At the cotton gin
date: label: date made
content: 1894
name: label: maker
content: Eickemeyer, Jr., Rudolf
notes: label: Description
content: Rudolf Eickemeyer, Jr. (1862–1932) used a wide variety of printing processes, printing out some negatives in more than one medium. In his lectures, he pointed out that this approach to photography was important because in the hands of a photographer who “lives and understands the infinitely varied moods of nature, photography can be made to express and interpret them.” In correspondence with Dr. Olmstead at the Smithsonian, as the presentation of his gifts and bequest to the museum was being arranged, Eickemeyer wrote: “The collection illustrates the use of every important process and will, I believe, be of real educational value.”
label: Description
content: The first of the Eickemeyer photographic collection came to the National Museum’s Department of Arts and Industries (the “Castle”), Division of Graphic Arts in 1922 at the close of a large exhibition of Eickemeyer’s work at the Anderson Gallery in New York. It was a gift from the photographer of five framed prints from the New York show that he considered representative of his work.
label: Description
content: In 1929, Eickemeyer gave the Smithsonian 83 framed prints (including copies of the prints that he had previously given the museum), 15 portfolios, his medals and awards, and several miscellaneous photographic paraphernalia. In 1930, he made a will bequeathing most of his remaining prints, negatives, photographic equipment and other objects relating to his 30-year career as a photographer to the Smithsonian Institution.
label: Description
content: Upon Eickemeyer’s death in 1932, an accession consisting primarily of photographic equipment from his studio came to the Smithsonian. Included in the bequest were 2 cameras, several lenses, scales, timers, printing frames, plate holders, dry mounters and a lecture case with slide projector and hand-colored lantern slides. Also included were 43 albums, journals and portfolios and assorted negatives and contact prints, many marked “discards.” There are 58 albums, notebooks and portfolios in the collection. Eickemeyer requested in his will that his gifts and bequests be called The Rudolf Eickemeyer, Jr. Collection.
label: Description
content: The Eickemeyer accessions have remained remarkably intact over the past 50 years. With the exception of his medals and trophies (there is no record of these objects coming to the Museum of American History with the remainder of the collection), and the contact prints and negatives (his discards), most of the objects were assigned catalogue numbers and were clearly marked more than half a century ago.
label: Location
content: Currently not on view
place: label: place made
content: United States: Alabama, Mount Meigs
topic: label: Subject
content: Cotton
label: Subject
content: African American
label: Subject
content: Horses
label: Subject
content: Wagons
setName: label: See more items in
content: Work and Industry: Photographic History
label: See more items in
content: Photography
label: See more items in
content: Agriculture
label: See more items in
content: Rudolf Eickemeyer Jr. Collection
label: See more items in
content: Mount Meigs Album
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: PG.004135.B046.04
label: accession number
content: 106456
label: catalog number
content: 4135.B46.04
objectType: label: Object Name
content: platinum print
physicalDescription: label: Physical Description
content: paper (overall material)
label: Physical Description
content: platinum (overall production method/technique)
label: Measurements
content: image: 7 1/2 in x 9 3/8 in; 19.05 cm x 23.8125 cm
label: Measurements
content: overall: 19 1/2 in x 15 1/2 in; 49.53 cm x 39.37 cm