Prompt: Imagine someone singing a song to a baby, expressing their desire to hold and care for the baby in a gentle and loving way, and the baby's natural response to wanting to be comforted and rocked slowly.

Response:
(The things you do)
(Rock me real slowly)
(Rock me real slowly)
(I'm just like a baby, droolin' over you)
(Rock me real slowly)
(Rock─, put a bib on me)
(Give me back)


Prompt: The narrator's life is described as being in a transitional state, somewhere between different extremes, as they navigate the complexities of love, success, and the expectations of others. They emphasize their determination to remain grounded and not be swayed by external pressures or influences. The lyrics also touch upon the changing relationships with others and the feeling that nothing is quite the same anymore.

Response:
Somewhere between psychotic and iconic
Somewhere between I want it and I got it
Somewhere between I'm sober and I'm lifted
Somewhere between a mistress and commitment
But I stay down, girl, I always stay down
Get down, never lay down
Promise to break everybody off before I break down
Everyone just wait now, so much on my plate now
People I believed in, they don't even show they face now
What they got to say now? Nothin' they can say now
Nothin' really changed but still they look at me a way now
What more can I say now? What more can I say now?
You might feel like nothin' was the same


Prompt: Write a song about a person who is trying to keep their personal life private, despite not being perfect like everyone else.

Response:
I still been drinkin' on the low, mobbin' on the low
Fuckin' on the low, smokin' on the low
I still been plottin' on the low, schemin' on the low
The furthest thing from perfect, like everyone I know
I just been drinkin' on the low, mobbin' on the low
Fuckin' on the low, smokin' on the low
I just been plottin' on the low, schemin' on the low
The furthest thing from perfect, like everyone I know


Prompt: Reflect on the vices and ambitions of a group of people working together to achieve their goals.

Response:
Drinkin', smokin', fuckin', plottin'
Schemin', plottin', schemin', gettin' money
Drinkin', fuckin', smokin', plottin'
Schemin', plottin', schemin', gettin' money


Prompt: A young artist rises to fame and success, embracing their newfound lifestyle, while addressing the consequences and pressures that come with it, all while staying true to themselves and their passion for music.

Response:
Uh, this the life for me
My momma told me this was right for me
I got 'em worried, like make sure you save a slice for me
I should have Spoons serve you up with a fork and knife for me
Your actions make us doubt you
Your lack of effort got me rappin' different
This the shit I wanna go out to
Play this shit at my funeral if they catch me slippin'
Naked women swimmin', that's just how I'm livin'
Donate a million to some children, that's just how I'm feelin'
A nigga fillin' up arenas, who the fuck could see us?
I had to Derrick Rose the knee up before I got the re-up
Yours truly, the boy
I just build and build more, y'all niggas build to destroy
Y'all niggas party too much, man, I just chill and record
No filler, you feel it now if you ain't feel it before
Yes, Lord, this the shit I wanna go out to
Yeah, yeah, this the shit I wanna go out to


Prompt: Reflecting on the uncertainty of a relationship and the insecurity that comes with it, while recognizing that one's feelings are not the priority and the importance of understanding that the other person may not reciprocate love.

Response:
How I'm feeling, it doesn't matter
'Cause you know I'm okay
Instead, I ask myself, "Why do you worry?"
When you know, you know I'm the same
I know, I know you don't love me, baby
They're trying to take you away from me
Only over my dead body


Prompt: Reflect on past relationships and experiences, emphasizing the lack of love and support one has received from certain people, while addressing their presence in the current situation and questioning their genuine intentions.

Response:
Worst—
Motherfucker never loved us
Fucker never loved us
You ain't know, now you know now
Still at it, scrub Js with a toothbrush
Shit, niggas still playing my old shit
But your shit is like the police askin' us questions
Nigga, we don't know shit
Flexin'—nigga, I'm just flexin'
Nigga never loved us
Do it look like we stressin'?
Look at you, look at you and look at you
Aww, I'm glad that they chose us
'Cause, man, it's a mission
Tryna fight to the finish just to see, am I finished?


Prompt: A person is reflecting on past experiences where they felt unappreciated or unloved by others, particularly someone who used to disregard their feelings or dismiss their talents. The song could explore themes of growth, empowerment, and revenge, where the individual decides to take matters into their own hands and no longer tolerates the mistreatment they've endured.

Response:
On my worst behavior, no?
They used to never want to hear us
Remember? Motherfucker never loved us
Remember? Motherfucker
Remember? Motherfucker never loved us
I'm on my worst behavior
Don't you ever get it fucked up
Motherfuckers never loved us
Man, motherfuckers never loved us
Worst behavior
Motherfuckers never loved us
Fucker never loved us
Worst behavior
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Hold up, hold my phone
Motherfuckers never loved us
Fucker never loved us
Now you want to roll one
Motherfucker never loved us
So everywhere we go now, full cup
Always hated the boy, but now the boy is the man
Motherfucker, I done growed up
You know me? You know me?
I'm liable to do anything when it comes to that you owe me
You owe me, you owe me
Bitch, you better have my money when I come for that shit like O.D.B


Prompt: A group of teenagers spending their summer in a competitive and fashion-driven environment, all wearing matching outfits, while seeking revenge on their opponents.

Response:
Looking for revenge
All summer sixteen
All summer sixteen
Playing dirty not clean
Out in front of Four Seasons
Looking like a damn football team
All in the same thing
All repping one thing
Looking for revenge


Prompt: Write a song about a charismatic and successful individual who has a flamboyant lifestyle and is always making a statement, with a focus on style, fame, and the glamorous aspects of their life.

Response:
Famous and dangerous
You understand me?
Showtime, headlines, Big Tyme
"Sunshine," tote 9's, bust mines
Flatline, hard grind, high life
Stay fly, it's jet time – stunt, nigga!
Every time you see a nigga – stunt, nigga!
Every time you see a nigga – stunt, nigga!
Swag on head to feet nigga – stunt, nigga!
I just might bring in some girls from Miami to heat up the city
And that's word to Stunna, you know it


Prompt: A friend's sudden change in behavior and lack of communication leaves the speaker feeling betrayed and confused.

Response: That's the shit I'm talking 'bout though, like you changed up, you don't even fuckin' link nobody no more, you just dash me away like a cyattie. Yo, you cheesed me dog


Prompt: Create a song that reflects the dedication and loyalty between two people, highlighting the challenges and sacrifices they face, with a focus on the unwavering bond they share.

Response:
Always felt like my vision been bigger than the bigger picture
Crazy how you gotta wait until it's dark out to see who really with you
Crazy how even when it miss you
Shit'll come back around and get you
Crazy like all my niggas, crazy like all my niggas
Remember I deleted all my other girls' numbers out the phone for you?
Remember when you had to take the bar exam
I drove in the snow for you? Yeah
You probably don't remember half the shit a nigga did for you, yeah


Prompt: Reflect on past decisions and how they have impacted one's current situation, highlighting the growth and progress achieved in the meantime.

Response:
Yeah, you ain't really fuck with me way back then
But how 'bout now? (Now)
'Cause I'm up right now (I'm up right now)
And you stuck right now (Stuck right now)
Oh, you thought you had it all figured out back then
But how 'bout now? (Now)
'Cause I'm up right now (I'm up right now)
And you stuck right now, yeah (Stuck right now)
You thought the little effort that you put in was enough, girl
How 'bout now? Yeah
Girl, how 'bout now, how 'bout now, girl?
What about now, girl, how 'bout now?
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My heart belongs to you...


Prompt: Reminiscing about childhood, feelings of being overshadowed by a sibling's success, and growing apart from friends due to personal struggles and the pursuit of a music career.

Response:
Yeah, always been daddy's little angel
I bought your dad a bunch of shit for Christmas
He ain't even say thank you
I had no money left from actin', I was focused on the music
I used to always try and burn you CDs of my new shit
You be like "who's this?" I be like "me, girl"
You be like "oh, word, true shit?"
Then ask if we could listen to Ludacris
Them car rides made me feel like I was losin' it
Yeah, made me feel I ain't have it like that
Or I was average like that
Started drinkin' way more than I used to
People form habits like that, girl
Yeah, man enough to tell you I was hurt that year
I'm not even Christian, I still went to church that year
Guess I just had to pretend that year
I ain't even see my friends that year
Places that I should've been


Prompt: Reflect on past actions and how they've led to the current situation, while emphasizing a change in circumstances and offering unwavering support.

Response:
Yeah, you ain't really fuck with me way back then
But how 'bout now? (Now)
'Cause I'm up right now (I'm up right now)
And you stuck right now (Stuck right now)
Oh, you thought you had it all figured out back then
Girl, how 'bout now? (Now)
'Cause I'm up right now (I'm up right now)
And you stuck right now, yeah (Stuck right now)
You thought the little effort that you put in was enough, girl
How 'bout now? Yeah
Girl, how 'bout now, how 'bout now, girl?
What about now, girl, how 'bout now?
My heart belongs to you
Whatever you need, there's nothin' I won't do
Whatever you need, there's nothin' I won't do
Whatever you need, there's nothin' I won't do
Whatever you need, there's nothin' I won't do1.4KEmbed


Prompt: Discourage overthinking and embrace the natural progression of a newfound passion, as it's more than just a fleeting infatuation.

Response:
Don't think about it too much, too much, too much, too much
There's no need for us to rush it through
Don't think about it too much, too much, too much, too much
This is more than just a new lust for you
(Oh, don't think about—)


Prompt: Write a song about persistence and the power of dreams despite the challenges one might face.

Response:
Don't give up, on your hopes
And you tell me somethin's gone wrong
Wholehearted, wholehearted, you care, you care
'Cause I'm such a dreamer, a believer in a sense
Well, if it's all a dream
Then I'm on fire, feels like, I'm on fire
Tell me when I'm lyin', tell me when I'm tryin'


Prompt: The lyrics describe a situation where the speaker is expressing their anger and disappointment towards someone for not appreciating their past relationship and now trying to replace it with someone else. The speaker takes pride in their contributions to the other person's life and believes they are irreplaceable.

Response:
I can see it in your eyes, you're angry
Regret got shit on what you're feelin' now
Mad 'cause he ain't like me
Oh, you mad 'cause nobody ever did it like me
All the care I would take
All the love that we made
Now you're trying to find somebody to replace what I gave to you
It's a shame you didn't keep it
Alisha, Catya, I know that you gon' hear this
I'm the man, yeah, I said it
Bitch, I'm the man, don't you forget it
The way you walk, that's me
The way you talk, that's me
The way you got your hair up, did you forget that's me?
And the voice in your speaker right now, that's me
That's me
And the voice in your ear, that's me
Can't you see that I made it? Yeah, I made it
First I made you who you are and then I made it
And you're wasted with your latest
Yeah, I'm the reason why you always gettin' faded


Prompt: Consider a song that encourages others to take a shot in your honor, while also wishing the listener well in life with positive phrases and blessings.

