natgillin/translations-raw huggingface dataset:
Men på grund af den voksende interesse for Tranquebars historiske bybillede samt løbende planer i staten Tamil Nadus ministerium for turisme om at udvikle Tranquebar til en kulturarvsdestination besluttede turistministerieti 2004, at det ville være fornuftigt at arbejde på at gennemføre en gennemgribende restaurering af den tidligere guvernørbolig og forberede den til at huse et kulturcenter i Tranquebar, som skulle være åbent for offentligheden.
- However, considering the growing interest in the historical townscape of Tranquebar, as well as ongoing plans in the Tamil Nadu State Department of Tourism to develop Tranquebar as a destination of heritage tourism, the Department decided that it would make sense to engage in a thorough restoration of the former Governor’s Residence and prepare it for housing a Cultural Centre in Tranquebar that would be open to the general public.
Da restaureringen blev påbegyndt i 2009, var bygningen stærkt forfalden.
When restoration began in 2009, the building was in a state of thorough dilapidation.
Taget var delvist styrtet sammen, og rødder af hastigt voksende planter, havde beskadiget flere vægge.
Part of the roof had collapsed and the roots of proliferating plants had damaged several walls.
Da bygningen er ejet af de indiske myndigheder og restaureringen foretaget af indiske eksperter, er projektet blevet udført som et indisk foretagende med Nationalmuseets Tranquebar Initiativ i en konsulentrolle med ansvar for at fremskaffe information om bygningens historiske baggrund.
With the building owned by Indian authorities and the restoration executed by Indian experts, the project is – and was carried out as – an Indian project with The Tranquebar Initiative of the National Museum of Denmark in a consulting role responsible for the procurement of information on the historical background of the building.
Restaureringsarbejdet blev udført af INTACH (The Indian National Trust for Art and Cultural Heritage).
The restoration work was carried out by The Indian National Trust for Art and Cultural Heritage (INTACH).
Grundige undersøgelser blev gennemført i indiske og danske arkiver for at sikre, at bygningens arkitektoniske historie blev afspejlet i den endelige restaurering i overensstemmelse med de givne instruktioner fra bygningens ejer, staten Tamil Nadus ministerium for turisme.
Thorough investigations by experts were carried out in Indian and Danish archives to secure that the architectural history of the building was reflected in the final restoration, in accordance to the instruction given by the owner of the house, the Tamil Nadu State Department of Tourism.
Takket være en stor privat donation til Nationalmuseets Tranquebar Initiativ blev bygningen gennemgribende restaureret og i 2012 gjort klar til at rumme et planlagt kulturcenter i Tranquebar, drevet af de indiske myndigheder.
Thanks to a large private donation to The Tranquebar Initiative of the National Museum of Denmark, the building was thoroughly restored in 2011 and ready to house the planned Cultural Centre in Tranquebar run by Indian authorities.
På jagten var hunden virkelig menneskets bedste ven.
On the hunt the dog really was man’s best friend.
Den var meget effektiv til at opspore elsdyr og jage dem ud i søer, hvor jægeren kunne harpunere dem.
Dogs were very effective at tracking elk and pursuing them out into the lakes, where the hunters could harpoon them.
Elsdyrenes frygt for hunde skyldtes hundens lighed med ulven, som var en af elsdyrenes vigtigste naturlige fjender.
The elk’s fear of them can be explained by dogs’ similarity to wolves, which were the elk’s chief natural enemy.
Elgen løb instinktivt ud i vandet under flugt.
The elk instinctively retreated into water to escape.
De hunde, vi finder i Maglemosetid, er i form og størrelse som nutidens spidshunde.
The dogs of the Maglemosian period were, in shape and size, similar to today’s husky-type dogs.
Det er ikke usandsynligt, at man havde forskellige typer hunde til forskellige typer jagt.
It may be that specific types of dog were used for different kinds of hunting.
Til tider er hunde blevet spist.
At times dogs were eaten.
Det vidner marvspaltning og snitspor på fundne hundeknogler om.
