Prompt: Missing an old friend, wishing to reconnect and spend time together

Response:
Wish I could stop by and maybe say "hi"
Wish I could just stop by and lay by your side
Wish I could just stop by and maybe say "hi"
Wish I could just stop by and lay by your side


Prompt: Imagine a person who has faced struggles in their life, but has now found a sense of purpose and independence. The song discusses how their newfound freedom comes with a sense of concern for someone they once knew.

Response:
The tables have turned
And I've finally learned
That this is making up for every day I was gone
And that's why I'm concerned
But now it's confirmed
That you spread your wings and learned to fly but all alone


Prompt: Write a love song that expresses the singer's unwavering commitment and willingness to go the extra mile for their significant other, emphasizing that they'd do anything for them, even to the point of death.

Response:
Darkness in the night, I'll find that light for you
As long as I got eyes, I'll have a sight for you
Long as I'm alive baby, I'd die for you, wanna be with you


Prompt: A person reminiscing about spending more time with someone who is now busy and unavailable.

Response:
Wish I could keep you much longer
I know you gotta go 'cause you got things to do
Wish I could keep you much longer
Now you too busy for me girl, like I was to you
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Wish I could stop by and maybe say "Hi"
Wish I could just stop by and lay by your side
Wish I could just stop by and maybe say "Hi"
Wish I could just stop by and lay by your side


Prompt: Write a song about a person who constantly thinks about their significant other while chasing success and dreams, highlighting the importance and support of that person in their life.

Response:
You're always on my mind, while I'm racin'
While I'm paper chasin'
You were there when I said one day I'd get up out that basement
Playin' as my agent
For you there's no replacement
You will always be my girl, you can hold me on that statement


Prompt: A love-driven quest for finding the light amidst the darkness, with a promise to support and be with the loved one until the end.

Response:
Darkness in the night, I'll find that light for you
As long as I got eyes, I'll have a sight for you
Long as I'm alive, baby, I'd die for you, wanna be with you


Prompt: A song about two people who used to spend a lot of time together, but now have busy schedules that keep them apart, and the desire to spend more time together before life gets in the way.

Response:
Wish I could keep you much longer
I know you gotta go 'cause you got things to do
Wish I could keep you much longer
Now you too busy for me girl, like I was to you


Prompt: A person longs to visit and spend time with their significant other but understands the importance of focusing on their career first, knowing their partner will follow in their footsteps.

Response:
Wish I could stop by and maybe say "Hi"
Wish I could just stop by and lay by your side
Wish I could just stop by and maybe say "Hi"
Wish I could just stop by and lay by your side
Baby, I know you and how we do
Doing exactly what I taught you
Gotta get that money first before you
Come spend that precious time with your boo
And know I gotta just take it
Even though it's drivin' me crazy
Always want to see my girl make it (Ooh, yeah)


Prompt: A person is expressing their desire to spend more time with someone who is busy, admitting that they were also once preoccupied themselves.

Response:
Wish I could keep you much longer
I know you gotta go 'cause you got things to do
Wish I could keep you much longer (I wish, I wish I could keep you so much longer)
Now you too busy for me girl, like I was to you


Prompt: A long-distance friendship, where the narrator wishes they could visit their friend and simply say 'hi' or spend time with them in person.

Response:
Wish I could stop by and maybe say "Hi"
Wish I could just stop by and lay by your side
Wish I could just stop by and maybe say "Hi"
Wish I could just stop by and lay by your side


Prompt: A song about missing someone who's always busy and wishing you could spend more time with them.

Response:
Wish I could keep you much longer (Wish I could keep you, baby)
I know you gotta go 'cause you got things to do
Wish I could keep you much longer (Wish I could keep you, baby)
Now you too busy for me girl, like I was to you
Wish I could stop by and maybe say "Hi" (I just wanna keep you longer...)
Wish I could just stop by and lay by your side
Wish I could just stop by and maybe say "Hi" (I just wanna keep you longer...)
Wish I could just stop by and lay by your side


Prompt: Create a song that highlights the concept of having either time or money, but not both, in a world where both resources are valuable and limited.

Response:
This Big Meech from the richest black muthafucking gang in the world
My nigga always say, there's only two things a nigga can do for you
You either got time or money, can't have em both
Nigga with money, ain't got no time
Nigga with time, ain't got no money
We don't have a lot of time around here - cause time is money


Prompt: My lifestyle redefine how y'all living

Response:
Kon Live in one year, made millions
Everybody got money: nigga, we chillin
Ain't got no time: it's some bad feelings
Especially when you want a little sexual healing
Girlfriend's pulling, family's pulling
In every direction, everybody need money
My lifestyle redefine how y'all living
If you keep it up I'll be broke in a minute
My kinfolk's on the block and they dealing
All my goons are still out there killing
Man I be running, got no time to be skipping
I'm trying to hit a home run in the 9th inning
My bitch locked up, for a killing
Taking care of mine, San Quen chilling
That's my homie, you can trust that nigga
Just a matter of time before I get back with him


Prompt: A young person growing up in a rough neighborhood, constantly hustling to make a living, and navigating a world where time equals money, danger, and mistrust of law enforcement is the norm.

Response:
I don't know about you but I'mma ride for mine
Everyday I'm out here trying to grind
If I ain't got a 9 to 5 I'mma still get it
Even if I gotta live a life of crime
Clock's ticking but it's not a bomb
Every minute passed is a dollar sign
But there's money, no matter how much money you make
None of that shit will really buy you time
I am on the block still hustling crack
If Babylon shoot, we busting back
War on the streets, don't trust the police
In other words: we really don't fuck with cops
Came my way from the bottom of the block
Where the good die young and the crime won't stop
Someway, still make it to the top
Time is money, so now it's back to this Glock


Prompt: Write a song about a girl who is the object of your affection and desire, using the term 'Chammak Challo' to describe her.

Response:
Girl, you're my छम्मक छल्लो
Where you go, girl, I'm gonna follow
What you want, girl, just let me know
You can be my छम्मक छल्लो
Shawty, I'm gonna get ya
You know I'm gonna get ya
You know I'll even let ya
Let ya be my छम्मक छल्लो


Prompt: Describe the emotions of a person who is feeling ashamed, yet confident and wants to show off, while also asking for someone to look at them and provide them with new eyes.

Response:
कैसा शर्माना, आजा नचके दिखा दे
आ मेरी होले, आजा परदा गिरा दे
आ मेरी आखियों से अँखियाँ मिला ले
आ तू ना नखरे दिखा


Prompt: A song about a long-lasting friendship, asking someone if they want to be your 'chamak chhallo', which is a Punjabi term for someone who always brings joy and brightness to your life.

Response:
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?


Prompt: Create a song with lyrics asking someone to be your special friend and confidante.

Response:
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?


Prompt: A song about the excitement and anticipation of a thrilling moment.

Response:
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh


Prompt: Write a song where the lyrics repeatedly ask someone to be their 'chamak chhallo' or 'shining partner'.

Response:
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?
Wanna be my छम्मक छल्लो?


Prompt: A simple, repetitive tune that emphasizes the use of "oh" to convey a feeling of longing or nostalgia, with the lyrics mainly composed of the word "oh" expressed in various ways.

Response:
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh
Oh, oh


Prompt: A musician shares his experience of meeting a girl at a party and how he tried to make her feel better, but ended up bringing her back to his friend instead.

Response:
Easy as that?
Thought I'd take her home and
Bring her right back, bro
I felt for her
I felt


Prompt: Imagine a song about a confident, charming man who is smitten by a beautiful woman and wants to get closer to her.

Response:
I was like, two-seater, "Hello, can I meet her?"
Know that she was gold from the first time I've seen her
I was like, Mamacita
Cooler than a freezer
Come and pop that body right here on me, no meter


Prompt: Describe a woman's unique beauty and how she managed to find a missing item with the help of a famous rapper.

Response:
She was there right, wasn't hard to read her
In the middle of the night, watch out with Khalifa
Then I saw that apple bum, it was bigger than Vanita'
I never leave a man down, had to go retrieve her


Prompt: A loving relationship where the couple has a strong connection and fights through hard times, understanding each other deeply, and supporting each other emotionally.

Response:
You say that we may be the one
We love hard and fight like we're done
But you know how to make me feel
You know how to make me feel
Can't lose you, this thing ain't no lie
While you mine forever will try
But you know how to make me feel
You know how to make me feel
(Sexy, sexy)
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One hunnid, let's keep it one hunnid
'Cause when it's time to throw it back
She knows to return it
And when it's time to throw a stack, she waiting to burn it
The question's that's she's coming back, 'cause she know I own it


Prompt: Write a song about a woman who is highly desired by many men but only truly appreciated by one, highlighting her unique qualities and the connection they share.

Response:
You know that
You know that
You know that she bad
You know that
You know that
You know that she's that
She gave me what I wanted
While all these niggas own it
But she only had eyes for me


Prompt: A song about a couple who has a strong connection, knowing that their love is real despite the challenges they face, and how this connection makes them feel.

Response:
You say that we may be the one
We love hard and fight like we're done
But you know how to make me feel
You know how to make me feel
Can't lose you, this thing ain't no lie
While you mine forever will try
But you know how to make me feel
You know how to make me feel
You say that we may be the one
We love hard and fight like we're done
But you know how to make me feel
You know how to make me feel
Can't lose you, this thing ain't no lie
While you mine forever will try
But you know how to make me feel
You know how to make me feel


Prompt: In a moment of introspection, a person is reflecting on the past and contemplating the words they didn't speak, while struggling with feelings of anxiety and inner turmoil.

Response:
I was running away from myself
Had a barrel inside of my head
I was lying awake in my bed
Thinking 'bout all the things I should have said


Prompt: Overcoming personal struggles and embracing newfound strength and fearlessness.

Response:
But now I'm stronger, I'm so much stronger
No more running, not any longer
And now I'm stronger, and finally I can say
That I'm not afraid, yeah


Prompt: A fearless individual overcoming their fears and standing up to challenges in their life, symbolized by fighting against a metaphorical "triad" representing obstacles and constraints on their heart.

Response:
I'm gonna break the silence
Cut like a laser through the dark
I'm gonna light a fire
Cause I'm not afraid, no
I'm gonna fight the triads
They are no chains around my heart
I'm gonna light a fire
Cause I'm not afraid
I'm a warrior, oh mama, I'm not afraid
I'm a warrior, oh mama, don't be afraid, I'm not afraid


Prompt: A song about overcoming personal struggles, finding inner strength, and no longer being afraid, inspired by a supportive friend or loved one who has always been there to offer guidance and encouragement.

