natgillin/translations-raw huggingface dataset:
- Podporovat účast mladých profesionálů a profesionálů ze zemí s malým objemem audiovizuální produkce na festivalech.
- support participation in festivals by young professionals and professionals from the countries with low audiovisual production capacity.
Considering the need of the young producers and the producers from the countries with low production capacity to promote their production on the markets and festivals and the relatively high costs linked to such representation, it would be important to expand the programme's support scheme to this area.
Considering the need for the young producers and the producers from the countries with low production capacity to promote their production on the markets and festivals and the relatively high costs linked to such representation, it would be important to expand the programme's support scheme to this area.
Příloha hlava 1 bod 4.3 Akce k realizaci odrážka 5a (nová)
Annex, Chapter 1, point 4.3, Actions to be implemented, indent 5 a (new)
- V rámci procesu systematického shromažďování kinematografických děl patřících k národnímu dědictví členských států a k evropskému dědictví a podle ustanovení doporučení Evropského parlamentu a Rady ohledně kinematografického dědictví a konkurenceschopnosti souvisejících průmyslových aktivit , by měly být vytvořeny podmínky k přezkoumání možnosti zřízení sítě databází, které by zahrnovaly evropské audiovizuální dědictví i příslušné organizace, především Radu Evropy (program Eurimages a Evropskou audiovizuální observatoř )
- As part of the process of systematically collecting cinematographic works forming part of the national heritage of the Member States and the European heritage, and as provided by the Recommendation of the European Parliament and of the Council on film heritage and the competitiveness of related industrial activities, arrangements should be made for exploring the possibility of establishing a network of databases encompassing the European Audiovisual heritage together with the relevant organisations, in particular the Council of Europe (Eurimages and the European Audiovisual Observatory)
The existence of a single European catalogue would be instrumental in promoting freedom of expression and multilingualism.
The existence of a single European catalogue would be instrumental in promoting freedom of expression and multilingualism.
At the same time, this would also make it easier for interested parties to access specific documents of historical importance.
At the same time, this would also make it easier for interested parties to access specific documents of historical importance.
Příloha hlava 1 bod 4.4 název
Annex, Chapter 1, point 4.4, title
Povzbudit propagační akce evropského kinematografického a audiovizuálního dědictví
Encourage promotion of Europe’s cinematographic and audiovisual heritage
Podpořit propagační akce evropského kinematografického a audiovizuálního dědictví a přístup k němu
Encourage promotion of and access to Europe's cinematographic and audiovisual heritage
Příloha hlava 1 bod 4.4 Operativní cíle a Akce k realizaci odrážka 1a (nová)
Annex, Chapter 1, point 4.4, Operational objectives and action to be implemented, indent 1 a (new)
- Podporovat archivy evropského kinematografického a audiovizuálního dědictví.
- Support for archives of the European cinematographic and audiovisual heritage.
Greater emphasis needs to be placed on promoting access to Europe’s rich cultural heritage.
Greater emphasis needs to be placed on promoting access to Europe’s rich cultural heritage.
Příloha hlava 1 bod 4.4 odrážka 1b (nová)
Annex, Chapter 1, point 4.4, indent 1 b (new)
- Podporovat dimenze evropského kinematografického a audiovizuálního dědictví na nových a inovativních distribučních platformách.
- Support for the aspect of the European cinematographic and audiovisual heritage on new and innovative distribution platforms.
The new and innovative distribution platforms, on-line technology and DVD make major new means of distribution possible.
The new and innovative distribution platforms, on-line technology and DVD make major new means of distribution possible.
Příloha hlava 2 bod 2.2 písm. e)
Annex, Chapter 2, point 2.2, point (e)
(e) podpory přeshraniční spolupráce mezi odborníky;
(e) encouraging cross-border cooperation between professionals;
(e) podpory přeshraniční spolupráce mezi odborníky, institucemi a sítěmi ;
(e) encouraging cross-border cooperation between professionals , institutions and networks ;
In addition to professionals, institutions and networks from the audiovisual sector should participate through MEDIA desks and MEDIA antennae in a cross-border context to enhance cooperation.
