natgillin/translations-raw huggingface dataset:
Serampores placering langs med floden Hooghly, kun en times transport fra Kolkata, har dog også gjort stedet attraktivt for den hastigt voksende middelklasse, der flytter ind i højt nybyggeri med udsigt til vandet. 
The location of Serampore by the Hooghly River, only one hour away from Kolkata, has additionally made the place attractive to the rapidly growing middleclass, who move into high rising new buildings overlooking the river.
På trods af den tætte, moderne bebyggelse er gadenettet og bystrukturen i centrum i det store hele bevaret, som da byen blev anlagt af danskerne i anden halvdel af 1700-tallet. 
In spite of the dense, modern built-up areas, the structure and main street pattern of the town centre remains more or less as it was constructed by the Danes in the second half of the 18th century.
Bag den mur, som danskerne byggede om deres handelsloge, findes stadig det tidligere danske guvernmentshus. 
Behind the wall the Danes erected around their trading post, the former Danish Government House is still to be found.
Det ligger side om side med de moderne rets- og administrationsbygninger og vidner om, at dette sted fortsat er centrum for områdets offentlige administration. 
It is placed side by side with the modern law courts and administrative buildings, testifying to the fact that this place still functions as the epicentre of public administration in the area.
Foran hovedporten ligger det lange smalle torv, anlagt som i en dansk købstad med Skt. Olavs Kirke for enden. 
In front of the main gate lies the funnel-shaped square with St. Olav’s Church, arousing associations of a typical Danish market town.
Pladsens anden ende munder ud i hovedgaden, hvor man kan gå langs med floden til Serampore College. 
The square leads into the main street and from here it is possible to walk along the river to Serampore College.
Det store College har fungeret siden sin grundlæggelse i 1818 og tiltrækker i dag tusindvis af studerende. 
The significant College has been in function since its foundation in 1818 and today attracts thousands of students.
Selvom byen er præget af nybyggeri findes der stadig adskillige private bygninger fra 17- og 1800-tallet. 
Even though the town is influenced by new developments, several of the private buildings from the 18th and 19th century still exist.
Flere rige, indiske familier satte også deres præg på byen under den danske periode ved at opføre store paladser, templer og villaer. 
A number of wealthy, Indian families also marked the town during the Danish period, by building large palatial houses, temples and villas.
I dag ejes disse enten af fonde eller af familierne og bidrager til byens historiske atmosfære. 
Today these are owned either by foundations or the families and they contribute to the historical atmosphere of the town.
Desuden vil Initiativet skabe ny viden samt udbrede kendskabet til Serampore gennem forskning i og formidling af den fælles dansk-indiske historie. 
Furthermore, the Initiative aims at creating new knowledge and awareness of Serampore through research in, and communication of, the joint Indo-Danish history.
Gennem forskning vil Initiativet skabe ny viden om livet i Serampore, både ud fra historiske og nutidige perspektiver. 
Through its research projects, the initiative intends to generate new knowledge of life in Serampore, both from historical and contemporary perspectives.
Nationalmuseets Serampore Initiativet har følgende mål: 
The Serampore Initiative of the National Museum of Denmark has the following objectives:
Dette arbejde er påbegyndt med en forundersøgelse i 2009, der blev finansieret af Realdania og udført af historiker Simon Rastén og arkitekt Flemming Aalund fra Nationalmuseets Serampore Initiativ. 
This work was initiated with a pre-study in 2009, financed by Realdania and executed by historian Simon Rastén and architect Flemming Aalund from the Serampore Initiative of the National Museum of Denmark.
Forundersøgelsen ledte til rapporten Indo-Danish Heritage Buildings of Serampore, der giver en indledende beskrivelse af de vigtigste historiske bygninger i byen. 
The pre-study led to the report “Indo-Danish Heritage Buildings of Serampore”, which gives an introductory description of the most significant historical buildings in the town.
