natgillin/translations-raw huggingface dataset:
Også kisten fra Guldhøj ved Vamdrup er blevet plyndret i oldtiden. 
The coffin from Guldhøj, near Vamdrup was also plundered in the prehistoric period.
Heldigvis efterlod tyvene trods alt en masse fine genstande, som er bevaret i dag. 
Luckily the thieves left behind many fine objects that are preserved today.
Læs mere om Guldhøjfundet her. 
You can read more about the Guldhøj find here.
De ligger i egekister iklædt deres tøj og med deres gravgods, som de blev begravet i højen for mere end 3000 år siden. 
They lie in oak coffins, dressed in their clothes and with their grave goods, just as they were buried in mounds more than 3000 years ago.
Pga. de usædvanligt gode bevaringsforhold kan vi få et ganske godt billede af, hvordan bronzealderens mænd og kvinder så ud, hvordan de gik klædt, og hvilke genstande, de omgav sig med. I Nationalmuseets udstilling kan du møde syv af disse mennesker – kvinderne fra Egtved, Skrydstrup og Borum Eshøj og mændene fra Muldbjerg, Trindhøj og Borum Eshøj. 
In the National Museum’s exhibition you can meet seven of these people - the women from Egtved, Skrydstrup and Borum Eshøj and the men from Muldbjerg, Trindhøj and Borum Eshøj.
Kvinder og mænd havde hver deres dragtmode i bronzealderen. 
Women and men had their own clothing fashions during the Bronze Age.
Også deres gravgaver vidner om, at der var forskel på det udstyr, som kvinder og mænd fik med sig i graven. 
Their grave goods also testify to a difference between the furnishings that women and men were given in the grave.
Kvinderne bærer ofte en stor bælteplade af bronze om maven, mens mændenes gravgaver gerne omfatter en ragekniv og et sværd. 
Women often wear a large bronze belt plate on the stomach, while the men’s grave goods frequently include a razor and a sword.
Skrydstrupkvinden og den unge mand fra Borum Eshøj er to af bronzealderens kendte ansigter. 
The woman from Skrydstrup and the young man from Borum Eshøj are two of the Bronze Age’s most well-known faces.
Graven blev omhyggeligt udgravet og alle genstande sendt til Nationalmuseet. 
The grave was carefully excavated and all the finds were sent to the National Museum.
Den unge mand i kisten var gravlagt på en kohud. 
The young man in the coffin was laid on a cow skin.
Han var iført en ulden kofte med bælte, og over skuldrene havde han en nyreformet kappe med påsyet luv - såkaldt flos. 
He was dressed in a woollen coat with a belt and over the shoulders he wore a kidney-shaped cloak, which featured a sewn-on furry surface or nap.
På hovedet bar han en rundpuldet hue af uld, der også havde flos på ydersiden, og på fødderne lå to fodlapper af uld. 
On his head he wore a round-crowned woollen hat, which also had a furry surface on the outside and on his feet were two woollen foot wraps.
Trindhøjmanden havde mange fine ting med i kisten; et bronzesværd med tilhørende skede af træ, en ragekniv af bronze, en hornkam og en ekstra hue i en barkæske. 
The Trindhøj man had many fine things with him in the coffin: a bronze sword with associated wooden scabbard, a bronze razor, a horn comb and an extra hat in a bark box.
Han havde også et tæppe lavet af hvid uld, hvilket sjældent ses ved bronzealdertekstiler. 
He also had been given a blanket of white wool, which is found only rarely amongst Bronze Age textiles.
Kisten er årringsdateret til 1347 f. Kr. 
The coffin is dendrochronologically dated to 1347 BC.
Haven blev anlagt i slutningen af 1700-tallet som fristed for adelsparret Antoine og Lisa de la Calmette. 
It was laid out at the end of the 18th century as a country home for Antoine and Lisa de la Calmette.
Onsdag - søndag 10.30, 11, 13.30 og 14. 
Wednesday - Sunday at 10.30, 11, 13.30 and 14.
Grupperundvisning (min. 10) bestilles på telefon 5581 2178 eller e-mail 
Book a group tour (min. 10) by phone 5581 2178 or e-mail
Haveanlægget er åbent hele året og adgang hertil er gratis 
The romantic garden is open all year and admission is free
I 1871 var dele af højen ved at blive fjernet, og den første grav blev fundet. 
