natgillin/translations-raw huggingface dataset:
Ъ. като има предвид, че решаващите правомощия, предоставени на Комисията, за защита на правата на интелектуалната собственост на европейските индустриални сектори във всички международни форуми, както и пред онези търговски партньори, които нямат необходимото законодателство в тази област,
AA. whereas ultimate power has been conferred on the Commission to protect intellectual property rights of European industries in all international forums as well as before those trade partners that do not have adequate legislation in this field,
Ь. като има предвид, че културата е включена изрично в споразуменията на ЕС за свободна търговия (ССТ) и в други търговски инструменти,
AB.whereas culture is specifically included in the EU's free-trade agreements (FTAs) and other trade instruments,
Ю. като има предвид, че културата и езикът са движещите сили на регионалното развитие и до голяма степен допринасят за привличането на инвестиции, особено в по-слабо развитите региони, бедни откъм природни ресурси или туристически забележителности, както и че творците и културните институции играят решаваща роля за оформянето на идентичността на регионите и за тяхната привлекателност за външния свят, както и в процеса на европейска интеграция,
AC. whereas culture and language are driving forces behind regional development and greatly help to attract incoming investment, especially in underdeveloped regions, poor in natural resources or tourist attractions, and whereas artists and cultural institutions play a decisive role in forming the identity of regions and increasing their attractiveness and in the European integration process,
Я. като има предвид значението на културата – едновременно като сектор, който създава работни места и води до икономически растеж – конкретно по отношение на градовете (по-специално на малките и средно големи градове) и на селските райони, и като има предвид, че в социалната област културната идентичност е важен фактор, който утвърждава социалното сближаване в регионите и местните общности,
AD. whereas culture, as a sector that both provides jobs and fosters economic growth, is particularly important for the development of towns (especially small and medium sized ones) and rural areas, and whereas, in the social sphere, cultural identity is an important factor making for integration and greater social cohesion in regions and local communities,
АА. като има предвид, че може в рамките на политиките на сближаване и за селско развитие да се подкрепя реставрацията на културното наследство и да се насърчава културната индустрия с цел повишаване на привлекателността на регионите,
AE. whereas support can be given under cohesion and rural development policies to restoring the cultural heritage and promoting the artistic trades, with a view to increasing the attractiveness of regions,
АБ. като има предвид, че МСП и частният капитал следва да играят все по-важна роля в културния сектор и да участват в осъществяването на проекти и дейности, особено чрез механизма на публично-частните партньорства (ПЧП),
AF.whereas SMEs and private capital should play an increasingly important role in the cultural sector and should be brought into play in the implementation of projects and measures in this field, particularly through public/private partnerships (PPPs),
2. по същия начин приветства факта, че гореспоменатото съобщение на Комисията е добре прието от Съвета, както е отразено в резолюцията на Съвета от 15 ноември 2007 г.;
Likewise welcomes the fact that the above-mentioned Commission communication has been well received by the Council, as reflected in the Council resolution of 15 November 2007;
6. съжалява, че не се споменава ролята на голям брой партньорство между градове, местни органи и региони при съставянето на Европейската програма за култура в глобализиращия се свят;
Regrets that no reference to the role of the large number of partnerships between cities, local authorities and regions has been made in establishing a European agenda for culture in a globalising world;
24. препоръчва на Съвета и на Комисията да изготвят програма, успоредно и като допълнение на рамковата програма "Култура 2007-2013", която да има за цел да придаде по-висока стойност на класическото европейско наследство и историческия принос на националните култури през вековете и във всички измерения;и също така да отговори на нуждите на сектора на културата в бъдеще;
Recommends to the Council and to the Commission that a programme be drawn up with a view to enhancing the prestige of Europe's classical heritage and the historic contributions of national cultures in all their dimensions down through the centuries, and that such a programme should exist alongside and complement the ‘Culture’ framework programme for 2007 to 2013 while also allowing for the needs of the culture sector in the future;
32. подчертава значението на образованието по изкуства и литература за усъвършенстването на личността на младите хора, за откриването и развитието на призванието им и за цялостното ползване на културното имущество и ценности;
Points out that teaching of the arts and literature has an important part to play in rounding out the personalities of young people, awakening and fostering their vocations, and enabling them to enjoy cultural goods and values to the full;
41. препоръчва Съветът и Комисията да подкрепят и насърчават програмата на Съвета на Европа за европейски културни маршрути, създадена през 1987 г., като въпросните маршрути представляват образцови мрежи, включващи региони и локални общности и свидетелстват за наследството на Европа и общата история;
Recommends that the Council and the Commission support and promote the Council of Europe’s European Cultural Routes programme, launched in 1987, since the routes in question constitute exemplary networks encompassing regions and local communities and bear witness to Europe’s heritage and shared history;