In addition to professionals, institutions and networks from the audiovisual sector should participate through MEDIA desks and MEDIA antennae in a cross-border context to enhance cooperation.
Příloha hlava 2 bod 3 název
Annex, Chapter 2, point 3, title
Informace o evropském audiovizuálním trhu a účast v Evropské audiovizuální observatoři
Information about the European audiovisual market and participation in the European Audiovisual Observatory
Informace o evropském audiovizuálním trhu a účast v Evropské audiovizuální observatoři a spolupráce s podpůrným fondem Eurimages
Information about the European audiovisual market and participation in the European audiovisual Observatory and cooperation with the Eurimages Support Fund
If the European Union and the Council of Europe were to conclude a collaboration agreement as regards the audiovisual sector, the vast experience built up in Euroimages could be pooled, and relations improved between large and small producing countries, thus enabling films from the latter to be readily distributed.
If the European Union and the Council of Europe were to conclude a collaboration agreement as regards the audiovisual sector, the vast experience built up in Euroimages could be pooled, and relations improved between large and small producing countries, thus enabling films from the latter to be readily distributed.
Příloha hlava 2 bod 3
Annex, Chapter 2, point 3
Program dává právní základ pro nutné výdaje na sledování nástrojů společenství ohledně audiovizuální politiky.
The programme provides the legal basis for the expenditure necessary to monitor Community audiovisual policy measures.
Program předpokládá zejména pokračování účasti Evropské unie v Evropské audiovizuální observatoři.
It provides for the European Union to continue participating in the European Audiovisual Observatory.
Tato účast usnadňuje přístup k informacím operátorů odvětví a k jejich šíření.
This will ease access to information for operators and dissemination in the sector.
Přispívá také k větší transparentnosti procesu tvorby.
It will also contribute to greater transparency in the production process.
Program by rovněž mohl umožnit Evropské unii prozkoumat možnosti spolupráce s podpůrným fondem Rady Evropy Eurimages zaměřeným na koprodukce audiovizuálních děl s cílem podporovat konkurenceschopnost evropského audiovizuálního odvětví na mezinárodním trhu.
The programme could likewise enable the European Union to explore possibilities to cooperate with the Council of Europe ’s Eurimages Support Fund for the co-production of cinematographic works, with a view to promoting the competitiveness of the European audiovisual sector on the international market.
Nemělo by se jednat o finanční spolupráci.
Such cooperation should not be financial.
The audiovisual sector in Europe
The audiovisual sector in Europe
Audiovisual works are both cultural and economic goods and services.
Audiovisual works are both cultural and economic goods and services.
Developing European audiovisual works is therefore of crucial importance for both the future of cultural diversity and for economic growth and employment in the EU.
Developing European audiovisual works is therefore of crucial importance for both the future of cultural diversity and for economic growth and employment in the EU.
However, at the same time the great wealth of linguistic and cultural diversity in Europe is the cause of the greatest structural problem of the audiovisual market in Europe - its fragmentation into a large number of national markets.
However, at the same time the great wealth of linguistic and cultural diversity in Europe is the cause of the greatest structural problem of the audiovisual market in Europe - its fragmentation into a large number of national markets.
The results are a lack of cross-border circulation of European works and regular under-capitalisation of the small and very small enterprises which are the distinguishing feature of the fragmented audiovisual market.
The results are a lack of cross-border circulation of European works and regular undercapitalisation of the small and very small enterprises which are the distinguishing feature of the fragmented audiovisual market.
This explains why American films have an absolutely dominant position on the European audiovisual market with about 70%; 20% are national films and only 10% are cross-border European films.
This explains why American films have an absolutely dominant position on the European audiovisual market with about 70%; 20% are national films and only 10% are cross-border European films.
