010 by the Nisza Publishing House.
Piotr Paziński, rođen 1973., autor je triju knjiga: monografije o Uliksu Jamesa Joycea, osobnoga vodiča tragovima Joyceova Dublina i romana „Pansion“, koji je 2010. izdao Nisza Publishing House.
For this novel, he received the Paszport Polityki, the cultural award of the Polish publication Polityka .
Za taj je roma dobio nagradu za kulturu Paszport Polityki, koju dodjeljuje poljski časopis Polityka.
Paziński lives in Warsaw, where he works as the chief editor of the Jewish magazine Midrash , and is working on a book of short stories.
Autor živi u Varšavi gdje je glavni urednik židovskog časopisa Midrash.
Pensjonat (Boarding House)
Pensjonat (Pansion)
On the surface, the plot of Pensjonat is fairly straightforward, describing a day-trip by a young man to a boarding house outside Warsaw.
Zaplet „Pansiona“ naizgled je jednostavan: mladić dolazi na jednodnevni izlet u pansion u blizini Varšave.
As a small boy, he often spent time there with his granny, and he now encounters several aged guests who remember him as a child.
Kao dječak tu je često boravio s bakom, a sada susreće nekoliko postarijih gostiju koji ga se sjećaju kao djeteta.