In 1871 parts of the mound were being removed and the first grave was found.
Heri lå liget af en ældre kvinde. 
In it lay the body of an elderly woman.
Højen er sikkert oprindelig rejst over kisten med den ældre mand, som lå i højens centrum. 
The mound was probably raised over the coffin of the old man, who lay at its centre.
Senere kom de to andre grave til. 
The other two graves were added later.
Egetræerne, som kisterne er lavet af, blev fældet ca. 1350 f. Kr. 
The oak trees of which the coffins were made were felled around 1350 BC.
De tre døde kan bestemmes som en 50-60 år gammel kvinde, en jævnaldrende mand og en ung mand i alderen 20-22 år. 
The three deceased can be identified as a 50-60-year-old woman, a man of the same age and a young man aged 20-22.
Måske er det en lille familie. 
Perhaps they were a small family.
Alle er de blevet gravlagt på en måde, der vidner om stor omsorg, omhyggeligt og med anseelige gravgaver. 
The bodies were all buried in a way that showed great consideration.
Borum Eshøj-gravene er det største samlede fund af sin art fra Danmark. 
The Borum Eshøj graves are the largest single find of this kind from Denmark.
Akvareller og tegninger af de tre egekistefund fra Borum Eshøj, udført af J. Magnus Petersen. 
Watercolours and drawings of the three oak-coffin finds from Borum Eshøj by J. Magnus Petersen.
Liget var så velbevaret, at man måtte partere det ved transporten til København – musklerne holdt endnu skelettet sammen. 
The body was so well preserved that it had to be dismembered for transport to Copenhagen with the muscles still holding the skeleton together.
Han havde velplejede negle og et nybarberet ansigt. 
He had well manicured nails and a newly-shaven face.
Manden lå på et koskind og var dækket af et uldent tæppe. 
The man lay upon a cow skin and was covered with a woollen blanket.
Han var iført en rundpuldet hue, en nyreformet kappe, en kilt, to fodlapper og et bælte. 
He was dressed in a hat with a round crown, a kidney-shaped cloak, a kilt, two foot cloths and a belt.
Alle tekstilerne var fremstillet i uld. 
All the textiles were made from wool.
Den eneste genstand i graven udover dragtdelene var en træpind, der var fastgjort til kappens krave. 
The only other object in the grave, apart from the items of clothing, was a wooden needle, which was attached to the cloak’s collar.
Fund af træspåner viser, at kisten, som den gamle mand fra Borum Eshøj blev lagt i, blev udhugget af en egestamme på stedet. 
Finds of wood chips show that the coffin in which he was laid was carved from an oak trunk on the spot.
Kisten er årringsdateret til 1351 f.Kr. 
The coffin is tree-ring dated to 1351 BC.
Her kan du læse mere om bronzealderens dragter. 
Here you can read more about bronze age garment.
Kvinden var forholdsvis lavstammet og tætbygget – muskelsporene på hendes knogler afslører, at hun foretog hårdt fysisk arbejde. 
The woman was relatively short and stocky; traces of muscles on her bones reveal that she did hard physical work.
Kvindens dragt er velbevaret og består af adskillige dele: et aflangt stykke stof syet sammen af flere dele, bluse, hårnet, hue og to bælter, alt lavet af uld. 
The woman’s clothes are well preserved and consist of various items: a rectangular piece of cloth made of several pieces sown together, blouse, hairnet, cap and two belts, all made from wool.
Hendes rigdom afspejles af de mange bronzesmykker, som omfatter en bælteplade, to tutuli, en halsring, armringe, spiralfingerringe og en dragtnål. 
Her wealth is reflected in the numerous pieces of bronze jewellery, which include a belt plate, two ornamental bronze plates or “tutuli”, a neck ring, arm rings, spiral finger rings and a clothes pin.
Graven indeholdt også et lerkar, en trææske, en bronzedolk og en hornkam. 
The grave also contained a pottery vessel, a wooden box, a bronze dagger and a horn comb.
Her kan du læse mere om bronzealderens dragter. 
