natgillin/translations-raw huggingface dataset:
Den har sat sig et helt andet mål.
It decided to aim for something completely different.
Udstillingen »150 unge malere i Fællesskabet« bliver ikke storslået på grund af en høj vurdering af værkerne.
The exhibition of 150 young Community painters will not be a glamorous collection of renowned pictures.
Men den bliver spændende. For den viser hvordan, fremtidens mestre maler, dvs. de, der forbereder det 21. århundredes malerkunst.
Its great fascination is that it will display the work of artists who will the tomorrow's masters — those who will be painting for the 21st century.
Videreuddannelse ved personlige kontakter
Advanced training through personal contacts
Udgangspunktet herfor er, at der under seminarer, symposier, kollokvier og kongresser ikke knyttes tilstrækkelig nære kontakter til, at disse møder kan bidrage effektivt til kulturarbejdernes videreuddannelse.
Finding that personal contacts at seminars, symposia, colloquia and congresses are neither direct enough nor long enough to make any effective contribution to the advanced training of cultural workers, the Commission and the Greek Ministry of Culture and Science have mounted two operations called 'Cultural workers in Greece' and 'Greek cultural workers'.
Derfor har Kommissionen i samarbejde med det græske ministerium for kultur og videnskab iværksat en foranstaltning med dobbelt sigte, nemlig »Kulturarbejdere i Grækenland - Græske kulturarbejdere« og taget initiativet til en anden foranstaltning med særligt sigte på skuespillere.
The Commission has also undertaken another project specially intended for actors.
»Kulturarbejdere i Grækenland - Græske kulturarbejder*.
'Cultural workers in Greece - Greek cultural workers'
Ved hjælp af bevillingerne til fællesskabsforanstaltninger på det kulturelle område har 50 kulturarbejdere, der repræsenterer alle fagene inden for dette område, fra de ni fællesskabslande tilbragt 10 dage i Athen, fra 10. til 20. november 1981.
Thanks to a subsidy from the appropriation for Community action in the cultural sector, 50 cultural workers from the other nine member countries representing all the cultural disciplines spent 10 days in Athens from 10 to 20 November 1981.
De personlige kontakter blev knyttet på stedet gennem de græske kulturarbejderes forskellige faglige organisationer inden for hvert enkelt fag.
Within each discipline personal meetings were arranged on the spot by the trade-union and occupational associations representing Greek cultural workers.
I oktober 1982 blev 50 græske kulturarbejdere inviteret til i Belgien at besøge Europalia-festivalen, og dernæst til i små grupper at besøge de andre fællesskab slande, idet hver gruppe besøger ét af disse.
In October 1982, 50 Greek cultural workers were invited to visit Belgium's Europalia Festival, which this year was devoted to Greek culture. Small groups then each went to one of the other eight countries.
Europalia-festivalens arrangører stod for hele dette arrangement, som i øvrigt blev et af festivalens store begivenheder.
The Europalia Festival was responsible for the whole project, making it one of the major events of its programme.
I forbindelse med Europalia vil de personlige kontakter i de forskellige lande blive knyttet gennem »International Confederation of Societies of Authors and Composers« (Det internationale Forbund af Forfatter- og Komponistforeninger), gennem »International Association of Art-Painting, Sculpture, Graphic Art« (Den internationale Forening for bildende Kunster), gennem Det blandede Udvalg for europæiske Anliggender under »International Federation of Actors« (Det internationale Skuespillerforbund), »International Federation of Musicians« (Det internationale Musikerforbund) og »International Federation of Trade Unions of Audio-
Personal contacts in each country were arranged, in close collaboration with Europalia, by Cisac (International Confederation of Societies of Authors and Composers), the IAA (International Association of Art — Painting, Sculpture, Graphic Art), the Committee for European Affairs of the FIA (International Federation of Actors) and the FIM (International Federation of Musicians), Fistav (International Federation of Trade Unions of Audio-Visual Workers) and by the European Committee of Trade Unions in Entertainment and Arts.
Fra midten af maj til slutningen af juli 1982 foretog en ung italiensk skuespillertrup en turné i Europa, som delvis blev finansieret gennem bevillingere til fællesskabsforanstaltninger på det kulturelle område.
From mid-May to the end of July 1982 a young Italian theatre company made a European tour partially financed from the appropriation for Community action in the cultural sector.
