natgillin/translations-raw huggingface dataset:
Podpora Společenství má za cíl pomoci audiovizuálnímu odvětví podporovat mezikulturní dialog, zvýšit vzájemné povědomí mezi evropskými kulturami a rozvíjet jeho politický, kulturní, sociální a ekonomický potenciál, který představuje skutečnou přidanou hodnotu při uskutečňování evropského občanství.
Community support is designed to enable the European audiovisual sector to promote intercultural dialogue, increase mutual awareness amongst Europe ’s cultures and develop its political, cultural, social and economic potential, which constitutes genuine added value in the task of making European citizenship a reality .
(2) Je také nutné propagovat aktivní občanství a více vzájemného pochopení mezi evropskými občany a posílit boj proti diskriminaci a vylučování ve všech jeho formách, včetně rasismu a xenofobie.
(2) It is also necessary to promote active citizenship and a greater mutual understanding between European citizens, and to do more to combat discrimination and all forms of exclusion, including racism and xenophobia.
European citizens must develop an awareness of being part of a common reality.
European citizens must develop an awareness of being part of a common reality.
The European Union, through programmes such as MEDIA, must help to develop a feeling of belonging.
The European Union, through programmes such as MEDIA, must help to develop a feeling of belonging.
(3) Podpora Společenství audiovizuálnímu odvětví se opírá o článek 151 Smlouvy, který stanoví, že:
(3) Community support to the audiovisual sector takes account of Article 151 of the Treaty, which stipulates that:
- Společenství přispívá k rozkvětu kultur členských států a přitom respektuje jejich národní a regionální rozmanitosti a zároveň zdůrazňuje společné kulturní dědictví
- the Community shall contribute to the flowering of the cultures of the Member States, while respecting their national and regional diversity and at the same time bringing the common cultural heritage to the fore;
- Společenství ve své činnosti podle ostatních ustanovení této smlouvy přihlíží ke kulturním hlediskům, zejména s cílem uznávat a podporovat kulturní a jazykovou rozmanitost členských států Evropské unie s patřičným zřetelem k zohledňování menšin.
- the Community shall take cultural aspects into account in its action under other provisions of this Treaty, in particular in order to respect and to promote the cultural and linguistic diversities of the Member States of the European Union, with due regard to the respect of its minorities .
(8a) Veškeré činnosti schválené v rámci tohoto programu musí být v souladu s Chartou základních práv Evropské unie, zejména s článkem 11 o svobodě projevu a pluralitě sdělovacích prostředků.
(8a) All actions adopted under this programme must be compatible with the Charter of Fundamental Rights of the European Union and, in particular, Article 11 thereof on freedom of expression and media pluralism.
(9) Článek 3 Smlouvy o založení Evropského společenství stanoví, že při všech činnostech uvedených v tomto článku usiluje Společenství o odstranění nerovností a podporuje rovné zacházení pro muže a ženy a podle článku 13 téže smlouvy přijme Společenství přiměřená opatření k boji proti diskriminaci založené na pohlaví, rasovém či etnickém původu, náboženském vyznání nebo přesvědčení, zdravotním postižení, věku nebo sexuální orientaci .
(9) Article 3 of the Treaty establishing the European Community stipulates that for all activities it envisages the Community shall aim to eliminate inequalities and to promote equality for men and women , while Article 13 of the same Treaty indicates that the Community shall take appropriate action to combat discrimination based on sex, racial or ethnic origin, religion or belief, disability, age or sexual orientation .
(9a) Článek 22 Charty základních práv Evropské unie uvádí, že Unie bude respektovat kulturní a jazykovou rozmanitost; je tudíž nutné brát zřetel na zvláštní potřeby menších zemí Unie a zemí s různými jazykovými oblastmi .
(9a) Article 22 of the Charter of Fundamental Rights of the European Union indicates that the Union shall respect cultural and linguistic diversity; it is, therefore, necessary to pay attention to the specific needs of the smaller countries of the Union and those with more than one linguistic area.
It is important to refer to the Charter of Fundamental Rights, which specifies very explicitly respect for cultural and linguistic diversity.
It is important to refer to the Charter of Fundamental Rights, which specifies very explicitly respect for cultural and linguistic diversity.
