natgillin/translations-raw huggingface dataset:
- stipendier (Major Projects) på mellem 1 000 og 2 500 IRL, der skal sorge for kunstnerens fornødenheder under udførelsen af et særligt projekt. Projektet skal beskrives nærmere i ansøgningen om støtte;
Individual aid awarded by the Arts Council falls into three categories: fairly small amounts of specific aid to cover the production of work in a studio or the purchase of materials; grants (major projects) of IRL 1 000 to 2 500 approximately, intended to cover the artist's needs while he carries out a particular project.
Arts Council uddeler rejsestipendier (Travel Grants) til kunstnere, som ønsker at rejse til udlandet for at gennemgå en faglig uddannelse der.
The Arts Council offers travel grants for artists who want to go abroad for vocational training.
Ansøgningerne gennemses tre gange årligt.
Applications are dealt with three times a year.
I øvrigt bestyrer Arts Council nogle stipendier, som finansieres af private mæcener.
Furthermore, the Arts Council manages a number of grants financed by private patrons.
Alle ansøgninger om stipendier skal indeholde materiale med nogle reproduktioner af værker.
All applications for grants have to be accompanied by dossiers containing reproductions of the artist's work.
Arts Councils budget til indkøb af kunstværker androg 11 000 IRL i 1979.
The purchases budget of the Arts Council was IRL 11 000 in 1979.
Ind købene foretages af Arts Councils kunstneriske direktør og skal godkendes af to andre medlemmer af Arts Council.
The arts director of the Arts Council makes the purchases - which have to be approved by two other members of the Council.
Arts Councils nuværende samling består af 250 værker, især malerier.
The present Arts Council collection contains 250 works and the emphasis is on painting.
Værkerne kan udlånes til offentlige institutioner (Loan Scheme).
The works may be loaned to public institutions (the loan scheme).
I øvrigt har Arts Council indført et program for hjælp til godkendte offentlige institutioners køb af kunstværker: Joint Purchase Scheme.
The Arts Council has also set up an aid programme for authorized public in stitutions wishing to purchase works of art. It is called the Joint Purchase Scheme.
Arts Council finansierer 50% af kunstværkets indkøbspris, og institutionen finansierer den anden halvdel.
The Arts Council finances 50% of the price of the work and tho institution finances the other half.
I tilfælde af yderligere videresalg af værket opkræver Arts Council den nye salgspris, som ikke må ligge under den første salgspris.
If the work is subsequently resold, the Arts Council gets 50% of the price (which may not be lower than the original sell ing price).
Nogle private mæcener foretager regelmæssige indkøb af værker.
Certain private patrons of the arts have a policy of regular purchases.
For det første må nævnes Bank of Ireland, hvis nuværende samling er dobbelt så betydelig som den, der tilhører Arts Council.
The first name to mention here is that of the Bank of Ireland, which has a collection that is twice the size of that of the Arts Council.
Museerne råder over et specielt budget til indkøb af værker, men disse budgetter er i reglen temmelig beskedne. I 1975 rådede Municipal Gallery of Modern Art i Dublin over 2 000 IRL for året.
The country's museums have special arts purchases budgets, but they tend to be small - in 1975, the Municipal Gallery of Modern Art in Dublin had IRL 2 000 p.a., for example.
Trinity College har opbygget en samling værker, der udstilles i dets galleri og lokaler.
Trinity College has built up a collection of works that are on display in its gallery and elsewhere in the college.
Det bør også fremhæves, at der eksisterer fonde, finansieret af privatpersoner eller sammenslutninger, som modtager midler til støtte af indkøb af kunst værker til offentlige samlinger: Contemporary Irish Art Society, Lane Fund, Shaw Bequest, Friends of the National Collection of Ireland, Thomas Havert Fund . . .
There are also a number of funds, financed by individuals and societies, which receive moneys that go towards the purchase of works of art for private collections. Examples of this are the Contemporary Irish Art Society, the Lane Fund, the Shaw Bequest, the Friends of the National Collection of Ireland, the Thomas Havert Fund.
