Our Future President
date: label: date made
content: 1867
name: label: maker
content: Kellogg & Bulkeley
notes: label: Description
content: Sentimental genre prints documented the social image of Victorian virtue through domestic scenes of courtship, family, home life, and images of the “genteel female.” Children are depicted studying nature or caring for their obedient pets as they learn their place in the greater world. Romantic scenes picture devoted husbands with their contented, dutiful wives. In these prints, young women educated in reading, music, needlework, the arts, the language of flowers, basic math and science are subjugated to their family’s needs.
label: Description
content: These prints became popular as lithography was introduced to 19th Century Americans. As a new art form, it was affordable for the masses and provided a means to share visual information by crossing the barriers of race, class and language. Sentimental prints encouraged the artistic endeavors of schoolgirls and promoted the ambitions of amateur artists, while serving as both moral instruction and home or business decoration. They are a pictorial record of our romanticized past.
label: Description
content: This hand colored print is of a baby boy seated in an ornate black and gold carriage with four large wheels, leather convertable hood and large tassel hanging from the side. The baby's gown has embroidery, and a velvet coat is draped on carriage. The carriage is depicted in a landscape setting.
label: Description
content: Kellogg & Bulkeley was the lithography firm formed from the partnership between Elijah Chapman Kellogg, Edmund Burke Kellogg, and William Henry Bulkeley. The firm was formed in 1867, and shortly after both Elijah Chapman Kellogg and his brother Edmund Burke Chapman retired. After their retirement the only Kellogg remaining in the business was Edmund’s son Charles Kellogg. By1871 the partnership between the Kellogg family and Bulkeley had been reorganized as an incorporated stock company. The company came to an end when is merged with Case, Lockwood, & Brainard to become Connecticut Printers in 1947. Connecticut Printers remained open until 1990 when the Kellogg lithography firm finally ended after 160 years.
label: Location
content: Currently not on view
place: label: place made
content: United States: Connecticut, Hartford
topic: label: Subject
content: Carriages
label: Subject
content: Children
label: Subject
content: Chronology: 1860-1869
label: Subject
content: Patriotism and Patriotic Symbols
label: Subject
content: U.S. National Government, executive branch
setName: label: See more items in
content: Home and Community Life: Domestic Life
label: See more items in
content: Clothing & Accessories
label: See more items in
content: Art
label: See more items in
content: Peters Prints
label: See more items in
content: Domestic Furnishings
publisher: label: Related Publication
content: Peters, Harry T.. America on Stone
creditLine: label: Credit Line
content: Harry T. Peters "America on Stone" Lithography Collection
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: DL.60.2241
label: catalog number
content: 60.2241
label: accession number
content: 228146
objectType: label: Object Name
content: lithograph
label: Object Type
content: Lithograph
physicalDescription: label: Physical Description
content: hand-colored (image production method/technique)
label: Physical Description
content: ink (overall material)
label: Physical Description
content: paper (overall material)
label: Measurements
content: image: 12 1/2 in x 9 in; 31.75 cm x 22.86 cm
label: Measurements
content: overall: 14 1/2 in x 10 in; 36.83 cm x 25.4 cm