This is indicated by finds of dog bones showing splitting for marrow and cut marks.
Læs dommerbetænkningen og se skitser og beskrivelse af vinderforslaget til Det nye Frihedsmuseum fra Lundgaard & Tranberg Arkitekter.
This new building is however not likely to be completed until the end of 2019.
Frihedsmuseet er midlertidigt lukket.
Individuals and statistics.
Frihedsmuseet åbner i en helt ny bygning i 2019.
Database of prisoners in the Frøslev camp.
Formålet med udstillingen var at illustrere bygningens arkitektoniske historie og at vise glimt af det liv, der tidligere blev levet i huset under den danske periode og efterfølgende.
The aim of the exhibition is to illustrate the architectural history of the building and to give glimpses of the life previously lived in the house in the Danish Era and beyond.
Takkeliste på tamil og engelsk, se her!
Notions of gratitude, see here!
Se plakatudstillingen på tamil og engelsk i guvernørens residens.
See the Tamil and English poster exhibition on the Governor’s Residence.
Klik her!
Click here!
I 1798 blev dette detaljerede kort over Tranquebarområdet tegnet af Peter Anker, der var dansk guvernør i perioden 1788-1806.
In 1798, this detailed map of the territory of Tranquebar was drawn by Peter Anker who served as Danish governor from 1788-1806.
Kortet er baseret på undersøgelser udført af ingeniøren, kaptajn Mathias Mühldorff, ti år tidligere.
The map is based on surveys conducted by the engineer, Captain Mathias Mühldorff, ten years earlier.
En rød grænselinje markerer den befæstede Tranquebar by, omgivet af land med fjorten landsbyer, der var tildelt danskerne af kongen af Thanjavur.
A red borderline marks the fortified town of Tranquebar with the surrounding territory of fourteen villages first allotted to the Danes by the king of Thanjavur.
Kortet viser desuden beliggenheden af de nye distrikter, der var blevet inkluderet i det danske område som sikkerhed for lån til kongen af Thanjavur.
The map also shows the location of the new districts, which had been included in the Danish territory as security for loans to the ruler of Thanjavur.
En række lokaliteter er markeret på kortet, heriblandt militærposter (angivet med det danske flag), vigtige templer, broer samt rastesteder for rejsende.
A range of features is marked on the map, including military posts (indicated with the Danish flag), important temples, bridges and rest houses for travelers.
Rundt om landsbyerne ligger der frugtbare rismarker og palmelunde.
Surrounding the villages are fertile paddy fields and palm groves.
Til dekoration er kortet forsynet med kartoucher.
As decorative emblems, the map is furnished with cartouches.
Kartouchen til venstre afbilder et af de største templer i området, beliggende i Thillaiyali, og den til højre afbilder et stort baniantræ, der indrammer Tranquebar set fra sydvest med Dansborg, fæstningsværket omkring byen samt skibe liggende for anker.
The cartouche to the left depicts one of the largest temples in the territory, located in Thillaiyali, and the one to the right depicts a large banyan tree which frames Tranquebar as seen from the southwest, showing the fort, the fortification of the town and ships at anchor.
For tamil og engelsk forklaring af skiltene, se her!
For explanations of the signs, see here!
Nogle af de ældre film er konverteret til nyere formater, mens andre er redigeret fra råfilm.
Some of the older films have been collected and formatted while others are edited from raw footages.
Der er film med dansk, engelsk og tamilsk tale og tekst.
The films vary between Danish, English and Tamil voices and texts.
Producer Vagn Olsen, vist 16. august 2007 fra 20:00-22:00; 16. august 2008 fra 20:00-22:00; 24. december 2008 fra 20:00-22:00.
Producer Vagn Olsen, shown 16 August 2007 from 20:00-22:00; 16 August 2008 from 20:00-22:00; 24 December 2008 from 20:00-22:00.
Opbevares i Nationalmuseets arkiver.
Kept in the Archives of the National Museum of Denmark.
