Prompt: A rapper reflects on their fame, success, and lifestyle, while also expressing their determination and confidence in their abilities, and addressing their haters and critics. They also pay tribute to another popular artist, Rihanna, acknowledging her badass reputation and fame.

Response:
Kung Fu Kenny now
My resume is real enough for two millennium
A better way to make a wave, stop defendin' them
I meditate and moderate all of my wins again
I'm hangin' on the fence again
I'm always on your mind
I put my lyric and my lifeline on the line
And ain't no limit when I might shine, might grind
You rollin' with it at the right time, right now
(Only for the dollar sign)
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Bad girl RiRi now
Swerve, swerve, swerve, swerve, leave it now
On your pulse like it’s EDM
Gas in the bitch like it’s premium
Haul ass on a bitch all in the fast lane
Been a bad bitch way before any cash came
I'm established, hundred carats on my name
Run the atlas, I’m a natural, I'm alright


Prompt: A confident and assertive individual boasting about their skills and attitude, making a threat to a rival, expressing the importance of genuine love, discussing their feelings of hopelessness and resilience, and highlighting the essence of a true, tough individual.

Response:
I'm a savage, I'm a asshole, I’m a king
Shimmy ya, shimmy ya, shimmy ya rah (Yeah)
You can tell your nigga he can meet me outside (Yeah)
You can babysit him when I leave him outside
Ain't no other love like the one I know
I done been down so long lost hope
I done came down so hard I slowed
Honestly forever, all a real nigga want


Prompt: The excitement and anticipation of an adventurous night out.

Response:
I said I'm geeked and I'm fired up (Fired, fire)
All I want tonight is just to get high up (Yeah)
All I want is, all I want is


Prompt: A song about the importance of loyalty in different aspects of life and relationships, questioning what truly drives someone's loyalty and if it comes from the heart.

Response:
Loyalty, loyalty, loyalty
Loyalty, loyalty, loyalty
10-4, no switchin' sides
Feel somethin' wrong
You actin' shifty, you don't vibe
With me no more, I need
Loyalty, loyalty, loyalty
Loyalty, loyalty, loyalty
Tell me who you loyal to
Is it money? Is it fame? Is it weed? Is it drink?
Is it comin' down with the loud pipes in the rain?
Big chillin', only for the power in your name
Tell me who you loyal to
Is it love for the streets when the lights get dark?
Is it unconditional when the 'Rari don't start?
Tell me when your loyalty is comin' from the heart


Prompt: Consider the various relationships in your life, and reflect on the depths of loyalty you hold for each. Write a song that explores the concept of loyalty and challenges the listener to examine their own commitments.

Response:
Tell me who you loyal to
Do it start with your woman or your man? (Mmm)
Do it end with your family and friends? (Mmm)
Are you loyal to yourself in advance?
I said, tell me who you loyal to
Is it anybody that you would lie for?
Anybody you would slide for?
Anybody you would die for?
That's what God for


Prompt: You've just won a big video game competition and are excited to celebrate with your friends. You feel a strong sense of loyalty towards them, and want to emphasize that you won't betray their trust.

Response:
I said I'm geeked and I'm fired up (Fired, fire)
All I want tonight is just to get high up (Yeah)
All I want is, all I want is
Loyalty, loyalty, loyalty
Loyalty, loyalty, loyalty
10-4, no switchin' sides
Feel somethin' wrong
You actin' shifty, you don't vibe
With me no more, I need
Loyalty, loyalty, loyalty
Loyalty, loyalty, loyalty


Prompt: A song about the challenges of being humble and staying true to oneself amidst life's struggles.

Response:
It's so hard to be humble
It's so hard to be
Lord knows I'm tryin'
Lord knows I'm dyin', baby


Prompt: A song about a person who's developed a high tolerance for drugs and alcohol, and doesn't let their age define them.

Response:
Eight doobies to the face, fuck that
Twelve bottles in the case, nigga, fuck that
Two pills and a half-weight, nigga, fuck that
Got a high tolerance when your age don't exist


Prompt: A song celebrating the boundless energy and enthusiasm of someone with ADHD, incorporating the repetitive "woah-woah, woah, woah-woah, woah" to represent their constant need for more excitement and stimulation.

Response:
Like woah-woah, woah, woah-woah, woah (Don't got a limit, just give me some more with it)
Woah-woah, woah, woah-woah, woah (Don't got a limit, just give me some more with it)
(They always told me ADHD did it)
Woah, woah-woah


Prompt: A song about embracing one's ADHD and expressing excitement for limitless energy and opportunities with the repetitive "woah-woah-woah-woah" chorus.

Response:
Like woah-woah, woah, woah-woah, woah (Don't got a limit, just give me some more with it)
Woah-woah, woah, woah-woah, woah (Don't got a limit, just give me some more with it)
(They always told me ADHD did it)
Woah, woah-woah


Prompt: Write a song expressing the idea that you're willing to let someone else have the spotlight, while still sharing the positive energy and experiences life has to offer.

Response:
You can have all my shine, I'll give you the light
Double cup, deuce, four, six, just mix it in Sprite
Ecstasy, 'shrooms, blow, 'dro, hoes, whatever you like
You can have all my shine, I'll give you the light


Prompt: A person struggling with poverty and hardship who dreams of a better life but can't find a way to escape their current situation.

Response:
Poverty's paradise
I don’t think I could find a way to make it on this earth
(I've been hungry all my life)


Prompt: A song that addresses the struggles of a person dealing with personal issues and feelings of being misunderstood, with a cousin providing comfort and guidance, citing biblical references to help them understand their feelings and the importance of following God's commandments.

Response:
What's up, family?
Yeah, it’s your cousin Carl, man, just givin' you a call, man
I know you been havin' a lot on yo' mind lately
And I know you feel like, you know
People ain't been prayin' for you
But you have to understand this, man, that we are a cursed people Deuteronomy 28:28 says, "The Lord shall smite thee with madness And blindness, and astonishment of heart"
See, family, that's why you feel like you feel
Like you got a chip on your shoulder
Until you follow His commandments, you gonna feel that way...


Prompt: Create a song that explores the different types of fear and their impact on a person's life and the choices they make.

Response:
I'm talkin' fear, fear of losin' creativity
I'm talkin' fear, fear of missin' out on you and me
I'm talkin' fear, fear of losin' loyalty from pride
'Cause my DNA won't let me involve in the light of God
I'm talkin' fear, fear that my humbleness is gone
I'm talkin' fear, fear that love ain't livin' here no more
I'm talkin' fear, fear that it's wickedness or weakness
Fear, whatever it is, both is distinctive
Fear, what happens on Earth stays on Earth
And I can't take these feelings with me, so hopefully, they disperse
Within fourteen tracks, carried out over wax
Searchin' for resolutions until somebody get back
Fear, what happens on Earth stays on Earth
And I can't take these feelings with me, so hopefully they disperse
Within fourteen tracks, carried out over wax
Wonderin' if I'm livin' through fear or livin' through rap
Damn


Prompt: Write a song that empowers individuals by emphasizing their uniqueness and potential for greatness, while also addressing the challenges they may face in life and their search for identity.

Response:
Every nigga is a star, ayy, every nigga is a star
Every nigga is a star, ayy, every nigga is a star
Every nigga is a star, ayy
Who will deny that you and I and every nigga is a star?
Hit me!
When the four corners of this cocoon collide
You'll slip through the cracks hopin' that you’ll survive
Gather your wit, take a deep look inside
Are you really who they idolize?
To Pimp a Butterfly


Prompt: A song about the consequences of giving money to someone who may not use it wisely, emphasizing the importance of financial responsibility and cautioning others to be more careful with their spending habits.

Response:
We should never gave
We should never gave niggas money
Go back home, money, go back home
We should never gave
We should never gave niggas money
Go back home, money, go back home


Prompt: Write a song that humorously expresses a fear or dislike of the tax man, repeatedly mentioning his arrival.

Response:
Tax man comin', tax man comin'
Tax man comin', tax man comin'
Tax man comin', tax man comin'
Tax man comin', tax man comin'


Prompt: In this song, the artist addresses the impact of their words, comparing their message to the guidance provided by the ghost of Mandela. They also acknowledge the challenges faced by their audience, while rallying them to move forward and learn from mistakes and struggles.

Response:
The ghost of Mandela, hope my flows stay propellin'
Let these words be your Earth and moon, you consume every message
As I lead this army, make room for mistakes and depression
And with that being said, my nigga, let me ask this question:


Prompt: What does someone do when they face difficulties or challenges in life, specifically in the context of loyalty and support to their friends or favorite interests (like music, sports teams, etc.)?

Response:
When shit hit the fan, is you still a fan?
When shit hit the fan—
(One two, one two, one two)
When shit hit the fan, is you still a fan?
When shit hit the fan, is you still a fan?


Prompt: Imagine a lyricist reflecting on the impact of Mandela's legacy and considering the question of loyalty from fans during difficult times, all while addressing the importance of camaraderie and personal growth.

Response:
The ghost of Mandela, hope my flows stay propellin'
Let these words be your Earth and moon, you consume every message
As I lead this army, make room for mistakes and depression
And with that being said, my nigga, let me ask this question:
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When shit hit the fan, is you still a fan?
When shit hit the fan, is you still a fan?
Won't you look to your left and right? Make sure you ask your friends
When shit hit the fan, is you still a fan?


Prompt: In honor of Nelson Mandela, a rapper aspires to uplift and inspire others with his words, acknowledging the challenges and obstacles faced by those who follow his lead, while seeking unity and understanding among his fellow soldiers in the face of adversity.

Response:
The voice of Mandela, hope this flow stay propellin'
Let my word be your Earth and moon, you consume every message
As I lead this army, make room for mistakes and depression
And if you riding with me, nigga—


Prompt: A song about questioning the authenticity of relationships, dealing with abandonment issues, and analyzing the meaning of love and loyalty. The song also explores themes of self-reflection, trust, and the complexity of personal and public identities.

Response:
I been wrote off before, I got abandonment issues
I hold grudges like bad judges, don't let me resent you
That's not Nelson-like—want you to love me like Nelson
I went to Robben's Island analysing; that's where his cell is
So I could find clarity—like, how much you cherish me?
Is this relationship a fake, or real as the heavens be?
See I got to question it all; family, friends, fans, cats, dogs
Trees, plants, grass, how the wind blow, Murphy's Law
Generation X—will I ever be your ex?
Flaws of a baby step', mauled by the mouth of Pit bulls
Put me under stress, crawled under rocks, duckin' y'all
It's respect—but then tomorrow, put my back against the wall
How many leaders you said you needed then left 'em for dead?
Is it Moses? Is it Huey Newton or Detroit Red?
Is it Martin Luther? JFK? Shooter—you assassin
Is it Jackie? Is it Jesse? Oh, I know it's Michael Jackson—oh


Prompt: A song that questions the loyalty of fans when controversies arise, using the example of a famous figure accused of scandal.