Response:
Take a shot for me (Oh-oh-oh-oh, oh-oh-oh-oh)
Take a shot for me (Oh-oh-oh-oh, oh-oh-oh-oh)
Take a shot for me (Oh-oh, oh-oh, oh-oh, oh-oh, oh-oh, oh-oh)
A shot for me (Oh-oh, oh-oh, oh-oh, oh-oh, oh-oh, oh-oh)
A shot for me
Yeah
May your neighbors respect you
Trouble neglect you
Angels protect you
And Heaven accept you


Prompt: A track that combines a catchy beat with a playful reference to a unique, exotic atmosphere.

Response:
Murda on the beat so it's not nice
Yeah
It's a Habibis ting, ya?


Prompt: Think of a catchy way to describe someone's fast movements and their impressive athletic accomplishments.

Response:
Skrrt-skrrt, oh
Michael Phelps with the swim moves
Skrrt-skrrt, oh
Michael Jordan with the tennis shoes


Prompt: A song about going live online, letting loose with friends, and enjoying drinks and fun times in a swimming pool.

Response:
We gon' go live, we gon' go live, yep (Yeah, yeah)
We gon' go live, we gon' go live, yep (Yeah, yeah)
Gettin' loose (Yeah), yeah
Off the Henny, 'Roc and a hint of Goose (Yeah), yeah
Ocean deep in my swimmin' pool, yeah (In my pool)


Prompt: Write a song that uses metaphors to express the impressive abilities of Michael Phelps and Michael Jordan, comparing their skills in swimming and basketball to a car's quick acceleration.

Response:
Skrrt-skrrt, oh
Michael Phelps with the swim moves
Skrrt-skrrt, oh
Michael Jordan with the tennis shoes
Skrrt-skrrt, oh
Michael Phelps with the swim moves
Skrrt-skrrt, oh
Michael Jordan with the tennis shoes


Prompt: Write a song that addresses someone who's been hurt by others and offers to help take care of them, reflecting on past experiences of love and loss.

Response:
I know you've been hurt by someone else
I can tell by the way you carry yourself
If you let me, here's what I'll do
I'll take care of you (I'll take, I'll take)
I've loved and I've lost


Prompt: Write a song that expresses the internal struggles and secrets that people keep, especially when it comes to love and relationships, and their attempts to navigate these challenges.

Response:
It's my birthday, I'll get high if I want to
Can't deny that I want you, but I'll lie if I have to
'Cause you don't say you love me
To your friends when they ask you
Even though we both know that you do, you do
One time, been in love one time
You and all your girls in the club one time
All so convinced that you're followin' your heart
'Cause your mind don't control what it does sometimes
We all have our nights, though, don't be so ashamed
I've had mine, you've had yours, we both know, we know
You hate bein' alone, well, you ain't the only one
You hate the fact that you bought the dream and they sold you one
You love your friends, but somebody should've told you somethin'
To save you, instead, they say


Prompt: A conversation between two people who have experienced pain and betrayal in love, discussing their vulnerability and willingness to let someone else take care of them.

Response:
Don't, tell me, I don't care if you hurt
I don't, tell you, you don't care if you're true
Don't, tell me, I don't care if you hurt
I don't, tell you, you don't care if you're true
I know you've been hurt by someone else
I can tell by the way you carry yourself
If you let me, here's what I'll do
I'll take care of you (I'll take, I'll take)
I've loved and I've lost


Prompt: A rapper is reflecting on their talent and potential legacy in the rap game, acknowledging their young age and the impact they could have on their city and the music industry.

Response:
When I pull up on a nigga tell that nigga back, back
I'm too good with these words, watch a nigga backtrack
If I die, all I know is I'm a mothafuckin' legend
It's too late for my city, I'm the youngest nigga reppin'
Oh my God, oh my God, if I die, I'm a legend
Oh my God, oh my God, if I die, I'm a legend


Prompt: A young man, who has recently gained fame, reminisces about his past struggles and relationships while reflecting on the consequences and responsibilities of his newfound success. The chorus repeats an expression of determination and self-belief, emphasizing that the individual will leave a lasting impact, regardless of the outcome.

Response:
I'm up first, I'm on tour, got a girl, she from the South
Used to work, used to dance in Texas, now she clean the house
Everyday, I was strugglin' to learn what life's about
On my way, money taught me Spanish, make it ándale
Way up north, packed in Honda cars
They don't know who we are
Fuck 'em all, they only pussy niggas shootin' at the star
Right or wrong, I'ma write my wrongs
They can't live this long
You don't know where you're gonna go
I got this shit mapped out strong
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When I pull up on a nigga tell that nigga back, back
I'm too good with these words, watch a nigga backtrack
All I know, if I die, I'm a mothafuckin' legend
It's too late for my city, I'm the youngest nigga reppin'
Oh my God, oh my God, if I die, I'm a legend
Oh my God, oh my God, if I die, I'm a legend


Prompt: Express your feelings of being unique, misunderstood, and ready to leave a lasting legacy.

Response:
I'm the one, one
Why do I feel like the only one?
Why do I feel like you owe me one?
6 G-O-D, I'm the holy one
Yeah, you know wassup, yeah
They been off for a minute now
You know they all sentimental now
You know they all actin' different now
And I, I just can't pretend
Seen too much, it's so hard for me to let new people in
I can't change, this shit set in stone
They can't live this long
You don't know where you're gonna go
I got this shit mapped out strong
When I pull up on a nigga tell that nigga back, back
I'm too good with these words, watch a nigga backtrack
All I know, if I die, I'm a mothafuckin' legend
It's too late for my city, I'm the youngest nigga reppin'
Oh my God, oh my God, if I die, I'm a legend
Oh my God, oh my God, if I die, I'm a legend


Prompt: A confident and wealthy individual is constantly reminding others about their success and that they are the one to trust in regards to business. They are not afraid to assert their dominance and prioritize money, but also acknowledge that it took time to get to this position.

Response:
They know, they know, they know
They know, they know, they know
They know, they know, they know
Yeah, they know, yeah
That the real is on the rise
Fuck them other guys
I even gave 'em a chance to decide
Now it's something they know
They know, they know, they know
I be yellin' out, "Money over everything," money on my mind
Mind, mind-mind
Tell 'em I apologize, it happened over time
Time, time-time
They know
They know, they know, they know
They know, they know, they know
They know, they know, they know (Yeah)


Prompt: A person who has been waiting for an important visitor expresses their excitement and gratitude for their arrival.

Response:
Right, my yiy just changed
You just buzzed the front gate
I thank God you came
How many more days could I wait?
I made plans with you
And I won't let 'em fall through
I, I, I, I, I


Prompt: Create a song that expresses the deep commitment and love a person would have for another, including a willingness to deceive or sacrifice for them.

Response:
I think I'd lie for you
I think I'd die for you
Jodeci "Cry for You"
Do things when you want me to
Like controlla, controlla, yeah
Like controlla, controlla, yeah


Prompt: Imagine a song where the artist is trying to navigate a lover's preferences in the bedroom, whether it be faster or slower, and incorporating dancehall music's popular "controlla" in the lyrics.

Response:
Okay, you like it, when I get
Aggressive, tell you to, yeah
Go slower, go faster
Like controlla, controlla, yeah
Like controlla, controlla, yeah


Prompt: A song about a man's determination to support his love interest, despite the obstacles and temptations thrown at him by those around them.

Response:
And I’m never on a waste ting, shawty
I do it how you say you want it
Them girls, they just wanna take my money
They don't want me to give you nothing
They don't want you to have nothing
They don't wanna see me find your lovin'
They don't wanna see me
Smiling back when they pree
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Knowing I'd lie for you
Thinking I'd die for you
Jodeci "Cry for You"
Do things when you want me to
Like controlla, controlla, yeah
Like controlla, controlla, yeah
Gyal a tear off mi garments
And a bawl fi come inna mi apartment (Woi!)
Di gyal dem want di length and strength
Action speak louder than argument well


Prompt: A rapper is expressing their disdain and feeling disrespected after hearing a rumor or comment about them. They're upset and emphasize that their value comes from the money they make, not their relationships.

Response:
I'm upset
Fifty thousand on my head, it's disrespect
So offended that I had to double check
I'ma always take the money over sex
That's why they need me out the way, what you expect?


Prompt: Write a song about the struggles and successes in life, including relationships, finances, and personal growth.

Response:
Got a lot of blood and it's cold
They keep tryna get me for my soul
Thankful for the women that I know
Can't go fifty-fifty with no ho
Every month
I'm supposed to pay her bills and get her what she want
I still got like seven years of doin' what I want
My dad still got child support from 1991 (One, one, one)
Outta town, people love to pop a lot of shit then come around
Word to Flacko Jodye, he done seen us put it down
Niggas askin' if I'm cool


Prompt: You're upset about someone disrespecting you and your actions, causing a conflict in your life. You feel like you need to prove yourself and gain respect by making a statement.

Response:
I'm upset ('Set, 'set)
Hunnid thousand on my head, it's disrespect (Disrespect)
So offended that I had to double check
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You tryna check?
This is real life, niggas think we playin' chess
So what's next?
Jump up out the bed like I'm possessed
I go out on tour and I say I'm drinkin' less
End up gettin' loose and gettin' pictures from my ex (Ex, ex, ex, ex)
SMS, triple X
That's the only time I ever shoot below the neck (Skrr)
Why you keep on shootin' if you know that nigga dead? (Skrr)
That's the only kind of shit that gets you some respect


Prompt: Write a song about a complicated relationship with a manipulative woman, emphasizing the struggle to maintain control and the cold-blooded nature of the situation.

Response:
Got a lot of blood and it's cold
They keep tryna get me for my soul (For my soul)
Thankful for the women that I know
Can't go fifty-fifty with no ho (Ayy, ayy)
Every month
She don't even love me, she just puttin' on a front (Front)
She gon' try and settle outta court and make a run
Then gon' ask me how I'm doin'?


Prompt: A man is upset about having a bounty on his head, but feels somewhat validated by the fact that it shows others are trying to take him out. He's prepared to protect himself with a vest and a TEC (possibly a gun). However, he is blessed and acknowledges that people may not know him well. He mentions a box with something that a woman needs to collect. Despite the dangers he faces, he is grateful for the women in his life and is not willing to compromise with anyone else.

Response:
I'm upset ('Set, 'set)
Half a million on my head I can accept, yeah
'Least it makes me feel like someone tried their best, yeah
Want to waste a half a million, be my guest
Made me wanna buy a vest and a TEC (Skrr)
But I'm blessed, I just checked (Checked, checked)
Hate me, never met me in the flesh (Flesh)
Said she's got some things she gotta come here and collect
That shit is in a box to the left, to the left (Left, left, left)
Got a lot of blood and it's cold
They keep tryna get me for my soul (For my soul)
Thankful for the women that I know (That I know)
Can't go fifty-fifty with no ho


Prompt: A confident rapper is talking about their luxurious lifestyle, mentioning their designer accessories, a tattoo they got, and their undeniable impact on the world.

Response:
(Yah! Yah! Yah! Yah! Yah! Ah)
Hermès link, ice-blue mink (Woo!)
Tat on my ribs like I do not know what permanent is (Yah!)
They want me gone, wait for the kicker
Bury me now and I only get bigger
That's word to my nigga (Woo!)