Fra Tranquebar Initiativet (2004-2016):
From the Tranquebar Initiative (2004-2016):
Samlinger online (i søgevinduet skriv: Tranquebar eller Trankebar)
Online Collections (in the search window write: Tranquebar or Trankebar)
M/S Museet for Søfart
M/S Maritime Museum of Denmark
Stort fotorakiv om Tranquebar
Large photo archive on Tranquebar
Rigsarkivet
Danish State Archives
Tranquebar-relaterede kilder findes i online databasen
Tranquebar-relateted sources to be found in the on-line database
Kulturhistorisk Museum, Universitet i Oslo, Norge
Museum of Cultural History, University of Oslo, Norway
Samling af fx guvernør Peter Ankers malerier fra Indien
Collection of e.g. Guvernor Peter Anker’s paintings from India
Galathea3 expediton til Tranquebar
Galathea3 expediton on Tranquebar
Del af Tranquebar Initiativet
Part of the Tranquebar Initiative
Mønter fra Tranquebar og Danmark
Coins from Tranquebar and Denmark
Se også Film og web-baseret undervisningsmateriale
See also Films and web-based educational material
Også helt tilbage til oldtiden havde Middelhavslandene deres eget særpræg.
The lands of the Mediterranean Region also had their own special characteristics in antiquity.
I Grækenland, Italien, Ægypten og Den nære Orient talte menneskerne forskellige sprog, de dyrkede forskellige guder og anvendte hver deres skrifttegn.
In Greece and Italy, in Egypt and the Near East, populations spoke different languages, they worshipped different gods, and they wrote in their own characteristic scripts.
Det bevidner arkæologien og de skriftlige kilder.
The archaeological and textual evidence supports these realities.
Det blå Middelhav fungerede som et bindeled, som samlede, inspirerede og forbandt kulturerne.
The blue Mediterranean functioned like a bridge that assembled, inspired, and connected cultures.
Den græske filosof Platon skrev, at menneskene ”bor omkring havet som myrer og frøer omkring en dam”.
The Greek philosopher Plato wrote that people “live around the sea like ants and frogs around a pond”.
Og havet i midten var en vigtig kommunikationsvej; for gennem søfarten blev der handlet og med tiden grundlagt kolonier i fremmede egne.
And the sea in the center served as an important highway both for seafaring merchants and for colonists to new lands.
Men også arnested for nogle af de betydelige fremskridt i menneskehedens historie, der også satte sig spor i Danmark: landbrug, skrift og komplekse samfundsformer.
It is the birthplace of some of the most significant advancements in humankind’s history, which have also determined the development of Denmark: agriculture, writing, and complex forms of social organization.
Det første agerbrug blev udviklet omkring 8000 f.Kr. i ”den frugtbare halvmåne”, der strækker sig fra oldtidens Palæstina og Syrien over det sydøstlige Lilleasien til floderne Eufrat og Tigris i Mesopotamien.
The “Agricultural Revolution” began around 8000 BCE in the “Fertile Crescent”, which stretches from ancient Palestine and Syria along southeastern Turkey to the northern section of the Zagros Mountains in Iran.
I bronzealderen, 3000-1200 f.Kr., blev samfundsformerne mere komplekse, og stadig større byer voksede frem med templer, paladser og vidt forgrenet handel.
During the Bronze Age, ca. 3000-1200 BCE, social organization became more complex and larger cities developed, filled with temples and palaces, and connected to far-reaching trading systems.
Ved bronzealderens slutning brød alt dette sammen, uden at det kan siges nøjagtigt hvorfor.
New states and empires appeared in the Iron Age, ca. 1200-330 BCE.
Nye stater og imperier opstod i jernalderen, 1200-330 f.Kr. I periodens første del herskede assyrerne over store dele af Den nære Orient.
The first great empire of this period to rule most of the ancient Near East was that of the Assyrians; the last was the even more impressive empire of the Achaemenid Persians.
Ingholt ekspeditionen hyrede lokale arbejdere til at forestå udgravningsarbejdet.
Ingholt hired local men to do the actual excavating.
Arbejderne kom fra handels- og håndværkerfamilier fra Hama eller fra landsbyer i Orontesdalen.