(a) zachovat a zhodnotit evropskou kulturní různorodost a audiovizuální dědictví, zaručit všem evropským občanům k němu přístup, podporovat pluralitu sdělovacích prostředků, svobodu projevu a dialog mezi kulturami jak uvnitř samotné Unie, tak i mezi Unií a sousedními státy ;
(a) preserve and enhance European cultural diversity and its cinematographic and audiovisual heritage, guarantee its accessibility to all European citizens , promote media pluralism and freedom of expression, and promote intercultural dialogue , both within the Union and between the Union and its neighbours ;
Within the Union itself and between the Union and its neighbours, there are cultural diversities that must be recognised and preserved.
Within the Union itself and between the Union and its neighbours, there are cultural diversities that must be recognised and preserved.
(c) posílit konkurenceschopnost evropského audiovizuálního odvětví v rámci otevřeného a konkurenčního trhu;
(c) strengthen the competitiveness of the European audiovisual sector in the framework of an open and competitive European market.
(c) posílit konkurenceschopnost evropského audiovizuálního odvětví v rámci otevřeného a konkurenčního evropského trhu podporou kontaktů mezi osobami pracujícími v této oblasti .
(c) strengthen the competitiveness of the European audiovisual sector in the framework of an open and competitive European market by promoting links between those who work in the sector .
Promoting the idea that a given initiative can be shared by a variety of operators of different nationalities is a good way of underpinning a project which by enlarging the market will prevent it from fragmenting.
Promoting the idea that a given initiative can be shared by a variety of operators of different nationalities is a good way of underpinning a project which by enlarging the market will prevent it from fragmenting.
(b) posílení produkční struktury evropského audiovizuálního odvětví, zvláště pak malých a středních podniků se zvláštní pozorností k mechanismům jejich financování ;
(b) strengthening the production structure of the European audiovisual sector, particularly SMEs , with specific attention being paid to their funding mechanisms ;
The funding of the audiovisual sector is one of the biggest challenges, and it is a particularly difficult one for SMEs.
The funding of the audiovisual sector is one of the biggest challenges, and it is a particularly difficult one for SMEs.
Particular attention must, therefore, be paid to this area, which is vital to the survival of the sector.
Particular attention must, therefore, be paid to this area, which is vital to the survival of the sector.
(da) zdokonalení marketingu evropských audiovizuálních děl, stanovení komplexních reklamních strategií a kampaní pro jednotlivá díla.
( da ) improving the marketing of European audiovisual works and establishing comprehensive promotion strategies and campaigns for each work.
(d) podporovat digitalizaci evropských audiovizuálních děl;
(d) encourage the digitisation of European audiovisual works;
(d) podporovat digitalizaci evropských audiovizuálních děl s cílem usnadnit jejich marketing a zachování evropského audiovizuálního dědictví;
(d) encourage the digitisation of European audiovisual works in order to facilitate the marketing thereof and the preservation of Europe ’s audiovisual heritage ;
The use of digital technologies will make European audiovisual works more accessible (thanks to the new means of broadcasting audiovisual content) and will therefore increase the dissemination of those products outside their countries of origin.
The use of digital technologies will make European audiovisual works more accessible (thanks to the new means of broadcasting audiovisual content) and will therefore increase the dissemination of those products outside their countries of origin.
Competitiveness in a globalised world will increasingly depend upon the use of new technologies at the development, production and distribution stages.
Competitiveness in a globalised world will increasingly depend upon the use of new technologies at the development, production and distribution stages.
(da) zlepšit propagaci evropských audiovizuálních děl poskytováním dostatečných dodatečných finančních prostředků evropským audiovizuálním producentům.
( da ) improve the promotion of European audiovisual works by providing European audiovisual producers with sufficient additional resources for the purpose.
Encouraging the drawing up of promotion and communication campaigns relating to the marketing of European audiovisual works and financing the cost of such activities to European audiovisual producers are essential courses of action if Europe is to compete with other markets which invest three times as much in promoting their works as in producing them.
Encouraging the drawing-up of promotion and communication campaigns relating to the marketing of European audiovisual works and financing the cost of such activities to European audiovisual producers are essential courses of action if Europe is to compete with other markets which invest three times as much in promoting their works as in producing them.