Man havde valgt en handling og en form, der brød de sproglige barrierer, idet man opførte en velkendt europæisk myte i »commedia dell'arte« stilen, som specielt består i at omsætte ord til mimik, fagter og bevægelser.
The work put on had been selected as one which could easily surmount the language barrier. It illustrated one of the great European myths, familiar to everyone, and was treated in the style of the Commedia dell'arte, which conveys the words through mime, gestures and movements.
Det drejede sig ikke om en traditionel turné.
It was no ordinary tour.
Under rejsen i de fem andre EF-lande nøjedes de italienske skuespillere ikke med at optræde.
On their journey through five other Community countries the Italian troupe did more than perform.
De deltog fortrinsvis i festivaler (i Holland, London, Avignon, Ajaccio...) og kom således personligt i kontakt med skuespillerne i de lande, de besøgte, samtidig med at de overværede teaterstykker med de skuespillere, som var blevet inviteret til at se dem selv optræde.
Appearing most of the time at festivals in the Netherlands, London, Avignon and Ajaccio, they were able to meet actors in the host country and went to see the performances of those they had invited to theirs.
Målet var også i flere lande at henlede opmærksomheden på de nye samarbejdsmetoder med forestillingens aftagere, som det teateragentur, der organiserede turneen ellers kun benytter i sit hjemland.
The objective was also to publicize in several countries the new method of cooperation with the reception structures for stage works that the Office for Artistic Dissemination, responsible for organizing the tour, applies within a specific national framework.
Det europæiske musikår
Widening the audience — Specific measures
Med henblik på at få et større publikum i tale kan man konstatere en hel række opmuntrende fænomener: den almindelige adgang til undervisning og forlængelsen af den skolepligtige alder, den længere fritid, man kan regne med, den udprægede interesse for udtryksformer som musik og dans. den tiltrækning, som »levende forestillinger« og koncerter øver på de unge, den voksende interesse for regionalkultur, udviklingen af foreningslivet osv.
A number of encouraging factors are emerging on this front: broadening of education and longer duration of studies, a foreseeable extension of leisure time, a keen taste for forms of cultural expression like music or dancing, the at traction of the stage for young people, the grow ing interest aroused by regional cultures and the development of social intercourse.
Man indså imidlertid, at det med henblik på at opnå kontakt med et større publikum ikke var særlig belejligt at holde sig til den sædvanlige fremgangsmåde, der ofte består i at give de samme koncerter for et begrænset publikum.
European Music Year will endeavour to enlarge the audience in three directions: music in general, for young people and adults who still have no contact with it; the works of contemporary composers, all too neglected by music lovers themselves; young instrumentalists, whose early careers are often very difficult.
Fællesskabernes indsats bør samle sig om at få et større publikum i tale blandt de unge (i og uden for skolerne) og om at organisere særlige arrangementer, såsom det europæiske musikår.
Community action in the cultural sector should focus on widening the young audience (young people at school and elsewhere) and on organizing specific events like European Music Year.
En vigtig opgave kan her udføres ved samarbejde mellem medlemslandenes kulturattacheer og kulturinstitutter samt generelt ved kulturudvekslinger.
Collaboration between cultural advisers and cultural institutes in the Member States and cultural exchanges in general all have a role to play.
De unge i skolerne
Young people at school
Det er med tilfredshed, at Kommissionen kan fastlå, at de forslag, som den fremsatte herom i sin meddelelse af 1977 (regelmæssige møder mellem kulturattacheerne om gennemførelse af arrangementer, som flere kulturinstitutter er fælles om) har fået positive følger.
The Commission is glad to see that there has been some response to the suggestions it made in its 1977 communication (organization of regular meetings of cultural counsellors and joint cultural events by several cultural in stitutes).
Det er ikke tilstrækkeligt at gentage, at det større publikum, man kan få i tale i morgen, bør forberedes allerede i dag, og at det derfor tilkommer lærerne at vække interesse for kulturen.
It is not enough to repeat that the broader audience of tomorrow must be prepared now and that it is therefore up to the teachers to arouse their pupils' interest in the arts.
Det er på høje tid at hjælpe dem hermed.
It is high time we helped them to do this.
Det bedste ville være, at man i udstrakt grad brugte dramatikere, skuespillere, komponister, malere osv. som en slags »kulturassistenter« hos lærerne.