Response:
When shit hit the fan, is you still a fan?
When shit hit the fan, is you still a fan?
That nigga gave us "Billie Jean," you say he touched those kids?
When shit hit the fan, is you still a fan?


Prompt: A rapper reflecting on their music and influence, comparing themselves to Mandela, and addressing their listeners directly, encouraging them to stay loyal and focused while acknowledging that they too are human and not perfect.

Response:
The ghost of Mandela, hope my flows stay propelling
Let my word be your Earth and moon, you consume every message
As I lead this army, make room for mistakes and depression
And if you riding with me, nigga, let me ask this question, nigga


Prompt: A person struggling to express their feelings for someone, using cleaning metaphors to describe their efforts to win them over, while also acknowledging their own conflicted emotions and the subject's possible disapproval.

Response:
Lovin' you, lovin' you, not lovin' you, 100° proof
I can feel your vibe and recognize that you're ashamed of me
Yes, I hate you, too
(Loving you ain't really complicated)
"Housekeeping, housekeeping"
(What I got to do to get to you?)
"¡Abre la puerta! ¡Abre la puerta tengo que limpiar el cuarto!"
(To you)
"¡Es que no hay mucho tiempo tengo que limpiar el cuarto!"
(Loving you ain't really complicated)
"¡Disculpe!"
(What I got to do to get to you?)
(To you)


Prompt: A song that discusses the regret and failure of a friend abandoning his family and his little brother in a tough time, leading to the little brother's tragic death.

Response:
And you the reason why mom and them leavin'
No, you ain't shit, you say you love 'em, I know you don't mean it
I know you irresponsible, selfish, in denial, can't help it
Your trials and tribulations a burden, everyone felt it
Everyone heard it, multiple shots, corners cryin' out
You was deserted, where was your antennas again?
Where was your presence? Where was your support that you pretend?
You ain’t no brother, you ain’t no disciple, you ain’t no friend
A friend never leave Compton for profit, or leave his best friend, little brother
You promised you’d watch him before they shot him
Where was your antennas? On the road, bottles and bitches
You FaceTimed him one time, that's unforgiven
You even FaceTimed instead of a hospital visit
Guess you thought he'd recover well
Third surgery, they couldn't stop the bleeding for real
Then he died, God himself will say, "You fuckin' failed," you ain't try


Prompt: Reflect on a turbulent and emotionally draining relationship with someone who is constantly battling their inner demons and struggles. Describe the intensity of their mood swings, their feelings of isolation and depression, and the frustration and pain caused by their inability to overcome their issues. Contemplate the consequences of their actions and the impact it has on those around them, including yourself.

Response:
I know your secrets, nigga, mood swings is frequent, nigga
I know depression is restin' on your heart for two reasons, nigga
I know you and a couple block boys ain't been speakin', nigga
Y'all damn near beefin', I see it and you're the reason, nigga
And if this bottle could talk *gulping*
I cry myself to sleep, bitch, everything is your fault
Faults breakin' to pieces, earthquakes on every weekend
Because you shook as soon as you knew confinement was needed
I know your secrets, don't let me tell 'em to the world
About that shit you thinkin' and that time you *gulping*, I'm 'bout to hurl
I'm fucked up, but I ain't as fucked up as you
You just can't get right, I think your heart made of bullet proof
Should've killed yo' ass long time ago
You should've felt that black revolver blast a long time ago
And if these mirrors could talk it'd say, "You gotta go"
And if I told your secrets the world'll know money can't stop a suicidal weakness


Prompt: The consequences of love and pride

Response:
Love's gonna get you killed
But pride’s gonna be the death of you and you and me
And you and you and you and me
And you and you and you and me
And you and you and you and me and—


Prompt: A person reflecting on their past, realizing they were not taught to share but instead learned to care deeply for others, and expressing a desire to change that lesson in a different life.

Response:
Me, I wasn't taught to share, but care
In another life, I surely was there
Me, I wasn't taught to share, but care
I care, I care


Prompt: Overcoming personal challenges and embracing self-growth while navigating life's difficulties, while also maintaining a sense of humor and secrecy.

Response:
It was always me versus the world
Until I found it's me versus me
Why, why, why, why?
Why, why, why, why?
Just remember, what happens on Earth stays on Earth!
We gon' put it in reverse


Prompt: Your partner keeps reassuring you of their commitment, emphasizing their devotion to you and the relationship.

Response:
Darling, I told you many times
And I am telling you once again
Just to remind you, sweetheart
That my—


Prompt: A rapper wants to share a powerful story with a group of people, emphasizing the importance of listening to him and warning them to not underestimate him.

Response:
Everybody, everybody, everybody
Everybody sit yo bitch-ass down
And listen to this true mothafuckin' story
Told by Kendrick Lamar on Rosecrans, ya bitch


Prompt: A song about indulging in vices with friends, acknowledging the potential negative consequences, but embracing the moment with loved ones.

Response:
Smokin' on the finest dope, ayy-ayy-ayy-ah
Drank until I can't no mo', ayy-ayy-ayy-ah
Really I'm a sober soul
But I'm with the homies right now
And we ain't askin' for no favors
Rush a nigga quick, then laugh about it later, ayy-ayy-ayy-ah
Really, I'm a peacemaker
But I'm with the homies right now
And Momma used to say (Say, say, say, say)
One day it's gon' burn you out (Woo)
One day it's gon' burn you out, out, out
One day it's gon' burn you out (You, you, you, you, you, you)
One day it's gon' burn you
But I'm with the homies right now


Prompt: Write a song about hanging out with friends, going on adventures, and making mischief in the city, while also reflecting on the consequences of one's actions and the need to confront the past.

Response:
(Just ridin', just ridin')
Me and the homies
(Bullshittin', actin' a fool)
Me and the homies
(Trippin', really trippin')
Me and the homies
(Just ridin', just ridin', just ridin')
Braggin' 'bout the episode we just had
A shot of Hennessy didn't make me feel that bad
I'm usually a true firm believer of bad karma
Consequences from evil will make your past haunt ya
We tryna conquer the city with disobedience
Quick to turn it up, even if we ain't got the CD in
But Jeezy still playin'
And our attitude is still "nigga, what is you sayin'?"
Pull in front of the house
That we been campin' out for like two months
The sun is goin' down as we take whatever we want


Prompt: A group of friends, after successfully robbing a bank, are now inside the building, celebrating their success. They find themselves in a room that seems to have an unexpected guest.

Response:
Ayy, ayy, nigga, jackpot, nigga, pop the safe!
Ayy, nigga, I think there's somebody in this room!
Wait, what?!
Nigga, there's somebody in this room!


Prompt: A group of friends embarking on an adventurous night, exploring their surroundings and potentially getting into some trouble, while one friend talks to their mother on the phone.

Response:
I hit the back window in search of any Nintendo
DVD's, plasma-screen TV's in the trunk
We made a right, then made a left, then made a right
Then made a left, we was just circlin' life
My mama called: "Hello? What you doin'?" — "Kickin' it."
I shoulda told her I'm probably 'bout to catch my first offense
With the homies
(Police sirens)
But – they made a right, then made a left
Then made a right, then another right
One lucky night with the homies


Prompt: In a friendship or relationship, one person has a secret they wish to keep hidden, and they ask the other person not to reveal it or spread rumors about them. The other person also has a secret, and they make a mutual agreement to protect each other's secrets.

Response:
Don't tell a lie on me
I won’t tell the truth 'bout you
Don't tell a lie on me
I won’t tell the truth 'bout you


Prompt: Imagine a song that takes place in an intimate and secretive environment, where the walls are full of stories. The lyrics explore a woman's desires, her fantasies, and the feelings she experiences when she's in the presence of her lover. The song also touches on themes of freedom, playfulness, and the idea that everyone deserves a night to let loose.

Response:
*Woman moaning*
If these walls could talk
If these walls could talk
If these walls could talk
If these walls could talk
If these walls could talk
If these walls could talk—
Sex
She just want to close her eyes and sway
With you, with you, with you (Ah, come on)
Exercise her right to work it out
It's true, it's true, it's true
Shout out to the birthday girls
Say hey (Hey), say hey (Hey), (Ah, girl)
Everyone deserves a night to play (Play)
She plays, only when you tell her no
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If these walls could talk
I can feel your reign when it cries, gold lives inside of you
If these walls could talk
I love it when I'm in it, I love it when I'm in it
(Oh, oh, oh, oh, ohh)


Prompt: Imagine the walls of a home or building could talk and share their thoughts. The walls would share their emotions and experiences, such as being full of pain and resentment, and needing someone to live in them to relieve tension. The walls would also discuss their vulnerability, color, and their desire for the person's presence. Additionally, the walls could mention the possibility of demolition and how it affects them.

Response:
If these walls could talk, they'd tell me to swim good
No boat, I float better than he would
No life jacket, I'm not the God of Nazareth
But your flood can be misunderstood
Walls telling me they full of pain, resentment
Need someone to live in them just to relieve tension
Me, I'm just a tenant
Landlord said these walls vacant more than a minute
These walls are vulnerable, exclamation
Interior pink, color coordinated
I interrogated every nook and cranny
I mean, it's still amazing, before they couldn't stand me
These walls want to cry tears
These walls happier when I'm here
These walls never could hold up
Every time I come around, demolition might crush


Prompt: Imagine the walls of a metaphorical prison, with the narrator trying to break free from the confines of their own mind and their relationships with others. The walls are not only physical but also represent the barriers the narrator experiences in their life. If these walls could talk, they would reveal the narrator's struggle with emotions, their desire to be closer to someone, and their determination to break through the walls that separate them from the ones they love. The chorus emphasizes the repetitive nature of the narrator's internal battle.

Response:
If these walls could talk
I can feel your reign when it cries, gold lives inside of you
If these walls could talk
I love it when I'm in it, I love it when I'm in it
(Oh, oh, oh, oh, ohh)
If these walls could talk, they'd tell me to go deep
Yelling at me continuously, I can see
Your defense mechanism is my decision
Knock these walls down, that's my religion
Walls feeling like they ready to close in
I suffocate, then catch my second wind
I resonate in these walls
I don't know how long I can wait in these walls
I've been on the streets too long
Looking at you from the outside in
They sing the same old song
About how they walls always the cleanest
I beg to differ, I must've missed them
I'm not involved, I'd rather diss 'em
I'd rather call on you, put your wall up
'Cause when I come around, demolition gon' crush


Prompt: Imagine a person is standing in a room and the walls are telling a story about their connection to someone. The walls are full of memories and emotions, and the person is feeling a strong sense of love and connection.

Response:
If these walls could talk
I can feel your reign when it cries, gold lives inside of you
If these walls could talk
I love it when I'm in it, I love it when I'm in it
(Oh, oh, oh, oh, ohh)


Prompt: Write a song about the struggles of power and influence, and how it can lead to conflict and depression.

Response:
I remember you was conflicted
Misusing your influence
Sometimes I did the same
Abusing my power, full of resentment
Resentment that turned into a deep depression
Found myself screaming in a hotel room


Prompt: Create a song that encourages people to stand up for what they believe in, with a reference to the album "Section.80" and the artist "HiiiPoWeR.