Response:
Wish that you could be here with me now
I've overcome the demons inside, yeah
I keep hearing your voice late at night
Telling me, gotta fight for your right
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But now I'm stronger, I'm so much stronger
No more running, not any longer
And now I'm stronger, and finally I can say
That I'm not afraid, yeah


Prompt: A person who feels fearless and strong, ready to face their challenges and overcome them, inspired by their resilience and determination.

Response:
I'm gonna break the silence
Cut like a laser through the dark
I'm gonna light a fire
Cause I'm not afraid, no
I'm gonna fight the triads
They are no chains around my heart
I'm gonna light a fire
Cause I'm not afraid
I'm a warrior, oh mama, I'm not afraid
I'm a warrior, oh mama, don't be afraid


Prompt: Write a song about a person who feels unstoppable and encourages others not to be afraid, despite the challenges they face.

Response:
No, they can't hold me down
Seen it rising up from the ground
No, they can't hold me down
Seen it rising up from the ground
Can't hold me down
Can't hold me down
Can't hold me down
Can't hold me down
I'm a warrior, oh mama, I'm not afraid
I'm a warrior, oh mama, don't be afraid
I'm a warrior, oh mama, I'm not afraid
I'm a warrior, oh mama, don't be afraid


Prompt: The protagonist grew up in a rough neighborhood and developed skills in street life, including using firearms and engaging in criminal activities. They also mention their experience with drug dealing and the challenges they faced. The lyrics suggest that the protagonist has risen to a higher status, implying success or power in their environment. The mention of Alaska on their chest could symbolize their rise in power or position, or possibly their nickname.

Response:
I'm from the hard knock academy, automatically had to be
Carryin' automatics, sprayin' sporadic, inaccurate (Wuh)
Clips to the back of it, barrel cockin' immaculate
Learn to move packages in and out of Los Angeles
We savages, bustin' off rounds, sprayin' banana clips
Knockin pounds off 'em like Anna Nicole Smith
Shit, I'm in the hood, walkin' with choppers
Cockin' and poppin' at coppers, Glocks be talkin' like
Blockedie block, block
I probably popped Hoffa and possibly just forgot where I tossed 'em (Huh)
This nigga's obnoxious, me and Top got your bitch in the cockpit
She want a pit stop, just see how the cock spit
These bosses deposit the profit, they watch as we cop it
On top of the ostrich and foxes (That's right)
I used to be a little bastard of stress (Ey)
Now I'mma boss where I'm from (Ey)
With Alaska on my chest (Yes!)


Prompt: Describe a confident and stylish individual who is unaware of the admiration they inspire, while mentioning the person's swagger, style, and the reaction they get from others.

Response:
See I know you'll like my swagger (Oh)
No strap when I come through (Through)
Chain hangin' like Ali Baba (Oh)
Know me, ya' know how I do (Do)
The way that I move, nigga
(Ya' never gon' get it)
Cause I'm too smooth, nigga
(Ya' never gon' get it)
I thought you knew, nigga
(Ya' never gon' get it)
But you ain't got a clue, nigga
(Ya' never gon' get it, get it, get it)
See when I walk through the door
I wonder why these fake niggas jackin' me for?
On display, like I came from the store, you know
I'm posin' like a mannequin in front of your hoe (Wu-uh)
Up front block runnin' 50 deep now (Wu-uh)
Convicts surroundin' the whole compound (Wu-uh)
Cause you don't really want what you're starin' at
Clip full of bullets, don't mind sharin' that (That)


Prompt: Write a song about a confident person who feels they have an unmatched sense of style and charisma, with a catchy chorus that emphasizes their inaccessibility to others.

Response:
See I know you'll like my swagger (Oh)
No strap when I come through (Through)
Chain hangin' like Ali Baba (Oh)
Know me, ya' know how I do (Do)
The way that I move, nigga
(Ya' never gon' get it)
Cause I'm too smooth, nigga
(Ya' never gon' get it)
I thought you knew, nigga
(Ya' never gon' get it)
But you ain't got a clue, nigga
(Ya' never gon' get it, get it, get it)


Prompt: A young man, who is known as a "troublemaker," shares his experience at a high-end club, surrounded by beautiful models and enjoying a lively evening. The ladies are captivated by his charm and energy.

Response:
Most stared up in the club, just swagging doing my thang
Popping bottles with models and just watching them drank
Partying so hard, the ladies don't want it to end
They looked at me and said


Prompt: Two people describe themselves as being notorious for causing trouble in relationships, with each one claiming the other is a 'heartbreaker' and 'troublemaker' in a playful, flirtatious banter.

Response:
I heard that you're a heartbreaker (I said)
Baby I'm a troublemaker
I heard that you're a heartbreaker (I said)
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker (I said)
Baby I'm a troublemaker


Prompt: A guy who is confident in his ability to make money and provide for his partner, but is misunderstood by others who assume he's involved in illegal activities. He's also a caring and supportive individual who loves and respects his partner and is recognized in social settings for his style and charm.

Response:
See, I'm that type of guy you won't love
I'm that type of guy you won't cuff
I'm that type of guy your daddy won't let you go out
Cause he thinks I sell drugs
I'm that type of guy that will save ya
I'm that type that will call you later
Won't be around to give you that time
Gotta get on the grind and get to that paper
That I can do
Gotta keep my baby girl laced in the latest and the fliest suits
Never one for none, let's stay caked up, hold it down, that's all you gotta do
Then I walk up in the place, with a pocket full of money, my brother like I are the dude
Stepping out with the finest suits, look at me now
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Most stared up in the club, just swagging doing my thang
Popping bottles with models and just watching them drank
Partying so hard, the ladies don't want it to end
They looked at me and said


Prompt: A song about two individuals who are known for their mischievous and heartbreaking behavior in relationships.

Response:
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker


Prompt: A guy who enjoys kissing, and also has a strong personality, is looking for a particular type of girl in his life, someone who is attractive, knows how to make money, and can be confident in social situations. He is successful, well-known, and enjoys partying with models.

Response:
See I'm that type of guy that like kissing
I'm that type that will pop the clip and
I'm that type of guy that put you in your place
If your bougie just start tripping
I'm that type that will let you go
I'm that type that will let you know
That everywhere I go I can find a pretty ho
But there ain't too many know how to get that dough
That's the type of girl I want around me
Even though I'm a with her, make a man feel free
Roll with the fellas, even hold my cheese
Look like something you would see on TV
She don't mind climbing up that ladder
Similar to the words, it don't matter
But this time they wanna see us together
Look at us now
Most stared up in the club, just swagging doing my thang
Popping bottles with models and just watching them drank
Partying so hard, the ladies don't want it to end
They looked at me and said


Prompt: A song comparing two people who are known for causing problems in relationships and stirring up trouble.

Response:
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker


Prompt: A man is describing his experiences and adventures with women, specifically about attracting attention from other girls and the thrill of taking things further, with a focus on the allure of the color purple.

Response:
You're not for sure
Even though I wanna take you everywhere I go
Because of you, all the girls is staring, taking notes
And I realize being with you girls bring more girls
And that's just what I'm attracted to
And I'd rather go all the way
Love her long time, till the break of day
I won't let her ever leave my bed
Till she sees the color purple like Anna Mae
Now she wants to start holding on me, like whatever she's smoking on
I'll be long gone before you can say, "Look at me now"
Most stared up in the club, just swagging doing my thang
Popping bottles with models and just watching them drank
Partying so hard, the ladies don't want it to end
They looked at me and said


Prompt: Write a song about two people who are known for causing drama and heartache in relationships, and they seem to be attracted to each other due to their shared "reputations.

Response:
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker
I heard that you're a heartbreaker
Baby I'm a troublemaker


Prompt: A song where two popular artists collaborate, creating a catchy and energetic track, encouraging a girl to break away from a negative behavior.

Response:
Holla holla, at you girl
Holla holla, at you girl
Holla holla, at you girl (yeah)
Akon (Holla holla)
And T-Pain (Holla holla)
You need to quit it, ohh
Girl you need to quit it


Prompt: A song about a guy with a big truck, cruising around town, attracting attention from women, and trying to get a girl to join him and his friends for a fun night out.

Response:
I gotta big truck outside, and it sittin' on twentysixes
I'mma bout to step out my ride, with about twenty
And they all like girls, so they all be kissin'
That's why I'm tryna put you in this, girl
While I'm up in this club, gotta get my groove on
If you wanna roll with a nigga, go with a nigga
Try to get a move on
And I hope that you like girls
Cause I wanna see you kissin'
And now I'm tryna put you in my world
So don't be actin' like that (like that)
I know you wanna ride
Cause my Lamborghini doors go up (and down)
(Now all these gorillas' here, all these women here)
Somebody here gon' fuck


Prompt: A guy is trying to get the attention of a girl who claims to want a player with money, but she's acting strange and he wants to know why.

Response:
That's why I'm tryna holla holla (holla holla) holla holla (holla holla)
Holla holla (holla holla) holla holla (holla holla)
I'm tryna holla holla (holla holla) holla holla (holla holla)
Let me holla at you girl
Oh, shawty, said you want a player with money
So why you actin' funny with me?
I ain't tryin' to prove nothin' to you
Shawty I'm tryna do summin' to you, yeah


Prompt: A conversation between two people, one trying to impress the other with their financial status, seeking to spend time together and potentially form a deeper connection.

Response:
Shawty, Uh, I'm tryna holla holla
He just a roll of pennies, I'm a stack of dollars
I'm tryna see what you gon' do
Cause baby I'm, tryna leave here with you
Now don't be


Prompt: A song about a luxurious lifestyle, fancy cars, and the attention it garners from people, especially those attracted to it. The narrator is aware of the attention their lifestyle brings and hints at the potential consequences of such attention.

Response:
Actin' like that (like that) I know you wanna ride
Cause my Lamborghini (doors) go up (and down)
Now all these gorillas and, all these women here
Somebody here gon' fuck


Prompt: A guy is expressing his desire to communicate with a girl, repeating the phrase "holla" to show his persistence and enthusiasm in trying to get her attention.

Response:
That's why I'm tryna holla holla (holla holla) holla holla (holla holla)
Holla holla (holla holla) holla holla (holla holla)
I'm tryna holla holla (holla holla) holla holla (holla holla)
Let me holla at you girl


Prompt: A song reflecting on the common struggles people face, highlighting the moments of understanding and connection between individuals as they share their pain and hope.