Prompt: The lyrics describe an October night with a close friend, someone who wants to get married, but the speaker can't take a knee because of their attire. The speaker and their friend are like twins, but don't look the same. They don't take naps and are heavily attached to their money. They take muscle relaxers and smoke spliffs, which puts them in a relaxed state. They mention a drink called "Virginia Black" and boast about making money off it without rapping. They refer to facts as something important and say they're about to bring the contract back. The

Response:
Yeah, October Firm in the cut (Yah!)
Stay at the top like I'm stuck, that's just how I'm givin' it up
She wanna get married tonight
But I can't take a knee, 'cause I'm wearin' all white
Me and my broski are twins, but we don't look alike
I don't take naps
Me and the money are way too attached to go and do that
Muscle relax (Ha! Ha! Ha!)
That and the spliff put me right on my back, I gotta unpack (Yah!)
Virginia Black (Doo! Doo!)
I could go make enough money off that and not even rap
What's that? Facts (Facts, nigga, yah!)
Contract max, I gotta bring that shit back (Blah!)


Prompt: Write a song about confidence, status, and resilience, using references to luxury items, tattoos, and the idea of people wanting you gone but still becoming even more influential.

Response:
Hermès link, ice-blue mink (Yah!)
Tat on my ribs like I do not know what permanent is
They want me gone (Gone, blah!), wait for the kicker
Bury me now and I only get bigger
That's word to my nigga (Woo! Woo!)
Yah!


Prompt: Think of a time when you felt deeply connected and wanted to express your devotion to someone or something.

Response:
Dedicate, I dedicate the world
Yeah, oh
I dedicate, I dedicate
I give you my fortune
I dedicate, I dedicate
I dedicate, I dedicate
I dedicate, I dedicate
I dedicate, dedicate, dedicate
I dedicate to you
I dedicate, I dedicate
I dedicate, I dedicate, oh yeah
I dedicate, I dedicate to you


Prompt: The singer is reflecting on their past, with people bringing up negative memories and gossip. They're also talking about the positive changes they've experienced due to a certain substance (possibly a medication or a mindset), and the desire to support and be with the person they're addressing, always placing them in a central role.

Response:
They throwin' dirt on my old name
Only gets worse when you know things
You don't see the perks of this whole thing
But you get real on a pill and I like it
You just like my sidekick, I just wanna ride, fulfill all your desires
Keep you in the front, never in the back and never on the side, uh
(Yeah)


Prompt: Write a song about a girl who is tough and independent, and a guy who's attracted to her strength. The guy is trying to make a decision about whether to cut off his other connections and focus solely on her, while the girl is unsure about how she feels.

Response:
You a real ass woman and I like it
I don't wanna fight it
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Look, you know I'm a rider, nothin' left to hide
Your other nigga tired
Talk about you like you never leave his side
But I don't really buy it
Me? I'm movin' quiet, all the things we're tryin'
Let's just keep it private (Don't say anything)
Tell me should I cut these other girls right out of my life?
'Cause we never decided, tell me how you feel inside


Prompt: Express admiration and appreciation for a strong, independent, and confident woman, while also highlighting the desire for inspiration and excitement in the relationship.

Response:
You a real ass woman and I like it, yeah
Dedicate to you
I need you inspired, I need you excited
I don't wanna fight it


Prompt: Write a song about a unique relationship where two people with different backgrounds are trying to figure out each other while also navigating their differences and insecurities.

Response:
Yeah-yeah, I figure out you, you figure out me
We both a different breed
I'm followin' your lead, I ask you what you need
You say, "A guarantee"
I mean, you say that like it's easy
You never believe me
Told you I got Zs for these other girls sleepin' on 'em
Girl, I'm sleepy
Sometimes I'm so indecisive
But you a real ass woman and I like it
I don't wanna fight it


Prompt: Write a song expressing the complete dedication and devotion to someone, using repetition to emphasize the commitment.

Response:
I give you my fortune
I dedicate, I dedicate
I dedicate, I dedicate
I dedicate, dedicate, dedicate
I dedicate to you
I dedicate, I dedicate
This song's for you
I dedicate, I dedicate
I give you my voice
This song's for you


Prompt: Write a song about a group of friends partying and attracting attention at a music event, with emphasis on their connections and extravagant lifestyle.

Response:
Take your nose off my keyboard
What you bothering me for?
There's a room full of niggas
What you following me for?
This ain't no fuckin' sing-along
So, girl, what you singin' for?
It's 'cause we blowing like a C4
Got my whole crew blowin' like a C4
Twenty, keep the bar rollin'
Fake IDs in the trash, we goin'
Straight to the top, rooftop glows
With a handful of girls and they all so foreign
Brain so poisoned, rainbows flowin'
Light-skinned chick, first flight from Poland
A whole lotta friends, first flight from Poland
A whole lotta cash comin' straight from Poland


Prompt: A group of friends celebrate their close bond and success, highlighting the importance of their unity in the face of challenges and their ability to make an impact on their city.

Response:
They loving the crew
Oh, they loving the crew
Oh, they loving the crew
Loving the crew, oh
Oh, they loving the crew
They loving the crew
They loving the crew
They loving the crew
Woah
'Cause we blowin' like a C4
Got my whole crew blowin' like a C4
(If you broadcast swag, nigga, we the news in your city)


Prompt: Reflecting on a past relationship that ended negatively, recognizing that change is inevitable and necessary, and understanding that the other person's fear of change caused the breakdown of the relationship.

Response:
When a good thing goes bad, it's not the end of the world
It's just the end of a world that you had with one girl
And she's the reason it happened, but she's overreacting
And it's all because she don't want things to change


Prompt: A love song about leaving and not being able to support the emotional needs of the other person.

Response:
So cry if you need to, but I can't stay to watch you
That's the wrong thing to do
Touch if you need to, but I can't stay to hold you
That's the wrong thing to do
Talk if you need to, but I can't stay to hear you
That's the wrong thing to do
'Cause you'll say you love me, and I'll end up lying
And say, "I love you too"


Prompt: Discuss the struggles of finding a suitable partner and the fear of seeing an ex with someone else.

Response:
But I need someone different
You know it, oh, you know it
Oh, you know it, we both know it
I need someone different
You know it, oh, you know it
Oh, you know it, we both know it
Something's been missing
You know it, oh, she knows it
Oh, I know it, we all know it
I need someone different
Oh, oh
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We live in a generation of not being in love and not being together
But we sure make it feel like we're together
'Cause we're scared to see each other with somebody else


Prompt: Imagine a scenario where someone has to leave a loved one, but they can't be there to comfort them in times of need, and the pain of not being there makes them feel like they are lying when they say "I love you too.

Response:
So cry if you need to, but I can't stay to watch you
That's the wrong thing to do
Touch if you need to, but I can't stay to hold you
That's the wrong thing to do
Talk if you need to, but I can't stay to hear you
That's the wrong thing to do
'Cause you'll say you love me, and I'll end up lying
And say, "I love you too"


Prompt: Discovering a missing piece in life and longing for a change in relationships.

Response:
But I need someone different
You know it, oh, you know it
Oh, you know it, we both know it
I need someone different
You know it, oh, you know it
Oh, you know it, we both know it
Something's been missing
You know it, oh, she knows it
Oh, I know it, we all know it
I need someone different
Oh, oh


Prompt: Write a song about a person who feels a strong connection and emotional attachment to someone, focusing on themes of love, trust, and devotion, while also mentioning the presence of others who are aware of their relationship.

Response:
Yours
You're still the one that I adore
Ain't much out there to have feelings for
Guess whose it is? Guess whose it is? (Yours)
Guess whose it is? Guess whose it is? Yours
A few bottles on the table, a few waters
It ain't a secret, baby, everybody saw us
Guess whose it is? Guess whose it is?
Guess whose it is? It's yours
Next time we fuck, I don't wanna fuck, I wanna make love
Next time we talk, I don't wanna just talk, I wanna trust
Next time I stand tall, I wanna be standin' for you
And next time I spend, I want it all to be for you, oh
Peakin', I'm peakin'
Wake up with me this weekend, we can, oh
Guess whose it is? Guess whose it is?
Guess whose it is? It's yours


Prompt: Describe a group of friends showing loyalty and unity through music and aggressive lyrics

Response:
(Machine gun rap for all my niggas in the back) Uh
(Machine gun rap for all my niggas in the back) Uh
(Machine gun rap for all my niggas in the back) Uh
(Machine gun rap for all my niggas in the back) I


Prompt: A heartbroken individual expressing their feelings for someone who seems to be careless in their relationships, acknowledging that the person might not be loved as deeply as they are, while also accepting the inevitability of their partner moving on.

Response:
It's not me and you, it's not me it's you
You're reckless and you know it, they don't love you like I do
Say you're moving on, well, I guess that's just the motion
I guess that's just the motion
Oh-oh, I guess that's just the motion
Oh-oh, I guess that's just the motion
Oh-oh, I guess that's just the motion


Prompt: Write a song about a person who doesn't care about anyone's opinions, and only focuses on their own journey.

Response:
I don't have a fuck to give, I've been moving state to state
In my leather and my Timbs like it's 1998
And my dog Chubby Chub, that's my nigga from the way
On the Eastside of the city, that's where everybody stay
Seem like everybody calling 'cause they want me on their song
It's like every time I touch it I could never do no wrong
When they need a favor from you, man, they don't leave you alone
But I guess that's just the motion, yeah


Prompt: The singer struggles with a desire to help someone they care about, but they find themselves tied up in the situation even when they tried to keep things casual. They question whether they are truly helping or just enabling the other person's issues.

Response:
Then that phone doesn't ring
When they got everything, that's the motion
Oh-oh, I guess that's just the motion
(Ooh, ooh, ooh, ooh, ooh, ooh)
Oh-oh, I guess that's just the motion
(Ooh, ooh, ooh, ooh, ooh, ooh)
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Yeah, looking back on it, at least my pride is intact
'Cause we said "no strings attached" and I still got tied up in that
Everything that I write is either for her or about her
So I'm with her even when I'm here without her and she know it
The girl that I wanna save is like a danger to my health
Try being with somebody that wanna be somebody else
I always thought she was perfect when she was being herself
Don't even know how to help, but I guess that's just the motion, yeah


Prompt: A person is trying to convince themselves that they'll find a way to resolve their issues and reconnect with someone, and that talking to them is not enough. They seem to be emphasizing the idea that things will work out eventually, as they keep repeating "I guess that's just the motion.

Response:
She'll probably come around
Soon as I settle down, that's the motion
Oh-oh, I guess that's just the motion
Oh-oh, I guess that's just the motion
Oh-oh, I guess that's just the motion
Nothing less and nothing more
I hear your heart hit the floor
I guess that's just the motion
Talking to you is not enough, no
I guess that’s just the motion
Oh-oh, I guess that's just the motion
I guess that's just the motion
Oh-oh, I guess that's just the motion
Oh-oh, I guess that's just the motion
Oh-oh, I guess that's just the motion
Yeah


Prompt: Think about the power of strong emotions and how they can bring about change in one's life, and the importance of staying true to oneself and one's beliefs.