Finanční podpory budou navíc přidělovány tak, aby byla zaručena transparentnost a objektivita přidělování.
Furthermore, such aid shall be granted, ensuring that award procedures are transparent and objective.
(a) propagací základních principů svobody vyjadřování a plurality sdělovacích prostředků;
(a) promoting the fundamental principles of freedom of expression and media pluralism ;
(b) podporou uvědomování si důležitosti kulturní různorodosti a multikulturality v Evropě a lepšího vzájemného poznávání různých kultur jako prostředku k uskutečnění evropského občanství a k vytvoření společnosti otevřené sociálnímu začlenění a podporou uvědomování si potřeby boje proti všem formám diskriminace včetně rasismu a xenofobie;
(b) encouraging awareness of the importance of cultural diversity and multiculturalism in Europe and better mutual recognition of its different cultures as a means of making European citizenship a reality and creating an inclusive society, and of the need to combat all forms of discrimination, including racism and xenophobia;
(e) přispíváním do diskuse a k informovanosti o Evropské unii jako prostoru míru, prosperity a bezpečnosti;
(e) contributing to the debate on and information about the European Union as an area of peace, prosperity and security.
(e) přispíváním do diskuse a k informovanosti o Evropské unii jako prostoru míru, demokracie , prosperity, svobody a bezpečnosti.
(e) contributing to the debate on and information about the European Union as an area of peace, democracy, prosperity , freedom and security.
The ‘security’ dimension should never be separated from that of freedom in the European Union, which is an area of freedom, security and justice.
The ‘security’ dimension should never be separated from that of freedom in the European Union, which is an area of freedom, security and justice.
Příloha hlava 1 bod 4.4 odrážka 1a (nová)
Annex, Chapter 1, paragraph 4.4, indent 1 a (new)
- Zlepšit propagaci evropských audiovizuálních děl poskytováním dostatečných dodatečných finančních prostředků evropským audiovizuálním producentům.
- Improve the promotion of European audiovisual works by providing European audiovisual producers with sufficient additional resources for the purpose.
Whenever we talk about the European audiovisual sector and the need to make its industry more competitive against its major rival (the USA), we always complain about the situation revealed by the statistics without stopping to think why the world’s most successful audiovisual market should enjoy such success.
Whenever we talk about the European audiovisual sector and the need to make its industry more competitive against its major rival (the USA), we always complain about the situation revealed by the statistics without stopping to think why the world’s most successful audiovisual market should enjoy such success.
Where promotion is concerned the investment made by European studios has proved to be clearly inadequate.
Where promotion is concerned the investment made by European studios has proved to be clearly inadequate.
Příloha hlava 1 bod 4.4 odrážka 1b (nová)
Annex, Chapter 1, paragraph 4.4, indent 1 b (new)
- Podporovat přípravu reklamních a komunikačních kampaní spojených s marketingem evropských audiovizuálních děl.
- Encourage the drawing-up of promotion and communication campaigns relating to the marketing of European audiovisual works.
Příloha hlava 2 bod 1.3a (nový)
Annex, Chapter 2, paragraph 1.3 a (new)
Je nutné podporovat součinnost mezinárodních organizací pro financování filmu a audiovizuálních programů.
Joint actions involving international audiovisual film and programme financing bodies must be encouraged.
The MEDIA programme may make funding available for participation in other European audiovisual production support mechanisms.
The MEDIA programme may make funding available for participation in other European audiovisual production support mechanisms.
