natgillin/translations-raw huggingface dataset:
COM(2007)0170 . and calls on the Member States in due course to ensure its timely transposition and on the Commission to provide it with information on the implementation of that directive;
COM(2007)0170 . and calls on the Member States in due course to ensure its timely transposition and on the Commission to provide it with information on the implementation of that directive;
Emphasises the opportunities created by far reaching, high-speed broadband and by new wireless technologies in the development and dissemination of new innovative cultural services and content across both rural and urban areas in each of the 27 Member States; furthermore, calls on the Member States to give priority to the development of broadband network in rural and peripheral areas in order to overcome the digital divide; notes that technological advances enable consumers to access cultural content more quickly;
Emphasises the opportunities created by far reaching, high-speed broadband and by new wireless technologies in the development and dissemination of new innovative cultural services and content across both rural and urban areas in each of the 27 Member States; furthermore, calls on the Member States to give priority to the development of broadband network in rural and peripheral areas in order to overcome the digital divide; notes that technological advances enable consumers to access cultural content more quickly;
Reiterates the enormous opportunities for cultural industries offered by the digital switchover in terms of the advantages of innovative services provided via digital broadcasting, such as lower costs, better quality, greater diversity and more competition; calls for a regulatory framework which would provide greater flexibility to use the spectrum;
Reiterates the enormous opportunities for cultural industries offered by the digital switchover in terms of the advantages of innovative services provided via digital broadcasting, such as lower costs, better quality, greater diversity and more competition; calls for a regulatory framework which would provide greater flexibility to use the spectrum;
Is of the opinion that the robust protection of intellectual property rights is central to the competitiveness of cultural industries and is vital if the EU is to attract, foster and develop creative talent and cultural content; recognises that individual consumers would benefit from this, as decreasing levels of piracy would result in lower prices and consumers would be able to purchase more creative products of higher quality;
Is of the opinion that the robust protection of intellectual property rights is central to the competitiveness of cultural industries and is vital if the EU is to attract, foster and develop creative talent and cultural content; recognises that individual consumers would benefit from this, as decreasing levels of piracy would result in lower prices and consumers would be able to purchase more creative products of higher quality;
Calls for the enforcement of intellectual property rights in the online world; notes that Directive 2004/48/EC of the European Parliament and of the Council of 29 April 2004 on the enforcement of intellectual property rights
Calls for the enforcement of intellectual property rights in the online world; notes that Directive 2004/48/EC of the European Parliament and of the Council of 29 April 2004 on the enforcement of intellectual property rights
OJ L 157, 30.4.2004, p.
OJ L 157, 30.4.2004, p.
Corrected in OJ L 195, 2.6.2004, p.
Corrected in OJ L 195, 2.6.2004, p.
16 and OJ L 204, 4.8.2007, p.
16 and OJ L 204, 4.8.2007, p.
27. and Directive 2000/31/EC of the European Parliament and of the Council of 8 June 2000 on certain legal aspects of information society services, in particular electronic commerce, in the Internal Market ('Directive on electronic commerce')
27. and Directive 2000/31/EC of the European Parliament and of the Council of 8 June 2000 on certain legal aspects of information society services, in particular electronic commerce, in the Internal Market ('Directive on electronic commerce')
OJ L 178, 17.7.2000, p.
OJ L 178, 17.7.2000, p.