Response:
I can see it, it's funny, man
‘Cause this life is not going nowhere
And you gon' see it
Wherever there's struggle, knahmean?
Once in a while I could look at you
I see my pain in yo' eyes, man
So I know you feeling me
And see the twinkle in your eyes
It's that twinkle, man
That sign of struggle, I've seen it in me


Prompt: A song about the struggle to succeed and the desire for a better life, while also addressing the importance of lifting up others and ensuring they can enjoy the benefits of success.

Response:
‘Cause everyday I can't help but see it
That people ain't satisfied
And you're hating your 9 to 5
And e'rybody wanna live another life
But ain't no length you go or mountain you climb
Not to better your days
But all that would do is leave room for people to say
"I guess you're living better now
Share a little of that cheddar now"
‘Cause I remember days back when
A brother was hustling and robbing too
I done tossed the Beretta now
On a whole another level now
Still I can't enjoy my fame
Unless my people doing the same and get money too
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Once in a while I could look at you
Ooh, once in a while
And see the twinkle in your eyes
And I can see that you don't ever wanna struggle no more
Struggle no more
Once in a while I could look at you
Ooh yeah
And see the twinkle in your eyes
And I can see that you don't ever wanna cry no more


Prompt: Write a song about a person who constantly faces various troubles and hardships, including issues with child support, tickets, and a troubled past, but still manages to find moments of happiness and hope when they see the twinkle in someone else's eyes.

Response:
‘Cause every time you ask me, I'm grindin'
It shouldn't have to be that way
You shouldn't have to pay my way
I shouldn't have to want for a brighter day
Got a little little problem on the way
Bounty hunters checking state to state
Child support lady on your case
Not to mention tickets you ain't never paid
"Oh what must I do?" is what you'll be asking
God, please hold it down for me
Don't let Satan get ahold of me
I'm tryin' to tell you, it can happen to me too
But it happened a lot worse to my brother
Muhammad, I thank God he recovered, yeah
 w/ variations + ad libs
Once in a while I could look at you
Once in a while I
See the twinkle in your eyes
And I can see that you don't ever wanna struggle no more
And I could see that twinkle
Once in a while I could look at you
Look in your eyes
And I can see that you don't ever wanna cry no more
Once in a while I could look at you


Prompt: A friend is going through a tough time and the narrator is trying to empathize with their pain. The lyrics should emphasize understanding their struggle and encourage them to keep pushing forward despite the difficult situation.

Response:
‘Cause I see your pain now (Ooh yeah)
‘Cause I see your pain now (Ooh yeah)
And I can feel you strain now
And I can see you cryin'
And inside you're dyin'
You're no longer the same now (‘Cause you got to)
But you gotta maintain now


Prompt: A song about a person who occasionally notices the happiness in someone else's eyes and understands their desire to avoid struggles and tears.

Response:
Once in a while I could look at you
Ooh, once in a while
And see the twinkle in your eyes
And I can see that you don't ever wanna struggle no more
Struggle no more
Once in a while I could look at you
Ooh yeah
And see the twinkle in your eyes
And I can see that you don't ever wanna cry no more
Ooh yeah, ooh yeah
Ooh yeah, ooh yeah
Ooh yeah, ooh yeah


Prompt: Think of a song where the singer is reflecting on a significant moment in their life and expressing feelings of regret and love, while mentioning the month of February and the concept of the universe.

Response:
I made the mark on February 1st
Between me and you, you can call it birth
The beginning of our universe
Remind me of Alicia Keys verse
I'm falling for you
I wish I had an opportunity to not do
What I did to hurt you
And now I'm here living with regrets
I know that it was my fault
I know that I got caught
So please don't lose your thoughts
Of me loving you and you loving me
I'm on the highway swerving
I ain't drunk but I'm about to hit the curb'n
Looking at the calendar getting nervous
Just a few more days to the first soul


Prompt: A song about reminiscing on the beginning of a special relationship, evoking memories of the day it all started and traveling back to the place that holds significance for both individuals. The lyrics mention a birthmark, a symbol of love and connection, and the feeling of being united by a unique stamp on their heart.

Response:
This the day it all began
One place that it came together
More than a ring or a tattoo
Wish your birthmark that reminds me of you
See Akon LiveGet tickets as low as $42You might also likeSo let's get on an airplane
Go back to where we began
To that point which is days apart
That stamp right next to your heart


Prompt: Write a song about a person expressing their love and devotion through repetition of a central theme.

Response:
To your heart, to your heart
To your heart, to your heart
To your heart, to your heart
To your heart, to your heart
To your heart, to your heart
To your heart, to your heart
To your heart, to your heart
To your heart


Prompt: A person, feeling trapped and wanting to break free, compares themselves to a bird soaring high in the sky, with a longing for someone to understand their emotions and realize the impact they have on their life.

Response:
I'm like a bird and I am so high
In my lair looking at the blue sky
Can't let another day pass by
Without you knowing what I feel inside
Cause it's embedded in my soul
The day I stop will be the day I turn cold
Let you know I'm breaking out of that hole
And let go


Prompt: What if you had to make a difficult decision between following your dreams and staying with someone you cared about? How could you express your desire to support and share your passions with that person, even if it meant leaving them behind?

Response:
So I can be free, to do what means most to me
And you can look back one day
And know I shared with you my gift
I hope you wouldn't think I just leave
Pack up and roll up my sleeve
Give it all up and live for nothing to take with me all I got to give


Prompt: A musician wants to create a song that encourages their audience to dance, clap, and have a good time, taking their minds off their problems and enjoying the moment. They aim to bring happiness and positivity through the music.

Response:
Thats why
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
See Akon LiveGet tickets as low as $42You might also like
So if your life is twisted and ain't going right
Let's forget about it tonight
I just wanna make you happy baby
Dancing and clapping (dancing and clapping)
Cause we plan to be here till the morning light
Can you feel the change in your life?
Ain't it feeling like magic baby?
I'm the one that make it happen baby


Prompt: A person is contemplating giving away something precious and life-changing to someone they care about, so that the recipient can find their true purpose and live a fulfilling life, but the person is questioning whether it's the right thing to do.

Response:
So you can be free, to do what was meant to be
And you can look back one day
And know I shared with you my gift
Would you think I just leave?
Pack up and roll up my sleeve
Give it all up and live for nothing to take with me all I got to give


Prompt: Imagine a scene where the main character is trying to re-inspire someone who has stopped clapping at a live performance.

Response:
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again


Prompt: The lyrics revolve around a simple yet powerful request: to make someone clap again, possibly referring to bringing joy and excitement back into their life or simply capturing the energy of a live performance.

Response:
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again
I just want to make you clap again
Just clap again


Prompt: A friend challenges you to a non-stop dance competition, and you boast about your stamina, comparing yourself to a mouse who can survive for thirty days without rest. The other person isn't convinced they can keep up with you.

Response:
My nigga, I’m a beast!
I can go thirty days and nights with no sleep
Like the mice in the streets
The only meal that I see every day is my cheese
I don’t think you can keep up
Keep up, hey, keep up, hey!
I don’t think you can keep up
Keep up, hey, keep up, hey!
I don’t think you can keep up!


Prompt: Write a lyric about persevering in the face of haters, success, and the challenges of the music industry.

Response:
Cause when I’m riding in your lane, getting it poppin simple and plain
Konvict model, no pain no gain
Everybody blowing up like they done drank propane
I slide through the hood, the game unchanged
My niggas on the corner still selling cocaine
Now I ain’t even tripping you should do the same thing
Til I got the opportunity to make some more change
I’m watching all these haters getting close to my fame
Only if they know what it takes to maintain
If you live by the bar then we raised it
I was built to do this thing daily


Prompt: Reflecting on your past and present, describe the journey from humble beginnings to achieving fame and success, and how it has changed your relationships with others and the world.

Response:
See Akon LiveGet tickets as low as $42You might also like
Used to hang out on the curb
Now I’m living lavish in the 'burbs
Women used to never pay attention when I flirt
Now they see me out in public, steady ripping up my shirt
It’s funny how the tables turn and out there
No longer sitting in the coupe handing out birds
Collecting all this money from different parts of the world
Flown up out of this loop, gotta see me first
Cause I sacrificed it all to be me
You ain’t got enough what it takes to beat me
Conditioned by the slums and raised by the streets
I've killed for this life it takes another soldier


Prompt: A song about competition in a field, where only the strong survive and two individuals face off in a battle of strength.

Response:
Because in my field, only the strong will survive, yeah
And if you’re as hard as steel, then you and I will collide, yeah
We gon' rush at each other like two rams fighting in the grass land, yeah!
And i’ma be the last man standing!


Prompt: Imagine a song where the main focus is on the repetitive, catchy chant 'Dada, dodo' and the contributions from various artists, with Akon as a key contributor.

Response:
Ohhh yeah
Dada, dodo
Dada, dodo
Dada, dodo
Akon


Prompt: Life is a cycle of ups and downs, and people are always striving to make a living and improve their situation. The song encourages resilience and perseverance in the face of challenges.

Response:
Life come and go
So let the history be told
We're all out here
Hustlin' to make our way
And while you're stumblin' and fallin' (Stumblin' and fallin')
Why don't you pick yourself up now (Pick yourself up now)
You see we all out here
Working day by day


Prompt: How can we find harmony in a world where good and evil intertwine, and where material wealth and love are intertwined with the passage of time?

Response:
So tell me
How can we work it out
On that day when its time to share the gold at the end of the rainbow
How can we work it out
When good and evil meet
The day you kiss his feet
'Cause it will soon come
See Akon LiveGet tickets as low as $42You might also like
You soon lose track of which way is up when your always being put down (Being put down)
You gotta be strong and do what you feel in your heart
Regardless of who's around (Regardless of who's around)
I know it might seem bold
But thats all we have (All we have)
Many centuries and we're steady gettin' old
But you know to what we never had
Sooo


Prompt: Lyrics inspired by a powerful connection to a place and the people in your life, despite misunderstandings and conflicts.

Response:
When you see Jerusalem
How your heart will sing
They are with a blessing only God can bring
Y'all niggas got me hot, yuh
Uh, niggas, tell me how, yuh, yuh, say


Prompt: A confrontation at a rival's front door, overcoming challenges, and maintaining a sense of style and ease.

Response:
Hey! Well, that's exactly what a nigga came for
Huh, you throwin' shots from afar
I'ma meet you at your front door
Uh, so hard to be doing what you really meant for, beauty
Huh, but don't I make it look easy?
Don't I make it look good?


