William J. Florence portrait ny Henry Atwell Thomas
date: label: Date made
content: n.d.
name: label: depicted
content: Florence, William Jermyn
label: maker
content: Thompson Medical Company
label: maker
content: Thomas, Henry Atwell
notes: label: Description
content: This black and white print is a full-length portrait of William J. Florence sitting on a balcony. In the background are sailboats on a body of water. A daybill or label indicating the performance was at the The Park Theatre on a Saturday in March, is pasted across the bottom margin.
label: Description
content: The Park Theater was built in 1798 on Park Row in Manhattan and was New York City’s premiere performance space in the early 19th Century. It attracted a diverse audience with each class sitting in its preferred section. Working class men sat in the pit; members of the upper class and women in the boxes; the least affluent sat or stood in the balcony, including immigrants, people of color, and prostitutes.
label: Description
content: William J. (Billy) Florence (1831-1891) was an Irish American performer, song writer and playwright. He was born William Jermyn Conlin (his birth name is cited in some sources as Bernard Conlin) in Albany, New York and raised in New York City. He broke into show business working as a call boy at the Old Bowery Theater while rehearsing plays at night. Florence made his professional debut in Richmond, Virginia in 1849 in <i>The Stranger</i> and returned to New York to perform in <i>Home</i> in 1850. His unassuming charm, skill at imitating various dialects and ability to convey the humanity of his characters all helped him win over audiences. He married actress Malvina Pray (1831-1906) in 1853, and the two frequently appeared together, with Florence playing the part of an Irishman and Malvina Pray as that of a Yankee. In 1836, Florence launched a successful national tour starring in <i>The Ticket-of-Leave Man</i>, a detective melodrama about a former convict. He and Pray also scored a hit in an 1875 play called <i>The Mighty Dollar</i>, which was inspired by her observations of wealthy Americans abroad. They performed together in the play more than 2500 times during the 1870s and 1880s. In his later years, Florence formed a comedy act with actor Joseph Jefferson. His stage name was inspired by his love for Florence, Italy, where he had an apartment. Billy Florence was also a Freemason and has been credited with co-founding the Shriners, whose official name was the Ancient Arabic Order of the Nobles of the Mystic Shrine.
label: Description
content: This lithograph was produced by Henry Atwell Thomas (1834-1904). He was an artist, portrait painter, and lithographer especially well known for his theatrical portraits. His New York firm was called H. A. Thomas Lith. Studio until 1887, when it became H. A. Thomas & Wylie Lithographic (sometimes cited as Lithography or Lithographing) Company.
label: Location
content: Currently not on view
place: label: place made
content: United States: New York, New York City
topic: label: Subject
content: Furnishings
label: Subject
content: Adornment
label: Subject
content: Flowers
label: Subject
content: Theater
setName: label: See more items in
content: Home and Community Life: Domestic Life
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content: Clothing & Accessories
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content: Advertising
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content: Art
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content: Peters Prints
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content: Domestic Furnishings
creditLine: label: Credit Line
content: Harry T. Peters "America on Stone" Lithography Collection
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: DL.60.3052
label: catalog number
content: 60.3052
label: accession number
content: 228146
objectType: label: Object Name
content: lithograph
label: Object Type
content: Lithograph
physicalDescription: label: Physical Description
content: paper (overall material)
label: Physical Description
content: ink (overall material)
label: Measurements
content: image: 19 in x 14 1/4 in; 48.26 cm x 36.195 cm