powerfully epic style of orchestral composition and his intricate thematic designs, and he garnered attention for his scores to The Blue Lagoon (1980; dir: Kleiser); Conan the Barbarian (1982; dir: Milius); Conan the Destroyer (1984); Red Dawn (1984; dir: Milius), RoboCop (1987; dir: Verhoeven); The Hunt for Red October (1990); Free Willy (1993)