The workers came from Hama and local villages in the Orontes Valley.
Arbejdsstyrken kunne udgøre helt op til 400 personer.
The workforce could be made up of as many as 400 people.
Der var rift om arbejdet, for det var godt betalt i forhold til både offentlige og private arbejdspladser i Hama.
There was strong competition for jobs on the excavation because the pay was better than that of local jobs in both the public and private sectors.
Kontrollen med arbejderne blev foretaget af den velanbefalet Ala ad-din afandi, et medlem af den magtfulde al-Kilani familie.
Supervision of the workers was undertaken by Ala ad-din afandi, a member of the powerful al-Kilani familiy in Hama.
Konservatorer sørgede for restaureringen af genstande.
Conservators were responsible for preserving and restoring objects.
Kokken Subhi var særdeles værdsat.
Servants, a cook and a laundress were employed in the dig house.
Maden bestod af sæsonbestemte frugter og grøntsager, kød fra fedthalefår, som også leverede mælk omdannet til yoghurt.
The chief servant, Said ibn Muhammad al-Tabba, taught the expedition members about local society and customs, as well as some Arabic.
I de første år foregik det ved stearinlys og petroleumslampers skær, for der var ingen elektricitet.
The workday began very early, when it was coolest, and a siesta was taken midday, when the sun was hottest.
Harald Ingholt, ekspeditionens leder havde med sit meget omtalte talent for forhandlinger, fået organiseret at alle holdt fri om søndagen.
It could get cold at night, so a glass of cognac was often had before retiring early to bed.
Dette gjaldt også de ansatte, som var muslimer, hvis helligdag normalt er om fredagen.
All the expedition members and the local workforce had a free day on Sunday.
Søndagene blev brugt til forskellige udflugter, ofte på hesteryg.
Usually trips were organized for this day, often on horseback.
Arkitekten Ejnar Fugmann brugte også søndagene til at male akvareller af byen omkring byhøjen.
The architect, Ejnar Fugmann, also used his Sundays to pain watercolours of the charming old town of Hama.
Nogle gange var der lokale fester, som ekspeditionen kunne overvære og fotografere.
Sometimes there were local celebrations, which the archaeologists could attend and photograph.
Det skete ofte at ekspeditionen fik besøg fra nær og fjern.
The expedition also received visitors from near and far.
Blandt de besøgende var der flere berømte arkæologer – som f.eks. Sir Leonard Woolley, der udgravede de såkaldte ”Kongegrave i Ur” i det sydlige Mesopotamien.
Among the visiting dignitaries were many famous archaeologists, including Sir Leonard Woolley, who had been excavating the so-called Royal Tombs at Ur, in Southern Iraq (Mesopotamia).
Max Mallowan, som udgravede flere oldtidsbyer i Mesopotamien og i Syrien kom også på besøg sammen med sin berømte hustru - Agatha Christie.
Max Mallowan, who excavated many important sites in Iraq and Syria, also visited the excavations at Hama, along with his more famous wife, Agatha Christie.
Fra akvædukten blev vandet ledt til en gårdfontæne samt til åbne latriner tæt ved køkkenet.
At the house, the water was led to a fountain in the courtyard, as well as to the latrine near the kitchen.
Da flodens vand også blev brugt til kloak, var vandet ikke særlig indbydende, så ekspeditionsdeltagerne filtrerede vandet gennem store lerkar og kogte det bagefter.
Because the water from the river was not suitable for drinking, it had to be filtered in large clay vessels and boiled before it was used.
Opvarmningen om aftenen foregik med transportable kulbækkener, som dog ikke gav megen varme.
Heat at night was provided by portable coal braziers, which in fact offered little heat.
Når der var tid, kunne ekspeditionsdeltagerne nyde den smukke udsigt fra husets balkon mod gaden.
When there was time, expedition members could enjoy the beautiful view from the balcony.
Efter 1935 blev ekspeditionen tilbudt et fredet karavanserai, kaldet Khan Rustam Pasha.