45. предлага с оглед двеста годишнината от раждането на Фридерик Шопен, блестящ композитор, дал безспорен принос за световната култура, 2010 г. да бъде определена за "Европейска година на Фидерик Шопен";
Suggests that, in view of the 200th anniversary of the birth of Fryderyk Chopin, a brilliant composer who has made an undeniable contribution to world culture, 2010 should be designated the ‘European Year of Fryderyk Chopin’;
47. препоръчва в интерес на насърчаването на европейските културни ценности и доказване на ангажираността с културата, Европейската комисия в сътрудничество с държавите-членки да започне редовно да организира и подкрепя Европейска година, която да чества значима европейска личност, творческа дейност или културно събитие;
Recommends that the Commission, in cooperation with the Member States, in the interest of promoting European cultural values and demonstrating its commitment to culture, should start regularly organising and supporting a European Year commemorating a significant European personality, artistic activity or cultural event;
50. настоятелно призовава Комисията и Съвета да гарантират, че правилата относно търговските отношения както на двустранно, така и на многостранно равнище са прозрачни, справедливи, открити и насочени към пазарен достъп; освен това настоява, че тези правила трябва да позволяват на европейските браншове на културата да развиват целия си потенциал, особено в аудиовизуалния и музикалния сектор и сектора на публикациите;
Urges the Commission and the Council to guarantee that the rules governing commercial relations at both the bilateral and the multilateral level are transparent, fair, open, and market-access oriented; further insists that these rules must allow European cultural industries to develop all their potential, particularly in the audiovisual, musical and publishing sectors;
74. изразява съжаление, че Комисията отделя твърде малко внимание на партньорствата между градовете, общините и регионите, които от много години насам представляват отлично средство за сътрудничество и културен и информационен обмен;
Regrets the fact that the Commission pays too little attention to twinning arrangements between towns, municipalities and regions, which have for many years provided an excellent forum for cultural cooperation and information exchange;
76. призовава Комисията да популяризира най-добрите практики от областта на културата на европейско равнище, като изтъква, че повечето от въпросните практики произхождат от регионите; предлага организирането на тематични конференции и създаването на общодостъпна база данни за най-добрите практики на всички официални езици на Европейския съюз;
Calls on the Commission to promote best practices in cultural activities at European level, drawing attention to the fact that most best practices in this area are generated at regional level; suggests that thematic conferences be organised and that publicly accessible best-practice databases be set up in all the official languages of the European Union;
In its communication the Commission emphasises the central role that culture has to play in European integration and in raising the EU’s profile on the international stage.
In its communication the Commission emphasises the central role that culture has to play in European integration and in raising the EU’s profile on the international stage.
An agenda for culture is thus being proposed to enable a strategy to be pursued both within the EU and in the EU’s relations with third countries.
An agenda for culture is thus being proposed to enable a strategy to be pursued both within the EU and in the EU’s relations with third countries.
To complement the communication, there is a Commission staff working paper listing the various ways and means employed by the EU for its action in the cultural sphere.
To complement the communication, there is a Commission staff working paper listing the various ways and means employed by the EU for its action in the cultural sphere.
When it drew up its communication, the Commission held wide-ranging prior consultations with European cultural stakeholders.
When it drew up its communication, the Commission held wide-ranging prior consultations with European cultural stakeholders.
The communication, the first systematic attempt to move towards a European strategy for culture, centres on three main aims:
The communication, the first systematic attempt to move towards a European strategy for culture, centres on three main aims:
- promoting cultural diversity and intercultural dialogue,
- promoting cultural diversity and intercultural dialogue,
- promoting culture as a catalyst for creativity within the Lisbon strategy,
- promoting culture as a catalyst for creativity within the Lisbon strategy,
- promoting culture as an essential element in the EU’s external relations.
- promoting culture as an essential element in the EU’s external relations.
Secondly, the Commission identifies the ways of bringing a cultural policy into being and is calling for the cultural dimension to be incorporated into other relevant Community policies.
Secondly, the Commission identifies the ways of bringing a cultural policy into being and is calling for the cultural dimension to be incorporated into other relevant Community policies.
Regarding this latter point, it indicates that it has recently set up an inter-service group.
Regarding this latter point, it indicates that it has recently set up an inter-service group.
As regards implementation of the strategy, the Commission is proposing to apply various procedures, most importantly an open method of coordination.
As regards implementation of the strategy, the Commission is proposing to apply various procedures, most importantly an open method of coordination.