Response:
Everybody put three fingers in the air
The sky is falling, the wind is calling
Stand for something or die in the morning
Section.80, HiiiPoWeR


Prompt: Write a song about resilience and overcoming the challenges of life.

Response:
Every day, we fight the system just to make our way
We been down for too long, but that's alright
We was built to be strong, 'cause it's our life, na-na-na
Every day, we fight the system, we fight the system
We fight the system (Never like the system)
We been down for too long, but that's alright, na-na-na


Prompt: Create a song lyrics where the protagonist is a mythical creature breathing fire, challenges a rival, and channels their inner Marilyn Manson, all while talking about the magic they can bring to the world and referencing a dead favorite rapper.

Response:
Got me breathing with dragons
I'll crack the egg in your basket, you bastard
I'm Marilyn Manson with madness
Now just imagine the magic I light to asses
Don't ask for your favorite rapper
(He dead), yes, sir (Amen), church
(He dead), I killed him (Amen), bitch


Prompt: A friend is trying to reach K-Dot but his calls always end up in voicemail. He jokingly suggests that K-Dot should call him back using Shaniqua's phone.

Response:
K-Dot, pick up the phone, nigga
Every time I call, it's going to voicemail
Don't tell me they got you on some weirdo rap shit, nigga
No socks and skinny jeans and shit, ha
Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-haha
Call me on Shaniqua's phone!


Prompt: A lyric about the rapper's loyalty, life experiences, and relationships, emphasizing that they've always been on top and are now still going strong.

Response:
I been A-1 since day one, you niggas boo-boo
Your homeboy, your block that you're from, boo-boo
Lil' hoes you went to school with, boo-boo
Baby mama and your new bitch, boo-boo
We was in the hood, fourteen with the deuce-deuce
Fourteen years later, going hard like we used to
On the dead homies
On the dead homies


Prompt: A person expressing their feelings of loneliness and abandonment, despite being surrounded by people who claim to care.

Response:
Ain't nobody prayin' for me
(Ain't nobody prayin' for me)
(Ain't nobody prayin' for me)
Ain't nobody prayin' for me
(Nobody prayin' for me)
Ain't nobody prayin' for me
(Ain't nobody prayin' for me)
(Nobody prayin' for me)


Prompt: A person is seeking forgiveness and salvation from a higher power, expressing their faith in Jesus and their desire for Him to be in control of their life.

Response:
Lord God, I come to you a sinner
And I humbly repent for my sins
I believe that Jesus is Lord
I believe that You raised him from the dead
I would ask that Jesus come to my life
And be my Lord and Savior
I receive Jesus to take control of my life
And that I may live for him from this day forth
Thank you, Lord Jesus, for saving me with your precious blood
In Jesus' name, amen


Prompt: A person experiencing intense physical desire, seeking permission to touch their loved one, and being mindful of their boundaries.

Response:
I need some water
Something came over me
Way too hot to simmer down, might as well overheat
Too close to comfort
As blood rush my favorite vein
Heartbeat racing like a junkie's
I just need you to want me
Am I asking too much?
Let me put the head in
Ooh, I don't want more than that; girl, I respect the cat
I promise, just a touch
Let me put the head in
If it's okay; she said, "It's okay"


Prompt: A song expressing the need for everyone's attention and participation in a chaotic situation, while also referencing popular culture and slang.

Response:
Yeah, I need everybody's motherfuckin' hands up right now
I need everybody's motherfuckin'—
Door and his Nike Air Rattles
Rush the fire exit, no time for battles
Well I, I never expected
This that new shit
This that new, new shit


Prompt: Write a song about a day in the life of a carefree individual, who enjoys leisurely activities, casual relationships, and material possessions, all while not taking life too seriously.

Response:
Wake up in the mornin', thinkin' 'bout money, kick your feet up
Watch you a comedy, take a shit, then roll some weed up
Go hit you a lick, go fuck on a bitch
Don't go to work today, cop you a fit
Or maybe some kicks and make you—
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Door and his Nike Air Rattles
Rush the fire exit, no time for battles
Well I, I never expected


Prompt: The protagonist is experiencing a sudden rush of intense emotions and desire towards a partner, and they're unsure if they're asking too much or crossing any boundaries. They express their need for connection and reassurance, and the partner agrees to the intimate contact.

Response:
I need some water
Something came over me
Way too hot to simmer down, might as well overheat
Too close to comfort
As blood rush my favorite vein
Heartbeat racing like a junkie's
I just need you to want me
Am I asking too much?
Let me put the head in
Ooh, I don't want more than that; girl, I respect the cat
I promise, just a touch
Let me put the head in
If it's okay; she said, "It's okay"


Prompt: What makes Los Angeles so appealing and attractive to people from all around the world? What are some common interests that bring people together in this city?

Response:
Women, weed and weather
They come for women, weed and weather
For the women, weed and weather
From all around the world for the women, weed and weather
Got that women, weed and weather
Don't it sound clever? Come and play
Wh-what more can I say? W-welcome to LA


Prompt: Create lyrics for a song about the three popular themes in Los Angeles: women, weed, and weather.

Response:
Women, weed and weather
They come for women, weed and weather
For the women, weed and weather
From all around the world for the women, weed and weather
Got that women, weed and weather
Don't it sound clever? Come and play
Wh-what more can I say? W-welcome to LA


Prompt: A song about a rapper's experiences traveling through different cities, expressing their unique style and personality in each place, while always holding a special place in their heart for their hometown.

Response:
You might catch me in Atlanta looking like a boss
New Orleans and then Miami, party in New York
Texas, I be screwed up, Chi-Town, I be really pimpin'
But nothing like my hometown, I'm forever livin'


Prompt: Write a song that celebrates the diverse experiences and attractions of Los Angeles, incorporating the themes of women, marijuana, and weather.

Response:
Women, weed and weather
They come for women, weed and weather
For the women, weed and weather
From all around the world for the women, weed and weather
Got that women, weed and weather
Don't it sound clever? Come and play
Wh-what more can I say? W-welcome to LA


Prompt: Write a song about sharing a special experience with someone, where you bond over an activity like smoking weed in the fall.

Response:
(Smokin' weed with you
In the leaves, in the fall
I smoke with you
'Cause you've taught me to
Smokin' weed with you
In the leaves, in the fall
I smoke with you
'Cause you've taught me to
Smokin' weed with you
'Cause you've taught me to
Smokin' weed with you
'Cause you've taught me to
Smokin' weed with you
'Cause you've taught me to
Smokin' weed with you
'Cause you've taught me to
Smokin' weed with you
'Cause you've taught me to
Smokin' weed with you
'Cause you've taught me to
Smokin' weed with you)


Prompt: Write a song that celebrates success and self-confidence, using a catchy, repetitive phrase to convey excitement and enthusiasm.

Response:
Pimp-pimp (Hooray)
Pimp-pimp (Hooray)
(Hooray)
Pimp-pimp (Hooray)
Pimp-pimp


Prompt: Write a song about feeling overwhelmed by life's uncertainties and personal struggles, and seeking solace through prayer and introspection.

Response:
I'm sick and tired of being tired
Can't pick a side, the Gemini
Prophesize if we live or not
Promise momma not to fear nobody
Seen black turn 'em Burgundy
Hundred of them, I know I'm greedy
Stuck inside the belly of the beast
Can you please pray for me?


Prompt: Imagine a world gone wrong, where people struggle and the balance of power has shifted. Our protagonist, who has experienced some recent success, seeks guidance from God and their close associates, as they navigate through these challenges and ponder the events that led to their current situation. The lyrics highlight their determination to boss up, stand up for themselves, and enjoy life while staying true to their roots and values.

Response:
Get God on the phone
Said it won't be long
I see jigaboos, I see Styrofoams
My hood going brazy
Where did we go wrong?
I see jigaboos, I see Styrofoams
Get Top on the phone
Tell the squad come home
We gon' ball again 'fore he call us home
World is going brazy, where did we go wrong?
It's a tidal wave, it's a thunderdome
Get God on the phone
I just got a raise (I just got a raise)
Spent it all on me (I spent it all on me)
Diamonds all appraised (Diamonds all appraised)
And I'm bossing up (And I'm bossing up)
Bitch, get out the way (Bitch, get out the way)
I'm the only way, we can fornicate
Ah, pimping and posing, look what I drove in, ah
Having these hoes and I know that I'm chosen, ah
I live by the code and me and my bros and, ah
My dollars ain't foldin', you was never the homie


Prompt: Imagine a person going through a transformation, growing greedy and trapped within an oppressive environment, while seeking solace and support from others through prayer.

Response:
Seen black turn 'em Burgundy
Hundred of them, I know I'm greedy
Stuck inside the belly of the beast
Can you please pray for me?


Prompt: Imagine a song that addresses a new generation of people, reflecting on past deceptions and sharing honest accounts, with an emphasis on embracing the present and being true to oneself.

Response:
Hello, new world, all the boys and girls
I got some true stories to tell
You're back outside, but they still lied
Woah-oh-oh-oh (Yeah)


Prompt: A confrontation between two individuals, with one person accusing the other of being ugly and imitating them, while also addressing the situation as being "out of pocket.

Response:
Bitch, huh, huh, ugh
You ugly as fuck (You outta pocket)
Huh, two ATMs (Hah, hah, hah, hah)
You steppin' or what? (You outta pocket, huh)
Who you think they talk about?
Talk about us (You outta pocket—shoot, shoot, shoot)
Who you think they copy off? (Brrt, brrt, brrt, brrt)
Copy off us


Prompt: A song that speaks to the challenges and pressures faced by an artist in the public eye, balancing their personal life, relationships, and the expectations of their community while navigating the world of fame, government scrutiny, and their own moral compass.

Response:
Servin' up a look, dancin' in a drought
Hello to the big stepper, never losin' count
Ventin' in the safe house
Ventin' in the sa—
Can I vent all my truth? I got nothin' to lose, I got problems and pools, I can swim on my faith
Cameras movin' whenever I'm movin', the family suin' whatever I make
Murder is stackin', the president actin', the government taxin' my funds in the bank
Homies attracting the feds when I'm bracking, look at my reaction, my pupils on skates (Hold up, hold up)
Let's think about this for a second (Let's go)
Tell me what you would do for aesthetic (Let's go)
Would you sell your soul on credit? (Let's go)
Would you sell your bro for leverage? (Let's go)
Where the hypocrites at?
What community feel they the only ones relevant? (Let's go)
Where the hypocrites at?
What community feel they the only ones relevant? (Let's go)


Prompt: Describe a situation where someone is out of touch with reality, entertaining toxic behavior, and being influenced by superficial culture.

Response:
Huh, huh, ugh
You outta pocket, yeah, you outta pocket (This shit hard)
You entertain the mediocre, need to stop it (This shit hard)
You entertainin' old friends when they toxic (This shit hard)
What your life like? Bullshit and gossip (This shit hard)
What the fuck is cancel culture, dawg?
Say what I want about you niggas, I'm like Oprah, dawg
I treat you crackers like I'm Jigga, watch, I own it all
Oh, you worried 'bout a critic? That ain't protocol (Bitch)


Prompt: A young man is balancing his ambitions, relationships, and personal struggles while pursuing success and personal fulfillment.

