1877 - 1946 Aimee Hodge's Crazy-patchwork Parlor Throw
date: label: date made
content: 1877-1946
name: label: maker
content: Hodge, Aimee Elkington
notes: label: Description
content: Aimee Elkington was twelve when she first embroidered a ribbon for this decorative parlor throw in 1877. It was the beginning of the popularity of “crazy quilts,” decorative tops that were pieced of irregularly shaped bits of silk fabrics, elaborately embroidered, and lined with a silk or cotton fabric. While some may have been used as bedcovers, more often they were displayed in the parlor.
label: Description
content: Merchants sold packages of fabric samples, instructions for assembling them, and embroidery patterns to add an endless variety of designs and ornamental stitches. Often the throws were individualized by incorporating mementoes such as campaign ribbons, embroidered or printed poems, and significant phrases, dates or initials. Aimee employed many of the popular motifs and techniques on her throw.
label: Description
content: The parlor throw is composed of twenty-five crazy-patched and embroidered blocks. In 1946, almost seventy years after she first started, Aimee joined the blocks together. She died shortly after, before she could add a planned border and lining. Among the motifs are fans, cattails, sunflowers, spider webs, and hearts, all frequently found on other parlor throws. Flowers were not only embroidered but also made of puckered and tacked velvet, padded silk pile, or silk floss that was tacked down and sheared. Applique, crazy patchwork, hand-painting, and fancy embroidery stitches were used to create the elaborate top.
label: Description
content: The embroidered initials “AE” in the center signify Aimee Elkington. Some of the blocks may have memorialized friends, such as the crane motif, said to be included for a friend named Crane. A poem, “Easter” by William Croswell, printed on one silk patch, may have had special significance for Aimee. The silk, satin, and velvet fabrics are typical of the period, as are the many colors of silk embroidery thread, chenille, and metallic cord used to embellish them. Created over a lifetime, it is in the rendition that Aimee created a unique and very personal object.
label: Description
content: Aimee Elkington was born in Toledo, Ohio, in 1865. She married a Mr. Shepherd, and the couple's daughter, Glaydes, was born in Florida about 1890. On the 1900 census, Aimee was widowed, she and young daughter were living with her mother, Elizabeth Elkington Power, and stepfather, Samuel Power, in Eustis, Lake County, Fla. By 1910 Aimee had remarried, to John L. Hodge, and was living in Lucas, Ohio. As a young child in 1868, John had moved from Canada to the United States. Aimee died in 1946. Glaydes, Aimee’s daughter, donated the quilt (parlor throw) in 1970 and was “delighted to have [my mother’s quilt] in an interesting and wonderful place.”
label: Location
content: Currently not on view
topic: label: Subject
content: Quilting
setName: label: See more items in
content: Home and Community Life: Textiles
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content: Family & Social Life
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content: Textiles
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content: Domestic Furnishings
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content: Quilts
creditLine: label: Credit Line
content: Miss Glaydes Shepherd Hodge
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: TE.T15200A
label: catalog number
content: T15200A
label: accession number
content: 291108
objectType: label: Object Name
content: quilt
physicalDescription: label: Physical Description
content: fabric, silk, satin, taffeta, velvet, ribbon (overall material)
label: Physical Description
content: thread, silk, cotton, chenille, metallic cord (overall material)
label: Measurements
content: overall: 67 in x 67 in; 170 cm x 170 cm