Response:
Is it the strength of your feelings
Overthrowing your pain?
You'll see new heights you’ll be reaching
And is it today that you will find your new release?
And in your wake, ripple your sweet fate
And more chune for your headtop
So watch how you speak on my name, you know?


Prompt: A song about struggles with finances, the pressures of the music industry, and balancing personal and professional relationships.

Response:
Yeah, I couldn't get a bill paid
You couldn't buy the real thing
I was stayin’ up at yo' place
Tryin' to figure out the whole thing
I saw people doin' things
Almost gave up on the music thing
But we all so spoiled now
More life, more everything
Must have never had your phone tapped
All that yappin' on the phone shit
You must really love the road life
All that never comin' home shit


Prompt: A song about feeling betrayed by former friends, wanting to confront them, moving to Dubai to escape the drama, and finding satisfaction in seeing the betrayers face consequences.

Response:
Niggas moves so waste
Please come outside the house and show yourself
So I can say it to your face
It’s bound to happen, man, it's gotta happen now
So let's just get it out the way
Lot of niggas goin' bad on me
Please, one at a time
I wanna move to Dubai
So I don't never have to kick it with none of you guys
I didn't listen to Hov on that old song
When he told me, "Pay it no mind"
I get more satisfaction outta goin' at your head
And seein' all of you die
And I seen a lot of you die


Prompt: Create a rap lyrics that references smoking, the Hidden Hills, being a troublemaker, a house party, flow, and having to deal with rumors.

Response:
Free smoke, free smoke, ayy
Free smoke, free smoke, ayy
Free smoke, free smoke, ayy
Hidden Hills where I post, yeah
'Ye already know, yeah
I'm the troublemaker in the neighborhood
Far as troublemakin' goes, yeah
House party up the road, yeah
I'm not Kid 'n Play
This kid doesn't play about the flow, yeah
Y'all keep playin' with your nose, yeah
You get high and do the most, yeah
How you let the kid fightin'
Ghost-writin' rumors turn you to a ghost?
Oh, you niggas got jokes
Free smoke, free smoke
Baka
Yeah, we outchea
Ya dun know, eh?
It's a OVO ting, eh?
Ya dun know, eh?
It's a East Side ting, eh?
Ya dun know, eh?
More life


Prompt: Write a song expressing gratitude to a late mentor who was like a father figure and pledging to fulfill the dreams and aspirations that were set by him.

Response:
First things first: rest in peace, Uncle Phil
For real
You the only father that I ever knew
I get my bitch pregnant, I'ma be a better you
Prophecies that I made way back in the Ville
Fulfilled
Listen, even back when we was broke, my team ill
Martin Luther King woulda been on Dreamville, talk to a nigga


Prompt: Write a song about empowering and supporting women in Los Angeles, highlighting the differences between genuine and fake friends.

Response:
One time for my L.A. sisters
One time for my L.A. ho
Lame niggas can't tell the difference
One time for a nigga who know


Prompt: A person, who is seemingly content with their situation and unwilling to change it, despite someone's attempts to help them.

Response:
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved


Prompt: A woman who is determined to face her challenges and struggles without any help from others.

Response:
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved


Prompt: Describe the kind of love you'd want, like Jada and Will's, and the type of woman you don't want, like those reality TV stars in Hollywood. Mention the importance of respect and honesty in a relationship, and emphasize the distinction between genuine and fake people.

Response:
I want a real love, dark-skinned Aunt Viv love
That Jada and that Will love
That leave a toothbrush at your crib love
And you ain't gotta wonder whether that's your kid love
Nigga, I don't want no bitch from reality shows
Out-of-touch-with-reality hoes
Out in Hollywood bringin' back five or six hoes
Fuck 'em then we kick 'em to the do', nigga, you know how it go
She deserved that, she a bird, it's a bird trap
You think if I didn't rap she would flirt back?
Takin' off her skirt, let her wear my shirt, 'fore she leave
"I'ma need my shirt back" (Nigga, you know how it go)
One time for my L.A. sisters
One time for my L.A. ho
Lame niggas can't tell the difference
One time for a nigga who know


Prompt: The lyrics could have been inspired by a theme of self-sufficiency and not wanting to be saved, with the idea that someone has experienced a previous betrayal or failed rescue attempt, leading them to be more resilient and independent.

Response:
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
There's an old saying in Tennessee—I know it's in Texas, probably in Tennessee—that says, fool me once... shame on... shame on you
Fool me—can't get fooled again


Prompt: A song reflecting on past mistakes and regrets, specifically when it comes to relationships with famous women, and ending with a self-realization about the current state of the artist's life.

Response:
Fool me one time, shame on you (Ayy)
Fool me twice, can't put the blame on you (Ayy)
Fool me three times, fuck the peace sign
Load the chopper, let it rain on you (Bop, bop, bop)
Fool me one time, shame on you (Ayy)
Fool me twice, can't put the blame on you (Ayy)
Fool me three times, fuck the peace sign
Load the chopper, let it rain on you (Bop, bop, bop)
My only regret was too young for Lisa Bonet
My only regret was too young for Nia Long
Now all I'm left with is hoes from reality shows
Hand her a script, the bitch prolly couldn't read along
My only regret was too young for Sade Adu
My only regret, could never take Aaliyah home
Now all I'm left with is hoes up in Greystone
With the stale face 'cause they know it's they song


Prompt: I'm trying to think of a unique way to describe a woman's appearance and a metaphor for her depth in character.

Response:
She shallow but the pussy deep (She shallow
She shallow)
She shallow but the pussy deep (She shallow), yeah, ayy
(She shallow)
She shallow but the pussy deep (She shallow), haha
(She shallow)
She shallow but the pussy deep (She shallow
She shallow)


Prompt: Write a song that encourages not intervening when someone doesn't want to be saved, despite knowing they may need help.

Response:
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
Don't save her, she don't wanna be saved
1.3KEmbed


Prompt: A person is struggling to sleep at night due to their obsession with love songs and excessive drinking.

Response:
Got me up all night
All I'm singin' is love songs
She got me up all night
Constant drinkin' and love songs
She got me up all night
Down-and-out with these love songs
She got me up all night
Drownin' out with these love songs
She got me up all night (Yeah)
All I'm singin' is love songs
She got me up all night (Yeah)
Constant drinkin' and love songs
She got me up all night (Yeah)
Down-and-out with these love songs
She got me open all night (Uh-huh)
Got me open all night, hey


Prompt: A person is expressing their feelings for someone who keeps them awake at night, focusing on how their love for the person consumes their thoughts and emotions, leading to sleepless nights.

Response:
And we are, we are, we are
Got me up all night
And we are, we are, we are
All I'm singin' is love songs
And we are, we are, we are
Got me up all night
And we are, we are, we are (She got me)
And we are, we are, we are (She got me)


Prompt: Write a song that conveys the feeling of being so in love that it keeps you up all night, with the lyrics focusing on the repetition of "we are" and the impact this love has on the protagonist.

Response:
And we are, we are, we are
Got me up all night
And we are, we are, we are
All I'm singin' is love songs
And we are, we are, we are
Got me up all night
And we are, we are, we are (She got me)
And we are, we are, we are (She got me)


Prompt: A musician struggles to sleep at night due to their constant love song singing and the influence of alcohol, which is causing them to stay awake. Their thoughts drift back to the days of sleeping in their mother's home.

Response:
Got me up all night (All night)
All I'm singin' is love songs
She got me up all night (All night)
Constant drinkin' and love songs
She got me up all night (All night)
Down-and-out with these love songs
She got me up all night (All night)
Drownin' out with these love songs
She got me up all night (Yeah)
All I'm singin' is love songs
She got me up all night (Yeah)
Constant drinkin' and love songs
She got me up all night (Yeah)
Down-and-out with these love songs
She got me open all night (Uh-huh)
Got me open all night, hey
Back when I was sleeping in my mama crib
*Space Bar Tap*


Prompt: Recalling a past experience, the artist reminisces about a time when things were simpler and a certain someone, Cole, had a significant impact on their life.

Response:
Cole
Cole world
Yeah
Let me take y'all back, man
As I do so well
Wadn't nuttin' like that
Man, it wadn't nuttin' like that


Prompt: Write a song about overcoming a challenging situation and finding a way back to a positive outlook with the help of a unique, crooked smile.

Response:
We got the crooked smile, we can style on 'em
Back round, crooked smile, we can style on 'em
You were the one that was tryna keep me way down
But like the sun, know you know I find my way back round


Prompt: Imagine a song about overcoming negativity and finding the strength to rise above one's circumstances, using the sun as a symbol of hope and resilience. The lyrics should feature repetitive phrases and incorporate the idea of coming back stronger than before.

Response:
La la la, la la la, la-la—la—la
La la la, la la la, la-la—la—la
La la la, la la la, la-la—la—la
La la la, la la la, la-la—la—la
On my way, on my way, on my way down
On my way, on my way, on my way down
You were the one that was tryna keep me way down
But like the sun, know you know I find my way back round
Back round
You were the one that was tryna keep me way down
But like the sun, know you know I find my way back round
Back round
You were the one that was tryna keep me way down
But like the sun, know you know I find my way back round
Round


Prompt: The rapper is feeling confident after overcoming obstacles and is now ready to take back their position in the music industry. They mention their luxurious car, dirty sneakers, and the people who support them as symbols of their newfound strength and resurgence in the game.

Response:
Niggas been countin' me out
I’m countin' my bullets, I'm loadin’ my clips
I'm writin' down names, I'm makin' a list
I'm checkin' it twice and I'm gettin’ ’em hit
The real ones been dyin', the fake ones is lit
The game is off balance, I’m back on my shit
The Bentley is dirty, my sneakers is dirty
But that's how I like it, you all on my dick


Prompt: In this song, the artist is expressing their determination and dedication to succeed in life, valuing loyalty and authenticity, and criticizing those who rely on material possessions to validate their worth.

Response:
I just poured somethin' in my cup
I've been wantin' somethin' I can feel
Promise I am never lettin' up
Money in your palm don't make you real
Foot is on they neck, I got 'em stuck
I'ma give 'em somethin' they can feel
If it ain't 'bout the squad, don't give a fuck
Pistol in your hand don't make you real


Prompt: Imagine a conversation between two characters discussing the value of material possessions and physical strength in determining a person's worth.

Response:
Money in your palm don't make you real
Pistol in your hand don't make you real
Money in your palm don't make you real


Prompt: The protagonist feels like they're constantly surrounded by negative events, causing them to be more guarded and possibly resentful, ultimately deciding to run away and show others their determination to escape such circumstances.

Response:
She knows
She knows, ayy
Bad things happen to the people you love
And you find yourself praying up to heaven above
But honestly, I've never had much sympathy
'Cause those bad things, I always saw them coming for me
I'm gonna run, run away (Oh, I), run run away, run away (Oh, I-I-I)
Run away and never come back (Well, alright)
Run run away, run run away (Oh, I), run away (Oh, I-I-I)
Show 'em that your color is black (Well, alright)


Prompt: A man caught between choosing his responsibility back home and the allure of a wild night out with a new woman, while reflecting on his true intentions and the expectations society has placed on him.