Response:
I got so many theories and suspicions
I'm diagnosed with real nigga conditions
Today is the day I follow my intuition
Keep the family close, get money, fuck bitches
I double-parked the Aston in the red
My momma told me that I'ma work myself to death
My girl told me don't let these hoes get in my head
My world been ecstatic, I checked the signal that read—


Prompt: In this song, the artist describes a situation where radars are buzzing and their repeated use emphasizes the sense of urgency or alertness.

Response:
Buzzin', radars is buzzin'
Yah, yah, yah, yah
Yah, yah, yah, yah, yah, yah
Buzzin', radars is buzzin'
Yah, yah, yah, yah
Yah, yah, yah, yah, yah, yah


Prompt: A song expressing the struggles and contradictions of growing up in a low-income urban environment and being trapped by societal expectations.

Response:
What money got to do with it
When I don't know the full definition of a rap image?
I'm trapped inside the ghetto and I ain't proud to admit it
Institutionalized, I keep runnin' back for a visit, hol' up
Get it back
I said I'm trapped inside the ghetto and I ain't proud to admit it
Institutionalized, I could still kill me a nigga, so what?


Prompt: Imagine if you became the president, what would you prioritize and what actions would you take to improve the lives of your friends and family?

Response:
If I was the president
I'd pay my mama's rent
Free my homies and them
Bulletproof my Chevy doors
Lay in the White House and get high, Lord
Whoever thought?
Master, take the chains off me!


Prompt: In the story of a young, talented rapper growing up in West Side Compton, how does his journey from the streets to the bright lights of Hollywood unfold?

Response:
And once upon a time, in a city so divine
Called West Side Compton, there stood a little nigga
He was five-foot something, dazed and confused
Talented but still under the neighborhood ruse
You can take your boy out the hood
But you can't take the hood out the homie
Took his show money, stashed it in the mozey wozey
Hollywood's nervous
Fuck you, goodnight, thank you much for your service


Prompt: A song about a sinner who is seeking forgiveness from God and trying to maintain their positive energy despite external factors.

Response:
I am a sinner
Who's prob'ly gonna sin again
Lord, forgive me, Lord, forgive me
Things I don't understand
Sometimes I need to be alone
Bitch, don't kill my vibe, bitch, don't kill my vibe
I can feel your energy from two planets away, I got
My drink, I got my music, I would share it, but today I'm yellin'
Bitch, don't kill my vibe, bitch, don't kill my vibe
Bitch, don't kill my vibe, bitch, don't kill my vibe (Uh)


Prompt: A man notices a blind woman struggling to find something she's dropped on the sidewalk, and decides to help her.

Response:
So I was takin' a walk the other day
And I seen a woman—a blind woman
Pacin' up and down the sidewalk
She seemed to be a bit frustrated
As if she had dropped somethin' and
Havin' a hard time findin' it
So after watchin' her struggle for a while
I decide to go over and lend a helping hand, you know?
"Hello, ma'am, can I be of any assistance?
It seems to me that you have lost something
I would like to help you find it"
She replied, "Oh, yes, you have lost something
You've lost… your life"
*Gunshot*


Prompt: A song that discusses the experiences and opinions of an artist, specifically addressing the issue of police brutality.

Response:
Lamar stated his views on police brutality
With that line in the song, quote
"And we hate the popo, wanna kill us in the street fo' sho'"
Oh, please, ugh, I don't like itSee Kendrick Lamar LiveGet tickets as low as $39You might also like


Prompt: In this song, the artist expresses their growing understanding of the value of differing perspectives in life and their gratitude towards their fans and supporters.

Response:
As I get a little older, I realize life is perspective
And my perspective may differ from yours
I wanna say thank you to everyone that's been down with me
All my fans, all my beautiful fans
Anyone who's ever gave me a listen, all my people


Prompt: Write a song expressing the confidence and pride in one's individuality.

Response:
I do what I wanna do
I say what I wanna say, when I feel, and I
Look in the mirror and know I'm there
With my hands in the air, I'm proud to say yeah
I'm real, I'm real, I'm really, really, real
I'm real, I'm real, I'm really, really, real
I'm real, I'm real, I'm really, really, real
I'm real, I'm real, I'm really, really, real


Prompt: Expressing individuality, self-confidence, and the importance of being true to oneself in the face of life's transient nature.

Response:
I do what I wanna do
I say what I wanna say, when I feel, and I
Look in the mirror and know I'm there
With my hands in the air, I'm proud to say yeah
I'm real, I'm real, I'm really, really, real
I'm real, I'm real, I'm really, really, real
I'm real, I'm real, I'm really, really, real
I'm real, I'm real ('Cause before you know it, everything's gone)


Prompt: Imagine a conversation between a concerned friend and a young man who's struggling in life, urging him to rise above his challenges and become a role model for the kids in his community. The friend also reminds the young man that he's loved and encouraged to reach out for support.

Response:
"If I don't hear from you by tomorrow, I hope you come back and learn from your mistakes. Come back a man, tell your story to these black and brown kids in Compton. Let 'em know you was just like them, but you still rose from that dark place of violence, becoming a positive person. But when you do make it, give back with your words of encouragement, and that's the best way to give back. To your city... And I love you Kendrick, if I don't hear you knocking on the door you know where I usually leave the key. Alright? Talk to you later, bye."
(*Sound of a cassette tape being stopped and fast forwarded*)


Prompt: A song celebrating the feeling of success and victory, making fun of the haters and showing off one's achievements with pride.

Response:
This what God feel like, huh, he-yeah
Laughin' to the bank like, "A-ha!", huh, he-yeah
Flex on swole like, "A-ha!", huh, he-yeah
You feel some type of way, then a-ha!
Huh, he-yeah (A-ha-ha, a-ha-ha)


Prompt: A young man desires to be a successful artist in the music industry, using his skill and charm to win over the charts and the hearts of his listeners. He compares himself to popular artists like El DeBarge and JT, while also expressing his determination to make an impact in the industry. However, he acknowledges his past mistakes and asks not to be judged for them.

Response:
Ever since a young man (Since a young man)
All I wanna be was a gunman (Was a gunman)
Shootin’ up the charts, better run, man
Y'all gotta see that I won, man
Slick as El DeBarge with the finger waves, work it, JT
Handle bars like a fade, watch me work it, JT
I'm at large, runnin’ plays like a circuit, JT
I'm sellin' verses, JT, watch me work it, JT
Look, look… hol' up!
Don't judge me! My mama caught me with a strap
Don't judge me! I was young, fuckin' all the brats
Don't judge me! Aimin’ at your head for a stack
Don’t judge! Don't judge me! Now my home got a Valley peak
Don’t judge me! If I press your line you a freak
Don't judge me! Won't you tell a friend? Y'all gon’ see—


Prompt: Create a song that showcases confidence, swagger, and humor, with a touch of religious imagery.

Response:
This what God feel like, huh, he-yeah
Laughin' to the bank like, "A-ha!", huh, he-yeah
Flex on swole like, "A-ha!", huh, he-yeah
You feel some type of way, then a-ha!
Huh, he-yeah (A-ha-ha, a-ha-ha)
See Kendrick Lamar LiveGet tickets as low as $39You might also like
Fuck is you talkin' to?
Ayy, do you know who you talkin' to?
Slide on you like fallen drapes
God toss full of carnivals
I kill 'em with kindness
Or I kill 'em with diamonds
Or I put up like fifteen hundred
Get yo' ass killed by the finest
Everything in life is a gamble
Nothin' in life I can't handle
Seen it all, done it all, felt pain more
For the cause, I done put blood on sword
Everything I do is to embrace y'all
Everything I write is a damn eight ball
Everything I touch is a damn gold mine
Everything I say is from an angel


Prompt: Reflecting on the highs and lows of life, recognizing personal strengths, and being unafraid to stand out from the crowd

Response:
I don't rush shit, fuck shit, always your shit, my shit
Cannonballs to ignite shit, morning to the night shift
I'm on, I ain't sorry for it
Asked for a piece of mind, you charged me for it
I wanna see sometimes if you ignore it
I'm in the streets sometimes and can't afford it
I got a bad habit, levitatin', duckin' haters
Oh my! My heart is rich, my heart is famous
This what God feel like
Huh, he-yeah (This what God feel like)
Laughin' to the bank like, "A-ha!"
(This what God feel like)
Huh, he-yeah (This what God feel like)
Flex on swole like, "A-ha!"
(This what God feel like)
Huh, he-yeah (This what God feel like)
You feel some type of way, then a-ha!
(This what God feel like)
Huh, he-yeah (This what God feel like)
This what God feel like


Prompt: A song about baseball, self-improvement, and a humorous exchange with a doctor.

Response:
I wanna hit line drives…
Wanna lose weight and keep eating…
For you…
Hey, whats up doc?


Prompt: Write a song about the impact of a father figure and childhood memories.

Response:
Now I was raised in a sandbox, next to you and her
You was holding the handgun, she was giving birth
To a baby boy to be just like you, I-I wonder what's that worth
I-I wonder if you ever knew that you was a role model to me first
The next day I-I woke up in the morning, seen you on the news
Looked in the mirror, then realized that I-I-I had something to prove
You told me, "Don't be like me, just finish watching cartoons"
Which is funny now cause all I see is Wile E. Coyotes in the room


Prompt: Reflecting on childhood memories, considering the impact of a role model who had a significant influence on your life, and contemplating the legacy left behind.

Response:
Now I was raised in a sandbox, next to you and her
You was holding the handgun, she was giving birth
To a baby boy to be just like you, I wonder what's that worth
I-I wonder if you ever knew that you was a role model to me first
The next day I-I woke up in the morning, seen you on the news
Looked in the mirror, then realized that I-I-I had something to prove
You told me, "Don't be like me, just finish watching cartoons"
Which is funny now cause all I see is Wile E. Coyotes in the room
And I run it


Prompt: Write a song that captures the feelings of struggle, pain, and resilience in the face of adversity, emphasizing the importance of personal growth and finding one's voice.

Response:
Salt all in my wounds
Hear my tears all in my tunes
Let my life loose in this booth, just for you
Muhfucka, hope y'all amused!
I did wrong, karma came
Crackers gave me ball and chain
Friends, enemies all the same
State, fed, both can hang
Nobody can't mute me
But I never said nobody can't shoot me
Just another stat to the white folks
Still whip work to the white yolk, absolutely!
Everyday feel like the one before
Hunt the money, don't hunt the ho
If you do what you always done
Then you get what you always got
You dumb buffoons!
I ain't seen the back of my eyelids
For about the past 72 hours
Hand on my heart, face to the hood
I pledge every word you ever heard was honest
Yeah, this me, no mic
No cameras, no lights, just pain
Mama, how much trauma can I sustain?
Dirty money come with lots of stains
Road to riches come with lots of lanes
Just another player with lots of game
Never had shit, got lots to gain…


Prompt: Imagine a world where people are constantly experiencing hallucinations and their educational system is flawed. A person is trying to find a way to reconnect with their loved ones through a specific location or gathering place.