After 1935, the expedition was able to move to a caravansary, a traveler’s inn.
Khan Rustam Pasha blev bygget i 1561 af Rustam Pasha under sultan Suleiman den Store og blev regnet for en af de smukkeste osmannisk-tyrkiske bygninger i Hama.
This building, Khan Rustam Pasha, had been built in 1561 by the Grand Vizir Rustam Pasha during the reign of Sultan Suleiman the Magnificent, and was recognized as one of the most beautiful Turkish Ottoman Period buildings in Hama.
Omkring gården var der hvælvede rum, som tidligere blev brugt af de rejsene og deres transportdyr.
Opening on to the courtyard were the vaulted rooms that once housed travelers and their pack animals.
Her kunne ekspeditionsdeltagerne få eget værelse, og der blev også plads til at indrette arbejdsrum, laboratorium, fotografisk atelier, køkken og spiserum.
These were now used as bedrooms, workrooms, laboratories, a dark room for the photographer, the kitchen and the dining room.
Der var tillige god plads til magasiner til opbevaring af fund fra udgravningen.
There was also plenty of room for storage of the archaeological finds from the excavation.
Harald Ingholt forblev udgravningens leder i alle årene, mens ekspeditionens deltagere ind i mellem var skiftende.
Harald Ingholt directed the excavations for the duration of the project, while the makeup of his international team changed over the years.
Desuden medvirkede: F. Comstock, Poul Dueholm, E. Esmer, Marc Le Berre, Elias B. Marsh jr. og I. Terentieff.
Other participants included F. Comstock, Poul Dueholm, E. Esmer, Marc Le Berre, Elias B. Marsh jr. and I. Terentieff.
Her kan du læse mere om ekspeditionens deltagere.
You can learn more about the participants in the section Members of the Expedition.
• Uddannet arkitekt i 1916 fra Kunstakademiet i København.
• Graduated with a degree in architecture in 1916 from The Royal Danish Academy of Fine Arts.
Christensen deltog i undersøgelser og istandsættelser af historiske bygninger for bl.a. Indenrigsministeriet og fik tilknytning til Middelalderafdelingen på Nationalmuseet fra 1919.
Christensen took part in surveys and renovations of historical buildings for, among others, the Danish Interior Ministry, and was employed in the Medieval Department at the National Museum from 1919 on.
Han har desuden skrevet en del bygningshistoriske afhandlinger.
He also wrote a number of works on architectural history.
• Arbejdede som arkæolog på Hama udgravningen i 1935-sæsonen.
• Served as an archaeologist during the 1935 season.
Christian var østrigsk arkæolog og ansat på universitetet i Wien med speciale i Mesopotamiens sumeriske periode.
Christian was an Austrian archaeologist employed at the University of Vienna, with a specialty in the study of the Sumerian Period in Mesopotamia.
• Arbejdede som assisterende arkæolog på Hama udgravningen i 1933-sæsonen.
• Served as an archaeologist during the 1933 season.
Day var amerikansk arkæolog, født i Beirut, hvor hun senere kom til at arbejde på det arkæologiske museum tilknyttet det amerikanske universitet i Beirut.
Day was an American archaeologist, born in Beirut in Lebanon, where she would later work in the Archaeological Museum at the American University of Beirut (AUB).
Hun deltog også i Hetty Goldman ekspeditionen i Gözlüküle nær Taurusbjergene i det sydlige Anatolien, også fra 1930’erne.
In the 1930s she also participated in Hetty Goldman’s excavations at Tarsus-Gözlüküle, in Southern Turkey.
• Arbejdede som konservator på Hama udgravningen i 1931-sæsonen.
• Served as a conservator during the 1931 season.
• Elo var billedhugger og oplært som konservator af sin far og i udlandet via Ny Carlsberg Glyptotek.
• Elo was a sculptor and was trained as a conservator by his father and also received training overseas.
Han overtog sin fars arbejde som konservator på Ny Carlsberg Glyptoteket, hvor han forbedrede sin fars metode til uddrivning af salte i kalksten.