Vederlag for udlån af værker
Remuneration for works loaned
Ved de udstillinger, Arts Council afholder, udbetales der en forud fastsat sum på 50 IRL til de udstillende kunstnere.
A standard IRL 50 is paid to artists who display their works in Arts Council exhibitions.
Når det drejer sig om en retrospektiv udstilling, er den sum, kunstneren får udbetalt, 1 000 IRL (men denne fremgangsmåde har kun været anvendt en enkelt gang).
Where the exhibition is a general view of the artist's work, the artist receives IRL 1 000 - although this has only occurred once.
Der findes ikke noget organ, som specielt beskæftiger sig med at skaffe atelierer.
There is no special organization to help artists find studios.
I Dublin er ateliererne få og vanskelige at opnå.
In Dublin, few studios are available and they are difficult to obtain.
Man bør dog fremhæve et initiativ taget af en gruppe tidligere kunststuderende, der har grundlagt et andelsforetagende omfattende 15 atelierer i Dublins centrum (24, South King Street).
Mention should be made of the initiative of a group of ex-art students who have set up a cooperative of 15 studios at 24 King Street in central Dublin.
Dette andelsforetagende giver sig ikke af med at finde atelierer til andre kunstnere, men når et atelier bliver ledigt, kan der ansøges om det.
This cooperative does not look for studios for other artists but receives applications when one of its own studios becomes vacant.
Arts Council yder understøttelse til udførelse af arbejder i ateliererne.
The Arts Council offers grants for work to be carried out in studios.
An søgningsfrist: 18. april.
Applications have to be in by 18 April.
Saloner og festivaler
Salons and festivals
Der afholdes talrige festivaler i Irland: De har for størstedelens vedkommende en maleri­ eller skulpturudstilling på programmet.
Ireland has a large number of arts festivals, most of which include an exhibition of painting or sculpture.
Der skal her kun anføres de festivaler, der specielt er viet bildende kunst og forbeholdt professio­nelle kunstnere.
We shall confine ourselves here to festivals specifically devoted to the plastic arts and reserved for professionals.
Hvad angår yderligere oplysninger, kan ledernes navne og adresser findes i bilaget.
Any further information can be obtained from the show organizers, whose names and addresses are listed in annex.
An Eoireachtas: Årlig udstilling af nutidskunst, hovedsagelig avantgardearbej­der. Sted: Trinity College, Dublin.
An Eoireachtas - This is an annual contemporary art show, mainly devoted to avantgarde works.
Independent Artists Annual Exhibition: Årlig udstilling efter indbydelse, af­holdt af kunstnere, der er medlemmer af Independent Artists. 5 priser a 200 IRL.
Independent Artists Annual Exhibition - This annual exhibition, at which people display by invitation, is run by members of Independent Artists.
Irish Exhibition of Living Art: Årlig udstilling afholdt af et kunstnerudvalg. Sted: National Gallery. Priser.
Irish Exhibition of Living Art - This is an annual event run by a committee of artists in the National Gallery.
Ca. femten kunstnere udvælges af et kunstnerudvalg og modtager et offentligt tilskud til udførelse af et værk. Kunstværkerne udstilles derefter på Merrion Square, Dublin. Priser.
Around 15 artists are selected by a committee of artists and given a budget to create works of art - which are then put on display at Merrion Square, Dublin.
Royal Hibernian Academy: Den ældste af de årlige udstillinger. Malerier af akademisk karakter.
Royal Hibernian Academy - This, the longest-standing of the annual art shows, concentrates on academic - type painting.
ROSC: International udstilling efter indbydelse, grundlagt 1967.
ROSC - This is an international exhibition, at which artists display by in vitation, and was first started in 1967.
Holdes hvert fjerde år.
It is held every four years.