Response:
Mass hallucination, baby
Ill education, baby
Want to reconnect with your elations?
This is your station, baby


Prompt: Describe the mysterious and unpredictable nature of human emotions and how they often defy our understanding.

Response:
Heart plays in ways the mind can't figure out
Heart plays in ways the mind can't—
Heart plays in ways the mind can't figure out
This is how we conceptualize human beings


Prompt: Write a song about finding peace and truth in life, while addressing the importance of sharing the truth with others. Incorporate a reference to a significant milestone (1,855 days).

Response:
I hope you find some peace of mind in this lifetime
(Tell them, tell 'em, tell them the truth)
I hope you find some paradise
(Tell 'em, tell 'em the truth)
(Tell 'em, tell 'em, tell 'em, tell 'em your—)
I've been goin' through somethin'
One-thousand eight-hundred and fifty-five days
I've been goin' through somethin'
Be afraid


Prompt: A rapper is reflecting on their success and lifestyle, mentioning their luxurious car, social status, and wealth, as well as their relationships and the importance of security.

Response:
The new Mercedes with black G-Wagon
The "Where you from?", it was all for rap
I was 28 years young, twenty mill' in tax
Bought a couple of mansions, just for practice
Five hundred in jewelry, chain was magic
Never had it in public, late reaction
50K to cousins, post a caption
Pray none of my enemies hold me captive


Prompt: Describe the first encounter with a significant person during a tour in Chicago, highlighting their attractive features and emotional connection, while sharing personal stories of heartbreak and loss.

Response:
I met her on the third night of Chicago
North America tour, my enclave
Fee-fi-fo-fum, she was a model
Dedicated to the songs I wrote and the Bible
Eyes like green penetratin' the moonlight
Hair done in a bun, energy in the room like
Big Bang for theory, God, hopin' you hear me
Phone off the ringer, tell the world, "I'm busy"
Fair enough, green eyes said her mother didn't care enough
Sympathize when her daddy in the chain gang
Her first brother got killed, he was twenty-one
I was nine when they put Lamont in the grave
Heartbroken when Estelle didn't say goodbye
Chad left his body after we FaceTimed
Green eyes said you'd be okay, first tour, sex the pain away
I grieve different
I grieve different (Huh)


Prompt: A rapper's luxurious lifestyle, featuring a new Mercedes, tax implications, mansions, flashy jewelry, and caution against being held captive by enemies.

Response:
The new Mercedes with black G-Wagon
The "Where you from?", it was all for rap
I was 28 years young, twenty mill' in tax
Bought a couple of mansions, just for practice
Five hundred in jewelry, chain was magic
Never had it in public, late reaction
50K to cousins, post a caption
Pray none of my enemies hold me captive


Prompt: In a small town where material possessions and status reign, a group of friends navigate their lives amidst family dramas, insecurities, and the allure of wealth.

Response:
So what, paralyzed, the county building controlled us
I bought a Rolex watch, I only wore it once
I bought infinity pools I never swimmed in
I watched Keem buy four cars in four months
You know the family dynamics on repeat
The insecurities locked down on PC
I bought a .223, nobody peace treat
You won't doo-doo me, I smell TNT
Dave got him a Porsche, so I got me a Porsche
Paid lottery for it, I ain't want it in portions
Poverty was the case
But the money wipin' the tears away
I grieve different
(Everybody grieves different)
(Everybody grieves different)
I grieve different (Huh)


Prompt: A person is constantly wishing and hoping for something, but it seems like those around them are also caught up in this cycle of wishing, causing them to lose focus on their actual goal.

Response:
And they wishin' and wishin'
And wishin' and wishin', they wishin' on me
Yeah


Prompt: A song about a person trying to maintain a peaceful life while dealing with the pressures of their past and the expectations of their community.

Response:
I been movin' calm, don't start no trouble with me
Tryna keep it peaceful is a struggle for me
Don't pull up at 6 AM to cuddle with me
You know how I like it when you lovin' on me
I don't wanna die for them to miss me
Yes, I see the things that they wishin' on me
Hope I got some brothers that outlive me
They gon' tell the story, shit was different with me


Prompt: A song about navigating life's challenges and opportunities, while trying to follow a higher purpose and make a positive impact on one's community.

Response:
God's plan, God's plan
I hold back, sometimes I won't, yeah
I feel good, sometimes I don't (Ayy, don't)
I finessed down Weston Road (Ayy, 'nessed)
Might go down a G-O-D (Yeah, wait)
I go hard on Southside G (Yeah, wait)
I make sure that north-side eat
And still


Prompt: Describe the negative experiences and consequences that people wish for someone else to endure, while addressing the love for one's family and possessions, as well as the importance of friendships and personal identity.

Response:
Bad things
It's a lot of bad things that they wishin' and wishin'
And wishin' and wishin', they wishin' on me
Bad things
It's a lot of bad things that they wishin' and wishin'
And wishin' and wishin', they wishin' on me
Yeah, ayy, ayy
You might also like
She say, "Do you love me?" I tell her, "Only partly
I only love my bed and my mama, I'm sorry"
Fifty Dub, I even got it tatted on me
Eighty-one, they'll bring the crashers to the party
And you know me
Turn the O2 into the O3, dog
Without 40, Oli, there'd be no me
'Magine if I never met the broskies


Prompt: A song about a determined individual who feels guided by a higher power and is on a mission to bring their community together. They express their struggles and the challenges they face, and emphasize their connection to their roots. The lyrics also highlight their ambition and dedication to make sure everyone is taken care of, especially those on the north side.

Response:
God's plan, God's plan
I can't do this on my own, ayy (No, ayy)
Someone watchin' this shit close (Yep, close)
I've been me since Scarlett Road, ayy (Road, ayy)
Might go down as G-O-D (Yeah, wait, yeah)
I go hard on Southside G (Ayy, wait, ayy)
I make sure that north-side eat, yeah
And still


Prompt: The narrator is constantly being affected by negative circumstances and people wishing for their own benefit.

Response:
Bad things
It's a lot of bad things that they wishin' and wishin'
And wishin' and wishin', they wishin' on me
Yeah, yeah
Bad things
It's a lot of bad things that they wishin' and wishin'
And wishin' and wishin', they wishin' on me
Yeah


Prompt: Kiki, do you love me? Are you riding? Say you'll never leave from beside me because I want you, need you, and am down for you always.

Response:
Kiki, do you love me? Are you riding?
Say you'll never ever leave from beside me
'Cause I want ya, and I need ya
And I'm down for you always
KB, do you love me? Are you riding?
Say you'll never ever leave from beside me
'Cause I want ya, and I need ya
And I'm down for you always


Prompt: Despite facing challenges and proving their loyalty, a couple seeks assurance and support from each other in both good and difficult times, reflecting on their initial connection and shared experiences.

Response:
Look, the new me is really still the real me
I swear you gotta feel me before they try and kill me
They gotta make some choices, they runnin' out of options
'Cause I've been goin' off and they don't know when it's stoppin'
And when you get to toppin', I see that you've been learnin'
And when I take you shoppin', you spend it like you earned it
And when you popped off on your ex he deserved it
I thought you were the one from the jump, that confirmed it
TrapMoneyBenny, ayy
I buy you Champagne but you love some Henny
From the block like you Jenny
I know you special, girl, 'cause I know too many
You might also like
'Resha, do you love me? Are you riding?
Say you'll never ever leave from beside me
'Cause I want ya, and I need ya
And I'm down for you always
JT, do you love me? Are you riding?
Say you'll never ever leave from beside me
'Cause I want ya, and I need ya
And I'm down for you always


Prompt: Create lyrics about living a luxurious lifestyle, pursuing wealth and status, and expressing strong feelings for someone, using references to popular culture and songs.

Response:
Two bad bitches and we kissin' in the Wraith
Kissin'-kissin' in the Wraith, kiss-kissin' in the Wraith
I need that black card and the code to the safe
Code to the safe, code-code to the safe-safe
I show him how that neck work
Fuck that Netflix and chill—what's your net-net-net worth?
'Cause I want ya, and I need ya
And I'm down for you always
Yeah, yeah, yeah, yeah, he bad
And I'm down for you always
Yeah, yeah, yeah, guess who's back
And I'm down for you always
D-down for you al–
Black biggy biggy black biggy black blake
D-d-down for you always
I got a new boy, and that nigga trade!
Kiki, do you love me? Are you riding?
Say you'll never ever leave from beside me
'Cause I want you, and I need you
And I'm down for you always
KB, do you love me? Are you riding?
Say you'll never ever leave from beside me
'Cause I want ya, and I–


Prompt: The lyrics describe a carefree, confident individual enjoying their passions and seeking a connection with someone they desire. The song expresses the excitement of engaging in these activities and the desire to impress the subject, using a playful, suggestive tone.

Response:
Skate and Smoke and Rap
Now let me see you
Bring that ass, bring that ass, bring that ass back!
B-bring that ass, bring that ass, bring that ass back!
Shawty say the nigga that she with can't hit
But shawty, I'ma hit it, hit it like I can't miss
Now let me see you
Clap that ass, you're the only one I love
Clap that ass, clap-clap that ass!
Bring that ass back!
Clap-clap-clap that ass, you're the only one I love
Let's go, let's go, let's go!
Bring that ass back!


Prompt: A rapper is expressing their admiration for another artist and sharing their struggles with their online presence, while also trying to find inspiration in their musical journey.

Response:
Trap, TrapMoneyBenny
This shit got me in my feelings
Gotta be real with it, yup
BlaqNmilD, you a genius, you diggin' me?
I don't even care, I need a photo with Drake
Because my Instagram is weak as fuck
I'm just being real, my shit, look–


Prompt: A song about someone who always receives calls from their ex late at night and knows the significance of "hotline bling" in their relationship.

Response:
You used to call me on my cell phone
Late-night when you need my love
Call me on my cell phone
Late-night when you need my love
And I know when that hotline bling
That can only mean one thing
I know when that hotline bling
That can only mean one thing


Prompt: A friend moves away and returns to find that their former close friend has changed dramatically, becoming more popular and socializing more, making the former friend feel left out and upset.

Response:
Ever since I left the city, you
Got a reputation for yourself now
Everybody knows and I feel left out
Girl, you got me down, you got me stressed out
'Cause ever since I left the city, you
Started wearin' less and goin' out more
Glasses of champagne out on the dance floor
Hangin' with some girls I never seen before


Prompt: A singer reminisces about their past relationship with someone who frequently called them at odd hours, and how things have changed since they left the city, causing tension and distance between them.