Projektleder 
Project head
Uroksens møde med jægerne blev fatalt for den. 
The aurochs’ encounter with the hunters proved fatal for it.
Da den blev fundet, fandt man også resterne af tre pilespidser af flint. 
When it was found the remains of three flint arrowheads were recovered.
Smerte og frygt har formentlig drevet den væk fra jægerne og ud i søen. 
Pain and fright had apparently driven it away from the hunters and out into the lake.
Her er den, efter et stykke tid, druknet og gået til bunds for siden hen at blive fundet ved tørvegravning. 
It was here, after a period of time, it drowned and sank to the bottom, only to be found many years later during peat-digging.
En kulstof 14-datering af knoglerne viser, at den døde omkring 8600 f.Kr., det vil sige i den ældre del af Maglemosetiden. 
A carbon 14 date for the bones shows that it died around 8600 BC, in the early part of the Maglemosian period.
Dorthe C. Petersen 
Dorthe Petersen
Salen har marmorsøjler og interiør tilbage fra 1672, hvor den fungerede som Frederik III´s bogsal. 
The Assembly Hall has painted marble columns and interior dated back to 1672, where it served as Frederik III's bookroom.
I dag har Festsalen moderne lys og lyd og kan rumme alskens arrangementer, lige fra konferencer til bryllupper. 
Today the Assembly Hall has modern light and sound and can accommodate all sorts of events.
Stående reception: 200 pers. 
Standing reception: 200 pers.
Stolerækker: 187 pers. 
Cinema style: 187 pers.
Skolebordsopstilling: 90 pers. 
School table setting: 90 pers.
Grupper: 80 pers. 
Groups: 80 pers.
AV-udstyr: Hurtig WiFi-adgang og stor Full HD-skærme (55″-65″ med højtalere). 
AV equipment: WiFi access and large Full HD monitors (55 "-65" with speakers).
Projektor, talerstol og scene. 
Projector, lectern and stage.
Vi indretter forhallen efter jeres ønske og behov. 
We can serve dinner from 18.30.
I butikken findes også et stort udvalg af bøger om vikinger, spil og postkort. 
Visit the internet shop
Google Maps 
Vis på Google Maps
Bevaring og Naturvidenskab for gratis og uforpligtende tilbud på konservering og restaurering 
Department of Conservation for free , no-obligation quote for conservation and restoration
Nationalmuseet tilbyder også undervisning, lokaleudlejning, restaurerings- og konserveringsopgaver, ligesom du herfra kan tilgå Nationalmuseets museumsbutikker og webshop. 
The museum also offers educational services, venue hire, assistance with conservation and restoration tasks, and you can also visit the National Museum's museum shops and the webshop.
Forløbet i sagsbehandlingen ser således ud: 
The course of the caseworking is as follows
Låneanmodning (senest 6 måneder før udlån) 
Loan application (no later than 6 months before loan)
Modtagelse af låneanmodning 
Reception of oan application
Sagsbehandling 
Caseworking
Vurdering af ansøgning 
Assessment of application
Udlån af genstand 
Loan object
Lånets gennemførelse 
Implementation of loan
Låneanmodning fremsendes 
Submission of loan application
Låneanmodning adresseres til: 
The loan application is to be addressed to:
Nationalmuseet 
The National Museum
Vurdering af anmodning 
Assessment of application
Låneanmodningen vurderes f.eks. i forhold til Nationalmuseets egne udstillingsplaner i den periode, som anmodningen vedrører, hvem ansøgeren er samt hvad udlånet skal bruges til. 
The loan application will be assessed in terms of the National Museum’s own exhi¬bition plans for the period to which the application refers, who the applicant is and what the loan is to be used for.
Bevaringsafdelingen – Udlån afklarer genstandenes bevaringstilstand. 
Refusals of loan applications are always justified in writing.