Also worthy of note are the proposals to establish firstly an EU-ACP Cultural Fund and secondly a Cultural Forum to provide a framework for the dialogue with civil society.
Also worthy of note are the proposals to establish firstly an EU-ACP Cultural Fund and secondly a Cultural Forum to provide a framework for the dialogue with civil society.
Regarding the idea of taking culture into account in the other Community policies, this is not so much a legitimate ambition, as an obligation imposed by Article 151(4) of the Treaty: regrettably, since the entry into force of the Maastricht Treaty and the later Treaty of Amsterdam, nothing has ever been done to implement it.
Regarding the idea of taking culture into account in the other Community policies, this is not so much a legitimate ambition, as an obligation imposed by Article 151(4) of the Treaty: regrettably, since the entry into force of the Maastricht Treaty and the later Treaty of Amsterdam, nothing has ever been done to implement it.
The present approach should consequently be welcomed, and the Commission called upon to commit itself formally at the highest level.
The present approach should consequently be welcomed, and the Commission called upon to commit itself formally at the highest level.
The task force for culture announced by President Barroso in Budapest in November 2005 has still not been set up; taking the necessary action would be a real sign of a determination to progress in the right direction.
The task force for culture announced by President Barroso in Budapest in November 2005 has still not been set up; taking the necessary action would be a real sign of a determination to progress in the right direction.
As regards the proposed open method of coordination, Parliament should be involved in order to lend further momentum to the process.
As regards the proposed open method of coordination, Parliament should be involved in order to lend further momentum to the process.
One point to note is that in the communication, culture is viewed more as a means to an end, be it social, economic, or political, than in the light of its intrinsic value as an end in itself.
One point to note is that in the communication, culture is viewed more as a means to an end, be it social, economic, or political, than in the light of its intrinsic value as an end in itself.
The communication is nevertheless important in that it raises the possibility of new processes and arrangements beyond the scope of the existing Community programmes and the rather modest scale of their resources.
The communication is nevertheless important in that it raises the possibility of new processes and arrangements beyond the scope of the existing Community programmes and the rather modest scale of their resources.
Be that as it may, the question of budget funding commensurate with the declared objectives is one that the Council will have to consider very seriously.
Be that as it may, the question of budget funding commensurate with the declared objectives is one that the Council will have to consider very seriously.
The fact that culture is to be taken into account in the EU’s external relations is a highly significant development.
The fact that culture is to be taken into account in the EU’s external relations is a highly significant development.
The work needed in this area – of which there is a great deal – has to be tackled by means of a proper strategy.
The work needed in this area – of which there is a great deal – has to be tackled by means of a proper strategy.
The rapporteur has had occasion more than once, not least within the life of this Parliament, to maintain that the Lisbon strategy can never fully achieve its aims unless culture is treated as one of its essential dimensions.
The rapporteur has had occasion more than once, not least within the life of this Parliament, to maintain that the Lisbon strategy can never fully achieve its aims unless culture is treated as one of its essential dimensions.
The Commission communication should therefore be welcomed, as it proves that we are right.
The Commission communication should therefore be welcomed, as it proves that we are right.
Culture will thus be a key point in the European political agenda.
Culture will thus be a key point in the European political agenda.
The communication views it from a horizontal, multidirectional perspective that we believe to be sound.
The communication views it from a horizontal, multidirectional perspective that we believe to be sound.
What needs to be considered is not just all the programmes whose direct or indirect impact in the cultural sphere will make for the best solutions, based on best practice and operating in conjunction with other Community instruments, such as the Structural Funds, as provided for in the 2007-2013 Culture Programme, but also the role which those programmes, in their dynamic interaction, could play in a globalising world.
What needs to be considered is not just all the programmes whose direct or indirect impact in the cultural sphere will make for the best solutions, based on best practice and operating in conjunction with other Community instruments, such as the Structural Funds, as provided for in the 2007-2013 Culture Programme, but also the role which those programmes, in their dynamic interaction, could play in a globalising world.
And the fact that the world is globalising is what, to our mind, is implying an ever more pressing and urgent need to assert and strengthen the European identity, without detracting from the diversity of the cultures existing among the peoples of Europe.
And the fact that the world is globalising is what, to our mind, is implying an ever more pressing and urgent need to assert and strengthen the European identity, without detracting from the diversity of the cultures existing among the peoples of Europe.
This brings us to the common cultural heritage.
This brings us to the common cultural heritage.
The report takes the view that the Union has a special duty to safeguard Europe’s cultural richness; the European cultural heritage must be preserved, disseminated, and shared within and outside the Union, enabling the Union as it does to understand the world, foster its cohesion and development, emphasise its uniqueness, and assert itself in relation to other peoples.