1. provide for the effective protection of copyright; believes that within this framework, internet service providers and content providers should cooperate; notes furthermore that the fight against online piracy is a prerequisite to offering and distributing valuable content via the internet; believes, however, that any approach needs to take into account the checks and balances associated with law enforcement and the central role of courts dealing with infringements, as well as data protection rules;
1. provide for the effective protection of copyright; believes that within this framework, internet service providers and content providers should cooperate; notes furthermore that the fight against online piracy is a prerequisite to offering and distributing valuable content via the internet; believes, however, that any approach needs to take into account the checks and balances associated with law enforcement and the central role of courts dealing with infringements, as well as data protection rules;
Calls upon internet service providers to cooperate in the fight against internet piracy by enforcing their contractual terms and conditions, which permit them to remove or block access to infringing material and to suspend and terminate accounts with subscribers who infringe intellectual property rights; in the same vein, calls on internet service providers to apply filtering measures to prevent copyright infringements;
Calls upon internet service providers to cooperate in the fight against internet piracy by enforcing their contractual terms and conditions, which permit them to remove or block access to infringing material and to suspend and terminate accounts with subscribers who infringe intellectual property rights; in the same vein, calls on internet service providers to apply filtering measures to prevent copyright infringements;
Urges the Member States to reject protectionist policies and instead tackle regulation that currently disadvantages EU cultural industries, thereby enabling and forcing these industries to better compete both in the EU and globally;
Urges the Member States to reject protectionist policies and instead tackle regulation that currently disadvantages EU cultural industries, thereby enabling and forcing these industries to better compete both in the EU and globally;
Urges the Commission to review the list of cultural goods and services set out in Annex III of Council Directive 2006/112/EC of 28 November 2006 on the common system of value added tax
Urges the Commission to review the list of cultural goods and services set out in Annex III of Council Directive 2006/112/EC of 28 November 2006 on the common system of value added tax
OJ L347, 11.12.2006, p.1.
OJ L347, 11.12.2006, p.1.
Directive as amended by Directive 2006/138/EC ( OJ L384, 29.12.2006, p.92 ). ; notes that a more general examination of the variations in reduced VAT rates for cultural goods and services across the EU is needed in order to tackle market distortions, which currently affect the competitiveness of certain cultural industries;
Directive as amended by Directive 2006/138/EC ( OJ L384, 29.12.2006, p.92 ). ; notes that a more general examination of the variations in reduced VAT rates for cultural goods and services across the EU is needed in order to tackle market distortions, which currently affect the competitiveness of certain cultural industries;
Reiterates the importance of, and calls for maximisation of the use of, the European Investment Bank's i2i objectives; encourages the Commission and the Member States to explore further ways of providing financial assistance for the start-up and growth of small and medium-sized enterprises in the cultural and creative sectors (for example by means of the Seventh Framework Programme of the European Communities for research, technological development and demonstration activities (2007-2013)); encourages the use of the Structural Funds to support traditional art and heritage sectors and cultural and innovative industries; calls on the Commission to monitor these activities and help the dissemination of best practices.
Reiterates the importance of, and calls for maximisation of the use of, the European Investment Bank's i2i objectives; encourages the Commission and the Member States to explore further ways of providing financial assistance for the start-up and growth of small and medium-sized enterprises in the cultural and creative sectors (for example by means of the Seventh Framework Programme of the European Communities for research, technological development and demonstration activities (2007-2013)); encourages the use of the Structural Funds to support traditional art and heritage sectors and cultural and innovative industries; calls on the Commission to monitor these activities and help the dissemination of best practices.
RESULT OF FINAL VOTE IN ITRE COMMITTEE
RESULT OF FINAL VOTE IN ITRE COMMITTEE