De typiske årsager til afslag er, at låner ikke ser sig i stand til at opfylde lånebetingelserne, at genstandene ikke er til rådighed i den pågældende periode eller at genstandenes bevaringstilstand ikke tillader udlån. 
The typical reasons for refusals are that the borrower has proved unable to meet the loan conditions, that the objects are not available in the period in question, or that the state of preservation of the objects does not permit lending.
Afklaring af sikring og faciliteter 
Clarification of security and facilities
Bevaringsafdelingen – Udlån fremsender til låner 
The Conservation Department – Lending sends the borrower:
Datoen for modtagelsen på Nationalmuseet er oplyst i Lånekontrakten og må ikke overskrides. 
The date for its reception at the National Museum is specified in the Loan Contract and must not be exceeded.
Forsikringsværdi for hver genstand er anført i Lånekontrakten og skal behandles fortroligt. 
Insurance amounts for each object are listed in the Loan Contract and must be treated in confi-dence.
Ovenstående dokumenter kan også downloades fra forsiden. 
The above documents can also be downloaded from the Fact Box on the homepage.
Lånekontrakt 
Loan Contract
Bevaringsafdelingen – Udlån udfærdiger og fremsender en Lånekontrakt i to eksemplarer til låneren, der underskriver og returnerer det ene eksemplar. 
The Conservation Department – Lending will draw up a Loan Contract and send it in duplicate to the borrower, who will sign and return one copy.
Lånekontrakten indeholder samtlige lånebetingelser, blandt andet krav til genstandenes udstillingsforhold (klima, lys, m.m.), sikringskrav og prisen på udlånet. 
The Loan Contract states all the loan conditions, including the requirements as to the exhibiting conditions for the objects (climate control, lighting etc.), security requirements and the price of the loan.
Den af begge parter underskrevne Lånekontrakt er et juridisk bindende og fortroligt dokument mellem Nationalmuseet og låner. 
The Loan Contract signed by both parties is a legally binding document between the National Museum and the borrower.
Lånets gennemførelse 
Implementation of the loan
Alle transporter af Nationalmuseets genstande skal ledsages af en kurer fra Nationalmuseet. 
All consignments of the Natio¬nal Museum’s objects must be accompanied by a courier from the National Museum.
Endvidere maleriets indhold af motiver, bibelske og historiske personer samt ornamentale detaljer. 
Also included are the paintings pictorial content, biblical and historical characters and ornamental details.
Stilart omfatter stilperioderne 1080-1175 Romansk, 1175-1275 Senromansk, 1275-1375 Tidlig gotik, 1375-1475 Gotik, 1475-1550 Sengotik, 1550-1630 Renæssance, 1620-1750 Barok og 1740–1775 Rokoko. 
Style includes the style periods 1080-1175 Romanesque, 1175-1275 Late Romanesque, 1275-1375 Early Gothic, 1375-1475 Gothic, 1475-1550 Late Gothic, 1550-1630 Renaissance, 1620-1750 Baroque and 1740-1775 Rococo.
Såfremt et kalkmaleri ikke kan bestemmes i forhold til en specifik stilarts periode angives Kan ikke dateres til specifik periode. 
If it is not possible to determine a wall paintings specific style period it is classified as Cannot be specifically dated.
Er årstallet for maleriets oprindelse kendt er både Datering Fra og Datering Til angivet som det samme årstal. 
If the year of origin is known, both Date From and Date To are the same.
Motiv angiver kalkmaleriets billedindhold. 
Motif defines the wall paintings pictorial content.
I arbejdet med hjemmesiden ”Kalkmalerier i danske kirker” er skabt en klassifikation for billedindhold. 
In the process of making the homepage “Wall paintings in Danish churches” a classification for pictorial content was also made.
Klassifikationen omfatter fem overordnede temaer Fortællinger, Person er og Væsener, Allegorier, Ornamentik samt Tegn og Mærker. 
The classification covers five overall topics Narratives, Persons and creatures, Allegories, Ornamentation and Signs and marks.
