natgillin/translations-raw huggingface dataset:
EF er et økonomisk, socialt og kulturelt Fællesskab.
This shows that there is still a need for action.
De økonomiske, sociale og kulturelle elementer betinger og styrker hinanden indbyrdes.
The position of most painters and sculptors in our Member States, that is to say their living and working conditions, is in no way commensurate with their role and their importance to the cultural climate of our towns and communities.
Vor devise: »Mobilitet og samarbejde i Europa« burde også gælde for kunstnere. De bør inddrages i vore fæUesskabsprogrammer, f.eks. i ERASMUS.
In Portugal alone, I know of countless cases of artists who have had brilliant careers and made major contributions to the cultural heritage, only to live the twilight of their years in a situation verging on destitution.
Man burde måske endda overveje udvikhng af et særiigt EF-kunstnerprogram.
All too often, painters and sculptors are exploited as part of other people's image building.
I denne forbindelse bør vi ganske særiigt holde os kunstnernes til dels fortvivlede situation i de østeuropæiske lande og de nye republikker for øje.
No fees are paid for exhibitions, often the artist's costs are not even met.
De fik tidligere i vidt omfang statsstøtte, men i den nuværende fortvivlede overgangsfase tü markedsøkonomi har næsten ingen af dem nogen fortjenstmuligheder mere.
It seems to me that a major demand in this report is thus the call for tax relief on purchases of works of art in order to stimulate a greater degree of sponsorship.
Hvis vi vil have, at Fællesskabet skal give borgerne fornemmelsen af et tilhørsforhold, så må det snarest blive fornemmelsen af et kulturelt tilhørsforhold.
Tax concessions will also make people more willing to have original works of art in their private houses and flats, because the securing of the social situation of artists will only be justified if enough art is bought and sold.
Samhørighed, kohæsion, er ikke blot skatteharmonisering, men også og netop bevidstheden om at have de samme kulturelle rødder, og de kræver omhyggelig pleje.
Ideally and above all, art should also find a place in public administrative buildings, hospitals and educational establishments. This would help the artists, and would make for a better working atmosphere.
De af Kommissionen planlagte kulturelle net bør derfor udstrækkes til Østeuropa og i højere grad tjene udveksüngen af kunstnere fra Øst og Vest.
And this because social protection systems are not adapted to and fail to meet the needs of the artist's situation.
På den måde kan der opstå fælles arbejds- og udstillingsmuhgheder, som f.eks. i fjor GERMINATION.
Existing systems are based on situations of continuous, permanent employment with regular hours.
Den slags skaber gensidige tilskyndelser og yder et væsentligt bidrag til den ønskede tilnærmelsesproces mellem Vest- og Østeuropa.
These systems do not cater for those who are forced to work in a series of simultaneous projects of creation or interpretation without a regular time table — with contracts that are short-term — if indeed they exist at all — and frequently disregarded by employers.
Der for bør vi under den igangværende europæiske integrationsproces ikke glemme de europæiske kunst nere!
Labour relations are conducted within an insecure and ambiguous legal framework.
Maibaum (S). — (DE) Hr. formand, mine damer og herrer, da vi drøftede denne betænkning i udvalget, havde EF endnu ikke kompetence på kulturområdet.
It ought also to be a matter of course, i.e. enshrined in law — and Mrs Pack mentioned this just now — that at least 1% of the cost set aside for a public building should be spent on furnishing the building with works of art and/or incorporating art into the fabric of the building itself.
I mellemtiden besluttedes det i Maastricht at medtage en selvstændig artikel om kultur i de nye Traktater. Parlamentet får reel medindflydelse.
This again would put money in the artist's pocket and would certainly be a pleasure and benefit to those subsequently using the building.
Det er jeg glad for. Så må man blot håbe, at Traktaten endnu i år må blive ratificeret af samtlige medlems stater til trods for mange utilstrækkeHgheder med hensyn til Parlamentets substantielle rettigheder.
Contrary to what the covers of social or artistic magazines may suggest, the result of this situation is that only 20% of artists have a reasonable income, with a mere 4 or 5% qualifying as the genuine success stories on which society feeds so hungrily.
Dermed vil beslutningsforslagets første krav allerede være opfyldt.
The remaining 80% of artists earn the minimum wage or less and, on occasion, all that survives is their work, because poverty has killed off the artists.