Response:
Damned if I do, damned if I don't
You know I got a girl back home
You got a man, what you want, what you want?
What these bitches want from a nigga?
On some DMX shit, huh
I know them other niggas love tricking
On some BMX shit, but not me
Now I'm sure you done heard about me
A black star, Mos Def, Kweli
Good so them bad hoes try me, they try me
This is Martin Luther King in the club, getting dubs
With a bad bitch in his ear, sayin' that she down for whatever
In the back of his mind is Coretta
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And she knows, she knows
And I know she knows, and I know she knows
And deep down, she knows, she knows
And I know she knows, and I know she knows


Prompt: A singer who can't meet someone's expectations in a relationship.

Response:
Well, alright, oh, I, oh, I-I-I
I can't be what you want from me, well, alright
Oh, I, oh, I-I-I
I can't be what you want from me, well, alright


Prompt: In a complicated situation, a man is questioning what a woman truly desires from him. He's trying to be the man she wants, while also dealing with the pressures of the choices he's made and the women in his life. He's also experiencing dancehall vibes and the uncertainty of their relationship.

Response:
Damned if I do, shit, damned if I don't
I'm passing up on bad hoes
Trying to be the man that she want, what she want?
What she—What she want from a nigga?
To put a ring on it
Got a bitch on my dick right now
And she just want to sing on it
Got me up so high, try and get a piece of that apple pie
I be up so high, try and get a piece of that apple pie
Dancehall vibes with my pants on fire
'Cause I told her I was sleep
'Cause I creep with this pretty young thing that I chose
She could be doing the same thing, I suppose
And she knows, she knows
And I know she knows, and I know she knows
And deep down, she knows, she knows
And I know she knows, and I know she knows


Prompt: A frustrated person is trying to meet someone else's expectations but feels overwhelmed and incapable of doing so.

Response:
Well, alright, oh, I, oh, I-I-I
I can't be what you want from me, well, alright
Oh, I, oh, I-I-I
I can't be what you want from me, well, alright


Prompt: Reminisce on the lives and talents of various music icons while reflecting on the transitory nature of fame and fortune.

Response:
Niggas say, "Turn up," hoes say, "Turn up"
Only bad thing 'bout a star is they burn up
Niggas say, "Turn up," hoes say, "Turn up"
Only bad thing 'bout a star is they burn up
Rest in peace to Aaliyah
Rest in peace to Left Eye (Left Eye)
Michael Jackson, I'll see ya
Just as soon as I die (I die)


Prompt: Write a song about pursuing one's goals and ambitions, using the metaphor of trying to get a piece of "apple pie" to represent achieving success.

Response:
Got me up so high, try and get a piece of that apple pie, uh
I be up so high, try and get a piece of that apple pie
Got me up so high, try and get a piece of that apple pie, uh
I be up so high, try and get a piece of that apple pie
Well, alright, oh, I, oh, I-I-I
I can't be what you want from me, well, alright
Oh, I, oh, I-I-I
I can't be what you want from me, well, alright


Prompt: Imagine a scenario where a person is continuously running away and returning, perhaps in a playful or adventurous context.

Response:
Run away, run away— Back
Run away, run away— Back
Run away, run away— Back
Run away, run away— Back


Prompt: A song that encourages listeners to show their level of interest in something or someone by raising a finger in the sky

Response:
Huh, ayy, put a finger in the sky if you want it, nigga
Ayy, put two fingers in the sky if you want her
Ayy, put a finger in the sky if you want it, nigga
Ayy, put two fingers in the sky if you want her
Ayy, put a finger in the sky if you want it, nigga
Ayy, put two fingers in the sky if you want her
Ayy, put a finger in the sky if you want it, nigga
Ayy, put two fingers in the sky if you want her


Prompt: A night out at the club, enjoying the music and dancing, but the party can't last forever. Encouragement to take advantage of the night, have fun, and not worry about the consequences of the next day.

Response:
Club jumping, don't stop, off top
But you know we only go 'til 2 o'clock
Put yo' motherfuckin' hood up, it's the weekend
Drop that, back that ass up and bitches get to freaking
Last call at the bar, ladies get a drink, nigga get some balls
Ain't no telling you gon' see that bitch tomorrow
Stop holding up the wall waiting for the right song
Better holla 'cause you know they 'bout to cut the lights on


Prompt: Write a song about a wild weekend night at the club, with the focus on dancing, flirting, and making the most of the night before it ends.

Response:
Club jumping, don't stop, off top
But you know we only go 'til 2 o'clock
Put yo' motherfuckin' hood up, it's the weekend
Drop that, back that ass up and bitches get to freaking
Last call at the bar, ladies get a drink, nigga get some balls
Ain't no telling you gon' see that bitch tomorrow
Stop holding up the wall waiting for the right song
Better holla 'cause you know they 'bout to cut the lights on


Prompt: A song about unfulfilled promises and the need for self-reliance, with the theme of not waiting for someone else to make your dreams come true.

Response:
I know you were made for me but
Darling don't you wait for me 'cause
I can see the promised land but
I can't do no promising and
I know you were made for me but
Darling don't you wait for me 'cause
I can see the promised land but
I can't do no promising
Ayy, put a finger in the sky if you want it, nigga
Ayy, put two fingers in the sky if you want her
Ayy, put a finger in the sky if you want it, nigga
Ayy, put two fingers in the sky if you want her
Ayy, put a finger in the sky if you want it, nigga
Ayy, put two fingers in the sky if you want her
Ayy, put a finger in the sky if you want it, nigga
Ayy, put two fingers in the sky if you want her


Prompt: The song is about the belief that every person's life is unique and valuable, and there is no life that could be considered objectively better than another. The lyrics emphasize the importance of embracing and loving one's own life, rather than comparing it to others.

Response:
Huh, love yours
Huh, love yours
No such thing
No such thing as a life that's better than yours
No such thing as a life that's better than yours (Love yours)
No such thing as a life that's better than yours
No such thing, no such thing


Prompt: The protagonist is warning others about fake people, snakes in the grass, and the need to be aware of one's surroundings. They highlight the importance of recognizing the beauty in overcoming struggles and explain the concept to others.

Response:
Heart beatin' fast, let a nigga know that he alive
Fake niggas, mad snakes
Snakes in the grass let a nigga know that he arrived
Don't be sleepin' on your level
'Cause it's beauty in the struggle, nigga (Beauty, beauty)
Goes for all y'all
It's beauty in the struggle, nigga (Beauty, beauty)
Let me explain, yeah


Prompt: A friend going through a major life change due to newfound fame, causing them to change their behavior and priorities.

Response:
Hollywood Cole, go
Ayy, Hollywood, ayy, Hollywood Cole, go
My nigga done went Hollywood


Prompt: Write a song expressing frustration and anger towards someone constantly bothering or harassing the singer.

Response:
Get off my dick
Woah (Get the fuck off my dick)
Get off my dick
Woah (Get the fuck off my dick, nigga)
Get off my dick (Bitch)
Woah (Get the fuck off my dick)
Get off my dick
Woah


Prompt: I'm returning home after facing some challenges. I don't discuss my struggles with anyone. I wonder if I've changed, but I won't tell anyone. I miss Jermaine, but I don't reveal my feelings.

Response:
Man, fuck them niggas, I come home
And I don't tell nobody
They gettin' temporary dough
And I don't tell nobody
Lord, will you tell me if I changed?
I won't tell nobody
I wanna go back to Jermaine
And I won't tell nobody
This is the part that the thugs skip!


Prompt: A club anthem that everyone seems to enjoy

Response:
Get off my dick
But e'ry nigga in the club singin'
Singin' this song, yeah
Got all the bitches in the club singin'
Singin' this song, yeah
And all the mamas let their kids sing it
Sing this song, yeah
The baby mamas and the mistresses
This song, yeah, song, yeah
Song, yeah, song-song, yeah


Prompt: A song addressing stereotypes and the music industry, with a focus on rising to fame, being the best in various regions, and challenging anyone to compete.

Response:
The make up
This shit is retarded
Goddamn
Why every rich Black nigga gotta be famous?
Why every broke Black nigga gotta be brainless?
Uh, that's a stereotype
Driven by some people up in Aerial Heights, here's a scenario:
Young Cole pockets is fat like Lil Terrio
Dreamville, give us a year, we'll be on every show
Yeah, fuck nigga, I'm very sure
Heh
Fuck the rest, I'm the best nigga out
When I'm back home, I'm the best in the South
When I'm in L.A., I'm the best in the West
You contest? You can test, I'ma stretch niggas out
Ooh, I'ma stretch niggas out
That go for all y'all if I left niggas out
This shit for e'rybody on my testicle
Please make sure you put the rest in your mouth, ho


Prompt: A person expressing gratitude for another's faith in them, despite any doubts or insecurities they may have.

Response:
E-e-eee, e-e, apparently
You believe in me, you believe in me
E-e-eee, e-e, apparently
You believe in me, and I thank you for it, oh, I


Prompt: A person is expressing gratitude towards someone who believes in them, acknowledging that they may not have believed in themselves before but now they are more confident and appreciative of the support they received.

Response:
E-e-eee, e-e, apparently
You believe in me, you believe in me
E-e-eee, e-e, apparently
You believe in me, and I thank you for it, oh I


Prompt: A man is trying to resist the temptation of a woman he cares about, but he struggles with the urges that come along with it and the fear of facing consequences.

Response:
She my number one, I don't need nothing on the side
Said that I was done for good and don't want no more lies
But my phone be blowing up, temptations on my line
I stare at the screen a while before I press decline
But she plants a seed and it still lingers in my mind
Told myself I'm strong enough to shake it and I'm trying
But I'm only human, I know loving you's a crime
If I take this cookie now one day I'll do the time


Prompt: When the money is on the line and people try to keep up with the lifestyle, how does it affect relationships and personal choices?

Response:
Slip me a xanny at once (somebody)
I got the earth in a blunt (smoke)
I get the skirt when I want (skrrt!)
I get to skrrt when I want (skrrt!)
Due to the money aroma (somebody)
My girl she got a diploma (smoke)
She got wife written all over
She got wife written all over


Prompt: The song is about a person who feels like they're not being true to themselves and constantly struggles with self-reflection.

Response:
I'm a fake nigga and it's never been clearer
Can't see myself when I look in the mirror
Can't see myself when I look in the mirror
Can't see myself when I look in the mirror
I'm a fake nigga and it's never been clearer
Can't see myself when I look in the mirror
Can't see myself when I look in the mirror
Can't see myself when I look in the mirror


Prompt: A man struggles with his feelings for two women, one of whom he's committed to but knows he isn't fully faithful to. He desires to be completely devoted to the one he loves but is held back by his own insecurities and selfishness. He recognizes that his actions are causing pain and confusion to the woman he claims to love and acknowledges the potential consequences of his actions.