Response:
You used to call me on my cell phone
Late-night when you need my love
Call me on my cell phone
Late-night when you need my love
I know when that hotline bling
That can only mean one thing
I know when that hotline bling
That can only mean one thing
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Ever since I left the city, you, you, you
You and me, we just don't get along
You make me feel like I did you wrong
Goin' places where you don't belong
Ever since I left the city, you
You got exactly what you asked for
Runnin' out of pages in your passport
Hangin' with some girls I've never seen before


Prompt: Write a song about a person who constantly receives late-night calls from their significant other, using the imagery of "hotline bling" to convey the urgency of these calls.

Response:
You used to call me on my cell phone
Late-night when you need my love
Call me on my cell phone
Late-night when you need my love
And I know when that hotline bling
That can only mean one thing
I know when that hotline bling
That can only mean one thing


Prompt: Consider a situation where someone is questioning their partner's loyalty and expressing their insecurities.

Response:
These days, all I do is
Wonder if you're bendin' over backwards for someone else
Wonder if you're rollin' up a Backwoods for someone else
Doing things I taught you, gettin' nasty for someone else
You don't need no one else
You don't need nobody else, no
Why you never alone?
Why you always touchin' road?
Used to always stay at home
Be a good girl, you was in the zone
Yeah, you should just be yourself
Right now, you're someone else
You used to call me on my cell phone
Late-night when you need my love
Call me on my cell phone
Late-night when you need my love
And I know when that hotline bling
That can only mean one thing
I know when that hotline bling
That can only mean one thing


Prompt: A song about a person feeling threatened in their environment, but not allowing fear to control them. They face the potential danger head-on, despite the lack of love and support, seeking strength and protection in prayer.

Response:
Grips on your waist, front way, back way
You know that I don't play
Streets not safe but I never run away
Even when I'm away
Oti, oti
There's never much love when we go OT
I pray to make it back in one piece
I pray, I pray


Prompt: A song about the importance of friendship, loyalty, and making the most of the limited time we have.

Response:
That's why I need a one dance
Got a Hennessy in my hand
One more time 'fore I go
Higher powers taking a hold on me
I need a one dance
Got a Hennessy in my hand
One more time 'fore I go
Higher powers taking a hold on me
Baby, I like your style
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Strength and guidance
All that I'm wishing for my friends
Nobody makes it from my ends
I had to bust up the silence
You know you gotta stick by me
Soon as you see the text, reply me
I don't wanna spend time fighting
We've got no time, and that's why


Prompt: The protagonist desires one last dance, feeling the influence of higher powers as they indulge in a Hennessy drink, seeking an escape or connection through the experience.

Response:
I need a one dance
Got a Hennessy in my hand
One more time 'fore I go
Higher powers taking a hold on me
I need a one dance
Got a Hennessy in my hand
One more time 'fore I go
Higher powers taking a hold on me


Prompt: Create a song about a fun night out with a flirtatious girl who loves the protagonist's attention, asking her where she wants to go and offering to take it slow if she's down.

Response:
Got a pretty girl and she love me long time
Wine it, wine it, she love me long time
Oh, yeah, very long time
Back up, back up, back up, and wine am
Back up, back up, and wine am, girl, just
Back up, back up, back up, and wine am
Oh, yeah, very long time
Back, up, back up and wine am, girl
Oh, tell me, I need to know
Where do you wanna go?
'Cause if you're down, I'll take it slow
Make you lose control


Prompt: Imagine a song where the main focus is on the repetition of the word "where" to express a feeling of being lost or disoriented. Additionally, there should be a mention of dancing, specifically dancing with a partner, to illustrate the need for companionship in overcoming the feeling of being lost. The lyrics should also allude to the idea of someone being down, suggesting they need a pick-me-up through dance and support.

Response:
Where, where, where
Where, where, where, where (Oh, yeah, very long time)
Where, where, where (Back up, back up, and wine am, girl)
Where, where, where, where
'Cause if you're down (Back up, back up, and–)
'Cause if you're down (Back up, back up, and–)
'Cause if you're down (Back up, back up, and–)


Prompt: In a song about dancing, alcohol, and spirituality, a character struggles to spell "Hennessy" while pondering the powers that influence them.

Response:
I need a one dance (Where, where, where)
Got a Hennessy in my hand (Where, where, where, where)
One more time 'fore I go (Where)
Higher powers taking a hold on me (Where, where, where, where)
I need a one dance
Got a Hennessy in my hand
One more time 'fore I go
Higher powers taking a hold on me
How do you spell "Hennessy?"
I put two "N"s and two "S"es, is it like that? Hen... Henn... Henn...
It's definitely not showing up
I know "Hennessy" has two "S"es for sure, so I'm gonna take out one of the "N"s


Prompt: Write a song about an intense, all-consuming obsession with someone, focusing on the powerful impact their love and emotions have on the narrator.

Response:
I got my eyes on you
You're everything that I see
I want your hot love and emotion endlessly
I can't get over you
You left your mark on me
I want your hot love and emotion endlessly


Prompt: A girl who knows her worth and has a different side when around a certain guy.

Response:
'Cause you're a good girl and you know it
You act so different around me
'Cause you're a good girl and you know it
I know exactly who you could be


Prompt: A person, feeling overwhelmed by their challenges and responsibilities, seeks comfort in the thought of returning to a safe and comforting place, symbolizing home. The lyrics express reassurance to the individual, encouraging them to keep going, as they are not alone in their journey.

Response:
Just hold on, we're going home
Just hold on, we're going home
It's hard to do these things alone
Just hold on, we're going home


Prompt: A song about being attracted to someone, describing their appealing qualities and expressing a longing for their emotional connection, along with recognizing the person's good qualities and the changes they display when they are around the singer.

Response:
I got my eyes on you
You're everything that I see
I want your hot love and emotion endlessly
I can't get over you
You left your mark on me
I want your hot love and emotion endlessly
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'Cause you're a good girl and you know it
You act so different around me
'Cause you're a good girl and you know it
I know exactly who you could be


Prompt: A song about persevering through tough times and finding comfort in the support of loved ones, emphasizing the idea of returning home as a symbol of safety and unity.

Response:
So just hold on, we're going home (Going home)
Just hold on, we're going home (Going home)
It's hard to do these things alone (Things alone)
Just hold on, we're going home (Going home, going home)


Prompt: A lover is expressing their feelings to a girl they believe is the one they have loved and lost. They think there may still be unresolved emotions or a sense of longing, and the repetition of phrases emphasizes the depth of their emotions.

Response:
You're the girl, you're the one
Gave you everything I loved
I think there's something, baby
I think there's something, baby
You're the girl, you're the one
Gave you everything I loved (Oh)
I think there's something, baby
I think there's something, baby


Prompt: Write a song about a person who believes in the goodness of another, encouraging them to hold on and go home together.

Response:
'Cause you're a good girl and you know it
You act so different around me
'Cause you're a good girl and you know it
I know exactly who you could be
Oh, just hold on, we're going home (Going home)
Just hold on, we're going home (Going home)
It's hard to do these things alone (Things alone)
Just hold on, we're going home (Going home)
Home (Going home)


Prompt: Imagine a group of friends encouraging each other to stay strong and not sleep on the streets, while mentioning various locations and influential people in their lives, including Oliver, Niko, 15 Fort York, and Boi-1da, as they come together in a rap celebration.

Response:
Hol' it yute, hol' it, hol' it, hol' it, hol' it, hol' it
No sleepin' in the streets!
Shaky warrior
Yeah, this that Oliver, 40, Niko shit man
15 Fort York shit, y'know?
Boi-1da, what's poppin'?
Yeah, yeah


Prompt: A young man from the 6 (Toronto) raps about his journey to success, material desires, and the importance of staying true to oneself amidst the struggles of the city life. He reflects on his early experiences with style, fashion, and friendships, which have shaped who he is today. The song also highlights the contrast between real and fake people in his life and the importance of having a strong support system.

Response:
Runnin' through the 6 with my woes
Countin' money, you know how it goes
Pray the real live forever, man
Pray the fakes get exposed
I want that Ferrari, then I swerve
I want that Bugatti, just to hurt
I ain't rockin' my jewelry, that's on purpose
Niggas want my spot and don't deserve it
I don't like how serious they take themselves
I've always been me, I guess I know myself
Shakiness, man, I don't have no time for that
My city too turned up, I'll take the fine for that
This been where you find me at
That's been where you find me at
I know a nigga named Johnny Bling
He put me on to the finer things
Had a job sellin' Girbaud jeans
I had a yellow TechnoMarine
Then Kanye dropped, it was polos and backpacks
Man, that was when Ethan was pushin' a Subaru hatchback
Man, I'm talkin' way before hashtags
I was runnin' through the 6 with my woes
(Yeah!)
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Prompt: A rapper reflecting on the struggles and challenges of life in their city, while emphasizing the importance of avoiding confrontation with dangerous individuals.

Response:
I was runnin' through the 6 with my woes
You know how that shit go
You know how that shit go
You know how that shit go
Runnin' through the 6 with my woes
You know how that shit go
You know how that shit go
You know how that shit go
Don't fuck with them niggas, they too irrational, woah


Prompt: Write a song about being tired of repeating yourself, not wanting to hear about a specific situation ever again, and questioning the intentions of others in the music industry.

Response:
I don't wanna hear about this ever again
Not even when she tell him that they better as friends
Not even when you saying, "Drizzy, tell 'em again!"
I been puttin' on a show, it was a sell-out event
Oh, you need better seatin'
I didn't wanna do it, gave me every reason
The point I'm tryin' to make is I don't ever need 'em
Seen what you'd do for fame, what would you do for freedom?
Please, check 'em for a wire or a earpiece
Please, please do not let these niggas near me
Please, think before you come for the great one
Please, who's a real nigga and who ain't one?
Please, somebody stop me
I'm talkin' boasy and gwanin wassy
I got the fest in five days and it's my shit
Soon as a nigga hit the stage, they gon'


Prompt: A rapper brags about the success of their latest album, "Views", and how people will want to listen to it non-stop.

Response:
They gon' ask if I can play this shit back to back
Yeah, they want it back to back
They gon' ask if I can play this shit back to back
I took a break from Views, now it's back to that, nigga (Six)1.3KEmbed


Prompt: Write a song about someone who is no longer willing to offer their services for free and wants to be compensated for their hard work.

Response:
I'm really stepping up my game
These bitches gotta start paying me for this
Can't get no more free, Randy


Prompt: A rapper expressing gratitude for their success and asserting that they achieved it on their own, without help from anyone.

Response:
Got everything, I got everything
I cannot complain, I cannot
I don't even know how much I really made, I forgot, it's a lot
Fuck that, never mind what I got
Nigga don't watch that 'cause I—
Came up, that's all me, stay true, that's all me (yeah)
No help, that's all me, all me for real
Came up, that's all me, stay true, that's all me (2 Chainz)
No help, that's all me, all me for real


Prompt: A friend reaching out to another after a long time, questioning their friend's recent behavior and expressing concern for their well-being.

Response:
What's up?
Been a minute since we kicked it, you've been caught up
With them bitches, I don't get it, you're a star, love
You shouldn't have to deal with that
I'd never make you feel like that
'Cause


Prompt: Create a song that addresses a person's insecurities and fears, while emphasizing the importance of self-love and the power of giving and receiving love.