Her you can read more about bronze age garments.
Hans krop var meget velbevaret, da han blev fundet. 
His body was well preserved when it was uncovered.
Muskler og andre bløddele forbandt endnu knoglerne med hinanden. 
Muscles and other soft parts connected the bones together.
Også hans hår er bevaret; derfor kan vi se, at det var klippet i en page-frisure. 
His hair is also preserved and we can see it is in a page-boy style.
Den unge mand fra Borum Eshøj er iført kappe og kilt af vævet uld og et læderbælte. 
The young man from Borum Eshøj is dressed in a cloak and kilt of woven wool and a leather belt.
Det er muligt, at manden også bar et par lædersko. 
It is possible that the man also wore a pair of leather shoes.
Hans gravgaver omfatter en bronzedolk i en sværdskede af træ, en hornkam, en barkæske, en bennål og en dobbeltknap af træ. 
His grave goods include a bronze dagger in a sword scabbard of wood, a horn comb, a bark box, a bone needle and a wooden double button.
Egekisten er årringsdateret til 1345 f.Kr. 
The oak coffin is tree-ring dated to 1345 BC.
Her kan du læse mere om bronzealderens dragter. 
Here you can read more about bronze age garments.
Da han fandt sagerne lå de i en trækiste, hvori der også havde ligget menneskeben, indhyllet i uldstof. 
When he found the items they lay in a wooden coffin, which had also contained human bones wrapped in woollen material.
Klæderne havde været iturevne, men han mente da heller ikke, at de kunne have nogen betydning. 
The clothes had been torn up and he could not understand how these rags could be significant.
De århusianske oldgranskere ilede naturligvis til stedet, og reddede, hvad reddes kunne. 
Antiquarians from Århus rushed to the site and saved what they could.
Højen var da reduceret til 14 alen i højden, altså ca. 8-9 meter. 
The barrow had by then been reduced to a height of about 8-9 metres.
Det blev oplyst, at de fundne sager stammede fra en grav, hvor liget lå i en egetræskiste. 
They were told that the objects found came from a grave where the body lay in an oak coffin.
Man havde fjernet låget og rodet i indholdet med en møggreb og en ildrager. 
The farmer had removed the lid and rummaged in the contents with a dung fork and a poker.
I 1875 iværksattes en udgravning fra Museet for Nordiske Oldsager, det nuværende Nationalmuseum. 
In 1875 an excavation was undertaken by the Museum of Nordic Antiquities, the present- day National Museum.
Ved denne udgravning dukkede yderligere to egekistegrave frem, med velbevarede lig og forskelligt gravgods. 
During this excavation a further two oak-coffin graves were found containing well-preserved bodies and various kinds of grave goods.
Et andet sagn fortæller, at den store høj var beboet af en grusom trold. 
Another legend says that the large mound was occupied by a cruel troll.
Drikkehornet findes den dag i dag på museet Kulturen i Lund; det er et senmiddelalderligt drikkehorn med beslag og en indskrift, der omtaler Sven Fælding. 
It is a Late Medieval drinking horn with fittings and an inscription that bears the name of Sven Fælding.
Øverst i højen lå en grav fra yngre bronzealder. 
In the top of the barrow lay a burial from the Late Bronze Age.
På det tidspunkt blev de døde brændt. 
At that time the dead were cremated.
Alle genstandene var belagt med guldblik. 
All the objects were coated with gold sheet.
Udstyret viser, at endnu en højtstående mand var blevet begravet i højen. 
The furnishings show that another high-ranking man had been buried in the barrow.
Planen viser, at en ældre mands grav ligger i centrum. 
The plan shows that an old man’s grave lies at the centre.
Yderst til højre er en ældre kvindes grav angivet. 
Farthest to the right an elderly woman’s grave is shown.
Desuden er der forskellige stenlægninger. 
In addition there are several areas of stone paving.
Højen er omgivet af et stengærde omhyggeligt bygget i trin. 
The barrow is surrounded by a stone wall carefully built in steps.
En sommerdag i 1370 f.kr. blev hun begravet i en egekiste, der blev dækket af en gravhøj - den såkaldte Storehøj nær Egtved By, vest for Vejle. 