Response:
She my number one I don't need nothing on the side
Said that I was done for good and don't want no more lies
But my phone be blowing up, temptations on my line
I stare at the screen a while before I press decline
But she plants a seed and it still lingers in my mind
Told myself I'm strong enough to shake it and I'm trying
But I'm only human, I know loving you's a crime
If I take this cookie now one day I'll do the time
I love her, I don't want to lose her
I'm selfish, I know that I use her
My ego get stroked and I bruise her
My ego get stroked and I bruise her
My actions I know they confusin'
At home I look happy as usual
On the road I'm a mack, I'm a chooser
I'm a addict, I'm maskin' that
Kevin's Heart


Prompt: Reflecting on a past filled with secrets and hidden actions, the singer is confronted with the idea that their dark deeds will inevitably come to light, causing potential blindness upon those who witness them.

Response:
They tell me "What's done in the dark
Will find a way to shine"
I done did so much that when you see you might go blind
What's done in the dark will always find a way to shine
I done did so much that when you see you might go blind


Prompt: How do you feel when your partner seems untrusting and insecure in the relationship? How can you support them and build trust together?

Response:
Nigga why you actin' like a ho?
Know that I'ma ride for ya, either way it go
Tell me, girl why you be stressin' me for time?
When you tell me you love me, can't you see I'm tryna climb?
Damn my nigga why you actin' like a bitch?
If you scared to take a chance, how the fuck we gon' get rich?
Come here baby why you always insecure?
Hold on tight to a nigga and be sure


Prompt: A rapper asserting their dominance and confidence in the face of competitors, boasting about their skills and seeking divine intervention for the inevitable confrontation.

Response:
Ain't a way around it no more, I am the greatest
A lotta niggas sat on the throne, I am the latest
I am the bravest, go toe to toe with the giants
I ain't afraid of you niggas, I'll end up fading you niggas
'Fore it's all said and done, this nigga need medicine
My Uzi, it weighed a ton, I need me a better gun
In fact I just might need two, cause niggas say they the one
And I got something to prove
Forgive me, Lord, here they come, BLAOOW


Prompt: Imagine writing a song about someone who has an intense, mysterious secret that's only known to a certain someone.

Response:
Yeah (For your eyes)
For your eyes only (For your eyes)
For your eyes only, for your eyes only
(For your eyes, for your eyes)
For your eyes only


Prompt: Write a song about a person who flips between two worlds, one involving illegal activities like drug dealing and the other involving luxury items like a Bentley car. The person is also known for being hard as shit, and is often referred to as K.O.D.

Response:
This is what you call a flip
Ten keys from a quarter brick
Bentley from his mama's whip
K.O.D., he hard as shit
This is what you call a flip
Ten keys from a quarter brick
Bentley from his mama's whip
K.O.D., he hard as shit
This is what you call a flip
Ten keys from a quarter brick
Bentley from his mama's whip
K.O.D., he hard as shit
This is what you call a flip
Ten keys from a quarter brick
Bentley from his mama's whip
K.O.D., he hard as shit


Prompt: Write a song about the various substances and vices people become addicted to, and explore the idea that love is often the most powerful and destructive addiction of them all.

Response:
Power, greed
Money, Molly, weed
Percs, Xannys, lean, fame
And the strongest drug of them all
And the strongest drug of them all
Love


Prompt: A singer is constantly being mistaken by their neighbors for selling illegal substances, despite not actually engaging in this activity.

Response:
I guess the neighbors think I'm sellin' dope, sellin' dope
Okay, the neighbors think I'm sellin' dope,  sellin' dope
Sellin' dope, sellin' dope, sellin' dope


Prompt: Write a song about the challenges and fears faced by African-Americans in predominantly white societies, emphasizing the constant feeling of being targeted and judged.

Response:
Some things you can't escape:
Death, taxes, and a ra-
-cist society that make
Every nigga feel like a candidate
For a Trayvon kinda fate
Even when your crib sit on a lake
Even when your plaques hang on a wall
Even when the president jam your tape
Took a little break just to annotate
How I feel, damn, it's late
I can't sleep cause I'm paranoid
Black in a white man territory
Cops bust in with the army guns
No evidence of the harm we done
Just a couple neighbors that assume we slang
Only time they see us we be on the news, in chains, damn
Don't follow me
Don't follow me
Don't follow me
Don't follow me


Prompt: The protagonist is suspected by their neighbors for being involved in drug dealing, but they're trying to resist the negative assumptions by repeatedly asserting their innocence and showing their frustration with the situation.

Response:
Okay, the neighbors think I'm sellin' dope
Hm, I guess the neighbors think I'm sellin' dope, sellin' dope
The neighbors think I'm...neighbors think I'm—
(Don't follow me, don't follow me...)
I think the neighbors think I'm sellin' dope
(Don't follow me, don't follow me...)
I guess the neighbors think I'm sellin' dope, sellin' dope
Sellin' dope, sellin' dope, sellin' dope
Well motherfucker, I am


Prompt: A person is considering moving back to their old neighborhood after facing some issues with their neighbors, and they express their frustration and defiance towards the situation.

Response:
I am, I am, I am, I am
Well, motherfucker, I am
I think the neighbors think I'm sellin' dope
I am, I am, I am
Well, motherfucker, I am
So much for integration
Don't know what I was thinkin'
I'm movin' back to south side
So much for integration
Don't know what I was thinkin'
I'm movin' back to south side


Prompt: A prayer to a father-like figure, seeking forgiveness for one's actions and expressing a desire to escape the current dreary state, while acknowledging the inevitable downfall of any ascent. The plea to be taken away, knowing that peace may not be found in return.

Response:
Father forgive me for my childish ways
I look outside and all the clouds are gray
I need your hands to take me miles away
Your wish is my command, my command, my command
But before you go I've got to warn you now
Whatever goes up surely must come down
And you'll get your piece, but know peace won't be found
So why just take me man, take me man, take me man
Your wish is my command, my command, my command


Prompt: Me and my significant other went on an adventurous journey, met some strange characters, and shared a moment in a magical garden.

Response:
Me and my bitch, took a little trip
Down to the garden, took a little dip (Oh no)
Apple juice falling from her lips, took a little sip
Lil' sip, took a lil' sip
Took a lil' sip, t-took a lil', took a lil', took a lil' sip


Prompt: A lyricist is describing their experiences navigating the dangers of the world, drawing upon biblical references and metaphors. They also talk about their influence, comparing themselves to biblical figures and emphasizing the lasting impact of their words.

Response:
Ayo, I walk through the valley of the shadow of death
Where niggas hold tech's like they mad at the ref
That's why I keep a cross on my chest, either that or a vest
Do you believe that Eve had Adam in check
And if so, you gotta expect
To sip juice from the forbidden fruit and get loose
Cole is the king, most definite
My little black book thicker than the Old Testament
Niggas pay for head but the pussy sold separate
Same bitch giving brains to the minister
The same reason they call Mr. Cee the finisher
Forbidden fruit, watch for the Adam's apple
Slick with words don't hate me, son
What you eat don't make me shit and who you fuck don't make me cum
Put a price on my head won't make me run
Try to kill me but it can't be done
'Cause my words gon' live forever
You put two and two together Cole here forever
You might also like
Me and my bitch, took a little trip
Down to the garden, took a little dip (Oh no)
Apple juice falling from her lips, took a little sip


Prompt: Discuss the impermanence of material possessions and relationships in life and how they should not be considered lasting priorities.

Response:
Bitches come and go (You know that)
Money come and go (You know that)
Love come and go (Don't shit last)
Bitches come and go (You know that)
Money come and go (You know that)
Love come and go (Don't shit last)


Prompt: Reflecting on the impermanence of material wealth and emotional connections, including relationships and romantic interests.

Response:
Bitches come and go (You know that)
Money come and go (You know that)
Love come and go (Don't shit last)
Bitches come and go (You know that)
Money come and go (You know that)
Love come and go (Don't shit last)


Prompt: A carefree, catchy song that uses repetition and playful language to express the feeling of enjoying life and having fun.

Response:
La la la
La la la la la
La la la (Yeah)
La la la la la (Yeah)


Prompt: Considering the uncertainty of a potential relationship, the singer questions whether their connection is a genuine one or just a fleeting moment.

Response:
Ayy, we've got a good thing
Don’t know if I’ma see you again
But is that a good thing?
'Cause girl, I can’t be your man, no ma'am
I know what's on your brain
You probably hoped it never would end
Like, “Is it the real thing
Or is it just a one-night stand?”
Well then


Prompt: Write a song about a passionate one-night encounter where a woman is encouraged to be bold and adventurous in her actions.

Response:
Let me see you get high, then go low
Now, girl, won't you drop that thing down to the floor?
I’m here for one night, how far will you go?
I wanna see you (Work out for me, work out for me)
High, then go low
Now, girl, won't you drop that thing down to the floor?
I’m here for one night, how far will you go?
I wanna see you (Work out for me, work out for me)


Prompt: A guy is intrigued by a girl's confidence and wants to see how far she'll push herself for a night of fun, with a focus on physical activity and a dance-like routine.

Response:
Let me see you get high, then go low
Now, girl, won't you drop that thing down to the floor?
I’m here for one night, how far will you go?
I wanna see you (Work out for me, work out for me)
High, then go low
Now, girl, won't you drop that thing down to the floor?
I’m here for one night, how far will you go?
I wanna see you (Work out for me, work out for me)


Prompt: A song where the singer is questioning the intentions of their love interest and wants to make sure they're in it for the long haul, while also expressing their desire for a passionate relationship.

Response:
Straight up, now tell me
Do you really wanna love me forever? (Oh oh oh)
Or is it just a hit-and-run?
(Well, hey) Straight up, I tell ya
I just really wanna cut when we together (Oh oh oh)
Come here, girl, let's get it on!
(Work out for me)
Straight up, now tell me
Do you really wanna love me forever? (Oh oh oh)
Or is it just a hit-and-run?
Well straight up, I tell ya
I just really wanna cut when we together (Oh oh oh)
Come here, girl, let's get it on!
(Work out for me)


Prompt: Reminisce about your troubled youth, involving drugs, crime, and the struggle to escape a life of violence and despair, while also exploring the emotional turmoil and desperation that drives one to continue down this path.

Response:
Now I was barely seventeen with a pocket full of hope
Screamin' "dollar and a dream" with my closet lookin' broke
And my nigga's lookin' clean, gettin' caught up with that dope
Have you ever served a fiend with a pocket full of soap?
Nigga I can tell you things that you probably shouldn't know
Have you ever heard the screams when the body hit the floor?
Flashbacks to the pain, wakin' up, cold sweats
Six o'clock in the mornin', gotta hit the BowFlex
Get my weight up on the block, keep watch for the cops
God they love to serve a nigga three hots and a cot
Nowadays crime pays like a part time job
And the drought got me prayin' for a Carl Thom vibe
Summer Rain come again
Numb the pain 'cause it's hard for a felon
In my mind I been cryin', know it's wrong but I'm sellin'
Eyes wellin' up with tears
Thinkin' 'bout my niggas dead in the dirt
Immortalized on this shirt


Prompt: Imagine a song about someone feeling positive and hopeful, despite their current situation, with the reassurance of their intuition guiding them towards better days.