The EU has a trade deficit with the USA of over $ 8 billion per annum.
The EU has a trade deficit with the USA of over $8 billion per annum.
In this way, the audiovisual sector enables the United States to make substantial profits from exports, and Europe is one of the most important markets for the USA.
In this way, the audiovisual sector enables the United States to make substantial profits from exports, and Europe is one of the most important markets for the USA.
These figures show that the EU has completely failed to make effective use of its own audiovisual market, and they also show the unused opportunities for growth and employment in Europe.
These figures show that the EU has completely failed to make effective use of its own audiovisual market, and they also show the unused opportunities for growth and employment in Europe.
A glance at the audiovisual sector as a whole shows the growing development prospects for the European markets.
A glance at the audiovisual sector as a whole shows the growing development prospects for the European markets.
The market share of audiovisual European works is roughly 40 to 45% for television, 30% for cinema and 20% for videos and DVDs.
The market share of audiovisual European works is roughly 40 to 45% for television, 30% for cinema and 20% for videos and DVDs.
The audiovisual industry is one of the most rapidly growing sectors in Europe.
The audiovisual industry is one of the most rapidly growing sectors in Europe.
Current estimates suggest that it will rise to 5.4% in the next few years, reaching a volume of EUR 351 billion in 2008.
Current estimates suggest that it will rise to 5.4% in the next few years, reaching a volume of EUR 351 billion in 2008.
European content is still the basis for audiovisual works throughout the world, and in particular in the USA.
European content is still the basis for audiovisual works throughout the world, and in particular in the USA.
Europe, like no other part of the world, is therefore able to withstand competition in the audiovisual sector with the USA - if we draw the appropriate conclusions.
Europe, like no other part of the world, is therefore able to withstand competition in the audiovisual sector with the USA - if we draw the appropriate conclusions.
The most important thing is to make structural improvements in cross-border European cooperation at all stages of development and distribution and to overcome the chronic under-capitalisation of SMEs.
The most important thing is to make structural improvements in cross-border European cooperation at all stages of development and distribution and to overcome the chronic undercapitalisation of SMEs.
Mid-term evaluation of MEDIA Plus
Midterm evaluation of MEDIA Plus
The main task of the MEDIA (1996-2000) and MEDIA Plus (2001-2006) Programmes was therefore, to initiate and to support cross-border cooperation in the audiovisual sector in Europe.
The main task of the MEDIA (1996-2000) and MEDIA Plus (2001-2006) programmes was therefore, to initiate and to support cross-border cooperation in the audiovisual sector in Europe.
The objectives and support instruments under MEDIA, the European film support programme, have largely proved their worth and have made a major contribution to developing the audiovisual sector in Europe.
The objectives and support instruments under MEDIA, the European film support programme, have largely proved their worth and have made a major contribution to developing the audiovisual sector in Europe.
Approximately 90% of non-national European films have been supported by the MEDIA programme.
Approximately 90% of non-national European films have been supported by the MEDIA programme.
The Europa Cinema network, a successful instrument with the support of the MEDIA programme, shows up to 38% of non-national European films.
The Europa Cinema network, a successful instrument with the support of the MEDIA programme, shows up to 38% of non-national European films.
As the evaluation shows, for every euro invested the MEDIA PLUS programme has generated EUR 5.75 in follow-up investments, EUR 2.83 in education, EUR 7.2 in distribution and EUR 4.19 in the area of development.
As the evaluation shows, for every euro invested the MEDIA Plus programme has generated EUR 5.75 in follow-up investments, EUR 2.83 in education, EUR 7.2 in distribution and EUR 4.19 in the area of development.
Current figures for the European audiovisual sector show that, given the market shares, the status quo can be maintained in competition with the USA but cannot be further developed.
Current figures for the European audiovisual sector show that, given the market shares, the status quo can be maintained in competition with the USA but cannot be further developed.