Situationen for de fleste bildende kunstnere i vore medlemsstater, dvs. disses leve- og arbejdsvilkår, er på ingen måde i
We should have a particular eye to artists in the countries of Eastern Europe and the new republics, some of whom are in desperate straits. They were for
På trods af deres livs specielle natur
We support Mrs Pack's report in defence of the status of workers engaged in cultural activities. It would be
Mendes Bota findes mange bygninger, der kan ombygges.
MENDES BOTA with my amendments, I favour of the Pack report hope.
og deres anderledes måde at tænke og agere på i forhold til dem, deres kunstværker er bestemt for, er kunstnere dog lavet af samme kød og blod som alle de andre væsener af den menneskelige race, med de samme materiale eller fysiologiske behov og samme ret til social sikring ved arbejdsløshed, alderdom eller sygdom.
scandalous indeed if somebody who had shown such concern regarding the status of football players and other professional athletes should ignore the problems suffered by the creators and re-creators of our civilization, namely artists.
Det forekommer mig ligeledes vigtigt at afbøde mangelen på oplysning om europæisk politik i kunstnerkredse.
More than any other gift, art awakens the human senses and, in its finest form, enriches the lives of past, present and future generations.
Det nytter ikke noget at træffe foranstaltninger, hvis de pågældende ikke får det at vide.
We must support, conserve and safeguard our cultural heritage as an absolute priority.
Det er formålet med det af mig foreslåede punkt 10 b.
Culture and art are one of the greatest yardsticks by which we measure the legacy of preceding generations, and by which we will be measured in turn in the years and centuries to come.
De er baseret på vedvarende, faste arbejdsforhold med en fast daglig arbejdstid.
Taking measures serves no purpose unless the people for whom they are intended spread the message.
Det drejer sig om specielle situationer, der fører til tilfældige og uregelmæssige indtægter, som kan variere stærkt fra år til år, og som ikke følger skattemæssige vurderinger eller edbbestemmelser.
For our part, the artist must have adequate access to training, a fitting wage or payment and appropriate social security cover and pension. I deeply regret that no reference has been made to those artists who are handicapped, for we know and are witness to some truly great art produced by those we term handicapped.
Det er arbejdsforhold, der bevæger sig i en juridisk usikker og udflydende ramme.
I urge the Commission not to overlook their needs and their contributions to our society.
Endelig vil jeg gerne påpege to ting i punkt 13.
In paragraph 13, there are two aspects that I would wish to be emphasized.
Jeg mener for det første, at det er en alvorlig svækkelse af fru Packs betænkning ikke at ønske et mindstemål harmonisering af kunstneres status.
First, I think it would greatly weaken Mrs Pack's report not to seek a minimum level of harmonization of artists' status.
Det forventer de af os, og vi må ikke skuffe dem ved at overlade ansvaret for sikkerheden på dette område til med lemsstaterne alene.
This is what they are expecting of us, and we must not disappoint them by abdicating and leaving the Member States to attend to guarantees in this area.
Uden dette mindstemål af sociale rettigheder er det nytteløst at regne med et kulturelt dynamisk Europa.
Without minimum social rights, it is futile to expect a dynamic cultural Europe.
Endelig har fru Pack ønsket en status for professionelle kunstere, og det har hun ret i.
Secondly, Mrs Pack has called for a statute for professional artists, and she is right.
Det er absolut nødvendigt.
This is absolutely essential.
Men 90% af Europas kunstnere udøver i hvert fald som halvtidsbeskæftigelse også et andet fag for at tjene til livets opretholdelse.
But 90% of European artists make ends meet by doing another job, at least part-time.
De er også professionelle, selv om de kun er halvtidsbeskæftigede, og deres kvalitet, kunnen og begavelse kan sammenlignes med det, man møder hos dem, der er så heldige at kunne udøve deres kunst på fuld tid, fordi de har fået succes.
They are still professional artists, admittedly only part-time, but the quality of their work, their skills and talent bear comparison with those of artists who are lucky enough to practise their art on a full-time basis, success having come their way.
Undladelse af at tænke på en status for disse og for lejUghedskunstnere er ensbetydende med at udelukke praktisk talt alle skabere og fortolkere fra at nyde godt af betænkningen.
Failure to devise a statute for them, and for occasional artists, would exclude virtually all creative and performing artists from the benefits of this report.
Modsat det, man skulle tro, når man ser kunsttidsskrifters forsider, har kun 20% af kunstnere en rimeUg indtægt, og kun en 4 — 5% af dem har virkelig succes.