Jan Březina, Jerzy Buzek, Pilar del Castillo Vera, Jorgo Chatzimarkakis, Giles Chichester, Den Dover, Nicole Fontaine, Adam Gierek, Norbert Glante, Umberto Guidoni, András Gyürk, David Hammerstein, Erna Hennicot-Schoepges, Ján Hudacký, Romana Jordan Cizelj, Werner Langen, Anne Laperrouze, Eluned Morgan, Angelika Niebler, Reino Paasilinna, Miloslav Ransdorf, Vladimír Remek, Herbert Reul, Teresa Riera Madurell, Paul Rübig, Andres Tarand, Britta Thomsen, Radu Ţîrle, Catherine Trautmann, Nikolaos Vakalis, Alejo Vidal-Quadras
Jan Březina, Jerzy Buzek, Pilar del Castillo Vera, Jorgo Chatzimarkakis, Giles Chichester, Den Dover, Nicole Fontaine, Adam Gierek, Norbert Glante, Umberto Guidoni, András Gyürk, David Hammerstein, Erna Hennicot-Schoepges, Ján Hudacký, Romana Jordan Cizelj, Werner Langen, Anne Laperrouze, Eluned Morgan, Angelika Niebler, Reino Paasilinna, Miloslav Ransdorf, Vladimír Remek, Herbert Reul, Teresa Riera Madurell, Paul Rübig, Andres Tarand, Britta Thomsen, Radu Ţîrle, Catherine Trautmann, Nikolaos Vakalis, Alejo Vidal-Quadras
Joan Calabuig Rull, Neena Gill, Eija-Riitta Korhola, Lambert van Nistelrooij, Vladimir Urutchev
Joan Calabuig Rull, Neena Gill, Eija-Riitta Korhola, Lambert van Nistelrooij, Vladimir Urutchev
on the cultural industries in Europe
on the cultural industries in Europe
The Committee on Women’s Rights and Gender Equality calls on the Committee on Culture and Education, as the committee responsible, to incorporate the following suggestions in its motion for a resolution:
The Committee on Women’s Rights and Gender Equality calls on the Committee on Culture and Education, as the committee responsible, to incorporate the following suggestions in its motion for a resolution:
A. whereas cultural diversity and the free flow of ideas have their roots in originality, the multiplicity of identities and equality between men and women,
A. whereas cultural diversity and the free flow of ideas have their roots in originality, the multiplicity of identities and equality between men and women,
B. whereas equality between men and women is a European Union core value, which is passed on through culture, and this transmission of values furthers European integration,
B. whereas equality between men and women is a European Union core value, which is passed on through culture, and this transmission of values furthers European integration,
C. whereas gender balance is far from being a reality in the cultural industries,
C. whereas gender balance is far from being a reality in the cultural industries,
D. whereas women hold positions of responsibility in the cultural industry primarily in small and medium-sized enterprises (SMEs) or when they set up their own businesses,
D. whereas women hold positions of responsibility in the cultural industry primarily in small and medium-sized enterprises (SMEs) or when they set up their own businesses,
E. whereas the participation of women in the TIMES sector (telecommunications, Internet, media, e-commerce and software), a basic plank of the cultural industry, is extremely low (30%), while only 20% of new businesses in that sector are set up by women,
E. whereas the participation of women in the TIMES sector (telecommunications, Internet, media, e-commerce and software), a basic plank of the cultural industry, is extremely low (30%), while only 20% of new businesses in that sector are set up by women,
F. whereas, although a growing number of women now enter the labour market in the cultural industries sector, they still hold mainly middle-ranking and less important positions in large organisations,
F. whereas, although a growing number of women now enter the labour market in the cultural industries sector, they still hold mainly middle-ranking and less important positions in large organisations,
G. having regard to the role that women’s organisations could play in the cultural industry and to their influence on improving the situation of women in all areas of life,
G. having regard to the role that women’s organisations could play in the cultural industry and to their influence on improving the situation of women in all areas of life,
Points out that in the cultural SMEs where women are best represented cooperation between men and women is conducive to the emergence of an enriching creativity and diversity of ideas;
Points out that in the cultural SMEs where women are best represented cooperation between men and women is conducive to the emergence of an enriching creativity and diversity of ideas;
Calls on the Member States to include entrepreneurship studies in national secondary and higher education programmes, particularly in the humanities, arts and culture fields;
Calls on the Member States to include entrepreneurship studies in national secondary and higher education programmes, particularly in the humanities, arts and culture fields;