Response:
Boy, ooh
My intuition is telling me there'll be better days, yeah (Mmm, mmm)
My intuition is telling me there'll be better days
I like this tone (Ooh, ooh)


Prompt: Reflect on the power of intuition and meditation in overcoming fears and strengthening one's faith, and the belief in a compassionate God who understands human struggles and mistakes.

Response:
Yeah, my intuition is telling me there'll be better days
I sit in silence and find whenever I meditate
My fears alleviate, my tears evaporate (Mmm)
My faith don't deviate, ideas don't have a date
But see, I'm growing and getting stronger with every breath (Mmm)
Bringing me closer to Heaven's doors with every step (Mmm)
As we speak, I'm at peace, no longer scared to die
Most niggas don't believe in God and so they terrified
It's either that or they be fearing they gon' go to Hell
Asking the Father for forgiveness got 'em overwhelmed
(Mmm, "Please, God, I want to go to Heaven")
As if He's spiteful like them white folks that control the jail (Mmm)
See, I believe if God is real, He'd never judge a man
Because He knows us all and therefore He would understand (Mmm)
The ignorance that make a nigga take his brother life
The bitterness and pain that got him beating on his wife  (Mmm), like


Prompt: Write a song about the journey of self-discovery, personal growth, and overcoming obstacles, with a focus on the power of inner change and the importance of embracing one's true self.

Response:
I know you desperate for a change, let the pen glide
But the only real change come from inside
But the only real change come from inside
But the only real change come from— (Oh, hey)
In cemeteries or in chains I see men cry
But the only real change come from inside (Come from the inside)
But the only real change come from inside
But the only real change come from— (Yeah)
Prodigal son, got a new gun, this one
Don't run out of ammo, lately been working on my handles
Can I ball, become a star, and remain myself? (Myself)
If I fall, dust it off and regain myself (Myself)
Fuck 'em all, they don't know all the pain I felt
I'm in awe, after all the fame I felt, I evolved (Ooh)
I no longer bury demons
I be a vessel for the truth until I'm barely breathing, I'm singing (Ooh)


Prompt: The struggle of finding balance in life, the importance of not giving up, and the desire to continue pursuing one's goals despite obstacles and time constraints.

Response:
Life is all about the evolution
I give up, I give in, I move back a little
I live up, I look up, now I'm back for more, yeah, yeah (I, I, yeah)
You can dream but don't neglect the execution
I give up, I give in, I move back a little (Oh, no)
I live up, I look up, now I'm back for more (Oh, oh, no)
"Time is short," that's what somebody told me (Told me, oh)
I give up, I give in, I move back a little
I live up, I look up, now I'm back for more
Ayy, now I'm back for more
Too short to keep following your homies
I give up, I give in, I move back a little
I live up, I look up, now I'm back for more


Prompt: A poetic eulogy for a young victim of gun violence, addressing the ongoing tragedy in the black community and urging people to come together and find solutions.

Response:
(I swear to God, bruh, no)
We're gathered here today...
(I swear to God)
To mourn the life of James McMillan Jr. (No)
(I swear to God—nigga, I'ma kill them niggas, man)
A tragedy, another tragedy in the black community
(I promise you, bro)
We got to do better, people
Twenty-two years old, this boy was too young (Oh my God)
(I promise you, bro, I'ma kill them niggas)
Our condolences go to his family, our prayers
(I'ma kill them niggas myself)
We know he's in a better place
We know he's in a better place
But this has got to end, ladies and gentlemen
We've got to come together, this is—this is beyond words (I'ma kill them niggas)
Now I'd like to open this ceremony with a verse from—


Prompt: A repeatable, catchy phrase to engage listeners and create a lively atmosphere in a song.

Response:
Ayo
Ayo
Ayo, ah
Ayo, ah
Ayo
Ayo
Ayo, ah
Yeah


Prompt: A character named Anna seems to have something valuable that another character desires. They are repeatedly asking each other how much they would be willing to trade for their souls.

Response:
You got what I want
I got what you need
"How much for your soul, Anna?"
"How much for your soul, Anna?"
You got what I want
I got what you need
"How much for your soul, Anna?"
"How much for your soul, Anna?"


Prompt: A rapper dreams about achieving success and financial freedom through their music, specifically a rap tune, and wonders if it's possible to make a million dollars from it.

Response:
Rap tune
Can I make a million dollars off a rap tune?
Can I make a million dollars off a rap tune?
I'm tryna make a million dollars off a rap tune
Yeah, look


Prompt: A rapper is asserting their position in the music industry, comparing themselves to various iconic rappers and suggesting that they are on the same level as these artists. The rapper mentions a specific date, possibly related to their own birth or career, and uses the term "Cole the god" to signify their own greatness.

Response:
I ain't serve no pies, I ain't slang no dope
I don't bring no lies, niggas sang my quotes
I don't play no games, boy I ain't no joke
Like the great Rakim, when I make my notes
You niggas might be L or you might be Kane
Or you might be Slick Rick with 19 chains
Or you might be Drizzy Drake or Kendrick Lamar
But check your birth date nigga, you ain't the god
Nah you ain't the god
Nigga, Cole the god (Cole the god, Cole the god)
January 28th


Prompt: A person is hoping to achieve financial success through their passion for rapping and is sharing their ambition with others, even going as far as imagining the joy of achieving this goal and making a million dollars in the process.

Response:
Make a million dollars off a rap tune
Can I make a million dollars off a rap tune?
(*sound of baby laughing*)
I'm tryna make a million dollars off a rap tune
I wanna make a million dollars off a rap tune
I'm gonna make a million dollars off a rap tune


Prompt: Imagine a person trying to navigate the challenges of life, torn between the desire for success and the fear of failure, seeking to heal their soul and find their purpose, while grappling with the duality of good and evil within themselves.

Response:
Will I fall? Will I fly?
Heal my soul
Fulfill my high
Cross my heart (Count, count, count, count it)
And hope to die (Count, count, count, count it)
With my slice (Count, count, count, count it)
Of Devil's pie


Prompt: The repetitive nature of counting in a song

Response:
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it


Prompt: Think about a song where the lyrics describe the excitement and thrills of living a fast-paced, materialistic lifestyle, with friends engaging in risky activities and not caring about the potential consequences, all while focusing on counting and accumulating wealth.

Response:
Big bills, big bills
I fell in love with big wheels and quick thrills
My niggas runnin' tip drills, can't sit still
Don't give a fuck if it kills, it mix well
I'm only countin'
Big bills, big bills
I fell in love with big wheels and quick thrills
My niggas runnin' tip drills, can't sit still
Don't give a fuck if it kills, it mix well
I'm only countin'...


Prompt: A song about the journey of chasing success, facing challenges, and overcoming obstacles, while embracing the importance of friendship, wealth, and the value of hard work.

Response:
Uno, dos, tres, cuatro
Proceed with caution
I heard if you chase it only results in
A hole in your heart
Fuck it, I take the whole cake and I won't leave a portion
It's only an organ
Thank God mama couldn't afford the abortion
The loneliest orphan
I flip my misfortune and grow me a fortune
My Rollie is scorchin'
Them niggas that hated is slowly endorsin'
Now Cole, he important
My niggas beside me like Tommy and Martin
We ball on your court and
Then skate with your bitch like we Tonya Harding
She don't need her garments
She horny from all the money we countin'


Prompt: Create a song with lyrics focused on the importance of counting the blessings in life, while also addressing the concept of facing the unknown and striving for a fulfilling and meaningful existence. Incorporate themes of mortality, healing, and the balance between good and evil in the lyrics.

Response:
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it
Can't take it when you die, but you can't live without it
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it
Count it up, count it up, count it up, count it
Can't take it when you die
Uno dos
Will I fall? Will I fly?
Heal my soul
Fulfill my high
Cross my heart
And hope to die
With my slice of Devil’s pie


Prompt: Reflecting on the duality of life and the choices we make, how do our actions impact others and our own growth?

Response:
Freedom or jail, clips inserted
A baby's bein' born, same time a man is murdered
The beginning and end
As far as rap go, it's only natural, I explain
My plateau, and also what defines my name


Prompt: The song is about the influence of famous rappers (Pac and Nas) on the artist, and their mentor No I.D., and the journey of overcoming challenges in the world of hip-hop.

Response:
Long live the idols, may they never be your rivals
Pac was like Jesus, Nas wrote the Bible
Now what you're 'bout to hear is a tale of glory and sin
No I.D. my mentor, now let the story begin


Prompt: Write a song about the legends in hip-hop, comparing them to Jesus and the Bible, while also mentioning a mentor and their impact on your journey.

Response:
Long live the idols, may they never be your rivals
Pac was like Jesus, Nas wrote the Bible
Now what you just heard's a tale of glory and sin
No I.D. my mentor, now let the story begin, begin
Story begin


Prompt: A song about the collaborative process in creating music, with references to a specific number and the idea that no one is perfect in the world of music.

Response:
Hey, oh yeah
Uh, Cole world
Uh, oh yeah


Prompt: A rapper reflects on his rise to fame, acknowledging the fans and haters who influenced his journey, while reminiscing about past relationships and enjoying life with luxuries and parties. The rapper also touches on the importance of staying true to oneself and standing up to challenges and opponents in the industry.

Response:
Yeah, this is for all the fans that waited, the bitch niggas that hated
Old hoes we dated, look, Mama, we made it
Your son out in Barbados, cheese, eggs, and potatoes
Smokin' weed on the beach as my mind workin' like Plato's
Analyzin' the world, fantasizin' 'bout girls
I'm handin' diamonds and pearls, and vandalizin' her curls
Sweatin' her weave out, moans as she breathes out
Fuck I'm doin' in parties with Hova and Steve Stoute
I step over piranha, death over dishonor
They killin' niggas for J's, that's death over designer
Hey, Cole heatin' up like that leftover lasagna
Remember when I used to be stressed over D'wana
Now a nigga only text and get stressed over Rihannas
I'm talkin' tens and better, hood bitches in Timbs and sweaters
And we always argue 'bout the same thing
And tell me, why we gotta argue 'bout the same thing, same thing
Well


Prompt: You and your significant other are not perfect, but you're the perfect match for each other, and you have unique and fun ways of spending time together.

Response:
Nobody's perfect, uh
Nobody's perfect, ay ay, uh
Hey, but you're perfect for me
Nobody's perfect, uh (Ay, ay, ay)
Nobody's perfect, ay
Hey, but you're perfect for me
We rollin', we ridin'
He like to go inside and
I love to go all night and
We rock the boat, Poseidon
I love to call your name, name, name
Yeah, baby, I love to call your name, name, name, ay


Prompt: A person regrets not being warned about the challenges they are now facing in life.

Response:
Somebody shoulda told me it would be like this
Be like this, be like this
Somebody shoulda told me it would be like this


Prompt: A character is acknowledging their past mistakes, but is determined to improve and face a new challenge with a lighter heart, while the atmosphere is dark and mysterious.

