Esther Williams
date: label: date made
content: ca 1941
name: label: depicted (sitter)
content: Williams, Esther
label: maker
content: Muray, Nickolas
notes: label: Description (Brief)
content: Nickolas Muray color carbro photograph of Esther Williams for <i>Modern Screen</i> Magazine ca. 1941. Two images of Williams, a close up on the right wearing a yellow hair piece and three cords of pearls. The other image is a full body view on the left holding a giant yellow daisy (stem is drawn in with green marker). Editing marks in pencil are drawn directly onto the photograph.
label: Description (Brief)
content: Recto: Signed and dated by the artist in the lower right corner (pencil). "Modern Screen Cover"(pencil). Verso: "#14 Esther Williams" (in pencil)
label: Description (Brief)
content: The photograph is mounted on Savage Illustration Board.
label: Description
content: Nickolas Muray was born in Szeged, Hungary on February 15, 1892. Twelve years after his birth, Muray left his native town and enrolled in a graphic arts school in Budapest. Enrolling in art school was the first step on a road that would eventually lead him to study a photographic printing process called three-color carbro. In the course of his accomplished career, Muray would become an expert in this process and play a key role in bringing color photography to America.
label: Description
content: While attending art school in Budapest, Muray studied lithography and photoengraving, earning an International Engraver's Certificate. Muray was also introduced to photography during this time period. His combined interest in photography and printmaking led him to Berlin, Germany to participate in a three-year color-photoengraving course. In Berlin, Muray learned how to make color filters, a first step in the craft that would one day become his trademark. Immediately after the completion of the course, Muray found a good job with a publishing company in Ullstein, Germany. However, the threat of war in Europe forced Muray to flee for America in 1913. Soon after his arrival in New York, Muray was working as a photoengraver for Condé Nast. His specialty was color separations and half-tone negatives.
label: Description
content: By 1920, Muray had established a home for himself in the up-and-coming artists' haven of Greenwich Village. He opened a portrait studio out of his apartment and continued to work part time at his engraving job. Harper's Bazaar magazine gave Muray his first big assignment in 1921. The project was to photograph Broadway star Florence Reed. The magazine was so impressed with his photographs that they began to publish his work monthly. This allowed him to give up his part time job and work solely as a photographer. It did not take long for Muray to become one of the most renowned portrait photographers in Manhattan. Muray spent much of the early 1920s photographing the most famous and important personalities in New York at the time.
label: Description
content: In his spare time Muray enjoyed fencing. In 1927, he won the National Sabre Championship and in 1928 and 1932, he was on the United States Olympic Team. During World War II, Muray was a flight lieutenant in the Civil Air Patrol.
label: Location
content: Currently not on view
topic: label: Subject
content: Motion Pictures
label: Subject
content: Magazines
label: Subject
content: Dancers
setName: label: See more items in
content: Work and Industry: Photographic History
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content: Popular Entertainment
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content: Nickolas Muray
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content: Photography
creditLine: label: Credit Line
content: Gift of Nickolas Muray
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: PG.007920
label: catalog number
content: 7920
label: accession number
content: 258415
objectType: label: Object Name
content: carbro print
physicalDescription: label: Physical Description
content: paper (overall material)
label: Measurements
content: overall: 50.6 cm x 39.2 cm x .5 cm; 19 15/16 in x 15 7/16 in x 3/16 in