Fortællinger omfatter scener, som gengiver begivenheder, skildringer eller historier, hvad enten de er hentet fra Biblen, de apokryfiske skrifter, helgenlegender eller skildringer fra samtiden. 
Narratives includes scenes, which depicts an event, a situation or a story regardless whether the scene originates from The Bible, The Apocrypha, a hagiography or scenes from everyday life.
Personer og væsener omfatter afbildninger af ”levende” væsner herunder bibelske personer, hellige mænd og kvinder, historiske personer, dyr og fantasivæsner. 
Persons and creatures include illustrations of “living” beings, including biblical characters, saints, historical characters, animals and imaginary beings.
Allegorier omfatter scener med allegorisk eller symbolsk betydning. 
Allegories include scenes with allegorical or symbolic meaning.
Ornamentik defineres som ornamenter, fortløbende mønsterdekorationer og andre dekorationer, der traditionelt betegnes som ornamentale. 
Ornamentation is defined as ornaments, continuous pattern decorations and other decorations, which traditionally are defined as ornamentation.
Ornamenter er enkeltstående ornamentale dekorationer. 
Ornaments are solitary standing ornamental decorations.
Fortløbende mønsterdekorationer består af linjer, former, farver, motiver eller lignede som danner regelmæssige strukturer. 
Ongoing pattern decorations consist of lines, shapes, colors, motives etc. which forms regular structures.
Fortløbende mønsterdekorationer betegnes som borter, såfremt de forløber som bånd. 
Continuous pattern decorations are termed borders if they run as bands.
Dækker de fortløbende mønsterdekorationer en flade, er der enten tale om strøornamenter eller rankeslyngsornamenter. 
If the continuous pattern decoration covers a surface, they are defined either as stray ornaments or scrolling vine ornaments.
Andre dekorationer, der traditionelt betegnes som ornamentale kalkmalerier omfatter afbildninger af arkitektur, draperier og imitationer. 
Other decorations, which traditionally are termed ornamental wall paintings, are depictions of architecture, draperies or imitations.
Tegn og mærke omfatter indvielseskors, indskrifter, bomærker, våbenskjolde og labyrinter. 
Sign and mark include consecrations crosses, inscriptions, hallmarks, coats of arms and labyrinths.
Det bemærkes, at et motiv kan klassificeres indenfor flere kategorier. 
It must be noted, that a motif can be classified in numerous categories.
En afbildning af Korslammet er eksempelvis klassificeret som både Person og væsen: Dyr og Person og væsen: Kristus. 
For example the depiction of The Lamb of God is classified as both Person and creature: Animal and Person and creature: Christ.
En afbildning af Jesu fødsel kan være klassificeret som både Fortælling: Jesu barndomshistorie og Fortælling: Dagligliv, såfremt afbildede dragter eller husgeråd er tidstypiske for tidspunktet, da kalkmaleriet blev malet. 
A depiction of The Nativity of Christ can be classified as both Narrative: Childhood of Jesus and Narrative: Everyday life if the depicted domestic utensils or clothing are characteristic for the time, the painting was painted.
Hjemmesiden giver tillige oplysninger om hvilke personer og væsener, der indgår i hvert enkelt kalkmaleri, hvad enten de er fra Bibelen eller de apokryffe skrifter, fra helgenlegender eller er historiske personer. 
The homepage also gives access to information about characters depicted in every single wall painting, whether they are from The Bible or The Apocrypha, from hagiographies or are historical characters.
Navn refererer til afbildede personer og væsener. 
Name refers to depicted persons and creatures.
Personer og væsener som udelukkende er angivet ved en inskription er ikke medtaget. 
Persons and creatures defined only by an inscription are not included.
Sidst men ikke mindst er angivet, hvilke ornamentale detaljer, der indgår i ornamentikken i hvert enkelt kalkmaleri. 
