Nyckelharpa
date: label: date made
content: ca 1790
notes: label: Description
content: <p>This nyckelharpa was made by an unknown maker, probably Northern Uppland, Sweden, about 1790. It is a silverbasharpa model, body and neck/pegbox are made from one piece of plain fir, attached arched table of similar fir in one piece, pegs, keys, keybox, bridge and tailpiece of unfigured birch, and transparent yellow varnish. There is a handwritten label:</p>
label: Description
content: <p>Anno 1790</p>
label: Description
content: <p>A Scandinavian bowed “fiddle” with wooden keys and tangents fitted into a keybox similar to that of the hurdy-gurdy. The instrument, with a central flat bridge, commonly has melody, bourdon (drone) and sympathetic strings that pass along the side of, or through holes in the bridge. However, some early nyckelharpan were built without sympathetic strings. The instrument can be held from a neck strap or in the lap with the keys facing down for gravity return, is bowed toward the player’s body, and played sitting, standing or walking about. Tension on the bow hair is regulated by the player’s thumb or fingers in many individual variations of gripping the bow</p>
label: Description
content: <p>An early extant nyckelharpa is dated 1526, and such instruments are depicted in Danish and Swedish church iconography of the 14th and 15th centuries. While there is also evidence that it existed in Germany in the 16th century, the history of the nyckelharpa has unbroken documentation in Sweden from the 17th century to the present day.</p>
label: Description
content: <p>Characteristic of its type, this silverbasharpa (silver-drone keyed fiddle) is constructed with two rows of keys, two melody and two bass strings that are bowed, and nine sympathetic strings. Such a silverbasharpa model was preferred by players until the introduction
label: Description
content: of the kromatisk nyckelharpa in 1925. It is believed that an organ builder, Per Olof Gullbergson, first converted a kontrabasharpa into a silverbasharpa around 1838. An organist, Matts Wesslén, is then credited for making this instrument chromatic by adding a second row of keys. This information suggests this silverbasharpa bears a false date, or that it was rebuilt to its present form after 1838. The body and neck of this example are fashioned from a single piece of fir and the attached table is carved from similar fir in one piece. The square sound post passes through a hole in the back and is held in place by an interior wedge.</p>
label: Location
content: Currently not on view
place: label: place made
content: Sweden
setName: label: See more items in
content: Culture and the Arts: Musical Instruments
label: See more items in
content: Music & Musical Instruments
publisher: label: Related Publication
content: Densmore, Frances. Handbook of the Collection of Musical Instruments in the United States National Museum.
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: MI.216270
label: catalog number
content: 216270
label: accession number
content: 39663
objectType: label: Object Name
content: nyckelharpa
physicalDescription: label: Physical Description
content: fir (overall material)
label: Physical Description
content: birch (overall material)
label: Physical Description
content: gut (strings material)
label: Physical Description
content: copper (strings material)
label: Physical Description
content: steel (strings material)
label: Measurements
content: overall: 6 3/8 in x 34 in x 9 7/8 in; 16.1925 cm x 86.36 cm x 25.0825 cm