- Over one billion people visited the cinema in the EU in 2004, a figure not recorded since 1990.
- Over one billion people visited the cinema in the EU in 2004, a figure not recorded since 1990.
- 1005 million cinema tickets were sold in the 25 Member States - an increase of 6% over 2003.
- 1 005 million cinema tickets were sold in the 25 Member States - an increase of 6% over 2003.
- 764 films were produced in the EU in 2004 - a slight increase of 2% over 2003 (750 films).
- 764 films were produced in the EU in 2004 - a slight increase of 2% over 2003 (750 films).
- The market share of American films was stable compared to 2003 at 71% , with the market share of European films at 26% , as in 2003.
- The market share of American films was stable compared to 2003 at 71% , with the market share of European films at 26% , as in 2003.
New challenges
New challenges
In addition to the need for greater cooperation and improved access to funding facilities for the audiovisual sector in Europe, digital technology and the enlargement of the EU have created further major challenges which MEDIA 2007 in particular must help to meet.
In addition to the need for greater cooperation and improved access to funding facilities for the audiovisual sector in Europe, digital technology and the enlargement of the EU have created further major challenges which MEDIA 2007 in particular must help to meet.
The Commission’s proposal, MEDIA 2007-2013, is based on experience of the first two MEDIA programmes and has three major objectives:
The Commission’s proposal, MEDIA 2007-2013, is based on experience of the first two MEDIA programmes and has three major objectives:
Preserving and enhancing European cultural diversity and its cinematographic heritage through support for inter-cultural dialogue;
Preserving and enhancing European cultural diversity and its cinematographic heritage through support for intercultural dialogue;
Improving the distribution of European works both within and outside the Union;
Improving the distribution of European works both within and outside the Union;
Strengthening the competitiveness of the European film industry.
Strengthening the competitiveness of the European film industry.
The following horizontal priorities are intended to achieve these objectives:
The following horizontal priorities are intended to achieve these objectives:
Integration of the creative and cultural aspects within the economic actions proposed;
Integration of the creative and cultural aspects within the economic actions proposed;
Strengthening SMEs through improved access to funding and greater cooperation;
Strengthening SMEs through improved access to funding and greater cooperation;
Reducing the imbalance between countries with high and low production capacities;
Reducing the imbalance between countries with high and low production capacities;
Support for digitisation at all stages of the development, production and distribution chain.
Support for digitisation at all stages of the development, production and distribution chain.
As with MEDIA PLUS, the emphasis in MEDIA 2007 is on pre-production and post-production; support for production is the responsibility of the Member States.
As with MEDIA Plus, the emphasis in MEDIA 2007 is on pre-production and post-production; support for production is the responsibility of the Member States.
Support will be concentrated on professional training and project development, cross-border distribution and publicity for European works.
Support will be concentrated on professional training and project development, cross-border distribution and publicity for European works.
The proposed appropriations of EUR 1.055 million for 2007 to 2013 are the minimum needed to achieve the objectives of the programme.
The proposed appropriations of EUR 1.055 million for 2007 to 2013 are the minimum needed to achieve the objectives of the programme.
The programme will support 27 countries (25 Member States plus Bulgaria and Romania) with enormous differences in development.
The programme will support 27 countries (25 Member States plus Bulgaria and Romania) with enormous differences in development.
The budget line of the new MEDIA 2007 programme will also integrate the i2i financing action of the European Investment Bank and participation by the EU in the European Audiovisual Observatory.
The budget line of the new MEDIA 2007 programme will also integrate the i2i financing action of the European Investment Bank and participation by the EU in the European Audiovisual Observatory.
However, there is an urgent need with all these measures for far-reaching simplification of application forms and procedures; in particular, to reduce the time between planning the projects and making them accessible to the public.
However, there is an urgent need with all these measures for far-reaching simplification of application forms and procedures; in particular, to reduce the time between planning the projects and making them accessible to the public.
