villianesses as well. The films’ screenwriters (adapting Ian Fleming ‘s’ classic spy novels) never met a double entendre they didn’t like. Seriously: with names “ Pussy Galore “, “ Holly Goodhead ” “ Plenty O’Toole “, “Bibi Dahl”, “Kissy Suzuki”, “Strawberry Fields”, “Molly Warmflash”, “ Xenia Onatopp “, “Fatima Blush”, “Bambi” and