Meissen stand for a tureen
date: label: date made
content: ca 1750
label: date made
content: 1750
name: label: maker
content: Meissen Manufactory
notes: label: Description
content: MARKS: Crossed swords in underglaze blue; “2” impressed;”52” impressed.
label: Description
content: PURCHASED FROM: E. Pinkus, New York, 1961.
label: Description
content: This oval stand is from the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr. Syz (1894-1991) began collecting in the early years of World War II, when he purchased eighteenth-century Meissen table wares from the Art Exchange run by the New York dealer Adolf Beckhardt (1889-1962). Dr. Syz, a Swiss immigrant to the United States, collected Meissen porcelain while engaged in a professional career in psychiatry and the research of human behavior. He believed that cultural artifacts have an important role to play in enhancing our awareness and understanding of human creativity and its communication among peoples. His collection grew to represent this conviction.
label: Description
content: The invention of Meissen porcelain, declared over three hundred years ago early in 1709, was a collective achievement that represents an early modern precursor to industrial chemistry and materials science. The porcelains we see in our museum collections, made in the small town of Meissen in the German States, were the result of an intense period of empirical research. Generally associated with artistic achievement of a high order, Meissen porcelain was also a technological achievement in the development of inorganic, non-metallic materials.
label: Description
content: The stand is from a large dinner service of which most pieces are Meissen but with some items made at the Höchst manufactory, presumably as replacements for items originally in the Meissen service. With a petal-shaped edge the plate has a molded foliate design on the flange and center known as the Gotzkowsky pattern, after the Berlin porcelain entrepreneur Johann Ernst Gotzkowsky (1710-1775), a pattern also known as “raised flowers” (erhabene Blumen) first modeled in 1741.
label: Description
content: Following the appointment to the manufactory in 1733 of court sculptor Johann Joachim Kaendler (1706-1775), modeling techniques became more sophisticated. The process of creating shallow relief patterns was laborious and required considerable skill. The sources for designs in relief came from pattern books and engravings, especially those by the French designer Jean Bérain the Elder (1638-1711), and the Nuremberg designer Paul Decker (1677-1713) among many others. Later rococo designs in the French style were disseminated through the German states principally by François Cuvilliés the Elder (1695-1768). These designs were applied in architecture, interior stucco work and wood carving, furniture, wall coverings, and ceramics.
label: Description
content: Painted in onglaze enamel are sprays of natural flowers and on the rim there is a gold diaper pattern.
label: Description
content: European flowers began to appear on Meissen porcelain in about 1740 as the demand for Far Eastern patterns became less dominant and more high quality printed sources became available in conjunction with growing interest in the scientific study of flora and fauna.
label: Description
content: The Meissen manufactory operated under a system of division of labor. Flower and fruit painters were paid less than workers who specialized in figures and landscapes, and most painters received pay by the piece rather than a regular wage. Decoration in gold was applied by specialists in gold painting and polishing at Meissen.
label: Description
content: On relief patterns and three dimensional modeling at Meissen see Reinheckel, G., 1968, ‘Plastiche Dekorationsformen im Meissner Porzellan des 18 Jahrhunderts’ in Keramos, 41/42, Juli/Oktober.
label: Description
content: On graphic sources for Meissen porcelain see Möller, K. A., “Meissen Pieces Based on Graphic Originals” in Pietsch, U., Banz, C., 2010, Triumph of the Blue Swords: Meissen Porcelain for Aristocracy and Bourgoisie 1710-1815, pp.85-93.
label: Description
content: Hans Syz, J. Jefferson Miller II, Rainer Rückert, 1979, Catalogue of the Hans Syz Collection: Meissen Porcelain and Hausmalerei, pp. 410-411.
label: Location
content: Currently not on view
place: label: place made
content: Germany: Saxony, Meissen
setName: label: See more items in
content: Home and Community Life: Ceramics and Glass
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content: The Hans C. Syz Collection
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content: Meissen Porcelain: The Hans Syz Collection
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content: Art
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content: Domestic Furnishings
creditLine: label: Credit Line
content: Dr Hans Syz
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: CE.245497.4
label: catalog number
content: 245497.4
label: accession number
content: 245497
label: collector/donor number
content: 1224
objectType: label: Object Name
content: stand
physicalDescription: label: Physical Description
content: hard-paste porcelain (overall material)
label: Physical Description
content: polychrome enamels and gold (overall color)
label: Physical Description
content: floral (overall style)
label: Measurements
content: overall: 10 1/2 in x 15 in; 26.67 cm x 38.1 cm
label: Measurements
content: overall: 2 3/4 in x 14 7/8 in x 10 5/8 in; 6.985 cm x 37.7825 cm x 26.9875 cm