Calls on the Member States to put an end to all forms of discrimination that hamper access by women to training and a career in the cultural industries sector and urges them to promote greater knowledge and wider dissemination of art produced by women, to promote women’s involvement in cultural institutions and international cultural exchanges and to make it easier for women entrepreneurs to gain access to funding for entrepreneurship programmes, loans and other bank services, considering that they can have a real influence on ridding the cultural sector of gender-related stereotypes;
Calls on the Member States to put an end to all forms of discrimination that hamper access by women to training and a career in the cultural industries sector and urges them to promote greater knowledge and wider dissemination of art produced by women, to promote women’s involvement in cultural institutions and international cultural exchanges and to make it easier for women entrepreneurs to gain access to funding for entrepreneurship programmes, loans and other bank services, considering that they can have a real influence on ridding the cultural sector of gender-related stereotypes;
Encourages the Member States to facilitate women’s access to management posts in the cultural industry, as the most prestigious positions in the sector are still primarily held by men;
Encourages the Member States to facilitate women’s access to management posts in the cultural industry, as the most prestigious positions in the sector are still primarily held by men;
Notes that the programme to support the European audiovisual sector (MEDIA 2007) does not provide for specific measures to support the participation of women; calls on the Commission to take this factor into account in future programmes;
Notes that the programme to support the European audiovisual sector (MEDIA 2007) does not provide for specific measures to support the participation of women; calls on the Commission to take this factor into account in future programmes;
Urges the Member States and the Commission to promote measures to support women’s creative activities in the cultural industry in order to enhance the profile and recognition of women artists in cultural production (cinema, music, theatre, art, etc.);
Urges the Member States and the Commission to promote measures to support women’s creative activities in the cultural industry in order to enhance the profile and recognition of women artists in cultural production (cinema, music, theatre, art, etc.);
Welcomes the recent creation (2007) of the European Parliament’s annual film prize (PRIX LUX) as a means of strengthening cultural policy, promoting cultural and linguistic diversity, preserving cultural tradition and supporting exchanges; calls for this prize to take account, in particular, of women’s participation and creativity in recognition of their contribution to the development and advancement of European cinema;
Welcomes the recent creation (2007) of the European Parliament’s annual film prize (PRIX LUX) as a means of strengthening cultural policy, promoting cultural and linguistic diversity, preserving cultural tradition and supporting exchanges; calls for this prize to take account, in particular, of women’s participation and creativity in recognition of their contribution to the development and advancement of European cinema;
Recommends that the Member States set themselves the objective of increasing the number of women in all decision-making posts in the cultural sector and that they monitor achievement of this objective;
Recommends that the Member States set themselves the objective of increasing the number of women in all decision-making posts in the cultural sector and that they monitor achievement of this objective;
Calls on the Member States to pay particular attention to women’s earning levels in the cultural industry, with a view to ensuring that pay schemes do not result in gender-related salary discrimination;
Calls on the Member States to pay particular attention to women’s earning levels in the cultural industry, with a view to ensuring that pay schemes do not result in gender-related salary discrimination;
Recommends that the Member States give greater support and recognition, as well as financial assistance, to women’s organisations in the cultural industry in connection with activities seeking to put an end to discrimination against women in the cultural sector;
Recommends that the Member States give greater support and recognition, as well as financial assistance, to women’s organisations in the cultural industry in connection with activities seeking to put an end to discrimination against women in the cultural sector;
Stresses the important role of cultural industries in the fight against gender stereotypes, promoting equality between men and women and changing mentalities; invites the Member States to encourage cultural industries to transmit these ideas through their initiatives.