The most effective means would be to call in playwrights, actors, composers and painters everywhere who would act as their cultural assistants.
De kunne vise, hvordan man arbejder inden for de enkelte kunstarter og på en tiltrækkende måde illustrere lærernes undervisning.
By demonstrating the practice of each cultural discipline they would be attractively illustrating the imparting of the knowledge for which the teachers are fully qualified.
Kulturattacheerne mødes nu forskellige steder. Men selv om disse møder er blevet flere, savner de endnu faste rammer, der kan sammenlignes med dem, der findes for handels- og presseattacheer, som gør tjeneste i tredjelande.
By applying the methods which have proved their worth for foreign language assistants Community action could promote the presence of cultural workers in the education establishments of Community countries other than their country of origin.
Unge uden for skolerne
Young people out of school
Fælles arrangementer for flere kulturinstitutter har man også kendt tidligere. Hidtil har de imidlertid været sjældne og af mindre omfang.
Meetings between counsellors should be more highly organized and cultural institutes should be given the funds they need to mount joint events.
Man bør drage fordel af resultaterne af et eksperiment, der gik ud på at skaffe unge teater selskaber i forbindelse med deres naturlige publikum1). De unge selskaber har særlige forudsætninger for at sige ungdommen noget.
It would be well to exploit the results of an experiment to bring young theatre companies before their natural audience.1These young companies are particularly suited to young audiences/
') Bilag II, note 4 (anden del).
Cultural exchanges
Kulturattacheernes møder bør lægges i faste rammer, og kulturinstitutterne bør få de finansielle midler, de behøver for at kunne gennemføre fælles arrangementer.
The creative contribution that young theatre and dance troupes can make is immeasurable.
Det burde desuden være muligt at opfølge den idé, som Europa-Parlamentet fremsatte om, at Fællesskabet hvert år skulle afholde udgifterne til bevarelse af et monument i et af dets lande.
It should also be possible to act on Parliament's suggestion that the Community bear the cost of conserving a monument somewhere in the Community each year.
Det er denne vej, Fællesskabet har forpligtet sig til at gå.
Tax reliefs on conserving the private architectural heritage
Det drejer sig om at få frigjort de nødvendige finansieringsmidler til vedligeholdelse af bygninger, der er så talrige og så forskellige, at lokalsamfundene og i det hele taget medlemsstaterne på ingen måde ville have mulighed for selv at påtage sig denne direkte.
With their European dimension cultural exchanges are a natural area for Community action, the aim being to quicken the will to unite the nations of Europe expressed in the first recital of the Preamble to the EEC Treaty and the last of the objectives set out in Article 2. It will all certainly take time and patience.
De privatejede ældre bygninger omfatter nemlig både historiske bygninger (slotte og andre bygninger i landdistrikter, såsom møller og gårde) samt industri- og håndværkerbygninger, dvs. fabrikker, værksteder og forretninger fra omkring århundredskiftet.
They will even go further and reveal the underlying unity of cultural affinities, relationships and resemblances in a diversity that there can be no question of dulling. In this way they should gradually strengthen ties between the peoples of the Community.
Kommisssionen vil forelægge et forslag til Rådets henstilling til medlemsstaterne. I dette forslag vil der blive gjort rede for målet, anvendelsesområdet og lempelsens omfang.
The Commission will present a proposal for a Council recommendation to the Member States.
Hver enkelt af de fire byer afholdt udgifterne ved en koncert, der blev sendt gratis til de tre andre, medens den selv beholdt indtægten fra de koncerter, som de tre andre byer sendte.
Each of the four cities involved footed the bill for a concert which then toured the other three.
Denne cyklus har bevist, at det var muligt at smidiggøre kulturudvekslingerne betydeligt.
In each case the proceeds went to the city in which the concert was given.
Efter dette nye mønster er det i højere grad den kulturelle værdi ved de udvekslede arrangementer end omkostningerne derved, der bliver afgørende.
This experiment proved that it was possible to make cultural exchanges more flexible.. It showed that what matters is the cultural value, not the cost.
Målet er at bevare disse bygninger i alles interesse, dvs. at der er tale om et behov, som hensigtsmæssigt kan opfyldes af Fællesskabet.
It is easy to see what can be made of the Four-City Concerts idea if, as the Community's partners would like, a cultural and spcio-cultural aspect is included in the next Lome Convention.