Návrh rozhodnutí Evropského parlamentu a Rady o zavedení programu podpory evropského audiovizuálního odvětví (MEDIA 2007)
Proposal for a decision of the European Parliament and the Council concerning the implementation of a programme of support for the European audiovisual sector (MEDIA 2007)
Ignasi Guardans Cambó 5.10.2004
Ignasi Guardans Cambó 5.10.2004
Alexander Nuno Alvaro, Alfredo Antoniozzi, Edit Bauer, Mihael Brejc, Kathalijne Maria Buitenweg, Giusto Catania, Charlotte Cederschiöld, Carlos Coelho, Agustín Díaz de Mera García Consuegra, Rosa Díez González, Antoine Duquesne, Kinga Gál, Lilli Gruber, Adeline Hazan, Lívia Járóka, Timothy Kirkhope, Magda Kósáné Kovács, Wolfgang Kreissl-Dörfler, Stavros Lambrinidis, Henrik Lax, Sarah Ludford, Edith Mastenbroek, Jaime Mayor Oreja, Hartmut Nassauer, Bogdan Pęk, Lapo Pistelli, Martine Roure, Luciana Sbarbati, Inger Segelström, Ioannis Varvitsiotis, Manfred Weber, Stefano Zappalà, Tatjana Ždanoka
Alexander Nuno Alvaro, Alfredo Antoniozzi, Edit Bauer, Mihael Brejc, Kathalijne Maria Buitenweg, Giusto Catania, Charlotte Cederschiöld, Carlos Coelho, Agustín Díaz de Mera García Consuegra, Rosa Díez González, Antoine Duquesne, Kinga Gál, Lilli Gruber, Adeline Hazan, Lívia Járóka, Timothy Kirkhope, Magda Kósáné Kovács, Wolfgang Kreissl-Dörfler, Stavros Lambrinidis, Henrik Lax, Sarah Ludford, Edith Mastenbroek, Jaime Mayor Oreja, Hartmut Nassauer, Bogdan Pęk, Lapo Pistelli, Martine Roure, Luciana Sbarbati, Inger Segelström, Ioannis Varvitsiotis, Manfred Weber, Stefano Zappalà, Tatjana Ždanoka
The Commission's proposal for a new programme for the support of the European audiovisual sector "Media 2007" builds on the experience from the Media Plus and the Media Training programmes.
The Commission's proposal for a new programme for the support of the European audiovisual sector 'MEDIA 2007' builds on the experience from the MEDIA Plus and the MEDIA Training programmes.
It integrates into a single programme the Community action intervening in the pre-production and post-production phases.
It integrates into a single programme the Community action intervening in the pre-production and post-production phases.
The previous consists mainly of training activities, while the latter is divided between support to distribution and promotion of the European audiovisual works.
The previous consists mainly of training activities, while the latter is divided between support to distribution and promotion of the European audiovisual works.
Creative process is supported at all levels of the production chain, with an aim to enable the sector to exploit fully the potential of the European Internal Market.
The creative process is supported at all levels of the production chain, with an aim to enable the sector to exploit fully the potential of the European Internal Market.
The new programme stems from the Commission's assessment that the European audivisual sector is fragmented both in terms of production structures and cultural frameworks.
The new programme stems from the Commission's assessment that the European audivisual sector is fragmented both in terms of production structures and cultural frameworks.
Although this fragmentation allows for rich cultural diversity and independent production industries, it also prevents the European industries from obtaining larger market shares on the international markets and competing successfully with the American counterparts, both at home and overseas.
Although this fragmentation allows for rich cultural diversity and independent production industries, it also prevents the European industries from obtaining larger market shares on the international markets and competing successfully with American counterparts, both at home and overseas.
The draftsperson supports the general thrust of the Commission proposal and particularly welcomes its emphasis on making the European industries more competitive on the global markets.
The draftsperson supports the general thrust of the Commission proposal and particularly welcomes its emphasis on making the European industries more competitive on the global markets.
At the same time, he emphasises the potential of the audiovisual media as a channel providing important opportunities for communicating the key values underlying European policies, as well as promoting intercultural understanding and Europe's rich cultural heritage.
At the same time, he emphasises the potential of the audiovisual media as a channel providing important opportunities for communicating the key values underlying European policies, as well as promoting intercultural understanding and Europe's rich cultural heritage.
He believes that better co-ordination with other programmes, both national and international, would benefit the target groups of the activities.
He believes that better coordination with other programmes, both national and international, would benefit the target groups of the activities.
Finally, he would like to see more support for the audiovisual industries of the new Member States of the Union, which suffer from considerably low production capacities.
Finally, he would like to see more support for the audiovisual industries of the new Member States of the Union, which suffer from considerably low production capacities.
a) zachovat a zhodnotit evropskou kulturní různorodost a audiovizuální dědictví, zaručit evropským občanům k němu přístup a podporovat dialog mezi kulturami;
(a) preserve and enhance European cultural diversity and its cinematographic and audiovisual heritage, guarantee its accessibility to European citizens and promote intercultural dialogue;
a) zachovat a zhodnotit evropskou kulturní různorodost a audiovizuální dědictví, zaručit k němu globální přístup a podporovat dialog mezi kulturami;
(a) preserve and enhance European cultural diversity and its cinematographic and audiovisual heritage, guarantee its accessibility globally and promote intercultural dialogue;
There is a need for greater stress on promoting the rich European cultural heritage and its accessibility on the global stage.
