Meissen tea caddy and cover
date: label: date made
content: ca 1715-1720
label: date made
content: 1715-1720
name: label: maker
content: Meissen Manufactory
notes: label: Description
content: TITLE: Meissen tea caddy and cover (Hausmalerinnen)
label: Description
content: MAKER: Meissen Manufactory
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content: PHYSICAL DESCRIPTION: ceramic, porcelain, hard paste (overall material)
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content: MEASUREMENTS: 4" 10.2 cm
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content: OBJECT NAME: Tea caddy and cover
label: Description
content: PLACE MADE: Meissen, Saxony, Germany
label: Description
content: DATE MADE: 1717-1720
label: Description
content: SUBJECT: The Hans Syz Collection
label: Description
content: Art
label: Description
content: Domestic Furnishing
label: Description
content: Industry and Manufacturing
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content: CREDIT LINE: Hans C. Syz Collection
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content: ID NUMBER: 1987.0896.38 a,b
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content: COLLECTOR/ DONOR: 668 a,b
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content: ACCESSION NUMBER:
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content: (DATA SOURCE: National Museum of American History, Kenneth E. Behring Center)
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content: MARKS: None
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content: PURCHASED FROM: Hans E. Backer, London, England, 1947.
label: Description
content: This tea caddy is from the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr. Syz (1894-1991) began his collection in the early years of World War II, when he purchased eighteenth-century Meissen table wares from the Art Exchange run by the New York dealer Adolf Beckhardt (1889-1962). Dr. Syz, a Swiss immigrant to the United States, collected Meissen porcelain while engaged in a professional career in psychiatry and the research of human behavior. He believed that cultural artifacts have an important role to play in enhancing our awareness and understanding of human creativity and its communication among peoples. His collection grew to represent this conviction.
label: Description
content: The invention of Meissen porcelain, declared over three hundred years ago early in 1709, was a collective achievement that represents an early modern precursor to industrial chemistry and materials science. The porcelains we see in our museum collections, made in the small town of Meissen in Germany, were the result of an intense period of empirical research. Generally associated with artistic achievement of a high order, Meissen porcelain was also a technological achievement in the development of inorganic, non-metallic materials.
label: Description
content: The tea caddy was made in the Meissen manufactory but painted outside by an independent artist. Hausmalerei is a German word that means in literal translation ‘home painting’, and it refers to the practice of painting enamels and gold onto the surface of blank ceramics and glass in workshops outside the manufactory of origin. Beginning in the seventeenth century the work of the Hausmaler varied in quality from the outstanding workshops of Nuremberg, Augsburg, and Breslau (now Wroclaw in Poland), to the less skilled efforts of amateur artists. Early Meissen porcelain was sought after for this purpose, and wealthy patrons of local enameling and gilding workshops purchased undecorated porcelain, often of out-moded or inferior quality, which was then enameled with subjects of their choice. Hausmalerei was at first acceptable to the early porcelain manufactories like Meissen and Vienna, and Meissen sent blank porcelain to Augsburg workshops for decoration, but as the market became more competitive they tried to eradicate the practice. It was a temptation for Meissen porcelain painters to take on extra work as Hausmaler to augment their low pay, and the manufactory cautioned or even imprisoned them if Hausmalerei activity was suspected or discovered.
label: Description
content: The tea caddy was painted in Augsburg in the 1730s, probably by Anna Elizabeth Wald (b.1696) and Sabina Hosennestel (b.1706), the daughters of gold worker and Hausmaler Johann Aufenwerth (d. 1728). Two hundred years earlier Augsburg was the center of international merchant banking, and it is no coincidence that it was also a center for goldsmith work of exceptional quality. Although no longer a powerful city in the eighteenth century, Augsburg was still renowned for its high quality artisan trades in precious metals, book production, and textiles. Hausmalerei was one among many subsidiary trades that met demands from other workshops, individual clients, and new manufactories like that of Meissen.
label: Description
content: The tea caddy has a hexagonal baluster form and the arrowhead border on top of the cover is a device often seen in Augsburg Hausmalerei. The elaborate scrolled section below the chinoiseries of gentlemen smoking and taking tea, is characteristic of another Augsburg Hausmaler, Abraham Seuter (1689-1747), and may indicate cross influences between the two workshops. It is also possible that the source was a pattern book published by Jeremias Wolff of Augsburg with designs illustrated on early porcelain models from the Meissen manufactory and the DuPaquier manufactory in Vienna (see Cassidy-Geiger, M., “Graphic Sources for Meissen Porcelain: Origins of the Print Collection in the Meissen Archives” Metropolitan Museum Journal, Vol 31(1996) pp.99-126).
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content: On the Augsburg Hausmaler and Hausmalerinnen see Ducret, S., 1971, Meissner Porzellan bemalt in Augsburg, 1718 bis um 1750, Band 1 Goldmalereien und bunte Chinoiserien.
label: Description
content: On Hausmaler see Ulrich Pietsch, 2011, Early Meissen Porcelain: The Wark Collection from The Cummer Museum of Art and Gardens, pp. 43-46.
label: Description
content: Hans Syz, J. Jefferson Miller II, Rainer Rückert, 1979, Catalogue of the Hans Syz Collection: Meissen Porcelain and Hausmalerei, pp. 508-509.
label: Location
content: Currently not on view
place: label: place made
content: Germany: Saxony, Meissen
setName: label: See more items in
content: Home and Community Life: Ceramics and Glass
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content: The Hans C. Syz Collection
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content: Meissen Porcelain: The Hans Syz Collection
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content: Art
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content: Domestic Furnishings
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: 1987.0896.38ab
label: catalog number
content: 1987.0896.38ab
label: accession number
content: 1987.0896
label: collector/donor number
content: 668
objectType: label: Object Name
content: caddy, tea
physicalDescription: label: Physical Description
content: hard-paste porcelain (overall material)
label: Physical Description
content: polychrome enamel and gold (overall color)
label: Physical Description
content: Hausmaler chinoiserie (overall style)
label: Measurements
content: overall: 4 in; 10.16 cm
label: Measurements
content: overall: 4 in x 3 5/16 in x 3 in; 10.16 cm x 8.41375 cm x 7.62 cm