ambiguities, elegiac mysteries, comic vagaries, and other "quicksand-like" characteristics of memory and which critics sometimes classify as Pinter's "memory plays". [ 111 ] These include Landscape (1968), Silence (1969), Night (1969), Old Times (1971), No Man's Land (1975), The Proust Screenplay (1977), Betrayal (1978), Family Voices (1981), Victoria Station (1982), and