The report takes the view that the Union has a special duty to safeguard Europe’s cultural richness; the European cultural heritage must be preserved, disseminated, and shared within and outside the Union, enabling the Union as it does to understand the world, foster its cohesion and development, emphasise its uniqueness, and assert itself in relation to other peoples.
It is true that Europe now already has programmes to cover and encourage creative activity, the movement of works, the mobility of creative artists and stakeholders and professionals in the culture sector, and film- and audio-visual programme-making; however, in addition to this body of measures, which should be developed to the most useful effect, further programmes are needed in order to encompass the European cultural heritage more specifically and systematically, bearing in mind that one of its founding sources is in grave danger of disappearing and, moreover, within the Union, there is still a great deal of ignorance on all sides about the national forms in which the common cultural heritage has found practical expression in the Member States and in other European countries down through the centuries.
It is true that Europe now already has programmes to cover and encourage creative activity, the movement of works, the mobility of creative artists and stakeholders and professionals in the culture sector, and film- and audio-visual programme-making; however, in addition to this body of measures, which should be developed to the most useful effect, further programmes are needed in order to encompass the European cultural heritage more specifically and systematically, bearing in mind that one of its founding sources is in grave danger of disappearing and, moreover, within the Union, there is still a great deal of ignorance on all sides about the national forms in which the common cultural heritage has found practical expression in the Member States and in other European countries down through the centuries.
Given that it is desirable to draw attention to the above points, the report makes some recommendations which, in the opinion of our rapporteur, would do much to enhance EU cultural policy and enable the aims of the Lisbon strategy to be achieved better and more fully.
Given that it is desirable to draw attention to the above points, the report makes some recommendations which, in the opinion of our rapporteur, would do much to enhance EU cultural policy and enable the aims of the Lisbon strategy to be achieved better and more fully.
Комисията по развитие приканва водещата комисия по култура и образование да включи в предложението за резолюция, което ще приеме, следните предложения:
The Committee on Development calls on the Committee on Culture and Education, as the committee responsible, to incorporate the following suggestions in its motion for a resolution:
9. припомня на Комисията, че развитието на културното наследство е неразривно свързано с неговото и че, поради неговата преходност , трябва чрез управлението му да се осигури устойчивост ; счита също така, че управлението на културното наследство трябва задължително да бъде икономически рентабилно и съответно да допринася за подобряването на социално-икономическите условия, в които живее населението;
Reminds the Commission that the development of cultural heritage is inextricably linked to public use and enjoyment of it and that cultural heritage should be managed in a sustainable manner in view of its transitory nature; considers, too, that the management of cultural heritage should necessarily be economically viable and consequently play a part in improving the socio-economic conditions in which people live;
Комисията по международна търговия приканва водещата комисия по култура и образование да включи в предложението за резолюция, което ще приеме, следните предложения:
The Committee on International Trade calls on the Committee on Culture and Education, as the committee responsible, to incorporate the following suggestions in its motion for a resolution:
А. като има предвид, че европейските творци, хора на изкуството и браншове на културата, от една страна, имат решителна роля за създаването на европейска културна идентичност, споделянето на ценности и продължаващото развитие на европейското гражданство, което надминава стадия на националната държава и признава културното многообразие на европейско, национално, регионално и езиково ниво,
A. whereas, on the one hand, European creators, artists, and cultural industries have a decisive role in the creation of a European cultural identity, the sharing of values, and in the continuous development of European citizenship that both transcends the nation state as well as recognises the cultural diversity on a European, national, regional and linguistic scale,
Б. като има предвид, че европейските творци, хора на изкуството и браншове на културата, от друга страна, също оказват действително въздействие върху доходите, източниците на икономическо благополучие и създаването на работни места в ЕС,
B. whereas, on the other hand, European creators, artists, and cultural industries also have a real impact on economic incomes, sources of wealth, and the creation of jobs within the EU,
В. като има предвид, че технологическият прогрес означава, че предметите на културата все повече се произвеждат, разпространяват и консумират в цифрова форма и политиката трябва да отчете това развитие,
C. whereas technological progress means that cultural products are increasingly produced, disseminated and consumed in digital form, and policy must take account of this development,
Г. като има предвид, че европейските браншове на културата се намират в защитена по отношение на търговските правила сфера, която отразява по подходящ начин европейските схващания, че предметите и услугите на културата се различават от другите видове стоки и услуги, поради което са им необходими специфични правила,
D. whereas European cultural industries find themselves in a protected space with regard to trade rules, adequately reflecting European perceptions that cultural products and services differ from other kinds of goods and services, necessitating specific rules,