Response:
I love me
I love me enough for the both of us
That's why you trust me
I know you been through more than most of us
So what are you
What are you, what are you so afraid of?
Darling, you
You give, but you cannot take love


Prompt: A song that discusses the struggles and experiences of growing up in a diverse urban neighborhood, specifically addressing the importance of self-awareness and understanding one's background.

Response:
Been Baka aka Not Nice from time, G
Been a East Side ting
Scarborough ting from time, G
Been have up di ting dem from time, G
So I don't know what's wrong with these
Little wasteman out here, eh?
Y'all need to know yourself


Prompt: In this song, the singer is expressing the feeling of being surrounded by fake people who pretend to be their friends and show fake love towards them.

Response:
I've been down so long, it look like up to me
They look up to me
I got fake people showin' fake love to me
Straight up to my face, straight up to my face
I've been down so long, it look like up to me
They look up to me
I got fake people showin' fake love to me
Straight up to my face, straight up to my face


Prompt: Write a song about someone who feels misunderstood and doubts the intentions of others, emphasizing that they will not be easily manipulated or controlled.

Response:
Somethin' ain't right when we talkin'
Somethin' ain't right when we talkin'
Look like you hidin' your problems
Really you never was solid
No, you can't "son" me
You won't never get to run me
Just when shit look out of reach
I reach back like one, three
Like one, three, yeah


Prompt: The song talks about the feeling of being deceived by people who pretend to be your friend, but in reality, they want to take your place. The lyrics emphasize the feeling of being betrayed by fake love and the realization that the smiles and affection are not genuine.

Response:
That's when they smile in my face
Whole time they wanna take my place
Whole time they wanna take my place
Whole time they wanna take my place
Yeah, I know they wanna take my place
I can tell that love is fake
I don't trust a word you say
How you wanna clique up after your mistakes?
Look you in the face, and it's just not the same
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I've been down so long, it look like up to me
They look up to me
I got fake people showin' fake love to me
Straight up to my face, straight up to my face
I've been down so long, it look like up to me
They look up to me
I got fake people showin' fake love to me
Straight up to my face, straight up to my face


Prompt: A song about a person noticing a shift in someone's vibe or attitude, leading to a change in their relationship and a realization that things will never be the same again.

Response:
Yeah, straight up to my face, tryna play it safe
Vibe switch like night and day
I can see it, like, right away
I came up, you changed up
I caught that whole play
Since, things never been the same


Prompt: Discussing the challenges of recognizing and dealing with deceitful people in your life who show fake love and try to take your place.

Response:
That's when they smile in my face
Whole time they wanna take my place
Whole time they wanna take my place
Whole time they wanna take my place
Yeah, I know they wanna take my place
I can tell that love is fake (I can tell that love is fake)
I don't trust a word you say (I don't trust a word)
How you wanna clique up after your mistakes?
(That's just what I heard)
Look you in the face, and it's just not the same
I've been down so long, it look like up to me
They look up to me
I got fake people showin' fake love to me
Straight up to my face, straight up to my face
I've been down so long, it look like up to me
They look up to me
I got fake people showin' fake love to me
Straight up to my face, straight up to my face


Prompt: Write a song about someone warning others not to speak negatively about them while enjoying and dominating their favorite music.

Response:
Skrrt
And more chune for your headtop
So watch how you speak on my name, you know?


Prompt: A group of friends expressing their commitment to authenticity and loyalty in their relationships and choices.

Response:
Whole squad on that real shit
Whole squad on that real shit
Whole squad on that real shit, yeah


Prompt: Reflect on the good old days of the music industry and the creative process, contrasting it with the present-day focus on A&R men and trends. Celebrate the freedom and enjoyment of creating music without any constraints, and express hope for the longevity of real music.

Response:
Good God Almighty—like back in the old days
You know, years ago they had the A&R men to tell you what to play, how to play it and you know, whether it's disco and rock
But, uh, we just went in the studio and we did it
We had the champagne in the studio, of course
You know, compliments of the company
And we just laid back and did it
So we hope you enjoy listening to this album half as much as we enjoyed playing it for you
Because we had a ball
Only real music is gonna last
All that other bullshit is here today and gone tomorrow


Prompt: Rap about the importance of money and how it affects everything around us, emphasizing the power and influence it holds, using catchy repetitive phrases and slang.

Response:
Cash rules everything around me, frikki-frikki-frik
C.R.E.A.M.; get the-get the-get the-get the
Get the-get the-get the-get the money, dollar-dollar
D-d-d-d-dollar-dollar, dollar-dollar bill, y'all (Y'all, y'all)
Cash rules everything around me, C.R.E.A.M
Get the-get the-get the-get the-get the
Get the-get the-get the-get the mon-mon-money
Frikki-frikki-frikki, dollar-dollar-dollar bill, y'all (Y'all, y'all)


Prompt: A song about overcoming struggles and rising to success, focusing on an individual's journey and their team's support along the way.

Response:
Started—
Zombie on the track
Started from the bottom, now we're here
Started from the bottom, now my whole team fuckin' here
Started from the bottom, now we're here
Started from the bottom, now the whole team here, nigga
Started from the bottom, now we're here
Started from the bottom, now my whole team here, nigga
Started from the bottom, now we're here
Started from the bottom, now the whole team fuckin' here


Prompt: Imagine receiving a phone call from a friend who has been out all night at clubs, and they are struggling to comprehend the conversation.

Response:
Hello?
Yeah, I just walked in
Yeah, I'm good, you still working?
Tonight, right now?
Did I go out? Yeah, I went out, I went
I went to a couple of clubs
I never went to bed, shit
Wine or water?
Did you say something about a cold drink? I don't know
I'm delirious


Prompt: Create a song lyric about a person at a club feeling intoxicated and considering calling a woman from their past, despite knowing she's settled with someone else.

Response:
Cups of the rosé
Bitches in my old phone
I should call one and go home
I've been in this club too long
The woman that I would try
Is happy with a good guy
But I've been drinkin' so much
That I'ma call her anyway and say


Prompt: You're heartbroken over a past relationship, and your friend expresses concern and suggests you could do better, but you're not ready to move on and still think about the good times you had with your ex.

Response:
Fuck that nigga that you love so bad
I know you still think about the times we had
I say fuck that nigga that you think you found
And since you pick up, I know he's not around, oh, oh
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Are you drunk right now?
I'm just sayin' you could do better
Tell me, have you heard that lately?
I'm just sayin' you could do better
And I'll start hatin' only if you make me


Prompt: A group of friends gather for a night out, reminiscing and enjoying drinks, while one of them is about to leave on an early flight due to important commitments. The narrator questions the significance of their friend's obligations, considering how much they've been drinking and their intent to call regardless.

Response:
Uh, cups of the XO
All my people been here
I see all of her friends here
Guess she don't have the time to kick it no more
Flight's in the morning
What you doin' that's so important?
I've been drinkin' so much
That I'ma call you anyway and say


Prompt: A group of friends having a conversation while one of them is feeling sick. The discussion turns to a recent incident where they were called out by a white person, raising tensions and making everyone wonder if they'll get in trouble.

Response:
Just throw up while I hold your hair back
Her white friend said, "You niggas crazy," I hope no one heard that
Yeah, I hope no one heard that
'Cause if they did, we gon' be in some trouble, yeah
If they did, we gon' be in some trouble, trouble, oh


Prompt: A song that celebrates and encourages the expression of enthusiasm and agreement through repetitive, enthusiastic phrases.

Response:
And I say hell yeah, hell yeah, hell yeah
Fuckin' right, fuckin' right, alright
And we say hell yeah, hell yeah, hell yeah
Fuckin' right, fuckin' right, alright


Prompt: A song that celebrates and emphasizes the excitement and agreement of a group, using repetitive phrases and upbeat language.

Response:
And I say hell yeah, hell yeah, hell yeah
Fuckin' right, fuckin' right, alright
And we say hell yeah, hell yeah, hell yeah
Fuckin' right, damn right, alright
And we say hell yeah, hell yeah, hell yeah
Fuckin' right, fuckin' right, alright
And we say hell yeah, yeah, yeah, hell yeah
Fuckin' right, damn right, alright, aw, yeah


Prompt: A frustrated artist, upset over a botched studio session, rapping about starting over and needing the audience's support with drinks.

Response:
Hold on, hold on, fuck that
Fuck that shit
Hold on, I got to start this mothafuckin' record over again, wait a minute
Fuck that shit
Still on this mothafuckin’ record
I'ma play this mothafucka for y'all
Ayy, y’all get some more drinks goin' on
I'll sound a whole lot better


Prompt: Write a song that describes the complexities of a relationship where one partner struggles with personal issues and the couple's tension affects their connection.

Response:
Listen
Seein' you got ritualistic
Cleansin' my soul of addiction for now
'Cause I'm fallin' apart, yeah
Tension
Between us just like picket fences
You got issues that I won’t mention for now
’Cause we're fallin’ apart


Prompt: A song about a relationship that has grown distant, where the two individuals are struggling to maintain trust and commitment while dealing with the pain of separation.

Response:
Passionate from miles away
Passive with the things you say
Passin' up on my old ways
I can't blame you, no, no
Passionate from miles away
Passive with the things you say
Passin' up on my old ways
I can’t blame you, no, no
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Listen
Harder buildin' trust from a distance
I think we should rule out commitment for now
'Cause we're fallin' apart
Leavin'
You're just doing that to get even
Don't pick up the pieces, just leave it for now
They keep fallin' apart


Prompt: Imagine a song that is about someone feeling distant from another person, and they are trying to change their own behavior in response.

Response:
Passionate from miles away
Passive with the things you say
Passin' up on my old ways
I can't blame you, no, no
Passionate from miles away
Passive with the things you say
Passin' up on my old ways
I can't blame you, no, no


Prompt: During a lively party, the DJ asks the crowd who's representing their favorite music genre or style in the room, as they notice people coming and going throughout the night.

Response:
I wanna know who mothafuckin' representin' in here tonight
Hold on, hold on
I keep lettin' you back in (You back in)
How can I explain myself?


Prompt: A song with a mix of emotional and energetic lyrics, discussing the feelings of love, support, and sacrifice in a relationship, with a catchy beat that encourages listeners to dance or cut up to it.

Response:
Care for me, care for me, you said you'd care for me
There for me, there for me, said you'd be there for me
(Lil Weezyana shit)
Cry for me, cry for me, you said you'd die for me
(Murda on the beat)
Give to me, give to me, why won't you live for me?
Care for me, care for me, I know you care for me
(A song for y'all to cut up to, you know?)
There for me, there for me, said you'd be there for me (Yeah)
Cry for me, cry for me, you said you'd die for me
Give to me, give to me, why won't you live for me?


Prompt: Write a song about a confident and independent woman who isn't interested in slow songs, is taking care of her responsibilities, and enjoys showing off her style and achievements.