Prompt: A song about a night of intoxication, during which the person is trying to impress someone with their bold words, but also struggles to keep up with their own claims. The chorus is focused on not wanting to sober up and wanting the other person to stay with them for longer.

Response:
Hey, now you drank up all my liquor, come on
What I'm 'posed to do now?
And you talking all that shit, now come on
You gon' have to back it up, hey
If I get too high now, sugar, come on
I might never come down
You might not ever come down
Naw, let me get down
You might not ever come down
Naw-naw-naw, let me get down
You might not ever come down
Let me get down!
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You might never ever come down
It took too long to get this high off the ground
Don't run, just stay awhile


Prompt: A confident individual expresses their enthusiasm and desire to take in the full view of someone they are interested in, while also mentioning their love for smoking cannabis and assisting in pre-rolls.

Response:
C'mon, uh
Can't beat it, can't beat it, can't beat it
Can't beat it with a big bat, though
Can't see her with these pitch black Gucci frames on
Let me take these bitches off
Let me get the full scope, hold up
Huh, full screen, HD, let me take another picture
Let me pull it to the pre-show
Whoa, cool beans, cool beans
That's a whole lot of reefer
Let me help you with the pre-roll


Prompt: Write a song about feeling the effects of a strong drink and wanting someone to stay with you while you enjoy the high it brings.

Response:
You drank up all my liquor, come on
What I'm 'posed to do now?
And you talking all that shit, now come on
You gon' have to back it up
If I get too high now, sugar, come on
I might never come down
You might not ever come down
Naw-naw-naw, let me get down
You might not ever come down
Now let me get down
You might not never come down
Naw, let me get down!
You might never ever come down
It took too long to get this high off the ground
Don't run, just stay awhile
You might never ever come down
It took too long to get this high off the ground
Don't run, just stay awhile


Prompt: A night out in a crowded party with champagne flowing, people dancing and the main character is at the center of the celebration with people wrapping their arms and legs around them, making the character feel like they have no control or privacy in that moment.

Response:
Ooh, champagne pourin' down
Arms, legs wrapped around you
Ooh, champagne, let it fall down
Arms, legs keep grabbing


Prompt: Imagine a song where a group of 82 contributors are coming together to celebrate someone's energy and enthusiasm.

Response:
Look at you go
Okay, you bubblin'
Look, go, go
Look at you go
Okay, you bubblin', look


Prompt: Write a song about someone who is successful and has lots of money, emphasizing their wealth through imagery of cash.

Response:
One in the hand, one in the bag, bubblin' (look at you go)
One in the hand, one in the bag, bubblin' (look at you go)
Look at the cash, look at the cash bubblin' (okay, you bubblin')
Look at the cash (look) bubblin' (go)
One in the hand (look), one in the hand (go)
One in the hand, one in the bag, bubblin' (look at you go)
Look at the cash, look at the cash, bubblin' (okay, you bubblin')
Look at the cash (look) bubblin'


Prompt: A bird with a meaningful message came to you, guiding you through life and teaching you valuable lessons.

Response:
A bird with the word came to me
The sweetness of a honeycomb tree
And now I look what's taking over me
Couldn't fake it if I wanted to
I had to wake up just to make it through
I got my patience and I'm making do
I learned my lessons from the ancient roots
I choose to follow what the greatest do
A bird with the word came to me
The sweetness of a honeycomb tree
And now I look what's taking over me
Couldn't fake it if I wanted to
I had to wake up just to make it through
I got my patience and I'm making do
I learned my lessons from the ancient roots
I choose to follow what the greatest do


Prompt: A young person, returning home, laments about their struggles, while mentioning family history and the nature of their parents.

Response:
Hey, my little youth is crying
I'm almost home, almost home
Look, no further riots, mmm
Working my fingers to the bone
See, I do the best I can, mmm
Mama was a farmer, mmm
Papa was a goner, mmm


Prompt: A person feeling misunderstood by others, wanting to show their true self, and not being concerned about the long-term outcome, but focusing on living in the present moment.

Response:
I'm only comin' out to play
Nothin' more that I hate in this life
The wrong impression, I only have one to make
You can open your palm, waiting to catch a break
The cards will fall where they may
And what about me?
I believe in fate, huh
They wanna know where I'll be in five, huh
But, what about today? What about tonight?


Prompt: Writing a lyric that describes the shared value of something, emphasizing its exclusivity and individual nature.

Response:
Only one at a time
So precious, it's yours, it's mine
Only one at a time
My life, my life, yeah


Prompt: Discussing someone's dancing ability and the importance of valuing time and personal connections.

Response:
Am I wrong to assume
If she can't dance, then she can't ooh, yeah?
Am I wrong to say
If she can't dance, then she can't ooh?
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Hey, I never wanna waste your time, my life
So precious, it's yours, it's mine
And look at the time, my God
So precious, it's yours, it's mine


Prompt: Create a song lyric that highlights the importance of valuing time and the connection it shares with both oneself and others.

Response:
Hey, I never wanna waste your time, my life
So precious, it's yours, it's mine
And look at the time, my God
So precious, it's yours, it's mine


Prompt: In a small town, a person is waiting for their sweetheart to return. They feel their faith is buried deep but is brought to light by their loved one's arrival. The town is experiencing a strawberry season, indicating a time of abundance and joy. The person wonders how their sweetheart found them, suggesting a deep connection and perfect timing. The person expresses their gratitude and love for the sweetheart, highlighting their growth in love over time.

Response:
My faith is buried somewhere underneath the town
(Until it’s paid for)
Strawberry season, my sweetheart is coming ‘round
(I hear it rain and pour)
How did you find me here? It must be perfect timing
(Forever grateful)
If I didn’t love you then, I damn sure love you now
(Fruit of your labor)


Prompt: In a song about growing up in a tough neighborhood, the narrator reflects on their childhood memories and experiences, including their first pair of Jordan sneakers, witnessing their first love, and losing their mother to tragic circumstances. The song also addresses the struggles faced by people in their community, including crime, incarceration, and fractured families.

Response:
Six years old, I tried my first pair of Jordans on
("Momma, can you carry me?")
It was late in the fall
I caught a glimpse of my first love, my God
("Momma, can you carry me?")
Knees hit the floor, screams to the Lord
Why they had to take my ma? ("Momma, carry me?")
To the early morn' ("Momma, can you carry me?")
To the early morning ("Momma, can you carry me?")
Hey, hey, hey, gather round, hustlers, that's if ya still livin'
And get on down before the judge give the sentence
A few more rounds before the feds come and get you
Is you gon' smile when your date gets issued?
You know them feds taking pictures
Your mom’s in prison, your father need a new kidney
You family’s splitting, rivalries between siblings
If cash ain’t king, it's damn sure the incentive
And good riddance


Prompt: Your friends often seek thrill and excitement, and they often push you to join them. How do you respond to their invitations?

Response:
"Is the element of danger an important factor for the members of your peer group?"
"Yes, you might say that. Why don’t you give it a try and find out for yourself?"


Prompt: A child seeking comfort and support from their mother in times of trouble.

Response:
(Momma, can you carry me?)
(Momma, can you carry me?)
(Momma, can you carry me?)
(Momma, can you carry me?)


Prompt: A singer is expressing their desire to turn their life around and make things right for themselves and their mother, using the lyrics to emphasize both the highs and lows of their journey.

Response:
Yeah, oh, oh, oh
And one of these is my rise
One of these is my downfall
And I’m the one to make it right
I wanna make it right, momma
And one of these is my rise
One of these is my downfall
And I’m the one to make it right
I wanna make it right, momma
I wanna make it right


Prompt: In this song, the narrator is expressing their desire for their mother's comfort and protection, and their attraction to different types of pain. They seek an understanding of their own conflicting emotions and desires, and question whether their mother, as a symbol of love and protection, can provide the support they need.

Response:
(Momma, can you carry me?)
To the early morning
(Momma, can you carry me?)
To the early morning
(Momma, can you carry me?)
Oh, lord
(Momma, can you carry me?)
(Momma, can you carry me?)
(Momma, can you carry me?)
(Momma, can you carry me?)
(Momma, can you carry me?)
I, uh, see here they call you a masochist
I like pain
Can you be specific? What kind of pain do you like?
Any kind of pain


Prompt: Reflecting on the desire for freedom and personal safety in a world where fame and fortune can be dangerous.

Response:
I been feelin' kinda cooped up, cooped up
I’m tryna get some fresh air
Hey, why you got the roof off, roof off?
You know it never rains here
Hey, you ain't gotta flash when you takin' your picture
You ain’t gotta draw no extra attention
Paparazzi wanna shoot ya, shoot ya
Niggas dyin' for less out here


Prompt: Describe your recent activities, aspirations, and challenges, including your efforts to maintain a cool attitude and continue to pursue success despite the haters.

Response:
I been in my bag, adding weight
Tryna throw a bag in a safe
Giggin', tourin', chorin', raisin' babes
Baby Milo wants some Bathing Apes
Niggas crying for less out here
Do what I gotta do bruh, do bruh
Get up in my rear view mirror


Prompt: A rapper reflecting on their recent success, the importance of maintaining their hustle, and the various aspects of their life such as relationships, luxury items, and the challenges faced in their journey.

Response:
I been in my bag, adding weight
Tryna throw a bag in a safe
Giggin', tourin', chorin', raisin' babes
Baby Milo wants some Bathing Apes
Niggas crying for less out here
Do what I gotta do bruh, do bruh
Get up in my rear view mirror


Prompt: Imagine you're a young person struggling with the harsh realities of life, constantly being judged by others, and trying to navigate through the challenges of growing up. The song should discuss the feeling of vulnerability, the fear of failure, and the strength it takes to keep moving forward despite the obstacles.

Response:
Why the hell would you run this game?
Both my hands are tied
Afraid of thinking I dug my own grave
Fuck around with this
Strange and elusive, too afraid to lose it
I don't mind this pain
Most niggas want you for your candy
They'll never know just how long it takes
I wave my own pride
And put it all on the line


Prompt: Think about a time when you were feeling overwhelmed and repeatedly putting yourself through hardships, even though it seemed like it was all part of a cycle. How did that affect your thoughts and emotions during those times?

Response:
There I go, volunteering punishment
Self inflicted pain, sickness over used
Way over used
Here I stay, hey, time to time
It must be what you put me through, ha
It must be what you put me through


Prompt: A song about inner struggles and emotional turmoil, where the singer is trying to maintain self-restraint but is tempted to throw it all away. The theme of waiting and resilience, coupled with the impact of a past relationship.