If we do not provide for our artists, how can we deal with the situation described by my fellow Irishman, George Bernard Shaw, in 'Man and Superman' when he said : 'The true artist will let his wife starve, his children go barefoot, his mother drudge for a living at 70, sooner than work at anything but his art'.
De resterende 80% overlever på minimumsløn eller derunder; mange gange er det deres arbejde, der overlever, fordi elendigheden har sørget for at tage livet af kunstnerne.
European Union must declare for the artist and for those who financially or otherwise help the artist.
Vi er på fru Packs side i denne betænkning om forsvaret af kulturarbejdernes status.
Needless to say, the Community must be prepared to allocate the necessary means and resources.
Nu da vi så indgående har beskæftiget os med fodboldspillernes og andre professionelles status, ville det være en skændsel, om vi ignorerede problemerne omkring vor civilisations skabere og fornyere: kunstnerne.
A real start must be made through the 1993 budget by enabling a global dimension to cultural policy to be developed rather than confining it to specific measures.
I visse kredse er det blevet gængs praksis at lade sig erklære konkurs, når man ikke kan betale kunstnerne, for straks efter at stifte en ny virksomhed.
My own country, with limited means, but with a unique tax concession, has attracted many great artists to live there.
Det må der gøres en ende på.
Long may that scheme continue.
I betragtning af de økonomisk stærkeste landes urimelige kultureUe fremtrængen er det på tide at give Fællesskabets kunstere midler til at skabe, at arbejde og at gøre det nye Europa til en privilegeret arne for kunst og skabelse.
I am proud too that during the Irish Presidency, the Ministers for cultural affairs met and endorsed various initiatives aimed at promoting the movement of cultural workers, training, information and recognition of qualifications.
Mere end noget andet vækker kunsten de menneskeuge sanser og beriger i sin fineste form fortidige, nuværende og fremtidige generations Uv. Vi skal støtte, bevare og sikre vor kulturelle arv som absolut prioritet.
Finally, I enter a plea for the creation of guarantee funds to compensate creative artists when cultural enterprises go bankrupt.
Kultur og kunst er én af vore vigtigste målestokke til at måle arven fra tidligere generationer og vil blive brugt til at måle os i århundreder fremover.
Going bankrupt when no longer able to pay creative artists and then immediately setting up a new company has become common practice in certain quarters.
En af de målestokke, som EF vil bUve målt med, er Maastricht-Traktaten.
This situation must not be allowed to continue. We shall be voting in
Selv om De Grønne i Europa-Parlamentet med begejstring støtter fru Packs betænkning, har jeg alligevel stillet fire ændringsforslag, der kompletterer den.
In conclusion, while congratulating the rapporteur, Title IX of the Maastricht Treaty on culture must be a clarion call for all artists and for the Community generally.
For det første for at udstrække strukturfondenes anvendelsesområde til også at omfatte oprettelse af kulturhuse i økonomisk dårligt stillede regioner, som også kulturelt er dårligt stillet.
I now formally urge the setting-up of an EC monitoring committee on culture, to be known as Title IX.
De mangler lokaler, værksteder, kunstnere og materiel, men der
'Without art', said Shaw, 'the crudeness of reality would make the world unbearable'.
Andrews men vi skal stadig have rede på, hvad det vil betyde.
BANOTTI (PPE). — Mr President, I welcome Mrs Pack's report, having had the pleasure of taking part in the hearings she organized.
Det må betyde en udvidelse af kulturens generelle indarbejdelse i alle vore programmer, således som det er sket med miljøet i alle vore programmer.
I hope that we will not be looking to the artists' wives and children to starve, but rather accept that they also have served in the cause of art, very often being responsible for the financial support of their families.
Vi kan ikke lovgive for kunsten som sådan.
I think it is most appropriate, both now and perhaps in the future, that we should think about what the role of the European Community in cultural policy should be.
Afdøde præsident Kennedy sagde: »Hvis kunsten skal nære vor kulturs rødder, skal samfundet frigøre kunstneren til at følge sin vision, hvorhen den end fører ham eller hende«.
On the one hand it acknowledges that the Community has a role to play in the area of culture, but on the other hand it attaches a number of restrictions to that role, partly because of the subsidiarity principle.
Jeg siger, at vi kan og skal sikre, at kunstneren har den frihed.
They look to us for a broadening of their artistic vision.
Det er vor indstilling, at kunstneren skal have tilstrækkelig adgang til uddannelse, en passende løn eller betaling og social sikker hed og pension.