Elo took over his father’s position as conservator at the Ny Carlsberg Glyptotek Museum in Copenhagen, where he made improvements on his father’s method of removing salts from limestone.
Dette medvirkede til, at en stor del af den ægyptiske samling på Ny Carlsberg Glyptoteket ikke forvitrede.
This development contributed to stopping the deterioration of a large part of the Egyptian collection at the museum.
Elo var med til at istandsætte mange genstande, heriblandt Hama løven, som stod i Nationalmuseets gård.
Elo took part in mending and restoring many archaeological artifacts, including the Hama lion, which stood in the courtyard of the National Museum until it was sent back to Syria.
Som kunstner deltog han i flere udstillinger både i Danmark og Frankrig.
As a sculptor, Elo exhibited in Denmark and France.
Hans arbejder var især portrætbuster, heriblandt flere barnebuster.
He specialized in portrait busts, especially of children.
• Arbejdede som arkitekt på Hama udgravningen i alle sæsonerne, 1931-38.
• Served as chief architect for the entire length of the expedition, from 1931 to 1938.
• Fugmann var først uddannet murersvend og kom derefter på Teknisk Skole og Kunstakademiet i København i årene 1914-27.
• Fugmann was originally trained as a bricklayer and later attended Copenhagen Technical College and The Royal Danish Academy of Fine Arts from 1914 to 1927.
Han foretog studierejser til England, Frankrig, Italien og Tyskland i begyndelsen af 1920’erne.
In the beginning of the 1920s, Fugmann undertook study trips to England, France, Italy, and Germany.
I 1930’erne havde han ophold i Syrien, Ægypten, Palæstina, Grækenland, Tyrkiet og Italien.
In the 1930s, he spent time in Syria, Egypt, Palestine, Greece, Turkey, and Italy.
Fugmann udførte opmålinger og tegninger ved Hama udgravningen.
Fugmann was responsible for much of the architectural measurements and drawings.
Han var stærkt optaget af, at genstandstegning ikke skulle være frihåndstegning, men derimod nøjagtige opmålte tegninger.
He worked to improve the drawings of architecture and artifacts in order to make them as accurately measured and professionally drawn as possible.
Fugmann udførte også flere fine akvareller af byen Hama, som i dag udgør en vigtig information om Hama i 1930’erne.
He also painted many watercolours of the old town of Hama, which have served as important documentation of a place that has regrettably mostly disappeared.
Med tiden blev han en ledende figur ved siden af udgravningslederen Harald Ingholt.
Over time he became a leading figure in the project alongside its director, Harald Ingholt.
Fugmann har bl.a. beskrevet arkitekturfund fra den før-hellenistisk periode i Hamas udgravningsrapporter.
His main publication is of the pre-Hellenistic Periods of occupation at Hama.
Fugmann var ansat ved Holmens Bygningsvæsen og som arkitekt tegnede han pavillonen i Den Kongelige Skydeselskabs Have.
Fugmann was employed by Holmen’s Building Administration and designed the pavilion in The Royal Shooting Society’s garden.
Derudover tegnede han industribygninger og enfamilieshuse, samt møbler, tæpper, sølvtøj og tryksager.
He also designed industrial buildings and family homes, as well as furniture, carpets, and silverware.
• Deltog i Hama udgravningen i 1935-sæsonen.
• Participated in the excavations during the 1935 season.
• Hjortsø var cand.mag. i græsk og latin og var i en årrække ansat som lærer i de klassiske fag ved Ålborg Katedralskole.
• Hjortsø had a degree in Greek and Latin and was for many years a teacher of classical studies at Ålborg Cathedral School.
Senere blev han lektor i klassisk filologi ved Københavns Universitet fra 1968-78.
Later he became a lecturer in Classical Philology at the University of Copenhagen (1968-78).
Ved siden af undervisningen har Hjortsø også oversat klassisk græsk litteratur og haft stor betydning for formidlingen af denne.
In addition to teaching, his translations of classical Greek literature served to popularize this material within the broader Danish society.