One summer’s day in 1370 BC she was buried in an oak coffin that was covered by the barrow Storehøj near Egtved, west of Vejle.
Selv om der ikke er meget tilbage af Egtvedpigen, er hendes fortælling en medrivende historie om bronzealderfolket. 
Although not much is left of the Egtved Girl, her tale is a captivating story of the Bronze Age people.
Af selve pigen er kun hår, hjerne, tænder, negle og lidt hud tilbage. 
Of the girl herself only hair, brain, teeth, nails and a little skin remain.
Hendes tænder afslører, at hun var 16-18 år, da hun døde. 
Her teeth reveal that she was 16-18 years old when she died.
På maven havde hun en bælteplade af bronze udsmykket med spiraler. 
A belt plate of bronze decorated with spirals lay on her stomach.
Om hver arm var en ring af bronze, og en spinkel ring sad om hendes øre. 
Around each arm was a ring of bronze and she had a slender ring in her ear.
Ved hendes ansigt lå en lille æske af bark med en bronzesyl og resterne af et hårnet. 
By her face lay a small box of bark with a bronze awl and the remains of a hair net.
Ved Egtvedpigens fødder var der placeret en lille spand af bark – i denne har der været en form for øl. 
At the feet of the Egtved Girl a small bucket of bark had been placed, which once contained a type of beer.
Her lå også en lille tøjbylt med brændte barneknogler fra et 5-6 årigt barn. 
There was also a small bundle of clothing with the cremated bones of a 5-6-year-old child.
Enkelte knogler af det samme barn fandtes i barkæsken. 
A few bones from the same child were found in the bark box.
Egtvedpigen så igen dagens lys, da hendes grav blev udgravet i 1921 - efter næsten 3500 år. 
The Egtved Girl saw the light of day again when her grave was excavated in 1921 – almost 3500 years later.
Museumsinspektør Flemming Kaul fortæller om Egtvedpigen. 
Museumsinpektør Flemming Kaul tells the story of The Egtved Girl.
Rekonstruktion af Egtvedpigens dragt. 
Reconstruction of the Egtved Girl's clothes.
På Nationalmuseet kan man se flere eksempler på dragttypen. 
You can see several examples of this type of dress in the National Museum.
På maven bar Egtvedpigen en bælteplade af bronze. 
The Egtved Girl had a belt plate on her stomach.
Den kan have været et symbol på solen, der var det vigtigste element i bronzealderens religion. 
It may have been a symbol of the sun, which was the most important element in Bronze Age religion.
Mere om kvinderne fra bronzealderen på Den Store Danske, Gyldendal. 
Read more about the women of The Bronze Age on Den Store Danske, Gyldendal.
Det er anlagt i slutningen af 1700-tallet som lyststed for Antoine og Lisa de la Calmette 
It was laid out at the end of the 1700s as a country home for Antoine and Lisa de la Calmette.
Liselunds nyklassicistiske lystslot er opført i 1792 af arkitekten Andreas Kirkerup. 
Liselund’s neoclassical palace was erected in 1792 by the architect Andreas Kirkerup.
Nationalmuseet - museer og slotte i hele Danmark 
National Museum of Denmark - a collection of museums all over the country
Jord og materialer var blevet kørt bort fra den. 
Earth and materials had been removed from it.
Alligevel var der en velbevaret grav i højens østlige del. 
Nevertheless there was a well-preserved grave in the eastern part of the mound.
Egtvedpigen lå i en såkaldt egekiste – en udhulet, afbarket egestamme, hvor den ene halvdel fungerede som kiste og den anden som låg. 
The Egtved Girl lay in an oak coffin.
Alt lå i kisten, som det gjorde ved begravelsen for næsten 3500 år siden. 
Everything lay in the coffin as it had done at the burial almost 3500 years ago.
Inden Egtvedpigen blev lagt i kisten, havde man foret den med et koskind. 
Before the Egtved Girl was laid in the coffin it had been lined with a cow skin.
Forsigtigt blev hun med sit gravgods lagt på det bløde skind. 
She was carefully laid with her grave goods on the soft skin.
Derefter dækkede man hende med et uldtæppe, og kisten blev lukket. 