They look to us now, particularly because this is an eminently practical report, for recognition of their social needs as well.
Jeg beklager meget, at man ikke har omtalt de kunstnere som er handicappede, for vi kender og oplever virkelig stor kunst skabt af dem, vi kalder handicappede.
The inclusion of culture in the Maastricht Treaty is to be welcomed yet we still have to tease out what it will mean.
Jeg beder Kommissionen om ikke at overse deres behov og deres bidrag til vort samfund.
It must mean a broadening of the general involvement of culture in all our programmes just as the inclusion of the environment has done for all our other programmes.
Men jeg synes, at kunstnerne stadig er oversete bidragsydere til vort samfund.
However, I do feel, Mr President, that artists continue to remain the forgotten contributors to our society.
Det er en sørgelig statistik, at kun 2% af dem kan siges at tjene en anstændig indtægt og 20% en middelmådig indtægt.
It is a dreadful statistic that only 2% of them can be said to be earning a proper living and 20% a mediocre living.
Alt for ofte skal de tage andre jobs og gøre andre ting og være afhængige af deres — forhåbentlig ikke sultende — koner og børn, for at det kan være muligt for dem at berige alles liv med deres arbejde.
All too often they have to take other jobs and do other things and rely on their — hopefully not starving — wives and children to make it possible for them to light up all our lives with their work.
Jeg vil gerne takke fru Pack for hendes udmærkede betænkning, som jeg støtter fuldt ud.
I would like to thank Mrs Pack for her excellent report, which I completely support.
Van Hemeldonck (S). — (NL) Hr. formand, de europæiske kunstnere er et eksempel på geografisk mobile arbejdstagere.
The reason I say that is that I believe on the one hand that we should add to, I would almost say, optimize, what the Treaty says about culture.
En solist i et symfoniorkester, en büledkunstner, som udstiller på det ene kunstgalleri efter det andet, en teaterskuespiller, som med sin teatertrup rejser rundt i Fællesskabet, det er eksempler, som vi egentlig burde bruge til at efterprøve vor poütik vedrørende de mobile arbejdstagere i Europa.
On the other hand of course the restrictions outlined in the Treaty must be accepted too, because the subsidiarity principle is one which must also apply in the interpretation and implementation of the Treaty where cultural policy, and perhaps especially cultural policy, is concerned.
Disse mennesker oplever temmelig mange absurditeter, f.eks. at deres sociale rettigheder ikke kan tælles sammen, eller at disse ikke kan overføres fra den ene medlemsstat til den anden.
It is certainly not for nothing that the Treaty text expressly says that the Committee of the Regions must also be consulted in the preparation of certain policy decisions.
Absurditeten i forbindelse med told på et maleri, som eksporteres for at blive udstillet i Paris og så skal importeres igen.
And it is certainly not for nothing that the same article, actually very much against the structure of the Treaty, says that whilst the unwieldy procedure of Article 189b will apply, the Council must again decide on a basis of unanimity.
Vi skulle måske hellere på nært hold tage disse arbejdstagere som eksempel på det absurde ved nogle af vore bestemmelser.
So I think a debate of this kind would be most useful, but our present debate had been prepared before these texts were finished.
Hvis vi ikke sørger for vore kunstnere, hvorledes kan vi så klare den situation, min landsmand George Bernard Shaw beskrev i »Mandens Over mand«, da han skrev »Den sande kunstner vil lade sin kone sulte, sine børn gå barfodede, sin 70-årige moder slide for et udkomme frem for at arbejde med andet end sin kunst«.
VAN HEMELDONCK (S). — (NL) Mr President, the European artist exemplifies the geographically mobile worker. A soloist in a symphony orchestra, a painter or sculptor who exhibits in one gallery after another, a theatre director who tours the Community with his company, all these could be test cases for our policy on the freely moving Community worker.
Den Europæiske Union bør stå bag kunstneren og dem, der økonomisk eller på anden vis hjælper kunstneren.
These people have to put up with a lot of silliness : they cannot claim social benefits, or their social benefits cannot be transferred from one Member State to another.
Det er derfor en selvfølge, at Fællesskabet skal være villig til at bevilge de nødvendige midler og ressourcer.
The absurdity of customs duties payable on a painting which has to be exported for exhibition in Paris and then reimported.
Der skal gøres en reel begyndelse i 1993-budgettet ved at muliggøre en udvikling af en samlet dimension for den kulturelle politik frem for at begrænse den til specifikke forholdsregler.
