Meissen figure of a hunter
date: label: date made
content: ca 1750
label: date made
content: 1750
name: label: maker
content: Meissen Manufactory
notes: label: Description
content: TITLE: Meissen figure of a huntsman
label: Description
content: MAKER: Meissen Manufactory
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content: PHYSICAL DESCRIPTION: ceramic, porcelain, hard paste (overall material)
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content: MEASUREMENTS: 6¼" 15.9 cm
label: Description
content: OBJECT NAME: Figure
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content: PLACE MADE: Meissen, Saxony, Germany
label: Description
content: DATE MADE: 1750
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content: SUBJECT: The Hans Syz Collection
label: Description
content: Art
label: Description
content: Domestic Furnishing
label: Description
content: Industry and Manufacturing
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content: CREDIT LINE: Hans C. Syz Collection
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content: ID NUMBER: 76.372
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content: COLLECTOR/ DONOR: 47
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content: ACCESSION NUMBER:
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content: (DATA SOURCE: National Museum of American History, Kenneth E. Behring Center)
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content: MARKS: Crossed swords in underglaze blue.
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content: PURCHASED FROM: Adolf Beckhardt, The Art Exchange, New York, 1941.
label: Description
content: This figure is from the Smithsonian’s Hans Syz Collection of Meissen Porcelain. Dr. Syz (1894-1991) began his collection in the early years of World War II, when he purchased eighteenth-century Meissen table wares from the Art Exchange run by the New York dealer Adolf Beckhardt (1889-1962). Dr. Syz, a Swiss immigrant to the United States, collected Meissen porcelain while engaged in a professional career in psychiatry and the research of human behavior. He believed that cultural artifacts have an important role to play in enhancing our awareness and understanding of human creativity and its communication among peoples. His collection grew to represent this conviction.
label: Description
content: The invention of Meissen porcelain, declared over three hundred years ago early in 1709, was a collective achievement that represents an early modern precursor to industrial chemistry and materials science. The porcelains we see in our museum collections, made in the small town of Meissen in Germany, were the result of an intense period of empirical research. Generally associated with artistic achievement of a high order, Meissen porcelain was also a technological achievement in the development of inorganic, non-metallic materials.
label: Description
content: In his work book Die Arbeitsberichte des Meissener Porzellanmodelleurs Johann Joachim Kaendler (1706-1775) records repairs made to a figure of a Dutch hunter with his shotgun in his right hand, his powder flask slung over his left shoulder, and his dog lying at his feet. The original mold was destroyed completely during the Seven Years War when the Meissen Manufactory was in the hands of Frederick II of Prussia who invaded Saxony in 1756. The model was repaired for re-molding in 1764 after hostilities ceased. (See Johann Joachim Kaendler, 2002, Die Arbeitsberichte des Meissener Porzellanmodelleurs Leipzig, p. 128, September 1764).
label: Description
content: Hunting subjects were very popular in just about every branch of the visual arts in the eighteenth century. All facets of the hunt can be found from violent depictions of the kill to a hunter and his dog at rest as seen in this figure. Not all hunting subjects represented the court chase. Hunting on a less excessive and damaging scale took place informally as part of the husbandry of farming and the management of estates.
label: Description
content: Meissen figures and figure groups are usually sculpted in special modeling clay and then cut carefully into separate pieces from which individual molds are made. Porcelain clay is then pressed into the molds and the whole figure or group reassembled to its original form, a process requiring great care and skill. The piece is then dried thoroughly before firing in the kiln. In the production of complex figure groups the work is arduous and requires the making of many molds from the original model.
label: Description
content: The figure is painted in overglaze enamel colors and gold. It is possible that figures with this subject were used to decorate the dessert table at feasts celebrating a hunt, and then later collected for display in cabinets.
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content: On the modeling and molding process still practiced today at Meissen see Alfred Ziffer, “‘…skillfully made ready for moulding…’ The Work of Johann Joachim Kaendler” in Pietsch, U., Banz, C., 2010, Triumph of the Blue Swords: Meissen Porcelain for Aristocracy and Bourgeoisie 1710-1815, pp.61-67.
label: Description
content: Johann Joachim Kaendler, Die Arbeitsberichte des Meissener Porzellanmodelleurs Leipzig: Edition Leipzig, 2002, p. 128, September 1764.
label: Description
content: Hans Syz, J. Jefferson Miller II, Rainer Rückert, 1979, Catalogue of the Hans Syz Collection: Meissen Porcelain and Hausmalerei, pp. 464-465.
label: Location
content: Currently not on view
place: label: place made
content: Germany: Saxony, Meissen
topic: label: Subject
content: Manufacturing
setName: label: See more items in
content: Home and Community Life: Ceramics and Glass
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content: The Hans C. Syz Collection
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content: Meissen Porcelain: The Hans Syz Collection
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content: Art
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content: Domestic Furnishings
creditLine: label: Credit Line
content: Dr Hans Syz
dataSource: label: Data Source
content: National Museum of American History
identifier: label: ID Number
content: CE.76.372
label: catalog number
content: 76.372
label: accession number
content: 1977.0166
label: collector/donor number
content: 47
objectType: label: Object Name
content: figurine
physicalDescription: label: Physical Description
content: blue (overall color)
label: Physical Description
content: hard-paste porcelain (overall material)
label: Physical Description
content: polychrome enamels (overall color)
label: Physical Description
content: male figure with dog (overall style)
label: Measurements
content: overall: 6 1/4 in; 15.875 cm
label: Measurements
content: overall: 6 1/16 in x 3 1/8 in x 2 3/8 in; 15.39875 cm x 7.9375 cm x 6.0325 cm