Response:
Everybody get your mothafuckin' roll on
I know shorty and she doesn't want no slow song
Had a man last year, life goes on
Haven't let that thing loose, girl, in so long
You've been inside, know you like to lay low
I've been peepin' what you bringin' to the table
Workin' hard, girl, everything paid for
First-last, phone bill, car note, cable
With your phone out, gotta hit them angles
With your phone out, snappin' like you Fabo
And you showin' off, but it's alright
And you showin' off, but it's alright (Alright!)
It's a short life, yeah
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Care for me, care for me, you said you'd care for me
There for me, there for me, said you'd be there for me
Cry for me, cry for me, you said you'd die for me
Give to me, give to me, why won't you live for me?


Prompt: Describe someone's impact and confidence in their presence, making others feel inferior and envious.

Response:
That's a real one in your reflection
Without a follow, without a mention
You really pipin' up on these niggas
You gotta be nice for what to these niggas?


Prompt: A song about a young, successful individual who has achieved a lot in a short time, despite facing hardships and challenges, and enjoys living life to the fullest on weekends.

Response:
I understand, you got a hunnid bands
You got a baby Benz, you got some bad friends
High school pics, you was even bad then
You ain't stressin' off no lover in the past tense
You already had them
Work at 8 A.M., finish 'round five
Hoes talk down, you don't see 'em outside
Yeah, they don't really be the same offline
You know dark days, you know hard times
Doin' overtime for the last month
Saturday, call the girls, get 'em gassed up
Gotta hit the club, gotta make that ass jump
Gotta hit the club like you hit them mothafuckin' angles
With your phone out, snappin' like you Fabo
And you showin' off, but it's alright
And you showin' off, but it's alright (Alright!)
It's a short life
Uh-huh (Oh yeah)
These hoes (They mad)
Your boy (I had)
I made (Watch the breakdown)


Prompt: Create a song about a person who has been abandoned by their loved one, feeling hurt and betrayed by their promises of care, support, and devotion.

Response:
Care for me, care for me, you said you'd care for me
There for me, there for me, said you'd be there for me
Cry for me, cry for me, you said you'd die for me
Give to me, give to me, why won't you live for me?


Prompt: Imagine a song where the lyrics are about jumping and lifting something, while also talking about asserting yourself and proving your worth to others.

Response:
Gotta make that jump, gotta make that, gotta, gotta make that
Gotta make that jump, gotta make that, gotta, gotta make that
Gotta, gotta, gotta g-g-gotta, g-g-gotta, gotta
Gotta, g-g-gotta, gotta, gotta make that jump, jump (Let's go)
Bend it over, lift it up, bend it over, lift it up
Make that jump, jump
Bend it over, lift it up, bend it over, lift it up
Make that jump, jump
Bend it over, over, over, over, over, lift it up
Make that jump, jump
Bend it over, lift it up (Make that jump, jump)
Bend it over, lift it up (Make that jump, jump)
That's a real one in your reflection
Without a follow, without a mention
You really pipin' up on these niggas
You gotta be nice for what to these niggas?
I understand


Prompt: A friend who promises to be there and support you, but seems to be struggling with living up to their word.

Response:
Care for me, care for me, you said you'd care for me
There for me, there for me, said you'd be there for me
Give to me, give to me, why won't you live for me?
Cry for me, cry for me, you said you'd cry for me


Prompt: A club anthem that explores the complexities of relationships and the fleeting nature of life.

Response:
Gotta hit the club like you hit them, hit them, hit them angles
(BlaqNmilD, you a genius, you diggin' me?)
It's a short life, yeah
Cry for me, cry for me, you said you'd die for me
Give to me, give to me, why won't you live for me?


Prompt: A song that uses the word "Lickwood" to represent "rewind" and "gunshot" to represent "forward," and playfully reacts to a listener's request to revisit an older part of the song.

Response:
Lickwood means "rewind" and gunshot means "forward"
You requested it, so we rewind
Yeah, way, way, way up
Turn it all up, yeah, look


Prompt: A hip-hop artist is reflecting on the challenges they face in life, including enemies, people draining their energy, personal issues with friends and family, and their experiences in the music industry.

Response:
I got enemies,  got a lot of enemies
Got a lot of people tryna drain me of my energy
They tryna take the wave from a nigga
Fuckin' with the kid and pray for your nigga
I got girls in real life tryna fuck up my day
Fuck goin' online, that ain't part of my day
I got real shit poppin' with my family too
I got niggas that can never leave Canada too (Six)
I got two mortgages, thirty million in total
I got niggas that'll still try fuckin' me over
I got rap niggas that I gotta act like I like
But my actin' days are over, fuck them niggas for life, yeah


Prompt: A rapper expresses frustration with their haters and competitors, while emphasizing loyalty to their real friends and asserting their determination to succeed despite the challenges they face.

Response:
Nah, fuck all of you niggas, I ain't finished
Y'all don't wanna hear me say it's a go
Y'all don't wanna see Win Win, 50 or Whoa
I got real ones livin' past Kennedy Road
I got real ones wit' me everywhere that I go
I'm tryna tell ya I got enemies, got a lot of enemies
Every time I see 'em, somethin' wrong with their memory
Tryna take the wave from a nigga
So tired of savin' all these niggas, mayne
Yeah, run 'em
I got enemies, got a lot of enemies
Got a lot of people tryna drain me of this energy
They tryna take the wave from a nigga
Fuckin' with the kid and pray for your nigga
(I'm off this)


Prompt: A jealous lover suspects their girlfriend may be unfaithful while attending a basketball game.

Response:
Breaking news, my niggas
If your girlfriend has went to any
Season opener basketball game
Best believe, she's fucking some niggas on that team
She's fucking somebody on the basketball team
If she's at the game
Right, right, yeah


Prompt: Write a song about a person who wants to impress someone and take them to the mall for a new outfit, while also emphasizing the desire to "bounce that shit like woah.

Response:
I say bounce that shit like woah
Yeah, bounce that shit like woah
This is not a fairytale, I already know how you like it
Take you to the mall and get you a new outfit
Girl, that's just some child's play
Bounce that shit like woah, woah, woah
Woah, woah, heard all of the stories about you
I already know and I like it
Take you to the mall and get you a new outfit
Girl, that's just some child's play
Bounce that shit like woah, yeah
Bounce that shit like woah


Prompt: A song that describes a strong and confident woman who is in control and embracing her sexuality.

Response:
Yeah, rode that dick like a soldier
She rode it like a soldier
She rode it like a jungle soldier
She rode it like a, yeah, yeah
I got it, yeah


Prompt: A tired individual is thanking Drake and expressing their exhaustion while being surrounded by intoxicated people.

Response:
Thank you, thanks, Drake, thanks baby
Motherfuckers drunk and tired
Tired, I'm tired, boss


Prompt: A character struggling to communicate with another person and feeling overshadowed by their friends.

Response:
Look...I don't know how to talk to you
I don't know how to ask you if you're okay
My friends always feel the need to tell me things
Seems like they're just happier than us these days
Yeah
These days I don't know how to talk to you
I don't know how to be there when you need me
It feels like the only time you see me
Is when you turn your head to the side and look at me differently
Yeah


Prompt: After a night out, the singer reflects on their actions and the expectations they faced, coming to a realization about their behavior and hoping the listener can understand and accept it.

Response:
And last night I think I lost my patience
Last night, I got high as your expectations
Last night, I came to a realization
And I hope you can take it
I hope you can take it, oh


Prompt: A person is expressing their frustration with someone they care about, who seems to take their love for granted and doesn't seem to understand or appreciate the effort they put into the relationship.

Response:
I'm too good to you
I'm way too good to you
You take my love for granted
I just don't understand it
No, I'm too good to you
I'm way too good to you
You take my love for granted
I just don't understand it
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I don't know how to talk to you
I just know I found myself getting lost with you
Lately you just make me work too hard for you
Got me on flights overseas, and I still can't get across to you


Prompt: Think about a time when you failed to meet someone's expectations, and then came to a realization that could change the outcome in the future.

Response:
And last night I think I lost my patience
Last night, I got high as your expectations
Last night, I came to a realization
And I hope you can take it
I hope you can take it, oh


Prompt: A person is expressing their frustration with someone who takes their affection for granted, emphasizing their own goodness and feeling unappreciated.

Response:
I'm too good to you
I'm way too good to you
You take my love for granted
I just don't understand it
No, I'm too good to you
I'm way too good to you
You take my love for granted
I just don't understand it


Prompt: A playful song about the emotions and desires one experiences when they feel a deep connection with someone, comparing themselves to a baby who looks up to their caregiver with complete trust and affection.

Response:
(Put a bib on me)
(Put a bib on me)
Rock me real slowly
Put a bib on me
I'm just like a baby, droolin' over you
The things you do


Prompt: Write a song about a person who has recently found a sense of purpose and is not ashamed of their past, while also navigating their relationships and the influence of social media.

Response:
These days I'm lettin' God handle all things above me
The things I can't change are the reason you love me
Listen, you can hear them callin' my name
I'm all over the place, I can't sit in one place
I'm not ashamed at all
Still findin' myself, let alone a soulmate, I'm just sayin'
Feel like we one and the same
Our relationship changed that, or it never existed
Whenever they say somethin' 'bout us, you listen
But fuck what they talkin' about on your timeline
That's cuttin' all into my time with you
Fuck what they talkin' about on your timeline
That's cuttin' all into my time with you
My time with you, my


Prompt: A young man and a woman who are deeply in love, but find themselves struggling with trust and commitment issues. The man often takes the woman for granted, and their relationship is tested multiple times. Despite these challenges, they always find their way back to each other, and their love remains unwavering.

Response:
Rock me real slowly
Put a bib on me
I'm just like a baby, droolin' over you
The things you do
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She said, "You're my everything"
"I love you through everything"
I done did everything to her
She forgave me for everything
This a "forever" thing
Hate that I treat it like it's a "whatever" thing
Trust me, girl, this shit is everything to me
She from the jungle
She from the jungle
I take somebody else's car, drive there undercover
This shit is everything to me
This shit is everything
Don't know where we stand
I used to hit you 'bout everything, oh
Are we still good? Are we still good?
Are we still good? Are we still good?
If I need to talk, are you around?
Are you down for the cause?
Are you down? Are you down? Are you down?
Are you down for the cause?
Are you down? Are you down? Are you down?
Are you down for the cause?
You still down? You still down? You still down?


Prompt: A song about the singer's deep attachment to someone, who they feel is irreplaceable, and the fear they feel when faced with the possibility of losing them. The singer compares their devotion to being like a baby and asks what they should do after they've done everything with this person. The chorus questions if they are still good together.

Response:
Rock me real slowly (Yeah)
Put a bib on me
I'm just like a baby, droolin' over you
(Give me back) The things you do
Yeah, these days, these new girls, they got me nervous
They go to school and do bottle service
They can't decide, they keep switchin' majors
Being indecisive makes me anxious
Call your number and it's out of service
Who can I call for your information?
What am I supposed to do after we done everything that we done?
Who is your replacement?
Are we still good? Are we still good?
Are we still good? Are we still good?