Last but not least, all ornamental details in the ornamentation are identified for all wall paintings.
For information om ornamentale detaljer og hvorledes de er placeret i henhold til klassifikationen af ornamentale detaljer, se Ornamentale detaljer. 
For information about the classification of ornamental details go to Ornamental details.
Akut behandlingskrævende betyder, at kalkmalerier i kirken er i umiddelbar risiko for at gå tabt, dvs. at der er udbredte skader og nedbrydningen er under hastig udvikling. 
Acutely in need of treatment means that the wall paintings in the church are in immediate danger of being lost, i.e. there is widespread damage and the deterioration is rapidly processing.
Malerierne har et akut konserverings- og restaureringsbehov. 
The paintings are in urgent need of conservation and restoration treatment.
Behandlingskrævende betyder, at kalkmalerier i kirken er truede, dvs. at der er skader og kan være en nedbrydning under udvikling. 
In need of treatment means that the wall paintings in the church are in danger of being lost, i.e. damages and the deterioration are probably in progress.
Malerierne har et konserverings- og restaureringsbehov. 
The paintings are in need of conservation and restoration treatment.
Mulig behandlingskrævende betyder, at kalkmalerier i kirken ikke umiddelbart er truede, men har mindre skader og/eller fremstår visuel skæmmede. 
Possibly in need of treatment means that the wall paintings in the church are not particularly endangered, but have minor damage and/or appear marred.
Malerierne har muligvis et konserverings- og restaureringsbehov. 
The paintings are in possible need of conservation and restoration treatment.
Kalkmaleriernes kulturhistoriske værdi er inddelt i fire kategorier: Særdeles bevaringsværdig, Meget bevaringsværdig, Bevaringsværdig og Til en vis grad bevaringsværdig. 
The complete cultural/historical assessment of the wall paintings is divided into four categories: Particularly worthy of preservation, Very worthy of preservation, Worthy of preservation and Somewhat worthy of preservation.
Særdeles bevaringsværdig betyder, at kirken har kalkmalerier af international betydning. 
Particularly worthy of preservation means that the church has wall paintings of international significance.
Typisk velbevarede billedserier, enkeltscener eller dekorationer, der ikke findes i andre eller kun ganske få andre danske kirker. 
Generally well preserved series of paintings, solitary scenes or decorations, which are either rare or not to be found in other Danish churches.
Malerierne har sædvanligvis særdeles mange ikonografiske detaljer og er af en særdeles høj kunstnerisk kvalitet. 
As a rule, the paintings include numerous iconographic details and are of the utmost artistic quality.
Meget bevaringsværdig betyder, at kirken indeholder kalkmalerier af national betydning. 
Very worthy of preservation means that the church has wall paintings of national significance.
Typisk velbevarede billedserier, enkeltscener eller dekorationer, der tillige findes i andre danske kirker. 
Generally well preserved series of paintings, solitary scenes or decorations, which can be found in other Danish churches.
Malerierne har sædvanligvis mange ikonografiske detaljer og er af en høj kunstnerisk kvalitet. 
As a rule, the paintings include many iconographic details and are of high artistic quality.
Bevaringsværdig betyder, at kirken indeholder kalkmalerier af regional betydning. 
Worthy of preservation means the church has wall paintings of regional significance.
Typisk delvis bevarede billedserier, enkeltscener eller dekorationer, der tillige findes i andre danske kirker. 
Generally partly preserved series of paintings, solitary scenes or decorations, which can be found in other Danish churches.
Malerierne har sædvanligvis enkelte ikonografiske detaljer. 
As a rule, the paintings include some iconographic details.
Til en vis grad bevaringsværdig betyder, at kirken indeholder kalkmalerier af lokal betydning. 
Somewhat worthy of preservation means the church has wall paintings of local significance.
Typisk fragmentarisk bevarede enkeltscener eller dekorationer. 
Generally fragmentary solitary scenes or decorations.