Response:
A little while longer
A bit more time
Why would you run these thoughts across my mind?
Please, relieve me
As cool as I remain
There's a point in which I'll lose my self restraint
Say, love, most niggas would've left you lonely
I fancy throwin' it all away
I see it to my own demise
How much longer will I let it ride?
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There I go, volunteering punishment
Self inflicted pain, sickness over used
Will I let it ride? (Here I stay)
Here I stay, time to time
It must be what you put me through (Yeah, time to time)
It must be what you put me through


Prompt: The singer is contemplating their current situation and pondering whether their partner is the cause of their emotional turmoil or if it's just a temporary phase in life.

Response:
Hey, it must be (Here I stay, time to time)
It must be what you put me through
It must be what you put me through


Prompt: Write a song about the pursuit of love and the challenges of finding it, while also acknowledging the desire for a more casual encounter.

Response:
Ah, that's right, doll
But everyone wants love
Love, is the answer, Johnny
Everyone is lookin' for love, deep love
A lifetime of deep love, you know?
I'm lookin' for a shallow half hour, you know?
Don't you have luck with women?
I never had luck with women
I'm no ladies man, I know that, Johnny
And I never got girls when I was a kid in show business either, you know?
One girl told me, "Come on over, there's nobody home"
I went over, there was nobody home!


Prompt: Describe a scenario in which two people who are inseparable meet each other in a dream-like state, as if connected on an invisible thread, and share their adventures, dreams, and experiences, all while exploring the world and overcoming obstacles.

Response:
You and I will always meet somewhere in between
You and I will always meet somewhere in between
Sweet Trippy, I'm yours for the gettin'
Talkin' foolish at the moon, I was gone, 1800, sippin'
I can't get rid of you, all the places that I used to go and kick it
All this weight that I'm liftin', trippy


Prompt: A song that encourages finding common ground and unity in a relationship, while acknowledging the importance of being true to oneself and embracing the ups and downs.

Response:
Come meet me in the middle, right there where you always be
Somewhere in between, you and I will always meet
Come meet me in the middle, right there where we always be
Somewhere in between, you and I will always meet
Come meet me in the middle (I'll meet you in the middle)
Come meet me in the middle (Somewhere in between)
Come meet me in the middle (You and I will always meet)
Right there where we always be (Somewhere in between)
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Without a space I could feel, in the words to define
Pick it up, if you will, heavy weight on my mind
Just a pretty brown thing wit'cho head in the clouds
Why don't you put the round thing in the palm of my hands
Up enough for the thrill, over over you spill
Open up, I could tell
I could see when it's real
And as soon as I grab a hold of ya, I'ma have to let go of ya


Prompt: Imagine a song that encourages the listener to find common ground and connect with someone, emphasizing the importance of balance and understanding in their relationship.

Response:
Come meet me in the middle, right there where you always be
Somewhere in between, you and I will always meet
Come meet me in the middle, right there where we always be
Somewhere in between, you and I will always meet
Come meet me in the middle (You and I will always be)
Come meet me in the middle (Somewhere in between)
Come meet me in the middle (You and I will always meet)
Somewhere in between
You and I will always be


Prompt: A group of 77 individuals working together to create a song with repetitive and catchy vocal elements.

Response:
Ooh, ooh-ooh-ooh-ooh, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah, ah-ah


Prompt: Inspired by the feeling of being emotionally distant from a loved one and the desire for freedom and self-worth.

Response:
Darlin', I have to be moved from afar
The truth is the only thing worth holdin' onto anymore (Anymore)
Untie me, let me loose from the cord
I'm so gone, so far, I deserve more (More, I deserve more)
Yeah


Prompt: A song about longing and the lost art of begging for someone's presence in one's life.

Response:
I'm beggin' you (I beg)
I'm beggin' you, please, come home (Please)
No one even begs anymore (Come home)
I'm beggin' you (I beg)
I'm beggin' you, please, come home (Please)
No one even begs anymore (Come home)


Prompt: In a song, the singer is reminiscing about a past relationship and acknowledges the signs pointing towards their partner's affection. The singer is grateful for the support they received after a heartbreak and emphasizes that they are no longer bound by that emotional pain.

Response:
Ooh, ooh-ooh-ooh-ooh, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah, ah-ah
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Who should I rest blame upon
When all of the signs are brightly drawn
And point back to your open arms? (Point back to your open arms)
Back too soon, but I'm here for the last of support
No longer bound by a broken heart (Bound by a broken heart)


Prompt: A person trying to convince a loved one to return home, expressing the rarity of people actually asking for something in return.

Response:
I'm beggin' you (I beg)
I'm beggin' you, please, come home (Please)
No one even begs anymore (Come home)
I'm beggin' you (I beg)
I'm beggin' you, please, come home (Please)
No one even begs anymore (Come home)


Prompt: A song about excitement and anticipation, where the singer is experiencing a series of intense, exhilarating moments.

Response:
Ooh, ooh-ooh-ooh-ooh, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah
Ooh, ooh-ooh-ooh-ooh, ah-ah, ah-ah


Prompt: Write a humorous, tongue-in-cheek lyric about someone who is physically attractive but possibly lacking in mental substance. Use a playful tone and focus on the attractiveness of the person, while also questioning their intelligence or depth.

Response:
Yeah, all of that ass you carrying, you gotta be shitting me
All of that body that you came with
But, where are you mentally?
I know ya hear it all the time
But, you ain't gon' hear from me
I just wanna focus on them lovelies
What's behind them tig-ol-bitties?


Prompt: Write a song about finding the key to unlocking one's true self, hidden beneath layers of insecurities and external appearances.

Response:
They say the heart is underneath
Underneath the guarded insecurities
I finally found the key
Underneath the garments, that's the double D's


Prompt: A song about a player who is confident in his ability to charm a woman, while she remains oblivious to his intentions.

Response:
Open your heart, X spots the mark, baby
Don't turn around, make an ass out yourself, baby
Open your heart
What's behind them tig-ol-bitties?


Prompt: Write a song that playfully references the double entendres and metaphoric language often used in pop and R&B lyrics, specifically focusing on themes of connection and hidden desires.

Response:
I don't mind them little bitty berries
You my Ju-Ju-Be
I don't need nothing to distract me
From this connectivity
You know I see it all the time
The same old shit to me
I just wanna know what's under
That tender titty meat
You might also like
They say the heart is underneath
Underneath the guarded insecurities
I finally found the key (Yes, I did)
Underneath the garments, that's the double D's


Prompt: Write a song about a mysterious character named X who is trying to approach someone but fears rejection, while also making light of the person's attractive physical attributes.

Response:
Open your heart, X spots the mark, baby
Don't turn around, make an ass out yourself, baby
Open your heart
What's behind them tig-ol-bitties?


Prompt: In a world where racing has reached new heights, a mysterious figure named Nicky Door unveils the incredible technology that has made this race possible, hidden beneath the hood of a remarkable vehicle.

Response:
Ladies and gentlemen, the most fantastic race in history
Nicky Door is trying to explain to the crowd
That what made this race possible
Is underneath this hood
Take a look at this


Prompt: How do you rekindle a relationship when you're miles apart and struggle to remember the good times?

Response:
How do you mend when you're worlds apart?
Ooh, carry on
Ooh, from the start
Somehow, we fell in love, then fell right out of touch
And ooh, that was hard
But ooh, here we are
And it’s easier to walk away
Than to look for what would make you stay
Remember when we first met?
We were havin' so much fun
So, now, how can we both forget
Tellin' each other, "We’re the one"?
We would make love (We would make love)
At the drop of a hat
Remember that? (Yeah)
I remember you and me (You and me)
Close as any two can be (Two can be)
Now we're strangers in the night (In the night)
Awkward and uptight


Prompt: Imagining a couple trying to rekindle the passion in their relationship, seeking a new experience to make things better and strengthen their bond.

Response:
Oh baby, do you wanna make it better?
Uh, ha, do you wanna stay together?
Hey, if you do, then let's please
Make some new memories
You might also like
When you take somebody for your own
It can't survive on history alone
Yeah, meet me at the hotel, motel
Though we got a room at home
Go to a place that we don't know so well
It be nice, add a lil' spice
Try some new seduction (You and me)
Show each other how (Show each other how)
Uh, give each other new instructions
On what makes us feel good now
I just wanna make you feel good now
(Uh, feel good, don't it? C'mon)


Prompt: In a relationship, what can we do to strengthen our bond and create new experiences together?

Response:
Do you wanna make it better? (Yeah)
(Just wanna make it right, c’mon)
Do you wanna stay together? (Uh)
(I meant when I said it)
And it’s easier to run away
Than to look for what would make you stay
Do you wanna make it better?
(Uh, feel good, don't it? C’mon)
Do you wanna stay together? (Yeah)
(Just wanna make it right, c'mon)
If you do, then let's please
Make some new memories
Do you wanna make it better?
(Uh, feel good, don't it? C’mon)
Do you wanna stay together? (Yeah)
If you do, then let's please (Just wanna make it right, c'mon)
Make some new memories
Do you wanna make it better?
(Uh, feel good, don't it? C'mon)
Do you want to stay together? (Yeah)
If you do, then let's please (Just wanna make it right, c'mon)
Make some new memories
Do you wanna make it better?
Do you wanna stay together?


Prompt: The importance of finding a balance between old and new in music, emphasizing the value of continuing to dream and pursue one's passions.

Response:
I enjoy some of the old and I enjoy the new
And if I can find a balance between it, that's where I find my satisfaction
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now (Yeah), keep dreaming


Prompt: Describe a situation where a person has just moved to a new city, is trying to pay their bills and is enjoying the local life, including a new job, friends, and a unique fashion sense.

Response:
I'm on my fifth brew and my rent's due
Sixth and west roof, I can see it all
Hold on to my hand, that's my lil' dude
Look at Kenzo, swaggin' like his paw
One for the occasion and get ya good suit
Fuck your reservation, bitch, I brought 'em all
Look at where you came from, Californication
Since a little baby skating in boogie boards and raiding your
Cookie jar, my radio analog, I wanted them
Nikes, mama got me Lugz (And all)


Prompt: In this song, the artist reflects on their upbringing, paying homage to their childhood experiences, the influences of media, and their rebellious spirit. They also touch upon the idea of defying expectations and embracing their unique path.