Udstillingen omfatter en afdeling avantgardekunst og en afdeling primitiv kunst. Finansieres af Arts Council og private virksomheder (Bank of Ireland, Caroli's Cigarettes m.fl.).
The show has an avantgarde section and a primitive art section.
Udvælgelsen foretages af et internatio­nalt udvalg af kunstnere, konservatorer og kunstkritikere. Ingen priser.
Works are selected by an international committee of artists, curators and art critics.
Watercolour Society of Ireland: Årlig udstilling af akvareller
Watercolour Society of Ireland - This runs an exhibition of water colours every year.
Der findes fem kunstcentre i hele Irland.
The republic has five such centres at the moment.
Det er flersidede samlingssteder, be regnet for den lokale befolkning og kunstnere.
They are multi-purpose or ganizations aimed at both the local populations and practising artists.
Centret står åbent for alle nye kunstdiscipliner: Fotografi, video, optræden.
The centre is open to all the new branches of art - photography, video creations and performances of various kinds.
Ansøgningspapirer skal stiles til Sharon O'Grady.
Dossiers should be sent to Sharon 0'Grady.
Ved optræden får kunstneren sine omkostninger godtgjort og et honorar for hver optræden.
Artists involved in performances are paid their expenses and a fee.
For udstillingernes vedkommende afholdes annonceudgifterne af centret.
The cost of publicizing exhibitions is covered by the centre.
- Gorey Art Centre: Grundlagt 1973 inden for rammerne af operafestivalen i Wexford.
Gorey Art Centre - This was set up in 1973 as part of the Wexford opera festival.
(9 000 IRL i 1978) og lokale myndigheder ( 2 700 IRL i 1978).
It is financed by the Arts Council (IRL 9 000 in 1978) and the local authorities (IRL 2 700 in 1978).
Modtager økonomisk støtte fra Arts Council.
It receives financing from the Arts Council.
Oprettet og administreret af kunstnere. Udstillingsprogrammer.
It was designed and is managed by artists.
De kommercielle gallerier er talrige, selv om de er stærkt koncentreret i Dublin.
There are many commercial art galleries, although they tend to be concentrated in the capital.
Der findes en fører over udstillingerne, som udgives hver tredje måned af Arts Council i Dublin og Belfast (Exhibition Quarterly).
Exhibition Quarterly is a guide published by the Dublin and Belfast Arts Councils.
Dette galleri udstiller ny og internationale værker (finansieres delvis af Arts Council).
It receives partial financing and displays recent and international works.
Ministeriet for Kulturværdier omfatter syv afdelinger, hvoraf afdelingen for kulturelle forbindelser er den eneste, der beskæftiger sig med nutidskunst. Galleria Nazionale d'Arte Moderna i Rom, et autonomt organ, er indirekte til knyttet ved et specielt overinspektorat.
There are seven divisions in the Ministry for Cultural Heritage and Environment, but only one of them, the Cultural Relations Division, deals with con temporary art.
Af de 68 overinspektorater, som re præsenterer ministeriet i regionerne, administrerer 15 specielt kunstmuseer ne og de historiske museer.
There are 68 such offices representing the ministry in the various regions of Italy and 15 of them are particularly responsible for art galleries and museums. ums.
I Italien finansierer staten kun et enkelt museum for moderne kunst, Galleria Nazionale d'Arte Moderne i Rom, der omfatter samlinger fra det 19. og 20. år hundrede, og hvor maleri og billedhuggerkunst fra de sidste tyve år er svagt repræsenteret.
There is only one Statefinanced museum of modern art in Italy, the Galleria Nazionale d'Arte Moderna in Rome, which has collections of 19th and 20th-century works - although the painting and sculpture of the past 20 years are only poorly represented.
Ministeriet for Kulturværdier støtter desuden tre store udstillinger (se 5): Kvadriennalen i Rom (tildelt 35 mio LIT i i 1980), Triennalen i Milano, der først og fremmest er viet industriel formgivning (80 mio LIT i 1980) og Biennalen i Venezia (2 mia LIT).