Der må gøres nogle få undtagelser for bygningsværker, som kunne tage skade af mange menneskers hyppige besøg.
Most of these fuels are rich in organic compounds of sulphur, and this is the main cause of the damage. The sulphur eats into
sulfatering, såsom årsager, processer, forebyggelse, behandling.
more relevance if instead of being dissimilar they were focused on a major theme, say, 'the Greek and Roman theatres'.
De årlige vedligeholdelsesforanstaltninger
the surface of the limestone, gradually changing it into gypsum.
De nærmere detaljer for lempelsen skal ikke omfatte de forskellige skatteprocenter, men blot beregningsgrundlaget.
Gorniches and statuary are gradually destroyed.
Der foreslås en nedsættelse af dette, idet der således tages hensyn til det, man kunne kalde »kulturel servitut«.
Even marble, much less porous, can be badly damaged, and so can brick. No remedy has yet been found.
En bygnings kulturelle værdi forøger nemlig ikke dens han delsværdi, men mindsker den tværtimod ofte.
The Community could fund a research programme on the many aspects of sulphation (causes, prevention and treatment), about which little is yet known.
Derudover er ejendomsretten i tilfælde af en fredet bygning begrænset gennem visse regler, som staten fastsætter om vedligeholdelsesarbejdernes art og udgifterne til disse.
The gradual conservation of these theatres (which would include technical equipment for lighting and sound and improvements to the 'auditorium') might become one of the Community operations planned for the Mediterranean regions.
Europa-Parlamentet ønsker årlige foranstaltninger, hvilket betyder, at beløbet til finansiering af én foranstaltning bør tages af budgettet for ét og samme regnskabsår.
The operations recommended by Parliament would be yearly projects in the sense that the funds for each would have to come from the budget for one and the same year.
Men naturligvis vil hver vedligeholdelsesforanstaltning nødvendigvis løbe over flere år.
But it would clearly take several years to finish each project.
De årlige foranstaltninger ville i deres helhed blive mere effektive, hvis de blev koncentreret om en bestemt større gruppe bygninger, f.eks. »de græske og de romerske teatre«.
In more general terms, Community action in the cultural sector has a major economic and social role to play in the integrated development programmes which the Commission is preparing for the Mediterranean regions.
En gradvis istandsættelse af disse teatre (der også skulle omfatte udstyr til lys og lyd samt indretning af tilskuerpladser) kunne blive en af de fælles skabsforanstaltninger, som påtænkes gennemført i middelhavsregionerne.
These regions sorely need their artists and creative craftsmen, their architectural heritage, museums and festivals, and the tourists they attract, so that their cultural richness can compensate in some way for their poverty in other respects.
Selv marmor, som er meget mindre porøst, angribes hårdt.
The whole of these annual projects would have
Fri samhandel med genstande af kulturel betydning
Freedom of trade in cultural goods
• Moms : bildende kunstnere skal fritages herfor; beregningsgrundlaget skal nedsættes for samtidige kunstværker og for antikviteter.
• General application of a specifiq social security scheme for selfemployed cultural workers. • VAT: exemption for plastic artists; lower basis of assessment for contemporary works of art and for antiques. • Spreading of cultural workers' incomes over more than one tax year.
• Indførelse af en rettighed for alle kulturarbejdere til at fordele deres indkomster over flere skatteår.
• Simplification of administrative formalities at Community internal frontiers. • Introduction of record cards for works of art.
Udarbejdelse og offentliggørelse af statistikker om kulturarbejdernes sociale situation.
Improving the living and working conditions of cultural workers
• Fortsat uddeling af »EF-stipendier«: uddannelse til forskellige erhverv på det kulturelle område, bl.a. i forbindelse med bevarelse af historisk værdifulde bygninger.
• Continuing financial support for cultural events of European interest. • Promotion of 'live' music and 'live' theatre. • European Music Year — 1985. • Increased contacts between young theatre or dance troupes and young audiences. • Travelling exhibition of 150 young Community painters. • Cultural workers in schools. • Fostering cooperation between Member States' cultural counsellors and cultural in stitutes. • Improved distribution of Community-made films on national, Community and world markets. • Incentive to develop a European film distribution circuit. • European Film Festival. • Tax reliefs for cultural foundations and patronage.
• Udveksling af unge kulturarbejdere i hen hold til EF-traktatens artikel 50.