Response:
This one's for all the little dreamers
And the ones who never gave a fuck
I'm a product of the tube and the free lunch
Living room, watching old reruns
And who cares, your daddy couldn't be here?
Mama always kept the cable on
I'm a product of the tube and the free lunch
Living room, watching old reruns
You might also like
One for the occasion, fuck your reservation
Call up all the haters, it's official
Californication, ever since a baby
Radio and the cable, I got the dish, too, and, oh


Prompt: Create a song for the underdogs, those who grew up watching TV and relying on handouts, but still dare to dream and push forward in life.

Response:
This one's for all the little dreamers
And the ones who never gave a fuck
I'm a product of the tube and the free lunch
Living room, watching old reruns
And who cares, your daddy couldn't be here?
Mama always kept the cable on
I'm a product of the tube and the free lunch
Living room, watching old reruns
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
Don't stop now, keep dreaming
This one's for all the little dreamers
I'm a product of the tube and the free lunch
And who cares, your daddy couldn't be here?
I'm a product of the tube and the free lunch


Prompt: Reflect on the impact of music in your life, and how it has shaped your perspective and the choices you've made. Consider the influence of influential figures like Huey Newton and Bobby Seale on the political and social climate, as well as the idea of a "free lunch" and the consequences of challenging norms and beliefs. Explore the idea of truth and authenticity, and how it can sometimes feel like magic, but also comes with responsibility and consequences.

Response:
This is the music that you gotta feel
Gave you the truth before I got a deal
No rabbit in a hat, it ain't no magic, ain't no Copperfield
More like a panther, Huey Newton, Bobby Seale
Word to the free lunch, who knew what we would become?
Who would be defunct? Which rumours would be debunked?
Yeah, this is the music that you gotta feel
Yeah, gave you the truth before I got a deal
No rabbit in a hat, it ain't no magic, ain't no Copperfield
More like a panther, Huey Newton, Bobby Seale
Word to the free lunch, who knew what we would become?
Who would be defunct? Which rumours would be debunked?


Prompt: Contemplate the future of the world and the changing conditions of cherished places, considering the impact of increasing crowds and bureaucracy. Reflect on the importance of seeking adventure and excitement in life, especially in pursuit of untouched and magnificent areas.

Response:
Now, evolution, where's it all going? Is it coming to an end or it it just beginning
There was one fellow who know'd Malibu quite well at a certain time in history
And I doubt if, uh, very few people are able to find these types of conditions again
Due to crowds and controls and much bureaucracy
But there are other areas which are magnificent or treasures of this world
And for somebody with adventure and excitement in their lives, and they have a lot of excitement and adventure
They can find this way of living


Prompt: Imagine a scene where people in a city are not allowed outside due to a lockdown, but they still find a way to gather and protest.

Response:
You should've been downtown (Word)
The people are risin' (For real?)
We thought it was a lockdown (What?)
They opened the fire (Man)
Them bullets was flyin' (Ooh)
Who said it was a lockdown? Goddamn lie


Prompt: In this song, the artist describes a situation in which they were hit by a rubber bullet while in a downtown area, and as a result, they obtained a Trey-pound weapon, which they now plan to use.

Response:
Downtown, where I got popped with the rubber bullet
Trey-pound, got it in my name now, I'ma shoot it


Prompt: Imagine a song about standing up against authority and defying orders to stop protesting, despite experiencing violence from law enforcement in a downtown area.

Response:
Lockdown, we ain't gotta stop 'cause they tell us to
Downtown, where I got popped with the rubber bullet
Trey-pound, got it in my name now (Uh), I'ma shoot it
Lockdown, we ain't gotta stop 'cause they tell us to
Downtown


Prompt: Write a song about the pursuit of love and passion in the context of one's personal choices, especially in relation to surfing and creative expression.

Response:
"Besides surfing, what do you think about? Love, for instance?
I don't think about it, I make it"


Prompt: A loving couple finds comfort and privacy in a secluded spot where they can enjoy each other's company. The lyrics should evoke a sense of intimacy and wonder about the possibilities of sharing space together.

Response:
Baby, there's room in here
Just enough for two in here
Ain't nobody but you and me in here
Yeah, what can we do in here?
What can we do? What can we do?


Prompt: Describe a moment of longing and desire for privacy and connection in a crowded space.

Response:
I want you by my lonesome, above this crowded space
It's easier to hold some, when no one's in the way
Well, if no one's in the running for the part
I'd love to pick a day
To show you the main room (Whenever's a good time)
I don't need a bouquet, I just need proper space
Homie three blocks away, I got bottles for days
I got tropical haze, go ahead and wave bye
Let me help with your coat, grab a hold of my arm
Tell them niggas to move, tell your sister you fine


Prompt: The lyrics focus on a private and intimate moment shared between two people in a small, cozy space. The song emphasizes the importance of connection and trust between the individuals and encourages them to enjoy their time together.

Response:
'Cause baby, there's room in here
Just enough for two in here
Ain't nobody but you and me in here
Yeah, what can we do in here?
What can we do? What can we do?
You might also like
As crazy as it may seem, it's not too hard to read
It's too many ifs and maybes, and not enough certainty
Well, if no one's putting numbers on the board
I'd love to take a swing, might even graze you
But I don't mean any harm, I'm just speaking my mind
Take a look at that moon, 'bout as bright as your eyes
We got plenty of space, go ahead and recline
Take a puff of that, get a sip of this wine
Yeah, feelin' good?


Prompt: A song about a humorous and controversial fantasy involving Donald Trump's imaginary child, their potential wild and diverse experiences, and the child's mixed heritage.

Response:
Trump's got a love child and I hope that bitch is buckwild
I hope she sip mezcal, I hope she kiss señoritas and black gals
I hope her momma’s El Salv', I hope her poppa stick around, yeah


Prompt: Reflecting on personal growth and newfound success, the singer talks about shedding past burdens and embracing a new lifestyle. They mention their recent achievements, including their aspiration to buy a Bentley. The song continues with comments on the recent news, their opinion on a particular tape, and the lifestyle they've been able to achieve.

Response:
Take chains off, take rings off
Bracelets and things, big aches and pains
My jack rang off with clickbait
Truth is too raw, it's a fish plate
Fela, the kunte
A hunnid and fifty of us on the big stage?
How long it took a nigga just to get paid?
And now I think I’m 'bout to buy a Bentley, pronto
I'm in LA with the shaker and bongo
I heard your tape, do or die, it was compo-
Trimmin' the bream with the blade and lawnmow'
Figure it out, nigga
Bitch, don't spill my sake
You gon' make me kick you out this 'partment
You gon’ have to kick it in the lobby
Damn, but don’t somebody stop me, I'm too sloppy
You might also like
Trump’s got a love child and I hope that bitch is buckwild
I hope she sip mezcal, I hope she kiss señoritas and black gals
I hope her momma's El Salv', I hope her poppa stick around
Yes, Lord


Prompt: The song's lyrics discuss the future of revolutionary change in the context of modern technology, focusing on the shift from traditional television broadcasts to online streaming, and the role of mobile devices in accessing information.

Response:
The revolution will not be televised
But it will be streamed live
In 1080p on your pea-brain head in the face ass mobile device
Alright?


Prompt: Imagine a song that describes the experiences of a young person involved in a life of crime and the consequences they face, including the street culture, violence, and the desire to change their life for the better.

Response:
This shit gon' bang at least six summers
From out that rock you been under
Mummy wrapped, duffel bag, gutter bunny
It’s hard to stomach cold murder
It's easier to get a nine millimeter
He was nineteen with a burner, they had to off 'em (Off 'em)
Reform, reform shoulda came sooner (Sooner)


Prompt: A rapper is expressing their thoughts on the ongoing cycle of violence in their community, which seems to continue for years. They mention the impact on people's faith and the need for change, while also touching on the topic of gun control and the influence of social media.

Response:
Wait a minute!
This shit gon' bang at least six summers
(Summers, summers, summers, summers
Summers, summers, summers)
Word!
This shit gon' bang for at least six summers
But ain't shit gon' change for at least three summers
They tryna kill a nigga faith, we need a little truth, brother
Pop-pop-pop goes the shooter
Reform, reform shoulda came sooner
Come on
This shit gon' bang at least six summers
Pop the top, that bitch hot than a motha
We need more peace and less lone gunners
Put down your heat and smoke marijuanas
Pop the lock off your muzzle
Niggas is dyin' like lost files in the shuffle
We know you lyin', my nigga, naw, we don't trust you
We know you buy to sell it back to the public
'Cause there's money to be made in a killin' spree
That's why he tryna start a war on the Twitter feed
Somebody take this nigga's phone, is you kiddin' me?
And take them AK's up outta these inner city streets


Prompt: A song about the struggles and persistence of a young person in a tough environment, where they confront challenges, try to maintain faith, and call for change and reform.

Response:
This shit gon' bang for at least six summers
But ain't shit gon' change for at least three summers
They tryna kill a nigga faith, we need a little truth, brother
Pop-pop-pop goes the shooter
Reform, reform shoulda came sooner


Prompt: In this song, the lyrics touch on the pain and frustration felt by the singer, as well as a critique of political leaders and the influence of media and culture on the actions of young people.

Response:
And so I smoke, drink, just to cope with the pain
Get the Coltrane and the Cobain
And so I smoke, drink, just to cope with the pain
Get the Coltrane and the Cobain
Dear Mr. President, it's evident that you don't give a damn
Shi-tell me somethin' that I don't know
All this fuckin' evidence and if it ever make it to the stand
Shi-you know they gon' let 'em go, bro
You was overseas stealin' niggas' land and oil
Billy copped the Desert Eag' and it's legal to tote it
Lil' nigga bullied out his Pumas
But why he have to shoot the whole school up?


Prompt: A person expressing their struggle with emotional pain, finding solace in music and artists like Coltrane and Cobain, as a way to cope with their challenges.

Response:
And so I smoke, drink, just to cope with the pain
Get the Coltrane and the Cobain
And so I smoke, drink, just to cope with the pain
Get the Coltrane and the Cobain


Prompt: Describe a song's lyrics about the ongoing struggles a person faces, while emphasizing the continuous impact of those struggles and the need for change.

Response:
This shit gon' bang at least six summers
(Summers, summers, summers, summers, summers, summers, summers)
Word!
This shit gon' bang for at least six summers
But ain't shit gon' change for at least three summers
They tryna kill a nigga faith, we need a little truth, brother
Pop-pop-pop goes the shooter
Reform, reform shoulda came sooner


Prompt: Imagine a conversation between two people, one of whom is sharing their life story, while the other is struggling to process and understand the emotions behind it, ultimately reaching a point of feeling overwhelmed.