The Ministry for Cultural Heritage also subsidizes three major exhibitions (5) - the Rome quadriennale (LIT 35 million in 1980), the Milan triennale, which is mainly devoted to industrial design (LIT 80 million in 1980), and the Venice biennale (LIT 2 000 million).
Med undtagelse af stipendier til unge kunstnere inden for rammerne af Det europæiske Fællesskabs ungdomsudveksling berører Udenrigsministeriets kulturel le indsats ikke nulevende kunstnere: De store udstillinger af italiensk kunst i udlandet respekterer reglen om de 50 år, inden for hvilke værket ikke til hører den offentlige kulturarv, og såfremt de rummer en afdeling for moderne kunst, viser de kun allerede klassiske værker fra.det 20. århundrede.
Apart from the grants it awards to young artists as part of the youth exchange schemes in the European Community, the cultural activities of the Ministry for Foreign Affairs are not concerned with living artists. The big exhibitions of Italian art abroad respect the 50-year rule (before this period is up works do not belong to the national heritage) and any modern art works they include tend to be 20th century classics.
De italienske kulturinstitutter i udlandet kan dog ansøge om særlig støtte til ud stillinger af nye værker.
Italian cultural institutes abroad may, however, apply for special grants for exhibitions of more recent works.
Ministeriets Generaldirektorat for kulturelt samarbejde skal i øvrigt underrette italienske kunstnere om de konkurrencer og
The Directorate-General for Cultural Cooperation at the ministry has to inform
- 122 - internationale udstillinger, der holdes i udlandet, men det udvælger ikke di rekte de kunstnere, som skal repræsentere Italien.
Page 122
Regionernes og de regionale offentlige myndigheders indsats
Regi onal_and_local_authori ti es
Hvis man skal søge en aktiv støtte til nulevende italienske kunstnere, er det snarere på lokalt plan i vekselvirkningen mellem den kommunale kulturindsats, den regionale samordning og kunsthandelens mangfoldige private kanaler, en vekselvirkning, der finder sted i alle byer af nogen betydning.
Active support for living Italian artists is more apparent at local level, in the interaction between the cultural activities of the municipal authorities, regional coordination and the wide range of private circuits in the art market in all towns of any size.
Regionernes delvise selvstyre, der vedtoges i 1972, blev en kendsgerning fra 1974 at regne.
Regionalization was decided in 1972 and began to be implemented in 1974.
Regionernes rolle i kulturlivet er en dobbelt: De deltager med maksimalt 75% i finansieringen af de kulturelle aktiviteter og institutioner, der støttes af kommunerne, og de finansierer de arrangementer, som de alene er ansvarlige for.
The regions have a dual role to play in the cultural life of the country. They contribute a maximum of 75% of the financing of the cultural activities and institutions which the municipal authorities subsidize and they finance events of which they are the sole organizers.
For den bildende kunsts vedkommende medfinansierer de så ledes kommunernes museer og udstillinger, ligesom de holder udstillinger for lokale kunstnere.
So, as far as the plastic arts are concerned, the regions cofinance museums and exhibitions run by the municipal authorities and organize shows of local artists' work.
Kommunernes indsats er traditionelt betydningsfuld.
The municipal authorities, traditionally, are very active.
Det lokale kunstliv nyder godt af talrige former for bistand til offentlig udbredelse af kunsten og en bred placering af de kommercielle kanaler i de tætbefolkede og rige provinser, ganske særligt i de nordlige provinser.
Local art gets a lot of support from public centres and is helped by the large commercial net works in what are very rich and dense regions, particularly in the southern part of the country.