There is a need for greater stress on promoting the rich European cultural heritage and its accessibility on the global stage.
zesílit konkurenceschopnost evropského audiovizuálního odvětví v rámci otevřeného a konkurenčního evropského trhu.
(c) strengthen the competitiveness of the European audiovisual sector in the framework of an open and competitive European market.
zesílit konkurenceschopnost evropského audiovizuálního odvětví a evropských audiovizuálních děl v rámci evropských i mezinárodních trhů.
(c) strengthen the competitiveness of the European audiovisual sector and the European audiovisual works on the European and international markets.
There is a need for a greater focus on markets outside of the European Union.
There is a need for a greater focus on markets outside of the European Union.
This does not only concern the developed markets, such as in North America, but also developing markets, such as in Africa, Asia and South America, where Europe has a huge potential for market penetration and can at the same time contribute significantly to promoting cultural and social diversity and economic and political exchange.
This does not only concern the developed markets, such as in North America, but also developing markets, such as in Africa, Asia and South America, where Europe has a huge potential for market penetration and can at the same time contribute significantly to promoting cultural and social diversity and economic and political exchange.
d) povzbudit propagační akce evropského kinematografického a audiovizuálního dědictví.
(d) encourage promotion of Europe’s cinematographic and audiovisual heritage.
d) povzbudit propagační akce evropského kinematografického a audiovizuálního dědictví a zlepšit přístup veřejnosti na evropské i mezinárodní úrovni.
(d) encourage promotion of Europe's cinematographic and audiovisual heritage and improve the European and international public's access to it.
There is a need for greater stress on promoting the public access to the rich European cultural heritage on the global stage.
There is a need for greater stress on promoting the public access to the rich European cultural heritage on the global stage.
Komise prozkoumá možnosti postupného zpřístupnění programu všem zemím, na něž se vztahuje evropská politika sousedství v závislosti na uzavření příslušných dohod mezi Společenstvím a dotčenými zeměmi.
The Commission shall investigate possibilities for the gradual opening of the programme to all countries covered by the European Neighbourhood Policy, subject to the conclusion of the relevant agreements between the Community and the concerned countries.
The programme has a potential to contribute to achieving better penetration on the new markets in the European neighbourhood and also promoting intercultural understanding through co-operation with the European Neighbourhood Policy countries.
The programme has a potential to contribute to achieving better penetration on the new markets in the European neighbourhood and also promoting intercultural understanding through cooperation with the European Neighbourhood Policy countries.
The programme is at present open to some Third Countries (EFTA states, which are members of the EEA, accession countries benefiting for a pre-accession strategy, Western Balkans countries, other States which are parties to the Council of Europe Convention on Transfrontier Television
The programme is at present open to some third countries (EFTA states, which are members of the EEA, accession countries benefiting from a pre-accession strategy, Western Balkans countries, other states which are parties to the Council of Europe Convention on Transfrontier Television
It has been ratified by 29 Council of Europe member states (Austria, Bosnia and Herzegovina, Bulgaria, Croatia, Cyprus, Czech Republic, Estonia, Finland, Former Yugoslav Republic of Macedonia, France, Germany, Hungary, Italy, Latvia, Liechtenstein, Lithuania, Malta, Moldova, Norway, Poland, Portugal, Romania, San Marino, Slovakia, Slovenia, Spain, Switzerland, , Turkey, United Kingdom) and by the Holy See.
It has been ratified by 29 Council of Europe member states (Austria, Bosnia and Herzegovina, Bulgaria, Croatia, Cyprus, Czech Republic, Estonia, Finland, Former Yugoslav Republic of Macedonia, France, Germany, Hungary, Italy, Latvia, Liechtenstein, Lithuania, Malta, Moldova, Norway, Poland, Portugal, Romania, San Marino, Slovakia, Slovenia, Spain, Switzerland, Turkey, United Kingdom) and by the Holy See.