Response:
Well, you told me your whole life story in a few shorts
All the while, I never knew the tone of your voice
A half an hour, I ramble on way too much (My love)
Alone with my own thoughts (My love)
(1, 2, 3, come on–) Enough is enough


Prompt: The narrator is struggling to express their feelings and find clarity in life, often losing themselves in their thoughts and experiences. They reminisce about a memorable moment with someone they care about, remembering the song they sang together.

Response:
There's a plain way to call it, but it's never that obvious for me
I'm in a communion, I got needs
The combination of all my life's complaints and a few strong drinks
I don't remember the parking lot
I just remember the song we sang
(Ooh, my love)
And the song we sang
(My love)


Prompt: A song about reminiscing a special moment in the past, focusing on the memories and feelings attached to a particular song, with references to a parking lot, love, and the fear of losing that connection.

Response:
1, 2, 3, come on, you feel me
1, 2, 3, come on, you feel me
1, 2, 3, come on, you feel me
1, 2, 3, come on–
(Remember the song–)
1, 2, 3, come on, you feel me (My love)
Come on, you feel me (The parking lot)
1, 2, 3, come on, you feel me (My love)
1, 2, 3, come on–
You might also like
Bring the corners from left to right
How many more will it take to get a crossfade?
Coming closer to midnight and I'm wide awake
And ain't you afraid? Was afraid
Couldn't wait to get you naked on the first date
But you made me wait
So it takes one to make one
The compromise we made
Please believe me, I don't recall the parking lot
I just remember the song we sang
And the song we sang
And the song we s–


Prompt: A song where the artist emphasizes unity and connection through a repetitive, catchy countdown, aiming to get the audience to feel involved and in sync with the music.

Response:
1, 2, 3, come on, you feel me
1, 2, 3, come on, you feel me
1, 2, 3, come on, you feel me
1, 2, 3, come on–


Prompt: A song about reminiscing on shared experiences with a special someone, with a focus on the impact of the connection between them.

Response:
(Ooh, my love)
Come on, you feel me
(My love)
Come on–
(Remember the parking lot)
Come on, you feel me (My love)
Come on, you feel me
1, 2, 3, come on, you feel me (My love)
1, 2, 3, come on–
Come on, you feel me (My love)
Come on, you feel me (The song we sang)
1, 2, 3, come on, you feel me (My love)
1, 2, 3, come on–


Prompt: Create a song lyrics that encourage listeners to join in the rhythm and feel the vibe, expressing a sense of unity and energy.

Response:
1, 2, 3, come on, you feel me
Come on, you f–
1, 2, 3–
Feel me
(Have mercy, baby!
Can you dig it? Can you dig it?)


Prompt: Write a song about the ups and downs of a relationship, with the protagonist expressing their love and appreciation for their partner despite the challenges they face together.

Response:
With all the kissin', the touchin', the bitin', the tuggin'
You know, you know I love what you do
(You know I know I love what you do)
And all the spittin', the cursin', the fightin' and fussin'
You know I'm only fuckin' with you
(I bet you I was only thinkin' if I)
If I could, I'd take you everywhere
But you know I can't do nothin' with you
(You know I can't do nothin' with you)
You know I never looked as good as I do, and it's the truth
No bullshit, I'm nothin' without you


Prompt: Time's relentless march and the fleeting nature of life

Response:
Time never cares, if you're there or not there
All you ever needed was a simple plan
But you're doing well, I mean, you're not dead
So let's celebrate while we still can


Prompt: A parent who is proud of their child's achievements and their own role in raising them.

Response:
I know what they say, I could give or care
They talk so much on me, I must be doing something right
I saw my son today, in the likeness of a full grown man
So I'll celebrate while I still can


Prompt: Imagine a person who was once too afraid to leave their home, but has now grown and overcome their fears. They now have a newfound appreciation for life, seeing clearer views and embracing their personal growth.

Response:
Ooh, on a clear day, you can see West LA, even downtown
I remember where I couldn't even see the point
Of stepping out the motherfucking house
Let it go, let it go, let it go, let it go, let it go
I came to fixing up the tree that farms move
I've came too far


Prompt: Think about the experiences and relationships that shape a person's life, and the importance of cherishing these moments.

Response:
How many others have walked the same ground you have?
You'll be wise to pay attention to your old head
I spent the whole day throwin' records in the deep end
So let's celebrate while we still can
You might also like
Captivated, the fruits of my family tree
Where would I be without you?
What would you do without me?
It'd be a bad look talkin' 'bout what could've been
So let's celebrate while we still can


Prompt: Imagine a person standing on a hilltop with an expansive view of a city, reflecting on their personal growth and life experiences that have led them to this moment.

Response:
Ooh, on a clear day, you can see West LA, even downtown
I remember where I couldn't see the point
But now I'm at the point where I got it figured out
Let it go, let it go, let it go, let it go, let it go
I came to fixin' up the tree that farms move
I've came too far


Prompt: Discussing the importance of sharing material possessions and enjoying life to its fullest.

Response:
Do not be concerned about the money in your brother's hand
What's mine is yours
Thought you knew me better than that
I was under the impression that we all want the best of life
So let's celebrate while we still can


Prompt: Describe the connection between the teamwork of a surfboard and surfer, the intricate movements they make, and the thrill of various surfing styles.

Response:
The partnership of the, of the board and the body of the fellow that is doing the maneuvers
In the fluent directions with the, with this wave is what interests me
Now chaotic surfing, nervous surfing, and uh, uh, surfing power has its, has its merits
And I, uh, I can—it fascinates me. That's just not my direction
I, I can only speak for myself


Prompt: A song about someone striving to achieve a personal goal, yet longing for a friend's presence and support, despite knowing they can't change anything.

Response:
Yeah, you know I'm workin' on a world premiere
And I could see the world from here
I know you somewhere in the atmosphere
I know someday I'll meet you halfway there (Cheers)
They say there's nothin' you can do about it
Can't say that I'm new to sorrow
Wishin' I could take your problems
Trade 'em for a little more time wit'chu
Carry you out the bottom, the weight of the world, I got it
Sprouted wit'chu on my shoulder, the greatest honor to know ya
I'd gotta be honest wit'cha, I hate you ain't in the picture
I hate all them fake niggas claimin' like they gon' really miss ya
I know there's no one to blame and maybe the point that I'm missin'
But I needed a minute, just give me a minute


Prompt: A person reminiscing about a lost friend, expressing their longing and the desire to turn back time to be with them again.

Response:
You know I had to close my eyes, yeah
And if I have to free my mind
I may not have the lane, movin' all along
Knowin' that I can't do it on my own
And if I got the pain feelin' comin' out
Have to run away, think I'm goin' home
Oh, say it ain't so!
Tears keep fallin' down my eyes
Damn it, I miss you, I should be with you
Can't turn back the hands of time but I should be with you
I miss my friend
Damn it, I miss you
Cannot bring you back


Prompt: Dreaming of escape and liberation, the singer longs to break free from the constraints of their daily life. They find solace in the act of closing their eyes, allowing their mind to wander and imagination to run wild.

Response:
Free my mind
You know I had to close my eyes
Close my eyes
You know I have to free my mind
Oooooh
You know I had to close my eyes
You know it's time for me...
You know I have to free my mind


Prompt: A song about someone feeling attracted to another person and wondering if the attraction is mutual, while also playfully referencing the idea that their words have a strong impact on the other person's emotions.

Response:
I get the feelin' that ya might be
Did I turn you on? You can tell me if I'm wrong
But I'm feelin' that ya might be
And we ain't even smoke but you swear I got that dope
And I'm thinkin' you'd like to be
Every word I speak got you floatin' off your seat
And I'm knowin' that you like me
Oh, you high, baby, high, baby


Prompt: A song about a night out with a new romantic interest, where despite not really knowing the other person, they share a joint and consider spending more time together.

Response:
Okay, the blunt is rolled up
Nobody lit it
Said, even if we don't puff
Won't make a difference
My body's leaning to the right, baby
You tell me go on and spend the night, baby?
No, I don't even know ya
I know enough to get you high, baby


Prompt: A song describing a fun and flirtatious encounter where the singer and a female companion share a smoke and enjoy each other's company, with the singer expressing that they might be turned on by the other person's presence.

Response:
I got about a half an ounce of that tree
Got about a half a cup of that lean
I said go on and kick your feet up
I'ma go ahead and twist the weed up
She said cool to say what I think
I said, go and do what you feel
She said, bend me over that sink
I said, damn, your wish is my will
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I get the feelin' that ya might be
Did I turn you on? You can tell me if I'm wrong
But I'm feelin' that ya might be
And we ain't even smoke but you swear I got that dope
And I'm thinkin' you'd like to be
Every word I speak got you floatin' off your seat
And I'm knowin' that you like me
Oh, you high, baby, high, baby


Prompt: A guy is spending time with a girl he barely knows, and they're enjoying each other's company while getting high. They're on the couch, and she's bringing him closer. He's feeling the high, but it's starting to fade, and he's struggling to stay awake. She's suggesting they share an experience, but he admits he doesn't know her well enough.

Response:
Okay, I'm feelin' so stuck
Laid up on the couch, got fingers in your mouth
Girl, bring it closer
Before my high comes down, my high comes down
Girl, I can barely keep my eyes open
You say, you tryna get your spine blown in
No, I don't even know ya
I know enough to get you high floatin'


Prompt: A playful and flirtatious conversation between two people, one suggesting they might be high and the other responding with curiosity and humor.

Response:
I got about a half an ounce of that tree
Got about a half a cup of that lean
I said, go on and kick your feet up
I'ma go ahead and twist the weed up
She said, cool to say what I think
I said, go and do what you feel
She said, bend me over that sink
I said, damn your wish is my will
Feelin' that ya might be
Oh, tell me, are you high, baby
I get the feelin' that ya
Tell me, are you high as me?
Oh, tell me, are you high?
Tell me, you high? Are you high, are you high as me?
Oh, tell me, are you high?
Tell me you are, tell me, are you high as me?


Prompt: You're really into me, aren't you? I can sense it. We haven't even smoked any dope together, but you think I'm the real deal. Everything I say makes you feel so good, and I can tell you're into me.

Response:
I get the feelin' that ya might be
Did I turn you on? You can tell me if I'm wrong
But I'm feelin' that ya might be
And we ain't even smoke but you swear I got that dope
And I'm thinkin' you'd like to be
Every word I speak got you floatin' off your seat
And I'm knowin' that you like me
Oh, you high, baby, high, baby


Prompt: Imagine a night where two people are enjoying a night together, sharing laughter and conversation. They are watching a comedy show, drinking whiskey, and having a deep conversation. The night carries on with them laughing and possibly dancing, making it a night to remember.