We might do better to look closely at these workers as examples of how silly some of our rules are.
Med begrænsede midler, men med en enestående skattelettelse har mit hjemland tiltrukket mange store kunstnere. Længe leve den ordning.
Just one comment now on the specific recommendations in Mrs Pack's excellent report.
Jeg er også stolt over, at kulturministrene mødtes under det irske formandskab og vedtog forskellige initiativer for at fremme kulturarbejderes bevægelighed, uddannelse, oplysninger om og anerkendelse af kvalifikationer.
I think this would be departing from what the Treaty asks, indeed demands of us, since I read there that the harmonization of national laws is expressly precluded.
Endelig vil jeg lykønske ordføreren og samtidig sige, at afsnit IX i Maastricht-Traktaten om kultur skal være et trompetstød for alle kunstnere og Fællesskabet generelt.
On the issue of social security I think the European Community should confine itself to coordinating the various national systems as they apply to workers and the self-employed.
Jeg foreslår nu formelt, at der oprettes et EF-udvalg til overvågning af kulturen, som skal kaldes afsnit IX. »Uden kunst«, sagde Shaw, »ville virkelighedens råhed gøre verden uudholdelig«.
But specific social benefits must remain a matter for the Member States, though recommendations may be made to ensure that account is taken of the specific problems caused by differing occupational categories in these national systems.
Et andet punkt, hr. formand, retter jeg specielt til Dem som medlem af Præsidiet.
A second point, Mr President, I would address to you as a member of the Bureau.
Jeg ville ønske, at Parlamentet kastede lidt mere lys over sin egen kunstpohtik.
I should like Parliament to be a little more forthcoming about its own policy on the arts.
Vi har her i Parlamentet ført en mærkværdigt positiv, god kunstpolitik.
We have had a remarkably good policy on the arts in Parliament.
Jeg har netop stület Præsidiet et spørgsmål om et skøn over det kunstpatrimonium, som vi i årenes løb har forsamlet her.
I recently asked the Bureau to estimate the value of the art assets we have accumulated here over the years.
Jeg har fået et informelt skøn, som går ud på, at værdien deraf kan ganges med omkring hundrede i forhold til købsprisen.
I was told informally that they were worth nearly a hundred times what they cost to buy originally.
Det er på tide, at vi er stolte over dette, og at vi lader dette vide, og at vi måske fremstiller andre julekort og lykønskningskort end de smagløse ting, som vi fik forevist i den sidste serie.
It is time we took pride in these, that we made our pride in them known, and time perhaps for us to commission different Christmas and greetings cards from the tasteless items we were offered last time.
Jeg håber, at vi går videre hermed, og at også de andre medlemmer af Det Europæiske Fællesskab følger dette eksempel.
I hope we may go further in this respect and that the other members of the European Community may take a lead from us.
Banotti (PPE). — (EN) Hr. formand, jeg byder fru Packs betænkning velkommen efter at have haft fornøjelsen af at deltage i de høringer, hun organiserede.
ANDRIESSEN, Vice-President of the Commission. — (NL) Mr President, I think the importance of this debate
beskæftiger os med spørgsmålet om, hvilken rolle Det Europæiske Fællesskab bør spille med hensyn til kulturpolitik. Den tekst, som vi har modtaget fra Maastricht, er på dette punkt ikke altid helt tydelig.
ANDRIESSEN concrete expression to the Treaty provision on culture, which is a new and significant element in the European Community's process of integration.
Formanden. — Jeg erklærer Europa-Parlamentets session 1991-1992 for afsluttet.
PRESIDENT. — I declare closed the 1991-1992 session of the European Parliament.
I henhold til forretningsordenens bestemmelser træder Parlamentet igen sammen i morgen tirsdag den 10. marts 1992 kl. 9.00. ')
Under the terms of the Treaty, Parliament will reassemble tomorrow, Tuesday, 10 March 1992 at 9 a.m.l
(Mødet hævet kl. 23.20)
(The sitting was closed at 11.20 p.m.)
Nu har jeg en enkelt bemærkning om de konkrete anbefalinger, som er fremsat i fru Packs fortræffelige betænkning.
Take the question of promotional measures, networks, aid to further training, exchanges, aid for artists just starting out, elements which have been incorporated into the report.
Der anmodes om, at der udarbejdes et handUngsprogram for 1993, som navnlig burde udforme en ordning for kunstneres retsstilling.
This provision will make it possible in future for us to cooperate with these countries in the area of culture.