Ved siden af de store museer for moderne kunst i Rom, Firenze, Milano, Torino, Bologna, Palermo og Venezia rummer talrige, mere beskedne kommunale museer nutidige værker, som er indkøbt eller tilbudt af kunstnerne: Lombardiet, f.eks., rummer 15 af 45 kunstmuseer - ud af 162 museer af meget forskellig betydning og med varierende specialer - samlinger af moderne kunst og giver plads for nulevende lokale kunstneres værker.
There are the major museums of modern art in Rome, Florence, Milan, Turin, Bologna, Palermo and Venice and, in addition to these, a large number of smaller municipal museums which house contemporary works that have been bought or donated by the artists.
Regionernes medvirken er afgørende med henblik på at stimulere samordningen på "horisontalt" plan mellem bestræbelserne for at frugtbargøre kulturarven.
In Lambardy, for example, there are 162 museums of varying size and specialization and 15 of the 45 that specialize in fine art have collections of modern works and collect the work of living local artists.
I den lombardiske regions fireårsplan (1978-1981) udgør udgifterne til kulturelle formål 1/5 af de italienske regioners samlede kulturbudget. De fordelte sig for 1978 og 1979 således:
Regional authorities are decisive when it comes ro stimulating the horizontal cooperation involved in the drive to develop the country's cultural heritage.
Kunstmuseet opnåede 454 mio LIT i 1979 mod 101 mio i 1978, og
It devoted LIT 2 223 million to culture in 1978 and LIT 4 038 million in 1979.
- 123 kunstudstillinger, arkæologiske, historiske og videnskabelige udstillinger 2,33 mia i 1979 mod 1 mia i 1978.
Art, historical, archaeological and scientific collections received LIT 2 330 million in 1979, as againat LIT 1 000 million in 1978.
Der gives ikke skattefradrag til industrivirksomheder eller banker for deres kulturelle indsats; staten kan i øvrigt beskatte private samleres gaver temmelig hårdt.
There is no tax relief on any cultural action taken by firms and banks and the State may put fairly heavy taxes on donations by private collectors.
Alligevel findes der en udbygget kunststøtte, i hvilken sammen hæng lederne af industri- og bankvirksomheder foretrækker at tale om kulturel le forbindelser.
How ever, patronage - which the firms and banks concerned prefer to call 'cultural relations' - has developed.
For den bildende kunsts vedkommende tager de kulturelle for bindelser oftest form af udgivelser af kunstbøger, således som de finansieres af banker og sparekasser.
As far as plastic art is concerned, cultural relations tend to involve printing art books (such as those financed by the banks and savings schemes).
Mere lejlighedsvis finansieres kollektive eller personlige udstillinger for nulevende kunstnere: En fabrikant af et cigaretmærke knytter sit navn til en udstilling af kunstneriske videofilm, f.eks. i Milano, et kreditinstitut i en provinsby støtter en lokal kunstners udstilling. ling.
More rarely, collective exhibitions or shows de voted to the work of one living artist are financed - a certain manufacturer of a make of cigarettes will lend its name to a display of artists' videofilms (Milan, for example) or a certain credit organization in a provincial town will subsidize a show by a local artist.
Nogle store firmaer gør en mere sammenhængende og systematisk kulturindsats.
Some major companies have a more coherent and more systematic cultural policy.
Olivetti holder vandreudstillinger, f.eks. præsentation af samleren Mattiolis berømte samling af moderne italiensk kunst eller udstillingen "Former og Forskning", som blandede design og arkitektur med udløbere af abstrakt maleri og skulptur.
Olivetti, for example, organizes touring exhibitions, one of which involved taking the famous modern art collection belonging to the Italian collector Mattioli to Europe and the USA.
Firmaet har fremstillet reklamefilm og kunstneriske film i egentlig forstand, realiseret af store filmnavne, i Japan. Det bestiller kunstfotografier hos berømte fotografer, f.eks.
Another such event, the shapes and research exhibition, combined design, architecture and various extensions of abstract painting and sculpture.
Cartier-Bresson, udgiver store litterære tekster illustreret af anerkendte kunstnere (f.eks.