Response:
We stayed up all night watching the comedy show
That aged whiskey and hydro
Good Lord, what a nice conversation
I'm too floored to get anywhere safely
You know I talk about you highly
I'm fascinated for the time being
We can laugh until the morning
Or we can dance in the hallway


Prompt: A person is visiting Los Angeles for a short period, feeling emotional and unsure about their ability to handle it, yet they can't help but think about the life they left behind and wonder if they would be better suited for it. They question themselves, realizing that they never truly expected this day to come, but also acknowledge that they can never stay in the current place.

Response:
Only one more night in Los Angeles
I really thought that I can handle it
But the funny thing is, I was holding back tears
I didn't think this day would happen
I'd give all this up for a chance at it
You would have thought I'd be the man for this
But the funny thing is, we can never stay here
I didn't think this day could happen


Prompt: Riding out a difficult situation or a challenge until it's over, emphasizing resilience and perseverance.

Response:
But I'ma ride it 'til it's over
I'ma ride it 'til it's over
I'ma ride it 'til it's over
I'ma ride it 'til it's over
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I'ma ride, I'ma ride
Ride, I'ma ride it 'til it's over
I'ma ride, I'ma ride
I'ma ride, I'ma ride


Prompt: A conversation about how the new music scene seems repetitive, discussing a night out at a concert, considering the importance of making the best of short time, and wondering about dreams and living life on a widescreen.

Response:
And don't all this new music sound the same?
Yeah, we must be getting old and grey
We left early, girl, that band was shhh anyway
We went home and left our clothes up in the living space, ayy
Would you stay if your heart had the power?
Would you run and find another life to imitate?
It's important that we make the best of short time
You could never be my one and only, anyway
Say, can't a young man dream?
Can't we all live the life on a widescreen?
What's the point? Yeah
Yeah, we had fun, if only for the time being


Prompt: A person determined to persist through a difficult situation or challenge, using the metaphor of riding a wave or a track to its conclusion.

Response:
But I'ma ride it 'til it's over
I'ma ride it 'til it's over
I'ma ride it 'til it's over
I'ma ride it 'til it's over
I'ma ride, I'ma ride
Ride, I'ma ride it 'til it's over
I'ma ride, I'ma ride
I'ma ride, I'ma ride


Prompt: A song about persistence and determination, with the theme of not giving up on a goal or challenge no matter what obstacles come along.

Response:
I'ma ride it 'til it's over
I'ma ride it 'til it's over
I'ma ride it 'til it's over
I'ma ride it 'til it's over


Prompt: A person feeling determined and enthusiastic about achieving their goals and persevering through challenges.

Response:
I'ma ride, I'ma ride
Ride, I'ma ride it 'til it's over
I'ma ride, I'ma ride
I'ma ride, I'ma ride


Prompt: Write a song about a relationship that is purely based on physical intimacy and reliance on drugs as the main bond.

Response:
She don’t give a fuck
She don’t ever stress me
We don’t even talk
All we do is sex and leave
No, there’s no love
She don’t even like me
But if we have drugs
She can be my wifey
When we have drugs
When we have drugs
When we have drugs
When we have drugs


Prompt: A relationship solely based on physical attraction and drug-induced affection.

Response:
She don’t give a fuck
She don’t ever stress me
We don’t really talk
All we do is sex and leave
No, there’s no love
She don’t even like me
But if we have drugs
She can be my wifey
When we have drugs
When we have drugs
When we have drugs
When we have drugs


Prompt: Write a song about a carefree and casual relationship where the main focus is on drugs, sex, and having fun together.

Response:
She don’t give a fuck
She don’t ever stress me
We don’t really talk
All we do is sex and leave
No, there’s no love
She don’t even like me
But if we have drugs
She can be my wifey
When we have drugs
When we have drugs
When we have drugs
When we have drugs
Ayyy, ayy, we have drugs
When we have drugs
Said, ayyy, we love it, we’re in love
We’re in love, we’re in love, we’re in love
Said, ayyy, yes, lord!
Ayyy, shout 'em niggas, ayyy
Same
Say love, say love, say love


Prompt: You're only allowed three great women in your lifetime, like legendary boxers who come along every ten years.

Response:
You're only allowed three great women in your lifetime
They come along like the great fighters, once every ten years
Rocky Marciano, Sugar Ray Robinson, Joe Lewis
Sometimes you get 'em all at once
Me? I had my three when I was sixteen
That happens, what are you gonna do?
Maybe she's your first great one
Thanks a lot, Sonny
I think I'm gonna go for one


Prompt: A song that provides advice on handling life's challenges, using the wisdom of parents and a non-formulaic approach.

Response:
This is not some super conventional
Extra slick talk meant to convince you all
Master classes reduced to simple form
There's nothing formulaic about it
This, more that
Papa told you only open the door if he opens it first for you
Mama, sit down, help me get through
Is this how you felt on the day you found it?


Prompt: A catchy tune and playful lyrics about finding something special, with references to casual dating, feeling cool, and a sense of nostalgia for a time when things were simpler and more genuine.

Response:
Beh-doop-boop-cha-ta-pah-dey-dah-doo
Oh, oh, ooh
'Cause if I know I can get it, then I've already had it, I'm cool, cool
Beh-doop-boop-cha-ta-pah-dey-dah-doo
Oh, oh, ooh
'Cause if I know I can get it, then I've already had it, I'm cool
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This is not some take you out for lunch
Wine and dine you and cha you on counter tops
Fill your mind with cotton candy hearts
What's the odds you stay a while?
This, more that
Get to know me, kiss me slowly, hard to focus
They just don't make 'em like this no more, whoa
But I think I've found it


Prompt: Imagine a catchy, upbeat tune that encourages a carefree, confident attitude. The lyrics should convey the idea that if you believe you can achieve something, then you've already accomplished it, and you're cool with it.

Response:
Beh-doop-boop-cha-ta-pah-dey-dah-doo
Oh, oh, ooh
'Cause if I know I can get it, then I've already had it, I'm cool, cool
Beh-doop-boop-cha-ta-pah-dey-dah-doo
Oh, oh, ooh
'Cause if I know I can get it, then I've already had it, I'm cool, cool


Prompt: A fun, catchy, and energetic song about someone realizing that they've found more than they expected, and needing to get themselves out of the situation and find someone to sober them up.

Response:
Cha, cha-cha-cha
Bah-bah, bah-bah-bah-buh-bah
Bah-bah, bah-bah-bah-buh-bah
Beh-doop-boop-cha-ta-pah-dey-dah-doo
Oh, ooh
Bah-bah, bah-bah-bah-buh-bah
Somebody go (Somebody go)
Somebody go (Somebody go)
Somebody go get me
I'm 'bout to go (I'm 'bout to go)
I'm 'bout to go (I'm 'bout to go)
I'm 'bout to go in deep
That's not what I thought it was
But it's more than I bargained for
Somebody go (Somebody go)
Somebody go get me sober


Prompt: Write a song about the carefree, nostalgic feeling of surfing in the 1960s, referencing the impact of popular music and classic surf films.

Response:
(A little surfer music, baby
A blast from your golden past)


Prompt: Write a song about overcoming fear and embracing oneself without judgment, using the themes of light and weight as symbols.

Response:
There's no reason to be afraid
No time to be like that
You don't need me in that light
It's alright with me
Just send it off, and I'll give it right back
Right down to the last phase
There's no reason to be afraid
No time to be lite weight


Prompt: Write a song about someone who can't help but express their feelings about a certain topic, whether it's a personal interest or a source of stress.

Response:
You know I really can't fuss about it
You know I really can't funk without it
You know I really can't funk without it
You know I really can't fuss about it


Prompt: The lyrics are about reassuring someone that there's no need to be afraid or hold onto their fears. They emphasize the importance of not being afraid of their own light and being true to themselves. Additionally, the lyrics mention the idea of sending something off and giving it back in some way, possibly referring to a shared experience or understanding between the two individuals.

Response:
There's no reason to be afraid
No time to be like that
You don't need me in that light
It's alright with me
Just send it off, and I'll give it right back
Right down to the last phase
There's no reason to be afraid
No time to be lite weight
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(You know I see you from afar, right?)
You know I really can't fuss about it
You know I really can't funk without it
You know I really can't funk without it
You know I really can't fuss about it


Prompt: Write a song lyric about approaching someone to start a conversation, expressing the desire to ensure it's okay to do so.

Response:
(Thought you might've wanted to say somethin'
So I was comin' up to you
It's cool if I come up to you, right?
)


Prompt: A song about reassuring someone that it's okay to be vulnerable and that they're not alone, emphasizing the importance of not being afraid and letting go of their fears.

Response:
There's no reason to be afraid
No time to be like that
You don't need me in that light
It's alright with me
Just send it off, and I'll give it right back
Right down to the last phase
There's no reason to be afraid
No time to be lite weight


Prompt: A conversation between two friends discussing their struggles in obtaining a desired substance, and one offering the other a hit.

Response:
"Hey, you got a light?"
"Oh, yes, here you are"
"Thanks, you want a toke?"
"No, no thanks"
"This stuff is getting harder to get"
"Johnny"
"Yeah?"


Prompt: A group of 29 artists come together to create a powerful and energetic track, with each contributor bringing their unique skills and style to the song, resulting in a dynamic and infectious beat that demands the listener to "go berserk.

Response:
(G. Ry got me)
(Hit-Boy on the beat so, bitch, you gotta go berserk)
Yeah, yeah, okay, hmm


Prompt: A song about the importance of having reliable friends and the value of having enemies who challenge and motivate you.

Response:
Sometimes you need a friend
Not the ones that just show up and don't put nothin' in
You know the ones that lend a hand and wanna see you win
When you come up on a lick, make sure you cut 'em in
And then, huh
Sometimes you need a foe (You need a foe)


Prompt: A song about challenging the expectations and norms society tries to impose, and the desire for respect rather than material things.

Response:
One that keep your eyes open, keep you on your toes
You know the ones that wanna keep you where you been before
But I can't go (No, I can't go), no, I can't go (No, I can't go)
And woah, huh
Sometimes I need a check (Check)
Not the sneakers but the ones that make you watch your step (Make you watch your step)
Fuck your chain, fuck your name, how 'bout your respect?
Givin' more than what I get, expectin' nothing back
In fact (Nothing back)