Stresses the important role of cultural industries in the fight against gender stereotypes, promoting equality between men and women and changing mentalities; invites the Member States to encourage cultural industries to transmit these ideas through their initiatives.
The cultural industries in Europe
The cultural industries in Europe
Claire Gibault19.3.2007
Claire Gibault19.3.2007
Edit Bauer, Hiltrud Breyer, Věra Flasarová, Nicole Fontaine, Claire Gibault, Lissy Gröner, Zita Gurmai, Esther Herranz García, Anneli Jäätteenmäki, Urszula Krupa, Roselyne Lefrancois, Siiri Oviir, Doris Pack, Marie Panayotopoulos-Cassiotou, Zita Pleštinská, Christa Prets, Karin Resetarits, Teresa Riera Madurell, Amalia Sartori, Eva-Britt Svensson, Anna Záborská
Edit Bauer, Hiltrud Breyer, Věra Flasarová, Nicole Fontaine, Claire Gibault, Lissy Gröner, Zita Gurmai, Esther Herranz García, Anneli Jäätteenmäki, Urszula Krupa, Roselyne Lefrancois, Siiri Oviir, Doris Pack, Marie Panayotopoulos-Cassiotou, Zita Pleštinská, Christa Prets, Karin Resetarits, Teresa Riera Madurell, Amalia Sartori, Eva-Britt Svensson, Anna Záborská
Gabriela Creţu, Jill Evans, Anna Hedh, Marusya Ivanova Lyubcheva
Gabriela Creţu, Jill Evans, Anna Hedh, Marusya Ivanova Lyubcheva
Ivo Belet, Guy Bono, Nicodim Bulzesc, Marie-Hélène Descamps, Věra Flasarová, Milan Gaľa, Claire Gibault, Vasco Graça Moura, Luis Herrero-Tejedor, Ruth Hieronymi, Mikel Irujo Amezaga, Ramona Nicole Mănescu, Manolis Mavrommatis, Marianne Mikko, Ljudmila Novak, Dumitru Oprea, Doris Pack, Zdzisław Zbigniew Podkański, Mihaela Popa, Christa Prets, Karin Resetarits, Pál Schmitt, Hannu Takkula, Helga Trüpel, Thomas Wise, Tomáš Zatloukal
Ivo Belet, Guy Bono, Nicodim Bulzesc, Marie-Hélène Descamps, Věra Flasarová, Milan Gaľa, Claire Gibault, Vasco Graça Moura, Luis Herrero-Tejedor, Ruth Hieronymi, Mikel Irujo Amezaga, Ramona Nicole Mănescu, Manolis Mavrommatis, Marianne Mikko, Ljudmila Novak, Dumitru Oprea, Doris Pack, Zdzisław Zbigniew Podkański, Mihaela Popa, Christa Prets, Karin Resetarits, Pál Schmitt, Hannu Takkula, Helga Trüpel, Thomas Wise, Tomáš Zatloukal
Rolf Berend, Victor Boştinaru, Emine Bozkurt, Ignasi Guardans Cambó, Gyula Hegyi, Viktória Mohácsi, Ewa Tomaszewska
Rolf Berend, Victor Boştinaru, Emine Bozkurt, Ignasi Guardans Cambó, Gyula Hegyi, Viktória Mohácsi, Ewa Tomaszewska
PE 400.381v03-00
PE 400.381v03-00
ИЗЛОЖЕНИЕ НА МОТИВИТЕ.............................................................................................11
EXPLANATORY STATEMENT..............................................................................................12
– като взе предвид предложението на Комисията към Европейския парламент и към Съвета ( COM(2007)0514 ),
– having regard to the Commission proposal to the European Parliament and the Council ( COM(2007)0514 ),
– като взе предвид член 251, параграф 2 и членове 169 и 172 б от Договора за ЕО, съгласно които предложението е внесено от Комисията ( C6‑0281/2007 ),
– having regard to Article 251(2) and Articles 169 and 172(b) of the EC Treaty, pursuant to which the Commission submitted the proposal to Parliament ( C6‑0281/2007 ),
– като взе предвид доклада на комисията по промишленост, изследвания и енергетика и становището на комисията по бюджети (А6-0064/2008),
– having regard to the report of the Committee on Industry, Research and Energy and the opinion of the Committee on Budgets ( A6‑0064/2008 ),
(10а) Дейностите, насочени към подпомагане на съвместната програма Eurostars, се състоят най-вече от научноизследователски и развойни дейности (НРД), водени от едно или повече МСП, извършващи НРД и установени в участващите държави-членки и другите участващи страни.
(10a) The activities aimed at contributing to the Eurostars Joint Programme consist primarily in R&D activities driven by one or more R&D performing SME(s) established in the participating Member States and the other participating countries.
За всеки избран проект след покана за представяне на предложения, МСП, извършващи НРД, следва заедно да изпълнят поне 50% от всички НРД в рамките на проекта.
For each project selected following a call for proposals, the R&D performing SME(s) should collectively execute at least 50% of the overall R&D activities within that project.
Too many R&D performing SMEs are excluded with a fixed limit of 50 % contribution mentioned in the articles.
Too many R&D performing SMEs are excluded with a fixed limit of 50 % contribution mentioned in the articles.
By mentioning the goal of 50% in the recitals, the High Level Group is urged to prefer SMEs with a contribution of at least 50% but should also be allowed to make exceptions for more market based SMEs.
By mentioning the goal of 50% in the recitals, the High Level Group is urged to prefer SMEs with a contribution of at least 50% but should also be allowed to make exceptions for more market based SMEs.