Malerierne har sædvanligvis få eller ingen ikonografiske detaljer. 
As a rule the paintings include few or no iconographic details.
Anbefaling til konservering og restaurering af kalkmalerier er inddelt i fire kategorier: Højest prioritet, Høj prioritet, Middel prioritet og Lav prioritet. 
Recommendation for conservation and preservation of wall paintings is divided into four categories: Highest priority, High priority, Moderate priority and Low priority.
Højest prioritet betyder, at konservering og restaurering af kalkmalerier i kirken bør iværksættes hurtigst muligt. 
Highest priority means that conservation and restoration of the wall paintings in the church should be carried out as soon as possible.
Hvis ikke vil der ske uoprettelige skader på malerier af betydelig kulturhistorisk værdi. 
If not, irreparable damage culturally and historically significant wall paintings will surely occur.
Der kan partielt allerede være sket uoprettelige skader. 
Irreparable damage can already have partially occurred.
Høj prioritet betyder, at konservering og restaurering af kalkmalerier i kirken bør iværksættes indenfor en kortere tidshorisont. 
High priority means that conservation and restoration of the wall paintings in the church should be carried out within a short period of time.
Hvis ikke vil der ske skader på malerier af stor kulturhistorisk værdi. 
If not, damages on culturally and historically important wall paintings will surely occur.
Middel prioritet betyder, at der bør iværksættes en nærmere undersøgelse af maleriers bevaringstilstand for at få bekræftet eller afkræftet, om en nedbrydning af malerier af kulturhistorisk værdi er i gang. 
Moderate priority means that an investigation of the condition of the wall paintings in the church should be carried out in order to determine whether deterioration of paintings of culturally and historically value is in progress.
Lav prioritet betyder, at konserverings og restaureringstiltag ikke er nødvendige grundet maleriernes tilfredsstillende tilstand. 
Low priority means that no conservation and restoration actions are necessary due to the satisfactory condition of the wall paintings.
Bibliotekets hovedområder er litteratur om instrumenter og om dansk musikliv, men også en række andre emner inden for musik og kultur i bredere forstand er repræsenteret. 
The main fields of the library are literature about musical instruments and literature about Danish music life; however, many other topics within music and culture are represented.
Bøgerne kan ses på biblioteket, men kan ikke hjemlånes. 
The books are for use at the library and cannot be borrowed.
De kan dog bestilles til et andet biblioteks læsesal. 
If requested, they can be sent to the reading room at another library.
Til belysning og datering af musikinstrumenter kan bibliotekets samlinger af ældre salgskataloger fra instrumentbyggere og -fabrikanter f.eks. være nyttige kilder. 
The collection of old sales catalogues from instrument makers may be useful sources for the documentation of date and details of musical instruments.
Inden for emnet Dansk musikliv findes en større småtrykssamling af brochurer, årsberetninger, medlemsblade etc. om institutioner, byer, ensembler o.s.v. 
A large collection of brochures, annuals, trade papers etc. provides detailed information about the topic Danish Music Life (institutions, towns, ensembles etc.)
Musikmuseets samling af tidsskrifter dækker hovedsageligt emner inden for musikinstrumenter og dansk/nordisk musikliv og -historie, men omfatter også titler af bredere musikalsk eller museumsfaglig karakter. 
The magazine collection primarily covers topics about musical instruments and Danish/Nordic music life and history; however, magazines about broader musical character are found as well.
Tidsskrifterne udlånes normalt ikke, men kan ses på biblioteket. 
The magazines are not for lending, but can be studied in the library.
Museets nodesamling indeholder alle typer nodeudgivelser især fra 1800- og 1900-tallet. 
The music print collection comprises all kinds of music publications, especially from the 19th and 20th century.
Inden for de seneste år har museet fortrinsvis koncentreret indsamlingen om danske udgivelser. 
Nowadays, the library concentrates on collecting Danish publications.