Afterwards she was covered with a woollen blanket and the coffin was closed.
Da man, næsten 3500 år senere, åbnede kisten igen, var der ikke meget tilbage af selve Egtvedpigen. 
Almost 3500 years later, when the coffin was opened again, there was not much left of the Egtved Girl herself.
Men i disse hår kunne man ane omridset af hendes krop. 
However, in these hairs the contours of her body could be seen.
Endnu i dag kan man se, hvordan vægten af den døde piges krop har trykket hårene ned. 
One can still see today how the weight of the dead girl’s body pressed the hairs down.
En lille røllikeblomst blev lagt på kistens kant, før låget lagdes på – rølliken afslører, at Egtvedpigen blev lagt i sin grav om sommeren. 
The flower reveals that the Egtved Girl was laid in her grave in the summertime.
Egtved ligger i det sydlige Jylland, ikke langt fra Vejle. 
Egtved lies in south Jutland, not far from Vejle.
Egtvedpigens smukke bælteplade er lavet af bronze, som måske kom til Vejle-egnen takket være bronzealderens forbindelser sydpå. 
The Egtved Girl's attractive belt plate is made of bronze, which perhaps came to the Vejle area thanks to north-south exchanges in the Bronze Age.
Måske er det et barn, der var blevet ofret? 
Perhaps it was a child who had been sacrificed?
Fra en anden af bronzealderens kvindegrave kender vi også et muligt menneskeoffer. 
From another of the female graves of the Bronze Age we also know of a possible human sacrifice.
Syd for Skelde på Broagerland i Sønderjylland blev en kvindegrav fra ældre bronzealder undersøgt i 1980’erne. 
South of Skelde at Broagerland in Southern Jutland a female grave from the Early Bronze Age was investigated in the 1980s.
Her fandt man liget af en kvinde med fornemt gravudstyr. 
The body of a woman with fine grave goods was found.
I fodenden lå brændte knogler fra et voksent menneske – måske hendes personlige træl, der blev dræbt og brændt, da kvinden døde? 
At the foot end lay burnt bones from an adult – perhaps her personal slave who was killed and cremated when the woman died?
Mulige menneskeofre kendes fra nogle få samtidige grave i ældre bronzealder. 
Possible human sacrifices are known from a few contemporary graves of the Early Bronze Age.
Det gik til knæene, var viklet to gange om livet, og var knap 38 cm langt. 
It went down to her knees, was wound twice around her waist and was 38 cm long.
Denne slags skørter var i brug igennem hele bronzealderen. 
This kind of skirt was in use throughout the Bronze Age.
Nogle små kvindefigurer af bronze fra Grevensvænge, Sjælland, er også klædt i snoreskørter. 
Some small female figures of bronze from Grevensvænge, Zealand, are also dressed in cord skirts.
Det er foreslået, at figurerne afbilder ritualer, som blev udført af levende mennesker ved bronzealderens kultfester. 
It has been suggested that the figures represent rituals that were performed at the cultic feasts of the Bronze Age.
Måske udførte de kvinder, der var iført snoreskørter, rituelle danse? 
The women who were dressed in cord skirts may have performed ritual dances.
Og måske deltog Egtvedpigen også i danseritualer? 
Perhaps the Egtved Girl also took part in dancing rituals.
I bunden lå et tykt, brunt bundfald. 
At the bottom lay a thick brown deposit.
Da indholdet af spanden blev analyseret, blev det klart, at den havde indeholdt en gæret drik – formentlig honningsødet øl. 
When the contents of the bucket were analysed it became clear that it had contained a fermented drink – probably beer sweetened with honey.
Drikken var lavet af tytte- eller tranebær. 
The drink was made from cowberries or cranberries.
Desuden fandt man hvedekorn, rester af mose-pors og store mængder pollen fra bl.a. lind. 
Wheat grains, remains of bog myrtle and large quantities of pollen (including lime pollen) were also found.
I selve publikationen af Egtvedfundet fra 1929 skriver fundets udgraver, Th. 
In the publication regarding the Egtved Found from 1929 archaeologist Th.