• Compiling and distributing statistics on the social situation of cultural workers. • Further awards of Community scholarships or grants: training in the various cultural professions, including conservation of the architectural heritage. • Assistance from the European Social Fund for training cultural workers and creating jobs in the cultural sector. • Assistance from the European Regional -Development Fund for regional cultural workers: training and job creation. • Cultural measures under the Mediterranean integrated development programmes. • Exchanges of young cultural workers under Article 50 of the EEC Treaty. • Equal duration of copyright.
• Indførelse i hele Fællesskabet af »domaine public payant«.
• General application of collective authors'
o Egalisering af varigheden af udøvende kunstneres rettigheder.
Conservation of the architectural heritage
• Tilpasning af ophavsretten og udøvende kunstneres rettigheder til den tekniske udvikling inden for reproduktion og formidling afskrift, lyd og billede.
• Lowering of interest rates on 'conservation' loans granted by the European Investment Bank. • Financial support from Community Funds. • Tax reliefs on conserving the private architectural heritage. • Development and application of a method of assessing the economic and social profitability of conservation projects: cost/benefit analyses. • Research into sulphation of limestone, marble and brick.
• Tilpasning af dramatikeres og komponisters rettigheder til udviklingen inden for teatrenes og koncertsalenes finansieringsforhold.
rights. • Equal duration of performers' rights. • Adaptation of authors' and performers' rights to technological development. • Adaptation of dramatists' and composers' rights to the financing of theatres and concerts. • General application of droit de suite in the plastic arts. • Protection against pirating, particularly in recordings. • Protection of creative craftsmen's work. • Protection of photographers' work.
Styrkelse af Fællesskabets indsats pé det kulturelle omrade
Stronger Community action in the cultural sector
Luxembourg : Kontoret for De europæiske Fællesskabers officielle»Publikationer
Luxembourg: Office for Official Publications of the European Communities
Pris i Luxembourg (moms ikke medregnet) ECU 2 BFR 90 DKR 16
Price (excluding VAT) in Luxembourg: ECU 2 BFR90 IRL1.40
Fællesskabet bør påtage sig det samme økonomiske og sociale ansvar for det kulturelle område, som det i henhold til traktaterne har for de øvrige områder.
The Community must bear the same economic and social responsibilities towards the cultural sector that it bears towards other sectors under the Treaties.
Den styrkelse af Fællesskabets indsats på det kulturelle område, som Kommissionen foreslår, skal især finde sted på fire fronter: fri samhandel med genstande af kulturel betydning, forbedring af kulturarbejdernes leve- og arbejdsvilkår, bestræbelser for at få et større publikum i tale og bevarelse af historisk værdifulde bygninger.
Stronger Community action in the cultural sector as proposed by the Commission will be organized along the following four lines: freedom of trade in cultural goods, improving the living and working conditions of cultural workers, enlarging the audience, and conservation of the architectural heritage.
Pris i Luxembourg (moms ikke medregnet) ECU 2 BFR 90 DKR 16
Price (excluding VAT) in Luxembourg
KONTORET FOR DE EUROPÆISKE FÆLLESSKABERS OFFICIELLE PUBLIKATIONER t»
OFFICE FOR OFFICIAL PUBLICATIONS OFTHE EUROPEAN COMMUNITIES
7/82 Den europæiske Union - Årsrapporter for 1982
European Union -Annua/reports for 1982
8/82 Udvidelse - Oversigt over problemerne og forslag til løsninger
Problems of enlargement - Taking stock and proposals
Rapporter for 1982 - fra udenrigsministrene -fra Kommissionen
Reports for 1982 - by the Ministers of Foreign Affairs and - by the Commission
Denne publikation udgives også på følgende sprog
This publication is also available in the following languages:
Rapport fra udenrigsministrene om Den europæiske Union til Det europæiske Råd i København 3.-4. december 1982
Report on European Union from the Ministers of Foreign Affairs to the European Council, Copenhagen, 34 December 1982
Rapport fra Kommissionen om Den europæiske Union til Det europæiske Råd i København 3.-4. december 1982
Commission report on European Union to the European Council, Copenhagen, 34 December 1982
Udenrigsministrenes rapport om Den europæiske Union til Det europæiske Råd
Report on European Union from the Ministers of Foreign Affairs to the European Council