Meissen figure of a man playing the bagpipes
date: label: date made
content: ca 1740
label: date made
content: 1740
name: label: maker
content: Meissen Manufactory
notes: label: Description
content: TITLE: Meissen figure of a man playing the bagpipes
label: Description
content: MAKER: Meissen Manufactory
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content: PHYSICAL DESCRIPTION: ceramic, porcelain, hard paste (overall material)
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content: MEASUREMENTS: 5¼" 13.3cm
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content: OBJECT NAME: Figure
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content: PLACE MADE: Meissen, Saxony, Germany
label: Description
content: DATE MADE: 1736-1741
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content: SUBJECT: The Hans Syz Collection
label: Description
content: Art
label: Description
content: Domestic Furnishing
label: Description
content: Industry and Manufacturing
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content: CREDIT LINE: Hans C. Syz Collection
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content: ID NUMBER: 1992.0427.15
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content: COLLECTOR/ DONOR: 26
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content: ACCESSION NUMBER:
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content: (DATA SOURCE: National Museum of American History, Kenneth E. Behring Center)
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content: MARKS: Crossed swords in underglaze blue.
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content: PURCHASED FROM: Adolf Beckhardt, The Art Exchange, New York, 1941.
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content: This figure is from the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr. Syz (1894-1991) began his collection in the early years of World War II, when he purchased eighteenth-century Meissen table wares from the Art Exchange run by the New York dealer Adolf Beckhardt (1889-1962). Dr. Syz, a Swiss immigrant to the United States, collected Meissen porcelain while engaged in a professional career in psychiatry and the research of human behavior. He believed that cultural artifacts have an important role to play in enhancing our awareness and understanding of human creativity and its communication among peoples. His collection grew to represent this conviction.
label: Description
content: The invention of Meissen porcelain, declared over three hundred years ago early in 1709, was a collective achievement that represents an early modern precursor to industrial chemistry and materials science. The porcelains we see in our museum collections, made in the small town of Meissen in Germany, were the result of an intense period of empirical research. Generally associated with artistic achievement of a high order, Meissen porcelain was also a technological achievement in the development of inorganic, non-metallic materials.
label: Description
content: The figure, modeled by Johann Joachim Kaendler (1706-1775), wears a pointed hat and clothing typical of many representations of the Tyrolean Hanswurst (Hans Sausage), the Austrian version of Harlequin, and it is common to see Italian Comedy characters depicted with musical instruments played during their performances. The bagpipes or Dudelsack represent a rustic instrument popular in German-speaking Europe.
label: Description
content: This figure is recorded in Kaendler’s work book for July, 1736, as “a Harlequin with bagpipes “(“Einen Arlequin mit dem Tutel Sack.” He is also seen as one of a pair with the other figure described as “young Tyrolean woman, altered with the hurdy-gurdy and made good to mold” (Ein Tyroler Weibgen Verändert mit der Leyer und zum abformen tüchtig gemacht) in Die Arbeitsberichte des Meissener Porzellanmodelleurs Johann Joachim Kaendler 1706-1775, 2002, p.40. (See also Yvonne Adams, 2001, Meissen Figures 1730-1775: The Kaendler Years, p.89, where the two well-known figures represented in many collections feature as Harlequin and Columbine).
label: Description
content: Meissen figures and figure groups are usually sculpted in special modeling clay and then cut carefully into separate pieces from which individual molds are made. Porcelain clay is then pressed into the molds and the whole figure or group reassembled to its original form, a process requiring great care and skill. The piece is then dried thoroughly before firing in the kiln. In the production of complex figure groups the work is arduous and requires the making of many molds from the original model.
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content: The figure is painted in overglaze enamel colors.
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content: On the bagpipe see the New Grove Dictionary of Musical Instruments, Vol. 1, 1984, pp. 99-110; A History of European Folk Music, 1997, pp. 140-148.
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content: On the modeling and molding process still practiced today at Meissen see Alfred Ziffer, “‘…skillfully made ready for moulding…’ The Work of Johann Joachim Kaendler” in Pietsch, U., Banz, C., 2010, Triumph of the Blue Swords: Meissen Porcelain for Aristocracy and Bourgeoisie 1710-1815, pp.61-67.
label: Description
content: Hans Syz, J. Jefferson Miller II, Rainer Rückert, 1979, Catalogue of the Hans Syz Collection: Meissen Porcelain and Hausmalerei, pp. 442-443.
label: Location
content: Currently not on view
place: label: place made
content: Germany: Saxony, Meissen
topic: label: Subject
content: Manufacturing
setName: label: See more items in
content: Home and Community Life: Ceramics and Glass
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content: The Hans C. Syz Collection
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content: Meissen Porcelain: The Hans Syz Collection
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content: Art
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content: Domestic Furnishings
creditLine: label: Credit Line
content: Dr Hans Syz
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: 1992.0427.01
label: accession number
content: 1992.0427
label: catalog number
content: 1992.0427.01
label: collector/donor number
content: 26
objectType: label: Object Name
content: figurine
physicalDescription: label: Physical Description
content: blue underglaze (overall color)
label: Physical Description
content: hard-paste porcelain (overall material)
label: Physical Description
content: polychrome enamels (overall color)
label: Physical Description
content: figure (overall style)
label: Measurements
content: overall: 5 1/4 in; 13.335 cm
label: Measurements
content: overall: 5 3/16 in x 2 7/16 in x 2 9/16 in; 13.17625 cm x 6.19125 cm x 6.50875 cm