The firm has had advertising and artistic films proper produced by great names from the film world, in Japan.
Kafka illustreret af Folon), bestiller litografier hos berømte kunstnere (Delvaux, Manzu, Chirico, Pomodoro, E. Baj, Capogrossi, Hartung, Guttuso, H. Moore, M. Marini) såvel som tegninger eller andre illustrationer til kalendere og notesbøger.
It orders work from famous photographers, Cartier-Bresson, for example, publishes great works of literature with illustrations by famous artists (Kafka illustrated by Folon), orders lithographs from well-known artists (Delvaux, Manzù, Chirico, Pomodoro, E. Baj, Capogrossi, Hartung, Guttuso, Henry Moore and M. Marini) and orders illustrations and designs for calendars and diaries.
På samme måde har Fiat de tre sidste år hos en kunstner bestilt et værk (skulptur eller multikunst), hvoraf et eksemplar gives som nytårsgave til en række personer. Ganske som Olivetti har Fiat anmodet kunstnere (Chirico, Dudovitch, Sironi, Bassi, Nizzoli, Annigoni m.fl.) om at tegne reklameplakater.
Similarly, Fiat has been ordering a sculpture or a series of sculptures from artists to present to various personalities at Christmas for the last three years.
Det store automobilfirma knytter lejlighedsvis sit navn til udstillinger: I 1978 holdt det en Dubuffet-udstilling, og i 1980 bidrog det til finansieringen af en udstilling om futurismen, der blev vist i New York og Paris.
This big car firm sometimes lends its name to exhibitions - in 1978, for example, it organized a Dubuffet show and, in 1980, it helped finance an exhibition on futurism in New York and Paris.
Skønt man ikke i denne sammenhæng kan tale om kunststøtte, bør man endvidere nævne den ganske særlige dynamik, italienske firmaer og designere lægger for dagen, når det gælder forskning i arkitektur og industriel formgivning.
Although it is not yet possible to talk of patronage, mention should certainly be made of the particularly dynamic approach of people working in architectural research and industrial design, fields in which the Italian firms and designers shine.
På det italienske kunstmarked findes side om side tre sektorer af ulige betydning. ning.
The Italian art market comprises three sectors of unequal size.
Markedet for antikviteter og gamle kunstværker
The market is traditionally a strong one that is mainly geared to the export trade, in spite of the severity of the laws covering this field.
Det er stærkt koncentreret i Norditalien og dets store byer (Milano, Torino, Genova, Bologna).
This is strongly concentrated in the northern part of Italy and the big towns (Milan, Turin, Genoa, Bologna, etc.) of that area.
Den eneste italienske lokalitet af virkelig internationale dimensioner, Milano, har været bestemmende for udviklingen inden for handelen med avantgardeværker. Torino, Firenze, Venezia eller Rom er langtfra af samme rækkevidde.
Milan is the only really international art centre and it has determined how the trade in avantgarde works has developed.
Dette markeds opsving stammer fra slutningen af 1950'erne med perioder af ekspansion (1960-1962, 1966-1973) og tilbagegang (1963-1964, 1974-1976) i forbindelse med de økonomiske konjukturer.
The market began to flourish at the end of the 1950s and has had two phases of expansion (in 1960-62 and 1966-73) and two of recession (1963-64 and 1974-76), linked to the economic situation, since.
Mens markedet af den milanesiske type er af international betydning, er det i provinsen de lokale net, der muliggør galleriernes udfoldelse. De malere, der udstiller i museet i den kommune, hvor de bor eller befinder sig i nærheden af, er med hensyn til deres social-økonomiske stilling afhængige af de kom munale institutioner (skoler, museer ...), af bestillinger i henhold til loven om 2% og deres personlige forbindelser med kunder, samlere eller lejligheds vise købere.
Although markets like the Milan one are of international importance, it is the local art networks that keep the galleries going.
Galleriforeninger
Associations of galleries