Thomsen: “Man fristes til at betragte Egtvedkvinden med Pagehaaret, det blottede Underliv, det utilstrækkeligt dækkende Skørt og de fra Knæet til Anklen blottede Ben som en til Kultustjeneste viet Kvinde, en Tempeldanserinde, klædt til at medvirke ved erotiske Ceremonier.” 
Thomsen writes: "One is tempted to look at the Egtved woman with her bob hair, her bare lower body, the scanty modest skirt and from the knee to the ankle her bare legs as a woman married into a cult, a temple dancer, dressed to participate in erotic ceremonies."
Men straks slår Th. 
But immediately Th.
Thomsen dog koldt vand i blodet: han mener, at dragten snarere har med det daglige liv at gøre, og at den var knyttet til den unge kvinde. 
Thomsen cooled down and suggested that the suit had a reference to their daily lives, and that it was linked to the young woman.
Det er også foreslået, at snoreskørtet kunne angive, om kvinden var gift eller ugift, eller der kunne være tale om en del af en sommerdragt. 
It is also suggested that the cord skirt could indicate whether the woman was married or unmarried, or that it could be a part of a summer dress.
Der er dog stadig god grund til at tro, at snoreskørtet og bæltepladen blev brugt ved religionens ritualer, selvom dragten i dag næppe giver anledning til så stor en ophidselse som på Th. 
However, there is still good reason to believe that the cord skirt and the belt plate was used during religious rituals, even if the suit today hardly raise as much excitement as in Th.
Thomsens tid, og at vi måske ikke vil benytte ordet “tempeldanserinde”. 
Thomsen's time, and perhaps we would not use the word "temple dancer" in our days.
Og til fest hørte religionens ritualer, herunder dans. 
Alpha
Bronzealderens religion var en religion centreret omkring solens evige færd rundt og rundt, over himlens hvælv om dagen, gennem underverdenens mørke om natten. 
Bronze Age religion was a religion centered around the sun 's eternal process around and around , the vault of heaven by day , through the underworld dark at night .
Solvognen fortæller om en hest, der trak solen, og andre billedlige gengivelser fortæller, at solen på sin rejse desuden blev transporteret af et skib og hjulpet af en fisk og en slange. 
The Sun Chariot tells about a horseVild med soldans that pulled the sun , and other pictorial representations tells us that the sun on its journey also was transported by a ship and helped by a fish and a snake .
Selvom spiralen er et geometrisk motiv, havde den ikke blot betydning som udsmykning. 
Although the spiral is a geometric motif , it was not only important as decoration.
Spiralen var ladet med en mystisk symbolik knyttet til bronzealderens sol-religion og forestillingerne om solens rejse. 
The spiral was charged with a mysterious symbolism attached to the Bronze Age sun - religion and ideas of the sun's journey.
I spiralen ligger solens retninger på en forunderlig måde gemt. 
In the spir al the sun's direction is hidden in a marvelous way .
Spiralen kører rundt og rundt mod venstre og mod højre, op og ned, som solen om dagen, som solen om natten. 
The spiral running round and round to the left and right , up and down , like the sun during the day , as the sun at night .
Samtidig kan bæltepladen selv opfattes som en gengivelse af solen. 
At the same time the belt plate itself seem to be a representation of the sun .
I sol-bæltepladens spiraler ligger der således spor af den store kosmologiske fortælling om solens færd. 
In the sun - belt plate coils are traces of the great cosmological narrative sun behavior.
Højen indeholdt, blandt andet, en egekiste med en gravlagt mand. 
Among the objects in the barrow were an oak coffin containing the body of a man.
I fodenden lå en meget usædvanlig genstand – en klapstol! 
At his feet lay a very unusual object – a folding chair!
Klapstolen dateres til anden halvdel af 1400-årene f.Kr. 
The folding chair has been dated to the second half of the 1400s BC.
Klapstolen fra Guldhøj er den eneste fuldstændigt bevarede stol fra bronzealderen i Europa. 
The folding chair from Guldhøj is the only completely preserved chair from the Bronze Age in Europe.
Der er dog ingen tvivl om, at det ikke er selve klapstolen, der har foretaget rejsen fra Middelhavsområdet til Danmark. 
There is no doubt that the folding chair itself did not make the journey from the Mediterranean area to Denmark.