Response:
I'm a born sinner
But I die better than that, I swear
It's way darker this time
*Laughs*


Prompt: A rapper expressing their ambition to achieve fame and success, using the comparison to Jay-Z (Hov) as a reference point for bragging about their talent. They also mention the desire to earn money, potentially alluding to the rapid rise to fame that was compared to the World Trade Center's rise in the skyline.

Response:
Sometimes I brag like Hov
Born sinner, the opposite of a winner
Sometimes I brag like Hov
Born sinner, the opposite of a winner
Sometimes I brag like Hov
Born sinner, the opposite of a winner
Sometimes I brag like Hov, now I'm in the limelight 'cause I rhyme tight
Cole, time to get paid, blow up like the World Trade


Prompt: A character who feels disillusioned with society is expressing their desire to leave it all behind and join a secretive, powerful organization, using provocative language to emphasize their feelings of rebellion.

Response:
I'm 'bout to go and join the Illuminati
Fuck everybody
I'm 'bout to go and join the Illuminati
Fuck everybody
I'm 'bout to go and join the Illuminati
Fuck everybody
I'm 'bout to go and join the Illuminati


Prompt: A rapper is addressing rumors and misconceptions about their involvement in the Illuminati, while also discussing their personal life, relationships, and interactions with fellow celebrities. They also touch on their educational background and aspirations.

Response:
These next three bars is dedicated to the retards
Keep on asking me about the Illuminati;
Is you stupid, nigga? Young black millionaire
Old white billionaires, I'm sure that they can do without me
And I ain't really into sacrificing human bodies
Couple more A's I would've been a summa cuma laude
Beyoncé told me that she want to cop the blue Bugatti
That shit is more than what I'm worth, I think she knew it probably
Well this is awkward, awkward
Want to know what else is really awkward, awkward
When niggas buy rings for bitches I had flings with
I'm praying I don't see 'em at the Oscars, Oscars
Hey J. Cole, this way, hey
Oh, hey, what's up? What's goin' on with you? Okay
Big smile, man, big smile, let me see that crooked smile
J. Cole, J. Cole, this way, look this way
Oh friend hug, friend hug, just keep it friendly
We friends, friends


Prompt: A musician reflects on their career, feeling they've strayed off course and seeks to regain their footing, referencing past experiences and influences.

Response:
Re-adjustin' my target audience, 'cause it's obvious
I've gone astray, losing my way like Timberlake
Produced by Timbaland on that goddamn FutureSex/LoveSounds
What's playing in my mind, just the sound of my whole career
Crash and burning, the thing that I mostly fear
Was on track for the first two years until I let the Devil steer
Now what have we here? Mask my tears, but I


Prompt: A song expressing the unwavering commitment and devotion to a loved one, emphasizing that they will never let them go again.

Response:
I ain't ever letting go
I ain't ever letting you go again
I ain't ever letting go
I ain't ever letting you go again
I ain't ever letting go
I ain't ever letting you go again
I ain't ever letting go
I ain't ever letting you go again


Prompt: A rapper is introducing himself to listeners, stating his name and self-confidently asserting that he is a natural-born sinner who brags like a famous rapper (Hov, which is short for Jay-Z).

Response:
Allow me to re-introduce myself, my name is Cole
My nigga
Born sinner, the opposite of a winner
Sometimes I brag like Hov
Allow me to re-introduce myself, my name is Cole
My nigga
Born sinner, the opposite of a winner
Sometimes I brag like Hov
Born sinner


Prompt: A character is describing the exhilarating feeling of finally breaking free from their fears and limitations, leading to an overwhelming sense of life and energy.

Response:
I never felt so alive
I never felt so alive
I never felt so alive (I never felt so alive)
I never felt so alive (I never felt so alive)


Prompt: A person is sharing their feelings about falling in love for the first time, expressing their desire to be with their love and support them during difficult times.

Response:
Catch me, don't you—
Catch me, don't you catch me
I've fallen in love for the first time
I wanna cry
And I ain't even tryna fight it
Don't wanna die (Don't wanna die no more)
'Cause now you're here and I just wanna be
Right by your side
On any night that you be crying, baby
I'll dry your eyes
I'll dry your eyes


Prompt: Discussing the motivation behind pursuing success and personal growth, focusing on the importance of finding the right balance between ambition and self-awareness.

Response:
Are you doin' this work to facilitate growth or to become famous?
Which is more important?
Getting or letting go?
You can do anything, anything you can do (You can do anything)
You can do anything, anything you can do (You can do anything)


Prompt: Write a song about revisiting past experiences, exploring the contrast between lies and truth, and the importance of friendship in overcoming difficult times.

Response:
Everything come back around full circle
Why do lies sound pleasant, but the truth hurtful?
Everybody gotta cry once in a while
But how long will it take 'fore you smile?
This is that come-back-to-life shit
My niggas pick me up and we gon' light the city up as if the sun had the night shift
And paint the town red for my nigga found dead too soon


Prompt: A song about returning to the streets after a period of absence, discussing the prevalence of suicide prevention hotlines and questioning the availability of similar resources for homicide prevention.

Response:
Bitch, I'm back outside, nigga
I'm back outside
I'm back outside
I'm back outside
Everybody mentions suicide prevention
Man, they even made a hotline
To call up when there's tension, but I got a question
What about a fuckin' homicide?
Need a number for my niggas to call
Whenever there's a urge to get triggers involved
Need a number for my niggas to call
Whenever there's a urge to get triggers involved


Prompt: Write a song reflecting on life choices, personal growth, and relationships, while exploring themes of violence, struggle, and redemption.

Response:
Spinning in circles, live my life without rehearsal
If I died today my nigga, was it business, was it personal?
Should this be my last breath I'm blessed 'cause it was purposeful
Never got to church to worship lord but please be merciful
You made me versatile, well-rounded like cursive
Know you chose me for a purpose, I put my soul in these verses
Born sinner, was never born to be perfect
Sucker for women licking they lips and holding these purses
Back when we ran the streets who would think we'd grow to be murderers?
Teachers treated niggas as if they totally worthless
And violent, and hopeless, I saw but never noticed
That a college point is right to "Be all that you can be" posters, uh
Rest in peace to Tiffany, I don't know if
This the realest shit I wrote, but know the realest nigga wrote this
And signed it, and sealed it in a envelope and knew one day you'll find it
And knew one day you'd come back and rewind it, singing


Prompt: Write a song about personal growth and transformation, reflecting on past mistakes and promising to change for the better.

Response:
I'm a born sinner
But I'll die better than that, I swear
You were always where I needed you to be
Whether you were there or not there (I was there)
I was born sinning
But I live better than that (better than that)
If you ain't fucking with that, I don't care
(Ooh, ooh, ooh) Yeah, yeah, yeah


Prompt: Lost in the dark and feeling overwhelmed by emotions, the singer is seeking comfort and guidance from a higher power to help them through their struggles and find the reason for their pain.

Response:
Can you walk with me?
I hope we'll find the reason why we often sob, go on, cry
Painful memories fuck up the vibe
Though I be tryin' to let the time heal my mind
I was once a child, I've gotten older
Still, I know I'm just a boy in God's eyes
Fill me up with wisdom and some courage
Plus endurance to survive, help mine thrive


Prompt: A song about trying to figure out a girl's preferences, while also acknowledging that they are attractive and intriguing. The song also talks about the possibility of getting high with her and spending time together.

Response:
Baby, you summertime fine
I let you get on top, I be the underline, I'm
Tryna get beside you like the number nine, dime
You fine as hell
I guess I met you for a reason, only time can tell
But well, I'm wonderin' what type of shit you wantin'
Do you like the finer things or you a simple woman?
Would you drink with a nigga? Do you smoke weed?
Don't be ashamed, it ain't no thing, I used to blow trees
Gettin' lifted, I quit but shit, I might get high with you
It's only fittin' 'cause I'm lookin' super fly with you
A flower, you are powerful, you do somethin' to me
'Cause girl, I caught the vibe like you threw somethin' to me
So I threw 'em back, now all my niggas hollerin', “Who was that?”
“Oh boy, she bad nigga, what you 'bout to do with that?”
I'm finna take you home, just sip a little Patron
Now we zonin', baby you so fine


Prompt: A song about morning sexual desire, with a focus on the pleasurable feeling of waking up with someone you love, and how the rising sun can add to the atmosphere of the experience.

Response:
And can I hit it in the mornin'?
Can I hit it in the mornin'?
Can I hit it in the mornin'?
The Sun risin' while you moanin'
Can I hit it in the mornin'?
Can I hit it in the mornin'?
And can I hit it in the mornin'?
The Sun risin' while you moanin', yeah


Prompt: The speaker, who is a "living little good thing," is reflecting on their journey with someone who has not quite lived up to expectations. Despite this, they have persevered and grown stronger, ready for whatever may come. The lyrics convey the idea of resilience and adaptability in the face of challenges.

Response:
I'm a livin' little good thing
It's like you never lived for me, yeah
Mama said you was a good thing, uh
Good, good, good, yeah
Yeah
We came a long way, man, we done came a long way
And we sittin' on top of this shit
This shit can go one of two ways
This shit can go up, it can go down
Either way, nigga, I'm prepared
Feel me? Yeah


Prompt: Describe a nostalgic return to an old familiar place and the feelings associated with being there.

Response:
Yeah, we back
Back in Mohammad crib, nigga, top floor
The back room with just the one little small window, nigga
The light be comin' through it in the morning
Old-ass walls and shit
But it's just like I remember, just like I wanted it
Yeah, I'm workin'
Yeah, I'm workin', nigga


Prompt: In a dance club, a DJ plays an energetic track that has a catchy beat and repetitive lyrics for people to sing along to while they dance.

Response:
Uh-uh, uh-uh
One, two, one, two, one, two, one, two, yeah
Uh-uh, uh-uh
One, two, one, two, one, two, one, two, yeah
Uh


Prompt: Write a song about embracing the "off-season" and focusing on personal growth and working on oneself during this time.

Response:
Bada-ba, bada-ba
Bada-ba, da-da
Off-Season
Let's work, hey


Prompt: A young man from the country dreams of escaping his current life, gaining wealth and experiencing new things, eventually making his way to a big city and attending a basketball game at a famous venue.

Response:
Plottin' my escape, this game rot a nigga's faith
Got a couple M's hidin' in the safe
Imagination turned a Honda into Wraith
I was doin' eighty on the interstate
Tryna make it back before my class started
Country nigga never seen a passport
'Til I popped off and got a bag for it
Now I'm at the Garden sittin' half court
Watchin' Jr. catch it off the backboard
'Ville nigga never seen nothing
'Cept a fucking triple beam jumping
Good dope leave a fiend krumping
Made it out, it gotta mean something


Prompt: A person finds love by viewing a photograph online, not knowing the subject's identity, and desires a connection beyond the digital world. They fear exposing this newfound love to friends, preferring to keep it a secret. The rise of digital communication affects their emotional well-being.

Response:
Fell in love through photograph
I don't even know your name
Wonder if you'd follow back
I hope to see you one day
I won't show my niggas now
I'II keep this one for myself
Love today's gone digital
And it's messing with my health