With a view to significantly strengthening the competitiveness of the European audiovisual sector, and on the basis of the proposed programme, MEDIA 2007-2013 will have three main priorities:
With a view to significantly strengthening the competitiveness of the European audiovisual sector, and on the basis of the proposed programme, MEDIA 2007-2013 will have three main priorities:
Strengthening of cooperation at all programme levels of MEDIA - training, development, distribution and promotion - to provide a systematic basis for cross-border cooperation through networks, thereby making a lasting contribution to overcoming the weaknesses of fragmented national markets, while at the same time preserving and promoting the cultural wealth of the individual States.
Strengthening of cooperation at all programme levels of MEDIA - training, development, distribution and promotion - to provide a systematic basis for cross-border cooperation through networks, thereby making a lasting contribution to overcoming the weaknesses of fragmented national markets, while at the same time preserving and promoting the cultural wealth of the individual States.
The chronic under-capitalisation of the European audiovisual sector must be overcome through regular access for SMEs from all Member States to special financial services.
The chronic undercapitalisation of the European audiovisual sector must be overcome through regular access for SMEs from all Member States to special financial services.
Experience with the i2i initiative of the European Investment Bank has shown that the main beneficiaries of this instrument are major production companies.
Experience with the i2i initiative of the European Investment Bank has shown that the main beneficiaries of this instrument are major production companies.
SMEs have only been able to use this instrument if they can have recourse to financial institutes specialising in the audiovisual sector.
SMEs have only been able to use this instrument if they can have recourse to financial institutes specialising in the audiovisual sector.
However, in Europe as a whole there is an almost total lack of such credit institutes.
However, in Europe as a whole there is an almost total lack of such credit institutes.
The exception is France, with 60% of beneficiaries of i2i support.
The exception is France, with 60% of beneficiaries of i2i support.
A major effort is therefore needed in the MEDIA 2007 programme to facilitate access to funding for SMEs through specialist financial institutes.
A major effort is therefore needed in the MEDIA 2007 programme to facilitate access to funding for SMEs through specialist financial institutes.
With the help of MEDIA 2007, existing special national audiovisual forms of financing are to be made available to non-national European SMEs.
With the help of MEDIA 2007, existing special national audiovisual forms of financing are to be made available to non-national European SMEs.
The special know-how of these financial institutes should be passed on, as far as possible, to financial institutes in other Member States.
The special know-how of these financial institutes should be passed on, as far as possible, to financial institutes in other Member States.
The digital switch-over for television will be implemented throughout the EU during the life of MEDIA 2007-2013.
The digital switch-over for television will be implemented throughout the EU during the life of MEDIA 2007-2013.
Because of the importance attached to television as a medium for audiovisual European works, MEDIA 2007 must make a decisive contribution now to the digitisation of the European audiovisual sector and to the development and distribution of audiovisual works.
Because of the importance attached to television as a medium for audiovisual European works, MEDIA 2007 must make a decisive contribution now to the digitisation of the European audiovisual sector and to the development and distribution of audiovisual works.
k návrhu rozhodnutí Evropského parlamentu a Rady o zavedení programu podpory evropského audiovizuálního odvětví (MEDIA 2007)
on the proposal for a decision of the European Parliament and the Council concerning the implementation of a programme of support for the European audiovisual sector (MEDIA 2007)
C ... / dosud nezveřejněné
OJ C ... / Not yet published.
Pozměňovací návrh, který předložila Luciana Sbarbati
Amendment by Luciana Sbarbati
(1) Evropský audiovizuální průmysl musí hrát prvořadou roli při vytváření evropského občanství, neboť dnes představuje jednoho z hlavních nositelů přiblížení společných a sdílených kulturních hodnot Evropanům, zvláště pak mladým.
(1) The European audiovisual sector has a key role to play in the emergence of European citizenship because it is one of the principal vectors for conveying common and shared cultural values to Europeans and especially young people.