Jean-Baptiste Vuillaume Violin
date: label: Date made
content: 1860
name: label: maker
content: Vuillaume, Jean Baptiste
notes: label: Description (Brief)
content: <p>This violin was made by Jean Baptiste Vuillaume in Paris, France, in 1860. It is violin, Vuillaume #2296, made of a two-piece table of spruce with medium grain, two-piece back of quarter cut maple with narrow irregular flame, ribs and head are of similar maple, and reddish-orange varnish over a golden ground. There is an original label inside the instrument:</p>
label: Description (Brief)
content: <p>Jean Baptiste Vuillaume a Paris 3, rue Demours-Ternes</p>
label: Description (Brief)
content: <p>The French violin maker and dealer Jean-Baptiste Vuillaume (1798-1875) dominated the violin trade in the middle of the 19th century. Born in Mirecourt, a small town in the Vosges famous for its production of lace and violins, he established his workshops in Paris where his marketing genius flourished. In the traditions of the Amatis, Vuillaume was an innovator, making major contributions in bowmaking, mass-marketing, and dealing in old instruments. In addition to his Octobasse, a giant double bass, he created a specially shaped contralto viola, an automatic violin mute, and machines and clever gadgets to apply to his work. He gained great skills in imitating fine old Italian violins, and as he engaged a large number of assistants, his new instruments could be offered through volume sales. As the Vuillaume imitations became more accurate and impressive, he became the leading shop in Paris, and the first violin shop in Europe to be conducting business in every country.</p>
label: Description (Brief)
content: <p>His instruments are true copies rather than fakes, and all bear Vuillaume's own label. This is remarkable in that there were over 2000 of the best quality instruments, all supervised and varnished by Jean-Baptiste himself.</p>
label: Description (Brief)
content: <p>Vuillaume's influence on violin and bow makers was felt all across France. His astute business sense in appealing to a new democratic marketplace of both exclusive buyers and mass consumers is felt in the violin trade today. J.B. Vuillaume's mastery of the Cremonese traditions, combined with sustaining the mystique of the violin, guaranteed the production of immensely successful instruments and his legendary reputation as a dealer in fine old instruments.</p>
label: Location
content: Currently not on view
place: label: Place Made
content: France: Île-de-France, Paris
setName: label: See more items in
content: Culture and the Arts: Musical Instruments
label: See more items in
content: Music & Musical Instruments
creditLine: label: Credit Line
content: Gift of Evelyn and Herbert R. Axelrod
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: 2002.0074.01
label: accession number
content: 2002.0074
label: catalog number
content: 2002.0074.01
objectType: label: Object Name
content: violin
physicalDescription: label: Physical Description
content: spruce (overall material)
label: Physical Description
content: maple (overall material)
label: Measurements
content: overall: 23 1/2 in x 8 1/4 in x 3 7/8 in; 59.69 cm x 20.955 cm x 9.8425 cm